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Dr. Thomas Madden, Professor of Medieval History and Director of the Center for Medieval and Renaissance Studies at Saint Louis University, sits down to set the record straight on the Crusades. Demystifying one of history's most misunderstood chapters. Dr. Madden draws on 30 years of scholarship and archival work to trace the full arc of the Crusades from their origins in centuries of Muslim expansion to the catastrophic Fourth Crusade's sack of Constantinople. Whether you think the Crusades were an act of aggression, piety, or geopolitical chaos, this conversation will challenge what you thought you knew. Ep. 568 Dr. Thomas Madden's book "The Concise History of the Crusades" is available here: https://a.co/d/0jjYdCFm - - - Today's Sponsors: St. Paul Center - Join the Bible Study movement alongside a global community. Sign up today at https://stpaulcenter.com/pints PreBorn - Make a difference for generations to come. Donate securely online at https://preborn.com/PINTS or dial #250 keyword 'BABY' Good Ranchers - Subscribe and get $100 off over your first three orders when you use code PINTS at https://GoodRanchers.com Charity Mobile - Visit https://charitymobile.com/MATTFRADD to get started. Shopify - Sign up for your $1-per-month trial and start selling today at https://Shopify.com/pints - - - Become a Daily Wire Member and watch all of our content ad-free: https://www.dailywire.com/subscribe
The Library of Lost Maps by James Cheshire, Professor of Geographic Information and Cartography, tells the story of the discovery of a treasure-trove at the heart of University College London. In a long-forgotten room James found thousands of maps and atlases. This abandoned archive reveals how maps have traced the contours of the world, inspiring some of the greatest scientific discoveries, as well as leading to terrible atrocities and power grabs. But maps have not always been used to navigate or reveal the world, according to a new exhibition at the British Library on Secret Maps (from 24 October 2025 to 18 January 2026). Jerry Brotton, Professor of Renaissance Studies at Queen Mary University of London, and author of Four Points of the Compass, explains how mysterious maps throughout history have been used to hide, shape and control knowledge. The biographer Jenny Uglow celebrates a different kind of mapping in her new book, A Year with Gilbert White: The First Great Nature Writer. In 1781 the country curate Gilbert White charted the world around him – from close observation of the weather, to the migration of birds to the sex lives of snails and the coming harvest – revealing a natural map of his Hampshire village.Producer: Katy Hickman Assistant Producer: Natalia Fernandez
What were the top musical hits of Shakespeare's England? What lyrics were stuck in people's heads? What stories did they sing on repeat? The 100 Ballads project is a deep dive into the hits of early modern England—a kind of 17th-century Billboard Hot 100. Drawing from thousands of surviving printed ballads, researchers Angela McShane and Christopher Marsh have ranked the most popular songs of the period. These broadsides—cheaply printed sheets sold for a penny—offer surprising insight into the period's interests, humor, and even news headlines. McShane and Marsh discuss what these ballads tell us about moral norms, sensationalism, and everyday life. Some are instructive, some are bawdy, and some are unexpectedly feminist. This episode brings to life the soundscape of Shakespeare's world with clips from newly recorded versions of the most popular ballads and a look at how the team developed their ranking system. >> Explore the project and hear the songs yourself at www.100ballads.org Christopher Marsh is Professor of Cultural History at Queen's University, Belfast. He has published extensively on various aspects of society and culture in sixteenth- and seventeenth-century England. His most relevant book in relation to the 100 Ballads project is Music and society in early modern England (Cambridge, 2010). This is an overview of music-making in the 16th and 17th centuries, and it includes chapters on musicians, dancing, bell-ringing, psalm-singing and, of course, ballads. Angela McShane is an Honorary Reader in History at the University of Warwick. She is a social and cultural historian, researching the political world of the broadside ballad and the political and material histories of intoxicants and the everyday. She has published widely on political balladry, including numerous book chapters, and journal articles in Past and Present, Renaissance Studies, Journal of British Studies, Journal of Early Modern History, Popular Music Journal and Media History. She is also the author of a reference work, Political Broadside Ballads in Seventeenth Century England: A Critical Bibliography (2011). A monograph on the broadside ballad trade and its politics in seventeenth-century Britain is forthcoming with Boydell and Brewer. She is also a Co-Investigator for a related website and book project: “Our Subversive Voice: The history and politics of protest music 1600-2020.” From the Shakespeare Unlimited podcast. Published May 6, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world'. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. WithHelen Wilcox Professor Emerita of English Literature at Bangor UniversityVictoria Moul Formerly Professor of Early Modern Latin and English at UCLAndSimon Jackson Director of Music and Director of Studies in English at Peterhouse, University of CambridgeProducer: Simon TillotsonReading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977)Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production
How can educators effectively incorporate discussions about race into the study of Shakespeare and other premodern texts in the college classroom? Barbara Bogaev speaks with scholars Ayanna Thompson and Ruben Espinosa about Throughlines, a pedagogical resource developed by the Arizona Center for Medieval and Renaissance Studies at Arizona State University. This free online tool offers professors a variety of accessible teaching materials for incorporating premodern critical race studies into their teaching. Specifically designed for use in higher education, the materials include lectures, syllabi, and activities on a unique and expansive range of topics that will continue to grow. >>Explore Throughlines, a free online resource for the college classroom at throughlines.org Espinosa and Thompson share their experiences teaching Shakespeare in diverse higher education settings. Their conversation underscores students' need for open dialogue and provides practical strategies for navigating these discussions. They offer valuable insights for experienced professors and those new to teaching, highlighting the value of integrating premodern critical race studies into studying Bard's works and other literature and history. Ayanna Thompson Ayanna Thompson is a Regents Professor of English at Arizona State University and Executive Director of the Arizona Center for Medieval and Renaissance Studies. Thompson, an influential Shakespeare scholar, is the author of many titles, including Blackface and Shakespeare in the Theatre: Peter Sellars. She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. Thompson's leadership extends beyond the university, serving on the boards of the Royal Shakespeare Company, Play On Shakespeare, and Folger Shakespeare Library. She is a Shakespeare Scholar in Residence at The Public Theater in New York. In 2021, she was elected to the American Academy of Arts and Sciences. Ruben Espinosa Ruben Espinosa is the Director of the Arizona Center for Medieval and Renaissance Studies and a Professor of English at Arizona State University. He is the author of many titles, and most recently, Shakespeare on the Shades of Racism. He is the current President of the Shakespeare Association of America, and he serves on the Editorial Boards of Shakespeare Quarterly, Exemplaria: Medieval, Early Modern, Theory, and Palgrave's "Early Modern Cultural Studies" series. He is working on his next monograph, Shakespeare on the Border: Language, Legitimacy and La Frontera.
This episode is an interview with Nadia van Pelt about her new book, Intercultural Explorations and the Court of Henry VIII which came out with OUP in December 2023. In this episode Dr Ellie Woodacre asks the author about the inspiration behind the book, the role of the fool at the Tudor court and about an exciting document that Nadia discovered which sheds new light on Henry's marriage to Anne of Cleves.Guest Bio: Nadia van Pelt is a lecturer at Delft University of Technology, The Netherlands. She holds a PhD from the University of Southampton, and published her first book with Routledge in 2019. Her research sits on the intersection between literary and cultural history, with a focus on drama, performance, and ritual.Publications: · Drama in Medieval and Early Modern Europe: Playmakers and Their Strategies (Routledge, 2019)· Challenging the ‘Ugliness' of Anne of Cleves, History Today, April 2024· Speaking of Kings and Popes under the Shadow of Henry VIII's Treason Act: Bale's King Johan, RSJ 8.1(2021)· Katherine of Aragon's Deathbed: Why Chapuys Brought a Fool, Early Theatre 24.1 (2021)· Royal epistolary courtship in Latin? Arthur Tudor's “love letter” to Katherine of Aragon at the Archivo General de Simancas and Francesco Negri's Ars Epistolandi, Renaissance Studies 38.2 (2024)· John Blanke's Wages: No Business Like Show Business, Medieval English Theatre 44 (2023): https://doi.org/10.1017/9781805430438.002 [JSTOR or Cambridge Core]· Teens and Tudors: The Pedagogy of Royal Studies, RSJ 1.1 (2014)· Enter Queen: Metatheatricality and the Monarch on/off Stage, The Image and Perception of Monarchy in Medieval and Early Modern Europe (2014)
Olivia Lardner, Cataloguer of the Bolton Library, University of Limerick Hear about the experiences of library professionals working with early modern collections today. This is the second event in a three-part series about early modern book collections presented by the Historical Studies Committee and the Library of the Royal Irish Academy. In April / May 2024, The Royal Irish Academy Library and Historical Studies Committee were delighted to present a three-part lunchtime lecture series on the topic of Early Modern book collections. At each lecture, experts from the field of print culture and book collecting elaborated on the subjects of Early Modern libraries, private collections and caring for Early Modern collections in the 21st century. Wednesday 24 April: Institutional and private libraries in Early Modern Ireland. Chair: Dr Richard Kirwan, University of Limerick. - 'Curious collections of scarce and valuable books': eighteenth-century Irish private libraries. Dr Máire Kennedy, Visiting Research Fellow, Centre for Early Modern History, Trinity College Dublin. - 'Cold, draughty, and unwelcoming?': the institutional libraries of Early Modern Ireland. Dr Jason McElligott, Director of Marsh's Library. Wednesday 08 May: Early Modern book collections in the 21st century. Chair: Barbara McCormack, Academy Librarian, Royal Irish Academy. - The Bolton Library: reconsidering an Early Modern book collection in the 21st century. Olivia Lardner, Cataloguer of the Bolton Library, University of Limerick. - Well read and well-travelled: the Franciscan book collection at UCD Special Collections. Eugene Roche, Assistant Librarian, UCD Special Collections. The St. Canice's Library: past, present and future. - Alexandra Caccamo, Assistant Librarian with responsibility for Special Collections and Archives, Maynooth University Library. Wednesday 15 May: Reading and collecting books in Early Modern Ireland and Europe. Chair: Prof Sandy Wilkinson, University College Dublin. - Factors affecting book collecting in Early Modern Ireland and Europe. Dr Elizabethanne Boran, Librarian, Edward Worth Library. - Reading books: here, there and then. Prof Brendan Dooley, Professor of Renaissance Studies, University College Cork.
In this episode, Susannah Lyon-Whaley is joined by Susan Taylor-Leduc to discuss her latest book and ongoing research on Marie Antoinette and gardens. Susan's 2022 book on Marie Antoinette - Marie Antoinette's Legacy: The Politics of French Garden Patronage and Picturesque Design, 1775-1867 - is available from Amsterdam University Press here.More information on Susan and her research is available on her website. Susan's reading recommendations:● Griffey, Erin. ‘“The Rose and Lily Queen”: Henrietta Maria's Fair Face and the Power of Beauty at the Stuart Court.' Renaissance Studies 35, no. 5 (2021): 811–836.● Hyde, Elizabeth. Cultivated Power: Flowers, Culture, and Politics in the Reign of Louis XIV. University of Pennsylvania Press, 2005.● Lyon-Whaley, Susannah, ed. Floral Culture and the Tudor and Stuart Courts. Amsterdam: Amsterdam University Press, 2024.
In this episode, I talk to Ruben Espinosa. Espinosa is Associate Professor of English at Arizona State University and Associate Director of the Arizona Center for Medieval and Renaissance Studies. He is the author of Shakespeare on the Shades of Racism (2021), Masculinity and Marian Efficacy in Shakespeare's England (2011), and co-editor of Shakespeare and Immigration (2014). He is currently at work on his next monograph, Shakespeare on the Border: Language, Legitimacy and La Frontera.
Esta semana falamos da origem histórica da expressão “vitória pírrica” ou “vitória de Pirro” e de uma lista medieval de nomes de cães de caça. Sugestões da Semana 1. Documentário “Fundação Inatel - Uma Longa História”, disponível online: https://www.rtp.pt/play/p13063/e753672/fundacao-inatel-uma-longa-historia 2. Helmut Ortner - Uma breve história da pena de morte. Lisboa: Alma dos Livros, 2024. 3. Lista de nomes de cães do séc. XV em David Scott-Macnab - "The Names of All Manner of Hounds. A Unique Inventory in a Fifteenth-Century Manuscript", Viator. Medieval and Renaissance Studies, Volume 44, Issue 3 / 2013, pp. 339-368, disponível aqui: https://falandodehistoriapodcast.files.wordpress.com/2024/03/artigo_mh65.pdf ---- Obrigado aos patronos do podcast: Andrea Barbosa, Bruno Ricardo Neves Figueira, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler; Alessandro Averchi, Daniel Murta, Francisco, Hugo Picciochi, João Cancela, João Pedro Tuna Moura Guedes, Jorge Filipe, Manuel Prates, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Vera Costa; Adriana Vazão, André Chambel, Andre Mano, André Marques, André Silva, António Farelo, Carlos Castro, Carlos Martinho, Diogo Freitas, Fernando Esperança, Gn, Hugo Vieira, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José, José Santos, Luis, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Nuno Carvalho, Nuno Esteves, Pedro Cardoso, Pedro L, Pedro Oliveira, Pedro Simões, Rúben Marques Freitas, Rui Magalhães, Rui Rodrigues, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, tope steffi. ----- Ouve e gosta do podcast? Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria ----- Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0 A edição de áudio é de Marco António.
Savonarola and his companions are brought before a tribunal and sentenced to death. Despite being formally condemned as a heretic, the friar's legacy would continue to cast a long shadow over Florentine politics in the years to come. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
As Savonarola languishes in his prison cell, his faith is tested. Reckoning with his inner battle between hope and despair, Savonarola would then write a series of religious tracts that have since taken on great theological significance. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Political tensions in Florence reach a climax, and Savonarola is challenged to undergo a trial by fire. When the results of the trial turn public opinion decisively against him, he and his fellow monks are forced to make a desperate last stand in the monastery of San Marco. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Savonarola creates a spectacular demonstration of public virtue in the hopes of turning Florence's fortunes around. Meanwhile, Pope Alexander VI has the monk excommunicated- a decision Savonarola was determined to fight against to his last breath. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Savonarola engages in a new campaign to combat vice in the city of Florence. Meanwhile, Pope Alexander VI continues to utilize every possible strategy to silence the renegade friar. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Support the show on Patreon Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Step into the streets of Europe from the sixteenth to the twentieth century, where news of criminals' deeds and their ultimate fate was delivered through compelling songs. These execution ballads, often sold on bustling streets and marketplaces, turned crime and punishment into melodic tales; haunting melodies that once carried tales of compassion, violence, and humanity itself. Our guest, Una McIlvenna takes us through her research on this intriguing tradition. Songs featured in the podcast with guest permission, and obtained from the website (links below.) My Special Guest is Una McIlvena Una McIlvenna is Honorary Senior Lecturer in English at the Australian National University, and has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of London. A literary and cultural historian, she researches the early modern and nineteenth-century pan-European tradition of singing the news, and the history of crime and punishment, looking at songs in English, French, German, Dutch and Italian. Her monograph Singing the News of Death: Execution Ballads in Europe 1500-1900 (OUP, 2022) explores the phenomenon of the execution ballad, songs that spread the news of condemned criminals and their often ghastly ends. This is accompanied by her website ExecutionBallads.com which features recordings of some of these songs. She has published articles on news-singing in Past & Present, Renaissance Studies, Media History, Parergon, and Huntington Library Quarterly, and is a co-founder of the international Song Studies Network. Contrafactum Execution ballads intertwine music, emotion, and history, using 'contrafactum' or 'parody' to re-purpose well-known melodies. Identified with phrases like 'to the tune of...,' these melodies acquired intricate emotional associations. 'Fortune My Foe,' a somber melody, resonated across early modern northern Europe, accompanying songs of death and disaster. Surprising contrasts emerged as lively tunes like 'Row Well Ye Mariners' satirically celebrated John Felton's execution in 1570. Italian ballads deviated, employing metrical forms like ottava rima and terza rima. Notably, terza rima expressed nobles' remorse in the first-person voice during executions. This fusion of melody and verse crafted poignant narratives, embodying compassion, satire, and reflection through time. The Business Of Singing The News Printers meticulously inked the tales onto single-sheet broadsides and pamphlets, ready to be sold by the street singers who transformed words into melody. These itinerant vendors often bought songsheets wholesale, their lives hand-to-mouth as they navigated various trades. As they sang the contents of the ballads, they not only promoted their wares but also propagated stories that would resonate through the ages. Thus, execution ballads merged commerce and culture, leaving an indelible mark on the historical fabric. In this episode, you will be able to: 1. Uncover the significance of singing the news. 2. Explore aspects of crime and punishment. 3. Examine commonalities and differences between ballads. 4. Examine messages, themes and elements- including elements of the supernatural. If you value this podcast and want to enjoy more episodes please come and find us on https://www.patreon.com/Haunted_History_Chronicles to support the podcast, gain a wealth of additional exclusive podcasts, writing and other content. Links to all Haunted History Chronicles Social Media Pages, Published Materials and more: https://linktr.ee/hauntedhistorychronicles Guest Links: Website: https://omeka.cloud.unimelb.edu.au/execution-ballads/about (podcast songs can be listened to here) https://twitter.com/UnaMcIlvenna https://www.instagram.com/una_mcilvenna/ Book Link https://amzn.to/3KAL4FN --- Send in a voice message: https://podcasters.spotify.com/pod/show/hauntedchronicles/message
Please join us for the most popular of our re-runs thus far. It's the return of Episode 55 with Professor Christopher Snyder on Tolkien and Virtue Ethics! In this episode, I am joined by Christopher Snyder, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics. We discuss Tolkien's background , training, academic work and influences, how to think about his fiction and its enduring value, and what role virtue plays in The Hobbit and The Lord of the Rings. Drawing on arguments from his latest book, Hobbit Virtues, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020) . Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is the incoming inaugural dean of the Honors College at the University of Tulsa. Through Spring of 2023, she served as Associate Professor of Philosophy at the University of South Carolina and as a fellow of the Institute for Human Ecology at the Catholic University of America. She also previously served as a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. Frey holds a PhD from the University of Pittsburgh and a B.A. from Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology (Routledge, 2018). Her writing has also been featured in First Things, Fare Forward, Image, Law and Liberty, Plough, The Point, and USA Today. You can follow her on Twitter @ jennfrey. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is inaugural dean of the Honors College at the University of Tulsa. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.
Please join us for the most popular of our re-runs thus far. It's the return of Episode 55 with Professor Christopher Snyder on Tolkien and Virtue Ethics! In this episode, I am joined by Christopher Snyder, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics. We discuss Tolkien's background , training, academic work and influences, how to think about his fiction and its enduring value, and what role virtue plays in The Hobbit and The Lord of the Rings. Drawing on arguments from his latest book, Hobbit Virtues, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020) . Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is the incoming inaugural dean of the Honors College at the University of Tulsa. Through Spring of 2023, she served as Associate Professor of Philosophy at the University of South Carolina and as a fellow of the Institute for Human Ecology at the Catholic University of America. She also previously served as a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. Frey holds a PhD from the University of Pittsburgh and a B.A. from Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology (Routledge, 2018). You can follow her on Twitter @jennfrey. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is inaugural dean of the Honors College at the University of Tulsa. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.
Today's guest is Kevin Killeen whose new monograph, The Unknowable in Early Modern Thought: Natural Philosophy and the Poetics of the Ineffable, has just been published by Stanford University Press. This monograph gathers together a range of early modern sources including the mystic Jacob Boehme, the poet and radical John Milton, the writer and royalist Margaret Cavendish, and the prophet Anna Trapnel. Taken together, these chapter offer a vibrant picture of literary culture's engagements (sometimes critical, sometimes appreciative) of that which can't quite be understood by the mind, language, or theology. Kevin Killeen is Professor of English at the University of York. His previous books are the monograph, The Political Bible in Early Modern England (Cambridge University Press, 2017), and the Oxford Handbook of the Bible in Early Modern England, c. 1530-1700 (2015), co-edited with Helen Smith and Rachel Judith Willie. Kevin also is the editor of the journal Renaissance Studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's guest is Kevin Killeen whose new monograph, The Unknowable in Early Modern Thought: Natural Philosophy and the Poetics of the Ineffable, has just been published by Stanford University Press. This monograph gathers together a range of early modern sources including the mystic Jacob Boehme, the poet and radical John Milton, the writer and royalist Margaret Cavendish, and the prophet Anna Trapnel. Taken together, these chapter offer a vibrant picture of literary culture's engagements (sometimes critical, sometimes appreciative) of that which can't quite be understood by the mind, language, or theology. Kevin Killeen is Professor of English at the University of York. His previous books are the monograph, The Political Bible in Early Modern England (Cambridge University Press, 2017), and the Oxford Handbook of the Bible in Early Modern England, c. 1530-1700 (2015), co-edited with Helen Smith and Rachel Judith Willie. Kevin also is the editor of the journal Renaissance Studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Today's guest is Kevin Killeen whose new monograph, The Unknowable in Early Modern Thought: Natural Philosophy and the Poetics of the Ineffable, has just been published by Stanford University Press. This monograph gathers together a range of early modern sources including the mystic Jacob Boehme, the poet and radical John Milton, the writer and royalist Margaret Cavendish, and the prophet Anna Trapnel. Taken together, these chapter offer a vibrant picture of literary culture's engagements (sometimes critical, sometimes appreciative) of that which can't quite be understood by the mind, language, or theology. Kevin Killeen is Professor of English at the University of York. His previous books are the monograph, The Political Bible in Early Modern England (Cambridge University Press, 2017), and the Oxford Handbook of the Bible in Early Modern England, c. 1530-1700 (2015), co-edited with Helen Smith and Rachel Judith Willie. Kevin also is the editor of the journal Renaissance Studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Today's guest is Kevin Killeen whose new monograph, The Unknowable in Early Modern Thought: Natural Philosophy and the Poetics of the Ineffable, has just been published by Stanford University Press. This monograph gathers together a range of early modern sources including the mystic Jacob Boehme, the poet and radical John Milton, the writer and royalist Margaret Cavendish, and the prophet Anna Trapnel. Taken together, these chapter offer a vibrant picture of literary culture's engagements (sometimes critical, sometimes appreciative) of that which can't quite be understood by the mind, language, or theology. Kevin Killeen is Professor of English at the University of York. His previous books are the monograph, The Political Bible in Early Modern England (Cambridge University Press, 2017), and the Oxford Handbook of the Bible in Early Modern England, c. 1530-1700 (2015), co-edited with Helen Smith and Rachel Judith Willie. Kevin also is the editor of the journal Renaissance Studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's guest is Kevin Killeen whose new monograph, The Unknowable in Early Modern Thought: Natural Philosophy and the Poetics of the Ineffable, has just been published by Stanford University Press. This monograph gathers together a range of early modern sources including the mystic Jacob Boehme, the poet and radical John Milton, the writer and royalist Margaret Cavendish, and the prophet Anna Trapnel. Taken together, these chapter offer a vibrant picture of literary culture's engagements (sometimes critical, sometimes appreciative) of that which can't quite be understood by the mind, language, or theology. Kevin Killeen is Professor of English at the University of York. His previous books are the monograph, The Political Bible in Early Modern England (Cambridge University Press, 2017), and the Oxford Handbook of the Bible in Early Modern England, c. 1530-1700 (2015), co-edited with Helen Smith and Rachel Judith Willie. Kevin also is the editor of the journal Renaissance Studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In Early Modern England, there was a rash of abductions of boys, who were being forced to work as actors. Then a child was taken whose father was in a position to actually do something about it. Research: Soth, Amelia. “Her Majesty's Kidnappers.” JSTOR Daily. 12/17/2020. https://daily.jstor.org/kidnapping-for-the-queens-choir/ Early Modern London Theaters. “Viewing Event Record: Star Chamber, Clifton v Robinson et al: Clifton States His Case.” https://emlot.library.utoronto.ca/db/record/event/93/ Reynolds, Patricia. “Kidnapped to order: child actors in Shakespeare's day.” The National Archives. 5/12/2016. https://blog.nationalarchives.gov.uk/kidnapped-order-child-actors-shakespeares-day/ Map of Early London. “Blackfriars Theatre.” https://mapoflondon.uvic.ca/BLAC6.htm Shapiro, Michael. “Children of the Revels: The Boy Companies of Shakespeare's Time and Their Plays.” New York: Columbia University Press. 1977. Fleay, Frederick Gard. “A Chronicle History of the London Stage 1559-1642.” New York. G.E. Stechert & Co. 1909. Benet, William Rose. "Blackfriars." Benet's Reader's Encyclopedia, 3rd ed., Harper & Row, 1987, p. 103. Gale General OneFile, link.gale.com/apps/doc/A18034327/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=fefb4932. Accessed 21 June 2023. Munro, Lucy. "Living by Others' Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit." Early Theatre, vol. 23, no. 1, June 2020, pp. 109+. Gale Academic OneFile, link.gale.com/apps/doc/A638900245/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=ce5c9645. Accessed 21 June 2023. Dutton, Richard. “The Revels Office and the Boy Companies, 1600-1613: New Perspectives.” English Literary Renaissance , SPRING 2002, Vol. 32, No. 2. Via JSTOR. https://www.jstor.org/stable/43447637 Wridgway, Neville. "Giles, Nathaniel (c. 1558–1634), choirmaster and composer." Oxford Dictionary of National Biography. Oxford University Press. Date of access 22 Jun. 2023, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-10724 Barrie, Robert. “Elizabethan Play-Boys in the Adult London Companies.” Studies in English Literature, 1500-1900 , Spring, 2008, Vol. 48, No. 2. Via JSTOR. https://www.jstor.org/stable/40071333 Mamujee, Shehzana. “'To serve us in that behalf when our pleasure is to call for them': performing boys in Renaissance England.” Renaissance Studies , NOVEMBER 2014, Vol. 28, No. 5. Via JSTOR. https://www.jstor.org/stable/24423452 Jones, Roger T. “The Role of the Junior English Schools in the Development of the Drama.” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Loyola University September, 1944. Bradbrook, M.C. “'Silk? Satin? Kersey? Rags?' The Choristers' Theater under Elizabeth and James.” Studies in English Literature, 1500-1900 , Spring, 1961. Via JSTOR. https://www.jstor.org/stable/449339 See omnystudio.com/listener for privacy information.
When Savonarola's influence prevents Florence from joining an anti-French coalition made up of the other Italian states, he raises the ire of Pope Alexander VI, sparking a deadly rivalry that would last for the next three years. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Support the show on Patreon Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
In this episode of our series on Savonarola, we follow events in Florence following the flight of the Medici and the French occupation of the city. As the citizens of Florence begin the process of forming a new republican government, they seek guidance from Savonarola, who aspired to turn the city into a "New Jerusalem." Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Support the show on Patreon Works Cited: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
In this episode of our series on the life and times of Savonarola, we observe the fallout from the French invasion of Italy in 1494. As the power of the Medici reaches its breaking point and King Charles VIII of France threatens the city with destruction, the people of Florence turn to Savonarola to deliver them from peril. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Support the show on Patreon Works Cited: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Hasekura Rokuemon Tsunenaga was a samurai who led a diplomatic delegation to New Spain, Spain and Rome in the 17th century. But many of the Japanese records about their mission were lost or destroyed after they returned. Research: Carl, Katy. “Aiming for Japan and Getting Heaven Thrown In.” Genealogies of Modernity. 12/2/2020. https://genealogiesofmodernity.org/journal/2020/11/25/scales-of-value-shusaku-endos-the-samurai Christensen, Thomas. “1616: The World in Motion.” Counterpoint. 2012. https://archive.org/details/1616worldinmotio0000chri/ Corradini, Piero. “Some Problems concerning Hasekura Tsunenaga's Embassy to the Pope." From Rethinking Japan Vol. 2. Routledge. 1995. Frederic, Louis. “Japan Encyclopedia.” Translated by Käthe Roth. 2002. https://archive.org/details/japanencyclopedi0000loui/mode/1up Fujikawa, Mayu. “Pope Paul V's global design.” Renaissance Studies, APRIL 2016, Vol. 30, No. 2 (APRIL 2016). Via JSTOR. https://www.jstor.org/stable/10.2307/26618847 Gessel, Van C. “Historical Background.” From The Samurai by Shusaku Endo. Gutierrez, Ed. “Samurai in Spain.” Japan Quarterly, Jan. 1, 2000. Jones, Josh. “The 17th Century Japanese Samurai Who Sailed to Europe, Met the Pope & Became a Roman Citizen.” Open Culture. 11/29/2021. https://www.openculture.com/2021/11/the-17th-century-japanese-samurai-who-sailed-to-europe-met-the-pope-became-a-roman-citizen.html Kamens, Edward. “'The Tale of Genji' and ‘Yashima' Screens in Local and Global Contexts.” Yale University Art Gallery Bulletin , 2007, Japanese Art at Yale (2007). Via JSTOR. https://www.jstor.org/stable/40514681 KCP International. “Hasekura Tsunenaga and his Travels.” KCP International Japanese Language School. 9/6/2017. https://www.kcpinternational.com/2017/09/hasekura-tsunenaga-and-his-travels/ Lee, Christina H. “The Perception of the Japanese in Early Modern Spain: Not Quite ‘The Best People Yet Discovered'.” eHumanista: Volume 11, 2008. Massarella, Derek. “The Japanese Embassy to Europe (1582–1590).” The Japanese Embassy to Europe (1582–1590). February 2013. https://www.hakluyt.com/downloadable_files/Journal/Massarella.pdf Mathes, W. Michael. “A Quarter Century of Trans-Pacific Diplomacy: New Spain and Japan, 1592-1617.” Journal of Asian History , 1990, Vol. 24, No. 1 (1990). Via JSTOR. https://www.jstor.org/stable/41925377 Musillo, Marco. “The Borghese papacy's reception of a samurai delegation and its fresco image at Palazzo del Quirinale, Rome.” From Western visions of the Far East in a transpacific age, 1522-1657. Ashgate, 2012. Pasciuto, Greg. “Hasekura Tsunenaga: The Adventures of a Christian Samurai.” The Collector. 12/7/2022. https://www.thecollector.com/hasekura-tsunenaga-christian-samurai/ Sanabrais, Sofia. “'Spaniards of Asia': The Japanese Presence in Colonial Mexico.” Bulletin of Portuguese Japanese Studies. 2009, 18/19. https://www.redalyc.org/pdf/361/36129851009.pdf Shigemi, Inaga. “Japanese Encounters with Latin America and Iberian Catholicism (1549–1973): Some Thoughts on Language, Imperialism, Identity Formation, and Comparative Research.” The Comparatist, Vol. 32 (MAY 2008). Via JSTOR. https://www.jstor.org/stable/10.2307/26237176 Strusiewicz, Cezary Jan. “The Samurai Who Met the Pope.” Tokyo Weekender. 4/26/2021. https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-samurai-who-met-the-pope/ Theroux, Marcel. “The samurai who charmed the courts of Europe.” The Guardian. 6/7/2020. https://www.theguardian.com/travel/2020/jun/07/hasekura-rokuemon-tsunenaga-japan-samurai-charmed-courts-europe Tucci, Giuseppe. “Japanese Ambassadors as Roman Patricians.” East and West , JULY 1951, Vol. 2, No. 2. Via JSTOR. https://www.jstor.org/stable/29757935 See omnystudio.com/listener for privacy information.
In this episode of our series on Savonarola, we follow events in Florence following the untimely death of Lorenzo the Magnificent. In this time of uncertainty, Savonarola's apocalyptic predictions grew increasingly bolder. As the friar sought to assert his independence from the Medici family, developments to the north threatened to turn his prophecies into reality. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Works Cited: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 10. Emilia Lanyer Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
This week marks the final Faculty Spotlight of the semester where we honor a SLC faculty member's latest work. This week Gillian Adler joins us, "author of two books, as well as essays published in the Journal of Medieval Religious Culture, Arthuriana, Medieval Feminist Forum, Carte Italiane, and Comitatus: A Journal of Medieval and Renaissance Studies. Her recent co-authored book, ‘Alle Thyng Hath Tyme': Time and Medieval Life (Reaktion Books, 2023), recreates medieval people's experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgment, shrinking to “atoms” or “droplets,” and extending to the silent spaces of eternity. Her first book, Chaucer and the Ethics of Time (Cardiff: University of Wales Press, 2022), examines Chaucer's philosophical ideas of time and strategies of narrative time" (https://www.sarahlawrence.edu/faculty/adler-gillian.html). Topics include: How writing the book affected Gillian's perception of time. The writing process. Two authors writing in the same voice. What's the medieval equivalent of a Faculty Spotlight? Medieval women being "reborn" later in their lives. Questions from Demi and Aiden. And much more! The Sarah Lawrence Student Life Preservation Project is accepting contributions at https://slcstudentlifeproject.omeka.net/ Follow The SLC Library on Facebook, Instagram, and YouTube @SLCLibrary. Visit the Library's website at www.sarahlawrence.edu/library.
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 9. Mohammed al-Annuri Presenter Jerry Brotton is Professor of Renaissance Studies at Queen Mary, University of London. Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 8. Roderigo Lopez Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 7. Mary Fillis Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 6. Chinano 'the Turk' Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary. University of London Producer Mark Rickards A Whistledown Scotland production
In this episode of our series on Girolamo Savonarola, we follow the monk as he is reassigned from Florence after failing to make inroads with the people of the city. He spends the next few years wandering northern Italy, honing his preaching skills and earning a powerful reputation for himself until he is invited to return to Florence by the city's ruler- Lorenzo de Medici. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Works Cited: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 5. Manteo Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 4. Aura Soltana Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 3. John Cabot Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 2. John Blanke Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland production
Jerry Brotton listens for the voices and tells the stories of the ‘other Tudors': ten men and women from across the world that lived, worked, worshipped and died in Tudor England. The popular fascination with the Tudors tends to concentrate on the lives of white, elite, English-born men (and the occasional woman). But Tudor England also saw Muslims, Jews, Africans and Native Americans come and go from the Russia, Persia, Morocco, Italy, Spain, Portugal and the Americas, making their homes and careers here, and in the process transforming the nature of early English culture and society. This series tells the stories of ten individuals that reveal a very different story of the Tudor period as a time of multicultural exchange, encounter and ordinary working people living alongside each other. 1. Lucy Baynham Presenter Jerry Brotton, Professor of Renaissance Studies at Queen Mary, University of London Producer Mark Rickards A Whistledown Scotland Production
CONTENT WARNING: This episode will mention various instances of suicide and attempted suicide and death through literary history. To be or not to be...as much of a Shakespeare nerd as Jackie is! Join us for a textual transmissionary tale of just where Romeo and Juliet could come from. And no, it's NOT Verona, Italy!Redhanded the PodcastMontecchio Maggiore castles!Questions/Comments/Concerns/Recommendations? Email us at ragingromantics@nopl.org! Other episodes we recommend:Dark RomanceAdaptations/stories Jackie mentions:Ovid "Pyramus and Thisbe" (Metamorphoses, 8 CE)Geoffrey Chaucer Legend of Good Women (1386)Masuccio Saleritano "Mariotto and Ganozza" (Il Novellino/Cinquante Novelle, 1476)Luigi Da Porto Historia novellamente ritrovata di due nobili amanti (1530/1531 pub. p.h.) - In ItalianMatteo Bandello's Giuletta e Romeo (1554)William Shakespeare "A Midsummer Night's Dream" (1591-1596 appr.)Shakespeare "Romeo and Juliet (1591-1596 appr.)Romeo and Juliet Before Shakespeare - Four Early Stories of Star-crossed Love (ed. Centre for Reformation and Renaissance Studies, 2000)Other books we mention:I'm Glad My Mom Died by Jeanette McMurdy The Woman in the Library by Sulari GentillOther sources:“Metamorphoses” (Britannica.com)“Shakespeare and Chaucer: Influence and Authority on the Renaissance Stage” (Teramura, 2016)“Shakespeare's Quartos: Romeo and Juliet” (British Library)“Ovid's Pyramus and Thisbe.” (Duke, 1971)“Chaucer's Pyramus and Thisbe.” (Spisak, 1984)“Midsummer Night's Dream.” (Shakespeare's Globe)“Pyramus and Thisbe Context” (Schmoop.com)“Pyramus and Thisbe,” (Britannica, 2023)The Original Romeo and Juliet (Pelkofsk, 2015)"The Basics" (The British Library, n.d.)"The Legend of Good Women" (The British Library)"Black Death" (History.com, 2023)"The True Story of Romeo and Juliet" (Veronissima.com, n.d.)"Romeo and Juliet before Shakespeare" (Levenson, 1984)"Luigi da Porto" (Thehistoryofromeoandjuliet.weebly.com, n.d.)"Sources: The Genealogy of Romeo and Juliet" (The Bill Shakespeare Project, 2010)"Pre- and Post-Shakespeare Romeo and Juliet" (Artsedge, Kennedy Center, n.d.)
In this first episode of our series on Girolamo Savonarola, we cover Savonarola's early years in an effort to understand the philosophy that undergirded his life. Afterward, we follow Savonarola as he strikes out from his home to join the order of the Dominicans and to find his destiny. Works Cited: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927. Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005. Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey
The medieval practice of the giving of children as oblates to monasteries affords valuable insights into education during the Middle Ages, as well as into the development of pedagogical techniques for teaching the liturgy, Latin, and sacred music to children. Join us for an episode in which Dr. Susan Boynton, Professor of Historical Musicology and Director of Medieval and Renaissance Studies at Columbia University, helps us understand the lives and place of children in medieval monasteries, what they sang in liturgies, and how they learned to sing this repertoire. The conversation also develops into a look at the training of children in cathedral schools. For more information about Dr. Boynton, see: https://music.columbia.edu/bios/susan-boynton To buy the book Young Choristers, 650–1700, a book co-edited by Dr. Boynton, visit: https://boydellandbrewer.com/9781843834137/young-choristers-650-1700/ For more information about the History and Principles of Sacred Music course being offered this summer at the Catholic Institute of Sacred Music, please visit: https://catholicinstituteofsacredmusic.org/
The Folger: Hey ChatGPT! Could you write a six line Shakespearean monologue in iambic pentameter about an interview with Jennifer Black, Laura Turchi, and John Ladd about the challenges and opportunities that ChatGPT presents in the English classroom? Thank you! ChatGPT: Of course, I'd be happy to write a Shakespearean monologue on that topic! Here it is: Oh, how ChatGPT may bring the bard to light, And in the English classroom, set things right. With Jennifer, Laura, John to lead the way, They'll show the world what ChatGPT can convey. For in its code, a wealth of knowledge lies, And students learn, to their great teachers' surprise. Based on that monologue, Open AI's ChatGPT tool obviously believes that it can be a positive addition to the classroom. Should you share its optimistic outlook? Our host Barbara Bogaev talks with Jennifer Black of Boise State University, Laura Turchi of Arizona State University, and John Ladd of Washington and Jefferson College about the challenges and opportunities that artificial intelligence tools offer English teachers. Check out this episode on our website to see a gallery of Shakespeare portraits "created" by Open AI's DALL-E tool, responding to prompts including "Shakespeare piloting a Shakespeare in the style of Cowboy Bebop," "Robot William Shakespeare in the style of John Singer Sargent," "Photorealistic image Shakespeare in cyberspace," and "Shakespeare sitting on a cliffside in a jungle working on a laptop." Dr. Jennifer Black is a Lecturer in English Literature at Boise State University, where she teaches a broad range of undergraduate courses in literature and humanities. Her most recent publications focus on teaching Shakespeare online, leadership and ethics in Shakespeare's plays, and flipping the college classroom. Dr. John R. Ladd is an assistant professor in Computing and Information Studies at Washington & Jefferson College. His teaching and research focuses on the use of data across a wide variety of domains, especially in cultural and humanities contexts, as well as on the histories of information and technology. He has published essays and web projects on cultural analytics and humanities data science, the history of data, and network analysis. Dr. Laura Turchi is a teacher educator specializing in English Language Arts. She co-authored Teaching Shakespeare with Purpose: A Student-Centered Approach (Bloomsbury/Arden) with Ayanna Thompson and recently completed Teaching Shakespeare with Interactive Editions (forthcoming from Cambridge University Press ). Turchi is Clinical Professor in English at Arizona State University, where she directs curriculum development for “RaceB4Race: Sustaining, Building, Innovating” at the Arizona Center for Medieval and Renaissance Studies. From the Shakespeare Unlimited podcast. Published February 28, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Shane McKeon, Kristin Vermilya, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
In this episode of "Craftwork," author Peter Turchi teaches a lesson on how to use shifting power dynamics to write more dynamic scenes in fiction. Turchi is the author of seven books and the co-editor of three anthologies. His books include (Don't) Stop Me if You've Heard This Before; A Muse and A Maze: Writing as Puzzle, Mystery, and Magic; Maps of the Imagination: The Writer as Cartographer; Suburban Journals: The Sketchbooks, Drawings, and Prints of Charles Ritchie, in collaboration with the artist; a novel, The Girls Next Door; a collection of stories, Magician; and The Pirate Prince, co-written with Cape Cod treasure hunter Barry Clifford, about Clifford's discovery of the pirate ship Whydah. His short story “Night, Truck, Two Lights Burning” has been published, with images by Charles Ritchie, in a limited edition artist's book. He has also co-edited, with Andrea Barrett, A Kite in the Wind: Fiction Writers on Their Craft, The Story Behind the Story: 26 Stories by Contemporary Writers and How They Work and, with Charles Baxter, Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life. Turchi's work has appeared in Tin House, Fiction Writers Review, Ploughshares, Story, The Alaska Quarterly Review, Puerto del Sol, and The Colorado Review, among other journals. His honors include fellowships from the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation, Washington College's Sophie Kerr Prize, an Illinois Arts Council Literary Award, North Carolina's Sir Walter Raleigh Award, and having a quotation from A Muse and a Maze serve as the answer to the New York Times Magazine Sunday acrostic. Born in Baltimore, he earned his BA at Washington College in Chestertown, Maryland, and his MFA at the University of Arizona. He has taught at Northwestern University and Appalachian State University, and has been on the faculty of the Bread Loaf Writers' Conference. For 15 years he directed The MFA Program for Writers at Warren Wilson College in Asheville, North Carolina; at Arizona State University he taught fiction and served as Director of Creative Writing and Director of the Virginia G. Piper Center for Creative Writing. He currently teaches at the University of Houston, and in Warren Wilson's MFA Program for Writers. Laura, his wife, is a Clinical Professor in English at Arizona State University, where she is curriculum director for “RaceB4Race: Sustaining, Building, Innovating” at the Arizona Center for Medieval and Renaissance Studies; she also co-directs the Shakespeare and Social Justice Project at the Shakespeare Center of Los Angeles. Reed, their son, is a musician (www.reedturchi.com). *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
From Lucrezia Borgia to Marlene Dietrich, Empress Marie Fyodorovna of Russia, and most recently the actress Sarah Bernhardt, C. W. Gortner has made a career out of finding strong, fascinating, real-life heroines for his novels. In The American Adventuress (William Morrow, 2022), he focuses his attention on Jennie Jerome, the mother of Winston Churchill. From the moment we first meet her as a sassy and defiant twelve-year-old schoolgirl, Jennie charts her own course—to the consternation of her more conventional but in some ways wiser mother. Her father—an entrepreneur hovering on the edge of elite New York society—adores and supports this second daughter whose character so resembles his own, but some shady business dealings and a long-term affair with Jennie's piano teacher eventually undermine his marriage. Jennie's mother flees with her three daughters to Paris, where the girls complete their education. Then the Franco-Prussian War begins, and the family moves to London and safety. There Jennie makes the acquaintance of an odd-looking but charming and intelligent young man, Lord Randolph Churchill, who proposes marriage almost right away. Jennie falls madly in love, and soon they are courting in earnest despite opposition from both their families. A gifted pianist, a beauty, a free spirit, and a loving if often-distant mother, Jennie lives life to the hilt: spending extravagantly, flirting outrageously, neglecting her children, and breaking convention in ways that defy our views of the constraints placed on Victorian women. But whatever her faults, Jennie herself is unforgettable, and it is Gortner's achievement that he brings her so vividly to life. C. W. Gortner holds an MFA in Writing with an emphasis in Renaissance Studies from the New College of California. From an original focus on the Tudors, the range of his bestselling fiction has expanded to include the lives of Coco Chanel, Catherine de Medici, and Isabella of Castile. The American Adventuress is his twelfth novel. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her next novel, Song of the Storyteller, will appear in January 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode, I am joined by Christopher Snyder, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics. We discuss Tolkien's background , training, academic work and influences, how to think about his fiction and its enduring value, and what role virtue plays in The Hobbit and The Lord of the Rings. Drawing on arguments from his latest book, Hobbit Virtues, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020). Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is an associate professor of philosophy and Peter and Bonnie McCausland Faculty Fellow at the University of South Carolina. She is also a fellow of the Institute for Human Ecology at the Catholic University of America and the Word on Fire Institute. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with a Classics minor) at Indiana University, in Bloomington, Indiana. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology. Her writing has also been featured in Breaking Ground, First Things, Fare Forward, Image, Law and Liberty, The Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and chickens. You can follow her on Twitter @ jennfrey. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is an associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.
Also known as the "Hammer of Witches," the Malleus Maleficarum was used for 300 years as a handbook to aid in the persecution and execution of an unknown number of innocent people. With a particular focus on women, the Malleus stands today as one of the most misogynistic and terrifying texts ever written. Follow us on IG: @themorbidmuseum Email us at themorbidmuseum@gmail.com https://www.thriftbooks.com/w/the-malleus-maleficarum-of-kramer-and-sprenger_jakob-sprenger_heinrich-kramer/358175/item/4192933/?gclid=CjwKCAjw7eSZBhB8EiwA60kCW3Aiz38p0ajblRp1g5HwaBqKinOJ1Vg2fTE4VkRauCqpwsQuHZZYfhoCUfQQAvD_BwE#idiq=4192933&edition=2404221 (The Malleus Maleficarum of Heinrich Kramer and James Sprenger (Dover Occult) by Montague Summers, Heinrich Kramer, James Sprenger, et al.) https://collegeofphysicians.org/our-work/historical-medical-library (The Historical Medical Library - The College of Physicians of Philadelphia) https://warwick.ac.uk/fac/cross_fac/iatl/reinvention/archive/volume6issue1/oleary/ ('Where there are many women there are many witches': The Social and Intellectual Understanding of Femininity in the "Malleus Maleficarum" by Jessica O'Leary Centre for Medieval and Renaissance Studies, Monash University) http://www.malleusmaleficarum.org/table-of-contents/the-first-part/ (The Malleus Maleficarum) https://www.loc.gov/item/webcast-8694/ (The Malleus Maleficarum | Library of Congress by Nathan Dorn April 08, 2019) https://www.britannica.com/topic/witchcraft/The-witch-hunts (Witchcraft - The witch hunts | Britannica) https://www.newworldencyclopedia.org/entry/Malleus_Maleficarum (Malleus Maleficarum - New World Encyclopedia) https://www.jstor.org/stable/3814832 ("The Flying Phallus and the Laughing Inquisitor: Penis Theft in the Malleus Maleficarum" by Moira Smith Journal of Folklore Research Vol. 39, No. 1 (Jan. - Apr., 2002), pp. 85-117 (33 pages) Published By: Indiana University Press ) https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/heinrich-kramer-and-jacob-sprenger (Heinrich Kramer and Jacob Sprenger Excerpt from Malleus Maleficarum (1486)) https://www.britannica.com/topic/Malleus-maleficarum (Malleus maleficarum | Summary, Hammer of Witches, & Facts | Britannica) Artwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod 2022 All Rights Reserved
Where is Christ's body now? In short, that is the question behind our conversation today with K. J. Drake, the author of The Flesh of the Word: The extra Calvinisticum from Zwingli to Early Orthodoxy (Oxford University Press, 2021). In this book, Drake seeks to broaden the study of the extra Calvinisticum by investigating how the doctrine arose within sixteenth-century Reformed theology as well as how its form and function developed over time due to the changing polemical and theological contexts from Zwingli to the period of early Reformed orthodoxy. K. J. Drake is Academic Dean and Assistant Professor of Historical Theology at Indianapolis Theological Seminary. He received his BA in History, Classics, Medieval and Renaissance Studies, and Latin from the University of Nebraska. He attended Covenant Theological Seminary in St. Louis where he received his M.Div.