Podcasts about rfo

« La littérature ressemble à un labyrinthe rempli des bruits que font les histoires qui n'ont pas été racontées », clame Nathacha Appanah dont le premier roman, « Les rochers de Poudre d'Or », sort l'année de ses 30 ans (Gallimard, 2003). Un premier tour de piste qui résonne comme un tour de force, pour évoquer les malheurs méconnus de centaines de milliers d'Indiens et d'Indiennes venu(e)s chercher fortune dans les Antilles ou sur l'île Maurice, et n'y récoltant qu'un travail forcé dans les champs des colons. L'ouvrage reçoit le prix RFO et se vendra, au fil des années, à vingt mille exemplaires.Prolifique et, dit-elle, « sentimentale », celle dont les ouvrages dépassent rarement deux cents pages veut « prendre des risques de livre en livre », dans le fond comme dans la forme. Ce deuxième épisode aborde la tragédie passionnelle de « Blue Bay Palace » (2004), l'amitié initiatique du « Dernier frère » (2007, L'Olivier) ou le brutal récit choral de « Tropique de la violence », sur l'extrême précarité des mineurs isolés de Mayotte, 101e département français où l'autrice vécut deux ans. Vendu à 130 000 exemplaires, adapté au cinéma, au théâtre et en bande dessinée, ce roman reste la référence littéraire pour comprendre ce territoire malmené de notre République. « J'ai toujours peur que les mots m'échappent », dit pourtant celle dont le patronyme contient trois h, comme autant de haches aptes à trancher les clichés.L'autrice du mois : Nathacha AppanahNée en 1973 à Mahébourg (île Maurice), Nathacha Appanah est une romancière, journaliste et traductrice dont l'œuvre reflète depuis 2003 « la vie des non-puissants, des outsiders, la vie qui passe parfois comme un ruban gris, sans aspérités, sans saveur ». Traduite en dix-sept langues, récompensée par vingt-trois prix littéraires dont treize pour « Tropique de la violence » (Gallimard, 2016), cette grande admiratrice de Virginia Woolf et d'Annie Ernaux a confié, à propos de son art de l'incarnation : « J'aspire à déployer une trame aussi délicate et complexe qu'une toile d'araignée, où je serais un vieux, un ado en taule, une mère célibataire, une meurtrière ou une taiseuse et que ce soit tellement bien écrit que l'on m'oublie, moi. » Elle vit à Paris et publiera fin août « La nuit au cœur », un roman sur trois femmes « qui courent, qui luttent », victimes de la violence de leur compagnon. Enregistrement avril 2025 Entretien, découpage Richard Gaitet Prise de son, montage Mathilde Guermonprez Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Voix, percussions Charles-Baptiste Illustration Sylvain Cabot Remerciements Céline Develay-Mazurelle, Vanadis Feuille, Mina Souchon

Entre le roman et l'essai, Profaner Ananda est avant tout la construction d'un mythe autour de l'écrivaine mauricienne Ananda Devi, dont l'œuvre est célébrée à travers le double regard de Sami Tchak et d'Annie Ferret, et avec la complicité de l'intéressée. Ils unissent leurs voix pour livrer une fiction torride et hors-norme, plus qu'un hommage : un accaparement. Profaner Ananda raconte entre autres la rencontre entre l'écrivaine Ananda vieille de plusieurs siècles, et Ananda, disciple du Bouddha qui a l'éternité derrière lui. Ils vont cheminer ensemble, jusqu'à l'extase. Un livre pour dire l'importance d'Ananda Devi et surtout celle de la littérature.Écrivaine et poétesse, née à l'île Maurice de parents d'origine indienne, ayant vécu au Congo, l'anthropologue de formation Ananda Devi est l'auteure d'une œuvre foisonnante récompensée par de nombreux prix, dont notamment Eve de ses décombres (prix des Cinq Continents, prix RFO, 2006), Le Sari vert (prix Louis Guilloux, 2009), et Le Rire des déesses (prix Femina des lycéens, 2021). Elle a reçu le prix international de littérature Neustadt 2024 pour l'ensemble de son œuvre.Sami Tchak a d'abord eu un coup de foudre pour l'œuvre, avant de rencontrer la personne. Une rencontre puissante qui lui a inspiré cette fiction, comme un hommage, hors-norme et teinté d'érotisme. Mais alors pourquoi profaner ce qu'on admire ? Pour Sami Tchak, la profanation n'est pas la destruction. Pour que profanation il y ait, il faut d'abord avoir sacralisé.« Quand on parle de profanation, ça signifie qu'on a d'abord sacralisé. » Sami TchakMais s'arrêter au sacré, c'est rester passif, dans un lien vertical. Alors que pour Sami Tchak, la lecture d'une grande œuvre se doit d'être un échange où le lecteur, actif, projette ses propres expériences dans ce qu'il lit, dans un rapport d'horizontalité. Il s'agit en fait d'accaparement, de fusion, et c'est dans cette fusion que la vraie rencontre lecteur-auteur peut advenir.Invité : Sami Tchak est un écrivain né au Togo en 1960, installé en France depuis 1986. Il a publié plusieurs essais et une douzaine de romans dans lesquels il explore principalement le thème de la sexualité et ses diverses expressions transgressives ou socialement réprimées. Depuis Cuba où il se rend en 1996 pour y mener des recherches sur la prostitution, il découvre le continent et la littérature sud-américains, où se dérouleront nombre de ses romans. À partir de 2011, Sami Tchak se tourne vers l'Afrique, avec son roman Al Capone le Malien (Mercure de France). Il a obtenu de nombreux prix littéraires et publie aujourd'hui Profaner Ananda. Profaner Ananda, de Sami Tchak et Annie Ferret, est paru chez Gallimard dans la collection Continents noirs.Programmation musicale :Keren Ann - La sublime solitude.

Entre le roman et l'essai, Profaner Ananda est avant tout la construction d'un mythe autour de l'écrivaine mauricienne Ananda Devi, dont l'œuvre est célébrée à travers le double regard de Sami Tchak et d'Annie Ferret, et avec la complicité de l'intéressée. Ils unissent leurs voix pour livrer une fiction torride et hors-norme, plus qu'un hommage : un accaparement. Profaner Ananda raconte entre autres la rencontre entre l'écrivaine Ananda vieille de plusieurs siècles, et Ananda, disciple du Bouddha qui a l'éternité derrière lui. Ils vont cheminer ensemble, jusqu'à l'extase. Un livre pour dire l'importance d'Ananda Devi et surtout celle de la littérature.Écrivaine et poétesse, née à l'île Maurice de parents d'origine indienne, ayant vécu au Congo, l'anthropologue de formation Ananda Devi est l'auteure d'une œuvre foisonnante récompensée par de nombreux prix, dont notamment Eve de ses décombres (prix des Cinq Continents, prix RFO, 2006), Le Sari vert (prix Louis Guilloux, 2009), et Le Rire des déesses (prix Femina des lycéens, 2021). Elle a reçu le prix international de littérature Neustadt 2024 pour l'ensemble de son œuvre.Sami Tchak a d'abord eu un coup de foudre pour l'œuvre, avant de rencontrer la personne. Une rencontre puissante qui lui a inspiré cette fiction, comme un hommage, hors-norme et teinté d'érotisme. Mais alors pourquoi profaner ce qu'on admire ? Pour Sami Tchak, la profanation n'est pas la destruction. Pour que profanation il y ait, il faut d'abord avoir sacralisé.« Quand on parle de profanation, ça signifie qu'on a d'abord sacralisé. » Sami TchakMais s'arrêter au sacré, c'est rester passif, dans un lien vertical. Alors que pour Sami Tchak, la lecture d'une grande œuvre se doit d'être un échange où le lecteur, actif, projette ses propres expériences dans ce qu'il lit, dans un rapport d'horizontalité. Il s'agit en fait d'accaparement, de fusion, et c'est dans cette fusion que la vraie rencontre lecteur-auteur peut advenir.Invité : Sami Tchak est un écrivain né au Togo en 1960, installé en France depuis 1986. Il a publié plusieurs essais et une douzaine de romans dans lesquels il explore principalement le thème de la sexualité et ses diverses expressions transgressives ou socialement réprimées. Depuis Cuba où il se rend en 1996 pour y mener des recherches sur la prostitution, il découvre le continent et la littérature sud-américains, où se dérouleront nombre de ses romans. À partir de 2011, Sami Tchak se tourne vers l'Afrique, avec son roman Al Capone le Malien (Mercure de France). Il a obtenu de nombreux prix littéraires et publie aujourd'hui Profaner Ananda. Profaner Ananda, de Sami Tchak et Annie Ferret, est paru chez Gallimard dans la collection Continents noirs.Programmation musicale :Keren Ann - La sublime solitude.

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Ai-je besoin de présenter ce classique/standard de nos musiques ? Face à Face est le dernier statement (déclaration) de Monsieur Eugène Mona aka le Nègre debout. Comme d'hab le texte de ce chef d'œuvre musical a plusieurs strates. Ces premiers mots sont sa version créole du fameux Il était une fois des contes. Pourtant ce dont il parle n'a rien de fantasmé Face à Face nous parle du fait d'embrasser les souffrances.Sources & Biblio :Sources terrain de thèse de Valérie-Ann Edmond-Mariette. (2019-2024).Nathalie GLAUDON, réal. 2009. Sur les traces de Mona de Nathalie Glaudon. Long métrage. RFO. https://www.youtube.com/watch?v=GEBrllkWc5c.Conférence de Valérie-Ann Edmond-Mariette en septembre 2023 “Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona”: La Fabrique Décoloniale, réal. 2024. Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona. https://www.youtube.com/watch?v=fPq2eRvy9m4.Site de Max Cilla : https://www.max-cilla.com/Cyrille, Dominique, Louis-José Lancry, et Victor Préfacier Lina. 1999. Mona. Fort-de-France (Martinique), Martinique: SIM'LN.Remerciements : Fleury Félix, Labinsky Charly, Michalon Pierre-LouisCélestine, Audrey, Valérie-Ann Edmond-Mariette, et Zaka Toto. 2023. « De la décapitation à la destruction : les “déchoukaj” des statues en Martinique ». In Dé-commémoration : quand le monde déboulonne des statues et renomme des rues, 441. Paris: Fayard.Marine-Gougeon, Adélaïde, et Valérie-Ann Edmond-Mariette. s. d. « Statue de Joséphine de Beauharnais, Fort-de-France - Etude de cas - Gravées dans le marbre ». Consulté le 26 septembre 2024. https://castinstone.exeter.ac.uk/database/s/fr/page/etude-de-cas-statue-de-josephine-de-beauharnais-fort-de-france.Toto, Zaka. 2020. « Statuaire, Mémoire et Turfu ». ZIST (blog). 13 février 2020. https://www.zist.co/2020/02/13/statuaire-memoire-et-turfu/.Toto, Zaka, et Valérie-Ann Edmond-Mariette. 2020. « En-Ville Cannibale : Déconstruire et repenser la ville coloniale ». ZIST (blog). 20 juillet 2020. https://www.zist.co/2020/07/20/en-ville-cannibale-deconstruire-et-repenser-la-ville-coloniale/.Podcast Des Colonisations épisode sur Joséphine : https://spectremedia.org/podcast/contester-les-statues-josephine-cou-coupe/?episode=1765Une Chanson En Histoire est LE podcast de Tann présenté par Valérie-Ann EDMOND-MARIETTE retraçant l'histoire de la musique antillaise et ultramarine.Que ce soit du Zouk, du Ragga, du Konpa, de la Biguine, du Sega, du Merengue, de la Dancehall, du Boléro, du Rap, de la Créole Pop, de la Kadans ou de la Trap tout y passe ! Le podcast Une Chanson En Histoire par Valérie-Ann EDMOND-MARIETTE aka Valy est LE podcast musique Antilles, Guyane, Réunion, Guadeloupe, Martinique, Saint-Martin.Il traite de la musique antillaise, de la musique guyanaise, de la musique réunionnaise, de la musique martiniquaise, de la musique guadeloupéenne.Certains disent que Une Chanson En Histoire est la référence du podcast zouk ! Qui parle musique histoire !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Aujourd'hui j'ai l'honneur de vous présenter Mona le lover, l'amoureux transit qui souffre parce que sa bien-aimée lui a raccroché au nez. Siano c'est LA chanson que l'artiste a écrit et composé pour son amoureuse (je vous ai dit Mona le lover) Martiane Bizet. On a droit comme d'habitude à l'exposition du thème A avec sa toutoun banbou.Sources & Biblio :Sources terrain de thèse de Valérie-Ann Edmond-Mariette. (2019-2024).Nathalie GLAUDON, réal. 2009. Sur les traces de Mona de Nathalie Glaudon. Long métrage. RFO. https://www.youtube.com/watch?v=GEBrllkWc5c.Kabile, Joëlle. 2021. « Masculinités martiniquaises: Une approche relationnelle ». https://www.theses.fr/2021ANTI0729/document.Joëlle Kabile intervention pour l'atelier de la Fabrique Décoloniale: Nonm Pa Lanmod Ankò : https://www.youtube.com/watch?v=uRpjrveW1vQJoëlle Kabile dans le podcast “Les couilles sur la table” : https://www.binge.audio/podcast/les-couilles-sur-la-table/a-la-recherche-des-masculinites-antillaisesQui est Maarcolme ? https://viaatv.tv/musique-avec-maarcolme-lartiste-qui-fait-danser-les-antilles/Clip de KA'OIR: https://www.youtube.com/watch?v=zPc-BADTkq4Une Chanson En Histoire est LE podcast de Tann présenté par Valérie-Ann EDMOND-MARIETTE retraçant l'histoire de la musique antillaise et ultramarine.Que ce soit du Zouk, du Ragga, du Konpa, de la Biguine, du Sega, du Merengue, de la Dancehall, du Boléro, du Rap, de la Créole Pop, de la Kadans ou de la Trap tout y passe ! Le podcast Une Chanson En Histoire par Valérie-Ann EDMOND-MARIETTE aka Valy est LE podcast musique Antilles, Guyane, Réunion, Guadeloupe, Martinique, Saint-Martin.Il traite de la musique antillaise, de la musique guyanaise, de la musique réunionnaise, de la musique martiniquaise, de la musique guadeloupéenne.Certains disent que Une Chanson En Histoire est la référence du podcast zouk ! Qui parle musique histoire !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Un son de flûte des mornes perçant, une instrumentalisation faites de tambours, de chachas, de triangle, de guitare et de basse perceptibles juste ce qu'il faut…et une voix reconnaissable entre mille. Aujourd'hui je vous parle de l'une des plus anciennes biguines à succès d'Eugène Mona. J'ai choisi de commencer cet épisode avec un extrait du morceau original parce que quand on dit La Chandelle je pense que les jeunes générations ont plus en tête cette versionLa reprise, la cover d'E.sy Kennenga pour Léritaj Mona, album hommage pour les 20 ans de la mort du nègre debout : notre « Monational ». Dans cet épisode d'UCEH je vous propose de faire d'une pierre deux coups : une chanson deux interprétations.Une Chanson En Histoire est LE podcast de Tann présenté par Valérie-Ann EDMOND-MARIETTE retraçant l'histoire de la musique antillaise et ultramarine.Que ce soit du Zouk, du Ragga, du Konpa, de la Biguine, du Sega, du Merengue, de la Dancehall, du Boléro, du Rap, de la Créole Pop, de la Kadans ou de la Trap tout y passe ! Le podcast Une Chanson En Histoire par Valérie-Ann EDMOND-MARIETTE aka Valy est LE podcast musique Antilles, Guyane, Réunion, Guadeloupe, Martinique, Saint-Martin.Il traite de la musique antillaise, de la musique guyanaise, de la musique réunionnaise, de la musique martiniquaise, de la musique guadeloupéenne.Certains disent que Une Chanson En Histoire est la référence du podcast zouk ! Qui parle musique histoire !Sources & Biblio :Sources terrain de thèse de Valérie-Ann Edmond-Mariette. (2019-2024).Nathalie GLAUDON, réal. 2009. Sur les traces de Mona de Nathalie Glaudon. Long métrage. RFO. https://www.youtube.com/watch?v=GEBrllkWc5c.Cyrille, Dominique, Louis-José Lancry, et Victor Préfacier Lina. 1999. Mona. Fort-de-France (Martinique), Martinique: SIM'LN.Remerciements : Fleury Félix, Labinsky Charly, Michalon Pierre-LouisHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Aujourd'hui je vous parle du premier tube d'Eugène Mona, son premier classique indémodable et indélébile Une chanson-prière dont seul lui avait le secret : Boi Brilé !Dans ce titre qu'il pense comme un Négrospiritual on peut entendre toute la précision, la pureté et la régularité de l'orchestration des œuvres de Mona.Sources & Biblio :Sources terrain de thèse de Valérie-Ann Edmond-Mariette. (2019-2024).Nathalie GLAUDON, réal. 2009. Sur les traces de Mona de Nathalie Glaudon. Long métrage. RFO. https://www.youtube.com/watch?v=GEBrllkWc5c.Conférence de Valérie-Ann Edmond-Mariette en septembre 2023 “Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona”: La Fabrique Décoloniale, réal. 2024. Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona. https://www.youtube.com/watch?v=fPq2eRvy9m4.Cyrille, Dominique, Louis-José Lancry, et Victor Préfacier Lina. 1999. Mona. Fort-de-France (Martinique), Martinique: SIM'LN.Remerciements : Fleury Félix, Labinsky Charly, Michalon Pierre-LouisBulletin de déclaration à la SACEM : https://musee.sacem.fr/index.php/Detail/objects/96251Partition de Bois Brûlé : https://musee.sacem.fr/index.php/Detail/objects/96261A propos de la décolonisation culturelle : L'heure de nous-mêmes a sonné - Documentaire 2017 - Réalisé par Chantal Defontaine. s. d. Consulté le 12 mai 2020. https://www.youtube.com/watch?v=pleLlmseZLk&feature=share&fbclid=IwAR3TlwUvd0z5by7P9jeh58g83GqM4KX1R1tchRClocfEIE56BI9qadoGmAo.Une Chanson En Histoire est LE podcast de Tann présenté par Valérie-Ann EDMOND-MARIETTE retraçant l'histoire de la musique antillaise et ultramarine.Que ce soit du Zouk, du Ragga, du Konpa, de la Biguine, du Sega, du Merengue, de la Dancehall, du Boléro, du Rap, de la Créole Pop, de la Kadans ou de la Trap tout y passe ! Le podcast Une Chanson En Histoire par Valérie-Ann EDMOND-MARIETTE aka Valy est LE podcast musique Antilles, Guyane, Réunion, Guadeloupe, Martinique, Saint-Martin.Il traite de la musique antillaise, de la musique guyanaise, de la musique réunionnaise, de la musique martiniquaise, de la musique guadeloupéenne.Certains disent que Une Chanson En Histoire est la référence du podcast zouk ! Qui parle musique histoire !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Je suis très heureuse de vous retrouver pour ce nouvel hors-série.J'ai voulu partager avec vous de la matière que je connais bien et vous savez où je prends toute ma matière : DANS MA THESE !Je vous propose de découvrir un artiste que j'aime énormément, qui a beaucoup apporté à notre culture de la caraïbe insulaire francophone…un maestro magistral : Eugène Mona. Au delà du fait que Mona soit un artiste clef de ma thèse il est celui qui m'accompagne depuis mon enfance… d'abord grâce à mes parents amoureux de la musique, ensuite grâce à mes oncles et tantes.Sources & Biblio :Sources terrain de thèse de Valérie-Ann Edmond-Mariette. (2019-2024).Nathalie GLAUDON, réal. 2009. Sur les traces de Mona de Nathalie Glaudon. Long métrage. RFO. https://www.youtube.com/watch?v=GEBrllkWc5c.Conférence de Valérie-Ann Edmond-Mariette en septembre 2023 “Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona”: La Fabrique Décoloniale, réal. 2024. Le récit musical de l'esclavage et du colonialisme dans l'imaginaire d'Eugène Mona. https://www.youtube.com/watch?v=fPq2eRvy9m4.Site de Max Cilla : https://www.max-cilla.com/Cyrille, Dominique, Louis-José Lancry, et Victor Préfacier Lina. 1999. Mona. Fort-de-France (Martinique), Martinique: SIM'LN.Remerciements : Fleury Félix, Labinsky Charly, Michalon Pierre-LouisUne Chanson En Histoire est LE podcast de Tann présenté par Valérie-Ann EDMOND-MARIETTE retraçant l'histoire de la musique antillaise et ultramarine.Que ce soit du Zouk, du Ragga, du Konpa, de la Biguine, du Sega, du Merengue, de la Dancehall, du Boléro, du Rap, de la Créole Pop, de la Kadans ou de la Trap tout y passe ! Le podcast Une Chanson En Histoire par Valérie-Ann EDMOND-MARIETTE aka Valy est LE podcast musique Antilles, Guyane, Réunion, Guadeloupe, Martinique, Saint-Martin.Il traite de la musique antillaise, de la musique guyanaise, de la musique réunionnaise, de la musique martiniquaise, de la musique guadeloupéenne.Certains disent que Une Chanson En Histoire est la référence du podcast zouk ! Qui parle musique histoire !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Née à l'île Maurice, Ananda Devi est l'auteure d'une œuvre foisonnante récompensée par de nombreux prix et traduite en une douzaine de langues. Parmi ses livres les plus marquants : «Eve de ses décombres» (prix des Cinq Continents, prix RFO, 2006), «Le Sari vert» (prix Louis Guilloux, 2009), et «Le Rire des déesses» (prix Femina des lycéens, 2021). Elle a reçu le prix international de littérature Neustadt 2024 pour l'ensemble de son œuvre. Son nouveau livre intitulé «La nuit s'ajoute à la nuit, est le récit de sa nuit passée dans l'ancienne prison de Montluc à Lyon. "De quelle obscure impulsion ce texte, qui m'a hantée pendant de longs mois, s'est-il nourri ? Tout ce que je sais, c'est que j'ai été emportée, engloutie par le siècle d'histoire qui a traversé cette prison de Lyon, la prison de Montluc. Jean Moulin, Raymond Samuel, dit Aubrac, René Leynaud, André Devigny, les enfants d'Izieu y ont tous été emprisonnés. Puis de nombreux condamnés à mort algériens. Klaus Barbie, lui, y est incarcéré avant son procès en 1983. Ce n'est qu'en 2009 que l'aile des femmes, la dernière en activité, est définitivement fermée, en même temps que la prison.Toute la complexité de l'histoire semble s'être concentrée en un seul point, mais ses tentacules s'étendent bien plus loin. J'ai essayé de les suivre, de les démêler. De les pénétrer au cours d'une nuit blanche où je pensais aller à la rencontre des esprits de tant de résistants, et où j'ai fini par me rendre compte que le fantôme, en ces lieux, c'était moi." (Ananda Devi pour les éditions Stock)À LIRE ÉGALEMENT :"D'où m'est venu ce texte tourmenté, ces corps torturés, ces existences démantelées, ces âmes ravagées et cette omniprésence du mal autour de ma narratrice, Paule, qui tente de faire émerger sa voix parmi les tourbillons cherchant à l'attirer vers les ténèbres ? Forest-Side, décembre 1984, ai-je écrit à la fin. C'était il y a quarante ans. J'avais vingt-sept ans. Et je ne me souviens de rien, sauf de la première phrase, qui n'a jamais changé, et de la fin, dans les cris apocalyptiques des bulldozers. Entre, une vision semblable à celle de l'enfer de Bosch. Était-ce vraiment Port-Louis ? Non, bien sûr. Mais un étrange besoin de plonger ma plume dans le purin pour en extraire une écriture de l'excès, pour suivre une voie obscure, entamée des années plus tôt, et chercher, en tâtonnant, tout comme Paule, ma propre voix. Qui deviendrait celle d'Eve, vingt ans plus tard, claudiquant hors des mêmes décombres." Ananda Devi pour les éditions Project'îles "Quel est ce mystère d'écrire ? Qu'est-ce qui amène à l'écriture ? Quelle phrase, quel texte, peut marquer un.e auteur.e à ses débuts et pourquoi ? Quand est-ce qu'écrire devient une évidence ? Quelles influences ? Qui sont les auteur.es ou les textes qui ne quittent plus l'écrivain.e ? Dans cette collection, des auteur.es s'adressent librement et dans une forme qui leur est propre à quelqu'un qui est plein de doutes, mais qui veut écrire. Confronté parfois à des questions insolubles, il ou elle est en recherche de réponses, de pistes pour franchir le pas.Deux malles et une marmite est un regard tendre et sans concession de la romancière et poétesse Ananda Devi. L'auteure crée un pont, un dialogue entre la jeune femme qu'elle a été et la romancière qu'elle est devenue. Un texte d'une grande générosité offert à ses lecteurs et à tous les passionnés des littératures indianocéanes. Il y a là des clés pour pénétrer une œuvre exigeante, riche, bouleversante.Récit confession, Deux malles et une marmite fait partie de ces textes qui vous éblouissent, vous changent et vous remplissent quand vous ressortez de la lecture. Sa langue taille des chemins dans la roche de l'existence comme une quête de lumière. La violence réservée aux êtres en quête de lumière nécessite un temps de pause pour se ramasser, se rassembler. C'est ce qui reste des êtres fracassés qui constitue la somme de ce récit. Sa chair est faite de corps blessés, meurtris qui, au tamis de l'écriture, retrouve une certaine sérénité." (Éditions Project'îles)

Vous avez reconnu la légende ?! On démarre la nouvelle saison de façon tonitruante avec ce classique qu'on doit à l'orchestre Les Aiglons de la Guadeloupe… allez on va parler de cuisses !Qu'on se le dise ce titre rentre dans la catégorie des chansons grivoises et machistes des années 70-80.C'est d'ailleurs pour cette raison que plusieurs diffuseurs dont RFO ont voulu censurer le titre.Sources & Biblio :Interview Michel d'Alexis, octobre 2023, Gérald Joseph-Alexandre.Debs, Henri. 2011. Mémoires et vérités sur la musique aux Antilles: Guadeloupe, Martinique, Haïti, Dominique. pays inconnu: s.n.].Paimba, Miguel Octave, Fabrice, réal. 2019. La Martinique, seconde patrie du Konpa.https://www.france.tv/documentaires/art-culture/882439-la-martinique-seconde-patrie-du-konpa.html.

Our latest election interview covers lots of ground, from issues being heard on the doorstep in Southdale to another candidate picking an issue with our guest! Robert-Falcon Ouellette has always been an articulate and engaging guest with TGCTS and our City Circus Shaw TV series. His career includes two Top-4 finishes in Winnipeg Mayoral elections, sandwiching a busy term as an inner-city Liberal MP. Now he's trying to come up the middle in a swing suburban riding between Health Minister Audrey Gordon and an NDP staffer running with an alleged chip on her shoulder that you'll want to hear about.  Liberal seats in the last House were held by Lamont, Dr. Jon Gerrard and Cindy Lamoureux, and Ouellette thinks if they succeed and are joined by another member like him to attain Party status, it could make a big difference in the Legislature. You can sponsor podcasts /donate by email/or send along story tips: Email ⁠⁠⁠martygoldlive@gmail.com⁠ 8:04 -  RFO talks about health care, and has logical insights into voters being incredulous towards NDP leader Wab Kinew's promise to get 3 ER's up and running without having staffing and training solutions; at the same time, he says, there's a lot of dissatisfaction with the PC government, and with the incumbent MLA's work as Health Minister. 13.40 - Hear about the ripple effects of addictions, crime and homelessness on Windsor Park - with an unbelievable number of houses on one street hit by break-ins! He casts a critical eye at EndHomelessness Winnipeg missing its target. One of the results: "It's not normal to live in a Canadian city where you refuse to go downtown because you're afraid." He calls for better medical and mental health services including providing structured day-to-day activities for the patients-and mentions a favorite subject of rail relocation! 19.00 - RFO brings up NDP candidates living far outside their ridings and our report What's In A Name? Ask Nahanni Fontaine. "I think it's great to go to these protests but sometimes it's about doing those (helping residents) things really well, " calling it "the basic work" of an elected public servant. 20.50- Hear RFO's opinion about Wab Kinew's avoidance of restorative justice for his past altercations. Ouellette goes against the progressive radical image of FN politicians. "Institutions are actually what keeps society together! ... you ignore them to your detriment" citing Winnipeg religious institutions "doing the hard work" of feeding and sheltering the indigent, but not getting support from Christian-bashers like Fontaine. "Anger doesn't get you very far." 22.20 - RFO describes how Renee Cable interrupted her NDP canvassing to confront Ouellette: "Why are you running here? You're going to be splitting the vote." "She said I should have called her to talk to her before I ran as if I need to request her permission to put forward different ideas." He told Cable, "It seems like my very existence is disturbing to you" - and shaking with anger, she started to make it personal about RFO's kids. He says that in the NDP, some people believe they are owed something. He addresses the bigger issues about intimidation and partisan politics in Manitoba- "are we allowed to say anything we want?" In RFO's view, "The big parties aren't very creative with their policies, they don't work very hard and they've repeated a lot of the same mistakes" and "people voting in fear" need Liberal MLAs to provide balance. He cites a lot of factors that are driving down voter turnout and hurt the health of our democracy. 33:07- Marty Gold previews upcoming episodes, including a tip about a bureaucratic cause of ER overcrowding, and a series on inner-city housing, the homeless, and political failures. Your support is needed now to expand our local reporting and election coverage- help us via ⁠⁠paypal.com/paypalme/MartyGoldMedia⁠⁠⁠⁠⁠⁠⁠ Enjoy election commentaries and columns with WinnipegTribune.ca at this convenient tab ⁠https://actionline.ca/blog/⁠

Hey Colorado Rapids fans. This week on Holding The High Line, it's another tough loss for the Rapids. But it's rivalry week, so we've got a Rocky Mountain Cup preview to look forward to. We banter about Fulham's comeback in the HTHL derby, Anthony Markanich scoring for St. Louis CITY, and the Champions League Draw. We break down what went wrong in the 3-0 loss to Minnesota United. Was it all Ralph Priso's fault? Is this team noncompetitive? What is Robin Fraser doing and not doing to contribute to this? We discuss. There's a Turkish rumor about Moïse Bombito. Then we preview Real Salt Lake. The show ends with Ask HTHLs about lack of player development, this historically bad season, and how fans can be heard and felt by KSE and the RFO.

Pendant trente ans, Jean-Marie Colombani a couvert les actualités du monde entier et suivi de près la vie politique française. Un regard privilégié sur un monde et ses mutations, celui d'un homme à la tête du quotidien français de référence. Retrouvez-nous chaque semaine dans Mémoire d'un monde pour évoquer ensemble l'histoire d'un homme, celle du monde, l'histoire des mondes. Pour ce premier épisode, retour en 1977. À l'époque, jeune journaliste, Jean-Marie Colombani suit Jacques Chirac quand ce dernier se lance dans la bataille pour la mairie de Paris. Cette élection, c'est aussi la bataille entre un président, Valéry Giscard d'Estaing, et son Premier ministre, Jacques Chirac, et entre deux familles de la droite. Mémoire d'un monde est un podcast de Jean-Marie Colombani produit par Slate Podcasts. Direction éditoriale: Christophe Carron et Hélène Decommer Production éditoriale: Christophe Carron, Hélène Decommer et Aurélie Rodrigues Conseillère éditoriale: Florence Colombani Montage et réalisation: Aurélie Rodrigues Musique: Victor Benhamou Illustration: Aurélie Rodrigues et Clémentine Amblard Photo originale: Thomas Coex / AFP Ce podcast a été réalisé avec l'aide de Mona Delahais et Clémentine Amblard. ---------------- Références / Archives INA: – «Jacques Chirac annonce sa candidature à la mairie de Paris», TF1 Actualités 20h, 19/01/1977, Télévision Française 1, journaliste: Jacques Hébert – «Élection de Jacques Chirac», Antenne 2, Le Journal de 20h, 25/03/1977, A2 / France 2, présentateur: Patrick Poivre d'Arvor – «Tiga - Festival des arts mélanésiens», RFO, 19/03/1975, Fr3 Nouvelle-Calédonie, voix: Jean-Marie Colombani

Денис Артамонов, кандидат исторических наук, доцент и докторант кафедры теоретической и социальной философии СГУ им. Н.Г. Чернышевского. Сфера научных интересов: история рекламы, историческая память, цифровая мифология, социальная эпистемология, исследование интернет-мемов, компьютерных игр, сетевой литературы. Лектор Российского общества «Знание», спикер и эксперт проекта «Цифровой мост 2.0», эксперт Института совместного проектирования и экспертизы, член отборочной комиссии Фестиваля детского и юношеского кино «Киновертикаль, член РОИФН, РФО, СРОО СРК «Кинотраектория", руководитель и участник грантовых проектов РФФИ и РНФ, креативный фотограф, блогер. Автор книги в соавторстве с С. В. Тихоновой «Историческая память в социальных медиа» (СПб., 2021) и «Петр I в медиапамяти» (Саратов, 2022). Denis Artamonov, PhD in Historical Sciences, Associate Professor and Doctoral Candidate, Department of Theoretical and Social Philosophy, SSU. N.G. Chernyshevsky. Research interests: history of advertising, historical memory, digital mythology, social epistemology, research on Internet memes, computer games, online literature. Lecturer of the Russian society "Knowledge", speaker and expert of the "Digital Bridge 2.0" project, expert of the Institute for Joint Design and Expertise, member of the selection committee of the Festival of Children's and Youth Cinema "Kinovertical", member of the ROIFN, RFO, SROO SRK "Kinotraektoriya", head and participant of grant projects of the Russian Foundation for Basic Research and the Russian Science Foundation, creative photographer, blogger, author of the book “Historical memory in social media” (St. Petersburg, 2021) and “Peter I in media memory” (Saratov, 2022) in collaboration with S. Tikhonova. FIND DENIS ON SOCIAL MEDIA VKontakte | Odnoklassniki | YouTube ================================SUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/mark.develman/YouTube: https://www.youtube.com/denofrichInstagram: https://www.instagram.com/den_of_rich/Hashtag: #denofrich© Copyright 2023 Den of Rich. All rights reserved.

durée : 01:09:30 - Les Nuits de France Culture - par : Albane Penaranda - Par Jean Lebrun - Avec Eugène Nicole (auteur du recueil complet de "L'Oeuvre des mers" publié en 2004 par L'Atelier), Andrée Lebailly (journaliste à RFO), Jean-Paul Aspetéguy et Jean-Pierre Andrieux - Réalisation Jean-Christophe Francis et Guillaume Baldy

5:00 We note the passing of 'climate crisis' debunker Dr. Tim Ball, who supported us on Kick-Fm and Shaw-TV. Here is one of his excellent videos. 11:30 The flyer of St. Boniface candidate Marcel Boille makes some important points about how St. B has lost out by joining Unicity and watching their tax dollars go to "Winnipeg" and got nothing in return except for spiraling crime rates and deteriorating services. He touts separation but Spirited Kenny doesn't think it's very realistic (Headingley anyone?) 22:00 Glen Murray claims the city has gone to shit and only he can fix it, BUT he always A) leaves out the responsibility of Mayor Brian Bowman and B) never mentions that the first thing he did when he retruned to the city in 2018 was to... endorse Brian Bowman. Listen to Bowman's hint why Murray won't dare speak truth to power at City Hall. 25:40 Glen Murray tried to guilt Winnipeggers into picking up the tab to restore Thunderbird House. we tell the truth about why it failed - a $40k air conditioner it didn't need and irresponsible governance. Meanwhile Robbie Ouellette says he'd move the Mayor's office there. 37:00 - The media loves to tell about how *certain* politicians endured childhood poverty and family struggles, but the Free Press proves that it isn't only the kind of 'disadvantaged' folks usually promoted. Hear of 2 unexpected tales of mayoral hopefuls who overcame the odds to build successful careers, Kevin Klein (who spent time in a Sally Ann shelter) in corporate media, and Jenny Motkaluk - who went to University at age 16 and earned advanced science degrees before her successful careers in sales and business consulting. 47:25 - CBC has a list of Mayoral campaign planks and a discussion about how complete/accurate it is. For instance the Motkaluk housing plan had a 'help the homeless' component CBC missed, but she is way ahead in Arts and Culture proposals; meanwhile the Scott Gillingham camp was satisfied overall but added a few notes we pass along. 52:00 - RFO's transit ideas - like a buck a ride and allowing tap payment - get a good/sceptical look, as does Klein's 'trailers for the homeless' concept. We go over the CBC investigative report on Glen Murray's departure from the Pembina Institute which Marty also discussed here. Was this Murray's "Principal Skinner" moment? Tom Brodbeck rejected his apology and Kenny remarked "It's the same old Glen no matter where he goes." We then recap the Motkaluk promises to fudn the Sanat Claus parade and other events like Cruise Nites to build civic spirit. 1:10:50 - Part 2 Crime, crime and more crime - and 2 more murders. Marty thinks this election may lead to a serious discussion of the concept of Unicity as a whole.

The Magic Word Is 'Starter' as Marty finally got to the bottom of the car problems! But even without getting to live events with candidates this week, we had lots to talk about in Episode 14. And as we predicted - crime, policing and public safety continue to get big attention from the Mayoral hopefuls. 2:45 - We get a couple of small corrections on the record from Episode 13 (Attn: S. Dobson and E. Duncan) 4:08 - An email from Rick Shone, running for Mayor and making a good impression along the way, is Part 1. He was responding to Spirited Kenny's remarks about police shifts in supermarkets and Shone clarifies who's paying. Kenny makes an important point about WPS officer burnout and whether taking extra special duty shifts might be adding risk instead of rest. Shone also describes his views as a small retailer of the shoplifting problem in Winnipeg which he says was made worse by lax big box stores, slams the Manitoba Liquor store "solution", and explains how he handles it at Wilderness Supply. We talk about his email and note how candidates like him and Don Woodstock have first-hand experience at street level with crime- and their ideas are worth looking at. 18:45 - Part 2 starts with a fast review of Kevin Klein's announcement this week. He would try to coordinate all the groups working on homelessness issues and try to ensure we get the best results from the grants City Council gives to them. Kenny and Marty assess that idea given the rivalries between the competing groups, and also Klein's proposal to have BIZ organizations (and the City) give entry-level jobs to recovering homeless folks. 25:38 - Robert-Falcon Ouellette took to the progressive line of "re-defining policing". His goal is to find ways to improve crime response and prevention. RFO also wants Winnipeg police training to be revised, based on ideas from the failed former police chief of the 1990s David Cassels, who walked away from the job after barely 2 years. Hear what we think of their idea for the federal government to create national training standards. We discuss how the feds are responsible for the rise in brazen criminal violence by eliminating deterrence and trial delays, and we tie it back to Shone's comments about the LCs. 34:20 - An in-progress robbery at a St. James business got no police response on Friday afternoon. The owner of Red Bomb Fireworks corresponded with Hal Anderson, who is running to replace Klein in Charleswood-Tuxedo-Westwood. We go over the details of how an exasperated Matt Bialek watched on security cameras - while on the line with 911 - as the criminal, who had zero fear of being caught, taunted his staff. ******* As we enter the last half of our independent coverage of the election, we thank all of you for listening, talking with us, sending us opinions questions and tips, and helping us keep alive the spirit of citizen journalism that was pioneered on 92.9 KICK-FM and City Circus on Shaw-TV. For those who only know of us from radio- Marty conducted a series of Shaw-TV interviews in the 2014 election, talking with prospective successors to Sam Katz for 27 minutes each. Watch the episode with the eventual runner-up for Mayor that year, Judy Wasylycia-Leis. https://youtu.be/hymuZfxoKfY KEEP US ON THE ROAD TO OCTOBER 26 - WE NEED YOUR SUPPORT Donate via Paypal -- https://www.paypal.me/MartyGoldMedia Email: Martygoldlive@gmail.com

One of the most popular interviews Marty conducted during the 2014 Winnipeg Mayoral race was with a political unknown - Robert-Falcon Ouellette. He parlayed an unexpected 3rd place finish to ride the wave of Trudeaumania Pt. 2 to Ottawa the next year. Now he's taking another shot at the Mayor's chair, and Marty spoke with him about his 'surface lot redevelopment tax' plan, and also quizzed RFO about his election campaign. We even got a bit of a scoop about an upcoming policy concept RFO is reviving from the 2014 platform. 6.40 RFO press conference - Hear his proposal to charge owners of surface lots- especially the 172 acres in downtown - a special assessment rate equal to a 4 story commercial building. He spoke about how it would improve public safety and force owners to spark a construction boom. 13.35 A short lead in to a back-and-forth with RFO 14.50 RFO's logic leads to specific questions. Marty asks the candidate if he'd include lots owned by churches like Calvary Temple in this tax assessment and whether it penalizes the church for investing in servicing their congregation. A follow-up question asks the same about Rupert Ave. surface lots that serve the major arts organizations. Hear RFO's theory of how these forced unplanned construction projects can be paid for (and it isn't private investment). 19.25 Marty followed up on the example of Calvary Temple by going to interview a surprised church official, who declined to comment directly, but did point out a major stumbling block to RFO's idea. That's not the only hurdle, as Marty and Kenny discuss. 31.55 Ouellette fields 4 questions from Marty - about his campaign, how he can emerge from the crowded field, "how good ideas should never die", and provides a message for our audience. 38.30 General discussion about the RFO Q and A and his role in the election. Part 2 45.25 A rundown of the newest candidates who will now challenge for a seat on city council. 53.30 The worst problems voters want solved are crappy city services, and random violent crime. We recap the excuse used to *not* pick up garbage at a Charleswood home, discuss the St. James home invasion where calling 911 was useless and left a young couple in fear and frustration, and point out that no surface parking lots had anything to do with the random bear-spray attack on 10 folks outside Club 200 this week. Think they have fear and trauma now? Hear how Glen Murray, of all people, is following our lead from earlier this summer and talking about the fear of crime and violence and the repeated recidivism of the perps, which we said was at the forefront of election issues. Unlike Murray, we discuss who's to blame by name, Mayor Brian Bowman - who Murray endorsed in 2018 - and Police Chief Danny Smyth. We talk about how the next Mayor has to be honest and while supporting rehab services for some, ensure the public isn't victimized by the willfully criminal. As Marty explains: "There's no message from any of the candidates that Winnipeg will not welcome criminals." Kenny explains how he has seen the downward spiral from 5 years ago downtown. 1.07.20 We wrap up by discussing the revival of Aurora Recovery centre in Gimli. It's been taken back over by Michael Bruneau, and ask whether the next mayor should be exploring if the City can reserve 20 of the 60 new beds he's adding to the facility. TGCTS is the only place to hear extended audio of the candidates! We need your support! To donate or sponsor today - Email Martygoldlive@gmail.com Donate via PayPal www.paypal.me/MartyGoldMedia

There are three levels of cold hardiness in grapes and understanding these can help growers select and manage the best varieties for their region. Imed Dami, Professor of Viticulture in the Department of Horticulture and Crop Science at The Ohio State University, explains cold tolerance and new information about the role of abscisic acid in ripening. First an overview of cold hardiness. The first level is very cold tender. A lot of these varieties are grown in California and they are not native to North America. Second, are cold hardy, or tolerant grapes. These are the native species to North America. And third are hybrid crosses. The majority of grapes being farmed fall into this category. New research is being done on abscisic acid, a plant hormone that induces dormancy. When sprayed around version, it can help send the plants into dormancy earlier and maintain a deeper dormancy which makes the grapevines more cold tolerant.   References: 2022-06-03 Roller Crimper Tailgate (Register) Abscisic Acid and Cold Hardiness in Grapes Buckeye Appellation Foliar Applied Abscisic Acid Increases ‘Chardonnay' Grapevine Bud Freezing Tolerance during Autumn Cold Acclimation Foliar Application of Abscisic Acid Increases Freezing Tolerance of Field-grown Vitis vinifera Cabernet franc Grapevines (Abstract only) Imed Dami (email) SIP Certified Sustainable Ag Expo November 14-16, 2022 Winter Injury to Grapevines and Methods of Protection Get More Subscribe wherever you listen so you never miss an episode on the latest science and research with the Sustainable Winegrowing Podcast. Since 1994, Vineyard Team has been your resource for workshops and field demonstrations, research, and events dedicated to the stewardship of our natural resources. Learn more at www.vineyardteam.org. Transcript Craig Macmillan  0:00  Our guest today is Imed Dami. He's Professor of Viticulture in the Department of Horticulture and Crop Science at The Ohio State University. Thanks for being on the show, Imed. So you're doing some pretty interesting work there in the Midwest or East, depending on who you ask. So you work in Ohio, and you work in cold hardiness of grapes, grape vines, which is the work you've been doing for quite a fair amount of time. Now, you did that as well, in your graduate work. What can you tell us about what the climatic conditions are like in Ohio, especially in regards to cold weather, that may not be seen another grape growing region to the US. So other listeners may not be familiar with kind of the challenges there are.   Imed Dami  0:35  So in terms of the growing season in Ohio, it could be similar to many other grape growing regions in the country. However, during the dormant season, in the winter, it is different, it is much colder in Ohio. So the way we determine you know, how cold it is, in Ohio, is there is this maps, it's called the plant called hardness map developed by USDA. And these maps are based on lowest temperature for 30 years during the coldest month of the year. So they put that information together, you know, and they come up with averages, and then they divide, you know, each state into different zones based on those minimum temperature. Okay. So for example, in Ohio, we have three zone. The minimum temperature range between zero and minus 15 fahrenheit. So that is cold. And then they designate you know, these zones, like a number and the letter. So, for example, in Ohio, we have the three zones, you know, designated as six B, six A and five B. However, the majority of the state falls in the what we call six A's zone, where temps range between minus five to minus 15. So that is very cold. So, how do we relate this to the grapes? Grape vines, typically, they start to see cold damage at temperature of zero fahrenheit, or lower. So you could see, you know, like grown grapes in the majority of the location in Ohio is challenging, you know, just because of how cold it gets during the winter. Just to give you like a point of reference, these numbers, you know, of the zones, the higher the number, the milder the winter is. So, for example, in California, the majority of the grape growing region, they fall in the region of 9, 10, and 11 zones. And in those zones, the minimum temperature doesn't fall below freezing. So that's why in California, you don't hear any, you know, problems about cold damage during the winter.   Craig Macmillan  2:44  That's in that brings up an interesting point. So, you know, you say damage happening at zero degrees fahrenheit, why is it the vine damaged and cell walls breaking and whatnot, when we get below freezing? If that vine is full of, you know, water, that it's taken up in the fall and things like that? Why is it why does it need to get so cold before we see damage?   Imed Dami  3:03  That's a good question. So the, the plants in general, they have a different mechanism of survival, you know, to cold. So when it comes to grape vines, the most sensitive part of the vine are the buds. And these buds, the way they survive winter is with the mechanism that we call a super cooling. So what super cooling is, is basically, the water or the solution, and the plant remains liquid, even below freezing temperatures. So that's how the grapevines you know, buds survive those minimum temperatures. So that is the mechanism by which grape vines survive. Of course, when you have a super cooling up to a point, in general, plants could super cool down to like minus 40 Fahrenheit, which is very cold. But it ranges you know, from let's say, like I said, you know, just below freezing all the way down to that. And the difference is the type of grape variety or species which I will be talking about later on.   Craig Macmillan  4:08  What is severe cold damage on grapes look like? Again, a lot of folks outside of the Midwest or the northern United States may not have ever seen anything like it before. And what kind of economic impacts are there?   Imed Dami  4:19  Sure, the vines you know, they have this parts that are above ground, and any part above the ground that is exposed to those minimum temperature could sustain cold damage. And then because there are different parts, the one that is the most sensitive are the buds, like I mentioned earlier, the way you identify a cold damage is by cutting through the bud. And then the typically, the buds are alive, they look green, and then when they are damaged, they look brown, so it's very easy to tell, you know, by visual observation. And then within grapevines, we have what we call the combpound buds, they call them compound because there is a primary, secondary, and tertiary bud. Primary bud actually is where the fruit comes from. Unfortunately, that is the most sensitive to cold. So what that means is every time you have cold damage, the primary bud is damaged, that means that's going to become like a loss, you know, in crops. And then the other tissue that is important that could also sustain damage is what we call the vascular tissues. These are basically the pipeline's you know, in the grapevine, primarily what we call the phloem, and the cambium. And those two actually, same thing, when you will cut through the cane, you know, or the corridor or the trunk, you'll see the color change to brown, which indicates cold damage. Though the worst case scenario is not only you have the canes damaged the cordon, the trunk, but also the whole vine, and basically, cold actually could cause complete vine death. So in terms of economic impact, it depends on the severity of the plant part that is damaged. So if you have only buds damaged, that's typically becomes you know, like a more like a crop loss. Same thing with more severe damage with the vascular tissue, let's say in cane, cordon, or trunk, you lose, you know, those parts of the vine like a cane, you may lose it or the cordon, or the trunk. The most severe damage is vine death, basically, the whole vine dies. In terms of economic impact for the vine damage. Actually, there is a study done in New York, where they estimated the loss, you know, from a dead vine due to cold. And their estimate is a loss of $155 per vine, and this is for vinifera. So if you extrapolate that to per acre is equivalent to $125,000 per acre in terms of losses. And the main reason is not only you have to buy new vines, you have to replace you know, remove the vines, do the replanting, and then also, the main thing is you have a loss of production for four years. And then basically, when we talk about wine grapes, you're not only losing the grapes, you are also losing the product, which is why for four years, and that's why the number is so high and significant.   Craig Macmillan  7:20  That's a good question. So if you have a bad winter, and you go in and you evaluate buds, and they're dead, and you then go into the cordon and look and say oh, that's not good. And then you work your way down into the trunk, and look at that, is it ever the case that you will hit a spot where there's still some vinifera that's alive towards where the rootstock graft union is that you could graft on to or that you might get some latent buds to come out.   Imed Dami  7:45  So, actually, I will talk about this later on in terms of the practices, you know, in the vineyard when we talk about grafted vines, which is, you know, common for vinifera. The reason why I mentioned this, because typically here we also grow hybrids, they're not grafte. With the grafted vines, you typically hear in the east, we mound soil around the graft union. So at the base of the trunk, you know, you see this what we call mounting or healing up around the vine. And the main reason is to protect you know, that graph tune because it's very sensitive. And then also the base of that trunk to avoid any damage in case of the worst case scenario, like you said. When do you have damaged, you know, all the way of the cordon and then the trunks. If you have that situation, then you save the base of that trunk. And then you have regrowth, you know, of the vine. So that's typically how it is done, it is not common here to graft over, you know, the vines when they are damaged. But that is typically the practice, you know,   Craig Macmillan  8:48  Which reminds you something else. So is this a temperature over time kind of a curve? Or is it a threshold? Once we hit this temperature it's done or is it need to be at a temperature for a period of time before the damage really shows up?   Imed Dami  9:03  Typically, when you reach like the temperature outside, you basically have the temperature outside and then the temperature of the tissue. When we talk about the small tissue like gray buds, they reach an equilibrium between the two. So as soon as it gets cold, you know, let's say two minus 10 in the outside it will be minus 10 in the buds as well. So in that case, you know, the the freezing of the water is instantaneous. It's like immediately. When you have tissues that are bigger, like the cordon or the trunks because they're thicker you know, just like you take a piece of wood you know and then the temperature usually outside is colder colder than the temperature in the trunk. So it takes more time for trunk to get damaged. You know it may be like hours before it really, yeah. So typically here in our situation, you know, when we have some these big events like the polar vortex back in 2014 Not only it got cold, but it's  stayed cold for a long time. And those are the worst scenarios, you know, because not only a damaging or the bad, but also, it damaged the trunks as well, because it's so cold, you know, for a long time.   Craig Macmillan  10:11  When we see this kind of an event, are we looking at a 100% loss across the vineyard?   Imed Dami  10:16  No, not typically. So, again, you know, I'd be mentioning this later on. The vines, you know, they tolerate cold based on their genetic makeup. So there are some varieties like the vinifera, they are very cold tender, they may sustained some damage, or more damaged than more cold tolerant or resistant varieties, like, you know, Concord, or some of the native grapes, you know, here grown in the east. So there are differences, you know, that you see, in terms of cold damage.   Craig Macmillan  10:49  Tell me more, you mentioned hybrids before and we're talking about different varieties, what can you tell us about the cold tolerance to cold hardiness of different varieties and what the genetic background might be on those and how plant breeding has addressed this problem maybe.   Imed Dami  11:03  So as I mentioned earlier, the cold hardens is actually a genetic trait. So what that means is the genetic makeup of each variety determines the cold hardens level of that variety. So it is in the genes, you know, of the viru. Based on that we have, like mainly three groups of grape types, if you want to call them The first group, what we call very cold, tender or cold sensitive, these are the group of the species vitis vinifera, these are basically the varieties grown in California. And the main reason why they're so tender, because they're not native to North America, they are used to more what we call a Mediterranean climate, you know, which is characterized by mild winters. So when we imported them here, and we grow them like in climates, like here in Ohio, it is very challenging because they're so tender. The other group, kind of the other extreme is what we call the cold hardy group, you know, or cold tolerant. These are native grapes. These are native species to North America, and we find them a lot here in eastern US, like vitis labrusca, an example of variety, like very popular varieties Concord. We also have other species like vitis riparia. So these are all native to this region. And those species are very cold, hard, you know, because they're used to the type of climate, you know, they are grown in. And then the third group is what we call the hybrid. So the hybrids are crosses between the vinifera and the native grapes. And the main reason why they develop these crosses is the vinifera basically provide the quality of the fruit, and eventually the wine. And then the native grapes provide the cold hardiness. In our industry, and generally, in the east, most of the grapes we grow actually are hybrids, because they tolerate a more cold, you know, than the vinifera. And there are several examples of varieties, old varieties like Vidal. Seyval, example of Chambourcin. And, and then we have now like a lot of new hybrids, like Traminette, Chardonel, are varieties are developed from New York program. And then we also have other very cold hardy do they call it super hardy varieties from the University of Minnesota like Frontenac, Marquette. These are very hardy varieties. And they are hybrids.   Craig Macmillan  13:28  Yeah, they were developed in Minnesota that have to be pretty darn hardy. You can see the challenge there. Tell us about your work around abscisic acid, I know that that's related to cold hardiness, that's related to sugar and other things. First of all, tell us what what is abscisic acid, ABA, what is abscisic acid.   Imed Dami  13:48  So abscisic acid acid actually is a plant hormone, it is naturally produced by the plan. And typically it is, it is associated with a lot of like physiological response by the plant. And one of them actually induces dormancy. Our idea when we use the abscisic acid is we try to kind of enhance dormancy by applying abscisic acid, you know. So we are adding more abscisic acid to the plant that produces its ow. And by doing that we could, our hypothesis at the time is can we change the dormancy like in terms of occurrence, you know, can we make it happen earlier because the earlier the vines enter into dormancy, the more prepared they are for the winter. And then number two, yeah, and then number two is the level of dormancy, the more dormant the vines, the better they do in the winter. And so when we applied abscisic acid actually did both. So while we are pleased with the responses. And then eventually vines, you know, not only they enter into dormancy earlier in the season, they also have a deeper dormancy. But then that actually was reflected later on in more cold hardy response by the vines that are treated with abscisic acid. So it was really a very positive response, you know, by applying that product. It was the first time this product was used in grapevines. And we're very excited to know by the response.   Craig Macmillan  15:21  How is it applied?   Imed Dami  15:22  We looked at the timing, you know, when is the best time to apply it. And what we found is actually, right after verasion during fruit ripening, when the leaves are still on the vines, you know, actually, the fruit is still maturing, we found that is the best time to apply abacisic acid. So this is basically sprayed, you know, it's a liquid, that you spray it on the canopy. And then that's it, then basically, we look at the response, you know, later in the fall, and then during the winter, so.   Craig Macmillan  15:56  You also mentioned a deeper dormancy. What does that mean? When is deeper dormancy?   Imed Dami  16:03  A deeper dormancy, that means the vines, you know, basically, during the fall, they began to enter into what we call dormant, you know, basically, they go into a state of like, asleep. When they do that, sometimes they don't go like into what I call, like a deep sleep, you know, and then that has to do with the climate, the conditions, you know, that they were exposed to every year depends also on the vine health, etc. When the vines enter into deeper dormancy, that means it takes more time and more effort to wake them up. And then when they are more dormant, they actually gain a more cold hardiness as compared to when they're not as as dominant. So, so that's what we mean by deeper dormancy.   Craig Macmillan  16:55  And that can be achieved by applying abscisic acid into the canopy, right around verasion?   Imed Dami  17:02  Yeah, we weren't able to do that. Exactly. So again, you know, like anything else. When you apply a product, you know, it works in some varieties, it doesn't work in others. It works in some climates, you know, not under others. So, we see sometimes this kind of inconsistency. But when we have a controlled environment, let's say in a greenhouse, we consistently see the response to abscisic acid by the plants. So basically, absciscic acid you could think of it as it mimics the environmental cues that typically the vines, you know, get from the environment because the vine, for the vines that go dormant and begin acclimating it has to have two clues from the. It's short days, as soon as the days become shorter, the vines you know, start to get dormant. And then the second clue or cue is the temperature. When he started to get colder, the virus begin to become more dominant and become more cold tolerant. So those are the two. And then we could replace those two cues, actually, by applying ABA.   Craig Macmillan  18:10  You know, actually, this brings up something that often or continually be been kind of confused about. How does the vine sense photoperiod? If the leaves are falling off or becoming cut off from the rest of the vine, is there another organ or way that the vine can sense what's going on with the light?   Imed Dami  18:30  Well, actually, they do that sensing when the leaves are still on.   Craig Macmillan  18:33  They do. Okay.   Imed Dami  18:34  Yeah, so the receptors really actually are by the leafs you know, and I think that's why probably even when we applied the ABA was more effective, you know, when the vines still have their leaves on. So that I mean when you think about like short days, you know, during the growing season that starts back in June. So it's such like a way early see and then actually, by that time the vines begin already sensing you know, this short days, they begin the process actually of cold acclimation. So cold acclamation, or we call the hardening off of the vines. Actually, it begins right when the fruit begins to ripen during verasion. So it happened like way early, you know, like in the summer, basically, you talking about July, you know, and you start to see the tissue, as they, as the fruit is ripening the vines actually at the same time is preparing for the winter at the same time. And then it will continue after the leaves are dropped. And then the vines become more sensitive to the temperature rather than the full period. So it becomes the second step is based mainly on the temperature.   Craig Macmillan  19:38  Interesting, interesting.   Imed Dami  19:39  And that's why during the winter because that is the coldest month, the vines you know, they sense these cold temperatures, and they reach actually their maximum cold hardens during the winter because they need it.   Craig Macmillan  19:51  And then it's the response to the warming temperatures that brings them out of dormancy.   Imed Dami  19:54  Exactly. And that basically happened like late winter like right now or early spring and that's why basically, the winds, you know, begin to wake up. And that phenomenon is typically driven exclusively by temperature. As it starts warming up, you know, in the spring, the vines, you know, begin to do, what we call deacclimate. So that means they lose their cold hardness, and then they start growing again.   Craig Macmillan  20:18  What can growers do, are specific practical things that growers can do to prepare for, or manage, or prevent damage to vines in these really cold areas.   Imed Dami  20:30  Sure, yes. In terms of like things that the growers could do, there are three main category, if you want to call them. The first one is what we call a preventative. So how do you prepare for the cold before even it happens. One of the main ways to do that actually is site selection. You have to have a very good site to grow the grapes, and avoid, you know, this minimum temperatures. So that is very critical. You know, especially for us here in the east. The other thing is selecting the proper variety. So like I mentioned, we have variety that are very sensitive dive right at a more cold hardy. So it's very important to match the cold hardness of that variety with the site where you're going to grow them. You cannot grow for example, vinifera in a site where it gets to minus 10, you know, every year, that is not possible. The other thing in terms of practices. And again, this is more unique, you know, to eastern US, is we train vines with multiple trunks. If you look at the vines, you know, in California, they all have a single trunk. For us here we have multiple trunks. So you could see a vine with two trunks, you know, they look like they are two vines, but they're not like one vine with two or more trunks. And the main reason is when we have a cold event, that cold event doesn't kill both of those trunks kills one and not the other, so they don't die simultaneously. So that is kind of like a kind of an insurance, you know, practice. And typically we see this in almost all grapevines. When we have injuries, you see one trying to get damaged and not the other. The other thing that I mentioned earlier, is we heal up the vines to protect the grafting union. So this practice actually is done every year, it is done in the fall, and then the vines have to be dehilled, or removing those mounds in the spring. So this is a common practice that we use for vinifera here in the east. And then the third one is what we call cultural practices. In terms of fertilization, crop management, anything basically improves fruit quality also is favorable for improving cold hardiness. In terms of during the cold event, the main thing that our growers, you know, some of them they use is what we call the wind machines. So when machines I know for example, in California, they're very common not to use for spring crops, but here we could use them for spring frost events as well as cold events in the winter, they are an effective tool. So finally, what I call practices by the grower after you do, you have like a cold event. So even though you do everything by the book, you don't have a good site, you have good varieties, you know, a suitable variety then you do the multiple trunks and cultural management, you still it gets cold enough, you know that you have damage. In that case, vines are trained or adjusted, you know, depends on severity of the damage. So for example, when we have only bud injury, we adjust pruning to compensate for those losses. And by doing that you could have a normal crop even though you lost some of the buds. So for example, if you lose 30% of the bugs, you could compensate pruning by adding you know 30% more buds you know, then how you typically prune those vines. And by doing so, you could have normal crop up to a point of course. Another more severe damage when we have trunk damage and basically die back you know of the vines. In that situation, we have to retrain the shoots. And typically the way we retain thse you know is kind of unique in the east. Like I said, we do multiple shoots or multiple trunks, it's very important to do that. And then the size of those shoots are important. We have to select shoots or canes that are pencil size. The main reason is big shoots or large canes we call them bullcanes are not favorable because they are more damaged by the cold. So selection of these shoots and canes, and how many shoots you trained are typical practices, you know, for retraining, winter damage vines.   Craig Macmillan  24:35  Well, is it better to cane prune or spur prune? Does that make a difference?   Imed Dami  24:40  Yeah, it doesn't. If your vines you know are typically prune spur or cane you know, it doesn't make difference. However, when you have injury after the fact and your vines let's say they are cane prune. What we found is it is best if you convert those vines into spur prune. And this is only when you have a severe damage of the buds. We found that when you do spur pruning, you had a better recovery, better crop than cane pruned vines. Again, this situation is only true when the vines sustained damage and like more severe damage of the buds. Then you could convert the virus into spur pruning. And then of course, you know, you could always go back to your original in our pruning later on to cane pruning, again, after like year one of the winter injury.   Craig Macmillan  25:31  All right, what, what's the best timing for pruning in a cold situation?   Imed Dami  25:36  In our situation here, timing, you know, is not critical. However, when you have large large vineyards, you know, you have to prune like over many months, we typically recommend that you prune the cold hardy varieties first, and the main reason is, you know, if you get like a cold damage, you haven't pruned you know, the code sensitive yet. So you could still leave, you know, more buds or more canes, like I mentioned, with the pruning adjustment. You leave the sense of variety last in terms of pruning, so we prune those last. That is kind of typical recommendation for our growers.   Craig Macmillan  26:09  Tell me a little bit about the role of ABA and sugar.   Imed Dami  26:15  One of our research focus, I mentioned, you know, ABA, but before that, actually, we looked at sugars. And what we found is like sugar production by the vines go hand in hand with the cold hardness of the vines as well. So what I mean by that is during the fall, when cold hardness keeps increasing during the fall, the sugar concentration also increases in the vine, in the bud and the vascular tissues. And then when it reaches the cold hardens its maximum during the winter, the level of sugar is also reached maximum at the time. And then in the spring, when the vine lose hardness, the level of sugars goes down again. So there's a very close relationship between cold hardiness and sugar accumulation. And one of the explanation is the sugars that are produced more by the vines, you know, is because they they provide what we call protection to the tissues, you know, they call them cryoprotectant. What we found in our research also is there is a specific group of sugars that we call raffinose family oligosaccharides, RFO. And these are like larger sugars, they have even closer relationship with cold hardiness and cold acclimation as well as dormancy. So in our recent research, what we found is when we apply abscisic acid to the plant, actually, that acts as a signal to produce sugars in the vine. So basically, ABA and induces sugar production. And we have demonstrated that in our recent research, and this is why we have this close relationship, you know, between the ABA role, and sugar production in the vines.   Craig Macmillan  27:50  Does that affect the sugar accumulation in the cluster? And the berries?   Imed Dami  27:53  No.   Craig Macmillan  27:54  Interesting.   Imed Dami  27:56  Because, you know, the time when the sugars are accumulating, let's say in the winter, the clusters are already gone, you know. So the vines actually, they don't only not only they accumulate sugars in the clusters, at the same time, they are accumulating sugars in the dormant tissues. They do it faster. Of course, once the vines are harvested, they do it at the bigger, faster rate, you know, so they call that actually kind of becomes like a major pool of sugar accumulations, you know. And that's how the vines you know, they have to have this reserves to overwinter, you know, properly.   Craig Macmillan  28:27  We've talked about a lot of different things. But is there one, one thing that you'd recommend to our listeners that are facing cold hardiness issues? What's the top? What's the top thing?   Imed Dami  28:38  The top thing? Wow, you know, like I mentioned earlier, it is very simple. I mean, really, in our industry, even though we've been around for a long time, one of the major issue and challenge, you know, in the east is selecting, you know, the proper variety in a given site. And that is really, it's work in progress. It's you know, like, in Europe, you know, they found this matching that we call terroir, over hundreds of years, you know. Even in California, you know, it's still a young industry. So imagine here in the east, we are still really learning about the best varieties, you know, in the best sites, and especially a lot of these hybrids are new to our industry. So we're trying to find you know, that match because really, and for me, that's I always find that the most challenging, you know, to our grower to find out, so.   Craig Macmillan  29:28  Where can people find out more about you and your work?   Imed Dami  29:30  One of the ways is, obviously my email address I could give it to you could contact me directly. It's dami.1.@osu.edu. And then there's more information in our website. You could Google grape wherever you know, Ohio and it will show up you know, it is called Buckeye Appalachian. There's a lot of information there about what I talked about. And then also it talks about our extension work you know, working with our industry as well. So I would say those are two good ways or resources, you know, to find out. In terms of information called harness. I mean, I know this is a long title. But we published you know, years ago, a book on cold hardiness of grapevines, it is available through Michigan State Extension. It is called Winter Injury to Grapevines and Methods of Protection. Everything I talked about, with a lot of details, and with more technical stuff, you know. It's like a over 100 pages book. And it is really an excellent resource, you know, for any growers, especially dealing with cold damage.   Craig Macmillan  30:51  That's fantastic. We're out of time for today, I want to think a guest, Imed Dami, Professor of Viticulture in the Department of Horticulture and Crop Science at The Ohio State University. This has been a fascinating conversation, for me. It's not an area that I really knew very much about, and I feel much more educated than I did. That's a book I might need to get from my bookshelf.   Imed Dami  31:12  Sure.   Craig Macmillan  31:13  So I want to thank you. I want to thank you again Imed. Check out our website for more podcasts. We've got many different topics and many different speakers at the Vineyard Team website. And thank you all again for listening to Sustainable Winegrowing with the Vineyard Team.   Transcribed by https://otter.ai

Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

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Find Marlena Frank's interview at the 22 min mark and her newest book 'The Seeking' online or wherever fine books are sold. https://read.amazon.com/kp/embed?asin=B088TK7X5S&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_X1N0FbKEXGNZ6&tag=pgttcm-20   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Find Edmund Stone's interview at 14:00, and find his book Lost Hope in the link below. https://read.amazon.com/kp/embed?asin=B08GP7BY7J&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_ZbzYFbGN1FKMC&tag=pgttcm-20   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

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Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

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Thanks again Mila!@pixiearthoe on Social Media Thanks to the folks at Chronicle Books Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Thanks again Mila!@pixiearthoe on Social Media Thanks to the folks at Chronicle Books Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Gods of the North by Robert E Howard A Haunted House by Virginia Woolf   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Thanks again Suzi! Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

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This Episode is about 'How to make a fake city' & 'How to make the offical beer of PGttCM studios'. Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Radio Free Oleander Intro 00:30 Dave talks about the fire in Clackamas County 00:31-30:59 Heather on Carnivorous Plants IRL 31:00-40:00 D&D talk Carnivorous Plants in D&D 41:00-54:40 End 54:41-56:00 Back in the 90's again... 56:40 Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Oleander Book Club Aug 2020 Week 3   The Scarecrow of Oz 3/5   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… >>>Red Cross Wild Fire ReliefHelp ProtestersMovement For Black Lives

Radio Free Oleander Sept 2020 Week 2 Dave talks about The Dunwich Horror, we talk about Constructs in F20 and misc. RPGs. & a little help from 3/4ths of Crimson Circle. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook at KZOM1130AM Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate.

Oleander Book Club Sept 2020 Week 2   The Scarecrow of Oz by L. Frank Baum   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook facebook.com/OleanderBookClub/

Radio Free Oleander Sept 2020 Week 1 Dave talks about the Goth family at the gas station. Also talk about scarecrows in F20 and misc. RPGs. Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook at KZOM1130AM

Oleander Book Club Sept 2020 Week 1   The Scarecrow of Oz by L. Frank Baum   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook facebook.com/OleanderBookClub/

Radio Free Oleander Parade August 2020 Aug 2020 Week 4 Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality. Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook facebook.com/OleanderBookClub/

Oleander Book Club Aug 2020 Week 3   Prog as Fiction part 1(here come the warm jets) Dave's Pop Culture Corner Ken Hite Talks to DB about Goblins Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook Oleander Book Club

Radio Free Oleander Aug 2020 Week 3   Town Tour 2 & Krakens   Thanks for listening to RFO, we don't need donations, just ratings & reviews. Please spend your money helping others… Want to help protesters? Donate to one or more community bail funds HERE. Visit Movement For Black Lives for additional ways you can help the cause. Want to connect with leaders building grass roots campaigns? Click HERE. Please continue to donate in support of organizations fighting against racism and police brutality.  Here's where you can donate. This show is produced at KZOM 1130 AM Oleander Oregon, and at PGttCM.com Look for us on Facebook facebook.com/OleanderBookClub/