Podcasts about xicanx

Send us a Text Message.For this edition of Throwback Thursday, we step back in time to revisit a great interview with Juan Tejeda, an icon of the Chicano Movement, and Publisher of Aztlan Libre Press.Aztlan Libre Press with Juan Tejeda In this episode we are joined by Juan Tejeda, co-owner and publisher of Aztlan Libre Press. Aztlan Libre Press is an independent publishing company based out of Yanawana/San Antonio, Texas that is dedicated to the publication, promotion and free expression of XicanX literature and art. Established in 2009 by Juan Tejeda and Anisa Onofre, Aztlan Libre Press has published a dozen books and a line of XicanX Art Notecards. Purchase their books at https://squareup.com/store/aztlanlibrepress/. Juan Tejeda retired in 2016 as a professor of Mexican American Studies and Music from Palo Alto College in San Antonio, Texas. A musician, writer, arts administrator and Xicano activist, from 1976 to 1985 he was the jefe segundo of Xinachtli, the first traditional Mexica-Azteca Conchero dance group in Texas; and from 1980 to 1998 he was the Xicano Music Program Director at the Guadalupe Cultural Arts Center in San Antonio. He is the button accordionist and vocalist with the Conjunto Aztlan, and along with his wife, Anisa Onofre, is the co-owner and publisher of Aztlan Libre Press.Your hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Yale University, San Diego State University, and numerous others. @kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus.  Support the Show.Find us: https://www.facebook.com/TalesFromAztlantis Merch: https://chimalli.storenvy.com/ Book: The Four Disagreements: Letting Go of Magical Thinking (Amazon)

Mike's guest this episode of Hitting Left is poet, novelist, journalist, critic, and columnist, Luis Rodriguez. Luis was the 2014 Los Angeles Poet Laureate. He is recognized as a major figure in contemporary Chicano literature identifying himself as a native Xicanx writer. His best-known work, Always Running: La Vida Loca, Gang Days in L.A., received the Carl Sandburg Literary Award and has been controversial on school reading lists for its depictions of gang life.   Joining Luis in the Lumpen Radio studio is Mike's daughter, Amanda Klonsky. Amanda is an educator and prison rights activist who has worked with Luis on prison reform.

Angela Sánchez is a Xicanx writer and magician with a shining personality. We have a blast talking about their work on Primos, how their work with Latinx in Animation led to the position, and about how cathartic it was to work on a Latine/Hispanic-American show. We dive back into her first gig, her time at school, and how she didn't even know writing for television was a career one could have! We also get to chat about Scruffy and The Egg, their children's book that draws from the times she and her dad were homeless. Scruffy and the Egg is also donated to shelters in the hopes of helping young kids through a difficult and confusing time. Website: angelamsanchez.com Instagram: @angelamsanchez.writer Twitter: @_AngelaMSanchez Bluesky: @angelamsanchez If you enjoy our podcast, please share it and rate us on Apple Podcast & Spotify. We want to expand our platform and amplify these BIPOC voices! If you'd like to support us directly, we have a tip jar open at ko-fi.com/straightaheadap --- Send in a voice message: https://podcasters.spotify.com/pod/show/straight-ahead-podcast/message

"Long has it been since I've heard...The thump…thump…thump of black stone on black stone—the molcajete—mashing cumino seeds, granos de pimiento negra, and cloves of garlic—with snaps and pops—into glorious salves that staved off hungers, deep and brash." David Estringel is a Xicanx writer/poet with works published in literary publications, such as The Opiate, Azahares, Cephalorpress, Lahar, Poetry Ni, DREICH, Somos En Escrito, Ethel, The Milk House, Beir Bua Journal, and The Blue Nib. His first collection of poetry and short fiction Indelible Fingerprints was published April 2019, followed Blood Honey and Cold Comfort House in 2022, little punctures in 2023, and Blind Turns in the Kitchen Sink (scheduled for publication in 2024). David has written six poetry chapbooks, Punctures, PeripherieS, Eating Pears on the Rooftop, Golden Calves Blue, and Sour Grapes. Connect with David on Twitter@The_Booky_Man and his website www.davidaestringel.com. 

Mother's Day just passed, and we're celebrating it the Latinx Lit Audio Mag way, with a prose poem about a mother that is both beautiful and sad. Listen as David takes us through the writing of this one and how he navigated writing through grief. David Estringel is a Xicanx writer/poet with works published in literary publications, such as The Opiate, Azahares, Cephalorpress, Lahar, Poetry Ni, DREICH, Somos En Escrito, Ethel, The Milk House, Beir Bua Journal, and The Blue Nib. His first collection of poetry and short fiction Indelible Fingerprints was published April 2019, followed Blood Honey and Cold Comfort House in 2022, little punctures in 2023, and Blind Turns in the Kitchen Sink (scheduled for publication in 2024). David has written six poetry chapbooks, Punctures, PeripherieS, Eating Pears on the Rooftop, Golden Calves Blue, and Sour Grapes. Connect with David on Twitter⁠@The_Booky_Man⁠ and his website ⁠www.davidaestringel.com⁠. 

Check us out in the new episode of Xicanx vs Aliens podcast where we talk about our journey with Santisima Muerte. Bienvenidos al Barrio

Josie Wreck is a musician and artist who identifies as a transgender Xicanx. She has made significant contributions to the music industry as a vocalist, guitarist, DJ, and host of the podcast Aural Displeasure. Josie gained recognition in the mid-2000s in the Orange County punk, goth, and art scenes, where she performed with the 3-piece band HEIDI WU and as a solo acoustic artist. She has been involved in several bands, including Popsical, QTPi Xpress, and Moonlight Squalor. Additionally, Josie manages and releases music under her own Bandcamp.

"Thumbing through The Borderlands, I can't help but feel not “brown” enough. I'm Mexican Lite. Got a case of the “coconuts”. There are no rageful battle-cries inflaming this breast. No bitterness lingering on the tip of the tongue (the back of hands and the starch of white collars taste just the same no matter the bearer's color). No tortured soul, longing for identity and re-appropriation. Just me and this suit of rosy-beige meat that touts my value best in the dead of winter." David Estringel is a Xicanx writer/poet with works published in literary publications, such as The Opiate, Azahares, Cephalorpress, Lahar, Poetry Ni, DREICH, Rigorous, Somos en escrito, Hispanecdotes, Ethel, The Milk House, Beir Bua Journal, and The Blue Nib. David received his BA in English at the University of Texas at Brownsvile and his MFA in Creative Writing at the University of Texas Rio Grande Valley. Currently, he is a graduate student, working on a PhD in English (World Literature), as well as a Graduate Instructor at Texas A&M-Commerce. His first collection of poetry and short fiction Indelible Fingerprints (Alien Buddha Press) was published in April 2019, followed his second and third poetry collections Blood Honey (Anxiety Press) and Cold Comfort House (Anxiety Press) in 2022. David has written five poetry chapbooks, Punctures (2019), PeripherieS (2020), Eating Pears on the Rooftop (2022), Golden Calves (coming March 2023), and Blue (coming September 2023). His new book of micro poetry little punctures, a collaboration with UK illustrator, Luca Bowles, will be released in 2023. David is also EIC at The Argyle Literary Magazine, as well as at Texas A&M's literary magazine The Mayo Review (both launches scheduled for early 2023). Connect with David on Twitter @The_Booky_Man and his website www.davidaestringel.com.

David talks to us about the complexity of embracing one's heritage as an adult, after a life of youthful denial. David Estringel is a Xicanx writer/poet with works published in literary publications, such as The Opiate, Azahares, Cephalorpress, Lahar, Poetry Ni, DREICH, Rigorous, Somos en escrito, Hispanecdotes, Ethel, The Milk House, Beir Bua Journal, and The Blue Nib. David received his BA in English at the University of Texas at Brownsvile and his MFA in Creative Writing at the University of Texas Rio Grande Valley. Currently, he is a graduate student, working on a PhD in English (World Literature), as well as a Graduate Instructor at Texas A&M-Commerce. His first collection of poetry and short fiction Indelible Fingerprints (Alien Buddha Press) was published in April 2019, followed his second and third poetry collections Blood Honey (Anxiety Press) and Cold Comfort House (Anxiety Press) in 2022. David has written five poetry chapbooks, Punctures (2019), PeripherieS (2020), Eating Pears on the Rooftop (2022), Golden Calves (coming March 2023), and Blue (coming September 2023). His new book of micro poetry little punctures, a collaboration with UK illustrator, Luca Bowles, will be released in 2023. David is also EIC at The Argyle Literary Magazine, as well as at Texas A&M's literary magazine The Mayo Review (both launches scheduled for early 2023). Connect with David on Twitter @The_Booky_Man and his website www.davidaestringel.com.

CW Grief, Death, Loss On this episode, Marcia and Marybeth meet with Kat, a queer polyamorous Xicanx femme and chronically ill survivor. They discuss all things boundaries, communication, grief, and relationships in this eye opening episode. . As a doula and facilitator, one of kat's goals is to help folks frame reciprocal relationships from a place of curiosity and intention. So disabled babes take this episode to explore your relationship with grief, your relationship with yourself, and your relationship with others. Kat's Offerings & Services https://www.katlopez.com/ Kat's Podcast “Babes with Boundaries” https://spoti.fi/3xHIxU6 Host for this episode: Marcia D. (@thatdoc.marcia), Marybeth B. (@merrbertt) Transcriptions can now be found on https://www.elasticpod.com/pod/disabled-girls-who-lift-by-dgwl! --- Send in a voice message: https://anchor.fm/disabled-girls-who-lift/message Support this podcast: https://anchor.fm/disabled-girls-who-lift/support

Welcome to MuseNews, the BCMA's monthly museum sector news podcast. Each month we recap some of the latest news, happenings, and announcements from museums, galleries, and heritage organizations across BC and beyond. Join Ryan and Lorenda as we explore the latest MuseNews! Featured news for May 2022: Iconic hall of UBC Museum of Anthropology now demolished for redevelopment | Urbanized  What's in a costume?: Burnaby Village Museum tackles reconciliation through clothing  Restored exhibit highlighting Indigenous peoples in BC to open at New York museum | CBC  News Museum of Anthropology exhibit showcases social-change-making Xicanx artists  LGBTQ+ sailors in the spotlight at new Maritime Museum of B.C. exhibit  Royal BC Museum to be rebuilt at the cost of $789M | CBC News  After over a decade, Vancouver's museum show of 'ugly' neon signs is turning off the lights

Our 107th Zoomcast (May 19, 2022); Our host #CharlotteSistaCFerrell introduces Greta de Leon, Executive Director of the American Research Network and co-curator of the new feature exhibition Xicanex at the UBC Museum of Anthropology. Speaking to us from Morelos, Mexico, Greta discusses the importance of this diverse exhibition of Chicano art, poetry and stories by self-identified Chicano artists, and its relationship to migrant workers and indigenous people in B.C. She reads a poem from the exhibition, H is a Word my Tongue Cannot Speak by Anjelica Maria Aguilera, and answers our questions about the show. To find out more, go to xicanxart.com. Contact Greta at gretadeleon@arenet.org Neall Ryon reads his poem The Poet #CharlotteSistaCFerrell reads her poem I'm on Fiyahh Sponsored by the 411 Seniors Centre Society; The Government of Canada: New Horizons Grant; and G & F Financial.

Luis Javier Rodriguez (born 1954) is an American poet, novelist, journalist, critic, and columnist. He was the 2014 Los Angeles Poet Laureate. Rodriguez is recognized as a major figure in contemporary Chicano literature, identifying himself as a native Xicanx writer. His best-known work, Always Running: La Vida Loca, Gang Days in L.A., received the Carl Sandburg Literary Award and has been controversial on school reading lists for its depictions of gang life. Rodriguez is currently running for governor of California. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

In this episode we are joined by Juan Tejeda, co-owner and publisher of Aztlan Libre Press. Aztlan Libre Press is an independent publishing company based out of Yanawana/San Antonio, Texas that is dedicated to the publication, promotion and free expression of XicanX literature and art. Established in 2009 by Juan Tejeda and Anisa Onofre, Aztlan Libre Press has published a dozen books and a line of XicanX Art Notecards. Purchase their books at https://squareup.com/store/aztlanlibrepress/. Juan Tejeda retired in 2016 as a professor of Mexican American Studies and Music from Palo Alto College in San Antonio, Texas. A musician, writer, arts administrator and Xicano activist, from 1976 to 1985 he was the jefe segundo of Xinachtli, the first traditional Mexica-Azteca Conchero dance group in Texas; and from 1980 to 1998 he was the Xicano Music Program Director at the Guadalupe Cultural Arts Center in San Antonio. He is the button accordionist and vocalist with the Conjunto Aztlan, and along with his wife, Anisa Onofre, is the co-owner and publisher of Aztlan Libre Press.Your hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Yale University, San Diego State University, and numerous others. He is currently a professor of Chicano Studies at the Colegio Chicano del Pueblo, a free online educational institution.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus.@TlakatekatlBuzzsprout - Let's get your podcast launched! Start for FREEBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Welcome back! In the N8V-T Youth Podcast Series, we interview and learn from women who are at the forefront of innovation and community care. N8V-T [pronounced Native Tea] is a youth-led Podcast series by our daughters who have participated in our Daughters of Tradition [DOT] mentorship group. This is a Social Justice-focused Podcast Series collaborating with local women leaders. We are publishing this series during the month of March to commemorate Women's History Month. We recognize and celebrate that women and the feminine should, and must, be celebrated and uplifted all year. In this episode, we learn from and connect with Katrina Brook Flores and their journey as a Xicanx artist, healer, and mother. To learn more about Katrina, continue reading below. Hosts: Daughters of Tradition [DOT] Ella S., Ella R., and Jizelle Join DOT and the HIR Wellness Institute team as they interview and engage in meaningful conversation with current and emerging women leaders and we will get the opportunity to hear Indigenous youth perspectives. Together we will build pathways to empower our young feminine voices and advocacy. Learn more about the Podcast and how to support us here: https://www.hirwellness.org/n8vt-podcast Support the DOT to Washington D.C. https://www.mightycause.com/event/Dot To learn more about Katrina, please visit: https://www.girlillatactics.com/staff/el-la-katrina and you can contact Katrina via Instagram @katrinabrookflowers Katrina Brook Flores aka El La Katrina is a Xicanx multimedia and multi-practice artist born in Waukesha, Wisconsin. Their work addresses the meaning of boundary-spanning, border-crossing, and binary-breaking through calling-out the way colonial systems, hierarchical institutions, gendered constructs and conquer & divide tactics have hurt Indigenous communities and natural ecosystems globally. The art doesn't stop at interrogating these unhealthy practices. Katrina's work goes beyond interrogation and seeks to offer solutions, healings and hope in calling forward a (re)claimed and (re)imagined future rooted in joyful ways of being and ancestral teachings. El La Katrinais a graduate from UW-Madison. While at UW-Madison, Katrina served in multiple roles including the Arts-In-Education Director for OMAI & First Wave as well as the Co-Director of Breakin' The Law: International Festival of Urban Movement and co-created InterCultural Dialogues (ICD), a “For-Students-By-Students” undergraduate course in Sociology. After moving to Chicago, Katrina served as the Community Programs Director for RedMoon Theater and was later hired as a consultant for The B-Series at the Dance Center of Columbia College Chicago where she also served as B-Series Internship Coordinator & Associate Curator. Before becoming a full-time artist, Katrina worked as the Chief Operating Officer of The Firehouse Community Arts Center in the Chicago neighborhood of North Lawndale to assist in building the capacities of the organization in their inaugural year of funding with the Chicago CRED Program under Arne Duncan to achieve a transformative reduction in Chicago gun violence with justice involved youth. Katrina is the co-founder of GIRL ILLA Tactics, a production company that centers the work of Black and Indigenous women in Hip Hop as well as a Dark Matter Residency Artist at Chicago's Elastic Arts and is the creator, co-director and a featured artist in the musical film SEED POLLINATE BLOOM.

Episode 99 Notes and Links to Sara Borjas' Work        On Episode 99 of The Chills at Will Podcast, Pete welcomes Sara Borjas, and the two talk about, among other topics, Sara's relationship with language, bilingualism and identity, pochismo, formative and transformative writers and teachers, and themes and ideas from Sara's standout collection, Heart Like a Window, Mouth Like a Cliff.        SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. George Floyd. Delaina Ashley Yaun Gonzalez. Lorenzo Perez. Xiaojie Tan. Say their names. Joyce Echaquan. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Juanito Falcon. Breonna Taylor. Daoyou Feng. Elcias Hernandez-Ortiz. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. Hyun Jung Grant. Ahmaud Arbery. Suncha Kim. Her work can be found in Ploughshares, The Rumpus, Poem-a-Day by The Academy of American Poets, Alta and The Offing, amongst others. Sandra Bland. Soon Chung Park. Yong Ae Yue. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. Say their names. Justice for George Floyd and the countless others. She digs oldiez, outer space, aromatics, and tiny prints, is about decentering whiteness in literature, creative writing, and daily life.    Buy Sara Borjas' Heart Like a Window, Mouth Like a Cliff   From The Rumpus:"A CLEANSING TORNADO: HEART LIKE A WINDOW, MOUTH LIKE A CLIFF BY SARA BORJAS" The Georgia Review Review of Heart Like a Window, Mouth Like a Cliff   “Pocha and Proud: An Interview with Sara Borjas” from Los Angeles Review of Books At about 2:30, Sara talks about her relationship with language growing up, particularly her relationship with Spanish and bilingualism    At about 6:00, Sara explains the “pocho lecture” and how speaking Spanish was punished in her parents' lives   At about 9:10, Pete asks Sara what she was reading as a kid, and if she “saw herself” in what she read   At about 11:10, Sara talks about her first exposure to writers of color, guided by Professors Alex Espinoza and Sameeta Najmee, and reading greats like Helena Maria Viramontes and Marisela Norte   At about 12:15, Pete and Sara talk about their shared admiration for Marisela Norte and Sara's work connecting to that of Moffat Takadiwa   At about 13:00, Sara talks about Tomás Rivera and his background and connections to UIC Riverside where she teaches   At about 14:00, Sara muses on the void that existed in her reading that “aligned with whiteness” and how it affected her    At about 15:50, Pete and Sara discuss “pocho” and its implications; Sara talks about reclaiming its meaning   At about 20:00, Sara describes the ways in which people of color, her parents included, have been innovative in escaping prejudice and oversimplified narratives   At about 20:45, Pete asks Sara about “pocho” in work that has come in recent years, including by innovators like Alan Chazaro, Episode 92 guest   At about 23:20, Sara shouts out writers who have and continue to have an effect on her through their chill-inducing work, including Marwa Helal, Aria Aber, Layli Long Soldier, Anthony Cody, Tongo Eisen-Martin, Roque Dalton, Bob Kaufman, Alejandra Pizarnik, and some standout students of hers   At about 26:25, Pete asks Sara how she explains to her students about “language to assert power,” including how Marwa Helal flips the script   At about 28:30, Pete wonders about Sara's thoughts on “decoding” her poetry, and poetry “having one answers”   At about 31:30, Pete asks Sara about the idea of reciting poetry from memory, and she talks about the “power” that comes from memorizing, including how she talked to Tongo Eisen-Martin about memorization   At about 33:20, Sara describes how she grew into becoming a poet, including some incredible mentorship and encouragement from Juan Luis Guzmán, and transitions into ways in which she and other women have been made to feel like they need to be quiet   At about 37:30, Sara meditates on her evolving attitude towards her missions and work over the years   At about 39:10, Pete wonders how Sara seeks out and pumps up students who are like she was when she was in school   At about 41:50, Pete and Sara have a discussion about Sara's ideas of prose and other formas, as done in Heart Like a Window, Mouth Like a Cliff; she also describes some probing and helpful questions from Carmen Gimenez Smith that led to writing ideas   At about 46:35, Sara details the inspiration she received from Anish Kapoor's installation, and how it served as a muse for Sara's poem “We are Too Big for This House”   At about 49:35, Pete asks Sara about poem titles and their connection to the poems themselves    At about 50:55, Sara gives her thoughts on translation in her poems   At about 52:20, Sara answers Pete's question regarding if Sara is the narrator/protagonist of her poems   At about 53:50, Sara talks about the importance of creative expression and the power and beauty of poems, as exemplified by Michael Torres and The Minnesota Prison Writing Workshop   At about 55:20, Pete asks Sara about her collection using powerful words from Audre Lorde and Cherie Moraga as epigraphs   At about 59:00, Sara describes identity as seen in her work, including Aztlan's significance in the collection's first poem and in society as a whole; she describes it as a “marker” and a “tool for transformation”   At about 1:02:00, Pete recounts some brilliant and profound lines about identity from poems in the collection, including ones about women's liberation     At about 1:04:45, Pete cites “Los de Abajo” and asks Sara about her ideas of rasquachismo and its importance in her work; she shouts out creative art as seen at Tío's Tacos in Riverside   At about 1:06:55, Sara and Pete discuss the “mother and daughter' relationships” as an overriding theme in her collection; Sara shouts out Rachel McKibbens as another inspiration   At about 1:10:20, Sara and Pete converse about intergenerational trauma and machismo in Sara's work   At about 1:12:45, Pete wonders about Narcissus and the multiple appearances in Sara's work; she mentions inspiration coming from a class taken with Reza Aslan   At about 1:16:10, Sara talks about conceptions of gender as seen in her work   At about 1:18:00, Sara gives background on “Mexican Bingo” and reads the poem   At about 1:22:30, Pete asks about Sara's future projects, including her penchant for writing skits and music   At about 1:24:00, Sara gives out contact info and encourages people to buy her book from Noemi Press or on Bookshop You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. I'm looking forward to sharing Episode 100 (WHOA) with Susan Muaddi Darraj, teacher, writer of the groundbreaking Farrah Rocks middle-grade series, and winner of the AWP Grace Paley Prize for Short Fiction. The episode airs on January 17.    

Episode 98 Notes and Links to Greg Bishop's Work           On Episode 98 of The Chills at Will Podcast, Pete welcomes Greg Bishop, disciplined and voracious reader and writer of all types of articles that are about sports and so much more. The two talk about, among other topics, Greg's early love of reading, his disciplined and careful reading for his work, his mentor, Gay Talese, his work on Manny Pacquaio, Dak Prescott, and so many more personalities, as well as the current state of high-impact sports like boxing and football.        Greg Bishop is a senior writer for Sports Illustrated whose feature subjects have ranged from Ricky Williams to Adrian Peterson to Aaron Rodgers. He spent time as the Jets beat writer for the New York Times and the Seahawks beat writer for the Seattle Times.   Buy Talking to Goats: The Moments You Remember and the Stories You Never Heard    " 'In My Heart, I Want to Continue to Fight': Manny Pacquiao Isn't Ready to Retire, but the End May Be Near"-August 2021 in Sports Illustrated   "Xavien Howard's 10 Picks: The Perfection of His Craft"   ("Roger Federer Finds a Higher Level as Other Stars Fall" and "Federer Exerts His Power From the Ground Up") from The New York Times   “Dak Prescott's Heal Turn” Greg Bishop's Articles for Sports Illustrated At about 1:40, Pete asks Greg about his relationship with language and reading as he grew up   At about 6:30, Greg outlines his daily reading process and how he comes up with story ideas, including his reading, both within his writing subject matter and without-some on his current reading list include Ryan Holiday's work and Jake Fischer's Built to Lose   At about 11:40, Greg shows and describes his reading plans as laid out in his office   At about 12:30, Greg details his nightly reading routine with his son   At about 13:10, Greg discusses his early reading interests, including Maraniss' Lombardi, To Kill a Mockingbird, and The Tender Bar: A Memoir   At about 14:50, Greg gives background on his mentorship from, and friendship with, Gay Talese    At about 16:40, Pete talks about his connection to Gay Talese's work   At about 17:45, Pete and Greg nerd out over Gay Talese's iconic pieces on Frank Sinatra and Joe DiMaggio as Greg talks about Talese's writing process and aesthetic    At about 21:45, Pete uses the metaphors of aging dealt with in Talese's work to transition into Greg's writing about Manny Pacquaio through the years   At about 23:50, Greg lays out his ethic in reporting on athletes, including his view on befriending writing subjects   At about 26:10, Greg responds to Pete's questions about Pacquaio's current standing in the Philippines, including his chances in the upcoming presidential election    At about 30:00, Pete and Greg nerd out again-this time about Roger Federer, especially as written about by David Foster Wallace-Greg also talks about two ("Roger Federer Finds a Higher Level as Other Stars Fall"/"Federer Exerts His Power From the Ground Up") favorite articles he wrote about Federer   At about 33:15, Greg breaks down the ratio of articles he writes, with regards to “human interest stories” and others; he highlights an article he wrote about athletes and their relationships with law enforcement in 2020 with Michael Rosenberg, as well as an article with Ben Baskin looking at the money donated by Colin Kaepernick   At about 37:15, Greg analyzes his own view of “human interest stories”   At about 38:40, Pete and Greg discuss Greg's important work about Dak Prescott that dealt with, among other things, mental health; additionally, Greg talks about his relationship with Dak and other athletes, post-article   At about 45:00, Greg talks about five tenets he uses in moving through life   At about 46:40, Pete shouts out Mirin Fader's Giannis and Pete talks about the “Mirin Fader Blessing”   At about 48:10, Greg describes the landscape in publishing in 2021, with its fraught situation, as well as his specific situation writing for Sports Illustrated   At about 53:45, Pete wonders if there are any genres/writing types that the multitalented Greg avoids/isn't cut out for   At about 54:50, Greg outlines a “Football in America” 2016 article series and his short lived music career   At about 58:45, Pete and Greg discuss the state of the NFL, particularly with regards to concussions, CTE, and the state of football overall; Greg talks about his personal conflict in following boxing and football, inherently violent sports   At about 1:06:15, Pete talks about the crushing blow that was the death by suicide of Junior Seau, and Greg lays out his history with the tragic death of Seau   At about 1:08:35, Greg talks about upcoming projects of his   At about 1:09:00, Greg talks about his SÍ cover collection   At about 1:10:10, Greg gives out his contact info and shouts out Showtime All-Access, and his work with Jim Gray for Talking to GOATs-buy his work at Powell's in Portland or The Strand in NYC        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.      The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.      Please tune in for the next episode, a conversation with Sara Borjas. SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. The episode with Sara Borjas will air on January 11. 

Episode 94 Show Notes and Links     Francisco Goldman's Wikipedia Page   Buy Francisco Goldman's Work   Preview/Buy The Beacon Best of 2001…, Where “México, D.F.” Appears   Naomi Shihab Nye's “Shoulders” (with reading by the writer)   Buy Naomi Shihab Nye's Work     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for the next episode, a conversation with Sara Borjas. SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. The episode with Sara Borjas will air on December 14.

Episode 93 Notes and Links to Steph Cha's Work          On Episode 93 of The Chills at Will Podcast, Pete welcomes Steph Cha, as the two discuss her work as an “Elite Yelper,” book reviewer, mystery writer, and award-winning novelist. The two discuss, among other topics, her early relationship with words, her inspiration for food writing and Yelp-ing, as well as her mystery writing and its connections to escape and/or reality. The two finish by discussing the historical fiction/mystery/character-driven modern classic Your House Will Pay and its vivid characters and prose.       Steph Cha is the author of Your House Will Pay, winner of the Los Angeles Times Book Prize and the California Book Award, and the Juniper Song crime trilogy. She's a critic whose work has appeared in the Los Angeles Times, USA Today, and the Los Angeles Review of Books, where she served as noir editor, and is the current series editor of the Best American Mystery & Suspense anthology. A native of the San Fernando Valley, she lives in Los Angeles with her family.   Buy Steph Cha's Your House Will Pay   Buy Steph Cha's Follow Her Home   Buy Steph Cha's Dead Soon Enough: A Juniper Song Mystery   Buy Steph Cha's Beware Beware: A Juniper Song Mystery   Review: Kirkus Review for Beware Beware   Los Angeles Times Review of Books Review for Your House Will Pay   Your House Will Pay: A Conversation with Author Steph Cha on Race Relations-hosted by LA Public Library   The Rumpus Interview with Steph Cha from 2015    Steph Cha's Yelp Reviews     At about 1:40, Steph talks about growing up in the San Fernando Valley and her early love of reading, as well as interesting anecdotes about her mother's role in encouraging her reading   At about 5:30, Steph discusses her relationship with bilingualism, growing up with Korean as her first language   At about 7:00, Steph outlines her early reading loves, including reading Jane Eyre at eight or nine and The Phantom Tollbooth, among others; she relates a funny early reading of Catch 22 and her voracious appetite for manga   At about 11:20, Steph is asked about representation in what she read as a adolescent, and she talks about what she was used to missing   At about 12:15, Steph talks about Maurene Goo and her standout work that makes Steph wish she had been able to read such work when she was a kid   At about 13:15, Pete asks Steph about inspiring writers and “ ‘Eureka' moments in her writing career path, including examples of what to and what not to do   At about 16:50, Pete wonders how law school and her high-level Stanford and Ivy League education informed her later writing   At about 19:55, Steph talks about any connections between her and a protagonist of Your House Will Pay   At about 21:00, Steph talks about her prolific Yelp reviews and the Yelp-ing lifestyle    At about 22:00, Steph recounts an incredible anecdote that coincides with the early days of the legendary Kogi food truck   At about 24:00, Steph talks about her early work with Yelp and how it connected to other work and life events   At about 26:30, Pete asks for a few LA taco recs-Steph mentions Tacos 1986, Guisado's, and Mexicali, among so many others   At about 28:20, Steph talks about her days working with the legendary writer, the late Jonathan Gold    At about 33:00, Steph and Pete discuss Jonathan Gold's sense of generosity and how she was a scout with young standouts like Javier Cabral   At about 35:50, Pete asks Steph if there is ever a need or a benefit to “ripping” a book or restaurant in a review if the quality is low   At about 38:50, Steph discusses tropes and themes from her noir writing, as well as the seeds for her Juniper Song trilogy    At about 42:40, Pete wonders about the balance between realism and “escape” in Steph's writing, in her mysteries and in Your House Will Pay   At about 44:20, Pete and Steph discuss her masterful usage of Los Angeles as almost a character in its own right in her writing   At about 46:50, Pete recounts his visceral experience at reading the marvelous and profound Your House Will Pay   At about 47:30, Steph's son joins the chat!   At about 47:45, Pete and Steph discuss two marvelous works that have informed their reading and knowledge of the events regarding the 1992 Rebellion and Latasha Harlins' murder, Anna Deavere Smith's Twilight: Los Angeles, and Brenda Stevenson's The Contested Murder of Latasha Harlins   At about 48:10, Steph discusses the seeds for Your House Will Pay   At about 49:50, Steph explains why and when she uses “Uprising”/ “Riot”/ “Rebellion” with regard to the events of 1992 after Rodney King's police beating and in the book   At about 51:35, Pete inquires into the background on the book's title and the use of “house”; she references a 1985 rap song that gave her the title-Toddy Tee's “Batterram”   At about 52:30, Steph explains how Your House Will Pay, being her fourth book, plays with and avoids the “white gaze”   At about 54:30, Pete wonders about Steph's writing process regarding the book's flashbacks and nonlinear narrative   At about 57:00, Pete and Steph discuss the memorable main characters of the book and their significance, including LaTasha Harlins and the infamous Soon Ja Du   At about 59:45, Pete's compliments about Steph's book bring up a discussion of how topical the so-called “history” of the ‘92 Uprising and Lastasha Harlins are-”how cyclical violence is”   At about 1:01:40, Pete wonders about any evolution of the characters of the book, especially Grace and Shawn   At about 1:03:45, Pete and Steph discuss salient and profound themes from the book and Pete wonders about some positive feedback that stands out for Steph At about 1:07:35, Steph discusses upcoming projects and works-in-progress, including some screenwriting (!)   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for the next episode, a conversation with Sara Borjas. SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. The episode with Sara Borjas will air on December 7.  

Raul Baltazar is an artist who works through aesthetic notions given in Mesoamerican and Western culture. Baltazar often mixes performance, video, photography, drawing, painting, murals, and community-based projects, to create new relations for the decolonial art object. His work is often driven by the struggle of Mestizo, Xicanx, POC and Mesoamerican Indigenous communities and their revolutionary vision for change in the context of Los Angeles.Please COMMENT and RATE! Share with your friends. Thank you for listening. Find Raul on Instagram:@mr.raulbaltazarHis website is:http://www.raulbaltazar.comLINKS:Merch: http://shoprafa.com​​​​​​​​​​​​​​My photography site: http://rafa.LA​​​​​​​​​​​​​​venmo: rafa-LASPONSORS:http://movitajuicebar.com​​​​​​​​​​​ONLY GOOD STUFF!Be a sponsor! email me at: vLAwgchatter@gmail.comSend me something to unbox!Recorded at Outer Circle Mediahttps://www.outercirclemedia.com

Bilingual poet and all-around literary superstar Viva Padilla dives into the beautiful disruption of moths, love, and language in her poem “exhibición: polilla en pandemia” from our new Hunger issue. Expo Poetry editor CD Eskilson is back from Season 1 to guide us through the literary journey. Read along at: http://expositionreview.com/issues/vol-vi-hunger/exhibicion-polilla-en-pandemia/#VivaPadilla About the Reader: Viva Padilla is a bilingual poet, writer, editor, and publisher born and raised in South Central Los Angeles. She's the founding editor-in-chief of Dryland, an independent print literary journal established in 2015, and Hombre Lobo, an intergenerational book series documenting paranormal/supernatural stories experienced by Xicanx. She is a first-generation Chicana, a daughter of immigrants who crossed the border from Colima, Mexico. She also runs FUTURE NOW, a virtual Black and Brown reading and open mic series. She's been an invited speaker at universities like CSU Dominguez Hills and CSU Fullerton, and international cultural institutions like Casa de las Américas in Havana, Cuba. Her work has been featured or is forthcoming in the L.A. Times, The Acentos Review, PANK, wearemitú, SAND, the Autry Museum, L.A. Forum for Architecture and Urban Design, the X LA Poets anthology, and others. She currently works at Tia Chucha Press and lives on the Eastside in Los Angeles. Links from the Podcast: Viva Padilla's website: https://vivapadilla.com/ Viva's Twitter: @anotchka Viva's Insta: @anotchka Dryland Literary Journal: https://drylandla.org/ Hombre Lobo: 13 True Xicanx Spooky Stories: https://drylandla.org/product/hombre-lobo-13-true-xicanx-spooky-stories-vol-1-2020/ Re/Arte Centro Literario: https://reartela.com/ Patria Coffee: https://www.patriacoffee.com/ House Party Flash 405 Writing Contest: http://expositionreview.com/2021/08/call-for-entries-flash-405-august-2021-house-party/ Help us spread the word! Please download, review, and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors. Exposition Review is a fiscally sponsored project of Fractured Atlas. Associate Producer: Mitchell Evenson Intro Music by Mitchell Evenson Hosted by Laura Rensing --- Support this podcast: https://anchor.fm/exposition-review/support

Welcome back! In this Women Pioneering Healing Series, we interview and learn from women who are at the forefront of innovation and community care. We recorded this series during the month of March to commemorate Women's History Month. We recognize and celebrate that women and the feminine should, and must, be celebrated all year. In this part 3, we learn more about Katrina Brook Flores and their journey as a Xicanx artist, and healing the community through art. Hosts: Fondé Bridges & Odessa Peters Join Healthy Words™ Founder & Head Chef Fondé Bridges as he interviews with the HIR Wellness Institute team to engage in meaningful conversation around the complexities of our collective healing, learning, and living. If you are looking to engage in the conversation and reflect for yourself, come along with us as we free-think and activate our medicine together. Come as you are! To learn more about Katrina, please read below and visit: https://www.girlillatactics.com/staff/el-la-katrina/ and you can contact Katrina via Instagram @katrinabrookflowers Katrina Brook Flores aka El La Katrina is a Xicanx multimedia and multi-practice artist born in Waukesha, Wisconsin. Their work addresses the meaning of boundary-spanning, border-crossing, and binary-breaking through calling-out the way colonial systems, hierarchical institutions, gendered constructs and conquer & divide tactics have hurt Indigenous communities and natural ecosystems globally. The art doesn't stop at interrogating these unhealthy practices. Katrina's work goes beyond interrogation and seeks to offer solutions, healings and hope in calling forward a (re)claimed and (re)imagined future rooted in joyful ways of being and ancestral teachings. El La Katrinais a graduate from UW-Madison. While at UW-Madison, Katrina served in multiple roles including the Arts-In-Education Director for OMAI & First Wave as well as the Co-Director of Breakin' The Law: International Festival of Urban Movement and co-created InterCultural Dialogues (ICD), a “For-Students-By-Students” undergraduate course in Sociology. After moving to Chicago, Katrina served as the Community Programs Director for RedMoon Theater and was later hired as a consultant for The B-Series at the Dance Center of Columbia College Chicago where she also served as B-Series Internship Coordinator & Associate Curator. Before becoming a full-time artist, Katrina worked as the Chief Operating Officer of The Firehouse Community Arts Center in the Chicago neighborhood of North Lawndale to assist in building the capacities of the organization in their inaugural year of funding with the Chicago CRED Program under Arne Duncan to achieve a transformative reduction in Chicago gun violence with justice involved youth. Katrina is the co-founder of GIRL ILLA Tactics, a production company that centers the work of Black and Indigenous women in Hip Hop as well as a Dark Matter Residency Artist at Chicago's Elastic Arts and is the creator, co-director and a featured artist in the musical film SEED POLLINATE BLOOM.

FULL episode with SEVEN guests today!Tune in to learn about ALL the exciting things happening in the Amplify RJ community this summer, specifically for educators! Demointé Wesley (2:25) from episode 19 & Helen Thomas (12:42)  from episode 4  return to share about Abolition & Decolonization in the classroom. New workshop facilitator Felina Rodriguez (25:02) shares her journey to reclaiming her Xicanx identity and how it's helped her in the classroom.Our wonderful community members, Abigail (39:58), Erica (49:13), Denmark (1:02:01), & Christine (1:08:11), share how being a part of the ARJ community and the learning through our intensive workshops have shaped their journeys as educators and humans!Check out all our learning opportunities:RJ Intensive (starting June 21st), "Foundations of RJ", and other online courses: http://tiny.cc/ARJonlineWe're constantly partnering with folx to share Intro to RJ workshops find the latest at http://tiny.cc/ARJeventsJuly 6-8: Practicing Abolition in the Classroom: http://tiny.cc/PAIYCsummerJuly 12-15: Decolonize & Indigenize Your Classroom: http://tiny.cc/DYCsummerJuly 19-22: Xicanx Identity in the Classroom: http://tiny.cc/XICANXsummerJoin our Future Ancestor Collective (Community Gatherings): http://tiny.cc/ARJcommunityincluding Imagining Abolition in Youth Centered Spaces: http:tiny.cc/imagineabolitionRep Amplify RJ Gear at http://amplifyrj.threadless.com You can connect with Amplify RJ:Email list: http://tiny.cc/ARJemailInstagram: http://instagram.com/amplify.rjLinkedIn: http://linkedin.com/in/restorative-justiceFacebook: http://facebook.com/amplifyrjTwitter: http://twitter.com/amplifyrjWebsite: http://amplifyrj.comReading list: http://amplifyrj.com/reading-list

What's good world, we back from the crypt with some more of that hood philosophy shit, and on this episode of the podcast, I'm delving into the psy-op that is growing up in the hood.  I delve deep into the relationship between Memorial Day and Indigenous people, a quick intro to the Zoot Suit Riots, cholo culture, the anesthetizing effect of drugs and alcohol in our community, Indigenous survivance, and many more elements of XicanX identity that are equally responsible for and detrimental to our continued fight for sovereignty here on Turtle Island.  MF's want to be passive victims to nihility and act like we can't change, but that's just a colonial psy-op designed to keep us from manifesting our true power.  Stay woke fam...

Welcome back! In this Women Pioneering Healing Series, we interview and learn from women who are at the forefront of innovation and community care. We recorded this series during the month of March to commemorate Women's History Month. We recognize and celebrate that women and the feminine should, and must, be celebrated all year. In this part 2, we learn more about Katrina Brook Flores and their journey as a Xicanx artist, and new mother during COVID-19 and managing her identities. Hosts: Fondé Bridges & Odessa Peters Join Healthy Words™ Founder & Head Chef Fondé Bridges as he interviews with the HIR Wellness Institute team to engage in meaningful conversation around the complexities of our collective healing, learning, and living. If you are looking to engage in the conversation and reflect for yourself, come along with us as we free-think and activate our medicine together. Come as you are! To learn more about Katrina, please read below and visit: https://www.girlillatactics.com/staff/el-la-katrina/ and you can contact Katrina via Instagram @katrinabrookflowers Katrina Brook Flores aka El La Katrina is a Xicanx multimedia and multi-practice artist born in Waukesha, Wisconsin. Their work addresses the meaning of boundary-spanning, border-crossing, and binary-breaking through calling-out the way colonial systems, hierarchical institutions, gendered constructs and conquer & divide tactics have hurt Indigenous communities and natural ecosystems globally. The art doesn't stop at interrogating these unhealthy practices. Katrina's work goes beyond interrogation and seeks to offer solutions, healings and hope in calling forward a (re)claimed and (re)imagined future rooted in joyful ways of being and ancestral teachings. El La Katrinais a graduate from UW-Madison. While at UW-Madison, Katrina served in multiple roles including the Arts-In-Education Director for OMAI & First Wave as well as the Co-Director of Breakin' The Law: International Festival of Urban Movement and co-created InterCultural Dialogues (ICD), a “For-Students-By-Students” undergraduate course in Sociology. After moving to Chicago, Katrina served as the Community Programs Director for RedMoon Theater and was later hired as a consultant for The B-Series at the Dance Center of Columbia College Chicago where she also served as B-Series Internship Coordinator & Associate Curator. Before becoming a full-time artist, Katrina worked as the Chief Operating Officer of The Firehouse Community Arts Center in the Chicago neighborhood of North Lawndale to assist in building the capacities of the organization in their inaugural year of funding with the Chicago CRED Program under Arne Duncan to achieve a transformative reduction in Chicago gun violence with justice involved youth. Katrina is the co-founder of GIRL ILLA Tactics, a production company that centers the work of Black and Indigenous women in Hip Hop as well as a Dark Matter Residency Artist at Chicago's Elastic Arts and is the creator, co-director and a featured artist in the musical film SEED POLLINATE BLOOM.

Welcome back! In this Women Pioneering Healing Series, we interview and learn from women who are at the forefront of innovation and community care. We recorded this series during the month of March to commemorate Women's History Month. We recognize and celebrate that women and the feminine should, and must, be celebrated all year. In this episode, we begin to learn about Katrina Brook Flores and their journey as a Xicanx artist. Hosts: Fondé Bridges & Odessa Peters Join Healthy Words™ Founder & Head Chef Fondé Bridges as he interviews with the HIR Wellness Institute team to engage in meaningful conversation around the complexities of our collective healing, learning, and living. If you are looking to engage in the conversation and reflect for yourself, come along with us as we free-think and activate our medicine together. Come as you are! To learn more about Katrina, please read below and visit: https://www.girlillatactics.com/staff/el-la-katrina/ and you can contact Katrina via Instagram @katrinabrookflowers Katrina Brook Flores aka El La Katrina is a Xicanx multimedia and multi-practice artist born in Waukesha, Wisconsin. Their work addresses the meaning of boundary-spanning, border-crossing, and binary-breaking through calling-out the way colonial systems, hierarchical institutions, gendered constructs and conquer & divide tactics have hurt Indigenous communities and natural ecosystems globally. The art doesn't stop at interrogating these unhealthy practices. Katrina's work goes beyond interrogation and seeks to offer solutions, healings and hope in calling forward a (re)claimed and (re)imagined future rooted in joyful ways of being and ancestral teachings. El La Katrinais a graduate from UW-Madison. While at UW-Madison, Katrina served in multiple roles including the Arts-In-Education Director for OMAI & First Wave as well as the Co-Director of Breakin' The Law: International Festival of Urban Movement and co-created InterCultural Dialogues (ICD), a “For-Students-By-Students” undergraduate course in Sociology. After moving to Chicago, Katrina served as the Community Programs Director for RedMoon Theater and was later hired as a consultant for The B-Series at the Dance Center of Columbia College Chicago where she also served as B-Series Internship Coordinator & Associate Curator. Before becoming a full-time artist, Katrina worked as the Chief Operating Officer of The Firehouse Community Arts Center in the Chicago neighborhood of North Lawndale to assist in building the capacities of the organization in their inaugural year of funding with the Chicago CRED Program under Arne Duncan to achieve a transformative reduction in Chicago gun violence with justice involved youth. Katrina is the co-founder of GIRL ILLA Tactics, a production company that centers the work of Black and Indigenous women in Hip Hop as well as a Dark Matter Residency Artist at Chicago's Elastic Arts and is the creator, co-director and a featured artist in the musical film SEED POLLINATE BLOOM.

What's good world, we back from the crypt with some more of that hood philosophy shit, and on this episode of the podcast, I'm talking XicanX ontologies and what it means to be lowriding through not just Turtle Island, but across the borderlands of all the hoods across the world.  If the SJW's had their way, they'd keep us perpetually separated and in conflict, but hood philosophy aint about that divisive shit - I'm here to set up roots and build connections with people's across the globe, so if you listening to this, I see you homie. 

What does a bilingual MFA program look like in practice? Antonio Villaseñor-Baca of the University of Texas at El Paso joins Jared to talk about studying cross-genre work in English and Spanish, launching a music magazine between degrees, and how reading a diverse canon helped him take pride in his Xicanx identity. Antonio Villaseñor-Baca is a Xicanx bilingual journalist, photographer, poet and writer from El Paso, Texas. He spends his time listening to music and working towards his MFA in creative writing at the University of Texas at El Paso, where he taught Rhetoric and Writing Studies courses. Antonio also serves as an online editor for Minero Magazine and has written for YR Media, 18-to-29 Now, Borderzine, and El Paso Inc. He has published poetry in Rio Grande Review, Mojave Heart Review, and Norte/Sur. He focuses on short fiction, poetry, creative nonfiction, and visual/photographic narrative. Find him at his magazine, Con Safos. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

In the fourth episode of Season 2 of Tejana Feminist Talks, Leslie interviewed Kat Lopez (they/she) who talked about their work as a full spectrum doula, community organizer, and facilitator as well as the importance of self care in organizing spaces. You can find their bio and IG link below: My name is Kat (they/she). I'm a queer Xicanx femme, a full spectrum doula, community organizer, polyamourous married person, and survivor. I strive to hold and sustain space(s) for folks to heal, experience pleasurable joy, and honor themselves in ways that center curiosity, consent, and autonomy. I enjoy reading, eating delicious fruit, and walking/hiking outside with my dog Weezey. You can find Kat on Instagram: @princesa_kata (https://instagram.com/princesa_kata?igshid=1p6fn83wm4gz4) TFT IG: @tftalkspodcast TFT website & transcript: https://www.tejanafeministtalks.com/season-2

Meet Kandace Creel Falcon from Otter Tail County, Minnesota. In this episode Kandace brings listeners along dual journeys of self-actualization--as both an artist and a Xicanx queer femme. Kandace lives on a farm and retreat space designed to support BIPOC artists and activists. To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

And we are back! In the episode of The Reality Dysfunction Dr. Ernesto, Alex Lozada, and our guests Dr. Teofilo Reyes and Berte Reyes return to discuss the how the white supremacist movement is impacting the Latino community. Why do so many Latinos claim whiteness? Why are Latinos embracing the supremacist agenda of claiming whiteness?    Below are two links for articles the panelists discussed.  https://www.mic.com/articles/187062/with-the-rise-of-the-alt-right-latino-white-supremacy-may-not-be-a-contradiction-in-terms https://www.latinorebels.com/2021/01/19/latinovoterrecord/     #mexicanos2070,#Latino,#Latina,#Latinx,#Chicano,#Chicana,#Chicanx,#Xicano,#Xicana,#Xicanx,#controlthenarrative',#resistthedysfunction,#ColegioChicano,#Insurgent Aztlan,#ThisIsOurShot,#Prescott College,#resistthedysfunction,#controlthenarrative

Kandace Creel Falcón, Ph.D. is an interdisciplinary feminist scholar, writer, and visual artist. Their life's passion grounds the power of narrative for social transformation. As a Xicanx femme feminist, KCF engages the power of aesthetics and the need to disrupt conventional Western beauty norms. She currently lives and works in rural Minnesota. Things we talk about: Passion Planner: Use code KANDACE10 to save 10% Archer & Olive: Use code feminista10 to save 10% National Women's Studies Association And while we didn't talk about this exactly, we do wonder if anyone has written about Zodiac signs and planning. So here are some listicles: 6 Zodiac Signs Who Are Great At Making Plans The 5 Zodiac Signs That Make the Best Wedding Planners 4 Zodiac Signs Who Love To Plan Dates, So You Never Have To Make Another Reservation The Feminist Agenda logo is by Valency Muldoon.

What is the difference between Latinx, Hispanic, and Xicanx students? How do I create culturally-inclusive practices in remote learning environments? Where can I find resources to support equitable educational experiences for Latinx, Hispanic, and Xicanx students? Look no further. This episode addresses these issues and more. A podcast that is based on the presentation Understanding Latinx, Hispanic, and Xicanx Students with Culturally-Responsive Teaching by Angello Villarreal of Monmouth University and your host, Samantha Bahna for the NJEA Convention 2020 Virtual Conference.  Slide Notes 

One of the main topics that constantly come up in discussion like the one we are having is how our community has very little sense of history. We are very clear about the historical myths that found the United States. These myths are taught to us from the moment we walk into school as babies (literally) and are then relentlessly pounded into our heads for the next 12 years. For many of us our first contact with Xicano/Mexicano/Indigenous history of any kind does not happen until we get to college. Therein lies the rub – most of us never make it to college. We have our Sheroes/Heroes, martyrs, and minstrels/jokers. The epic figures that stand above all as beacons of resistance to Anglo oppression and we fixate on them as we have been taught to do. The truth is every one of us has benefited from the love and mentorship of someone from our community both in and out of our families. Let’s talk about those people. Let’s talk about the example they have set and how our forgotten ancestors have dragged the very notion of being Mexican, Puerto Rican, Colombian, Xicano into the present/future. The more we name our Sheroes/Heroes, martyrs, and minstrels/jokers the more we can put to rest the idea we are disorganized, and the movement is dead. Because clearly it is not. 

The Mestiza Project was created in the spring of 2017. Artists who identity with Mestiza/o, LatinX, Latina/o, Chicana/o, XicanX, Indigenous, and mixed races and cultures were invited to co-create the Mestiza Project. We did not know who would show up, what would unfold, or what the end result would be. Writers, poets, musicians, drummers, and interested community members gathered for a day of improvisational readings, jam sessions, drum circles and collaborations. The Mestiza Project features Zay Rios, Ric Urrutia, Yuzo Nieto, Yaneis Autumn, Kimberly Ming, Yasmin Mercedes, Bianca Mikahn, Joshua Abeyta, Diego Florez, Molina Speaks, Sheree “lovemestiza Brown, and more. The Project was recorded by Jesus Rodriguez and Sly “SG” Guevara, and produced by Rodney Sino-Cruz.The Mestiza Project - Denver was arranged by Molina Speaks to reflect a stream-of-consciousness journey through Mestiza/o time and space.

In this episode of The Reality Dysfunction our panel of Xicanx experts will be discussing the 2019 mass shootings in El Paso, Tx., and possible responses that could be pursued by the Xicanada.      As always you can DM me on Twitter @ernestomireles or Alex Yanish @bingbongvictory   Check out www.waroftheflea.org 

Dr. Anita Fernandez is the director of the Prescott College Tucson Center, located on the campus of Changemaker High School. Dr. Fernandez has been critical here in the state of Arizona in defending Mexican American Studies in the public schools and has helped to found the Xicanx Insitute for Teaching and Organizing (XITO) a professional development institute for teachers that is working with school districts across the country.  In this conversation we cove a wide range of topics about the attacks on ethnic studies in the past 10 years, the victories not only in Tucson but across the country and how it is more important now that ever for dedicated RAZA educators, artists, organizers and parents to get deeply involved who will be responsible for bringing ethnic studies to our K - 12 schools.      When you get a chance DM @ernestomireles on Twitter with questions or comments. Also, check out www.waroftheflea.org. 

This one’s for the teachers and all the non-binary folks! Se Ve Se Escucha welcomes Maestre Lourdes Rivas, author of “They Call Me Mix / Me llaman Maestre”, to the podcast. Lourdes is a queer, Xicanx, non-binary educator, currently teaching kindergarten at a Spanish immersion public school in the San Francisco Bay Area. They recently published their first children's book, entitled "They Call Me Mix / Me Llaman Maestre", out of a dire necessity to have in existence something they could use in the classroom to expand kids' notions around gender. Join Ada and Lourdes as they talk about the inspiration behind the book and discussing gender with kids. Get your copy of “They Call Me Mix” at www.squareup.com/store/theycallmemix/ Transcript available at www.seveseescucha.com/episodes Follow SVSE on: Instagram.com/seveseescucha Facebook.com/svsepodcast Twitter.com/svsepodcast

Adriana Abundis is a rising star in the Xicanx educational world. Working as a teacher in San Antonio, Tx., for the past eight year Abundis has immersed herself in the life and culture of that city. She is an emerging muralist who is creating visual resistance and opportunities for her students to immerse themselves in the history and cultury of their Xicanx community. She has led and created 3 inspirational murals on the West Side of San Antonio that stretch over 3,000 square feet and continues to create artistic symbols of indigeneity, identity and pride with her art network: Arte de Lush. Please listen in on the future of Xicanx education in the Occupied Territories. Brave New Voices for a New Century.   www.waroftheflea.org @ernestomireles @bingbongvictory

It's your turn bbs! This week we're sharing the music YOU love, and we even get to hear some of your super cute voices and stories. Turns out ya'll have v good taste! We've got Andean anti-colonial ballads, Puerto Rican reggaeton hits, Xicanx soul Rock n Roll y mucho más. Your picks are as eclectic as ours! Featuring music by Oscura Luna, Luis Abanto Morales, Guaynaa, Ana Tijoux, Francisca Valenzuela and As Bahias e a Cozinha Mineira. Show notes: http://bit.ly/2KJy5UZ Follow us: instagram.com/RadioMenea twitter.com/RadioMenea facebook.com/RadioMenea tinyletter.com/RadioMenea

We kick off (un)making’s third season with an investigation into the theme of “movement,” with a conversation with artist and educator, Jesus Barraza. Through his many collaborations and community projects, particularly with his partner Melanie Cervantes and their work together under the banner Dignidad Rebelde, Jesus has helped to produce many of the political graphics and prints that continue to shape the visual identity for movements that are radical, feminist, and centered on people of color, in the San Francisco Bay Area and globally. Jesus roots this practice in struggles for social justice and in generations of creative knowledge, stories, and production. As he notes in the course of the interview, this work draws on a long and complex history of print, mural, and socially engaged practices within Indigenous and Xicanx communities—a constantly growing tradition that he now passes along to his students. We talk about Indigenous spiritualities, the community workshop as a cultural practice, and the ways Dignidad Rebelde’s political analysis has been shaped by Xicanisma and the Zapatistas. -- Subscribe to Art Practical on iTunes to catch (un)making as soon as it publishes, or look for it here every other Wednesday! Check us out on Instagram at @un_making. #APaudio

This month I got to talk with Luis Lopez-Maldonado. Prepare yourself, this episode gets a little more sexy than usual. Luis is a Xicanx poeta, playwright, dancer, choreographer, and educator. He earned a Bachelor of Arts degree from the University of California Riverside in Creative Writing and Dance. His poetry has been seen in The American Poetry Review, Foglifter, The Packinghouse Review, Public Pool, and Spillway, among many others. He also earned a Master of Arts degree in Dance from Florida State University, and a Master of Fine Arts degree in Creative Writing from the University of Notre Dame. He is currently a co-founder and editor at The Brillantina Project.  Luis' website Luis' Twitter Luis is on Instagram @luis.lopezmaldonado The Artist is Present Wicked Follow Waves Breaking on Twitter at @WavesBreakPod, or email at wavesbreakingshow@gmail.com Editor and Social Media Manager: Mitchel Davidovitz The Sound of Waves Breaking: LA/Orange County Metro

In our 8th episode, Eva and Rafael go over all the latest juice in pop culture and recap Xicano Movie Night. Topics range from Chulita Vinyl Club, N. Korea threats, GoT, & the new Horchata Frappucchino. Our guest is Brenda Loya, who discusses with us Mexican American identity & what progress needs to be made within the Latinx community. We also expose Rafael on his feelings towards conchas.