Podcasts about Conchas

Ep. 205 - Capítulo Vinte e cinco - O Chalé das ConchasMANDE SUA CORUJA PARA: mundopottercast@gmail.comCorujas: João Lucas / Olivia Redes: @mpottercast @ithasant e @rodriguesph PIX: mundopottercast@gmail.comEdição: Itamar SantosRoteiro: Paulo RodriguesApresentado por Itamar Santos e Paulo Rodrigues

Listen to Erika L. Sanchez and the No Chingues crew talk about all of the day's chingaderas: ·     No Chingues Keeps it Current: Will Smith, Getting Jiggy With It, and The Smack·     The Recalibration of the Ego·     Elon and the Crumbling Myth of the Genius Billionaire·     Decorum is King: Democrats and Compromises with Nazis·     He Smells Like Poo-Poo* (*Allegedly)·     Put the Nazis on Their Heels·     The Billionaires Want Tax Cuts So Your Grandma Has to Eat Cat Food·     The Oligarchs: “Let it Fail. Privatize it ALL!” (“So We Can Swoop in and Profit!”)·     The Crew's Content Constipation·     Meat Sack·     Just Some Print Estimating NBD·     Cubans Getting Humbled·     Dictator 101·     Oh, Now Some of These Bitches Care·     “Cooking a Salad With Meghan Markle”·     Jorge Hates Balsamic Vinegar (Send Hate Mail)·     Mexican Work Lunches Are No Fucking Joke·     Incel Fanboys·     Cybertruck: Held Together With Spit and Elmer's Glue·     Sallow, Gaunt, and Deep Faced·     Will Moo and Oink Sponsor Us?·     Roddy Disrespects Mexican Food… Again·     Churros vs. Conchas: The Debate That Broke the Pod·     How Do You Handle Rudeness?·     Hammurabi's Code…Kinda·     “Are We Doing This?” We have no idea what we're doing... but we're keeping it moving with the unearned confidence of a mediocre White man!¯_(ツ)_/¯Listen, subscribe, share, and leave a five-star review! (or go to hell).Follow The No Chingues Crew on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, BlueSky, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠. Martin Malecho – BlueSky TikTok, Threads

En este episodio: 1-Corrección sobre la extensión del desierto de Atacama 2-¿Es malo tener conchas en la casa? 3-Cuidar árbol de canela 4-Reparar goteras en techos de cinc 5-Partos en cabras 6-Árbol de manzana. ¿cómo hacer para que dé frutos? 7-¿Cuántos metros cuadrados es una hectárea? 8-Jengibre rojo Programa de radio "Oigamos la Respuesta" del Instituto Centroamericano de Extensión de la Cultura (ICECU). El programa se hace con las preguntas que envían nuestros oyente y las respuestas que se elaboran en el ICECU con un lenguaje claro y sencillo desde el año 1964.

La bibliotecaria de Caudete, María José Moreno, nos recomienda la última obra de Elisabet Benavent y el clásico de Rosamunde Pilcher, en la sección de libros de Radio Albacete

O pianista português João Costa Ferreira lança o seu mais recente disco, José Vianna da Motta, Poemas Pianísticos, vol 2, no próximo dia 26 de Outubro, em Portugal. Nos nossos estúdios, João Costa Ferreira destacou a importância de reabilitar o património musical português e partilha o "meticuloso processo de edição inerente à gravação" deste disco. O álbum é composto por 12 obras inéditas de José Vianna da Motta que o compositor escreveu entre os seus 5 e os 14 anos. RFI: Antes de falarmos da relação que tem com a obra de José Vianna da Motta, vamos falar da peça"Resignação", uma peça escrita para ser tocada com a mão esquerda. Apesar de existir um vasto repertório clássico de obras para a mão esquerda, continua a ser curioso ver um pianista a tocar apenas com a mão esquerda. De onde é que vem esta tradição ?João Costa Ferreira: Há toda uma tradição, sobretudo no século XX, quando vários compositores célebres como Ravel ou Prokofiev compuseram obras para o pianista Paul Wittgenstein. A partir daí começou a surgir mais reportório. Mas antes da primeira metade do século do século XX, já havia este repertório composto apenas para a mão esquerda e as razões são diversas: podia estar relacionado com alguma lesão física no braço direito, podia estar apenas relacionado como um desafio composicional. No caso do Vianna da Motta, não conheço a razão que o levou a compor esta obra "Resignação". O título em si carrega algo de negativo, portanto, é possível, e é apenas uma hipótese, que possa estar associado a algum problema que ele teve com o braço direito. O que, por exemplo, é possível de notar quando lemos os diários dele. Embora ele só tenha começado a escrever os diários depois de compor esta peça. Durante muitos anos, durante quatro ou cinco anos, ele refere-se - por mais de 30 vezes - a dores nos dedos e por uma dessas vezes refere-se ao dedo mindinho da mão direita. Pode ser apenas uma hipótese, que ele possa de facto ter tido um problema no braço direito, mas não é de descartar essa possibilidade, até porque nos diários que eu estava a referir, escritos  entre 1884 e 1890, ele escreve sobre sobre essa lesão na mão direita. Em 1907 e 1908 encontramos também cartas que ele escreveu a Margarethe Lemke, onde ele continua a insistir sobre problemas que ele tem nas mãos. Portanto, esse problema era recorrente.Há desafios técnicos para tocar esta peça? Normalmente, a melodia é tocada pela mão direita e  o acompanhamento pela mão esquerda. Há uma complexidade técnica quando se toca apenas com uma mão?Sim, há uma complexidade associada a isso. O repertório para piano é composto no sentido de conferir à mão esquerda a melodia e o acompanhamento à mão direita. Isto é uma regra geral. Obviamente que há muitas excepções e no caso do repertório para a mão esquerda, acaba por ser muitas vezes o polegar que tem a função de produzir a melodia, uma vez que é ele que está próximo dos agudos, embora muitas vezes a melodia esteja nos graves, nem que seja para imitar um instrumento grave, como o violoncelo, por exemplo. Isso, de facto, traz um desafio que é diferente, uma vez que é confiada a uma mão apenas duas funções diferentes, isto é, o acompanhamento e a melodia.Isso muda a dinâmica da interpretação?Sim, de certeza. Quando temos que tocar um baixo muito grave e a seguir uma melodia é diferente de tocar com as duas mãos porque podíamos tocar ao mesmo tempo. Quando se trata de tocar com uma mão apenas, temos que fazer aquilo que nós chamamos arpejos, isto é, tocar primeiro baixo e depois tocar o agudo. E isso acaba até por ter repercussões na expressão musical, acaba por ser diferente do ponto de vista estritamente técnico, mas também do ponto de vista musical. Acaba por ter consequências que muitas vezes são consequências, aliás, que eu diria automaticamente positivas porque num arpejado há uma conotação da expressão associada.Lança o seu mais recente disco, José Vianna da Motta, Poemas Pianísticos, vol 2. O que é que o motiva a continuar  a aprofundar a obra de José Viana da Motta e a publicar este segundo volume?Já tinha publicado um primeiro volume e não podia deixar de publicar um segundo. Este foi um receio que tive durante muito tempo. Será que um dia vai haver um segundo volume? É estranho haver apenas um primeiro volume. Era para mim uma vontade muito grande de publicar este segundo volume. O que é interessante no meu ponto de vista, do ponto de vista da reabilitação do património musical português, que é o trabalho que eu tenho vindo a fazer em torno da obra de Vianna da Motta e não só, mas sobretudo de Vianna da Motta. O interessante na publicação deste volume é que dá a conhecer mais 12 obras inéditas, que eram inéditas até há bem pouco tempo. Comecei primeiro por uma fase de revisão dos manuscritos e edição musical porque as obras nem sequer estavam publicadas e nenhuma delas estava gravada. Há a edição musical e depois a edição discográfica que é, aliás, feita para também dar a ouvir esta música a um público mais alargado porque nem toda a gente sabe ler música e pode ler uma música e tocá-la ao piano. Vejo isto como uma missão e estas 12 obras vêm também mostrar até que ponto Vianna da Motta era uma criança prodígio, fora de série, porque são obras compostas entre os seus cinco e os 14 anos, mas que não parecem nada terem sido compostas em tão tenra idade. É um trabalho do qual eu me orgulho muito, na verdade, e que espero que venha a mostrar uma faceta de Viana da Motta. Uma faceta estonteante, inacreditável. Mais uma faceta de Viana da Motta que valoriza o pianista que ele foi, mas também o compositor.O critério para a escolha destas 12 peças foi o facto de terem sido escritas neste período entre os cinco anos e os 14 anos. Hoje parece difícil perceber como é que uma criança de cinco anos consegue compor uma obra como algumas destas que integram este álbum...Sim,  isso explica a razão pela qual, quando o pai do Vianna da Motta o levou à corte para tocar perante o Dom Fernando II  e a condessa d'Edla, a família real não hesitou em financiar os estudos de Vianna da Motta no antigo Conservatório Real de Lisboa e depois até mais tarde, quando ele partiu para Berlim, em 1882, também no Conservatório ele continua a beneficiar do mecenato e foi sempre muito acompanhado pela família real. Era de facto uma criança excepcional, mesmo no seu tempo, muito embora talvez na altura as crianças chegassem a um grau de maturidade mais cedo. Mas mesmo assim, para ter tido tanta atenção por parte da família real, durante tantos anos, é porque de facto se tratava, apesar de tudo, de uma criança excepcional, mesmo no seu tempo.Quando procura o repertório de Vianna da Motta, onde é que se encontram as partituras?O espólio de Vianna da Motta encontra-se na Biblioteca Nacional de Portugal. Foi lá que eu trabalhei a maior parte do tempo na realização do meu doutoramento em Musicologia na Sorbonne Université. O trabalho que apresento agora é fruto de cerca de dez anos de investigação, embora já tenha havida outros discos, editado partituras. Foi na Biblioteca Nacional de Portugal, onde a maior parte das coisas de Vianna da Motta estão, que eu encontrei estas obras. Foi uma descoberta no sentido musical porque eram obras que estavam lá, às quais as pessoas tinham acesso e podiam abrir o livro, mas se calhar o interesse não foi despertado para que elas experimentassem ao piano e vissem qual era o interesse musical. Foi o que eu descobri. Foi compreender o interesse musical e trazê-las à luz do dia.E qual é então, portanto, o interesse musical? O facto destas obras serem inéditas, a complexidade ou até mesmo imagino, os desafios da interpretação?Eu não posso nunca deixar de ficar deslumbrado pelo facto de serem obras que exigem uma grande capacidade técnica e musical, tendo em conta a idade que ele tinha quando compôs. Do ponto de vista da revolução ou de algo que ele tenha trazido à música: ele compôs já tarde no seu tempo, num estilo romântico que era um estilo muito próprio da primeira metade do século XIX; a música de Vianna da Motta, mas, como aliás, a maior parte da música dos compositores da época, não foi uma música que permitiu uma revolução na história da música. Mesmo no final do século XIX, já havia compositores que estavam a experimentar outras linguagens musicais, enquanto Viana da Motta ficou sempre muito agarrado ao romantismo do início do século. Talvez isso explique uma porque é que a sua obra tem vindo a ser esquecida ou praticamente ignorada.Porque é tardia?Sim, exactamente. Mas se nós formos a pensar noutros compositores românticos que até no século XX compuseram, embora com traços impressionistas, traços mais modernos e que acabaram por ficar muito célebres. O próprio amigo dele, o Ferruccio Busoni, é pianista e compositor italiano. Viana da Motta tem três fases criativas. Esta série discográfica é dedicada à primeira fase criativa, que é as obras de infância. A terceira e última fase criativa de Vianna da Motta é a fase nacionalista,  isto é, da música de carácter nacional.A fase mais conhecida...Sim, é mais conhecida e nesse sentido Vianna da Motta terá tido um papel importante para aquilo que foi a evolução da história da música em Portugal. Embora já nos outros países em toda a Europa já se fizesse isso, isto e os compositores inspiravam-se imenso, sobretudo na música popular portuguesa, introduziam nas suas obras. Vianna da Motta foi, nesse aspecto, um pioneiro em Portugal e ele foi importante para abrir portas para que se desenvolvessem escolas de composição em Portugal. Escolas no sentido estético que abriram portas a Luís Freitas Branco ou Fernando Lopes Graça, Francisco Lacerda. Para a composição de obras inspiradas no folclore ou na música popular portuguesa. Tendo em conta o conjunto geral da obra de Vianna da Motta, é inegável a importância que ele teve para a história da música em Portugal.As obras de infância são mais uma espécie de reprodução daquilo que já se fazia em termos de danças; danças de salão, valsas, polacas, mazurcas, mas também muitas marchas. O primeiro disco, tinha sobretudo polacas, mazurcas que este disco já não tem e esses géneros musicais foram substituídos aqui por marchas, mas também tem valsas e músicas inspiradas em temas de óperas, por exemplo, que era algo que se fazia muito na época e obras que reflectem, aliás, o quotidiano de Vianna da Motta na vida lisbonense. Temos duas obras, por exemplo, neste disco, inspiradas no universo hípico, nas primeiras corridas de cavalos que tiveram lugar no antigo Jockey Club de Lisboa, que é onde hoje se encontra o Hipódromo do Campo Grande, por exemplo. Mesmo a própria gaité que é um galop, um galope, uma dança também frenética, também é inspirada nesse universo hípico dos cavalos.Estas obras são importantes porque, por um lado, embora não sejam revolucionárias, e eu insisto, houve muito poucas obras a serem revolucionárias na época. Para além de serem estonteantes, tendo em conta a idade dele, reflectem aquilo que ele era capaz de fazer e o quotidiano lisbonense que ele frequentava.De que forma é que este segundo volume se diferencia do primeiro?Para além do facto de já não ter as danças, as polcas, mazurcas, a marcha é mais a música de rua. Tem também uma fantasia inspirada numa ópera que o primeiro volume não tinha. Tinha, sim, uma obra dramática também nesse sentido, mas que era inspirada numa catástrofe que aconteceu na região de Múrcia, no sul de Espanha. E tem uma obra também incrível que é a última faixa As Variações sobre um tema original - ele compôs um tema e a partir dele escreveu várias variações. Isto é o mesmo tema, mas com outra decoração, com outra decoração que revela muitas capacidades, não apenas do ponto de vista composicional, mas pianístico, uma vez que ele tocava as obras que compunha, é por isso que eu falo da questão pianística. Ele compunha as obras ao piano. Essa obra, por exemplo, revela várias capacidades, uma vez que cada uma das 13 variações exige algo do ponto de vista técnico muito, muito diferente. Seja arpejos, seja acordes, seja oitavas. É como se ele ali explorasse as diferentes dificuldades técnicas que ele acharia que seriam necessárias a desenvolver. Até pode ser visto quase como aquilo que nós chamamos um estudo para piano, isto é, uma obra composta para desenvolver um determinado tipo de jogo, de forma de tocar.Há também uma faixa que se chama Praia das Conchas, Praia das Conchas e uma praia que se situa no distrito de Lobata, na ilha de São Tomé em São Tomé e Príncipe, onde Viana da Motta nasce e vive há alguns anos. Viana da Motta vai guardar memórias que consegue depois transpor na sua música.A Praia das Conchas é a única obra que o Viana da Motta compôs, inspirado no local do nascimento que é São Tomé. É uma obra que é uma quadrilha de contradanças, portanto origem popular da dança, em que ele escreve cinco danças e cada uma delas tem o nome de uma outra praia: a praia Mutamba. Há duas praias que eu não encontrei o nome que é Praia Soares, Praia do Sal. Sei que há muitas salinas no norte, mas são tudo praias ali perto da praia, porque há a praia, Mutamba, a praia do mouro também, acho que hoje é a praia dos Tamarindos. E depois há duas praias que eu não consegui encontrar. Andei à procura nos mapas e não consegui encontrar. Pode acontecer que estes nomes não existissem na época, que eram falados pela população local apenas e que nunca tinham sido registados. Vianna da Motta terá não lembrado das praias, uma vez que ele saiu de São Tomé muito cedo, mas penso que terá sido o pai. Na minha opinião, terá sido o pai a falar daquelas praias que ele provavelmente frequentava quando morava em São Tomé e Príncipe. E foi a partir daí que o Viana da Motta compôs estas cinco danças, inspiradas nas praias que eu acredito que sejam todas as praias no norte temos que encontrar a Praia Soares e a Praia do Sal.Como é que correu o processo de gravação deste disco; a elaboração, a escolha das peças, o estudo das obras seleccionadas e depois a gravação?Este é um objecto pequeníssimo e por trás dele está todo um trabalho absolutamente estonteante. Foram três anos de trabalho, sem contar, obviamente, com os dez anos que eu falei há bocadinho de investigação do doutoramento, os outros discos que eu gravei antes disto. Obviamente que isto também é um bocado fruto desse trabalho. Não foi tudo feito em três anos, mas entre o lançamento do primeiro volume desta série discográfica e este agora, passaram-se praticamente três ou quatro anos. Durante esse tempo houve tanta edição musical, a tal revisão dos manuscritos, que foi essencial porque há manuscritos que estão num estado muito difícil de descodificar, partes que estão rasgadas, um pedaço que está aqui, outro pedaço que está ali.E o que é que se faz nessas situações?É preciso compreender e conhecendo a linguagem da composição de Vianna da Motta. É importante para saber também avaliar e tentar perceber aquilo que ele queria. Conhecer a própria linguagem de Vianna da Motta, a linguagem romântica e trabalhar a partir daí, encontrando a forma como o Vianna da Motta imaginou e concebeu a sua obra. Não há assim tantos pedaços rasgados e perdidos. Apesar de tudo são desafios porque antes de tomar uma decisão é preciso ter mesmo a certeza daquilo que se está a fazer. Muitas vezes não se tratava de pedaços perdidos, mas, por exemplo, numa mesma página, várias versões escritas uma por cima das outras. Era preciso perceber cronologicamente aquilo que aconteceu. E muitas vezes havia indícios. Havia uma coisa feita a caneta, outra coisa feita a lápis, por exemplo, coisas feitas com canetas diferentes ou, aliás, com pontas de canetas diferentes. Houve esse trabalho quase de detective que faz parte do meu trabalho como investigador que foi a edição musical e a publicação. Depois a gravação em estúdio, foram cerca de 20 horas em estúdio. Foi um mês a fazer uma pré montagem de 8 horas todos os dias, a trabalhar numa pré-montagem apenas. Depois foram mais uns cinco ou seis dias de montagem. E depois as ilustrações que também não posso esquecer, uma ilustração para cada uma das faixas feitas pela artista portuguesa Mariana Miserável, que é o nome artístico de Mariana Santos e pôs todo o trabalho também do design gráfico e a produção, encontrar financiamentos junto de várias entidades. Tudo isto é um trabalho colossal, de facto, e que explica a razão pela qual só quatro anos depois de ter lançado o primeiro volume, é que lança agora este segundo.Talvez um próximo volume dedicado à fase mais conhecida de Vianna da Motta, a música mais nacionalista?Já lancei um dedicado às cinco rapsódias portuguesas, que se inspiram em 17 temas populares portugueses. Creio que dessa fase, como disse há pouco e muito bem, é a fase mais conhecida do Viana da Motta, ou já muitas coisas foram gravadas, aliás praticamente tudo. Tenho mais interesse para já em acabar as obras desta fase. E a haver um próximo disco, será um terceiro volume dedicado também à obra de infância, mas o qual terá não apenas obras para piano solo, mas também música de câmara.Nesta fase criativa, portanto, até aos 14 anos, até 1882, que é o período em que ele vai para Berlim e depois muda completamente a sua estética. Nesta fase criativa existe ainda todo um vasto repertório para piano solo, mas obras bastante grandes e exigentes do ponto de vista técnico e físico, mas também música de câmara. Tem piano para seis mãos, ou seja, três pessoas ao piano a tocar uma mesma obra, inspirada numa obra do compositor Meyerbeer, Robert le Diable. Tem também uma grande sonata para piano e flauta. Tenho a partitura a descobrir uma vez mais no sentido musical: abrir a partitura, tocar e tentar perceber porque é muitas vezes aí que se encontra e que reside a descoberta. A haver um terceiro volume, será um volume com uma ou duas obras ainda de piano solo e o resto é música de câmara.

Los cárteles como el Cártel de Sinaloa, el Cártel Jalisco Nueva Generación y Los Zetas no solo se han consolidado como los grupos más poderosos y peligrosos, sino también como verdaderos amos del terror en México. Su brutalidad y control han dejado una estela de violencia que trasciende fronteras, afectando a todos los niveles de la sociedad. Pero su dominio va más allá del narcotráfico. Periodistas, músicos y figuras del entretenimiento que se atrevieron a alzar la voz contra estos grupos han pagado con su vida, convirtiéndose en trágicos ejemplos de hasta dónde llega la sed de poder de estas organizaciones. Desde balaceras a plena luz del día hasta secuestros y asesinatos que quedaron como un oscuro recordatorio para todo aquel que intente desafiar su ley. En este video, te contaremos las historias de aquellos que intentaron desafiar al narco y terminaron pagando el precio más alto. Analizaremos cómo el control de estos grupos no se limita a la economía y la política, sino que también busca silenciar a las voces que podrían exponer sus crímenes al mundo. Prepárate para conocer los relatos de aquellos que se convirtieron en mártires de la libertad de expresión y dejaron una huella imborrable en la historia de la lucha contra el narcotráfico y la censura en México. La historia de Ramón Conchas, conocido como Mr. Yosie Locote, un rapero que se formó en las duras calles de Jalisco, México. Locote, además de crear canciones con un mensaje fuerte y contundente, llegó a pertenecer a la temida pandilla "Florencia 13" en su juventud. Sin embargo, su valentía para hablar abiertamente sobre la vida en las pandillas le costó la vida. Fue encontrado sin v*da en Tetlán Río Verde en 2018, con un mensaje que dejó claro el poder y la amenaza del crimen organizado en la región. Otro caso impactante es el de Alejandro Barret, conocido como 5050, un rapero que comenzó componiendo canciones para los cárteles. Sin embargo, tras experimentar una especie de despertar espiritual, intentó dejar atrás esa vida. Fue encontrado sin v*da en Matamoros, Tamaulipas, marcando un trágico final para quien buscaba un cambio. El fenómeno no es exclusivo de México. En Rosario, Argentina, la situación es igualmente desoladora. Jóvenes como Ariel Ávila, quien a través de su rap denunciaba la violencia y el desamparo en su comunidad, también han sido víctimas del narco. El periodismo tampoco queda exento de estas amenazas. La periodista mexicana Azucena Uresti fue amenazada por el Cártel Jalisco Nueva Generación, que trató de silenciar sus reportajes sobre la violencia en Michoacán. A pesar del apoyo público del presidente Andrés Manuel López Obrador, la realidad es que periodistas y comunicadores en México siguen enfrentando riesgos inminentes y, en muchos casos, mortales. El caso de Luis Martín Sánchez Iñiguez, corresponsal de La Jornada, quien fue encontrado sin v*da con y un mensaje que lo vinculaba a su labor informativa. No solo los periodistas y raperos han sido blanco del crimen organizado. La cultura misma ha sido golpeada, como lo demuestra el as*s*nato del youtuber Rubén Ortega, mejor conocido como Súper Chinelo, un creador de contenido dedicado a resaltar las tradiciones mexicanas. Ortega fue encontrado sin v*da, dejando a miles de seguidores consternados y evidenciando cómo el narco no respeta ni el arte ni la cultura. #CartelesMexicanos #LibertadDeExpresion #NarcoViolencia #PeriodistasAsesinados #CJNG #CártelDeSinaloa #Censura #MúsicosSilenciados #LuchaContraElNarco #LibertadDePrensa  Distribuido por Genuina Media

O post A Casa Elefante #187 – O Chalé das Conchas apareceu primeiro em Animagos.

Happy Friday! We hope you and your family, friends, loved ones and neighbors are having, and continue to have, a very blessed day indeed. Hopefully you woke ready to achieve great things and be a beacon of light to the downtrodden. It is in the service of a people or a greater cause that our wings begin to spread and we can contribute to and be part of a collective happiness. Let's get ready to learn! Here's the news: - Thursday, August 15th bring your family, kids, neighbors and friends and join The Neighbor Project for another public Ice Cream Social at Blackhawk Park on Aurora's west side! The Outreach team and real estate agent Aaron Rodriguez will be serving the scoops from 6 pm to 7:30 pm at the park and there will be free ice cream for the first 100 people! The first Ice Cream Social at Blackhawk Park was a success so they decided to hang out with the neighbors again and enjoy a summer evening as friends. The sponsors for the event are LP Custom Tees, a fantastic printing and embroidery business located at 935 W. Galena Blvd and Century 21 Circle; Aaron Rodriguez real estate agent. Bring your questions about homeownership, debt relief and how we can help you and your household. This event is free, open to the public and our next event, Coffee and Conchas, will be previewed as well. Save the date and come enjoy ice cream with us! See you there! - Saturday, August 17th the East Aurora Community Market will be held at Third Ward Social Club from 11 am to 4 pm. Entry is free for this event, space fee is only $20 and it's an awesome environment and a great time! For more information contact Celia by email at: crodri1085@gmail.com Have a great rest of the day! Good Morning Aurora will return with more news, weather and the very best of Aurora. Subscribe to the show on YouTube at this link: https://www.youtube.com/c/GoodMorningAuroraPodcast The second largest city's first daily news podcast is here. Tune in 5 days a week, Monday thru Friday to our FB Live from 9 am to 10 am. Make sure to like and subscribe to stay updated on all things Aurora. Threads: https://www.threads.net/@goodmorningaurorail Instagram: goodmorningaurorail Spotify: https://open.spotify.com/show/6dVweK5Zc4uPVQQ0Fp1vEP... Apple: https://podcasts.apple.com/.../good-morning.../id1513229463 Anchor: https://anchor.fm/goodmorningaurora ACTV (Aurora Community Television): https://www.aurora-il.org/309/Aurora-Community-TV #positivevibes #positiveenergy #downtownaurora #kanecountyil #bataviail #genevail #stcharlesil #saintcharlesil #elginil #northaurorail #aurorail #auroraillinois #cityofaurorail #auroramedia #auroranews #goodmorningaurora #news #dailynews #subscribe #youtube #podcast #spotify #morningnews #morningshow #friday --- Support this podcast: https://podcasters.spotify.com/pod/show/goodmorningaurora/support

In the morning, Juan Carlos Conchas is an electrical service & install manager, as well as sales trainer, for Pacific Coast Home Services in San Jose, CA. In the afternoon, he straps on his tools, takes a call or two, and sells close to $1MM in residential electrical every year. (In 2023, he sold $860K.) Yes, Juan Carlos is a CertainPath Electrical Sales Crown Champion… by selling part-time!Juan Carlos never sold a thing before going to work for Pacific Coast. But when he was sent on a callback on a $30K job (that he didn't sell or work on), Juan Carlos earned that angry customer's trust—and then sold him a $100K job. Pacific Coast knew they had a star.In this show, Juan Carlos shares his entire service call process in detail, explaining how he sells everything from diagnostics to panels to rewires to whole-house surge and more. What you'll find is Juan Carlos doesn't win over customers by smooth talking or pushing. Instead, he's cool and calm in his demeanor. And he takes time to truly educate customers so they're happy about their buying decisions.Show NotesThe Successful Contractor Podcast is a part of the CertainPath family. CertainPath builds successful home service businesses—and has for 25 years. We do it by providing contractors with a proven path to success, professional coaching, software solutions, and a member community of 1,100+ strong. Doubling your sales, with a 20% net profit, and an inspiring company culture is ALL possible. Let us show you the way. With CertainPath, Success is Made Certain. Visit www.mycertainpath.com for more information.FOLLOW CERTAINPATH: Facebook: https://www.facebook.com/CertainPath Linkedin: https://www.linkedin.com/company/certainpath Instagram: https://www.instagram.com/certainpath/Thank you to our sponsors:Trane. Did you know the Trane Home app gives homeowners control over their Trane smart comfort system from the palm of their hands? Give them the power to adjust temperature hot or cold, set schedules, monitor usage and optimize energy from anywhere. The Trane Home app gives homeowners the ability to control how their environment feels so they can create their perfect cozy space. Download the Trane Home App on the App Store or get it on Google Play.American Standard. Did you know the American Standard Home app gives homeowners control over their American Standard smart comfort system from the palm of their hands? Give them the power to adjust temperature hot or cold, set schedules, monitor usage and optimize energy from anywhere. The American Standard Home app gives homeowners the ability to control how their environment feels so they can create their perfect cozy space. Download the American Standard Home App on the App Store or get it on Google Play.Redesign.co. Feeling overwhelmed by the ever-changing world of digital marketing? Redesign.co is here to simplify it for you. We focus on what matters: getting your business seen online. With our expertise in effective digital marketing solutions like Google Paid Ads and local SEO, we help your services get the attention they deserve. No jargon, no over-the-top promises, just solid strategies to boost your online presence. Let's team up and give your business the online boost it needs! Reach out to partner with Redesign.co and stand out to potential customers when and where they are looking.Professional Plumbing Group. How many hours in a day do your plumbers waste because you do not have the right part for the job? This problem leads to additional issues and reduced productivity, poor customer satisfaction, and increases your cost per job. Professional Plumbing Group (PPG) can help you solve all those issues and more! We have everything you need to help your business grow and become more profitable by allowing you to focus on plumbing not inventory management, product selection and so much more. Go to authorizedplumberprogram.com for more information.pulseM and Customer Lobby. As you prepare for summer, it's vital to have a plan in place to maximize reviews and referrals during your busy season. If you're looking to increase your volume of online reviews or follow up with customers automatically to ensure they choose your business the next time they need service, pulseM and Customer Lobby can help you achieve this by working together to create value at each touchpoint in the customer journey. pulseM and Customer Lobby are proud partners of CertainPath and it's our focus to help members maintain trust with customers and create a personalized experience throughout the entire customer journey. Increasing your amount of Google reviews has a large influence on gaining a greater amount of repeat and referral business. pulseM can help you achieve up to 3x more reviews, while our unique algorithm within Customer Lobby can then follow up with your customer base at the optimal time to produce a response and remind customers to book their next service. If you're looking to hear more about how we partner with CertainPath members or view a free demo for pulseM and Customer Lobby, we'd love to connect with you! Visit https://know.pulsem.me/social-media-optimization to get started.Staples- Staples is the leading provider in office supplies offering a vast selection of products and services. Over the last 2 years, Staples has also become one of the US largest janitorial suppliers as well. From your everyday business essentials to your office furniture, printing, facilities and breakroom, Staples can do it all. Staples offers benefits to help create efficacies in procurement and consolidate vendors to streamline internal processes. Visit www.staplesadvantage.com for learn more.

Teniendo en cuenta que el termómetro ya empieza a subir dejando altas temperaturas en el Madrid mazo guapo Nieves nos lleva a hacer un recorrido por las fuentes que hay en la remodelada Plaza de España. Una visita de la mano de Fernando Porras-Isla, uno de los tres arquitectos del proyecto, que nos descubre en el Buenos Días Madrid que dirige y presenta Ely del Valle, cuáles son esas fuentes, su simbología y significado. Una es fuente de las Conchas o del nacimiento del agua. Proyectada en 1969, el diseño es obra de Manuel Herrero Palacios, que fue director de los parques de Madrid. Es una fuente hermosa con dos ninfas de bronce que sostienen cántaros que derraman agua, obra del escultor murciano Antonio Campillo. Muchos no recordarán que esta fuente estuvo junto al cruce de la calle Princesa, cerca de la calle Leganitos. Se situó allí para evocar el agua que regaba las huertas que en el pasado poblaron esta zona de la capital. La cosa es que pasaba bastante desapercibida entre tanto ruido y por el desnivel existente entre la plaza y la calle. De ahí que una de las prioridades de los arquitectos durante la remodelación de la plaza fuese eliminar esos desniveles y barreras y se resituara frente a la iglesia de Santa Teresa y San José. Se trata de una iglesia que fue diseñada por el arquitecto Jesús Carrasco-Muñoz y Encina, que fue quien tuvo la primera idea de la plaza de España, que nunca se materializó pero al que sí encargaron la construcción de templo que es una preciosidad. La fuente de las Conchas está ahora en un lugar magnífico porque es de los más frescos de la plaza de España, protegida del sol por la iglesia, tiene un banco para descansar y goza del protagonismo que merecía. Otra fuente, conocidísima, la más antigua, rinde homenaje a Miguel de Cervantes y a la literatura. Una maravilla que se gestó en 1915 en un concurso de arquitectos y escultores pero no se pudo finalizar hasta después de 1960 por el estallido de la Primera Guerra Mundial, la Guerra Civil española y la Segunda Guerra Mundial. La fuente habla de la literatura y el agua simboliza las letras españolas que unen todos los países y está llena de alegorías, entre otros, a Miguel de Cervantes cuya efigie está esculpida o al Quijote y Sancho. La tercera fuente es Lustral o la fuente del cielo. Proyectada con la colaboración de Blanca Muñoz, autora también de tres pérgolas existentes en la plaza, se trata de una nube sólida de mármol blanco que está suspendida en el agua y que refleja en sus aguas el entorno de Bailén y sus jardines. Fernando Porras-Isla ha recordado la importancia del proyecto. Junto a él, Lorenzo Fernández Ordóñez y Aránzazu La Casta redactaron el proyecto de la plaza basado en tres estrategias que explica a lo largo del reportaje en el que además nos invita a reflexionar sobre la costumbre que existe en Madrid de reubicar fuentes como la de La Cibeles.

#128: Happy Memorial Day! The team is off - but we still have a treat for you. (Get it? Because conchas are so sweet?) Ok. Jokes aside, we're replaying this episode because it was recently nominated for a James Beard award, and the team is really excited about that.  But here's the thing... We can't make episodes like this without your help. If you value our flavor of journalism, please donate to keep us going strong. LAist.com/joinHTLA This episode originally published on July 7, 2023. Original description below. Everyone loves a fresh concha – that warm, doughy center with the crunchy cookie shell on the top could send any Angeleno's heart a'flutter. Today, Brian's taking LAist food editor Gab Chabran on a concha crawl. We're exploring the history of this famous Mexican treat, and checking out Brian & Gab's favorite spots across LA. For more sweet-breaded goodness, check out Gab's article over on LAist.com Panaderias visited: Panaderia Coatzingo in South LA, Vallarta, y Gusto Bread in Long Beach. Got a favorite we didn't mention? Send us a DM! instagram.com/LAistofficial Music in this episode composed by: Aaron Copland, Austin Cross, Haruomi Hosono, Radio Jarocho, Quetzal, Masayoshi Takanaka, The ModArchive, Dexter Thomas, Woo, Yeahman

This week's Happy Half Hour takes place from one of the best perches in all of San Diego: Top of the Market. It's a fully windowed and partially outdoor restaurant, separate and with a more fine dining or special occasion bent than its counterpart downstairs, the equally beloved and lauded Fish Market. To our front is sprawling views of Coronado and the bay. Directly to the right, the Midway, and to the left, a bunch of hotels, docks, and the Coronado Bridge. We sat down with Top of the Market's executive chef, Robin James, who is, in my opinion, the most San Diego San Diegan to ever do it. His first cooking job was on the line at the iconic Anthony's Fish Grotto. After that, he got his cooking degree at the Art Institute and became the executive chef at The University Club and Bali Hai. These days, he's slinging creative seafood dishes at Top of the Market. But what makes him deeply San Diego, despite his life resume and of course being born here, is that his parents met while working at Jack-in-the-box. Come on. He's a living local legend, and we get the story of his parents' meet-cute in the episode. In addition to his hometown bonafides, James is a serious cook with an Escoffier tattoo, who is consistently trying to take things to the next level. He said he was always a tinkerer, experimenting with ingredients, often ones that don't seem to make much sense together, to see what happens. He said he did a lot of that during Covid, while temporarily laid off from work, itching to create, and now he's stretching his wings more with his seafood menu. One of his more surprising dishes on Top of the Market's current list are seared sea scallops with Spanish chorizo, dehydrated mushrooms, and big white beans. Scallops, mushrooms, and beans isn't a dish I knew I wanted, but now I can't stop thinking about it. James is also cooking an Alaskan halibut on the menu with many green, spring flavors, and served with a punchy tzatziki heavy on the cucumber; he also has a seared octopus served over hummus with pickled red onions and mandolined radishes. There are crudos, and on the opposite end of the spectrum, there's a chocolate cake a-la Elvis, with bananas, bacon and honey. James assured us there are plenty of classics on the menu, too, like Top of the Market's famed cioppino, a hearty fish stew the restaurant has been serving for decades. There's good drinking at Top of the Market, too, James assures us, and the wine list is evidence of that. James and his team have been running thrice yearly wine dinners with top California producers—the next is in September, with Grgich Hills. In the meantime, they also have one of San Diego's best wine steals: a list of 30 bottles of wine for $30, every Tuesday. We're not talking two buck chuck or plonk; this is from the real wine list, made specially available for those extra fun people who want to clink glasses on a Tuesday. We also talked the news in this episode: Baja came up big in the reveal of Michelin's first guide to Mexico. The French tire company gave one star to Animalon (Javier Plascencia and Oscar Torres), Damiana (Esteban Lluis), and Conchas de Piedra (Drew Deckman and Hugo D'Acosta). Many other Baja California restaurants were recommended or named bib gourmands. Taste of Little Italy will be returning on June 18 and 19, 2024 with over 40 restaurants. And OB's Gianni Buomono Vintners is moving away from its long-held Newport Ave. spot. It'll be opening near Sports Arena soon.

La maricultura es una de las actividades extractivas que genera más de 40 mil puestos de trabajo en Piura. Sin embargo, ha sido afectada por los recientes fenómenos El Niño: el 85% de conchas de abanico se ha muerto y han dejado de percibir 150 millones de dólares por exportaciones. En el siguiente informe de Andrés Carhuapoma, conozcamos las necesidades de la maricultura en Sechura, la provincia más productiva de este recurso a nivel nacional.

Charlita con las jugadoras del Araski Agostina Burani y Melissa Gretel. Sus exóticos helados argentinos

Está en vigencia una de las vedas más importantes del país: la de conchas negras, que aplica desde el 15 de febrero y durará hasta el 31 de marzo, tiempo durante el cual queda prohibido extraerlas y comercializarlas. Conozcamos de esta medida.

Today we're covering two Sundance Film Festival narrative short films, Boi de Conchas and Thirstygirl.In Boi de Conchas, a teenager is searching for her missing sister as local teens are mysteriously being turned into oxen. Director Daniel Barosa explains why death metal was the perfect sound for this story, telling dark themes through fiction, and the special meaning behind the film's location in Brazil.Thirstygirl is a short film about sisterhood and sex addiction. Director Alexandra Qin shares her own personal struggle with sex addiction, why this film was particularly difficult to cast, and the benefit of choreographing sexual scenes with an intimacy coordinator.Follow Boi de Conchas on IGFollow director Daniel Barosa on IGFollow Thirstygirl on IGFollow director Alexandra Qin on IGSupport the showThanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of the Bay Best Podcast in 2022 & 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

meu livro: https://www.amazon.com/uma-revolu%C3%A7%C3%A3o-por-vez-Portuguese-ebook/dp/B0CPJVF1SH meu site: luanovapodcast.com instagram da jaque: @jaquebeckm até a próxima, amigos

Debuting at Sundance '24, Daniel Barosa's BOI DE CONCHAS begins as Brazil attempts to navigate intense crises in their social, political and economic spheres. As emotional distancing has become normalized, the nation's teens face depression on epidemic levels. However, things become more disturbing as cases of missing teenagers begins to mount, amidst the rumours that they're turning into oxen. In this 1on1, we speak to Barosa about the relationship between generational delusionment and generalized depression and finding your voice.

En menos de diez años se han detectado en los aeropuertos de Menorca más de 15 toneladas de material natural en el equipaje de los visitantes. Agustín Rodríguez, geólogo y director del Centro de Geología de Menorca, expone en 'La Ventana' el gran problema que esto supone para la isla

Turkey Day is coming and so is the "To Live in Die in AZ" art show are you prepared? Plus DCS talks Snoop quitting smoking, Kdot out with the kids and what did Anthony A say about Conchas?!!!!

As Day of the Dead celebrations come to a close, Suzanna sneaks into the living room for a late-night snack. But before she can tip-toe back to her room, she's caught by an ancestor who's back from the afterlife... and hungry for the missing conchas! Follow Suzanna and her great-grandmother on an adventure to find the best conchas in town!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gravado na praça central dessa vila baiana, debaixo de uma acácia, ao lado da igreja de São Sebastião, em frente à Biblioteca Municipal. Com Trudrua Dorrico - Eu sou Macuxi e Outras Histórias. A poesia e as memórias da terra, o que é ser uma mulher indígena, a escrita como ferramenta de sentido para a vida; Sairi Pataxó - O Boitatá e Outros Casos de Índios. A história do povo pataxó, a perseguição, a retomada do aldeamento em Barra Velha e o estudo da língua pataxó; Professoras da escola da aldeia indígena Nargila e a coordenadora Tais. Um canto oração pra fechar. Apoio: Compasso Coolab, Casa das Conchas, Joana Savaglia - Festival Caju de Leitores. Itinerário Caraíva - Capivara Cultural --- Send in a voice message: https://podcasters.spotify.com/pod/show/peixe-voador/message

Dom is pissed about aliens not showing him their bodies.BIG SHOUTS OUT TO ALL THE MUSTARD DADDIES OUT THERE!Lasagna has more water in it than a cucumber.@YouCanSayThatPodcast@Gnarlord

En este episodio entrevisté a  Esmeralda Conchas, terapeuta holística, Fundadora de Casa Diosa y Casa Diosa Festivales, proyectos que dirigue con su esposo Sebastian Duck. Casa Diosa es un espacio donde podemos reconectarnos con nosotros mismos desde el ser, desde la autenticidad y la vulnerabilidad para crear entre todos una nueva red de consciencia en amor y expansión, en total conexión con la naturaleza y la Madre Tierra. Donde cada uno de nosotros puede brindar sus talentos a la comunidad y tejer entre todos nuevos modelos de convivencia social. -Hablamos de cómo pasó de ser empresaria, interiorista y diseñadora de muebles a diriguir un centro holístico en Guadalajara.  -Cómo comenzó su transformación personal y qué rol tuvó una Ceremonia de Ayahuasca. -Su viaje a Egipto que cambio todo en su vida. -Cómo aceptar que la destrucción y la creación son parte naturales del ciclo de la vida. -Cómo encontrar paz y fortaleza para renacer de las cenizas. -Cómo crear los proyectos que tu alma vino a crear. Esta plática sumamente vulnerable entre amigas, nos permite ver una parte del ser humano que no nos advierten cuando somos niños y es que cuando vamos creciendo nos enfrentamos a tomar decisiones dificiles y dolorosas que pueden costarnos muchísmo pero al mismo tiempo si no las tomamos, no podríamos ver qué es lo que estaba del otro lado del miedo. Es este un ejemplo de honestidad profunda contigo mismo y responsabilidad para crear una vida coherente que te haga sentido a ti, sin importar lo que la sociedad pueda opinar.  La paz interior se encuentra en esa congruencia con lo que piensas, dices y haces.  Un acto profundísimo que requiere autoconocimiento, humildad y coraje para llevarlo a cabo.  Casa Diosa Festivales está organizando el Festival Fértil este 1ro de Julio 2023 por lo que te invitamos cordialmente a acompañarnos.  Podrás encontrar toda la información al respecto en la cuenta de Instagram de @casadiosa.festivales Sigue a Casa Diosa para unirte a nuestra comunidad en @casadiosamx Escríbeme qué fue lo que más te gustó de este episodio en @traveltogrowpodcast Síguenos en @traveltogrowpodcast en la plataforma de podcast de tú preferencia para que te lleguen notificaciones cada que lanzamos un nuevo episodio. ¡Muchas gracias por escucharnos! Con amor,  Karla González   

Laura Gentile sobre su Libro de las Conchas by Gustavo Noriega

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! T01XE19 - Diario de una Amazona - Un Podcast de Celia Blanco (@Latanace) - ¡¡NOS PILLARON!! ¡¡NOS PILLARON!! (de cómo la Policía amargó una follada mítica) La cena era mitad de placer, mitad de trabajo, pero no lo hice aposta. Yo había quedado con un ex amante con el que ya no me acostaba. Nos gustábamos, pero yo no lo deseaba. Sabía que yo lo volvía loco, pero él a mí no. Me encantaba para un rato pero no quería una relación. Y no estaba segura de que él no la quisiera. No era de mucho sentimentalismo. Y yo soy pesada con el tema todo el rato. El caso es que nada más pedir el sashimi y los niguiri alguien habló con voz alta y firme: Era el megaproductor del telediario. El que más sabe de todo eso. Mi ex amante, más educado de lo necesario, lo invitó a cenar con nosotros cuando vio que nos fundíamos en un honesto y sincero abrazo. Lo que zanjó toda posibilidad de que en la cena volviésemos a seducirnos. Estábamos con las risas, con los recuerdos de coberturas periodísticas vividas. Desde Juegos Olímpicos a coronación de su majestad. Ser los mejores en lo suyo. Triunfadores, ambos. Los periodistas somos endogámicos y pesados. De lo que más nos gusta hablar es de nuestro trabajo y de nosotros mismos. Narcisismo, cuando se sale de madre. Orgullo, la mayoría. Hablábamos de lo que más nos gusta salpicado de todo el sexo que mi presencia aporta, cuando vibró mi teléfono. Desde que tomo medicación intento no tener ruidos estridentes en casa. Todo vibra. Todo. Entonces, me llamó. Me llamó el cabrón. Me llamó un productor con el que trabajé hace milenios y al que no dejo de hacerle ojitos en cuanto nos cruzamos. Me llamó el productor de mi vida. Yo no sé ustedes, pero para mí la figura más indispensable es la de productora. Amaré sobre todas las cosas a MH, mi primera productora, recordaré a Jesús y Mónica toda mi vida. Y me alegraré de lo bien que le pueda ir a un buen puñado de conseguidoras. Porque eso es la productora o productor. Quien te consigue todo. — Sé que estás en Madrid. Quiero verte. ¿Dónde? Seguro que muchas otras habrían esquivado la ondonada. Yo no sé. Rogelio es de los que te gustan, por eso mejor lejos. Rogelio es tu amante. El que, en cuanto te ve, lo único que quiere es follarte. Le di las coordenadas exactas. Me moría por verlo. Llegó y acaparó toda la atención. Como siempre. Primero por su físico. Imponente espalda, para variar… Los ingredientes justos para que a mí me gustara y me dejara conquistar cada vez que nos veíamos. Yo soy el caramelito que se toma de vez en cuando y, aunque me ha costado, no necesito más. Claro que me volví loca por él, claro que quise ser su esposa, claro que muero por verlo todos los días pero nos separan 600 km, es un hombre felizmente casado y, así de lejos, soy lo más divertido de su vida. Con verlo cada dos meses me vale. Nos pillamos con ganas. Estaba en Madrid. Mira tú qué suerte. Recién llegado del norte, había comido bien, había hecho ejercicio, habría follado con absoluta seguridad porque este señor folla SEGURO, pero estaba allí, a mi lado. Acompañándome en mi exhibición. Yo, hablando, con un importante productor, un ex amante, estrella de una televisión canadiense… y un amante intermitente de esos que gustan. Y en aquella mesa había tres pedazo de tíos. Educadísimos. De los que puedes hablar de todo porque son feministas, no solo no votan a la derecha. Que machistas de izquierdas, tengo una hermosa lista. El japonés era muy cuqui. Pero no tan bueno como mi favorito, el Musashi, en la calle de las Conchas, El caso es que los caballeros pagaron, yo no, pero no por una cuestión de caballerosidad, sino por una cuestión de principios. Ellos ganan pasta. Yo sobrevivo. Y al salir, el canadiense, me preguntó: Do you want a cup of wine? L live in this street. Lo miré. Lo miré y lo besé en los labios. Quiero a ese hombre, no saben cuánto lo quiero. Desde 2014 sin acostarnos… — No, sorry. Ni al megaproductor de televisión ni a la estrella canadiense les metí mano. Al productor más mindundi de aquella mesa, se la metí en cuanto se sentó a mi lado. Se sentó para eso. Y la tenía dura. El caso es que nos despedimos y dispersamos, cada uno para su refugio, cosa que en mi caso se transformó en agarrar la M-30, ¡Mierda! ¡En obras! Hacia Ciudad Universitaria. Pensé inmediatamente en el parking de Ciencias de la Información. Mítico. Yo solo me enrollé con 3 en la carrera: Luis, Mario, Víctor con quien no follé. Y Rafa, que era mi novio pero no era de la facultad. En mi súper cinco rojo. Hasta sobre eso he follado en ese parking. “Hace años que tiene barreras”. Dijo él. Así que empezó a callejear con la nave espacial, mientras metía su mano derecha en mi braga… Empezó por rodear el clítoris, por intentar meter los dedos pero no poder. — Levanta el culo, repitió en dos ocasiones. Y yo ponía los pies, descalzos, sobre el salpicadero, abriéndome de piernas para que trajinara. Que me tocara. Que me pusiera tan cachonda como para que yo quisiera chupársela mientras conduce. En realidad ya no lo hago. No quiero morir en un accidente y creo que me sale especialmente bien. Metía los dedos. Uno, dos, tres. Hasta el pulgar albergué entre mis labios… Me gusta cómo me toca. Me gusta mucho. Por eso abro las piernas conforme aparece, para que entre. Y sus besos. Sus besos también. Pero conduciendo no puede besarme porque tiene que estar atento a la carretera. Quería llegar donde fuera, pero quería llegar. Parking de los colegios mayores. Nave espacial rodeada de Nissan, Peugeot y utilitarios de universitario. Sobresalía por delante y por detrás en la plaza en la que lo acomodó. Y nos fuimos a los asientos de atrás, él sentado, yo cabalgándolo. Lo follaba yo meciéndome al ritmo que marcaba él con las manos sobre mis caderas. Ahí, ahí, ahí dentro. Mi clítoris se restregaba contra su baja barriga. Seguía tocándome, tocándome entre las piernas, acariciándome el coño, haciendo que yo me derritiera. Tocaba yo misma; estaba empapada, se lo restregaba por el pecho. Oía como chapoteaba… Me gusta este tipo, no lo puedo remediar. Me gusta follar con él. En la postura que estábamos, si hubiera estado con mi ex, me habría destrozado, pero su polla entra sin problema. No puedo evitar pensar en mi vida pasada. Necesito darme cuenta de todo lo que me he librado, de lo bien que me ha venido, de lo bonito que es cuando estoy sola. Y él lo decora alrededor para que no importe que no me la saque por la boca… He de reconocer que aquel hombre, al que llevaba unos cuantos meses follándome, consiguió que no quisiera más polla misiles. El sexo con él era tan divertido que no necesitaba que me partiera en dos, sino que me acompañara. Me hizo reír desde el primer polvo, dándome aquellos besos. No recordaba a nadie que besara tan bien. Qué importantes son los besos, qué bién besa este hombre. Tanto como para que no quiera dejar de hacerlo mientras estoy con él. Y de repente saltó la alarma. MEEEEC MEEEEC MEEEEEC. No era una alarma cualquiera. Aquello parecía la alarma del ZARA. La nave espacial gritaba y se iluminaba como si los extraterrestres hubieran bajado a iluminarnos con su presencia. — ¡La llave! ¿Dónde está la llave? Gritó mi hombre. Y yo solo pude levantarme para que comprobara que no estaba bajo mi culo. Salí del coche desnuda mientras las luces iluminaban mi contorno. Unos tres o cuatro minutos después las llaves aparecieron y callamos al monstruo.. — Qué discreta nave espacial. Casi nadie se da cuenta del raca que tienes. Raca es coche. No recuerdo de dónde viene, pero viví con un malasañero bastante callejero que lo usaba mucho. El dueño de la nave espacial no sabía bien lo que le había dicho; su bendito coche era perfecto para todo lo que él quisiera. Hasta follarme a mí. Seguimos. Volví a ponerme encima y seguí restregándome. Me gustaba por el restregón, pero no estaba tan cachonda como para correrme y me apetecía guarrear. Yo lo que quería era chuparle la polla. Reconozco que me siento poderosa cuando la chupo. Me gusta mucho. Metérmela en la boca, lamerla, saber que le encanta que me quepa entera y que la rodee con la lengua. Que vuelva a metérmela de nuevo. Otra vez. A veces, pienso en el sumiso para quien el sumun del placer es chupar pollas de señores que se le corran encima… Me cae tan bien mi sumiso por reconocerme todo esto… Aprendo más del placer, lo quiero saber todo. Si mis amantes me contaran más cosas de cómo les gusta hacerlo conmigo, yo perfeccionaría todas las técnicas, pero aún no he encontrado amante capaz de seguirme el ritmo de intimidad.. Siempre dejan de mirarme a la cara y cambian de tema. El caso es que yo se la chupaba. Prestando atención a sus gemidos, sabiendo que si me la meto entera le gusta más, si la cupo con gusto lo derrito y le encanta que la amarre y guíe la bocanada… de polla… que tengo. Me gusta chuparte la polla, productor. Me gusta mucho. De repente vi una luz muy diminuta moviéndose mucho… Y unas voces. Yo con la polla de, aquí, mi primo en la boca y unos focos minúsculos iluminándome. — ¡Están dos follando! Era la voz de un hombre que rodeaba la nave espacial enfocando hacia nuestros cuerpos desnudos. —¡Dos follando!— Corroboró el compañero en cuanto apareció. El productor abrió la puerta y preguntó. — Nos vamos, ¿no? — ¡No!— Gritó el policía— Pero cierra el coche, chaval… ¡Creíamos que era un coche robado! Y abandonado junto a los coches de los estudiantes que, desde sus cuartos debieron disfrutar de lo lindo del numerito. Me vieron a mí desnuda, a él, acercarse a la policía… La alarma habría puesto en alerta a toda la chavalería… Y, espero, grabaran el acontecimiento, para poder pasarme las imágenes… Este señor y yo solo somos amantes pero en cuanto nos vemos, nos liamos, nos reímos mucho, nos contamos las epicidades y nos besamos. Nos besamos mucho. No quiero ser nada más porque ya lo soy todo en cuanto estoy con él. Y lo de la exclusividad, discúlpenme, me parece una imbecilidad. Yo quiero que me comparen todo el rato. Escucha este episodio completo y accede a todo el contenido exclusivo de Diario de una Amazona (con Celia Blanco @latanace). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1765797

Es un curioso artefacto la memoria, usamos la palabra para encerrar en una caja los fragmentos de lo que fuimos, sin saber muy bien qué mecanismos definen su funcionamiento, en un universo de consciencia a veces mas alejado de la realidad que del ensueño. "Somos nuestra memoria, decía Jorge Luis Borges, ese quimérico museo de formas inconstantes, ese montón de espejos rotos". Un relato de Mamen de Blas para La escuela de imaginadores de Juan Jacinto Muñoz Rengel. https://www.escueladeimaginadores.com/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The boys are back with another Beans In A Pod episode! Topics include: Remembering JT Aktiv, World Baseball Classic, cheese being most stolen item and other topics! Shoutout to Conchita Baked Goods for hooking us up with Conchas for tonight's episode! Make sure to leave a like, comment, share, and subscribe! Thanks for kicking it!! #beansinapod #jtaktiv #monday #kickitlabs #kickitpodcast #kickitwey #kickituniverse #podcast #podcaster #oceanside #northcounty #notoriouscounty #sandiego #uppercounty #lowrider #water #hiphop #podcastlife #welive #livestream #youtube #spotify  This episode is sponsored by: @urbnwaterco @oawbrew @natalies.fashion_ @streetknowledge_hydraulics2 @women_workout_wear @gdfunkster @fullmetalburgers @thedraftoceanside --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-kick-it-podcast/message Support this podcast: https://podcasters.spotify.com/pod/show/the-kick-it-podcast/support

Roger Reaves talks about conchas, gobbles and lip-reading.

Today on the podcast is Norma from Normitas Conchas. She is a baker who brought her passion to life after graduating, and launched her business in 2020 and is now thriving….which means everyone who purchases her pan dulce is thriving too. Enjoy our conversation.CashDrop: Normitas ConchasInstagram: @normitasconchasFacebook: Normitas ConchasEtsy Headband: Magical Bowtique Co.Give her a follow if you aren't already so you can see how good all of her pastries look. And Make sure to be on the look out for when she launches her holiday menu on cash drop. Ok amigos, Thank you so much for listening. There will be a new episode every Tuesday, so after you listen feel free to take a screenshot to post on IG and tag @elevatinglacultura or send me a DM. You can also comment on our YouTube video if you're watching online. I always like to hear from people and how they resonate with the stories I share. SO leave a review on apple podcasts so we can get more ears listening to these stories and we can continue elevating la cultura. Alright, enjoy the rest of the day/afternoon/evening whenever you're listening, y nos vemos next week.

Gnesis 7:11-12 El ao seiscientos de la vida de No, en el mes segundo, a los diecisiete das del mes, aquel da fueron rotas todas las fuentes del grande abismo, y las cataratas de los cielos fueron abiertas y hubo lluvia sobre la tierra cuarenta das y cuarenta noches. To support this ministry financially, visit: https://www.oneplace.com/donate/1235/29

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Become a Patreon supporter at www.themidnighttrainpodcast.com   This week we're taking the train across the pond for another creepy adventure. That's right, we are doing one of our creepy episodes! It's been a while so we figured it was time. This week we are headed to what some people say is one of the top scariest countries in the world! Not only that…we know we have some awesome listeners here. This week we are headed to creepy Portugal! We are gonna try our best to find the coolest, creepiest places for you guys. I'm just going to assume there's going to be a bridge in here someplace.  So without further Ado.. Let's fucking rock and roll!!!   So first up we're gonna do a little history lesson. Will keep it somewhat sorry and sweet since if we got into the complete history of a country of the age of Portugal, it would be an entire episode on its own. To get there history of this country we went to the source, portugal.com and an article written by Goncarlo Costa.    The history of Portugal starts many ages ago, when the so-called Iberian tribes inhabited the territory of today's Portugal. Then, in the beginning of the first millennium BC, Celtic tribes invaded and intermarried with the local Iberians, creating what is now known as the Celtiberians.   The Lusitanians, who inhabited the interior region of Portugal since the Iron Age, are considered the forefathers of the Portuguese nation. This is why today we have names like Lusophone, someone who speaks Portuguese, or Luso-American, a Portuguese American person. They were known for successfully fending off the Roman armies until the death of their leader, Viriathus, known as a hero in Portugal.   The tribe was considered a worthy adversary by the Romans, so much that they named the province of the whole territory of modern Portugal (south of the Douro River) and part of western Spain after them.   The Romans left various works, such as baths, temples, bridges, roads, theaters and statues; some of them are still found in different parts of the country.   This lasted until the Barbarian invasions, when Germanic tribes migrated to various parts of the Roman Empire. In Portugal, the territory became controlled by the Germanic in the 5th century. The Kingdom of the Suebi controlled Galicia and the North and Center of Portugal, while the Visigothic Kingdom controlled the rest of the Iberian Peninsula, including the rest of Portugal, until eventually conquering the Suebi and, consequently, the whole of Iberia. This is when the rigid class structure appeared in the country, with a Nobility and Clergy getting more and more political and social power.   In the 8th century, the Islamic Umayyad Caliphate invaded the Iberian Peninsula from the North of Africa. Al-Andalus, the Islamic name for the Peninsula, became a part of the Caliphate, and Portugal with it. The Portuguese kept lots of things from their Muslim past, like many of their words, architecture and the famous ‘azulejos'.   The Christians held on in the North of the Peninsula, creating the Kingdom of the Asturias. This was until the Reconquista, when they reconquered the lands from the Moors, the Muslims.   In this Kingdom, at the end of the 9th century, a county based in the now north of Portugal was established, the County of Portugal. The county grew in power and, at the end of the 11th century, a Burgundian knight named Henry, who was fighting in the Reconquista, was crowned as ‘Count of Portugal' and merged it with the County of Coimbra.   Henry's son, Afonso Henriques, proclaimed himself King of Portugal in 1139 with Guimarães as its capital. This city remains known until this day as the “Cradle of the Nation' by the Portuguese.   However, it was only in 1179 that a papal bull officially recognized Afonso I as king. The Reconquista continued with the Algarve, the south of the country, finally being conquered in 1249, and Lisbon becoming the capital in 1255. Since then, Portugal's land borders have remained almost unchanged, being considered one of the longest standing borders in Europe.   The Kingdom of Portugal remained very important in Europe's (and especially Iberian) politics, waging several wars against Spain, creating an alliance with England (the longest standing alliance in the world, lasting until today) and starting the “Age of Discovery”.   In this Age, the country built a vast empire, having territory all over the world, from South America to Oceania. They started by exploring their coast and adventuring into the Moroccan coast, hoping to continue the Reconquista to the North of Africa. Then, the Portuguese sailors started to adventure into the open sea, when they discovered the islands of the Canaries, Madeira, Azores and Cape Verde. Subsequently, the Portuguese explored the coast of Africa, setting trading ports, and tried to discover the maritime route to India, which they did in 1498, under the explorer Vasco da Gama.   They continued to explore and look for trade around the world, from Africa, passing through Arabia, and reaching Japan, setting several outposts, many of them having developed into colonies later on. In 1500, they reached South America and started the colonization of Brazil.   The Empire started to decline, however, when the Dutch, English, and French got in the game. They started to surround or conquer the scattered Portuguese trading posts and territories, diminishing their power. On the Battle of Alcácer-Quibir, in 1578, Portugal lost its king, becoming part of a dynastic union with Spain that lasted until 1640, when it finally gained its independence again.   After that, the country never became the great power it once was. It lost several colonies (including its largest one, Brazil) and trade routes, it saw its capital being destroyed by an earthquake in 1755 and it was occupied during the Napoleonic Wars.   From then on, Portugal was a minor power in Europe, having just some colonies in Africa and Asia and never becoming an economic powerhouse.   Then, in 1910, due to corruption, dissatisfaction with the several Kings and the loss of claimed African lands to the English, the monarchy ended and a Republic was created. Fiercely secular, to the point where it was antichurch, filed with corruption, government instability and near to bankruptcy, the regime came to an end with a military coup in 1926.   A military dictatorship was installed and then, a fascist-like regime, the ‘Estado Novo' (‘New State'), headed by António de Oliveira Salazar. This period was marked by authoritarianism, lack of freedom and, from 1961, by the Portuguese Colonial War.   All of this ended when, in April 25th 1974, the Carnation Revolution happened, carried out by the Armed Forces Movement (Movimento das Forças Armadas – MFA), a movement of young left-leaning captains of the Portuguese Armed Forces. With the Revolution, democratic reforms were made and the first free elections with multiple parties happened, as well as the independence of all of Portugal's colonies.   It also started the PREC (Processo Revolucionário Em Curso – Ongoing Revolutionary Process), a period when conservative and left-leaning forces inside the MFA confronted each other, marked by political turmoil, violence, instability, and the nationalization and expropriation of private lands. It came to an end on the 25 November 1975, when the MFA moderates appeared as the main force.   Nevertheless, revolutionary achievements were not forgotten, with the Constitution pledging until this day to realize socialism, as well as declaring extensive nationalizations and land seizures as irreversible, many, however, now overturned.   Nowadays, Portugal is one of 15 most sustainable states in the world and considered the third most peaceful. It has high living standards and a good economy. It was a founding member of NATO, the Organization for Economic Co-operation and Development (OECD), the European Free Trade Association (EFTA) and the Community of Portuguese Language Countries. It entered the European Economic Community (now the European Union) in 1986 and is one of its fiercest supporters, even having produced a European Commission President.   Ok so that's a brief…incredibly brief mini history of Portugal. Really the take aways are…super old, plenty of things happened to make the place creepy over that many years. So let's see what creepy stuff Portugal has to offer!   What better way to start than with a sanatorium! Valongo Sanatorium to be exact. The construction of the Mont'Alto Sanatorium began in 1932. Due to the appearance of a large number of people who had contracted tuberculosis, there was a need to expand the facilities, and these expansion works were completed in 1958. construction of these hospital units were carried out in high altitude places, due to the purity of the air, and also because they were away from the populations to avoid the effects of contagion. The sanatorium only operated for a short period, having been inaugurated in 1958 and closed in 1975, after which it entered a profound state of disrepair. Due to its dimensions, it is considered one of the most imposing buildings of its type in Portugal.Its building is large, with an area of ​​approximately 88,000 m², having been built with a view to housing about 300 patients. The building was designed by the architect José Júlio de Brito , who was also responsible for other prominent structures in the city of Porto, such as the Coliseu or Teatro Rivoli . The sanatorium complex, which occupied nine hectares, also included a school, a laundry room, a water reservoir, and a chapel dedicated to Our Lady of the Sick.    The installation of the Sanatorium in Valongo was part of a phase in the history of health in Portugal, during which the government undertook the construction of several specialized establishments to combat tuberculosis, a disease that was ravaging the country at the time. This period began in 1899, with the foundation of the National Institute of Assistance to Tuberculosis, which began the construction of several sanatoriums in different parts of the national territory. In 1930, efforts against tuberculosis were renewed in the north of the country, with the creation of the Assistance to Tuberculosis of Northern Portugal by António Elísio Lopes Rodrigues, and at that time, planning began to build a sanatorium that would house the sick in that region, who had lower economic resources.  Serra de Santa Justa was chosen, where the air was healthier, in addition to being isolated from urban centers, in order to reduce the risk of contagion.   Shortly after, the Sá family donated a plot of land in Serra de Santa Justa, allowing the construction of the building, whose works began in 1932.  However, the works were suspended due to lack of funding, having been resumed due to the support of the local populations.  On July 5, 1940, ATNP began building the Casa de Nossa Senhora da Conceição, to support the children of the sanatorium's patients. According to the Diário Popular of 3 January 1956, the finishing works and equipping of the sanatorium were already under way, and it was expected to be completed during the following year, and that it would have a capacity for 350 beds.  However, the works were only completed in 1958.  Another reason for the delay in the work may have been the opposition by the Companhia das Minas de São Pedro da Cova to the construction of the building, because it was being installed inside an area destined for coal mining, a few kilometers away from the mines.  However, at the time of the sanatorium's inauguration, mining was already entering its final phase, ending up closing in 1970.  Some of the users of the hospital were the mine workers themselves, who suffered from occupational diseases such as tuberculosis and silicosis . The Sanatorium of Monte Alto was inaugurated on 1 November 1958,  being the last one to be opened in Portugal. The inauguration ceremony included a religious service at the Chapel of Nossa Senhora dos Enfermos, the unveiling of a commemorative tombstone, a tribute to the League of Combatants of theFirst World War, and concluded with a port of honor offered by the board of directors. of the sanatorium.  During the ceremony, the admission and accommodation process of the first clients, all veterans of the First World War, was also carried out. Although it was planned for three hundred patients,  its initial capacity was only fifty beds, and during its operation it accommodated 350 people.    In the early 1970s, there began to be greater control over the tuberculosis disease, which began to be fought in a different way, through the outpatient system.  In this way, the sanatoriums ceased to be useful, and were progressively abandoned or underwent a process of readaptation for other purposes.  In the case of the Montalto Sanatorium, the closure process began in 1972,  due to the low number of tuberculosis patients in the Porto District.  At that time, the building already had only a few patients, having been thought of its adaptation as a psychiatric hospital or for the returnees from overseas, which did not advance.  Due to the process of closing the Sanatorium, Casa Nossa Senhora da Conceição ceased to function as a boarding school, starting to support only external students. The building was abandoned after the April 25 Revolution , when the last employee left, although it was only officially closed in 1975.  Following its closure, it was completely looted, being a of the main reasons its connection to the Estado Novo, as it was mostly built and used during that regime.  This connection to the Estado Novo also had a negative impact on the collection of funds, making it impossible to carry out works on the building. It was also used as a training ground by firefighters and civil protection, who performed drills there and destroyed some walls.  Later, the sanatorium was used for paintball games and photo shoots, and various ceremonies related to the supernatural, such as rituals, were also performed there. The building was also hit by several fires, accentuating its degradation. History is awesome and fun and you know we love it but…. The reason we're here is for creepiness! There are stories abound of how haunted this place is. Given the numerous people who died there it makes sense to us! So what kind of stuff are we talking about here ? Well, let's look.    Well paranormal investigators have been spending time here for years, when there's no paintball matches going on, to try and find crazy shit! There have been numerous reports of strange noises and things moving around. There have been entities seen and apparitions spotted. It's hard to find much in English so finding pages from Portuguese websites and trying to find studies was tough but we managed to find one study where a group of friends were exploring the abandoned hospital and had some interesting things happen. They talked about how they started hearing strange noises while they were exploring. The noises seemed to be following them around the building. They talked about how they had a heavy feeling around them as they explored. The sounds seemed to keep getting closer to them. They claim that things started getting knocked over and moved on their own. At one point, one of the group claimed they saw a shadowy figure seemingly watching them. At that point they all decided it was time to go! Sounds like a pretty crazy experience!  True or not? We like to think so!   Can't go and episode without fucking tuberculosis… Teatro Lethes:   The building that today is called Teatro Lethes, began as a Jesuit College – Colégio de Santiago Maior, founded by the then Bishop of the Algarve, D. Fernando Martins Mascarenhas -, whose license was granted to them on 8 February 1599. of learning, above all of a religious nature – the “first university in the Algarve”, as someone has called it. In 1759, the Society of Jesus was banned from the country and its goods were confiscated. The College of Santiago Maior closed its doors. With the occupation of Napoleonic troops commanded by General Junot, the premises of the former College were raided and desecrated in order to enlist the soldiers there. Years later, in 1843, the College was auctioned off by Dr. Lazaro Doglioni, who had publicly expressed his intention to build a theater in Faro similar to S.   The Latin inscription on the facade of the building, monet oblectando , can be translated as “instructing, playing”, thus emphasizing the cultural concerns of the promoter of the construction of this concert hall.   The inauguration of Teatro Lethes took place on 4 April 1845, as part of the celebrations for the birthday of Queen Maria II. Later, in 1860, it was expanded by Dr. Justino Cumano, nephew of Lázaro Doglioni. On September 11, 1898, the so-called animatograph was exhibited for the first time in Faro., installed in the Lethes Theater as it is the largest and most distinguished cultural space in the city. It was restored between 1906 and 1908 to improve acoustics and comfort. The decline of the shows and, consequently, of the hall, begins in 1920, with the Theater closing in 1925, having sold the property to the Portuguese Red Cross, in whose possession it still remains. The Lethes Theater room was later ceded, by protocol, to the Algarve Regional Delegation of the Ministry of Culture. In the North wing, restored and adapted in 1991, the regional services of the Ministry of Culture operated. On October 5, 2012, by protocol between the Municipality of Faro and the Portuguese Red Cross, Teatro Lethes recovered its initial design. The Algarve Theater Company – ACTA was installed as a resident structure. ACTA, in addition to presenting shows of its own creation, also promotes hospitality at the Lethes Theater, and is also responsible for managing the equipment. this history was taken directly from the theatre website!   There are a couple stories about this place that prettier day lead to its hauntings. The first is the story of a ballerina who was in love but was not loved back. She was so distraught that she hung herself in the middle of the stage. Some versions say that she was driven to the brink by the demands of theater life. The second is that of a soldier's body that was found inside one of the walls. There isn't as much info on that story as the ballerina. Staff and visitors claim you can hear the ballerinas footsteps in the theater to this day. There are also reports of a shadowy figure moving about as well. Could this be the ballerina still performing for the people? Or the soldier patrolling the theater? Who knows but it sounds like a cool place to visit!! The Castelinho of Sao Joao, Estoril   The area between Estoril and Cascais, out on Lisbon's Atlantic coast, is rife with buildings of character. Many of them are designed to give the impression of miniature castles, indeed some of them were fortified because they were built during times of instability within the Iberian peninsula.   In the 1980s, a wealthy socialite, José Castelo Branco, was looking for just such a property and found one that seemed ideal in Sao Joao, a district on the edge of Estoril. The day he went to view the property was a beautiful sunny one and so he decided to walk along the cliff path which adjoined the property. As he was walking back to the building, he saw a young girl. She didn't speak, but simply stared at him. In his own account of the events of that day, Mr Castelo Branco said that he felt a compulsion to jump from the edge. This feeling was, he believed, coming from the young girl. He immediately elected to leave the property and ruled out buying it.   On hearing what had happened, someone from the local town hall did some research into the building and discovered that a young blind girl had fallen from the cliffs to her death in the eighteenth century and that several people had reported seeing her at the castelinho since, each claiming that they felt a strong will to jump while she looked at them.   Let's check out a cemetery now…cus those are always fun!    This one is called the cemetery of pleasures. After the city of Lisbon was hit by an outbreak of cholera in 1833, causing thousands of deaths,  it was urgent to create a large cemetery for both rich and poorer victims. It has the weird name of  Cemetery of ‘Pleasures', called after the nearby neighborhood (Prazeres) with the same name. Many of its tombs are big mausoleums, some with the size of small chapels.    Most of the Prazeres mausoleums belong to rich, old or ‘important' families, like  the Palmela family. Many of the mausoleums are richly elaborate, have fine sculptures and decorations. There are also statues of the deceased. It's like a ‘city in a city' for the dead, with well-defined lanes (70! ) and funerary chapels that were built to look like little houses.   The unusual thing about a lot of these graves is that they have little “front doors” with glass windows through which you can see the caskets and remnants of the dead and their visitors. Most of the trees are a species of cypress (Cupressus sempervirens), much used in Portuguese cemeteries.   The cemetery is one of the largest in Lisbon.    The Autopsy Room , which was in the chapel until the Morgues were created in 1899, is one of the curiosities that can be seen, as well as the Sala do Acervo , where some of the oldest funeral records can be consulted. This is another way of helping the visitor to interpret the different ways that human beings have had to culturally, socially and psychologically approach Death, throughout different times.   As with the many famous families and celebrities, another thing that adds to some people thinking there's more going on at this place is the presence of many freemason symbols and you know how that gets people talking!    At any rate, being a cemetery you can imagine the tales of hauntings surrounding this place! Everything from apparitions being seen wandering the grounds, to Disembodied voices. People have seen orbs in person and in pictures. I mean being able to see into these little houses and see the caskets and remains is creepy enough…add haunting to that…and it's definitely a place we want to go!   Next up, Quinta Das Conchas   The Quinta das Conchas (or the garden of shells) in Lisbon is best known for its expansive parkland, just to the north of the city centre. Families can be found playing here during the warmer months and countless dog walkers can be seen at any time of the year. The house at the heart of the estate though has a darker past which is lesser known. In the early part of the twentieth century, when Portugal was still a colonial power, the owner of the estate was a wealthy man called Francisco Mantero Belard. Like many of his countrymen, he was accustomed to having servants who took care of the running of his home. So, when he moved into the quinta, he acquired the services of a slave from Sao Tomé and Principe. There was nothing unusual about this at the time, other than that he elected to keep this slave woman in a small cage. She was made to live like an animal and, according to local myth, subjected to a variety of cruel treatment for several years. People working in the manor house in modern times have reported hearing wailing coming from empty rooms, as well as dramatic changes in temperature.   Let's switch it up and talk a little about Portuguese folklore! We're gonna talk about the coco or coca. There are also many other names for this guy or gal including Cucuy, Cuco, Cuca, Cucu or Cucuí. It is a mythical ghost-monster, equivalent to the bogeyman, found in many Hispanophone and Lusophone countries. It can also be considered an Iberian version of a bugbear as it is a commonly used figure of speech representing an irrational or exaggerated fear. A bugbear is described as  a legendary creature or type of hobgoblin comparable to the boogeyman and other creatures of folklore, all of which were historically used in some cultures to frighten disobedient children. The Cucuy is a male being while Cuca is a female version of the mythical monster. In Spain, Portugal, and Latin America, parents sometimes invoke the Coco or Cuca as a way of discouraging their children from misbehaving; they sing lullabies or tell rhymes warning their children that if they don't obey their parents, el Coco will come and get them and then eat them.    Continuing with the mystery surrounding this child scarer, the Coco also does not take on a specific physical form. For the Portuguese it is a dragon that is represented every year in the celebration of Corpus Christi…at least that is what I've source says.. another says: "In Portuguese côco, refers to a ghost with a pumpkin head. The male form is known as Coco, and the female form as Coca. It is said it's hard to tell the difference between the two. It seems that parents are to blame for the invocation of the Coco as a way of punishment for their wayward children. They would sing rhymes warning their children if they did not obey their parents the Coco would come and eat them.".... So a pumpkin headed goblin… Although the Coco was ghostly monster like in appearance, that wasn't the most frightening thing about them. Children would be scared out of their wits at the idea of a monster that could eat them and not leave a trace. So imagine being a child forced to sleep with a lullaby of a monster that was coming to devour them.    Duermete niño, duermete ya…que viene el cuco y te comerá (sleep child, sleep now…or else comes the coco to eat you).   Creepy, so this folk tale seems to have many different versions depending on where you look. We think that due to the fact that many Latin American countries also use this in folklore as well as there being a certain in Brazil, it's hard to actually put the facts together. Every place we looked about this tale had a little bit of a different take, hopefully we got it close as we mean no disrespect to the tales!   You know what else Portugal has…aliens, at least a few. He's a couple stories!    On September 4, 1957, four Portugal Air Force pilots claimed to have seen and chased some UFOs. They took off with their bomber aircraft from the Ota Air Base in Portugal under Captain José Lemos Ferreira leadership (the others pilots were sergeants Alberto Gomes Covas, Salvador Alberto Oliveira e Manuel Neves Marcelino). When they were heading towards the city of Portalegre, Captain Ferreira noticed a light above the horizon and warned the others. The light changed its own sizes a couple of times, first increasing, then shrinking. After several minutes the pilots noticed a small yellow circle getting out of the craft, and 3 more circles appeared later. When the UFOs were near Coruche, the bigger aircraft climbed out of the Earth as the smaller ones disappeared. The bombers landed without any problems and Captain Ferreira declared: "after this, do not come to us with that Venus, weather balloons, aircraft and similar stuff which have been being used as general explanations for almost every case of UFOs".   On September 10, 1990, around 9:30AM and for about 50 minutes, a small "balloon" was seen hovering towards a small football field, on a small village called Alfena in the outskirts of Porto. The object was described as "a small turtle with long legs" with a metallic shine. The people present got scared and a group of construction workers started throwing stones at it, and the object hovered backed away, leaving the site. An amateur photographer took several pictures of the shapeshifting object; the pictures were considered by several experts as real and the witness accounts by the simple folks were not considered hoax.    We also found this first hand account.. "My name is Cristina Marto de Pimental. I am a reporter. On New Year's Eve, December 31, 1997, my husband and I were at a seaside party in Funchal, which is on the South shore of Madeira Island, in the Atlantic Ocean, 912 kilometres East of Morocco. We were watching the New Year's festivities, all the fireworks in the sky. Then several people at the party called my attention to a red and motionless light above Funchal. The OVNI suddenly made a very tight circle, returned to its initial position, and, a few seconds later, it accelerated at great speed in a vertical direction. We were all quite amazed at the sight. A British couple at the festival videotaped the UFO as it hovered. The next day I telephoned the Fuerzas Aereas Portugeses (FAP) headquarters in Lisboa. The Portuguese air force told me that they'd had no flights, neither planes nor helicopters, and no satellites were over Madeira at that time."   Whoooooo aliens!!!   Time for some quick hitters, you beautiful bastards!   Quinta da Paulicea, Agueda:   Not far from the city center of Águeda, Quinta da Paulicea sits in the middle of large unkept plot of land surrounded by a wrought iron fence. It is the classic image of what a Hollywood haunted house should look like. It was inhabited by an Águedense family, who had moved to Brazil in the late 1800s, but returned in the early 1900s, naming the home after the city of São Paulo. Much of the family succumbed to the influenza pandemic in 1918, with the exception of Neca Carneiro. He was a patron of the community's sports and cultural programs but died childless at the young age of 37. The home has sat vacant ever since, due to legal constraints with the family back in Brazil. Although not certified as haunted, there are many reports of supernatural encounters at Quinta da Paulicea. Some have heard the neighing of horses where the stables once stood. Others have been frightened by the sound of a shotgun blast or a gentle pulling on hair. A worker in the garden suddenly experienced such an intense headache that he fled and never returned. Whether haunted or not, this beautiful home has many stories to tell.   Mines of São Pedro de Cova – Gondomar:   The village of São Pedro da Cova was largely an agricultural community until the discovery of coal in the 1802. The exhausting and dangerous industry of mining soon took over. Several generations of miners worked here until low oil prices forced the mines to shut down in the 1970's. All that's left of the mines are these ruins. Neighbors say spirits of the miners protect the ruins and the mine shafts. Others claim to hear screaming from the deep holes.   Termas de Água Radium, Sortelha:    Legend has it that this beautiful structure, in the Guarda District, was built by Spanish Count Don Rodrigo after learning that the natural “healing waters” might cure his daughter's skin disease. News of the waters quickly spread. In the 1920s, the site became a restorative spa known as the Hotel Serra da Pena. In actuality, the waters were radioactive, seeping from a uranium mine not far away. Radioactivity was all the rage in the 20's and 30's, so the site bottled the spring water and sold it under the name “Radium Water.” Of course, after radioactivity was studied further in the 40's, it became apparent that the healing qualities of radium water actually carried the opposite effect. The hotel went out of business in the 50's and has been abandoned ever since. It is said the site is haunted by the many people who drank from the contaminated spring.   Sanatório da Serra da Estrela – near Covilhã:   This massive structure was built in 1936 by Portugal's railway department as a treatment facility for its employees suffering from Tuberculosis. The building was later leased to the Portuguese Society of Sanatoriums on condition of receiving all patients needing treatment.  However it was closed in the 1980's and left to deteriorate for decades to come.  Rumors circulate that it is haunted by its many former patients.  The Sanatório has now been refurbished and transformed into the luxurious new Pousada Serra da Estrella.   Quinta da Juncosa – Penafiel, Rios de Monihos:    This old farmhouse was home to the Baron of Lages and his family.  The Baron was very jealous, and suspected his wife of infidelities.  Legends have it, the Baron tied his wife to a horse and dragged her around the farm until she died.  After discovering his wife was innocent, the Baron killed his children and committed suicide.  They say the Baron's guilt keeps him from resting in peace.  Ghosts of the Baron and his wife are said to be seen around the property.   So we did this episode in honor of our Portuguese listeners who have keep us in the top 10 in Portugal for quite some time. We thank you guys so much for that. But we have one request for you…in every creepy episodes so far until this one…we've found a haunted bridge, Texas had like 50. In all of my searching the recesses of the Internet, I could not find a single reference to a haunted bridge in Portugal, we need our Portuguese listeners to hit us up and let us know any stories about haunted bridges. It was tough to find a ton of information on a lot of these places so hopefully we did them right! If we made any mistakes or got anything wrong, you know what we say…blame the Internet!! Movie list   https://www.indiewire.com/gallery/best-body-horror-movies/

Melissa Valencia is a License Marriage and Family Therapists who is now bringing help and breaking stigmas in her own community. Not only that but she is the first guest to bring CONCHAS to the show, which is greatly appreciated. Melissa has great insight into the journey and difficulties that latinos struggle within our community. We enjoy some good stories going down memory lane with the lady who used to call me Guapo. Another person from National City, doing amazing things!   Also for those in greek life we dig in a bit into our experiences in greek life!

Hola Conchitas! This week we had your favorite co-host from Season 2, Evelyn Salazar join us along with special guest...Miss. Fab! Both girls join us in the studio to discuss zodiac's, crystals and their healing powers, crystal sound bowls, meditation and energy. All in all it's an episode you won't want to miss out on! So as always grab your café, hot chocolate and don't forget your conchas and if you're looking for a last minute Holiday gift or for any occasion, check out MISS FAB BEAUTY LASHES and use code "CONCHAS" for 15% off your entire order! Social Media for Miss. Fab Website: Miss Fab Beauty Lashes Instagram: @__missfab & @missfabbeautylashes TikTok: @missfabbeautylashes Social Media for Evelyn Salazar Instagram: (Personal) exelynnn (Business) astrologevee (Photography) takenbyevelyn Twitter: @evelxnnn TikTok: @exelynnn @astrologeve Make sure to follow us on our social media and subscribe to Self-Conchas Podcast Conchitas! --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support

James Philemore is a pastry chef from Mexico City. He didn't have citizenship at the time of moving to Oklahoma, but thanks to Erin Tribble from Community Mental Health, James now has his papers and is able to work and be able to do lots of things like selling his delicious pastries, from croissants to cinnamon rolls to Conchas at the Norman Farm Market! Emily Crawford is 10 years old and she loves dogs! She was inspired to make her tree-nut and peanut-free dog treats when she visited a dog treat bakery that didn't have any options despite her having a nut allergy! She got to the kitchen and created Cami's Dogalicious Treats made with healthy ingredients like flaxseed for dog coat health. She hasn't met a dog who hasn't liked them!

Forced to cross the border after being targeted by the cartels, Lydia's harrowing experience to escape with her son and her life is the compelling background for this Mexican smorgasbord. We're making conchas from American Dirt. Also in this episode: Catholicism, food as currency, and laziness. For recipes and photos follow us: Twitter https://twitter.com/TheBittenPod Instagram https://www.instagram.com/thebittenwordpodcast/ Support Us: Buy Me A Coffee https://www.buymeacoffee.com/thebittenpod Music from Uppbeat (free for Creators!): https://uppbeat.io/t/jonny-boyle/tres-french License code: MZJOCWA6ZZPGDCLH https://uppbeat.io/t/jonny-boyle/swing-cuisine License code: FODK2OVFMRCNPBTC --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/christine-parker8/support

Hola Conchitas to Season 3 of the Self-Conchas Podcast! We're getting SPOOKY this Season, and no not the "Spooky" from On my Block whose last season is streaming on Netflix now. We've got more podcast collars and some awesome guests this Season such as local artists and musicians, radio and comedy hosts, voice actors, TikTok Stars and we're talking about so many things such as conspiracy theories, ghost stories, tarot card readings, astrology, music and so much more. So grab your cafe or chocolate de abuelita and don't forget your Conchas, while you're at it grand your sweater or big ass Mexican blanket and get comfortable this is a season you won't want to miss out on. Don't forget to follow us on social media and subscribe to the Self-Conchas Podcast Instagram: selfconchaspodcast Twitter: @ConchasPodcast TikTok: selfconchaspodcast --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support

After two years of taking a break from podcasting, Michelle and I are back and ready to have cafecito with you. We talk about how COVID is still very present in our lives and catch you up on what's been going on. Not to mention giving you a teaser on what's to come on the next episode.

On this episode we sit down and indulge in some Self-Conchas with Stephany, A  Utah native.  We steer a different direction from our typical interviews and chat it up with another local podcaster. Being that we have that in common, we were looking forward to this convo. Listen up and we crack a laugh and try not to be Self Conchas. 

Whats going on everyone! On this episode, we bring to you the Self Conchas podcasters Stephany Cortez & Evelyn Salazar! We dive in to topics about being a minority and trying to achieve the American Dream. We finish up with talking about dream interpretation! Listen to another speaker banger.

Tune in and enjoy how Stephany and I compare dating in your 20s and your 30s.... We share a few secrets and give you the best advice we can based on our experience. Is dating really that complicated no matter how old you are? Make sure to go follow the Self-Conchas Podcast on IG: @Selfconchaspodcast you wont regret it!!! --- Send in a voice message: https://anchor.fm/barbara-cortijo/message Support this podcast: https://anchor.fm/barbara-cortijo/support

*Listener Discretion is Warned* This episode will touch on some heavy subjects and may trigger some listeners. In this episode, we are joined by Melissa, the Latina Host of Moments with Melissa Podcast. On this podcast collab episode, both Melissa and Stephany disclose the ordeal of the traumatic events surrounding each of their siblings and how that altered their relationship with God, their families, and themselves. Both Melissa and Stephany will go into detail about how such events affected their mental health and the repercussions that ensued for not seeking help earlier and for not being a space where talking about the struggles of mental health was normalized. We hope this episode will shine some light on the importance of prioritizing one's mental health. FULL DISCLOSURE: We acknowledge Eztli's non-binary sexual orientation and respect their chosen pronouns of they/them/she. While Stephany does at times say "brother" or "him/he" pronouns, please be aware that Eztli had given her permission to continue using said pronouns and refer to them as "brother". In the moment of the conversation while it was failed to be corrected, please know that unless someone has given you permission to do so, continue to use their chosen pronouns out of respect. Thank you for understanding Conchitas. SAMHSA's National Helpline, 1-800-662-HELP (4357), (also known as the Treatment Referral Routing Service) or TTY: 1-800-487-4889 is a confidential, free, 24-hour-a-day, 365-day-a-year, information service, in English and Spanish, for individuals and family members facing mental and/or substance use disorders. This service provides referrals to local treatment facilities, support groups, and community-based organizations. Callers can also order free publications and other information. Social Media for Moments with Melissa Podcast Instagram: momentswithmelissapodcast Twitter: @momentswmelpod TikTok: @momentswithmelissapod --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support

In this episode, we are joined by the ladies from the Wine Not Podcast, Ady and Chany! We talk about their podcast, what you can expect and what they hope to accomplish with their podcast. In addition, given that Valentine's is just around the corner we also thought it fit to talk about the concept of self-love and beauty. Ady, Chany, and I discuss how beauty has been defined by society, culture and subculture, and many other factors and has affected the way we love ourselves. However, in this episode, we aim to dismantle that narrative and remind you that in the end you only really need yourself to love you wholly and fully for who you are. Social Media for Wine Not Podcast Instagram: winenotpodcast_ Twitter: @winenotpodcast_ Social Media for Ady & Chany Instagram: _diamondglam xo_chany Twitter: @_diamondoll @xo_chany --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support

Hey guys! In this episode we get into some sex talk, BLM, and just some fun talk with the host from Self Conchas podcast! Make sure you guys go add their socials and listen to their podcast at https://podcasts.apple.com/us/podcast/self-conchas/id1541382802 IG and twitter @selfconchaspodcast also make sure to follow us on IG and Twitter @winenotpodcast_ and email us at : winetfnot@gmail.com!! Thank you so much for listening blessed be!!

In this episode, we have our first ever international podcast collab! We are joined by the boys from the Waffle Top Podcast Paulo and Donny (Bami couldn't make it) located in the UK. In honor of Black History Month, we decided that an important discussion was needed in regards to politics, the Black Lives Matter movement, and the riot that occurred at the Capitol on January 6, 2021, only a few short weeks prior to President Biden's inauguration. We hope this episode educates you on how to instill change in your country, recognize the power you have in regards to demanding said change, and in the end we're all in this together supporting one another from all over the world. Social Media for Waffle Top Podcast Instagram: waffletoppc Twitter: @Waffletoppc YouTube: Waffletop Podcast Social Media for Donny & Paulo Instagram: pauloafernandoy mr_blackwood10 --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support

So excited for our second podcast episode collab! In this episode, we have the hosts from Anthropology in the Time of the Apocalypse podcast, Erin and Nina. With school back in session, we thought we would dive into how the global pandemic has affected schooling. We will talk about what the struggles were for us as students and what challenges students face now with the addition of COVID to their academic life. We will also discuss if the way school is set up now due to COVID will change in the future and acknowledging that students today need more resources to aid their mental and emotional health during such a stressful time. Social Media for Anthropology in the Time of the Apocalypse Podcast Instagram: anthroin2020podcast Twitter: @anthroin2020 Social Media for Erin and Nina Instagram: e_dillett yourestillaflower yourestillaflowershop Twitter: @justdumphim @itsallkuhl --- Send in a voice message: https://anchor.fm/self-conchaspodcast/message Support this podcast: https://anchor.fm/self-conchaspodcast/support