Podcasts about pocha

In today's podcast, we say goodbye to Pocha, who had only a short time at the sanctuary. Her death, though sudden, was not entirely surprising, as there had been signs for a long time that something wasn't quite right. Kat and Scott take us back to October 2022 to share Pocha's final days and her passing. We also discuss how Guillermina and the other elephants reacted to her death, as well as the broader topic of elephants' capacity to mourn. Despite the sadness, there is an overwhelming sense of gratitude among Scott, Kat, and the entire team at ESB that Pocha lived long enough to witness her daughter discovering her birthright of freedom, forming new friendships, and becoming part of a herd. Pocha left this world in peace, knowing Guillermina was in the best care possible. Visit Pocha's memorial page. Valentine's Day fundraiser over on Friends of GSE (Facebook) Watch our “Vision for Sanctuary” The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, X, & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

This GivingTuesday, we shared the exciting news that the importation permits for female African elephants Kenya and Pupy are finally in our hands, and we are taking the necessary steps for their relocation from Argentina to Brazil. To celebrate, we've paused our timeline on Pocha and Guillermina to introduce you to the first African elephants we will welcome to sanctuary. Kat and Scott discuss what they know—and what's still unknown—about Kenya and Pupy, as well as how African elephants differ significantly in character from Asian elephants. This often leads to their behavior being misinterpreted as aggressive by zookeepers when they are simply more high-strung than their Asian counterparts. Exciting times lie ahead as everything is set in motion to bring these majestic ladies to their new home in Brazil! Thank you for being part of our herd this year. Wishing you a wonderful New Year's Eve—whether you fall asleep before midnight like Scott or burn the midnight oil like Kat. We can't wait to connect again in 2025! Buy our 2025 wall calendar (Shipping Europe, South America, Oceania) Buy our 2025 wall calendar (Shipping to US & Canada) Episode transcripts can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, X, & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

We have to know their normal (Pocha & Guille Part 6) This week's podcast dives deeper into Pocha and Guille's dysfunctional relationship. Drawing on decades of experience, Kat and Scott discuss how the two elephants' bond was shaped by an unnatural life lacking the mental and physical stimulation essential for elephants. We also explore Pocha's health and how she presented herself to the team after arriving at Elephant Sanctuary Brazil (ESB). Scott and Kat highlight the importance of daily observation at the sanctuary to understand each elephant's baseline behavior, allowing subtle changes that signal physical or mental discomfort to be detected early. — Shop for the holiday season at our online shop & support our work. Buy our 2025 wall calendar (Shipping Europe, South America, Oceania) Buy our 2025 wall calendar (Shipping to US & Canada) The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, X, & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

In today's podcast, we explore Pocha and Guillermina's first days and weeks at the sanctuary. Scott recalls how the barn became their safe haven—a home base they returned to whenever the outside world became overwhelming. We discuss their introductions to the other elephants and how Guillermina's dominance and aggression toward Pocha, shaped by their 23 years in an unnatural concrete pit, contrasted sharply with natural elephant dynamics. This double rescue was unique, not just because it involved a mother and daughter but also due to the restrictive, man-made environment they endured. Scott and Kat share touching stories about how, with the space and autonomy of sanctuary, both elephants began rediscovering what it truly means to be an elephant. — Shop for the holiday season at our online shop & support our work. Buy our 2025 wall calendar (Shipping Europe, South America, Oceania) Buy our 2025 wall calendar (Shipping to US & Canada) The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, X, & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

We start off this week's episode with the recent news of Kuky, the female African elephant at the Buenos Aires EcoPark, who passed away suddenly. Scott shares more details about how long the permit process has taken for the three female African elephants waiting to come to the sanctuary. Then we go back to May 2022, when Pocha and Guille arrived at the sanctuary but weren't quite ready to leave their transport crates. After decades in a sterile, subterranean exhibit, the sights, sounds, and smells that mother and daughter experienced during those first hours at sanctuary must have been overwhelming. Please note: This episode was recorded prior to the events at the Aalborg Zoo, Denmark and originally scheduled for release on 5. Nov. Sign up for our email newsletter here. Watch all videos of Pocha and Guillermina's relocation. The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, Twitter & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

Y'all have been asking and here they are: the 2024 Pocha Picks for the holidays. From books to read to self care you need, Las Pochas are going through their top picks for shopping this season centering BIPOC and LGBTQ shops.

Friday - What happens to the body if there is a death on the space station? Are there any government secrets that you would like to know? Prime Time Kitchen with Orlando Weekly Restaurant Critic Faiyaz Kara reviews Pocha 93 AND MORE. Plus, WOKE News, Sink or Sail, Embers Only, JCS Trivia & You Heard it Here First.

It's finally time to load mother and daughter and literally take them from darkness into light. Scott reveals the final challenges the team faced upon arriving in Mendoza, including incomplete crate training and the need to keep the exact loading date secret, as not all zoo staff were happy to see Pocha and Guillermina leave. The team embarked on their long 5-day journey from Argentina to Brazil. While Pocha and Guille did remarkably well, it was the human elements that posed the greatest challenges, as usual, Scott recalls. Watch all videos of Pocha and Guillermina's relocation. The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, Twitter & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

Las Pochas skip the lime and salt and go right for the tequila in this episodio. The Pocha alum head to the campus of New Mexico State University with a live audience to taste their newest collaboration: Los Aggies Tequila. Join Las Pochas to learn the agave roots of Tepozan tequila and how it's helping Aggie Athletics. 

How are elephants trained, and how do you train two elephants who have never been separated before? Scott and Kat share insights into the training of Pocha & Guillermina, working within the limitations of enclosure size, weather, and the resources available at the zoo. Relocations are often far from straightforward, and GSE faces severe challenges as they get entangled in a game of politics and personal greed when export permits are withheld, with third parties suddenly claiming that Pocha and Guillermina should remain in Argentina. The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, Twitter & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

Join us as we talk about Pocha and Guillermina, the mother and daughter rescued in May 2022 from the Mendoza Eco-Parque in Argentina. Kat and Scott recall their first encounters with these two elephants and the challenges of preparing them for their journey to a new life at the Elephant Sanctuary Brazil. Amidst the zoo's transformation into an eco-parque, Scott highlights the challenges of training two elephants who had never been separated before, while also navigating the obstacles posed by bureaucratic hurdles. Once again, the GSE team rose to the challenge, paving the way for this double rescue while also managing to treat a tusk infection in Kenya, the zoo's female African elephant. The episode transcript can be found here. Email: We'd love to hear from you podcast@globalelephants.org Who we are: Global Sanctuary for Elephants exists to create vast, safe spaces for captive elephants, where they are able to heal physically and emotionally. There are elephants around the world in need of sanctuary, but too few places exist to be able to care for even a fraction of the elephants. International support is necessary to build sanctuaries for elephants in need of rescue and rehabilitation. Our pilot project is Elephant Sanctuary Brazil, currently home to six female Asian elephants. Website: https://globalelephants.org/ Donate: Global Sanctuary for Elephants is a U.S. 501(c)3 non-profit. Our work is made possible by donations. You can support our work with a general donation, purchasing items from our wishlist, or adopting one (or all) of our elephants for a year. You can also donate with Crypto! Thank you for your support! Follow us on Facebook, Instagram, Twitter & YouTube  While we encourage and appreciate you sharing our podcast, please note that… This presentation is protected by U.S. and International copyright laws. Reproduction and distribution of the presentation or its contents without written permission of the sponsor is prohibited. © 2023 Global Sanctuary for Elephants A big Thank You to the talented musicians Mike McGill, Ron McGill, & Sean Rodriquez for composing our podcast jingle.

This week the nerds talk about their experience at a Korean Karaoke Bar/Restaurant which is a great place for friends to hang out and try some Korean food! They also also talk about sleeping habits and the Olympics. They finish off the episode by reminiscing about video game entertainment they experienced growing up.  Follow us on Instagram, Facebook, and TikTok: @nerdget1 Time Stamps:  Intro - 00:00:00 Restaurant of the Week: Seoul Pocha - 00:24:15 Game Releases - 00:40:45 Delays - 00:43:53 News - 00:44:40 Main Topic: Video Game Entertainment - 01:43:00

This week, we're off to Seoul with British-Korean writer, Su Scott.Su has lived in Britain longer than she lived in Korea where she grew up, and has raised her own daughter in London. But her latest book, Pocha tells the story of the country she left behind, her family and the food they shared, often in the pochas, the covered markets and food stalls which are about so much more than food. Click here for Extra Bites of Su on Gilly's Substack Hosted on Acast. See acast.com/privacy for more information.

Feiert mit uns 3 Jahre PochaTalk! Ratet mit dem Team mit, welche Geschichten wahr oder gelogen sind. Bleibt bis zum Ende für das Gewinnspiel dran!

Meditaciones y reflexiones para hacer la oración especialmente dirigidas a jóvenes. || Pásate por nuestra WEB y lee los testimonios, artículos y suscríbete a los Podcast diarios de rezarhoy en: https://www.jovenescatolicos.es/ | Sigue el canal de Jóvenes Católicos en WhatsApp: https://whatsapp.com/channel/0029VaDQN04LY6d1sgDXEK3s | Pásate por nuestra cuenta de Instagram: https://www.instagram.com/catolicos_es/ | Twitter: https://twitter.com/catolicos_es | Facebook: https://www.facebook.com/Catolicos.es/ | Pásate por la página web de Cobel Ediciones: http://www.cobelediciones.com/ |

Leí tiempo atrás un buen libro de marineros en el que una de las tramas secundarias de la historia era la apuesta entre el cocinero y el capitán del barco. Incrédulo éste ante la posibilidad de que el primero fuera capaz de prepararle una receta distinta de bacalao durante un viaje que duraría más de un año. Una tras otra el autor fue incorporando a la trama 400 maneras diferentes de cocinar este pez. Yo sólo me sé una; la que una y otra vez durante más de 20 años me preparó mi madre: bacalao al ajoarriero. Debes ponerlo a remojo durante al menos 24 horas, en las que se cambia el agua dos o tres veces. El bacalao que necesitas es el salado y desmigado, que normalmente procede de las partes menos nobles del pez, pero cerciórate de que esté acompañado de la piel. Debes ponerlo a remojo durante al menos 24 horas, en las que se cambia el agua dos o tres veces. Para atinar de verdad en este apartado calculo que necesitarás aproximadamente un año, adaptando la fórmula (tiempo y cambios de agua) al tipo de bacalao que compras en tu zona y la peculiar manera que cada cual tenemos de entender el concepto de salado. Y eso contando que lo cocines por lo menos una vez al mes. Así pues, una vez desalado, debes escurrirlo bien unos minutos antes de meterte en faena, pero sin dejarlo morir de sed.A mi madre con esto le vale, aunque otros añaden patata, zanahoria, pimientón... Vamos, que no es una receta cerrada. Prepara unos dientes de ajo, una cebolla, tomate triturado natural, un pimiento verde, pelín de tomillo y laurel y un buen puñado de pimiento rojo (previamente asado) en tiras. A mi madre con esto le vale, aunque otros añaden patata, zanahoria, pimientón... Vamos, que no es una receta cerrada. Pocha en aceite de oliva virgen extra el ajo, la cebolla, el pimiento verde (que antes habrás partido en trocicos) y cuando los tengas vencidos añade tomate, laurel, tomillo y pimientos. Un minuto después incorpora el bacalao y remueve sin duelo. Déjalo hacerse con toda la paciencia del mundo durante al menos media hora, hasta que los jugos del pez y la gelatina de la piel se dispersen. Si cuando lo pruebes no está en el punto de sal que a ti te gusta, ya sabes que no hiciste bien el primer paso y tendrás una gran excusa para repetir el guiso. En cualquier caso, salado o soso, cómetelo.No sabrá como el de mi madre, seguro, pero tampoco sabe así el de mi suegra y no por ello deja de estar cojonudo. Lo bueno del bacalao, es que si no te va al ajoarriero, te aseguro que lo puedes cocinar de otras 399 maneras. Buen provecho.

Adulting... zero stars right? But how do you know when you're adulting as a human, a GenXer, a Pocha? Las Pochas evaluate their adulting skills and luckily, aren't getting graded. 

On today's show, Misty and Stef delve into the latest news of the day. GUEST OVERVIEW: Stef Zamorano is a comedian, Pocha, and producer on The Jimmy Dore Show. She is a proud union member and unprofessional ping pong player. Learn more at https://www.miserablelib.com and follow her on Twitter: @miserablelib.  

Más recomendaciones de seguridad alimentaria en mi libro “A tomate pocho no le hinques el diente”: https://amzn.to/3EdWCei Visitamos el programa de televisión Saber Vivir en la 1 de TVE para resolver algunas de las principales dudas sobre seguridad alimentaria en el hogar. ¿Es peligroso consumir alimentos con moho? ¿Qué pasa si se nos cae la tostada al suelo? ¿Cuánto tiempo duran las sobras de comida en la nevera? Todo eso y mucho más, junto a Beatriz Robles y Paula Sainz-Pardo. Aprende conmigo sobre ETIQUETADO NUTRICIONAL por solo 14,99€: https://www.cursos.destakando.com/taller-etiquetado-nutricional/?utm_source=youtube&utm_medium=enlace&utm_campaign=sefifood ¿Te ha gustado? Déjanos tu valoración o reseña del podcast ⭐ Mi nombre es Mario Sánchez, soy tecnólogo de los alimentos y divulgador científico. Desde 2016 me dedico a comunicar sobre ciencia y alimentación en redes sociales. Échale un vistazo a mi primer libro "A tomate pocho no le hinques el diente" para descubrir más sobre el apasionante mundo de la seguridad alimentaria ➞ https://amzn.to/3YsVnBl Lo del Comer es una producción original de Destakando ➞ https://www.destakando.com/ Cámaras y Micrófonos RECOMENDADOS: ️ Descubre mi SET UP ➞ https://www.amazon.es/shop/sefifood Más Mario Sánchez: Cursos ➞ https://www.cursos.destakando.com/ Web ➞ https://www.mariosanchez.es/ Agencia ➞ https://www.destakando.com/ Blog ➞ http://sefifood.es Redes Mario Sánchez: Twitter ➞ https://twitter.com/SefiFood Instagram ➞ https://www.instagram.com/sefifood/ TikTok ➞ https://www.tiktok.com/@lodelcomer LinkedIn ➞ https://www.linkedin.com/in/mariosanchezrosagro/

Nothing else would bring Charlene back to the mics like shopping!! You waited long enough to have the duo back and to get your Pocha Picks for the holidays!! 

Al and Micah talk about Harvest Moon: The Winds of Anthos. Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:58: What Have We Been Up To 00:32:53: News 01:12:15: Harvest Moon: The Winds Of Anthos 01:50:34: Outro Links Disney Dreamlight Valley Upcoming Releases Disney Dreamlight Valley Apple Arcade Edition Roots of Pacha 1.1 Update and Console Release Ooblets 1.4 Update Everdream Valley 1.6 Update Slime Rancher 2 Update Echoes of the Plum Grove Kickstarter Snacko Early Access My Time At Portia Optimisation Concerned Ape Cool Fruit Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello farmers and welcome to another episode of the harvest season. (0:00:35) Al: My name is Al and we’re here today to talk about Cottagecore games. (0:00:37) Micah: And I’m Micah! (0:00:44) Al: And you totally didn’t forget and suddenly remember that you had to say your own name there, did you? (0:00:49) Micah: I just, I never know when to like, you know, it’s, I’ve got the brain of a five year old. (0:00:56) Micah: So I need someone to say, and now’s the time that you say your name. (0:01:00) Al: Well, the problem is, right, that you’re on like two episodes a year, right? (0:01:01) Micah: Yeah. (0:01:06) Al: It’s not like, you know, the others are on like, you know, once a month or something. (0:01:09) Al: It’s much easier to remember how it goes that way. (0:01:11) Micah: I feel like I’ve gotten better about the outro, (0:01:14) Micah: but yes, you’re totally right. (0:01:17) Micah: It’s not, you know, it comes to me again as we’re doing. (0:01:23) Al: Yeah, that’s the thing I could hear when you said, and I’m like, I could hear, you were like, “Oh yes, no, I need to say it now.” Welcome. Anyway, welcome. It’s been a while. (0:01:28) Micah: You can hear the gears turning You can hear the cogs clanking around in there Yeah, thanks. Thanks for having me. It’s always fun to be on Talk about some of my favorite genre my favorite genre of games (0:01:39) Al: Welcome back. It’s good to have you on. I notice how you said ‘favourite genre games, (0:01:49) Al: favourite games because well, we’ll see. (0:01:52) Micah: Not all of them, you know [laughs] (0:01:53) Al: Let’s not conclude on the game yet before we even said what it is. (0:01:59) Al: So, first of all, transcripts for the podcast are available in the show notes and on the website if you need them, although they’re whether you need them or not, but now you know where to go if you need them. (0:02:10) Al: We’re going to talk. (0:02:12) Al: You know what it’s going to be because we got Micah on. (0:02:15) Al: You know it’s going to be either Harvest Moon or Story Seasons. (0:02:17) Al: We’ve got a Harvest Moon, the Winds of Anthos. (0:02:21) Micah: We sure do. (0:02:22) Al: So we’re going to. (0:02:23) Al: We’re going to talk about that just as a preamble to that. (0:02:28) Al: I will not be playing the game during the episode because I’ve already sold it so that probably explains my feelings in summary, but we’ll get to that when we get to it. (0:02:38) Al: But, yeah, no, I. (0:02:39) Micah: Well I’ve got a digital so it’s not even an option for me, so… (0:02:41) Al: I know better than to buy a Harvest Moon game digitally. (0:02:45) Al: Come on. (0:02:46) Micah: I actually told you about this, but I’ll save it for when we get there, I guess. (0:02:47) Al: Yeah, yeah, we’ll go. (0:02:50) Al: We can leave that for the yeah, yeah, people can hear. (0:02:53) Al: The fun story. (0:02:54) Al: We’ve got a bunch of news, a bunch of exciting news to talk about. (0:02:58) Al: But first of all, Makar, what have you been up to? (0:03:01) Micah: Uh, I just recently got back from Japan and My partner and I went for about two Three weeks something like that something we’ve been planning since originally planned on going in spring of 2020 World event Happened and I don’t know. I just everything feels weird after (0:03:19) Al: Classic. (0:03:21) Al: Yeah, what happened in spring 2020? Nothing. Nothing happened. That’s the point. (0:03:30) Al: I know. (0:03:31) Micah: 2020 and I don’t know what it was. (0:03:33) Micah: I Yes, it was a great time. It was something that we’ve been looking forward to it for a long time. I put a lot of time and effort into the planning the itinerary and Making sure that we had a full schedule, but also a flexible schedule, you know, I for a bit there It was getting to the point where I like I’ve got you know (0:03:53) Al: Don’t do the minute. (0:04:01) Micah: some levels of ADHD and OCD that I have been formally diagnosed with that manifest itself in things like that where I’ll just lock in on an Idea and then I’ll just run with it and then I’ll just keep going and then I’ll get deeper and deeper And it was pretty much to the point where I was like Google mapping If I took the train from this location at this time of day in Japan (0:04:29) Micah: what train would I take and… (0:04:31) Micah: where would I transfer and how much would it cost and then like figuring out travel costs down to like you know the individual train ride and things like that. (0:04:42) Al: Oh, you’ve got to know the best way to pay for it, right? Do I get a travel card or am I buying individual tickets? You know, that’s important. (0:04:43) Micah: That originally was the plan but then you know it just got to the point where it was it was like things that you especially knowing now you would not be able to like (0:05:02) Micah: plan for really given like you know how travel works like mass transit travel works there but which beautiful by the way beautiful transit system could not say anything bad about that transit system and then we came back here where it’s just cars. (0:05:22) Al: Well, you presumably weren’t traveling in peak hour, peak time, you’re commuting hour. (0:05:28) Micah: Uh, there was a lot of it where we were, which was a little, you know, that was a little challenging being absolutely crammed into trains, like, just packed with people. (0:05:29) Al: Oh, OK. (0:05:46) Micah: It was an experience that I’m not used to, but yeah, it was an experience. (0:05:52) Micah: I did a lot of looking at retro games and stuff like that. (0:05:55) Micah: We did a lot of, you know, we did some– (0:05:59) Micah: theme cafes and things like that, Dragon Quest Cafe. (0:06:02) Micah: Went to the Dragon Quest Island. (0:06:04) Micah: Dragon Quest Island was a bucket list item. (0:06:06) Micah: And I was very excited to do that. (0:06:06) Al: Of course. (0:06:10) Micah: Very awesome, just like a real life JRPG. (0:06:15) Micah: You just like walk around a town and get quests and then go fight stuff and then come back. (0:06:21) Micah: And it’s a lot of, you know, like, (0:06:24) Micah: what do you call it, fetch quests, (0:06:25) Micah: but it still was a very cool experience. (0:06:28) Micah: And while I was there, they were promoting and releasing Mario Wonder. (0:06:35) Micah: So I picked that up while I was there because the exchange rate was absolutely in our favor. (0:06:43) Micah: So a brand new Switch game wound up being like $36 or something like that. (0:06:48) Micah: USD once you convert it. (0:06:52) Micah: And I’ve been playing that. (0:06:55) Micah: I picked up the metal gear. (0:06:59) Micah: Collection was there too, because it came out around the same time and I played a little bit of that. (0:07:05) Micah: But mostly it’s been I’ve been playing Super Mario Wonder and trying to get through the Pokemon DLC. (0:07:14) Micah: And I’ve picked up Disney Speedstorm and I’ve been playing a lot of Disney Speedstorm, which is their cart racer. (0:07:19) Al: Is it any good? (0:07:21) Micah: It is actually incredible. (0:07:24) Micah: It is remarkably good. (0:07:28) Micah: There is two mechanics that I think separate it quite a bit from being just like Mario Kart. (0:07:37) Micah: It does feel just like Mario Kart but with Disney characters. (0:07:41) Micah: But one of the mechanics is that you instead of having like just this selection of power, like item block, (0:07:53) Micah: you get the item block and there’s like a selection of items that you can get out of that. (0:07:57) Micah: I (0:07:58) Micah: And everybody gets the same thing. There is one item that is like your ultimate move For whatever your racer is and all the racers have different ultimate moves and Even beyond that there is a basic ultimate move and there is a charged ultimate move where if you charge you hold the button And charge it up then it’ll do something different So as an example, I’ve been playing a lot of Donald Duck and Donald Duck’s (0:08:05) Al: Right. Okay. (0:08:27) Micah: basic move. (0:08:28) Micah: The ultimate move is that he puts a shield around himself, and if that shield gets broken, then he has these energy fists that punch all the other racers around him. (0:08:42) Micah: But if you charge it, then it immediately does the fists, and it also boosts you. (0:08:50) Micah: So there’s different ways that your ultimates can come through. (0:08:55) Micah: The big thing for me I think is that there is (0:08:58) Micah: a combat mechanic to it where you can slam into other cars and push them into an obstacle or whatever and a lot of the power-ups and stuff like that or a lot of the items can be translated directly into combat So it really there’s a there’s a really (0:09:28) Micah: Powerful feeling of getting into a race and immediately shoving everybody around you into the wall as Donald Duck and then just like blasting your way through the finish line. There’s something so Kind of yeah, yeah, it does have it the especially in in the single-player because if there’s not, you know, if there’s (0:09:43) Al: So it’s basically it’s Mario Kart crossed with Barnett. (0:09:56) Micah: There’s opportunity. (0:09:58) Micah: There’s time for that. It slows down a little bit and shows the cart that you hit spinning out or whatever. (0:10:03) Al: Yeah, classic. Yeah, yeah, sure. (0:10:05) Micah: Obviously, you can’t do that in multiplayer, but that definitely makes it feel more like burnout in that way. (0:10:13) Micah: When you’re hitting something and it’s spinning out and you’re watching it in slow motion. (0:10:18) Micah: Yeah. It was good. (0:10:18) Al: Burnout was always my favourite racing game when I was younger, just because of that. (0:10:22) Al: I was never a huge fan of the realistic races, because it just isn’t fun. But Burnout was like, “Yeah, I can drive and smash people into walls.” Amazing. (0:10:26) Micah: Yeah. (0:10:28) Micah: Yeah. (0:10:31) Micah: It’s great and it’s yeah, that’s like the big difference for between it and Mario Kart like there’s obviously there’s combat Kart combat quote-unquote with the items that you get and things like that in Mario Kart, but this is like physical combat. It’s like It’s much more cutthroat it feels it is a really satisfying game and it’s doing the whole you know Like they’re they’re doing seasons and they have a battle pass and you can buy like a premium battle pass that gives you you know more or whatever. (0:11:01) Micah: It is not bad. A lot of it is very cosmetic focused because there’s outfits for racers. There’s different like paint jobs for racers and things like that. They have things like victory poses that you can get. There are some bundles where it’s like you can buy these upgrade packs for like the specific items that you need to upgrade your racers and stuff like that. (0:11:02) Al: So that’s my next question, how bad is that? Because obviously it’s free to play game. (0:11:31) Micah: There’s a lot of content to it. There’s like for the single player portion of it. There’s there’s seasons and every season has like a single player chunk where it’s all of these like kind of it. It’s like chapters and each chapter has, I don’t know, 8 to 10 races in it and the races will unlock it. (0:11:38) Al: Is that something you can get for free if you work hard enough? Or is that? (0:11:41) Al: Right, okay. See, that’s the key for me. (0:11:59) Micah: and the races will unlock. (0:12:01) Micah: You can unlock chests that have the upgrades and stuff like that in it. (0:12:05) Micah: But there’s like, I don’t even… (0:12:09) Micah: 10 chapters or something like that for each season. (0:12:11) Micah: So right now the season is highlighting Aladdin. (0:12:15) Micah: And you can select the battle pass. (0:12:19) Micah: Through the battle pass you can unlock Jasmine. (0:12:22) Micah: And you can unlock Genie as racers. (0:12:26) Micah: And you unlock them really early in the battle pass. (0:12:31) Micah: And you can get them early even without the premium battle pass. (0:12:38) Micah: But then all the way at the end of the battle pass you get special outfits and special car colors and whatever. (0:12:45) Micah: Like paint jobs and stuff like that. (0:12:47) Micah: But the single player portion of the season is all Aladdin based story content. (0:12:55) Micah: Where it’s like races that you have to do with specific conditions. (0:13:02) Micah: And there’s so much content for it. (0:13:04) Micah: There’s like an unbelievable amount of content that’s just like free content. (0:13:09) Micah: So there is a lot of opportunity to get that stuff yourself without paying anything for it. (0:13:17) Micah: It’s good though. It’s a really really good racer. (0:13:18) Al: OK, that’s good. That’s good. (0:13:22) Al: I’ll need to try it because I’ve tried a number of different car racers and most of them, I’ve just not enjoyed the controls. (0:13:31) Al: Like, they’ve just never felt like they’ve worked as well as Mario Kart. (0:13:34) Al: So I’ll need to try this one and see how that goes for me. (0:13:35) Micah: This definitely is the most Mario Kart similar I think Right Yes, I do too (0:13:38) Al: It doesn’t need to be the exact same. (0:13:41) Al: I just use that as an example because like I like the controls in Mario Kart. (0:13:46) Al: it’s very smooth and it’s very controllable. (0:13:48) Al: Every single version of it, whereas like, you know, if you take like crash team racing or sonic racing or whatever, I hate, I just, I know I don’t enjoy how they control. (0:13:56) Micah: Yeah, we’re in the exact same boat. (0:13:59) Al: I always feel like I’m just not in as, as control as, as I am with Mario Kart. (0:14:03) Micah: Yeah, given that and how similar I think our feelings are on that, I feel like you’ll probably like it because I’m very much the same way. (0:14:13) Micah: I did not, was not a fan of Crash Team Racing and Sonic Racing and how that felt. (0:14:19) Micah: It does. (0:14:20) Micah: Um, I think probably just because of history with it, I’m most attuned to- (0:14:26) Micah: to like Mario Kart controls and things like that. (0:14:31) Micah: And it feels the most like that. (0:14:32) Micah: Like, you know, there’s- you go off a jump and you can hit a button to do like a flare or whatever to like give yourself a little bit of boost. (0:14:39) Micah: And the drift feels like Mario Kart and there’s like drift chaining and stuff that- (0:14:45) Al: I have actually downloaded it on my switch. I’ve just not opened it yet because it’s like free to play game that I know I’m going to play at some point. Of course, I’m going to download it, right? Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. It came out of early access a few months ago, I think. So yeah. Oh, interesting. (0:14:48) Micah: Yeah, and it’s also, I think it’s on every platform now, but you can chain your account. (0:15:00) Micah: It’s like super easy to link your account between platforms, so that’s also really nice. (0:15:05) Micah: Oh, you know what it is. (0:15:07) Micah: It’s coming to mobile soon is what I remember. (0:15:10) Micah: So if, yeah, we’ll see how the game changes at that point, but you know. (0:15:16) Al: - Yeah, I don’t, having said I liked all the Mario Kart, (0:15:18) Al: I don’t like live, I don’t like Mario Kart live, (0:15:19) Micah: No, I don’t. (0:15:20) Al: I don’t like how, I just, no. (0:15:21) Micah: Not a fan. (0:15:22) Al: I want something like that, I want the new, (0:15:27) Al: I like everything that it does in terms of the live service stuff, (0:15:31) Al: I just want that on a switch with controls rather than the, no, I don’t like the, anyway, whatever. (0:15:36) Micah: Yeah. (0:15:37) Micah: Yep, no, I feel you. (0:15:42) Al: So I too have been playing Mario Wonder. (0:15:45) Al: No finished it, I think in the last episode I said I was nearly done and I just had one level to go. (0:15:51) Al: I have no finished that one. (0:15:54) Micah: Dang, I have not finished it. (0:15:56) Micah: I’m very excited to see that. (0:15:57) Micah: What are your thoughts now that you’ve finished it? (0:15:58) Al: I really love it. I think it is one of the best 2D Mario games they’ve done. I think it’s really good. I think what I think is amazing is see if we had this game and one in every four levels had a wonderful hour. We’d think that was a really cool idea and it was really interesting that they did that. The fact that they’ve done this in every single level and every single level has a different thing that the wonderful (0:15:59) Micah: It’s so good, isn’t it? (0:16:28) Al: flower does. Every single level is incredible. Yeah, I love it. I love it. I also feel like unlike most Marios, I feel like I could figure out most of the secrets myself. So there’s a few that I just didn’t quite get and I had to Google. But with most other (0:16:29) Micah: it’s insane. Yeah, it’s insane. And there’s like multiple methods through the levels to like, it’s just it’s crazy how much detail and love (0:16:58) Al: Mario’s, I’ve been like, I have absolutely no idea how to deal with this here. I don’t know where to go here. And maybe that’s just me getting better at figuring out their secrets. (0:17:07) Al: That’s a possibility. But I’ve just felt like, yeah, it just, and I feel like when I got to the end of the game, I wasn’t hugely far off 100% because it just felt like everything was really fun to continue doing. I like got close to 100% in each world that I did up to like four, and then five and six, I just was like, I just want to finish this now. So I did what I needed to, but I think, yeah, no, I think it was, and I think there are quite a few levels at the end that are like really difficult. And they’re not like, you know, Mario, Mario maker difficult, right? Like they’re not like insane. You have to have like split second reflexes to ever do this, but especially the very last level, (0:17:53) Al: which you know, when you get to it, that one in particular was so frustrating. (0:17:55) Micah: I had… (0:17:58) Al: I, I’m not joking when I say I, it took me 60 lives to get through that game, that level. (0:18:05) Micah: Holy smokes, I had actually read someone had had said that they felt like it was the closest to Mario. (0:18:16) Micah: An official Mario game has come to feeling like a Kaizo Mario game, which if you don’t know, Kaizo Mario games you like, they call them like Iron Man Mario games. (0:18:28) Micah: Like insanely impossible, like super, you know, reflex. (0:18:35) Micah: Heavy like you have to jump with a shell at the right time and then kick off of that shell at the right time so that it hits a wall at the right time and then jump off of that shell after the fact, you know, all of these like really precise movements and things like that. (0:18:51) Micah: And they said, well, it’s not a Kaizo Mario level. (0:18:51) Al: Yeah, there definitely are a few levels like that. I understand there are people who are like, “I want more like that,” and that’s fair. But yeah, I certainly think there are some levels in this that are some of the hardest that have ever been in a Mario game. So yeah, (0:18:54) Micah: It is the closest that a core Mario game has come to feeling like a Kaizo game. (0:19:09) Micah: Yeah. It’s really fun. (0:19:12) Al: I really, really enjoyed it. I think it was fantastic. Yeah. (0:19:15) Micah: It’s such a I was and I was really kind of like on the fence about the the the theme or like the aesthetic of it being like, you know, I don’t know, LSD induced, whatever is happening, whatever. Yeah, whatever hallucinogenic effects these. (0:19:30) Al: Yeah, I was thinking more magic mushrooms, but yeah, sure. (0:19:39) Micah: Wonder flowers have on these wonder seeds have on everybody. (0:19:43) Micah: I was a little bit on the fence of like, OK, I don’t know if I’m, you know, elephant Mario and whatever. And it just felt a little too wacky, maybe to when I first saw the like trailer for it and stuff. Obviously, it still looked good. (0:19:59) Micah: I was still interested in it. I’m happy that didn’t like deter me from it at all because it’s it’s awesome. It’s such a good Mario game. (0:20:07) Micah: and that like aesthetic is… (0:20:09) Micah: It’s really well done throughout the game without feeling overly wacky or whatever. (0:20:13) Al: Yeah. Yeah, yeah, yeah, yeah, yeah, it’s been a really good year for games because I also have been playing Spider-Man 2 and I’ve been loving that. It’s a great game. I feel like I think I’m like 80% through the main story, but there’s still quite a lot of side stuff that I need to do. But I’m at the point where I’m like, I just need to like finish, I need to main line the story, finish that before I tidy everything up. (0:20:17) Micah: They’re killing it with Mario lately, huh? (0:20:28) Micah: Yeah? (0:20:46) Micah: I don’t know too much about what’s going on in Spider-Man 2, but from what I understand it’s both Peter Parker and Miles Morales and… (0:20:56) Micah: Okay. (0:20:56) Micah: Are you like swapping between them? (0:20:56) Al: So the first game was… Yeah, so the first game was Peter Parker and then there was a Miles Morales game where Peter goes on holiday, and that’s the explanation as to why you’re just Miles. Okay, fine, sure, whatever. So what you can do is there are specific things that need to be done by one Spider-Man. So obviously, the storyline with Miles’ mum has to happen with Miles, right? (0:20:59) Micah: Right. And then there was a Miles Morales game, right? (0:21:04) Micah: Okay. (0:21:08) Micah: Got it. (0:21:10) Micah: He needs a break. (0:21:24) Al: It doesn’t make any sense for it to be Peter. (0:21:25) Micah: Right. Right. (0:21:26) Al: And the stuff with Mary Jane has to be done with Peter, it can’t be done with Miles. (0:21:30) Al: And there’s like a few kind of like side stuff, like there’s one of the like collectibles thing is to do with Peter’s job, and one of them is to do with Miles’ uncle, (0:21:43) Al: and so those obviously need to be done with that Spider-Man. But other than that… (0:21:46) Micah: can’t be with Peter’s uncle but is that am I allowed to say that I don’t know I’m allowed to say (0:21:55) Al: Wow. (0:21:56) Al: Oh, my, but other than that, you can just freely switch between the Spider-Man. (0:22:06) Al: So you’re just floating around and you can just pause the game and press square and switch to the other one and they’ll pop in and you can do whatever you want. (0:22:14) Al: So I have generally just been going through the game because obviously the story switches you between them for different parts of the story. (0:22:21) Al: So I’ve just kind of continued with whatever (0:22:23) Al: and they’ve dropped me in on until they then switch me. (0:22:26) Al: Just because I felt like that’s the way that kind of felt most natural to me. (0:22:30) Al: But it’s been quite enjoyable doing that. (0:22:34) Al: Obviously, they have different powers. (0:22:36) Al: They’re not exactly the same. (0:22:38) Al: And they do some things that I’m not going to spoil to kind of level Peter up. (0:22:43) Al: Because obviously, Miles has his electricity powers, (0:22:47) Al: which makes him objectively better than Peter. (0:22:51) Micah: Oh, I didn’t even know that was a thing. (0:22:52) Al: Oh, do you not know this? (0:22:53) Al: this. Yeah, so miles can go invisible, first of all. (0:22:54) Micah: What? (0:22:56) Al: You don’t know this! Yeah, oh my word. There’s so much Spider-Man lore you don’t know. So miles can go invisible, but he also has electricity powers, so he can zap people and stuff like that, which Peter obviously doesn’t have. But those powers, one from a different reality. (0:22:58) Micah: I didn’t know this. (0:22:59) Micah: No. (0:23:10) Micah: What kind of spider did that come from? Sorry, never. (0:23:13) Micah: Oh, okay, well. (0:23:16) Al: No, I’m not even joking. That’s serious. Anyway, not important. How far deep do we need to (0:23:19) Micah: Yeah, I can see that. (0:23:26) Al: go with this? But that makes him objectively better to play as than Peter Parker. So they have had to do something to level up Peter Parker. And I’m not gonna say what that is, (0:23:39) Al: but they do it, and it feels great. Like, you don’t feel like you need to be miles. (0:23:44) Al: It doesn’t feel like he’s automatically better than miles. I think they’ve balanced it really well. So you feel like you can be either of them. And it will be interesting to see whether (0:23:57) Al: those powers continue on to the next game. I’ll be interested to see what they do then, (0:24:02) Al: but it’s been good fun. (0:24:02) Micah: I maybe this is what I thought I don’t know how I would know this is a spoiler but I thought I had seen me and maybe I’m like crossing the wires between other something else Spider-Man but this does Peter is like the was it the symbiote or whatever not in the that yeah like Venom’s like doesn’t just does Peter get because there’s like a symbiote suit for (0:24:23) Al: Venom. (0:24:25) Al: Venom is in this game. (0:24:32) Micah: isn’t there like in in Spider-Man lore I don’t know I don’t know is it I thought I like I thought this was in the trailer but also I don’t know for sure okay because that’s a thing that’s existed in Spider-Man lore for like a while right is that at some point Spider-Man has like a symbiote like suit right I don’t know okay all right we can cut all this out (0:24:34) Al: All right, so we’re just fully smiling this, then, are we? (0:24:42) Al: I mean, well, Venom is in the trailer, sure, (0:24:46) Al: but it doesn’t really talk about what that means. (0:24:56) Al: Yeah, I don’t want to say too much. I don’t want to say too much. I mean, people who know a lot of Spider-Man lore are going to be able to predict a lot of this story, right? Like, (0:25:03) Micah: I don’t know how to spoil anything but okay sure yeah (0:25:08) Al: it’s not fresh and new, but it’s still fun to do. And, you know, I think a lot of people don’t aren’t that deep into Spider-Man lore. What I will say is one really annoying thing. (0:25:19) Al: So yeah, Venom’s in this game. Do you know what Miles’ electricity powers are called? (0:25:22) Micah: electricity powers? (0:25:23) Al: No, they’re called venom. (0:25:24) Micah: Wait, what? (0:25:27) Al: He calls them venom! His venom powers! I don’t know why! (0:25:28) Micah: I’m confused. Wait, why does he… (0:25:31) Micah: Oh, that’s weird. (0:25:34) Al: So there’s two venoms in this game and it’s driving me insane. (0:25:36) Micah: What a weird decision. (0:25:39) Al: Also, my other annoyance with this game, right? I love the game, but my other annoyance is they just refer to each other as Spider-Man. (0:25:50) Al: So you’ll be like “Oh, hey Spider-Man, oh hey Spider-Man!” So they’re constantly just referring to Spider-Man when they’re talking. (0:25:56) Al: It’s worse because the subtitles will say “Spider-Man is saying this” so it’ll say “Spider-Man colon” and then what he says. (0:26:00) Micah: No way! (0:26:02) Al: But you’re like “Which one?” But they try and deal with that by having a little face, right? So there’s two little faces, right? (0:26:02) Micah: Oh, I see. (0:26:08) Al: But it’s of the mask. But the problem is, do you know what the masks are? The masks are red and black or black and red. (0:26:09) Micah: They’re both wearing a mask. (0:26:12) Micah: Okay. (0:26:15) Al: And these are teeny tiny little images on a 40-inch screen 12 feet away from me. (0:26:23) Al: I can’t figure out which one it is, it’s dre- (0:26:25) Micah: Yeah, this seems like an oversight a little bit (0:26:26) Al: It’s real bad! And I’ve turned the subtitle size up to max, because I like reading subtitles. (0:26:37) Al: It helps me understand what’s- But the picture’s still tiny! Why is the picture so tiny? And also, (0:26:40) Micah: ID too, same boat (0:26:44) Al: you change their suits, right? Nobody stays in the default suits in this game. That’s part of the fun of it, is changing your suits. So I needed to- Part of my problem is that I always- I have a very (0:26:56) Al: specific aesthetic of Spider-Man suit that I like, but I can’t put them both in the same aesthetic, (0:27:01) Al: because then I can’t figure out whose is who. So I’ve had to do like- So I have to decide that this is the colour for Peter, and this is the colour for Miles, and I’ve had to kind of stick with that, (0:27:11) Al: so that I can tell them apart on screen. I know, I know. But it’s- But it is really fun. It’s a really fun game. It has done the same thing, in my opinion, for Spider-Man. (0:27:13) Micah: What a nightmare. (0:27:26) Al: Spider-Man games, that Tears of the Kingdom did for Zelda games. I think it’s done- It has taken a game and done what you think is basically the same thing, but then layered so much more on top of it that it feels so good. (0:27:41) Micah: Yeah, huh It looks really good. I didn’t it seems like the reaction to it has been very good. I just saw today I saw it tick-tock that was somebody saying like I Don’t care what you say Miles and Morales and Peter Parker are my friends. They’re real people. They’re my friends They’re we’re we’re best friends. They’re the boys like And I think you know just saying that like the characters are done so well that it feels like they’re you know (0:28:11) Micah: um but I Not knowing really much about spider-man There is a part of me that wants to play it purely out of like seeing how much Like open world traversal there is for like I’m a big sucker for when there’s like true to life in-game recreations of like real locations So like being able to traverse New York City, I feel like would be (0:28:42) Micah: very fun, even if it’s just I Have not no I Uh Not no, not really that I can remember I mean I do I’ve seen people play them and I’ve seen like, you know, there’s a Again on tick-tock. There’s like occasionally I’ll see a tick-tock live of somebody. That’s just like No camera or anything. It’s just their their gameplay of them Swinging as spider-man and I’m assuming the like previous one but it. (0:28:43) Al: So if you don’t play any Spider-Man game, even like the early 2000s ones or anything, (0:28:50) Al: the Tobey Maguire tie-in film ones, no, that’s fine. (0:29:06) Al: Yeah. It’s absolutely incredible. It’s absolutely incredible, Michael. There’s no traversal in another game that is as fun as this, and they added extra stuff on to what the games had before to make it even more… You have a wingsuit now, so you can fly. So you can swing and swing and go high, and then you fly in your wingsuit, and you can… You’re gliding, right? You’re not flying, (0:29:36) Al: ages. And there’s slip streams around the city, so you can go so fast through the city if you catch the right slip stream, and they’ve added in a bunch of stuff. You can surf on the water for a short period of time and then jump back up and stuff like that. There’s so much in… It’s so fun. (0:30:00) Al: It’s just incredible. And there’s also stuff like you might have seen… Have you you haven’t seen any of the NPC conversations. (0:30:06) Al: There’s like full-on full-on 10, 15, 20 minute conversations that these NPCs have. (0:30:07) Micah: I don’t think so. I don’t think I’ve seen any of the NPC stuff or like (0:30:17) Micah: Oh, like, not like cutscenes, it’s just like listening to people. (0:30:18) Al: If you like just drop down onto the street, no, if you just drop down and there’s two people talking, they will have a full-on conversation for 15 minutes about the most random stuff. (0:30:29) Al: But it makes sense. (0:30:30) Al: It’s incredible. (0:30:31) Al: Like there was there’s ones that I’ve seen which is like, you know, people who were on a work site and they were complaining about their boss. (0:30:36) Al: And then there were people who were talking about like their children and then there’s just so many and it’s wild. (0:30:43) Al: I cannot imagine like it just feels like they’ve gotten in some voice actors and said riff on this and they’ve just spent 20 minutes talking about it. (0:30:50) Micah: Yeah, I can imagine that would be the best way to do that too is to just have people like That’s awesome Who’s the is it rocksteady as a developer Oh insomniac, okay (0:30:51) Al: But it’s incredible. (0:30:52) Al: Yeah. (0:30:54) Al: But they’re everywhere. (0:30:57) Al: I don’t understand how they’ve done it. (0:30:59) Al: It’s like so much. (0:31:01) Al: It’s not. (0:31:02) Al: It’s Insomniac. (0:31:06) Al: It’s incredible. (0:31:07) Al: And it’s also they’re doing a Wolverine game as well coming out in a we don’t know when but presumably like five years or something like that. (0:31:10) Micah: Oh, okay, cool. (0:31:12) Micah: Yeah. (0:31:13) Al: Who knows. (0:31:14) Al: It’s made me really excited for that because like I’m just yeah. (0:31:17) Al: Well I say so yeah having so much fun. (0:31:19) Al: And we probably don’t need to get into a huge conversation about this but also been playing the watermelon games. (0:31:26) Al: It’s a week out game or whatever they call it. (0:31:26) Micah: Yep. I think everybody at least has touched it at some point or see. (0:31:28) Al: It’s been good. (0:31:32) Al: If you haven’t played it. (0:31:33) Al: If you haven’t seen it go play it. (0:31:34) Al: Go watch a video of it. (0:31:36) Micah: And it’s like, what’d you say? $2? (0:31:37) Al: Yeah. (0:31:38) Al: Something like that. (0:31:38) Micah: I bought it when I was on the Japanese eShop. (0:31:39) Al: A thousand yen or something. (0:31:40) Micah: So it was like, I don’t know. (0:31:43) Micah: Yeah, it was like 200 yen or something. (0:31:43) Al: I do even know is what that means. (0:31:45) Al: Yep. (0:31:46) Micah: Yeah. (0:31:47) Micah: It was– yeah, it’s very cheap. (0:31:48) Al: Yeah it’s very cheap and loads of fun. (0:31:50) Micah: It’s like $2 on the– (0:31:54) Al: I like I play a couple of times a day. (0:31:56) Al: It’s good fun. (0:31:58) Al: Oh this is. (0:31:58) Micah: very good. Yeah, we there’s not a whole lot to say about watermelon. You drop you drop fruits into a bucket and they combine if you match them and just don’t overflow the bucket and that’s it. Yeah. It reminds me of there’s some like old arcade game I can’t remember what it was where you’d like shoot balls at each other and if you hit the same color balls then they would combine into like. (0:32:01) Al: We talk a little. (0:32:07) Al: Yeah. (0:32:10) Al: It’s like physics version of Candy Crush or whatever. (0:32:15) Al: Or marriage was the marriage marriage games. (0:32:27) Al: Yeah, I think there’s a few, yeah, there’s a few different games that have done this similar sort of thing. (0:32:28) Micah: a different color and it was like that same. (0:32:31) Micah: Yeah. (0:32:34) Al: This just does it really nicely and the physics aspect of it changes the game entirely because like you drop one and it bounces off stuff and you don’t know for certain where it’s going to go. (0:32:45) Al: So it adds a little bit of, you know, just randomness to that as well, which is fun. (0:32:49) Al: Oh my God, this isn’t going to be a short episode, is it? (0:32:51) Micah: No, I guess not. (0:32:52) Al: We’re going to talk about some news after half an hour. (0:32:56) Al: Um (0:32:57) Al: So, first of all we get Disney Dreamlight Valley. Um, so before we get into the brand new news about this, I just need to talk to you Micah. So, had you seen that the game’s no longer going to be free to play? (0:33:08) Micah: I did. You are actually not the only person to have reached out to me after the news dropped to ask me how I felt about it. Well, I mean, I feel like, you know, if I had to pay for it, (0:33:09) Al: How do you feel? (0:33:25) Micah: then everybody else should. I’m just kidding. It’s kind of a weird move to like start something and say like it’s free to play because usually it’s the other it’s the other way around right like something is paid for it’s like a paid experience and then eventually when it’s not performing the way that they want it to anymore then they move it to free to play like that’s usually the way it goes not the other way around where it starts free to play and they’re like actually you know what we’re gonna charge money for this kind of a weird thing but (0:33:30) Al: Justice! (0:33:30) Al: Or it’s going to be free to play, yeah. (0:33:55) Al: Yeah. Well, it’s also a bit weird because it never was and isn’t going to be now free to play. The weird thing is it’s not gone free to play too paid. It’s gone from paid but we’ll be free to play to actually, no, we’re not going to be free to play. (0:34:13) Micah: Yeah, yes, like free to play, but you have to pay for, like, (0:34:17) Micah: stuff to get access to it anyways, like. (0:34:22) Al: It’s wild, it’s weird, it’s weird, but anyway. (0:34:22) Micah: Yeah, it is a weird thing. (0:34:25) Micah: I don’t I don’t really know how I feel. (0:34:30) Micah: Other than that, like it’s it seems like a weird choice for them. (0:34:34) Micah: I now my concern is, are they going to charge me (0:34:34) Al: I mean you must be less frustrated about buying it now. So they’re not. So I guess what I should say, just a quick summary for people who haven’t listened. So the game is going to come out of Early Access on the 5th of December. There will be a new update at that point. We got more details about that. (0:34:42) Micah: again for the actual (0:34:43) Micah: game since everything that I bought was like basically cosmetic stuff and currency will there be an actual okay, all right good (0:35:04) Al: last week, so I’ll detail. We’ll go over that in a minute. But your early access will continue on. And in fact, you will get extra stuff because you were early access. So you will you get like there’s a few extra cosmetics, including you get capybara. So, you know, (0:35:16) Micah: Oh. Okay. (0:35:24) Micah: Oh Now I’m not upset at all I was a little bit upset but now I’m not Yeah I’m not like opposed to that, but I’m curious to see the I know we have a roadmap that we’re gonna look at But I’m curious to see how frequent paid is gonna come into play because that can kind of (0:35:27) Al: here we go. But, but, but. (0:35:34) Al: they are doing paid DLCs, which will (0:35:46) Al: Yeah. Yeah. Yes. Yes. Yeah. Yeah. So a couple small things first. So first of all, the soundtrack for Disney Dreaming Valley is out. You can go get, go stream it or buy it now. So that’s, that’s a thing. I feel like it’s a pretty standard thing for games now. Except Pokemon games. (0:36:03) Micah: That’s also interesting thing, because I don’t know. (0:36:07) Micah: That’s not like, you know. (0:36:10) Micah: Yeah, I suppose so. (0:36:12) Micah: I feel like the standard thing is like, they’re available, (0:36:16) Micah: or like you get the soundtrack with the game or something and not, you know, like, the soundtrack’s out and you can buy it if you want. (0:36:23) Micah: I don’t know, maybe that’s. (0:36:25) Micah: And I don’t know that there was anything really like distinct about the Dreamlight Valley soundtrack that had me like, (0:36:30) Al: No, no, it’s no, it’s no Stardew Valley soundtrack. (0:36:31) Micah: Oh, I got to get this. (0:36:33) Micah: But I don’t know, yeah, that on the other hand outpaid over and over for that. (0:36:36) Al: So the 5th of December update, the 1.0 update, if you will, has been detailed a little bit. (0:36:48) Al: So Jack Skellington will be coming. (0:36:49) Al: Weird that this is coming. (0:36:51) Al: I mean, I guess maybe it makes sense it’s coming between Halloween and Christmas, but I feel like why isn’t this out just before Halloween? (0:36:57) Al: I don’t know. (0:36:58) Micah: You know, I just had this conversation about Nightmare Before Christmas with someone that I work with who said that Nightmare Before Christmas is a Christmas movie and not a Halloween movie and I argued that it’s both. (0:37:12) Al: It’s both. It’s, of course, it’s both, right? (0:37:14) Micah: But then there were other people that agreed with them that said, yeah, it’s more of a Christmas movie than it is a Halloween movie, which like, it’s actually both. (0:37:15) Al: And it… (0:37:16) Al: No. (0:37:18) Al: It’s literally both. (0:37:22) Al: It’s literally both. (0:37:24) Al: This is not a diehard thing, and I’m not going to have that argument, (0:37:27) Al: because my argument about a diehard is, “I don’t care, shut up.” Right? (0:37:31) Al: But, like, this is not… This is literally half Halloween, half Christmas. (0:37:32) Micah: No, this is explicitly bold. (0:37:35) Micah: Yes. (0:37:37) Al: It’s about both holidays. (0:37:40) Al: It just seems like people… (0:37:40) Micah: Thank you, I feel vindicated. (0:37:42) Al: People feel this need to categorise things so that they feel they can watch it at Christmas, right? (0:37:48) Al: And it’s like, you can watch it at Christmas, you can watch it at Halloween. (0:37:53) Al: It’s both. I mean, you can watch it whenever you want, but like, no one’s going to look at it… (0:37:53) Micah: You can watch it whenever you want. Yeah. (0:37:59) Al: I watched it on… I hadn’t watched Nightmare before Christmas, before this year. (0:38:04) Micah: Oh, really? (0:38:05) Micah: Thoughts? (0:38:05) Al: Just hadn’t got around to it, so I watched it a few days before Halloween. Really liked it. (0:38:09) Al: liked it. It was good fun. Good say. I mean, (0:38:12) Al: some of the songs are incredible. It starts out particularly well. Like it’s like comes out of the gate crashing. Like I’m a, it’s really good. Very weird. I enjoyed it. Anyway. (0:38:25) Al: Uh, yeah. So Jax Galton coming to Disney Dreamlight Valley and also multiplayer. So if you really want multiplayer, I’m not going to play multiplayer. Don’t make me play multiplayer. But if you (0:38:36) Micah: I can’t imagine the multiplayer being super smooth based on the gameplay, but I don’t know, maybe. (0:38:45) Al: I feel like it’s going to be basically Animal Crossing multiplayer, like it’s not going to be like Stardew Valley multiplayer or anything like that, it’s going to be visiting someone’s village to see what they’ve done. (0:38:47) Micah: I don’t know. (0:38:49) Micah: Yeah, yeah, that probably. (0:38:54) Micah: Well, because there’s, I mean, they say in the, what’s the wording for that? (0:39:04) Al: enter the valley verse with your friends. Maybe that’s a special place then. (0:39:07) Micah: » See, when I had originally read it, I thought maybe that it was like interacting with Jack Skellington in the Valleyverse with your friends, (0:39:18) Micah: as if you can do whatever that story content is with them, but maybe I just read that (0:39:27) Al: So this update also introduces the highly anticipated multiplayer mode, allowing you and up to three friends to visit each other’s valleys. (0:39:34) Al: Oh, there you go, visit each other’s valleys. (0:39:36) Micah: Okay, yeah. (0:39:36) Al: From showing off your eye for design to checking ScroogeMcDuck’s stock in another v- It’s Animal Crossing. (0:39:38) Micah: Next. (0:39:39) Micah: Yep. (0:39:43) Micah: Okay. (0:39:45) Micah: That I can see a little bit more than like, (0:39:47) Micah: ‘cause when I’d read it, I thought it was, you know, (0:39:50) Micah: you could do story content with your friends, (0:39:52) Micah: and that to me felt like that would be a very not smooth experience. (0:39:56) Al: Yeah, that, yeah. (0:39:57) Micah: But if it’s just like, come check out my valley, (0:39:58) Al: Perhaps more exciting is the fact that the multiplayer mode would continue to evolve over time as new ways to interact with your friends are added in future updates. (0:40:08) Al: Okay, well we’ll deal with them when they come, but yeah, basically the launch version is basically what Animal Crossing does. (0:40:09) Micah: Hmm Yeah when they’re on a When they’re on a content roadmap, then we’ll look at it (0:40:15) Al: Yeah, yeah, yeah, give us the give us the details. (0:40:22) Al: So then we’ve had more information about the paid DLC so (0:40:26) Al: we’ve got a content roadmap with a lot of stuff in this. I’ll link this in the show notes so you can go have a look at it but we have detailed five free updates and three I’m pretty sure three of the same paid DLC updates so this is I think one pack that you pay for and you get these three updates I don’t think these are three separate paid things because it’s all part of one One story, basically. (0:40:50) Micah: Hmm, okay Oh sure (0:40:57) Al: So this paid expansion, which is called a Rift in Time, you visit a place called Eternity Isle, (0:41:05) Al: and you meet Rapunzel, Gaston, and Eve, and go through some adventures with them. And then the spring 2024 says, explore ancient’s landing to uncover more of its secrets and befriend a very lucky villager and you also see (0:41:26) Al: in that picture Gaston, Eve and Rapunzel and then it says some (0:41:29) Micah: Mm-hmm Who do you think the very lucky villagers I? (0:41:34) Micah: Couldn’t figure out from that. I don’t have enough Disney knowledge to based on whatever that door is to maybe look (0:41:41) Al: I don’t know and then summer 2024 it says foil Jafar’s schemes and fix the rift in time so that feels to me like three parts of this one paid day. (0:41:54) Micah: Yeah, that makes complete sense, I think. (0:41:58) Micah: I think that you’re totally right. (0:42:00) Al: Yes, yes, so Jafar being very clearly, he’s the big baddie of this DLC, and that’s interesting. (0:42:00) Micah: And obviously, introduction of Aladdin characters (0:42:13) Al: Interesting that Jafar is the first Aladdin (0:42:15) Micah: And also that it’s not like sticking to one series, like one movie. (0:42:22) Al: Yeah, yeah, yeah. (0:42:24) Micah: It’s like Rapunzel, Gaston, Eve versus Jafar. (0:42:28) Micah: It’s not like. (0:42:29) Al: And one other character, one other person that we don’t know who yet, like wild. (0:42:30) Micah: And yeah, a mystery character. (0:42:37) Al: Oh, yeah, actually, it does say so in these mysterious lands, you will embark on a new main story involving Jafar and the very fabric of time itself taking place across three acts all included in the expansion purchase. (0:42:49) Al: confirmation that those three updates between. (0:42:52) Al: December and summer will be the one purchase, which is thirty dollars, I think. (0:42:57) Micah: It’s not too bad if it’s like a yearly thing, like a yearly expansion purchase or like even, (0:42:59) Al: It’s not it does seem yeah. (0:43:06) Micah: you know, half a year or whatever, which it seems like that probably they’re doing here December 5th to summer 2024. (0:43:15) Micah: It’s like a six month, six months of content for like 30 bucks. (0:43:20) Micah: I guess that’s not too bad. (0:43:22) Al: It’s not terrible. It’s not terrible. We’ll see how it… And I think on top of that they are then obviously doing these other free updates. So obviously we’ve got the the 1.0 release in December which gives you Jack Skellington and the multiplayer and then late winter. It says 2024. It’s a very confusing saying winter 2024. What it means is January or February, right? (0:43:39) Micah: which yeah of 2024 yet. (0:43:46) Al: Yeah, it was just like don’t word it like that. Like this is just whatever. (0:43:52) Al: That is obviously some monster ink related stuff. We’ve got Mike Wazowski and it says scream with excitement as a new realm door opens. And then we’ve got early spring 2024, (0:44:04) Al: a vibrant new villager moves to the valley. I have no idea who… (0:44:07) Micah: Don’t either I was trying to figure that out, but it there’s like there’s like a daisy duck on the front on the like Mast of that ship and I don’t know what that I don’t know if this is like a again, not sure I have the Disney knowledge to know what that’s from but I’m sure it’s from some specific Mickey Mouse movie or you know (0:44:15) Al: Oh yeah, interesting. (0:44:32) Micah: episode or whatever something I’m sure it’s from something really (0:44:32) Al: They’re getting very vague at this point, realistically, right? Because then we’ve got late spring 2024 and it just says, “You don’t find a realm like this every dynasty.” And you’re like, “Oh, for goodness sake, where are we going with this? My word.” Like, someone will know this because there’s some insane fan who knows everything based on… I don’t I don’t know. (0:44:44) Micah: Which like, (0:44:46) Micah: I feel like that’s Mulan. (0:44:53) Micah: Is that not based on the word dynasty? (0:44:57) Micah: I don’t know. (0:45:02) Micah: I feel like that that’s probably Mulan, (0:45:02) Al: Do the flowers relate to that? Like, there’s flowers coming out the door? (0:45:05) Micah: but they’re just doing like, they’re, (0:45:11) Al: I feel like a Taylor Swift fan right now. And then we’ve got… (0:45:18) Micah: ‘Cause the Mulan is set in the northern Wei Dynasty. (0:45:19) Al: Yeah. (0:45:24) Micah: So I don’t know. I don’t know. (0:45:28) Al: And then we’ve got summer 2024, which that’s the princess and the frog. (0:45:32) Al: Right. That picture is the, I can’t remember her name. (0:45:33) Micah: yes. Uh, shoot. I forgot. Tiana. I think maybe, I don’t know what those are, maybe Benet’s, (0:45:35) Al: I’ve never seen it. (0:45:36) Al: Who’s the princess name from Princess and the Frog? (0:45:39) Al: Ba ba ba ba. Tiana. (0:45:42) Al: Good timing there. (0:45:44) Al: Both Googling at the same time. (0:45:51) Micah: which I like the, um, that like French. (0:45:55) Al: the French pastry thing. I think a lot of French stuff is pastry. (0:45:59) Micah: But it’s also like, it’s like a fritter, but it’s like a (0:46:12) Al: So that’s five updates, five free updates in the same time that we’re getting the three parts of the one paid DLC. (0:46:21) Al: So what I do have one small issue still that with this not free to play thing and and having paid DLC is that they’re still going to have their in game currency that you have to pay for as well, which just like you can buy the game, you can buy the DLC and you can also by around the world. (0:46:42) Al: And it just feels like they’re, you know, double dipping there. (0:46:52) Micah: Yeah, I don’t know. I I guess it my first thought was that it feels similar to like I don’t know like destiny or something where it’s like you have a Like expansion that you pay for and then they do like Event stuff throughout that like season quote-unquote like expansion season or it’s free stuff And you have to like still buy the main game and then the expansions (0:47:22) Micah: So like there is precedent for it It just is a really weird move to go from like it’s gonna be free to play - (0:47:30) Micah: It’s not free to play also We’re gonna charge you for it But also there’s gonna be paid expansions for it - like it’s like doubling down on charging for it like Interesting choice, but Especially interesting considering that I don’t feel like it’s a very like widely talked about game I feel like the fan base is… (0:47:52) Micah: …not massive for Dreamlight Valley. (0:47:53) Al: Yeah, I mean, let’s see, like, a lot of that may well be due to being early access, right? (0:47:54) Micah: So it seems like a weird move to like… (0:48:02) Al: And let’s see what happens over the next couple of months, right? Like, there might be a massive push for it, like, you never know what. (0:48:08) Micah: Yeah, I didn’t realize that Gameloft was the developer for it, they are also the developer for Speedstorm, so they must, I don’t know, maybe Disney is just buying them out or something. (0:48:23) Al: Well yeah, I think they’re still doing a lot of other stuff. But it’s interesting that they kept free to play with Speedstorm, and they’ve not done it with this. Well yeah, but it’s out of early access, and it is free to play. Disney Dreamlight Valley has not been, and

Aparna Nancherla and Alvin Irby Visit friends and take a deep dive into the imposter syndrome and how funding for Black Organizations are held under a microscope.  Aparna Nancherla is a comedian and general silly billy. Her sense of humor is dry, existential, and absurd, with notes of uncalled-for whimsy. Think a wine you didn't order. Her forthcoming book, Unreliable Narrator: Me, Myself and Impostor Syndrome (Viking), is currently available for pre-order via Penguin Random House and will be released on September 19, 2023. You can hear Aparna as the voice of Moon on Fox's The Great North, or have heard her as the voice of Hollyhock on Bojack Horseman. You can currently watch Aparna in The Drop on Hulu or as Dr. Pocha on Lopez vs. Lopez (NBC). You may have watched Aparna as Grace the belabored HR rep on the critically-acclaimed Comedy Central show, Corporate. She also has a half-hour special on the second season of The Standups on Netflix, as well as appearances on Late Night with Stephen Colbert on CBS and Two Dope Queens on HBO. Other acting credits include A Simple Favor, Modern Love, Bob's Burgers, Crashing, Master of None, and Inside Amy Schumer. She's written for Totally Biased with W. Kamau Bell and Late Night with Seth Meyers, as well as Mythic Quest on Apple+. Aparna was also named one of “The 50 Funniest People Right Now” by Rolling Stone. In 2019, she was in a Super Bowl commercial with Michael Bublé for sparkling water neé seltzer. In 2016, she released her debut album, Just Putting It Out There, on Tig Notaro's label, Bentzen Ball Records, and recorded a half hour special for Comedy Central. She was also chosen as one of Variety's “Top 10 Comics to Watch” that year. Aparna currently lives in Los Angeles if you can even imagine.  Watch the absurdist web series Womanhood Aparna made with bright light Jo Firestone for Refinery29. Alvin Irby is a former kindergarten teacher turned award-winning social entrepreneur, international speaker, comedian, and author. He is Founder and Chief Reading Inspirer at Barbershop Books, a literacy program that creates child-friendly reading spaces in barbershops and provides early literacy training to barbers. His work connecting reading to male-centered spaces and involving men in boys' early reading experiences earned him the National Book Foundation's 2017 Innovations in Reading Prize. Irby's popular TED Talk "How to inspire every child to be a lifelong reader," has been viewed over 1 million times. Irby's nationally-recognized cultural competency workshops help school districts, library systems, and education organizations create relevant and engaging learning experiences for all students. His Diversity & Inclusion trainings have been described as informative, inspiring, engaging, and humorous. Ir by helps educators better understand and address the systemic and personal challenges that inhibit children's intrinsic motivation to read and learn. His debut children's book, Gross Greg, combines Irby's passion for early literacy and comedy. Gross Greg is a laugh-out-loud story that captures the hilariously gross behavior of kids everywhere. As a stand up comedian, Irby's fresh perspective and smart brand of humor shine through in his comedy album "Really Dense." His clever social commentary and funny observations have not gone unnoticed. Irby won the Clean Comedy Showcase at the 2019 San Diego Comedy Festival and won 2nd place at NYC's 2019 Laughing Devil Comedy Festival. One of the highlights of Irby's comedy career was being selected as a national finalist for the StandUp NBC competition and performing at the legendary Hollywood Improv in Los Angeles. Alvin Irby holds a Masters of Science (MS) in Childhood Education from Bank Street Graduate School of Education, a Masters of Public Administration (MPA) from New York University's Robert F. Wagner School of Public Service, and a Bachelors of Arts (BA) in Sociology from Grinnell College. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf  

Si te gusta lo que escuchas y quieres apoyar esta empresita, ven a ver el programa en directo de lunes a viernes a las 10:00h en Twitch.tv/chiclanafriends

Not only is the weather hot, but Las Pochas are on fire this episodio talking about school districts and states changing school curriculum with an even more racist lens and then doing a 180 to talk the language of love. And in the Que Hay de Nuevo, a Pocha's take on the Alabama Brawl. 

Maggie co-hosts Pochas So What–a podcast created by pochas for their deported, returned and undocumented community. We get to hear all the details behind the show and learn about the impact of this work! We also get deep into talking about grief, alcoholism, and her fifteen-year anniversary since she made the decision to return to Mexico. Maggie has so much grace and wisdom to share, Enjoy! Available on Spotify, Apple Podcast, our website, and more.

Welcome back to the Pocha Playlist.This week we review the final 2 episodes of Black Knight and then rank it. Then each of the Pocha Crew members give their individual top-10 Kdrama lists. Please join the Pocha Playlist discord and also leave us ratings and reviews on Apple Podcasts and let us know if you have any ideas for what you want as Pocha Playlist merch!2023 Playlist:1. The Glory2. Love to Hate You3. Queenmaker4. Crash Course in Romance5. Black Knights6. Duty After SchoolSupport the show

Claire Risoli is a bilingual, bicultural, native Angelina. Her mother is from Sonora, Mexico and her father, of Eastern European descent from Brooklyn, NY. Claire grew up in the entertainment business, she was a signed recording artist with MCA Records at 19 years old and has appeared in many national commercials, TV shows and films in both English & Spanish. In her adult years, she was a freelance producer in Latino Marketing when she discovered an opportunity with a health & wellness, network marketing company called, Arbonne International. For the last 12 years she climbed up the ranks to the top 1% and parlayed her success to pursue yet ANOTHER dream. Claire is a serial entrepreneur. Although the timing was not ideal, her entrepreneurial spirit led her to boldly open the doors of her own Modern Mexicana restaurant brand called, Pocha LA in Highland Park, CA on April 10th, 2020. She loves cooking with her 13 year old son, Rocco who you also might see at the restaurant working alongside her and answering phones.  Links of your social media platforms: @pocha_losangeles,  @claire_risoli, facebook.com/claire.risoli Chicana & Latina Moms Instagram: @chicana_latinamomspodcast

In this best of the Pocha Podcast, Las Pochas revisit whether or not they're sliding into the señora life gracefully. Plus spa water and street corn salad... as food appropriation continues, Las Pochas have a take on it. 

Alle tauglichen südkoreanischen Männer müssen sich beim koreanischen Militär für ihren Wehrdienst einschreiben. K-Pop Stars sind von dieser Pflicht nicht befreit und auch BTS hat verkündet, dass sie zum Dienst antreten werden. Um zu verstehen, warum der Wehrdienst auch heute noch sehr bedeutend für Südkorea ist und welche Rolle er in der Gesellschaft spielt, wollen wir euch heute eine Einführung geben.

Nach den ersten großen Kulturschocks in einem neuen Land fallen einem die kleinen Unterschiede, an die man sich nun schon gewöhnt hat, oft nicht mehr auf. Wir haben uns in dieser Folge gefragt, was sind Kleinigkeiten, kleine Kulturschocks und ähnliches in unserem Alltag, die wir als Deutsche in Korea wahrnehmen könnten.

The holidays are coming up and that means Pocha Picks! Las Pochas are sharing 12 places to go for gifts that are from BIPOC and/or LGBTQ businesses online. And go early so you can get some shopping for familia and yourself. 

*Warning: Possible Spoilers* We are back at it again with our annual K-Drama Draft!  This time we are partnering with the hosts of the Pocha Playlist!  Jennifer, Nadira, and I had so much fun recording with Jenny, Andy, and Brandon!  We picked dramas from the following categories; school dramas, supernatural dramas, and workplace dramas as well as an anything-goes round.   If you like K-Dramas, especially current shows, you HAVE to listen to the Pocha Playlist!  It's a super fun show with really great co-host chemistry!  You can find Pocha Playlist wherever you get your podcasts.  Also follow them @pochaplaylist on most social media.   Did you like our picks?  You can let us know your thoughts on the draft at: infatuasianpodcast@gmail.com, or via direct message on Instagram and Facebook @theinfatuasianpodcast    Please follow us wherever you get your podcasts.  We would really appreaciate your ratings and reviews over at Apple Podcasts and Spotify!   Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around    #kdramas #asianpodcast #asian #asianamerican #infatuasian #iinfatuasianpodcast #aapi #veryasian #asianamericanpodcaster #representationmatters

Welche Vorurteile haben Menschen über Südkorea? Und wie viel Wahrheit steckt dahinter? In dieser Folge versuchen wir ein paar Vorurteile mit Hilfe unserer persönlichen Erfahrungen genauer unter die Lupe zu nehmen.

Umzugsstress? Hochzeitsplanung? Keine Zeit zum Planen, Einrichten oder sogar Einkaufen? Keine Sorge! Korea's Servicekultur hat eine Lösung für jede Umständlichkeit, die im Alltag entstehen könnte. Heute stellen wir Euch einige dieser Services vor!

On this month's wiri wiri Las Pochas talk to elected officials, Johana Bencomo and Angelica Rubio, who also double as judges for the Pocha margarita throw down. This time, it's better than the tortillas. Grab your tequila and join them!

Carolyn Abel war eine Weltenbummlerin: Dänemark, Deutschland, Frankreich, Nepal, Japan. Doch ihre Reise in 1988 als Englischlehrerin aus den USA nach Korea würde traurigerweise ihre letzte Reise werden. Hört rein in unsere True Crime Folge, in der wir euch den realen Fall näher bringen und die Frage stellen, ob es zu spät für Gerechtigkeit sein kann.

Wir feiern 8.000 Podcast Abonnenten auf den Podcast Plattformen, Spotify und Co. Dafür möchten wir uns ganz herzlichst bei euch bedanken!

Am 20. April 1977 wurden 4 Menschen auf dem Mudeungsan ermordert. Welche Hintergründe haben diese Morde? Hört rein in die fünfte Folge unserer True Crime Reihe, in der wir euch einen weiteren realen Fall und dessen gesellschaftliche und historische Bedeutung näher bringen.

Reisen nach Korea sind mit Aufhebung der Quarantäne nun endlich wieder einfacher für Euch! Darum möchten wir Euch die vielen einzigartigen Orte und Attraktionen von Korea vorstellen. Heute geht es um bekannte Vergnügungsparks in und um Seoul!

Bittersweet episode this week as we have Terry back from vacation, but unfortunately we have to announce that this will be Terry's last episode. He will be stepping away from the Pocha crew and it will just be Brandon, Jenny and Andy going forward. We will all miss Terry on the podcast and we will always consider him an OG Pocha Playlist member. This week we continue reviewing Alchemy of Souls (5-6) @ 16:24 and then we review the first 6 episodes of Money Heist @ 34:22. Next week we will continue to review Alchemy of Souls (7-8). Please join the Pocha Playlist discord and also leave us ratings and reviews on Apple Podcasts and let us know if you have any ideas for what you want as Pocha Playlist merch!2022 Playlist:1. Our Beloved Summer2. Twenty-Five Twenty-One3. Money Heist*4. Our Blues5. Business Proposal6. Liberation Notes7. All of Us are Dead8. Pachinko9. Bad & Crazy10. The Killer's Shopping List11. 3912. The Sound of Magic*Temporary RankingSupport the show

HAPPY 100TH EPISODE EVERYONE!!! THANK YOU SO MUCH!!!Unfortunately, Terry is on a beach in Hawaii during this episode so he will be missed. This episode we talk a little bit about the history of Pocha, we release a very special baby picture reveal and we discuss our top 3 best and worst Pocha dramas that we have reviewed. After that, we review Our Blues (17-18) @ 53:35 and start the new drama Why Her? (1-2) @ 1:06:21. Next week we will review the Our Blues  finale (19-20) and we will continue Why Her? (3-4).Please join the Pocha Playlist discord and also leave us ratings and reviews on Apple Podcasts and let us know if you have any ideas for what you want as Pocha Playlist merch!2022 Playlist:1. Our Beloved Summer2. Twenty-Five Twenty-One3. Business Proposal4. Liberation Notes5. All of Us are Dead6. Pachinko7. Bad & Crazy8. The Killer's Shopping List9. 3910. The Sound of MagicSupport the show

Las Pochas hit the road for this wiri wiri and they take on Bill Maher's comments on the trendiness of being trans. Plus Las Pochas chat about what it's like driving while Pocha on a roadtrip. 

It's almost summer time and Las Pochas take a trip down memory lane about packing up la familia and going on a vacay. Plus they talk about the art and stigma of tattoos and in the Que Hay de Nuevo, the Pocha view on overturning Roe. 

Recreational use of cannabis is legal in New Mexico and Las Pochas talk about the history of high and the future of fumando with a Pocha perspective. 

Hablamos con Humberto Mingorance, Secretario de Ambiente de Mendoza, por las elefantas Pocha y Guillermina que están demoradas y siguen sin ser trasladadas al santuario para elefantes en Brasil. --- Send in a voice message: https://anchor.fm/urbanaplayfm/message

Today's guest is television writer Amy Pocha.  Amy and her partner, Seth Cohen, are known for the NBC sitcom Undateable, Netflix's animated Paradise PD, and The Head of the Class reboot for HBO Max. Amy is currently a consulting producer on FARZAR, an upcoming Netflix animated series.  

Unfortunately Jenny is away on a work trip for this episode so its just the boys doing their best to keep the episode going. Please cut us some slack! We tried our best, but no Pocha episode is complete without the Queen Jenny. Since there were no 39 episodes this week, we just have Twenty-Five Twenty-One (9-10) @ 8:34. Next week we will continue both dramas, Twenty-Five Twenty-One (11-12) and 39 (7-8). Please leave us ratings and reviews on Apple Podcasts and also let us know if you have any ideas for what you want as Pocha Playlist merch!2022 Playlist:1. Our Beloved Summer2. All of Us are Dead3. Bad & CrazySupport the show (https://ko-fi.com/pochaplaylist)

En el quingentésimo trigésimo noveno episodio, Laura nos cuenta el estado de su rodilla después de las 6h de Hortaleza y cuales son sus objetivos a largo plazo.Para cualquier sugerencia, comentario, etc… podéis poneros en contacto por los medios habituales: Email: davidisasi@mac.comTwitter: @macsatineEmail: godespow@gmail.comTwitter: @GodespowEmail: carlos@sahuquillo.esTwitter: @csahuquiEmail: davidrodriguezgallego@gmail.comTwitter: @_bilitoEmail: laura.reto21k@gmail.comTwitter: @reto21kWeb: https://emilcar.fm/category/corriendoany/Twitter: @corriendoanyInstagram: corriendoanyTelegram: t.me/corriendoany

Aaron Sanchez can be found at @1stworldchicano Background music in Aaron's piece provided by Cuatro Cuatro Cero Find Merch here: https://theirrelevant.org/store El Pochast is a part of The Irrelevant Podcast Network Twitter: @elpochcast Instagram: @elpochcast Email : elpochcast@ gmail.com rapture.mp3 by Vincent Augustus is licensed under a Attribution 4.0 International License. https://creativecommons.org/licenses/by/4.0/ Support El Pochcast by contributing to their Tip Jar: https://tips.pinecast.com/jar/el-pochcast

Episode 99 Notes and Links to Sara Borjas' Work        On Episode 99 of The Chills at Will Podcast, Pete welcomes Sara Borjas, and the two talk about, among other topics, Sara's relationship with language, bilingualism and identity, pochismo, formative and transformative writers and teachers, and themes and ideas from Sara's standout collection, Heart Like a Window, Mouth Like a Cliff.        SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. George Floyd. Delaina Ashley Yaun Gonzalez. Lorenzo Perez. Xiaojie Tan. Say their names. Joyce Echaquan. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Juanito Falcon. Breonna Taylor. Daoyou Feng. Elcias Hernandez-Ortiz. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. Hyun Jung Grant. Ahmaud Arbery. Suncha Kim. Her work can be found in Ploughshares, The Rumpus, Poem-a-Day by The Academy of American Poets, Alta and The Offing, amongst others. Sandra Bland. Soon Chung Park. Yong Ae Yue. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. Say their names. Justice for George Floyd and the countless others. She digs oldiez, outer space, aromatics, and tiny prints, is about decentering whiteness in literature, creative writing, and daily life.    Buy Sara Borjas' Heart Like a Window, Mouth Like a Cliff   From The Rumpus:"A CLEANSING TORNADO: HEART LIKE A WINDOW, MOUTH LIKE A CLIFF BY SARA BORJAS" The Georgia Review Review of Heart Like a Window, Mouth Like a Cliff   “Pocha and Proud: An Interview with Sara Borjas” from Los Angeles Review of Books At about 2:30, Sara talks about her relationship with language growing up, particularly her relationship with Spanish and bilingualism    At about 6:00, Sara explains the “pocho lecture” and how speaking Spanish was punished in her parents' lives   At about 9:10, Pete asks Sara what she was reading as a kid, and if she “saw herself” in what she read   At about 11:10, Sara talks about her first exposure to writers of color, guided by Professors Alex Espinoza and Sameeta Najmee, and reading greats like Helena Maria Viramontes and Marisela Norte   At about 12:15, Pete and Sara talk about their shared admiration for Marisela Norte and Sara's work connecting to that of Moffat Takadiwa   At about 13:00, Sara talks about Tomás Rivera and his background and connections to UIC Riverside where she teaches   At about 14:00, Sara muses on the void that existed in her reading that “aligned with whiteness” and how it affected her    At about 15:50, Pete and Sara discuss “pocho” and its implications; Sara talks about reclaiming its meaning   At about 20:00, Sara describes the ways in which people of color, her parents included, have been innovative in escaping prejudice and oversimplified narratives   At about 20:45, Pete asks Sara about “pocho” in work that has come in recent years, including by innovators like Alan Chazaro, Episode 92 guest   At about 23:20, Sara shouts out writers who have and continue to have an effect on her through their chill-inducing work, including Marwa Helal, Aria Aber, Layli Long Soldier, Anthony Cody, Tongo Eisen-Martin, Roque Dalton, Bob Kaufman, Alejandra Pizarnik, and some standout students of hers   At about 26:25, Pete asks Sara how she explains to her students about “language to assert power,” including how Marwa Helal flips the script   At about 28:30, Pete wonders about Sara's thoughts on “decoding” her poetry, and poetry “having one answers”   At about 31:30, Pete asks Sara about the idea of reciting poetry from memory, and she talks about the “power” that comes from memorizing, including how she talked to Tongo Eisen-Martin about memorization   At about 33:20, Sara describes how she grew into becoming a poet, including some incredible mentorship and encouragement from Juan Luis Guzmán, and transitions into ways in which she and other women have been made to feel like they need to be quiet   At about 37:30, Sara meditates on her evolving attitude towards her missions and work over the years   At about 39:10, Pete wonders how Sara seeks out and pumps up students who are like she was when she was in school   At about 41:50, Pete and Sara have a discussion about Sara's ideas of prose and other formas, as done in Heart Like a Window, Mouth Like a Cliff; she also describes some probing and helpful questions from Carmen Gimenez Smith that led to writing ideas   At about 46:35, Sara details the inspiration she received from Anish Kapoor's installation, and how it served as a muse for Sara's poem “We are Too Big for This House”   At about 49:35, Pete asks Sara about poem titles and their connection to the poems themselves    At about 50:55, Sara gives her thoughts on translation in her poems   At about 52:20, Sara answers Pete's question regarding if Sara is the narrator/protagonist of her poems   At about 53:50, Sara talks about the importance of creative expression and the power and beauty of poems, as exemplified by Michael Torres and The Minnesota Prison Writing Workshop   At about 55:20, Pete asks Sara about her collection using powerful words from Audre Lorde and Cherie Moraga as epigraphs   At about 59:00, Sara describes identity as seen in her work, including Aztlan's significance in the collection's first poem and in society as a whole; she describes it as a “marker” and a “tool for transformation”   At about 1:02:00, Pete recounts some brilliant and profound lines about identity from poems in the collection, including ones about women's liberation     At about 1:04:45, Pete cites “Los de Abajo” and asks Sara about her ideas of rasquachismo and its importance in her work; she shouts out creative art as seen at Tío's Tacos in Riverside   At about 1:06:55, Sara and Pete discuss the “mother and daughter' relationships” as an overriding theme in her collection; Sara shouts out Rachel McKibbens as another inspiration   At about 1:10:20, Sara and Pete converse about intergenerational trauma and machismo in Sara's work   At about 1:12:45, Pete wonders about Narcissus and the multiple appearances in Sara's work; she mentions inspiration coming from a class taken with Reza Aslan   At about 1:16:10, Sara talks about conceptions of gender as seen in her work   At about 1:18:00, Sara gives background on “Mexican Bingo” and reads the poem   At about 1:22:30, Pete asks about Sara's future projects, including her penchant for writing skits and music   At about 1:24:00, Sara gives out contact info and encourages people to buy her book from Noemi Press or on Bookshop You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. I'm looking forward to sharing Episode 100 (WHOA) with Susan Muaddi Darraj, teacher, writer of the groundbreaking Farrah Rocks middle-grade series, and winner of the AWP Grace Paley Prize for Short Fiction. The episode airs on January 17.