Podcasts about ballet shoes

Guests - IDA JudgesHosted By - Courtney Ortiz and Lesley MealorIn Episode 220 of Making The Impact - A Dance Competition Podcast, we devote a full episode to the conversation that seems to never end in the competitive dance world - to wear two shoes, one shoe, or no shoes? Our IDA judges chime in with their thoughts and we (try to) look at the opposing point of view!Topics Include: The variety of reasons to wear two shoes Why dancing barefoot can be beneficial A few arguments for wearing one shoeHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceImpact Dance Adjudicators - @impactdanceadjudicators This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Clive hosts Loose Ends with an audience in London this week with a set of guests with a serious work ethic and willingness to try new things in the name of entertainment. The chart topping superstar and award winning actor Michael Ball is now also a best selling novelist. Can life backstage really be as chaotic as this page-turner set in theatreland suggests? Hollie McNish is that rare thing, a best-selling poet who also likes to make people laugh. Fresh from entertaining Swiss school children with her work, she'll be discussing her latest collection Lobster (and other things I'm learning to Love), the follow up to Slug (and other things I've been told to hate). And Dr Who and Ballet Shoes actress Pearl Mackie on her new venture - a true crime podcast called Theatre of Crime, investigating famous murder mysteries with a touch of audio drama. Comedian Pierre Novellie also co-hosts podcasts, alongside names like Frank Skinner and Phil Wang. But he's going it alone in a new show - Must We? - a sell out Edinburgh Festival hit that makes comedy out of Cargo Cults, neurodiversity and quirky obsessions. Plus, music from the English folk star Sam Lee, who is Artist-in-residence for a year of environment-themed events - Earth Unwrapped - at Kings Place in London. Presented by Clive Anderson Produced by Olive Clancy

Mickey-Jo Theatre and Aeron James co-host The West End Frame Show on West End Frame's 13th birthday! Andrew, Mickey-Jo and Aeron discuss Hadestown (Lyric Theatre) as well as the latest news about Cynthia Erivo hosting the Tony Awards and being cast in Jesus Christ Superstar, Moulin Rouge's performance on Dancing On Ice, Pippin, Ballet Shoes and more.Mickey-Jo is a stagey YouTuber, international theatre critic and the most recognisable London based theatre influencer. Aeron is a freelance theatre PR, but also a YouTuber and all-round stagey content creator.Mickey-Jo's live chat show MickeyJoTheatre: Live! is returning to The Phoenix Arts Club for three shows on 16th March, 20th April and 18th May. The shows will see Mickey-Jo joined by musical theatre stars for an evening of interviews, musical performances, games and more. Each show will also spotlight a musical theatre composer. Visit www.phoenixartsclub.com for info and tickets.Follow Mickey-Jo and Aeron on Instagram: @mickeyjotheatre @aeronjamesukThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

As the national Theatre continues to make their productions accessible to everyone on Wednesday 5 February 2025 1,000 primary school children from within Greater London attended a schools performance of ‘Ballet Shoes' in the National Theatre's Olivier Theatre with audio description and a pre show touch tour for the young visually impaired children from the primary schools too. The live description for ‘Ballet Shoes' was delivered by Eleanor Stollery, a young visually impaired Actor, Voice Over Artist and Audio Describer who had previously delivered the live description for the national Theatre's schools performance of ‘The Witches' too.  RNIB Connect Radios Toby Davey went along to the schools performance of ‘Ballet Shoes' with Eleanor's live audio description and firstly explored through touch some of the props from ‘Ballet Shoes' that were on display as part of the pre show touch tour for the young visually impaired children.  As part of the touch tour there was also a ballet lesson for the young visually impaired children so that they could experience some of the ballet moves that feature in ‘Ballet Shoes'.  Shortly after the ballet lesson Toby caught up with a group of visually impaired Primary School children to find out how they had found the touch tour and that ballet lesson.   Toby also chatted with Ellara Wakely, Head of Schools Engagement at the National Theatre to find out more about why the National Theatre wanted to make the schools performance of ‘Ballet Shoes' accessible to young visually impaired children. Toby of course also caught up with Eleanor just after the end of the performance to find out how it had all gone for Eleanor delivering the live audio description for Ballet Shoes' at the national Theatre's Olivier Theatre. To find out more about the National Theatre's programme, opportunities and resources for primary, secondary, further education or at SEND/SEMH schools do email LetsPlay@nationaltheatre.org.uk or visit - https://www.nationaltheatre.org.uk/learn-explore/schools/ And for more about access at the National Theatre including details of audio described performances, do visit - https://www.nationaltheatre.org.uk/your-visit/access/ (Image shows one of the children on the touch tour being shown one of the props from the production, an animals skull mounted on a wooden plaque. Photograph credit Natalie Mitchell)

It's the rape trial that has shocked the world. Gisèle Pelicot's ex-husband Dominique was sentenced yesterday to 20 years in prison for her rape, alongside 50 other men. We hear Gisèle's own words, and Anita Rani was joined by the BBC's Andrew Harding who has covered the trial from the beginning, and French journalist and founder of The Women's Voices website Cynthia Illouz. Anne-Marie Duff joined Nuala McGovern to talk about her latest stage role in The Little Foxes at London's Young Vic Theatre. It's a family drama where she plays Regina Hubbard, an ambitious woman who is thwarted by her position in Alabama society in the early 1900s, where her less financially savvy brothers have the power and autonomy to run the family business. Anne-Marie discusses playing ruthless characters and the stage roles that place women front and centre.A recent report by the National Council for the Training of Journalists found that 91% of UK journalists come from white ethnic groups. This has increased by 3% since last year. Amid large numbers of job cuts within the sector, what can be done to help keep female black and minority ethnic journalists within the profession? Nuala was joined by Habiba Katsha, a freelance journalist considering an alternative career, and award-winning writer and journalist Afua Hirsch.Daisy Edgar-Jones and her co-star Paul Mescal rocketed into the public gaze in the BBC adaptation of Sally Rooney's novel Normal People. Following a couple of notable film performances Daisy is now on stage as the formidable, if unhappy, Maggie in Cat on a Hot Tin Roof. She joined Anita Rani live in the Woman's Hour studio.Noel Streatfield's classic children's book Ballet Shoes was written in 1936, and had never been staged - until now. The National Theatre's production of Ballet Shoes is directed by Katy Rudd and tells the story of the three Fossil sisters, Pauline, Petrova and Posy, who were given their name because they were all “discovered” as babies on the travels of adventurer Great Uncle Matthew and then abandoned to his Great Niece Sylvia, or Garnie, played by Pearl Mackie. Anita was joined by Katy and Pearl to discuss this children's classic.Would you ask your friends to describe you in one word? Comedian Sophie Duker did. She joined Nuala to talk about their responses and how it influenced her new standup show, But Daddy, I Love Her.Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

The verdicts have been handed down in the mass rape trial that has truly shocked and appalled people in France and around the world where 51 men stood accused of raping Gisele Pelicot. One of these men is Gisele's now ex-husband Dominique Pelicot, who has been convicted of drugging and raping his wife of 50 years - and inviting dozens of others to rape her over nearly a decade. He has been sentenced to 20 years in prison. Anita Rani spoke to BBC correspondent Chris Bockman and French feminist campaigner Blandine Deverlanges, both outside the court in Avignon.Venture Capitalist Nell Daly is on a mission to invest in female entrepreneurs. She has launched a £50 million investment fund here in the UK to support those who normally don't get a seat at the finance table. She joins Anita to talk about women in business.Noel Streatfield's classic children's book Ballet Shoes was written in 1936, and had never been staged - until now. The National Theatre's production of Ballet Shoes is directed by Katy Rudd and tells the story of the three Fossil sisters, Pauline, Petrova and Posy, who were given their name because they were all “discovered” as babies on the travels of adventurer Great Uncle Matthew and then abandoned to his Great Niece Sylvia, or Garnie, played by Pearl Mackie. Anita is joined by Katy and Pearl to discuss this children's classic.Have you ever spent Christmas alone by choice? Why did you decide to spend it this way - and what did you do? That's what the best selling author and Daily Mail agony aunt, Jane Green, is doing this year. It's the first Christmas since her divorce and she's spending it alone, several thousand miles away from home. She joins me now. Presenter: Anita Rani Producer: Rebecca Myatt

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. Our Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the National Theatre and a couple that are available online with audio description too via ntathome.com. Audio described performances included: The much loved best-selling book ‘Ballet Shoes' is spectacularly reinvented for the stage in a new adaptation by Kendall Feaver. ‘Ballet Shoes' will be audio described on Saturday 21 December at 1.30pm with  touch tour at 11.30am and on Thursday 30 January at 7pm with a touch tour at 5pm in the National Theatre's Olivier Theatre. Max Webster directs a joyful and flamboyant reimagining of Oscar Wilde's most celebrated comedy ‘The Importance of Being Ernest' with Olivier Award-winner Sharon D Clarke, Ncuti Gatwa and Hugh Skinner in this hilarious story of identity, impersonation and romance. ‘The Importance of Being Earnest' will be audio described on Friday 10 January at 7.30pm with a touch tour at 5.30pm at the National Theatre's Littleton Theatre.  From ntathome.com with audio description David recommended ‘Vanya' and ‘Nye' both available from ntathome.com. To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about ntathome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

Now for the next in our regular slots here on RNIB Connect Radio highlighting what is on offer at the National Theatre in London for blind and partially sighted people with audio description. Our Toby Davey was joined again by David Bellwood, Head of Access at the National Theatre to chat about a few up-coming audio described shows at the National Theatre and a couple that are available online with audio description too via ntathome.com Audio described performances included: The much loved best-selling book ‘Ballet Shoes' is spectacularly reinvented for the stage in a new adaptation by Kendall Feaver. In a crumbling house full of dinosaur bones and fossils, three adopted sisters – Pauline, Petrova and Posy – are learning who they are and what they want to be. Under the watchful eyes and guidance of their guardian Sylvia, Nana, and some unlikely lodgers, they fight to pursue their individual passions. But in a world that wasn't built for women with big ambitions, can they forge a future, keep their family together, and even learn a dance or two along the way? ‘Ballet Shoes' will be audio described on Saturday 21 December at 1.30pm with  touch tour at 11.30am and on Thursday 30 January at 7pm with a touch tour at 5pm in the National Theatre's Olivier Theatre. Max Webster directs a joyful and flamboyant reimagining of Oscar Wilde's most celebrated comedy ‘The Importance of Being Ernest' with Olivier Award-winner Sharon D Clarke, Ncuti Gatwa and Hugh Skinner in this hilarious story of identity, impersonation and romance. The Importance of Being Earnest' will be audio described on Friday 10 January at 7.30pm with a touch tour at 5.30pm at the National Theatre's Littleton Theatre.  From ntathome.com with audio description David recommended ‘Vanya' and ‘Nye' both available from ntathome.com To find out more about the National Theatre's audio description offer and services for blind and partially sighted people do either call the NT on 020 7452 3961 or visit the NT website - https://www.nationaltheatre.org.uk And for more about ntathome.com and to view many theatre productions online with audio description do visit - https://www.ntathome.com (Image shows National Theatre logo, A capital N and T in black against a white background)

We're now just days away from the biggest fight in boxing, but who will be crowned undisputed champion - Arthur Beterbiev or Dmitry Bivol? HHSM Boxing breaks down the whole Riyadh Season card and covers all the latest news from across the sport. Including, why is Tank Davis - Nick Ball's homecoming performance and potential next opponents - Inoue - Alvarez - Benn & more! FEATURING: TV producer & journalist Ashley Whitt Daily Mail boxing reporter Charlotte Daly Boxing commentator Darren Reece Professional fighter Feargal McCrory Follow us on Instagram: https://www.instagram.com/hustlehard_sportsmedia/  Subscribe on YouTube: https://www.youtube.com/@HustleHard_SportsMedia  Get in touch: ash.hustlehard@gmail.com

- SKOR North's Judd Zulgad talks about the Twins picking up another win last night against the Angels to salvage the series after a slow start with Zebby Matthews on the mound. Plus a chat about the general stupidity of most people. - KSTP's Chris Egert talks about pieces of a local 9/11 memorial being stolen yesterday, has more information on the Georgia school shooter and how he was confronted by the police prior to the tragedy. Plus if you're planning to make a trip to MOA today be cautious of emergency drills happening around the mall. - ABC News correspondent Deborah Roberts joins the show ahead of a major episode of "20/20" this Friday! 20/20 airs on ABC at 8pm and is available for streaming the next day on Hulu. This week's episode sees Ashley Benefield tell her story after being accused of fatally shooting her husband which was dubbed as the "Black Swan Trial" because of Benefield being a former ballet dancer. - Kristyn Burtt talks about Jon Bon Jovi and his production assistant who helped rescue a person from jumping from a bridge in the middle of him shooting a music video. Kristyn deals with an earthquake live on the show during her segment! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Did you know that Noel Streatfeild's 1936 children's book Ballet Shoes is based on her earlier novel The Whicharts, a tawdrier and not-for-children “shadow twin” that was published five years prior? Find out why it's our favorite of the two in this week's episode with our guest, author and bookstagrammer Wendy-Marie Chabot. Discussed in this week's episode: Ballet Shoes by Noel StreatfeildThe Whicharts by Noel StreatfeildLittle Dancer Aged 14 by Edgar DegasMarie van GoethemWannabe: Confessions of a Failed Bibliophile by Badgwendel Anne of Green Gables by Lucy Maud MontgomeryDesert Island Discs on Noel StreatfeildYou've Got Mail (1998 film) Ballet Shoes (2007 TV movie) Umbrella Academy (2019- TV series)Lost Ladies of Lit episode on Louise Fitzhugh's Harriet the SpyThe Vicarage series by Noel StreatfeildAt Freddie's by Penelope FitzgeraldLost Ladies of Lit episode on E.M. Delafield's Diary of a Provincial LadyBlack Swan (2010 film)Ballet Shoes (1975 TV mini series)Pride and Prejudice (1995 BBC series)Six Weeks (1982 film) Dancing on My Grave by Gelsey KirklandSupport the Show.For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Historian, author and broadcaster Suzannah Lipscomb shines the spotlight on women throughout history who are too often missed from books.  A distinguished historian, Suzannah is Professor Emerita at the University of Roehampton, Senior Member at St Cross College, Oxford, and a Fellow of the Royal Historical Society and the Society of Antiquaries.  She has written and edited seven books, most recently, What is History, Now? with Helen Carr, and The Voices of Nîmes: Women, Sex, and Marriage in Reformation Languedoc. She has presents history programmes on the BBC, ITV, More4 and Channel 5, and she hosts the popular Not Just the Tudors podcast from History Hit.  A close friend of the Women's Prize Trust, Suzannah is the chair of judges for the inaugural Women's Prize for Non-Fiction. Suzannah's book choices are: ** Ballet Shoes by Noel Streatfeild ** The Hiding Place by Corrie Ten Boom ** The Namesake by Jhumpa Lahiri ** The Return of Martin Guerre by Natalie Zemon Davis ** Gaudy Night by Dorothy L. Sayers Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season seven of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season six? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

Why do people dance? Where did ballet come from? How do you make pointe shoes for ballet? How does practice make you better at things? But Why visited Dance Theatre of Harlem to get answers to these questions with company artists Derek Brockington and Lindsey Donnell. Download our learning guides: Transcript

Iconic, beloved children's author and national treasure Dame Jacqueline Wilson kicks off series 7 of Bookshelfie with Vick Hope.  In her long and illustrious career Jacqueline has written over 100 books,  sold over 40 million copies in the UK alone and been translated into 34 languages. She has been the children's laureate, winner of many awards and for years was the most borrowed author from British libraries.  Her work - including The Story of Tracy Beaker, which catapulted her to fame in 1991 - is known for tackling challenging issues, from being in care and adoption to mental illness and divorce but never at the expense of alienating her readers.  Jacqueline's book choices are: ** Ballet Shoes by Noel Streatfeild ** Jane Eyre by Charlotte Bronte ** The Bell Jar by Syliva Plath ** Standard Deviation by Katherine Heiny ** Clock Dance by Anne Tyler  Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season seven of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season six? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

Let's take a fascinating journey, shall we? One minute you're pirouetting on stage, then shaping young minds in the classroom, and next thing you know, you're crafting delightful abstract art from home. That's the storyline for Emily Nichols, our incredible guest, who traded ballet shoes for brushes and canvases. Emily opens up about her transition from ballet dancer to elementary school teacher, and eventually, a full-time artist after embracing painting during the pandemic. But that's not all, folks. Emily's confetti style paintings are not just stunning; they've become a metaphor for life's everyday celebrations and joy.Ever wondered how to turn your passion into a thriving business? Emily's got you covered. She takes us down memory lane, sharing her journey of nurturing her distinctive style and transforming it into a successful enterprise. Emily gets candid about her initial fears of unveiling her authentic style, how her husband's unwavering support fueled her confidence, and how her art business took a leap when influencers on Instagram started sharing her work. Listen in as she discusses her collaboration with local stores and the importance of staying true to who you are.We're not finished yet; Emily also lets us in on her future plans, and trust us, they're impressive. She talks about the tools that keep her organized, like Lightroom and Canva. But beyond the tools and techniques, Emily's primary emphasis is on authenticity. She encourages fellow artists and creatives to stay true to their style and share their unique stories with their customers. So, get ready for an inspiring conversation, loaded with insights into Emily's artistic processes and business tips.Learn more about Emily through her website and Instagram. Something New Every WeekSomething New Every Week (or SNEW's for short) feature photography's best of the best....Listen on: Apple Podcasts SpotifySupport the show

Welcome back to the series in which I revisit favourite books from my childhood. We began in 2007 with Enid Blyton and The Boxcar Children, and today we're exploring 2008 with Anne of Green Gables and Ballet Shoes. Visit my website www.angourieslibrary.com for more links and resources. You might also like 6.03 Childhood Favourites: 2007 5.15 When History Meets Magic 5.12 I Watched 7 Old Movies in 7 Days 5.01 Why You Should Be Critical of the Things You Love *** Black Lives Matter resources Pay the Rent Greenpeace Australia Pacific Greenpeace International   @angourierice / @the_community_library / our book! Cover artwork is by Ashley Ronning Ashley's Instagram, website, and printing studio website

In which Princess dives deep into her bisexual awakening - from badly censored anime to Emma Watson's eyebrows! Check out our Patreon - there are cool perks and you help support the podcast! https://www.patreon.com/thequeermoviepodcast We're a serious podcast and have a sponsor, SquareSpace support us! Help make the podcast profitable by going to squarespace.com/queermovie, and by using the code 'queermovie' at checkout. Find Us Online - Twitter: https://twitter.com/QueerMoviePod  - Website: http://www.queermoviepodcast.co.uk/  - Multitude: @MultitudeShows   Production - Hosts: Rowan Ellis and Jazza John - Editor: Julia Schifini - Executive Producer: Multitude - Artwork: Jessica E. Boyd   About The Show Queer Movie Podcast is a queer movie watch party hosted by Rowan Ellis and Jazza John. Join us as we research and rate our way through the queer film canon, one genre at a time. From rom-coms to slashers, contemporary arthouse cinema to black & white classics, Queer Movie Podcast is a celebration of all things gaaaaay on the silver screen. New episodes every other Thursday.   Transcript ROWAN:  Just quick mention at the top of this episode to thank two of our patrons over on Patreon, Jennifer and Toby who are supporting at the highest tier over there. We are so, so grateful. Thank you so much to our wonderful rainbow parents, Jennifer and Toby. If you want to support our Patreon then the link will be in the description. It's patreon.com/thequeermoviepodcast. [theme] ROWAN:  Welcome to the Queer Movie Podcast celebrating the best and worst and LGBTQ plus cinema one glorious genre at a time. I'm Rowan Ellis and I would like to welcome you to one of our guest specials. Oooh, very exciting. And today we are joined by, as usual, a very special guest who will be answering the question, what movies made you queer? I am very excited to welcome Princess, wooo! Popopow. Yay! PRINCESS:  Thank you so much for having me. I'm so excited to finally be here with you. I wanted to be talking to you and doing stuff with you forever. But we always are just so busy. And everything's so chaotic. So it's an honor to be queer here with you. ROWAN:  Oh my gosh, like ships in the night. I mean, I feel like in these podcasts with these guests, I always forget to actually introduce people because it's mainly like this is a cool person that I know about. And then I—I never actually do the proper podcasting of introducing them. So if you don't already know who Princess is, for shame, writer, YouTuber, pop culture thinker was the direct quote I believe. And I actually pulled up the quote from your YouTube channel, which I think is like chef's kiss, which is talking about pop culture, race, feminism, and other social issues with a lot of nuance and profanity.  Incredible. PRINCESS:  Yes. I— I do— ROWAN:  Love that. PRINCESS:  —I do love that. Sometimes I write something I'm like, that was good. I think that this is solid description. ROWAN:  So essentially, honestly, if you like this podcast, if you like anything that Me or Jazza do on the internet, you will love everything that our guest does. Across the entirety of the internet, so many projects. We'll leave in the show notes various links for you to look up what she's doing. First question for you, the first question we always do on this particular type of guest episode. I use queer in that intro as kind of like an umbrella catch-all term, you know, the movies that made me queer. But do you use other words to describe your identities? Does that make sense as a question for you? Or would there be some other kind of words going on there? PRINCESS:  No, absolutely. I use queer and Bi all the time. I am a very loud, proud stereotype bisexual person. And I love it. It's the term that I came into my queerness with. So even as I've evolved in people of like, well, what about pan or this, and it's like, I accept all those terms. But I call myself Bi and queer. And yeah, just very happy with. Happy being Bi. ROWAN:  Amazing, love that. And as such, you have bought along, I don't know what these are. I love when like all the guests keep up secret from me beforehand. And so it's always really fun to see what stuff people overlap on, because I feel like there's a lot of quite classic, especially the bisexuals. You do—there's a few that you all seem to have zoned in like some kind of homing beacon onto certain characters and certain movies. And then sometimes there are really left-to-field ones. So would you like to lay before me on the platter of sexuality, your first entry into this particular podcast vault? PRINCESS:  Well, I have to say, it's a precursor to this. I think like every—every queer kid can go back and find like, a billion moments where they're like, oh, yeah, like this because I was clear. Oh, yeah, I've totally quit that's why I like this. And for me, the thing I picked is the moment where I was just like, all of the denial just kind of like flushed down the toilet. And I was just like, well, it's no—I can no longer pretend that this is just - ROWAN:  The floodgates have opened. PRINCESS:  Just truly, fully opened. And it is— not even the movie itself, but the trailer for A24's, The Bling Ring. ROWAN:  Wow! What a deep call. What a throwback. Incredible Okay, so for those who don't know, what—what is The Bling Ring, if no one—somehow, someone has passed them by? PRINCESS:  Oh man, a true moment. Alright, so in 2013, Sofia Coppola, the soft girl boss directed at she is did an adaptation of the Vanity Fair article. The suspects were Louis Vittons about this—this gang quote-unquote, like “this gang of like rich kids” who were going into the homes of celebrities and stealing stuff from the celebrities. Purses, shoes, like it was chaotic. And it was a huge story. And in 2013 Sofia Coppola produced the film, and in the film playing one of the token members of The Bling Ring is Emma Watson. There's a scene in the trailer where Emma Watson is like, dancing and she does this thing where she like licks her upper lip and she's got like bangs, like she's like in the dance floor, she's having a good time. It's just kind of like licks her upper lip And I just remember thinking to myself like, oh, no, it's—oh no, it's finally—it's like the egg cracked, there was no—there was no more denial. There was no more like, oh, maybe I'm just—no, I was a homosexual. And I think it's because I always had a crush on Emma Watson. ROWAN:  Very valid of you. PRINCESS:  Thank you, um, in that front, but like, in a way where it's like I was always a girl's, girl. I always had female friends. I always wanted to be in the company ship of other women. So it was very easy for me to just be like, I just want to like be her best friend. And we could read books together, and we could like hang out like she likes to read, I like to read. You know, that kind of thing. And then first—the first thing that she did, was she got that haircut. When she like—after she was done filming that franchise. She cut her hair into this very cute like Audrey Hepburn, Anne Hathaway bob. And her face just like 10 times, just was like in my—in my mind, It's like, wow, she's so pretty. Wow! And I was like, no, it's fine. It's just—I'm just admiring her. ROWAN:  I just really love to admire people who can pull off pixie cuts. Like uh—it's just an intellectual admiration of that face type. PRINCESS:  Exactly.  ROWAN:  Yeah, of course. PRINCESS:  And so—and so—but then when The Bling Ring trailer came out, and I saw that lip lick, I thought I really realized oh, no, I'm getting, and I have a crush on Emma Watson for real, for real. ROWAN:  I love that.  PRINCESS:  And even though I don't particularly like The Bling Ring as a movie, that moment is imprinted on my soul forever. That—when I was sitting in bed thinking about like, we're gonna be talking about Xena again, or Sailor Moon, and I just like, I started reading some fanfiction, and then I was like, man, I really do still have a thing for Emma Watson. ROWAN:  Alright. Okay, here's what's so funny. I've never actually seen The Bling Ring. I think I would love it because it gives me the sense of like a movie that would really tickle the ADHD, like good bit of my brain in terms of it being just fairytale taken fast, basically. Like, that seems like there's probably been a lot of that happening in that movie. So I haven't actually seen the film. But I know the exact moment in that trailer that you are talking. I'm like, yep, I can see it clear as day. And I think it was that like, at least from my recollection. She did the like pixie cut and stuff, which was sort of like her version of I'm grown up now. Like I'm separating myself from this franchise, it is a child. But I feel like Bling Ring was the first like role that she took that was like overtly sexy. I'm here. I'm like an adult. PRINCESS:  Yes.  ROWAN:  And so it was obviously like, we're going hard on the idea of like, this is me stepping into my own. And she seems to have really put herself into that role. So— PRINCESS:  Yeah. ROWAN:  —it was just inevitable. PRINCESS:  It was inevitable. It was like—it was the definitely hollow movies came out. Then she was in Perks of Being a Wallflower. Then this and her cameo. And this is the end came in like the same year. And then you know, she's on and off for a while. I don't think she's done anything since Little Women. But she's just like, I think also, even though I don't like to her, how her Belle came together in the movie. I think like as a kid, like, I'd always love Belle from Beauty and the Beast. And in my mind, she and Belle, and like Audrey Hepburn and kind of like all of the like warm, soft white girl femme things that I'm really am attracted to, were like all combined in my mind with her because she was smart and a feminist and someone who just seemed very aware and even when she wasn't trying to get aware. And then what is even more peak bisexuals, that I always had a crush on her and Tom Felton. And then they had that—they had that whole back and forth thing where like she wrote the intro to his memoir. And I just remember like, just like giggling when I found that out. And then I was like, what's wrong with you? Like you don't understand! Everything Bi in me is so pleased right now, that they're like, friends. ROWAN:  A piece of context that I collect, everyone needs if you aren't familiar with the fact that Tom like the—I feel like the way that Princess has just told this story as if it's like some kind of historical event.  PRINCESS:  I know. ROWAN:  Like his book came out this year. Like that—that reaction is still within you—within your like very being, it feels like. PRINCESS:  It's—it's because, you know, for all of the things that I—that I—there are some fandoms that I really became queer in, or that I recognize my queerness in. And the things that I would ship and the—in the content I would consume. And so like the Draco, Hermione stuff, which is you know, very problematic hashtag I know. But because I had a crush on Emma Watson and Tom Felton as like people. It was like this perfect like blanket for me. And then there was although—there are always those rumors that like she had a crush on him in real life, which was confirmed. And so that brought me into a whole fit of giggles. And then I remember a couple years ago there was this image that one of them put on Instagram of like him teaching her the guitar, and like my entire like heart went into outer space. And then when the memoir came out, and I just—and I'm just like, wow! Emma Watson it—like their friendship just makes my heart very happy. But I just love the things that she's doing outside of acting. And I think The Bling Ring was the moment that I allowed myself to be like, no, I really have a crush on this girl. And it's weird because it's the first time I've ever had a crush on someone who was like my age, a real person and not a cartoon character. And someone who for my entire life had been like, both my age and a celebrity. Because I remember just the process happening and figuring out who this person wasn't it, which just very like. It was overwhelming. I think it's— I feel like that's probably how fed, the Jonas Brothers must feel. Who were like around the age when those, that's how I felt? Like Emma was all the Jonas's in one. ROWAN:  Roll into one girl. The thing that was like so interesting, as well as that they were, like worldwide known celebrities, but felt very accessible in a strange way. Like felt like, just like, oh, I just got picked as a child to be in this, this movie series. And I'm— I don't know it's all just a little bit crazy, isn't it? And now I'm like going on these fun little shows. And so I really— it was—I definitely think that, that, that she has been a —as well as just being a very, very lovely looking gal. PRINCESS:  So lovely looking gal. ROWAN:  That you know for a long time we've really overlooked the fact that she entirely acts with her eyebrows. PRINCESS:  Her and my girl Emilia Clarke those M's. They just love— but you know what the brows are free. It's fine. ROWAN:  It's— it's very—there are like—there is this one, she was in this. I think it was a BBC adaptation of Ballet Shoes.  PRINCESS:  Yes. Mmm. ROWAN:  Yes. Oh my god. That is peak Emma Watson eyebrow acting, and you could almost if you—like it would be dangerous playing a drinking game with it because you would— like it would—you would be absolutely wrecked by like the third scene. And then within it she plays a girl who loves—who wants to be an actor. And then she like doubles down on the eyebrows cheering, she does like a monologue from Puck PRINCESS:  Oh my goodness. ROWAN:  And it's incredible. And me and my brother like ca— it's really hard for us to watch an Emma Watson film. We have to like deliberately try to ignore her eyebrows like just cover the top half of the screen. I love that girl. And I think I agree with you in terms of like everything that she is seeming to let use her platform for and like trying to do with the fame that she got from a young age. But also I think there are just some elements of her. I'm like you, or do you just seem like a normal person?  PRINCESS:  Yeah. ROWAN:  And that it almost makes it more alluring. PRINCESS:  Yes. I think that's really true. And I think it's, I think when you compare like the Potter kid actors to like any other fandom, while there's definitely was gross. It was like the older men who were like trying to like sleep with her as soon as she turned 18. They just seem very level-headed, like it was before Instagram, before Tiktok, before we had that much accessibility. And also, I think to a degree them being British, and being around so many actors who could curate them and guide them who are these, like, you know, you've got like the best lessons ever. You have all these actors with like, decades and decades of experience under their belt, being around you to help you get through that. I think that's why most of them have turned out so well, is because they really had a lot of pragmatic, thoughtful people around them.  ROWAN:  Yeah. PRINCESS:  And I just find that so refreshing. And I think that even when I you know, I feel like if her and Emilia Clarke were in a movie that would just be like—it— that should be the trailer. It's just their eyebrows and their eyes. ROWAN:  That's all you see. PRINCESS:  Because all anyone— because that's what everyone would think about. ROWAN:  If the if— if movie poster designers had any balls like they used to, it would just be eyebrows. That's the poster.  PRINCESS:  Yeah. ROWAN:  If they— if they committed to the bid. PRINCESS:  We would love it.  ROWAN:  It wouldn't be one of these like posters with every single person's face that's on there, like, you know, the classic MCU posters now. I think specifically just when—they need to be cast together just so that we can go away. And then also, you know, it'd be great if Matt Smith was also in it. . That was just a blank space on the poster where Matt Smith belongs. PRINCESS:  Absolutely. Like you have the  the biggest like you have Amelia and Emma right here. Matt Smith on the side like a little ghost. And then you have Lily Collin just over there. no. People need to learn the art of making a great delicious poster again. Yeah. I just— you know, I think crushers are such a fun thing to look back on. Even if they are like celebrity crushes because the ability to like you get over a person was so normalized to Tumblr? That you could just be really out quietly to yourself, while still getting to appreciate these figures, and get to work out those fields. I think that's the thing that I kind of like about, the before I was a queer time in figuring out, was I got to do it by myself, you know? There wasn't a pressure that come out, cause I wasn't like anything big, the way I am now. But I really get to just enjoy, just having a crush and liking a person. But also not having to be a stan either, like I love her. I would do anything for her. but I'll still make fun of her eyebrow acting like I'm not ridiculous. ROWAN:  I kind of want to ask about the Tumblr, were you like a Tumblr teen? Is that where you were?   PRINCESS:  Oh, yeah. ROWAN:  Of course. Um, because I think that Tumblr weirdly is this kind of anonymized space, in a way in terms of fans. Like, you don't know how many followers people have. You can't tell who's like a big name in the fandom really. And then you also—there's no chance that your—people that you're a fan of will run into this content unless someone literally like showed them or they had some kind of secret Tumblr account. Whereas with the rise of Twitter, it feels like people are much more likely to be able to, like, directly try and contact people they're a fan of and like, have that kind of feel, like they might be able to have a reciprocal relationship. Do you see like a big difference between that energy that maybe I think when we were teenagers, it was more of a private thing, as it were like there was a community with the other fans and your friends as opposed to like having access to people? PRINCESS:  Well, you know, it was interesting, because I was a smaller public figure at the time, like, because I'd been doing YouTube for so long, people knew who I was. But it was a lot more people who were engaging with me in good faith. You know, like, it wasn't like, peop— there would be pushback or asking questions with the anons, but you could also turn that off. And that would immediately stop people from wanting to ask you questions because they didn't want to put their name to it. So I think even just having that option was a really good way of filtering out people who were there to troll you, or to antagonize you. And people who just really had questions to ask you. But I ended up making a lot of really good friends through Tumblr, and I think the tagging system on it was just so much better. Because if you were looking for a meta-commentary about something, you could just click on it and find that. And if you're looking for, like you know, for me, I think like something like Teen Wolf, and I was specifically looking for people who are anti-racist in that fandom. And I could just go to the tags and find who I needed and who I wanted, and soft block anyone that I didn't. And I didn't have to soft block everybody, I could just block those tags. And that would just keep me from go—like even now, like when I left— when I soft left Twitter because I still have to go on it for work. I'll go on Tumblr, and it's actually great because it's already been filtered for me. So when I go on it unless it's like a sponsor thing, I usually only see things I like, and I think that's really the ideal experience, is to just like, see the things you like when you're going online. ROWAN:  That's so true. Okay, now that you've named dropped Teen Wolf, I need to know if Teen Wolf has any part of your queer journey? The—that. PRINCESS:  No.  ROWAN:  Oooh. You know what, I love that for you. Truly. PRINCESS:  You know— you know it is is that like I, so—so I love like Teen Wolf, Merlin, a bunch of those shows. And um, but the problem was that there was just so much misogyny, and anti-blackness in those communities, that any enjoyment that I would have gotten out of some of the queer experiences were like, very thoroughly like, because—and I'm writing about this for—for my book. But like, it was just weird to see, like, like, I appreciate stearic as like a concept and a thing that people like, you know? like I get it. Like I get it. ROWAN:  That is the most diplomatic answer to like any fandom question is like, I appreciate this in theory, like I—I you know, the concept of the theory behind, but yes, entirely. I mean, Teen Wolf is pretty notorious for being this fandom, where they were like, do you know what we're gonna do? We're gonna find just two white boys who have never interacted on screen, and they be our ship. PRINCESS:  It was just like, again, I do get it because I do that with women all the time. You know, I peep— I understand the appeal of like super court for that very same reason. Y'all like two pretty white people together, that's fine. But then there'll be actual queer characters and quicker there's no color in it, and there'll be nothing. Or just a lot of harassment, because for me with it was just like, I get it. You want Arthur and Merlin to be a thing. That is not Gwen's fault, honey. Like, if Arthur was not dating Gwen, he would not be dating Merlin, because the writers of this series are cowards and will not let them be gay. Even though there are literal rules. I know there are literal books where like Arthur's is in a throttle with Lancelot and Guinevere. So it's just like, they're not doing that. But it becomes this situation where it's somehow treated like— the fight for representation can include attacking and harassing and demonizing black and brown people who are not standing in the way of your queerness. They are not doing that. They are just trying to enjoy that there's a black queen in the show. And it's like it always upsets me how the iron will go to the wrong people. And it stops you from being able to enjoy it. Because I used to like really like Stiles, on Teen Wolf. But then I began to see all these people who like, felt like liking Stiles, meant you had to like hate, Scott. And I just got slowly uncomfortable, like, we don't have that many Latino characters that get to be like really sweet himbo protagonists. Why are we acting this way? You can just like a secondary character like we all do it, we all do it. So it wasn't part of my queer experience, but it was part of like my intrasexual experience of kind of understanding what it meant to be like queer and brown in a fandom space. ROWAN:  I mean, I specifically at this point, really removed myself from any fandom spaces of something if I want to like it. I'm like, if this is the thing, I think I'm going to be a fan of, I'm outside of it. I consume it. I have my thoughts about it.  I talk to people I know about it. And then maybe I start dipping a toe into spaces when I know that like people I already follow who already talk about stuff that I like, or who have write good fanfiction, or do good fan art. If they've gotten into it, I might dip in. But like, even from the point of view of someone who's queer, and why you—like, it just completely destroys your interest in the shows to have misogyny racism. Like, homophobia, biphobia, somehow also enter these spaces that are meant to be so kind of inclusive with this idea of like fandom, being a space in which the mainstream, like lack of intersectionality, can be corrected, which I think is fandom is strongest, that when people use found it as an excuse to like double down on the kind of critiques that rightly or put against shows, it kind of just feels just the worst to me.  PRINCESS:  Yeah. ROWAN:  To be honest. PRINCESS:  Yeah. It's—it's a really interesting experience because I think that there are so many people who really come to fandom looking for a community and cannot accept that parts of their community might still have internalized issues, and , which is like every community has that. And we all in our time online, get pushback from that. And we don't always react really well, the first time it happens. We're human. But the point is that like after you sit with that for a while, are you going to like, actually address it or no? You know, how many times do you have to have fans telling you like, stop calling Gwen a gorilla before you'd realize that like, that's maybe not okay, and not helping your ship because it's not her fault that the writers don't want your characters to be gay. And I think also because queerbaiting was such a big like, this is when like Tumblr really started the queerbaiting conversation, and it got transferred onto Twitter. But I think that, because on Tumblr, you could have these long-form posts, and really get into the nitty-gritty. When we were talking about queerbaiting, we could really sit and discuss, like the specific moments and have like the gifts and everything to be like, this is what we're talking about. And because Twitter is such a shorthand thing, that term just got kind of like copy-pasted onto so many other things. And we—and you've talked about this a lot in your content, because I follow it because everyone should. Queerbaiting kind of lost its meaning as it got transferred and diluted from one space to another because you couldn't actually discuss it. You either accepted it with like a few bits of evidence, or you'd have a long thread that people would you— lose attraction for halfway through because a 10-piece thread is going to have so many different parts than one contained meta post. ROWAN:  Yeah, exactly. I mean, do you feel like there are any of these shows or movies or books, or any piece of media where you've entered into the fandom and felt like, oh, this, this is working? Like this—this makes me feel seen and appreciated as someone with these kinds of like intersecting identities. Or do you feel like it's not not really built that way, right now? PRINCESS:  I think that even with the best of intentions, a lot of places are not always ready to unpack their anti-blackness, like, that's been the biggest hurdle that I've seen, like, in almost every single queer community I've been in. Unless it was like a black show or something like your black lightning or whatever. There was always a difference between how people would treat the characters of color, versus the white characters. And there was always like, a reason why and it was always like about the writing. But I think the reason why it doesn't work well, is because the communities will just push out the people who are pushing back on them. And there's a—there's a desire to disengage because that's not what you're actually coming to it for. Which is kind of the tricky part is that a lot of people are going to Tumblr to just kind of enjoy and be in community with each other. And a lot of people just treat community as in like, we're just all gonna be the same and it's easy. And when you get that kind of pushback, and you have to ask, get asked these difficult questions that you are not ready to deal with. It's very easy to just label someone like an anti or pro this and then just dismiss them. And that kind of repeats the cycle. Because I do think that there are valid reasons to be frustrated, especially with that particular queerbaiting of the late 2000s and early 2010s. Because they definitely knew what they were doing. But there comes a certain point of which, why are you as a consumer, still supporting and dealing with things that are clearly not meeting you where you feel like you need to be met as a queer person. And something that we're still dealing with about as consumers deciding and really being picky about who we are choosing to put our energy behind. Because queer marketing can do a lot if it's done well. ROWAN:  a lack of queer marketing— PRINCESS:  Yeah. ROWAN:  —can—can be like really pass people by. I mean, the example I always think of is, in books, actually. There's a wild book called Wranglestone, and it had a—I don't think they thought it was gonna be as popular as it was. And I think it gained word of mouth because people were like, it's the gays on the book. It's the gays on BYA book. And so suddenly, they had to do a reprint, and I went into a bookstore when the reprint came out, and they still had copies of the old cover. And it was exactly the same except for this one quote on the back, that was added for the second print, which made it obvious it was gay. Because prior to that, there had not been any obvious gay stuff within the blurb, within the quotations, there was nothing. And suddenly they'd made it obvious because they suddenly clock like, oh, wait, the gay teens, aka the readers. Although, maybe they want to read this book.  PRINCESS:  Exactly.  ROWAN:  And I think that, that that's always like, they've been this weird balance of like, some places trying to conceal queerness because they— I guess they can think they can sneak it in front of straight people and they won't notice. But along the way, you're gonna miss a lot of queer people who are like actively searching for this representation, and kind of actively excited about it. I am curious as to whether any of the stuff that you were kind of like had on your list is overtly queer. Like whether that you've kind of felt representation from media that was trying to represent you? Or whether it's kind of been stuff that you've interpreted through a queer lens or connected through in a queer way that wasn't necessarily in the source material? PRINCESS:  Well, I think one of the things about having been into anime as a kid is like, the dress is a lot more of it, even when they couldn't necessarily kiss on screen, you kind of knew what was going on. Then the biggest thing for me is like, obviously, like Sailor Moon, where it was like, you know, Uranus, Neptune they're— they're are a couple and they— ROWAN:  Those cousins,  PRINCESS:  Those beautiful cousins. Yes. And I—I don't think— I can't— I don't know anyone who watched the dub and really thought that that was really what was going on. Like, it was just like, it was like, Oh, they're not, they're actually cousins. ROWAN:  Yeah, for those—for those who don't know, essentially, yeah, there was basically what it sounds like, there were two characters who were made in the I think it was like, specifically America when it was over in America that they did the English dub for Americans, and they claimed that these two women were cousins. While they were very much doing things that cousins like would not, should not be doing.  PRINCESS:  Holding hands very closely. Yeah. ROWAN:  Very closely, really giving that cousin energy. And so it's kind of now I think it does seem ridiculous, but it was essentially like censorship that was deliberately trying to make sure that there wasn't even like, an ambiguous relationship people could interpret as being queer. It was like, nope. Cousins, absolutely not. Let's not go there. PRINCESS:  Right. And even something like Cardcaptor Sakura, which we got became Card captor, and the dub, you know, the leading boy character, Syaoran, he's bi-canonically, and that was like, written around. And so it was—it was interesting for me of like, watching these shows that were either—that were subtly queer. And I say that in like, subtle only in the sense that they couldn't say it explicitly because of censorship. But everybody knew it was going on, like Xena. You know, I always tell my mom, like, you're the one who got me to watch Xena, so you can't blame me for being bisexual. It is like bisexuality, the show. ROWAN:  Truly.  PRINCESS:  And so those were the things that really at that age, really allowed me to feel comfortable. And then the works of Tamara Pierce. Because in her—especially in her Circle of Magic series, there is a lesbian couple in it, and like a normalization of the idea that you know, LGBT peoples do exist in these worlds. And I think as I got older and expand to like fantasy and things like that, it became very easy to read between the lines and be like, oh okay, that's a little gay. You know, the first time I read like, vampire, and I was like, so they have a kid huh? Alright, that makes sense. I'm picking that up. I love that we're both wearing striped sweaters, by the way, I just wasn't thinking about that. ROWAN:  Yeah. We matched deliberately.  PRINCESS:  We did it.  ROWAN:  That was very on purpose. I mean, like, Tamara Pierce, what a fool— I feel like, there is just this kind of experience. A certain experience of being into Tamara Pierce, as a teenage—as a teenager and most likely as a teenage girl into queerness pipeline is absolutely chef's kiss. I truly don't know why there hasn't been adaptations of those books. PRINCESS:  I  that all the time. It's so frustrating.  ROWAN:  It's very—listen, if you— if anyone who's is listening to this and you don't know the book series that we're talking about, essentially, it was like my absolute bread and butter. One world called and various books, standalone geologies, quartet, series that kind of spanned like hundreds of years that still, I think being written today. And they all were very, like the quintessential one I'd say, is probably the Lioness Quartet, which was the classic tale of like a girl who disguises herself as a boy to become a knight in it. Followed her from when she was like a kid to when she was in her early 20s. And it was that kind of energy of like, the 90s feminist vibes in a fantasy setting. And yeah, they—they—but they these books that did have these appearances that I hadn't come across before of like queer characters, or have kind of tomboy characters who were treated with respect and it was a really—do you—It's—you would be listening to this and be like, wow, primed for an adaptation. And yeah, so that's the next one. That's—that's my big pitch to if anyone—hi, Netflix, if you're listening PRINCESS: You can't trust them anymore. Maybe Amazon. ROWAN:  You know what actually, you're right. You're right. That's very true. BBC, if you want to do I guess, the entirety of the series and nine episodes, that is kind of your bag, then it's sort— it's available I say, as someone who has no affiliation with Tamara Pierce or her legal— legal team.  PRINCESS:  Give them show money. ROWAN:  Get—please, please give them something. [theme] ROWAN:  Hello, dear listener, this is Rowan from a slightly different time of recording. Sorry to interrupt myself here. But I just wanted to just quickly say if you're enjoying this episode of the podcast or any of the other episodes that we put out, then why not consider being a Patreon supporter? We have a Patreon where essentially, you can give a small amount per month and you get access to a bunch of really fun perks. We have perks of different levels, but essentially, you get access to things like our Discord where we talk about queer movies. We do a queer movie watch-along every month. You can also tell us what you want us to cover on the podcast. We also have perks including things like top 10 lists, where we give you recommendations of queer movies and queer TV shows that we've been enjoying and you should watch. We have a queer newsletter with the very gay stuff that we're finding all over the internet that month. So a bunch of very fun, cute perks that you get, as well as just the warm and fuzzy feeling of supporting this podcast and the work that we do so that we can, you know, pay the wonderful Julia who edits for us. So I will include the link in the show notes. It's patreon.com/thequeermoviepodcast. patreon.com/thequeermoviepodcast. We would love to see you over in the Discord sometime soon. And also, if you have indeed been enjoying this episode, then we think that you will enjoy some of the other podcasts from Multitude the podcast collective that we are a part of over here at the Queer Movie Podcast. So I thought I would just tell you about one of them. It's actually a brand-spanking new one, hot off the press. Spicy. It is Tell Me About It, a madcap game show about proving that the things that you like, are actually interesting. Hosted by Adal Rifai who you might know from Hello From The Magic Tavern, and Hey Riddle, Riddle, as well as our very own Erik Silver. In every episode, a guest comes on to share and defend their favorite thing, which honestly very up my alley, because I feel like you know, online where they say, what could you talk about for like 10 minutes straight? Anything. Truly, if I have a favorite thing, if I have something that I've enjoyed, I could rant about it forever. I want to tell everyone about it. So this is right up my alley, and I'm sure a lot of yours. But the way that they do it is through a series of absurd games and challenges. Of course, the trailer is actually out now, you can listen to it. And the first two episodes are going to be dropping on February the 23rd. So very, very, very soon, with new episodes after that every other Thursday. And theyou might have noticed the fact that I said yet. It comes out every other Thursday, which means that if you are used to listening to the Queer Movie Podcast on Thursdays, this could be your ultimate Thursday fave. You could—you could have a podcast from Multitude in your little—in your little podcast app every Thursday by double tagging us and this brand new spanking new podcast. So give the trailer a listen, and subscribe so that you are primed to get those first episodes coming next Thursday. Just before I get back to my chat with Princess, I wanted to say a massive thank you to Squarespace for sponsoring this episode. And you may have noticed a lot of our episodes because very exciting, they're returning sponsor to the podcast. And if you're looking to build a website for yourself or your business, or ever have looked at building a website, I'm sure you have come across Squarespace. They are all in one place to do just that. You can build a site, set up an online shop, connect with your audience. I say a website for yourself or your business. But here's the thing, you could you—you could use it to make a website for anyone. A website for a friend, a website for your wedding, that's a thing people do, which I found out when I got invited to a wedding recently, that our website. The possibilities are truly endless. So we actually have used Squarespace to make the Queer Movie Podcast website. I also use it to make my own personal website, because I've never been relaxed a day in my life. So I constantly have a million projects going. I have a bunch of social media platforms, things like that. And Squarespace essentially is like, hey, you want to put all of those in one place? You just give people one link. You can link out to them, you can link your social media directly to your page so that it automatically pops up and displays posts from like your Instagram, from your Twitter. You have analytics as well, which, again, if you've never been relaxed a day in your life, you might look out for your website that you've made for your wedding to check. You know, how many people have been looking at that gift registry? Or if you have a business that you know, genuinely useful to figure out how people are finding your, your brand. What brand have you got? Your wedding photography brand? This sounds like I'm soft launching me and Jazza's wedding, I'm not. Um, but yeah, so that you want to find out where people—what are people searching for? What do people want? What are you providing to people, and how can you link those things up? And it is super easy with the insights that Squarespace has. Also, very exciting features that you might not have thought of including on your website, like a donation function. So you can encourage donations on your site for a cause that you care about. Like some kind of wedding-related cause, the theming really breaks down here, a worthwhile charity. I'm not a tech person, I'm not a coder. So very, very useful that they have a design function, which gives you templates and things that you can use and customize way easier. So if that sounds like something that is up your alley, if you're looking to start a website, for whatever reason, check out squarespace.com/queermovie for a free trial. And when you're ready to launch, use offer code QUEER MOVIE to save 10% off your first purchase of a website or domain. Okay, back to the show. [theme] ROWAN:  So anime in terms of the possibilities that it opens up, it sounds like there was that element of like not necessarily having concrete, oh, I see these two characters kissing on screen and saying that their girlfriends and stuff, but that possibility opening up, is that kind of where it was landing for you? PRINCESS:  The—that's where it landed. And also, when I would read the Sailor Moon manga, it was also like the girls would kiss in that one. Like it was explicit that like there's even a whole thing where like, you know, Uranus is flirting with you, Usagi, and the girlfriend and her girlfriend. And then Pluto comes in It's like, oh, you all live together. And I go and raise this child. I see what's going on. So I think as I got out of just traditional Western media, which my parents were very encouraging of, and being able to read like other comics and seeing those experiences, it just became more and more normalized to me. And then just sort of like, I think Buffy at a certain level of like, even before I watched it, I knew the big thing about was that you know? Willow is a lesbian, which made it very shocking when I watched it from the beginning. And I'm like, what do you mean she likes Xander? I already stan. I thought she was gay. I thought she was a le—I felt betrayed in advance. I was like, what, what, what? Like, oh, it's just like, this is not what I signed up for. But then so it was very conflicting. But I was like, well, I can just be Bi, I guess in my headcanon because, you know, we—discourse for another day. ROWAN:  Listen, we truly peace has peaceful come to our lands when the bisexual Willow and the lesbian Willow headcanon has lived together in harmony. I'm part of that collective. I feel like you know, it's a fictional character, who has had relationships with both men and women. And therefore, you can—you can argue both sides and you can see yourself on both sides. Both the, I have had relationships with multiple genders, I find attraction to multiple genders. I am Bi-Pan and Willow is too. All the sometimes lesbians have relationships with men before they figure themselves out. Lesbian experience, and I believe they can all exist in harmony together. PRINCESS:  Absolutely. I mean, I'm just thinking that also just, you know, they'll—they'll like we'll— we'll become trans. I think have been a great trans woman character. So I'm just like  ROWAN:  You know what, that's—I take it back. That's the Galaxy burning take that we needed.  PRINCESS:  So I'm like that just as soon as it's like Oz comes out, realizes that they are trans woman, everything comes up, right as rain. It's like you were always in all the same.  ROWAN:  All coming together. The red string is connecting. PRINCESS:  Exactly. We just go right past standards, like that was just a mistake. We're just gonna— ROWAN:  Don't think about that—that's fine. Don't worry about it. So was it— it sounds like you sort of already knew there was like an element of queerness. Was this when you were already out or at least had figured out your own sexuality, or is this one of those things where you're like, oh, curious, a lesbian character? For no reason at all. I'll check that out. PRINCESS:  I think because I think I watched Buffy between my junior and the summer between my sophomore and Junior year of college. And junior year was kind of the year where I was sort of realizing things like yeah, I made it with my female friend but we're just like, fig— we're just hanging out, you know. ROWAN:  We're just friends of Katy Perry, just having a little bit of fun. PRINCESS:  Literally was obsessed with Katy Perry. Had I kissed a girl, I played it out all the time. I made like two Disney AMVs to I kissed a girl when that came out. ROWAN:  Of course she did. PRINCESS:  My friends printed out for my birthday like Katy Perry thing, say happy birthday to me. Again, it's one of those things where like, you look back, and it's like really. The call was coming from inside the brain. But the first show that I watched while I was queer, and that it really connected with me in that way particular, was Lost Girl. Particularly because the character was bisexual, was a succubus, had like relations between different kinds of genders. And while I still have like, my own critiques of that series on the whole, is it—it remains super important to me, and I'm actually watching it with my girlfriend right now. Because it was the first time that I was queer, and watching a queer show at the same time, and actively seeing things that made me feel seen. And also like she was the main character. She wasn't the side character, she wasn't she was the leading character, was a bisexual Succubus and like her being sexual, was not treated as a good or bad thing, it's just part of her nature. And I just really remember feeling just so held by that. And I think even when I critique it in terms of how it handled race, I'll always have like this bit of me that wants to share it with other people because it just meant so much for me at that time. ROWAN: I think that that is like a—feels like an almost universal experience of being I guess anyone who's—of an identity that has not had representation, necessarily, like held out to them and given to them, that you will have these things that you are like, I want to recommend this to you. I really liked this, it meant a lot to m., I might have to rewatch it to see how rose-tinted my glasses were when I was gro—when I was like completely like looking at it through the glasses of like, oh my god, the first time I've ever seen this. And then you go back and you're like, okay, so we have to acknowledge this, this, and this about it. But it is like when you don't necessarily have this wealth of representation, where you can be like, oh, there was enough of it that it feels comfortable to represent there, to talk about this particular representation because there's others that can fill in those gaps. Or this actually did it really well. That feels like a very— an experience I'm sure a lot of listeners will relate to in some way. Honestly. PRINCESS:  And because I was like older than—like not older, but I was in college then and I was like already know I was going to be like a lit nerd. I was unpacking a lot of it while I was watching it, which is why it's one of those things where like because I was already a nitpicky nerd, it's like, I've already— I can tell you the problematic before—about it before we even start watching. It's like so when I was I'm like, okay, so this episode has this, has this. Overall is very good, but we're just gonna prepare you. And I think that's kind of the good thing.this pushback about the idea of like, oh, you're gonna be like a buzzkill, if you like tell people it's like, I think most people with any real media analysis, understand that not everything is going to be perfect. Things are going to—can age weirdly, people can not necessarily know what they're doing. The important thing is like, acknowledging it and not trying to like pretend it doesn't exist. You know, I would much rather deal with acknowledging that there is transphobia in something, then be like, I mean, you could read it this way. It's like no, we'll read it the way that it is very clearly done in the story, which is transphobia. PRINCESS:  I mean, like I'm notoriously my entire personality is the show Black Sails. So yes,  PRINCESS:  Yes. I love Black Sails. ROWAN:  —because oh boy, season one.  PRINCESS:  Oh, yeah.  ROWAN:  And so I recommend it to people on like, but listen, season one is also a thing. So I gotta warn you. I gotta warn you for a whole season. I mean, it's still good, but like, oh, boy. PRINCESS:  Yeah.  ROWAN:  So I'm very used to the whole, I can love a piece of media that I'm also critiquing kind of energy to him. PRINCESS:  Yeah. Black Sails was a hard one because I remember that first season two, I watched it live and I'm just like, it's gonna be gay pirate soon everyone said, that's When Our Flag Means Death came out, it's like gay pirates. I've been here before. ROWAN:  I was like, oh, yes. My two shows, my two gay pirate shows. I really love the fact that they only were— having said that, you know, need lots of representation to get it right. Really the honest he said, Okay, we're gonna have exactly two gay pirate shows. And they're both going to be bangers and I respect that. It's like a concept. I think it's right, considering the Pirates of Caribbean was a bisexual awakening for so many people, and just felt like the proper legacy of piracy. PRINCESS:  And it was really interesting. I got to interview the writers of Black Sails. And I talked about that it was really important for them to like, acknowledge that like, part of the reason why people think of pirates as like, funny, you know, characters is because of propaganda used to sort of marginalize them, because they were on the outskirts of society a lot. Like kind of like how cowboys lot of, and there were people of color, freaks, formerly enslaved people. You know, women wearing, you know, male clothing, and it's like, wow, showrunners who actually do their research and appreciate their subject matter, I think also as it—as I get older, I think, no, actually, this is so funny. I, so I like a turn-based RPGs. And I love the game Fire Emblem. And one of the things that you could do in the Fire Emblem games is like put people in relationships. And so I would always just wanting to be putting all the girls together. And all the guys might be like, it's just normal, I just want everyone to be happy. And their best friends, they want to be best friends forever. So now they can get married. And so—and so it's very funny to like, go back and think about like, yeah, I really wanted all of these queer couples, and like, I'm playing the newest Fire Emblem now. And they have like a lot of callbacks to like, the older games. And I'm just like, oh, man, these are my babies. These are all my cute babies. And it's just been really fun seeing aspects of other characters that I really love come alive again. And finding all these little ways in which I was always kind of asserting my queerness in different ways. And coming to terms with sort of like what that meant for me. Because I don't think always meant one thing, or just one experience, which I think is fine. I don't think it ever should be just one thing to encompass so many people. But finding it in even places where I didn't expect it, I think was always a thrill of it, you know, of like, oh, my God, like I have this possibility. And that one, that possibility came up, I took it. That I really wanted to make it happen for me. And I think that's something that I really enjoy. You know that I'm older, I just really enjoy getting to be queer and enjoying stuff, and finding things where I don't have to make it up anymore. Or even if I go back to something that's older, to be able to see like—to see what they said I missed, because I think a lot of times authors are trying to do that. But they— they had so much pushback, especially when we were growing up about how queer you could make something without it being, you know, a whole issue. So it's actually fun for me to go and revisit things and figure out oh, like, this is the actual text, the actual text is gay. It was everyone else who was lying to me. ROWAN:  Hmm, yeah, definitely. And I think that that, like, I feel like I've talked to so many people who have found that like, the Fire Emblem experience that you've had in various places, whether it was like how they played with their dolls when they were younger, and like how they paired them up, or like playing their Sims and deciding like, who was living in the house with The Sims getting together. Or like fan fiction and fan art, and like finding those pairings that you wanted to put together to be like, ah, yes. And then as you're getting older, having more and more of awareness of like that being a deliberate act, rather than something that you are just doing to be part of the figuring out process, or because you're not even aware that that shouldn't be how the world works. And so it's really interesting seeing these ways in which exactly as you said like people are creating the queerness and like actualizing it in a way in front of them. You know, whether they're kind of cognizant of doing that deliberately and putting that out into the world to share it. Or just privately as part of like that growing up process. PRINCESS:  And also that like game, like even The Sims, like The Sims gave you like— you could have—in The Sims two, you could have gay couples, and they were just adopt a kid, like you just like ready to have a baby, instead of like, you know, having sex, you would just all of a sudden a woman would arrive with a baby and be like, here you are. And I'm just like, that's so convenient. Thank you. Didn't have to do any paperwork or anything. And so I really appreciate even those kinds of things, I look back of like, the possibility of being able to just enjoy things for myself. That is something that I just find so important. I really think that games specifically have become a really great way for people to play with their gender and sexuality and really, you know, get to experience it on their terms, and in spaces where they would not be able to do so. Like I liked Boyfriend Dungeon because I liked the idea that like you could have as many partners as you want of every flip, or you just be friends with them. And that was just—and either way, it was fine. And I think the more that we allow that to happen to like be able to be with any gender you want, pronouns you want in the game, and normalize it the better. We are going to be with giving younger queer kids, and queer adults who still enjoy this shit. The best experiences, while other people can just get normalized to it, you know. Like, it's not that big of a deal that to have pronouns in anything. It's just pronouns, guys. And also don't stream Harry Potter. ROWAN:  Yeah, that's a— that's a official order from the podcast, endorsed by Jazza, who isn't here. And as Jazza is the gamer amongst the podcast, co-hosts of me and Jazza. Jazza specifically used to work at Google supporting creators and was put on to gamers. And then me, it was like all these gamers, Jazza the gamer and then Rowan is this little extra person that was like, hi, I've never played a game in my entire life. I've—Does Dungeons & Dragons count? And Jazza's like, I love the game, but no, Rowan, that's a different kind of game. But again, like one of those games where people use it to explore their kind of gender and sexuality in a really interesting way. I guess it is that kind of participating in something and having a hand in creating it as you're interacting with a piece of media that someone else has created, means that it's like a safe place to explore, but also gives you enough, like creative control and autonomy to make those choices and, and feel like you've got like a part in it. PRINCESS:  Absolutely. And I love that part of it. Like I like— if I could design games or like do things like that, I would definitely want to do more of that. Because there's just so— the options are endless, especially because it's like, I want gays in space, you know, like I like—I like just game to play a game like even um, crusade kings where like, you can form alliances with other care—with other like nations, and they can be gay too. Like, you can just have those options of having queer alliances and doing those kinds of things or like, even in Civ VI now, they have King Christina, and like, all these other female and male models have played with gender in them, just already there. So if you don't know who they are, and you look up this kind of stuff, you can just figure out oh, there is this like gay ruler that was around during this time or this, you know, ruler who played with pronouns. I mean, playing with pronouns, especially in games, when you—like history games is such a common experience, you know, like female pharaohs, or like, women who call themselves kings and things like that, like there's so much there. And I think a well-made game is a great entry point to that kind of work. ROWAN:  Amazing. We're almost at the end of time. Oh, my goodness, time has absolutely flown. So I wanted to just ask if there's anything else that we haven't talked about that you wanted to mention, or that you wanted to bring up before we end? PRINCESS:  Um, no. Other than just kind of being surprised that A24 had a— had a grip on me at so young of an age. ROWAN:  I fully forgot The Bling Ring was an A24 film. Like it wasn't until you said, I was like A24, and I'm like, oh, a recent one. And then fully forgot that A24 has been around for more than like five years. PRINCESS:  Yeah, it's like them and Spring Breakers, which is like the—the tether of The Bling Ring. Oh, just like, oh, right, you know. And I think Spring Breakers is the energy I wished The Bling Ring had. But they're both in that same venue of like girls behaving badly, which I do appreciate. ROWAN:  Just being chaotic. I was thinking about it took me a second, when you. And I was like, oh, it's— it's not Spring Breakers. But I had that moment of being like, wait, which film is which? Okay, yeah, that'll— that'll make sense now. But I do—I mean, like, I think that it's, again, haven't seen Spring Breakers. And yeah, I feel like you could tell me like a particular scene from the trailer, and I'd be like, oh, yeah, not that exact one, because I think that something's just the internet immediately knows that this is—this is the thing people are going to want to get off. And they're gonna make it for you. PRINCESS:  No, absolutely. And I think that it's just you know, it's— it's so great to look back like when I was prepping for this episode, and like figuring out where I was going to start off with, with Emma Watson. It was just fun going back and looking at the trailer now. Every trailer, no matter what, may to include that theme. And then like every—because now you can see what the most replayed moment is out of thing. Every single one that most replays is the topic. And I'm like the people understand that this is what we want. ROWAN:  And whoever cut those trailers, understood what the people wanted as well. PRINCESS:  A good—a good trailer. Doesn't tell you the entire plot, but just gives you enough to be like titillated forever. It's so good. I really— ROWAN:  Every trailer should just have like a millisecond of that gift in it. Like any—any genre any trailer, give the people what they want, it's Emma Watson, licking upper lip with a fringe. PRINCESS:  That'll— that'll do it. Ah. ROWAN:  That fringe. PRINCESS:  A goo—a solid wig. I was very proud of her. But yeah, I just—I'm just really happy that I get to talk to you about gay shit. And that I can talk about my embarrassing crush because I'm not embarrassed by it. I love Emma Watson. I think that she does good things with her politics. And I just love— I don't think— I think honestly, if you were a queer kid and you had a crush on any of the Golden Trio, you turned out— everything turned out really good for you. Like, that's such a rare thing to say. But like, all of them have been pro-trans rights very much in the main. They all do normal kid things, Rupert Grint still looks hot as hell. He's a dad. He's a whole father now. ROWAN:  He has an ice cream truck that was like a whole thing for a while. He just like went around and gave out free ice cream, because it was like I got money and I guess what I'm gonna do with it is give ice creams. And I'm like, adorable. PRINCESS:  Yeah. And like Daniel—Daniel Radcliffe was a short Jewish king. He just like literally does whatever he wants with his money. Like him and Elijah Wood are just killing it in terms of like, short King got money on, hanging out. ROWAN:  Chaotic like indie film energy. I honestly love that. I feel like—never hasn't been a star that's— that big, but that I feel like any random person could write a weird short film and just get him to agree to be in it. Like any— I feel like any of you people listening right now if you wrote a short film, and made it weird enough, Daniel Radcliffe is going to be in it.  PRINCESS:  Absolutely. ROWAN:  He's gonna be like, sure, I'll pay you to be in it. PRINCESS:  Right. ROWAN:  I believe that with my whole chest.  PRINCESS:  Yeah.  Their— they are just good kids, lads, people who like I think they are the template of light. This is how you guide a child through the process of becoming immensely famous. And also giving them the space to just like, do whatever you want. Whether it be prestige, or you do like, you're gonna be like a sexy tavern boy, Dan Rad, like, do whatever you want. God bless. ROWAN:  Stunning. I have a final question for you.  PRINCESS:  Yeah? ROWAN:  Which is, do you feel like there's any— like as you've been going through the journey of like, your queerness, whether that is still ongoing, whether you feel like you're like settled, I've settled on my throne. Do you feel like there's been any of your experiences missing from representation, like you've—you've had a particular experience or a particular intersection of your identity, or a particular like life event that you've had that you're like, I don't know, if I've really seen something that's made me feel like, yes, this has been represented, this feels like it's something I've seen reflected back to me. PRINCESS:  You know, I think because I have enough privileges in my life. I think I'm pretty good. I think—I think I'm still trying to find just the baseline sometimes. Like I think First Kill and the character of Calliope was sadly like one of those characters that was like, oh, my God, this is so exactly, exactly what I would have wanted, and then it was gone. But I think in general, the thing that I that I really would love to see more of is just more, you know body diversity, more darker skin people, more discussion of STI and a non-stigmatic way. Because I think what I liked about feminism college girls, was that they had like the character who is a lesbian, she had chlamydia. And she's like, I didn't know. And they're all like, I didn't know that you could get chlamydia for sleeping with women. It's like, yes, you can girl, yes you can. So I just would like to just see more, you know, people who aren't able-bodied, people who, you know, who don't just have one partner throughout the entire thing. Normalizing STIs. Those kinds of little things that you may think, don't matter. But when we talk about sort of, like intimacy, and romance and sex, I think it's important to let people know that like, even if you're someone like for example, with herpes, or something like that, that you still are a little person because that happens all the time. And I think that just those small things make a big difference to people. So I'm lucky that I have had enough experiences and enough stuff with my own intersection. So even though it's not full, I mostly am looking for it to expand beyond someone like me into the more margins, you know/ ROWAN:  Yeah. Amazing. Sweet. Before I do my little ending, there was there anything else you wanted to add? Or that you forgot to say or anything like that?  PRINCESS:  Just that you're awesome, and I love the work that you do. And I'm really glad that we finally got to like, chat about something. And also like, we definitely need to do something about Black Sails eventually, because that would be so fun. ROWAN:  It's like truly. I'm like so excited for the fact that they are doing Percy Jackson. I'm, like, truly have never felt more safe in an adaptation in my life. PRINCESS:  I like as someone who was a—who was a fan of Artemis Fowl, I really am rooting for you, Percy Jackson kids.  ROWAN:  I'm not even a Percy Jackson kid. So the reason why I'm like have skin in the game for the Percy Jackson thing is because I used to work at Penguin who published them in the UK. And so I like weirdly had a relationship with it as lik

Merry Christmas Everyone! This year's Backlisted Christmas special celebrates Ballet Shoes by Noel Streatfeild, a classic of children's literature and the childhood favourite of our producer, Nicky Birch. We are joined by the writer Una McCormack and Tanya Kirk, the Lead Curator of Printed Heritage Collections (1601-1900) at the British Library, who are both lifetime Streatfeild fans. Ballet Shoes was an immediate bestseller upon publication and the runner-up for the inaugural Carnegie Medal. It has never been out of print and was the first in a series of ‘Shoes' books by Streatfeild. It has been adapted many times both as an audiobook and for film and television and in 2019 BBC News included Ballet Shoes on its list of the 100 most influential novels of all time. We discuss why this might be the case and much more besides and even hear from Miss Streatfeild herself. And it being a Christmas episode, there is a fiendish festive quiz. We also feature two other classic books by writers best known through their writing for children. John discusses A Giant in the Snow by John Gordon, an eerie Puffin classic from 1968, while Andy revels in the darkness of John Christopher's The Death of Grass, first published in 1956, a post-apocalyptic science fiction novel, definitely written for adults and perfect for cutting through your post-lunch torpor. Enjoy! Timings: 16:39 A Giant in the Snow by John Gordon 22:04 The Death of Grass by John Christopher 29:32 Ballet Shoes by Noel Streatfeild * To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops. * For information about everything mentioned in this episode visit www.backlisted.fm * If you'd like to support the show, receive the show early and get extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted

This week Foxxy sits down with the spooky clown of San Diego Julianna Dick

It's time for the next installment in The Reading Like Kathleen Kelly series. Today I'm sharing about Ballet Shoes and Theater Shoes by Noel Streatfeild. Two delightful books from the Shoes Books canon, famously mentioned in You've Got Mail. They are the perfect books to cozy up with this season. Enjoy! Affiliate links to Bookshop.org: Ballet Shoes Theater Shoes Dancing Shoes Skating Shoes

Welcome to your one minute masterclass! To get the latest episodes first, subscribe to the DiscoverDance mailing list: https://discoverdance.us18.list-manage.com/subscribe?u=9d0eb3d3536d1544ab2f7979c&id=221ecffc19&fbclid=IwAR3nrjIxWTLLEb65jNpntPxm6EMlNqhuZNanQgSK51ZfXjsiFY2z4BAEGMo   Enjoy~ Andrea

Did you know that Noel Streatfeild's 1936 children's book Ballet Shoes is based on her earlier novel The Whicharts, a tawdrier and not-for-children “shadow twin” that was published five years prior? Find out why it's our favorite of the two in this week's episode with our guest, author and bookstagrammer Wendy-Marie Chabot. Discussed in this week's episode: Ballet Shoes by Noel StreatfeildThe Whicharts by Noel StreatfeildLittle Dancer Aged 14 by Edgar DegasMarie van GoethemWannabe: Confessions of a Failed Bibliophile by Badgwendel Anne of Green Gables by Lucy Maud MontgomeryDesert Island Discs on Noel StreatfeildYou've Got Mail (1998 film) Ballet Shoes (2007 TV movie) Umbrella Academy (2019- TV series)Lost Ladies of Lit episode on Louise Fitzhugh's Harriet the SpyThe Vicarage series by Noel StreatfeildAt Freddie's by Penelope FitzgeraldLost Ladies of Lit episode on E.M. Delafield's Diary of a Provincial LadyBlack Swan (2010 film)Ballet Shoes (1975 TV mini series)Pride and Prejudice (1995 BBC series)Six Weeks (1982 film) Dancing on My Grave by Gelsey Kirkland

Samira Ahmed chooses Ballet Shoes by Noel StreatfeildMore about this book:“If other girls had to be one of us, which of us they'd choose to be?” For the past nearly ninety years young readers have been dreaming of being Pauline, Petrova or Posy Fossil. Noel Streatfeild (1895 – 1986) had no intention of writing for children until she was cajoled into it by her publisher. In 1936 Ballet Shoes was published with its delicate line drawings by her sister, Ruth Jervis, and it has never been out of print. In it Streatfeild drew on her own experience of the triumphs and disappointments of life on the stage. Twice Upon A Time is hosted by Janet EllisThe Producer is Caroline RaphaelRecording and Editing by John Wakefield and Diggory WaiteExec Producer is Claire BroughtonInstagram @twiceuponapodThis is a Hat Trick Podcast See acast.com/privacy for privacy and opt-out information.

Odette is an international business growth strategist who helps Business owners and Entrepreneurs scale their businesses and gain exponential growth in 12 months. She is also a consciousness coach and developer of the world's first E-Learning Marketing System – currently being used by more than 5000 small business clients in 50 countries around the world.

In celebration of our 100th episode we turn the spotlight on ourselves a little more than usual to answer listeners' questions. From our favourite childhood reads to the books that shaped us as adults, from books which kept us up all night to books we disagree on (with a shocking mid-show revelation from Laura that threatens to derail the whole discussion), listen in to learn more about us as readers and how we came to make the podcast.  Find our full show notes for this episode plus archive of all our past shows on our website, follow us on Instagram and Facebook @bookclubreviewpodcast or Twitter @bookclubrvwpod or drop us an email at thebookclubreview@gmail.com and tell us about a book you love. Booklist Childhood reads The Jungle Book and The Second Jungle Book by Rudyard Kipling The Chalet School books by Elinor M. Brent Dyer The Wind in the Willows, Kenneth Grahame Little Women by Louisa May Alcott Miss Happiness and Miss Flower and Little Plum by Rumer Godden Mrs Frisby and the Rats of Nimh by Robert C. O'Brien Dark Canyon by Louis L'Amour A Devil to Ride by Patricia Leitch Cobbler's Dream by Monica Dickens Howl's Moving Castle and other books by Diana Wynne Jones The Dark is Rising by Susan Cooper White Boots, Ballet Shoes, Theatre Shoes, Hollywood Shoes by Noel Streatfield   Transition books To Kill a Mockingbird by Harper Lee Pride and Prejudice by Jane Austen The Lord of the Rings by J. R. R. Tolkien   General books Night Flight by Antoine de Saint-Exupéry The Prophets of Eternal Fjord by Kim Leine Mrs Death Misses Death by Salena Godden Normal People by Sally Rooney The Moth and the Mountain by Ed Caesar The Time-Travellers Wife by Audrey Niffenneger Watership Down by Douglas Adams Shuggie Bain by Douglas Stuart The Red Tent by Anita Diamant The Idiot by Elif Batuman Sorrow and Bliss by Meg Mason The Ascent of Rum Doodle by W. E. Bowman Happy All the Time by Laurie Colwin The Neapolitan Quartet by Elena Ferrante The Ninth House by Leigh Bardugo Miss Iceland by Auður Ava Ólafsdóttir Parisian Lives by Deidre Bair The Rest is Noise by Alex Ross West With the Night by Beryl Markham Travels by Michael Crichton

Author, actor, and mom of 5 Jeannie Gaffigan joins the ladies to uncover a mystery that was solved with a look at the home security camera. The moms talk about raising teens and accepting help from others. As laid back as Jeannie is, she shared her Karen moment that makes our Karen want to change her name (again).

Summary:In today's episodes of The Tragedy Academy, Jay is joined by Brazilian actor and dancer Glauco Araujo. Glauco walks us through his life growing up in remote farmland in Brazil and how he turned his internal struggles into beautiful art for all to consume.Key Points: Glauco tells his backstory growing up in a remote farm area in BrazilTransitioning from a field outside of Rio to an accomplished dancer and actorGlauco's first contact with balletFavorite ballet dancer Rudolph Nureyev and relating to his struggleMoving to New York wanting to something moreSeeking therapyCharity: Disciple Actors GuildEpisode Highlights:[02:23] Glauco tells us his experience growing up on a farm outside of Rio De Janeiro and his aspirations of wanting something more [05:05] Glauco shares where his passion for dance was born. Starting with performing at Carnival, to working in the Paralympics, and also working for Modern Dance in Chicago.[07:20] Glauco expresses his awe every time he visited Rio as a kid, comparing it to being in Times Square for the first time. [09:47] Glauco gives us a rundown of his initial contact with a ballet which was getting his first job in a dance company in Rio where he was lucky enough to have a director who believed in him. Although he does admit that he hated ballet at first.[12:49] Glauco begins to immerse himself into the ballet by studying its history which is where he discovered his favorite dancer, Rudolf Nureyev.[17:37] Glauco reveals how he relates to Rudolph's struggle; the diversity he had to overcome by being gay, the humble beginnings, his grit in following his dreams. [19:36] Glauco shares the difficulties growing up in Brazilian culture that is traditionally machismo and suppressive, and evangelical.[21:51] Gluaco expresses his relief and gratitude for finally living in a place that allows him to be free and is encouraged to live out his dreams.[26:00] Glauco moves to New York where he feels a burning desire to do more than dance, something that allows the human connection. [29:14] When moving to New York, a director sees Glauco perform and offers him a role in a short film about dancing. [31:02] Glauco reveals that most opportunities that have come into his life have been through connecting with people.[34:37] Staying out of trouble is Glauco's #1 advice to his younger self, but through this, he recognizes that his aggressions as a kid acted as a way to protect himself. [38:46] Glauco and Jay discuss how people don't change without new experiences which also means you cannot judge people without people having a chance to be confronted in what they believe in.[40:30] Glauco confesses how therapy was his savior in overcoming and accepting past trauma. He feels that the only way to help others in seeking mental help is by setting the example.[42:58] Charity: Disciple Actors Guild; helps performers pay their rent and bills [46:01] Glauco shares heartwarming messages he has received on social media [48:34] Jay and Glauco discuss the very prominent body dysmorphia in dance and how we judge ourselves to the worst degrees.[51:00] Plugs: 2 short films that will be out in June. Actorsguild.org[54:00] OutroConnect with Glauco:WebsiteInstagramYouTubeIMDB Tweetable Quotes: “I think the motivation should be to get out of the small town and be in a big city...I had a dream to be an artist”“I was lucky enough to have a director who believed in me… a raw talent”“I got the job first and started taking ballet classes, and I HATED ballet in the beginning”“Where I came from you don't have a choice”“I don't have to be afraid when I got outside, I'm free here. I can be myself. it's like everything is in favor of me”“If there's 50% of love… try to nurture that 50%” Glauco Araujo is a Brazilian-born professional dancer and actor trained both here in the U.S. and in Brazil. In Rio, Glauco danced with the Rio Dance Company (modern dance), as well as with the integrated dance company ANDEF (disability dance). In 2012, Glauco represented Brazil in the closing ceremony of the Paralympic games in London. And from 2015 to 2017 Glauco acted and danced lead roles at Momenta Dance Company with a repertoire including Doris Humphrey, Martha Graham and Charles Weidman, as well as classic choreographers like August Bournonville, Mikhail Fokine, Jules Perrot and Marius Petipa; and disability choreographers Alice Sheppard and Ginger Lane. At Momenta, a dance piece entitled Meloudious Marco was created for Glauco in which he was featured in the lead role of Marco. Glauco was drawn to NYC in early 2017 and was given a scholarship in at Alvin Ailey from 2017 to 2018. In 2018, he was the featured dancer in Aria, a duet choreographed for him by Pedro Ruiz, with live accompaniment by the Camerata NY Orchestra. Glauco danced and acted the following year in Sasha Spielvogel's new musical Come Back Once More So I Can Say Goodbye — a celebration of the 50th anniversary of Stonewall. Glauco's next featured role was in Joshua Bergasse's musical A Crossing, performed with Barrington Stage Company. Glauco has teamed several times, beginning in 2018 to the present, with the award-winning German dancer/director Severine Reisp. Their films have been recognized in a number of international film festivals: A Tango to Remember– Best Romance Film, Los Angeles Film Awards; Best Woman Filmmaker, The Atman Film Festival; Cinematic Award Winner, Cyprus International Film Festival; Ruminate– Best Musical and Best Dance Choreography, Oniros Film Awards; Best Musical/Dance Film, Los Angeles Film Awards. Another film, Lucid, written and directed by Juan Wang has received a Best Film award from The Heibei Television Artists Association. Glauco costarred in this short film with the beautiful and talentedactress and formerAmerican Ballet Theater dancer, Elina GoldeMiettinen. Another film project that Glauco and Elina collaborated on Stop What You're Doing(Music Video), directed by Severine Reisp. This music video won Best Music Video at the Athens International Digital Film Festival Award. On TV, Glauco most notably had a featured comic role in a promo commercialfor Betty in New York, and last January Glauco played the devious Pawnbroker on The Investigation Discovery Channel in Homicide City: Charlotte. Drawn to the New York theater scene, Glauco has worked nonstop onstage for the past three years, working often with Triangle Theater and The Snarks, ACC and EAG. His New York debut was as the romantic lead, Peter Latham, in Pierre Barillet's Forty Carats. His comic turn was followed by his hilarious performance as the effete Bob Lamb in Tina Howe's Museum. In a series of scene nights, Glauco's range has covered the hot-headed role of Ken in John Logan's Red, the sweet-hearted Cornelius in Thornton Wilder's The Matchmaker, the deceptive Morris Townsend in Ruth and Augustus Goetz's The Heiress, and the diabolic Adolf Eichmann Raul Wallenberg's Saved Me. In Soledad Bailada y Casi Compartida, presented at the University of Seville, and on tour around Spain. Glauco has been thrilled to work alongside Broadway and West End actors Anthony Newfield, Alison Fraser and Karen Archer in Richard Alleman's new play Adrift, playing the Brazilian, and provocative Zumba instructor, Flavio. Glauco has been honored to be part of special performances to benefit the Episcopal Actors' Guild and the Cape May Stage. Reviewed in the Times Square Chronicles, “Betsy (Alison Fraser) longs for something more, alongside interactions of the less virtuous kind with the handsome and sweet-talking Flavio, played seductively by the appealing Glauco Araujo (Spielvogel's Come Back Once More).” Recently, Glauco performed in a short bio-pic entitled Dance for Freedom directed by Severine Reisp, highlighting the challenges people of color face today, and which has garnered recognition as the First-Place Recipient of the Dr. David Milch Foundation/CCNY Award in short film competition. In her review, juror Timberkly Whitfield, program executive and producer for A&E, as well as a host on the History Channel and A&E, wrote: “Glauco Araujo is a beautiful dancer and you capture him in such a way that really moved me. I felt inspired by his story that even in the face of racism he doesn't see himself as a victim. Strong production values. You checked all the boxes on this one — FANTASTIC!”  Link from past Interviews  http://diversityrulesmagazine.com/2021/02/28/march-feature-interview-glauco-araujo/http://www.ourtownny.com/news/the-universal-language-of-the-arts-YE1547010https://elespecial.com/glauco-araujo-el-bailarin-que-ha-conquistado-de-brasil-new-yorkhttps://www.noticiali.com/glauco-araujo-sobreviviendo-a-traves-de-la-creatividad/

Look up, look down, look all around, up in the air or on the ground. Come for a walk, come for a ride, there's so much to see, so come outside and listen to the latest episode of Little Women in Black Thunderpants! We're continuing the month of Emmarch Watson (sorry) with her first non-Potter feature, the made-for-TV "Ballet Shoes". This was a particularly chaotic recording, and there are maybe a couple of bits of fruity language, but we hope you enjoy it all the same. Rate us on Apple Podcasts, please and thank you! 5 stars if you can spare them. We're on Twitter! @LWIBTPod, Calum (@CalumTheFilmGuy) and Simon (@Depressedmovie) would love to get your DMs. Pod theme by Simon (via GarageBand) Pod artwork by @ashley_gfx (thanks Ashley!)

Continuing the ballet them into this week’s LIKE THIS POD MINI, Jacqueline and Meghan discuss all things ballet and rant a bit about tap shoes for good measure. Follow I Think You're Gonna Like This Podcast on social media:InstagramFacebookTwitterWebsiteJacqueline InstagramMeghan Instagram If you like the podcast and want to support us, click here.

Appendicitis! Ballet Shoes! Accordions! Dirty Fortune Cookies! Jeff & Ryan welcome Marina Bryant, the USO performer whose true story inspired the season 10 two-part episode THAT'S SHOWBIZ! You'll hear about Marina's surgery, her fellow performers, and the soldiers whose stories were brought to life by the M*A*S*H writers and cast. Jeff Maxwell also makes a guest appearance in Marina's story... not once, but twice! (Including one memorable meeting in the M*A*S*H ladies room.) That's showbiz, folks. For show notes, episodes, recipes, bios, and more visit www.mashmatterspodcast.com  

This Locklisted special on children's books was recorded in August 2020 and was previously available exclusively to supporters of our Patreon at patreon.com/backlisted. Join us on a journey through time and space as John, Andy and Nicky discuss the books they loved as children (so actually no pubs were involved or even mentioned on this occasion). The discussion covers the importance of libraries, the Proustian aroma of parquet flooring, the challenges of the display spinner, the significance of the Puffin Club, the utility of book tokens and the joys of early audio books. The books mentioned make for an eclectic mix and include Emil and the Detectives by Erich Kästner, The Eighteenth Emergency by Betsy Byars, the Hitchhikers series by Douglas Adams, I-Spy books, the epic sweep of Sweet Valley High, Great Northern by Arthur Ransome, The House at Pooh Corner by A.A. Milne, the audiobook of The Secret Garden by Frances Hodgson Burnett (as read by Glenda Jackson), the audiobook of Ballet Shoes by Noel Streatfeild, The Dark is Rising by Susan Cooper, comics such as Mandy and Look-in, the sublime Peanuts collections by Charles M. Schulz and last but definitely not least, Doctor Who and the Cave Monsters by Malcolm Hulke. We so enjoyed making this episode that we recorded a sequel on our favourite teenage reading, which will be shared here soon. Backlisted is entirely funded by the contributions of our Patreons - many thanks to them! If you would like to hear all past episodes of Locklisted and support Backlisted in the process, please sign up as a Locklistener or Master Storyteller at patreon.com/backlisted.

In the 1998 movie You've Got Mail, Kathleen Kelly shares her love for the “Shoe books” by Noel Streatfeild. Her favorite, she says, is Ballet Shoes — and since we are *big* fans of Kathleen Kelly around here, it's time to tackle it! On Episode 124, Alli and her guest Jenny Bayliss dive into the world of the Fossil family — Pauline, Petrova, Posy, and their caretakers Garnie and Nana. They talk about the pressures the sisters feel to support their family, the way they embrace found family, and the various forms of privilege they straddle. They discuss the way misogyny presents itself in Ballet Shoes and the hints of progressivism they find in an otherwise fairly classic book. Jenny Bayliss is the author of The Twelve Dates of Christmas. Follow her on Instagram (@jennibayliss) and Twitter (@BaylissJenni).

In this dream, I took a class that was supposed to be all-male, but I joined anyway because I enjoyed it. However, it made me work hard - I had to keep switching seats. Then I dreamt about bright purple ballet shoes and questioned my sense of style. Finally, I dreamt about my childhood home and a struggle to get 2 cars up the driveway.

Our guest this episode is Joanah Montiano, a contemporary ballet teacher at IAID in Qatar. Born and raised in the Philippines, Joanah came across dance when she was seven-year-old. At 13, she began assisting her dance teacher and by 15 taught her first dance class. In this episode, she narrates her journey with dance, her struggles, and her joys of teaching. Tune in to hear from Joanah and learn more about the world of dance and what it means to her. Follow this episode’s guest, Joanah Montiano on Instagram @joanag.millete.Episode CreditsProducer and Host: Natasha DasSound Editor: Samson Mwenda Sound Designer: Dalal GaraiProject Manager: Arya MainaliArtwork: Farah AlSharif, Regina Hossfeldt Gonzalez, Ria SayadiExecutive Producer: Professor Spencer StrikerMusic and Sound Design: Courtesy of Epidemic MusicAbout the Qatar in Quotes PodcastThe newly launched Qatar in Quotes podcast features the stories of a diverse range of people living in Qatar. It is produced by Northwestern University in Qatar students in a class called Digital Podcast Production, designed and taught by Digital Media Design Professor, Spencer Striker, PhD.If you have an interesting story to tell and want to featured on an episode, please contact us via our social media channels.Official Website and Social Media Links for the Qatar in Quotes Podcasthttps://www.qatarpodcasts.com/qatar-in-quoteshttps://www.facebook.com/qatarinquoteshttps://www.instagram.com/qatarinquoteshttps://twitter.com/qatarinquotes

Interview with Jeannelle M. Ferreira The Lesbian Historic Motif Podcast - Episode 53 A series of interviews with authors of historically-based fiction featuring queer women. In this episode we talk about: The attractions of the Regency romance Jeannelle's earlier works, especially a novel set in the Vilna ghetto during WWII Jewish influences in her writing Jeannelle's background as a student of history Sexuality and PTSD in the Regency era The National Trust's website on queer history in the UK Finding queer-coded characters in childhood favorite books Researching war in Waterloo diaries of British soldiers The path through British historical YA fiction that leads to a study of imperial and colonial history Horses and swords--it always comes back to horses and swords Future projects: more about Nora and Harriet, gender-bending Kit Marlowe, World War I flying aces, and lesbian pirates Books mentionedThe Covert Captain: Or, A Marriage of Equals by Jeannelle M. Ferreira A Verse from Babylon by Jeannelle M. Ferreira (out of print) Dramatis Personae by Jeannelle M. Ferreira (novelette, out of print) Ballet Shoes by Noel Streatfeild Spring Flowering by Farah Mendlesohn A transcript of this podcast may be available here. (Transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Twitter: @heatherosejones Facebook: Heather Rose Jones (author page) Links to Jeannelle M. Ferreira Online Website: Jeannelle Writes Twitter: @JeannelleWrites

Today my friend Alex tells his story of growing up in a competitive dance school. It's a really real and really important story to me. We discuss how YOU NEVER QUIT dance!!!! and how the seed of fear from dance studio life followed us throughout our professional careers and PERHAPS was the reason we 'quit'. We also discuss how the eisteddfod scene is shifting and how we can transfer this shift into the pro classical scene where dancers are often manipulated with this FEAR SEED. You can see the visual eppy on Youtube @thedancebantsshow.

Hello everyone! Welcome back to another fabulous episode of 'Story Time with Mama G'. Today's guest is Sally Nicholls who wrote the book 'Staying Home', which I recently read on my Facebook live AND you can see me read on YouTube here: https://youtu.be/LLxO8m1akmA Today's book of the week is 'Ballet Shoes' by Noel Streatfield. And don't forget you can follow me on Facebook, YouTube and Instagram, just search for @MamaGStories. And you can support the podcast at https://www.patreon.com/mamag or https://www.ko-fi.com/mamagstories And make sure you rate, review, subscribe and share the podcast! Enjoy! x Support this podcast

Happy World Theatre Day! We're celebrating this week with the seminal classic Ballet Shoes by Noel Streatfeild. Are the Fossil girls precursors to the Royal Tenenbaums? And there HAS to be some shady shit going on with Gum, right? Plus, our pandemic update, trying to find some good in it, #firstworldsuburbanproblems and Jess gets down with the kids on TikTok Thanks for listening! Hey, if you’ve been enjoying our show, please share it, tweet it, tell your friends and enemies. Word of mouth is the best way podcasts grow, and we would really appreciate it! Rate and subscribe on Apple Podcasts and all other podcast places. Find us on Facebook Instagram Tumblr YouTube Pinterest at Fighting Over the Card Catalog and Twitter @ CardCatalogPod  Jess on Twitter & Instagram @ jessdigress Email us at fightingoverthecardcatalog@gmail.com   Commercial break Music from https://filmmusic.io "Itty Bitty 8 Bit" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/)

First Draft Episode #242: Cassandra Clare Cassandra Clare is #1 New York Times bestselling author of the Shadowhunter Chronicles, the forthcoming Sword Catcher duology, and co-author of the Magisterium series. Her most recent Shadowhunter novel, Chain of Gold, kicks off the Last Hours trilogy. Links and Topics Mentioned In This Episode A Little Princess and The Secret Garden by Frances Hodgson Burnett Noel Streatfeild wrote a prolific series of books for young readers, kicking off with Ballet Shoes and including Dancing Shoes, Theater Shoes, and Skating Shoes. Little Women by Louisa May Alcott From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg Cassie went through a British obsession where she read all of the Brontë sister’s works (best typified by Charlotte Brontë’s Jane Eyre) and all of Jane Austen (including Pride and Prejudice and Emma) Cassie’s interview on 88 Cups of Tea The Velveteen Rabbit by Margery Williams Holly Black, #1 New York Times bestselling author of The Cruel Prince, The Coldest Girl in Coldtown, and The Spiderwick Chronicles (listen to her First Draft episode here) J.R.R. Tolkien, author of The Hobbit and The Lord of the Rings trilogy The Shannara books by Terry Brooks, which kicks off with The Sword of Shannara Tad Williams, author of the Memory, Sorrow, and Thorn series, which kicks off with The Dragonbone Chair, and the Shadowmarch series Guy Gavriel Kay, author of Tigana and (my personal fav), Under Heaven and its sequel, River of Stars Annette Curtis Klause, author of Blood and Chocolate and The Silver Kiss Ellen Kushner, author of Thomas the Rhymer and Swordspoint. Terri Windling created the “Bordertown” shared world urban fantasy series. In 2011 she initiated a YA revival of the series Welcome to Bordertown co-edited with Holly Black. Robin Wasserman, author of Girls on Fire and the forthcoming Mother Daughter Widow Wife (listen to her First Draft episode here) Tamora Pierce, author of Alanna and Wild Magic Prep by Curtis Sittenfeld A High Wind in Jamaica by Richard Hughes The Greengage Summer by Rumer Godden   I want to hear from you! Have a question about writing or creativity for Sarah Enni or her guests to answer? To leave a voicemail, call (818) 533-1998. Subscribe To First Draft with Sarah Enni Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too;  Michael Dante  DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works. Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free! Rate, Review, and Recommend How do you like the show? Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you! Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post! Thanks again!

Colleen Hill, curator of costume and accessories at The Museum at FIT, discusses the romance and femininity but also discipline and pain of ballet shoes. Watch the full video with captions on YouTube. The Museum at FIT (MFIT) is the only museum dedicated exclusively to the art of fashion in New York City. https://www.fitnyc.edu/museum

In this episode Dick & Dom receive an invite to the memory palace from Diddy Dick & Dom to share this week's stories, written by YOU. So whether it's bed-time listening or some writing inspiration, sit back and let Dick and Dom take it away with the BBC Radio Drama Company reading 'Grandpa's Ballet Shoes', 'Memories of Summer', 'The Forgotten Post Box', 'The Trinket Box' , 'Ghost's Can't Dance' and 'Forget-Me-Not'. Find out more about 500 Words at bbc.co.uk/500Words.

Tim Winton's Cloudstreet returns to the stage, we look back at when Stephen Sondheim and Harold Prince staged some of the most inventive and challenging musical theatre Broadway had ever seen, we tour The Australian Ballet Centre's pointe shoe room and learn that it takes a firm hand to mould a soft shoe, and playwright Michelle Law drops by to share the Best Advice she ever got.

Tim Winton's Cloudstreet returns to the stage, we look back at when Stephen Sondheim and Harold Prince staged some of the most inventive and challenging musical theatre Broadway had ever seen, we tour The Australian Ballet Centre's pointe shoe room and learn that it takes a firm hand to mould a soft shoe, and playwright Michelle Law drops by to share the Best Advice she ever got.

Heidi Thomas is a screenwriter and playwright best known for Call the Midwife. The BBC TV series, which began in 2012, was originally a six part adaptation of a trilogy of memoirs by Jennifer Worth, recalling her experiences as a midwife in the East End of London. It was an immediate hit, with 10 million viewers a week, becoming one of BBC One’s most popular dramas and a fixture in the Christmas schedules. Born in 1962, Heidi Thomas grew up as the eldest of three children in the leafy suburbs of Liverpool. Her father ran a drain cleaning business while her mother looked after the children, including Heidi’s youngest brother David, who was born with Down’s Syndrome. Heidi studied English at Liverpool University, supporting herself by selling ladies’ underwear at a department store. During a bout of viral hepatitis, which left her unable to apply for jobs when she graduated, she entered a competition for new plays and won a prize for her debut, All Flesh is Grass. During the production,of her next play, Shamrocks and Crocodiles, she met the actor Stephen McGann. They went on to marry, and many years later Stephen was cast as the GP in Call the Midwife. After nearly a decade in the theatre, Heidi made the leap into television, first writing on existing series such as Soldier, Soldier and Doctor Finlay. Her other screenwriting credits include Lilies, based on her grandmother’s recollections, and adaptations of classic novels including Elizabeth Gaskell’s Cranford, Noel Streatfeild’s Ballet Shoes and Louisa May Alcott’s Little Women. DISC ONE: You Belong to Me by The Duprees DISC TWO: Penny Lane by The Beatles DISC THREE: Gentle on my Mind by Dean Martin DISC FOUR: Who Will Sing Me Lullabies? by Kate Rusby DISC FIVE: The First Time Ever I Saw Your Face by Roberta Flack DISC SIX: Finishing The Hat by Josh Groban DISC SEVEN: Agnus Dei from Requiem, op. 48, conducted by Nigel Short and performed by London Symphony Orchestra Chamber Ensemble and Tenebrae DISC EIGHT: Both Sides, Now by Joni Mitchell BOOK CHOICE: London Labour and the London Poor by Henry Mayhew LUXURY ITEM: A hot water bottle CASTAWAY'S FAVOURITE: Both Sides, Now by Joni Mitchell Presenter: Lauren Laverne Producer: Sarah Taylor

Eddie Izzard on workshopping his new show Wunderbar in French and German, we tour The Australian Ballet Centre's pointe shoe room with dancer Jade Wood and artistic coordinator Robyn Begg, we follow a post-apocalyptic theatre troupe who perform their hazy memories of The Simpsons in Mr Burns, a Post-Electric Play, and Bangarra dancer Beau Dean Riley Smith tells us what's on his Top Shelf.

on this episode larry moe and oscar give their thoughts on on the bumblebee trailer and the spiderman into the spiderverse trailer. the also bringyou their take on the weeks news.

Interview with Jeannelle M. Ferreira The Lesbian Historic Motif Podcast - Episode 22b  A series of interviews with authors of historically-based fiction featuring queer women. In this episode we talk about The attractions of the Regency romance Jeannelle’s earlier works, especially a novel set in the Vilna ghetto during WWII Jewish influences in her writing Jeannelle’s background as a student of history Sexuality and PTSD in the Regency era The National Trust’s website on queer history in the UK Finding queer-coded characters in childhood favorite books Researching war in Waterloo diaries of British soldiers The path through British historical YA fiction that leads to a study of imperial and colonial history Horses and swords--it always comes back to horses and swords Future projects: more about Nora and Harriet, gender-bending Kit Marlowe, World War I flying aces, and lesbian pirates Publications mentioned: The Covert Captain: Or, A Marriage of Equals by Jeannelle M. Ferreira (non-Kindle versions coming soon) A Verse from Babylon by Jeannelle M. Ferreira (out of print) Dramatis Personae by Jeannelle M. Ferreira (novelette, out of print) Ballet Shoes by Noel Streatfeild Spring Flowering by Farah Mendlesohn More info The Lesbian Historic Motif Project lives at: http://alpennia.com/lhmp Website: https://jeannellewrites.wordpress.com Twitter: @JeannelleWrites If you have questions or comments about the LHMP or these podcasts, send them to: contact@alpennia.com No transcript is available for this episode. If you enjoy this podcast and others at The Lesbian Talk Show, please consider supporting the show through Patreon: https://www.patreon.com/TheLesbianTalkShow

Another Book vs Movie - Ballet Shoes! Yet again, we wonder if maybe Aaron is not the target audience for Elizabeth's nostalgia trips. Can young girl's coming-of-age stories be compelling for all ages? Will he notice anything beyond young Emma Watson? Can he even remember their names? Find out this week!

Jasmine Guillory, debut author of The Wedding Date (out Jan. 30!), on being an extroverted writer, using the notes app to take the pressure off starting a new book, the importance of stillness, and how romance novels can instruct us about affirmative consent.   Jasmine Guillory Show Notes Are You Sleeping by Kathleen Barber The Toast The “Shoe” books, starting with Ballet Shoes by Noel Streatfeild Anne of Green Gables by L. M. Montgomery Betsy-Tacy by Maud Hart Lovelace Sen. Barbara Boxer (D-Calif.) Amy Spalding (listen to her First Draft interview here) Jennifer Laughran, agent with Andrea Brown Literary Agency NaNoWriMo’s Camp NaNoWriMo Holly Root (literary agent) Bridesmaids (movie) Lola and the Boy Next Door by Stephanie Perkins The Ripped Bodice romance bookstore The Ripped Bodice's diversity survey in EW and in The New York Times Kate Hart’s breakdown of YA covers in 2011 (click around her archives for many other posts Kate put together on YA covers and deals) Jasmine’s NaNoWriMo pep talk Roxane Gay Mallory Ortberg The Proposal, Jasmine's next book The 2018 First Draft calendar Kirsten Hubbard

Phil Daniels, Ceri Levy and Garry Hayes look forward to the new season! You can get hold of Garry's book on the 15th of August from Amazon: https://www.amazon.co.uk/John-Terry-Fifty-Defining-Fixtures/dp/1445662221chelseapodcast.netProduced by Paul Myers and Mike LeighA Playback Media Productionplaybackmedia.co.uk Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil Daniels, Ceri Levy and Garry Hayes look forward to the new season! You can get hold of Garry's book on the 15th of August from Amazon: amazon.co.uk/John-Terry-Fifty-Defining-Fixtures/dp/1445662221 chelseapodcast.net @chelseapodcast Produced by Paul Myers and Mike Leigh A Playback Media Production playbackmedia.co.uk

In over fifty years of televised Doctor Who, a huge number of talented people have worked both in front of and behind cameras. Comedian, actor and TV aficionado Toby Hadoke is working on tracking down people associated with every story and turning each conversation into a free podcast:

When Hitler Stole the Ballet Shoes by Mia Hyde. Read by Rhiannon Neads from the BBC Radio Drama Company. A Top 50 shortlisted story from BBC Radio 2's 500 WORDS 2015 competition, in the 10-13 Years Old category.

Discover more about the world of ballet shoes and the team that runs the department with Cat Ladd, Ballet Shoe Mistress.

Inside the ballet shoe room with Cat Ladd, Ballet Shoe Mistress.

Emma finishes Ballet Shoes: we discuss the trio filming outside of Potter. Order of the Phoenix DVD release date, but somebody hasn’t seen it in theaters. Our thoughts on Jim Broadbent being cast as Horace Slughorn. Feedback from our live show. Listener Rebuttal: Why did Fred have to die? Main Discussion: Book 1 and Book 7 Parallels. The Little Things. Opening chapters, the Mirror of Erised, King’s Cross and Gringotts. The Men With Two Faces: Quirrell and Snape. Dumbledore’s Ambiguity. Anchor’s to life: Sorcerer’s Stone, Horcruxes and Hallows. Dueling Club featuring Harry, the Terminator and Optimus Prime. Make the Connection is taken to a whole new level. Australians: Listen to the end of the show for a special announcement from Eric!