Podcasts about Charlemagne Palestine

Episode 145 Chapter 06, Analog and Digital Synthesis Basics, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 06, Analog and Digital Synthesis Basics, Part 2 from my book Electronic and Experimental music.   Playlist: Analog Synthesis and Sound Modification   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1 Richard Maxfield, “Prelude, Pastoral Symphony” (1960). Tape piece combining electronic sounds with the modulated sounds of nature. 04:02 01:36 2 Mireille Kyrou, “Étude I” (1960) from Musique Concrète (1964 Philips). Tape piece of processed acoustic sounds. Realized by the "Groupe de recherches musicales du Service de la recherche de la radiodiffusion-télévision française.” Kyrou is the rare example of a woman composer using the French studio.  5:09 05:09 05:36 3 Hugh Le Caine, “Safari: Eine kleine Klangfarbenmelodie” (1964). Used extensive additive synthesis and texturing by means of the Sonde, an instrument equipped with 200 closely tuned sine tones. 03:09 10:44 4 David Behrman, “Wave Train” (1966). Used analog circuits, internal feedback, audio processing in real time. Recording is from a flexi-disc released by Source: Music of the Avant Garde in 1968. 15:34 13:52 5 Steve Reich, “Come Out” (1966). Tape piece experiment with tape loops and phasing of vocal passages. 12:53 29:22 6 Gordon Mumma, “Horn” (1967). Performance released on flexi-disc for Aspen Magazine No. 1 (1967). Performed at the Once Festival in Ann Arbor, Michigan by Mumma, Robert Ashley, and George Cacioppo. Acoustic sounds modified electronically in real time. 06:22 42:14 7 Pril Smiley, “Eclipse” (1967). “Eclipse” was realized at the Columbia-Princeton Electronic Music Center. Smiley had this to say about the work, “Eighty-five percent of the sounds are electronic in origin; the non-electronic sounds are mainly pre-recorded percussion sounds–but subsequently electronically modified so that they are not always recognizable.” 7:56 07:56 48:46 8 Charlemagne Palestine, “Seven Organism Study” (1968). Used feedback and analog synthesis for this drone work. 07:53 56:36 9 Hugh Davies, “Salad” (1977). From the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from February 19, 1977. Davies performs on four different egg slicers, two tomato slicers and one cheese slicer. 13:55 13:55 01:04:24 10 David Lee Myers, “Periodicity, track A1” (1988). Analog feedback circuits controlled in real time. 02:36 01:18:16   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

At Art Basel Miami Beach, Meredith Rosen Gallery presents works by Charlemagne Palestine, Carla Accardi, Karl Gerstner, and Gowoon Lee. ...

Bajo el contexto inicial de las artes plásticas se produce de modo natural la traslación, o mejor la ampliación, al arte de la música. Como en otras artes, también en la creación musical se impone esa idea del ‘menos es más'. Aquí, más que de un estilo hablamos de una filosofía._____Has escuchadoThe Descending Moonshine Dervishes (1975) / Terry Riley. Kuckuck (1992)The Electric Harpsichord (1976) / Catherine Christer Hennix. Die Schachtel (2010)Music for 18 Musicians. Section IIIA (1976) / Steve Reich. Ensemble Links; Rémi Durupt, director. Kairos (2020)Strumming for harpsichord (1977) / Charlemagne Palestine. San Francisco Conservatory of Music. Sub Rosa (2010) Trio for strings (1958-2015) / La Monte Young. The Theatre of Eternal Music (Charles Curtis, violonchelo; Reynard Rott, violonchelo; Erik Carlson, violín y viola; Christopher Otto, violín y viola). Dia Art Foundation (2021)_____Selección bibliográficaBERNARD, Jonathan W., “Minimalism, Postminimalism, and the Resurgence of Tonality in Recent American Music”. American Music, vol. 21, n.º 1 (2003), pp. 112-133*BOON, Marcus, “Catherine Christer Hennix, the Practice of Music and Modal Ontology”. En: Practical Aesthetics. Editado por Bernd Herzogenrath. Bloomsbury, 2021BOUTWELL, Brett, “Terry Jennings, the Lost Minimalist”. American Music, vol. 32, n.º 1 (2014), pp. 82-107*CARL, Robert, Terry Riley's In C. Oxford University Press, 2009COLE, Ross, “‘Sound Effects (O.K., Music)': Steve Reich and the Visual Arts in New York City, 1966-1968”. Twentieth-Century Music, vol. 11, n.º 2 (2014), pp. 217-244*CURESES, Marta, “Literatura y ciencia en la composición minimalista: hacia una teoría del azar controlado”. Actio nova: revista de teoría de la literatura y literatura comparada, n.º 3 (2019), pp. 424-455*EATON, Rebecca M. Doran, “Marking Minimalism: Minimal Music as a Sign of Machines and Mathematics in Multimedia”. Music and the Moving Image, vol. 7, n.º 1 (2014), pp. 3-23*ÉTIENNE, Yvan (ed.), Phill Niblock: Working Title. Les Presses du Réel Edition, 2012FINK, Robert, “(Post-)minimalism 1979-2000: The Search for a New Mainstream”. En: The Cambridge Companion to Twentieth-Century Music. Editado por Mervyn Cooke. Cambridge University Press, 2008*GANN, Kyle, “Reconstructing November”. American Music, vol. 28, n.º 4 (2010), pp. 481-491*GANN, Kyle y Keith Potter (eds.), The Ashgate Research Companion to Minimalist and Postminimalist Music. Routledge, 2013IGES, José, “Grupos minimalistas españoles: música contemporánea”. Ritmo, vol. 53, n.º 532 (1983), pp. 35-37*JEAN-FRANCOIS, Isaac, “Julius Eastman: The Sonority of Blackness Otherwise”. Current Musicology, vol. 106 (2020), pp. 9-35*JOSEPH, Branden W., Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage. Zone, 2008*KOTZ, Liz, Words to Be Looked At: Language in 1960s Art. MIT Press, 2007LEVAUX, Christophe, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style. University of California Press, 2020*LEVINE PACKER, Renée y Mary Jane Leach (eds.), Gay Guerrilla: Julius Eastman and His Music. University of Rochester Press, 2015MAY, Thomas (ed.), The John Adams Reader: Essential Writings on an American Composer. Amadeus, 2006MERTENS, Wim, American Minimal Music: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Khan & Averill, 1983MOWERY, Janice, “Meredith Monk: Between the Cracks”. Perspectives of New Music, vol. 51, n.º 2 (2013), pp. 79-100*NACENTA, Lluís, “Minimalismes”. Catalunya música: revista musical catalana, n.º 311 (2010), pp. 12-13NICKELSON, Patrick, “Transcription, Recording, and Authority in ‘Classic' Minimalism”. Twentieth Century Music, vol. 14, n.º 3 (2018), pp. 361-289*POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press, 2000*SCHWARZ, K. Robert, Minimalists. Phaidon, 1996STRICKLAND, Edward, Minimalism: Origins. Indiana University Press, 1991*TARUSKIN, Richard, “A Harmonious Avant-Garde? - Minimalism: Young, Riley, Reich, Glass; Their European Emulators”. En: Music in the Late Twentieth Century. Oxford University Press, 2009*TOOP, David, Océano de sonido: palabras en el éter, música ambient y mundos imaginarios. Traducción de Tadeo Lima. Caja Negra, 2016*WLODARSKI, Amy Lynn, “The Testimonial Aesthetics of Different Trains”. Journal of the American Musicology Society, vol. 63, n.º 1 (2010), pp. 99-142* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Estilo de música minimalista definido por el uso de sonidos, notas o motivos repetidos cíclicamente. Las notas sostenidas o pedal se mantienen durante toda la pieza sin variaciones armónicas proporcionando una sensación envolvente y de trance._____Has escuchadoCathédrale de Strasbourg (2016) / Charlemagne Palestine. Charlemagne Palestine, órgano. Erratum (2016)For Organ and Brass (2016) / Ellen Arkbro. Johan Graden, órgano; Elena Kakaliagou, trompa; Hilary Jeffery, trombón; Robin Hayward, tuba. Subtext (2017)Monoliths & Dimensions. Big Church (2009) / Sunn O))). Southern Lord (2009)The Deontic Miracle: Selections from 100 Models of Hegikan Roku (1976) / Catherine Christer Hennix. Catherine Christer Hennix, oboe, electrónica, generadores de sonidos; Peter Hennix, oboe, sarangi; Hans Isgren, sarangi. Blank Forms Editions (2019)_____Selección bibliográficaBOON, Marcus, The Politics of Vibration: Music as a Cosmopolitical Practice. Duke University Press, 2022*CHRISTER, Catherine Hennix, Poësy Matters and Other Matters. Blank Forms, 2019*DEMERS, Joanna Teresa, Listening through the Noise: The Aesthetics of Experimental Electronic Music. Oxford University Press, 2010*DONGUY, Jacques, Charlemagne Palestine. Editions Adam Musicae, 2022GILMORE, Bob et al., Phill Niblock: Working Title. Les Presses du Réel, 2012GLOVER, Richard, Music of Sustained Tones. Tesis doctoral, Universidad de Huddersfield, 2010LUCIER, Alvin, Eight Lectures on Experimental Music. Wesleyan University Press, 2018ROBIN, Purves, “Subject of the Drone”. Metal Music Studies, vol. 6, n.º 2 (2020), pp. 145-159STRAEBEl, Volker, “Technological Implications of Phill Niblock's Drone Music, Derived from Analytical Observations of Selected Works for Cello and String Quartet on Tape”. Organised Sound, vol. 13, n.º 3 (2008), pp. 225-235*TORVINEN, Juha y Susanna Välimaäki, “Nordic Drone: Pedal Points and Static Textures as Musical Imagery of the Northerly Environment”. En: The Nature Music of Nordic Music. Editado por Tim Howell. Routledge, 2019WANKE, Riccardo D., Sound in the Ecstatic-Materialist Perspective on Experimental Music. Routledge, 2022*WANNAMAKER, Robert A., “The Spectral Music of James Tenney”. Contemporary Music Review, n.º 27 (2008), pp. 130-191 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Je reviens de 10 jours de montage d'une expo au musée Juif de Belgique avec Charlemagne Palestine, et j'ai été choqué par la bêtise des gens supposés plus intelligents que la moyennes --- Send in a voice message: https://podcasters.spotify.com/pod/show/le-podcast-de-lionel/message

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. The Caretaker, "Lacunar Amnesia" (Persistent Repetition of Phrases) 2008 / 2023 History Always Favours the Winners 2. Mouse on Mars, "Bilk A3" (Bilk) 2023 Sonig 3. Vladislav Delay, "Untitled" (Entain) 2000 Mille Plateaux / 2023 Keplar 4. Creation Rebel, "Swiftly (The Right One)" (Hostile Environment) 2023 On-U Sound 5. Spivak, "Golden Boy" (You Win Again) 2023 Ecstatic 6. Bowery Electric, "Only Sometimes" (Drop) 1994 Hi-Fidelity / 2023 Kranky 7. 7038634357, "Perfect Night" (Neo Seven) 2023 Blank Forms 8. Blevin Blectum, "Soft Death (feat. Alex Dupuis)" (OMNII) 2023 Deathbomb Arc 9. Death and Vanilla/Civilistjavel!, "Perpetuum Mobile (Civilistjävel! Version)" (Reimagined by Civilistjavel!) 2023 Fire 10. Edward Ka-Spel, "The Extra Mile" (CybersKapes Revisited) 2023 self-released 11. MV Carbon and Charlemagne Palestine, "Glass from Sand (Single Version)" (Liquiddd Changesss) 2022 Kill Rock Stars 12. Fennesz, "Ohne Sonne" (Endless Summer (bonus)) 2006 Mego / 2019 Editions Mego # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Episode 647: August 13, 2023 playlist: The Caretaker, "Lacunar Amnesia" (Persistent Repetition of Phrases) 2008 / 2023 History Always Favours the Winners Mouse on Mars, "Bilk A3" (Bilk) 2023 Sonig Vladislav Delay, "Untitled" (Entain) 2000 Mille Plateaux / 2023 Keplar Creation Rebel, "Swiftly (The Right One)" (Hostile Environment) 2023 On-U Sound Spivak, "Golden Boy" (You Win Again) 2023 Ecstatic Bowery Electric, "Only Sometimes" (Drop) 1994 Hi-Fidelity / 2023 Kranky 7038634357, "Perfect Night" (Neo Seven) 2023 Blank Forms Blevin Blectum, "Soft Death (feat. Alex Dupuis)" (OMNII) 2023 Deathbomb Arc Death and Vanilla/Civilistjavel!, "Perpetuum Mobile (Civilistjävel! Version)" (Reimagined by Civilistjavel!) 2023 Fire Edward Ka-Spel, "The Extra Mile" (CybersKapes Revisited) 2023 self-released MV Carbon and Charlemagne Palestine, "Glass from Sand (Single Version)" (Liquiddd Changesss) 2022 Kill Rock Stars Fennesz, "Ohne Sonne" (Endless Summer (bonus)) 2006 Mego / 2019 Editions Mego Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Can you believe?! This is the 40th episode of AIR, and this month's guest is American composer, musician, and visual artist Charlemagne Palestine. Born and raised in New York, Charlemagne plays a wide variety of instruments — favouring hours-long pieces for piano and organ, often utilizing techniques like strumming that he himself has invented. His music is expansive both in tone and quantity, and his style has often been described as “playing an entire building.” In fact, I had intended the theme for today's episode to be maximalism — but true to his own rebellious nature, Charlemagne almost immediately rejected the term's usage in our interview. Instead, we approached the topic of a “total art experience,” the many ways he creates visceral music, and the physicality of playing. ++ Music: From "Four Manifestations on Six Elements" - Charlemagne Palestine (2020) "Strumming Music" - Charlemagne Palestine (1974) From "Schlingen-Blängen" - Charlemagne Palestine (1999) Clip of Charlemagne playing the carillon at AV Festival 2013 From "Four Manifestations on Six Elements" - Charlemagne Palestine (2020)

Proponemos un especial dedicado a la Biennale Momentum, HOUSE OF COMMONS de Moss, Noruega en el que hablamos con el director de la Galeria F15, Dag Aak Sveiner, la artista visual Siri Hermansen el arquitecto Cesar Guerrero del estudio S-AR, de México y escuchamos el concierto de Charlemagne Palestine, a bordo de un ferry. Escuchar audio

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ They And Their Friends (Live 6/24/84) by Arthur Russell on Sketches for World of Echo June 25 1984 Live At Experimental Intermedia (Audika) 2′38″ God Spirit by Cecil McBee on Music from the Source (Enja Records) 10′32″ Antropológica No. 2 by Marconi Notaro on No Sub Reino Dos Metazoarios (Mr. Bongo) 15′35″ Electric Blend 2 by Sandy Bull on Still Valentine's Day, 1969: Live at the Matrix, San Francisco (Water) 15′36″ Earth Ship by Mahavishnu Orchestra on Visions Of The Emerald Beyond (Sony) 30′12″ Raga De L'Apres Midi Pour Aude by Charlemagne Palestine & Janek Schaefer on Day Of The Demons (Desire Path) 41′41″ Chords for Guitar by Ellen Arkbro on CHORDS (Subtext Recordings) 57′41″ Offerings Accepted by Fletcher Tucker on Unlit Trail (Adagio830) Check out the full archives on the website.

Born in Brooklyn in 1947, Charlemagne Palestine is a multidisciplinary artist who has been exploring the sonic potential of the pipe organ since the 1970s. Join us as host Blake Hargreaves speaks with Charlemagne about his fascinating life and career. Special thanks to Nathan Cook at Close-Far Records for providing music from a very rare early recording of Charlemagne for this episode!

Alec and Nick discuss the role of narcissism in the history and production of experimental music. The episode gives a close account of the paradigm introduced by art historian Branden Joseph in “Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage” with special attention to how problems of authorship, the archive's role in framing genealogy, critiques of institutionalized culture, and the “dark triad” (narcissism, psychopathy, and machiavellianism) all play out in “minor histories” of music. La Monte Young, Tony Conrad, 4Chan, Bandcamp Friday, Charlemagne Palestine, Sigmund Freud and more are all discussed. Opening theme music by Xander Seren. Closing music: unreleased recording of Tony Conrad & Charlemagne Palestine, presented by ISSUE Project Room at First Unitarian Congregational Society on March 3rd, 2015 Cover image: Tony Conrad performing Sunbow (1977) at the 3rd S.E.M. Spring Festival, Albright-Knox Art Gallery, Buffalo, June 4 and/or 5, 1977. Performance with bowed mirror, sunlight, projector control mechanisms, and slides. Photograph by Kevin Noble.

In which Naval history, cycling routes, and avant garde recordings become entwined. Rover, Glen Neff, Charlemagne Palestine, Samonas, Richard Gerevich among others... Mill Valley, Cal Arts, S-town, and Deutschland, das ganze Leben lang...

Happy to have the grenade from Belgrade over for a sesh of fresh. This weeks selection comes with a tone of tracks by the late Genesis P-Orridge, somewhat of an homage one might say. Andria is a DJ, producer and graphic designer. He released music on Stevie Whisper's Yes Belgrade and had his debut solo EP recently out on MR TC and Lo Kindre's Phase Group Label. Enjoy and stay flexible! XR Tracklist: 1. Genesis P-Orridge - Cathedral Engine 2. Girl Band - Laggard 3. Eric Chale , Ilona Chale & Michel Moers - Passe Dedans 4. HUM-iliTY - AGF 5. Psychic TV & Genesis P-Orridge - Rites Ov Reversal 6. Ronce - Acteon 7. Thighpaulsandra - Optical Black 8. Thomas Brinkmann - IV - Graphit ("graphite") 9. Psychic TV - In The Nursery 10. Charlemagne Palestine - drruuhhnnn innn duhh mooooohhnnn 11. Batillus - Concrete (Andy Stott Remix) 12. Butthole Surfers - Comb 13. John T. Gast - LUTON 14. FUMU - Untitled 4 15. Zach Hill - The Primitives Talk 16. Dane//Close - Percy 17. The Fall - Way Round 18. Masami Akita & Russell Haswell - Fend Off Your Miserable Grief 19. Merzbow & Genesis P-Orridge - Flowering Pain Given Space 20. Genesis P-Orridge - Cathedral Engine 21. Genesis Breyer P-Orridge & Carl Abrahamsson - S/He Is Her/E @androan97

American artist/musician Charlemagne Palestine, a New York native, was an integral part of the contemporary music scene starting in the Sixties, composing music, creating kinetic light sculptures, sound and movement pieces, records, videos, sculptures, abstract expressionistic visual scores, teaching at Cal Arts and performing on the piano with his stuffed animals. Since the mid Nineties he has lived in Brussels with his Belgian wife Aude Stoclet. We spoke with him in his enormous studio in Evere which he calls Charleworld and in which he keeps “all my objects and divinities and elements and instruments etc."

Studio Morra, Edizioni Morra, Edizioni Lotta Poetica, everything began in Naples, in the south of Italy at the end of the Seventies. Behind the curtains there's the Giuseppe Morra, fascinated by the subversive potential of the avant-garde and one of the first in Italy to promote artists coming from Concrete Poetry, Fluxus, Viennese Actionism and Body Art. Fondazione Morra is still active today, promoting and researching, developing and spreading the culture of visual communication. The episode features: Jackson MacLow, Charlemagne Palestine, Sarenco, Max Eastley, Lyn Hejinian and Charles Bernstein, Giampaolo Guerini, Henry Flynt and C.C. Hennix.

Shandar is a legendary French label founded in 1970 by the 24 year old Chantal D'Arcy (who gave her name to the label: Chan–tal Dar–cy). The myth narrates that the label was initiated with the encouragement from Cecil Taylor, whose recordings D'Arcy was searching for a label to release. After beeing disappointed with the scarse artistical commitment shown by the labels he encoutered, she decided to release the recordings herself. The episode features: Vincent le Masne et Bertrand Porquet, Ragnar Grippe, La Monte Young, Charlemagne Palestine, Karlheinz Stockhausen, Philip Glass and Sun Ra.

PALACIO DE LOS CONDES DE SANTA ANA | 24/03/18 | LUCENA | TRACKLIST >> (from minute marked track starting, mixed tracks up to 4 minutes) 00.00 Robert Aiki & Aubrey Love | Levitation Praxis pt.4 | DDS025 06.00 News from Salieri | Hotel Cecil | MANDRO03 08.50 Amelia Cuni & Werner Durand | Already awake in the night | INIITU1003 13.52 Simon Scott | Traba | IMMUNE009 19.40 Klaus | Bt Gulf | TNM002 24.00 Alva Noto & Ryuichi Sakamoto | Glass | NOTON044 31.30 Burial Hex | Bagirwa Hymn | VON003 40.10 Charlemagne Palestine & Rhys Chatham | Belle-Vue / Sub Rosa Sessions | SRV367-1 49.50 Takehisa Kosugi | Studio Improvisations | BB146 58.05 Rayon | A beat of silence | MM152 60.50 Midori Takada | Through the looking glass | WRWTFWW019 68.20 The Eye of Time | Anti | DEN209 72.50 Dial.81 | Detropia OST | UHF001 75.50 David Kristian | The city without windows | CREME LP-05 77.02 + 78.45 V.A. | Springs of time | HJRLP36 80.28 Machinefabriek | Vergezichten | N31 82.50 Sachiko | Golden Hypnos | AUDIOMER005 86.20 Kassen | Kassen Ep | CREC05 95.20 Dollboy | Casual Nudism | ARABLE7 100.40 Susumu Yokota | Image 1983-1998 | Skintone Records Japan 103.29 Genia & John Richards | Suite for piano and electronics | NONCLSSV002 106.30 + 110.40 154 | Strike | APE LP01 |||||||||||||||||||||||||| DRONE Y AMBIENT en mezcla continua, una oportunidad interesante de escuchar discos de mi colección que no salen tan a menudo de casa, estarán nuevas referencias de Raster Noton, como el directo de Sakamoto y Alva Noto (GLASS), cositas mas clásicas como Charlemagne Palestine (uno de mis referentes en construcción de realidades) o sellos españoles como Mandró (News from Salieri en formato cassette).

This episode, compiled by our studio, is a portrait of the incredibly effervescent musical and artistic scene in New York in the 1970’s. From repetitive patterns to concrete poetry, you can spend one hour in good company, together with John Giorno, Charlemagne Palestine, Meredith Monk, Philip Glass, Lawrence Weiner with Peter Gordon, Terry Riley, Joe Jones and Yoshi Wada.

Tonight's edition features an outstanding playlist including new music from Nils Frahm and The National Pool, a peek at a new retrospective compilation from PBK & John Wiggins, plus recents from Goner, Benoit Pioulard, Charlemagne Palestine, DJ Olive/Jean-Paul Dessey, The Belbury Circle and plenty more. Enjoying the show? Please support BFF.FM with a donation. Check out the full archives on the website.

Forest Management, Brett Nauke, Dominic Coppola, Darren Keen, Patrick Shiroishi, Sharon Gal, Střed Světa, Platzangst, Smegma, Charlemagne Palestine, Jack Taylor, and Twig Harper.

Forest Management, Brett Nauke, Dominic Coppola, Darren Keen, Patrick Shiroishi, Sharon Gal, Střed Světa, Platzangst, Smegma, Charlemagne Palestine, Jack Taylor, and Twig Harper.

Mysteries of the Deep Podcast, Chapter LXXXI. On Muluc Days, Changing Moons by Certain Creatures. Cover photo courtesy of Candace Price. MOTDLP001 - Certain Creatures - Nasadiya Sukta, now available for pre-order at Bandcamp. https://certaincreatures.bandcamp.com/album/nasadiya-sukta Tracklist: 1. Akritchalerm Kalayanamitr - Dawn Of Boonmee 2. Vox Populi! - Allo Rechte 3. Nino Nardini - Etincelles Cosmiques 4. David Sylvian & Holgar Czukay - Plight (The spiraling of Winter Ghosts) 5. Velocette - Space Q 6. Elph vs. Coil - We Have Always Been Here 7. Jorge Reyes - Premonition 8. James Plotkin & Mick Harris - Dissolve 9. Else Marie Pade - Syv Cirkler 10. Lull - Time 11. Toshiya Tsunoda - Gap Between Ship and Wharf 12. Boyd Rice & Frank Tovey - Extraction 6 13. Entrancer - VII 14. Geir Jenssen - Nangpa La – Birds Feeding On Biscuits 15. Chris Carter - Electrodub1 16. Wolfgang Voigt - Kafkatrax 1.0 17. Mika Vainio - Magnetosense 18. Masters Of Psychedelic Ambiance - Private Brain Session 19. Terrance McKenna - Along A Ghostly Trail (excerpt) 20. Drums Off Chaos - On Circles 21. Gesellschaft zur Emanzipation des Samples - Helmut Schmidt Plays Bach (Dub) 22. Nuel - Untitled 23. Acronym - The Final Decision 24. Matti Bye - The Phone Call 25. Jonathan Fitoussi - Aquarius 26. Labradford - Star City, Russia 27. Chi - Before the Mountain 28. Charlemagne Palestine & Janek Schaefer - Raga de l'apres midi pour Aude 29. Earthen Sea - Bells of Venus 30. Brendon Moeller - The Hike 31. Biosphere - The Things I Tell You 32. Biosphere & The Higher Intelligence Agency - Cimerrian Shaft 33. Lull - Like A Slow River 34. Terre Thaemlitz - Aging Core, Aging Periphery https://soundcloud.com/certain-creatures

Je vous parle de ma rencontre et mon travail avec l'artiste Charlemagne Palestine, une aventure qui dure depuis plus de 15 ans.

Je parle encore de Anchor ;) https://anchor.fm/s/cf2f10 Et de mon projet de vidéo sur Charlemagne Palestine

This edition features some long-form pieces from notable composers of what is often referred to as minimalism, or avant-garde, but can simply be labeled as “essential listening.” There is an excerpt from The Necks’ 1989 release “Sex,” a piece from controversial composer Charlemagne Palestine, an innovative orchestral movement from Roberto Cacciapaglia, and more. Enjoy a listen below. Artist/Song/Release/Year … Continue reading →

Mysteries of the Deep Podcast, Chapter LX. Invocation by Monadh. Cover photo courtesy of Abby Echiverri. Tracklist: 1. Xela - Charm 2. Charlemagne Palestine & Janek Schaefer - Raga de L’Apres Midi Pour Aude 3. Anduin - Contents Of A Black Box 4. Susumu Yokota - The Colour Of Pomegranates 5. Puma - Bison Woven 6. Arve Henriksen - Chiaro 7. Mike Weis - Raft 8. Thomas Koner & Lawrence English - Forest, Brisbane 9. Pinkcourtesyphone - Our Story [With AGF] 10. Pjusk - Rav 11. Sohrab - Somebody 12. Biosphere - Than Is The Mater 13. Solo Andata - Woods Flesh Bone 14. Barn Owl - Lotus Cloud 15. Svarte Greiner - Last Light 16. Rapoon - Groundswell 17. Biosphere - Feber https://soundcloud.com/jake-muir

An original master of trance. For more, visit Resident Advisor: http://www.residentadvisor.net/podcast-episode.aspx?exchange=111

An original master of trance.

An original master of trance.

Playliste de Joachim Montessuis pour webSYNradio : Pneumatology avec Bryan Lewis Saunders, Carl Stone, Chloé Delaume, Dave Philips, Jarrod Fowler, Junko + Mattin, Kenneth Goldsmith, Maja Ratkje & Joachim Montessuis, Margaret De Wys, People like us, Philippe Zunino, Phil Minton, Runzelstirn & Gurgelstøk, Dylan Nyoukis and Spicer Dan, Gil_J_Wolman, Charlemagne Palestine, Whitehouse, Tim Hecker, Masonna, Fat worm of error, Eliane Radigue

Sonorités (6/19) : mon orgue Légende de la musique expérimentale, Charlemagne Palestine promène sa collection de peluches et de chemise hawaïennes sur toutes les scènes du monde en refusant les étiquettes, même celle de «musicien» ou de «minimaliste». Excessif et tonitruant, l'artiste américain prononce d'improbables discours fleuris que personne n'ose contredire, car celui qui fait si bien sonner l'orgue a toujours raison. En partenariat avec le festival Sonorités. Enregistrements : octobre 10 - Prise de son live : Jean-Christophe Camps, Thomas Charmetant - Mise en ondes & mix : Samuel Hirsch - Réalisation : Pascal Mouneyres

Playliste de Carl Michael von Hausswolff pour webSYNradio : Avec des archives posThumes et anThumes de Velemir Chhlebnikov, Yoko Ono, Mick Jagger, Klaus Kinski, Whitehouse, Bob Cobbing, Charlemagne Palestine, Bengt Emil Johnson, Mario Davidovsky, William S. Burroughs, Vladimir Ussachevsky, Hugo Ball …