Podcasts about cursed earth

It's always a sunny day when Patrick Horvath wanders into our Love Nest. Two years after his first appearance on the podcast, he's back with another first issue, and this time, it's the sequel to the comic that made him a sensation. Beneath the Trees Where Nobody Sees: Rite of Spring takes us back to Woodbrook, years after the events of the original series, where Sam the Bear nearly lost control and many furry citizens lost their lives. Sequels are scary. We crave them desperately, but too often, they leave us full of regret and not satisfaction. With our hands on our bellies, we grumble, frustrated at how we fooled ourselves into a second taste, knowing it could never be as delicious as the first. Patrick Horvath wickedly understands sour sequelitis and subverts its toxicity through revelation. Danny the Duck, the first victim we saw Sam take in Beneath the Trees Where Nobody Sees, haunts every panel of Rite of Spring #1. His sister, Monica, takes center stage, as does her tremendous grief, which threatens to annihilate the person she was and the person she could have been. We didn't know it at the time, but Danny's death would slowly drill Monica toward Sam, and we both fear and delight at their eventual confrontation. In this episode, we ask Patrick Horvath why he couldn't stay away from Woodbrook. We discuss the function of the time jump between the first series and its new sequel, Monica's prominence in Rite of Spring #1, Danny the Duck's vengeance, and the beauty of childhood cliches. Final Order Cutoff (FOC) for Beneath the Trees Where Nobody Sees: Rite of Spring #1 is Monday, June 2nd. The first issue will arrive in shops from IDW Publishing on July 9th. Continue this conversation with Patrick Horvath by following him on Bluesky, Instagram, and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: The Ultimate Beneath the Trees Where Nobody Sees Spoiler-Filled Episode Patrick Horvath at NYCC 2024 Our First Beneath the Trees Where Nobody Sees Episode CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

After half a year, our Spectrum Book Club podcast series with collaborators Rick Quinn and Dave Chisholm finds its ending. It's bittersweet but equally exhilarating. The sixth issue in the Mad Cave Studios series lands the thesis, connecting every reader to every creator and revealing their powers in the process. You. Yeah, you. You're probably a maker, whether or not you're actively aware of your creations, and your tiny results forever bind you to those who came before, those who surround you today, and those who will come after you. Through Spectrum 6, Rick Quinn and Dave Chisholm plot a course through human history, and damn, we're super excited to follow. Our final Spectrum Book Club session explores endings, forces our interpretations upon Rick Quinn and Dave Chisholm, and sits in their squirmy silence as they let us hang with our unconfirmed story solutions. These episodes are a unique set within the Comic Book Couples Counseling catalog, and we're thrilled with those who have followed along from November 2024 to nearly June 2025. Even more exciting are those ears that will discover these conversations months and years from now. All six Spectrum issues are currently available from Mad Cave Studios, and the trade paperback release is scheduled for July 15th. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: CBCC's Comic Shop Road Trip Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Spectrum Book Club Part Five Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Everyone has a Batman opinion. Inside your imagination is a definitive Batman: a Batman who should behave this way, and a Batman who should not behave that way. Your tight grip on your Batman is why Scott Snyder and Nick Dragotta's carefully considered Absolute Batman works so damn well. They fully understand and appreciate how the character has congealed over the last eight decades into a rock-solid idea. For the last eight months, alongside collaborators like Gabriel H. Walta, Marcos Martín, Frank Martin, Muntsa Vicente, and Clayton Cowles, Snyder and Dragotta have chipped away at the quintessential Dark Knight. They've altered elements of his origin, removed his social position, and rearranged his relationship with his rogues. Their Absolute Batman is a Bruce Wayne in motion, moving toward the impenetrable idea in your head, but struggling to match it. Here is a character growing into something, evolving into a recognizable hero for 2025. After confronting Mr. Freeze in issues seven and eight and facing the final days of Matches Malone, Bruce Wayne must reassess his war on Gotham City crime. What lessons did he learn from that awful day at The Zoo? Do his nights as Batman honor his father's sacrifice? As he fights to find himself, a grotesque demonic doppelganger appears - Bane, the nineties sensation who once broke a bat from another universe. FOC for Absolute Batman #9 is today (5/19/25)! Tell your retailers to order a copy for ya. With this comic, Scott Snyder and Nick Dragotta have cooked an undeniable banquet. As the best alternate reality stories should, they've weaponized your knowledge of these characters against you, subverting in radically compelling ways, while delivering what should never be manipulated. Today's podcast features two conversations. Up first, Scott Snyder joins us for a lengthy look back at the last eight months of Absolute Batman. We discuss Bruce Wayne's continuing development into the Dark Knight, his complex relationship with Joe Chill, his father's killer, and why Bane had to arrive sooner rather than later. Secondly, Nick Dragotta pops in for a conversation about his ultra chonky Bane design, and how what we've seen so far is only a hint of his true monstrosity. Absolute Batman #9 will finally arrive in stores, courtesy of DC Comics, on June 11th. Follow Scott Snyder on Bluesky and Instagram, and subscribe to his Substack. Follow Nick Dragotta on Bluesky and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Scott Snyder on CBCC: The First Absolute Batman Episode Nick Dragotta on CBCC: The Second Absolute Batman Episode Join Comic Book Club in Person Patreon Exclusive: Married to Singles - Sarah Myer on The Duck Knight Returns Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Kids can take it. You can coddle them. You can protect them with everything you have, but life is not simply coming for them; it already has them. Last year, Armored, the spectacularly spooky adventure story from writer Michael Schwartz and artist Ismael Hernandez, struck a deep emotional chord in us. The series seemingly came out of nowhere and walloped us with a powerfully relatable ghost story about family, loss, and perseverance. We gave it the Stampie for Best Surprise Comic, and the more times we re-read it, the more comfortable we are with that declaration. Armored traffics in recognizable tropes, but executes them perfectly through a singular vision. At the story's core is Andy, a child forced into the foster system after his parents mysteriously vanish. He's planted in a home dealing with its own awful tragedy, which propels him into a confrontation with a haunted suit of armor. With the ghostly Sir William by his side, Andy seeks to solve the disappearance of his folks while stumbling into battle with ancient evil. Having devoured the single issues from Clover Press, we patiently awaited word of a proper hardcover collection. Friends, we're ecstatic to be the first to tell you this: the Armored hardcover is almost here, and its Kickstarter Pre-Launch Page is already up and running (CLICK HERE AND GET NOTIFIED). Not only that, but we also have the first look at the new Armored hardcover collection artwork by artist Francesco Tomaselli. Please bask in its beauty while you listen to this week's podcast with author Michael Schwartz discussing Armored, how the theft of his comic book collection only intensified his comic book addiction, and why kids need stories with emotionally dark realities. Armored is published by Clover Press, written by Michael Schwartz, illustrated by Ismael Hernandez, lettered by Ferran Delgado, and edited by Chris Stevens. To continue this conversation, follow Michael Schwartz on Bluesky and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Married to Singles: Michael Schwartz on Darkhold: Iron Man Spectrum Book Club with Rick Quinn and Dave Chisholm Join Comic Book Club in Person Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

With the Invincible animated series propelling more and more fans to the comic books, now is the perfect time for Robert Kirkman and Ryan Ottley to reteam on a new series. In a universe populated with numerous rich, wild characters, they could have revamped an infinite number of ideas. They chose Battle Beast, the white lion-like humanoid cursed with an unquenchable rage, and in doing so, Kirkmann and Ottley create an opportunity to reframe the character's original narrative. Battle Beast first appeared in Invincible #19 (2004) and did not return until Invincible #55 (2008). Between those comics is a massive swath of time, and the new series, Invincible Universe: Battle Beast, will explore it fully. The first issue arrives in comic shops next Wednesday. If it's any indication, when this series is over, it will radically alter our understanding of Battle Beast's narrative and its place within the larger Invincible storyline. This week, we trap Robert Kirkman and Ryan Ottley in our Zoom room. We examine how this first issue challenges our previous interpretation of the title character, the pain at Battle Beast's core, and the brilliant action that erupts from it. Having built a utopia on his homeworld through violent combat, Battle Beast seeks an end through a worthy opponent. You should know that this episode ventures into conversations about suicide and mental health crises. Helplines are available if you do not already have a support system. For the Suicide and Crisis Lifeline - dial 988 or visit www.988lifeline.org to chat with someone online. You can reach the Mental Health Hotline in Virginia by dialing 1-866-903-3787 or CLICK HERE. Invincible Universe: Battle Beast #1 is written by Robert Kirkman, illustrated by Ryan Ottley, colored by Annalisa Leoni, and lettered by Rus Wooton. It's published by Skybound Entertainment, operating in partnership with Image Comics. To continue this conversation, follow Robert Kirkman on Bluesky and Instagram. Also, follow Ryan Ottley on Blueskyand Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Robert Kirkman on CBCC: The Energon Universe Robert Kirkman on CBCC: Invincible CBCC on Invincible: Modern Family CBCC on Invincible: Reboot? CBCC on Invincible: Full House CBCC on Invincible: The End of All Things Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our May 11th Alamo Drafthouse Winchester screening of DREDD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

First issues are hard. Last issues are hard. Second-to-last issues are hard. Maybe...all issues are hard? Book Club is back in session with creators Rick Quinn and Dave Chisholm, discussing Spectrum #5, the penultimate issue in their brilliant Mad Cave Studios series. With the end just around the corner (the final issue arrives in shops on May 21st, as does our final Book Club episode with Quinn and Chisholm, so mark your calendars), Spectrum #5 must elevate and explode a bunch of grandiose ideas about art that the comic has so far been teasing or suggesting. Spectrum #5 is a BIG comic following two central characters while traversing multiple timelines and encountering alternate-dimension stand-ins for iconic cultural figures and places from our world. Quinn and Chisholm might not say it, but we will: PBGBs is CBGBs, and Gloria Bell is Patti Smith. Half the pleasure of reading Spectrum is tracking their sci-fi alternatives of real-world legends, which recalls similar joys had when devouring Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen. However, as Spectrum #5 ramps toward its fiery conclusion next month, the fervor with which Quinn and Chisholm explore vital artistry is the ultimate appeal. Why do humans sing? Why do they paint? Why do they tell stories to one another? During a moment when artistic expression is recklessly dismissed or downright eradicated, Spectrum #5 shows its readers how they're constantly engaged with creative expression and why only the most vile and pathetic people are detached from it. Last month's Spectrum Book Club was extremely process-heavy in its conversation. Now, for the penultimate issue, it's time to dig into the thematic weeds, have a serious chat about human connection, and worry not about labels of pretension. We're all friends here. Spectrum 1 - 5 are currently available from Mad Cave Studios, and the final issue will arrive in shops on April 21st. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

June. 1962. Two men do the impossible: break Out of Alcatraz. The legendary escape almost immediately caught the public's imagination, becoming fodder for TV, film, and prose. Maybe you've encountered a few of these stories; maybe you haven't. Whatever the case, you certainly have not read an interpretation like the Oni Press comic from Christopher Cantwell and Tyler Crook. Their Out of Alcatraz begins in the crashing waters outside the prison. From there, it dips into a storm of speculation, terror, and hope. Through their story, Cantwell and Crook explore a critical moment in the American narrative. The Civil Rights movement hasn't quite popped off. John F. Kennedy still stands righteously in the White House. The confidence of Post-war America is about to burst. Three criminals taste freedom with all its bitterness and desperately attempt to choke it down. This week's podcast considers the American story and those who were left out of it or forced from it. We chat with Cantwell and Crook about the real men who broke free from Alcatraz and the fictional men they became in Cantwell and Crook's imaginations. We discuss the allure of prison narratives and the cells we all find ourselves in at some point. Issues one and two of Out of Alcatraz are now available wherever rad comics are sold, and issue three will arrive in shops on May 21st. Continue this conversation by following Christopher Cantwell on BlueSky and Tyler Crook on BlueSky, Instagram, and his Website. Also, you can listen to his music through his Bandcamp page (although it's also available on Spotify, Apple Music, and the like). This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Tyler Crook on CBCC: The Ultimate Lonesome Hunters Interview Tyler Crook on CBCC: Mage - The Hero Discovered Brad Appears on The Oblivion Bar to Review Sinners and Warfare Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Surprise, friends. Grant Morrison joins the show for Superman Day! As the writer behind the seminal All-Star Superman, which observes its 20th anniversary this November, we cannot think of a better person to help us celebrate the Last Son of Krypton on his 87th birthday. Action Comics #1, featuring the first appearance of Superman by Jerry Siegel and Joe Shuster, hit newsstands on April 18th, 1938. It is the source of everything you love about superhero comics. When Action Comics first arrived, America was in economic ruin. The world was about to enter its second great war. Despair was easily accessible, but two Jewish kids from Cleveland imagined a Man of Steel who could do the impossible and would act for those who could not act for themselves. As we look outside our windows in 2025, we see an incredible darkness, but we strive for a future beyond it. We can imitate the devils in the dark, or we can seek Superman, who reflects the best version of ourselves. Like most people, probably, we first encountered Superman through television and film; it was the All-Star Superman comics by Grant Morrison, Frank Quitely, Jamie Grant, Phil Balsman, and Travis Lanham that solidified our passion for the character. Those twelve issues showcased the joyous, awful, absurd, and adventurous universe Superman populated, making us fall in love with it and our own realm in return. As Morrison writes in Supergods, we are the stories we tell ourselves. In Superman, we see who we've been, who we are, and who we could be. We're positively chuffed to chat Superman with Grant Morrison. We discuss their approach to the character in All-Star Superman and how it differs from the version they wrote in JLA, Action Comics, Final Crisis, and other stories. We discuss the significance of Jerry Siegel and Joe Shuster and what it means for Grant and others to extend their great idea. We talk about Lois and Clark, Lex Luthor, Samson, and Atlas, and Grant Morrison reveals their next big comic project somewhere along the line. Continue our conversation with Grant Morrison by visiting their Website, Substack, Instagram, and Bluesky. This Week's Sponsor: We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Dan Slott and Mark Waid on Action Comics #1 Joshua Williamson, Dan Slott, and Mark Waid on Summer of Superman Missing Frames: Celebrating Superman Geeksplained: All-Star Superman - Chapter 3 w/CBCC CBCC on Grant Morrison's New X-Men Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

If you listen to comic book podcasts beyond Comic Book Couples Counseling, you've probably already encountered Aubrey Sitterson. The writer has been making the rounds, discussing his radical new science fiction series Free Planet, made in collaboration with artist Jed Dougherty, colorist Vittorio Astone, letterer Taylor Esposito, and designer Mark Kaufman. Sitterson LOVES comics, and he LOVES talking about comics. He's spent years percolating in the medium, absorbing the code of how to make the best comics in the best way possible for his particular talents. Aubrey Sitterson has developed something he calls "The Approach." It's a new method of storytelling discovered during the making of other such comics as The Worst Dudes, No One Left to Fight, and Savage Hearts. Sitterson is not just design-focused; he's design-obsessed, and it was a delight to chat with him about this intensely, carefully sharpened obsession. We're in the weeds this week. We wanted to double down on a comics-making meal, possibly inspired by the last episode's heavy process conversation with Rick Quinn and Dave Chisholm about Spectrum #4. Aubrey Sitterson appears reinvigorated by Free Planet, and his enthusiasm for the craft is infectious and should encourage your leap into storytelling. Final Order Cutoff for Free Planet #1 is Monday, April 14th (That's Today!), and Image Comics will finally drop the first issue in shops on May 7th. It's not a title you want to sleep on. Everyone involved is going for it, swinging for the fences. You can view the Preview Pages here, which are overwhelming in the best way possible. Follow Aubrey Sitterson on Bluesky, Instagram, Substack, and his Website. We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

There are not many opportunities like this one. Every month, we devour the latest Spectrum comic and then jump on the phone with creators Rick Quinn and Dave Chisholm. It's an intimate, super nerdy book club, and you're all invited. But you gotta bring your own wine. With issue four, we're more than halfway through the series, but we're just getting started regarding a thorough excavation into their creative process. Spectrum #4 is the most dense chapter in the series so far. Multiple threads weave the narrative, and several of those introduce new concepts and characters. We travel to "The Twilight of the Gods," witnessing a massive mythology dump while our heroes Melody and Ada traverse time through song. We witness the beginning of everything and must prepare for its end. This week's podcast starts with Rick Quinn and Dave Chisholm taking ownership of the Book Club, wrestling the reins from us, and guiding us to the discussion topics they want to tackle. We discuss how the series has swerved unexpectedly, resulting in radical issues like Spectrum #4. We got tangents and anecdotes, wild theories, and sidequests. But before all that, we must discuss our recent WonderCon excursion, offering a little recap on dollar bins and panels. The Anaheim convention rests in the shadow of Disneyland, offering a unique vibe from other comic cons. It was Lisa's first time. Will she return? Spectrum 1 - 4 are currently available from Mad Cave Studios, and the fifth issue will arrive in shops on April 23rd. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net. We're also sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

A year ago, Scott Morse found himself adrift, severed from a stable income and a defined creative path. Panic was an option. So was fear. Instead, he chose collaboration and creation. This Ink Runs Cold: Short Stories from the Space-Crime Continuum smashes two of his favorite genres between its pages. It's an anthology of one-page pulp stories written by 89 different writers, all drawn by Scott Morse and colored by José Villarrubia. Many of these writers are seasoned comic veterans, animators, and filmmakers. The table of contents includes Mike Allred, Brian Michael Bendis, Jorge Gutierrez, Derek Kirk Kim, Dave McKean, Fábio Moon, Scott Mosier, Eric Powell, Stan Sakai, and on and on and on. Even better, for our purposes anyway, This Ink Runs Cold includes numerous comic book newcomers, including us - Brad and Lisa Gullickson! As of this writing, This Ink Runs Cold has one week left on Kickstarter. Scott Morse and Allen Spiegel Fine Arts offer two editions: the Full-Color version featuring José Villarrubia's wizardry and the limited Black and White Noir version, showcasing Scott Morse's beautiful brushwork. Having knocked out some stretch goals, those backing the Bookplate and Noir/1-2 Punch tiers will get an extra book, The Brush-Offs. This is a 24-page bonus book featuring unused art, abandoned pages, scripts, an alternate prologue/epilogue, and an analysis of this unique writer/artist collaboration. We're beyond honored to contribute one page to This Ink Runs Cold; we're practically in disbelief. Today's podcast is the first time we have featured a story we helped create, and it's an incredibly emotional experience. We're grateful to Scott Morse for coming on the show, explaining how This Ink Runs Cold grew from a mini-devastation, and why this intense injection of collaboration reinvigorated him. We also had the opportunity to explain what our short story "The ADHD P.I." means to us and how it helped us process some anxiety and self-loathing. Working with one page was ridiculously challenging, and what's most exciting is seeing how 88 other writers tackled that challenge and used that finite space in infinite ways. We also start this week's episode with our recent trip to WonderCon and an LAX nightmare we will never forget. If you're here only for the Scott Morse chatter, we won't begrudge you for skipping ahead, but you'll miss out on another outlandish story. This Week's Sponsors: You wake in a hospital bed. Your hand feels heavy, there's a ringing pain in your head. Machine parts have replaced what could not be repaired with flesh. Did the doctors save you, or strip you of your humanity? This is the question facing Adam in Futility Shapes, a one-shot comic live on Kickstarter now! Created by Edward Kane and Dave Fowler. Futility Shapes is a weird blend of The Terminator, The Machinist, and Mass Effect. What shapes you? Visit EdwardKane.net (spell out the name for ease) We're also sponsored by the sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Plus, the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links: Patreon Exclusive: Read The ADHD PI Script Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 4/13 at 5:00 PM for Robert Altman's Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

If you're not reading Juni Ba comics, you're missing out on a living legend pushing the form to its extreme potential. Since Djeliya, we haven't missed a panel from the cartoonist, and we've watched him develop into an undeniable talent, producing one essential comic after another. Just when we think he can't possibly top himself (seriously, did you read Mobilis: My Life with Captain Nemo and The Boy Wonder?), he drops Monkey Meat: The Summer Batch, his sequel to the Image Comics anthology series. It's a radical, rageful commentary on the world we're all trapped on, but it contains profound joy through its creation. THIS. IS. COMICS. Today's podcast is a thorough conversation with Juni Ba about Monkey Meat: The Summer Batch. Why did he adopt a new aesthetic for this series? Is it too hopeless to be considered dystopian? What does Britney Spears have to do with Monkey Meat: The Summer Batch? We dig in and chow down. The first issue of Monkey Meat: The Summer Batch is now available wherever rad comics are sold. The second issue will arrive on April 2nd. We're begging you not to let this series, destined for legendary status, slip through your fingers. Be sure to continue this conversation with Juni Ba by visiting his Instagram, Bluesky, and Twitter. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Juni Ba on CBCC: Djeliya Juni Ba on CBCC: Mobilis Juni Ba on CBCC: Nightwatcher This Ink Runs Cold Kickstarter Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

It's not about the plot. That's why Matthew Rosenberg was not worried about spoiling it all in the solicits for We're Taking Everyone Down With Us, his new Image Comics series done in collaboration with artist Stefano Landini, colorists Roman Titov and Jason Wordie, letterer Hassan Otsmane-Elhaou, and designer Becca Carey. For the writer, the comic is everything surrounding the narrative: character, emotion, theme, style, etc. AKA, the perfect Comic Book Couples Counseling comic. The first issue of the new sci-fi spy thriller releases this Wednesday (March 26th) and celebrates numerous influences, but it's sharpened into something extraordinarily fresh. The tropes will be familiar to any James Bond obsessive, but We're Taking Everyone Down With Us shifts the perspective from problematic double o to the child of one of his greatest mad scientist rivals. Thirteen-year-old Annalise merely wants more time with her father, but he's too busy plotting earthly destruction in his lab. So, she's stuck with her robot babysitters. We're Taking Everyone Down With Us starts with a bang, and it reveals a whole new world to the child, and that revelation will become quite the problem for any wannabe James Bond lurking in the plot. Matthew Rosenberg makes his CBCC podcast debut, and we're eager to discuss the inspirations behind We're Taking Everyone Down With Us and his relationship with super spy melodrama. We also discuss the personal saga behind the story, our frustration with spoiler culture, and why no artistic expression feels as good as comic book collaboration. Stay current on Matthew Rosenberg by following his Substack, Podcast, Bluesky, and Instagram. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: We Should Improve Society Somewhat by Matt Bors How to Resist Amazon and Why by Danny Caine This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Join us at the Alamo Drafthouse in Winchester, Virginia, on 3/09 at 5:00 PM for Popeye, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

With Usagi Yojimbo: Ten Thousand Plums, Stan Sakai enters his forty-first year as the rabbit ronin's chronicler. Each decade represents about a year in the title character's life, which you can track if you're paying attention to the seasons surrounding Usagi's adventures. If you're paying even closer attention, you can map his footsteps across sixteenth-century Japan and anticipate his next conflict or reunion, but don't worry if you lack such concentration. As you'll hear in today's episode, Sakai certainly does not. Usagi Yojimbo Ten Thousand Plums begins with a fox spirit and her daughter struggling to survive. Sickness has taken the child, and the mother seeks help from a nearby village. They reject her despite having access to the Shogun's prized plum orchard and the healing umeboshi (pickled plums) it produces. By the time Usagi, his cousin Yukichi, and the bounty hunter Gen arrive, fury has rained down upon the town, creating a dangerous suspicion of outsiders. With Ten Thousand Plums, Stan Sakai continues to explore the themes of deceptive appearances, selflessness, and selfishness, which he thoroughly dug into with the previous Usagi Yojimbo storyline, The Crow. We chat with Sakai about this current preoccupation, how it challenges Usagi and Yukichi, and where it could lead the cousins. No major spoilers lie within our conversation, but Stan Sakai does tease a few things that will undoubtedly spark intense curiosity for longtime Usagi Yojimbo readers. The Sword of Narukami is in play. Could another famous sword re-appear, too? Following Ten Thousand Plums' first three issues, a new story entitled "Tabo" should prove to be Stan Sakai's most personal comic yet. It was written shortly after his younger brother Kenneth passed away, and Sakai kindly expands on what this tale means for him and his family. You'll hear how "Tabo" places Usagi and Yukichi on a pilgrimage in search of the miraculous goddess called "The Mother," forcing Usagi to confront his skepticism in ways he never has before. The first issue of Usagi Yojimbo Ten Thousand Plums is now available from Dark Horse Comics and Dogu Publishing. The second issue will arrive on April 16th, and we have an exclusive preview of its first five pages on the Comic Book Couples Counseling website. Make sure to keep up to date on all things Usagi Yojimbo by visiting Stan Sakai's website and Instagram. This week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Stan Sakai on CBCC: Samurai Rabbit Stan Sakai and Julie Sakai on CBCC: Ice and Snow This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Reading Judge Dredd in 2025 is a helluva thing. The gap between Anycity USA and Mega-City One shortens seemingly with every passing second, causing us to re-evaluate dystopia's purpose. A Better World, the latest 2000 AD collection from writers Rob Williams and Arthur Wyatt, featuring gorgeously gnarly art from Henry Flint, Boo Cook, Jake Lynch, and Jim Boswell, is a vicious mirror to gaze into. And anxiety rests in what to do after you pull your head away. The story begins with Judge Maitland discovering the impossible amongst her accounts. If the Chief Justices would allow her to reallocate a few resources, say feed money into education and a few other social services, crime in Mega-City One would likely plummet. They give her a sector to manage, and her theory becomes reality. Oh, no. Judge Dredd: A Better World knocked us flat when we first read it last year. We, and a lot of other comic lovers, ranked it as one of 2024's best stories. Now that it's properly collected, we were eager to get Rob Williams and Arthur Wyatt on the podcast to break it down and challenge our understanding of Mega-City One's top cop and the people he polices. We discuss how and why they brought Judge Maitland to her findings, how she relates heavily to Dredd, and why he responds so warmly to her. Or as warmly as Dredd possibly can. Our conversation dips into the joys of dystopia as well as the danger that can occur when folks give it a light reading. The trick being to make light readings impossible. Follow Rob Williams on Bluesky, Instagram, and Twitter. Follow Arthur Wyatt on Bluesky, Instagram, and Twitter. Yes, this week's episode is sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. We're also sponsored by the Beyond the Cape Podcast. If you enjoy Comic Book Couples Counseling, you'd undoubtedly enjoy their show. Beyond the Cape is a laid-back talk show in which every episode highlights their love of this beautiful comic book medium, their personal journey with it, and the respective artists they feature on each podcast. This June will mark their second anniversary, which we certainly recognize as a massive accomplishment. So, follow them on Instagram @BeyondTheCapePodcast and Spotify with The Uncensored Nerds Network. Other Relevant Links to This Week's Episode: Rob Williams on Judge Dredd: End of Days This Ink Runs Cold Kickstarter Support Your Local Comic Shop - Episode 2 - Now Or Never (San Diego, CA) Married to Singles: Michael Schwartz on Darkhold: Iron Man Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

The injury list is long as the Colts prepare to head to the Cursed Earth of Jacksonville (EverBank Stadium) to take on the Jaguars. Mike Chappell, Dave Griffiths and Matt Adams talk about it all in this week's Blue Zone Podcast.The show starts off with a discussion of Indy's infamous losing road streak against Jacksonville before the crew delves into Matt Gay's kicking struggles (10:50) and Anthony Richardson's most recent injury (14:41).We also look at the injury report (40:15), break down this week's matchup (46:15) and give our predictions for Sunday's game (53:55).

Peter Adamson from Where Eagles Dare is back to accompany me on a Helltrek through the Cursed Earth. Watch out for dinosaurs, acid rain, lava, and mutant mayhem along the way! Get your copy from the 2000AD store, join the Where Eagles Dare Facebook group, or follow them on Threads.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram and Threads, or email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. If you cannot see the audio controls, listen/download the audio file here Or Download here Right click and choose save link as to download to your computer.

Zach, Amin, Mayes and Mike Ryan have been betrayed by the Law, cast out from Megacity 1 into the Cursed Earth. Will they make it back in time to defeat evil former Judge Rico and his huge Janus? Join the Count The Dings Patreon for exclusive Rewatchingtons Watch-A-Longs, Ad-Free Episodes, old Holiday Episodes and more at www.patreon.com/CountTheDings Subscribe to Cinephobe! Then Rate 5 Stars on Apple or Spotify.   Follow Cinephobe on Twitter, Instagram & Threads: CTD @countthedings IG: @cinephobepod Threads: @cinephobepod  Zach Harper @talkhoops IG: @talkhoops Threads: @talkhoops   Amin Elhassan @darthamin IG: @darthamin Threads: @darthamin   Anthony Mayes @cornpuzzle IG: @cornpuzzle Threads: @cornpuzzle   Email: cinephobepodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zach, Amin, Mayes and Mike Ryan have been betrayed by the Law, cast out from Megacity 1 into the Cursed Earth. Will they make it back in time to defeat evil former Judge Rico and his huge Janus? Join the Count The Dings Patreon for exclusive Rewatchingtons Watch-A-Longs, Ad-Free Episodes, old Holiday Episodes and more at www.patreon.com/CountTheDings Subscribe to Cinephobe! Then Rate 5 Stars on Apple or Spotify.   Follow Cinephobe on Twitter, Instagram & Threads: CTD @countthedings IG: @cinephobepod Threads: @cinephobepod  Zach Harper @talkhoops IG: @talkhoops Threads: @talkhoops   Amin Elhassan @darthamin IG: @darthamin Threads: @darthamin   Anthony Mayes @cornpuzzle IG: @cornpuzzle Threads: @cornpuzzle   Email: cinephobepodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode Notes "I am the law!" Citizens of Mega-City One, it is your duty to listen to this podcast. Failure to comply will result in a sentence of 15 years in the Iso-Cube. Yes, this week we're covering 1995's Judge Dredd, a movie already fairly infamous for taking the iconic helmet off of Sylvester Stallone's (so very shiny) face. But that aside, how does this film fare? Does it pass judgement or deserve dumping in the Cursed Earth? Tune in to find out! Get in touch: beholdpod@gmail.com https://twitter.com/Beholdpod Music: The Descent by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4490-the-descent License: http://creativecommons.org/licenses/by/4.0/ Find out more at https://behold.pinecast.co This podcast is powered by Pinecast.

We are the Law! You are guilty of not listening to the podcast but instead reading the episode description. How do you plead? You don't know what we're talking about? I knew you'd say that! Imma blast you with my OGTmaker 2.  Featuring: Principle Dredd, a Cursed Earth production history, Joan Chen and WAAAAAARRRR! Get more Hot Stu' here: https://twitter.com/stuartwrites  More Pauls! https://facebook.com/ogtpod https://twitter.com/ogtpod We have a Patreon! https://www.patreon.com/ogtpod – sign up for exclusive content for as little as $1 a month. Listen to Salt's show Jen and the Film Critic with OGT guest and deep friend Jen Blundell here! Like d&d? Want more Pauls? Into nerd shit AND jokes about bums? Why not check out our d&d actual play podcast, Quest Fantastic?  https://shows.acast.com/quest-fantastic link.chtbl.com/questfantastic RSS: https://feeds.acast.com/public/shows/61d8e6b335501c0012b6c367 Goodman's EP 'Future Music' is out now! Find out where you can stream and purchase here: Future Music by Run//Phase (songwhip.com)

All eyes are on Glasgow for the next notable hardcore festival. Mindforce, Gridiron, Age of Apocolypse, and Punitive Damage have made the trip across the Atlantic to share the stage with Revulsion, Blood Sermon, Mourning, Demonstration of Power, Pest Control, The Flex, Despize, Last Wishes, Speedway, Hellbound, Maligant Methods, T.S. Warspite and Nothin' But Enemies. To help us understand what Glasgow hardcore has gone through to get to this point, Craig and Scott from Nothin' But Enemies join the show to provide a history of some of the most important bands and aspects to the scene. Whether or not you will be there familiarize yourself with bands that have inspired Northern Unrest and understand what the eleven members of four bands do for their scene. Tracks Played:1.     Divide - "Opportunity"2.     Hellbound - "Victory Eternal"3.     Broken Oath - "Actions Speak Louder" 4.     Trial and Error - "Fighting to Survive"5.     Burning Scars of Betrayal - "Statement"6.     War Charge - "New World Justice"7.     Revulsion - "Cursed Earth"8.     By My Hands – “Hollow” Follow Nothin' But Enemies on IG: @nothinbutenemiesListen to their music and everything else from Northern Unrest on bandcamp.Check out the entire Burning Scars of Betrayal EP on Youtube. Listen to the cover of "Statement" by Pay the Price.

Featuring: Michael “Boston” Hannon Paul “Moonpir” Carver-Smith Running Time: 1:06:40 Video Version: YouTube We begin our journey into the Cursed Earth by taking a nice visit to Mega-City One! Join us to figure out who designed these amazing costumes, who exactly is the law, how clear the satire can be, and so much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, and much more for just $5/month!

BANG! @southernvangard #radio Ep327! There's only one thing that needs to be said this week - BIGGUP LORD JUCO AND FINN. “Company” is out now, go support those brothers. Matter of fact, go support that whole Toronto scene, there's no one doing it better right now. Yeah we said it. YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live June 5, 2022 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "Ski Masks To Jet Skis" - DJ Rhettmatic "Dial Tone" - Lord Juco & Finn ft. Eddie Kaine "Little Bit" - Stu Bangas & Dres The Black Sheep "Sons Of Godzilla" - C-Lance ft. Apathy, Celph Titled & DJ Eclipse "Osiris" - MC Ren "Flowzelle" - The Meridians "Kuyas" - XP The Marxman & DJ Rhettmatic ft. Big Twins Talk Break Inst. - "Trunk" - XP The Marxman & D-Styles "Detroit" - Bizarre ft. DJ Lenn Swann (prod. Foul Mouth) "Ca$aMigo$ (Casa Le Grand III)" - Ca$ablanca ft. O The Great "Line Em Up" - BodyBagBen "The Book Of Life" - C-Lance ft. Murs, R.A. The Rugged Man & Justin Cohen "Cursed Earth" - Krohme ft. Chino XL, Sleep Sinatra and Lord Goat Talk Break Inst. - "Kuyas" - Dj Rhettmatic "The Vibe" - Destruct ft. Kev Brown "Here's The Sign" - Destruct ft. Reef The Lost Cauze & EQ "Beast" - Shortee Blitz ft. Blak Twang, Cory Gunz, Jon Connor & Joell Ortiz "Dillinger" - Bizarre (prod. Foul Mouth) "Palazzo" - Lord Juco & Finn ft. Asun Eastwood Talk Break Inst. - "Lil Mijos" - D-Styles ** TWITCH ONLY SET ** "Make the Music with Your Mouth" - Biz Markie "Nobody Beats The Biz" - Biz Markie "Vapors" - Biz Markie "Albee Square Mall" - Biz Markie "This Is Something For The Radio" - Biz Markie "Beatbox (Interlude)" - Biz Markie

It was a pleasure to welcome Doom merchants Death The Leveller to the show. Denis Dowling (Vocals) & Dave Murphy (Bass) are no strangers to the Irish Metal Scene with Dave playing in Mael Mórdha and Denis fronting Cursed Earth. We touch upon both of those bands histories and talk about the formation of Death The Leveller from the ashes of Mael Mórdha. The band come into their own in a live setting and having witnessed their performance with Primordial, it was both mesmeric and incredibly powerful. We talk about their two releases (i) and (ii), the flow of conversation was terrific, helped by the wine and beers with plenty of tales from the past surfacing. I thoroughly enjoyed talking to Denis and Dave; keep an eye on tour dates for Death The Leveller. Please hit 'SUBSCRIBE' if you haven't already to The Metal Cell and thanks for listening. Band links: https://deaththeleveller.bandcamp.com/ Songs: How To Break Pernicious Spells (c) Death The Leveller, 2022 all rights reserved. So They May Face The Rising Sun(c) Death The Leveller, 2022 all rights reserved.

This week Andy and PK read, react to, and review Issues 156-158 of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "The Judge Child Part 1", "The Judge Child Part 2 - What am I bid for Judge Dredd?", and "The Judge Child Part 3 - Temple of the Garbage God". In this podcast; we begin our 4th Case Files Compendium which starts with a 26 part epic that is the Judge Child! Judge Dredd is tasked with finding Owen Krystler, a boy born in the irradiated wasteland of the Cursed Earth who will one day grow up to lead Mega City One through it's gravest hour! Can Judge Dredd get to the clairvoyant child in time? Who is building an Egyptian Civilization out of Garbage? Do planets really eat people? And what does Judge Dredd have against men with mustaches? Find out this episode on the Dreddful Cyber Punk-Cast! Also, if you want to tell us about all the stuff we got wrong, or just say hi, feel free to email us at - dreddfulemailaddress@gmail.com We'd be happy (with your permission) to read your email live on the podcast! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

In our mega thirty-first episode Eli and Conrad continue their patrol through the world of Judge Dredd with volume two, issues 27-30 of the Judge Dredd Megazine, covering May & June 1993. This episode both Dredd and Hershey are after serial killers, Harke, Burr, and the Missionary Man are traveling the Cursed Earth, and Judge … Continue reading ep 31 – Meg 2.27-2.30

This week Andy and PK read, react to, and review Issues 152-154 of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "The Blood of Satanus Part 1", "The Blood of Satanus Part 2", and "The Blood of Satanus Part 3". In this podcast; has science finally gone too far? Why are the next three progs my favorite in the comic? What horrific monster is it that stalks the next three progs of Mega City One? What if I told you it was but a shadow of the past, a echo of the most evil thing to ever walk the Cursed Earth, a mere fragment of the most flushed out bad-guy the comic has seen thus far! Tune in next time to find out what happens when a grown man falls victim to a horrific experiment and unwilling consumes…the Blood of Satanus! Find out this episode on the Dreddful Cyber Punk-Cast! Also, if you want to tell us about all the stuff we got wrong, or just say hi, feel free to email us at - dreddfulemailaddress@gmail.com We'd be happy (with your permission) to read your email live on the podcast! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

This week Andy and PK read, react to, and review Issues 95-97 of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "TDTLD Part 7 - Judgement Day!", "TDTLD Part 8 - Exodus to Mutant Land", and "TDTLD Part 9 - The Hunt". In this podcast, How can Dredd prevent the execution of all 100 million people in Mega City One? What will happen when Chief Judge Cal deputizes the Klegg in an effort to consolidate power? Will the mad tyrant be able to stop a mass exodus into the Cursed Earth or will his vision of turning Mega City One into a collosal prison complex succeed? How will Dredd and his rag-tag rebellion escape from the greatest trackers this side of the crab nebula, the Klegghounds!? And what happened to Judge Fish? Shit is starting to heat up! Stretch-a-Lobe to find out! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

This episode covers the details of the CURSED earth, the SECOND of the five earths in Scripture. Details and verses about the characteristics of this earth are presented for consideration and contemplation. Come enjoy!

By listener request! Katie and Sally discuss Yeong-shin Ma's “Moms” (2020). Topics discussed include scamming at karaoke bars, Jeanne Dielman, aging, Smashed: Story of a Drunken Girlhood, cyberbullies, memoir comics, and more. Next time: “The Cursed Earth” by Pat Mills et al. Write in your questions and requests for our 20th episode and join our discord server: thicklinespod@gmail.com. Follow us on instagram @thicklinespod.

Freeze, creep! This week, we're checking out the 1995 and 2012 attempts to bring Judge Dredd to American movie audiences. Spoiler alert: It didn't work out like the studios hoped.  ----more---- [00:00:00] Mike: That's a little too thirsty, I think. Welcome to Tencent takes the podcast where we violate Mega City One's judicial codes, one issue at a time. Coming at you live from the hot box of my closet; I have not showered in 24-hours, and I smell fantastic. I'm Mike Thompson and I am joined by my co-host, the princess of pain, Jessika Frazer. Jessika: Yaar! I'm also - Mike: How are you smelling? Jessika: God, I'm in a hotbox of pain at the very least, I had to go to work like physically into the office today. So I actually, you know, had to be decent enough to be around people that are masked, so the deodorant had to at least be applied, but. Mike: No hard pass. I work out of my bedroom now, you're lucky if you get pants. Jessika: Well, that's nice. [00:01:00] Mike: Would you like to explain why we are here? Jessika: You know, we're here because we love comics. Mike, Mike: True. Jessika: We love comics. We want to talk about all the comics. We want to do deep dives about our favorite comics and their heroes, and where they came from. And wild little stories that we find out about them and bringing in nefarious characters like Eric Estrada. He's not a nefarious. Mike: He's a little nefarious. He was involved in a really weird kind of scammy land sale thing. He did also endorse Trump on Twitter. Remember that where he was like - Jessika: Oh God. He is nefarious. Gosh, darn I, why do I always want to give Eric Estrada so much credit? I'm like way too nice to the guy. I don't even know him. I do follow him on Twitter now, but. Mike: No. He literally told Donald Trump on Twitter that he should run for president because he tells it like it is. So thanks, Eric. Thanks. Appreciate that. Jessika: No. That was a bad idea. Like, for [00:02:00] the record, I don't know if anyone else knows that. Everyone else knows that, every other country knows that. Mike: They do now. Jessika: Oh man, we're going to get into some hot topics today, too. This is already a good start. Mike: Yeah. So before I interrupted you, is there anything else that we'd like to cover or talk about or look at? Jessika: Oh, their video games, all the related media movies. Everything, everything comics related, we want to talk about it. Mike: Fair. Jessika: Yeah. Mike: Well, today we are going to hop on our Law Masters and cruise the Cursed Earth as we check out both the cinematic adaptations of Judge Dredd. But, before we do that, before we dive into this episode, we'd like to acknowledge a small milestone because this is our 10th episode and we've received over 500 downloads. So, you know, that may not sound like anything major compared to a lot of podcasts out there, but we're incredibly proud of what we've been able to achieve and how far we've gotten so far. And if you're listening to us, we're super [00:03:00] grateful that you've just given us your time. We really appreciate it. So to celebrate, we're going to do a giveaway. If you go to our page on Apple Podcast and leave a rating, and then email us a screenshot of said rating and a review, but that's only if you're inclined, really, we just care about the rating. We'll enter you to win a $25 gift card from NewKadia. NewKadia actually offers international shipping too. So, even listeners outside of the continental us are eligible. Jessika: That's super exciting! Mike: Yeah. Jessika: So Yeah. Rate us, review us. We appreciate you all. Mike: Even you. Yeah. So I'm talking to you right through your car stereo right now. Jessika: We're there with you driving along. Hey, watch the road. Mike: All right. We're at the point of the episode where we like to start off with one cool thing that we've read or watched lately, do you want to start off? Jessika: Yeah. Yeah, absolutely. So I needed a little bit of a palate cleanser after watching the [00:04:00] 2012 dread film so much gore. So I ended up watching Guardians of the Galaxy 2, which I hadn't seen before, and it was super fun. Loved the music as always characters had a really good chance to further develop. Okay. But I have to say, dude, I like still Stalloned myself. I did not know he was in that movie. And then he just shows up and I was like, what the fuck? Cause I literally had just watched them both in a row. And so I literally had just seen Stallone like the movie before that. And then he shows up again and I was like, good lord. Mike: Well, and you know that his crew is like the original Guardians of the Galaxy from the comic books. Jessika: I do. Yeah.I do. Now. I know I looked that up afterwards and I was like, oh, okay. All right. Mike: Yeah. And it was like Michael Rosenbalm, who did the voice of Superman and was Lex Luther in Smallville and the Michelle Yeoh and Ving Rhames. I was totally here for that cameo. That was great. [00:05:00] Jessika: Yeah. It was, once I looked that up, I was like, oh, that makes more sense. Cause I wasn't aware of that. Mike: Yeah. Jessika: it was super fun, but then I Stalloned myself again because I today a guest hosting of trivia for North Bay Trivia in Santa Rosa, at Shady Oak Barrel. And they have like a little arcade game. That's Stallone on the front. And I can't remember, I sent it to you, I think, cause I frickin' Stalloned myself again, secondary Stallone. Mike: I feel like you did. And I can't remember what it was. Jessika: I'd have to look it up, but I'm too lazy to look through my phone. So we'll just leave it. Anyone knows I don't, I don't care anymore. Mike: Fair. Jessika: So, back to the Guardians of the Galaxy after that Stallone detour, I really, really liked the evolution of Gomorrah, Nebula's relationship. Mike: I love that. I thought it was fantastic. Like I thought honestly, Almost all the characters had really nice [00:06:00] development, except really, I mean, I don't know. I feel like Peter didn't actually develop that much as an actual character. Jessika: No, he was just taken on some Shamaylan twists and turns. Mike: Yeah. But yeah, the whole bit where, Yondu is yelling at Rocket about, you say that I don't know you, but like you're me. And it was oh, oh. Jessika: Gosh. I definitely cried during that movie. I'm not going to lie, but I'm a crier. Mike: There's a lot of feels. There's a lot of feels in that movie. Jessika: Yeah. Oh, it was so good. So overall two thumbs up. Mike: Yeah. Jessika: What about you? What have you been reading? Watching? Mike: Yeah. So, Sarah and I started watching Loki because that just began airing last week, and ahead of that I wound up reading a couple of old issues of Thor, specifically Thor 371 and 372, which are the issues that actually introduced the Time Variance Authority. And the funny thing is that these issues also introduced a character who [00:07:00] may look a little familiar to you, especially as we've been prepping a bit for this particular episode. So check out the cover and tell me if he reminds you of anyone Jessika: Okay. That looks like a, that's so funny. That looks like Captain America, but it also looks like one of those those Doctor Who, like, what are those things called? Mike: The Daleks. So if you take a closer look at that guy that is so his character, his name is Justice Peace. And if you look at the shape of his helmet and he's actually on a sky cycle. Jessika: Oh shit. Mike: But, yeah, it's a pastiche of Judge Dredd. Jessika: He does look like Judge Dredd. You know what threw me was the bright colors, because Judge Dredd has darker tones. So I kinda got drawn more to that kind of vibe, but you're right. He's got the helmet across his face. You can see one of his eyes and the other one looks like it's probably bionic. And it's kind of like a samurai helmet, it looks like. It's, I think it's supposed to be shaped like more of a samurai style. If I'm not mistaken. Mike: Kind [00:08:00] of which - Jessika: It's big. Mike: Like actually the, Jessika: I don't. Mike: The old school Judge Dredd helmets, actually, like some of them have actually taken on that look too. Like they've kind of played with the shapes, but anyway, I thought it was just kind of a funny, a funny, a full circle moment. Jessika: He's got some arm bandoliers too. Mike: Yeah, man. Those were big in the eighties. Jessika: I guess. So, dang dude, I'm loving this. Mike: Yeah. It's a lot of fun. We are going to be talking about Judge Dredd in general. We're not going to do a deep dive on the comics, but we're going to talk a bit about the background. And so before we actually do that, I felt like we should take a minute and talk about how of us have grown up with pretty close connections to law enforcement. Do you want to go first? Jessika: No. Sure, sure, sure, sure. So my dad was a police officer for, I think, close to 30 years. And for a lot of it he worked in public safety, which is really like policing and [00:09:00] firefighting and they rotate duties. So you have to know both, you go through both academies. It's supposed to be that you're a little bit more well-rounded and involved, and I don't know, it was. At the time the community was a lot smaller and it probably made more sense, but it's getting bigger. And, I don't know how much sense it makes, but I'm also not an expert. And I haven't lived there for a while, so I don't know what the politics there are these days surrounding that as much as I used to. As far as police officers go, I do know a few really decent people who are police officers and, you know, growing up, I had mostly good experiences. However, that hasn't been the case for everyone. And my privilege of being raised white and a child of a law enforcement officer has absolutely shielded me from so many of the issues and policing that plagues our country. Mike: Yeah. Jessika: And I have to say like, unironically, my dad was a decent cop. He's still alive. But when he was still in law enforcement, he was a decent cop and [00:10:00] he definitely let his ethics guide him, and he left positions based on his moral compass. And I'm really proud of him for leaving organizations that were more on the corrupt side or that weren't doing things that he thought they should be doing and abiding by their own rules. However, he's also the one who taught me about profiling, which is a conversation I remember having with him around 9 or 10 years old, maybe earlier than that. And that's just such a racist tactic that has never really sat right with me. And that I adamantly oppose now that I'm older and I have a better understanding of how we as a society, villainize people of color just for existing. Mike: Yeah. Jessika: So without getting too far into what is a really, really massive conversation and discussion, the judicial system in this country is absolutely broken, and we statistically arrest convict and give longer incarceration timeframes to people of color. Mike: Yeah. I mean, there's, [00:11:00] that's just a fact. Jessika: It's a fact. There, there are numbers, you can look it up, you know, it's yeah. Mike: Yeah. Jessika: So, I know, on that fun note, whatever, I'm such a downer. Mike: That's okay. I should have known better than to start us off on this, you know, really positive note for the episode. Jessika: I already got fired up. I'm already going to have to edit out my mumbling. Mike: That's all right. You know, it's funny because I have to wonder if my uncle actually knew your dad because my uncle was in the same area and works in public safety as well. So, he always did the firefighting and police work as well. My uncle is the guy that I grew up idolizing when I was a kid. He was the cool uncle to me. He taught me the basics of photography. And I worked as a freelance photographer for awhile. He was a forensic specialist dealing with fingerprinting. So you and I [00:12:00] grew up in the 90's in the Bay Area. So Polly Klaas is a name that any, anyone who was here during that time knows, and she was a girl who was kidnapped out of her home, basically just taken while she was having a sleep over with some friends out of her home in Petaluma. And the FBI apparently came in and did a Palm print, but they use some fluorescent powder that the local PD couldn't read, but my uncle had the training and I guess the equipment, I don't quite know all the details, but so he worked the Polly Klaas case. He and my aunt are both retired police and they were both so incredibly cool to me when I was growing up. And I've since had to reckon with the fact that, you know, not all cops are good, and I'd hope that they were great. I hope that they were the bar that other cops were measured against, but who can say it, this. Jessika: Yeah. Mike: So we, we both have connections to law enforcement, and I think it's safe [00:13:00] to say that we're approaching Judge Dredd from a perspective that is influenced both by our backgrounds, as well as the current environment that's going on because we're recording this in June of 2021 when things are still real bad in a lot of ways. Jessika: Yeah. Mike: So now that we've got that highlight out of the way. I'm curious, what was your awareness of Judge Dredd prior to this. Jessika: You know, besides name recognition, I didn't know much about the plot line, other than some vague notion that it was futuristic or post-apocalyptic. So, I came into this super fresh, and I'm super excited to learn more now. Mike: Yeah. So, I definitely have a lot more familiarity with the character. I read some of his stuff in the 90's and 2000's. I would just kind of randomly find things and I thought he was pretty cool. When I was in roller derby, my roller derby name actually wound up being Judge Dreadful. [00:14:00] And so I've since then bought a number of collections. I've read most of the big storylines that they did from the 70's up until the mid-90's. And then I also read one of the more recent American series as well. I've seen all the movies. Dred is still one of my favorite movies of all time, even though we'll talk about that later on, it's got its own issues through today's lens. I guess the best way I can describe myself is: I'm more than a casual fan, but I'm not a diehard fan. Part of it is just because there's so much lore at this point. So, I have an unfair advantage in terms of familiarity, I guess. Sorry. Jessika: No, that's okay. That's why you're hosting this episode. Not me. Mike: Yeah. So, we're going to do some basic background. Dredd was originally created in 1977 for this newly launched comics anthology called 2000 AD. There was this guy, he was an editor named Pat Mills and he brought on a writer that he'd worked with named John Wagner to create new content for this magazine. [00:15:00] And, basically comics, anthology magazines, they were printed on like newspaper stock. They were magazine format. And what it was very kind of, you know, old school pulp magazine, like where it was serial stories usually, or a little one-offs. So it'd be four to five pages, usually of content per story. And then a lot of times they would end on a cliffhanger so that, you know, the readers would come back the next week. And that's generally how British comics have worked. At least that's my understanding of it. That's how a lot of them are. And actually when they were trying to do US style sized comics, supposedly they didn't do as well because they would get covered up basically and overshadowed by the sheer size of these magazines, which were much bigger and flashier. So Wagner came into 2000 AD. He'd had a lot of success writing this Dirty Harry kind of character called One-Eyed Jack for another anthology series called Valiant, and both he and Mills realized that 2000 AD needed [00:16:00] a quote unquote, a hardcore cop character as part of the magazine's content. So, Wagner has since then described, dread as a psycho cop with no feelings. And then he worked with this artist named Carlos Escuera to create the character and then Escuera wound up designing a character who reflected that kind of hardcore, no feelings ideal. He actually died a couple of years ago and the Guardian ran a really, it was really nice ,tribute talking about his accomplishments and his style, but there's this really great quote, which I think you should actually read out. And it gives us a lot of background in a nutshell of Dredd and who he is. Jessika: Escuera started his career drawing war comics in Barcelona before moving to the UK and working for the anthology 2000 AD and others, He brought the iconography of fascist Spain to Dredd's extremely weird and [00:17:00] vivid design and combined it with his experiences of living in Croydon through the 70's and 80's, the punk movement on his doorstep and TV images of policemen, charging striking miners. The Eagle motif and helmet were drawn from fascism, the permanently drawn truncheon from police on the picket line. The zips chains and knee pads from punk. I was living in Franco, Spain, he told an interviewer last year, but also I was living in Mrs. Thatcher's England. Mike: I think that kinda tells us all we need to know about what they're going for with the vibe of Judge Dredd. Jessika: Yeah. No, that, that definitely showed. I was thinking that about the Eagle. Mike: Yeah. Jessika: When they were showing the big building and it was super, everything was just cement and. Mike: Yeah. It's got that brutalist kind of architecture. Yeah. Jessika: Yes. Mike: Yeah. So Dred exists in this world. That's left standing after World War III, and [00:18:00] most of the planet's just been devastated. America is largely uninhabitable, say for a couple of what are called Mega Cities, which are these autonomous city states that housed hundreds of millions of people. At one point in the comics, I think it's up to 800 million and they've had different events where they've kind of knocked it down repeatedly, Jessika: Yikes. Mike: And at one point it got as low as like 120 million or so I think that was kind of after I stopped reading though. But anyway, mega city one was originally going to be a future version of New York City. But that was quickly retconned to that specific part, being some sort of capital area for this urban sprawl that covers most of the Eastern seaboard. And from the get-go, Dredd stories were kind of this extreme form of satire. It was presenting the society where democracy basically failed, and the office of the president of the United States has been retired, and society now runs under this, to be honest, terrifying gaze of the Judges. How would you sum up the [00:19:00] Judges based on what we saw in the movies? Jessika: As a whole, they were pretty robotic and unfeeling. They were doling out the letter of the law as it happened and per their protocol, and their justice is swift and immediate, which is really terrifying. Like you said to imagine. Mike: Yeah. Jessika: And what's even scarier is that all crimes were treated the same. You are either sent to a prison called an isopod, or killed right then and there. There was, there were no middle grounds between those points. It was like, you're hauled off then, you serve a sentence, or you're just killed. Mike: Yeah. I mean, that's really not that different from the comics. Jessika: And then, as far as their appearance, as with most uniforms, they dress the same with helmets and body armor and they are just armed to the gills and they look just as scary as they act. Mike: Yeah. And, I think a safe way to describe the system of Mega City [00:20:00] one is to call it authoritarian, but it's just a little bit different than what we normally associate with that term. Jessika: Yeah. I wonder if there's some sort of like a law-tarian like judiciatarion. I don't know, somebody is going to @ me and tell me how stupid I am, but that's fine. I already know. Mike: I like, I like, I liked judicialtarion. I think that's, uh, if that's not a word we should make it one. Jessika: Here we are, TM TM. Mike: Yeah, we're just going to sit back and let the royalties roll in after this. Yeah, but in spite of all this, there's this very weird, dry, British humor that kind of makes the whole narrative a little more palatable. So like one of the early stories is focusing on how robots were doing most of society's work and that's resulted in rampant, unemployment and boredom, so citizens of the mega blocks start engaging in what they call block wars, where neighboring blocks basically just start opening fire on each other because they want something to do. There's another story where the Dark Judges, who [00:21:00] are, they're effectively movie monster versions of the Judges as we know them crossover into Dredd's reality. And then they start slaughtering people, indiscriminately, because all crime is committed by the living. And, thus the sentence for life is death. Jessika: Yikes. Mike: Or, there's also the idea that recycled food is, what they call it, is how they eat these days. But recycled food is actually made from people you know, it's Soylent Green Jessika: Oh, How Soylent Green. Yeah. Mike: Yeah. The Dredd comics always have this kind of underlying tone of absurdity. It's that slight bit of levity that makes this really brutal comic actually pretty enjoyable because it becomes ridiculous. It's a comic of extremes. Over time, the comics gone on to deal with things like Dredd having to resolve how the system that he represents is actually problematic, and it needs some kind of reform. The ramifications of how the push to move back to democracy fails and, [00:22:00] you know, actually fleshing him out as a character who occasionally has feelings, not all the time, but just sometimes. He goes from being kind of a lawful neutral character to a lawful kind of good alignment, like sort of good, kind of, some of the time. There's only so long that you can have a character be a robot for justice, if nothing else before, you know, people are going to sour on them. Jessika: You mean a veritable killing machine? Mike: Yeah. The other thing is that the core Dredd stories haven't really been reset. They're still going from 2000 AD, so at this point we have nearly 50 years of stories that are all canon. And the other thing is that they keep on aging Dredd in realtime. So, at this point he's absurdly old and they hand wave it away by he spends time in the Rejuva-pods or whatever they are. But as a result, he's the same guy who has seen everything that has gone on in the comics. [00:23:00] And as a result, he's matured and changed a bit. And it's kinda neat. So in the UK Dredd's a pretty big deal, but his presence in America isn't quite the same. Like UK comic magazines back then were very different from comics here in the states. So, when they decided to bring them over here across the pond, 2000 AD wound up working with this guy named Nick Landau, who a couple of years earlier had created tightened books to publish comic collections of Judge Dredd in the UK, and then was publishing more collections of other things. Landau had just created Eagle Comics to collect and publish Dredd stories and other 2000 AD stuff. Uh, here in the States in 1983, the Eagle series lasted for about three-ish-is years, and then it moved on to another publisher. And this is pretty much how Dredd existed in the states in the 80's and 90's; a publisher would pick up the rights, and then try to make them click with American readers, and then the [00:24:00] series would get canceled, and then someone else would pick them up and try to do it again. And arguably his most quote unquote mainstream moment was when DC comics published an 18 issue series from 94 to 96. I've only gotten through a couple of these issues and they don't quite bite like the originals. They feel more like an action sci-fi series. Some weird kind of sarcastic humor, but it doesn't quite translate the same way. It feels like a knockoff product, to be honest. I mean, honestly the best American adaptation I've seen is from the 2012 series that IDW did. And that condensed several of the iconic Dredd storylines from the original British run. So they were a little bit more palatable for American audiences, but basically American awareness of the characters generally stayed that level of, oh yeah, that sounds kind of familiar. And then he's never really been a household name, which was what the 1995 movie was trying to change. [00:25:00] Jessika: Yeah, well, it didn't change it for me, but I was also, you know, I was also nine in 1995. So. Mike: *Sigh* I was 14. Jessika: You're only a few years older - you say that like you're 90 now, by the way, every one for the record, Mike is 90. Mike: I am. Jessika: Since he's making a huge deal out of it. Mike: I'm waiting on my Rascal. Scooter Just gonna, just gonna drive through downtown Petaluma with my dogs in my side car. We're all gonna be wearing goggles and flight helmets. And you'll see me go by and just gol “RASCAL!” Jessika: My dude, you can do that now. Mike: Sarah has told me I can't do that yet. We've had this discussion. Jessika: Oh, that's too bad. Mike: Now that we've got the background out of the way, why don't we actually talk about what we're here to talk about? Which is the 1995 Judge Dredd movie. [00:26:00] Jessika: Here we are. Mike: Yeah. Do you remember those TV schedules that used to be in the back of the newspaper, they would show you like A) what was on the air that night and B) provide one sentence summaries of what the movies were? Do you remember those? Jessika: I do because I loved reading those. Mike: I know I did too. How would you summarize Stallone's Judge Dredd, if you were writing it up in that format? Jessika: Oh, need a throat clear for that. In a world where chaos reigns, one man stands between justice and lawlessness. But what happens when the Judge becomes the judged? Find out this Wednesday at 6:00 PM Pacific standard time, 9:00 PM Eastern on Spike TV. I just assume Spike TV would play that. Mike: Spike TV would be all over this. Are you kidding? Jessika: Yeah, no, exactly. That was the first television channel that I thought of that was like, yeah, they would [00:27:00] absolutely have this on like they'd have a Dredd marathon. Mike: God, what an absolute time capsule of a TV channel - is, Spike TV isn't around still, is it? I don't know. Jessika: I have no idea. I was my, my 90's brain just woke up and was like, this is what you say. Mike: God. I remember that was such a mid to late aughts TV channel. It was basically toxic masculinity, the TV channel. Jessika: Yeah. It was, it was either super masculine movies like this, or it was just a game show about people falling all over each other and just laughing at people. Mike: Oh yeah. Was it Most Extreme Challenge? Jessika: Most Extreme Elimination Challenge Yep. As I sit here and I know exactly what it, cause I didn't watch a million episodes of that. Mike: No I'm, that was the only reason that I would turn that fucking channel on. Jessika: Yeah. It's true. My brother and I would roll. Mike: No, so, okay. I just looked it up and we don't need to [00:28:00] actually record the sorry, uh, Paramount Network, formerly Spike, which is still used for the Dutch in Australian feed as an American, but you know, whatever, fuck Jessika: The Australians don't even listen to us. I'm leaving all of this in, and the Australians don't listen to us, yet. Oh God. They're going to listen to us now. And they're going to be like, oy yes we do. I can't, I'm not even going to try, not even to try to do some like, incredibly offensive Australian accent. Mike: No, no, don't do it. Jessika: No, no, I know about it. Mike: Okay. Let's go for an actual movie summary now. Jessika: Sure set in a, oh, sorry. Regular voice, Jessika. Set in a dystopian future complete with a densely populated metropolis and flying cars, order is dictated and carried out by people called Judges, whose job is to convict, judge, and punish those moving outside of the law. The punishments [00:29:00] are severe, being jailed or even killed for their transgressions. Stallone, who plays Judge Joseph dread is seemingly one of the most feared and respected judges until he is framed by a maniacal and presumed to be dead ex-judge Rico. Dredd has to prove his innocence in order to continue providing his particular brand of justice. Oh, and how can I forget about Rob Schneider? Whose main role in this film was to say Dredd's named really loudly. So they would get caught when they were trying to be covert. I mean, at least that's how it felt. Mike: Yeah, whenever I talk about this movie, I always sit there and reference how Robert Schneider is the worst choice to provide, you know, it's not even comic relief. It's like air quotes, comic relief. Schneider was really big at that time. Like, he had just come out of SNL and I never found them really to be all that funny. But, this was like at the [00:30:00] start of his whole 90's. I don't know. What would you call that movement? Jessika: God, it was like the stupid humor movement. Mike: Yeah, it was that Adam Sandler. Jessika: I talk like I'm a baby. Adam Sandler. I can deal with, to a certain extent. There are some movies, I'm just like, whatever, but I've liked him in some things even, but I feel like Will Ferrell is a result of Adam Sandler. I feel like Adam Sandler, birthed will Ferrell and I'm not happy about it. I do not like Will Farrell Mike: Man, I. Jessika: @ me Will Ferrell. I do not like you. Mike: Just watch, he's going to like angrily tweet and then we're going to get a bunch of, you know, I guess, angry gen X-ers I'll all up in our DMS. Jessika: OPress? Oh, I'm sorry. I didn't realize that bad press wasn't just good press also, because it is. Mike: Yeah. And I mean, this was before Schneider was given starring [00:31:00] roles in movies like Deuce Bigalow, which I have yet to see a Rob Schneider movie that I don't find absolutely abhorrent for a number of reasons. Yeah. Jessika: Especially in retrospect. Mike: Yeah. I mean, he's not offensive in this movie, he's just not very funny and kind of useless, even though he's supposed to be the plucky comic sidekick, which, I mean, this was part of that era of buddy action cop movies, except just in a different setting. Jessika: Yeah. I don't know. It was just very grating. The humor Mike: Yeah. , Jessika: And forced. Mike: Yeah. So, your summary is spot on. There's also detours into the Cursed Earth where Dredd is wrongfully convicted. And then, this is something where they diverged from the comic lore, but they're traveling to the penal colony in Aspen, when actually the penal colonies are all off-world. So it's, you basically get sent there for hard labor, off-planet and it's not exactly described what, and then he has to come back from the Cursed Earth, after dealing with the [00:32:00] cannibalistic Angel Gang. And then there's the reveal that he's a clone, which at this point in time is not really a big deal. Like, everybody knows it in the lore and yeah, we get a climactic battle at the statue of Liberty. Also, Joan Chen shows up for no real reason other than to be a woman for Diane Lane to fight. Jessika: Yeah, exactly. Mike: But yeah, it's not a great movie. Jessika: No, no. Mike: But there are parts of it that I still really enjoy. Sarah and I wound up watching it together and all of the practical, special effects that they did are still so good and they look so good. And, and honestly the action scenes are pretty decent for, you know, a mid 90's movie, even where there's that bit with the flying motorcycles, where they're being chased and they knock off one of the Judges chasing them that bit, where he's falling into the bottomless abyss of Mega City looked [00:33:00] really good and I couldn't help, but think of Ninja Turtles 3, where on the other hand, the bad guy getting knocked off into the ocean looks like garbage. Jessika: Yeah, no, that, I was really impressed by that. Especially considering the timeframe it was in. Mike: Yeah. So this movie really tried to smash together a lot of those classic Dredd moments from the comic book. And it was trying to basically create something new while giving fans a lot of nods that they would appreciate. The funny thing is that it was really focusing on the story of Rico Dredd after he comes back from serving his prison time, but in the comic, he only shows up for a one-shot serial story. If I remember right where he comes back from serving prison time in a colony on Saturn's moon of Titan. So if I remember this, right, he's just this kind of one-off character who shows up pretty early in the Dredd stories. Like, I, [00:34:00] I don't think the Dredd stories had even been published for a year by that point. It's like the 30th issue or so, and then he's shot down by Dredd in a duel and the whole, the logic behind it is that he tries to get the drop on Dredd, but his reactions are slower because he's been operating in lower gravity for a while. Jessika: Interesting, but he's still supposed to be a clone, right? Mike: Yeah, he's he, it's originally noted that he's Dredd's brother. And then there's the whole club thing that, that shows up later on and all that, but he also looks way different from Armand Assante in the movie, I'm sending you an image, you can take a quick look and see what Rico Dredd looks like after his prison time in the comic. Jessika: Oh, you would not get those two confused. Mike: Yeah. It's um. Jessika: This guy's got this, guy's like a metal face. Now he's got a nice little head band with probably a laser coming out the top. And then he's got like, no nose any longer. He's just got metal over his nose. There's metal stuff going into his mouth. And like [00:35:00] half of his face just doesn't have skin anymore. And you can tell one of his eyes is blind. It's pretty wild. His hair is all crazy. He's not having a good hair day. It's a look. Mike: It's a look. Yeah. So the whole idea is that when you get shipped off to these colonies, you are basically surgically modified to survive in the environment. Jessika: Oh. Mike: Yeah. So, definitely not what we got in the movie. Jessika: No. You had a guy that actually looked a lot like Stallone. They did a pretty good job of that, if they were going for lookalikes. Mike: Yeah. They were both very fit dudes who had those very strong chin lines. And then they also gave them cosmetic contact lenses so that they would actually have blue eyes, which is why. Jessika: That's what I thought. Mike: When you look at Stallone, you're like, mm, pretty sure God didn't make those eyes. That color. Jessika: Yeah. It's not so bad from certain angles, but other ones you're like, wow, Snowpiercer what's up. Mike: Yeah, it looks [00:36:00] very weird when you're, especially when you're watching it in high-def these days, it looks unnatural. I'm not sure how it would look on a TV or in a movie theater in 1995. I'm a little curious because I didn't get to see it. I was too young to go see an R-rated movie back then, womp womp. But yeah, so likewise, the character of Hershey, who is Diane Lane's character, she first appeared in a 1980 story called the Judge Child, which is this it's this cool thing where it starts off as a road trip across the Cursed Earth, and the Angel Gang who we see in the movie shows up, and then it becomes this weird space opera as Dredd winds up chasing after the Angel Gang and the kidnapped Judge Child across multiple star systems, which again, talking about the weird absurdity of Judge Dredd. So, it's weird to see her in this movie because I always associate Diane Lane with Under the Tuscan Sun. I mean, I've never even seen that movie, but that's just always what I [00:37:00] think of when I see her. Jessika: Oh, same. I definitely see her in an Italian villa and I have not seen that either. Mike: Yeah. Although she did play Superman's mom in the DCEU. Jessika: Oh yeah. Mike: So there was that, her finest role, you know, when she gets sad about Superman with Lois Lane, and then it turns out to be a Martian green dude. Jessika: We're going to have so many movie stars, not happy with us. Mike: I know. Jessika: They'll just be crying in all of their money. It's fine. Mike: Oh, no two lame nerds on the internet were mean to me. I just, uh. Jessika: My nightmare. Mike: They made vaguely negative remarks about me. All right. Jessika: Oh, let me use this 50 to dry my tears. Mike: Anyway. Yeah, so [00:38:00] Diane Lane shows up in Judge Dredd, and she's like way more of a damsel in distress and then weirdly a romantic interest for Dredd than anything else. And that was really bizarre to see, because with the hindsight of the comics, that character in Dredd A) Hershey is like a bad-ass cop. She is a hardcore street Judge. But she and Dredd actually have often had kind of an antagonistic relationship based on differing perspectives about how the justice system should operate. Jessika: Oh, interesting. Mike: Yeah. And eventually, she goes on to be the Chief Judge. Jessika: Oh, good for her. Mike: Yeah, you know, she busted through that glass ceiling. Jessika: Man. It just took, you know, going through a third world war, ladies, this is what we have to look forward to. Just wait for the flying motorcycles. We'll be there. Mike: Well, you know, you don't have to cook because we're just recycling people at that point. So, you know, frees up a lot of time. [00:39:00] Jessika: Oh, perfect. Mike: You don't have to, don't have to stand in the kitchen and make all of us men folk roasts all day. Jessika: Oh, perfect. Well, dang. What will I do? Mike: Okay. overthrow the patriarchy, I guess. Jessika: Let's do it. Mike: Yeah. And then additionally, you know, Dredd himself was pretty different from what we had in the comics. The movie violated this key component of the character by spending a lot of time focused on Dredd out of uniform, which means that we got to see his face. And it's such a known thing that this is not something that Dredd does, but it's actually one of the first points in Dreads, Wikipedia article, if you would be so kind. Jessika: Sure. Dredd's entire face is never shown in the strip. This began and is an unofficial guideline, but soon became a rule. As John Wagner explained, it sums up the facelessness of justice. [00:40:00] Justice has no soul, so it isn't necessary for readers to see Dredd's face. And I don't want you to. Mike: Which I mean, I think that's actually a really cool defining aspect of the character. Jessika: And it's always scarier if you can't see what you're fighting. Mike: Yeah. Agreed. Jessika: I mean, that's basic horror film rule, you know, it's always scarier if you can't see what's chasing you. Mike: Yeah. I kind of equate it to the recent Alien movie that they did. Alien Isolation, where they explained the origin for the alien species. And I was sitting there and going, there is nothing that you could tell me that would be worse than what I come up with in my mind when you've got a really nebulous origin. Jessika: Exactly. Mike: And then I watched the movie and I was like, that's dumb. I'm going back to my original design. I like that better. Jessika: Yeah. It's like Signs was really scary until they brought that stupid alien life being in. And then I was like, well, there it goes. Mike: Yeah. [00:41:00] Curse you, Shamaylan! Judge Dredd is one of those movies where when you watch it, it feels like the people that were involved with making it really had a lot of fun, and were really passionate about what they were doing. Like I've got the making-of book, and you can actually see the set that they built basically on a patch of farmland that became the street for Mega City One. And it's crazy. It wound up having hundreds of neon signs after they built it. It looked like a living, breathing street from this strange city in the future. It was really cool. And likewise, there's that ABC warrior robot that we get to see a couple of times who looks absolutely incredible. And the costume designs are really cool. They don't quite work because you know, it's spandex, but it's very faithful to the comic. And, even the final scenes in the Statue of Liberty where you're in the lab and you've got all those clones being grown, I don't quite understand why the clones are [00:42:00] mostly grown, but we can still see their intestines, but they look really cool. Jessika: I agree. Yeah. Mike: That said, the movie had a lot of production problems. And in fact, it actually had to get re-cut and submitted to the NPAA five times in order to get just an R rating down from an NC 17. Jessika: Dang. Mike: And by the way, we need to talk about the fact that this movie is rated R and if you watch it, it does not feel like an R rated movie. It feels like maybe a PG 13 movie at this point, maybe. Jessika: Maybe, I mean, and that would just be for the violence, Mike: I mean, yeah, but, compared to what gets rated PG 13 these days? Jessika: Yes. Mike: I think if I remember right, one of the Aliens vs Predator movies, maybe both of them are rated PG 13 and they're way more violent and gory. Jessika: Really? Wow. Mike: I mean, I could be completely wrong. Jessika: Who rates these movies? I mean, not a real question. We don't need to get into that, but that's wild to me. Mike: We'll go on a very tiny side tangent, but. Highly recommend you watch the movie. This [00:43:00] film is not yet rated, which talks about the NPAA and the ratings board and how weird and secretive it is. And just a how dumb and arbitrary their system is. Jessika: I might watch that tonight. Mike: It's great. I highly recommend it. So there was an interview with Steven D'Souza, who was the guy who actually wrote the script for Judge Dredd. e was talking to Den of Geek, he shed some light on how the movies, problematic production wound up leading to this mess that we wound up receiving, if you would be so kind. Jessika: Why sure. Judge Dredd was actually supposed to be a PG 13 movie, the production company at the time, Synergy, they were having some financial troubles, so they didn't have any UK executives on location in England. And in their absence, the director, Danny Cannon, wanting to make it true to the comic book, was making everything more and more and [00:44:00] more violent. So when the movie was delivered to be cut, it was rated X and it was rated X four times. They say you can't appeal after four, four is all you get. Somehow the producer, Ed Pressman, managed one more time to get it rated R which actually wasn't a victory because this was supposed to be PG 13. They had made a deal with Burger King, oop. I think, and a toy company. And you can't advertise toys for an R-rated movie and no hamburger plays, wants toys for an R-rated movie. So they hamburger people and the toy people turned around and sued Disney, the distributor whoop. Mike: Hmm. Oops. Jessika: Well, Disney then said, we'll take this out of the director's hide because he signed a piece of paper saying he would deliver a PG 13, but Synergy who was releasing it through Disney at that point had never done [00:45:00] anything, but an R-rated movie, nobody in the entire company had ever had the experience of putting that piece of paper in front of a director. So they had to pay him. They couldn't withhold his salary for violating a legal promise they never asked him to make. Mike: I kind of love that. Jessika: Blunders. Mike: Yeah. That interview also notes that the scene where the reporter gets killed by Rico and he's framing Dredd. It was way more violent and gory, and it looked like something out of Robocop. And then additionally, there was the bit where Rico tells his robot to tear off the arms and legs of the council of five Judge that he's been working with. And he says, rip off his arms and legs and then save his head for last. And so it was originally supposed to be a scene where basically it cuts away to Rico walking away or something like that or shadows or something, and then you just hear the screams and that's it. But [00:46:00] apparently they made a full animatronic robot that had the arms and legs actually getting ripped off and like spewing blood. Jessika: Yikes, no. Mike: Yeah. Jessika: Guys. Mike: Yeah. So this was clearly one of those things desires were not clearly communicated. So Stallone gave an interview to Uncut Magazine in 2008. And he talked about a bunch of the things that, that went wrong with that movie, including this weird story about Danny Cannon, where he said, I knew we were in for a long shoot when for no explainable reason, Danny Cannon, who's rather diminutive, jumped down from his director's chair and yelled to everyone within earshot. Fear me, everyone should fear me. Then jumped back up to his chair as if nothing happened. The British crew was taking bets on his life expectancy. Jessika: Yikes. Yeah, the guy's going to give himself a coronary. Holy moly. Mike: It reminds [00:47:00] me a little bit of the stories that were coming out of the Suicide Squad set. Jessika: Oh. Yeah, I'm hearing more and more stories of just things that actors are being put through on set, and it's just, I don't care who you are, you shouldn't have to deal with this bullshit while you're working. Mike: I don't envy them. Jessika: Yeah, I don't either. I mean, there has to be ways that doesn't hurt people to entertain us. Mike: Yeah. Back onto this topic of Judge Dredd itself, it was this movie that costs $95 million and that's in 1995. So adjusting for inflation, that's roughly $190 million in 2021 dollars. Jessika: Whew. Mike: For reference there's a bunch of MCU flicks that when adjusting for that inflation costs less than Judge Dredd did. The R rating in turn, and kind of the lackluster end product, resulted in $113 million at the box office worldwide. And that was a lot less than Stallone, and really everyone else, was hoping for, [00:48:00] they were legit hoping that this was going to be just a blowout success story, and they could make a franchise out of it. So we've already talked about how they were trying to make this into something that they can market to kids. And we still got some products that show that was the plan. There were a couple of associated products, like a junior novelization, and a comic adaptation of the movie from DC comics itself. And then a video game that's actually, it's not bad. It's like a side scroller and the movie story ends about, I think, halfway through. And then you go on to a bunch of different worlds and end up fighting those Dark Judges that I was talking about earlier, which is kinda cool. Yeah. It's fine. But anyway, none of these tie-in products really seemed to land. How did you feel about this film overall? I'm curious. Jessika: Is it bad to say a came across as a little cheesy? Mike: No, not at all. [00:49:00] Jessika: Like a nice wholly Swiss cheese. There were some mega plot holes that were very apparent. That kind of took me out of the experience saying that a lot this episode, but way to go guys. And it made me really overthink aspects of the storyline. Mike: Yeah. Jessika: Like the whole, how did you not know where were clones? Did you not accidentally ever pick up the other person's gone and we're like, why can't I use this? If you have the DNA testing, it just, it didn't make a lot of sense. And how can you sequence two different guns if you only have one sequence of DNA? I don't get that either. Mike: Yeah. Part of that is just because it was 1995. DNA was still like a really hot topic for plots. It was new science. It was really exciting. I mean. Jessika: That's fair. Mike: We were in the throws of the OJ Simpson trial, and so DNA evidence was a really big thing there, but yeah. Jessika: Hot button item. You're right, I think, buzzword. Mike: And so that kind of goes into the whole [00:50:00] idea of clones as well, but that's an established plot line of Dredd itself. But I mean, like I remember, there's a bit where they focus on the flying Law Master motorcycle and they say, well, if you can ever get it to work, it will be yours. And they bust out and then there's several other flying Law Masters chasing after them. Jessika: Well, when they're talking about those motorcycles, I think they're trying to liken them to really bad quality, government issue, like these things are a piece of shit, but you can probably get em into the air, and have the worst model sitting there for the newbies to fuck around with. But I don't know, that's that was my takeaway from it just because I also remember, not that the cars are bad necessarily, the police cars, but it's like, they're stripped down to nothing, they're just like a car. Mike: Yeah. Jessika: None of the fancy shit. Mike: Yeah. Those, those good old Crown Vics. Jessika: Oh Yeah. And I think that part of it for me was the serious scenes, like the courtroom scene, especially mix in Rob Schneider in any of [00:51:00] those situations. And it was just a little much. Mike: Yeah, absolutely. Stallone played it really straight and really intense and it doesn't quite work. It feels almost like a high school drama production where you're watching those kids onstage, they're acting too hard. They've turned their acting dials up to 11 and you're like, okay buddy, we needed it like a seven. Jessika: I'm just imagining a man, like a child on stage, shaking. His arm is shaky. He's got a skull in his head and he was just screaming out lines from Hamlet. You're like, ooh, buddy, calm down. Mike: Yeah. Yurick can't hear you Hamlet. He's already dead. I think it's okay. Jessika: Womp womp. Mike: Yeah. My take on it, aside from the fact that it's a little bit too faithful and too earnest is that this reminds me of that situation where you take a bunch of different ingredients that you think are going to taste amazing and you've slapped them together into a sandwich. And then you realize the combination doesn't work, but yet you end up eating it anyway. [00:52:00] Jessika: Been there. Mike: Like, we talked about the sets, the makeup, the costumes, even the special effects, those are all great, but the script and then Stallone's performance really kind of do it a disservice, and even Sly has acknowledged that the movie missed the mark. So that earlier interview that I mentioned with Uncut Magazine, he had a really great point where he talks about how it didn't work. Jessika: I loved that property when I read it, because it took a genre that I love what you could term the action morality film, and made it a bit more sophisticated. It had political overtones. It showed how, if we don't curb the way we run our judicial system, the police may end up running our lives. It dealt with archaic governments. It dealt with cloning and all kinds of things that could happen in the future. It was also bigger than any film I've done in its physical stature and the way it was designed, all the people were dwarfed by the system and the architecture. It shows how insignificant [00:53:00] human beings could be in the future. There's a lot of action in the movie and some great acting, too. It just wasn't balls to the wall. But I do look back on Judge Dredd as a real missed opportunity. It seemed that lots of fans had a problem with Dredd removing his helmet because he never does in the comic books. But for me, it is more about wasting such great potential there was in that idea, just think of all the opportunities there were to do interesting stuff with the Cursed Earth scenes. It didn't live up to what it could have been. It probably should have been much more comic, really humorous and fun. What I learned out of that experience was that we shouldn't have tried to make it Hamlet. It's more Hamlet and eggs. That's so funny that I brought up Hamlet! I didn't read ahead. Mike: I was laughing about that actually. Yeah. And I mean, he's not wrong. I think he played it too straight and too serious. And they also tried to make it an action buddy comedy [00:54:00] movie, which it just, it doesn't quite work. Like the, the tone with Dredd is you have to walk a really fine line. They didn't stick to it this time. Yeah. I feel like it was trying to be extremely faithful to the source material, which always walked this very fine line tonally, and then it blew past it to create something that's just it's way too earnest. And over the top, it kind of reminded me of Jupiter Ascending. If you remember that movie. Jessika: I do. Mike: Yeah. It's this movie that has crazy high production values, a pretty great cast actually, and a really big story. And then it all combines into something that's honestly kind of underwhelming. Jessika: And forgettable, cause I kind of forget what that whole plot line of that movie is. And I think I've seen it twice cause I was like, I don't think I've seen this before. And I sat through the whole thing again. It's one of those movies. Mike: I just remember a lot of shirtless Channing Tatum and. Jessika: Oh, yeah, he wasn't at sea. I don't even know. Mike: Yeah. Do you have any more thoughts before we move on to [00:55:00] the 2012 remake kind of, it's not really a remake. It's just the 2012 movie. Jessika: No let's Rob Schneider, our way out of this. Mike: I'm not sure I liked that verb. Jessika: I was using it as: do something really stupid to get out of a situation. And I think I did it just by saying that. Mike: All right. How would you describe this movie? Give it, give another quick summary. Jessika: Mega City One. The future. There are still flying cars, but less of them. In a packed city rife with violence, Judge Joseph Dredd is assessing a new potential recruit to the force. This recruit isn't like the others. However, she is psychic; a mutant! In answering their first call, they inadvertently get themselves involved in a large scale drug operation and have to kill or be killed in order to survive. This film has no sympathy for innocent bystanders, who are killed by the dozens each [00:56:00] scene. And the Judges are swift to kill any who might oppose them. They finally escape using their wits and these psychic's ability, all while taking down a drug ring. Ta-da, all in a day's work. Mike: Dread came out right around the same time, I think a little bit after, as this movie out of, I think Thailand called The Raid. Which it's about a police force. That's basically working their way up through a skyscraper. And it's another really intense action movie. It's got really kick-ass action scenes. It's really good. And the sad thing is it's just that and Dredd have a similar plot based on that, but it's also very different. So there were a lot of unfair comparisons to that at the time. Jessika: I see. Mike: How do you feel this movie compares with the Stallone one? Jessika: It was definitely more serious and more bloody, for sure. It really leaned into the death and carnage aspect [00:57:00] becoming more and more creative and destructive as the film progressed. Like was it strictly necessary to aim towards and blow up an entire floor of a densely inhabited building? I dunno. It was kind of hard to watch some times, it was pretty graphic. I did like that it took on a more serious tone though. And I think the reason that it's so hard to watch for me is more for the social implications. Like, when the film made it clear that vagrancy could carry a similar sentence to other more serious crimes. Mike: Right? Jessika: Which was really wild. Mike: Yeah, it's interesting because I feel like it did a lot more subtle world-building with moments like that, or when they're describing the Mega Block that they're investigating and it's noted that there's only a 3% employment rate. It's weird because it's such a violent movie and don't get me wrong, I think the action scenes are just incredible. They look great. But at the same time, it's a more [00:58:00] subtle movie in a lot of ways than the Stallone one was. Jessika: Yeah. Definitely it's scarier. Like the idea of it is more, it seems more real and in your face, and for me, it definitely put a spotlight on how scary policing can be to targeted groups. Mike: Yeah. Jessika: And this might be an extreme example, but how extreme is it really? Mike: Yeah. And it's interesting because you and I talked about this before, this is a movie that is very, it's very binary with its morals. Like there's only the good guys and the bad guys. This isn't this, isn't one of those movies where you sit there and you watch it and are really given a lot of moral things to consider. There's not a lot of philosophy here, but it doesn't sit there and say that Dredd and the Judges themselves are in the right. It's basically showing that there is a force who is basically the gang that is running the apartment block that they are in, which is headed up by a fucking terrifying Lena Headey and A), [00:59:00] they really uglied her up. Which, I was actually really impressed. I didn't recognize her because this came out right after game of Thrones had just had its first season. I think maybe its second season had hit, but I mean what a stark contrast between her in the mama role and then Cersei Lannister. Jessika: Stark. I like what you did there. Mike: Hey, was totally intentional. Or that was totally, that was totally intentional. I totally did that on purpose. Jessika: Okay. Mike: Like I said, there is no wiggle room. They sit there and they basically say no, this woman is a monster, and she does need to be taken down. You know, to the movies credit, the judges, don't really mow down innocent bystanders, it's all the thing of, no, they're going up against bad guys who have guns and are trying to kill them. But at the same time, it does also acknowledge how they aren't completely in the right either. Like there's a scene where they take shelter in an apartment. And Olivia Thirlby's character reads the mind of this woman who they're basically holding up to give them shelter for a few minutes. [01:00:00] And she realizes that, oh, this woman's baby daddy is one of the gang members that they just killed a few minutes ago. Jessika: She herself had killed that guy. Mike: Yeah. And I appreciated that. There are those moments where it takes a more mature look at, maybe everything that's going on isn't great. And then there's that moment at the end where Anderson sits there and talks about how, when she lets the hacker character go, because she realizes that he is just as much of a victim as a lot of the other people in the block are, even though he's been aiding Ma Ma. Jessika: Yeah. And then I like how Dread tries to call her on it. She's like, I've made the judgment. He's a victim. Mike: Yeah. And I thought that was great. Also, that actor is the guy who played General Hux in the Star Wars movies that we got recently. Jessika: I thought I recognized him and I could not place him, and I was too lazy to go on IMDB. Mike: But yeah, thought it was a much more, it's weird to call that movie subtle, but I felt like there were a lot of nice little subtle moments in it. [01:01:00] And I really liked how A) Ma Ma was a genuinely frightening villain, especially because you never see her flying off the handle or being over the top or anything like that. She delivers everything with this really kind of scary, calm, in which we see in the first few minutes, when she tells her officer to skin, some guys who were selling drugs on her territory without her permission. Jessika: Yeah. Mike: And then the order is given after they've been skinned, to be given hits of slow-mo, which is the drug throughout the movie that slows down perceptions of time. So they were thrown off the top story of this apartment block. And basically they have this long, awful, painful plummet into the courtyard below. Jessika: God, that's gotta be so terrifying. Mike: And that really set the tone for who we were dealing with, which I thought was incredibly effective. Jessika: I thought they did such a nice job on the cinematography on that, by the way, when they did those scenes with the slow-mo and they [01:02:00] had it kind of shimmery and they put you in the mindset of the person having used the slow-mo, and I thought that was such a good technique. Mike: So yeah, and the whole thing was that they released this movie in 3D. So, you can tell that those scenes were filmed specifically for 3D cinematography. Jessika: That makes so much sense. Mike: I actually saw this movie opening night in the theaters and A) I remember tweeting about it and saying that movie was way too good for the theater to be that empty on a Friday night. But I remember that was the first, and really that's the only time, I've ever enjoyed a movie in 3D because I felt the 3d actually added something as opposed to just being a cheap gimmick to ring an extra couple of bucks out of my wallet. Jessika: That's usually how I feel about it. Mike: Yeah. But I liked how Olivia Thirlby's character Judge Anderson was actually way less of a damsel in distress than Diane Lane's character Judge Hersey. And then on top of that, a lot of the [01:03:00] superhero movies rely on that whole female heroes have to fight female villains trope that it always feels like they don't get to participate in the end boss battle. And I thought it was really cool how Anderson wound up using her powers to A) escape, her captors, B) actually rescue Dredd, and then C) really be a giant aid to him throughout the movie. She felt like a viable, real character as opposed to just kind of, window trim. Jessika: Yeah. Agreed. I was nodding vigorously when you were talking about that, because I am an absolute agreement. I was a little worried when she first got captured, cause I was like, oh, here we go, so fucking typical. But then when she was actually using her powers and she was getting out of the situation herself, it was like, okay, fine. You got this. You're fine. Mike: Yeah. On top of that, the intro to the movie we get is so tight and efficient. And aside from the intro where we get a chase scene, where we see slow-mo and effect, we see how brutal Dredd is himself. We also get [01:04:00] the intro to Anderson, where she's demonstrating her powers by basically reading the mind of Dredd from behind a two way mirror. And there's that great line about like, oh, well, you know, there's another Judge with you. He's male. I sense control and anger and then something, something more something. And then the judge cuts her off just like, that's enough, that's fine. And I'm like, cool. So we've got a really good summary of who Dredd himself is. Okay. We get it now. This is all we need. Jessika: Yeah. It was a really good narrative tool. I did like that. Mike: Yeah. And then, in the comics, Anderson actually won is a pretty big ally of dread himself. And she's also never romantic interest, but she winds up being key to defeat those monster movie versions of the Judges. And actually, it's been a little while since I read this, but if I remember right when she first confronts Judge Death, who is the leader of the Dark Judges, she winds up, trapping him inside her own mind because he's this psychic entity. And so I was really happy that they took a strong character and [01:05:00] kept her really strong. Jessika: It's good to hear that she also had a really strong role within the comics. Mike: And then the other thing is that I kind of liked how they had Dredd himself be a little bit more subtle. Like, Hey, we never haven't take off his helmet, which I thought was great. And I thought Karl urban, I mean, how did you feel about Karl Urban as Dredd compared to him? Jessika: I thought he was great. And I think I, it would've made less sense if he had taken off his helmet just as far as the character goes. And honestly, I think in this situation, there wasn't much room for him as a character to have his helmet off because they were pretty in a battle mode. Mike: Yeah. Jessika: The whole movie, truly, except for the introductory first few minutes. Mike: Yeah. And I liked the bit where, so Anderson loses her helmet pretty early on and Dredd actually calls her out on it. And he says, you're not wearing your helmet. And she goes, oh, well, the helmet interferes with my psychic abilities and you just go solo bullet and then that's it. That's Jessika: Yup. Mike: I thought that was great. Jessika: Yup. He'll give her the advice he will give, but he's not going to [01:06:00] tell her to do it, which I thought was good. Mike: Yeah. I'm curious. We're going to get to this in a minute about like how it is through the 2021 line. But did you enjoy the movie? Jessika: I think for me, because I'm such an empath, it was a little bit too much innocent blood death. Mike: Okay. Jessika: Even just like, they didn't need to kill the vagrant, it, that was a very like, oh, the gates closed. And the Vagrant just happened to be sitting there and he got squashed and they both kind of looked at it like, well, guess we don't have to deal with that. And I was like, well, fucking hell guys, come on. Mike: Yeah. And I mean, at the same time, from my perspective, and I understand where you were coming from with this, but from my perspective, it was kind of the embodiment of that weird absurdist, gallows humor that is often prese

This week Andy and PK read, react to, and review Issues 67 - 69 (heh, nice) of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "Cursed Earth Part 7 - Night of the Vampire!", "Cursed Earth Part 8 - The Sleeper Awakes!", and "Cursed Earth Part 9 - The Slay Riders!". In this podcast, Andy and P.K continue with Judge Dredd into the wasteland of the Cursed Earth! What is the mysterious blood drinking monster that haunts the ruins of old Kentucky? How exactly did the Judges rise to power and overthrow the Democratic Republic of America? Was Judge Dredd born on the same day the Atomic War started? And who was the last president of America? Stretch-a-Lobe to find out! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

We continue to trace the various science fiction vehicles inspired by Roger Zelazny's Damnation Alley. We learn how both Zelazny's story and the Adventure 2000 toys turned up in a classic Judge Dredd tale in 2000 AD, plus look at some futuristic toys from the same ear - the Xploratrons from Corgi - who also had connections to the galaxy's greatest comic too!

This week Andy and PK read, react to, and review Issues 64 - 66 of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "Cursed Earth Part 4 - King Rat", "Cursed Earth Part 2 - The Mutie Mountains", and "Cursed Earth Part 3 - Dark Autumn". In this podcast, Andy and P.K continue with Judge Dredd into the wasteland of the Cursed Earth! How will Dredd and Spikes survive the being torn apart by flying rats? How the hell is Mount Rushmore in the Appalachians? And how will the gang survive against the returned power of the Dark Brotherhood? Stretch-a-Lobe to find out! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

Borag Thungg, Whatnauts! Time for Drokk!! Volume 26 seems like it should be dominated by The Hunting Party, a mega-prog written by John Wagner with superb art by Henry Flint among others, as a rag-tag group of cadets accompany Dredd on a top-secret mission out into the Cursed Earth to uncover the secret of the sky sharks! But is it? Join us and find out! Comments on the show are available at waitwhatpodcast.com, we welcome your questions at WaitWhatPodcast@gmail.com, and we invite you to look out for us on Twitter, Tumblr, Instagram, and Patreon!

This week Andy and PK read, react to, and review Issues 61 - 63 of the original Judge Dredd Case Files from 2000 A.D. This episode features the progs "Cursed Earth Part 1 - The Forbidden Fruit ", "Cursed Earth Part 2 - Into the Darkness", and "Cursed Earth Part 3 - The Devil's Lapdogs". In this podcast, Andy and P.K start their fresh adventure into the 2nd Case Files of Judge Dredd 2000 A.D. We begin with one of the most famous arcs of the comic, The Cursed Earth! How will Judge Dredd survive the irradiated wasteland from the ruins of the Atomic War? Who will he choose to go with him? And will there be giant flying rats? Stretch-a-lobe to find out! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

This week Andy and PK read, react to, and review Issues 1-9 of the Walter the Wobot spinoff comic from 2000 A.D. This episode features the progs "Tap Dancer", "Shoot Pool!", "Walter's Brother Part 1", "Walter's Brother Part 2 - Night of the Mugger", Walter's Brother Part 3 - The Bubbly Death", "Walter's Brother Part 4 - Origin of Walter", "Walter's Brother Part 5 - Death of a Wobot", "Wadio Walt", and "Qwiz Show". It also includes a haphazard description of the interconnected universes of the Judge Dredd "Megaverse". In this podcast, Andy and PK get to read a bunch of single-page Walter the Wobot progs and get to discuss the other comics (but not allllll of them) linked to Judge Dredd's universe. This is the last and final episode from the first compendium of the Judge Dredd Case Files! Next episode, we begin to tackle one of Judge Dredd's most famous arcs...The Cursed Earth! Stretch a lobe! Disclaimer: We do not own the copyright to Judge Dredd, 2000 A.D Comics, or any of the music used in the making of this podcast. This is just for us and just for fun :)

We are Street Podcasters, and we are very late for work. Mega City One is a meat grinder - people go in one end, meat comes out the other. All Ben and Charles do is turn the handle. Both of the film adaptations of 2000 A.D.'s Judge Dredd are included as we wrap our post-apocalypse run with the Cursed Earth patrolled in turn by Sylvester Stallone and Karl Urban. You want fear? Ben's the fear. You want chaos? Ben's the chaos. But is he a pass or fail? Charles considers carefully before deciding: "He's a pass."

Im Gespräch mit Tom. Wir reden über den Punk-Artikel im Spiegel, dass Toms Mutter Sex Pistols & Clash-Platten, die Prostata Jugend mit Pabst vom Bierfront, Made in Japan von Deep Purple, die erste Slime LP, in einem anti-autoritärem Kinderladen in Aachen, Balle, Malle, Hupe & Arthur und das Grips-Theater, die erste Ton Steine Scherben LP, erste Live-Erfahrung mit Hannes Wader & Hans-A-Plast, lange Haare mit Brille, Norwegerpullover & Dufflecoat, mit 14 Umzug nach Berlin, nicht dazugehören wollen, erstmal mit der Anonymität in Berlin klarkommen, Umzug ins besetzte Haus, Einstieg in die Suchtproblematik, was Punk ist und nicht ist, die High on War 7" von Beton Combo, "Der lustige Astronaut" von den Ärzten, Adolescents & Dag Nasty & Crucifix & The Damned, eine Hamer Prototype gekauft bekommen, kurz mit Combat Not Conform spielen, die Inititalzündung mit Sepp Ehrensberger, Bewährungshelferin & Labelchefin in einer Person, Phantasie-Englisch vom Heiland, die Einzigartigkeit von Yvonne Ducksworth, mit Jingo komplett überbewertet sein, alle mit Dreadlocks, die Cursed Earth 12", das runtergepitchte Bad Brains-Cover, die Rock´n´Roll Damnation Tour, mit Henry Rollins auf Tour, den Bezug zur sozialen Infrastruktur verlieren, durch den Gitarristen von Ideal zum Majorlabel, mit den Jokern durch zu sein, mit Rockabilly-Frisur nicht mehr erkannt werden, das Upset Noise-Cover, der Ausstieg aus Jingo, die Steissgeburt Deja Voodoo, etwas Großes in den Sand setzen, große Ideen von Extrabreit, in einer Varietéshow im Wintergarten spielen, die Skeptiker gar nicht kennen, die druckreife Sprache von Eugen Balanskat, drei Generationen beim Punk-Konzert, dass Kumpelbasis eigentlich hätte Kummerkumpels heißen sollen, die spontane Jingo-Reunion im White Trash, an die Wand genagelte Matratzen, 260qm für 800 Euro, Produktionen von Mad Sin, Smoke Blow & Beatsteaks, gern den Ton angeben, die grandiose Idee wieder mit Sepp eine Band zu machen, sich im Alter ab & zu anders fühlen, K19 als bester Konzertladen in Berlin, inzwischen anders Musik hören, Schrebergärten, Platten für die Ewigkeit: die erste Ton Steine Scherben, Rock for Light von Bad Brains, die 1. Adolescents LP, die Sonics LP, richtig geile neue Band: Hyäne, sich abgrenzen & ausgegrenzt wurden, das Privileg junger Menschen in ihrem eigenen Kosmos zu sein, uvm.

We continue our series of collected coverage of the Judge Dredd Complete Casefiles with volume two, covering progs 61 to 115. This time Dredd gets epic, with a pair of massive tales, The Cursed Earth and The Day the Law Died! It’s an adventurous good time, and we hope you’ll enjoy reliving it with us. … Continue reading Casefile Collection 02

This week on the Talk Without Rhythm Podcast I emerge from the Cursed Earth to bring podcasts to the podcastless and fulfill a Patreon Pick from TWoRP Elite Patron Matthew K. Matthew is joining me in a conversation on 1995's Judge Dredd and 2012's Dredd. Listen, or be sentenced to 20 years in the Iso-Cubes. [00:00] INTRO [02:13] Cult of Muscle Promo [03:26] RANDOM CONVERSATION [19:44] Judge Dredd (1995) [01:08:15] Dredd (2012) [01:57:40] FEEDBACK Cronenberg on Nolan and Superheroes [02:11:53] ENDING MUSIC: I am the Law by Anthrax Buy Judge Dredd (1995) Buy Dredd (2012) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Damian Harvey joins me to discuss a classic from Dredd's early years. Having survived the Cursed Earth can the Mega-City One lawman overcome Chief Judge Cal and the Kleggs? We discuss John Wagner's gift for comedy, and the great line-up of artists on this story.Read this epic in Case Files volume 2, or in the Digest editionYou can find a list of episodes so far and all the upcoming books on the Facebook page, follow the podcast on Twitter, and on instagram, or email me comments and suggestions to MCBCpodcast@gmail.com  If you cannot see the audio controls, listen/download the audio file here Or Download hereRight click and choose save link as to download to your computer.

Borag Thungg, Whatnauts! Time for Drokk!! It is 20 for 2020, as Jeff and Graeme reach the twentieth volume of Judge Dredd The Complete Case Files! But can they make it through the Cursed Earth of non-Wagner 2000AD stories before making it to the refuge of the largely Wagner written Megazine installments? Join us and find out! Comments on the show are available at waitwhatpodcast.com, we welcome your questions at WaitWhatPodcast@gmail.com, and we invite you to look out for us on Twitter, Tumblr, Instagram, and Patreon!

Borag Thungg, Whatnauts! Time for Drokk!, wherein Graeme McMillan and Jeff Lester read the seventeenth volume of Judge Dredd: The Complete Casefiles and the first Batman/Judge Dredd crossover: Judgment on Gotham! Garth Ennis holds sway over nearly all in Volume 17 of Judge Dredd: The Complete Casefiles as a team of not-quite-ready artists and not-really-prepared editors help the then-twenty-two year old stage the first non-Wagner written megaprog since The Cursed Earth, Judgement Day! How do we pass judgment on it? Tune in and find out, citizen! Comments on the show are available at waitwhatpodcast.com, we welcome your questions at WaitWhatPodcast@gmail.com, and we invite you to look out for us on Twitter, Tumblr, Instagram, and Patreon!

God cursed the earth when Adam sinned. Therefore, suffering, hardship, tragic events, wars, conflict and death make living on earth difficult, but normal. Joseph is a perfect example of the trials God places on His own. Joseph suffered but trusted God's sovereign purpose for 20 years before God revealed His purpose to use Joseph to save many lives in a terrible famine. Jesus responded to the apocalyptic panic of the disciples when He announced the destruction of the temple. Jesus responded by telling them not to be alarmed. The events described would be be typical in the gospel age, not something special at the end of time. We live on a sin-cursed earth and God's mercy is abundant toward those who will acknowledge Him and live according to His rules.

We're back together in the same room again and talking about out namesake story arc! This is essential listening!

Each week on Indie Comic Spotlight Tony Farina of DC Comics News will be joined by other comic aficionados to do a deep dive into a series or standalone graphic novel from any publisher other than the big two.Today, Tony is joined by Scott Weatherly to break down the first appearance of and the first few major story arcs of of Judge Dredd.Dredd was created by Carlos Ezquerra and John Wagner. Dredd is a street judge in Mega City One. Judge Dredd is the flagship title in the 2000AD anthology, first appearing in its second issue in 1977. The year is 2099 at that time, and Dredd is already a hardened street Judge of many years. Dredd faced countless strange menaces at that time, including a robot uprising. A notable early case was The Return of Rico, where Dredd's disgraced dirty Judge clone brother Rico Dredd comes back to frame him. Then we have the first Dredd mega epic, The Cursed Earth, which ran for 25 weeks. Dredd treks across The Cursed Earth that is America, facing numerous mad foes to bring an antidote to Mega-City Two on the West CoastScott Weatherly is the host 20th century geek and can be found online at his website or on twitter. He and Julian Darius host the stories out of time and space podcast.If you want to talk with Tony about comics or to suggest any future shows, please connect with him on Twitter @Tricycleboombox. You can read his reviews of multiple Independent and DC comics at DC Comics News. You can find him online at https://www.arfarina.com/ See acast.com/privacy for privacy and opt-out information.

We are introduced to the justice department's wild card. Plus we talk about silent horror films and alcoholics anonymous...

Satire! Parody! 1970s weirdness at its finest! Today on the program we discuss the 1978 Judge Dredd story-arc The Cursed Earth originally published in 2000AD (the magazine not the year).  Loosely based on Roger Zelazny's novel Damnation Alley the story finds out titular anti-hero traveling across a nuclear fallout wasteland on a mission to save The post Collected Edition: Episode 52: Judge Dredd – The Cursed Earth appeared first on The Collected Edition.