Podcasts about Coppa

Tra una settimana esatta, il 28 luglio, allo stadio Sinigaglia di Como si giocherà la seconda edizione della Como Cup, torneo internazionale con 6 squadre provenienti da Paesi differenti. La presentano, in questo episodio, Adele Stigliano ed Enrico Zambruno.Clicca qui per comprare i biglietti della Como Cup: https://tickets.comofootball.com/Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Ricomincia la nostra rubrica sul Fantacalcio, dove vi presentiamo tutti i calciatori stranieri che vengono a giocare in Serie A. Oggi è la volta di Viery, nuovo difensore centrale della Fiorentina di Fabio Grosso.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Dopo 104 partite e un mese di calcio indimenticabile, la Coppa del Mondo FIFA 2026 si è conclusa con l'incoronazione della Spagna, che ha battuto l'Argentina per 1-0.Scopri altri nostri podcast cliccando qui.Ascolta SBS Italian tutti i giorni, dalle 8am alle 10am. Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

La finale parla spagnolo, quello europeo, stavolta. Messi non corona il sogno di chiudere la sua storia Albiceleste con la seconda Coppa del Mondo. Alla fine vince con merito la Spagna di Yamal e il passaggio di consegne di quella foto iconica dei due fuoriclasse del Barcellona è compiuto definitivamente. Ne parliamo con Alessia Tarquinio, padrona di casa di Copa Mundial su DAZN e col nostro Filippo Maria Ricci. Intanto, con Giorgio Sernagiotto torniamo sul nostro Yamal della F1, ossia Kimi Antonelli e la sua vittoria a Spa.

La Spagna, per la seconda volta nella sua storia, è campione del mondo. Risale sul tetto iridato 16 anni dopo la prima e unica volta, battendo 1-0 l'Argentina di Leo Messi in una gara a senso unico. In questo maxi episodio ne parlano Andrea Di Giacomo, Enrico Zambruno, Simone Indovino, Giuseppe Broggini, Luca Tumminello e Tommaso Murdocca.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

L'ultimo episodio di Caffè Mondiale con Tommaso Murdocca, Enrico Zambruno, Angelo Taglieri e Paolo Rossi.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Da sempre le finaline di consolazione per il terzo posto sono belle e ricche di gol perchè le due squadre non fanno calcoli rispetto alla finalissima che vale la Coppa del Mondo. Ma Francia-Inghilterra, finale per il bronzo di questi Mondiali 2026, è andata oltre ogni più rosea aspettativa sul fronte dello spettacolo.

L'Inghilterra si prende il terzo posto del Mondiale battendo in una gara da record la Francia per 6-4. Deschamps saluta i Bleus con una sconfitta, Tuchel salva la faccia e rimane sulla panchina inglese. A Potrero ne parlano Tommaso Murdocca e Angelo Taglieri.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Roberto Ugliono, Enrico Zambruno e Angelo Taglieri presentano - a Caffè Mondiale - la finale dei Mondiali di questa sera tra Spagna e Argentina.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Andrea Di Giacomo, Enrico Zambruno e Simone Indovino parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Una sola finale per la Spagna, vinta nel 2010, ben 6 per l'Argentina, prima di quest'anno. Ripercorriamo la storia del calcio focalizzandoci sulle edizioni dei Mondiali in cui le prossime contendenti al titolo si sono rese protagoniste della cavalcata completa. Ce ne parlano Tommaso Murdocca e Nicola Bondavalli.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano einternazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Con Dario Marcolin, uno dei talent DAZN che ci ha accompagnato in questo viaggio Mondiale, percorriamo gli ultimi metri che ci separano dalle finali di questa FIFA World Cup: Francia-Inghilterra per il 3°-4° posto e Argentina-Spagna per la Coppa. Chi vincerà?Intanto in Italia ecco i primi sgambetti di mercato: sembrava fatta per il rinnovo di Celik con la Roma, invece la Juventus si intromette e strappa il difensore a Gasperini. Ne parliamo con Michele Criscitiello, direttore Sportitalia.Al Tour de France abbiamo capito che i buu e i fischi esistono anche nel ciclismo e, a beccarseli, è stata proprio la maglia gialla Tadej Pogacar reo di cannibalizzare eccessivamente la Grand Boucle e, forse, anche tutte le altre corse. Convocato il nostro corrispondente Pier Augusto Stagi.

Comincia la stagione 2026/2027 del Como: Adele Stigliano ed Enrico Zambruno presentano i nuovi arrivi e l'estate lariana in questo primo episodio video su Spotify.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Manca sempre meno alla finale del Mondiale: Tommaso Murdocca, Roberto Ugliono e Paolo Rossi analizzano Argentina e Spagna tra figure retoriche, filosofie diverse e uno sguardo ai social e al passato.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano einternazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Mancano solo due giorni alla finalissima tra Spagna e Argentina. I nostri Simone Indovino e Nicola Bondavalli qui a Potrero si sono divertiti a mischiare gli undici delle due nazionali. Potrero, dove tutto ha inizio. Un podcast sul calcio italiano einternazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Mediaworld nel 2006 lanciò una campagna molto rischiosa: “Tifa e Vinci”. Compravi una TV prima dei Mondiali di calcio e se l'Italia avesse conquistato la Coppa del Mondo avresti ricevuto il rimborso completo. Cosa è successo quando EFFETTIVAMENTE l'Italia ha vinto? Vuoi far crescere il tuo business? Apri un account FINOM entro il 19 luglio per attivare la promozione esclusiva. Scopri tutti i vantaggi e i dettagli dell'offerta al seguente link — ⁠⁠https://www.financeads.net/tc.php?t=76605C2928136110T⁠⁠ Ascolta la storia di Jack Daniel's -⁠⁠ https://spotify.openinapp.co/6uoqo⁠⁠⁠⁠⁠⁠ Copertina realizzata da ⁠⁠⁠Damiano Stingone⁠⁠⁠ Sound design: Antonio Mezzadra Supporto autoriale: Francesco Marchi  Voci: Francesco Marchi, Matteo Vitelli, Laura Moretti Learn more about your ad choices. Visit megaphone.fm/adchoices

Adele Stigliano, Angelo Taglieri Paolo Rossi parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Sarà Spagna-Argentina, domenica sera, la finale dei Mondiali. Ieri sera Messi e compagni hanno battuto 2-1 in rimonta l'Inghilterra. Ne parlano, in questo episodio, Andrea Di Giacomo, Enrico Zambruno e Angelo Taglieri.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

La Spagna si è qualificata per la finale della Coppa del Mondo di calcio con una prova superlativa contro la Francia, sconfitta per due a zero. Per i francesi, dati per favoriti alla vigilia dalla maggior parte degli osservatori, la amara consolazione di giocare la finalina per il terzo posto contro la perdente di Argentina-Inghilterra.

Tommaso Murdocca, Enrico Zambruno, Giuseppe Broggini e Paolo Rossi parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Una Spagna straordinaria elimina dal Mondiale la super favorita Francia grazie ad una partita perfetta. Ne parlano Simone Indovino, Luca Tumminello ed Enrico Zambruno.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.

Tommaso Murdocca, Enrico Zambruno, Nicola Bondavalli e Paolo Rossi parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Questa sera - con Francia-Spagna - cominciano le semifinali dei Mondiali. Giuseppe Broggini, Enrico Zambruno e Simone Indovino hanno fatto un viaggio nel passato della grandi sfide delle quattro semifinaliste, compresa - ovviamente - Argentina-Inghilterra.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Adele Stigliano, Enrico Zambruno e Paolo Rossi parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

L'analisi delle 4 semifinaliste del Mondiale 2026: precedenti, percorso, punti di forza, punti di debolezza e questioni aperte. A cura di Andrea Di Giacomo e Roberto Ugliono.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.  Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Adele Stigliano e Luca Tumminello parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.  Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Una super doppietta di Jude Bellingham schianta la Norvegia 2-1 in rimonta dopo i supplementari e lancia l'Inghilterra in semifinale ai Mondiali. Ne parlano Angelo Taglieri ed Enrico Zambruno.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Andrea Di Giacomo, Enrico Zambruno, Giuseppe Broggini parlano a ruota libera a Caffè Mondiale.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale. Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Ancora Merino dalla panchina per far volare la Spagna, che ha la meglio allo scadere di un ostico Belgio. Una gara che sembrava destinata ai supplementari risolta dalla zampata del giocatore dell'Arsenal, per la gioia di de la Fuente e il dispiacere di Rudi Garcia. Ne parlano a Potrero Simone Indovino e Luca Tumminello. Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

La Francia batte il Marocco con due splendidi gol di Kylian Mbappé e Ousmane Dembélé, e si qualifica per la terza volta consecutiva per la semifinale della Coppa del Mondo. Ora attende la sfida con Spagna o Belgio.

Domani torna la Coppa del Mondo FIFA con un avvincente quarto di finale tra Francia e Marocco, la rivincita della semifinale di Qatar 2022. Riuscirà il Marocco ad avere la meglio o la Francia avrà il via libera per le semifinali?Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

What everybody else would call football, Italy calls it calcio, for which she won four world cups already. Credits :  "Giulio Cesare" by A. Venditti (1986)  --  "Cool Intro - Stings" by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license https://creativecommons.org/licenses/by/4.0/ - Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100504 - Artist: http://incompetech.com/Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/pillole-di-italiano--4214375/support.

I quarti di finale della Coppa del mondo di calcio sono stati decisi: l'Argentina realizza una straordinaria rimonta contro l'Egitto, mentre la Svizzera supera la Colombia ai rigori.

Francesca Basso parla delle conclusioni del summit dell'Alleanza atlantica ad Ankara, dove le cose sono andate meglio del previsto. Greta Privitera racconta dei nuovi combattimenti fra i due Paesi, ennesima rottura del cessate il fuoco, sempre a causa del controllo sullo stretto di Hormuz. Paolo Condò fa il punto sulla Coppa del mondo di calcio, nella quale sono rimaste in corsa 6 squadre europee, una africana e una sudamericanaLa dichiarazione finale del vertice Nato di Ankara: ecco il testo integralePerché Trump attacca ancora l'Iran e dove vuole (o può) arrivareHaaland ai quarti con la Norvegia: «Ogni tanto devo darmi un pizzicotto per rendermi conto che è vero»

La Norvegia ha sorpreso il Brasile, cinque volte campione del mondo, conquistando un posto nei quarti di finale della Coppa del Mondo. Anche il Messico, una delle squadre ospitanti del torneo, è stato eliminato dopo la sconfitta per 3-2 contro l'Inghilterra davanti al caldo pubblico di casa.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

L'Australia si prepara ad affrontare l'Egitto nel primo turno a eliminazione diretta della Coppa del Mondo. Da Dallas, Gianfranco Circati, padre del difensore dei Socceroos Alessandro Circati, racconta l'attesa per una sfida difficile, in cui l'organizzazione difensiva australiana sarà messa alla prova dall'attacco egiziano.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

La diciannovesima giornata della Coppa del Mondo FIFA è stata caratterizzata da tre partite a eliminazione diretta molto combattute, con le corazzate Germania e Olanda eliminate dopo emozionanti calci di rigore. L'altra favorita della vigilia, il Brasile, ha ottenuto la vittoria pochi istanti prima del fischio finale.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

Inoltre: South Australia, secondo le autorità non vi sono prove che l'influenza aviaria si sia diffusa; Italia, il leader di Azione Carlo Calenda bersaglio di pesanti minacce sul canale Telegram di Russia Today. Sport, Coppa del mondo, iniziano gli ottavi con il Canada che batte il Sudafrica 1-0.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

Flipboard EDU PodcastEpisode Title: Release Date: 2026-06-26Hosts: Coach Jeffery , Dr. Micah ShippeeEpisode OverviewIn this episode, Coach Jeffery welcomes Dr. Micah Shippee from Samsung to discuss the ever-evolving landscape of educational technology in 2026. The conversation dives into best instructional practices, the integration of AI in classrooms, the importance of teacher voice in edtech development, and how technology can serve as an amplifier—not a replacement—for effective teaching.Key topics include practical strategies for blended learning, using interactive displays for collaboration, balancing screen time, upcoming opportunities at ISTE, and how Samsung is supporting educators through programs like "Solve for Tomorrow." Dr. Micah Shippee also shares personal insights on finding professional communities and staying inspired in the face of rapid change in education.Key Discussion PointsDr. Micah Shippee's Background22 years teaching middle school, advocate for innovative instructional practice 01:40Transition from classroom to edtech consulting and joining SamsungPutting Teacher Voice at the CenterSamsung's focus on "voice of customer"—listening to teachers to guide product design 02:25Importance of amplifying, not disrupting, effective classroom practiceAI in Education—A Thoughtful ApproachAI tools in Samsung's interactive displays are teacher-focused to protect student privacy 03:21Responsible integration of AI, ensuring compliance with FERPA and COPPA 03:32Reflective Innovation & Blended LearningAI as an amplifier of proven teaching strategies like storytelling 04:29Tools to support live captioning and note generation 05:01Importance of balancing technology use and maintaining collaborative, active learning spaces 06:02Interactive Displays: The Modern “Campfire”Using interactive screens to foster collaboration and brainstorming 07:02Moving beyond chart paper with split-screen features for group activities 08:23Applying the SAMR Model to push classroom tech past substitution toward modification and redefinition 09:45The ISTE Experience & Samsung InitiativesThe power of educational communities at ISTE 10:29Introduction to Samsung's "Solve for Tomorrow" philanthropic STEM competition for grades 6–12 11:27Wide range of topics from climate change to mental health, open to all public school teachers 12:08Exciting New Tech for EducatorsSneak peek of products at ISTE: Epaper, advanced interactive displays, spatial (3D) displays, and XR headsets 15:02Designed for easy integration and supporting both teachers and studentsCommunity, Growth, & Staying InspiredThe importance of connecting with like-minded educators for continual growth 18:38Encouragement for teachers to share what works, informing future edtech tools 17:34Resources & LinksSamsung Solve for TomorrowSAMR Model informationISTE ConferenceWhere to Find Samsung at ISTEBooth #1129—Look for the large Samsung sign and experience the latest in edtech innovation! 20:20Connect with the HostsFollow Coach Jeffery and Dr. Micah Shippee on social platforms for more edtech insights.Don't miss this forward-thinking conversation about empowering educators and inspiring the next generation of learners with technology! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit flipboardedu.substack.com

My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

Nella quindicesima giornata della Coppa del Mondo FIFA 2026, l'Australia ha conquistato un punto fondamentale contro una nazionale paraguaiana ben organizzata. L'Ecuador ha sorpreso la Germania, testa di serie, battendola e qualificandosi alla fase a eliminazione diretta come terza classificata, mentre anche Costa d'Avorio, Paesi Bassi, Giappone e Svezia hanno staccato il pass per i sedicesimi di finale.

Cosa vedere sui canali televisivi SBS? Ecco i nostri consigli per la settimana dal 26 giugno al 3 luglio. In Australia, potete anche guardare il vostro programma preferito o recuperarlo su SBS On Demand.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

Da oggi c'è un nuovo miglior marcatore di tutti i tempi alla Coppa del Mondo, nella giornata in cui si è registrata la prima interruzione di una partita in questo torneo causa maltempo.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

La Spagna è tornata alla vittoria ed è ora in testa al Gruppo H, mentre Capo Verde ha fatto la storia segnando il suo primo gol in assoluto in una Coppa del Mondo FIFA, in un memorabile pareggio contro l'Uruguay. Pareggio anche tra Belgio e Iran nel Gruppo G, mentre l'Egitto ha rimontato la Nuova Zelanda, imponendosi grazie a un'ottima prestazione nel secondo tempo della gara.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

Iniziamo la nostra discussione sull'attualità con una conversazione sul futuro della libera navigazione nello Stretto di Hormuz. Parleremo della disponibilità dei Paesi europei a inviare le proprie forze navali per garantire la sicurezza dello Stretto. La nostra seconda conversazione sarà dedicata agli sforzi dell'Ucraina per interrompere le linee di rifornimento russe verso la Crimea. Negli ultimi mesi, l'Ucraina ha intensificato la sua campagna per ostacolare il controllo russo, utilizzando missili e droni. La sezione scientifica sarà dedicata a uno studio che ha scoperto come l'ambiente socioeconomico in cui cresce un bambino, più di qualsiasi altro fattore, influenzi il suo sviluppo cerebrale. Infine, parleremo delle sorprese di questa Coppa del Mondo.    La seconda parte di questa puntata è dedicata alla lingua e alla cultura italiana. L'argomento grammaticale di oggi è The Passive Voice with venire and andare, che ritroveremo nel dialogo dedicato alla nazionale italiana maschile, grande assente del Mondiale di calcio 2026. Nel finale, poi, daremo spazio all'espressione idiomatica del giorno, Avere il fegato. La utilizzeremo all'interno di un dibattito dedicato alle nozze siciliane della celebre cantante britannica Dua Lipa e dell'attore Callum Turner, celebrate tra Palermo e Bagheria. Un evento romantico e internazionale, capace di attirare l'attenzione della stampa e sollevare alcune polemiche sul modo in cui la Sicilia viene raccontata fuori dai suoi confini. - I Paesi Europei sono pronti a inviare le proprie forze navali per garantire la sicurezza dello Stretto di Hormuz - L'Ucraina sta gradualmente interrompendo le linee di rifornimento russe verso la Crimea - La povertà influisce sullo sviluppo cerebrale dei bambini più di qualsiasi altro fattore - I Mondiali del 2026 si aprono con alcuni risultati sorprendenti - Un Mondiale senza Italia - Dua Lipa in Sicilia: quando una festa diventa polemica

Il Messico è la prima squadra a qualificarsi per la fase a eliminazione diretta della Coppa del Mondo FIFA 2026™ dopo aver sconfitto la Repubblica di Corea nell'ottava giornata, mentre il Canada ha scritto una pagina di storia con una vittoria record per 6-0 sul Qatar. La Svizzera ha consolidato la propria posizione grazie alla vittoria per 4-1 sulla Bosnia-Erzegovina.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui. 

Inoltre: G7, Francia e Gran Bretagna pronte a guidare una missione nello Stretto di Hormuz, con il sostegno di Olanda e Italia; Australia, oggi la decisione della Reserve Bank sul tasso d'interesse. Sport, Coppa del Mondo, Spagna bloccata sul pari da Capoverde.Seguici su Facebook e Instagram o abbonati ai nostri podcast cliccando qui.

Stanno per iniziare i Mondiali di calcio 2026 e ti dimostrerò che anche quest'anno l'Italia parteciperà!

Dr. Sarah Thomas says AI is a creativity amplifier — a tool that gives teachers back their time so they can do the work only humans can do. In this episode of the 10 Minute Teacher Podcast, Dr. Sarah Thomas — founder of EduMatch and a Regional Technology Coordinator — reframes artificial intelligence as a creativity amplifier rather than a replacement for human thinking. We talk about what she actually automates, how to use AI ethically with students, and why staying pro-human matters more than ever. In this episode, you'll learn: Why AI works best as a creativity amplifier that frees up your time The "big rocks" to protect first: COPPA, FERPA, and student data (PII) How to move teachers from fear to confidence with AI The 80/20 rule for verifying AI output — and the "find the lie in AI" classroom game Why a robot will never replace the relationship at the heart of teaching Full show notes and links: https://www.coolcatteacher.com/e937 If this episode helped you, leave a review wherever you're listening and share it with a teacher friend. Sponsored. This episode is sponsored by EF Educational Tours and their Career Readiness Tours. Lead your students on an international EF Career Readiness tour and show them what a career in fields like agriculture, hospitality, or automotive engineering could look like. Imagine your students connecting with entrepreneurs at the London School of Economics, getting a behind-the-scenes look at Toyota's manufacturing in Japan, or touring a French culinary school to see future chefs in action. If you've been trying to break through to your students and show them how to turn their career dreams into reality, browse EF's collection of Career Readiness tours at eftours.com/ready.