Podcasts about Benigni

Krise im Nahen Osten: Wie sehen jetzt die Szenarien eines Energie-Experten aus? Ich frage nach bei Johannes Benigni, Geschäftsführer bei JBC Vienna. Und er sagt: "Die Katastrophe ist schon da". Wann würde sich der Ölpreis verdoppeln? Benigni sieht ein klares Szenario und fürchtet eine Blockade der Straße von Hormus. Ist ein Ende des Konflikts zwischen Israel und dem Iran in Sicht? Für den Experten nicht, denn er sieht keinen schnellen Ausweg aus der Krise und das größte Problem wäre, wenn sich andere Großmächte wie China einschalten...

In questa puntata, Betty Senatore propone una commedia cult scritta (con Giuseppe Bertolucci), diretta e interpretata da Roberto Benigni e Massimo Troisi. Saverio e Mario, un professore e un bidello, vengono catapultati nel passato: qui conosceranno Leonardo Da Vinci, frati, soldati, mercanti e contadini... ma, soprattutto, cercheranno di impedire a Cristoforo Colombo di scoprire l'America.See omnystudio.com/listener for privacy information.

Head of the Catholic Church from 1878 until his death in 1903, Leo the Thirteenth had the fourth-longest reign of any pontiff, behind those of Peter the Apostle, Pius IX (his immediate predecessor), and John Paul II. He is also the namesake of the current Pope. The Catholic Talk Show at https://amzn.to/3QvHoZ3 Catholic Answers Live podcast available at https://amzn.to/47IB5Yk Pope Leo XIII books at https://amzn.to/43xx2hP Pope Leo XIV books at https://amzn.to/431nxr7 Pope Leo the Great books at https://amzn.to/4keBo35 History of the Papacy books at https://amzn.to/4mdPXWq ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's TIMELINE Video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credit: Breaking in the Habit videocast with Fr. Casey (Episode: New Pope Woke); The Catholic Talk Show podcast featuring Ryan DellaCrosse & Ryan Scheel - Episode 12may2025: 10 Things To Know About Pope Leo XVI; Catholics Answers Live Encyclopedia - Pope Leo XIII (1810-1903) by U. Benigni. Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/8144I VERI PATRONI D'EUROPA, ALTRO CHE URSULA VON DER LEYEN di Cristina Siccardi I patroni d'Europa non sono Ursula von der Leyen, Roberta Metsola, António Costa, Kaja Kallas e neppure Macron e Steinmeier, bensì i santi Benedetto da Norcia, Cirillo e Metodio, Brigida di Svezia, Caterina da Siena e Teresa Benedetta della Croce, sui quali il Senato della Repubblica italiana scriveva nel 2017 in una pubblicazione dal titolo Patroni d'Europa. Percorsi di unità, di pace, di cultura: «In modi speciali essi sono stati tutti profondamente europei [...]. Se pace, cultura, dialogo, difesa dei diritti umani sono oggi imperativi morali per tutti i cittadini d'Europa, e non solo per chi si professa credente, dobbiamo riconoscere il merito a straordinari precursori. La loro voce, a distanza di secoli, ancora ha molto da dirci e da insegnarci». Leggendo queste considerazioni, occorre fare alcuni doverosi distinguo. L'allora presidente del Senato, Pietro Grasso, aveva riconosciuto il patronato dell'Europa dei santi menzionati; tuttavia, ha compiuto un'operazione conforme a tutti coloro che da molti anni cercano di assorbire le figure dei santi nell'agone del liberalismo laicista politico e religioso, strumentalizzando i loro insegnamenti.I santi patroni d'Europa hanno operato nella pace di Cristo e non del mondo; hanno tessuto le loro relazioni non in un vacuo dialogo, ma sulle linee costruttive del Vangelo; non hanno pensato e agito in modalità antropocentrica, ma evangelica e con spirito soprannaturale alla luce della Grazia di Dio; hanno dato priorità alla Gloria di Dio e non del mondo, concentrandosi sulla salvezza delle anime, considerando lesive le proposte e tentazioni mondane. Essi non sono stati «straordinari precursori» dell'ideologia europeista anticristiana, bensì Maestri nell'instaurare il Regno di Dio attraverso Cristo Re.San Benedetto da Norcia (480-547) è stato dichiarato «Santo patrono di tutta l'Europa» da papa Paolo VI il 24 ottobre 1964 con la lettera apostolica Pacis Nuntius. Cirillo e Metodio sono stati proclamati compatroni da papa Giovanni Paolo II il 31 dicembre 1980 con la lettera apostolica Egregiae virtutis; lo stesso Papa ha inoltre proclamato compatrone d'Europa santa Brigida di Svezia, santa Caterina da Siena e santa Teresa Benedetta della Croce il 1º ottobre 1999.SAN BENEDETTO, SANTI CIRILLO E METODIOLa statura umana e cristiana di san Benedetto resta nella Storia un luminoso punto di riferimento in un'epoca di profondi mutamenti (come la nostra), quando l'antico ordinamento romano stava ormai crollando e stava per nascere una nuova era sotto l'impulso di nuovi popoli emergenti all'orizzonte dell'Europa. Attraverso la fondazione delle abbazie e dei monasteri nel continente, san Benedetto risanò le anime, bonificò i villaggi, promuovendo la coltivazione razionale delle terre, offrendo lavoro alle famiglie che vivevano e lavoravano intorno ai centri benedettini; salvò l'antico patrimonio culturale e letterario greco-romano, influì sulla trasformazione dei costumi dei barbari. La Regola benedettina portò ordine e civilizzazione grazie a due parole profondamente applicate «Ora et labora», che instillarono il senso del dovere, stando attenti alla propria coscienza e allo sguardo di Dio (ciò implicava, conseguentemente, il rispetto per i legittimi diritti altrui) e che promossero responsabilizzazione, coraggio, determinazione, tutto ciò, disse Giovanni Paolo II durante la sua visita pastorale a Norcia il 23 marzo 1980, «sulla base e in forza di una vita spirituale di fede e di preghiera assolutamente intensa ed esemplare».La missione dei fratelli Cirillo (826/827-869) e Metodio (815/825-885), evangelizzatori bizantini dei popoli slavi in Moravia e Pannonia (antica regione compresa tra i fiumi Danubio e Sava, che comprendeva la parte occidentale dell'attuale Ungheria, il Burgenland oggi Land austriaco, fino a Vienna, la parte nord della Croazia e parte della Slovenia), produsse nel IX secolo l'invenzione dell'alfabeto glagolitico, noto come «cirillico», dal nome del suo inventore e nato dal geniale sforzo di conciliare le lingue latina, greca e slava. Come san Benedetto aveva posto le basi dell'Europa latina, i due fratelli di Tessalonica innestarono nel continente la tradizione greca e bizantina, come riconobbe papa Pio XI con la Lettera Apostolica Quod Sanctum Cyrillum del 1927, definendoli «figli dell'Oriente, di patria bizantini, d'origine greci, per missione romani, per i frutti apostolici slavi».Le nazioni europee, con le loro lingue, le loro culture, i loro usi e costumi furono unite sotto il Sacro Romano Impero, che si instaurò sotto l'egida e il faro del Cristianesimo, un credo non rivoluzionario, non distruttivo, ma forte nei suoi principi e nei suoi valori del Dio Uno e Trino, di patria, di famiglia e proprietà privata. È di tutta evidenza che il collante di tante diversità fu la Fede religiosa, che rispettava ogni identità, a differenza della surrettizia Unione Europea che vuole imporre, senza rispetto di quelle identità, il livellante pensiero unico alle genti europee.Aver eliminato il Cristianesimo dalla linfa europea, come ben vediamo, ha trasportato il continente nel baratro del pensiero neonietzschiano, che nega verità oggettive, imponendo una pluralità di prospettive opinabili, in cui le “verità soggettive” e i presunti diritti sono legati all'ideologia schizofrenica di chi domina con politiche sovranazionali, tiranniche e schiavizzanti, che vanno contro le Leggi di Dio, ma anche contronatura, riproponendo in definitiva il «non serviam» di matrice luciferina. Se l'Europa era stata ferita e incrinata dalla rivoluzione protestante, oggi la presunta Unione Europea, claudicante e persa in un labirinto di confusione, è il frutto del suo tradimento a se stessa.SANTA BRIGIDA DI SVEZIA ED EDITH STEINSanta Brigida di Svezia (1303-1373) fu sposa, madre, monaca, mistica, donna di grande carità e coordinatrice di ordine e di pace dentro e fuori la Chiesa. Si recò a Roma per celebrare l'Anno Santo del 1350 e qui trovò una situazione drammatica: il Papa si era trasferito ad Avignone e il popolo romano era come un gregge senza pastore. C'era la peste e in Europa infuriava il conflitto tra Francia e Inghilterra. Nelle stanze di Palazzo Farnese e nelle chiese romane ricevette rivelazioni divine, intanto parlava direttamente al Papa, ai cardinali, ai governanti europei, anche per intercedere per la pace in Europa al fine di porre termine alla guerra dei Cent'anni. Si prodigò per il ritorno del Pontefice a Roma, come fece anche vigorosamente la mistica domenicana e sua contemporanea santa Caterina da Siena (1347-1380), la quale, sopravvivendole, sarà testimone del ritorno definitivo a Roma di Gregorio XI nel 1377. Particolarmente devota della Passione di Cristo, giunse il tempo dei pellegrinaggi brigidini: da Assisi al Gargano, arrivando poi in Terra Santa, quando aveva quasi settant'anni.Cinque santi medioevali come patroni d'Europa ed una dell'età moderna, l'ebrea Edith Stein (1891-1942), atea convertita al Cattolicesimo, che divenne carmelitana scalza. Dalla brillante intelligenza, scelse il ramo universitario della filosofia e dopo essere stata allieva di Edmund Husserl, divenne membro della facoltà di Friburgo. Un giorno rimase folgorata quando vide una donna con i sacchetti della spesa entrare in una chiesa per pregare... un atto semplicissimo, ma che a Edith rivelò che Dio può essere pregato in qualsiasi momento e quindi apprese, grazie a quella donna, che il punto centrale del Credo cristiano è lo stabilire un rapporto personale fra l'anima e il Padre Creatore. Nel 1921, durante una vacanza, lesse l'autobiografia della mistica carmelitana Teresa d'Avila e da allora abbracciò Santa Romana Chiesa, ricevendo il battesimo il 1° gennaio 1922. Dopo un periodo di discernimento spirituale, entrò nel monastero carmelitano di Colonia nel 1934, prendendo il nome di Teresa Benedetta della Croce e qui scrisse il libro metafisico Endliches und ewiges Sein (Essere finito ed Essere eterno) con l'obiettivo di conciliare le filosofie di san Tommaso d'Aquino e di Husserl.Per proteggerla dalle leggi razziali, l'Ordine delle Carmelitane scalze la trasferì nei Paesi Bassi, ma non fu sufficiente: il 26 luglio 1942 entrò in vigore l'ordine di Hitler che anche gli ebrei convertiti dovevano essere catturati e internati. Fu così che Edith e sua sorella Rosa, anche lei divenuta cattolica, furono deportate nel campo di concentramento di Auschwitz, dove vennero uccise nelle camere a gas il 9 agosto 1942 e i loro corpi furono bruciati nei forni crematori.ROBERTO BENIGNI ESALTA IL MANIFESTO DI VENTOTENEAlcuni giorni fa Roberto Benigni ha teatralmente declamato e inneggiato con lo spettacolo intitolato «Il Sogno» il Manifesto di Ventotene per un'Europa libera e unita, manifesto che è stato protagonista di una ormai nota manifestazione progressista a Roma, ma anche di molteplici polemiche politiche e mediatiche. Nel decantare l'Europa culturale e l'indiscutibile suo primeggiare nel mondo, Benigni si è però completamente “scordato” di far presente che è stata la religione cristiana ad aver dato vita ad uno straordinario sviluppo dell'arte, della letteratura, della musica nel segno della bellezza; ma ha anche “scordato” di dire che è stato il Cristianesimo ad avviare lo studio scientifico degli esseri animati e inanimati, si pensi alle realtà monastiche che si sono occupate della catalogazione del mondo vegetale e animale, nonché dello studio medico delle erbe officinali; ma si pensi anc

WHATSAPP CCCC https://whatsapp.com/channel/0029Vb3GogHKGGGA0TR0493U IG CCCC https://www.instagram.com/comicicheconsiglianocomici?igsh=MXc4anFkbThiaXloZw==IL PAPOCCHIOhttps://www.raiplay.it/programmi/ilpapocchioMIKE BIRBIGLIA The New Onehttps://www.netflix.com/it/title/81062293BENIGNI critico cinematografico - L'altra Domenicahttps://www.youtube.com/watch?v=NrJ0vXWi0F8

Benigni, l’Europa e l’invettiva di Meloni - Il consiglio Europeo con Zelensky

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. Il debito globale e i fondi per la difesa, il”Sogno” di Benigni e il record di ascolti. Calcio, ieri la sfida tra Italia e Germania a San Siro, valida per i quarti di finale di Nations League. Il commento del nostro Massimo Caputi. il Il consiglio europeo con i temi caldi: riarmo, difesa e piano per l'Ucraina. Con Roberto Arditti. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. All'interno di Non Stop News, con Barbara Sala e e Ludo Marafini.

Ci sono episodi che sono importanti. Altri innovativi. Altri trascurabili. Altri divertenti.Questo e' uno di quei episodi per il quale sono orgoglioso di aver scelto questa linea editoriale, come si suole dire, del Caffe20.itOggi si parla di storia, di racconti umani, di sogni e di tecnologia. Di esilio, fascismo e persino di Star Trek in un modo che, se mi ascolterete, non potrete dimenticarlo piu'.Come ripeto e spiego piu' volte, invito Rai a mettere in vendita ad un euro il video della trasmissione per chi lo vuole comprare per uso personale, per formazione scolastica o aziendale.Questa lezione di storia narrata in stile Benigni, secondo metodi che Piero Angela aveva teorizzato lungamente negli anni, apre le menti come mai io sapro' fare. In pochi minuti vi riporto quello che Benigni mi ha trasmesso, aggiungendo del mio, ma andate a vedere subito su RaiPlay o con un media center, IL SOGNO.Non perdetelo. Cambia la vita.Fa capire come questa Europa sia nata con idee mature di sognatori senza potere che hanno riunito tutti nella diversità attorno ad un sogno comune, quello che ora la Commissione e il Consiglio potrebbero tradire, e ci sono vicinissimi a farlo.Credete nelle vostre idee. Discutetele in silenzio, per poter cambiare idea se vi sbagliate.Questo e' il doscro del metodo. il metodo per la pace.https://www.raiplay.it/video/2025/03/Il-Sogno-934482dc-d556-4191-a973-634d1756a1cc.htmlQuesta la dichiarazione Schuman Ministro degli esteri francese, che legge il testo preparato da Jean Monnet, mai citato !Il testo integrale della dichiarazione rilasciata il 9 maggio 1950, che diede origine al processo di integrazione europea:"La pace mondiale non potrà essere salvaguardata se non con sforzi creativi, proporzionali ai pericoli che la minacciano. Il contributo che un'Europa organizzata e vitale può apportare alla civiltà è indispensabile per il mantenimento di relazioni pacifiche. Uno degli Stati fondatori dell'idea di un'Europa unita ha sempre avuto per obiettivo essenziale di servire la pace. L'Europa non è stata fatta: abbiamo avuto la guerra. L'Europa non potrà farsi in una sola volta, né sarà costruita tutta insieme; essa sorgerà da realizzazioni concrete che creino anzitutto una solidarietà di fatto. L'unione delle nazioni esige l'eliminazione del contrasto secolare tra due nazioni centrali in Europa: l'azione intrapresa deve concernere in prima linea questi due paesi.A tal fine, il governo di uno degli Stati propone di concentrare immediatamente l'azione su un punto limitato ma decisivo. Propone di mettere l'insieme della produzione di risorse strategiche sotto una comune Alta Autorità, nel quadro di un'organizzazione alla quale possono aderire gli altri paesi europei. La fusione delle produzioni assicurerà subito la costituzione di basi comuni per lo sviluppo economico, prima tappa della Federazione europea, e cambierà il destino di queste regioni che per lungo tempo si sono dedicate alla fabbricazione di strumenti bellici di cui più costantemente sono state le vittime. La solidarietà di produzione in tal modo realizzata farà sì che una qualsiasi guerra tra questi due paesi diventi non solo impensabile, ma materialmente impossibile. La creazione di questa potente unità di produzione, aperta a tutti i paesi che vorranno aderirvi e intesa a fornire a tutti i paesi in essa riuniti gli elementi di base della produzione industriale a condizioni uguali, getterà le fondamenta reali della loro unificazione economica.Questa produzione sarà offerta al mondo intero senza distinzione né esclusione per contribuire al rialzo del livello di vita e al progresso delle opere di pace. Se potrà contare su un rafforzamento dei mezzi, l'Europa sarà in grado di proseguire nella realizzazione di uno dei suoi compiti essenziali: lo sviluppo del continente africano. Sarà così effettuata, rapidamente e con mezzi semplici, la fusione di interessi necessari all'instaurazione di una comunità economica e si introdurrà il fermento di una comunità più profonda tra paesi lungamente contrapposti da sanguinose scissioni.Questa proposta, mettendo in comune le produzioni di base e istituendo una nuova Alta Autorità, le cui decisioni saranno vincolanti per i paesi che vi aderiranno, costituirà il primo nucleo concreto di una Federazione europea indispensabile al mantenimento della pace. Per giungere alla realizzazione degli obiettivi così definiti, il governo è pronto ad iniziare dei negoziati sulle basi seguenti. Il compito affidato alla comune Alta Autorità sarà di assicurare entro i termini più brevi: l'ammodernamento della produzione e il miglioramento della sua qualità; la fornitura, a condizioni uguali, delle risorse sui mercati dei paesi aderenti; lo sviluppo dell'esportazione comune verso gli altri paesi; l'uguagliamento verso l'alto delle condizioni di vita della manodopera di queste industrie.Per conseguire tali obiettivi, partendo dalle condizioni molto dissimili in cui attualmente si trovano le produzioni dei paesi aderenti, occorrerà mettere in vigore, a titolo transitorio, alcune disposizioni che comportano l'applicazione di un piano di produzione e di investimento, l'istituzione di meccanismi di perequazione dei prezzi e la creazione di un fondo di riconversione che faciliti la razionalizzazione della produzione. La circolazione delle risorse tra i paesi aderenti sarà immediatamente esentata da qualsiasi dazio doganale e non potrà essere colpita da tariffe di trasporto differenziali. Ne risulteranno gradualmente le condizioni che assicureranno automaticamente la ripartizione più razionale della produzione al più alto livello di produttività.Contrariamente ad un cartello internazionale, che tende alla ripartizione e allo sfruttamento dei mercati nazionali mediante pratiche restrittive e il mantenimento di profitti elevati, l'organizzazione progettata assicurerà la fusione dei mercati e l'espansione della produzione. I principi e gli impegni essenziali sopra definiti saranno oggetto di un trattato firmato tra gli stati e sottoposto alla ratifica dei parlamenti. I negoziati indispensabili per precisare le misure d'applicazione si svolgeranno con l'assistenza di un arbitro designato di comune accordo: costui sarà incaricato di verificare che gli accordi siano conformi ai principi e, in caso di contrasto irriducibile, fisserà la soluzione che sarà adottata.L'Alta Autorità comune, incaricata del funzionamento dell'intero regime, sarà composta di personalità indipendenti designate su base paritaria dai governi; un presidente sarà scelto di comune accordo dai governi; le sue decisioni saranno esecutive nei paesi aderenti. Disposizioni appropriate assicureranno i necessari mezzi di ricorso contro le decisioni dell'Alta Autorità. Un rappresentante delle Nazioni Unite presso detta autorità sarà incaricato di preparare due volte l'anno una relazione pubblica per l'ONU, nelle quale renderà conto del funzionamento del nuovo organismo, in particolare per quanto riguarda la salvaguardia dei suoi fini pacifici.L'istituzione dell'Alta Autorità non pregiudica in nulla il regime di proprietà delle imprese. Nell'esercizio del suo compito, l'Alta Autorità comune terrà conto dei poteri conferiti all'autorità internazionale di una specifica regione e degli obblighi di qualsiasi natura imposti ad uno dei paesi, finché tali obblighi sussisteranno."La dichiarazione è stata rilasciata 75 anni fa, segnando l'inizio di un'importante fase storica per l'integrazione europea.

Massimo Giannini, editorialista e opinionista di Repubblica, racconta dal lunedì al venerdì il suo punto di vista sullo scenario politico e sulle notizie di attualità, italiane e internazionali. “Circo Massimo - Lo spettacolo della politica“ lo puoi ascoltare sull’app di One Podcast, sull’app di Repubblica, e su tutte le principali piattaforme.See omnystudio.com/listener for privacy information.

Oggi il commento di Mario Ajello riguarda la mossa audace di Giorgia Meloni, Francesco Bechis inviato a Bruxelles analizza invece la posizione dell'Italia sul piano di riarmo europeo, con l'inviato in Israele Lorenzo Vita parliamo delle difficoltà di Netanyahu, quindi le anticipazioni di Alessandra Camilletti dell'inserto gratuito molto futuro e per lo spettacolo il commento di Gloria Satta sullo show di Roberto Benigni

"Yes, I'm really in a taxi." For Episode 350, Brandon and David continue the show's series on Anthology Films with a film from the possible King of Anthology films, Jim Jarmusch. Listen as they discuss NIGHT ON EARTH and why Jarmusch wrote the film, how they filmed inside the taxis, and how they tried to capture each city shown in the movie.  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - Most Popular Films You Haven't Seen and Just Friends -  (00:00:10) Recap of the Anthology Genre (00:11:25) Intro to Night on Earth (00:16:31) How Night on Earth Got to Production (00:21:53 ) Favorite Scenes (00:32:38) On Set Life - (01:04:17) Aftermath: Release and Legacy (01:12:19) What Worked and What Didn't (01:14:26) Film Facts (01:17:05) Awards (01:19:13) Final Questions on the Movie (01:24:39) Wrapping Up the Episode (01:30:17) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

SANREMO (ITALPRESS) – Carlo Conti ha annunciato un ospite speciale della serata d'apertura del Festival di Sanremo: Roberto Benigni. "Per me è un sogno iniziare il Festival con lui. L'ho invitato nei miei tre precedenti Festival, ma non era mai stato con me. Stasera verrà a salutare il grande pubblico del Festival a modo suo, con la sua energia e la sua libreria. E mi ha detto che dovrà fare un annuncio".xg8/tvi/gtr

00:00-20:00: Buffalo Bills insider/Sports Talk Live/BLEAV Podcast Network host Adam Benigni chats 9-2 Bills blowing away expectations, Josh Allen's maturation, the AFC playoff picture, if the Bills can take out the Chiefs when it really matters, 49ers week and more. Plus, his work with Ride for Roswell.

In dieser Folge von Wirtschaft mit Weisbach sprechen wir über die aktuellen Herausforderungen der europäischen Luftfahrt und die Auswirkungen des Nahost-Konflikts auf den Ölpreis. Joachim Lang, Chef des Bundesverbands der Deutschen Luftverkehrswirtschaft, erklärt, wie hohe Betriebskosten und strenge europäische Regulierung den Airlines zu schaffen machen und warum viele Billigfluglinien den deutschen Markt verlassen. Parallel dazu beleuchtet der unabhängige Energieberater Johannes Benigni die geopolitischen Spannungen im Nahen Osten, insbesondere die Risiken einer möglichen Schließung der Straße von Hormus, und ihre potenziellen Auswirkungen auf den globalen Ölmarkt und die Preise.Vielen Dank fürs Zuhören! Annette Weisbach ist seit über 15 Jahren als Wirtschaftsjournalistin für internationale Medien wie CNBC, Bloomberg und DW-TV tätig. Als CNBC-Korrespondentin führe ich regelmäßig Interviews mit Top-Entscheidungsträgern und moderiere Podiumsdiskussionen.Haben Sie Fragen oder Anregungen?Kontaktinformationen unter:LinkedInWebpageBleiben Sie dran für weitere spannende Inhalte!

Life is Beautiful is #26 on IMDB's Top 250 Movies as of August 2024 (the number may differ based on when you listen). In this episode, we delve into Roberto Benigni's story of resilience, love, and the power of imagination set against the horrors of the Holocaust. We discuss if Benigni balances the film's lighthearted first act with the deeply emotional and devastating second half, and if its use of magical realism to soften the harshness of historical tragedy paid off. All this and so much more! Follow us @poppourreview, click around https://www.poppourreview.com, and become a member of our Patreon at patreon.com/poppourreview!!!  We do not own the rights to any audio clips used in the podcast.

To become a guest on the SmartSocial.com Podcast:  https://smartsocial.com/contactTo learn more about the SmartSocial.com Teen Life Coach program, visit our website and book a consultation:  https://smartsocial.com/coaching#registerJoin our next live event:  https://smartsocial.com/#live-events Join our free newsletter for parents and educators: https://smartsocial.com/newsletter/Register for a free online Parent Night to learn the hidden safety features on popular apps: https://smartsocial.com/social-media-webinar/Become a Smart Social VIP (Very Informed Parents) Member and unlock 30+ workshops (learn online safety and how to Shine Online™): https://learn.smartsocial.com/Download the free Smart Social app: https://smartsocial.com/appLearn the top 150 popular teen apps: https://smartsocial.com/app-guide-parents-teachers/View the top parental control software: https://smartsocial.com/parental-control-software/Learn the latest Teen Slang, Emojis & Hashtags: https://smartsocial.com/teen-slang-emojis-hashtags-list/Get ideas for offline activities for your students: https://smartsocial.com/offline-activities-reduce-screentime/Get Educational Online Activity ideas for your students: https://smartsocial.com/online-activitiesUltimate Guide To Child Sex Trafficking

#Gaza #Iran #America #Isarele missili dal #Libano ; #Ucraina #Russia #attacco #morto un membro della #Reuters @LorenzoVita ; #Schlein #Conte #Pd #Cinquestelle si spezza il #campolargo @AndreaBulleri ; #StefaniaSandrelli manda un messaggio a #RobertoBeningni #Estate @GloriaSatta

Inflazione, +44% il prezzo della carta igienica.

Renzi dà consigli sul referendum alla meloni (LOL), Benigni pomicia con il Papa ed intanto ad una ragazza vengono offerti 100 euro per non abortire…voi che ne pensate?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/vklabe-s-morning-glory-vincenzo-bordoni--4398526/support.

ROMA (ITALPRESS) - L'Atlante Pinocchio, edito dall'Istituto della Enciclopedia Italiana Treccani, "cerca di ripercorrere, attraverso 140 contributi di grandissimi ricercatori e al coordinamento di Giovanni Capecchi, non solo la tradizione storica di quest'opera letteraria, il suo valore morale, pedagogico, etico nel 1883, a pochi anni dall'Unità d'Italia, ma anche la sua attualità, la capacità di andare dappertutto nel mondo, di essere apprezzato, di essere tradotto in oltre 200 lingue, di essere rappresentato nell'arte, nel cinema, da Comencini a Garrone, passando per Benigni e per il grandissimo lavoro che fa Disney, ma anche l'arte con Cattelan. Tutto questo è davvero una pietra miliare nella storia culturale italiana". Lo ha detto il direttore generale della Treccani, Massimo Bray, a margine della presentazione dell'opera a Roma. Unire l'Italia "credo che sia uno dei grandi obiettivi che si dà Collodi, mi piace ricordarlo e associarlo a un'altra opera che viene pubblicata tre anni dopo, il 'Cuore' di De Amicis: sono le due opere su cui si inizia a fondare la ricerca di un'identità italiana". xi2/tvi/gtr

Massimo Giannini, editorialista e opinionista di Repubblica, racconta dal lunedì al venerdì il suo punto di vista sullo scenario politico e sulle notizie di attualità, italiane e internazionali. “Circo Massimo - Lo spettacolo della politica“ lo puoi ascoltare sull’app di One Podcast, sull’app di Repubblica, e su tutte le principali piattaforme.See omnystudio.com/listener for privacy information.

L'elegante perfidia di Benigni                                         La breve clip è tratta dal Tg1 di ieri sera e tutti i diritti appartengono alla Rai. Nell'immagine, Roberto Benigni alias Cioni Mario in "Berlinguer ti voglio bene" all rights reserved

Welcome to The Cronenberg Hour. The big 3 Italian actors: Pacino, De Niro, Benigni. In bunny years, she’s definitely legal.

TROISILa smorfia https://youtube.com/playlist?list=PL7_4IhxII8pe71IJPZEm3ecmabJMaFeEh&si=eY2A7xOCjhRykuGxBENIGNIIL MOSTRO https://www.youtube.com/watch?v=VcxY11eRTm0Festival Unità Capalle https://www.youtube.com/watch?v=V2piynpbaNAMario Cioni Pistoia https://www.youtube.com/watch?v=GO5gDR2GKckMARCO MILANIL'uomo che fissava le ghiande https://open.spotify.com/show/2HP5mkIhxHBk1Gm1ihklsC?si=1f32614c11024345FICARRA PICONEMa chi ce lo doveva dire https://www.youtube.com/watch?v=g_C1pEeroYUALDO E GIOVANNI"Aldo Romagnolo" https://www.youtube.com/watch?v=j3OhYYT82F8

In questa lezione imparerete delle espressioni provenienti direttamente da film italiani che potete usare nelle conversazioni della vostra vita di tutti i giorni (e che stupiranno gli italiani!). Pronti? CITAZIONI di film che usiamo QUOTIDIANAMENTE Ricordati che devi morire (“Non ci resta che piangere”, 1984) La citazione "Ricordati che devi morire" viene dal film italiano "Non ci resta che piangere" del 1984, diretto da Massimo Troisi e Roberto Benigni. I protagonisti viaggiano indietro nel tempo e si ritrovano nel 1492 in un borgo toscano. La frase viene pronunciata da un frate diverse volte consecutivamente. Riflette il tema della morte presente nel film in un modo leggero e umoristico, tipico dello stile comico dei registi Troisi e Benigni. La citazione è la traduzione della famosa frase latina “Memento mori” (promemoria della morte e della brevità della vita), che invita le persone a vivere una vita piena, con questa consapevolezza. Dopo l'uscita del film, la citazione in italiano è diventata molto popolare ed è stata utilizzata anche da diversi comici italiani nel corso degli anni, sempre con un'accezione umoristica. Di conseguenza, anche gli italiani la usano frequentemente, sia per invitare l'interlocutore a godersi il momento e la vita, tenendo presente che dura poco, sia in senso ironico.  E io pago! (“47 morto che parla”, 1950) La citazione appartiene a Totò (nel personaggio di un barone avaro) ed è una delle sue battute più famose. Nel film Totò, ogni volta che qualcuno sta sprecando delle risorse da lui offerte, ci tiene a specificare che lui è sempre quello che ci rimette e che tira fuori i soldi. Questa espressione viene ancora usata quotidianamente, soprattutto da chi deve pagare per gli altri. Per esempio, la dicono i genitori ai propri figli, la dice il collega o l'amico che finisce per offrire sempre a tutti e così via. Buongiorno, principessa! ("La vita è bella”, 1997) La citazione "Buongiorno principessa!" è tratta dal film italiano "La vita è bella", diretto da Roberto Benigni e uscito nel 1997. Nel film, il personaggio interpretato da Roberto Benigni, Guido, usa questa frase come saluto per esprimere il suo amore nei confronti di Dora e il desiderio di farle vedere la bellezza e la gioia anche in mezzo all'oscurità e alla tragedia dell'Olocausto. "La vita è bella" è ambientato durante l'Olocausto e Guido cerca di proteggere suo figlio e sua moglie dalla realtà brutale del campo di concentramento in cui si trovano, trasformando la loro situazione in un gioco di immaginazione, per regalargli momenti di felicità in un contesto così drammatico. Oggigiorno, usiamo questa citazione sia con la stessa sfumatura affettuosa originale, sia in senso più ironico, ad esempio se qualcuno si sveglia tardi o con una faccia completamente sconvolta. Non posso né scendere né salire ("Tre uomini e una gamba”, 1997) Questa citazione viene dal film "Tre uomini e una gamba”, una famosa commedia italiana del 1997 diretta da Aldo, Giovanni e Giacomo, che sono anche i protagonisti del film. Tre amici si trovano coinvolti in una serie di ostacoli e situazioni comiche mentre cercano di consegnare una gamba di legno (costosa scultura di un famoso artista). Aldo pronuncia questa frase perché, sceso dalla macchina per cercare Giacomo, si avventura tra le rocce in infradito e si ritrova bloccato.  Oggigiorno questa espressione viene utilizzata per indicare una situazione problematica in cui qualsiasi soluzione potrebbe portare a un risultato negativo. Il mio falegname con 30 mila lire lo faceva meglio ("Tre uomini e una gamba”, 1997) Usata per criticare la qualità di un lavoro o di un prodotto che però è costato molto. Suggerisce che sarebbe stato possibile ottenere un risultato migliore a un prezzo inferiore, magari dal proprio “uomo di fiducia”. Anche questa viene dal film “Tre uomini e una gamba”.

#SandraMilo #addio #funerali; #Africa #GiorgiaMeloni 5,5 #miliardi @FrancescoBechis ; #Scuola #Maturità come cambia l' #esame @LorenzaLoiacono ; #Carabiniere #Mattarella risposta #marcia #palestinese @ValeriaDiCorrado ; #Cinema #Film #Beningni @GloriaSatta ;

Gamers know the longtime PlayStation racing series Gran Turismo. The story of Jann Mardenborough, who turned a passion for the game into a career racing real cars was brought to theaters this summer in the film "Gran Turismo." But how closely do these films stick to reality? There's a reason why many include a disclaimer at the start that some characters and stories have been changed or dramatized. We talk about the recently completed HBO series "Winning Time: The Rise of the Lakers Dynasty," which has been criticized by some portrayed on the show. The there is the 1989 film "Great Balls of Fire!" starring Dennis Quaid as Jerry Lee Lewis. A lot of people were critical of the film, but co-host Bruce Miller interviewed Lewis and says the singer loved Quaid's performance.. What about movies like "Elvis" and the upcoming film "Priscilla," which both had the involvement of Priscilla Presley? Or the music biopic that largely led to the modern music biopics, Oliver Stone's "The Doors," which was criticized by the surviving members of the band? Even documentaries have been known to stray a little, such as the Oscar-winning "Searching for the Sugar Man" based on the life of Sixto Rodriguez. The film failed to mention the singer had modest success in Australia, so he wasn't a complete unknown.  We take a deep dive into true stories that have been turned into movies and even have an interview with Mardenborough, who was involved with the film. He also talks about his involvement with actor Archie Madekwe, who played Mardenborough. Where to watch "Gran Turismo" in theaters "Winning Time: The Rise of the Lakers Dynasty" on Max Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. But first, an important disclaimer: The views and opinions expressed in this podcast are a fusion of professional critiques and passionate fandom. While Bruce's experience and my dedication to the couch may suggest an odd pairing, it's what makes this podcast a delightful mix of the expected and the unexpected. Listener discretion is advised and an important addendum to that. Bruce. No animals were harmed during the recording of this episode. Where did you get that? ChatGPT. Is this the future in the film? It wrote a lot more than that. First of all, we're out of jobs. That's what happens if everything's good, right? Man, I was thinking, you know, we were talking about this episode a week ago, and I said, you know, might be fun to have a disclaimer. And I'm sitting there like, What kind of disclaimer would we have for us? A We can say whatever. Exactly. Exactly. Yeah. And not be. Can I tell you, I always I hate this when somebody gets a bad review. And what do critics know? You know, why or who are critics? Well, a critic is somebody who probably watches a lot of what you do and has an idea about what is good and what isn't good. And so listen to them. But I've always said to them, anybody who pays money for something is a critic and is entitled to an opinion. So have at it. Absolutely. And you know what? I think it's like anything else where maybe, you know, you're a critic, you're doing it professionally, but you're still you're still a human being that needs to entertain yourself and something's good or something is bad. I mean, it is what it is. And I think you do need to be a fan to be a critic. Otherwise, if you hated the medium that you were were criticizing, you wouldn't do it, right. So there is that moment. But I you know, there are those who are like, greasy. They're a little over the top with the oh, my God, it's the greatest thing ever. I how many times have you read quotes from some movie ad that says this is the best thing since Gone with the Wind or, you know, and you got really I don't think it was or truth should be this great, You know? I mean, it's like, what are you saying? Right. But those are the things that you find. And they're quotable. Yeah. That they try to a lot of those when you look at reviews that are polled or quoted, those are written to get quoted because the critic who is saying, I can't believe movies have gotten this good wants to get his name in the ad. So then it helps boost his position as a critic and helps get the name out about the publication. So this podcast. Incredible. Four stars. I think the one nice thing though about the modern criticism in in any form, whether it's music or TV or movies or whatever you're following, the Internet has opened up all new avenues, right? Because in in the old days, you know, you might pick up your your Shoe City Journal and you would just have Bruce Miller, the one telling you or if you're in Chicago, you might have Siskel and Ebert or wherever you might be, you just have that local voice. But now you can go to Rotten Tomatoes where it's picking up the aggregate and and, you know, sure, the folks in the industry might not want to hear what a critic has to say, But when you go to like a Rotten tomatoes and you've got 300 critics saying your movie's terrible, yeah, it's probably it's probably stinky. It probably is not good. Well, that's really encouraging, isn't it? Is that. But it goes the other way, too, where if you actually want your critics to love it and it's, you know, certified Fresh by Rotten Tomatoes. Yeah, right. That's great. And then you get the weird ones where, you know, the critics will love it and then the fans dog on it or vice versa. And then you just bang your head on the wall and don't know what to do. The ultimately you are your best critic. Absolutely. Absolutely. Did we offend anybody in the process of that? And did we and or whatever our disclaimer said, I don't know. All I know is no animals have been harmed in the filming of this episode. So we're good. We're good. You know, we're we're going to talk about something that I think is just very fascinating. Do you know how many years in the Academy Awards have not had an actor nominee who is based on an actual person? Well, I'm eight years out of I think it's 90 some 95 years have not. How many? I'm just going it's like three. Eight, eight. Wow. Years. And look at last year we had Elvis. We had Marilyn Monroe. The famous ones could be considered beasts or, you know, sort of. Yeah. So there are those So that's it's a sure way to an Oscar is to play somebody who actually exists. Yeah. And there were the most the most at 12 in 2018. Isn't that unbelievable. It's crazy. We're just grabbing anything. We can throw it up on the screens. It's based in fact, you know, So that's a surprise to me. But it's it is sure content. You will know that there is some story to base it on. We saw now recently with the blindside, where Michael Oher is just kind of like now, this is not this isn't what I remember. So he's trying to speak against this as the ultimate. And it's never, never, ever, ever in the history of filmmaking is a film, an absolutely accurate depiction of what happened. Right. Because it's not a document, right? It's not a documentary. Even that with documentaries, Right. You can't trust them. No. I remember I This tells you how far back we go. Okay. I did a master's thesis on the validity of critics. It's like, do critics make a difference? Is basically the thesis that I did. And we looked back and there was like, this sliver of time when actually critics would have any kind of impact on the audience. And what it was was in those days they were showing what like people were like Eskimos were like. And people had never seen Eskimos. So they believed exactly what they saw on the screen and said that is exactly the way it is, even though it may not have been so. And it was just a very sliver of time that critics could have some kind of impact on what people saw after that don't make a difference at all. People just kind of watch something and. Yeah, and you see that even now with like Netflix where movies that bomb at the box office. But all of a sudden we'll get they'll be trending on Netflix. You'll see like, you know what's that most popular and it'll be some movie from seven years ago that nobody went to see all of a sudden gets hot because it's just people for some whatever reason now algorithm and then it catches fire. Yeah, well look at Green book. Green Book won Best picture the Red critics were, like, kind of lukewarm on it as a as a movie movie. And the people who were related to the man portrayed said it isn't his life. This isn't all at all what it was like. Right. But it played well because it kind of touched those heartstrings that we were looking to touch. And so they made do something to you emotionally, but they may not do it realistically. Yeah. And, you know, you talk about these dramatization scenes, but it's even in documentaries, the storytelling can be twisted in a way to help tell a narrative and one that I wanted to bring up because the person that was featured in it just died recently. Sixto Rodriguez, who was a musician out of Detroit, he released two albums and they didn't they didn't do very well commercially, and he got dropped by his label and he kind of fell into obscurity. And he got popular in South Africa during apartheid when when the the country was basically cut off from civilized nation. There is no Internet at the time, so there's no way of researching. And this mythology was built about the sugar man and this documentary, Searching for the Sugar Man. It won an Oscar for best Documentary. But even in that case, it's failed to mention that he had like these small pockets of international fame. It wasn't you know, he never achieved some level of glory and made tons and tons of money. But in the late seventies, early eighties, Rodriguez was actually touring in Australia. And and that was before they discovered, you know, he was alive in South Africa. So even in that case where you have a story, which is it's a documentary, it's interviewing the real person, there's no actors involved. It's supposed to be reality. They kind of fudged with reality a little bit just to tell the story of, you know, here is this person that's completely obscure, even though in Australia they knew exactly who he was because he had been there a few times there. Yeah, it's well, look at the the film that's leading the way this year for best picture. Oppenheimer Right now that looks about as clean as you can get, except for some of those scenes that are kind of done in the mind, if you will. But it's it's the artistry of the director, you know, so you're not getting the story. And we've got other ones coming this year. We we had air which was about right the Michael Jordan selling of Nike Napoleon is coming up. Ferrari is coming up. Priscilla, about Elvis Presley's wife. You know, so there are the and the killers of the flower moon, what you're waiting for, right? Right. Not all these are based, in fact, for some reason. And it's a jumping off point is what it amounts to. Reality becomes a starting point, but not necessarily an end point. Right. And we saw this also in another in a series on HBO that just wrapped this past weekend, you know, winning time. Right. Which looked at the the the rise of the Lakers dynasty in Los Angeles. And a year ago, there was a lot of controversy after season one. Jerry West, who is portrayed in it was very unhappy with his portrayal in the show and you know is basically making him look like this crazed lunatic. And he's not true and he wasn't like it. And and then season two comes along and, you know, of course, they're opening it up with this disclaimer that this is a dramatization. Some of the characters have been changed. And what I found myself doing through the that every single episode that I watched, something would happen. And I was immediately on my phone. Looking, is. It is this part, you know, because one of the things near the end was this lawsuit by, you know, a wife of Dr. Jerry Buss, who's trying to take the team from him. It's like, well, you know, who is this person? And I'm I'm kind of Googling it and person's not really a real person. It's sort of a fictional ization of another person. And so it's those little things like that that they're introducing. But on the flip side, you know, you have Jerry West, who was very unhappy with it, but I read in I think it was in Vulture, they were talking to the to the folks behind the series and they said they showed the episodes to Jeanie Buss, Jerry Buss daughter, who's portrayed in it. And she loved the series and she felt a connection to her father again, who had passed away a number of years ago. So she really enjoyed watching the show because it kind of, you know, rekindled those memories of of kind of growing up in that time. So it's I guess, you know, how you're being portrayed and in what way and and whatnot. But, you know, that that was kind of an interesting one from that perspective. We have this year weird about Weird Al Yankovic, and it's so off the beam. It's not at all what his life was like. He was participating in it. So he, if you will, signed off on it right? Elvis had Priscilla as kind of their guide or through it all, all of this, and it was nominated for best Picture last year. You know, now this year, Priscilla is probably going to be nominated and Priscilla is talking. So she's rewriting the narrative of Elvis Presley just by what she'll allow or what she won't allow in the story. So that's interesting. But there are duds. There are duds that didn't really work. You know, Can you think of movies where you thought, Oh, my God, that's just terrible, that one. That one doesn't cut it. And I think one that people always mention is John Travolta as Gotti. Oh, that was a real stinker. It was so bad. Yeah. Ashton Kutcher as Steve Jobs. Yeah, not much there. Michael was his John Belushi and Wired. Well, now somebody didn't like Jerry Lee Lewis portrayed by Dennis Quaid in Great Balls of Fire. But I got to tell you, I interviewed Jerry Lee Lewis about this and he loved it. He thought he captured every bit of him. So, you know, it's all perspective. If it's my life, you know, come on, Brad Pitt, I'm telling you that right now. Right. And there's no way that I am remotely in the same ballpark as Brad Pitt, But they get a chance to kind of rewrite their own history by having control over who plays them. Yeah, you have play you would you pick and you know better. You're not going to say, oh, I'm going to take you know, I don't even want to name names, but you're going to pick. So you see, George Clooney is going to play me. Of course. It would probably be Clooney. I you're right. Right? Yeah. Either yeah. These a older. Clooney were there. You know, you mentioned Brad Pitt. He was on day of the last season, the day of portraying himself. But it was it was a fictionalized version of himself. And that was so good, right? So he was so good because you even felt the kind of like tension that he had in that situation, because I don't want to spoil it, but there's this nutty person in the house or that Brad Pitt is in the house and Dave is in the house, and you've got to be How do we get out of the house? Yeah. There was that scene to where he in it. He says, Well, you can call me and I can't remember what the name was. He's like, Well, that's that's really what my name is. And again, am I Google like, is that really his name? It's like this is he fictionalized that fictional name, which is comical. And it doesn't always work. Like I say, there are situations where you go, Mm, this really laid an egg and I think we'll see it this year or two. We're going to see, yeah, films that just might not make it at all. Last year we had blond, which was about Marilyn Monroe in there. Ana de Armas played her and got an Oscar nomination and she was good, but the movie sucked. It was awful. And I defy you to say that you watched the whole thing. People didn't watch the whole thing. They got to the nude scenes and they shot it off. After that, it was not worth watching because the story didn't make any sense. You know, you have like Freddie Mercury story, Bohemian Rhapsody, right? Liked it because it plays into the the myth that I think has been created. So who? Yeah, well, I got to talk to one of those real people who's featured in Gran Turismo, which is a film about a guy who won the right to become a race car driver by playing video games. There was a competition and they, you know, whatever. And for whatever reason it clicked. Jann Mardenborough is his name and he is portrayed in this film as that naive person getting into the race car business and what it meant. He's still a race car driver. And we got a chance to talk about that whole trajectory and what it was like for him and what he thinks of the guy, Archie Madekwe, who plays him, what he thought of his performance. So we have a tape here. If you'd like to run it. We'll listen to what he has to say about portraying real people on screen. What is it like seeing yourself on a screen? I mean, we're not how many people get this story of their life told in a film? It's like 0.0001% or something? Yeah, it's it's very it's surreal, really. Being honest. It's it's even more surreal with somebody tells people tell me that the racing driver that had movies based on their lives, they no longer around single that they passed away so soon being 31 years old and have your life attractive. Your life. You told of the Big three. An audience is rare and in my industry very rare. So I feel very blessed and honored. That can actually tell. You know what shop in my life. Did you feel a connection to the character or did you see it as somebody else. Noticed me? I yeah, it really does feel like you did you have any did you have any say then in who gets to play you? Did you say, I'm going to look at these people and just see. If it's no secret you was always on the phone by the producers. They kept me in the loop, involved in all the scripts, you know, sets as well. And I was always kept informed of who they like. I see an actor to play me. Apparently the casting will be so long, even a year before Benigni was even shot. Oh, wow, Boss, she was always been number one favorite, as far as I understand, with many different levels of casting processes. But she was the one from day one. And did you like him from day one or did you go or. I don't know. He spoke on Face Time, The lowland scene with a mouth eat it plainly and pseudovirus Because I was in labor at the time that I was like, This looks like straight away. And so that was a great start. We met in person as well. Weeks later, after that phone call, and I it gave you a confidence because I was happy with the script, but meeting the person for the first face, it gave me even more confidence in things like be great, because he was absolutely casting Steely. Obviously he knew from producers as well and all time and face time and texts that meet somebody face to face difference. And he caught it really mean okay, I can focus on being studied rather and make it to focus on the acting and because we're completely allied on this. Yeah in yes he killed it. Did he ask you a lot of questions? Absolutely. And what he. What did what surprised you that he wanted to know? A lot of I'm not repeating his emotional my support is in the while it it's sports you have to be quite clinical but he was asking questions about the relationships I've had with certain people within the industry, my friends, my family. I just kind of try to be open is we all. And it became this very good at asking those questions that was so provoking and as two things which are them? He still dealt with soul so he can work on his craft when he's allowed a chance at this and he can show that and he got on set. How good was he had driving? Well, didn't have a driver's license very recently before shooting. I think for insurance, we'd really have to pass his test. And I didn't know at the time I think it was that a make or break, because if he didn't pass the test, we could have shot with Michelle McCann. But I know everybody at the meeting. But yeah, he was on a fast track course and then I'd passed and he said it interesting. But he said the favorite brand, right? I was always so, so is mine. But there you go. Yeah. He's got good taste, wrong behavior. So yeah, I think if you were bring somebody that have been involved, it looks sort of caused the fault. So it feels very nice. But I have a lot of respect to somebody. Go to another industry and be honest. If I go dancing all through dancin or being a ballerina and let me see myself in that. So I would not risk that in the business. He'd never done this before, yet no interest because now he is a face granturismo which is just racing was and he is he, he nailed it. So yeah, I will respect that. But you know, the movie makes a big deal about can you really make the transition from being a gamer to being a driver. Is it possible? I mean, yeah, was possible with you. But in the grand scheme of things, was your dad really right? And you said, you know, this is going to lead to nothing. These are not going to be career connections for anybody. Well, I will indeed. My stepfather to that question. That was the question we were always asking ourselves, kind of be done proof. But you're one you're one person and, you know, you know, kids sit around and they're doing they're playing games all day and will it lead to something? And that's where dreams and belief comes into it, because they think that easy, everybody be able to do it but makes it easy. All that accomplishment is hard, as if all and it seems like it's not possible. Well, everything is well. I believe that you can do anything. It's a little set. You can't do everything. You can sit and do anything. He's taken line to it. I never let that like the beta racing brother go out. I didn't know how I would get from A to B, but always away very much aware from a young age or very headstrong as a person you would as a kid. That's what I want to do. And I'm not going to take no for that. So I'm not really from other people. That is the gospel of you have spoken in the past with other people about things that I'd said growing up as a teen, where I would say a BMW story, my first car as a child as that when I'm 17 years old and I had my friends because boys, boys, they would rip anything to me for years about that. And I spoke to my other friends, Solid school lives and that scene in the movie, they were a bar and they told me that they could they had a few drinks them. It must not limit the conversation. And they said to me, Look, you never said to us that you wanted to be a racing driver. And I boulevard and I was like, You're right. I never I never told anybody. I never told anybody about drink because you have to protect that. You can't walk around. I don't need you should walk out. I want to do this. I wanted that because people call you out today and also it loses the energy over Did you news that that that that you know that energy. Yeah I believe so I never spoke to anybody about it. It was always my inner drew but I believe you can do anything so anybody watching I learned via high fives in the messages for people about taking an interest in looks, but also telling me I learned to pursue my dream. It would tell me what it is, which I love you shouldn't tell me. You should tell me what it is I want to pursue my dream. You inspired me to see like me. And I love that kids want to move forward too. Why me? Yeah. The rules of life. We have to follow our actions up to this. Well, when it does happen, how do you feel? I mean, is it like. Well, now I've got to find a new dream, or, you know. While in racing, it's that is this thing as the perfect guy. So it's like and it's feel old chase So perfecting your craft and it will never be perfect. So I'm still in the trenches of how can I get better at the race? And rather that's what gives me purpose. Okay, I want to race here, but when I get there, I like to race. I want to wait. I want it to be fast. I want to recent level championships level, the championship races that lie. My drive is the constant. It's a set them and then we have living. It's up and up whether that be right and whether that can being the way out or I stop what right dress or whatever I my business lines it's always a a quality that. All right Bruce thanks for that interview. You know with the race car, movies and biopics, what was your thought on this one compared to like something like a Ford versus Ferrari? Well, this is one that actually had some kind of controversy about the way they messed with time because there's a big accident that's in this film and it has been moved from where it actually happened to a different time because it helps build tension and look at the guy who is it's his story doesn't mind, I guess I can't mind. But I think also because he's an executive producer, so there might be somebody that helped say, I don't mind. Yeah, yeah, No. I enjoy the racing movies. I enjoyed Ford versus Ferrari. I thought that was a really good story to tell. Well, this year, Ferrari, so. Yeah, exactly. Helped Ford in there. Exactly. And so you have to go into every screen biography as it ain't all true. Right? You know, it's interesting, you mentioned a lot of movies based on music, you know, with like Queen and Sugar and you had Elton John. And the one that kind of gets looked at is almost a starting point. I mean, there is there's been a few others along the way, but the one that really kind of propelled, I think the modern film was The Doors from Oliver Stone. And that's one where the three surviving members of The Doors at the time, they hated it. They were and they worked with Oliver Stone for a while on it to try to help, you know, tell the story. And when that thing came out, they were not at all happy with the way. And it hurt it because Val Kilmer should have gotten a best Actor nomination. Yeah, he was that good. And boy, they buried it. Yep. And when you look at later ones, Rami Malick, you know, when you look back on that one, you were going to say, why did he win the Oscar for playing Freddie Mercury? And it all boils down to that little number he did in front of a huge crowd because they played that thing forever before you even saw the film. And that one scene is very good, but the rest of it doesn't really back it up. And I think that's when you look at it, you'll say, you probably shouldn't have got it. You know, it wasn't it wasn't all that. The Whitney Houston one I think is awful and Rocketman is good. But then when it needs to, it'll go into these kind of fantasy sequences so that then you're not really sure what's what's shaking, what's real, what's true, what's not. You know, it's been an interesting series of films and they're not they're sort of interconnected because they're connected by almost like an individual. There's a producer. His name is Mark Girardi. He was a baseball pitcher. He actually pitched professionally. He pitched for a season with the Milwaukee Brewers. I know the story a little bit more because when I was working in New Jersey, he's actually from New Jersey. And my newspaper that I was working for at the time did a story on him when some of his movies were making out. So he finished his baseball career. He went into, I think, modeling and he started making Hollywood connections and then he started telling stories through Disney. And, you know, I'm all, you know, like Miracle about the 1980 Olympic hockey team and the rookie. And I went back and looked at, you know, I was trying to find like, you know, fact versus fiction on those. And I was having a hard time finding very much fictionalized. And I think those in general were pretty well-regarded. I was looking at a story about the Rookie with Jim Morris talking about, you know, the portrayal of him because he was the pitcher who blew out his arm and became a high school baseball coach and then all of a sudden realized he could throw 98 miles per hour again and ended up working his way back into the big leagues. And he said that the film was about 90% accurate to his real life. So it's good to see that there are some films out there, and I think I've really enjoyed those films that that they've done, like Miracle, like The Rookie, because I find them, you know, they're good, they're family friendly, they're not too over-the-top, but they seem to keep fairly close to historical facts. Yeah, it's condensing time, basically. You know, everything doesn't happen within a year. I think they're better off when they do a slice of somebody's life where it's like maybe three months of their life. And that's the movie. I think that would be the interesting kind of situation. Maestro is coming up by Leonard Bernstein. And that should be, I think, a really good one in terms of how well they track a segment of his career. But I, you know, gee, I, I would hate to be the subject of a biopic because I think that you have to kind of then live that that story instead of a real story was, you know, because that's what people think of you. They want to have things condensed and into a, you know, a neat little package that you can see in 2 hours. And we're done with you and you move on. But there there's much more beyond that. And I think when you look at those those seminal moments, maybe that's all it should be. Ken Burns is a great one to do documentaries about famous people, but what he uses are voices, other people talking about that person. So, you know, it's almost like a print news story where you hear others making some kind of assessment. And it's not just necessarily the character saying something. So those I find the most accurate in terms of believing what I'm seeing. But again, it's filtered. History is filtered by those who are telling history. I think the only thing that bothers me, I mean, I always know that there's going to be some creative license, some dramatization to these films, but it just irks me when they make weird changes for the sake of making changes that don't necessarily make sense. Because I remember somebody I've never seen the Buddy Holly story with Gary Busey. Robyn No, I haven't. I just I need to go back and watch it one of these days. But I remember a friend of mine talking about it and saying that you know, he like he liked the film, but he couldn't understand why they didn't have all the crickets. Like Buddy Holly's backing band was The Crickets. And it was like they had like three of the four members in it but not. Get their rights. Right. So it's just like, Why would you make a movie and leave out one of the band members, You know, if there is a reason for it, I guess, you know, somebody would want their story told. But if it was just more because as well, it's it gets a little unruly with four people. So we're going to just narrow it down to three. To me, those are little things that to the average person may not notice. But if you're trying to also appeal to fans of the band or the musician, these are historical pieces. It's like it's like even watching Field of Dreams, where Shoeless Joe Jackson is is batting from the wrong side of the plate. You know, it's it's you know, when you make a left in the batter right handed or vice versa, that kind of thing is like little details like that. When you're when you're a fan, you're kind of going. Like, do a fancy. Fancy get maybe that right. You know, that's that's kind of irritating. You know, now Broadway is jumping on the bandwagon and they're doing all of these musicals about musical people because they're very dramatic. They've got a built in catalog of sounds that always will work because people know them. There's a Neil Diamond one out now. There was Tina Turner, there was Cher. And you're going to see more and more of those Mamma Mia, which was just the songs with a different story. Right? But they're they're easily tapped into bowl. I always say that you can easily tap into them. Right. What I want to say, because you already know something about them, which is the music, and I think that's a shorthand that they don't have to tell other parts of the story because you just assume that's their. Yeah, though, I don't know, it's weird, but if there's a story or a moral or a caution to be added to this, it's a don't believe them. When you see a screen biography, don't believe them. They're very entertaining, but they aren't necessarily the true story. Absolutely. That's a good point to to end this episode. Thank you again, Bruce, for that interview. When Brad Pitt plays me in the movie version of the podcast, you know that it's going to have a different ending. Absolutely. Yep. And again, you know, just want to point out one last time, no animals were harmed in the recording of this podcast yet. We're all yet going to have a cat wander in here in a second. No, no, no. I know. That's all right, everyone. Thank you again. Come back again next week for another episode of Stream. The screen.See omnystudio.com/listener for privacy information.

It's a PODCAST EXTRAVAGANZA LIVE from the Bell House in Brooklyn! All the greats join Arden and Dr. Banana to talk Zach, limo exits, do the tortilla slap and FIND JACQUIS A LADY!!!!! WANT MORE EPISODES??? Become a Patreon Member!! www.patreon.com/wyatr Like us on Facebook follow us on iTunes!EMAIL US!!!Rosepodcast@gmail.comFollow us on:Twitter/ instagram #WYATR@ardenmyrinTIKTOK  @ardenmyrinofficialSee omnystudio.com/listener for privacy information.

[School of Movies 2023] It seems like 2022 was the year of the little wooden boy, with THREE new Pinocchio movies released. There was the Robert Zemekis-helmed live action remake of the Disney classic, Guillermo del Toro's darker, fascist-challenging Netflix stop motion film, and there was the Pauly Shore dub of the Russian one that gained memetic notoriety. So Sharon and I went back and didn't only just watch those three... we pretty much watched every significant Pinocchio movie ever made. And then we brought in Victoria Luna B. Grieve to talk about their different approaches.  In this first of two shows we revisit the 2014 recording of Daniel Floyd talking with us about the 1940 original for our Disney Animated Series. Then with Victoria we look at why so many people angrily *loathed* the new Disney incarnation.  Next week, Del Toro, Shore, Benigni, Martin Landau, Udo Kier, Napoleon Dynamite, weird noises, strange perverts and the best animated version you've never heard of.  Guests: Daniel Floyd of New Frame Plus Victoria Luna B. Grieve:  @VixenVVitch  

E se nel messaggio che verrà letto domani al Festival Zelensky chiedesse più armi? Il presidente ucraino non teme di essere schietto né di dire tutta la verità. Di mezze verità ne ha già dette troppe Benigni "dimenticandosi" di leggere per intero gli articoli della Costituzione

L'attesa seconda serata di Sanremo conferma che sul palcoscenico dell'Ariston si giochi una partita molto più importante della gara del miglior cantanteSono le ricadute politiche dei monologhi a tenere banco. Dopo quello di Benigni sulla Costituzione e della Ferragni sulle donne, sono stati i discorsi di ieri sera degli ospiti a occupare le prime pagine dei giornali stamattinaVogliamo sapere oggi che percezione ha il nostro pubblico di questa evoluzione di quella che era tradizionalmente una kermesse che celebrava la cultura pop italiana e le sue canzonette fatte con "cuore e amore"

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Il Fatto di domani 9 febbraio. Il tour di Zelensky in Europa a caccia di jet. Sanremo: canta Salvini, ma contro Benigni e Mattarella

Ferragni, abiti-manifesto e inno a donne. Blanco distrugge palco

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It's Pinocchio season! With a new adaptation of the classic tale burning up awards and another… not, we decided to cover the baffling and much maligned Roberto Benigni Pinocchio from 2002! Geppetto (Carlo Giuffré) is a sad old man who makes a son out of wood. That boy comes to life as a middle aged Italian man (Benigni) and immediately gets into lots of hijinks. He's unruly, hyperactive, doesn't want to go to school, and loves candy. He leaves for weeks at a time to go on adventures where he's swindled, imprisoned, caught in a bear trap, or turned into a donkey. But the Blue Fairy (Nicoletta Braschi) teaches him how to be less horrible and he becomes a real boy/full grown man.

Hour 2: WGRZ TV Adan Benigni joins the show on the news of Damar Hamlin's health

00:00-10:00: Adam Benigni joins the show to chat about best and worst of the Bills right now, how big home field advantage would be for Buffalo and more. 11:00-35:00: Crossover episode from the Pandemonium Podcast on the Built in Buffalo Podcast Network. Guest: Bills great Jerry Ostroski. Topics: -What Dolphins week was like for Jerry. -How he would block for Josh Allen. -His confidence level in this team right now is sky high. -Edge rusher position in the NFL and how it has developed. ...and more. Then Mike Lindsley recaps Jets-Bills and previews Dolphins-Bills.

Gli splendidi 70enni: oggi il compleanno di Benigni.

Tanti auguri a Benigni. Sapete cos'è il triangolo della tristezza? Ce lo spiega Linus. Ospiti in studio per Boris 4 Carolina Crescentini e Pietro Sermonti.

Als er 1999 den Oscar bekam, sprang Roberto Benigni über Stuhlreihen, balancierte auf Rückenlehnen und schrie vor Begeisterung, dabei war der ausgezeichnete Film "Das Leben ist schön" ernst – und er machte den in Italien populären Benigni weltbekannt.

Als Roberto Benigni 1999 den Oscar bekam, sprang er über Stuhlreihen, balancierte auf Rückenlehnen und schrie vor Begeisterung. Dabei war der ausgezeichnete Film "Das Leben ist schön" ernst. Er machte den in Italien populären Benigni weltbekannt. Autorin: Irene Dänzer-Vanotti Von Irene Dänzer-Vanotti.

La trascrizione è sulla nuova pagina Patreon: Clicca qui. Oggi andiamo al cinema a vedere La vita è bella! Parliamo di: - Origine: cosa ha spinto Roberto Benigni a realizzare questo film? - Perché si intitola "La vita è bella" e qual era la prima versione del titolo? - Curiosità: gli Oscar di Roberto e uno spettatore speciale Il discorso di Roberto Benigni agli Oscar è qui. La colonna sonora degli spettacoli e ingressi di Benigni in Tv è qui. Ti piacciono i podcast? Allora adorerai i miei corsi! Scoprili QUI.

Un film drôle, gai, amoureux, ludique, qui dépeint lʹhorreur de la Shoah avec la distance quʹoffre la poésie. Adulé par le public, le film de Roberto Benigni met le feu aux poudres. Les critiques sʹemballent, le traite de révisionniste, de mafieux, de menteur. Benigni réplique quʹil ne nie pas lʹHolocauste et que son film est une fable mettant en avant lʹamour, la famille, tout en dénonçant un état de faits historiques qui nʹaurait jamais du avoir lieu. Malgré ses détracteurs, "La vie est belle" gagne le Grand Prix à Cannes et lʹOscar du Meilleur film étranger et du Meilleur acteur en 1998.

This episode of the Getting Smart podcast is a part of our New Pathways campaign. Find out more here. On this episode of the Getting Smart Podcast, Tom Vander Ark is joined by Dr. Mark Benigni, the award-winning superintendent of Meriden Public Schools and the co-author of the forthcoming book The Great Equalizer: Six Strategies to Make Public Education Work in America.We're also joined by Barbara Haeffner, Assistant Superintendent of Teaching and Innovation at Meriden Public Schools and co-author.  Together, they discuss Mark's legacy in Meriden and the book's strategies for reimagining and building a better public education.  Links Book Link Mark Benigni LinkedIn Mark Benigni Twitter Barbara Haeffner LinkedIn New Pathways Campaign Meriden Portrait of a Graduate Tools For Building a Climate

Let us take you for a ride this week with two freeway friendly features!  First up is the Oscar darling Drive My Car, tailed by the joyriding Jarmusch taxi anthology Night on Earth.  Buckle up, and no sheep OR pumpkins allowed in our car!  #drivemycar #nightonearth #jimjarmusch #robertobenigni

Following the Sabres draft lottery victory, WGRZ Sports Director Adam Benigni stops by to talk who the Sabres should take, what's going on with Jack Eichel, and whether or not Don Granato is still the head coach frontrunner with Sneaky Joe!Support Us By Supporting Our Sponsors!BetOnline AGThere is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus.Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order.Rock AutoAmazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you.WealthfrontTo get your first $5,000 managed for FREE, for life, go to wealthfront.com/LockedOnNHL. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode #4: Dr. Mark Benigni In today's episode, Todd sat down with Dr. Mark Benigni of Meriden Public Schools. Dr. Benigni was recognized as a 2015 Education Week Leader to Learn From for his collaborative leadership and innovative work; which includes extended day schools, BYOD K-12 guidelines, 1:1 device initiatives, and student-centered learning approaches, as well as the creation of a STARS Program for students with autism and a Success Academy for over-age and under-credited students. In 2016, the Meriden Public Schools was a recipient of a National School Boards Association Magna Award and a District of Distinction Award from District Administration magazine. Since Dr. Benigni's arrival in 2010, the Meriden Public Schools has increased student academic growth, while reducing suspensions by 71% and expulsions by 96%. Dr. Benigni served as a teacher, principal and four-term mayor. In addition to authoring over 25 articles in educational journals and having Rowman and Littlefield Education publish his book, "Mentoring Matters", Dr. Benigni has presented at national venues and taught doctorate classes. Dr. Benigni was a recipient of the Ten Outstanding Young Americans Award by the United States Junior Chamber of Commerce, and he currently serves as the co-chair of the Connecticut Association of Urban Superintendents and a member of the Connecticut Association of Public School Superintendents' Board of Directors. This year the Meriden Public Schools won a Model School Award from the International Center for Leadership in Education, and will be featured by Edutopia as a "District That Works". Learn more about Dr. Mark Benigni on LinkedIn: https://www.linkedin.com/in/benignim/