Podcasts about Hind

Mary-Ellen McTague is one of the driving forces behind Manchester's modern food scene: a chef, restaurateur and community builder whose cooking is rooted in place, craft and proper hospitality. In this episode, she joins the go-to food podcast to talk about the city she helped shape, the dishes she can't stop thinking about, and the hard-won lessons behind building restaurants that people genuinely love.Her story runs from cooking for touring bands at Manchester's Roadhouse as a student, to breaking barriers at the Michelin-starred Sharrow Bay Country House, and then into Heston Blumenthal's inner circle at The Fat Duck. From the intensity and precision of a two-then-three-star kitchen to an R&D role exploring Britain's food history at The Hind's Head, Mary-Ellen's career has been defined by curiosity, grit, and an obsession with flavour that actually means something.Back home, she became synonymous with Manchester's dining renaissance—opening trailblazing restaurants, earning national acclaim, and feeding not just thousands of happy punters, but (as the hosts proudly put it) well over 150,000 people across the city. She shares what it's really like to build a “rotation” of ambitious young chefs in Manchester, why a dish like Lancashire hotpot can carry identity and memory, and how her love of simple, brilliant produce started with a life-changing stint in rural Provence.The conversation also goes deeper: burnout, resilience, an ADHD diagnosis that “explained a lot,” and the purpose-led work of Eat Well MCR—turning surplus food and community energy into meals for people who need them most. Expect big laughs, kitchen war stories, and plenty of menu envy—especially when Mary-Ellen breaks down her PIP snack essentials and that signature hotpot (with oyster ketchup) that might just be the most “her” dish of all.Pre Order Ben's Incredible Book - All You Can Eat - By Clicking Here - https://www.amazon.co.uk/All-You-Can-Eat-British/dp/1805221523Get 2 Months of Blinq For Free - With Code - GOTOBLINQ - https://blinqme.com/Order The Greatest Meat In The Country From HG Walter Here & Have Restaurant Quality Meals From Home - www.hgwalter.com Hosted on Acast. See acast.com/privacy for more information.

All Pakistan Rivers Running Dry as India Stops Water in Chenab, Ravi and Tawi | Jai Hind in Pakistan

Ulcerative colitis affects more than two million people in the United States, most often diagnosed between the ages of 15 and 30. In this episode, we shed light on the hidden suffering of this chronic illness and the strength it demands.   Anna Catherine "AC" Brenny, team leader of our Charleston, South Carolina community, shares her powerful journey of walking through the physical pain, relentless side effects, and ultimately three life-altering surgeries. Through it all, AC reveals what the Lord taught her about endurance, the shaping of character, and a hope that does not fade.   Her story is a reminder that in seasons of hardship, we are never alone. When we lean into Jesus, He is at work—bringing purpose, healing, and hope even in the most difficult chapters.   VERSE OF THE WEEK: Romans 5:3-4 "We also glory in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope."   CHALLENGE OF THE WEEK: Are you in a season of suffering or hardship? Practice leaning into God and allow Him to give you the endurance to persevere, the character to face your challenges with strength, and the hope that will anchor your soul.   ________________________________________________   Hind's Feet on High Places by Hannah Hurnard Listen to a similar story:  Ep. 352- Kristen Jones: "A Second Chance at Life- A Story of Ulcerative Colitis and Crohn's Disease"   Download a phone background of the weekly verse HERE!   Give to StoryTellers Live in honor of AC and any of our past storytellers!   Join us "In the Room" on Patreon to access new stories straight from our live gatherings around the country!   Click here for further details on our Stories of Hope luncheon on March 11th in Birmingham!   Click HERE for a free sample of our When God Shows Up: Stories of Faith bible study   Shop for our When God Shows Up Bible Study series~ Stories of Hope, Stories of Freedom, Stories of Faith Are you interested in one-on-one coaching with our very own Robyn Kown!?  Click HERE!   Check out all of our live speaking engagement opportunities on our website.   Sign up to receive StoryTellers Live's weekly newsletter for updates and details on our live gatherings.

In dieser Episode des Filmfrühstücks wagen sich Leo und Luca an einen der emotional anspruchsvollsten Filme der letzten Zeit: „Die Stimme von Hind Rajab“ von Kaouther Ben Hania. Im Zentrum steht die dramatische Rettungsaktion eines kleinen palästinensischen Mädchens, das nach einem Angriff der israelischen Armee in den Trümmern eines Autos gefangen ist – ein Szenario, das direkt aus den realen Schrecken des aktuellen Konflikts erwachsen ist.Wir sprechen darüber, warum dieser Film eine klare Triggerwarnung verdient, wie er reale Traumata verarbeitet und weshalb er körperlich wie emotional anstrengend zu schauen ist. Gleichzeitig analysieren wir, wie das Kammerspiel-Setting, die begrenzten Räume und die stetig steigende Spannung die Themen Macht, Hierarchie und Empathie im Ausnahmezustand greifbar machen.„Die Stimme von Hind Rajab“ ist für uns mehr als nur ein Filmtipp. Es ist eine Einladung, sich mit menschlichen Schicksalen, Machtstrukturen und den Konsequenzen militärischer Entscheidungen auseinanderzusetzen. Wenn ihr die Kraft habt, euch auf diesen Film einzulassen, hört rein und sagt uns, wie er auf euch gewirkt hat.---Instagram: https://www.instagram.com/filmfruehstueck/

Abu Sufyaan Ibn Harb رضي الله عنه (S17) After the battle, Abu Sufyaan رضي الله عنه was looking for the body of the Messenger ﷺ but did not find it. Abu Sufyaan رضي الله عنه tells Khalid Ibn al-Waleed رضي الله عنه to go mount Uhud as Khalid رضي الله عنه saw the Messenger ﷺ ascending it. The Martyrs رضي الله عنهم bodies were mutilated by Hind رضي الله عنها and other Qurayshi women. Abu Sufyaan رضي الله عنه did not order Hind رضي الله عنها to do this, he turned his face away from this. Hind's رضي الله عنها family was killed at Badr. Abu Sufyaan رضي الله عنه goes to the base of mount Uhud and enquires if the Messenger ﷺ is still alive, or if Abu Bakr and Umar رضي الله عنهم were still alive.

En este episodio de #LosStreameadores te platicamos de: Cumbres Borrascosas, ¿Quieres ser mi novia?, The Lincoln Lawyer T4, Caminos del Crimen, Salvador, La Voz de Hind Rajab, Goat: La Cabra Que Cambió el Juego & Arco. Elenco del episodio: Freddy Gaitán, Ricardo Verástegui, Alexandra Ancira, Luis Bueno, Alexis Bastiere, Rubén Vidales y Josué Hernández. ¡Podcast para #Streameadores de TIEMPO COMPLETO! Visita: https://www.freddygaitan.com.mx ¡Síguenos! https://www.instagram.com/losstreameadores/ https://www.instagram.com/rverastegui/ https://www.instagram.com/freddygaitan/ https://www.instagram.com/laura.arevi/ Producido en Inspiral México: http://www.inspiral.com.mx

Entrevistas com Kaouther Ben Hania, João Marques, Rodrigo Areias

Abu Sufyaan Ibn Harb رضي الله عنه (S12) When Zainab رضي الله عنها was preparing to migrate, Hind رضي الله عنها found out. Hind asked Zainab رضي الله عنهم if she was migrating. Zainab رضي الله عنها said no, I have no intention. Hind رضي الله عنها said: “O my cousin, do not do (or say) this. Do not let disputes between men get in the way of us women. If you need anything I have it”. Zainab رضي الله عنها was attacked whilst migrating. Due to these injuries, she رضي الله عنها miscarried a child she was bearing. She رضي الله عنها later died due to these injuries, thus is a martyr. When Zainab رضي الله عنها was injured, She رضي الله عنها was taken care of by Hind رضي الله عنها. Hind رضي الله عنها had not yet embraced Islam.

Kaouther Ben Hania joins Soudade Kaadan to discuss The Voice of Hind Rajab. Kaouther reflects on what it was like working with such challenging subject matter, how staying focused on the importance of the story helped her and her crew remain motivated, and the power of telling a story that truly resonates.

This week on the Movie Squad pod, it's tonal whiplash from the Blockbuster Babes as they give you a bodice-ripping romance scored by Charli XCX, a heartbreaking piece of docufiction set in Gaza, and a Michael Mann-pastiche starring Chris Hemsworth. First up, Tristan Fidler and Brekky host Pamela Boland review Emerald Fennell's sultry adaptation of Wuthering Heights (sorry: “Wuthering Heights”) starring Margot Robbie as Cathy and Jacob Elordi as Heathcliffe (y'know, from the song). Then, Simon Miraudo and Tristan review the Perth Festival flick The Voice of Hind Rajab, which uses the harrowing real-life audio of a child calling Palestinian emergency services for help, with actors playing the spiralling staff seeking to rescue her from a warzone. Stay tuned for a pod-exclusive review of Crime 101, an ensemble thriller about cops, robbers and Barry Keoghan playing yet another weird little guy. Learn about the new season of Tristan's Trash Classics screenings at Luna Cinemas held on the last Friday of every month. Movie Squad is sponsored by Luna Palace Cinemas, WA's premiere independent cinemas, bringing the best film content and cinematic events to Perth.

James Cameron-Wilson says the bump up of Hamnet to #1 in the charts shows the important of award nominations. The latest Jason Statham thriller, Shelter, is #3. He's a recluse living in a lighthouse whose past comes back to bite him when he rescues a girl from the sea. It's the same old, same old, but done slightly better than usual. #10 Is This Thing On, about a stand-up comic's marriage with Will Arnett and Laura Dern, is inspired by Liverpool comedian John Bishop. But Bradley Cooper's annoying directorial style obscures and confuses the story. James recommends #38, docu-drama The Voice of Hind Rajab, which is one of the most traumatising war films he has ever sat through. He also discusses the current awards season and the London Film Critics Circle awards last weekend. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En entrevista para MVS Noticias con Ana Francisca Vega, el especialista en cine Arturo Magaña habló sobre dos eventos que han conmocionado a la industria del entretenimiento y a la opinión pública: el estreno de la desgarradora cinta La voz de Hind Rajab y el fallecimiento del actor James Van Der Beek, rostro emblemático de la serie Dawson’s Creek.See omnystudio.com/listener for privacy information.

Ulkomaisten elokuvien Oscar-palkintoehdokkaina on ollut tänä vuonna peräti kolme elokuvaa Palestiinaan liittyen. Tunisian edustaja, Suomessakin laajassa elokuvateatterilevityksessä oleva Hind Rajabin ääni valittiin parhaan kansainvälisen elokuvan voittajaehdokkaaksi. Sen lisäksi Jordanian edustajana on ollut tarjolla samaan kategoriaan sukukronikka All That's Left Of You ja Palestiinan edustajana historiallinen draama Palestine 36. Hind Rajabin ääni -elokuva on tositapahtumiin perustuva kertomus kuusivuotiaasta lapsesta, joka soittaa hätäkeskukseen Pohjois-Gazasta, jossa on käynnissä Israelin armeijan hyökkäys. Alkaa pelastusoperaatio, joka keskittyy hätäkeskukseen, jossa pyritään koordinoimaan Hind Rajabin hakemista pois keskeltä tuhoa. Elokuva perustuu toivon ja epätoivon dynamiikkaan ja näyttää kouriintuvasti, miten epätoivoinen ja turhauttava Gazan tilanne todellisuudessakin on. Elokuvan ohjaaja Kaouther Ben Hania, jonka edellinen elokuva Neljä tytärtä oli ehdolla parhaan dokumenttielokuvan sarjassa vuoden 2024 Oscareissa, sekoittaa elokuvassaan tehokkaasti faktaa ja fiktiota. Hind Rajabin äänessä kuultavat hätäpuhelut ovat aitoja äänitteitä, mikä tuo Gazan alueen humanitaarisen kriisin katsojan iholle. Elokuva palkittiin Venetsian elokuvajuhlilla seitsemällä palkinnolla, joista yksi oli tuomaristo pääpalkinto. Millaista todellisuutta ja historiaa nämä elokuvat peilaavat? Kuinka totuudenmukaisen kuvan ne antavat konflikteista ja historiasta? Miten ne kertovat palestiinalaisten kärsimyksestä, ja millaista elokuvaa alueen tapahtumista tänä päivänä tuotetaan? Millainen väline elokuva on välittämään siviilien todellisuutta sodan varjossa – tapahtumista, jotka ovat parhaillaan käynnissä? Kulttuuriykkösen vieraina palestiinalaistaustainen mediataiteilija Shareef Askar, Tampereen yliopiston tutkijatohtori Antti Tarvainen sekä toimittaja-dokumentaristi Pertti Pesonen. Juhani Kenttämaa toimittaa.

Mit Joe, Ted & LukeWir haben einiges gesehen und quatschen über Hamnet, Die Stimme von Hind Rajab & Song Sung Blue!Viel Spaß!00:00 Wochenrückblick11:44 Song Sung Blue20:33 Hamnet38:56 Die Stimme von Hind Rajabwww.planetfilmgeek.comfacebook.com/PlanetFilmGeekinstagram.com/planetfilmgeekplanetfilmgeek@gmail.comletterboxd.com/movieschmidtletterboxd.com/tadiciletterboxd.com/lukepfgletterboxd.com/ninjasteinPlakat & Ausschnitte zu „Song Sung Blue" © 2026 Universal Pictures GermanyPlakat & Ausschnitte zu „The Voice of Hind Rajab" © 2026 StudioCanalPlakat & Ausschnitte zu „Hamnet" © 2026 Universal Pictures GermanyMusic by Kevin MacLeod"Volatile Reaction""Exhilarate"www.incompetech.comLicensed under Creative Commons:By Attribution 3.0creativecommons.org/licenses/by/3.0/

Entrevista com Kaouther Ben Hania, Shakespeare por Chloé Zhao e o fracasso de Melania

Abu Sufyaan Ibn Harb رضي الله عنه (S10) After Badr, the Quraysh wanted vengeance. Many of their notables were killed and 70 were taken as prisoners of war. The Chiefs were killed so Abu Sufyaan رضي الله عنه was made the new chief. Abu Sufyaan's رضي الله عنه son Hanzala was killed at Badr. His other son, Amr, was taken as a prisoner. Hind's رضي الله عنها father, Utbah Ibn Rabee, her uncle, Shaybah Ibn Rabee and her brother, Waleed Ibn Utbah, were killed at Badr. Surah [8:38]: “Tell the disbelievers that if they desist, their past will be forgiven. But if they persist, then they have an example in those destroyed before them”.

Das Filmjahr 2026 ist in vollem Gange! Die Melania-Doku floppt, The Housemaid spielt ordentlich was ein, Alex Honnold ist auf Netflix live ein Hochhaus hochgeklettert und ein Let's-Player zum Horrorfilm-Star avanciert. Janick und Christian haben sich Jenny Jecke eingeladen um über ein paar aktuelle Filme und Serien zu sprechen, und zwar: 00:00:00 - Heated Rivalry 00:09:45 - A Knight of the Seven Kingdoms 00:14:40 - Iron Lung 00:17:20 - 28 Years Later: The Bone Temple 00:28:00 - Hamnet 00:46:48 - The Voice of Hind Rajab 01:01:01 - The Housemaid 01:09:35 - It Was Just an Accident 01:20:03 - Send Help 01:27.30 - Chainsaw Man - The Movie: Reze Arc 01:33:02 - EPiC: Elvis Presley in Concert 01:33:40 - The Chronology of Water 01:36:36 - Kevin Nealon - Loose in the Crotch 01:37:20 - Bücher: The Way of Kings, Hyperion Unterstützt uns gerne für exklusive Folgen auf https://steadyhq.com/cuts.

In 1845, British astronomer J.R. Hind saw an amazing star in the constellation Lepus, the rabbit. He wrote that the star looked “like a drop of blood on a black field.” Officially, the star is called R Leporis. But it’s also known as Hind’s Crimson Star – a star that looks redder than almost any other star in the galaxy. R Leporis is a little heavier than the Sun. But it’s much later in life, which makes it a lot more interesting. It’s “fused” the original fuel in its core to make oxygen and carbon. Today, it’s producing energy in shells of hydrogen and helium around the core. Those changes have caused the star’s outer layers to puff up, so R Leporis is hundreds of times the Sun’s diameter. But those layers are unstable. They pulse in and out like a beating heart. Each “beat” lasts about 14 and a half months. During that cycle, the star’s brightness varies dramatically; at its peak, it’s hundreds of times brighter than at its faintest. As the star pulses, its temperature changes. At its largest, it’s a bit cooler, so it looks redder. And that color is amped up by the material in its outer layers. Carbon is pulled up from deep inside the star. It absorbs blue wavelengths of light, allowing the red to shine through – enhancing the “bloody” look of Hind’s Crimson Star. Lepus is in the southeast in early evening, to the lower right of Orion. But you need a telescope to see Hind’s Crimson Star. Script by Damond Benningfield

Ping-pong jest znowu cool. Kto nie miał pomarańczowej piłeczki, ten gapa. Kto nie grał na granitowym stole ten gapa, kto nie umie w podkręcone... sami rozumicie. "Głos Hind Rajab" jest emocjonalnym walcem. Mimo filmowych niedociągnięć najważniejszy głos wybrzmiewa.

(1:47) Marleen Stikker over videokunstenaar Micha Klein (12:36) Filmmaker Amir Zaza over Hind Rajab (22:25) Schrijver Anne Eekhout over Frankenstein auteur Mary Shelley (57:20) Veerle Corstens spreekt met Joël Broekaert, Thérèse Boer en René Froger over sterrenkok Jonnie Boer

It's hard to be the only woman , I feel lonely sometimes because I'd like to have another woman colleague to talk too.'The BBC's Chief international correspondent, Lyse Doucet speaks to Hind Kabawat, Syria's Minister for Social Affairs and Labour. and the only female minister in the transitional government.She was born in India and grew up across the Middle East and Europe. Her life has been shaped by movement, exile and conflict. She studied economics in Damascus, law in Beirut, and later continued her education in the United States.During Syria's war, she worked abroad on diplomacy and legal reform, advising on negotiations and pushing for greater representation of women in public life. After the fall of the Assad regime and the creation of a transitional authority, she returned home to take up public office. In this conversation, she talks about power, responsibility, and what leadership means in a country still reckoning with more than a decade of conflict.The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with the Colombian president Gustavo Petro, the Palestinian-American human rights lawyer Noura Erekat and Mexican actor Diego Calva. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Lyse Doucet Producers: Lina Shaikhouni, Farhana Haider Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Hind Kabavat Credit: Beyza Comert/Anadolu via Getty Images)

O filmie, rzeczywistości pracy ratowników, barierach w udzielaniu pomocy i emocjonalnych kosztach tych doświadczeń opowiadają Miłka Fijałkowska, dziennikarka i reporterka oraz i Magdalena Foremska, ekspertka Polskiej Akcji Humanitarnej.Lista kin z filmem w repertuarze: https://www.nowehoryzonty.pl/film/glos-hind-rajabTu możesz zgłosić się do Szkoły Przywództwa: ⁠⁠https://szkolaprzywodztwa.pl/⁠⁠Mecenasi programu: Inwestuj w fundusze ETF z OANDA TMS Brokers: ⁠⁠https://go.tms.pl/UkladOtwartyETF ⁠⁠AMSO-oszczędzaj na poleasingowym sprzęcie IT: ⁠⁠https://amso.pl/Uklad-otwarty-cinfo-pol-218.html⁠⁠⁠Pobierz aplikację Hallow: ⁠⁠http://hallow.com/ukladotwarty⁠

“Często myślę o wszystkich innych dzieciach zabitych przez izraelską armię - w wyniku bombardowań i całej przemocy tej wojny - których ostatnie słowa nie zostały zapisane. Nie ma po nich śladu w pamięci zbiorowej.” - mówi Kaouther Ben Hania, tunezyjska reżyserka filmu "Głos Hind Rajab". Produkcja ma dziś premierę w Polsce. W TOK FM rozmawialiśmy o filmie oraz historii, która stoi za jego powstaniem z reżyserką Kaouther Ben Hanią.

This week on Netflix vs. Cinema, host Tosin Ajayi and the team dive into the biggest releases across the big and small screens. From harrowing historical dramas to sci-fi trilogies and quirky mysteries, there is plenty to debate. In the Spotlight 28 Years Later: The Bone Temple (Cinema): The team explores this highly anticipated sequel. While the atmosphere and performance of Jack O'Connell (as Lord Sir Jimmy Crystal) earn praise, the crew debates the "one-note" performance of the young lead, Spike. The Voice of Hind Rajab (Cinema): Tosin leads a discussion on this powerful, harrowing documentary from Gaza. Utilizing actual distress call recordings, the film is described as a "masterclass in tension" and a vital, if difficult, watch. Agatha Christie's The Seven Dials Mystery (Netflix): Holly introduces this three-part series starring Mia McKenna-Bruce . Is it just "Sunday afternoon fare," or a refreshing take on a lesser-known classic? Primate (Cinema): A "secret screening" that divided the room. While some enjoyed the "rabid chimp" chaos, others were left frustrated by the illogical character choices common in the horror genre. The Great Debate: "The Salt Path Scandal" The team gets heated discussing the Sky Documentary, The Salt Path Scandal. Following the massive success of the book and film, this documentary investigates claims that the "true story" of a couple walking the coastal path might have been heavily embellished. > "It's what journalism should be—taking a story no one wants to debunk because they want to believe the magic, and asking the hard questions." — Sharon Bollen 0:00 – Intro: Host Tosin Ajayi introduces co-hosts Shaun Harris, Sharon Bollen, and Holly Nessling. 1:45 – Wuthering Heights Controversy: A discussion on the upcoming Emerald Fennell adaptation and the polarizing nature of the original story. 8:14 – Primate (Cinema): Sharon reviews this "secret screening" horror film about a rabid chimpanzee. 10:04 – 28 Years Later: The Bone Temple (Cinema): A deep dive into the zombie sequel, Jack O'Connell's performance, and the divisive character of Spike. 19:20 – Agatha Christie's The Seven Dials Mystery (Netflix): Holly reviews the three-part series starring Mia McKenna-Bruce. 23:23 – Field Post (Streaming): Shaun reviews the German World War II drama available on Prime Video. 26:22 – The Voice of Hind Rajab (Cinema): Tosin discusses the harrowing documentary featuring actual distress calls from Gaza. 30:16 – The Salt Path Scandal (Sky/Streaming): The team debates the documentary that questions the authenticity of the famous memoir. 34:55 – The Verdict: The final scores are tallied, and the "Streaming" category is declared the weekly winner. Is Netflix killing cinemas? Each week we weigh up what we've seen in cinemas with what we've watched online at home and figure out which provided the best time. At least, we did before COVID jumped in and declared Netflix, Amazon Prime, Disney + and friends the winner. Listen and subscribe on Apple Podcasts https://podcasts.apple.com/gb/podcast/netflix-vs-cinema/id1448277363 Listen and subscribe on Youtube Music https://www.youtube.com/playlist?list=PL8xPMfsDQIDjM70v1Tah6BiKV4E3UQbaK Listen on Spotify https://open.spotify.com/show/6beXVeSImcgHLsPB22BgE3?si=wdoNI6E0SNqNfoqg4qnw4Q Support Netflix vs Cinema by contributing to their tip jar: https://tips.pinecast.com/jar/netflixvscinema Find out more at https://netflixvscinema.com This podcast is powered by Pinecast.

Motaz Malhees joins host Reshma Gopaldas to talk all about his impactful film The Voice of Hind Rajab, based upon the recent true story of 5-year-old Hind, who came under fire by the Israeli army in Gaza. Malhees stars as Omar, the Red Crescent operator who receives the ill-fated call from young Hind, who begs for help. Kaouther Ben Hania directs and writes the film, which has been short-listed for an Oscar. Malhees stars alongside Saja Kilani, who plays Rana. Malhees opens up about working with Kaouther Ben Hania, and what she did to create a set like he's never been on. He also talks about how Hind's mother told him a story that gave him hope recently. And he confesses which scene broke him, and required them to stop filming for a bit.The Voice of Hind Rajab is playing now in theaters in the US & UK.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Artwork by: Laura Valencia (IG @iamlauravalencia)Music by: Kevin Calaba (IG @airlandsmusic)Send us a text, let us know what shows and guests you want us to cover.

We are reading Christian classics beginning with the popular allegory Hind's Feet on High Places by Hannah Hurnard.  Our guest host is Ms. Ahnna L. Giorgis.  She is a devoted Christian, mother of three children, and Adjunct Professor of English Literature at North Carolina Central University in Durham, North Carolina.

Saja Kilani, star of The Voice of Hind Rajab, joins host Reshma Gopaldas to kick off the road to the Oscars with her film that's been short-listed for the Oscars. Kilani plays Rana, who is one of the Red Crescent workers who spoke to Hind on that fateful day. The Voice of Hind Rajab is based on real-life events where Red Crescent workers receive a phone call from 5-year-old Hind Rajab, who is trapped in a car under Israeli fire in Gaza. The film follows the devastating recordings of Hind's conversations begging for help. Writer and director Kaouther Ben Hania captures the archival audio in this gutting re-enactment. Kilani and Motaz Malhees play the two key rescue operators who speak to Hind.The Voice of Hind Rajab is playing now in theaters in the US & UK.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Artwork by: Laura Valencia (IG @iamlauravalencia)Music by: Kevin Calaba (IG @airlandsmusic)Send us a text, let us know what shows and guests you want us to cover.

Fischer, Sigrid www.deutschlandfunk.de, Corso

Antonella Caruso"La voce di Hind Rajab"Giovedì 22 gennaio, per la rassegna "Schermi d'autore invernali", sarà ospite del Cineclub Méliès di Busca l'analista ed esperta di geopolitica Antonella Caruso, che colloquierà col pubblico a seguito della proiezione del film "La voce di Hind Rajab" di Kaouther Ben Hania.  29 gennaio 2024. I volontari della Mezzaluna Rossa ricevono una chiamata di emergenza. Una bambina di sei anni è intrappolata in un'auto sotto attacco a Gaza, e implora di essere salvata. Mentre cercano di tenerla al telefono fanno tutto il possibile per farle arrivare un'ambulanza. Il suo nome era Hind Rajab.C'era qualcosa di elettrico nell'energia che circondava questo progetto, così immediato, così vivo. Non avrei mai immaginato che sarebbe stato possibile completarlo dall'inizio alla fine in soli dodici mesi. Ecco come è iniziato tutto: ero nel bel mezzo della campagna per gli Oscar di Les filles d'Olfa e mi preparavo mentalmente a entrare finalmente in pre-produzione per un film che avevo passato dieci anni a scrivere. Poi, durante uno scalo all'aeroporto di Los Angeles, tutto è cambiato. Ho sentito una registrazione audio di Hind Rajab che implorava aiuto. A quel punto la sua voce si era già diffusa su Internet. Ho subito provato un misto di impotenza e di sconvolgente tristezza. Una reazione fisica, come se la terra mi fosse mancata sotto i piedi. Non potevo continuare come previsto. Ho contattato la Mezzaluna Rossa e ho chiesto loro l'audio completo. Dopo averlo ascoltato, ho capito che non c'erano più dubbi e che dovevo lasciar perdere qualunque altra cosa. Dovevo fare questo film. Ho parlato a lungo con la madre di Hind, con le persone reali che erano dall'altra parte di quella chiamata, quelle che hanno cercato di aiutarla. Ho ascoltato, ho pianto, ho scritto. Poi ho tessuto una storia attorno alle loro testimonianze, usando la vera registrazione audio della voce di Hind e costruendo un film ambientato in un'unica location, in cui la violenza rimane fuori campo. È stata una scelta deliberata. Perché le immagini violente sono ovunque sui nostri schermi, sulle nostre timeline, sui nostri telefoni. Volevo concentrarmi sull'invisibile: l'attesa, la paura, il suono insopportabile del silenzio quando l'aiuto non arriva. A volte ciò che non vedi è più devastante di ciò che vedi. Al centro di questo film c'è qualcosa di molto semplice, e molto difficile da affrontare. Non posso accettare un mondo in cui un bambino chiede aiuto e nessuno arriva. Quel dolore, quel fallimento, appartengono a tutti noi. Questa storia non riguarda solo Gaza. Parla di un dolore universale. E credo che l'invenzione narrativa (soprattutto quando trae spunto da eventi verificati, dolorosi e reali) sia lo strumento più potente del cinema. Più potente del rumore delle ultime notizie o dell'indifferenza dello scrolling. Il cinema può preservare un ricordo. Il cinema può resistere all'amnesia.Che la voce di Hind Rajab possa essere ascoltata.Regia di Kaouther ben HaniaAntonella Caruso è analista geopolitica e consulente strategica, esperta di dinamiche politiche e di sicurezza in Medio Oriente e Nord Africa. Attualmente è Consigliera Scientifica di Limes – Rivista italiana di geopolitica e Direttore Esecutivo della Fondazione Vittorio Dan Segre. Vanta una prestigiosa carriera nelle istituzioni internazionali, culminata nel ruolo di Direttrice della Divisione Medio Oriente e Asia Occidentale (MEWAD) presso il Dipartimento degli Affari Politici delle Nazioni Unite a New York. In precedenza, ha ricoperto l'incarico di Senior Advisor per l'area MENA presso il Ministero degli Affari Esteri italiano, contribuendo attivamente alla nascita del forum di dialogo mediterraneo "5+5". Specializzata in lingua e cultura araba, con studi condotti tra Roma e Il Cairo, ha alternato l'attività diplomatica alla ricerca accademica e alla consulenza di alto livello, affermandosi come una delle voci più autorevoli nel panorama italiano per l'analisi dei conflitti regionali e dei processi di democratizzazione nell'area arabo-islamica.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

We speak to acclaimed director Kaouther Ben Hania about her powerful 2025 docudrama The Voice of Hind Rajab – a film that tells the story of the Israeli killing of a six-year-old Palestinian girl who was trapped in a car under fire in Gaza. See omnystudio.com/listener for privacy information.

The Voice of Hind Rajab (Arabic: صوت هند رجب, romanized: Ṣawt Hind Rajab) is a 2025 docudrama film written and directed by Kaouther Ben Hania. It follows the Red Crescent response to the killing of Hind Rajab, a five-year-old Palestinian girl, by the Israel Defense Forces during the Israeli invasion of the Gaza Strip. It stars Saja Kilani, Motaz Malhees, Amer Hlehel, and Clara Khoury. The film is a co-production between Tunisia and France.The film had its world premiere in the main competition of the 82nd Venice International Film Festival on 3 September 2025, where it won the Grand Jury Prize and other six parallel prizes. It was theatrically released in Tunisia on 10 September, and was released in France on 26 November by The Party Film Sales.It was selected as the Tunisian entry for the Best International Feature Film at the 98th Academy Awards, making the December shortlist. At the 83rd Golden Globe Awards, it was nominated for Best Non-English Language Film. Hosted on Acast. See acast.com/privacy for more information.

This week, Hanna speaks to Motaz Malhees about his role in The Voice of Hind Rajab (11:43). We review Rental Family (32:07) and 28 Years Later: The Bone Temple (48:16).Plus, in our HOT TAKE (50:01), we discuss how soon is too soon for cinema to tackle real-life tragedies in narrative fiction?If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast.

On Truth & Movies this week, we discuss Nia DaCosta's 28 Years Later: Bone Temple, the latest chapter in the long-running post-apocalyptic saga. We also review Kaouther Ben Hania's The Voice Of Hind Rajab and speak to Ben Hania alongside actor Erin Kellyman and director Nia DaCosta. Joining host Leila Latif are Ada Enechi and Kambole Campbell.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

On average, one Palestinian child has been killed every hour by Israeli forces over 23 months of war. What does the future hold for the children of Gaza and their families?

The new film "The Voice of Hind Rajab" tells the story of the attempted rescue of Hind Rajab, a young girl who was stuck in a car in Gaza after every other family member in the car had been shot and killed. Rajab was on the phone with the Red Crescent Society for hours as they tried to send an ambulance to retrieve her. The film uses the real audiotapes of those calls, but uses actors to play the Red Crescent employees in a unique blend of fact and fiction. Director Kaouther Ben Hania discusses the film, which is playing in select theaters in New York.

"The Voice Of Hind Rajab" is a docudrama film written and directed by Kaouther Ben Hania. It follows the Red Crescent response to the killing of Hind Rajab, a five-year-old Palestinian girl, by the Israel Defense Forces during the Israeli invasion of the Gaza Strip. It stars Saja Kilani, Motaz Malhees, Amer Hlehel, and Clara Khoury. The film had its world premiere in the main competition of the 82nd Venice International Film Festival, where it won the Grand Jury Prize and other six parallel prizes. It has been selected as the Tunisian entry for the Best International Feature Film at the 98th Academy Awards, earning a spot on the Oscar shortlist. At the 83rd Golden Globe Awards, it was nominated for Best Non-English Language Film. Ben Hania was kind enough to spend some time talking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Willa. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Back from the New Year's break, Adam and Josh go long on the majesty - and some of the shortcomings - of Josh Safdie's MARTY SUPREME. Plus, Josh is positive on the new AVATAR, and Adam recommends Gus Van Sant's DEAD MAN'S WIRE and Kaouther Ben Hania's THE VOICE OF HIND RAJAB.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:04:33) Marty Supreme (00:04:34-00:50:40) Filmspotting Family (00:50:41-00:56:50) Avatar: Fire & Ash (00:56:51-01:04:53) Dead Man's Wire (01:04:54-01:15:38) Next Week / Notes (01:15:39-01:21:38) Poll: 2026 Most Anticipated (01:21:39-01:29:26) The Voice of Hind Rajab (01:29:27-01:37:34) Credits / New Releases (01:37:35-01:40:30) Links: -DGA's Director's Cut Podcast w/Josh Safdie https://www.dga.org/events/2026/february2026/martysupreme_qna_1225 -Walter Chaw's 0-star review of Avatar: Fire & Ash https://filmfreakcentral.net/2025/12/avatar-fire-and-ash-2025/ -Pop Culture Happy Hour on Avatar: Fire & Ash https://www.npr.org/2025/12/19/nx-s1-5648236/avatar-fire-and-ash-is-one-battle-after-another Feedback: -Email us at feedback@filmspotting.net⁠⁠. -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠⁠https://filmspottingfamily.com⁠⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠⁠https://www.filmspotting.net/shop⁠⁠⁠ Follow: ⁠⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.instagram.com/larsenonfilm⁠  https://letterboxd.com/larsenonfilm⁠⁠⁠  https://www.facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexander Skarsgård (“Pillion”) on earning acclaim for a daring performance in a small British indie film tackling subject matter most studios avoid, while director Kaouther Ben Hania (“The Voice of Hind Rajab”) on watching her film reach new audiences as awards season unfolds and how she remains focused on ensuring Hind Rajab's voice is not forgotten. Also, the Roundtable dissects the SAG-AFTRA Actor Awards, while giving final predictions for this weekend's Golden Globes. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, JD and Brendan discuss Kaouther Ben Hania's heartbreaking new film THE VOICE OF HIND RAJAB! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

A2 THE SHOW #593Join us as we welcome Cyril Aris, Lebanese director, screenwriter, and member of the Academy of Motion Picture Arts and Sciences®, whose feature A Sad and Beautiful World (2025) premiered at Venice and became Lebanon's Oscar® submission. Cyril opens up about choosing filmmaking over consulting, capturing Beirut's most challenging moments, and using cinema as a political and social tool. He reflects on navigating censorship, working with first-time actors, and crafting deeply human stories of love, loss, and resilience. Along the way, he shares how life experiences shape meaningful cinema and the importance of challenging global stereotypes about Beirut and Lebanese identity.IG: @cyrilarisWEBSITE: https://www.cyrilaris.com/

“FUN FACTS ABOUT CLASSIC HOLIDAY MOVIES” - 12/22/2025 (119) We all know the iconic Holiday movies like “A Christmas Carol,” “It's A Wonderful Life,” “White Christmas.” This week, Nan and Steve go behind the scenes of some of your favorite classic holiday movies and dig up some fun facts about these films that you may or may not know. We talk about the snow, the casting, the locations, and a lot more! Join in the fun as they conjure up holiday cheer with these great films. SHOW NOTES:  Sources: Christmas in The Movies (2023), by Jeremy Arnold; Christmas In Classic Films (2022), by Jacqueline T. Lynch; The Many Cinemas of Michael Curtiz (2018), edited by R. Barfton Palmer & Murray Pomerance; Have Yourself a Movie Little Christmas (2010), by Alonso Duaralde; Ginger: My Story (2008), by Ginger Rogers; Christmas At The Movies: Images of Christmas in American, British, and European Cinema (2000), edited by Mark Connelly; It's Christmas Time At The Movies (1998), by Gary J & Susan Svehla; AMC American Movie Classics: Greatest Christmas Movies (1998), by Frank Thompson; The ‘It's A Wonderful Life' Book (1986), by Jeanine Basinger; Great Movie Directors (1986), by Ted Sennett; The Films of Frank Capra (1977), by Victor Scherle & Wiliam Turner Levy; "35 Surprising ‘White Christmas' Movie Facts About the Cast, Songs & More,” October 31, 2024, Good Housekeeping; “A Short History of Fake Snow In Holiday Movies:  From ‘It's A Wonderful Life' to Harry Potter,” December 15, 2021, LAist.com; “The Song That Changed Christmas,”October 5, 2016, by Will Friedwald, Wall Street Journal; “It's A Wonderful Life: Rare Photos From the Set of a Holiday Classic,” November 26, 2013, by Ben Cosgrove, Time magazine; “On A Wing and a Prayer,” December 23, 2006, by Stephen Cox, LA Times; “Whose Life Was It, Anyway?” December 15, 1996, by Steven Smith, LA Times; “White Christmas: Rosemary Clooney Remembers Everyone's Favorite Christmas Musical,” December 1994, by Frank Thompson, Pulse! Magazine; “Less Than Wonderful: James Walcott Reassesses Capra's Christmas Classic,” December 1986, Vanity Fair; “Capra's Christmas Classic: Yes, Virginia, It's A Wonderful Life,” December 1986, by Trea Hoving, Connoisseur; “All I Want For Christmas is a VCR,” December 24, 1985, L.A. Herald-Examiner; “Bing, Astaire Bow Out, Par Recasting ‘Xmas',”January 7, 1953,  Variety; “Bing Bobs Back into ‘Christmas' Cast at Par,” January 22, 1953, Variety,  “White Christmas: From Pop Tune to Picture,” October 18, 1953, by Thomas Wood, New York Times; “Around the Sets,” August 13, 1944, L.A. Examiner; TCM.com; IMDBPro.com; Movies Mentioned:  A Christmas Carol (1938), starring Reginald Owen, Gene Lockhart, Kathleen Lockhart, Leo G. Carroll, June Lockhart, Terry Kilburn, Barry McKay, and Lynne Carver; Christmas In Connecticut (1945), starring Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, S.Z. Sakall, Reginald Gardiner, Robert Shayne, and Una O'Connor; It's A Wonderful Life (1947), starring Jimmy Stewart, Donna Reed, Lionel Barrymore, Henry Travers, Thomas Mitchell, Beulah Bondi, Gloria Grahame, Frank Faylen, Ward Bond, H.B. Warner,  Frank Albertson, Samuel S, Hind, Mary Treen, Todd Karnes, Virginia Patton, Sarah Edwards, Sheldon Leonard, and Lillian Randolph; White Christmas (1954), starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen, Dean Jagger, Anne Whitfield, and Mary Wickes; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we hear reviews of two films: the 2019 "An Officer and a Spy," a film by controversial director Roman Polanski on the Dreyfus Affair, which is now playing in the United States, and the shattering documentary, "The Voice of Hind Rajab." But the pair opens the program by honoring director-actor Rob Reiner, who was slain over the weekend alongside his wife, Michele. We learn about his early acting work and hear about many of his groundbreaking films that have become enduring classics. Hoffman tells us about Polanski's cinematic childhood and early adult life -- he barely survived the Holocaust and his wife, Sharon Tate, was murdered by the Manson family. We then hear how Polanski skipped out on the sentencing after pleading guilty to engaging in unlawful sexual intercourse with a minor, a 13-year-old girl he was photographing for Vogue, and has lived outside of the US ever since, but still working consistently. And after all that, we learn about the merits of the film, "An Officer and a Spy." The final movie discussed is potentially even more controversial to several listeners, "The Voice of Hind Rajab." The film portrays the attempts of the Ramallah-based Red Crescent to send an ambulance to save the six-year-old Hind, who is trapped in a war zone in northern Gaza in a car with her family, who are all dead. Using the actual soundtrack from the terrified girl's phone calls for help, the film is a carefully crafted re-enactment of the impending tragedy. Hear which film(s) got a seal of approval on this week's The Reel Schmooze. The Reel Schmooze is produced by the PodWaves and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Get ad-free, early access to new 10 Percent True videos: https://www.10percenttrue.com/pricing-plans/list0:00 intro and welcome back Buck1:38 weapon school genesis and selection6:21 3 times through and a baby on board!7:57 standing up the school12:42 light grey snub comes full circle!16:17 fighting institutional resistance in AFSOC18:16 the value and the sanctity of the debrief19:16 bilat story - AFSOC resistance continued23:10 prefacing weapon effects videos and opening eyes on BDA29:23 continuing the development story (FARP mission), regaining lost skills32:08 a negative experience 33:28 a positive experience (Hind story)37:45 decompression after the WIC, follow on assignments before returning as commander including some good bad and ugly 47:45 the slow clap 3 star - how does someone fail their way to the top?51:14 AFSOC culture, question marks, continued tribalism? 55:51 working with spec-ops operators58:40 “taking Tonopah”1:01:50 protection from and integration of fast movers1:06:03 dates 1:06:50 weapons officers deployed and first combat?1:08:10 setting the stage1:10:25 early days of combat 1:12:55 mission story - briefing on a post it note1:22:05 taking stock and stopping counting1:23:55 accepting the risk of descending below cloud and being shot at? 1:24:58 debriefing and decompression 1:31:15 feedback from “customers” (operators)1:32:50 another mission story featuring close calls, pointed feedback and subsequent fallout1:50:10 summarising the aftermath of the mission - and the greatest feedback1:54:10 the investigative perspective?1:57:50 need to be pragmatic in the face of AF “integrity”?1:59:52 pre-visualisation vs “just send it” 2:02:30 trying to mitigate operator dismay at refusal to engage2:05:47 other coalition partners - working with Brits?2:07:54 liaison/exchange?2:09:20 2nd DFC?2:09:50 Air Commando Hall of Fame2:13:18 reviewing more video clips2:25:20 the boat one!2:30:20 Phantom lovers avert your eyes2:32:02 funny mission story (the Padré)2:37:20 changes and the future of gunship2:44:14 letting go difficult?2:48:05 potentially another episode and wrapping up

Send us a text7:28 Avatar: Fire and Ash20:10 Marty Supreme29:36 The Housemaid35:06 Is This Thing On?42:39 The Voice of Hind Rajab47:25 Cover-UpIt's an 6-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!   'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'   Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

‘The Voice of Hind Rajab,' recreates an emergency call with a five-year-old girl trapped in a car under Israeli fire as first responders desperately try to save her.

On this week's episode of The Business of Watches, a frank discussion with one of the most powerful women in the world of horology. Hind Seddiqi is the Chief Executive Officer of Dubai Watch Week, an event that's grown and matured to become one of the few truly top-tier events on the watch sector calendar. As CEO of the biennial gathering, Seddiqi oversees the team that decides which brands get to exhibit their wares, which executives and collectors get to speak on the industry panels, and exactly how the massive show is staged, presented, and organized. This year's Dubai Watch Week was the most successful edition yet and marked a new era of international profile for an idea launched a decade ago by the United Arab Emirates retailer Ahmed Seddiqi as a way to showcase watchmaking and inform locals about the industry. Housed in a new, larger, and purpose-built venue near the Burj Khalifa, Dubai Watch Week 2025 welcomed a record 49,000 visitors this year, a 113% increase from the previous edition. The event, marking the 75th anniversary of the Seddiqi family retail empire, saw a wave of collector groups fly in from around the world to attend a show that offers up close and personal access to many of the biggest names in watchmaking, from Max Büsser to Roger Smith, to Rexhep Rexhepi, and the CEO of A. Lange & Söhne, Wilhelm Schmid. Hind Seddiqi says one of her biggest challenges now is preserving the casual, spontaneous, and intimate feel of Dubai Watch Week as demand for a place at the table continues to rise. She talks about Dubai, its torrid growth (and punishing traffic) and the city's increasingly important role in the international economy and how she plans to manage the demands and expectations of a massively popular event. Want to subscribe so you never miss an episode? This new show is being published to the original Hodinkee Podcasts feed, so you can subscribe wherever you find your podcasts, including Apple Podcasts, Spotify, or TuneIn.Show Notes: 3:08 Dubai Watch Week4:32 Ahmed Seddiqi 5:03 A Rare Look Inside The Incredible Collection Of Mohammed Seddiqi At Dubai Watch Week9:09 Dubai Watch Week Masterclasses10:31 Audemars Piguet "House of Wonders" at Dubai Watch Week 12:15 Dubai population growth (Gulf News) 16:05 Francis Ford Coppola's Personal 'FFC' Sells for $10.755 million, The Most Expensive F.P. Journe Ever Sold17:30 Dubai Mall 20:50 Rolex CEO Says Brand Won't Significantly Expand Own Retail And Will Continue To Work With Authorized Dealers23:15 Top Swiss Watch CEOs Talk Leadership And Strategy Amid Industry Challenges At Dubai Watch Week26:30 Tudor Launches New Ranger In 36MM At Dubai Watch Week  

durée : 00:54:38 - Le Masque et la Plume - par : Rebecca Manzoni - Cette semaine, les critiques du Masque débattent autour de cinq films : le thriller "Dossier 137" de Dominik Moll, "Vie Privée" de Rebecca Zlotowski, le documentaire "La voix de Hind Rajab", "Bugonia" de Yorgos Lanthimos et "Running Man" d'Edgar Wright. - invités : Jean-Marc Lalanne, Marie SAUVION, Charlotte LIPINSKA, Pierre Murat - Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Marie Sauvion : Journaliste à Télérama, Charlotte Lipinska : Critique française de cinéma, Pierre Murat : Journaliste et auteur - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.