Podcast appearances and mentions of Van Sant

Amy & Victor chat Van Sant's Death Trilogy, his artsy indies, award-winning crowd-pleasers, and everything in-between.

https://notesonfilm1.com/2024/11/17/the-gus-van-sant-podcast-no-6-michael-j-glass-on-good-will-hunting-1997/ Michael J. Glass joins me for a discussion of Gus Van Sant's GOOD WILL HUNTING (1997), a blockbuster success in its day; a film that won Robin Williams an Oscar, made stars of Matt Damon and Ben Affleck, and left a big cultural imprint. It's since been much parodied (in COMMUNITY, THE SIMPSONS, all over youtube) and a dominant critical perspective is slightly sniffy on the film: filmmaking by numbers and committees on a ‘we need a job' script. We found it an extremely easy watch that holds up and is even more interesting on second viewing. GOOD WILL HUNTING is an effective piece that is surprising in all kinds of ways and still works. We discuss its critique of the US, its focus on class, on abuse, on the fragility of young men. Its rare to see a film that dramatizes how American foreign policy is one of extraction and exploitation and how social mobility in the US is available only to geniuses with sponsorship. We also discuss whether how Van Sant film and what he focusses on might be connected to sexual identity.

https://notesonfilm1.com/2024/10/28/the-gus-van-sant-podcast-no-4-lisa-purse-on-even-cowgirls-get-the-blues-1993/ Lisa Purse on EVEN COWGIRLS GET THE BLUES (Gus Van Sant, 1993) I was truly delighted when Lisa Purse agreed to talk to me about EVEN COWGIRLS GET THE BLUES. Lisa is a Professor of Film Studies at Reading University, one of the most brilliant scholars on action movies, and a nuanced thinker on questions of mediations, conflicts, identities. I wanted to have her on the podcast because I thought she might expand my thinking on EVEN COWGIRLS GET THE BLUES, and she did. In the podcast we discuss seeing the film when it was first released, seeing it now, and explore the hows and whys of changing responses. We note the context of ‘New Queer Cinema' and the different kinds of experiments that were then taking place. EVEN COWGIRLS GET THE BLUES is a film that refuses seriousness and we speculate that maybe neither of us was then in a place where we could recognise the value of that. We discuss how the film continues Van Sant's interest in ‘The Road', and discuss movement and flow, as rhythm, narrative device, formal strategy, and condensed ideation. Is it a film that's trying to do much? B. Ruby Rich wrote on how the film contains references to forms of collective action. Is it more of its time than we first realised? We discuss the film as a form of active allyship that is not to be sneezed at, and note the hostility of its initial reception, refencing B. Ruby Rich's contention that with this film Van Sant fell into the category of a female director (at least for some) and therefore got treated as one.

https://notesonfilm1.com/2024/10/13/the-gus-van-sant-podcast-5a-to-die-for-1995/ The first of two podcasts on Gus Van Sant's TO DIE FOR (1995), this one with Matt Hays, journalist, co-editor with Tom Waugh of McGill-Queen's Press' QUEER FILM CLASSICS series, and a professor of film at Concordia University and Marianopolis College. Matt's reviewed Criterion's recent edition of the film for the current CINEASTE and I wanted to pick up on some of the excellent points he raises there: how is the film a turning point in Van Sant's career? What is this shifting of gears between Van Sant's more commercial and more esoteric works? Is the film prescient? What does it tell us about celebrity culture, the media and politics? What is the film's view of heterosexual relations? What does it tell us about race in America? What are the formal tensions running through the film? It's structure has been compared to that of CITIZEN KANE and RASHOMON. How so? We agree that Kidman gives one of her greatest performances but have Matt Dillon and Joaquin Phoenix been overlooked? All this and much more can be heard here:

https://notesonfilm1.com/2024/09/26/the-gus-van-sant-podcast-no-2-drugstore-cowboy-1989/ We found DRUGSTORE COWBOY, Gus Van Sant's second feature, beautiful, imaginative and moving; a film that gets better with each viewing. We discuss Matt Dillon, so extraordinarily good looking and yet also so very believable as a ‘regular guy'; Tom Waits was the original casting and we talk about what Dillon brings to the role, his choices, and another possible connection to Van Sant, how he is also drawn to the marginal, the outsider; we talk about the experimental montages, clearly influenced by Anthony Balch's Fires Open Fire (1963) which evoke a subjective state of mind, usually drug fuelled, but which also act as a structuring device and help make the film aesthetically cohesive. We discuss continuities: time-lapse photography, Super8 filming, the Pacific Northwest, subject matter of marginals, outsiders, small time crims, junkies. We both agree that we don't like William Burroughs in the film, even though he was much praised upon its release. We discuss how Van Sant's second feature is an announcement of a major American director with a distinctive voice, a very particular style, a visual vernacular, a contiguous world from film to film, peopled by recurring figures, a darkly comic tone

https://notesonfilm1.com/2024/09/22/the-gus-van-sant-podcast-1-mala-noche-1985/ A new podcast to accompany a new mini-research project. Richard's kindly humoured me and consented to help kickstart this project, but he'll only co-host with me for the first three films so I shall be reaching out to some of you to talk to me about the rest – and certainly if you have a particular interest in any of Van Sant's films and would like to podcast on them with me, do please get in touch. I'm hoping to build a resource here, not only with the podcasts but eventually with clips, images, a bibliography and more. It will be a process. In this inaugural podcast we talk about Van Sant's first feature, based on Walt Streeter's autobiographical novel, self-financed for $20,000 and filmed on 16mm. We discuss what made us uncomfortable on first viewing, in my case when the film first came out: the power differentials between the characters; the racialised dimension to the casting; but we also discuss why it arguably remains a great film – and the troublesome aspects are part of its greatness. We discuss how the film is an announcement of a new voice in American cinema, with roots in a history of queer culture (John Rechy, Genet, Warhol, The Beats). We speculate on the film's romanticism within a quite fluid representation of sexuality that distinguishes between acts, desire, feelings and identities; queer avant-la-lèttre. We talk about the film's look, one partly dictated by the film's budget, few lights available thus the choice of hard one-directional lighting; making for a noir look but with a beat, bohemian sensibility. MALA NOCHE arrives in the context of new forms of finance, distribution and exhibition permitted by the developing video rental market. One could now produce low-budget films which heretofore challenging subect matterand/or challenging forms and make money from niche markets. Van Sant appears alongside Jarmusch, Spike Lee and other indie filmmakers in the mid 80s. MALA NOCHE can be thought of as a the first of what may be considered a trilogy (alongside DRUGSTORE COWBOY and MY OWN PRIVATE IDAHO), at least thematically: it's North West setting, the marginal cultures, the bohemian romance of outsiderness, it's avant-garde components, its daring. An exciting film to re-watch and talk about.

Tune in for a conversation with special guest Larry Van Sant of Sandler Sales Training.Connect with Joshua at:The WebsiteThe Facebook GroupDesign & Sales Master ClassesSubscribe to Outerspaces on your favorite podcasting platform and never miss an episode!

Each week on The Wes Buck Show, the Drag Illustrated team, Wes Buck, JT "Murder T" Hudson, and Mike Carpenter, bring their unique insights and analysis to the most electrifying moments and storylines from a packed weekend of drag racing. Don't miss out on the action and conversation - hit SUBSCRIBE for the latest in drag racing: @dragillustrated Grab your MERCH here: https://dragillustrated.store Stay connected with The Wes Buck Show: @thewesbuckshow @dragillustrated RACERSCLUB MERCH: http://www.racers.club Want to sponsor the show? Contact us: wes@dragillustrated.com #dragracing #wesbuck #dragillustrated #NHRA #PDRA #NoPrep #Streetoutlaws #NoPrepKings #Promod #MWDRS #topfuel #funnycar #prostock #radialracing #NPK #WDRA #dragrace #DI #WBS #WesBuckShow #WSOPM #WorldSeriesOfProMod #Brandenton #MMPS #FloRacing #FloDragRacing #Stroud #RedLineOil #RacersClub #racers.club #NHRAFinals #ProStock #NoPrepKingsDallas #WorldStreetNationals #Episode353 --- Support this podcast: https://podcasters.spotify.com/pod/show/thewesbuckshow/support

#nhra #dragracing #NHRADragRacing2024 NHRA Northwest Nationals winners Jeg Coughlin Jr. and Chase Van Sant join WFO Radio following their victory at Pacific Raceways. Jeg Coughlin, the 5X NHRA Pro Stock World Champion, will give the details of his third win of the 2024 season. Chase Van Sant, ended the historic 11 race win streak of Gaige Herrera to claim his first NHRA National event win and the first win for team owner Tim Kulungian. Hector Arana Jr. will discuss the GETTRX NHRA Pro Stock Motorcycle All-Star Callout at the Denso NHRA Sonoma Nationals at Sonoma Raceway. Interviews on WFO Radio have become part of winning for drivers in the NHRA Drag Racing Series. As part of the National Hot Rod Association's Track Announcing team, host Joe Castello brings insights directly from the world of professional NHRA Mission Foods and Lucas Oil Series Drag Racing. NHRA results and news are featured in weekly livestreams, NHRA's Alan Reinhart and other NHRA stars including John Force, Ron Capps, Antron Brown, Steve Torrence, Justin Ashley, Josh Hart, Austin Prock, Greg Anderson, and Erica Enders all make frequent stops on the WFO Radio Podcast and livestream. MERCH: https://www.teepublic.com/stores/wfo-radio?ref_id=24678 PATREON: https://www.patreon.com/WFORadio APPLE: https://podcasts.apple.com/us/podcast/wfo-radio-podcast/id449870843?ls=1 SPOTIFY: https://open.spotify.com/show/0oo5mn0E3VmfhRCTHyLQIS GOOGLE: https://podcasts.google.com/feed/aHR0cDovL2ZlZWRzLmZlZWRidXJuZXIuY29tL1dmb1JhZGlv

All great things must come to an end and here we are with the final film in Gus Van Sant's "Death Trilogy" LAST DAYS. Michael Pitt stars as not Kurt Cobain in a film not about Kurt Cobain's final days before his suicide. Katherine returns to talk all things Cobain, Nirvana, Van Sant, and depression/alienation. Sound fun? Well it actually is very fun!Does LAST DAYS paint an accurate portrayal of Cobain? Or does it function better as one of the all-time great clinical depression simulators? You'll have to listen to find out! We also talk about some new movies we've seen including HIT MAN, KINDS OF KINDNESS and more!Join us next week for a brand new series (and it's a big one!)... ALIEN. In cautiously optimistic anticipation of the new Alien film ALIEN: ROMULUS we'll be screaming in outer space where no one can hear us for the next like two months.Follow us @thefranchisees on Instagram and Twitter and email us at thefranchiseespod@gmail.com

This episode of Target Audience welcomes editor and film critic Dave Gianinni. Dave is targeted by Gus Van Sant's Shakespearian LGBTQ drama My Own Private Idaho. Join us as we discuss the bizarre narrative, Van Sant's up-and-down filmography, and the lost potential of River Phoenix. Dave on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dave at InSession Film Pop Culture Case Study Podcast Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Pull Me Through" by Royal Blood

Welcome back to another week of So Shameless!! This week we welcome @Miss2Bees to talk why men feel alot of pressure dating in todays society, feeling demeaned and devalued according to lyanla Van Sant, and Tahoe asks what happened to teamwork??? Enjoy!!Join our Patreon to listen to the full episode AD FREE at Patreon.com/SoShamelessPodcastSocials:Ebbony - @Miss2Bees

Drugstore Cowboy is a 1989 American crime drama film directed by the American filmmaker Gus Van Sant. Written by Van Sant and Daniel Yost and based on an autobiographical novel by James Fogle, the film stars Matt Dillon, Kelly Lynch, Heather Graham and William S. Burroughs.

Episode 383: The Crew's wondering how beautiful they'd be if they were drug addicts while watching Gus Van Sant's Drugstore Cowboy. This indie film wasn't a box-office hit, but word of mouth made it a much talked about VHS rental. Over thirty years later, Van Sant's film about drug addiction, does seem tame and light hearted. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Maria Van Sant is a speech therapist who has recently transitioned to ADHD Parent Coaching. She works with parents who are looking for solutions to their everyday struggles with neurodivergent kids and on educating parents to have a healthier family lifestyle. Here's where to find more:www.mariavansant.comyoutube: @mariavansant8788tiktok: @miss.maria262___________________________________________________________Welcome to The Unforget Yourself Show where we use the power of woo and the proof of science to help you identify your blind spots, and get over your own bullshit so that you can do the fucking thing you ACTUALLY want to do!We're Mark and Katie, the founders of Unforget Yourself and the creators of the Unforget Yourself System and on this podcast, we're here to share REAL conversations about what goes on inside the heart and minds of those brave and crazy enough to start their own business. From the accidental entrepreneur to the laser-focused CEO, we find out how they got to where they are today, not by hearing the go-to story of their success, but talking about how we all have our own BS to deal with and it's through facing ourselves that we find a way to do the fucking thing.Along the way, we hope to show you that YOU are the most important asset in your business (and your life - duh!). Being a business owner is tough! With vulnerability and humor, we get to the real story behind their success and show you that you're not alone._____________________Find all our links to all the things like the socials, how to work with us and how to apply to be on the podcast here: https://linktr.ee/unforgetyourself

lovethylawyer.comA transcript of this podcast is available at lovethylawyer.com.Bilingual forensic linguist & Expert Witness spanish interpreting, translation and transcription Superior Court of California, County of Alameda 2001- present Certified Court Interpreter, Spanish Language, Criminal, Civil, Family & Juvenile  Freelance Transcription, Translation & Interpreting 1998 – present Clients include: United States District Court, Federal Public Defender, Alameda County Public Defender, Alameda County Criminal Court Appointed Attorneys Panel, Yolo County District Attorney, University of California, San Francisco  Accent on Languages 1998 - 2001 Wire intercept monitoring and tape & video transcription & translation. Clients included DEA, FBI, US Customs and California Bureau of Narcotics Enforcement  expert witness testimony·       Yolo County District Attorney – 2022  Selected essay & Fiction publications·       Blood in the Grove, The Plentitudes, Winter 2022 ·       Priest Killer, Wilderness House Literary Review, Summer 2022 ·       Savior, The Writing Disorder, Fall 2020  translation publications   Please subscribe and listen. Then tell us who you want to hear and what areas of interest you'd like us to cover.  Louis Goodman www.louisgoodman.comhttps://www.lovethylawyer.com/510.582.9090Music: Joel Katz, Seaside Recording, MauiTech: Bryan Matheson, Skyline Studios, OaklandAudiograms: Paul Roberts louis@lovethylawyer.com

Season 3 is here and we're kicking off with a much requested and somewhat controversial remake. Alfred Hitchcock's 1960 horror-thriller Psycho changed the game. An iconic score, moody black and white photography, some of the most parodied sequences and dialogue in cinema history and the first ever appearance of a flushing toilet. So, naturally, Gus Van Sant followed up his biggest hit with a colour, shot-for-shot remake, taken from the exact same script. Have we got another Point Break on our hands, or did Van Sant pull it off? Vince Vaughn certainly did... Subscribe, follow and get in touch in these places: If you're interested in the team's views on non-remake properties, you can follow us on Letterboxd: Neal's profile - ⁠https://boxd.it/1EHhT⁠Ben's profile - ⁠https://boxd.it/1lH3J⁠ We want your feedback, 3-word reviews and suggestions for any other films that have been remade, so find us in these places: Follow us on Facebook: https://www.facebook.com/Goodbadremake/ and on Twitter: twitter.com/GoodBadRemake And get in touch here: goodbadremake@gmail.com Music is 'Bring Me the West' by phlaala

In October, we wrapped up the month with a deliciously spooky Halloween #MSWL panel. Join us for a live panel recording with agents T.S Ferguson, Kelly Van Sant, Jenissa Graham, and Claire Harris as they take us through their creepy wishlists and fun bookish activities. But even if you're writing serious nonfiction, or in a completely other genre, this is a great view into what agents love within genres—and how agenting, in general, works. With Q&A, trivia, live #MSWL and a class on dialogue, this is a fun event we're thrilled to share. Want YOUR genre to be the theme for our next panel? Vote here!manuscriptacademy.com/mswl-live Prefer to watch the video version? Check it out here! manuscriptacademy.com/mswl-live-sff Today's episode includes (in order of appearance): *T.S. Ferguson, agent at Azantian Literary, with a Flash Fiction Showcase *Jenissa Graham, agent at Bookends Literary, with a query critique *Kelly Van Sant, agent at KT a Literary Agency, with a craft class on Tension & Stakes *Claire Harris, agent at PS Literary, with an example of a query that worked for her--and the author whose book is coming out this year. Today's event was filmed in front of our Manuscript Academy members. Want to be there live next time? Join us! Learn more here: manuscriptacademy.com/membership

What's NEXT for Chris Bumstead?Rob's IG: @vansant.ifbb#Ramonrochaqueiroz #urskalecinski #breonansley #terrenceruffin   #olympia #olympia2023 

Season 18 begins!!! We meet GUS VAN SANT, iconic American film director, producer, painter, photographer and musician. We discuss his deconstructed Mona Lisa series, his friendship with Derek Jarman and how he became a painter in his teens, the lasting influence of his art teacher, and how painting informed his filmmaking!!!Gus Van Sant (b. 1952, Louisville, Kentucky), admired internationally as a filmmaker, painter, photographer, and musician, received his BFA from the Rhode Island School of Design in Providence in 1975. Since that time his studio painting practice has moved in and out of the foreground of a multi-disciplinary career, becoming a priority again over recent years. Van Sant's work in different mediums is united by a single overarching interest in portraying people on the fringes of society.Van Sant's work has been the subject of solo exhibitions at the Musée de l'Elysée in Lausanne, Switzerland, Le Case d'Arte in Milan, Italy, and the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, among others. He has participated in numerous group exhibitions since the 1980s, presenting drawings, paintings, photographs, video works, and writing. Among Van Sant's many internationally acclaimed feature films are Milk (2008); Elephant (2003); Good Will Hunting (1997); My Own Private Idaho (1991); and Drugstore Cowboy (1989).Van Sant lives and works in Los Angeles.Follow @Gus_Van_SantVisit Gus' gallery @VitoSchnabelGallery: https://www.vitoschnabel.com/projects/gus-van-santFeud: Capote's Women forthcoming TV series will air later this year (starring Talk Art's very own Russell Tovey as John O'Shea, longtime boyfriend of Truman Capote). @RyanMurphyProductions Hosted on Acast. See acast.com/privacy for more information.

Today's interview on The Stories Collective will show just how willing our God is to show up for His people. It was a blessing to talk with Heather Van Sant and we're excited to share this conversation with you.⚠️ Before you listen, we do want to give you a trigger warning for this episode. Intense medical issues, procedures and struggles, some involving pregnancy, are discussed throughout this conversation. ⚠️Heather grew up as a pastor's kid living in Arizona. An interest in working in the medical field led her to attend Northern Arizona University as a young adult. It was there that Heather first began to experience some intense medical issues, including a cancer scare at 19 years old. Heather and Mark married in 1998 and you can learn more about their early married years in Mark's interview on The Stories Collective. Heather's first pregnancy with their son Josiah was what most would consider normal but the birth itself was incredibly traumatic. It came to a point where Heather had to fully commit her precious son to the Lord. By the grace of God Josiah is living today and the Lord blessed Heather and Mark with 3 other children, Eli, Hannah and Bekah. Heather talks us through each pregnancy, detailing the struggles but ultimately communicates how faithful God was to see her through and gift their family with healthy children. Unfortunately, after the pregnancies Heather was still experiencing some intense and somewhat unexplainable health issues. You'll hear the emotion in her voice as she talks through the extreme lows she experienced trying to parent her young children and feeling isolated from community. It is hard to encapsulate all that Heather has been through medically but all in all you see God's hand over her life in very specific and tangible ways. There is a joy that is contagious throughout the conversation. You'll appreciate Heather's heart and perspective as she shares. Heather's life is truly a miracle and we're so thankful to have her as a part of our church!Mark Van Sant's episode: https://open.spotify.com/episode/6NBPKEC89pjJZfFRvIUNtj?si=2fb14514dd2740b0Wednesday Night Women's Bible Study (led by Heather): https://dscchurch.churchcenter.com/registrations/events/1882561Would you please subscribe and leave us a review? This will help our podcast reach more people! We'd love it if you'd share this podcast with your friends on social media and beyond. Join us next Wednesday to hear another story of God's faithfulness!

Tune in for a conversation with special guest Larry Van Sant of Sandler Sales Training.Connect with Joshua at:The WebsiteThe Facebook GroupDesign & Sales Master ClassesSubscribe to Outerspaces on your favorite podcasting platform and never miss an episode!

On this episode of the NHRA Insider Podcast host Brian Lohnes is joined by Jon Oberhofer and Todd Smith, the winning funny car crew chiefs from the Denso Sonoma Nationals as well as rookie Pro Stock Motorcycle racer Chase Van Sant.   In the case of Oberhofer and Smith, the conversation centers around the long and systematic rebuilding process of their tune-up and race car after the disaster weekend they had in Pomona with a crash followed by a horrible explosion. It is a fascinating thing to hear about their approach, the arduous work, and ultimately when the results began to come to them. On top of that, the pair talk about the workings of their team, personnel, their approach on race days, and the challenges of Sonoma 2023 with odd weather, a massive oil down, a right lane no one wanted, and what it was like to deliver Kalitta Motorsports a win, their first in a long while.    Chase Van Sant is one of the young riders in Pro Stock Motorcycle forging his name into the ranks of many established players. Van Sant has not ridden like a rookie as he leads the class in average reaction time, has qualified close to the front of the field, and goes rounds more often than he doesn't. In this fun conversation, Lohnes and Van Sant cover a lot of ground from he mental mechanics of being a rider to the pressures, adjustments, and learning curve of being a rookie. Lots of fun here!   Different classes, different lives, the same drive to win. A truly fun show. 

As Levia propels to new heights of viability, ISP calls on the lead bannerman of the League of Levia, Ethan Van Sant. He discusses the impact of Dusk Till Dawn, and also talks about the challenges of content creation. Finally, Ethan sheds more light on Savage Feats, and the growing pains of providing amazing coverage. Catch us on YouTube: http://youtube.com/@instantspeedpodcast Support us on Patreon: http://Patreon.com/instantspeed Get your own ISP gear at http://BerryGoodEmbroidery.com/isp Check out out sponsor Kayfabe Cards: http://KayfabeCards.com Follow Ethan on Twitter @ManSantFaB Catch ISP on Twitter @InstantSpeedPod Catch Flake on Twitter @WatchFlake

Muy pocos directores hay tan respetados como Gus Van Sant a quien hasta en sus tropiezos más claros se le encuentra algo de interesante. Recordemos su malograda versión de Psicosis pero también sus aportaciones a la inspiración cinéfila en Dr ugstore Cowboy o Paranoid Park. Dueño de una narrativa peculiar y semi dios en los terrenos del cine independiente y de su mezcla con el rock, en 2003 Van Sant dio su propia versión del problema con los tiroteos en escuelas en Estados Unidos (especialmente el que ocurrió en Columbine en la primavera de 1999) con la película Elephant. Esta película, reflexiva, interior, sorprendente pero también cruda y violenta cumple en 2023 veinte años de su estreno y dado que la problemática de los tiroteos sigue viva en los Estados Unidos es buen momento para pensarla de nuevo, para extraer otra vez el discurso depositado por Van Sant y analizarlo con la ventaja del tiempo. Para revisar Elephant a 20 años de su estreno invitamos a este episodio a Axel Muñoz Barba , sonidista, director de la película Noches de Julio y un cinéfilo como hay pocos. Entremos de nuevo al convulso mundo de Elephant de Gus Van Sant a 20 años de su estreno.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Alicia Van Sant, founding member and lead singer of The Wag, is my guest for this episode. Alicia's bandmate Joshua Van Ness introduced us. Joshua was featured in episodes 257 and 134. Alicia and I had a great time talking. She loves to laugh and comes across as a genuinly pleasant and fine human being. The Wag has been going over 20 years, so cheers to Alicia and The Wag! These days, they have the luxury of being choosy about the shows they play, and Alicia says they're really busy, all the time. The Wag recently released a new album called "Blue Bottles And Copper Coins." They are about to perform a Beatles tribute show on July 14, 2023, and they have a tour coming up in the U.K. Find all their tour dates at TheWagBand.com/Shows.  In this conversation, Alicia and I talk about the happiness and longevity of The Wag, singing better in heels, performing music of The Beatles, "Blue Bottles And Copper Coins," Making Merch with the Cricut, The Moody Blues, Star Trek, And Lord Of The Rings. Yes, Alicia is a sci-fi nerd. So am I. Please enjoy my conversation with Alicia Van Sant of The Wag. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes TheWagBand.com Joshua Van Ness – Marketing A New Release, Endorsements, The Wag's Mixed Business Model, Merchandising, And Social Marketing (Ep 257)  Building An Intentional Music Career—Joshua Van Ness (Ep 134)  Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube  

El 6 de junio de 1944 ha quedado escrito en la Historia de la Humanidad como uno de los días más importantes del siglo XX. En las playas de Normandía tuvo lugar una de las batallas decisivas de la II Guerra Mundial, aquella que lograría abrir el frente occidental a los aliados y obligaría a la Alemania nazi a replegarse aún más. Muchos historiadores lo marcan como el punto de inflexión para la definitiva caída del III Reich. Por ello, hoy abrimos un nuevo episodio sobre historia que va a estar dividido en dos partes. Por un lado nos centraremos en los hechos históricos de aquel 6 de junio y analizaremos cómo se gestó la operación, cómo plantearon la batalla aliados y alemanes y cuales fueron los puntos clave del enfrentamiento. Tras el intermedio pasaremos a un aspecto más lúdico y nuestro amigo Claudio Yoldi nos comentará los wargames más destacados sobre El desembarco de Normandía. Un episodio especial para una fecha especial en homenaje a aquellos valientes que se enfrentaron a la muerte para luchar por la libertad en Europa. Equipo habitual Javier Moñino Pablo Aguado Invitados Paco Iváñez Claudio Yoldi Producción Samuel Ferrer ‘Doctor Kinton’ Ismael Marín ‘Sagaelx’ Música del podcast Jesús Moñino ¿Quieres anunciarte en nuestro podcast? https://advoices.com/fase24 fase24podcast@gmail.com Si quieres formar parte de nuestra comunidad, entra en nuestro grupo de Telegram: https://t.me/fase24 Si te gusta Fase 24 Podcast y quieres apoyarnos y ayudarnos a mejorar, invítanos a un café: https://ko-fi.com/fase24 También puedes apoyarnos pasando a iVoox Plus a través de alguno de estos enlaces: Plan Anual https://www.ivoox.com/premium?affiliate-code=8c09fb5a8058f3eeda41ddf70593ddf3 Plan Mensual https://www.ivoox.com/premium?affiliate-code=28e5c797498187a91eebddc0977d2b49 iVoox Plus https://www.ivoox.com/plus?affiliate-code=c16f1b36738d87bd53d152b8aca2344c Podcast patrocinado por: Kinton Brands https://www.kintonbrands.com/ Episodio anterior sobre wargames https://go.ivoox.com/rf/104425320 Wargames comentados por Claudio en el episodio 5.2.- El mejor y el peor (Según BGG): El más valorado: 8.5 Command Commander Battle Pack#3 Normandy (2010) GMT, Autor: John Foley. Premio Charles S. Robert 2010 a la mejor expansión. Tercera entrega de la serie con 17 escenarios nuevos. El menos valorado: 4.8 Normandy 44 (Mitchell Games) Editorial desconocida (igual que su autor), todo apunta a que es una autoedición. 5.3.- Mi lista de elegidos: Peculiaridades, puntos fuertes y puntos flojos de cada uno de estos wargames. 2. D-Day Omaha Beach: (2009) GMT. Solitario (o para 2 jugadores). John Butterfield. Premios: Golden Geek al mejor wargame 2010 y el Charles S. Roberts 2009 al mejor juego de la IIGM.Dif: Med/Alta. 3. Pegasus Bridge: (1997) AH, 2 jugadores. Huntington, Petersen, Van Sant, Youse. Arte: Kurt Miller & Mark Simonitch.Sistema ASL. Dif: Alta. 6. Normandy 44:(2010) GMT 2 a 4 jugadores. Mark Simonitch. Arte: Robert MacGowan & Mark Simonitch. Premios: Charles S. Roberts 2010, al mejor wargame de la IIGM y a los mejores gráficos. Dif. Med/Alta. 11. Memoir 44: (2004) Days of Wonders. 2 a 8 jugadores. Richard Borg. Premios: Charles S. Roberts. 2004 y varios premios más. Dif. Med. 13. Heroes of Normandy: (2014) Devil Pig Games. 2 jugadores. Yann & Clem. Varios premios internacionales. Dif. Med. Undaunted Normandy: (2019) Osprey 2 jugadores. Trevor Benjamin & David Thompson. Dif. Sencillo. 19. The Longest Day: (1979) AH. 2 a 8 jugadores. Randall C. Reed (uno de los pioneros en el diseño de wargames). Dif. Alta. Monster. 31. Paul Koenig’s D-Day: Sword & Gold-The British Beaches: (2009) Victory Point Games. 1 a 2 jugadores. Paul Koenig (Autor de juegos para SPI y GDW en la primera época de los wargames comerciales. Creador de la serie para VPG y ahora tiene su propia editorial). Dif. Sencillo. 51. Axis & Allies: D-Day: (2004) AH. 2 a 3 jugadores. Larry Harris & Mike Selinker. Ha recibido varios premios internacionales. (Es un clásico, forma parte de una serie con diversas temáticas de la IIGM. Usa figuras). Dif. Sencillo. 54. Omaha Beachhead: Battle for the Bocage: (1987) VG. 1 a 2 Jugadores. Joseph Balkoski (Creador de la serie GCACW y es uno de los mejores historiadores sobre la división 29 y las playas americanas en el Día-D). Dif. Sencilla/Med. 57. Battle for Normandy: (1982). Attactix Adventure Games. 2 Jugadores. Autor desconocido. Dif. Sencillo. 64. D-Day: (1961) AH. 2 jugadores. Charles S. Roberts (Padre de los wargames comerciales. Clásico primeros wargames y de AH). Dif. Sencillo. 65. El día más largo: (1982) NAC. 2 jugadores. Autor desconocido. (Editorial española y clásico en nuestro país). Dif. Sencillo. Bibliografía https://www.bbc.com/mundo/noticias-internacional-48513120 https://historia.nationalgeographic.com.es/a/dia-d-playas-desembarco-normandia_12788 https://www.elespanol.com/quincemil/articulos/cultura/el-gallego-manuel-otero-el-unico-espanol-en-el-desembarco-de-normandia https://www.elperiodico.com/es/internacional/20190605/desembarco-normandia-7490159 https://www.youtube.com/watch?v=nBKfelgx508&t=962s https://www.youtube.com/watch?v=8bcR2KOSE9g&t=1048s https://www.youtube.com/watch?v=D5AsoC2qUOw https://www.tokyvideo.com/es/video/testigos-del-dia-d Libros: “Historia del desembarco de Normandía”, de Olivier Wieviorka “Seis ejércitos en Normandía. Del día D a la liberación de París”, de John Keegan “History of the Second World War” // “Así fue la Segunda Guerra Mundial” de Las grandes batallas de la historia (Canal Historia) La Segunda Guerra Mundial / Willmott | Cross | Messenger (Galaxia Gutenberg)

El 6 de junio de 1944 ha quedado escrito en la Historia de la Humanidad como uno de los días más importantes del siglo XX. En las playas de Normandía tuvo lugar una de las batallas decisivas de la II Guerra Mundial, aquella que lograría abrir el frente occidental a los aliados y obligaría a la Alemania nazi a replegarse aún más. Muchos historiadores lo marcan como el punto de inflexión para la definitiva caída del III Reich. Por ello, hoy abrimos un nuevo episodio sobre historia que va a estar dividido en dos partes. Por un lado nos centraremos en los hechos históricos de aquel 6 de junio y analizaremos cómo se gestó la operación, cómo plantearon la batalla aliados y alemanes y cuales fueron los puntos clave del enfrentamiento. Tras el intermedio pasaremos a un aspecto más lúdico y nuestro amigo Claudio Yoldi nos comentará los wargames más destacados sobre El desembarco de Normandía. Un episodio especial para una fecha especial en homenaje a aquellos valientes que se enfrentaron a la muerte para luchar por la libertad en Europa. Equipo habitual Javier Moñino Pablo Aguado Invitados Paco Iváñez Claudio Yoldi Producción Samuel Ferrer ‘Doctor Kinton’ Ismael Marín ‘Sagaelx’ Música del podcast Jesús Moñino ¿Quieres anunciarte en nuestro podcast? https://advoices.com/fase24 fase24podcast@gmail.com Si quieres formar parte de nuestra comunidad, entra en nuestro grupo de Telegram: https://t.me/fase24 Si te gusta Fase 24 Podcast y quieres apoyarnos y ayudarnos a mejorar, invítanos a un café: https://ko-fi.com/fase24 También puedes apoyarnos pasando a iVoox Plus a través de alguno de estos enlaces: Plan Anual https://www.ivoox.com/premium?affiliate-code=8c09fb5a8058f3eeda41ddf70593ddf3 Plan Mensual https://www.ivoox.com/premium?affiliate-code=28e5c797498187a91eebddc0977d2b49 iVoox Plus https://www.ivoox.com/plus?affiliate-code=c16f1b36738d87bd53d152b8aca2344c Podcast patrocinado por: Kinton Brands https://www.kintonbrands.com/ Episodio anterior sobre wargames https://go.ivoox.com/rf/104425320 Wargames comentados por Claudio en el episodio 5.2.- El mejor y el peor (Según BGG): El más valorado: 8.5 Command Commander Battle Pack#3 Normandy (2010) GMT, Autor: John Foley. Premio Charles S. Robert 2010 a la mejor expansión. Tercera entrega de la serie con 17 escenarios nuevos. El menos valorado: 4.8 Normandy 44 (Mitchell Games) Editorial desconocida (igual que su autor), todo apunta a que es una autoedición. 5.3.- Mi lista de elegidos: Peculiaridades, puntos fuertes y puntos flojos de cada uno de estos wargames. 2. D-Day Omaha Beach: (2009) GMT. Solitario (o para 2 jugadores). John Butterfield. Premios: Golden Geek al mejor wargame 2010 y el Charles S. Roberts 2009 al mejor juego de la IIGM.Dif: Med/Alta. 3. Pegasus Bridge: (1997) AH, 2 jugadores. Huntington, Petersen, Van Sant, Youse. Arte: Kurt Miller & Mark Simonitch.Sistema ASL. Dif: Alta. 6. Normandy 44:(2010) GMT 2 a 4 jugadores. Mark Simonitch. Arte: Robert MacGowan & Mark Simonitch. Premios: Charles S. Roberts 2010, al mejor wargame de la IIGM y a los mejores gráficos. Dif. Med/Alta. 11. Memoir 44: (2004) Days of Wonders. 2 a 8 jugadores. Richard Borg. Premios: Charles S. Roberts. 2004 y varios premios más. Dif. Med. 13. Heroes of Normandy: (2014) Devil Pig Games. 2 jugadores. Yann & Clem. Varios premios internacionales. Dif. Med. Undaunted Normandy: (2019) Osprey 2 jugadores. Trevor Benjamin & David Thompson. Dif. Sencillo. 19. The Longest Day: (1979) AH. 2 a 8 jugadores. Randall C. Reed (uno de los pioneros en el diseño de wargames). Dif. Alta. Monster. 31. Paul Koenig’s D-Day: Sword & Gold-The British Beaches: (2009) Victory Point Games. 1 a 2 jugadores. Paul Koenig (Autor de juegos para SPI y GDW en la primera época de los wargames comerciales. Creador de la serie para VPG y ahora tiene su propia editorial). Dif. Sencillo. 51. Axis & Allies: D-Day: (2004) AH. 2 a 3 jugadores. Larry Harris & Mike Selinker. Ha recibido varios premios internacionales. (Es un clásico, forma parte de una serie con diversas temáticas de la IIGM. Usa figuras). Dif. Sencillo. 54. Omaha Beachhead: Battle for the Bocage: (1987) VG. 1 a 2 Jugadores. Joseph Balkoski (Creador de la serie GCACW y es uno de los mejores historiadores sobre la división 29 y las playas americanas en el Día-D). Dif. Sencilla/Med. 57. Battle for Normandy: (1982). Attactix Adventure Games. 2 Jugadores. Autor desconocido. Dif. Sencillo. 64. D-Day: (1961) AH. 2 jugadores. Charles S. Roberts (Padre de los wargames comerciales. Clásico primeros wargames y de AH). Dif. Sencillo. 65. El día más largo: (1982) NAC. 2 jugadores. Autor desconocido. (Editorial española y clásico en nuestro país). Dif. Sencillo. Bibliografía https://www.bbc.com/mundo/noticias-internacional-48513120 https://historia.nationalgeographic.com.es/a/dia-d-playas-desembarco-normandia_12788 https://www.elespanol.com/quincemil/articulos/cultura/el-gallego-manuel-otero-el-unico-espanol-en-el-desembarco-de-normandia https://www.elperiodico.com/es/internacional/20190605/desembarco-normandia-7490159 https://www.youtube.com/watch?v=nBKfelgx508&t=962s https://www.youtube.com/watch?v=8bcR2KOSE9g&t=1048s https://www.youtube.com/watch?v=D5AsoC2qUOw https://www.tokyvideo.com/es/video/testigos-del-dia-d Libros: “Historia del desembarco de Normandía”, de Olivier Wieviorka “Seis ejércitos en Normandía. Del día D a la liberación de París”, de John Keegan “History of the Second World War” // “Así fue la Segunda Guerra Mundial” de Las grandes batallas de la historia (Canal Historia) La Segunda Guerra Mundial / Willmott | Cross | Messenger (Galaxia Gutenberg)

Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, and songwriter. He came to prominence as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s. Since the 1990s, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, with achievements including the scores of 17 Burton films such as Batman, Edward Scissorhands, Charlie, and the Chocolate Factory, Alice in Wonderland, and Dumbo;[5] Raimi's Darkman (1990), A Simple Plan (1998), Spider-Man, Spider-Man 2, Oz the Great and Powerful,[6] and Doctor Strange in the Multiverse of Madness; and Van Sant's Academy Award-winning films Good Will Hunting and Milk. He wrote music for all of the Men in Black and Fifty Shades of Grey franchise films, the songs and score for Henry Selick's animated musical The Nightmare Before Christmas, and the themes for the popular television series Desperate Housewives and The Simpsons.Among his honors are four Oscar nominations, two Emmy Awards, a Grammy, seven Saturn Awards for Best Music, the 2002 Richard Kirk Award, the 2015 Disney Legend Award, the Max Steiner Film Music Achievement Award in 2017, and the Society of Composers & Lyricists Lifetime Achievement Award in 2022.4 hours and 24 minutes of music by Danny ElfmanHelp support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries#KeepClassicalMusicAlive#LaMusicaFestival#CMDGrandOperaCompanyofVenice#CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

This week's Unwatchables features Matt Singer, film critic, author, and editor of ScreenCrush.com, to help continue our month of high-profile misfires (or are they?). His pick is one of the most foolhardy cinematic experiments ever released by a major studio: Gus Van Sant's 1998 remake of Alfred Hitchcock's Psycho. It's not a reimagining, a reboot, or even a legacy-quel— to use a phrase that our guest coined— but a nearly shot-for-shot recreation of one of the most iconic classics in the canon. We discuss what exactly Van Sant meant to accomplish, whether any part of it “works,” and what distinguishes Psycho '98 from today's soulless retreads. Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at https://www.patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://anchor.fm/unwatchablespod/message

Ethan Van Sant is ready to conquer the streaming world between Talishar, the new Clash tournament getting started and of course, Battle Hardened Philly. On his whirlwind tour around the world for Flesh and Blood we managed to grab the head of The League of Levia and talk with him about playing the blood debt killer Queen, his victory over Pablo Pintor, what to expect for the Clash and even checked in on his luggage this time around (Spoiler alert: it made it back!) that and much much more this week on The Combat Chain!https://www.youtube.com/thecombatchain https://www.youtube.com/c/ManSantFaBhttps://www.twitter.com/thecombatchainhttps://www.twitter.com/patsmashgoodhttps://www.twitter.com/fomtoolerytcghttps://www.twitter.com/mansantfabhttps://discord.gg/s59D9eB7M7https://www.patreon.com/thecombatchain

This week I got to talk to Kristopher Van Sant! Again! This time we got to talk about Kristopher’s professional work as well as some favorite Pens. Time Jumps Sponsor: Equinix Metal's Startup Partner Program Equinix Metal's Startup Partner Program helps early stage companies level up. Their experts work with startups like GenesysGo and Cuemby […]

Nachdem Micha beim letzten Mal sehr viel über Gus Van Sants Remake von Psycho schimpfte, machen wir es diesmal etwas anders. Da Christopher Reeve am 25. September seinen 70. Geburtstag gefeiert hätte, wir aber bereits alle seine Comic-Verfilmungen durch haben, werden wir, also Micha und Dennis, uns in der an dem Tag erscheinenden Folge Reeves Remake von Das Fenster zum Hof ansehen, das er nach seinem Unfall im Grunde zeitgleich zu Van Sant Psycho drehte. Was er nicht tat, um wie Van Sant einfach Kohle zu machen, indem er Hitchcock eins zu eins nachzudreht, sondern weil er in seiner triumphalen Rückkehr vor die Kamera eine der wenigen Rollen spielen wollte, die er querschnittsgelähmt noch spielen konnte. Allerdings ist es dann auch nur sinnvoll, wenn unser Spin-Off zur Filmografie von Alfred Hitchcock dann vorher mal über das Original von 1954 gesprochen hat. Was war damals so bahnbrechend? Wie gut ist es gealtert? Und wie schlägt sich der Film im Vergleich zum bereits im August besprochenen Psycho? Das alles beantwortet Micha heute - allerdings diesmal ohne Co-Host. Das wird bei den Hitchcockfolgen in Zukunft häufiger vorkommen, Mariella erwarten wir allerdings im Oktober zurück, wenn wir abseits des Masters of Suspense den nächsten Slasherfilm besprechen. Und zusammen mit Dennis soll es hier nächste Woche um Strohhüte und Goldschätze gehen.

Cue the strings! Cole's back from vacation, and together he and Zach cover several summer new releases - Bodies, Bodies, Bodies, Beast, Inu-Oh and Prey - before Cole launches into an impassioned defense of one of the most reviled films of the 1990s, Gus Van Sant's remake of Alfred Hitchcock's Psycho, starring the late Anne Heche and Vince Vaughn.

Today is Wednesday which means it is time for another episode of The Stories Collective! Back in the late spring our host Sarah Schalow had the opportunity to sit down with Mark Van Sant. Mark serves as an elder here at Desert Springs and it was so cool to hear him share his heart and story with us. A major theme throughout Mark's story is the incredible and miraculous provision of God. You can hear the tenderness in his heart when he shares about the care God has provided for him and his family throughout the years. You'll get to hear many stories of when he didn't know what to do and God came through; there was never a moment that God wasn't there. If anything, this story will fill you with hope and bring a positive outlook to the difficult times in life. You too will be thankful for God's provision. We're excited for you to listen!Would you please subscribe and leave us a review? This will help our podcast reach more people! We'd love it if you'd share this podcast with your friends on social media and beyond. Join us next Wednesday to hear another story of God's faithfulness! 

This week in the studio, a man with 20 years of service in the US Army. He served in such units as the 75th Ranger regiment, the 3rd Infantry Division, the 82nd Airborne, and the famed 1st Special Forces Operational Detachment-Delta (Delta Force). He has undergone 11 combat deployments in places like Iraq, Afghanistan, and the Horn of Africa. He has hunted the likes of Hussein, Zarkawi, and other notable deck of cards players. This has not been an easy life as most would understand, but in this one we have to go deeper to the root causes of the problems suffered by far to many veterans. Numerous concussions, blasts, breaches, TBI, and don't forget a generous dose of PTS. My guest has overcome those demons of his past and is now a shining example to other veterans, he teaches that at any point you can reinvent yourself to be anything that you need or want to be, and that there are brighter days ahead when you look in the right places. He now enjoys the outdoors, volunteer work, and making sure that those that surround him live their absolute best life. He's a board member of the All Secure Foundation and the President of VanSant Consulting. He's here in the studio to talk about the highs and lows, chasing the unicorn of adrenaline, and ultimately how to be happy in your life. It is my honor to introduce you to Chris VanSant.

Hello!  I'm Michael Gaskill, your new host for Coast Range Radio.  I'm hard at work putting together brand new episodes for the show, and we have some great guests lined up.  I'm also always looking for feedback, show ideas, and guest suggestions! Email me at michael@coastrange.org.In the meantime, I wanted to replay on of my favorite epsiodes from the past couple years of the show.  This is actually part one of a great two-part conversation between Andrew and Levi Van Sant (@LeviVanSant), an Assistant Professor at George Mason University in Fairfax County Virginia whose work focuses on environmental (in)justice, particularly issues surrounding food, agriculture, and land use.   I highly recommend checking out part two of their conversation as well.Levi wrote a formative piece in Dissent on Land Reform and the Green New Deal that influenced the Coast Range Association's recent Climate & Oregon's Industrial Forests: A Green New Proposal. Andrew and Levi discuss agricultural land transitions, the history of the First National Conference for Land Reform and the unifying opportunities that could come from including rural justice and land ownership solutions in the just transition mandate of the Green New Deal.Resource Links:https://www.dissentmagazine.org/article/land-reform-and-the-green-new-dealhttps://agriculture.auburn.edu/research/aers/alabama-timberland/https://coastrange.org/challenging-wall-street-forestry/ownership/Support the showSupport the show

The one that made movie stars out of Damon & Affleck has been discussed by nearly everybody for the past 25 years, but we managed to find several new wrinkles in this well-written dramedy about friendship, love, grief and advanced math. Matt & Ben won Oscars for their quotable script and so did Robin Williams for his heartfelt performance as Damon's therapist. Williams is at his best in Good Will Hunting and now we can see how his character has even more depth than we thought at the time. Gus Van Sant got marvelous work out of those 3 stars, not to mention Stellan Skarsgard and Minnie Driver. It's an atypical film for an arthouse director like Van Sant, but he wrings all the emotion and comedy out of apples, caramels and Bah-ston coffee. So let the quirky, cool and sexy lady win you over with a kiss as the 445th Ellises' Analysis psychoanalyzes Good Will Hunting. But, hey, don't sit around eating caramels when you can get a 20% discount off Sparkplug Coffee. Use our promo code ("top100project") to save some money, but also tweet us (@moviefiend51 and @bevellisellis) and why not seek out Ryan's sports movie podcast (Scoring At The Movies).

March of the Governors, Podcast #16 Samuel Van Sant Samuel Van Sant was Minnesota's fifteenth governor—the first to serve in the twentieth century and the first to occupy the current capitol. After three years of combat duty in the Union cavalry  (1861-1864), Van Sant joined the family steamboat business in LeClaire, Iowa. In 1883, he moved to Winona and soon went into politics. A Republican, he was elected to the legislature in 1892 and rose to speaker of the house just two years later. A gifted public speaker, he was elected governor in 1900 and reelected in 1902. In keeping with the spirit of the age, he championed such progressive measures as reform of the state's tax system, advocating for wilderness protection, and extending the use of the primaries to nominate candidates. In the decades following his retirement from political office, Van Sant became a national leader in Civil War veterans' affairs and was a popular speaker at Republican gatherings throughout Minnesota. He died in 1936 at the age of ninety-two.

Please make sure to subscribe to "BTM" on YouTube! Also, please share this episode on your Instagram stories, thank you!     Connect with Rob: https://www.instagram.com/vansant.ifbb/     Connect with "BTM": https://www.instagram.com/behindthemusclepodcast1/     "Remember, behind the muscle, there's always a story!"

Jeff Perla is joined by Josh Van Sant (@JoshVanSant) "an older gay" who is notorious for offering advice to younger gays. Most famously for his videos on TikTok, the 2 get personal on what they think they need to work on about themselves and what they think they've got all figured out. What are your top 3 attributes you're seeking in a partner? If any of those are physical, you'll be in an unhappy relationship. Grab a glass of wine and keep up with us on this episode of Behind The Bum! You can follow Josh on Instagram Here Josh's TikTok --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/behindthebum/support

Amy E. Duddleston, ACE has over 30 years of experience in feature and television picture editing. Starting out as an Apprentice Editor, she made her way up to Assistant Editor, working on films like My Own Private Idaho, Corrina, Corrina, and To Die For. As an editor, she has cut 20 features, including High Art, Laurel Canyon, Elegy and Gus Van Sant's remake of Psycho, as well as nearly 80 hours of television on series such as Dexter, The Killing, Vida, Hunters and most recently, Mare of Easttown, for which she received two 2021 Emmy Award nominations. In 2022 she was nominated for two Eddie Awards for limited series editing by the American Cinema Editors, also for Mare of Easttown.She has been a member of the Motion Picture Editors Guild since 1991, and currently serves on the Board of Directors. She is also a member of American Cinema Editors, AMPAS and the Television Academy.On this episode of Screen Culture, Amy recounts how she discovered editing after being “enthralled” by Raging Bull and inspired by the work of editors such as Dede Allen. She shares how her journey as a young apprentice and then assistant editor led her to working out of Gus Van Sant's house during production of the now-iconic My Own Private Idaho, her collaboration with Van Sant on projects including a shot-for-shot remake of Psycho, her work with filmmaker Lisa Cholodenko on films including the groundbreaking High Art, and her recent work in television shaping prestige series such as Mare of Easttown.Amy and Lisa also cover:What it's like to work on a project, like My Own Private Idaho, that becomes culturally iconic: “Most of the time when you're working on something, you just hope people see it”How allowing time for ideas and approaches to percolate is essential in film and TV editing—rushing is the enemy of artThat the process of editing great actors—including Frances McDormand, Kate Winslet, and Patricia Clarkson—is challenging to describe: “You're just trying to follow the rhythms”How Amy turned down an offer to work on Good Will Hunting to edit her friend Lisa Cholodenko's first film, High Art, which became a Sundance sensationHow High Art as an artifact of New Queer Cinema reflected cultural growth, as it's “not a shiny coming-out story,” and how art is essential for “creating space” for new stories and narratives around underrepresented groupsWhat it was like to experience Mare of Easttown's popularity: “The outpouring of love for the show was mind-blowing”Amy is on Twitter as @phantomframe.

Q&A with Matt Damon. Moderated by Jenelle Riley, Back Stage. Matt Damon has been honored for his work on both sides of the camera. Early in his career, Mr. Damon won an Academy Award for Best Original Screenplay and received an Oscar nomination for Best Actor, for his breakthrough feature Good Will Hunting, which he wrote and starred in with his lifelong friend Ben Affleck and which was directed by Gus Van Sant. He has since reteamed with Mr. Van Sant for Finding Forrester; Gerry, and now Promised Land.

Introducing our new member, literary agent Kelly Van Sant! We get to know Kelly and how she became a literary agent and author advocate. Her MSWL includes: Young Adult &  upper Middle Grade fiction (especially YA & MG genre fiction), atmospheric, evocative stories, and tales of friendship.Download the podcast on Apple Podcasts, Google Play, Spotify, Stitchr, and more platforms! And please do rate, review, and subscribe to the show.Follow Kelly on Twitter or Instagram.WE RECOMMEND THESE AWESOME PODCASTS BY BLACK AUTHORS WE LOVE!My Imaginary Friends Podcast by L. PenelopeQuantum Froth Dispatches with Mike HaspilDeadline City by Dhonielle Clayton and Zoraida Córdova

Josh Van Sant is an Australian  gay man living in London.  In this episode Josh and Zanardi talk about how pride is celebrated today, is there too much corporate involvement? Do kinks belong there? We also talk about the importance of gay friendships and how to find friends as well as hookup culture and is it bad for you?   Josh is the founder of themoderngay.com a lifestyle and blog site dedicated to educating and helping gay men become the best version of themselves.  Josh has over 30,000 followers on Tik Tok where he frequently offers advice to gay men.  Follow Josh on TikTok and on Instagram @joshvansant and check out his website www.themoderngay.comVisit us https://thealphabetmafia.com/Check out our YouTube: https://www.youtube.com/channel/UClrrU4ZeaIJ7sAx7ATUC7mQIf you are struggling and need urgent help, please call The Trevor Project 1-866-488-7386 or visit https://www.thetrevorproject.org/Interested in being a guest on the podcast or featured on our blog? Write us an email including a brief description (name, orientation, where you were raised/currently live, occupation) and put "Prospective Podcast Guest" in the subject line atpodcast@thealphabetmafia.comCheck out our socials:TikTok: alphabetmafiaInstagram: TheAlphabetMafiaTwitter: @onegayfamily   

This week, since James showed Brian one of his favorite films, we've switched roles and now Brian introduces James to Gus Van Sant's To Die For. The 1995 film stars Nicole Kidman as a ruthless woman looking for fame and fortune at any cost - even murder. We take a look at how the film holds up, discuss Van Sant's queer gaze and lament the lack of roles for the actress Illeana Douglas! 

Guest: Affleck also directed I'm Still Here (2010), which he also wrote and produced starring Joaquin Phoenix. Affleck also co-wrote with and starred alongside Matt Damon in Gus Van Sant's independent road movie Gerry (2002). He has also appeared in Van Sant's Good Will Hunting and To Die For, Hamlet with Ethan Hawke and Julia Stiles, the Oceans trilogy and Tony Goldwyn's The Last Kiss with Zach Braff and Blythe Danner. On stage, Casey appeared in Kenneth Lonergan's West End debut of his award winning play This is Our Youth. Affleck played the role of 'Warren' alongside Matt Damon and Summer Phoenix. In 2016, Affleck starred opposite 'Michelle Williams' in Manchester by the Sea (2016). The film tells the story of an uncle (Affleck) who is forced to take care of his teenage nephew after the boy's father dies. Written and directed by Kenneth Lonergan, the film will be released on November 18th by Amazon Studios. Also that year, he was seen in Triple 9 (2016), opposite Woody Harrelson and Kate Winslet. The film follows a gang of criminals and corrupt cops who plan to murder a police office in order to pull off their biggest heist yet. The film was released by Open Road in February. Additionally, Affleck starred in The Finest Hours (2016), opposite Chris Pine. The Disney film recounts the story of the Coast Guard's daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952. Host: Shanee Edwards graduated from UCLA Film School with an MFA in Screenwriting and is currently the film critic for SheKnows.com. She recently won the Next MacGyver television writing competition to create a TV show about a female engineer. Her pilot, Ada and the Machine, is currently in development with America Ferrera's Take Fountain Productions. You can follow her on Twitter: @ShaneeEdwards The Script Lab: For all the latest from The Script Lab, be sure to follow us on Twitter, Facebook, and Instagram. And become a member of TSL 360 to enjoy the LARGEST screenwriting education content library, featuring masterclasses, deep-dive interviews, and lectures from Academy Award-winning screenwriters, TV show-runners, producers, literary managers, agents, studio executives, and leading educators – all in one place.

Even though your creative fiction professor fawns over Joyce, you don't understand the copy of ULYSSES you checked out from the library, so you hide behind it while you stare at your classmate whose skin flickers. His blue and green skin is speckled in spirals of twinkling lights. When you stare long enough, you realize the spirals spin like galaxies. Part of your brain should tell you he is abnormal, but it does not. He stands up and reads his assignment. He reads poetry. This is not a poetry class. | Copyright 2018 by Cameron Van Sant. Narrated by Stefan Rudnicki.

Jack's off today; Mailbag; Shannon Van Sant is in Beijing reporting on the Hong Kong protests