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4 episodes with Jenny Beavan
2 episodes with Jenny Beavan
2 episodes with Jenny Beavan
The costume designer Jenny Beavan has won three Academy Awards for three very different films: the elegant Merchant Ivory drama Room with a View; the post-apocalyptic Mad Max: Fury Road; and most recently the Disney film Cruella, for which she created a huge, vibrant parade of 1970s-inspired fashion. She's received a further nine Oscar nominations across her 40 year career. She found just the right top hat for Colin Firth in the King's Speech and ditched the deerstalker in favour of a bowler for Robert Downey Jr in Sherlock Holmes. And despite claiming she has “never been interested in fashion”, she re-created striking Dior outfits for Mrs Harris Goes to Paris. Jenny's music choices include Handel, Mendelssohn, Sondheim and - with a nod to the film the King's Speech - Beethoven. Presenter Michael Berkeley Producer Clare Walker
Furiosa: A Mad Max Saga is a 2024 Australian post-apocalyptic action film directed, co-written, and co-produced by George Miller, who collaborated with Nico Lathouris on the screenplay. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), focusing on the character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. www.frumess.com FRUMESS is POWERED by www.riotstickers.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Start your engines! In this week's The Art of Costume Podcast episode, we are roaring through the wasteland for Furiosa: A Mad Max Saga. Join Elizabeth and Spencer as they fuel up for a conversation about Jenny Beavan's costume design, featuring topics like Dementus's teddy bear, Furiosa, Immortan Joe's dress code, unwanted nipple play, and a well-worn cloak. Subscribe to our YouTube Channel: @theartofcostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @theartofcostumepod TikTok: @theartofcostume --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support
Start your engines! In this week's The Art of Costume Podcast episode, we are roaring through the wasteland for Furiosa: A Mad Max Saga. Join Elizabeth and Spencer as they fuel up for a conversation about Jenny Beavan's costume design, featuring topics like Dementus's teddy bear, Furiosa, Immortan Joe's dress code, unwanted nipple play, and a well-worn cloak. Subscribe to our YouTube Channel: @theartofcostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @theartofcostumepod TikTok: @theartofcostume --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support
If you would like to give us feedback on how were doing follow us at: https://discord.gg/cd6sNqvnav https://beacons.ai/senornerdpodcast https://www.instagram.com/senornerdpodcast/ @senornerdpod on Twitter. Furiosa: A Mad Max Saga (or simply Furiosa) is a 2024 Australian[5] post-apocalyptic action film directed and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), and focuses on the Fury Road character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke). Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022. Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theatres in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $74 million worldwide against a budget of $168 million. Years after a global catastrophe, Australia is a radioactive wasteland and the Green Place of Many Mothers is one of the last remaining areas with fresh water and agriculture. Raiders discover the Green Place while two kids, Furiosa and Valkyrie, are picking peaches. Furiosa attempts to sabotage their motorbikes, but the raiders capture her as a prize for their leader, warlord Dementus of the Biker Horde. Furiosa's mother Mary pursues them to the Horde's camp, killing all but one raider. The last raider delivers Furiosa to Dementus, but Furiosa mortally wounds him before he can reveal the Green Place's location. Plot[edit]
pWotD Episode 2584: Furiosa: A Mad Max Saga Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 128,336 views on Wednesday, 29 May 2024 our article of the day is Furiosa: A Mad Max Saga.Furiosa: A Mad Max Saga (or simply Furiosa) is a 2024 Australian post-apocalyptic action film directed and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), and focuses on the Fury Road character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke.Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke).Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022.Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theaters in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $67 million worldwide.This recording reflects the Wikipedia text as of 01:49 UTC on Thursday, 30 May 2024.For the full current version of the article, see Furiosa: A Mad Max Saga on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ivy Standard.
Furiosa: A Mad Max Saga is a 2024 Australian post-apocalyptic action film directed, and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), focusing on the character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke). Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022. Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theatres in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $65 million worldwide. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message
Legendary Award Winning Costume Designer Jenny Beavan Episode! Jenny Beavan is an English Costume Designer who has received numerous accolades throughout her career spanning over four decades, including three Academy Awards, four BAFTA Awards, two Emmy Awards and a Laurence Olivier Award. Moderator: Designing Hollywood Producer Host Phillip Boutté Jr Sponsored by Western Costume Company
Acclaimed costume designer Jenny Beavan (MAD MAX: FURY ROAD, CURELLA, A ROOM WITH A VIEW) joins us for a conversation about her craft on this episode of the Team Deakins Podcast. Hailing from England, Jenny shares how she fell in with the famed Merchant Ivory troupe, and she describes spending her early formative professional years traveling around the world and working alongside the legendary filmmakers. We later consider how, just as with real people, characters reuse clothing and how some costume pieces take on a life of their own. Jenny also reflects on how she adapts after having the wool pulled over her eyes on a project and how designing costumes is never about the clothes themselves but about the stories they tell. At the end, Jenny is generous enough to offer salient advice to budding costume designers. - This episode is sponsored by Dallas Film Commission Instagram: @dallasfilmcommission
Jenny Beavan has won three Oscars for her costumes for the films Room with a View, Mad Max: Fury Road and Cruella, and has received nine further Academy Award nominations. She was born in London, and her parents were both professional musicians who encouraged her to paint, draw and learn a musical instrument. After studying theatre design, she was invited at the age of just 21 to create the sets for a production of Carmen at the Royal Opera House, conducted by Sir Georg Solti. She also worked on the costumes, which eventually led to her current career. Her credits now include more than 60 films and television series, including a long collaboration with the Merchant Ivory team, on titles such as Howards End and Remains of the Day, as well as Room with a View. Her costumes range from precise period recreations, in films such as The King's Speech, to the post-apocalyptic world of Mad Max and the extravagant 1970s-inspired gowns for Emma Stone and Emma Thompson in Cruella. Along with her Oscars, Jenny has also won four Baftas and two Primetime Emmy awards. She was appointed a OBE in 2017. DISC ONE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe DISC TWO: The Stately Homes of England - Noël Coward DISC THREE: Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" (The flower you threw at me) Performed by Plácido Domingo and London Philharmonic Orchestra, conducted by Sir Georg Solti DISC FOUR: O Mio Babbino Caro. Composed by Giacomo Puccini and performed by Kiri Te Kanawa and The London Philharmonic Orchestra DISC FIVE: Scream - Caitlin Albery Beavan and Jim Bell DISC SIX: Parking Fines - Joe Lycett from his That's the Way, A-Ha, A-Ha tour DISC SEVEN: I Will Survive - Gloria Gaynor DISC EIGHT: Radamisto, HWV 12, Act 2: "Ombra cara di mia sposa" (Radamisto) (Beloved shadow of my bride) Composed by George Frideric Handel, performed by Emöke Baráth and Ensemble Artaserse, conducted by Philippe Jaroussky BOOK CHOICE: The Complete Novels of Jane Austen LUXURY ITEM: A cello CASTAWAY'S FAVOURITE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe Presenter Lauren Laverne Producer Sarah Taylor
Costume designer Jenny Beavan reveals why fashion is usually the last thing on her mind (1m33s), writer Alaina Demopoulos dismantles the misconception that Gen Z are tech-savvy (15m28s), and actor Katy Wix recalls the near-death experience that changed her relationship with her father forever (23m16s)
British director Anthony Fabian talks with me all about his journey making the hit comedy drama, Mrs Harris Goes to Paris, an Oscar nominee for costume design. We discuss star Lesley Manville, co-stars Christian McKay, Roxane Duran & so much more, including costuming with Jenny Beavan and vintage Christian Dior, it was an enlightening chat, Anthony is terrific.
Women conductors are in the limelight this week with a film called “Tar”, which opens in cinemas today, starring Cate Blanchett depicting the life of Lydia Tár - a fictional world-renowned composer-conductor of the Berlin Philharmonic. The American conductor Marin Alsop famously observed that women are more likely to lead a G7 country or become four-star generals in the US Army than they are to be the principal conductor of a big orchestra. Anita Rani speaks to one our listener Emma Warren who got in touch with us as she is the only woman on her choral conducting course at The Royal Academy and Joséphine Korda who has just been announced by Opera North as their latest Female Conductor Trainee. Yesterday we talked about Andrew Tate and other social media influencers who are spreading misogynistic messages online. Several listeners got in touch to tell us about how their children have come across this kind of material and with concerns about how best to talk about it with them. Anita is joined by Dr Emily Setty, Senior Lecturer at the University of Surrey who does research in schools with young people about sex and relationships and Michael Conroy founder of Men at Work, an organisation that trains professionals how to have constructive dialogue with boys. Jenny Beavan has spent over 40 years dressing the greats of Hollywood for film and screen. She is an 11 time Oscar nominated (and 3 time Oscar winning) costume designer, whose work you will be familiar with from films such as Sense and Sensibility, The King's Speech, and Mad Max: Fury Road. She has just been longlisted for the BAFTA Award for Best Costume Design for her work on Mrs Harris Goes to Paris. The film tells the story of Ada Harris, played by Lesley Manville, a cleaning lady who – unsurprisingly – travels to Paris, after she sees a Dior dress belonging to one of her clients and is determined to own one of her own. Jenny joins Anita to tell us about the process of recreating old Dior designs and the transformative power of that perfect dress! More than 25 years ago, the World Health Organisation made a commitment to eradicate Female Genital Mutilation across the world. Despite this, around eight thousand women and girls each day go through FGM. To understand why this is still happening, Anita Rani will hear from WHO researcher Dr Christina Pallitto and charity CEO Nkatha Mugao, who helps women and girls in Kenya who have been cut, and is working to stop FGM.
Do you ever just wish you would follow a charming little mouse carrying a key to a magical realm full of fairies, sweets, snowflakes, and flowers? If yes, then we have the next best thing. This week's episode is all about the costumes of The Nutcracker and the Four Realms, designed by Academy-Award-winning costume designer Jenny Beavan. Listen as our hosts discuss the magical realms, victorian fashion, Keira Knightley as the sugar plum fairy, flower beards, and... oh dear, are those clowns!? Want more episodes of The Art of Costume Blogcast? Become an official costume maven at our Patreon for exclusive episodes and highlights just for Patreon members: Patreon.com/TheArtOfCostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Do you ever just wish you would follow a charming little mouse carrying a key to a magical realm full of fairies, sweets, snowflakes, and flowers? If yes, then we have the next best thing. This week's episode is all about the costumes of The Nutcracker and the Four Realms, designed by Academy-Award-winning costume designer Jenny Beavan. Listen as our hosts discuss the magical realms, victorian fashion, Keira Knightley as the sugar plum fairy, flower beards, and... oh dear, are those clowns!? Want more episodes of The Art of Costume Blogcast? Become an official costume maven at our Patreon for exclusive episodes and highlights just for Patreon members: Patreon.com/TheArtOfCostume Podcast Merch Store: TheArtOfCostume.com/PodStore Follow Us on Instagram: @TheArtofCostumePod --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Theatre producer Nica Burns talks about her brand new theatre building @sohoplace which is about to open in London's West End. Film director Edward Berger discusses his German anti-war film All Quiet on the Western Front. Jenny Beavan has designed costumes for some of Hollywood's most celebrated and loved films, including Mad Max: Fury Road, Gosford Park, and A Room with a View. The film that led to her winning her third Oscar, Cruella, has also led her to question the position of costume and wardrobe workers in the film industry. She joins Front Row, along with Charlotte Bence, a negotiator for Equity, the trade union for the performing arts and entertainment industries. Presenter: Kate Molleson Producer: Eliane Glaser Photo Credit: Tim Soar and AHMM
We can't believe it but The Art of Costume Blogcast is turning one! Take a moment to celebrate with us as we welcome Dan and Chloe for a special toast. Then, to the gates of Valhalla we go! In honor of our anniversary, we are celebrating with another Jenny Beavan classic. This time, we are watching Mad Max: Fury Road. Buckle up your seatbelts because this film is a wild ride. Listen along as we discuss the crazy costumes of Fury Road, including Furiosa, Immortan Joe, and Max Rockatansky. Become an official member of our Patreon for exclusive access! On our Patreon, we post our favorite highlights, funny moments, unheard bloopers, and additional, special episodes just for Patreon members. Head to Patreon.com/TheArtOfCostume for all of the details. The Art of Costume Blogcast official merch store is now open! Go to TheArtOfCostume.com/PodStore where you can buy an awesome Blogcast shirt, print, coffee mug, and a whole host of other possibilities from TeePublic. We will be adding more designs as the podcast continues! Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod. For more costume reviews, deep dives, and interviews, visit TheArtofCostume.com - a blog dedicated to highlighting the best in costume design! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
We can't believe it but The Art of Costume Blogcast is turning one! Take a moment to celebrate with us as we welcome Dan and Chloe for a special toast. Then, to the gates of Valhalla we go! In honor of our anniversary, we are celebrating with another Jenny Beavan classic. This time, we are watching Mad Max: Fury Road. Buckle up your seatbelts because this film is a wild ride. Listen along as we discuss the crazy costumes of Fury Road, including Furiosa, Immortan Joe, and Max Rockatansky. Become an official member of our Patreon for exclusive access! On our Patreon, we post our favorite highlights, funny moments, unheard bloopers, and additional, special episodes just for Patreon members. Head to Patreon.com/TheArtOfCostume for all of the details. The Art of Costume Blogcast official merch store is now open! Go to TheArtOfCostume.com/PodStore where you can buy an awesome Blogcast shirt, print, coffee mug, and a whole host of other possibilities from TeePublic. We will be adding more designs as the podcast continues! Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod. For more costume reviews, deep dives, and interviews, visit TheArtofCostume.com - a blog dedicated to highlighting the best in costume design! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Here we are with a coincidentally timed "eco commentary" theme for Earth Month! That worked out well! Strap in as we investigate the costuming in the films Okja and Mad Max: Fury Road, two films with eco-political messages. Be aware that we do discuss the upsetting plots of these films, and the Mad Max costumes feature a lot of body horror.Minor correction: Jenny Beavan in fact WON her Oscar for Cruella! She wasn't just nominated.Mad Max costuming websiteFollow along with the visual analysis via these links or the slideshow on YouTube! Okja: Instagram, Pinterest Mad Max: Fury Road: Instagram, Pinterest Questions? Comments? Suggestions for future episodes? Email thecostumeplot@gmail.com. Follow us: Jojo Siu on IG @jojosiucostumes Sarah Timm on IG @breathcue, on Twitter @SarahTSews The Costume Plot on Youtube, Instagram, and TwitterPlease rate and review! For every review we get, we'll be donating $1 to Dress for Success.
Hva er det som gjør den Oscar-vinnende kostymedesigneren Jenny Beavan så ettertraktet og anerkjent? Hun fikk sin tredje Oscar for kostymedesign på filmen "Cruella", foran forhåndsfavoritter som "Dune" og "West Side Story". Nå har hun fire pågående filmprosjekter, deriblant "Mad Max"-oppfølgeren "Furiosa". Hør episoden i appen NRK Radio
Our Fairy-Tale romance month wouldn't be complete without a classic Cinderella story! This week we are watching the 1998 American romantic drama film inspired by the Cinderella fairy tale, Ever After. Listen as our cohosts discuss the many French Renaissance-era costumes designed by Jenny Beavan. Topics include the famous winged dress worn by Drew Barrymore, Anjelica Huston as Baroness Rodmilla de Ghent, Leonardo da Vinci's wardrobe, and the various red flags of Prince Henry. You better listen before you turn into a pumpkin! Head to TheArtofCostumeBlogcast.com to subscribe, read show notes, and send us your movie and television requests! Please consider supporting the podcast by becoming an official member of our new Patreon! For our Patrons, we'll be posting highlights, funny moments, and unheard bloopers. We'll also be posting additional, special episodes just for Patreon members. Head to Patreon.com/TheArtOfCostume for all of the details. The Art of Costume Blogcast official merch store is now open! Go to TheArtOfCostume.com/PodStore where you can buy an awesome Blogcast shirt, print, coffee mug, and a whole host of other possibilities from TeePublic. We will be adding more designs as the podcast continues! Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod. For more costume reviews, deep dives, and interviews, visit TheArtofCostume.com - a blog dedicated to highlighting the best in costume design! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Our Fairy-Tale romance month wouldn't be complete without a classic Cinderella story! This week we are watching the 1998 American romantic drama film inspired by the Cinderella fairy tale, Ever After. Listen as our cohosts discuss the many French Renaissance-era costumes designed by Jenny Beavan. Topics include the famous winged dress worn by Drew Barrymore, Anjelica Huston as Baroness Rodmilla de Ghent, Leonardo da Vinci's wardrobe, and the various red flags of Prince Henry. You better listen before you turn into a pumpkin! Head to TheArtofCostumeBlogcast.com to subscribe, read show notes, and send us your movie and television requests! Please consider supporting the podcast by becoming an official member of our new Patreon! For our Patrons, we'll be posting highlights, funny moments, and unheard bloopers. We'll also be posting additional, special episodes just for Patreon members. Head to Patreon.com/TheArtOfCostume for all of the details. The Art of Costume Blogcast official merch store is now open! Go to TheArtOfCostume.com/PodStore where you can buy an awesome Blogcast shirt, print, coffee mug, and a whole host of other possibilities from TeePublic. We will be adding more designs as the podcast continues! Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod. For more costume reviews, deep dives, and interviews, visit TheArtofCostume.com - a blog dedicated to highlighting the best in costume design! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Comedian, presenter, artist and troublemaker Joe Lycett chats to Kiri. Joe shares his love of big coats and queer icons, his aversion to formalwear, and his fondness for playing with convention and gender fluidity in his style. Kiri and Joe talk Sewing Bee and the invaluable skill of dressmaking, and fawn over Joe's oscar-winning costume designer housemate Jenny Beavan. Who Are You Wearing is a Little Wander production. The producer is Jo Southerd.Artwork by Mari Phillips @mythsntits Music by Ani Glass. Follow Who Are You Wearing on instagram: @whoyouwearingpod Send us an email: whoyouwearingpod@gmail.com
Welcome to our fourth annual Drewcember, aka a full month celebrating our queen, Drew Barrymore! We're kicking it off with Ever After, and we had a BLAST chatting with our very own Drewologist, special guest Ashley Rose from The Drewseum! This 1998 girl-power take on Cinderella features costumes by thee Jenny Beavan (who we talked about on our "Cruella" episode) and they are phenomenal! We also talk about Scream, collecting old 90s magazines, "the hot IT," and everything Drew B, of course. Tune in now for a rull fun time! Check out The Drewseum and follow them on Instagram! For visuals of the costumes, follow us on Instagram at @fishnetflixpod DM or email your movie requests at info@fishnetflix.com! Don't forget to rate, subscribe, and leave a review on iTunes!
We spotlight the (highly recommended by listeners) Disney's Cruella in Episode 31 of The DM. Cruella is a live-action origins story telling of villainess Cruella de Vil starring Emma Stone and Emma Thompson with costume design by Jenny Beavan. We discuss the film's wardrobe and also dive a little bit into the hot topic of third party collabs and artist credits. Links to Cruella: https://www.imdb.com/title/tt3228774/ (IMDb) https://www.disneyplus.com/movies/cruella/2GJTZuO8I01c (streaming) Follow The dm on Instagram at @thedm.net.podcast and learn more about us by visiting thedm.net. Follow Us: Audrey - https://www.instagram.com/audreybrianne/ Tyree - https://www.instagram.com/tyreesstyle/ The dm is produced by Joe Passarelli, Audrey Brianne and Tyree Robinson. Special thanks to nearbysound for our theme song.
This week's special guest is the legendary and multiple award-winning costume designer Jenny Beavan! She and Susannah discuss feet, turbans and deserts...You can find Jenny on Instagram @jennybeavandesigns.As ever, thanks to our house band duo for providing our music - you can find them at duoguitarmusic.com and @duoguitarmusic on their socials.And, of course, huge thanks to you for listening! If you like this episode, please subscribe, check out the others and give us a five-star rating and review.Finally, we always love hearing from you - please email us at help@mywardmal.com. You can also find us on Instagram, Twitter, Facebook, YouTube and TikTok all @mywardmal, and on our website at mywardmal.com. See acast.com/privacy for privacy and opt-out information.
This week's special guest is the legendary and multiple award-winning costume designer Jenny Beavan! She and Susannah discuss feet, turbans and deserts...You can find Jenny on Instagram @jennybeavandesigns.As ever, thanks to our house band duo for providing our music - you can find them at duoguitarmusic.com and @duoguitarmusic on their socials.And, of course, huge thanks to you for listening! If you like this episode, please subscribe, check out the others and give us a five-star rating and review.Finally, we always love hearing from you - please email us at help@mywardmal.com. You can also find us on Instagram, Twitter, Facebook, YouTube and TikTok all @mywardmal, and on our website at mywardmal.com. See acast.com/privacy for privacy and opt-out information.
Cruella, dirigida por Craig Gillespie. Diseño de vestuario por Jenny Beavan. Una muestra de que la alta costura es más que moda, es un icono de rebeldía
Jenny Beavan, Costume Designer, Best known for her work in Mad Max, and most recently Disney Cruella, 2021. Jenny Beavan is an English costume designer. She has won the Academy Award for Best Costume Design in 1986 for A Room With A View. She also won another Academy Award and the BAFTA Award for Costume Design for Mad Max: Fury Road, and has been nominated 10 times for the Academy Award.
In this weeks episode we talk about the fabulous costumes in the new Disney movie Cruella. Jenny Beavan is the costume designer for the film. This episode will contain some spoilers regarding the movie plot. For photos and a full list of show notes please visit our website at https://www.sewingfortheweekend.com/e114-show-notes?rq=114
In the premiere episode of The Art of Costume Blogcast, Elizabeth and Spencer break down the incredible costumes of Cruella by costume designer Jenny Beavan. They go scene by scene, recap the story, and discuss the majority of costumes seen on screen. Yes, even the dog-rat costume! We are just getting started, darling. Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod and DM us your movie and television requests! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
In the premiere episode of The Art of Costume Blogcast, Elizabeth and Spencer break down the incredible costumes of Cruella by costume designer Jenny Beavan. They go scene by scene, recap the story, and discuss the majority of costumes seen on screen. Yes, even the dog-rat costume! We are just getting started, darling. Follow The Art of Costume Blogcast on Instagram at @TheArtofCostumePod and DM us your movie and television requests! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support
Jenny Beavan is a prolific costume designer, having won her first Academy Award in 1987 for A Room With a View, and again for Mad Max: Fury Road. Most recently, she’s responsible for the works of art in the live-action feature film Cruella, starring Emma Stone. In this episode, Jenny tells us about her inspirations for the stunning fashion throughout the movie and takes us behind the scenes of creating a visual world for a major motion picture.
Jenny Beavan is a prolific costume designer, having won her first Academy Award in 1987 for A Room With a View, and again for Mad Max: Fury Road. Most recently, she's responsible for the works of art in the live-action feature film Cruella, starring Emma Stone. In this episode, Jenny tells us about her inspirations for the stunning fashion throughout the movie and takes us behind the scenes of creating a visual world for a major motion picture. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What a pleasure to speak with Jenny Beavan, a two-time Oscar-winning costume designer whose credits include SHERLOCK HOLMES, MAD MAX: FURY ROAD, and Disney’s newest release CRUELLA (starring Oscar-winner Emma Stone). In today’s conversation, Jenny and I discuss a wide range of topics: an in-depth chat on the design of MAD MAX: FURY ROAD; the hypnotic costumes of the 2017 thriller A CURE FOR WELLNESS; how she re-invented the iconic Disney villain CRUELLA, with the new film set in a punk-rock London of the 1970s. All of this… and much more! Make sure you subscribe to Soundstage Access on your favorite podcast platform so you can share your favorite episodes with your friends. INSTAGRAM: www.instagram.com/soundstageaccess/ FACEBOOK: www.facebook.com/soundstageaccess/ TWITTER: twitter.com/SoundstageAC
T Lo discuss the Oscar-worthy work of costume designer Jenny Beavan in the surprisingly high-quality and couture-focused "Cruella" and interview Jeriana San Juan, the costume designer for Netflix's "Halston" on how to merge fashion design with the needs of costume design.
If Disney was hoping to create the "definitive version of The Nutcracker," they've got a lot more work to do. The Nutcracker and The Four Realms plays like the first draft of a script from a college senior submitting her final project. In fact, the Four Realms is close to being a really good movie, but it falls short in so many ways. Let's start with the good parts. Mackenzie Foy and Matthew Macfayden add a lot of emotion to their characters of Clara and Mr. Stahlbaum respectively. Costume designer Jenny Beavan should win an Oscar for her creativity in this film. Ballerina Misty Copeland treats all of us to an amazing performance that most of us could not afford to see otherwise. It's cliche to say the best part of a movie is the end credits, but Disney allows Misty to freely dance — which alone might be worth the ticket price. The video below has bits of it. [youtube https://www.youtube.com/watch?v=Iz1J_mwnMQc&w=560&h=315] Where Nutcracker Goes Wrong There is so much wrong with Four Realms that it is hard to know where to start. The biggest weakness of the film is the story. It tries to take viewers down the well-trodden path of uncertain young girl who becomes a strong character by the end. (Think Mulan, Casey Newton, etc). The problem is that Clara is never uncertain, so moments that should carry weight never seem to quite get there. Her growth as a character is minuscule at best and non-existent at worst. Meanwhile, the main twist in the story seems completely manufactured for the sake of having a twist. Disney is currently so hooked on trying to subvert audience expectations that if Snow White were made today, Dopey would turn out to be a master villain. There are plenty of ways to tell an exciting story even when the audience knows how it will end. The live-action version of The Jungle Book didn't need Bagheera to join Shere Khan for it to be a great movie. If you can get past the story — and that's a big if — you then contend with a few disjointed acting performances. To be fair, this duality is likely due to the fact that one part of the movie was directed by Lasse Hallström and all of the reshoots were done by Joe Johnston. Still Nutcracker Captain Phillip (Jayden Fowora-Knight) is sometimes stiff and other times loose, while Sugar Plum (Kiera Knightley) is borderline inappropriate in the way she provides a double entendre for some of her lines. Even Helen Mirren, who does a good job as Mother Ginger, can't rescue the doomed script. Final Rating: 5.5/10 Disney was very close to adding another strong female character to the Disney canon, but Four Realms falls short. The costumes and set design are inspiring, but in the end the story is too big of a nut for this film to crack.
This week on BEHIND THE LENS we go back to The Hundred Acre Woods with some prerecorded exclusive interviews with JIM CUMMINGS, writer ALLISON SCHROEDER and costume designer JENNY BEAVAN. Not only is it Awards Season, but CHRISTOPHER ROBIN is available November 6, 2018, on Digital and Blu-ray. And we catch up with writer/director/actor JOSEPH CULP talking about his new film (and feature directorial debut) WELCOME TO THE MEN'S GROUP. Every film starts with a story and we start off the show with CHRISTOPHER ROBIN screenwriter ALLISON SCHROEDER. Listen as she talks about creating the story and balancing screen time among Winnie the Pooh, Tigger, Eeyore and the gang, as well as the dynamic between Christopher Robin and Pooh. Of course, once you have the words on the page, it's time to flesh out your characters through performance and there's no better man for that job than master voice actor JIM CUMMINGS who talks about voicing Pooh and Tigger and how these performances of the dynamic duo differ from those of the past 30 years. But then, you need a look. Luckily for Christopher Robin and Pooh that Academy Award-winning costume designer JENNY BEAVAN was on hand to develop period perfect looks for not only our furry friends but the humans milling about the film as well. Listen as she talks about director Marc Forster's vision in terms of the look of the film and how costume played into that, and how she works with costume houses to find just the right looks for characters, not to mention hand-knitting Pooh's signature red sweater. Then, take a listen to my conversation with JOSEPH CULP (son of acclaimed actor Robert Culp) as he talks about his feature directorial debut with WELCOME TO THE MEN'S GROUP. Writer/director/producer and one of the film's stars in an impeccable ensemble cast, Joseph goes in-depth about story development, casting, and the importance of this film in today's world. http://behindthelensonline.net http://eliasentertainmentnetwork.com
Kirsty Lang discusses the life and work of the Nobel Prize winning poet and playwright Derek Walcott, whose death at the age of 87 was announced today.Costume designer Jenny Beavan, who won an Oscar for Mad Max: Fury Road and whose previous films include Sherlock Holmes and Tea with Mussolini, discusses the art of creating an iconic costume with film historian Ian Christie.David Darcy in New York reports on President Trump's proposal to abolish the National Endowment for the Arts.Laura Snapes explores the emergence of playlists in music.Presenter: Kirsty Lang Producer: Timothy Prosser.
Why do women wear frocks to the Oscars? And why did the whole world have a melt down when Jenny Beavan wore a leather jacket instead? Eve and Cath investigate, then look closely at feminist porn. Very closely. Curiosity satisfied we then round up with a few OMG stories: a Killer Sex Cucumber, a Romanian housewife who pulled off her husband's testicle and a woman who puts leeches up her...well you'll have to listen to find out exactly what she does with them.
Passamos uma semana discutindo o Oscar “nas internet”. DiCaprio mereceu? A música do Sam Smith é mesmo muito chata? Morricone e Jenny Beavan foram os pontos altos? Stallone foi injustiçado? Nada disso importa, porque oito dias depois é a vez da Loserlândia falar sobre o assunto, naquele sempre perfeito timing que é tão nosso. Diogo Sales e Roberto Feliciano não receberam indicações, mas receberam Júlio Machado (Torre dos Gurus) e Jeanine Ribeiro para comer pipoca, relembrar premiações de anos anteriores, rir das presepadas e conversar sobre caras como Kubrick, Hitchcock, Tarantino e outros geniais perdedores famosos da festa máxima do cinema. E pode ouvir sem medo, porque mesmo que a gente não seja capaz de opinar, opinamos mesmo assim. Ah, e caso não tenha ficado claro, não falamos sobre a edição 2015.
Τα Oscar 2016 δίχασαν το κοινό, τόσο για κάποιες βραβεύσεις όσο και για το "whitewashing". Οι FilMonkeys λένε την άποψη τους για την ύπαρξη ρατσισμού στα Oscar, το oscar του Di Caprio και αυτό που δεν πήρε ο Stallone αλλά και την πραγματική νικήτρια αυτών των Oscar, ονόματι Jenny Beavan (ενδυματολόγος στο Mad Max: Fury Road) και η επίσημα Πιο Καλοντυμένη!
Τα Oscar 2016 δίχασαν το κοινό, τόσο για κάποιες βραβεύσεις όσο και για το "whitewashing". Οι FilMonkeys λένε την άποψη τους για την ύπαρξη ρατσισμού στα Oscar, το oscar του Di Caprio και αυτό που δεν πήρε ο Stallone αλλά και την πραγματική νικήτρια αυτών των Oscar, ονόματι Jenny Beavan (ενδυματολόγος στο Mad Max: Fury Road) και η επίσημα Πιο Καλοντυμένη!
For more than 30 years Jenny Beavan has been designing beautiful and historically accurate costumes, for film and stage. But though she cares intensely how the costumes look on the actors and on screen, she has little interest in fashion or dressing up herself. So despite being called a bag lady at the Baftas she went along to collect her second Oscar in comfortable clothes. Presenter - Becky Milligan Producer- Shabnam Grewal and Elizabeth Cassin.
In this week's episode of the Geeks OUT Podcast, Kevin (@Gilligan_McJew) is joined by guest co-host @JoeyStern as they discuss Joey's deep seeded problems with "Finding Dory", why "Legends of Tomorrow" would be better if it was just Captain Cold, and celebrate our Strong Female Character of the Week, the Oscar winning costume designer of Mad Max: Fury Road, Jenny Beavan. This Week's Topics Include: What we are consuming in pop culture The Agent Carter season finale Gambit has been pulled from movie schedule, 2 untitled X-movies have been posted Liev Schreiber teases Sabertooth in Wolverine sequel Idris Elba and Matthew McConaughey officially in Dark Tower movie Ellen Page is attached to a new Flatliners remake Full “Finding Dory” trailer was released S.H.I.E.L.D bosses confirm Grant is now Hive from Secret Warriors comics Daredevil Season 2 trailer #2 Finn Jones cast as Iron Fist Big Hero 6 series coming to Disney XD in 2017 Star Trek adds writer from “Wrath of Khan”, “Voyage Home”, and “Undiscovered Country” as producer/writer Legends of Tomorrow showed us Connor Hawke, Older Ollie, and new Deathstroke We may get a non-white companion for Doctor Who Nickelodeon is bringing Legends of the Hidden Temple back, as a TV movie Why we aren't liking the new Batman The Dark Knight series Why Loki for President is in inevitable trash read that will be on our pull list And our Strong Female Character of the Week: Jenny Beavan the Oscar winning costume designer for Mad Max: Fury Road
The Guardian film team's roundup of Thursday's movie news
Libby Purves meets novelist Gerald Seymour; adventurer and comedian Tim FitzHigham; writer Amy Liptrot and costume designer John Bright. Tim FitzHigham is an adventurer, author and comedian. His new show, the Gambler, is on tour and in preparation he has undertaken some idiosyncratic challenges including cooking under ten feet of water. He has established himself as a man who is infamous for tackling endeavours that no one else would dare to. In previous shows he has paddled paper boats down the Thames; ridden hollowed out logs up the Amazon; run deserts in suits of armour and crossed the Channel in a bath tub. The Gambler is on tour. Amy Liptrot's book, The Outrun tells her story of returning to Orkney after more than a decade away in London. Orkney becomes the central force in her recovery from alcohol addiction; she swims in the bracingly cold sea and tracks Orkney's wildlife including puffins nesting on sea stacks and the rare and secretive corncrake. The Outrun is published by Canongate. Gerald Seymour is a novelist who made his mark with Harry's Game in 1975. Before embarking on his literary career he was a news reporter for 15 years, covering events in Vietnam, Borneo, Aden, Israel, Northern Ireland and at the Munich Olympics. His new novel, No Mortal Thing, is set in the murky world of the Calabrian crime organization known as the 'Ndrangheta. No Mortal Thing is published by Hodder and Stoughton. John Bright is a costume designer for theatre, film and television. He won an Academy Award and BAFTA Award with Jenny Beavan for their work on A Room With A View in 1985. He started out working at Chichester Festival Theatre and later became a key member of the Merchant Ivory filmmaking team. His new website will feature his designs for film, theatre and television and his own personal collection of costumes including garments once belonging to Queen Mary and Margot Fonteyn.
The Popcorntalk Network proudly presents The Cosplay Coach! In depth costume breakdowns on your favorite films and cinematic works alongside tips and tricks on how to create your own Cosplay! Meredith (@mplacko), Emma (@emmafyfe), Alana (@alanajordan), and special guest Andrew Vogel (Vonfogel) host The Cosplay Coach this week! Get your football pads ready and gear up for this week’s Cosplay Coach! We’re getting mad in here - not angry, but crazy with Mad Max Fury Road coming out this week. We talk the costumes from George Miller’s post apocalyptic rock opera and how you can gear up for the end of the world. Guest Andrew Fogel (League of Steam) joins us to talk shop and cars! Articles of Interest: Interview with costume designer Jenny Beavan: http://wonderlancer.com/artistry/jenny-beavan/ Mad Max Fury Road article from madmaxcostumes.com: http://madmaxcostumes.com/information/mad-max-fury-road/ Cosplay Coach theme song by Niko Makaris www.nikomakaris.com Costume Designer: Jenny Beav
Fi Glover is joined by TV personality Fiona Phillips, and poet Murray Lachlan Young. There's an interview with Oscar-winning costume designer Jenny Beavan, a Sound Sculpture about geese, JP meets rock star record producer Dale Griffin who's now developed Alzheimer's, and singer songwriter Tracey Thorn shares her Inheritance Tracks.
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