Podcast appearances and mentions of joel simon

Gary Graff has Sting n Billy Joel, Simon & Garfunkel, Quincy, EVH, and more in Music News by 102.9 The Hog

Unzufrieden mit dem Ausgang der Präsidentschaftsdebatte mit der US-Vizepräsidentin Kamala Harris, die von ABC News moderiert wurde, sagte der ehemalige US-Präsident Donald Trump, dass ABC seine Sendelizenz verlieren solle. Könnte er ihre Lizenz entziehen, wenn er wieder Präsident wird? Was könnte Trump tun, um die Pressefreiheit zu untergraben und Nachrichtenagenturen zu bedrohen, falls er eine zweite Amtszeit gewinnt?Joel Simon ist der Gründungsdirektor der Journalism Protection Initiative an der Craig Newmark Graduate School of Journalism, die Teil der City University of New York ist. Er ist Autor von vier Büchern, darunter zuletzt The Infodemic: How Censorship and Lies Made the World Sicker and Less Free, das er gemeinsam mit Robert Mahoney verfasst hat. Er schreibt regelmäßig zu Themen der Pressefreiheit für den New Yorker und produziert eine Kolumne für die Columbia Journalism Review. Von 2006 bis 2021 war Joel Simon geschäftsführender Direktor des Committee to Protect Journalists.Das Gespräch ist Teil der Reihe "European Contexts", eine Kooperation von Presseclub Concordia, ERSTE Stiftung und fjum.

You never know where a pipeline dream will lead you.    Joel Simon had dreams of being a rock star - one thing led to another, however, and he ended up in the infomercials and commercials business.    CEO and CCO of global commercial music production company JSM, Joel Simon joins Liz to discuss his journey to success and what it takes to get your foot in the door with some of the world's most influential brands. Ask Liz your dying questions on Twitter! @talktolizclaman Learn more about your ad choices. Visit megaphone.fm/adchoices

While music and street fests get most of the Summertime Chi hype, neighborhood block parties are probably the real unsung heroes. Already, hundreds have taken place, bringing BBQs, bounce houses, and casper slides to neighborhoods across the city. So what goes into putting on a block party? Host Jacoby Cochran sits down with Newsletter Editor Sidney Madden to find out. Sidney recently interviewed Ashley Rayner and Joel Simon, who have both coordinated block parties in their neighborhoods. And if those names sound familiar, it's because they gave us neighborhood guides in Beverly and Lakeview!   You can find out more about block party permits and how to submit a request here.  Illinoisans who used Instagram in the last 8 years could be eligible for $$. Submit a claim now!  Check out the full schedule for dance performances in parks across Chicago. Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Interested in advertising with City Cast? Find more info HERE  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Suno India Show, join Suno India's Editor-In-Chief Padma Priya as she delves into the alarming decline of press freedom in India, highlighted by the recent World Press Freedom Report. Ranking 161st among 180 countries, India's safety of journalists category hit a staggering low at 172. Padma engages in an insightful discussion with Joel Simon, a senior American journalist, press freedom activist, and Founding director of Journalism Protection Initiative, Newmark Journalism School to explore the evolving role of journalists in today's society. Discover what it means to be a journalist in this era, the crucial role of news consumers, and the pressing challenges faced by the media industry globally.See sunoindia.in/privacy-policy for privacy information.

There's purpose in choosing what music to add to your advertising; the right mnemonic can create instant brand recognition. Our first guest Joel Simon, CEO/Chief Creative Officer of JSM Music spoke with host Tom Eymundson about his drive to start his own company (and his dislike of the term jingle). Joel discussed his career, perspective on the industry, trends and more. “It's an amazing business. I enjoy watching the technological advances that have happened” – Joel Simon Our next guest, Marine Cremer, Music Supervisor at DDB Paris sat down with host Ralph van Dijk to discuss how the creative use of music and sound can enhance and draw attention to your brand. Marine, who's passion for music started at an early age with her trips to the cinema, shares industry trends, talks about surprising work she saw in the jury room and her judging experience. Joel was on LIA's 2022 Radio & Audio jury and Marine was on LIA's 2022 Music & Sound Jury. Show notes: Podcast winners: https://2022.liaentries.com/winners/?id_medium=34&view=icons&range=w&clear_search_session=true Radio and audio winners: https://2022.liaentries.com/winners/?id_medium=7&view=icons&range=w&clear_search_session=true Music and sound winners: https://2022.liaentries.com/winners/?id_medium=22&view=icons&range=w&clear_search_session=true The unforgettable two minutes: https://2022.liaentries.com/winners/?id_entry=103644&id_medium=7&id_submedium=13&id_category=0&view=details&range=w&page=27&keyword=&medium=&category=&award=&country=&title_brand=&credits=&company_name=&city=&proceed_simple_search=false&proceed_advanced_search=false McDonalds Bon Jovi ad: https://www.youtube.com/watch?v=KyGI68HgJ80 Credits: Guests: Joel Simon, CEO/ Chief Creative Officer, JSM music Marine Cremer, Music Supervisor, DDB Paris Host: Tom Eymundson, CEO Pirate Group Toronto Ralph van Dijk, Founder, Eardrum Producer: Sarah Knights, Eardrum Music: Brian Yessian, Yessian Music Manager: Laurissa Levy, London International Awards Production Company: Eardrum

Some people go to Lakeview for the bars, others go for the Cubs — everyone's got a different take on the North Side neighborhood. City Cast listener Joel Simon has lived in Lakeview for over 20 years and says there's actually something for everyone. He gives us his list of things to eat, see, and do in the neighborhood. Joel's Recs: The Annoyance Schubas Tavern Sidetrack Berlin Center on Halsted AIDS Garden Chicago Cody's Public House Lincoln Tap Theater Wit Music Box Steingold's of Chicago S&G Restaurant Golden Apple The Gundis Koval Distillery Paulina Meat Market Some news: Do you know who's running for alder in your ward? Check the Chicago Board of Elections list of candidates. Plus, Chicago Restaurant Week kicks off tonight! Follow us on Twitter: @CityCastChicago Sign up for our newsletter: chicago.citycast.fm Call or Text Us: (773) 780-0246 Learn more about your ad choices. Visit megaphone.fm/adchoices

Tack för denna säsongen av Gräsrötter Podcast! Vi ses till nästa säsong - Jonathan, Joel & Simon

Two years after the worldwide outbreak of Covid-19, what will the long-term effects be? Not just in terms of public health, but in terms of privacy, censorship, and government control? This week, we are joined by journalists Joel Simon and Robert Mahoney, co-authors of The Infodemic: How Censorship and Lies Made the World Sicker and Less Free. The authors explain how, “as COVID-19 spread around the world, so did government censorship. The Infodemic lays bare not just old-fashioned censorship, but also the mechanisms of a modern brand of ‘censorship through noise,' which moves beyond traditional means of state control—such as the jailing of critics and restricting the flow of information—to open the floodgates of misinformation, overwhelming the public with lies and half-truths.” Joel and Robert talk about how the Covid crisis has exacerbated a mistrust in institutions, a deterioration of local news outlets, and a deep sense of cynicism that is born of lack of information. Don't miss this fascinating conversation about something that affects all of us in one way or another. Find Joel Simon on Instagram and Twitter. Find Robert Mahoney on Twitter. Learn more about the publisher, Consumer Global Reports on their website, Instagram, Twitter, and Facebook. Find The Infodemic on Amazon or pick up a copy at your local bookstore.

As COVID-19 began to spread around the world in 2020, so did a steady stream of information — and disinformation. Running parallel to the pandemic was an “infodemic,” a digital and physical deluge of information that resulted in mass confusion and censorship. In their new book, The Infodemic, authors Joel Simon and Robert Mahoney lay bare the mechanisms of a modern brand of “censorship through noise” that moves beyond traditional means of state control (jailing critics and restricting the flow of information, for example) to open the floodgates of misinformation. The result? A public overwhelmed with lies and half-truths. Simon and Mahoney have traveled the world for many years defending press freedom and journalists' rights as the directors of the Committee to Protect Journalists. They've charted COVID censorship beginning in China, through Iran, Russia, India, Egypt, Brazil, and inside the Trump White House. They argue that increased surveillance in the name of public health, the collapse of public trust in institutions, and the demise of local news reporting all contributed to help governments hijack the flow of information and usurp power. Through vivid characters and behind-the-scenes accounts, Simon and Mahoney argue that under the cover of a global pandemic, governments have undermined freedom and taken control — and that this new political order may be the legacy of the disease. Truth may seem like a simple concept, but Simon and Mahoney highlight how complex it really is. What do you consider a fact? How do you know what a fact is? In this installment of Town Hall's In the Moment podcast, radio host Katy Sewall interviews Simon and Mahoney about these questions in the context of today's pandemic and political powers. Joel Simon is a fellow at the Tow Center for Digital Journalism at Columbia Journalism School and formerly the Executive Director of the Committee to Protect Journalists. Before joining CPJ, he worked as a journalist in Latin America and California. He is the author of three books, including We Want to Negotiate: The Secret World of Hostages, Kidnapping, and Ransom, also from Columbia Global Reports. He lives in Brooklyn, New York. Robert Mahoney is Executive Director of the Committee to Protect Journalists. He was a Reuters correspondent with postings in Southeast Asia, West Africa, India, Israel, France and Germany. This is Robert's first book. He lives in New York City. Katy Sewall is a back-up announcer/host for KUOW and a feature reporter. She's a PRINDI award-winning producer who trained with Radiolab and toured with A Prairie Home Companion. Her work has appeared on The Takeaway, Here & Now, the BBC, and more. Katy spent nine years as the Senior Producer of Weekday with Steve Scher and is currently the host and creator of the international podcast The Bittersweet Life. Buy the Book—The Infodemic: How Censorship and Lies Made the World Sicker and Less Free  Presented by Town Hall Seattle. To become a member or make a donation click here. 

As COVID-19 began to spread around the world in 2020, so did a steady stream of information — and disinformation. Running parallel to the pandemic was an “infodemic,” a digital and physical deluge of information that resulted in mass confusion and censorship. In their new book, The Infodemic, authors Joel Simon and Robert Mahoney lay bare the mechanisms of a modern brand of “censorship through noise” that moves beyond traditional means of state control (jailing critics and restricting the flow of information, for example) to open the floodgates of misinformation. The result? A public overwhelmed with lies and half-truths. Simon and Mahoney have traveled the world for many years defending press freedom and journalists' rights as the directors of the Committee to Protect Journalists. They've charted COVID censorship beginning in China, through Iran, Russia, India, Egypt, Brazil, and inside the Trump White House. They argue that increased surveillance in the name of public health, the collapse of public trust in institutions, and the demise of local news reporting all contributed to help governments hijack the flow of information and usurp power. Through vivid characters and behind-the-scenes accounts, Simon and Mahoney argue that under the cover of a global pandemic, governments have undermined freedom and taken control — and that this new political order may be the legacy of the disease. Truth may seem like a simple concept, but Simon and Mahoney highlight how complex it really is. What do you consider a fact? How do you know what a fact is? In this installment of Town Hall's In the Moment podcast, radio host Katy Sewall interviews Simon and Mahoney about these questions in the context of today's pandemic and political powers. Joel Simon is a fellow at the Tow Center for Digital Journalism at Columbia Journalism School and formerly the Executive Director of the Committee to Protect Journalists. Before joining CPJ, he worked as a journalist in Latin America and California. He is the author of three books, including We Want to Negotiate: The Secret World of Hostages, Kidnapping, and Ransom, also from Columbia Global Reports. He lives in Brooklyn, New York. Robert Mahoney is Executive Director of the Committee to Protect Journalists. He was a Reuters correspondent with postings in Southeast Asia, West Africa, India, Israel, France and Germany. This is Robert's first book. He lives in New York City. Katy Sewall is a back-up announcer/host for KUOW and a feature reporter. She's a PRINDI award-winning producer who trained with Radiolab and toured with A Prairie Home Companion. Her work has appeared on The Takeaway, Here & Now, the BBC, and more. Katy spent nine years as the Senior Producer of Weekday with Steve Scher and is currently the host and creator of the international podcast The Bittersweet Life. Buy the Book—The Infodemic: How Censorship and Lies Made the World Sicker and Less Free  Presented by Town Hall Seattle. To become a member or make a donation click here. 

As COVID-19 spread around the world, so did government censorship. The Infodemic lays bare not just the use of old-fashioned censorship, but also how “censorship through noise” enhances the traditional means of state control (such as jailing critics and restricting the flow of information) by using a flood of misinformation to overwhelm the public with lies and half-truths. Joel Simon and Robert Mahoney, who have been defending press freedom and journalists' rights worldwide for many years as the directors of the Committee to Protect Journalists, chart the onslaught of COVID censorship—beginning in China, but spreading through Iran, Russia, India, Egypt, Brazil, and even the White House. Increased surveillance in the name of public health, the collapse of public trust in institutions, and the demise of local news reporting all contributed to make it easier for governments to hijack the flow of information. Using vivid characters and behind-the-scenes accounts, Simon and Mahoney show how, under the cover of a global pandemic, governments have undermined freedom and taken ever more authoritarian control—a new political order that may be one of the legacies of this disease. MLF ORGANIZER George Hammond SPEAKERS Robert Mahoney Deputy Executive Director, the Committee to Protect Journalists; Co-Author, The Infodemic: How Censorship and Lies Made the World Sicker and Less Free Joel Simon Fellow, the Tow Center for Digital Journalism, Columbia Journalism School; Co-Author, The Infodemic: How Censorship and Lies Made the World Sicker and Less Free In Conversation with George Hammond Author, Conversations With Socrates In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on May 5th, 2022 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

  While everyone is busy opining on the unknown and probably minor impact of a change of ownership of Twitter, we have literally ignored the chilling and perhaps long-term impact that the pandemic has had in enhancing government misinformation, curtailing free speech, and giving more powers to government. All while censuring information that actually might have helped people. And not just in China…but in the U.S. and around the world. It was Churchill who originally said, “never let a good crisis go to waste.” Certainly, governments of the world did not. In China, Israel, Brazil, Egypt India, and int the US Covid-19 gave carte balance to leaders to misinform, misdirect and take political advantage. Joel Simon writes in The Infodemic that throughout the pandemic many people felt as if they were drowning in information, yet in fact, they were being censored.   My conversation with Joel Simon: 

Putin is doubling down on Ukraine's Donbas region, and the Pentagon says Moscow's shift in strategy may be working for them. Their apparent advances on the battlefield come after Putin's initial assault on the north two months ago was blunted by the Ukrainians in a show of force that surprised the world. Russian investigative journalist Andrei Soldatov has been taking a close look at Russia's failures so far, and the blame game that followed in the Kremlin, and he joins the show from London.  Also on today's show: author Joel Simon, professor Darrick Hamilton, Lincoln Project co-founder Rick Wilson. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

When residents of Wuhan, China, began mysteriously falling ill in December 2019, the Chinese government quickly moved to quash news about the disease outbreak. That crackdown on information proved to be the perfect accelerant for the Covid-19 pandemic to take off and spread throughout the world.Censorship has been a deadly component of the pandemic, asserts Joel Simon, who is co-author with Robert Mahoney of “The Infodemic: How Censorship and Lies Made the World Sicker and Less Free.” Simon is a fellow at the Tow Center for Digital Journalism at the Columbia Journalism School and the former executive director of the Committee to Protect Journalists. “Instead of communicating openly with citizens, governments suppressed critical information or actively misled or confused their citizens, a strategy that has been dubbed ‘censorship through noise,'” Simon and Mahoney argued. “Alongside the Covid-19 pandemic, there was an infodemic, a deluge of lies, distortion, and bungled communication that obliterated the truth.” 

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Joel Simon, author of The Infodemic: How Censorship and Lies Made the World Sicker and Less Free. Joel Simon is a fellow at the Tow Center for Digital Journalism at Columbia Journalism School and formerly the Executive Director of the Committee to Protect Journalists. Before joining CPJ, he worked as a journalist in Latin America and California. He is the author of three books, including We Want to Negotiate: The Secret World of Hostages, Kidnapping, and Ransom, also from Columbia Global Reports. He lives in Brooklyn, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the tale goes, Miss O'Leary's cow kicked over a lantern and started the Great Chicago Fire in 1871, burning 17,500 buildings and killing around 300 people. Robert Loerzel, a Chicago-based freelance journalist, discusses his reporting of firsthand accounts. And, Maria Ressa, co-founder and CEO of the news website The Rappler in the Philippines, and Dmitry Muratov, founder and editor of the independent Russian newspaper Novaya Gazeta, have won the Nobel Peace Prize. We learn more about their win with Joel Simon of the Committee to Protect Journalists.

Romalı şair Juvenal'ın bundan 2000 yıl önce dikkate sunduğu bilmece, siyasi hayatın kalbindeki yerini konuyor: quis custodiet ipsos custodes. "Bu insanlar bizi koruduklarını söylüyorlar, peki bizi koruyanlardan bizi kim koruyacak?" Demokratik toplumların bu soruya verdiği cevap özgür, bağımsız ve özdenetimini yapan bir medyanın iktidarı hesap vermeye zorlayarak bu korumayı sağladığı yönündedir. Ancak şunu çok iyi biliyoruz: Dünyanın dört yanında özgür olduğunu iddia eden medya sistemlerinin birçoğu artık tam anlamıyla bağımsız değiller. Medya şirketleri kendilerine sahip olan büyük holdingleri korumak adına doğrudan ya da dolaylı sansür uyguluyorlar. Facebook ve Google gibi teknoloji devleri de son dönemde büyük değişim geçirdiler ve giderek artan biçimde insanların habere erişim yollarını denetim altına aldılar, bu denetimin etkilerini her geçen gün daha fazla hissediyoruz. Çoğunluğun haklarından ziyade küçük azınlığın çıkarlarını korumakla ilgilenenler medyayı "zapt ettiklerinde" bize düşen sorumluluk nedir?İstanbul Edebiyat Evi'nin Gazetecilik Konuşmaları serisinde, gazeteciliğin geleceği üzerine, medyanın nasıl zapt edildiği ve nasıl özgür kalabileceği üzerine derinlemesine düşünenleri bir araya getiren global bir panelimiz var bu akşam. Panelistlerimiz bu yıl yayımlanan Media Capture: How Money, Digital Platforms and Governments Control the News (Medyanın Zaptı: Para, Dijital Platformlar ve Devletler Haberleri Nasıl Denetliyor?) adlı kitabın editör ve yazarlarından oluşuyor.Anya Schiffrin: Columbia Üniversitesi'nin Uluslararası İlişkiler ve Kamu İşleri Fakültesi'nde Teknoloji, Medya ve İletişim Direktörü. Ayrıca burada küresel medya, teknolojik gelişmeler ve insan hakları konularında ders veriyor.Emily Bell: New York'ta Columbia Journalism School bünyesindeki Tow Digital Gazetecilik Merkezi'nin kurucu direktörü ve öğretim üyesi. Gazetecilik kariyerinin büyük bölümünü Londra'da Guardian gazetesi ve medyası için çalışarak geçirdi. Guardian'ın web sitelerinin genel yayın yönetmenliğini ve bütün dijital içerikten sorumlu direktörlüğünü yaptı. Joel Simon: 2006'dan bu yana New York merkezli Gazetecileri Koruma Komitesi'nin (CPJ) Direktörü. Basın özgürlüğü konusunda makaleler yazıyor, konferanslar veriyor. Andrew Finkel: Punto24'ün kurucusu ve yönetim kurulu üyesi. 1989'dan itibaren uzun yıllar Türkiye'de gazetecilik yaptı. The Times, The Economist, TIME, CNN ve The New York Times'ın "Latitude" bölümü için çalıştı. Türkçe yayınlanan gazetelerde de köşe yazarlığı yaptı. Podcast dili İngilizcedir, buluşmanın Türkçe altyazılı video kaydını ise YouTube kanalımızda izleyebilirsiniz.

A look at how journalism selectively judges objectivity and bias… Which produces better reporting: proximity to the community you cover? Or distance? Who gets to decide?  1. Joel Simon [@Joelcpj], outgoing executive director of the The Committee to Protect Journalists, on why it's a dangerous time to be a journalist. Listen.  2. Bruce Shapiro [@dartcenter], executive director of the Dart Center for Journalism and Trauma at Columbia Journalism School, on why trauma shouldn't disqualify reporters from reporting on topics into which they have insight. Listen.  3. Ernest Owens [@mrernestowens], Philadelphia Association of Black Journalists president, about the double-standards facing journalists who have identities or lived experiences that are different from editors who still determine what constitutes "objectivity." Listen.  4. Steve Friess [@stevefriess], editor at Hour Detroit and contributor for Newsweek, looks back at how he covered gay marriage when his own marriage hung in the balance. Listen.  5. Lewis Raven Wallace [@lewispants], author of The View from Somewhere, on why what we call "neutrality" so often reflects the ideological assumptions of the status quo. Listen. Music from this week's show: Frail As a Breeze — Erik FriedlanderNight Thoughts — John ZornFallen Leaves — Marcos CiscarMiddlesex Times — Michael AndrewsBubble Wrap — Thomas Newman Transparence — Charlie Haden & Gonzalo RubalcabaCarmen Fantasy — Anderson + RowTribute to America — The O'Neill Brothers  

In episode 4 of The Gradient Podcast, we interview artist, engineer, and entrepreneur Joel Simon.Subscribe to The Gradient Podcast: Apple Podcasts | Spotify | Pocket Casts | RSSJoel Simon is a multidisciplinary artist, toolmaker, and researcher. He studied computer science and art at Carnegie Mellon University, worked on bioinformatics at Rockefeller University, and most recently is the founder and director of Morphogen, a generative design company developing Artbreeder, a massively collaborative creative tool and network. His interests lie in the intersection of computer science, biology and design as well as furniture-design, collaborative-creativity, sculpture and game-design.Theme: “MusicVAE: Trio 16-bar Sample #2” from "MusicVAE: A Hierarchical Latent Vector Model for Learning Long-Term Structure in Music". Get full access to The Gradient at thegradientpub.substack.com/subscribe

Ali Velshi is joined by a roundtable of citizens and leaders from the AAPI community for a powerful conversation about race and anti-Asian violence. Also joining the show: Congressman Bennie Thompson, Senator Bernie Sanders, Congressman Jason Crow, Congresswoman Judy Chu, Congressman Andrew Garbarino, Academy Award-winning producer of the new documentary “Crime of the Century” Alex Gibney,  NBC News Chief Foreign Correspondent Richard Engel, Joel Simon of the Committee to Protect Journalists, Washington Post White House correspondent Anne Gearan, and Pulitzer Prize-winning New York Times reporter Katie Benner.

Joel Simon and Greg Palast speak with Cenk on The Conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plus... Washington Post reporter Jacqueline Alemany shares her Covid-19 experience to counter deniers; press freedom experts on recovering from the ‘fake news' era; Oliver Darcy on Fox's ‘propaganda' in service of Trump. Amanda Carpenter, Jonathan Rauch, Carrie Budoff Brown, Suzanne Nossel, Joel Simon, Oliver Darcy, Jacqueline Alemany and Amanda Marcotte join Brian Stelter. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Compelling discourse with Joel Simon about Art, Machine Intelligence and soft robotics, Joel is a multidisciplinary artist who does work on a generative design (GAN) and collaborative creative tool and network. We discuss interesting points about what's happening in the artbreeder. How will AI systems enhance and augment human creativity, how generative design could be a solution for the future of soft robotics design.

Plus, Dr. Sanjay Gupta on the "mystery of President Trump's unannounced hospital visit," and Margaret Sullivan, Juliet Huddy, Oliver Darcy, Joel Simon, Kathleen Carroll, Steven Hassan join Brian Stelter.

Rabbi Simon shares a little bit of his family history and a perspective on antisemitism in the world today. A sermon delivered at Congregation Schaarai Zedek in Tampa, Florida on September 30, 2019. Follow us @schaaraizedek or visit our website www.zedek.org.

Today we’re speaking with Joel Simon, a multidisciplinary artist and toolmaker who’s work intersects with art, design and research. Joel studied computer science and art at Carnegie Mellon University for 3 years before working on bioinformatics at Rockefeller University. He is currently pursuing Morphogen, a generative design company and developing GanBreeder, a massively collaborative creative tool and network. Joel is inspired by the systems of biology computation and creativity. You can learn more about Joel and his work here: Website Twitter GANbreeder As always you can find out more about Tech+Art by visiting our website or following us on Twitter! Cover art by Matt DesLauriers.

In a world that is increasingly more authoritarian, in a political atmosphere that is more and more polarized and tribal everywhere, the threat of global hostage-taking has increased exponentially. As the murder of Jamal Khashoggi illustrates, this threat has particularly increased for journalists, many of whom are on the front lines of reporting on repression and brutality. A record 262 journalists were jailed around the world at the end of 2018. All of this raises the far larger question, one that journalists have to think about every day, of how should we deal, as a matter of public policy, with journalists or anyone other citizen that is taken, hostage. The American policy has been that "we do not negotiate with hostage takers."  This policy is not universal. Many nations, including France, Spain, and others have taken a different view. The answer is not clear cut or obvious. What is clear is that sometimes playing mister tough guy is just plains stupid. Joel Simon, a long time journalists in California and Latin America, is the Executive Director of the Committee to Protect Journalist.  His new work is We Want to Negotiate: The Secret World of Kidnapping, Hostages and Ransom. My conversation with Joel Simon:

Independent investigative journalism, broadcasting, troublemaking and muckraking with Brad Friedman of BradBlog.com

Independent investigative journalism, broadcasting, troublemaking and muckraking with Brad Friedman of BradBlog.com

We're kicking off season two with guest Joel Simon, who in nearly two decades at the Committee to Protect Journalists has worked on dozens of hostages cases. He helps us tackle the question: Should governments pay ransom to terrorists?

Show #229 | Guest: Joel Simon | Show Summary: America does not negotiate with terrorists—but should keep it that way? Last year there were nearly nine thousand international terrorist abductions. The US refuses to pay ransoms, holding that it would only fuel more kidnappings. Other countries pay-up to free their citizens taken hostage. Statistics tell the grim result: according to

ON THIS WEEK'S EPISODE, CJR Editor and Publisher Kyle Pope speaks with Joel Simon, executive director of Committee to Protect Journalists about his latest book We Want to Negotiate: The Secret World of Kidnapping, Hostages and Ransom. They were joined by Janine di Giovanni, a human rights reporter in conflict zones and a senior fellow at Yale University, as they discussed hostage policy and the ethical and legal concerns behind it.

As the Executive Director of the Committee to Protect Journalists, Joel Simon spends his time taking action on behalf of journalists who are targeted, attacked, imprisoned, or killed. He is an expert on how countries around the world handle the kidnapping of their nationals, including how they analyze and respond to intelligence and provide support for the hostage families. At a time when journalists are in greater danger than ever before, Simon’s newest book draws on his extensive experience interviewing former hostages, their families, employers, and policy makers to lay out a new approach to hostage negotiation. He is joined onstage by Sewell Chan, deputy managing editor at the Los Angeles Times, as well as Federico Motka, an Italian aid worker who spent a year as a hostage of Isis in Syria.

Two new books explore what it's like for journalists behind bars -- one from the perspective of the prisoner and one from the perspective of the advocate trying to get him out. Jason Rezaian, author of "Prisoner," reflects on his time in Iranian captivity. And Joel Simon, author of "We Want to Negotiate: The Secret World of Kidnapping, Hostages and Ransom," examines the dynamics of kidnappings by "non-state actors." They compare and contrast their work, and takeaways from each book, with Brian Stelter.

Technology has made possible new forms of transnational investigative journalism and fueled the rise of new digital media organizations in the US and around the world. Yet more journalists are imprisoned around the world than at any time in recent history; censorship is on the rise; and government-run disinformation campaigns are undermining public understanding and fueling distrust in the media. Two leading figures in global journalism help make sense of this confusing and contradictory environment, and discuss how their organizations find unique opportunities to make an impact within this challenging and ever-changing landscape. Gerard Ryle is the director of the International Consortium of Investigative Journalists, which collaborates teams of journalists to pursue groundbreaking investigations, like the Panama Papers. Joel Simon is the executive director of the Committee to Protect Journalists, which fights for press freedom and the rights of journalists in the United States and around the world.Co-presented with the Hollywood Foreign Press Association

On this week's episode, Pete talks with Joel Simon, executive director of the Committee to Protect Journalists, about the conviction of Wa Lone and Kyaw Soe Oo. The two Reuters reporters were sentenced to seven year in prison after helping expose atrocities in Myanmar. Then, CJR Editor and Publisher Kyle Pope joins to discuss the reaction to Bob Woodward's upcoming book, "Fear: Trump in the White House." They discuss why books do a better job of capturing Trump's Washington than daily political reporting, and what we can expect from the reactions to Woodward's work.

Sermon by Rabbi Joel Simon, Senior Rabbi of Congregation Schaarai Zedek.

Rabbi Joel Simon will speak on his first sermon as Senior Rabbi at Congregation Schaarai Zedek.

Today, several perspectives on the murders at the Capital Gazette Newspaper. On Thursday afternoon, a 38 year-old man from Laurel shot five people dead and injured two others at the offices of the Gazette on Bestgate Avenue in Annapolis. A little later in the program, WYPR’s Dominique Maria Bonessi will join Tom on the phone with the latest on the investigation into the shooting. Tom also speaks with security expert Dr. Keith Williams, vice-president of Support Services at Admiral Security, a company that guards buildings like the one in which the Gazette is located. We’ll hear from Jamie Costello, an anchor at WMAR 2 News whose own newsroom was attacked a few years ago; from Dr. Paul Nestadt, a clinical psychiatrist at Johns Hopkins University School of Medicine who studies gun violence; and from Joel Simon of the Committee to Protect Journalists.But Tom's first guest is Indira Lakshmanan, a columnist for The Boston Globe, who holds the Newmark Chair in Journalism Ethics at the Poynter Institute, an organization that provides training and resources for journalists around the world.,,,,,,,,,,__Officials say that all of the victims in the Annapolis shooting were employees of the Capital Gazette. Their names are:Rebecca Smith, 34 - Sales Assistant. Smith was recently hired as a Sales and Advertising Coordinator for the Capital Gazette.Wendi Winters, 65 - Special Publications. Winters won various journalism and public relations awards for her work in the public relations field. She was the founder and organizer of the annual P.R. Bazaar, and wrote for an array of magazines, newspapers, and online sites aside from her work at the Capital Gazette. She covered news as the community reporter and was a columnist.John McNamara, age 56 - Editor/Reporter. McNamara worked for the Capital Gazette for 20 years. He was the editor of the Bowie Blade-News and the Crofton-West County Gazette.Gerald Fischman, 61 - Editor/Writer. Fischman is a Pasadena resident. He wrote Capital Gazette's editorials and edited the editorial page and handled editing for The Sunday Capital.Rob Hiaasen, 59 -Columnist/Writer. Hiaasen started his career as a staff reporter for the Baltimore Sun before beginning his career as an assistant editor for the Capital Gazette in 2010.A vigil to remember the victims will be held tonight at the Annapolis City Dock at 8:00pm.

Hour 1 There's an app for that?...Illegal Immigration...George Soros-funded technology to protect illegal immigrants....helps those in America illegally to avoid getting deported...United We Dream = also funded by your tax dollars ...Hillary Clinton admits that being a ‘capitalist’ probably hurt her during the 2016 election because so many Democrats are socialists...There's a 'head tax' showdown going on in Seattle ...Rudy to the rescue...kinda, sorta?...much more solid legal ground ...Founder and president of the Preemptive Love Coalition Jeremy Courtney reports live from Iraq...The Nazarene Fund partner update...Syrian civil war?... ‘we can't bomb our way to peace’...Drunk News with Glenn Beck...assault with a potato peeler?   Hour 2 Airplane food comedy of our day?...Comic Rob Schneider's words of wisdom about good jokes…don’t just automatically use Trump for your go-to comedy...Addicted to outrage...cutting the funny out of everything ...Happy 'World Press Freedom Day' with Joel Simon, executive director of the Committee to Protect Journalists...America should be a beacon of press freedom...but it's not...when government determines what is and isn't 'fake news' ...Dave Rubin: ‘They will come for’ even liberals     Hour 3 NRA codes of social responsibility? ...What's a Greater Leap of Faith: God or the Multiverse?...with author and physics professor Brian Keating...what is the 'multiverse' theory?...think soap bubbles ...President Trump nominated for a Nobel Peace Prize by House Republicans...New Book: ‘Losing the Nobel Prize: A Story of Cosmology, Ambition, and Perils of Science's Highest Honor’ ...Clueless in Seattle?...Amazon issues threat over Seattle head-tax...Nudge, Shove, Shoot?...Union calls for people to never use 'self-check out' at the grocery store?...progressives ‘demonize’ everything that makes your life more convenient  Learn more about your ad choices. Visit megaphone.fm/adchoices

Prayer & Fasting - Book of Joel - Simon Lerefolo by Every Nation Rosebank

Jacob Weisberg talks to Joel Simon, the executive director of the Committee to Protect Journalists, about how the media should respond to the President's remark that the press is the "enemy of the people." Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacob Weisberg talks to Joel Simon, the executive director of the Committee to Protect Journalists, about how the media should respond to the President's remark that the press is the "enemy of the people." Learn more about your ad choices. Visit megaphone.fm/adchoices

Episodio 13, parte 3 de Los Mensaheros. Esto lo van a ver dos personas, tú  y tu pu MADRE: película Steel de Shaquille O´Neall PRIMERA PARTE Fe de erratas Anécdota de Wichito Noticias SEGUNDA PARTE  Crítica Xmen Apocalipsis (con invitado) TERCERA PARTE Esto lo van a ver dos personas: Steal de Shaquille  O'Neal Audio de oyentes (María Santonja “Lo que puedo sacar en claro de este capítulo de Esto lo van a ver dos personas, es que si un árbol te da limones, haz limonada, si eres bueno haciendo algo dedícate a eso, si eres fontanero dedícate a ser fontanero, no pruebes a ser torero, y por la misma regla de tres, si eres jugador de la NBA y un buen jugador por cierto, quédate ahí, no te muevas, que no te líen la manta a la cabeza y decidas hacer una película de Superheroes. Porque sino, amiguetes, lo que ocurre es este despropósito de película por llamarlo de alguna manera. Efectivamente estamos hablando de Steel un héroe de acero.” Si os propongo que busquéis en Google a Kenneth Johnson el director, os saldrán perlas como V la serie de 1983, su remake de 2009, la serie de Hulk de la Televisión protagonizada por el mítico  Lou Ferrigno y una serie de finales de los 80 y de los 90 llamada Alien Nacion (basada en una película de 1988), donde dos policías, un humano y otro extraterrestre resolvían casos e intentaban hacer llegar la ley tanto a humanos como a alienígenas que vivían en la tierra intentando adaptarse. En un principio, él no estaba interesado en realizar una película de superhéroes, de hecho había obtenido ofertas por llevar al cine El increíble Hulk y la mujer biónica, (otra serie de su creación) pero fue el productor Joel Simon, el que lo convenció diciendo que Steel sería difrerente…………. Un visionario el Simon este…Kenneth Johnson la flipó en su dia con Robocop e intentó hacer algo parecido en el 97; pilló a Shaq (el pivot más dominante de la NBA en la década de los 90) muy de auge por la época e hizo un bodrio colosal. Nominado Shaquile a un Razzie, pero gracias a Kevin Costner (el cartero) no lo ganó. Y a día de hoy Shaquile lidera el ranquing en ScreenRant de peor traje llevado del comic a la pantalla. La historia de Steel en el comic comenzó en 1993 y su primera aparición fue en el número 500 de Las aventuras de Superman y su historia es la siguiente, John Irons estudiante de física descubrió que tenía talento para crear armas. La empresa  AmerTek, especializada en armamento militar lo contrató y John desarrolló avanzados sistemas de armamentos, pero como siempre pasa con estas personas tan buenas, a la que se dio cuenta del mal que hacían sus creaciones, decidió abandonarlo todo, destruyendo todos sus inventos y anotaciones. Para pasar desapercibido John se puso a trabajar en la construcción y se mudó a Metrópolis, (de que me suena a mi Metropolis). Allí en un edifico donde estaba trabajando estuvo a punto de caer al vacío y apareció un tío con una S en el pecho  y lo salvó. En ese momento John le dijo al tío de la capa y el traje azul,  “Le Debo mi vida a usted”, a lo que Superman respondió: “Entonces haga que merezca la pena”. Cuando Irons descubrió que una de las armas más letales que desarrolló estaba en las manos de pandillas callejeras, se sintió responsable. Modificó el protótipo de una armadura con capacidad de vuelo en una copia del uniforme de Superman, e inspirado en el héroe, Irons adoptó la identidad de el Hombre de Acero (más tarde, llamado sólo Acero). Cuando a Superman lo mató Doomsday, Steel apareció como el héroe de Metrópolis y mas tarde probó su valor al ayudar los metahumanos de la Tierra contra Darkseid en la saga “Génesis”.Incluso se unió a la Liga de la Justicia, poco antes del surgimiento de la Pandilla de la Injusticia. Con la avanzada tecnología de la Torre de Vigilancia de la Liga de la justicia y su conocimiento, Steel montó un taller en la Luna, convirtiéndose en el constructor oficial de la Liga. Pero bueno todo eso está muy bien, es el inicio de un personaje, pero con esta película de 1997 se quedaron descansando.  -Una película con muy bajo presupuesto que seguramente lo gastaron todo en la estrella de la NBA.  -Parece una película de Serie B los créditos son como las películas de Antena3 los domingos por la tarde  -Shaquile lo siento pero tiene cara de demasiado bonachón y se ve demasiado alto y todos los planos quedan superforzados, en una habitación cruzando las puertas, hablando con el malo, saliendo del coche, entrando a una discotecao incluso empujando una silla de ruedas -Infinidad de guiños durante toda la película de lo mal que juega al basquet -Se pone a trabajar en la fundición y pasan dos pivones que se lo comen con los ojos . Lleva un tatoo con la S de superman en el brazo que pone man of Steel Tipica escena videoclipcon música cañera y los protas en el taller haciendo la armadura y poniendo cara de SIIIII Lanza cable como Batman, la moto, los mandos son joysticks gigantes. Muchas alusiones y guiños a DC: ¿Quién te crees que eres Superman?. Ó Yo seré tu Robin y tú serás Batman. Entra en nuestro Telegram y danos tu opinión extensamente MUCHAS GRACIAS a todos los mini Productores de la red por colaborar a través de Patreon a este y otros podcast de la red: Mesientofenomenal.com, Pienso Luego Ya tu Sabeh, Podstar Fm,  David Ferrer Wichito, Yago Paris, Entre Trabajadores, Dri Reznick, Emilcar, Miguel on the Road Jorge, Daniel Roca, Manuel Hidalgo Muñoz, María Santonja, Luís Del Valle, Richie Fintano Tesacu, Miguel GT, Mariano Pérez Caro Tú también puedes ayudarnos a comprar pegatinas, camisetas y ganchitos comprando enAmazon o uniéndote a Patreon

Episodio 13, parte 3 de Los Mensaheros.Esto lo van a ver dos personas, tú y tu pu MADRE: película Steel de Shaquille O´NeallPRIMERA PARTEFe de erratasAnécdota de WichitoNoticiasSEGUNDA PARTE Crítica Xmen Apocalipsis (con invitado)TERCERA PARTEEsto lo van a ver dos personas: Steal de Shaquille O’NealAudio de oyentes (María Santonja"Lo que puedo sacar en claro de este capítulo de Esto lo van a ver dos personas, es que si un árbol te da limones, haz limonada, si eres bueno haciendo algo dedícate a eso, si eres fontanero dedícate a ser fontanero, no pruebes a ser torero, y por la misma regla de tres, si eres jugador de la NBA y un buen jugador por cierto, quédate ahí, no te muevas, que no te líen la manta a la cabeza y decidas hacer una película de Superheroes. Porque sino, amiguetes, lo que ocurre es este despropósito de película por llamarlo de alguna manera. Efectivamente estamos hablando de Steel un héroe de acero."Si os propongo que busquéis en Google a Kenneth Johnson el director, os saldrán perlas como V la serie de 1983, su remake de 2009, la serie de Hulk de la Televisión protagonizada por el mítico Lou Ferrigno y una serie de finales de los 80 y de los 90 llamada Alien Nacion (basada en una película de 1988), donde dos policías, un humano y otro extraterrestre resolvían casos e intentaban hacer llegar la ley tanto a humanos como a alienígenas que vivían en la tierra intentando adaptarse. En un principio, él no estaba interesado en realizar una película de superhéroes, de hecho había obtenido ofertas por llevar al cine El increíble Hulk y la mujer biónica, (otra serie de su creación) pero fue el productor Joel Simon, el que lo convenció diciendo que Steel sería difrerente.............Un visionario el Simon este...Kenneth Johnson la flipó en su dia con Robocop e intentó hacer algo parecido en el 97; pilló a Shaq (el pivot más dominante de la NBA en la década de los 90) muy de auge por la época e hizo un bodrio colosal. Nominado Shaquile a un Razzie, pero gracias a Kevin Costner (el cartero) no lo ganó. Y a día de hoy Shaquile lidera el ranquing en ScreenRant de peor traje llevado del comic a la pantalla.3EFAATXLa historia de Steel en el comic comenzó en 1993 y su primera aparición fue en el número 500 de Las aventuras de Superman y su historia es la siguiente, John Irons estudiante de física descubrió que tenía talento para crear armas. La empresa AmerTek, especializada en armamento militar lo contrató y John desarrolló avanzados sistemas de armamentos, pero como siempre pasa con estas personas tan buenas, a la que se dio cuenta del mal que hacían sus creaciones, decidió abandonarlo todo, destruyendo todos sus inventos y anotaciones.Para pasar desapercibido John se puso a trabajar en la construcción y se mudó a Metrópolis, (de que me suena a mi Metropolis). Allí en un edifico donde estaba trabajando estuvo a punto de caer al vacío y apareció un tío con una S en el pecho y lo salvó. En ese momento John le dijo al tío de la capa y el traje azul, "Le Debo mi vida a usted", a lo que Superman respondió: "Entonces haga que merezca la pena".Cuando Irons descubrió que una de las armas más letales que desarrolló estaba en las manos de pandillas callejeras, se sintió responsable. Modificó el protótipo de una armadura con capacidad de vuelo en una copia del uniforme de Superman, e inspirado en el héroe, Irons adoptó la identidad de el Hombre de Acero (más tarde, llamado sólo Acero). Cuando a Superman lo mató Doomsday, Steel apareció como el héroe de Metrópolis y mas tarde probó su valor al ayudar los metahumanos de la Tierra contra Darkseid en la saga "Génesis".Incluso se unió a la Liga de la Justicia, poco antes del surgimiento de la Pandilla de la Injusticia. Con la avanzada tecnología de la Torre de Vigilancia de la Liga de la justicia y su conocimiento, Steel montó un taller en la Luna, convirtiéndose en el constructor oficial de la Liga.Pero bueno todo eso está muy bien, es el inicio de un personaje, pero con esta película de 1997 se quedaron descansando. -Una película con muy bajo presupuesto que seguramente lo gastaron todo en la estrella de la NBA. -Parece una película de Serie B los créditos son como las películas de Antena3 los domingos por la tarde -Shaquile lo siento pero tiene cara de demasiado bonachón y se ve demasiado alto y todos los planos quedan superforzados, en una habitación cruzando las puertas, hablando con el malo, saliendo del coche, entrando a una discotecao incluso empujando una silla de ruedas -Infinidad de guiños durante toda la película de lo mal que juega al basquet -Se pone a trabajar en la fundición y pasan dos pivones que se lo comen con los ojos .Lleva un tatoo con la S de superman en el brazo que pone man of SteelTipica escena videoclipcon música cañera y los protas en el taller haciendo la armadura y poniendo cara de SIIIIILanza cable como Batman, la moto, los mandos son joysticks gigantes.Muchas alusiones y guiños a DC: ¿Quién te crees que eres Superman?. Ó Yo seré tu Robin y tú serás Batman.2959852-steel+house+adEntra en nuestro Telegram y danos tu opinión extensamenteLos MensaherosMUCHAS GRACIAS a todos los mini Productores de la red por colaborar a través de Patreon a este y otros podcast de la red:Mesientofenomenal.com, Pienso Luego Ya tu Sabeh, Podstar Fm, David FerrerWichito, Yago Paris, Entre Trabajadores, Dri Reznick, Emilcar, Miguel on the RoadJorge, Daniel Roca, Manuel Hidalgo Muñoz, María Santonja, Luís Del Valle, Richie FintanoTesacu, Miguel GT, Mariano Pérez CaroTú también puedes ayudarnos a comprar pegatinas, camisetas y ganchitos comprando enAmazon o uniéndote a Patreonhttps://www.patreon.com/Nacionpodcast

Episodio 13, parte 3 de Los Mensaheros.Esto lo van a ver dos personas, tú y tu pu MADRE: película Steel de Shaquille O´NeallPRIMERA PARTEFe de erratasAnécdota de WichitoNoticiasSEGUNDA PARTE Crítica Xmen Apocalipsis (con invitado)TERCERA PARTEEsto lo van a ver dos personas: Steal de Shaquille O’NealAudio de oyentes (María Santonja"Lo que puedo sacar en claro de este capítulo de Esto lo van a ver dos personas, es que si un árbol te da limones, haz limonada, si eres bueno haciendo algo dedícate a eso, si eres fontanero dedícate a ser fontanero, no pruebes a ser torero, y por la misma regla de tres, si eres jugador de la NBA y un buen jugador por cierto, quédate ahí, no te muevas, que no te líen la manta a la cabeza y decidas hacer una película de Superheroes. Porque sino, amiguetes, lo que ocurre es este despropósito de película por llamarlo de alguna manera. Efectivamente estamos hablando de Steel un héroe de acero."Si os propongo que busquéis en Google a Kenneth Johnson el director, os saldrán perlas como V la serie de 1983, su remake de 2009, la serie de Hulk de la Televisión protagonizada por el mítico Lou Ferrigno y una serie de finales de los 80 y de los 90 llamada Alien Nacion (basada en una película de 1988), donde dos policías, un humano y otro extraterrestre resolvían casos e intentaban hacer llegar la ley tanto a humanos como a alienígenas que vivían en la tierra intentando adaptarse. En un principio, él no estaba interesado en realizar una película de superhéroes, de hecho había obtenido ofertas por llevar al cine El increíble Hulk y la mujer biónica, (otra serie de su creación) pero fue el productor Joel Simon, el que lo convenció diciendo que Steel sería difrerente.............Un visionario el Simon este...Kenneth Johnson la flipó en su dia con Robocop e intentó hacer algo parecido en el 97; pilló a Shaq (el pivot más dominante de la NBA en la década de los 90) muy de auge por la época e hizo un bodrio colosal. Nominado Shaquile a un Razzie, pero gracias a Kevin Costner (el cartero) no lo ganó. Y a día de hoy Shaquile lidera el ranquing en ScreenRant de peor traje llevado del comic a la pantalla.3EFAATXLa historia de Steel en el comic comenzó en 1993 y su primera aparición fue en el número 500 de Las aventuras de Superman y su historia es la siguiente, John Irons estudiante de física descubrió que tenía talento para crear armas. La empresa AmerTek, especializada en armamento militar lo contrató y John desarrolló avanzados sistemas de armamentos, pero como siempre pasa con estas personas tan buenas, a la que se dio cuenta del mal que hacían sus creaciones, decidió abandonarlo todo, destruyendo todos sus inventos y anotaciones.Para pasar desapercibido John se puso a trabajar en la construcción y se mudó a Metrópolis, (de que me suena a mi Metropolis). Allí en un edifico donde estaba trabajando estuvo a punto de caer al vacío y apareció un tío con una S en el pecho y lo salvó. En ese momento John le dijo al tío de la capa y el traje azul, "Le Debo mi vida a usted", a lo que Superman respondió: "Entonces haga que merezca la pena".Cuando Irons descubrió que una de las armas más letales que desarrolló estaba en las manos de pandillas callejeras, se sintió responsable. Modificó el protótipo de una armadura con capacidad de vuelo en una copia del uniforme de Superman, e inspirado en el héroe, Irons adoptó la identidad de el Hombre de Acero (más tarde, llamado sólo Acero). Cuando a Superman lo mató Doomsday, Steel apareció como el héroe de Metrópolis y mas tarde probó su valor al ayudar los metahumanos de la Tierra contra Darkseid en la saga "Génesis".Incluso se unió a la Liga de la Justicia, poco antes del surgimiento de la Pandilla de la Injusticia. Con la avanzada tecnología de la Torre de Vigilancia de la Liga de la justicia y su conocimiento, Steel montó un taller en la Luna, convirtiéndose en el constructor oficial de la Liga.Pero bueno todo eso está muy bien, es el inicio de un personaje, pero con esta película de 1997 se quedaron descansando. -Una película con muy bajo presupuesto que seguramente lo gastaron todo en la estrella de la NBA. -Parece una película de Serie B los créditos son como las películas de Antena3 los domingos por la tarde -Shaquile lo siento pero tiene cara de demasiado bonachón y se ve demasiado alto y todos los planos quedan superforzados, en una habitación cruzando las puertas, hablando con el malo, saliendo del coche, entrando a una discotecao incluso empujando una silla de ruedas -Infinidad de guiños durante toda la película de lo mal que juega al basquet -Se pone a trabajar en la fundición y pasan dos pivones que se lo comen con los ojos .Lleva un tatoo con la S de superman en el brazo que pone man of SteelTipica escena videoclipcon música cañera y los protas en el taller haciendo la armadura y poniendo cara de SIIIIILanza cable como Batman, la moto, los mandos son joysticks gigantes.Muchas alusiones y guiños a DC: ¿Quién te crees que eres Superman?. Ó Yo seré tu Robin y tú serás Batman.2959852-steel+house+adEntra en nuestro Telegram y danos tu opinión extensamenteLos MensaherosMUCHAS GRACIAS a todos los mini Productores de la red por colaborar a través de Patreon a este y otros podcast de la red:Mesientofenomenal.com, Pienso Luego Ya tu Sabeh, Podstar Fm, David FerrerWichito, Yago Paris, Entre Trabajadores, Dri Reznick, Emilcar, Miguel on the RoadJorge, Daniel Roca, Manuel Hidalgo Muñoz, María Santonja, Luís Del Valle, Richie FintanoTesacu, Miguel GT, Mariano Pérez CaroTú también puedes ayudarnos a comprar pegatinas, camisetas y ganchitos comprando enAmazon o uniéndote a Patreonhttps://www.patreon.com/Nacionpodcast

Joel Simon, executive director of the Committee to Protect Journalists, talks about his new book, “The New Censorship: Inside the Global Battle for Media Freedom.”

We live in an ever-shifting world, where industries are rushing to meet modern expectations and the demands placed upon the global workforce are changing daily. In this week's podcast, former Indiana governor and current president of Purdue University Mitch Daniels speaks about the changing role of education and how schools like Purdue, formally an agriculturally-focused institution, are adapting to meet contemporary innovation. Later, International Security Program Director Peter Bergen engages with Raza Rumi, an analyst for Express News and the consulting editor of the Friday Times, in addition to Kati Marton (a New America board member) and Joel Simon of the Committee to Protect Journalists. The group discusses the recent assassination attempt on Rumi, as well as the growing dangers facing journalists working in Pakistan and the fine line they tread.

Targeted violence against journalists is on the rise and in January 2012 alone, 10 journalists were killed worldwide. But why are journalists finding it more rather than less difficult to perform their job in the modern age of information dissemination? In what ways are they repressed or targeted in their work? What is the role of the State regarding impunity for the perpetrators of violence against journalists? And how can we stop this? These questions and issues were discussed during a public event organised by the Centre of Governance and Human Rights. The panel consisted of: Christof Heyns, United Nations Special Rapporteur on extrajudicial, summary or arbitrary executions; Celia Davies, former Cambridge graduate and Project Development Manager at Institute for Reporters' Freedom and Safety in Azerbaijan; Pansy Tlakula, Special Rapporteur on Freedom of Expression and Access to Information of the African Commission on Human and Peoples’ Rights; Frank La Rue, United Nations Special Rapporteur on the promotion and protection of the right to freedom of opinion and expression; Joel Simon, Executive Director, Committee for the Protection of Journalists Moderator: William Horsely, former BBC correspondent and UK Chairman, Association of European Journalists Chair: Sharath Srinivasan, Director, Centre of Governance and Human Rights

Joel Simon from the Committee to Protect Journalists talk about the violence against reporters in Egypt; What's up with reporters in Egypt wearing khaki shirts; Joe reads a hater letter; Guy who robbed The Bellagio was caught.

In many countries, investigative reporters face the threat of violence and physical harm. About a third of the nearly 700 journalists killed worldwide since 1992 were slain for exposing crime and corruption. In addition, the increasingly dangerous terrain for investigative journalism is a source of psychological stress for journalists. Bruce Shapiro, director of the Dart Center for Journalism and Trauma, will talk about psychological threats and the ways groups and individuals around the world have tried to counter those threats. Joel Simon, director of the Committee to Protect Journalists, will speak on campaigns to end impunity in the killings of journalists in Latin America, the Philippines and Russia. Kwame Karikari, head of the Media Foundation of West Africa (MFWA) as well as one of the founders of the Network of African Freedom of Expression Organizations (NAFEO) will represent African media concerns. Drew Sullivan will talk about cross-border investigations on crime and corruption in the Balkans. Moderator: Josh Friedman, director of International Programs, Columbia Journalism School Bruce Shapiro, executive director, Dart Center: Trauma and threats to the psychological well-being of investigative reporters Joel Simon, executive director, Committee to Protect Journalists: Anti-Impunity Campaigns in Latin America, Russia and the Philippines Kwame Karikari, head of the Media Foundation of West Africa (MFWA): The Situation in Africa Drew Sullivan, advising editor, Center for Investigative Reporting, Bosnia; Director Organized Crime and Corruption Reporting Project, Sarajevo, Bosnia and Herzegovina : Transnational investigative reporting on crime and corruption in the Balkans

In many countries, investigative reporters face the threat of violence and physical harm. About a third of the nearly 700 journalists killed worldwide since 1992 were slain for exposing crime and corruption. In addition, the increasingly dangerous terrain for investigative journalism is a source of psychological stress for journalists. Bruce Shapiro, director of the Dart Center for Journalism and Trauma, will talk about psychological threats and the ways groups and individuals around the world have tried to counter those threats. Joel Simon, director of the Committee to Protect Journalists, will speak on campaigns to end impunity in the killings of journalists in Latin America, the Philippines and Russia. Kwame Karikari, head of the Media Foundation of West Africa (MFWA) as well as one of the founders of the Network of African Freedom of Expression Organizations (NAFEO) will represent African media concerns. Drew Sullivan will talk about cross-border investigations on crime and corruption in the Balkans. Moderator: Josh Friedman, director of International Programs, Columbia Journalism School Bruce Shapiro, executive director, Dart Center: Trauma and threats to the psychological well-being of investigative reporters Joel Simon, executive director, Committee to Protect Journalists: Anti-Impunity Campaigns in Latin America, Russia and the Philippines Kwame Karikari, head of the Media Foundation of West Africa (MFWA): The Situation in Africa Drew Sullivan, advising editor, Center for Investigative Reporting, Bosnia; Director Organized Crime and Corruption Reporting Project, Sarajevo, Bosnia and Herzegovina : Transnational investigative reporting on crime and corruption in the Balkans