Podcasts about kurstin

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On the latest episode of ROL, I have on the show Kurstin Rae - a model, event coordinator, and the founder of Butterfly Social. She's the mastermind behind the highly anticipated Club Renaissance event that's happening in Pittsburgh on July 28th, which is already sold out! During our chat, we talked about Beyoncé's Grammy award-winning album, Renaissance, and how it made us feel. We also discussed our disappointment about Beyoncé not coming to Pittsburgh and many other interesting topics. --- Send in a voice message: https://podcasters.spotify.com/pod/show/rianoutloud/message

We all know how important it is to start with a quality plant. With a degree and experience in applied industrial ecology, Kurstin of Purple Springs Nursery  discusses the transition from IPM to regenerative agriculture in the nursery space. Her work at Purple Springs allowed her to explore innovative ways to improve plant health and soil quality. Kurstin's dedication to sustainable practices and her understanding of the intricacies of soil health and plant nutrition make her a great guest on perinneal production. Check out their website where you can download their free guide to regenerative agriculture. Also, garlic? Yes, garlic.   In this episode... - Explore Advancing Eco Agriculture's website and learn from John Kemp's core concepts for plant health. - Read the book Science and Agriculture by Arden Anderson to understand the importance of soil health. - Implement the Morgan Extraction Method soil test (developed by Dr. Kerry Reams) to analyze and improve soil conditions. - Apply plant SAP analysis to determine the nutritional needs of plants at different growth stages. - Adopt regenerative principles in managing tree nurseries, including using mulch, living mulch, and cover crops. - Utilize tools and equipment that help manage regenerative practices in tree nurseries without causing soil compaction. - Focus on increasing plant growth efficiency to improve inventory management in tree nurseries. - Read Agriculture and Transition by Donald Schneissman and Albrecht on Calcium to further enhance understanding of soil health and plant growth.   Quotes:   "Weeds tell you a lot about the condition of your soil. It can be messy when you're transitioning, but you're really challenging the status quo." —Kurstin Barta   "A healthy plant will resist pests and disease, so how can we make these plants healthier?" —Kurstin Barta   "Redefining what beauty means: does beauty actually mean clean rows or does it mean that rejuvenating your soil and focusing on what plants are actually doing?" —Kurstin Barta   Folks who make the show possible... Certified Naturally Grown grassroots, peer-to-peer, holistic certification. Johnny's Selected Seeds vegetable, flower, and cover crop seeds. BCS America for two wheel tractors + implements. RIMOL Greenhouses quality greenhouses and high-tunnels. ... and, as always, our work is powered by the folks who support us every month over at patreon.com/notillgrowers, you can pick up a copy of The Living Soil Handbook if you don't have one already, as well as a No-Till Growers hat, and you can ask you questions or share your insights into ecological market gardening on our brand new forum at notillgrowers.community.chat    

Bikepacking is all the rage these days and there is a dude in Reno who will help you to be a bikepacker for free. He has all kinds of free resources to do it. Who is this mystery man of knowledge? That's Kurstin Graham who writes the BikePacking NV.blog. He is kind of a bike legend in town, always going everywhere on his bike, slowly and with everything he needs to camp anywhere. So we spend the entire show having a fun little chat with him about his bike life from youth to man. Go to BikePackingNV.blog to get started with Kurstin. BIKE LIFE Radio is a show on KWNK where we talk to people about their bikes and lives—presented by Ky Plaskon & the Truckee Meadows Bike Alliance. Ky has been commuting by bike to work for more than 30 years. He also worked in radio and TV for more than 20 years from Alaska to San Diego, Las Vegas, Reno, and Sacramento. He wants to bring a lighter and funnier feel to bike discussions. For more information and to contribute to TMBA, go to https://bikewashoe.org/The following program is funded in part by a grant from Nevada Humanities, and the National Endowment for the Humanities.

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Hi people Chilli here bringing you the newest episode of 2022. On this episode I take a look at the Hanukkah Sessions by Kurstin and Grohl. These are a series of recordings made by the pair and guests during lockdown. How do the records stand out, are they worth a spin, are they spicy. Stay tuned to find out. Subscribe and share to stay up to date. Kurstin x Grohl Hanukkah Sessions 2020 - https://open.spotify.com/album/7qjt3fuyQUvG0eJdNZ6GG2?si=uGAm_sb6Sy2Qwk6aSMwSjA Hanukkah Sessions 2021 - https://open.spotify.com/album/42qYee7XeNqNi9PfgGLHzU?si=4hKk5N6OT4i5-24O5oU23g Live Listen Erased Instagram https://www.instagram.com/livelistenerased/ Live Listen Erased Twitter https://twitter.com/Livelisteneras1 Live Listen Erased Facebook - https://www.facebook.com/groups/380146857215506/ #kurstinxgrohl #davegrohl #hanukkahsessions #livelistenerased #5minutereview #musicreview #podcast

1. Parkwaydrive - Sleepwalker2. Pearl Jam - Once3. Edguy - Jerusalem4. Scorpions - The Sails Of Charon5. Leader - This is Why We Bleed6. Iron Maiden - Strange World7. Alice In Chains - Heaven Beside You8. Red Hot Chili Peppers - Under The Bridge9. Mogwai - Ritchie Sacramento10. Led Zeppelin - Black Dog11. Wu-Lu - Times12. Queen - The March of The Black Queen13. יוני בלוך - חמאה14. Kurstin x Grohl - Stay (I Missed You)15. Torres - Thirstier16. Rory Gallagher - A Million Miles Away17. Seether - Immortality18. Pink Floyd - Hey You

1. Parkwaydrive - Sleepwalker2. Pearl Jam - Once3. Edguy - Jerusalem4. Scorpions - The Sails Of Charon5. Leader - This is Why We Bleed6. Iron Maiden - Strange World7. Alice In Chains - Heaven Beside You8. Red Hot Chili Peppers - Under The Bridge9. Mogwai - Ritchie Sacramento10. Led Zeppelin - Black Dog11. Wu-Lu - Times12. Queen - The March of The Black Queen13. יוני בלוך - חמאה14. Kurstin x Grohl - Stay (I Missed You)15. Torres - Thirstier16. Rory Gallagher - A Million Miles Away17. Seether - Immortality18. Pink Floyd - Hey You

As broadcast on December 2, 2021 with plenty of extra live action for your podcast ride.  Tonight we note a remarkable feat by Fela Kuti's eldest Femi Kuti back in 2017 to take Kenny G out of the Guinness Book of World Records to begin the process.  After that, not a lot out in the funk & soul world this week that's new, but we did catch a new Salaam Remi remix of Marvin Gaye along with a new album from Abdullah Ibrahim as well.  For our 2nd hour AMPED feature, Dan Lloyd had a good amount going on in new music for so late in the year, with a BBC live album from Green Day due out along with new tunes from Wet Leg, Frank Turner, and The Wonder Years, the latter of whom are some new holiday cheer.#feelthegravityTracklisting:Part I (00:00)Femi Kuti – If Them Want To HearPAINT – Tah FardahDr. Lonnie Smith feat Iggy Pop – Move Your HandMike Nyoni & Born Free – Come Back To MeBilly Brooks – Forty Days Part II (31:39)Junior Murvin – Police & Thieves Junior Murvin – Cool Out SonMarvin Gaye – Sad Tomorrows (Salaam Remi remix)The Undisputed Truth – Take A Vacation from Life (And Visit Your Dreams)Abdullah Ibrahim – In-TempoTrevor Lawrence Jr feat Terrace Martin – Good Trouble Part III (59:22)Eels – The MagicFrank Turner – MirandaWet Leg – Oh NoKurstin / Grohl – StayThe Beatles – Get Back Part IV (89:25)Miles Kane – Nothing's Ever Gonna Be Good Enough ft. Corinne Bailey-RaePlanes Mistaken for Stars – The Past TwoGreen Day – Hitchin' a RideJim Lindberg – You're Not AloneJ Robbins – Uncle JohnThe Wonder Years – Threadbare 

Singer Inara George and producer Greg Kurstin are The Bird and the Bee, whose stylish, semi-electronic pop draws influences including a few that came to be lumped--inaccurately, I'd argue--under the "lounge" umbrella. The results are far snappier than that implies, but Kurstin has access to a battalion of retro keyboard sounds at his disposal that, paired with George's cool voice, make every song sound hip and well-dressed. Last fall, they released Put Up the Lights, their first Christmas album but not their first recording of Christmas music. Roofers banged around above her while George talked about the theory behind their Christmas music and how they made the album during the pandemic. We also talked about how the album related to their "Interpreting the Masters" series, for which they recorded albums of covers of Hall and Oates and Van Halen. We also talked about how she as a woman related to songs written by David Lee Roth.  This week, I also talk about a Spotify playlist--repository, really--of Japanese Christmas songs that I recently found, and I feature two songs that particularly caught my attention: a cover of "Last Christmas" by Cano Caioli and "Koibito ga Santa Claus" by Seiko Matsuda.

Kurstin Graham is the author of bikepackingnv.blog and has spent a lot of time helping others find adventure in northern Nevada.  He recently took a bikefishing trip in the Toiyabe Range, among other adventures.  He's also involved with the Reno Bike Project, which repurposes abandoned bikes following the Burning Man festival, and has spent some time … Continue reading E520 – Kurstin Graham from the Reno Bike Project →

In the final show of 2019, the singular Beck joins Simon and Brian in London to talk about his incredible new album Hyperspace. During the conversation, Beck describes his experiences collaborating with Pharrell, Greg Kurstin and Paul Epworth, the influence of his Grandfather, and what it was like to receive a Grammy from Prince.

This is the one were Ash and Avi talk to Royal Academy of Music's Acting Director of Philanthropy Kurstin Finch Gnehm... and boy did they learn a lot! Please check out Please check out SoundCrowd. AA Opera links Instagram facebook twitter Ash's instagram Avi's instagram

Kurstin gives Master Classes to teach women to fully embody the strong and sensual as a huntress rather than figure out the masculine/feminine.  02:08 Challenge: I want to grow the program to a two-day emersion, but I don't have a budget to market it or promote it. I want to utilize those who've just done it, to grow it in an underground way rather than throwing it into a bunch of ads.   02:46 Question: Why do you want that?  02:48 It's more authentic to me. I'm not really into getting an email list and blasting it to people.  03:07 Question: Have you done either Landmark or Ella? Landmark is awesome at getting your friends to enroll. It's been effective and I don't think they spend any money on paid advertising. They're a massive, multi-billion dollar, all over the world company. Maybe copy some of their model.  03:35 Question: What's your target? How many people would you like to have at your immersion program? 03:41 15 max. 03:43 That's easy! Didn't you say you already had people who couldn't come?  04:05 It's a higher dollar amount. And it's something that I've actually never facilitated myself. It scares the shit out of me asking people to pay that much money. $700 early bird, then $900 after a certain date. 04:23 That's cheap! You're good. 04:33 Question: Do you believe the value? 04:33 Yes. 04:36 Question: Why would you question it?  04:39 I don't want to have to convince people to come. 04:47 Suggestion: Your biggest blocks are asking for money, and asking for support. You're giving people value. It's about the flow of giving and receiving. You're actually stealing from them the opportunity to pay for their transformation and invest in themselves, because you're not fully receiving what you should be. You need to work on that! If you don't show up for them, they won't feel the full value of it.  05:34 Keep telling yourself, progress over perfection. Each time you think it needs to be perfect, you'll just get in your own way.  05:52 Work on the belief that you're worth it, and the program is worth it.  06:06 Question: What is the impact of them not coming? They have $900 extra dollars in their bank account, but what are they missing out on by having $900 instead of working with you?  06:26 Money is only useful in its utility. 06:29 They're missing out on embodying what it is to be a woman. Navigating what society is telling women to do or be and standing in their own power. 07:08 Suggestion: Use that as a first layer. Then keep repeating that question until you get five layers deep, of what is it costing them to not have that, and what is it costing them to not have that. Approach it from both ways; why do they need this? What is the impact of them not having this? Five layers deep. 07:45 Suggestion: Ask the people who have already gone through your initial program, who else can benefit from this? What were the benefits that you received, who do you know who could also benefit from it? Don't be ashamed to ask for referrals.  08:28 Suggestion: Set up referral systems. Testimonials; video. Give them a structure. Use referral incentives.    Three Key Points:  Keep telling yourself, progress over perfection. Each time you think it needs to be perfect, you'll just get in your own way.  Leverage testimonials Question: What is the impact of them not coming? They have $900 extra dollars in their bank account, but what are they missing out on by having $900 instead of working with you? 

**RECAP STARTS at 20:46** The beautiful Kurstin Rae is back and we're back to our messy shenanigans. We ponder who is the taller Cornell brother, whether Maddelyn should've been in the bottom two and whether being a drag king requires more work than a drag queen. Landon is our guiding star while we keep our eyes on Maxi. Please follow Kurstin! www.instagram.com/kurstinrae/ www.facebook.com/Kurst.nRae bit.ly/2SUdtZx Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

**RECAP STARTS at 20:46** The beautiful Kurstin Rae is back and we’re back to our messy shenanigans. We ponder who is the taller Cornell brother, whether Maddelyn should’ve been in the bottom two and whether being a drag king requires more work than a drag queen. Landon is our guiding star while we keep our eyes on Maxi. Please follow Kurstin! www.instagram.com/kurstinrae/ www.facebook.com/Kurst.nRae bit.ly/2SUdtZx Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

Sorry for missing last week! **Recaps start at 21:50** Ah-mah-zing guest host Kurstin joins Tom again to discuss the last two episodes of season 11. Personal stories kick off the show, nude photoshoots and gender pronouns. Then Kurstin and Tom deep dive into the reunion and where the queens are now. Lots of laughing on this episode and we get pretty loud. Music: "Warm Up Suit" by Broke for Free (CC BY-SA) Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

Sorry for missing last week! **Recaps start at 21:50** Ah-mah-zing guest host Kurstin joins Tom again to discuss the last two episodes of season 11. Personal stories kick off the show, nude photoshoots and gender pronouns. Then Kurstin and Tom deep dive into the reunion and where the queens are now. Lots of laughing on this episode and we get pretty loud. Music: "Warm Up Suit" by Broke for Free (CC BY-SA) Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

*At the end of the episode Tom talks about a scene from a show where the word f****t is used, it happens a few seconds after the official episode ends! Be forewarned.  Tiffany is in NYC this week so Tom is joined by his good friend Kurstin to spill the tea. This episode flows a lot differently than a regular episode, so brace yourself for that. Both hosts give Yvie Oddly some love, while questioning nearly every other queen's decisions made. Ahpalence, is everything. At the end of the episode Kurstin and Tom discuss BLH's instagram post after having breezed over it in the last episode.  Please follow Kurstin! https://www.instagram.com/kurstinrae/ https://www.facebook.com/Kurst.nRae https://bit.ly/2SUdtZx Music: "Warm Up Suit" by Broke for Free (CC BY-SA) Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

*At the end of the episode Tom talks about a scene from a show where the word f****t is used, it happens a few seconds after the official episode ends! Be forewarned.  Tiffany is in NYC this week so Tom is joined by his good friend Kurstin to spill the tea. This episode flows a lot differently than a regular episode, so brace yourself for that. Both hosts give Yvie Oddly some love, while questioning nearly every other queen's decisions made. Ahpalence, is everything. At the end of the episode Kurstin and Tom discuss BLH's instagram post after having breezed over it in the last episode.  Please follow Kurstin! https://www.instagram.com/kurstinrae/ https://www.facebook.com/Kurst.nRae https://bit.ly/2SUdtZx Music: "Warm Up Suit" by Broke for Free (CC BY-SA) Support us on Patréon: bit.ly/2rYmKFk
 Instagram - bit.ly/2Gs4dan
 Tiffany's Insta - bit.ly/2CwXLjj Tom's Insta - bit.ly/2lIJ2t8 Twitter - bit.ly/2GuyQM7
 Facebook Page - bit.ly/2DXMr0c
 Facebook Group - bit.ly/2DKw5sm
 Website - www.itbearsrepeatingpodcast.com
 Email - itbearsrepeatingpod@gmail.com

In this special episode, legendary songwriter and Beatle Paul McCartney sits down with Simon and Brian at The Liverpool Institute for Performing Arts to discuss songs from his new album Egypt Station. During the conversation, Paul describes the process of collaborating with Greg Kurstin and Ryan Tedder, how he develops and captures his ideas, his natural flair for melody, and his modular approach to putting different sections together.