Podcast appearances and mentions of Paul Epworth

In this episode of the XS Noize Podcast, Mark Millar chats with Saint Leonard—the visionary artist formerly known as Kieran Leonard—about the extraordinary journey that led to his third and most ambitious album, The Golden Hour. From recording his debut, Good Luck Everybody, at Stanley Kubrick's historic home to headlining sold-out shows at London's The Windmill and Third Man Records and supporting The Libertines on tour, Saint Leonard has built a reputation for fearless reinvention. In this fascinating conversation, Leonard shares the wild and deeply personal story behind The Golden Hour—an album shaped by Wild nights in Berlin's underbelly, Spiritual awakenings in India, Isolation in a GDR-era apartment during the pandemic, and Collaborations with Brian Eno and members of Fat White Family. Recorded at the legendary Hansa Studios in Berlin and Paul Epworth's Church Studios in London, The Golden Hour blends electronic textures, techno pulses, and Weimar cabaret flair—all woven together with Leonard's surreal storytelling and dark wit. Highlights include: Meeting Fat White Family by chance in Berlin and forming a band overnight Collaborating with Brian Eno and how it reshaped his sonic vision Wrestling with identity, paranoia, and rebirth during lockdown Using music to capture the absurdity of existence—with a wink The Golden Hour is not just an album—it's a full-blown experience: cinematic, unhinged, and unforgettable. Listen now for a deep dive into the madness, magic, and music of Saint Leonard. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

Imaginez un instant ce que ça vous ferait de voir en personne celui ou celle dont la musique a tant compté pour vous

James Vincent McMorrow is a platinum-selling, billions-streaming singer-songwriter who has released records independently and via labels such as Nettwork and Columbia, work with Paul Epworth, Kenny Beats, Lil Silva, had his vocals featured on songs by Drake, and Kygo, in Game of Thrones, and numerous festivals. He also took 7 years off from touring to be with his growing family and recalibrate his relationship with the industry, which we talk about here at length, as well as an industry without stats, long shelf life for your creations, building something that matters, defining your own targets, having the space to fail, and much more.Get more access and support this show by subscribing to our Patreon, right here.Links:James Vincent McMorrowCity and ColourRoyal Albert HallYoung JesusThe Civil WarsFake Famous DocLankumJames BlakeNeil Young'On the Beach'DeftonesClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Luke Pickering, head engineer at London's Church Studios, explains what entices artists including Adele, Lana Del Rey, U2 and Radiohead to record there, what he has learnt from the studio's owner, Paul Epworth, and why the beating heart of the historic building is Studio 1 – home to one of the rarest recording and mixing desks in the world, a 72-channel vintage EMI Neve console.

Like Madonna, Bono, Prince and Beyoncé before her, Adele is one of the great mononymous superstars of our time. Adele Adkins was born on May 5, 1988 in Tottenham, a working class town in northern London known best for its football club, Tottenham Hotspur. Her mom Penny Adkins, was only 18 when she was born and when she was only two, Adele's father upped and left for Wales; he would never be in the picture as Adele grew up. From the age of 4, Adele began to sing at every opportunity she would get. When the Spice Girls emerged, young Adele would become obsessed with the Girl Powerful group. In 2016, she would tell Vogue, “People always think I joke about this, but the Spice Girls blew up when I was seven, and seeing them coming from a humble background — there was hope in it. It was really a massive part of my life when the whole Girl Power thing happened.” When she was 11, her mum and stepdad moved her to West Norwood in south London, which she would immortalize in her 2007 hit “Hometown Glory.” It was there that Adele would fall in love with contemporary R&B and the big, classic voices that would shape her voice in the years to come. “Hometown Glory,” was first released in October 2007 as a limited 7-inch on a small label called Pacemaker. The song didn't do much until it was re-released the following year by XL. But the buzz was growing for Adele. As 2008 arrived, she became the youngest artist ever to win the BBC's Sound of 2008 award, which is selected by music critics and industry figures searching for the UK's most promising new music talent. She also took home the Critic's Choice Award at the BRITs, which was given to the top rising star.  Soon after, Adele released her debut album, 19, on January 28, 2008. She named it 19 because, well, that's how old she was when she recorded the album. It didn't take long for critics and fans to fixate on her age, and how mature she sounded for someone who was only 19.  Adele was quickly popping up everywhere on both sides of the pond. 19 was on the shortlist of nominees for the coveted Mercury Prize, which is awarded for the best album released by a musical act from the United Kingdom or Ireland.”Hometown Glory” popped up all over TV, soundtracking huge dramatic scenes in countless TV shows like Grey's Anatomy, So You Think You Can Dance, Coronation Street and 90210. But perhaps the greatest achievement, at least in Adele's eyes, was one of her heroes, Beyoncé calling her “THE British singer,” separating her from the rest of the pack. Her followup single “Chasing Pavements” earned Adele her first Grammy for Best Female Pop Vocal Performance, beating out her former classmate Leona Lewis. It was also nominated for Song of the Year and Record of the Year. Even bigger than that, Adele also won Best New Artist. Now with a lot more pressure on her, Adele was ready to record her followup album Feeling the raw sting of a recent breakup, Adele reached out to Paul Epworth in October 2009 and immediately they headed into the studio. She brought him a ballad she had begun writing a couple years ago about a boy, which he felt needed to be stronger and more aggressive in its arrangement. With Epworth's help they channeled the anger she felt from her recent split and used some guitar riffs he had previously written down. As the two worked together, Adele began to feel her heart race, which became the beat of the song. The two of them came up with the verses and the chords of the song in under 15 minutes, with the rest only taking about two hours. This is the true story of Adele's iconic song 'Rolling in the Deep' with newly unearthed footage from Adele herself! Also contains clips from: https://www.youtube.com/watch?v=U_mj1CuXrPE and https://www.youtube.com/watch?v=H1wjMGosYa8  

Découvre dès maintenant le 3ème épisode hors-série spécial "Saint-Valentin 2024".L'année dernière, Bryane et Robin se sont dit « oui » pour la vie sur une île de Madagascar privatisée pour l'évènement

John sits down with indie rock band Bombay Bicycle Club to talk about their sixth studio album ‘My Big Day'.  Bombay Bicycle Club are a four-piece band from London, that broke onto the indie music scene with their genre defining debut album ‘I Had The Blues But I Shook Them Loose' in 2009. Since then they have been releasing a steady stream of music which has been met with high critical acclaim, earning them an Ivor Novello and a Mercury Prize nominations.  Chatting with band members Jack Steadman and Ed Nash, the three cover a range of topics including the inspiration behind the album, their use of sampling in their music, how over-thinking can negatively influence the production process, and their collaboration with music legends Damon Albarn, Paul Epworth & Chaka Khan. Tracks discussed: My Big Day, Heaven, Just A Little More Time ---------------- Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start. To find out more and get the full app free for a month, head to www.tape.it/tapenotes ---------------- To support the show and become a Patron, head to Patreon.co.uk/tapenotes. Any and all support is hugely appreciated, we don't take it for granted so thank you. ---------------- LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘My Big Day' here - https://songwhip.com/bombay-bicycle-club/my-big-day  Mmm…Records, AWAL Recordings Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy    GEAR MENTIONS Magix Samplitude - https://geni.us/iBEqbXn Casio Keyboard - https://geni.us/hKfe Korg Monotron - https://geni.us/T5K1H Native Instruments Kontakt - https://geni.us/AFPeU Paul Epworth's Neve Desks - https://geni.us/TFoT0 OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant Learn more about your ad choices. Visit megaphone.fm/adchoices

Der reduzierte Indie-Rock'n'Roll von The Kills mit den blechern scheppernden Gitarren feierte in den 00er-Jahren den grossen Erfolg. 2016 legten Alison Mosshart und Jamie Hince eine längere Pause ein, die sie nun endlich mit «God Games» beendeten. Sechs Mal haben Alison Mosshart und Jamie Hince als The Kills schon Alben geschrieben. Sie machen fast alles in Eigenregie. Hince produziert sie sogar zum grössten Teil selbst. Bloss für den Feinschliff engagieren sie jeweils einen anderen Produzenten. Doch die Arbeit mit diesen erwies sich in den letzten Jahren meist als eher mühsam, erzählen die beiden im Interview mit Sounds!. Deswegen arbeiteten sie bei «God Games» wieder mit dem Produzenten zusammen, der schon ihr Debütalbum produzierte: Paul Epworth, der in der Zwischenzeit schon multiple Grammys eingesackt hat. «God Games» ist das aktuelle Sounds! Album der Woche. Wir verlosen täglich CDs. Nur live im Radio.

Bringing along her soaring, ethereal voice, flame-haired Florence Welch leads her Machine back for their 2nd LP 'Ceremonials'. Unapologetically more sumptuous & grandiose than its captivating predecessor, the usual cavalcade of instruments & fantastic rhythms are once more evident. More cohesive than 'Lungs', Paul Epworth's huge-sounding production initially muffles diversity & lacks restraint, but 'Ceremonials' turns out to be a real grower. It is ultimately a winner too, due to its bewitching nature, stirring highlights, rousing climaxes & alluring vocals. Recommended Tracks: What The Water Gave Me, Shake It Out, Spectrum, No Light No Light & Heartlines. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Bringing along her soaring, ethereal voice, flame-haired Florence Welch leads her Machine back for their 2nd LP 'Ceremonials'. Unapologetically more sumptuous & grandiose than its captivating predecessor, the usual cavalcade of instruments & fantastic rhythms are once more evident. More cohesive than 'Lungs', Paul Epworth's huge-sounding production initially muffles diversity & lacks restraint, but 'Ceremonials' turns out to be a real grower. It is ultimately a winner too, due to its bewitching nature, stirring highlights, rousing climaxes & alluring vocals. Recommended Tracks: What The Water Gave Me, Shake It Out, Spectrum, No Light No Light & Heartlines. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Florence and the Machine Ceremonials Bringing along her soaring, ethereal voice, flame-haired Florence Welch leads her Machine back for their 2nd LP 'Ceremonials'. Unapologetically more sumptuous & grandiose than its captivating predecessor, the usual cavalcade of instruments & fantastic rhythms are once more evident. More cohesive than 'Lungs', Paul Epworth's huge-sounding production initially muffles diversity & lacks restraint, but 'Ceremonials' turns out to be a real grower. It is ultimately a winner too, due to its bewitching nature, stirring highlights, rousing climaxes & alluring vocals. Recommended Tracks: What The Water Gave Me, Shake It Out, Spectrum, No Light No Light & Heartlines. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Florence and the Machine Ceremonials Bringing along her soaring, ethereal voice, flame-haired Florence Welch leads her Machine back for their 2nd LP 'Ceremonials'. Unapologetically more sumptuous & grandiose than its captivating predecessor, the usual cavalcade of instruments & fantastic rhythms are once more evident. More cohesive than 'Lungs', Paul Epworth's huge-sounding production initially muffles diversity & lacks restraint, but 'Ceremonials' turns out to be a real grower. It is ultimately a winner too, due to its bewitching nature, stirring highlights, rousing climaxes & alluring vocals. Recommended Tracks: What The Water Gave Me, Shake It Out, Spectrum, No Light No Light & Heartlines. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Theo Delaney's guest is phenomenally successful record producer, songwriter and musician Paul Epworth who counts Adele, Rhianna, Florence and The Machine and The Stone Roses and among the stellar artists he has worked with in a career which has reaped Brit awards, Grammies and even an Oscar. The interview takes place at his famous studio, The Church in Crouch End, London where he relives the goals of his Spurs-supporting life including strikes from Heung Min Son, Glenn Hoddle and Luke Shaw.@paulepworth@LifeGoalsTD @theodelaneyhttps://www.paulepworth.comhttps://www.theodelaney.com/life-goalshttps://www.11-29media.com/life-goals

Si hojeamos la lista de los discos más vendidos de la historia, encontraremos que muy pocos han sido editados en enero. Sin embargo, el disco de estudio más vendido de lo que va del siglo XXI, por encima de los 30 millones de unidades, salió exactamente el 24 de enero de 2011. Hablamos de 21, el segundo álbum de estudio de la cantautora británica Adele. El título del álbum que hace referencia a la edad de Adele cuando comenzó a escribirlo, comparte influencias con el folk, motown soul, el género country estadounidense y el blues. Hoy escucharemos de este álbum la canción Rolling in the Deep compuesta por Paul Epworth y Adele Adkins, en la voz de Adele.

和我们一起观察一个单亲妈妈的诞生。“30”有关离婚，有关自我怀疑，有关内心冲突，作为Adele“最忠实”的路人听众，我们在Adele的表达欲与流行制作的撕扯中，感受这位现象级歌手自己都难以掌控的张力。 「试播集 观察员」 Franky 小牛 「试播集 观察对象」 Adele -30 「试播集 剧透」 00:00:40 什么是「即时经典」 00:05:15 Adele的新歌听起来像雷克萨斯的广告 00:11:35 打脸实录: 最喜欢的一首初听评价为“无聊到听不下去” 00:13:10 人总想把控自己控制不了的事，轻视拥有的一切 00:15:07 Adele在自我的撕扯中与自己和解，接受混乱不堪的自己 00:20:28 “微博乐评家决定迅速为30平反”事件 00:23:03 当世界所有人都对你给予难以承受的期待感 00:27:25 Adele江郎才尽了吗？ 00:30:00 在中餐馆和男友大吵一顿后，Adele写了首好歌 00:35:35 Introduce 「即时经典指数」 「试播集 音乐Credits」 Adele -I'll Be Waiting (Written by Adele Adkins and Paul Epworth, 2011) Adele -Easy On Me (Written by Adele Adkins and Greg Kurstin, 2021) Adele -My Little Love (Written by Adele Adkins and Greg Kurstin, 2021) Adele -Oh My God (Written by Adele Adkins and Greg Kurstin, 2021) Adele -I Drink Wine (Written by Adele Adkins and Greg Kurstin, 2021) Adele -Strangers By Nature (Written by Adele Adkins and Ludwig Göransson, 2021) Adele -Turning Tables (Live at the Royal Albert Hall) (Written by Adele Adkins and Ryan Tedder, 2011) Adele -Chasing Pavements (Live at the Royal Albert Hall) (Written by Adele Adkins and Eg White, 2008) * 在每一期「即时经典 Instant Classic」里，主创Franky和小牛都会对当下热门的流行文化作品进行观察和讨论，一切的评判都建立在主观情感与经验上，我们会尝试寻找流行文化是怎么塑造我们对世界的理解框架的。 /想要和我们聊聊？ 在微博上找到我们：@即时经典InstantClassic 给我们发邮件：instantclassic@163.com

In episode 1037, Jack and Miles are joined by comedian and co-host of 420 Day Fiance and Private Parts Unknown Sofia Alexandra to discuss The Waukesha Christmas Parade Tragedy Has Been Fully Weaponized By The Right, Dallas QAnon Group Is Now Becoming Dangerous, Discrimination But Like We're OK With It' Leaves the Ahmaud Arbery Trial With One Black Juror, Alright alright alright - McConaughey Leads Hypothetical Governors Race, Streaming Check In - Will Seinfeld Become a Thing? and more! The Waukesha Christmas Parade Tragedy Has Been Fully Weaponized By The Right Neo-Nazis Are Using the Waukesha Attack for Propaganda Dallas QAnon Group Is Now Becoming Dangerous Discrimination But Like We're OK With It' Leaves the Ahmaud Arbery Trial With One Black Juror Alright alright alright - McConaughey Leads Hypothetical Governors Race Streaming Check In - Will Seinfeld Become a Thing? 5 challenges 'Seinfeld' faces in connecting with viewers on Netflix Listen: 420 Day Fiance Listen: Private Parts Unknown Podcast Listen: Sofiya Alexandra - Father's Day Listen: Love Galaxy by Paul Epworth, Jay Electronica, Lil Silva Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Welcome back to the 80s! According to British music producer, musician and songwriter Paul Epworth, “Pop music has greater power to change people and to affect people because it's a universal language. You don't have to understand music to understand the power of a pop song.” We couldn't agree more. In Episode 11 we celebrate the power of 80s pop with Grammy winners, one hit wonders, Rock and Roll Hall of Fame inductees, and, of course, the King of Pop. A shout out to those of you who have been with us since the beginning and welcome to our new listeners. As always, thanks to the people who helped us put this together: Alan (for all our artwork), DJ Phil B (for the technical stuff) and David Baerwald and David Ricketts, also known as David + David, for their amazing album which inspired the title of our podcast.Please tell all your friends about us and follow this page so you know when new podcasts are available. You can also follow us on Facebook, Instagram and Twitter.Songs chosen by both of us. Group or artist - song title (album and release date)1. Lionel Richie - Dancing on the Ceiling (Dancing on the Ceiling 1986)2. Rockwell - Somebody's Watching Me (Somebody's Watching Me 1984)3. WHAM! - Freedom (Make It Big 1984, single release 1985)4. ABC - Poison Arrow (The Lexicon of Love 1982, single release 1983)5. Melissa Manchester - You Should Hear How She Talks About You (Hey Ricky 1982)6. Hall & Oates - Did It in a Minute (Private Eyes 1981, single release 1982)7. Tiffany - I Think We're Alone Now (Tiffany 1987)8. Hipsway - The Honeythief (Hipsway 1986)9. Huey Lewis & the News - I Want a New Drug (Sports 1983, single release 1984)10. Ray Parker Jr. - Ghostbusters (Ghostbusters soundtrack 1984)11. Stevie Wonder - I Just Called to Say I Love You (The Woman in Red soundtrack 1984)12. Paul Young - Come Back and Stay (No Parlez 1983)13. Phil Collins - Take Me Home (No Jacket Required 1985, single release 1986)14. The Blow Monkeys - Digging Your Scene (Animal Magic 1986)15. Glass Tiger - Someday (Glass Tiger 1986)16. Wang Chung - Everybody Have Fun Tonight (Mosaic 1986)17. Tears for Fears - Sowing the Seeds of Love (Sowing the Seeds of Love 1989)18. Boy Meets Girl - Waiting for a Star to Fall  (Reel Life 1988)19. Michael Jackson w/ rap by Vincent Price - Thriller (Thriller 1982, single release 1984)Listen, enjoy, share, follow. And thanks for keeping 80s music alive!BB & DD

James Vincent McMorrow recently released Grapefruit Season, his fifth album. It features contributions from producers and writers like Kenny Beats and Adele collaborator Paul Epworth, and sees him embracing the synths and hip-hop production elements he first started utilising on his second record, 2014's Post Tropical. When he released that album it shocked quite a lot of people, who were expecting him to continue down the nu-folk path of his debut LP, Early In The Morning. But as with contemporaries like Bon Iver, James has evolved beyond his first album, and we talk about that journey in this interview. We also discuss his upbringing in Ireland, his path to success, and the mental health issues he's dealt with along the way.  

Back in summer 2020, John headed over to The Church Studios to catch up with James Vincent McMorrow, Paul Epworth and Lil Silva to talk about how they wrote, recorded and produced James's album ‘Grapefruit Season'. Taking tracks from Dublin to London to LA and back, James talks us through the myriad of iterations the songs went through, exploring the different writing situations and how all of his collaborators had such varied musical impacts. Paul and TJ lend their producer expertise pulling out individual stems and breaking songs apart, as well as discussing their approaches towards bringing energy to the studio, and sharing thoughts on how production, sounds and songwriting are one and the same.  Listen to find out about the lyric James spent all of his life waiting for, why Paul was such a terrible studio assistant and how a serendipitous ‘adapter' hunt led to the trio's partnership. Tracks discussed:  Headlights, Gone, Paradise   Listen to 'Grapefruit Season' here. 'Grapefruit Season' - Sony Music Entertainment UK   GEAR MENTIONS Sequential OB6 Moog One Moog Grandmother Paul's Big Modular Moog Teisco Synth Xfer Serum Synth Roland TR-808 Spectrasonics Omnisphere Universal Audio Apollo Twin Mellotron  iZotope Iris Faith Saturn Guitar LinnDrum ProTools ProTools Air Kill EQ Apple Mac   SUBMIT A JINGLE For all of the details on sending in a jingle email jingles@tapenotes.co.uk   Submit your Tape Notes jingle and we'll play our favourites each week on the podcast. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds).   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!    Visit our website to join our mailing list: www.tapenotes.co.uk 

We catch up with seven-time Grammy-winning producer and songwriter Paul Epworth on location at his immense North London studio complex, The Church, to chat about life during lockdown, championing new talent, and the art of music production.

Songs of Innocence, decimotercer álbum de los irlandeses U2. Un disco con una gran campaña mediática provomida por la compañía Apple y su plataforma Itunes. Entre sus productores están grandes nombres como Danger Mouse, Paul Epworth, Ryan Tedder, Declan Gaffney o Flood.

Songs of Innocence, decimotercer álbum de los irlandeses U2. Un disco con una gran campaña mediática provomida por la compañía Apple y su plataforma Itunes. Entre sus productores están grandes nombres como Danger Mouse, Paul Epworth, Ryan Tedder, Declan Gaffney o Flood.

We had the pleasure of interviewing Ben Thatcher of Royal Blood over Zoom video! Royal Blood release their long-awaited third album Typhoons today via Warner Records. The four album singles and videos ("Trouble’s Coming,""Typhoons," "Limbo," and "Boilermaker") leading up to the album have created an overwhelming global impact calling Typhoons the duo’s best record to date. Upon the album’s release, Royal Blood have already accrued over 50 million streams and the biggest US airplay of their career crashing into the Rock and ALT charts last fall and consistently raising for the past 30 weeks to the #1 position. When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original. The album bursts into breathless attack when the fierce metallic grooves of “Who Needs Friends” hits an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocoder-effected vocals on “Million & One” and evoking the sound of a hyper aggressive, Prince influence on “Mad Visions.” It ends with a final surprise in the shape of the stark piano ballad “All We Have Is Now,” a vulnerable and revealing reminder to live in the moment. That new approach manifested itself in the duo’s decision to produce the majority of Typhoons themselves. Already established as a fan favourite during their 2019 UK live shows, the studio version of “Boilermaker” was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a massive North American tour. Meanwhile, the multiple Grammy Award-winner Paul Epworth produced “Who Needs Friends” and contributed additional production to “Trouble’s Coming.” We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #royalblood #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support

Boasting credits on projects by Nick Cave and The Bad Seeds and Florence and The Machine, producer, mixer, engineer and writer Anna Laverty has established herself as one of Australia’s finest talents. She reflects on her journey into the industry under the tutelage of award winning producers Paul Epworth and Ben Hillier, honing her production and engineering skills working on releases by Bloc Party, Florence and The Machine and Depeche Mode, and explains why she became an APRA AMCOS Ambassador.

This week I chatted with my old band mate Pablo Tato. Pablo is a London based session guitarist/composer/producer who played with me in my Pillarcat project many moons ago. Since then he has gone on to play in studio for the likes of Paul Epworth, Adele, Lana del Ray and is on the road with Sophie Ellis-Bextor and many other well known acts. Since the pandemic began Pablo took to creating the wonderful A|Part project where he produced an album of cover version with many of the performers he has graced the stages with over the years, including your truly. The album has a vinyl release and is well worth checking out : https://open.spotify.com/artist/2MuZZ61yWK9An3JfZQUqPp?si=Ts0S_jUbQxKZAtFqUjzrlg It was such a pleasure to catch up with an old friend who has laid some guitar down for legends of the top end game. We chat about what it takes to make the most of ones skills set and about how a love for music can guide every move you make and evolve over time.

The Horrors' frontman talks about the origin of the band, his painting and drawing, reacting to aggresive crowds, the evolution of the bands' sound, creating the soundtrack for the film Duke of Burgundy, working with producers Geoff Barrow and Paul Epworth, and his near collaboration with Alex Turner.

"Typhoons", es el segundo adelanto y la canción que da título al nuevo disco de Royal Blood que llega e 30 de abril. Once descargas, algunas producidas por Josh Homme de Queens Of The Stone Age y Paul Epworth. Suenan más bailables, ellos dicen que se han dejado influir por el sonido de Justice, Daft Punk y también AC/DC y con estos ingredientes, es muy difícil que la cosa falle. Por cierto, entra en la web de Radio 3 puedes disfrutar de una sesión exclusiva y en directo a cargo de ellos dos, Mike Kerr y Ben Thatcher. Hoy escuchamos lo nuevo de Royal Blood y también novedades de parte de Weezer, Years & Years, Rhye, Rosalía ft. Billie Eilish, Tash Sultana, Califato 3/4 y todo esto   YEARS & YEARS – It’s a Sin RHYE – Black Rain WEEZER – All My Favorite Songs KIWI JR – Maid Marian’s Toast THE GROOVES – Gigantes FONTAINES DC – A Hero’s Death (Soulwax Remix) ROSALÍA & BILLIE EILISH – Lo Vas a Olvidar CALIFATO ¾ - La Bía en Roça DERBY MOTORETA’S BURRITO KACHIMBA – El Valle TASH SULTANA -Sweet and Dandy SLAYYYTER -Troubled Paradise YARD ACT – Dark Days ROYAL BLOOD – Typhoons THE WHITE STRIPES – Icky Thumb ADELE – Rolling In The Deep ZIGGY ALBERT – Letting Go Escuchar audio

Join Lizzes and I as we jam out with some of our favourite tracks from 2020. Wear headphones.  Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Christmas Time Is Here by Khruangbin on Christmas Time Is Here b/w Christmas Time Is Here (Version Mary) (Dead Oceans) 11′13″ Think About Things - Hot Chip Remix by Daði Freyr; Hot Chip on Think About Things (Hot Chip Remix) (AWAL Recordings) 13′11″ Repeater #1 by Little Barrie; Malcolm Catto on Quatermass Seven (Madlib Invazion) 17′48″ Free by SAULT on Untitled (Rise) (Forever Living Original) 22′18″ Dallas by L'éclair on Noshtta (Bongo Joe) 28′47″ Turntables by Janelle Monáe on Turntables (Bad Boy Records) 29′59″ Mosaic by The Expansions on Soul Jazz Records presents KALEIDOSCOPE - New Spirits Known and Unknown (Soul Jazz Records) 37′00″ Lost and Found by Collocutor on Continuation (On The Corner) 47′13″ İsyan Manifestosu by Gaye Su Akyol on Yort Savul: İSYAN MANİFESTOSU! (Glitterbeat Records) 57′12″ Mr Wu by Kamaal Williams on Wu Hen (Black Focus) 60′29″ Wind Parade by Jordan Rakei on Blue Note Re:imagined (Universal Music) 66′48″ Memory Palace by Mildlife on Automatic (Heavenly Recordings) 75′12″ Deadlines by Surprise Chef on Daylight Savings (Mr Bongo) 82′16″ Baby by Four Tet on Sixteen Oceans (Text Records) 88′31″ Voyager by Paul Epworth on Voyager (Sony) 97′15″ Last Kiss by Dolph on Meaningful Trivialities (Leveldva) 103′29″ The Gate by Bent Arcana; John Dwyer; Ryan Sawyer; Peter Kerlin; Tom Dolas; Brad Caulkins; Kyp Malone; Marcos Rodriguez on Bent Arcana (Castle Face) 117′11″ Ring Out Solstice Bells by Jethro Tull on Songs from the Wood (Parlaphone Records) Check out the full archives on the website.

On the show today we have the inventor of the Circle Guitar, Anthony Dickens.The Circle Guitar is part guitar, part sequencer, part synthesizer, part endless-idea generator. Simply put, it’s an awesome new guitar invented by Anthony Dickens and if you haven’t seen it, I hope you will be as blown away as I was when I first saw it.In this interview, we spoke about:• In-depth on how the Circle Guitar works• The endless possibilities of the Circle Guitar• Controlling other things such as filters, envelopes, synthesizers with the guitar• How Anthony came up with the idea but left it on the side for years• Getting support from Paul Epworth and Ed O’Brien• Pushing sounds to the next level• When he is looking to release it• Combining software, analog, and mechanical sounds• Up-and-coming features that will be included in the Circle Guitar• How you can be a one-man bandAnd much moreCheck out the Circle Guitar here:Websitehttp://www.anthonydickens.comYouTubehttps://www.youtube.com/c/AnthonyDickensInstagramhttps://www.instagram.com/anthony.dickens/►► Join The Audio Tribe To Get Exclusive Access To Interviews, Private Q&A’s And Live Streams: https://www.youraudiosolutions.com/exclusive-access

Characteristic electronic favorites and true musical interests. Instagram: instagram.com/sebastiandavidsonmusic Email: hello@sebastiandavidson.com Web: www.sebastiandavidson.com 1. Tourdefrance - Shimmer 2. Gadi Mitrani, Megan Morrison - Searching 3. Alex Daniell feat. Hayley Warwick - So I'm Told 4. Ursula_Bent_Crooked_1 5. Yppah - Tree Ghost (PALLADIAN Edit) 6. Paul Epworth feat. Ty Dolla $ign - Cosmos 7. Moby - Techie (Mind Against Celestial Mix) 8. Matthias Vogt - Like Gigi 9. Jacssen - Moonlight 10. Tycho - Weather (Nitemoves Remix) 11. Josh Gabriel - Winter Kills (Sebastian Davidson Remix) 12. Joris Voorn - Mano (Aparde Remix)

The Maximo Park frontman delves into his background in music and talks about how he got the job. He reveals how the band were signed, working with famous producers such as Paul Epworth and Gil Norton, and the new single and forthcoming album Nature Always Wins, which was recorded during lockdown in a unique way that had Paul acting outside of his comfort zone.

If you don’t know Paul Epworth’s name, you’ll certainly know his music, as he’s produced for the likes of Adele, Florence and the Machine and Rihanna. He asks 100 gecs, Arlo Parks and Dave Okumu about working with analogue equipment in a digital world, studio disasters, ideas that evaporate as they take too long to capture, and the difference between making your own music as opposed to making it for other people. Futuristic pop duo 100 gecs's debut album, 1000 gecs, captivated fans all over the world, including Charli XCX, Rico Nasty and Fall Out Boy, and they’ve been described as a “brain-melting, genre-crushing vision of pop’s future”. Arlo Parks is a 20-year-old musician and poet who is one of the most exciting artists coming out of London right now. She is redefining intelligent pop-soul with her thoughtful, confessional music that has seen her described as "the voice of Generation Z". And Dave Okumu is a producer and songwriter, known for fronting the Mercury Prize-nominated band The Invisible. He is one of the most sought-after collaborators in music, having worked with Adele, Amy Winehouse, Yoko Ono, King Sunny Ade, Radiohead’s Ed O’Brien, and Tony Allen.

Sonic Youth co-founder Thurston Moore sits down with Kyle Meredith to discuss By The Fire, his latest solo album and one that finds him taking inspiration from The Rolling Stones and The Replacements. Moore talks about working with producer Paul Epworth, the record’s classic rock moments, messing with traditional sounds, and playing to his past. The No Wave godfather also tells us about the themes of enlightenment, how all art is political, and voting for a candidate who will give progressive voices a seat at the table. Moore also tells us about a biography in the works, Sonic Life, which could see release in the next year. Follow on Facebook | Podchaser | Twitter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On our new episode, Neil Cowley of the Neil Cowley trio reflects on how he and Adele nailed the iconic Bob Dylan cover of Make You Feel My Love first take, being produced by Paul Epworth on Rolling in the Deep, recording at Nil Frahms' studio and recording with Kelly Jones of Stereophonics.

Launching into a brand new season, John rockets over to The Church Studios to catch up with super-producer Paul Epworth, Harry Edwards and Riley MacIntyre to talk about how they wrote, recorded and produced Paul’s debut album ‘Voyager’. Paul shines a light on the five year on-off process of bringing the record to life, pulling apart the cosmic sounds and samples that form the basis of the album. From turning his studio desk into an instrument to serendipitous happenings, we hear Paul’s techniques of creating the perfect environment suitable for writing an expansive space concept album. Listen to find out what happens when you put a guitar through his ‘multi-story car park’ of pedals, how a SpaceX launch impacted the album, and how Paul stopped himself from just making techno.  Tracks discussed:  Distant Planets, Where Do We Come From?, Space Inc. & Epilogue GEAR MENTIONSElectro Harmonix Freeze · Electronic Guitar PedalElectro-Harmonix Superego Synth Engine Guitar Effects PedalMoogerfooger MF-104M Analog DelayMoog MF-103 Moogerfooger 12-Stage Phaser HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk 

Bienvenidos al episodio #11 en el que platicamos de Wonho de MonstaX, y de los álbumes de SuperM y BlackPink. En la sección de recomendaciones tenemos desde Vietnam a Phuong Ly. Y les recomendamos una peli y serie coreana.Todos los miércoles les traeremos un nuevo episodio así que no olviden SUSCRIBIRSE, está disponible el podcast en Apple Podcasts y Google Podcasts. Y también nos encuentran en youtube en donde pueden escuchar el podcast y ver el material del que les hablamos.Quieres apoyarnos para que podamos seguir generando contenido, invítanos un café. https://www.buymeacoffee.com/sojucitopodcastConecta con nosotras en Instagram y Twitter @sojucitopodcast https://www.instagram.com/sojucitopodcast/https://twitter.com/SojucitoPodcastTodas las canciones son propiedad de los artistas y solo son usadas para hacer un comentario, crítica y reseña.Las opiniones son nuestras.Wonho 원호

World-renowned producer, songwriter and musician Paul Epworth speaks about his debut solo record, the expansive space concept album Voyager. Paul also talks in depth about his creative process, his studio The Church, and co-writing global hits with Adele such as 'Rolling in the Deep' and 'Skyfall'.

Astrologer Deb McBride, special guest and friend of PTL, returns to the podcast for Retrograde Lotion. This episode is a discussion of the astrology for the rest of this wild and crazy year! Get out your pen and post it note as Deb takes us through a summary of key astrological dates for the remainder of 2020. A look at Mars Retrograde from September 9 - November 13. And this month, Jupiter and Saturn kick off a series of planets stationing direct after months of retrograde energies dominating the cosmic headlines. The astrology of the US election and Deb's prediction for the outcome. The Great Conjunction of Saturn-Jupiter in December, an astrological event that only occurs once every twenty years. Plus, Moisturizing Jams of the Day from Mark Morrison, The Supremes and Paul Epworth. Send comments and questions for the podcast to drewry@badbitchrecords.com. The Pass The Lotion Podcast is a Bad Bitch Records production. BadBitchRecords.com

Angelique belt met zangeres Nicole Bus over haar nieuwe live album. Andere Solid Vibes komen deze week van SZA, Alfa Mist, Paul Epworth, Vulfpeck, Skip Marley, Artemis & Cecile McLorin Salvant, Joshua J, Janelle Monaé, Jungle By Night en Alicia Keys.

Angelique belt met singer/songwriter, producer en dj Melle Jutte over zijn solo werk en zijn samenwerking met Pete Philly. Andere Solid Vibes komen deze week van SZA, Gregory Porter, Ari Lennox, Jacob Collier, St. Panther, Joel Ross, Michelle David & The Gospel Sessions en Paul Epworth.

Weekly Soul music podcast hosted by Robbie Duncan First broadcast Sunday 12th July 2020 Stroud Lockdown Radio. Tracklist: 1.Faze O - Riding High 2.Roy Ayres - PoPo LaLa 3.Cool Company - Floatin 4.Shira Elias - Tonight 5.Vulf Peck,Antwan Stanley - 3 on E 6.Brother Zulu - Fine! 7.Rayowa - Better Man 8.Eric Lau - It's Rainy 9.May I Assume - Shafiq Husayn 10.Katranaday, Lucky Daye - Look Easy 11.I Don't - Kalletechnis 12.Yazmin Lacey - Not Today Mate 13.Harvey Causon - Off Kilter 14.Blue Lab Beats - Hi There 15.Saul, Poppy Adjudha - Earth & Rain 16.Fleet.Dreams - EKG Club Mix 17.Paul Epworth, Jay Electronica,Lil Silva - Love Galaxy 18.Yakul - Blossoming 19.Falle Nioke, Ghost Culture - Mounemouma 20.Footshooter,Jaisal,Slam the Poet - Head Down 21.Tokimonsta,VanJess - Come & Go 22.Omar Caron Wheeler - Treat You 23.Restless Soul Band - It's Hard 24.James Brown - Untitled Instrumental 25.Brooklyn Funk Essentials - Alison Limerick 26.Soul Persona, Princess Freesia - Night Light 27.PyJean, Blue Lab Beats - Sage Secrets 28.Redinho, Joel Culpepper 29.J-Felix - Future are we Living!? 30.J-Felix - String & Stingalings 31.Lauren Faith - Just A Little 32.Full Crate, Naomi Sharon - Deeper 33.Jimmy Bo Horne - Get Happy 34.Jimmy Bo Horne - Spank (1980 mix) 35.Eddie Harris - Is it In 37.Avan Samba - Ibere 38.The B Beat Girls - For The Same Man Monte Booker - Interstellar house mix

Last Weeks Nothing Else Matters 1. Steve Lawler - Don't Ask (Nothing Else Matters) Nothing Else Matters Main Room Mix 2. PAX & Rui Da Silva - Touch Me (Nothing Else Matters) 3. Vibe Killers ft. Marie Berson - Let's Groove (Too Many Rules) 4. Darius Syrossian - Diva (Griffin Town Records) 5. Claude Von Stroke & Marc Houle - Fly Guy (Dirtybird) 6. Elliot Adamson & Justin Jay - Send It (Trick) 7. Seb Zito - You Don't See Me (Wow Recordings) Memories Matter 8. Tim Deluxe ft. Sam Obernik - It Just Won't Do (Deluxe Records) Deep In The Mix 9. Jayda G - Both Of Us (Ninja Tune) 10. Soul Clap & Sha-Lor - Jussa Come (Soul Clap Records) 11. Skream & Tom Demac - EMF (Jamie Jones Remix) (Hot Creations) 12. Paul Epworth ft. Jay Electronica & Lil Silva - Love Galaxy (Guy Gerber's Don't F**K With Cats Remix) (Columbia) 13. Franky Wah - Cry No More (Ministry Of Sound) THE Nothing Else Matters 14. Boys Noize - Mvinline (Defected)

Last Weeks Nothing Else Matters 1. Steve Lawler - Don’t Ask (Nothing Else Matters) Nothing Else Matters Main Room Mix 2. PAX & Rui Da Silva - Touch Me (Nothing Else Matters) 3. Vibe Killers ft. Marie Berson - Let’s Groove (Too Many Rules) 4. Darius Syrossian - Diva (Griffin Town Records) 5. Claude Von Stroke & Marc Houle - Fly Guy (Dirtybird) 6. Elliot Adamson & Justin Jay - Send It (Trick) 7. Seb Zito - You Don’t See Me (Wow Recordings) Memories Matter 8. Tim Deluxe ft. Sam Obernik - It Just Won’t Do (Deluxe Records) Deep In The Mix 9. Jayda G - Both Of Us (Ninja Tune) 10. Soul Clap & Sha-Lor - Jussa Come (Soul Clap Records) 11. Skream & Tom Demac - EMF (Jamie Jones Remix) (Hot Creations) 12. Paul Epworth ft. Jay Electronica & Lil Silva - Love Galaxy (Guy Gerber’s Don’t F**K With Cats Remix) (Columbia) 13. Franky Wah - Cry No More (Ministry Of Sound) THE Nothing Else Matters 14. Boys Noize - Mvinline (Defected)

Bang! That’s the sound of episode 5 sliding into your week. On this episode, Seb and Verity chat to multi-instrumentalist, song writer and orchestrator Jonny Abraham. He talks about his work as bassist and flugelhorn player for Public Service Broadcasting, orchestrating for the BBC Proms, the process of writing his own music and seeking inspiration from outside the arts./ / /SHOW NOTESJonny's Twitter@PSB_JFAJonny's Instagram@psbjfabrahamThe Race For Space - Public Service Broadcasting - BBC Proms, Royal Albert HallBastille ReOrchestrated - Elbphilharmonie, HamburgNew Old Dirty Brasstards Songs (produced by Jonny)Everything Will Be AlrightWonderwallPlanes - Professor Penguin - BandcampPublic Service BroadcastingGethin PearsonRalph PelleymounterTo Kill A KingPaul EpworthBadly Drawn BoyThe Multi-Story OrchestraChris StarkAndrew ShepsBryan Cranston's Advice on AuditionsBorn Standing Up - Steve Martin/ / /Subscribe to:THREE IN A BAR'S EXCELLENT SONGS (SPOTIFY PLAYLIST) Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Find us at: iTunes Spotify Patreon CONTENT WARNING: Sexism, misogyny, murder and killing, mention of cyanide poisoning, childhood trauma, trauma, grief, betrayal, terrorism, sex. This week, Jamie O’Duibhir of the Anti-Church stream on Twitch joins us for a big Bond fight as Macintosh and Maud are throwing down on which of the Craig Bond films will be crowned the champion. Maud’s already gone on record as saying Casino Royale is the greatest Bond movie ever, or at least in the running. But Macintosh thinks this might be the movie to beat. Why, you ask? Well for one thing, this movie, directed by Great Director Sam Mendes with legend and master cinematographer Roger Deakins, is the most beautifully shot and crafted Bond film to date. Yet it’s also the most quintessentially James Bond film in a long time, with images and character elements that feel like they’ve transported right back to Sean Connery’s vision of the character. Add a healthy dose of Judi Dench, finally taking a major role, along with a badass new Moneypenny, and you’re really cooking with gas in this new era of Bond. We make the case for Skyfall this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Excerpts taken from the film Skyfall, copyright 2012 Danjaq, LLC, United Artists Corporation, and Columbia Pictures Industries, Inc. Excerpt taken from “Skyfall,” written by Adele Adkins and Paul Epworth, and performed by Adele. Copyright 2012 Melted Stone Ltd. under exclusive license to XL Recordings Ltd.

In the final show of 2019, the singular Beck joins Simon and Brian in London to talk about his incredible new album Hyperspace. During the conversation, Beck describes his experiences collaborating with Pharrell, Greg Kurstin and Paul Epworth, the influence of his Grandfather, and what it was like to receive a Grammy from Prince.

What exactly does a record producer do and how do you become one? Let's unpack it with the story Paul Epworth, who went from recording local indie bands to inventing an entire guitar sound, to winning an Oscar with Adele.Hosted by Stuart StubbsProduced by Emma SnookMusic Made Me Do It is a collaboration between Loud And Quiet magazine and Dream Team Music. See acast.com/privacy for privacy and opt-out information.

Music from the new Kindness album. Hip Hop from The Goats, Rapsody and Gang Starr. Deep dancefloor music from Paul Epworth. A great track from IG Culture’s Likwid Continual Space Motion featuring members of Steam Down on a Jazz/Broken Beat tip. A classic from Tom Tom Club. A tune from the latest Quantic album (which has Quantic on vocals). Plus plenty more musical treats.

Music from the new, self-produced album from solo vocalist and songwriter Rhi on Tru Thoughts. Hip Hop from Donny Arcade, Rodney P and Gang Starr. A great live recording of Sun Ra Arkestra. Dancefloor tracks from Wajeed, Paul Epworth & TC4. Uplifting Disco from The Vision feat Andreya Triana and Mass Syndicate. Drum & Bass from Fixate remixing Zero dB, Selecta J-Man & Gold Dubs and Chase & Status feat Irah on the remix of the all time classic Original Nuttah. Plus plenty more musical treats.

Music from Brainfeeder, Balkan Vinyl, Axe On Wax Records, Nordic Trax… Next gigs: Sept 1 – Planet Groove, Kortrijk, Belgium / Sept 7 – Sisyphos, Berlin / Sept 9 – Hallo Montag, IPSE, Berlin – follow me on Songkick for … Continue reading → The post Turned On 269: Ross From Friends, Fede Lng, Jozef K, Paul Epworth, G. Markus appeared first on Turned On.

After a six year wait, five if you count The Fireman project, Paul McCartney returned with 2013's NEW. Mark Ronson, Paul Epworth, Giles Martin, and Ethan Johns take up production duties to varying degrees of efficacy. This is a fun late-era McCartney spin. Highlights include "New," "Queenie Eye," "Early Days," and more. Is this one of Paul McCartney's best albums of all time? Is this one of our best podcasts? Don't look at me, it's way too soon to see.Click here for the Episode 30 song list.Email us: takeitawaypodcast@gmail.com See acast.com/privacy for privacy and opt-out information.

It's time for an extra-long episode as Kirk answers your questions about Phil Collins drum solos, musical Wilhelm screams, odd time signatures, Beatles instrumentation, drop-tuned guitars, Bond music, and much more. STRONG SONGS ON PATREON Strong Songs has a Patreon! If you liked this episode (or, you know, any of them), we hope you'll consider supporting the show. Learn more here: https://www.patreon.com/strongsongs SHOW NOTES/LINKS ———————————— "In the Air Tonight" by Phil Collins from Face Value, 1981 Listen/Buy: Apple Music | Amazon | Spotify ———————————— Jennifer Hudson sings "The Star Spangled Banner" by Frances Scott Key and John Stafford Smith at Super Bowl XLIII, 2009 ———————————— A YouTube compilation of the Wilhelm Scream An excellent Vox video on the history of the "Orchestra Hit" sample "When I Think of You" by Janet Jackson, Jimmy Jam and Terry Lewis from Control, 1986 Listen/Buy: Apple Music | Amazon | Spotify "In My Life" by Lennon–McCartney from Rubber Soul, 1965 Listen/Buy: Apple Music | Amazon | Spotify "I Will Follow You Into The Dark" by Ben Gibbard from Plans, 2006 Listen/Buy: Apple Music | Amazon | Spotify ———————————— A cool NPR article about Paul Tanner's Tannerin, developed as a more playable derivation of Leon Theremin's original Theremin.  "Good Vibrations" by Brian Wilson and Mike Love from a 1966 Beach Boys LP Single Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Blue Rondo a la Turk" by Dave Brubeck from Time Out, 1959 Listen/Buy: Apple Music | Amazon | Spotify "Lucy in the Sky With Diamonds" by Lennon-McCartney from Sgt. Pepper's Lonely Hearts Club Band, 1967 Listen/Buy: Apple Music | Amazon | Spotify "Money" by Roger Waters from The Dark Side Of The Moon, 1973 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "The Way" by Tony Scalzo from All The Pain Money Can Buy, 1998 Listen/Buy: Apple Music | Amazon | Spotify "You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire" by Josh Homme and Mario Lalli from Songs for the Deaf, 2002 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Mind Games" by John Lennon from Mind Games, 1973 Listen/Buy: Apple Music | Amazon | Spotify A nifty "Doctor Mix" YouTube video demonstrating the Mellotron  ———————————— "Theme from Dr. No" by Monty Norman, arranged by John Barry from Dr. No, 1962 Listen/Buy: Apple Music | Amazon | Spotify "Skyfall" by Adele Adkins and Paul Epworth from Skyfall, 2012 Listen/Buy: Apple Music | Amazon | Spotify "Manners Maketh Man" by Henry Jackman and Matthew Margeson (I failed to co-credit Margeson on the show) from Kingsman: The Secret Service, 2015 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Permission to Come Aboard" by Rupert Gregson-Williams from Aquaman, 2018 Listen/Buy: Apple Music | Amazon | Spotify "Wonder Woman Theme" by Hans Zimmer and Junkie XL performed by Tina Guo, released as a single in 2017 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Gimme Shelter" by Jagger/Richards from Let It Bleed, 1969 Listen/Buy: Apple Music | Amazon | Spotify  

This week’s episode is focused on hip-hop’s enfant terrible Azealia Banks. Hear an exclusive archive interview with the New York rapper, recorded in 2011 as ‘212’ was blowing up but she hadn’t yet signed a record deal. Banks also talks about working with producer Paul Epworth and her biggest influences, and also schools Rick on underground indie. Meanwhile, Rick and Sarah ponder whether Azealia’s penchant for a celebrity beef has overshadowed her recorded output in the years since and whether she’ll ever truly put the focus back on her amazing music. Follow us on Twitter here: https://twitter.com/demotapespod And Instagram here: https://www.instagram.com/demotapespod/ If you really must, our personal Twitter handles are: https://twitter.com/rick_j_martin https://twitter.com/imsarahjanekemp

This Episode sees Paul Epworth in the hot chair! His OWN chair as we got to speak in the LEGENDARY studio that is known as "The Church" for good reason. It's a yeah.. it's a church! An immense and potent zone of creativity! we learn of Paul's journey from shed to Holy rooms and his incredible rise :) Producing Adele. Let's just think about that for a second shall we!?! I get deep with a bit of mono to poly joy in my studio B nitty gritty experiments As promised here's a link to the Max for Live patch to control your KENTON PRO 2000 you will need Live 10 to run it (as it uses sysex) https://www.dropbox.com/s/n31o23sx0w15a14/kenton%20pro2000.amxd?dl=0 Thanks to Universal Audio for their sponsorship :) check them out at www.uaudio.com

In this first edition of our podcast, Richard speaks to Dave Okumu of The Invisible. Dave's enormous talent is matched only by his wisdom and modesty. So whilst you get a sense of some of his notable work from this conversation, it's worth re-stating just how hugely respected this quiet giant is. The band's debut album was Mercury nominated, as was Dave's debut album as a producer (Jessie Ware's stunning "Devotion"). His and the band's collaborations include work with the likes of Grace Jones, Adele, Conan Moccasin, Paloma Faith, Paul Epworth, Anna Calvi and Floating Points and in terms of raw ability, Dave is widely regarded as one of the finest guitarists working in music today.

Peter Bjorn And John are now a decade removed from their breakthrough single, "Young Folks." However, the Swedish trio has remained consistently busy since then, and this year they released their seventh studio album, "Breakin' Point." The band worked on the record for five years with several producers, including Adele and Paul McCartney collaborator Paul Epworth. The result is a more pop-centric album than previous releases. In addition to performing four new songs in our studio, the band spoke with Alisha Sweeney about approaching the new album as a series of unique singles, the logistics of working with many producers on the same record and running the new INGRID recording studio and label in Stockholm, Sweden.

If you just know them from "that whistle song," it's time to get your head in the game. Peter Bjorn and John are back with their first album in five years, and "Breakin' Point" is pure alt-pop fireworks. The Swedish trio stopped by Billboard's New York office to discuss how new attitudes in the indie rock game helped them get on board with superstar producers like Paul Epworth, Greg Kurstin, and Emile Haynie. See acast.com/privacy for privacy and opt-out information.

With John Wilson. Dame Judi Dench leads a cast of British stars, including Bill Nighy and Maggie Smith, in The Best Exotic Marigold Hotel, a film which follows a group of pensioners attracted by the prospect of spending their golden years in India. Joan Bakewell gives her verdict. Turner Prize-winning artist Jeremy Deller is about to open a new exhibition which brings together almost all his major works to date, including installations, videos, photographs, performance works and sound pieces. Some works also feature volunteers as participants. John talks to Jeremy and to three of the volunteers. On the eve of the 2012 Brit Awards, John speaks to nominees who have found inspiration in great literary figures, with Kate Bush and Laura Marling on James Joyce and Charlotte Bronte, Critics' Choice Winner Emeli Sande on Virginia Woolf, Guy Garvey from Elbow on Alan Bennett; and PJ Harvey on Harold Pinter. Plus producer Paul Epworth on working on the album which dominated 2011 - Adele's 21. Producer Rebecca Nicholson.

Jennifer Saunders on the return of Absolutely Fabulous, Michelle Yeogh on playing Aung San Suu Kyi, Terry Jones on self publishing and Adele's producer, Paul Epworth and a Front Row neon artwork

With John Wilson. Paul Merton reviews the new silent film The Artist, which with six Golden Globe nominations is already the surprise hit of this year's Hollywood awards season. Adele's producer Paul Epworth discusses his part in creating this year's biggest album, 21, for which he has received four Grammy nominations, and how he and Adele came up with the hit song Rolling in the Deep. It's almost a century since a Parisian barber's shop began the urban romance with neon when it put up the first commercial neon sign. Although neon has fallen out of commercial favour, artists are breathing new life into the medium. John went to the Neon Workshops in Wakefield, Yorkshire, to learn how to make his own neon artwork. The neon art is now installed at the BBC's building in Salford. The graphic designer Peter Saville, famed for his record sleeves for the likes of New Order, Joy Division, Roxy Music and Pulp - and a huge neon fan - joins John, along with the Junior Royal Northern College Brass Quintet and the BBC North Staff Choir, to switch on the first Front Row artwork. Producer Ekene Akalawu.