Podcast appearances and mentions of Greg Kurstin

With as "out there" as Geggy Tah's music was, and as clever as their biggest hit "Whoever You Are" was, it would be easy to not take them seriously. The thing is, they were serious about being as creative as possible and seeing what music could be without any borders. The duo of Tommy Jordan and Greg Kurstin produced three albums in the mid 90s that explored songs as if they were found art projects, mixing in whatever instrument or genre worked. After the band ended, Greg went on to form The Bird and the Bee and then became one of the biggest producers in the world while Tommy continued to do his own thing. Here's the story of one of the most delightfully weird bands of the decade!  www.patreon.com/c/thehustlepod

En apportant sa touche singulière à la BO d'un film Disney d'abord délaissé par son propre studio, Elton John ne pensait pas une seconde que ses nouvelles compositions allaient traverser le temps et marquer des générations entières. Débarquement immédiat pour la Terre des lions !

fWotD Episode 2842: My Little Love Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 14 February 2025 is My Little Love."My Little Love" is a song by the English singer Adele from her fourth studio album, 30 (2021). Adele wrote it with its producer, Greg Kurstin. The song became available as the album's third track on 19 November 2021, when it was released by Columbia Records. "My Little Love" is a jazz, R&B, and soul song with a 1970s-style groove and influences of gospel music. The song incorporates voice notes of Adele's conversations with her son as she explains the effects of her divorce on his life and pleads for his understanding and forgiveness.Critics generally praised "My Little Love", comparing it to the work of Marvin Gaye, among other artists. Reviews highlighted the emotionalism and vulnerability displayed in the song, but some found the inclusion of the voice notes excessive. The track reached the top 20 in Australia, Canada, Iceland, the Netherlands, New Zealand, and Sweden and entered the top 40 in several other countries.This recording reflects the Wikipedia text as of 01:03 UTC on Friday, 14 February 2025.For the full current version of the article, see My Little Love on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

If you've ever heard the phrase "this could only happen in LA", you'll know that Los Angeles is a fascinating and bizarre city, with millions of transplants clogging up the freeways, trying to make their mark in the entertainment capitol of the world. For those who grew up here, this stuff is old hat. For example, Morty Coyle and Jordan Summers are LA natives and literally went to high school with rock stars and movie stars. University High School in West LA has a long and fascinating history, and to take a glance at a list of former students at Uni High is to have your mind blown. This place is legendary for a reason and ATTT is delighted to have Morty and Jordan give us a guided tour, and help us count down the 10 greatest musicians and singers those hallowed halls have yet produced. Picks 10-6 are featured here in Part 1.Morty and Jordan make great music as members of LA stalwarts All Day Sucker. Explore their catalog at their websitehttps://www.alldaysucker.net/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. It's the long-awaited return of Chrissy Olsen, in an all new episode, out February 1st! Find out more at https://www.patreon.com/c/alltimetopten

Il y aurait bien des manières de décrire Lily Allen, mais voici les trois adjectifs qui me semblent les plus appropriés : fougueuse, désinvolte et audacieuse. Avec "Smile", premier tube à son actif en 2006, son charme à l'anglaise a opéré même outre-manche. Prêts à revenir 18 ans en arrière ?Crédits de l'épisode :- "Smile" (Clement Dodd, Darren Lewis, Iyiola Babalola, Jackie Mittoo, Lily Rose Cooper, Future Cut)- "I know where it's at" (Shaznay Lewis, Karl Gordon, Walter Becker, Donald Fagen, Paul Griffin / Karl Gordon, Cameron McVey, Magnus Fiennes)- "Smile – Acoustic version" (Clement Dodd, Darren Lewis, Iyiola Babalola, Jackie Mittoo, Lily Rose Cooper, Future Cut)- "Everything's just wonderful" (Lily Rose Cooper, Greg Kurstin)- "Smile – Maquette" (Clement Dodd, Darren Lewis, Iyiola Babalola, Jackie Mittoo, Lily Rose Cooper, Future Cut)- "LDN" (Lily Rose Cooper, Duke Reid, Darren Lewis, Iyiola Babalola, Future Cut)- "Shame for you" (Lily Rose Cooper, Blair Mackichan)- "Littlest things" (Lily Rose Cooper, Mark Ronson, Pierre Bachelet, Santi White, ROY,- "Not big" (Lily Rose Cooper, Greg Kurstin)- "Free soul" (Soul Brothers)- "Scream & shout" (Jef Martens, Jean-Baptiste, Tula Contostavlos, William Adams, Lazy Jay)- "Baby one more time" (Max Martin, Rami Yacoub)- "Murder on the dancefloor" (Sophie Ellis-Bextor, Gregg Alexander, Matt Rowe)- "Smile - Simlish version" (Clement Dodd, Darren Lewis, Iyiola Babalola, Jackie Mittoo, Lily Rose Cooper, Future Cut)- "Hip's don't lie" (Shakira, Wyclef Jean, Omar Alfanno, Latavia Parker, Jerry Duplessis, Luis Diaz)- "The fear" (Lily Rose Cooper, Greg Kurstin)- "22" (Lily Rose Cooper, Greg Kurstin)- "Fuck you" (Lily Rose Cooper, Greg Kurstin)- "Hard out here" (Lily Rose Cooper, Greg Kurstin)- "Family man" ((Lily Rose Cooper, Benjamin Garrett, Starsmith, Mark Ronson, Seb Chew)L'épisode contient également :- Un extrait de l'interview de Lily Allen chez Rinse FM (08/05/2018)- Un extrait de l'interview de Lily Allen dans Taratata (2006)Un grand merci à la petite princesse Milana, à Mélissa et à Giacomo pour avoir apporté leur contribution à cet épisode.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

De la cigonya a Amazon. Crítica teatral de l'obra «BioLògica», de Sílvia Navarro Perramon. Intèrprets: Clàudia Benito, Victòria Pagès i Mar Ulldemolins. Veu en off: Anna Sahun. Escenografia: Paula Bosch. Il·luminació: Guillem Gelabert. Vestuari: Pol Cornudella i Noemí Galí. So: Sergi Andrades. Moviment: Alba Sáez. Fotografia: Kiku Piñol. Vídeo i xarxes: Eladi Bonastre. Ajudant de direcció: Montse Vellvehí. Producció: Pol Cornudella i Adriana Nadal. Agraïments: Berta Riera i Anna Sahun. Una producció de Sixto Paz i la Sala Beckett. Direcció: Pau Roca. Sala Beckett, Barcelona, 17 octubre 2024. Veu: Andreu Sotorra. Música: Forever. Interpretació: Chvcherches. Composició: Greg Kurstin, Iain Cook, Lauren Mayberry i Martin Doherty. Àlbum: Love is dead, 2018.

The highly-talented Inara George has collaborated with Dave Grohl and Van Dyke Parks, has had Jackson Browne write a song for her, and is one half of the duo The Bird and the Bee (along with nine-time Grammy-winning songwriter Greg Kurstin). The daughter of Little Feat's Lowell George, Inara is no stranger to the music world and specifically the  sonic tapestry that makes up Los Angeles. It's no surprise, then, that components of her community arise in her work. “Ventura Blvd.” has a personal narrative from a rare native. 

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights IV - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz takes a deep dive into the song "Mosquito" by PinkPantheress, produced by Greg Kurstin.PinkPantheress is a rising star in the music industry, known for her unique and eclectic sound. Her song "Mosquito" is a catchy and upbeat pop tune with a dark and twisted edge.Analytic Dreamz breaks down the song's lyrics, melody, and production, and discusses what makes it so special. He also explores the song's cultural impact and its place in PinkPantheress's discography.If you're a fan of PinkPantheress, or if you're just curious about the song "Mosquito," this segment is for you.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#foofighters #taylorhawkins #vinylcommunity APRIL 19TH 2023FOO FIGHTERS ANNOUNCE NEW ALBUM! WHO IS THE NEW DRUMMER?Following a year of staggering losses, personal introspection and bittersweet remembrances, FOO FIGHTERS return with "But Here We Are", out June 2 on Roswell/RCA.Produced by Greg Kurstin and FOO FIGHTERS, "But Here We Are" is in nearly equal measure the eleventh FOO FIGHTERS album and the first chapter of the band's new life. "But Here We Are" is available for preorder now, with all preorders including "Rescued" as an instant grat.The album has been dubbed “the first chapter of the band's new life”, and has been previewed with its lead single, Rescued – but there's been no official confirmation as to who performed drums on the track.https://foofighters.com/********************************************************************************************************************************************* The New Website ➜ https://www.adikalive.com/Merchandise ➜https://adika-live.creator-spring.comThe Ultimate VIP ALL ACCESS BACKSTAGE PASSFull episodes can be seen in Patreon! Get exclusive content and entry into the vinyl games on Patreon: ➜ https://www.patreon.com/The_adika_group?fan_landing=trueYour Donation Helps Support your Favorite Show & Channel ➜ https://www.paypal.me/stephenadika1AMAZON WISHLIST ➜ https://www.amazon.com/hz/wishlist/ls/30GQNR69L9048?ref_=wl_shareCLICK TO SUBSCRIBE ➜  https://www.youtube.com/c/TheAdikaGroup?sub_confirmation=1Artists on Record |  ADIKA Live The PodcastApple ➜ https://podcasts.apple.com/us/podcast/coffee-talk-with-adika-live/id1529816802?uo=4Spotify ➜ https://open.spotify.com/show/2lXgg3NVdnU3LmXgCrgHwk iHeartRadio ➜ https://www.iheart.com/podcast/269-coffee-talk-with-adika-liv-71566693/*Follow ADIKA Live on Tik Tok: ➜https://vm.tiktok.com/TTPdMmEfFm/ADIKA Live on Twitter➜ https://twitter.com/TalkAdikaThank you for your support!_____________________________________________Artists On Record: ➜https://m.facebook.com/profile.php?id=868952540607953&ref=content_filterTheme Song - Mark SlaughterWebsite:  ➜ https://www.markslaughter.com/Support the show

Teaming up with L.A. super-producer Greg Kurstin, the multi-simian multimedia project by Damon Albarn (Blur) and Jamie Hewlett (Tank Girl) put out CRACKER ISLAND this year. Teeming with the requisite guest stars for a classic GORILLAZ record (Beck, Bad Bunny, Stevie Nicks, Thundercat, Tame Impala, etc.) and glistening with an overproduced glaze that sweetens the sadness and crowds out the genius, CRACKER ISLAND went to number one in the UK Album Chart.    This week on Enjoy An Album with Christopher Macarthur-Boyd and Liam Withnail, we listened to CRACKER ISLAND by GORILLAZ and now we're going to talk about it. We discuss Zane Lowe's mental interview with Damon Albarn, the secret posho status of Princess Siribha Chudabhorn, and the old HMV at the Glasgow Fort shopping centre. Hot takes, cool digressions, Tattoo Woohoo/Tattoo Boohoo and Unhinged YouTube Comment of the Week. Enjoy! Check out the Patreon! Extra Episodes, Ad Free, Pre Sale - and more! https://www.patreon.com/EnjoyAnAlbum Thanks to this weeks Sponsors MANSCAPED Manscaped | https://manscaped.com 20% off with the promo code: ALBUM20 #Ad #Sponsored

Damon Albarns Kreativität scheint unaufhaltsam, und dank den richtigen Gäst:innen bleiben Gorillaz auch auf Album 8 allerhöchste Liga: Nicht derart tischbombenartig wie «Song Machine», aber nicht so reduziert wie «The Now Now», und es gibt zwar kein neues «Clint Eastwood» aber die Platte hat POP! Und dieser POP! ist kein Zufall: «Cracker Island» wurde mit Überproduzent Greg Kurstin (u.a. Foo Fighters, Adele) in Kalifornien angerissen, während Damon Albarn in Los Angeles mit Netflix über einen möglichen «Gorillaz Movie» verhandelte. Das Filmprojekt geriet ins Stocken, und Albarn schrieb sich in Kurstins Studio kurzerhand den Frust vom Leib. Nach 3 Tagen stand das Grundgerüst des Albums. Als Gastmusiker:innen sind in LA ansässige Megastars wie Stevie Nicks von Fleetwood Mac, Bad Bunny, Beck, Tame Impala oder Thundercat mit dabei. Der Entstehungsprozess auf Durchreise erklärt den spontanen Charme von «Cracker Island», das stellenweise an die beiden auf Tour geschriebenen und weniger vollgestopften Gorillaz-Platten «The Fall» (2010), «The Now Now» (2018) oder an Damon Albarns auf Island aufgenommenes Soloalbum «The Nearer the Fountain, More Pure the Stream Flows» (2021) erinnert. Gleichzeitig bieten Gorillaz beim Nachfolger des ultradichten Lockdown-Albums «Song Machine, Season One: Strange Timez» (2020) eine Fülle an Stimmen, sowie eine Stil- und Genre-dichte, die ihresgleichen sucht: Reggaeton mit Bad Bunny, Disco-Funk mit Tame Impala, Folk mit Beck, hier etwas Bedroom-Pop mit Drummachine und dort stadiontaugliches Hitparaden-Material. Wie immer verlosen wir das Sounds! Album der Woche: Gewinnt «Cracker Island» auf CD täglich live im Radio.

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

In this episode we chat about "Chasing Shadows" from Shakira's self-titled album. Our Chismecito segment discusses Shak's connection to Sia, including a song Shak rejected in favor of Chasing Shadows. Sígannos y cuéntennos cuántas "morning lights" le darían ustedes a "Chasing Shadows." Instagram Twitter Episode notes: TikTok del Club de Fans Shakira Colombia con el audio de Chasing Shadows. Tré McLeod: Shakira Reaction - Self-titled Album + Girl Like Me "Chasing Shadows"; Composed by: Sia Furler, Fernando Garibay, Greg Kurstin; Published by: RCA/Sony Latin Iberia. Shakipedia's theme song: "We Are One" by Scott Holmes Music is licensed under an Attribution-NonCommercial 4.0 International License./Edited and remixed from the original.

Greg Kurstin and Inara George, a.k.a. the bird and the bee, were scheduled to meet up to write songs on the day Queen Elizabeth passed. Inspired by the significance of the monumental day, they  came up with a holiday song that balances their admiration of the Queen with their more complicated feelings about the monarchy, as we can hear on “Christmas without The Queen.” 

C'est au cours d'une récente interview Eddie Trunk de SiriusXM que Brian Johnson d'AC/DC a confié qu'il ne pouvait pas évoquer le futur de son groupe, c'est Axl Rose, le leader de Guns N' Roses qui avait assuré son remplacement sur les dates restantes de la tournée ‘'Rock or Bust''. qu'il a confié que ses collègues lui avaient demandé de se taire au sujet des futurs projets d'AC/DC. Quand Trunk lui a demandé s'il jouerait encore avec AC/DC, il a répondu : "Je ne répondrai pas à cette question. Pourquoi le ferai-je ? Tout d'abord, parce qu'il y a cinq personnes dans ce groupe, et ne poser la question qu'à une seule d'entre elles n'est pas juste." Le présentateur lui a alors demandé s'il aimerait revenir sur scène avec AC/DC, ce à quoi il a répondu : "Eddie, je ne peux répondre à cela. Tout le monde me l'a interdit. C'est la version officielle." Collaboration entre Ed Sheeran et le groupe metal Cradle of Filth, le chanteur du groupe Dani Filth a partagé une photo de lui avec Ed Sheeran, en compagnie du producteur Scott Atkins. Ed Sheeran qui était avec Bring Me The Horizon aux Brit Awards 2022 pour réinterpréter son single "Bad Habits". Les Hannukah Sessions de Dave Grohl et Greg Kurstin se poursuivent, voici les deux dernières en date : une reprise de Janis Ian, “At Seventeen”, que Dave Grohl a choisi de réinterpréter avec sa fille, Violet, et une reprise du titre "E-Pro" de Beck, en compagnie de son chanteur original. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Les fans de Ska sont en deuil, le chanteur et leader des Specials, Terry Hall est décédé ce lundi 19 décembre des suites d'une courte maladie, il avait 63 ans, mondialement connu pour avoir été la voix de "Ghost Town". Pour sa deuxième "Hannukah session", Dave Grohl a invité la chanteuse P!nk à réinterpréter son hit “Get the Party Started”, en compagnie du producteur et claviériste Greg Kurstin, lors de sa traditionnelle "Hannukah Sessions" en live avec des invités. de confession juive. Blink 182, Tom DeLonge, Mark Hoppus et Travis Barker, travaillerait à la suite des titres "Anthem" et "Anthem Pt. 2" le premier sorti en 1999 sur l'album ‘'Enema Of The State'' alors que le second figurait sur l'album de 2001, ‘'Take Off Your Pants And Jacket'', en live de ce dernier était aussi présente sur l'album ‘'Untitled''. Shirley Watts, veuve de Charlie Watts défunt batteur des Rolling Stones, nous a quittés à l'âge de 84 ans, des suites d'une courte maladie le 16 décembre, elle était sculptrice, artiste et éleveuse de chevaux. Greta Van Fleet en est aux touches finales de son 3e album annoncent le batteur Danny Wagner et le bassiste Sam Kiszka avant de jouer en première partie de Metallica. Agent de Radiohead, Metallica, Nirvana, Gorillaz, Rammstein, David Bowie et des Beastie Boys, Steve Martin de la société Nasty Little Man, relation publique de longue date des Foo Fighters, est revenu sur le "processus délicat" qu'était l'annonce de la disparition du batteur Taylor Hawkins à la presse. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Greta Van Fleet band members Jake and Sam Kiszka join Ralph Sutton and Jim Florentine and they discuss Sam Kiszka's vegan cooking videos and whether he is actually vegan, the band recovering from multiple members getting sick, the documentary about Jake Kiszka's striped blue jeans, Greta Van Fleet viral SNL performance, how the brothers along with Danny Wagner all hold the same amount of weight in the band, the spirituality within Greta Van Fleet, the evolution of the band's fanbase, when Jake Kiszka cut off Sam Kiszka's finger when they were kids, getting Greg Kurstin to produce their record, being compared to Led Zeppelin, where Greta Van Fleet got it's name, whether it's true their Grammy award is over their toilet, interpreting the symbols on the new album, Jake Kiszka and Sam Kiszka's first concert, first drug and first sexual experience and so much more!(Air Date: December 10th, 2022)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Greta Van FleetBand Twitter: https://twitter.com/GretaVanFleetBand Instagram: https://instagram.com/GretaVanFleetSam Kiszka Twitter: https://twitter.com/GVF_SammySam Kiszka Instagram: https://instagram.com/Sammy_GVFJake Kiszka Twitter: https://twitter.com/JakeKiszkaJake Kiszka Instagram: https://instagram.com/Jake_GVFJim FlorentineTwitter: https://twitter.com/mrjimflorentineInstagram: https://instagram.com/jimflorentineRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Foo Fighters, Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett, Pat Smear, Greg Kurstin, and me.

EXCLUSIVE chat with songwriter, producer and recording artist Coco Morier. Learn about the creation of the ROCK ME IN. Coco talks about her time creating it with Britney Spears and Greg Kurstin for her CIRCUS album. The Original Doll with James Rodriguez, unpackages music with the creators. We also have special guest Johann from SOUNDS talking about their release WORK THIS OUT, which is released today! Check out the other episodes with Britney Spears collaborators. Audio ripping is prohibited in every country in the world. www.TheOriginalDoll.com , www.Instagram.com/The.Original.Doll , www.Twitter.com/JamesRodriguez , www.TikTok.com/@TheJamesRodriguez 

Ellie Goulding unveils ‘Easy Lover' - a stunning slice of pop perfection that heralds a triumphant and long-awaited return - the first release since Ellie's chart topping 2020 studio album ‘Brightest Blue'. The track, written and produced in collaboration with the legendary Greg Kurstin and Julia Michaels, sees Ellie's unmistakable vocals paired with pulsating bass, punchy synths, epic key changes and contagious melodies - the perfect combination for a summer pop banger. The new single also features rap royalty Big Sean who adds his signature flow in contrast to Ellie's breath-taking harmonies. Big Sean is one of the biggest names in rap is known for hits such as ‘I Don't Fuck With You' and ‘Dance (Ass) ft Nicki Minaj' as well as working with the likes of Justin Bieber, 2Chainz, Halsey and Calvin Harris. Alongside the single, Ellie has released the epic music video for ‘Easy Lover', which sees her take on an otherworldly creature that takes the form of humans. The haunting visual is a confident and exciting accompaniment to the single and was directed by Sophia Ray (Years & Years, Raye, Mabel) with movement direction from Remi Black and creative direction from Nathan Klein who also styled the video. Speaking about the track Ellie states, “I wrote Easy lover in LA with Julia Michaels after conversations about the age old tale of being infatuated by someone cool and beautiful knowing that they will never quite feel the same. It's about going back to the same dangerous person to feel alive when you know they have hurt people again and again before you. Having the legendary Greg Kurstin produce any song of mine is always a dream come true. He always understands the assignment!” Stay tuned for more news from Ellie Goulding in the coming months. --- Send in a voice message: https://anchor.fm/gmbwithkay/message

Ben, Wayne and repeat revisitor Jeff Frame welcome newcomer Brad Sorensen of the Pop Culture Yearbook Podcast to continue the Foos sidecast - digging into the ninth studio album “Concrete and Gold.”  Plenty of discussion including witness protection, no spoiler on shows!, Trump's victory and the impact of that on the lyrics and political digs of this album, Greg Kurstin, daughters, licking the bitter envelopes, Tik Tok, Paul McCartney plays drums?  And who is Daryl?Check out Foo Fighters at: https://www.foofighters.com/Check out Pop Culture Yearbook at: https://linktr.ee/PopCultureYearbookCheck out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Maren Morris is a Grammy-winning, multi-platinum artist. She's also won multiple country music awards, including CMAs for Female Vocalist of the Year, and Single of the Year in 2020, but her feelings about the country music industry are kind of complicated, as she discusses in this episode. She breaks down her song "Humble Quest," which is the title track from her third album. It was produced by Greg Kurstin, who's won the Producer of the Year Grammy more than once. The album came out in March, and hit #2 on Billboard country chart. But before "Humble Quest" was a title, Maren had to figure out what the words meant to her, and that's where the song began. To learn more, visit songexploder.net/maren-morris

Today on the Rarified Heir Podcast, we are trying something new. That's right, not one but two guests. Yes, we've had more than one guest on at a time but so far that's been siblings only. Today, we have two previous guests on the podcast talking about the genesis of what drove them to become musicians yet both come from a familial acting background. Our returning champions are Jordan Summers, son of Yale Summers and Dave Jenkins, son of actor Paul Jenkins. Both grew up with parents who did a ton of television. Yale Summers starred in the hit series Daktari & had guest starring roles on The Outer Limits, McMillan and Wife and General Hospital among many others. Paul Jenkins was on The Waltons, Dynastyand Night Gallery and perhaps 200 more. So we posed the question: why did they choose music and not acting? The answer was fairly surprising. It was filmmaking and technology that led them from making Super-8 movies which led them to music. We hear great stories about how a high school band can go from three years of rehearsing to playing their first gig at the world Famous Troubadour with a homemade demo cassette handed out directly to the venue as their calling card. We hear about how Jordan Zevon's grandmother would try and cut the bands cables after rehearsal to ‘cut down that racket.” We hear about the time Herbie Hancock showed up at an early gig. And then there was the time TV theme song guru Mike Post managed their band. What, that never happened to you? We also hear about jam sessions at The Kibbitz Room with Rick James and Chrissie Hynde, of an all-star high school jazz band with Brian McKnight, superstar producer/musician Greg Kurstin and members of Buckcherry, The Wallflowers and more and long gone LA music venues like: FM Station, 14 Below, Luna Park, The Alligator Lounge and The Central. We're keeping time on this episode of the Rarified Heir Podcast. Everyone has a story. Take a listen.

Your favourite 2000s pop explorers are back celebrating Sophie Ellis-Bextor! Today the sun's on us and we are groovejetting to 2007 for "Trip The Light Fantastic" to coincide with the album's 15th anniversary. You may know the killer singles 'Catch You', 'Me And My Imagination' and 'Today The Sun's On Us' but Joel and David are here to bring you many more highlights from the album. This brilliant body of work was the dawn of a new era for Dame Sophie - personally and creatively. An underrated and classy pop album, we hear our Soph bringing together new wave, disco, electro-pop and touch of indie-pop sensibilities with Grade A songwriting! Xenomania, Hannah Robinson, Cathy Dennis, Greg Kurstin, Eg White, Dan Gillespie Sells of The Feeling, and Fred Schenider of B-52's are just some of the top notch songwriters and producers involved. Hit 'play' right now for a Supersonic nostalgic pop experience! You can also catch up on our Sophie Ellis-Bextor Part 1 episode, where we cover her "Read My Lips" and "Shoot From The Hip" album eras. Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Check out our Spotify playlists https://open.spotify.com/user/1c3ks5jdh2x4j7jdg1o0aglwg Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

David Eric Grohl was born in Warren, Ohio on January 14, 1969. Mom is teacher Virginia Jean Hanlon and dad was news writer James Harper Grohl. In addition to being an award-winning journalist, Dave's dad had also served as the special assistant to Republican Congressman and US Senator Robert Taft Jr.  When Dave was young, the Grohl family moved to Springfield, Virginia. When he was seven, his parents divorced, and he was raised primarily by his mom. At the age of 12, he began learning to play the guitar. He grew tired of lessons and instead taught himself, eventually playing in bands with friends. He said, "I was going in the direction of faster, louder, darker while my sister, Lisa, three years older, was getting seriously into new wave territory. We'd meet in the middle sometimes with Bowie and Siouxsie and the Banshees." At 13, Grohl and his sister spent the summer at their cousin Tracey's house in Illinois. Cousin Tracey introduced them to punk rock by taking the pair to shows by several different punk bands. His first concert was Naked Raygun at The Cubby Bear in Chicago in 1982. Grohl recalled, "From then on we were totally punk. We went home and bought Maximumrocknroll, (a punk subculture music zine that ran from 1982 to 2019) and tried to figure it all out." In Virginia, he attended Thomas Jefferson High School as a freshman and was shockingly elected class vice-president. He taught himself to play pieces of songs by punk bands like Circle Jerks and Bad Brains and, using his clout as vice president, would play them over the school intercom before his morning announcements. His mother decided he should transfer to Bishop Ireton High School in Alexandria because he was smoking too much weed and it was affecting his grades. He stayed there for two years, one of those repeating his first year.  After his second year, he transferred yet again to Annandale High School. While in high school, he played in several local bands, including a short stint as guitarist in a band called Freak Baby. It was during this period that he thought it was a good idea to switch to learning drums. When Freak Baby kicked out its bass player and reshuffled its lineup, Davel took on the role of drummer and history was made. Show's over, folks! The band then changed their name to “Mission Impossible.” Dave has said he did not take drumming lessons and instead learned by listening to Rush and punk rock bands. Obviously, insanely talented and possible robot and Rush drummer Neil Peart was an early influence: "When I got 2112 when I was eight years old, it fucking changed the direction of my life. I heard the drums. It made me want to become a drummer." During his beginning years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-rings symbol tattooed on his right shoulder. Mission Impossible changed their name once again to “Fast” before breaking up, after which Dave joined the hardcore punk band Dain Bramage in December 1985.  Dain Bramage ended in March 1987 when Dave up and quit without warning to join Scream, having produced the I Scream Not Coming Down LP. Many of Dave's early influences were at the 9:30 Club, a music venue in Washington, D.C. He said, "I went to the 9:30 Club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life." As a teenager in D.C.,Dave briefly thought about joining shock-rocker punk/metal band, GWAR, who were looking for a drummer around this time. At age 17, Dave auditioned with local Washington, D.C. favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to be considered for the position, Dave lied about his age, saying he was 34. I'm kidding but he did say he was older. To Dave's surprise, the band asked him to join and so he pulled a Jay-Z (last week's Icon) and dropped out of high school in his junior year. He has been quoted as saying, "I was 17 and extremely anxious to see the world, so I did it." Over the next four years, Grohl toured extensively with Scream, recording a couple of live albums (their show of May 4, 1990 in Alzey, Germany being released by Tobby Holzinger as Your Choice Live Series Vol.10) and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down". During a Toronto stop on their 1987 tour, Grohl played drums for Iggy Pop at a CD release party held at the El Mocambo, which became best known for the 1977 surprise show by The Rolling Stones, which became popular when then Prime Minister Pierre Trudeau's wife, Margaret Trudeau, showed up and partied with the Stones.. In 1990, Scream unexpectedly disbanded mid-tour when bassist Skeeter Thompson left the band. Nirvana (1990–1994) We obviously can't talk about Foo Fighters without discussing Nirvana. They'll definitely have their own episode so we won't get too into them today. While playing in Scream, Grohl became a fan of the Melvins and eventually befriended them. During a 1990 tour stop on the West Coast, Melvins guitarist Buzz Osborne took his friends Kurt Cobain and Krist Novoselic, of future Icons Nirvana, to go see Scream. Grohl called Osborne for advice after Scream disbanded and Osborne informed him that Nirvana was looking for a drummer. He gave Dave the phone numbers of Cobain and Novoselic, who then invited Grohl out to Seattle to audition. Grohl soon joined the band. Novoselic later said, "We knew in two minutes that he was the right drummer." Dave told the U.K. based magazine Q: "I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?' Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'." When Dave joined Nirvana, they had already recorded several demos for the follow-up to their debut album Bleach, produced and recorded by Butch Vig. Initially, the plan was to release the album on Sub Pop, but they received a ton of label interest based on their demos. Dave spent the initial months with Nirvana traveling to various labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the infamous Sound City Studios in Los Angeles to record Nevermind as seen in Dave's amazing documentary, Sound City, from 2013. The album Nevermind was released later that year and exceeded all expectations becoming a worldwide commercial success. At the same time, Dave was compiling and recording his own material, which he released on a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name for the project, Dave released the songs under his pseudonym "Late!" In the later years of Nirvana, Dave's songwriting increased. In his first months in Olympia, Washington, Kurt Cobain overheard him working on a song called "Color Pictures of a Marigold", and they wound up working on it together. Dave would later record the song for the Pocketwatch cassette. Dave stated in a 2014 episode of the documentary series, Foo Fighters: Sonic Highways, that Kurt kissed him when he first heard a demo of "Alone + Easy Target" that Dave had recently recorded. According to Dave, "I'd told him I was recording and he said, 'Oh, I wanna hear it, bring it by.' He was sitting in the bath-tub with a walkman on, listening to the song, and when the tape ended, he took the headphones off and kissed me and said, 'Oh, finally, now I don't have to be the only songwriter in the band!' I said, 'No, no, no, I think we're doing just fine with your songs.'" Nirvana would jam Dave's song on soundchecks during their 1991 European tour. Dave reluctantly held back his songs in the beginning. In a 1997 interview he said, "I was in awe of [Kurt Cobain's songs], and [I was] intimidated. I thought it was best that I kept my songs to myself." During the sessions for In Utero, Nirvana's third and final studio album, the band decided to re-record "Color Pictures of a Marigold" and released it as a B-side on the "Heart-Shaped Box" single, with a slight title change; "Marigold". Dave also wrote the main guitar riff for "Scentless Apprentice", another song on In Utero. In a 1993 MTV interview, Kurt had said that, at first, he thought the riff was "kind of boneheaded", but was happy with how the song developed. Part of this development process can be heard  in a demo on the Nirvana box set ``With the Lights Out”, released in 2004. Cobain had said that he was excited at the possibility of having Chris Novoselic and Dave contribute more to the band's songwriting. Before embarking on their 1994 European tour, Nirvana scheduled session time at the popular Robert Lang Studios in Seattle to knock out some demos. The recording session was only 3 days long and Cobain wasn't there for most of it, so Chris and Dave worked on demos of their own songs. They completed several of Dave's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day, Kurt finally arrived, and the band recorded a demo of a song later Titled "You Know You're Right". It was to be Nirvana's last studio recording.   After the death of Kurt Cobain in 1994, the band known as Nirvana broke up. Dave received numerous offers to work with various artists and there were rumors saying he might join Pearl Jam. Dave almost accepted a position as the drummer for Tom Petty and the Heartbreakers. He later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do."  Instead he booked time at Robert Lang Studios in October 1994 and began recording 15 of his own songs. Dave played every instrument and sang every vocal part on the record with the exception of one guitar part on "X-Static", which was played by Greg Dulli of the Afghan Whigs,.  He completed an album's worth of material in only five days and handed out cassette copies of the sessions to his friends for feedback.   Dave hoped to keep his anonymity and release the recordings in a limited run under the title "Foo Fighters", taken from the World War II term "foo fighter", used to refer to unidentified flying objects. "Around the time that I recorded the first FF tape, I was reading a lot of books on UFO's. Not only is it a fascinating subject, but there's a treasure trove of band names in those UFO books!" he said. "So, since I had recorded the first record by myself, playing all the instruments, but I wanted people to think that it was a group, I figured that FOO FIGHTERS might lead people to believe that it was more than just one guy. Silly, huh?" Continuing, Dave contends that a better band name could have been created. "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world."   The demo tape circulated the music industry, creating serious interest among record labels. This WAS the drummer from arguably the biggest rock band in the world, right?  Dave put together a  band to support the album. He talked to Nirvana bassist Krist Novoselic about joining, but they both decided against it; Dave said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on himself.   Having heard about Sunny Day Real Estate breaking up, Dave snagged the group's bass player, Nate Mendel, and their drummer, William Goldsmith. Dave then asked George Ruthenberg to join the band as their second guitarist. George, better known as Pat Smear, played as a touring guitarist for Nirvana after the release of In Utero. Pat was one of the founding members of the iconic punk band, The Germs, and Dave was a huge fan.   Dave then licensed the album to Capitol Records, releasing it on his new record label, Roswell Records. Get it? Roswell. UFO's?   The very first Foo Fighters show happened on February 19th, 1995. They played above a boat house in Seattle in front of friends and family. They made their official live, public debut on February 23rd, 1995 at a gig at the Jambalaya Club in Arcata California. They just happened to be in the area mixing their album when a local promoter asked the cover band, The Unseen, if Foo Fighters could open for them. They agreed.   Dave and his band of Foo Fighters then embarked on their first US tour in April of 1995 in support of The Stooges and Porno For Pyros bass player Mike Watt's solo tour. This tour featured an additional new band called “Hovercraft”, an instrumental outfit featuring Pearl Jam singer, Eddie Vedder. Dave refused to play large venues or even do interviews to promote their debut album. The first single, “This Is A Call”, was released in June of 1995 and the album, “Foo Fighters”, was released in July containing the follow up singles “I'll Stick Around”, “For All the Cows”, and “Big Me”.   Foo Fighters toured for almost an entire year and then jumped right back into the studio. This time it was Bear Creek Studio in Woodinville, Washington with English producer Gil Norton who produced the Pixies, Jimmie Eat World, Counting Crows and so many more.   Dave, of course, wrote the songs but the band had a hand in arrangements. Nearly finished, he took the rough mixes to LA to finish his vocal and guitar parts. As he was listening to the mixes, something just didn't sound right. It wasn't what he envisioned. The drums weren't perfect, not that they were bad. Dave was a drummer. He knew drums. He had a career based on playing the drums and could arguably be considered one of the greatest rock drummers of all time. So, he set up some drums, mic'd them up and re-recorded the drums for the album. All of them.   Dave wanted Goldsmith to remain as their live drummer, but he was rightfully butthurt. Goldsmith quit. He quit what would become one of the biggest rock bands ever. Recently, drummer William Goldsmith has said “It was a pain in the ass. Like, that's the only band that I wish I could just, like, remove that from.” He continued by saying: “It doesn't matter what happened because the Foo Fighters are like Disney. Everyone wants to love Mickey Mouse. Everyone loves Mickey Mouse, so it's a difficult thing, but sometimes Mickey Mouse is a little rough around the edges. It's a no win scenario, so I'd rather remove it. I think the best thing to do is have a one on one conversation with Mickey.” He has gone to say that he has no ill will towards Dave.   Shortly after this, Pat Smear decided to leave, as well, claiming he was exhausted and burnt out. Goldsmith and Smear were replaced by the late, great Taylor Hawkins and former Scream guitarist Franz Stahl, respectively, although Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose in 1999.    Drummer Taylor Hawkins had played as Alanis Morissette's drummer from June of 1995 until March of 1997 in support of her “Jagged Little Pill” and “Can't Not” tours.   I thought it would be cool to hear Taylor explain how he wound up being Foo Fighters drummer and Dave Grohl's best friend. This is all from interviews Taylor Hawkins and Dave Grohkl did with NME, Entertainment Weekly and Kerrang.   “I'd met Dave at this [US radio station] K-Rock Christmas show because Foo Fighters were on their way up and Alanis Morrissette was through the f***ing stratosphere at that point,”. “Me and Dave just looked like long lost brothers in a weird way.    “We had a similar vibe and I don't know why. I remember my friend playing with the Foo Fighters before I met Dave and watching them goof around backstage. He said to me, ‘That guy could be like your brother.' “And sure enough, when we met, we just thought, ‘We're brothers from another mother!' It was instantaneous – so much so that Alanis Morrisette just said ‘What are you going to do when Dave asks you to be the drummer in the Foo Fighters?'” “I was driving with my girlfriend at the time, and we were listening to KROQ,” “I heard William had departed and they were looking for a new drummer.”   Tylor immediately called Dave. “I said, ‘I heard you guys are looking for a drummer,' and he said, ‘Well, do you know any?' I thought Alanis wanted to go in a more laid-back direction, and it seemed like the right time to jump. Alanis didn't need me! I basically said to Dave, ‘I'll play drums for you,' and we jammed a couple of times.  “I remember I was at home watching Showgirls with my girlfriend, and Dave called to ask if I wanted to join.” Initially, Dave never thought Taylor would leave Morissette and Taylor's allegiance was always with Alanis; that's why he asked Taylor if he knew of any good drummers. When Hawkins agreed to join, all Dave cared about was that he was getting a friend, not a great drummer.  Dave told Entertainment Weekly, “I sent Taylor a tape of one of the new songs. It was ‘Monkey Wrench.' I went over to his little house in Topanga Canyon, he sat down and played for three seconds, and the first time he hit a snare drum, I knew it.”  Dave knew Taylor was the guy. “I swear to God, I was like, ‘That's all I need to f***ing hear. I love you as a person. You've just given me hearing damage for the rest of my life in three seconds. You have to be in the band.” Later, Grohl said Hawkins came into his life like an F5 tornado. “When he joined the band, his drumming was the least important factor – I just thought I want to travel the world with this guy, I want to jump on stage and drink beers with this person. That was my biggest concern,”. Morissette didn't take Hawkins leaving personally. They remained friends over the years. Taylor has said he would have been delivering pizzas if it wasn't for her. She was the first person who gave him a break in the music world. “She gave me a lot of space to do what I wanted. It was probably the biggest album of the year (referencing her debut album “Jagged Little Pill”), and there was a lot of pressure on her. She was having to learn to be this leader on the job, which isn't easy. But it was really one of the most fun times of my life.” The band announced Tylor would be its new drummer on March 18, 1997. His first appearance with the Foo Fighters was in the music video for the 1997 single "Monkey Wrench", although the song was recorded before he joined the band.   Foo Fighter's second album, “The Colour and the Shape” was released on May 20th, 1997 through Capitol and Roswell Records with the legendary singles, “Monkey Wrench”, “Everlong” and “My Hero” blasting through the airwaves. The album charted at number ten on the Billboard 200 and was nominated for a Grammy in 1998 for best rock album. It has sold more than 2 million copies.   The band then traveled to Dave's home state of Virginia in 1998 to record their third album, “There Is Nothing Left To Lose”. Dave and Pat Smear's replacement, Franz Stahl, just couldn't see eye to eye as songwriters. Dave said "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Franz was Dave's childhood friend and the decision to fire him from the band was a hard one.    Then, shortly after Franz's termination, bassist Nate Mendel called Dave and said he was quitting to rejoin Sunny Day Real Estate, but the next day changed his mind and decided not to leave.    Dave, Taylor and Nate spent the next several months recording their third album at Dave's home studio. “There Is Nothing Left To Lose” spawned mega hits like “Learn To Fly”, “Stacked Actors”, “Generator” and “Break Out”.    “Learn To Fly” was the band's first single to chart on the US Billboard Hot 100.   Right before the album was released, the president of Capitol Records (Foo Fighters record label), Gary Gersh was forced out and with the help of a “key man clause” in their contract, they were allowed to leave Capitol upon Gersh's release. They left Capitol to sign with RCA who then bought the rights to their previous albums from Capitol.   Upon completing the recording of their third album, the band started auditioning guitarists. Foo Fighters selected No Use For A Name and, what I didn't know, Me First and The Gimmie Gimmies guitarist, Chris Shiflett. He was only supposed to come into the fold as the band's touring guitarist, but was hired on full time before they recorded “One By One”, their fourth studio album.   Right around 2001, Dave and Taylor, being diehard fans of the band Queen, established a relationship with the future Icons and Outlaws episode subjects. Dave and Taylor had the distinct pleasure of inducting them into the Rock and Roll Hall of Fame that same year and joined them to perform the 1976 classic, Tie Your Mother Down, with Taylor playing drums alongside Roger Taylor. Queen's legendary guitarist Brian May even added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar", which was on the soundtrack to Mission: Impossible 2. In 2002, guitarist Brian May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining gig at Hyde Park in London, England.   At the end of 2001, the boys got together to record their fourth studio record, “One By One. They spent four months in a LA studio and something was off. The spark just wasn't there and the band were having issues, internally. So, Dave stepped away for a while and worked with Queens of the Stone Age, helping them complete their 2002 record, “Songs for the Deaf”. Touring commenced for Foo Fighters and Queens of the Stone Age, but the internal struggles were still there and just as they were about to call it quits, they hit the stage at Coachella. Dave and Taylor wanted to complete the album and the next day, they rocked the festival and agreed to do so.   Almost every part of the album was scrapped and re-recorded at Dave's studio in Virginia, in only ten days. Seven songs from the original recording of One By One eventually leaked, but the full album has never been released. That record has often been referred to as “Million Dollar Demos”.   The band finally released its fourth album, One by One, in 2002. This record had hit singles like “All My Life”, “Have It All”, “Low” and “Times Like These”. This was Chris Shiflett's first recorded appearance as part of the band and where Taylor played all of the drums. “One By One” topped the charts globally and sold a million units in the U.S., bringing home a Grammy for Best Rock Album in 2004.   Supporting One By One by touring for a year and half, Dave wasn't in a hurry to record another Foo Fighters album. He was more interested in doing an acoustic, solo record but it turned into a full band ordeal. They built a new studio in Northridge, Los Angeles, called Studio 606 West and began recording their 5th album, In Your Honor, a two disc set with full blown rock songs on one and the other with acoustic tracks. It was released in 2005 and had the hits, “DOA”, “Resolve” and one of my all time favorites, “Best of You”. The album also had guest performances by Led Zeppelin's John Paul Jones, Queen of the Stone Age's Josh Homme and Norah Jones. It also featured their new keyboardist, Rami Jaffee of the Wallflowers, who wouldn't become a full-time member until 2017.    “In Your Honor” was nominated for five Grammy Awards, hit the number one spot in five countries and number two in the U.S., selling more than a million copies.   Foo Fighters released their first live CD, “Skin and Bones” in November of 2006, with 15 songs recorded at a 3 night performance at the Pantages Theater in Los Angeles. The album featured a violinist, Pat Smear joining in and a three song encore with Dave playing “Best of You”, “Everlong”, and “Friend of a Friend”. The record debuted at number 21 on the Billboard 200, sold 49,000 copies in its first week and over 357,000 total.    Foo Fighters released its sixth album, Echoes, Silence, Patience & Grace, in 2007 and recruited producer Gil Norton, who worked on the band's “The Colour and the Shape”. This was primarily because Dave felt the songs were different from the band's previous input and "had the potential to be something great". So, he considered that instead of doing something like the last three albums, the band had to go out of "our own comfort zone" and "needed someone to push us out of there".   Preparing to record this album was extensive: first Dave started off developing demos with Taylor, but for the first time he tried to input vocals and lyrics early in the writing phase. After finalizing the song's composition with guitarist Chris and bassist Nate, Dave spent two weeks with Gil Norton discussing "arrangements, harmony and melody" and condensing the song ideas. They then spent four weeks rehearsing, and playing "a song a day, from noon to midnight". Taylor stated that "we basically played each of these songs 100 different times, trying every little thing every different way" and that it was the first time since The Colour and the Shape ``that Dave had to deal with someone in the room questioning all his ideas". Dave claimed the choices were for the "most powerful, dramatic songs" and that there was an effort to "make everything sound as natural as possible – just like on the albums we grew up listening to".    On this album's sound, Taylor Hawkins said: "We haven't been ready to write a record like this until now. I know that Dave wouldn't have been comfortable putting violins on a song before. But for whatever reasons, it just felt like the right time to explore those things now. The last record, obviously, was half heavy stuff, half acoustic songs. So it really was like two sides of the coin. It sounds obvious, but this time around we weren't afraid of incorporating everything into one song if it felt right." The first single, “The Pretender”, topped Billboard's modern rock chart for 19 weeks. Other singles from this album were “Long Road to Ruin”, “Let It Die” and “Cheer Up Boys”. It was nominated for five Grammys, winning Best Rock Album and Best Hard Rock Performance and won the Brit Award, (Britain's version of the American Recording Academy) for Best International Album.   Foo Fighters hit the road again in 2007 on a world tour and at the European MTV Music Awards, Pat Smear was confirmed as a returned member of the band.   June 7th, 2008 saw Foo Fighters headline the world renowned Wembley Stadium in London, England. Jimmy Page and John Paul Jones from Led Zeppelin joined them on stage and after rocking out the songs “Rock and Roll” and “Ramble On”, Dave excitedly shouted “Welcome to the greatest fucking day of my whole entire life!”   The attendance at this amazing sold out concert was 85,000.  In August 2010, the band began recording their seventh studio album with the return of producer Butch Vig. The album was recorded in Dave's garage using only analog equipment. The album won five Grammys and was nominated for six.    Planning the seventh album, Dave realized he was bored of the band's typical recording process. Even though the group own 606 Studios, he is still a punk rocker at heart, and found himself yearning for a grittier, wholly analogue approach to recording. One night in his hotel room in Melbourne, while on tour with Them Crooked Vultures (his side project with Josh Homme and John Paul Jones), he hatched a plan to return to recording basics for what was to become Wasting Light. Dave told Sound on Sound.com, "I thought, rather than just record the album in the most expensive studio with the most state‑of‑the‑art equipment, what if Butch and I were to get back together after 20 years and dust off the tape machines and put them in my garage? We've recorded an album somewhere where no‑one has ever recorded before. We've not gone to the studio where Zeppelin made In Through The Out Door, we've gone into my garage. The only person that's recorded in my garage before is me for shitty demos that I've done for the last two records.”   The first single from Wasting Light, "Rope", was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album were "Walk", "Arlandria", "These Days", and "Bridge Burning". Alongside Wasting Light's release, the band released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later.   The first batch of ‘Wasting Light' CDs include pieces of the album's analog tape master Look inside your CD copy of the band's Wasting Light album. If you were one of the first fans to pick one up, chances are it includes a piece of the original analog tape the album was recorded on. After announcing a break after touring in support of Wasting Light, Dave said in 2013 that they were starting to write new material for their 8th studio album, “Sonic Highways”, bringing back Butch Vig. They announced their return to the stage by posting a video of Erik Estrada, one of the main actors from the 70's motorcycle cop show, CHIPS, riding a motorcycle and delivering each member of the band an invitation to play in Mexico.    They announced that their eighth album would be released in November of 2014 and they would commemorate it and their 20th anniversary with an HBO TV series called “Sonic Highways”, directed by Dave, himself.    Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. Each track features contributions from one or more musicians with ties to that city's musical history.   The album debuted at number two on the Billboard 200, with sales of 190,000 copies in the United States. It has sold over 617,500 copies in the US and had amazing songs like “Something From Nothing”, “The Feast and the Famine”, and “Congregation” featuring country artist, Zac Brown Foo Fighters were the last musical performance on Late Show with David Letterman on May 20th, 2015, as he retired from his 33 year career as a late night show host.   On June 12th, 2015, Dave had the misfortune of falling off the stage in Gothenburg, Sweden and breaking his leg during the second song. The band kept playing while Dave was fixed up by the medical staff and then RETURNED TO THE STAGE to finish the last two hours of their set while sitting in a chair and a medic taking care of his leg. He was flown to London, England after the show and received six metal pins to stabilize the fracture in his leg.   There was speculation that Foo Fighters would drop out of their 20th anniversary, fourth of July bash, after canceling their remaining European dates following Dave's accident. Instead, The band performed for 48,000 people with Dave in a custom-built moving throne which he claimed to have designed himself while on painkillers. They renamed the following tour the “Broken Leg Tour”.   November 25th, 2015 Foo Fighters released a surprise EP named “Saint Cecilia”, available for digital download, and Dave announced an indefinite hiatus. This EP peaked at number 3 on Billboard's mainstream rock songs chart.   Krist Novoselic, who played with Grohl in Nirvana, described Saint Cecilia as Foo Fighters' "statement on how they are the biggest rock band in the world". Novoselic also said that "Saint Cecilia is more straight-ahead rock that is done really well", and went on to say that "I went to the Foo's last gig at the Moda Center in Portland and they rocked a packed house. I love the drummer Matt Sorum (Guns and Roses). However, he is so wrong in his statement about danger and the Foo's somehow lacking it. First off all, I know about danger in rock. I was the bassist in Flipper — and survived! Look at a band like Queen, who totally rocked. They were way more dandy than danger. Queen knows how to rock a stadium. So do the Foo Fighters and you'll hear big rock on Saint Cecilia". Rumors about Foo Fighters breaking up were everywhere so, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!"   Dave announced that the band would spend most of 2017 recording their ninth studio album, “Concrete and Gold”. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Menon backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain.   Concrete and Gold has sold over 262,000 units.   In October 2019, the band announced that they were recording their tenth studio album based on Dave's demos. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Dave  announced that the new album was complete but by May, it was delayed indefinitely because of a little unforeseen event called the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War".  On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks.] On February 25, 2022, the band released a comedy horror film, Studio 666, directed by BJ McDonnell. It stars the band members as themselves, alongside Will Forte, Whitney Cummings, Jeff Garlin, and Jenna Ortega. In the movie, the band attempts to record an album in a haunted mansion; Dave is possessed by a demonic spirit and the other members are killed off one by one.  It was filmed in the same mansion in which the band had recorded their most recent album, Medicine at Midnight. Studio 666 is currently available on Amazon Prime Video.    Dave has recently released an EP of songs from the film, Dream Widow, on March 25, 2022. On March 25, 2022, Foo Fighters drummer Taylor Hawkins died in his room at the Casa Medina hotel in Bogotá, Colombia. No cause of death was given. Taylor had suffered chest pain, and had ten substances in his system at the time of his death, including opioids, benzodiazepines, tricyclic antidepressants, and THC. Foo Fighters were scheduled to perform that night at the Estéreo Picnic Festival as part of their ongoing South American tour; the festival stage was turned into a candlelight vigil for Taylor. A few days later, the band canceled all remaining tour dates. According to Sony Music Japan, FOO FIGHTERS sold over 32,000,000 albums worldwide, including 9,065,000 in the United States and 5,260,000 in the United Kingdom. The best-selling album by FOO FIGHTERS is GREATEST HITS, which sold over 2,775,000 copies .

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (vamos de 23,05 a 01,00h) The B-52's han anunciado su gira de despedida. Será, en sus palabras, su «última gira en el planeta Tierra» y tendrá lugar exclusivamente en Estados Unidos.. Slanted & enchanted, el debut de Pavement acaba de cumplir 30 años. Y para celebrarlo Matador Records lo reeditará en vinilo el 12 de agosto. Además se publica una réplica de las cintas de casete que Pavement movieron en busca de discográfica. La banda británica de rock oscuro The Sisters Of Mercy, una de las más influyentes del rock gótico de la década de los ochenta, actúa esta semana en España con dos fechas de la que será la mejor gira de toda su historia y, tal vez, la última. Beach Rats, supergrupo hardcore dirigido por Brian Baker (Bad Religion). The Smashing Pumpkins han anunciado a través de su guitarrista Jeff Schroeder, que han completado de grabar su 12º álbum de estudio, que será “grande” y “épico”. Working Men's Club publica ‘Circumference‘, adelanto en el que los de Todmorden meten toda la zarpa en el sonido más puramente ‘Metal' y ‘M.E' del Gary Numan de «The Pleasure Principle».. Mogwai han estrenado esta semana un nuevo e inesperado single titulado Boltfor. Rueda de prensa del Warm Up con participación de Arde Bogotá y Hoonine. The Planet of The Youth EP es la continuación del trabajo más eufórico, visceral y visionario de The Vaccines hasta la fecha, un disco que vio a los cinco integrantes reafirmarse como una de las bandas de guitarra más vitales de Gran Bretaña. Concierto Solidario Granada con Ucrania .El concierto tendrá lugar el 28 de abril en el Palacio de Deportes de Granada (091). Ryuichi Sakamoto ha compartido una nueva canción en colaboración con Illia Bondarenko llamada “Piece for Illia”. Aparece en la nueva compilación "For Ukraine (Volume 2)". Comisariada por la compositora Hollie Kenniff, sale el 29 de abril y beneficia al Comité Internacional de Rescate para apoyar a los niños y familias desplazados por la guerra. Cartagena se solidariza con Ucrania con el concierto benéfico Give Ukraine a chance!. Hablamos con Fernando Rubio y Antonio Fidel MadridAntonio Fidel, que participan interpretando un repertorio Beatle. El festival más tántrico del circuito arranca esta semana: SOUND ISIDRO VIBRA MAHOU 2022 (Marcelo García MarínMarcelo Criminal). 18 artistas componen el cartel definitivo del Ventepijo. Una edición muy especial, que contará con un concierto homenaje a Mari Trini (Laura Uve, Mario W). Después de tres meses de silencio, en menos de una semana Rigoberta Bandini ha anunciado videoclip y ha publicado una versión alternativa de la canción. El videoclip verá la luz el 1 de mayo coincidiendo con el día de la madre, y la versión alternativa, ‘Ay Mamá (Génesis)', es en realidad la versión original de la canción que ha publicado hoy. “Llorando por toda la ciudad” es una nueva diana de pop pegadizo y ultra romántico de Masoniería, a sumar a sus anteriores singles. Tras Everything's Electric, el single producido por Greg Kurstin que incluye la colaboración de Dave Grohl, lo nuevo de Liam Gallagher lleva el nombre de Better Days y se puede escuchar en las principales plataformas digitales como 'el sonido del verano'. Entre sesiones de grabación con VENEZIOLA (ex-Increíbles Ful), conciertos de Pieles Sebastian, ensayos con Noise Box y la aparición de su último proyecto junto a Manuel Villalba (The Lawyers), Hanns, Cobarro saca un as de la manga y presenta Bien Bien. The Goon Sax publican edición digital expandida de Mirror II, su último disco, con cuatro canciones inéditas, entre ellas su interpretación noise del éxito de finales del siglo pasado de "steal my sunshine" de LEN. ¿Qué puede surgir de la unión entre los creadores de himnos como "Cualquier otra parte", "La tormenta de arena" o "Los amigos que perdí", y el productor más relevante de la actualidad en España? La respuesta es "Energía rara", un hit instantáneo con el que DORIAN y Alizzz, juntos y revueltos, se han propuesto poner patas arriba las pistas de baile. Bisagra grupo granadino de indie-rock/dream-pop, vuelve más engrasada que nunca tras cuatro años de espera después de su último disco con “Oniomanía”, cuarto y último adelanto de su nuevo EP ‘Sociedad Digital'.

First off, I'm sending condolences and all the love to Taylor's family, friends, and bandmates. This interview/hangout with Taylor Hawkins and Stryker took place in 2017 at Studio 606 in Northridge, CA. Taylor and Stryker talk about moving from Laguna Beach to the Valley, Taylor tells Stryker about moving to Venice Beach at 18 to be close to Janes Addiction and the music scene.  The guys chat about Taylor's love of Mountain Biking. Taylor tells Stryker about his first paid gig!  From Sass Jordan to in 1994 to Alanis! Taylor and Stryker discuss luck and Taylor telling Stryker about being at the right place at the right time.  Taylor tells Stryker about wanting to start bands in high school that sounded like Janes Addiction.  He and Stryker talk about the band Sylvia. Taylor also believes that there is another Kurt Cobain or Jimi Hendrix out there! He also believes Kendrick Lamar is a superstar!! Stryker mentions that it's Taylors 25th anniversary in the Foo Fighters (2017) Taylor Hawkins discusses the pressures...or lack there of early on in the band and how Dave Grohl believes in the notion of a band. Taylor says the Foo Fighters were picked more based on personality than musical chops and how Taylor has learned from Dave while in the band. When it comes to the song "The Sky is a Neighborhood", Taylor says that it's their "Black Hole Sun".  The guys talk about the making of Concrete and Gold and working with Greg Kurstin.  Stryker mentions his love of the song "Range Rover Bitch" and Taylor tells a story about Liam Gallagher coming up to him at Glastonbury Festival and telling Taylor how much he loves the song! I'm beyond grateful to have met Taylor professionally.  Taylor Hawkins created memories for millions of people that we will never forget. 

New Zealand indie-pop superstar BENEE recently released her latest EP, Lychee. It's the follow-up to her 2020 debut album Hey u x, which exploded around the world on the back of the hit single 'Supalonely'. BENEE, though, had to watch all that unfold from Auckland due to COVID restrictions. That finally changed late in 2021 when she travelled to the US to work with songwriters and producers like Greg Kurstin and Rostam. Alongside collaborations with her longtime producer Josh Fountain, her work with Greg and Rostam features on her new EP, which we talk about in this interview. We also talk about BENEE's upbringing and path into music, her earliest musical experiences, meeting Elton John, and much more.

Today on the Rarified Heir Podcast, we are talking to Jordan Summer, whose father Yale Summers was an actor who was both beloved by actors in front of the camera and perhaps more so behind the camera. You see, while many fans might remember Yale from his years on the television sixties series Daktari as Jack Dane, it was his time working for the Screen Actors Guild that realty endeared him to his fellow actors. A co-founder and producer of the SAG Awards which is a mainstay during awards season it was Yale's work as a union man that is his lasting legacy. He was a passionate advocate for actors and the acting profession as he was both secretary and treasurer for SAG and also trustee of the SAG Pension and Health Fund. This episode with Jordan was the first episode we ever recorded on Zoom as Covid hit pretty hard as we all remember and this was a fun episode to record.  You see,  Jordan and host Josh Mills attended high school together in the 80s. No, not Oakwood but University High School. We get to hear about an amazing Uni High music class Jordan attended that featured  a future Grammy winner, Warren Zevon's son – also named Jordan – and future members of The Wallflowers, Buckcherry and Fishbone. We bounce back and forth between Yale and Jordan talking about Yale's eclectic acting career in shows such as The Outer Limits, My Three Sons & Emergency! as well as summer vacations spent with Michelle Lee & then-husband James Farentino and some of the amazing phone messages Yale would receive from celebrities that were commonplace. And with that's, it's time for the Rarified Heir Podcast encore episode with Jordan Summers. Everyone has a story.

Non mi interessa sapere dove sei La clip in sottofondo è la versione strumentale di “Hello” suonata da Srod Almenara all rights reserved. Il brano originale è scritto da Adele e Greg Kurstin (album “25”-etichetta XL Recordings-2015 all rights reserved)

Producer, songwriter and multi-instrumentalist Greg Kurstin has worked with a staggering list of top artists including Adele, Pink, Paul McCartney, The Foo Fighters, Sia, Beck and many more. For this episode Geoff Stanfield chatted with Greg specifically about his recent work producing Greta Van Fleet's latest release, *The Battle at Garden's Gate*. Enjoy! Sponsored by Retro Instruments http://retroinstruments.com

Hi people Chilli here bringing you the newest episode of 2022. On this episode I take a look at the Hanukkah Sessions by Kurstin and Grohl. These are a series of recordings made by the pair and guests during lockdown. How do the records stand out, are they worth a spin, are they spicy. Stay tuned to find out. Subscribe and share to stay up to date. Kurstin x Grohl Hanukkah Sessions 2020 - https://open.spotify.com/album/7qjt3fuyQUvG0eJdNZ6GG2?si=uGAm_sb6Sy2Qwk6aSMwSjA Hanukkah Sessions 2021 - https://open.spotify.com/album/42qYee7XeNqNi9PfgGLHzU?si=4hKk5N6OT4i5-24O5oU23g Live Listen Erased Instagram https://www.instagram.com/livelistenerased/ Live Listen Erased Twitter https://twitter.com/Livelisteneras1 Live Listen Erased Facebook - https://www.facebook.com/groups/380146857215506/ #kurstinxgrohl #davegrohl #hanukkahsessions #livelistenerased #5minutereview #musicreview #podcast

New Max reedita Phalasolo em streaming 13 anos depois do lançamento original; novo documentário sobre Janet Jackson em estreia no final do mês; Dave Grohl e Greg Kurstin lançam versões das Hanukkah Sessions no streaming

Ciclo com filmes de Paul Thomas Anderson até 19 de janeiro no Nimas; documentário sobre Janet Jackson chega no final do mês; Hanukkah Sessions de Dave Grohl e Greg Kurstin disponíveis em streaming

In this segment, Jack and Mike discuss the Amazon Web Services outage of December 7. According to the functioning internet, 70% of adult entertainment websites are powered by AWS! What a time to be alive. Elsewhere, Jack and Mike talk about Dave Grohl and Greg Kurstin's Hanukkah Sessions. Jack features audio their first release, a cover of “Stay” by Lisa Loeb. Nothing beats Dave Grohl in a dress! --- Support this podcast: https://anchor.fm/hardlyfocused/support

Continuing where we left off last episode, Angie (@poetrysoul3) and I are back to discuss our thoughts on Adele's “30” era. We discuss our favorite moments from the Zayn Lowe interview and decide who are “the ten” that Adele considers to be part of “the last of a dying breed”. And you know it wouldn't be a classic Diva Dailies episode without some tea! So I share some of the gossip/controversy surrounding the era like the real story behind Adele's infamous Australian interview and the ruckus that Mel B caused during Adele's “An Audience With” across the pond. (I still love you, Mel B. ❤️) And because this is a Diva Discography episode, “Where My Background Singers” makes a triumphant comeback as I put Angie to the test and quiz her on some Adele “30” lyrics.#DivorceBabesDivorceAlbum Info: 30 is the fourth studio album by English singer-songwriter Adele, released on 19 November 2021 by Melted Stone and Columbia Records. It comprises pop, jazz and soul ballads addressing Adele's divorce, motherhood, and the scrutiny of fame, with themes of heartache, acceptance, and hope. Adele wrote 30 between 2018 and 2021 with producers including Greg Kurstin, Tobias Jesso Jr., Max Martin and Shellback, all of whom worked on her previous record, 25 (2015); new collaborators include Ludwig Göransson, and Inflo of the English band Sault. American jazz pianist Erroll Garner is posthumously credited as a featured artist on "All Night Parking", marking the first guest performance on a standard album by Adele.*Email us for show notes: divadailiespod@gmail.com*Twitter & Instagram: @divadailiespod*YouTube: https://www.youtube.com/channel/UCrPFguLd1TBSD5AgJNCX2ig/featuredTIME STAMPS:- Housekeeping & Listener Review! (00:44- Pop Corn & Pop Stars (04:54)- Spill the Technicolor Tea (05:23) - Where My Background Singers? (36:47)- Show Me the Receipts (46:01)- Closing Thoughts/Impact (48:36)

The Warm-Up Jack Gill and Mike Tarara present this installment of Hardly Focused! Mike kicks off this episode by discussing his early Christmas gifts for himself, while Jack realizes that being an adult means purchasing a new vacuum cleaner is an exciting prospect. On that note, Jack warns Mike of Kirby-brand vacuum cleaners, and how they are an overpriced scam. The New England Patriots Can't Be Stopped! Holy crap, Jack and Mike talk sports for almost 40 minutes! Seasoned followers of this podcast know, this never happens. Discussed in this segment is the New England Patriots' 14-10 victory over the Buffalo Bills on December 6. Jack features audio from the Bills' contentious post-game conference, and questions if Patriots quarterback Mac Jones should be encased in carbonite. Amazon Web Services Outage Brings Down the Internet In this segment, Jack and Mike discuss the Amazon Web Services outage of December 7. According to the functioning internet, 70% of adult entertainment websites are powered by AWS! What a time to be alive. Elsewhere, Jack and Mike talk about Dave Grohl and Greg Kurstin's Hanukkah Sessions. Jack features audio their first release, a cover of “Stay” by Lisa Loeb. Nothing beats Dave Grohl in a dress! The Wrap-Up Concluding this jam-packed episode of Hardly Focused, Jack and Mike talk about the 2022 Grammy Awards. Notably, Drake has withdrawn himself from the running, while Olivia Rodrigo's collaborators are removed from her nomination due to a submission error. As with the Rock and Roll Hall of Fame, the Grammy Awards are nothing more rigged garbage at this point. --- Support this podcast: https://anchor.fm/hardlyfocused/support

The Migs Report. Today is National Pearl Harbor Remembrance Day and Cotton Candy Day. A man walked out of his house with a Flamethrower when someone parked outside his house.  See omnystudio.com/listener for privacy information.

Dave Grohl and Greg Kurstin conclude this year's Hanukkah sessions with a KISS cover, and  Joshua Bassett releases three songs that are probably about Olivia Rodrigo! See omnystudio.com/listener for privacy information.

Welcome to the Merry Month of Debts-cember!Part 1 - 8 Lazy Nights II: Electric Boogaloo - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with our shortest episode of the year! 8 songs (one for each night of Chanukah) plus a  bonus track to symbolize the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

CHOM Music Director Pierre Landry has the latest from Dave Grohl and Greg Kurstin. Plus, new music from Mammoth WVH.

In honor of Adele's newest album, 30, Angie (@poetrysoul3) and I review and discuss EVERY. SINGLE. TRACK. We then end our conversation sharing our Top 3 favorite songs from the album and the underrated gem. This is just part 1 of the conversation! Tune in next week for part 2 when we cover the other Diva Dailies segments like Spill the Technicolor Tea, Show Me the Receipts, and more!Angelo, leak the 15 minute version of “I Drink Wine”. Please and thank you.#DivorceBabesDivorceAlbum Info: 30 is the fourth studio album by English singer-songwriter Adele, released on 19 November 2021 by Melted Stone and Columbia Records. It comprises pop, jazz and soul ballads addressing Adele's divorce, motherhood, and the scrutiny of fame, with themes of heartache, acceptance, and hope. Adele wrote 30 between 2018 and 2021 with producers including Greg Kurstin, Tobias Jesso Jr., Max Martin and Shellback, all of whom worked on her previous record, 25 (2015); new collaborators include Ludwig Göransson, and Inflo of the English band Sault. American jazz pianist Erroll Garner is posthumously credited as a featured artist on "All Night Parking", marking the first guest performance on a standard album by Adele.*Email us for show notes: divadailiespod@gmail.com*Twitter & Instagram: @divadailiespodTIME STAMPS:- Random 30 Convos - Angie's 30 Vinyl, Spotify, etc. (03:32)- Oscar & Razzie Moment of the Week (08:42) - Opening Discussions: Our Listening Experience & First Impressions (12:48)- Strangers by Nature (22:00)- Easy On Me (27:20)- My Little Love (32:54)- Cry Your Heart Out (42:29)- Oh My God (45:30)- Can I Get It (48:37)- I Drink Wine (52:01) - All Night Parking w/ Erroll Garner Interlude (56:41)- Woman Like Me (60:20)- Hold On (63:23)- To Be Loved (71:02)- Love is a Game (76:18)- Top 3 & Underrated Gem (81:21)

Vinnie's doctor friend texts in to give some advice, Carlos Santana cancels upcoming Las Vegas concerts following a successful heart surgery, and Dave Grohl and Greg Kurstin break out a keytar for a Van Halen cover of ‘Jump'! See omnystudio.com/listener for privacy information.

Halsey is an award-winning singer and songwriter from New Jersey. She's been nominated for two Grammys, and sold over a million records. In August, she released her fourth album, If I Can't Have Love, I Want Power, which was produced by the Grammy and Oscar winning duo of Trent Reznor and Atticus Ross from Nine Inch Nails. Halsey wrote one of the songs on the album, "You Asked for This," with Greg Kurstin, who's won 8 Grammys himself, including Producer of the Year. In this episode, Halsey tells the story of making this song while pregnant with her son, and how that shaped the lyrics and the music. For more, visit songexploder.net/halsey.

和我们一起观察一个单亲妈妈的诞生。“30”有关离婚，有关自我怀疑，有关内心冲突，作为Adele“最忠实”的路人听众，我们在Adele的表达欲与流行制作的撕扯中，感受这位现象级歌手自己都难以掌控的张力。 「试播集 观察员」 Franky 小牛 「试播集 观察对象」 Adele -30 「试播集 剧透」 00:00:40 什么是「即时经典」 00:05:15 Adele的新歌听起来像雷克萨斯的广告 00:11:35 打脸实录: 最喜欢的一首初听评价为“无聊到听不下去” 00:13:10 人总想把控自己控制不了的事，轻视拥有的一切 00:15:07 Adele在自我的撕扯中与自己和解，接受混乱不堪的自己 00:20:28 “微博乐评家决定迅速为30平反”事件 00:23:03 当世界所有人都对你给予难以承受的期待感 00:27:25 Adele江郎才尽了吗？ 00:30:00 在中餐馆和男友大吵一顿后，Adele写了首好歌 00:35:35 Introduce 「即时经典指数」 「试播集 音乐Credits」 Adele -I'll Be Waiting (Written by Adele Adkins and Paul Epworth, 2011) Adele -Easy On Me (Written by Adele Adkins and Greg Kurstin, 2021) Adele -My Little Love (Written by Adele Adkins and Greg Kurstin, 2021) Adele -Oh My God (Written by Adele Adkins and Greg Kurstin, 2021) Adele -I Drink Wine (Written by Adele Adkins and Greg Kurstin, 2021) Adele -Strangers By Nature (Written by Adele Adkins and Ludwig Göransson, 2021) Adele -Turning Tables (Live at the Royal Albert Hall) (Written by Adele Adkins and Ryan Tedder, 2011) Adele -Chasing Pavements (Live at the Royal Albert Hall) (Written by Adele Adkins and Eg White, 2008) * 在每一期「即时经典 Instant Classic」里，主创Franky和小牛都会对当下热门的流行文化作品进行观察和讨论，一切的评判都建立在主观情感与经验上，我们会尝试寻找流行文化是怎么塑造我们对世界的理解框架的。 /想要和我们聊聊？ 在微博上找到我们：@即时经典InstantClassic 给我们发邮件：instantclassic@163.com

Songwriting:  In this episode Joe analyzes the song "Easy On Me" by Adele Adkins and Greg Kurstin.  In this episode, through analysis, we see  techniques that will elevate any composition, in any genre of music, to a higher level. For example: forecasting future events, dovetailing sections, overlapping elements, fusing the old with the new etc... This is a textbook lesson for any songwriter or composer in any style or genre of music.

Polymath Producer is based on Music Production and song creation analysis of hit pop songs and tracks. I will be analysing the great tracks and producers of all time to figure out why the best producers in the world do what they do and think how they think. In Polymath Producer we teach you how to 'read songs like a book' so that you can get out of being stuck with surface level youtube learning and instead learn how to 'think' like the masters do. Your idols. When you learn to think like the masters the world class solutions to all your music production problems happen effortlessly and intuitively. In this session we analyse Cheap Thrills by Sia produced by Greg Kurstin

Polymath Producer is based on Music Production and song creation analysis of hit pop songs and tracks. I will be analysing the great tracks and producers of all time to figure out why the best producers in the world do what they do and think how they think. In Polymath Producer we teach you how to 'read songs like a book' so that you can get out of being stuck with surface level youtube learning and instead learn how to 'think' like the masters do. Your idols. When you learn to think like the masters the world class solutions to all your music production problems happen effortlessly and intuitively. In this session we analyse Chandiler by Sia produced by Greg Kurstin

Podcast explica impacto de ações contra Pharrell, Katy Perry e Led Zeppelin e acordo entre Olivia Rodrigo e Paramore. Veja como essas disputas apontam prós e contras para Toninho Geraes, autor de 'Mulheres', hit de Martinho da Vila, na disputa contra Adele e Greg Kurstin, autores de 'Million years ago'.

Alessia Cara uses pop music as a diary. Over the last five years, she has matured alongside her audience, first capturing the highs and lows of adolescence with camera-like clarity, and then documenting her first, tentative steps into adulthood on deeply resonant songs like “Trust My Lonely” and “Out Of Love.” Now, she looks inward—again—on album number three. In the Meantime reflects on a period of intense self-doubt and traces the Grammy winner's slow journey back to happiness. “There's a sense of duality to this entire project, that's the common thread,” Cara reveals. “It's introspection and despair, followed by the first inkling of hope.” The 24-year-old teases both ends of that spectrum on the album's first two singles. “Shape Shifter,” a feisty, mid-tempo bop, represents the dark, while the instantly catchy “Sweet Dream” symbolizes the light. The former was recorded in producer Salaam Remi's home studio—a holy place of sorts for Cara. “I was super nervous because that was where Amy Winehouse wrote all her music,” she says, still in awe. “I remember thinking, ‘Amy if you're out there, please don't let me look dumb!” A sweeping kiss-off that oozes attitude and swagger, “Shape Shifter” has all the elements of a summer smash. “I felt a little mistreated by somebody and a little wronged,” Cara admits. “I was in a period of my life where I was just mad at the world.” She channeled those feelings into a fictional narrative about a cheating husband. “The song would be the wife's response,” she explains. “It ended up just coming out of me. I don't know if it was the universe or maybe Amy really had my back.” “Sweet Dream” is similarly multi-layered. The song explores pandemic-induced anxiety and insomnia, not that you would know it from frequent collaborator Jon Levine's bright, breezy production. “I like writing darker lyrics over the top of a lighter instrumental. I've always enjoyed that juxtaposition,” Cara says. The result is one of 2021's most deceptively hard-hitting earworms and another reminder that nobody does relatable pop quite like the “Here” hitmaker. Speaking of that ubiquitous loner anthem, Cara's early success informs her new music—at least indirectly. “I think being thrust into the music world at 18, I never really had the chance to process my emotions,” she says. “Now that I've had a year of stillness [due to the Covid-19 pandemic], I realize how special and insane that time in my life was.” That's putting it mildly. Cara exploded onto the music scene in 2015 when “Here” became the unofficial theme song for millennials. It went nuclear on streaming services and then crossed over to pop radio, eventually peaking at No. 5 on the Billboard Hot 100 and selling three million copies. Her platinum-selling debut album, Know-It-All, delivered another smash hit with “Scars to Your Beautiful” and she memorably contributed “How Far I'll Go” to the Moana soundtrack. Cara then added further platinum plaques to her collection with “Stay,” a dizzying club collaboration with Zedd, and an unforgettable feature on Logic's “1-800-273-8255.” The Brampton, Ontario native resurfaced in 2018 with The Pains Of Growing, which won a Juno Award for Best Album and cemented Cara as one of the foremost singer/songwriters of her generation. It seems like the magnitude of those achievements is only just sinking in. “The fact that I'm three albums in is crazy,” she muses. “It has been such a wild experience. I don't know if I'll ever fully grasp it.” The experimental, deeply personal approach of “Shape Shifter” and “Sweet Dream” is reflective of the rest of In the Meantime, too. Take “Better Days,” a soaring ballad that details Cara's rock bottom. “I had a little get together on New Year's Eve 2020,” she remembers. “I felt this profound, deep sadness and sense of hopelessness. I went to my bathroom and started crying. I felt like there were no good days ahead.” Ultimately, it was a turning point. “It's when I really started working on myself and was able to get out of that gloomy space.” A lyric from the song inspired the album's title. “So it goes, you live and then you die,” Cara belts on the heartstrings-tugging anthem. “The hardest pill to swallow is the meantime.” But if “Better Days” is a glimpse of the multi-platinum artist at her lowest, “Apartment Song” represents the flip side. Produced by Joel Little, the album closer is about practicing gratitude. “I was finding living alone a little bit challenging,” she says. “Then, one day, I just looked around my place. I just had this moment of sheer happiness, finding joy in being and living alone.” In addition to Joel Little, Saalam Remi, and Jon Levine, other producers that helped craft the dense, multi-layered soundscape of In the Meantime include Greg Kurstin and J Kash along with Canadian heavyweights Mike Wise, Billboard, Doc McKinney, Banx & Ranx, and Boi-1da. In many ways, the album is a snapshot of an artist finally processing the seismic shift of becoming a household name in a remarkably short period of time. Working with this vast cast of collaborators, Cara was able to dig deep, like she always has. But this time, she's doing so with a goal that sounds simultaneously modest and herculean: “I want to make music that outlives me—that's universal enough to hit a chord with people and endure.” 

On this week's show, we...  spend quality time with the full-length debut from Akron-based honky-tonkers The Shootouts check out cool new covers from Los Lobos, Jason Isbell & Violet & Dave Grohl get caught up on a whole mess of new roots music from The Flatlanders, Anderson East & The Deep Dark Woods  Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Singer Inara George and producer Greg Kurstin are The Bird and the Bee, whose stylish, semi-electronic pop draws influences including a few that came to be lumped--inaccurately, I'd argue--under the "lounge" umbrella. The results are far snappier than that implies, but Kurstin has access to a battalion of retro keyboard sounds at his disposal that, paired with George's cool voice, make every song sound hip and well-dressed. Last fall, they released Put Up the Lights, their first Christmas album but not their first recording of Christmas music. Roofers banged around above her while George talked about the theory behind their Christmas music and how they made the album during the pandemic. We also talked about how the album related to their "Interpreting the Masters" series, for which they recorded albums of covers of Hall and Oates and Van Halen. We also talked about how she as a woman related to songs written by David Lee Roth.  This week, I also talk about a Spotify playlist--repository, really--of Japanese Christmas songs that I recently found, and I feature two songs that particularly caught my attention: a cover of "Last Christmas" by Cano Caioli and "Koibito ga Santa Claus" by Seiko Matsuda.

This is Unsung a Crack Magazine podcast with Sonos Radio where the world's greatest artists reveal their heroes who never caught the spotlight. Today, we are in conversation with a bonafide pop music legend. Dr. Susan Rogers is one of the world's greatest sound engineers and record producers – and one of the tiny number of women in the profession. If you've ever had a dancefloor moment to 'When Doves Cry' or 'Raspberry Beret' by Prince, you can thank Susan. The technical force behind albums like Purple Rain, Sign o' the Times and Around the World in a Day, she was with Prince through the sleepless nights and notorious 24-hour recording sessions of his commercial peak, from 1983 to 1987. In 1988, she left to produce other artists, resulting in some of the biggest hits of the 90s. She then took her earnings and went back to school, finally graduating from high school aged 44 and then obtaining a PhD in music and psychology. Susan's Unsung choice is a band she produced, who she felt never reached the heights they deserved: Geggy Tah. A jazz, folk, alt and experimental indie duo comprised of Tommy Jordon and Greg Kurstin, together they released three albums over seven years on David Byrne's label Luaka Bop – the first two produced by Susan. Head to CrackMagazine.net for more."Whoever You Are" by Geggy Tah"Ovary Z's" by Geggy Tah"Don't Close The Door" by Geggy Tah"L.A. Lujah" by Geggy Tah"Last Word (The One For Her)" by Geggy Tah"Dumb Submarine" by Geggy Tah Hosted on Acast. See acast.com/privacy for more information.

Nate Mendel de Foo Fighters estuvo en el programa hablando de 'Medicine At Midnight', el décimo álbum de la banda y con el que celebran 25 años de carrera musical. El bajista contó la historia detrás de la grabación de este nuevo álbum junto al productor Greg Kurstin y la búsqueda de un sonido más amable para alcanzar nuevas audiencias sin aislar ni dejar por fuera a los fans que los han acompañado durante este cuarto de siglo.  Presentado por Mercado Libre.

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es, 00,00h) Se han dado a conocer los nominados al Rock And Roll Hall Of Fame 2021 (Carole King). Los escoceses Deacon Blue acaban de sacar un nuevo disco, Riding On The Tide Of Love, grabado durante el confinamiento. Paul Stanley (Kiss) versiona “Could it be I’m falling in love” de The Spinners. The Prodigy tendrán un nuevo documental. Tal y como ha confirmado el propio grupo en su Instagram oficial, este nuevo filme repasará su historia, abordando desde sus orígenes y llegando hasta el legado que generaron en el circuito electrónico hacia finales de los años 90. Paul Dugdale, habitual colaborador de la banda, será el encargado de dirigir la producción. Greta Van Fleet anuncia la salida de su inuevo single, “Heat Above”. Es la tercera canción extraída de su próximo álbum de estudio, “The Battle at Garden’s Gate”, el segundo del grupo, producido por Greg Kurstin. Cherry Glazerr estrena explosivo nuevo tema "big bang". Another mMchael estrenan "row", nuevo tema entre el folk, el pop y el emo, de New music and big pop, su disco de debut. "Fuimos malos” es la canción con la que debutan N E N O, del que forman parte dos miembros de Vetusta Morla Álvaro B. Baglieto y Juanma Latorre, que se han unido por el puro placer de crear música. Brijean , el dúo de Oakland, estrenan "hey boy", percutido y tropical nuevo adelanto de Feelings, su próximo disco. The New Raemon, DAVID CORDERO y MARC CLOS siguen desarrollando su nuevo disco. Hoy estrenaban cuarto single, Una infancia'. En 2020 se cumplió el 10º aniversario de "Tierra, trágalos", pero por las circunstancias acaecidas no ha podido ser hasta un año después cuando se vaya a hacer realidad la reedición de uno de los discos más representativos de la carrera de Klaus&Kinski. Un merecido homenaje que para la ocasión llega con dos novedades con respecto a la versión original, y una de ellas es el 'bonus track' de la versión del "Lalala" de Ataque de Caspa. Nuevo video clip de THE YELLOW MELODIES para"The sunshine in your eyes", extraída de su nuevo EP'Sunshine Pop Ep2'. Dry Cleaning anuncian New long leg, su disco de debut, con "strong feelings", rítmico primer adelanto de guitarras post punk y spoken word. Morcheeba presenta ‘Sounds of blue’, su nuevo single acompañado de su correspondiente videoclip. Es el primer avance de su próximo álbum, “Blackest blue”, que se publicará en mayo. Spirit Of The Beehive, aquel imprevisible grupo que toma su nombre de una clásica película española («El Espíritu de la Colmena») vuelve a hacer de las suyas. De la mano de Saddle Creek, este fabuloso y siempre sorprendente grupo de noise acaba de anunciar «ENTERTAINMENT, DEATH», cuarta referencia discográfica que el ahora reconvertido trío integrado por Rivka Ravede, Zack Schwartz y Corey Wichlin editará el próximo 9 de abril. Carlos Sadness ha encontrado la manera de darle una vuelta de tuerca a Chocolate y Nata, uno de los tesoros escondidos en Tropical Jesus, su último trabajo. La artífice del reinvento viene de Sinaloa y es conocida como Bratty. Chris Baio, bajista de Vampire Weekend, publica Dead hand control, su nuevo disco con vocación de versátil crooner, grabado en el estudio de Damon Albarn. "El Momento”es el nuevo single de Boria y cierra la colección de 4 temas con los que José Gálvez ha presentado su proyecto, y forma una elipse con su primer single “El Tiempo”. Space SurimiSpace Surimi vuelven a la carga con otro antídoto contra el entumecimiento muscular y el mejor remedio posible ante los males que nos rodean. "South Vice", que así se llama su nuevo single extraído de su último LP "Starfish Troopers", es pura alegría de vivir y un hit instantáneo. Dos años después de su lanzamiento debut y en medio de una pandemia, Los Malinches han regresado con un segundo álbum, “Piel de Lince”, que publica el sello portugués Groovie Records,, para traer la salvación (o al menos la esperanza) envuelta en un caleidoscopio de sonidos latinos retro-futuristas, temperamentales y maravillosos. Era cuestión de tiempo que Jesús Cobarro, frontman de Noise Box, se decidiera por hacer música en solitario. “Domingo”, que se publica el 12 de febrero con Noise Box Records y Crema Music, es el primer single de Cobarro, su tarjeta de presentación sin miedos ni vicios, con una melodía fresca, brillante y actual. Turista Japonés es lo último de Chelsea Boots. En tiempos en los que viajar es un recuerdo, la banda pasea por el hall de un hotel cerrado y nos devuelve la mística de las cenas sin horario, los aeropuertos y el mar.

Foo Fighters voltou escalando o produtor Greg Kurstin mais uma vez e lançou o álbum mais groovado da banda até hoje! Desvendando Discos no Youtube: https://www.youtube.com/channel/UCj0QwT1yOXzZVL3wdKSsvGg Você curtiu esse álbum?? Bora trocar uma ideia no insta! Instagram: https://www.instagram.com/brunoschneider04/

The Levitants 'vuelven a casa por Navidad' y lo hacen con nueva canción, 'WWWY', un artefacto más luminoso que nos habla de cómo este año nos ha hecho madurar a todxs a la fuerza. Las guitarras suenan a The Strokes y la voz de Juan, que se estrena como cantante principal, nos recuerda precisamente a la de Julian Casablancas. Aparte, escuchamos a Dave Grohl junto a Greg Kurstin con sendas versiones de 'Connection' de Elástica y de 'Sabotage' de Beastie Boys y a Taylor Swift acompañada por Haim en una de las canciones de su segundo disco en un año. VETUSTA MORLA – Guerra Civil KARAVANA – ¡Hola! ¿Qué tal? GINEBRAS – Cosas Moradas (Inmir Remix) DAVE GROHL & GREG KURSTIN – Connection DAVE GROHL & GREG KURSTIN – Sabotage RAGE AGAINST THE MACHINE – Know Your Enemy RAYDEN ft.FREDI LEIS – Solo Los Amantes Sobreviven DORIAN ft PIMP FLACO – Dual LITTLE DRAGON & MOSES SUMNEY - The Other Lover THE LEVITANTS – WWWY JULIAN CASABLANCAS – Out Of The Blue THE STROKES - You Only Live Once GRACIE ABRAMS – Brush Fire TAYLOR SWIFT ft. HAIM – No Body, No Crime NIÑOS MUTANTES - Una Noche DJANGO DJANGO – Growing In The Dark (Hot Chip Remix) Escuchar audio

Josh and Sam Kiszka of Greta Van Fleet talk in-depth with Woody about the creation of their upcoming album The Battle at Garden's Gate (out April 16, 2021), the meaning behind the singles "My Way, Soon" and "Age of Machine", and their experience recording with 7-time Grammy-winning producer, Greg Kurstin.

Rick Wakeman, le frontman de Mott The Hoople, Ian Hunter, Adam Lambert, et Yungblud sont les derniers noms à s’ajouter à l’affiche de l’événement "A Bowie Celebration : Just For One Day !". Vous le savez, Dave Grohl s'associe avec le producteur Greg Kurstin pour célébrer la fête juive de Hanoucca à leur manière. C’est au tour de Led Zeppelin de se voir immortalisé dans cette collection de nouveaux flippers. --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

Rick Wakeman, le frontman de Mott The Hoople, Ian Hunter, Adam Lambert, et Yungblud sont les derniers noms à s’ajouter à l’affiche de l’événement "A Bowie Celebration : Just For One Day !". Vous le savez, Dave Grohl s'associe avec le producteur Greg Kurstin pour célébrer la fête juive de Hanoucca à leur manière. C’est au tour de Led Zeppelin de se voir immortalisé dans cette collection de nouveaux flippers. --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

The Bird and the Bee, the Los Angeles duo made up of vocalist Inara George and multi-instrumentalist Greg Kurstin, released their Holiday album, Put... The post StGA Podcast: Inara George of The Bird and the Bee first appeared on Surviving the Golden Age.

Les causes officielles du décès de Van Halen sont enfin connues. Dave Grohl des Foo Fighters et Greg Kurstin reprennent le classique du groupe Mountain : "Mississippi Queen". Le Boss et son E Street Band ont joué "Ghosts" et "I’ll See You In My Dreams", deux titres issus du nouvel album ''Letter To You'' lors du Saturday Night Live avec Jimmy Fallon, à voir sur Classic21.be . --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

So remember how we were going to save democracy with the pitch perfect plan we came up with in a single night? --- EINHORN'S EPIC PRODUCTIONS & iHEARTRADIO PRESENT: DAUGHTERS OF DC. Head to DaughtersOfDC.com to get exclusive DODC news, updates, and content before everybody else.This episode features the song "DELIVERANCE" by CHVRCHES. Written by: Iain Cook, Martin Doherty, Greg Kurstin, and Lauren Mayberry. Producer: Greg Kurstin. Mix Engineer: Spike Stent. Mastering Engineer: Chris Gehringer Recording Engineer: Greg Kurstin Recording Engineer: Julian Burg Recording Engineer: Alex Pasco Assistant Mixer: Michael Freeman. Published By: Universal Music Publishing Ltd, EMI April Music, Inc. (ASCAP), Kurstin Music, (C) 2018 CHVRCHES Under Exclusive License To Glassnote Entertainment Group LLC. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Eric Michael Krop is a singer/songwriter who recently made his TV debut on Fox's show I Can See Your Voice as "Broadway Belter", making it all the way to the end and singing a duet with recording artist Jessie McCartney. After graduating from AMDA in NYC, Eric made his Broadway debut in the revival of Godspell at Circle in the Square. After moving to Los Angeles, he quickly broke into the music scene doing back up vocals for James Corden in the movie "Peter Rabbit" and working with Grammy winning pop producer Greg Kurstin. Eric writes with renowned songwriters Derek Gregor and Selda Sahin, grammy nominated producer Nick Marsh. He has performed all over the world, and you can get his incredible new single "It Never Rains In LA" on ITunes, Spotify, and other music platforms. Follow @ericmkrop www.eric-michael-krop.com --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

Chris and Dante gloat about Election Night, and discuss Full Gear, recent New Japan, international football, and our dear friend Greg Kurstin.

Foo Fighters es una banda estadounidense de rock alternativo formada en la ciudad de Seattle en 1994 por Dave Grohl, exbaterista de Nirvana y Scream. El grupo debe su nombre a los ovnis y los diversos fenómenos aéreos que fueron reportados por los pilotos de los aviones aliados en la Segunda Guerra Mundial, que se conocen colectivamente como Foo Fighters. Antes del lanzamiento de su álbum debut en 1995, Grohl, como único miembro oficial, reclutó al bajista Nate Mendel y el baterista William Goldsmith, ambos anteriormente miembros de Sunny Day Real Estate, así como su compañero en las giras de Nirvana, Pat Smear como guitarrista para completar la alineación. La banda comenzó con actuaciones en Portland, Oregón. Goldsmith renunció durante la grabación del segundo álbum del grupo, "The Colour and the Shape" (1997), cuando la mayoría de las partes de batería fueron re-grabadas por el propio Grohl, hasta que luego se unió Taylor Hawkins como baterista. La partida de Smear siguió poco después. Fue reemplazado por Franz Stahl, respectivamente, aunque fue despedido antes de la grabación del tercer álbum del grupo, "There Is Nothing Left to Lose" (1999). La banda continuó brevemente como trío hasta que Chris Shiflett se unió como guitarrista principal de la banda después de la finalización de "There Is Nothing Left to Lose". La banda lanzó su cuarto álbum, "One by One", en 2002. El grupo siguió esa versión con la de dos discos "In Your Honor" (2005), que se divide entre canciones acústicas y material más pesado. Pat Smear volvió a la banda en ese mismo año. Foo Fighters han vendido más de 15 millones de discos en todo el mundo. Foo Fighters lanzó su sexto álbum, "Echoes, Silence, Patience & Grace" en 2007. En 2010, se confirmó que Smear se había unido oficialmente a la banda después de la gira con Foo Fighters como un miembro no oficial entre 2006 y 2009. En el transcurso de la carrera de la banda, cuatro de sus álbumes han ganado el Premio Grammy al mejor álbum de rock. El séptimo álbum de estudio de la banda, "Wasting Light", producido por Butch Vig (reconocido productor de Nirvana), fue lanzado en 2011 y su octavo álbum, "Sonic Highways", además de su segundo grabado con Butch Vig, se dio a conocer en noviembre de 2014. Su noveno álbum fue "Concrete and Gold", producido por Greg Kurstin y lanzado en todo el mundo el 15 de septiembre de 2017, a través de RCA Records. El álbum presenta una fusión de géneros musicales como Hard rock y Pop.

Foo Fighters es una banda estadounidense de rock alternativo formada en la ciudad de Seattle en 1994 por Dave Grohl, exbaterista de Nirvana y Scream. El grupo debe su nombre a los ovnis y los diversos fenómenos aéreos que fueron reportados por los pilotos de los aviones aliados en la Segunda Guerra Mundial, que se conocen colectivamente como Foo Fighters. Antes del lanzamiento de su álbum debut en 1995, Grohl, como único miembro oficial, reclutó al bajista Nate Mendel y el baterista William Goldsmith, ambos anteriormente miembros de Sunny Day Real Estate, así como su compañero en las giras de Nirvana, Pat Smear como guitarrista para completar la alineación. La banda comenzó con actuaciones en Portland, Oregón. Goldsmith renunció durante la grabación del segundo álbum del grupo, "The Colour and the Shape" (1997), cuando la mayoría de las partes de batería fueron re-grabadas por el propio Grohl, hasta que luego se unió Taylor Hawkins como baterista. La partida de Smear siguió poco después. Fue reemplazado por Franz Stahl, respectivamente, aunque fue despedido antes de la grabación del tercer álbum del grupo, "There Is Nothing Left to Lose" (1999). La banda continuó brevemente como trío hasta que Chris Shiflett se unió como guitarrista principal de la banda después de la finalización de "There Is Nothing Left to Lose". La banda lanzó su cuarto álbum, "One by One", en 2002. El grupo siguió esa versión con la de dos discos "In Your Honor" (2005), que se divide entre canciones acústicas y material más pesado. Pat Smear volvió a la banda en ese mismo año. Foo Fighters han vendido más de 15 millones de discos en todo el mundo. Foo Fighters lanzó su sexto álbum, "Echoes, Silence, Patience & Grace" en 2007. En 2010, se confirmó que Smear se había unido oficialmente a la banda después de la gira con Foo Fighters como un miembro no oficial entre 2006 y 2009. En el transcurso de la carrera de la banda, cuatro de sus álbumes han ganado el Premio Grammy al mejor álbum de rock. El séptimo álbum de estudio de la banda, "Wasting Light", producido por Butch Vig (reconocido productor de Nirvana), fue lanzado en 2011 y su octavo álbum, "Sonic Highways", además de su segundo grabado con Butch Vig, se dio a conocer en noviembre de 2014. Su noveno álbum fue "Concrete and Gold", producido por Greg Kurstin y lanzado en todo el mundo el 15 de septiembre de 2017, a través de RCA Records. El álbum presenta una fusión de géneros musicales como Hard rock y Pop.

Primer tema nuevo en seis años con el apoyo de Dave Grohl y Greg Kurstin si bien la pieza nació en tiempos de unas primarias a la presidencia de EEUU para ver si era Obama o Hillary quien ejercía de candidato/a. Material de refuerzo para el estreno de la película "24 Karat Gold" sobre el tour de Stevie Nicks dirigida por Joe Thomas que en España se verá este miércoles. Y hablando de elecciones siempre que llegan se vuelve a poner de actualidad el tema de Alice Cooper de 1972 para el que hay nuevo video a la par que están disponibles nuevos artículos de "merchandising presidencial". Novedades internacionales son el tema inédito de la actuación de Nick Cave en el Alexandra Palace con él a solas con su piano; otra nueva canción de The Cribs ¿con aire Motown?) después de aquella colaboración con Lee Ranaldo y más material de lo que será el disco de retorno de los neozelandeses The Bats. También saca Elefant la propuesta del dúo japonés Still Dreams en tanto que Rosie Carney vuelve a mostrar su dependencia de un álbum de Radiohead. Novedades de aquí son el nuevo sencillo de La M.O.D.A, producidos por Raul Refree, el retorno a primera linea de Eva "galáctica" con el proyecto Solferino y el fichaje para la escudería Great Canyon de Marta Pérez que sabe de habaneras y también de ecos de Juliana Hatfield o Beth Orton. Sonó uno de los temas inéditos de "Oro, salitre y carbón", el disco recopilatorio de su etapa Marxophone de Nacho Vegas con quien charlaremos mañana. El retrovisor nos llevó a la visita de Johan y Karolina de Club 8 hace diez años en los tiempos de "The people's record". El punto final fue con la otra cara del 12 pulgadas (vinilo amarillo) de los Pixies. Escuchar audio

Greta Van Fleet sort un tout nouveau single, intitulé "My Way, Soon". Liam Gallagher, mais aussi Ricky Gervais et Boy George réagissent à la suggestion du Gouvernement Britannique faite aux artistes de quitter le milieu et de se réorienter pour la suite de leur carrière. Comme annoncé, Stevie Nicks arrive avec un nouveau single ‘’Show Them The Way’’, enregistré avec Dave Grohl à la batterie et produit par Greg Kurstin. --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

We had the pleasure of catching up with Billy Raffoul over Zoom video! For those that have not watched our face-to-face interview with Billy at the Hard Rock Hotel San Diego in 2019, you can view it at BringinitBackwards.com.Singer/songwriter Billy Raffoul released his debut full-length album International Hotel on August 28th on Interscope Records.  International Hotel was recorded with two microphones in Raffoul’s girlfriend’s room in his hometown of Leamington, Ontario.  The simplicity of that approach is perfectly suited to the rugged intimacy of Raffoul’s songwriting, and to the Americana-leaning sensibilities he brought to the making of International Hotel. International Hotel is available now at all digital retailers.Earlier this month Raffoul shared the first track from International Hotel, the sparsely arranged “What Makes a Man.” A profoundly moving protest song that speaks out against systemic racism “What Makes a Man” was the final song written and recorded for International Hotel marks the first time Raffoul ever recorded a song with harmonica. The song’s homespun austerity also extends to its video, shot in warm black-and-white and quietly centered on Raffoul’s impassioned performance.Mainly co-produced by Raffoul and his longtime collaborator Justin Zuccato, International Hotel takes its title from a bar in Leamington — the very spot his musician father frequents after finishing up his own gigs. After opening on the title track (a loving tribute to Raffoul’s father and his lifelong devotion to rock-and-roll), the album offers up a dozen more songs rooted in his sharply observed storytelling. With those songs encompassing everything from treasured family history to clear-eyed social commentary to a heartrending ballad of a comic-book hero on “The Ballad of James Howlett,” International Hotel closes out with “Massey Hall”: an homage to the venue of Raffoul’s dreams, a Toronto theater where Neil Young recorded Live at Massey Hall 1971.Track listing for International Hotel:1. International Hotel2. What Makes a Man3. Philadelphia4. Everything Marie5. Sundown on County Line6. Right Behind You7. Library Book8. The Ballad of James Howlett9. Shannon10. Big City11. You & I12. Truth Be Told (I Like You)13. Massey Hall Growing up in the small farming town of Leamington, Ontario, Raffoul first discovered his gift for songwriting at age ten, thanks in no small part to the influence of his father — a musician who’s opened for everyone from Joe Cocker to Bon Jovi. After landing his first paying gig (playing to long-haul drivers at a local truck stop), Raffoul began performing at nearby bars and clubs at age 16, often driving into Detroit for shows. He eventually connected with a manager and moved down to Nashville. Soon after scoring a deal with Interscope Records, Raffoul released the critically acclaimed song “Driver,” which he then followed with his debut EP 1975 (a 2018 release featuring the fan favorite “Acoustic”). Arriving in spring 2019, his sophomore EP Running Wild found him joining forces with leading producers like Greg Kurstin, as well as collaborating with such boundary-breaking artists as singer/songwriter Julia Michaels. In April 2020, Raffoul returned with his third EP, A Few More Hours at YYZ. Over the past few years, he’s opened for heavyweights like Kings of Leon, X Ambassadors, and NEEDTOBREATHE, captivating crowds with his understated yet intensely passionate stage presence. After postponing the West Coast run of his A Few More Hours At…2020 North American Tour, Raffoul found himself back in Leamington and immediately took to Instagram Live for intimate performances from his father’s home. Since the launch of the Still Social Distancing Tour 2020, he’s joined forces with special guest artists like Alec Chambers, Zac Barnett, Caitlyn Smyth, Wrabel, John Paul White, and more.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.comAmerican Songwriter Podcast Network#podcast #interview #bringinbackpod  #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork​​Listen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

Som 18-åring reiste Mads Hauge til Liverpool, der han studerte i det første kullet ved LIPA. Siden dro han videre til London, der han i 6-7 år jobbet knallhardt før gjennombruddet som låtskriver og produsent endelig kom. I denne podkasten forteller Mads om ferden fra buekorps i Bergen til musikalsk ansvarlig i for The Voice UK i nesten ti år. Underveis har han rukket å synge Beatles-låter i den private begravelsen til Linda McCartney – foran tre gjenlevende Beatles-medlemmer – toppet listene i UK med Pixie Lott, samarbeidet med navn som Phil Thornalley, Greg Kurstin, Phil Tan, Frasier T Smith og Will.I.Am – og vært gitarist for Bryan Adams. See acast.com/privacy for privacy and opt-out information.

In the final show of 2019, the singular Beck joins Simon and Brian in London to talk about his incredible new album Hyperspace. During the conversation, Beck describes his experiences collaborating with Pharrell, Greg Kurstin and Paul Epworth, the influence of his Grandfather, and what it was like to receive a Grammy from Prince.

Remix by Stewy Melbourne of "Water Under the Bridge" by Adele from the album 25. Songwriters Adele Adkins & Greg Kurstin. Remixed by Stewy Melbourne, Melbourne, Australia 2019.

We had the opportunity to interview Billy Raffoul at the Hard Rock Hotel San Diego!"Since delivering his darkly thrilling debut single “Driver” in 2017, Billy Raffoul has redefined the limits of the classic singer/songwriter sensibility. Though each of his songs centers on his intricate guitar work, the 24-year-old artist endlessly expands his sound with unexpected textures, mesmerizing tones, elegantly sculpted electronic beats. But at the heart of his music is Raffoul’s unforgettable voice—a soulful and gravelly instrument that draws deep emotional power from every poetically crafted line.True to its title, Raffoul’s sophomore EP Running Wild is a body of work unbound to any genre or style, drifting from acoustic balladry to beat-driven pop to bluesy folk with grace and ease. Like his debut EP1975, the five-track release was produced mainly by Mike Crossey (Arctic Monkeys, The 1975, Twenty One Pilots), with the two collaborators bringing a purposely free-spirited approach to the entire recording process.“Some of the songs are completely live and done in one take, with just me in front of the mic; others are stitched together in different ways with nothing live but the vocal,” says the Canada-bred, Nashville-based musician. “Overall there’s no real rules: as long as we get to a place where we love the song, it doesn’t matter which path we take.”The lead single from Running Wild, “Lovely” came to life through an equally free-flowing set of circumstances. After sketching out the track late one night in a Los Angeles hotel room, Raffoul headed to Interscope’s studio at 1 a.m. and recorded a demo on an acoustic guitar. “I was pretty down when I wrote it, and it turned into a song about a missed opportunity: one of those situations where you’re afraid to say what you feel, and the moment passes you by,” he says. When it came time to record “Lovely” for Running Wild, Raffoul teamed up with Greg Kurstin—a seven-time Grammy Award-winner who’s recently worked with Paul McCartney and Adele. The result: a gorgeously tender track built on cascading guitar tones and delicate beats, with Raffoul capturing the pain of unrequited infatuation in his achingly fragile falsetto.Another track sparked from a spontaneous burst of creativity, “Mental Health (Can’t Do This By Yourself)” took shape from chords strummed on a ukulele gifted from a local luthier back home in Ontario. “I was sitting in my bathtub with the ukulele and just sort of figuring out some chords, and I ended up writing a song that turned out to be much heavier than I’d intended,” says Raffoul. But while “Mental Health (Can’t Do This By Yourself)” bravely confesses to certain mental struggles, Raffoul twists the mood with his bright melodies and a message of gentle encouragement for others to open up about their own troubles. “Mental health issues are something that carry a lot of meaning for me and my family, which I think is probably true of almost all families—and I wanted to talk about that for a song on this EP,” says Raffoul.Elsewhere on Running Wild, Raffoul turns his heartfelt songwriting to matters of romantic love, such as on the gloriously feverish “Bad for You.” Merging its dizzying beats with jagged guitar riffs, the hypnotic and high-energy track features ethereal vocal work from its co-writer, singer/songwriter Julia Michaels. “Julia and I have written so much together and I always love working with her,” Raffoul notes. “She’s so insanely talented and such a melodic genius, and everything always comes together really naturally.” Meanwhile, on “Coffee,” Raffoul offers a sweetly uptempo serenade that reflects on the addictive nature of some forms of love.To close out Running Wild, Raffoul presents the quietly devastating title track, a song written for a close cousin who suffered a brain aneurysm five years ago. “We grew up a few houses down from each other and we were more like brothers,” Raffoul explains. “When the aneurysm happened he barely made it; he had to learn to walk again and everything. That song came from being so inspired by watching him go through his recovery.” Threaded with Raffoul’s heart-on-sleeve storytelling and stark guitar work, “Running Wild” also provides the EP’s emotional crescendo in a powerful string arrangement from David Campbell—a renowned composer who’s worked with the likes of Beck, The Beach Boys, and Leonard Cohen.As Raffoul reveals, the undeniably raw feeling that fuels Running Wild stems from a songwriting process that’s intuitive and unforced. “I’m generally much more inspired when I’m not sitting down and telling myself, ‘Okay, time to write a song now,’” says Raffoul. “It’s always best when I just stumble upon it, when I’m just messing around on my guitar or out driving around and letting my mind wander.”Growing up in the small farming town of Leamington, Ontario, Raffoul first started writing songs at age 10, thanks in no small part to the influence of his father—a musician who’s opened for legendary artists like Joe Cocker. “Music’s kind of like the family business,” says Raffoul. “My dad raised us on the Beatles, and everything just took off from there.”After landing his first paying gig—playing to long-haul drivers at a local truck stop—Raffoul began playing at nearby bars and clubs at age 16, often driving into Detroit for shows. He eventually connected with a manager, and moved down to Nashville to push forward with his music career. Soon after scoring a deal with Interscope Records, Raffoul got to work on 1975, which arrived in June 2018.Over the past few years, Raffoul has opened for heavyweight artists like, Kings of Leon, X Ambassadors, NEEDTOBREATHE and Kaleo, captivating crowds with his understated yet intensely passionate stage presence. With his debut album due out soon, he’s looking forward to widening the reach of his live show, a stripped-back performance currently featuring only Raffoul, his guitar, and his drum pedals. “I try to make it as intimate an experience as I can, and interact with people on a really personal level,” Raffoul says. “I’m just up there telling my stories and hoping that people can find their own connection to them, so maybe these songs can help others the way they’ve helped me.”Credits:Theme Song: Scott Russo & Design: Oscar Rodriguez & Photo: Jesse DeFlorioWe want to hear from you! Please email Tera@BringinitBackwards.comWebsite: https://www.bringinitbackwards.com/www.billyraffoul.com