Podcast appearances and mentions of Ryan Morrison

This week I talk with Ryan Morrison! Ryan is the CEO and Co-Founder at the Skins App. Ryan has an impressive background. After years of experience and success helping other companies grow, Ryan decided to go out on his own! Launching the Skins App around a year ago, Ryan is on a mission to improve the golf games and matches we all play. A sport he grew up loving and now he is part of the movement to modernize the game for all of us!   Check out the Skins App here: https://skinsapp.com/   Pelham Medical Center https://www.spartanburgregional.com/locations/pelham-medical-center

This week, Fergus and Tom are joined by Ryan Morrison, Founder of Rival Kit.We talk through why Rival was created, some of the key learnings from a start up in the rowing world as well as how Rival has adapted following the global pandemic.This episode is sponsored by Wintech & King Racing.WinTech & King Racing have established themselves as the largest and foremost sustainable boat builder, producing over 2000 boats annually. They are dedicated to expanding the reach of the sport by making it accessible to all through the integration of cutting-edge technology and the use of the highest quality materials. Drawing on the combined expertise of US engineering and German and Australian design, WinTech & King craft exceptional racing shells that set new standards for performance and durability.  WinTech and King's  unwavering commitment to sustainability, affordability, and innovation drives them to propel the sport of rowing into a more inclusive and exciting future, where excellence knows no boundaries.WinTech & King Racing shells are available worldwide through their network of distributors. Learn more about how you can get a fair price and unfair advantage by finding your local distributor: www.wintechking.com

Some dental treatments are hard to sell to patients. That's a fact!  Many patients will turn to Google, often finding incomplete information that doesn't help them decide to get the treatment they need done. What if you could provide a video of the exact procedure while they're still in your chair? Today, we're diving into the innovative world of Teamworx Dental with founder Dr. Ryan Morrison. Launched in 2022, Ryan has combined his dental expertise and desire to educate patients to create Teamworx Dental, a software designed to make treatment presentations quick and easy to understand through video, whether the patient is chairside or at home. We explore how this platform makes it easier for patients to decide on treatment while also opening new avenues for attracting leads, making it a valuable tool for any dental practice looking to improve patient communication and increase acceptance rates. Plus, Ryan is giving all Raving Patients Podcast listeners a special gift in this episode. Don't miss it!  Tune in and discover how Teamworx Dental can benefit your practice and patients alike. — Key Takeaways: Introduction (00:00) Morrison's Dental Journey & Founding of Teamworx Dental (00:57) Teamworx's Role in Patient Education (07:28) Using Teamworx for Dental Marketing (20:36) The Future of Teamworx & Cloud Integration (23:05) A Special Promo for Raving Patients Podcast Listeners (25:46) Quick Q&A (26:41) — Additional Resources: To learn more, visit: https://teamworxdental.com/ Follow Teamworx Dental on Social Media: Facebook: https://www.facebook.com/TeamworxDental Instagram: https://www.instagram.com/teamworxdental/ LinkedIn: https://www.linkedin.com/company/icoreconnect/ — Learn proven dental marketing strategies and online reputation management techniques at: https://www.drlentau.com This podcast is sponsored by Dental Intelligence. Learn more at: https://www.dentalintel.com/ This podcast is sponsored by The Doc Sites, the leading provider of websites and online marketing for dentists. Find out more at: https://www.docsites.com/ Raving Patients Podcast is your go-to place for the latest and best dental marketing strategies that will help you skyrocket your practice. Follow us for more!

Hats Off To This Week's Contributors: @RyanMorrisonJer, @geneteare, @mgsiegler, @spyglass_feed, @saulausterlitz, @ClareMalone, @benedictevans, @mikeloukides, @ErikNaso, @kateclarktweets, @finkd, @mattbirchler, @imillhiser, @jaygoldberg, @ron_miller, @btaylor, @sierraplatform, @eladgilContents* Editorial: * Essays of the Week* AI Leads New Unicorn Creation As Ranks Of $1B Startups Swells * Behold: The Sports Streaming Bundle* 40 Years Ago, This Ad Changed the Super Bowl Forever* Is the Media Prepared for an Extinction-Level Event?* Video of the Week* AI and Everything Else - Benedict Evans from Slush* AI of the Week* The OpenAI Endgame* OpenAI Sora– The most realistic AI-generated video to date* I Was Wrong. We Haven't Reached Peak AI Frenzy.* News Of the Week* I tried Vision Pro. Here's my take* The Quest 3 is better than you might expect* The Supreme Court will decide if the government can seize control of YouTube and Twitter* Arm Results Set The World On Fire* Startup of the Week* Bret Taylor's new AI company aims to help customers get answers and complete tasks automatically* X of the Week* Elad Gil on AIEditorial: And The Oscar Goes to SoraOpenAI teased its new video creation model - Sora - this week.In doing so it released a technical report and several examples of prompts and outputs.Cautious to not over-state the end game the company said:We explore large-scale training of generative models on video data. Specifically, we train text-conditional diffusion models jointly on videos and images of variable durations, resolutions and aspect ratios. We leverage a transformer architecture that operates on spacetime patches of video and image latent codes. Our largest model, Sora, is capable of generating a minute of high fidelity video. Our results suggest that scaling video generation models is a promising path towards building general purpose simulators of the physical world.All of the videos are incredible, albeit only a minute or less each. My favorite is the Dogs in Snow video:Although the ‘Closeup Man in Glasses' is also wonderful.I mention this because the speed at which AI is addressing new fields is - in my opinion - mind-boggling. Skills that take humans decades to perfect are being learned in months and are capable of scaling to infinite outputs using words, code, images, video, and sound.It will take the advancement of robotics to tie these capabilities to physical work, but that seems assured to happen.When engineering, farming, transport, or production meets AI then human needs can be addressed directly.Sora winning an Oscar for Cinematography or in producing from a script or a book seems far-fetched. But it wasn't so long ago that a tech company doing so would have been laughable, and now we have Netflix, Amazon Prime, and Apple TV Plus regularly being nominated or winning awards.Production will increasingly be able to leverage AI.Some will say this is undermining human skills, but I think the opposite. It will release human skills. Take the prompt that produced the Dogs in Snow video:Prompt:A litter of golden retriever puppies playing in the snow. Their heads pop out of the snow, covered in.I can imagine that idea and write it down. But my skills would not allow me to produce it. Sora opens my imagination and enables me to act on it. I guess that many humans have creative ideas that they are unable to execute….up to now. Sora, DallE, and ChatGPT all focus on releasing human potential.Google released its Gemini 1.5 model this week (less than a month after releasing Gemini Ultra 1.0). Tom's Guide has a summary and analysis by Ryan MorrisonGemini Pro 1.5 has a staggering 10 million token context length. That is the amount of content it can store in its memory for a single chat or response. This is enough for hours of video or multiple books within a single conversation, and Google says it can find any piece of information within that window with a high level of accuracy.Jeff Dean, Google DeepMind Chief Scientist wrote on X that the model also comes with advanced multimodal capabilities across code, text, image, audio and video.He wrote that this means you can “interact in sophisticated ways with entire books, very long document collections, codebases of hundreds of thousands of lines across hundreds of files, full movies, entire podcast series, and more."In “needle-in-a-haystack” testing where they look for the needle in the vast amount of data stored in the context window, they were able to find specific pieces of information with 99.7% accuracy even with 10 million tokens of data.All of this makes it easy to understand why Kate Clark at The Information penned a piece with the title: I Was Wrong. We Haven't Reached Peak AI FrenzyI will leave this week's editorial with Ryan Morrison's observation at the end of his article:What we are seeing with these advanced multimodal models is the interaction of the digital and the real, where AI is gaining a deeper understanding of humanity and how WE see the world.Essays of the WeekAI Leads New Unicorn Creation As Ranks Of $1B Startups Swells  February 13, 2024Gené Teare @geneteareFewer startups became unicorns in 2023, but The Crunchbase Unicorn Board also became more crowded, as exits became even scarcer.That means that 10 years after the term “unicorn” was coined to denote those private startups valued at $1 billion or more, there are over 1,500 current unicorn companies globally, collectively valued at more than $5 trillion based on their most recent valuations from funding deals.All told, fewer than 100 companies joined the Unicorn Board in 2023, the lowest count in more than five years, an analysis of Crunchbase data shows.Of the 95 companies that joined the board in 2023, AI was the leading sector, adding 20 new unicorns alone. Other leading unicorn sectors in 2023 included fintech (with 14 companies), cleantech and energy (12 each), and semiconductors (nine).Based on an analysis of Crunchbase data, 41 companies joined the Unicorn Board from the U.S. and 24 from China in 2023. Other countries were in the single digits for new unicorns: Germany had four new companies, while India and the U.K. each had three.New records nonethelessDespite the slower pace of new unicorns, the Crunchbase board of current private unicorns has reached new milestones as fewer companies exited the board in 2023.The total number of global unicorns on our board reached 1,500 at the start of 2024, which takes into account the exclusion of those that have exited via an M&A or IPO transaction. Altogether, these private unicorn companies have raised north of $900 billion from investors.This year also marks a decade since investor Aileen Lee of Cowboy Ventures coined the term unicorn for private companies valued at a billion dollars or more.In a new report looking at the unicorn landscape 10 years later, Lee said she believes the unicorn phenomenon is not going away, despite a sharp downturn in venture funding in recent years. She expects more than 1,000 new companies in the U.S. alone will join the ranks in the next decade.Unicorn exitsIn 2023, 10 unicorn companies exited the board via an IPO, far fewer than in recent years. That contrasts with 20 companies in 2022 and 113 in 2021.However, M&A was more active in 2023. Sixteen unicorn companies were acquired in 2023 — up from 2022 when 11 companies were acquired and slightly down from 2021 with 21 companies exiting via an acquisition.December numbersEight new companies joined The Crunchbase Unicorn Board in December 2023. The highest monthly count last year for new unicorns was 10 and the lowest was two.Of the new unicorns, three are artificial intelligence companies. Other sectors that minted unicorns in December include fintech, cybersecurity, food and beverage, and health care.The new unicorn companies minted in December 2023 were:..MoreBehold: The Sports Streaming BundleIt just makes sense. Sports was the last thing holding together the cable TV bundle. Now it will be the start of the streaming bundle.That's my 5-minute reaction to the truly huge news that Disney, Warner, and Fox are launching a new sports streaming service, combining their various sports rights into one package. Well, presumably. The details are still quite thin at this point. Clearly, several entities were racing to this story, with both WSJ and Bloomberg claiming "scoops" by publishing paragraph-long stories with only the high level facts. I'm linking to Varietyabove, which at least has a few more details, including (canned) quotes from Bob Iger, Lachlan Murdoch, and David Zaslav.Fox Corp., Warner Bros. Discovery and Disney are set to launch a new streaming joint venture that will make all of their sports programming available under a single broadband roof, a move that will put content from ESPN, TNT and Fox Sports on a new standalone app and, in the process, likely shake up the world of TV sports.The three media giants are slated to launch the new service in the fall. Subscribers would get access to linear sports networks including ESPN, ESPN2, ESPNU, SECN, ACCN, ESPNEWS, ABC, Fox, FS1, FS2, BTN, TNT, TBS, truTV and ESPN+, as well as hundreds of hours from the NFL, NBA, MLB and NHL and many top college divisions. Pricing will be announced at a later date.Each company would own one third of the new outlet and license their sports content to it on a non-exclusive basis. The service would have a new brand and an independent management teamYes, this is essentially running the Hulu playbook of old, but only for sports content. No, that ultimately didn't end well, but Hulu had a decent enough run before egos got involved.1 Here, the egos are once again being (at least temporarily) set aside to do something obvious: make money. Sports is the one bit of content that most people watch in one form or another, live no less (hence why it was keeping the cable bundle together). And increasingly, with the rise of streaming, it was becoming impossible to figure out what game was on, where. You could get access to most games online now, but it might require buying four or five different services. And again, then finding which one the game you wanted was actually on...More40 Years Ago, This Ad Changed the Super Bowl ForeverAn oral history of Apple's groundbreaking “1984” spot, which helped to establish the Super Bowl as TV's biggest commercial showcase.By Saul AusterlitzPublished Feb. 9, 2024Updated Feb. 10, 2024Four decades ago, the Super Bowl became the Super Bowl.It wasn't because of anything that happened in the game itself: On Jan. 22, 1984, the Los Angeles Raiders defeated Washington 38-9 in Super Bowl XVIII, a contest that was mostly over before halftime. But during the broadcast on CBS, a 60-second commercial loosely inspired by a famous George Orwell novel shook up the advertising and the technology sectors without ever showing the product it promoted. Conceived by the Chiat/Day ad agency and directed by Ridley Scott, then fresh off making the seminal science-fiction noir “Blade Runner,” the Apple commercial “1984,” which was intended to introduce the new Macintosh computer, would become one of the most acclaimed commercials ever made. It also helped to kick off — pun partially intended — the Super Bowl tradition of the big game serving as an annual showcase for gilt-edged ads from Fortune 500 companies. It all began with the Apple co-founder Steve Jobs's desire to take the battle with the company's rivals to a splashy television broadcast he knew nothing about.In recent interviews, several of the people involved in creating the “1984” spot — Scott; John Sculley, then chief executive of Apple; Steve Hayden, a writer of the ad for Chiat/Day; Fred Goldberg, the Apple account manager for Chiat/Day; and Anya Rajah, the actor who famously threw the sledgehammer — looked back on how the commercial came together, its inspiration and the internal objections that almost kept it from airing. These are edited excerpts from the conversations.JOHN SCULLEY On Oct. 19, 1983, we're all sitting around in Steve [Jobs's] building, the Mac building, and the cover of Businessweek says, “The Winner is … IBM.” We were pretty deflated because this was the introduction of the IBM PCjr, and we hadn't even introduced the Macintosh yet.STEVE HAYDEN Jobs said, “I want something that will stop the world in its tracks.” Our media director, Hank Antosz, said, “Well, there's only one place that can do that — the Super Bowl.” And Steve Jobs said, “What's the Super Bowl?” [Antosz] said, “Well, it's a huge football game that attracts one of the largest audiences of the year.” And [Jobs] said, “I've never seen a Super Bowl. I don't think I know anybody who's seen a Super Bowl.”FRED GOLDBERG The original idea was actually done in 1982. We presented an ad [with] a headline, which was “Why 1984 Won't Be Like ‘1984,'” to Steve Jobs, and he didn't think the Apple III was worthy of that claim...MoreIs the Media Prepared for an Extinction-Level Event?Ads are scarce, search and social traffic is dying, and readers are burned out. The future will require fundamentally rethinking the press's relationship to its audience.Clare MaloneFebruary 10, 2024My first job in media was as an assistant at The American Prospect, a small political magazine in Washington, D.C., that offered a promising foothold in journalism. I helped with the print order, mailed checks to writers—after receiving lots of e-mails asking, politely, Where is my money?—and ran the intern program. This last responsibility allowed me a small joy: every couple of weeks, a respected journalist would come into the office for a brown-bag lunch in our conference room, giving our most recent group of twentysomethings a chance to ask for practical advice about “making it.” One man told us to embrace a kind of youthful workaholism, before we became encumbered by kids and families. An investigative reporter implored us to file our taxes and to keep our personal lives in order—never give the rich and powerful a way to undercut your journalism. But perhaps the most memorable piece of advice was from a late-career writer who didn't mince words. You want to make it in journalism, he said? Marry rich. We laughed. He didn't.I've thought a lot about that advice in the past year. A report that tracked layoffs in the industry in 2023 recorded twenty-six hundred and eighty-one in broadcast, print, and digital news media. NBC News, Vox Media, Vice News, Business Insider, Spotify, theSkimm, FiveThirtyEight, The Athletic, and Condé Nast—the publisher of The New Yorker—all made significant layoffs. BuzzFeed News closed, as did Gawker. The Washington Post, which lost about a hundred million dollars last year, offered buyouts to two hundred and forty employees. In just the first month of 2024, Condé Nast laid off a significant number of Pitchfork's staff and folded the outlet into GQ; the Los Angeles Times laid off at least a hundred and fifteen workers (their union called it “the big one”); Time cut fifteen per cent of its union-represented editorial staff; the Wall Street Journal slashed positions at its D.C. bureau; and Sports Illustrated, which had been weathering a scandal for publishing A.I.-generated stories, laid off much of its staff as well. One journalist recently cancelled a networking phone call with me, writing, “I've decided to officially take my career in a different direction.” There wasn't much I could say to counter that conclusion; it was perfectly logical.“Publishers, brace yourselves—it's going to be a wild ride,” Matthew Goldstein, a media consultant, wrote in a January newsletter. “I see a potential extinction-level event in the future.” Some of the forces cited by Goldstein were already well known: consumers are burned out by the news, and social-media sites have moved away from promoting news articles. But Goldstein also pointed to Google's rollout of A.I.-integrated search, which answers user queries within the Google interface, rather than referring them to outside Web sites, as a major factor in this coming extinction. According to a recent Wall Street Journalanalysis, Google generates close to forty per cent of traffic across digital media. Brands with strong home-page traffic will likely be less affected, Goldstein wrote—places like Yahoo, the Wall Street Journal, the New York Times, the Daily Mail, CNN, the Washington Post, and Fox News. But Web sites that aren't as frequently typed into browsers need to “contemplate drastic measures, possibly halving their brand portfolios.”What will emerge in the wake of mass extinction, Brian Morrissey, another media analyst, recently wrote in his newsletter, “The Rebooting,” is “a different industry, leaner and diminished, often serving as a front operation to other businesses,” such as events, e-commerce, and sponsored content. In fact, he told me, what we are witnessing is nothing less than the end of the mass-media era. “This is a delayed reaction to the commercial Internet itself,” he said. “I don't know if anything could have been done differently.”..Much MoreVideo of the WeekAI and Everything Else - Benedict Evans from SlushAI of the WeekThe OpenAI EndgameThoughts about the outcome of the NYT versus OpenAI copyright lawsuitBy Mike LoukidesFebruary 13, 2024Since the New York Times sued OpenAI for infringing its copyrights by using Times content for training, everyone involved with AI has been wondering about the consequences. How will this lawsuit play out? And, more importantly, how will the outcome affect the way we train and use large language models?There are two components to this suit. First, it was possible to get ChatGPT to reproduce some Times articles very close to verbatim. That's fairly clearly copyright infringement, though there are still important questions that could influence the outcome of the case. Reproducing the New York Times clearly isn't the intent of ChatGPT, and OpenAI appears to have modified ChatGPT's guardrails to make generating infringing content more difficult, though probably not impossible. Is this enough to limit any damages? It's not clear that anybody has used ChatGPT to avoid paying for a NYT subscription. Second, the examples in a case like this are always cherry-picked. While the Times can clearly show that OpenAI can reproduce some articles, can it reproduce any article from the Times' archive? Could I get ChatGPT to produce an article from page 37 of the September 18, 1947 issue? Or, for that matter, an article from the Chicago Tribune or the Boston Globe? Is the entire corpus available (I doubt it), or just certain random articles? I don't know, and given that OpenAI has modified GPT to reduce the possibility of infringement, it's almost certainly too late to do that experiment. The courts will have to decide whether inadvertent, inconsequential, or unpredictable reproduction meets the legal definition of copyright infringement.The more important claim is that training a model on copyrighted content is infringement, whether or not the model is capable of reproducing that training data in its output. An inept and clumsy version of this claim was made by Sarah Silverman and others in a suit that was dismissed. The Authors' Guild has its own version of this lawsuit, and it is working on a licensing model that would allow its members to opt in to a single licensing agreement. The outcome of this case could have many side-effects, since it essentially would allow publishers to charge not just for the texts they produce, but for how those texts are used.It is difficult to predict what the outcome will be, though easy enough guess. Here's mine. OpenAI will settle with the New York Times out of court, and we won't get a ruling. This settlement will have important consequences: it will set a de-facto price on training data. And that price will no doubt be high. Perhaps not as high as the Times would like (there are rumors that OpenAI has offered something in the range of $1 million to $5 million), but sufficiently high enough to deter OpenAI's competitors.$1M is not, in and of itself, a terribly high price, and the Times reportedly thinks that it's way too low; but realize that OpenAI will have to pay a similar amount to almost every major newspaper publisher worldwide in addition to organizations like the Authors Guild, technical journal publishers, magazine publishers, and many other content owners. The total bill is likely to be close to $1 billion, if not more, and as models need to be updated, at least some of it will be a recurring cost. I suspect that OpenAI would have difficulty going higher, even given Microsoft's investments—and, whatever else you may think of this strategy—OpenAI has to think about the total cost. I doubt that they are close to profitable; they appear to be running on an Uber-like business plan, in which they spend heavily to buy the market without regard for running a sustainable business. But even with that business model, billion-dollar expenses have to raise the eyebrows of partners like Microsoft.The Times, on the other hand, appears to be making a common mistake: overvaluing its data. Yes, it has a large archive—but what is the value of old news? Furthermore, in almost any application but especially in AI, the value of data isn't the data itself; it's the correlations between different datasets. The Times doesn't own those correlations any more than I own the correlations between my browsing data and Tim O'Reilly's. But those correlations are precisely what's valuable to OpenAI and others building data-driven products...MoreOpenAI Sora– The most realistic AI-generated video to dateERIK NASOOpenAI Sora is an AI text-to-video model that has achieved incredibly realistic video that is hard to tell it is AI. It's very life-like but not real. I think we have just hit the beginning of some truly powerful AI-generated video that could change the game for stock footage and more. Below are two examples of the most realistic AI prompt-generated videos I have seen.Prompt: A stylish woman walks down a Tokyo street filled with warm glowing neon and animated city signage. She wears a black leather jacket, a long red dress, and black boots, and carries a black purse. She wears sunglasses and red lipstick. She walks confidently and casually. The street is damp and reflective, creating a mirror effect of the colorful lights. Many pedestrians walk about.Prompt: Drone view of waves crashing against the rugged cliffs along Big Sur's garay point beach. The crashing blue waters create white-tipped waves, while the golden light of the setting sun illuminates the rocky shore. A small island with a lighthouse sits in the distance, and green shrubbery covers the cliff's edge. The steep drop from the road down to the beach is a dramatic feat, with the cliff's edges jutting out over the sea. This is a view that captures the raw beauty of the coast and the rugged landscape of the Pacific Coast Highway.Prompt: Animated scene features a close-up of a short fluffy monster kneeling beside a melting red candle. The art style is 3D and realistic, with a focus on lighting and texture. The mood of the painting is one of wonder and curiosity, as the monster gazes at the flame with wide eyes and open mouth. Its pose and expression convey a sense of innocence and playfulness, as if it is exploring the world around it for the first time. The use of warm colors and dramatic lighting further enhances the cozy atmosphere of the image.Sora can generate videos up to a minute long while maintaining visual quality and adherence to the user's prompt. OpenAI SOra states they are teaching AI to understand and simulate the physical world in motion, with the goal of training models that help people solve problems that require real-world interaction...MoreI Was Wrong. We Haven't Reached Peak AI Frenzy.By Kate ClarkFeb 15, 2024, 4:16pm PSTAfter Sam Altman's sudden firing last year, I argued the chaos that followed his short-lived ouster would inject a healthy dose of caution into venture investments in artificial intelligence companies. I figured we'd finally reached the peak of the AI venture capital frenzy when a threatened employee exodus from OpenAI risked sending the value of the $86 billion AI juggernaut almost to zero. There was plenty of other proof that the hype for generative AI was fading. Investors were openly saying they planned to be a lot tougher on valuation negotiations and would ask startups harder questions about governance. Some companies had begun to consider selling themselves due to the high costs of developing AI software. And an early darling of the AI boom, AI-powered writing tool Jasper, had become the butt of jokes when it slashed internal revenue projections and cut its internal valuation after having won a $1.5 billion valuation in 2022. I forgot that everyone in Silicon Valley suffers from short-term memory loss. After a week sipping boxed water with venture capitalists from South Park to Sand Hill Road, I'm convinced I called the end of the AI frenzy far too soon. In fact, I expect this year will deliver more cash into the hands of U.S. AI startups than last year, when those companies raised a total of $63 billion, according to PitchBook data. Altman's fundraising ambitions will surely boost the total. A recent report from The Wall Street Journal said Altman plans to raise trillions of dollars to develop the AI chips needed to create artificial general intelligence, software that can reason the way humans do. Even if that number is actually much smaller, talk of such goals lifts the ceiling for other startup founders, who are  likely to think even bigger and to be more aggressive in their fundraising. Investor appetite for AI companies is still growing, too. These investors claimed last fall that they were done with the FOMO-inspired deals, but they're pushing checks on the top AI companies now harder than ever...MoreNews Of the WeekI tried Vision Pro. Here's my takeThe Quest 3 is better than you might expectPosted by Matt Birchler13 Feb 2024Alex Heath for The Verge: Zuckerberg says Quest 3 is “the better product” vs. Apple's Vision ProHe says the Quest has a better “immersive” content library than Apple, which is technically true for now, though he admits that the Vision Pro is a better entertainment device. And then there's the fact that the Quest 3 is, as Zuck says, “like seven times less expensive.”I currently own both headsets and while I'm very excited about the potential in the Vision Pro, I actually find it hard to fully disagree with Zuck on this one. I think a lot of people have only used the Vision Pro would be surprised how well the Quest 3 does some things in comparison.For example, the pass-through mode is definitely not quite as good as the Vision Pro's, but it's closer than you might expect. And while people are rightly impressed with how well the Vision Pro has windows locked in 3D space, honestly the Quest 3 is just as good at this in my experience. When it comes to comfort, I do think the Vision Pro is easier to wear for longer periods, but I find it more finicky to get in just the right spot in front of my eyes, while the Quest 3 seems to have a larger sweet spot. And let's not even talk about the field of view, which is way wider on the Quest to the point of being unnoticeable basically all the time. I kinda think field of view will be similar to phone bezels in that you get used to what you have and anything more seems huge — you can get used to the Vision Pro's narrower field of view, but once you're used to wider, it's hard to not notice when going back.The Vision Pro has some hardware features that help it rise above (the massively higher resolution screen jumps to mind), but I'm just saying that if you're looking for everything to be 7x better to match the price difference, I don't think that's there.Beyond this, the products are quite different, though. As Zuckerberg says, the Quest 3 is more focused on fully immersive VR experiences, and while the Vision Pro has a little of that right now, it's not really doing the same things. And when it comes to gaming it's not even close. The Quest 3 has a large library of games available and that expands to almost every VR game ever made with Steam Link.On the other hand, the Vision Pro is much for a “computer” than the Quest ever was. If you can do it on a Mac or an iPad, you can probably already do it on the Vision Pro. And I'm not talking about finding some weird alternate version of your task manager or web browser that doesn't sync with anything else in your life, I'm talking about the apps you already know and love. This is huge and it's Apple leveraging its ecosystem to make sure you can seamlessly move from Mac to iPhone to iPad to Vision Pro. And if you can't install something from the App Store, the web browser is just as capable as Safari on the iPad. If all else fails, you can always just bring your full Mac into your space as well. I will say the Quest 3 can do this and has the advantage of working with Windows as well, but if you have a Mac, it's much, much better.This is more words than I expected to write about a CEO saying his product is better than the competition's (shocker), but I do think that Zuck's statement is less insane than some may think it to be...MoreThe Supreme Court will decide if the government can seize control of YouTube and TwitterWe're about to find out if the Supreme Court still believes in capitalism.By Ian Millhiser Feb 15, 2024, 7:00am ESTIan Millhiser is a senior correspondent at Vox, where he focuses on the Supreme Court, the Constitution, and the decline of liberal democracy in the United States. He received a JD from Duke University and is the author of two books on the Supreme Court.In mid-2021, about a year before he began his longstanding feud with the biggest employer in his state, Florida's Republican Gov. Ron DeSantis signed legislation attempting to seize control of content moderation at major social media platforms such as YouTube, Facebook, or Twitter (now called X by Elon Musk). A few months later, Texas Gov. Greg Abbott, also a Republican, signed similar legislation in his state.Both laws are almost comically unconstitutional — the First Amendment does not permit the government to order media companies to publish content they do not wish to publish — and neither law is currently in effect. A federal appeals court halted the key provisions of Florida's law in 2022, and the Supreme Court temporarily blocked Texas's law shortly thereafter (though the justices, somewhat ominously, split 5-4 in this later case).Nevertheless, the justices have not yet weighed in on whether these two unconstitutional laws must be permanently blocked, and that question is now before the Court in a pair of cases known as Moody v. NetChoice and NetChoice v. Paxton.The stakes in both cases are quite high, and the Supreme Court's decision is likely to reveal where each one of the Republican justices falls on the GOP's internal conflict between old-school free market capitalists and a newer generation that is eager to pick cultural fights with business...MoreArm Results Set The World On FireFebruary 13, 2024 · by D/D Advisors · in Analyst Decoder Ring. ·Arm reported its second set of earnings as a (once again) public company last week. These numbers were particularly strong, well above consensus for both the current and guided quarters. Arm stock rallied strongly on the results up ~30% for the week. These numbers were important as they go a long way to establishing the company's credibility with the Street in a way their prior results did not.That being said, we saw things we both liked and disliked in their numbers. Here are our highlights of those:Positive: Growing Value Capture. One of our chief concerns with the company since IPO has been the low value they capture per licensed chip shipped – roughly $0.11 per chip at the IPO. That figure continued to inch higher in the latest results, but critically they pointed out that their royalty rate doubles with the latest version of their IP (v9). This does not mean that all of their royalty rates are going to double any time soon, but it does point very much in the right direction. Critically, they noted this rate increase applies to architectural licenses as well.Negative: The Model is Complex. Judging from the number of questions management fielded on the call about this rate increase no one really knows how to model Arm. The company has a lot of moving parts in its revenue mix, and they have limits to their ability to communicate some very important parts of their model. We think that at some point the company would be well served by providing some clearer guide posts on how to build these models or they risk the Street always playing catch up with a wide swing of expectations each quarter.Positive: Premium Plan Conversion. The company said three companies converted from their AFA plan to the ATA model. We will not get into the details of those here, but these can best be thought of in software terms with customers on low priced subscription plans converting to Premium subscription plans. This is a good trend, and management expressed a high degree of confidence that they expect to see it continue. They have spent a few years putting these programs in place and seem to have thought them through. This matters particularly because these programs are well suited for smaller, earlier-stage companies. The old Arm struggled to attract new customers in large part because of the high upfront costs of Arm licenses. Programs like AFA and ATA could go a long way to redressing those past wrongs.Negative: China remains a black box. Arm China is of course a constant source of speculation. In the latest quarter it looks like a large portion of growth came from China which does not exactly square with other data coming from China right now. It is still unclear to us how much of Arm's revenues from China's handset companies gets booked through Arm China as a related party transaction and how much is direct. Investors are confused too. There is no easy solution to this problem, digging too hard into Arm China's numbers is unlikely to make anyone happy with the answers, but hopefully over time it all settles down.Positive: Growing Complexity of Compute. Management repeatedly mentioned this factor, noting that this leads to more chips and more Arm cores shipping in the marketplace. Some of this is tied to AI, but we think the story is broader than that. It is going to be tempting to see much of Arm's growth as riding the AI wave, but this does not fully capture the situation. The AI story is largely about GPUs, which are not particularly heavy with Arm cores. But those GPUs still need some CPU attach, and AI accelerators can sometimes be good Arm targets.Negative: Diversification. Arm remains heavily dependent on smartphones, and we suspect the return to inventory stocking by handset makers is playing a big role in their guidance. When asked about segmentation of their results the company declined to update the model provided during the IPO. We hope to see some diversification here when they do update their figures later in the year.Overall, the company did a good job in the quarter. They still have some kinks to work out with their communication to the Street, but this was a good second step as a public company...MoreStartup of the WeekBret Taylor's new AI company aims to help customers get answers and complete tasks automaticallyRon Miller @ron_miller / 6:36 AM PST•February 13, 2024Image Credits: mi-vector / Getty ImagesWe've been hearing about former Salesforce co-CEO Bret Taylor's latest gig since he announced he was leaving the CRM giant in November 2022. Last February we heard he was launching an AI startup built with former Google employee Clay Bavor. Today, the two emerged with a new conversational AI company called Sierra with some bold claims about what it can do.At its heart, the new company is a customer service bot. That's not actually all that Earth-shattering, but the company claims that it's much more than that, with its software going beyond being an extension of a FAQ page and actually taking actions on behalf of the customer.“Sierra agents can do so much more than just answer questions. They take action using your systems, from upgrading a subscription in your customer database to managing the complexities of a furniture delivery in your order management system. Agents can reason, problem solve and make decisions,” the company claimed in a blog post.Having worked with large enterprise customers at Salesforce, Taylor certainly understands that issues like hallucinations, where a large language model sometimes makes up an answer when it lacks the information to answer accurately, is a serious problem. That's especially true for large companies, whose brand reputation is at stake. The company claims that it is solving hallucination issues.Image Credits: SierraAt the same time, it's connecting to other enterprise systems to undertake tasks on behalf of the customer without humans being involved. These are both big audacious claims and will be challenging to pull off...MoreX of the Week This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thatwastheweek.substack.com/subscribe

#EnvisionRISE Podcast | Ryan Morrison, an accomplished agency recruiter with eight years of experience in the field, explores the intricate world of talent acquisition, shedding light on the challenges faced by recruiters and offering valuable guidance for individuals navigating the job market. Ryan shares his wealth of experience and expertise, discussing the art of optimizing resumes to stand out in a competitive landscape. He delves into the nuances of the interview process, providing actionable tips for both recruiters and job seekers to streamline and enhance the overall experience. The episode touches on the evolving landscape of career building, with Ryan offering strategic advice on how individuals can shape a successful and fulfilling professional journey.Watch this episode on YouTube.Learn more about Ryan: https://www.linkedin.com/in/ryanmorrison21183615/Visit Envision RISE to learn how our evolutionary platform helps companies create a powerful integration and understanding of the relationship between the organization and the workforce. Envision RISE empowers your people to drive change and innovation through the methods of Organizational Change Management (OCM), Human Resource Management (HRM), and Diversity, Equity and Inclusion (DE&I).Envision a Better FutureFollow us on social: LinkedIn, Instagram, Twitter, FacebookContact us for info on RISE or interest in being a podcast guest: info@envisionrise.comAll podcasts produced by Elevate Media Group.

In this episode, my special guest Dr. Ryan Morrison and I talk about the game-changing impact of cloud-based systems in dentistry. With a whopping 12,000 patients over 22 years, keeping track of everything using traditional server setups is no easy feat. Today, embracing user-friendly solutions like CareStack isn't just wise, it's essential – they've evolved remarkably and now provide a comprehensive platform in a single app. This shift doesn't just make work accessible globally; it also unleashes your team's potential like never before. @3:55 Dr. Ryan's Journey: From Starting to Mastery of Cloud-Based Systems@11:10 Positive Effect of Cloud Based System: Customizability, and Accessibility@18:50 TeamWorks Dental  @22:43 Easy Accessibility of CareStack Integration@25:53 If Given a Fresh Start, What Would Dr. Ryan Prioritize?

Dr. Ryan Morrison, creator of TeamWorx Dental, gives Gary the rundown on how dental practices can use short sales videos and scripting to solve gaps in patient communication, boost case acceptances, and save time. Connect with our Guest: Website: https://teamworxdental.com/

Il vient de signer le contrat le plus juteux de l'histoire du divertissement en ligne. Portrait du streamer canadien Félix Lengyel, alias xQc. Véritable star de la plateforme de streaming Twitch, le vidéaste anglophone vient de s'engager avec le concurrent Kick. Un nouveau service de streaming qui veut, coûte que coûte, faire de l'ombre à Twitch, le leader du marché. Cent millions de dollars. C'est ce qu'a déboursé Kick pour s'offrir durant deux ans les services de Félix Lengyel, alias xQc, x pour Félix et QC pour Québec d'où il est originaire. C'est aujourd'hui l'un des streamers les plus populaires au monde, ce qui justifie amplement ce contrat hors-norme, selon son agent Ryan Morrison.« Je pense qu'il vaut bien plus que ça. Plus de gens regardent Félix que n'importe quel athlète ou star que vous pouvez imaginer. Le contrat de Félix est bien plus important que celui de Lionel Messi à Miami ou celui de Lebron James. Et il vaut chaque centime, car si vous demandez au hasard à une personne de moins de 25 ans qui est son artiste préféré, il y a de fortes chances qu'elle vous réponde xQc. Il n'y a littéralement personne qui mérite un plus grand investissement dans le monde du divertissement en ce moment. »xQc, qui cumule aujourd'hui plus de 12 millions d'abonnés sur Twitch et plus de 20 000 heures de stream, diffuse donc désormais des live sur son compte Kick, où il compte plus de 426 000 abonnés.Une communauté fidèleL'histoire de xQc commence en 2015. Félix Lengyel n'a alors que 19 ans quand il décide d'arrêter ses études pour lancer sa chaîne Twitch. Il se filme alors en train de jouer à des jeux vidéo, notamment à Overwatch, un jeu de tir à la première personne. C'est avec ce titre qu'il intègre le monde professionnel et qu'il devient l'un des meilleurs joueurs du monde, notamment lors de la Coupe du monde 2017.S'ensuit une explosion de son audience et des scandales, après des propos homophobes et racistes, qui le poussent à se retirer de la scène professionnelle. Il se consacre alors entièrement au streaming et devient vite la superstar de Twitch.Avec du jeu vidéo, des réactions poussées à l'extrême et des formats innovants, xQc a trouvé la recette du succès avec un ingrédient magique : une personnalité exubérante.« Je n'ai jamais rencontré quelqu'un comme Félix. Vous savez, c'est un artiste. Il montre donc forcément du caractère dans ses streams. Il est très excité et très démonstratif. Mais en dehors des streams, c'est quelqu'un qui est passionné et très divertissant. Je pense vraiment que la personnalité de Félix est l'une des principales raisons de sa popularité », confie son agent et ami Ryan Morrison.Le symbole d'une nouvelle rivalité dans l'industrieAvec ce contrat de 100 millions de dollars, Félix Lengyel est devenu le symbole de la rivalité entre le géant Twitch, propriété d'Amazon, et le petit nouveau Kick, lancé par un milliardaire australien qui a fait fortune dans les casinos en ligne.Pour concurrencer Twitch, Kick n'hésite pas à se payer au prix d'or des vedettes comme xQc, l'objectif étant de ramener des spectateurs sur sa plateforme. Une stratégie non sans risques. « Ce qu'achète Kick en réalité, ce n'est pas xQc, c'est sa communauté. Dans une étude sociologique, on a montré qu'une grande partie du public s'implique dans les communautés des streamers non seulement pour accéder aux streamers, mais aussi pour accéder aux autres viewers (spectateurs) qui forment une communauté. Donc à partir du moment où il y a une chute de viewers lors du passage sur Kick, cela crée un effet boule de neige puisque c'est d'autant moins attractif vu qu'il y a moins de monde. C'est ce qui rend difficile le transfert d'une communauté d'une plateforme à une autre », explique Nathan Ferret, doctorant en sociologie à l'École des hautes études en sciences sociales (EHESS), spécialiste des plateformes de streaming.Au-delà de faire venir des stars, Kick mise aussi sur une meilleure rémunération des streamers et sur une modération presque inexistante. Une stratégie audacieuse avec un modèle économique qui paraît difficilement tenable à long terme. Plusieurs acteurs avaient déjà tenté la même chose, comme Microsoft avec Mixer. La plateforme avait tenu quatre ans, avant de mettre la clef sous la porte. Mais Ryan Morrison, l'agent de xQc, reste confiant : « cette nouvelle plateforme est incomparable avec Mixer. Kick a de l'avenir », assure-t-il.

Il vient de signer le contrat le plus juteux de l'histoire du divertissement en ligne. Portrait du streamer canadien Félix Lengyel, alias xQc. Véritable star de la plateforme de streaming Twitch, le vidéaste anglophone vient de s'engager avec le concurrent Kick. Un nouveau service de streaming qui veut, coûte que coûte, faire de l'ombre à Twitch, le leader du marché. Cent millions de dollars. C'est ce qu'a déboursé Kick pour s'offrir durant deux ans les services de Félix Lengyel, alias xQc, x pour Félix et QC pour Québec d'où il est originaire. C'est aujourd'hui l'un des streamers les plus populaires au monde, ce qui justifie amplement ce contrat hors-norme, selon son agent Ryan Morrison.« Je pense qu'il vaut bien plus que ça. Plus de gens regardent Félix que n'importe quel athlète ou star que vous pouvez imaginer. Le contrat de Félix est bien plus important que celui de Lionel Messi à Miami ou celui de Lebron James. Et il vaut chaque centime, car si vous demandez au hasard à une personne de moins de 25 ans qui est son artiste préféré, il y a de fortes chances qu'elle vous réponde xQc. Il n'y a littéralement personne qui mérite un plus grand investissement dans le monde du divertissement en ce moment. »xQc, qui cumule aujourd'hui plus de 12 millions d'abonnés sur Twitch et plus de 20 000 heures de stream, diffuse donc désormais des live sur son compte Kick, où il compte plus de 426 000 abonnés.Une communauté fidèleL'histoire de xQc commence en 2015. Félix Lengyel n'a alors que 19 ans quand il décide d'arrêter ses études pour lancer sa chaîne Twitch. Il se filme alors en train de jouer à des jeux vidéo, notamment à Overwatch, un jeu de tir à la première personne. C'est avec ce titre qu'il intègre le monde professionnel et qu'il devient l'un des meilleurs joueurs du monde, notamment lors de la Coupe du monde 2017.S'ensuit une explosion de son audience et des scandales, après des propos homophobes et racistes, qui le poussent à se retirer de la scène professionnelle. Il se consacre alors entièrement au streaming et devient vite la superstar de Twitch.Avec du jeu vidéo, des réactions poussées à l'extrême et des formats innovants, xQc a trouvé la recette du succès avec un ingrédient magique : une personnalité exubérante.« Je n'ai jamais rencontré quelqu'un comme Félix. Vous savez, c'est un artiste. Il montre donc forcément du caractère dans ses streams. Il est très excité et très démonstratif. Mais en dehors des streams, c'est quelqu'un qui est passionné et très divertissant. Je pense vraiment que la personnalité de Félix est l'une des principales raisons de sa popularité », confie son agent et ami Ryan Morrison.Le symbole d'une nouvelle rivalité dans l'industrieAvec ce contrat de 100 millions de dollars, Félix Lengyel est devenu le symbole de la rivalité entre le géant Twitch, propriété d'Amazon, et le petit nouveau Kick, lancé par un milliardaire australien qui a fait fortune dans les casinos en ligne.Pour concurrencer Twitch, Kick n'hésite pas à se payer au prix d'or des vedettes comme xQc, l'objectif étant de ramener des spectateurs sur sa plateforme. Une stratégie non sans risques. « Ce qu'achète Kick en réalité, ce n'est pas xQc, c'est sa communauté. Dans une étude sociologique, on a montré qu'une grande partie du public s'implique dans les communautés des streamers non seulement pour accéder aux streamers, mais aussi pour accéder aux autres viewers (spectateurs) qui forment une communauté. Donc à partir du moment où il y a une chute de viewers lors du passage sur Kick, cela crée un effet boule de neige puisque c'est d'autant moins attractif vu qu'il y a moins de monde. C'est ce qui rend difficile le transfert d'une communauté d'une plateforme à une autre », explique Nathan Ferret, doctorant en sociologie à l'École des hautes études en sciences sociales (EHESS), spécialiste des plateformes de streaming.Au-delà de faire venir des stars, Kick mise aussi sur une meilleure rémunération des streamers et sur une modération presque inexistante. Une stratégie audacieuse avec un modèle économique qui paraît difficilement tenable à long terme. Plusieurs acteurs avaient déjà tenté la même chose, comme Microsoft avec Mixer. La plateforme avait tenu quatre ans, avant de mettre la clef sous la porte. Mais Ryan Morrison, l'agent de xQc, reste confiant : « cette nouvelle plateforme est incomparable avec Mixer. Kick a de l'avenir », assure-t-il.

Ryan Morrison, CEO of Millard Family Dentistry, talks with Gary about why switching patients from a hygienist's schedule to a doctor's can make scheduling more efficient, why you can't let patients walk all over you, and how recording patient phone calls helps you to have your team's back.Website: https://millarddentistry.com/Facebook: https://www.facebook.com/millarddentistrySay hello to Ryan!LinkedIn: https://www.linkedin.com/in/rymorrisonVisit our events page to discover all our upcoming events that you and your team don't want to miss! https://smcnational.com/events/

In this YouTube episode, Dr. Ryan Morrison DDS discusses the advantages and impact of Carestream PMS and TeamWorx. He dives deep into the technical system of Carestream PMS, explaining how it can greatly improve communication and workflow within a dental office. Dr. Morrison also shares his experience in optimizing the technical system by creating a more collaborative atmosphere and culture within the workplace. This informative YouTube episode is a must-watch for any dental office looking to streamline patient and team communication, workflow and improve team dynamics and culture.

In this episode, Dr. Ryan Morrison joins Dr. Eric Block and talks about how confidence plays a role in being a successful dentist and entrepreneur. He also shares an innovative visual patient education program that will increase your confidence and ultimately increase the case acceptance rate of your practice!

In today's episode, we have Ryan Morrison. He is on a mission to build Maximize which has the vision to Unite Entrepreneurs worldwide. Stay tuned for more episodes. Our links: https://linktr.ee/kyrileontiou

We discuss many events with the Stuart Chamber of Commerce President Ryan Morrison.

Presented by Iain Bruce. Guests are Maggie Chapman, Scottish Green Party MSP, and Ryan Morrison, Transition Campaigner at Friends of the Earth Scotland.  This episode of Rising Clyde, the Scottish Climate Justice Show considers the impacts of the war in Ukraine on energy costs and some potential solutions You can watch the video version of this show on Independence Live's Youtube channel

Welcome to Gun Funny, Episode 226. Today I'm going to chat with Gun Funny Patreons Daniel Treadwell, Ryan Morrison, and Jon Snow, and discuss the latest court development on California's magazine ban case, highlight a new pistol from Savage, and talk about Christmas photos that have some people acting like the Grinch. I'm your host, Ava Flanell. 

We discuss the holiday events for the Stuart Chamber Of Commerce with Stuart Chamber Of Commerce President Ryan Morrison.

On today's episode of The Cardano Convo, we are interviewing Ryan Morrison, the founder of Cardax. Cardax is the first Cardano-based decentralized exchange (DEX) to have received funding via Project Catalyst. Listen to learn more!          

Connect with us below:Cardax:WebsiteTwitterDiscordCardano Source:TwitterInstagram

Strange supernova, directly imaging an exoplanet and Percy takes a selfie. The post Episode 10: A Trip into the Deep Past first appeared on Ryan Morrison.

A new start. This week the latest space news, how we might live on the Moon and a star that blinked. The post Episode 9: A Trip to Strange Stars first appeared on Ryan Morrison.

ESA is going to Venus in the 2030s, Relativity Space is entering the larger launch market, Jeff Bezos is going to space and we look at an exoplanet. The post Episode 8: A Trip Beyond the Edge first appeared on Ryan Morrison.

Welcome to Gun Funny, Episode 198. Today I'm going to chat with Ryan Morrison from Saek Holsters, discuss the ruling in Miller v Bonta, highlight the absurd details of the ATF's proposed rule on braces, and talk about a shockingly expensive chicken nugget.  I'm your host, Ava Flanell.

NASA is going back to Venus, ESA is asking for help with space debris and what is a jellyfish galaxy? All that and more on this week's A Trip to Space. The post Episode 7: A Trip to LEO and Venus first appeared on Ryan Morrison.

We are close to the Wild West of space, SpaceX getting monopolistic and the Milky Way might just be normal. The post Episode 6: A trip to the edge first appeared on Ryan Morrison.

This week on A Trip to Space we go back to the Moon, find salt on Mars and a past Utopia The post Episode 5: A Trip back to the Moon first appeared on Ryan Morrison.

The latest episode of a Trip to Space podcast explores our friendly neighbourhood star. The post Episode 4: A Trip to the Sun first appeared on Ryan Morrison.

This week we’re heading to space, too quickly to possibly turn back after only a few hours, and we also for some reason aren’t taking very much oxygen or anything, all while discussing the new Netflix Sci-fi flick ‘Stowaway’. Stowaway is a 2021 science fiction thriller film, written by Joe Penna and Ryan Morrison and directed by Penna. The film stars Anna Kendrick, Daniel Dae Kim, Shamier Anderson, and Toni Collette. The film was released by Netflix and Prime Video (in Canada) on April 22, 2021. We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/ If you like this podcast, or hate it and us and want to tell us so - You can reach us at wewatchedathing@gmail.com Or, Twitter - @WeWatchedAThing Facebook - @WeWatchedAThing Instagram - @WeWatchedAThing and on iTunes and Youtube If you really like us and think we’re worth at least a dollar, why not check out our patreon at http://patreon.com/wewatchedathing. Every little bit helps, and you can get access to bonus episodes, early releases, and even tell us what movies to watch.

In this episode, we chat with Ryan Morrison of Cardax, one of the first DEXs on Cardano. Cardax is comparable to Uniswap which lives on Ethereum, however, Cardax will launch on Cardano. Right out of the box, it has a solid foundation because it will be built on the Cardano blockchain. On top of that, fees that prohibit many from using exchanges at all are mitigated to fractions of that on Ethereum. We are really excited about this project and Ryan and his team are working hard to make it as easy as possible to use. You can see some of the UI examples on their Twitter page. Hope you enjoy.Presented by:Grow Your Stake [GYS], a mission-driven Cardano stake pool contributing clean water wells around the world to those that need it most. Competitive rewards for delegators, plus 100% of pool operator profits go to Drop4drop charity. It's a win-win for delegators that stake to GYS.https://www.growyourstake.comCardax DEXhttps://cardax.iohttps://twitter.com/cardaxdex?lang=enhttps://discord.gg/r7UQvcUDHp

Exploring the latest evidence for life on Mars and how we might find it. The post Episode 3: A Trip to Mars first appeared on Ryan Morrison.

Streaming | Stowaway| Netflix | Capítulo 42 En nuestro episodio 42, @CharlieDelRio y @TutsiRouge hablan sobre la película Stowaway (2021), que estrenó en la plataforma de Netflix. Stowaway es una película de suspenso y ciencia ficción del 2021, escrita por Joe Penna y Ryan Morrison y dirigida por Penna. La película es protagonizada por Anna Kendrick, Daniel Dae Kim, Shamier Anderson y Toni Collette. Fue estrenada por Netflix el 22 de abril de 2021. #Netflix #Stowaway @#AnnaKendrick #DanielDaeKim #ToniCollette Visita nuestro sitio oficial: www.cinematempo.com.mx Apoya a Cinema Tempo en Patreon: www.patreon.com/cinematempo Suscríbete a nuestro canal de YouTube: https://www.youtube.com/CinemaTempo Síguenos en Redes Sociales http://facebook.comcinematempo http://twitter.com/cinematempo http://instagram.com/cinematempomx Sigue a Lucero Calderón en: http://facebook.com/tutsirouge/ http://twitter.com/tutsirouge Sigue a Charlie Del Río en: https://www.facebook.com/charliedelriocine https://twitter.com/charliedelrio

In the second episode of the ‘A Trip to Space' podcast I look at a... The post Episode 2: A Trip to Venus first appeared on Ryan Morrison.

NASA astronaut Ed Gibson went to space in 1973 as part of the Skylab 4 mission, the final crew to visit the only fully-US operated space station. He was the last person out the door. The post Episode 1: Interview with Ed Gibson first appeared on Ryan Morrison.

En Pasajero Inesperado, el dúo de Joe Penna y Ryan Morrison vuelven, después de Ártico, con una película de supervivencia, esta vez situada en el espacio exterior, o más bien, al interior de una nave espacial. Siguiendo una narrativa típica del género de ciencia ficción y de supervivencia, logran sin embargo plantear preguntas profundas sobre la condición humana y la ética y la moral en momentos de crisis. Luis Pablo Beuargeard, Trino Camacho y Mariana Linares Cruz analizan que mucho de eso se lo deben al elenco de cuatro actores: Toni Colette en su primer película de sci-fi, Anna Kendrick, Daniel Dae Kim y Shamier Anderson, también reflexionan sobre los elementos claves de la ciencia ficción del espacio, la conquista de Marte, la diversidad cultural, temas ambientales y los dilemas éticos y morales que plantea la película. Recuerdan también ‘Space Force’, la última serie de comedia de Steve Carell y John Malkovich. 

Now available to stream on Netflix in the U.S. and Prime Video in Canada, Stowaway is a new sci-fi thriller directed by Joe Penna, who co-wrote the film with Ryan Morrison. It stars Anna Kendrick, Daniel Dae Kim, and Toni Collette as a trio of Mars-bound astronauts who discover a surprise addition to their small, compressed spacecraft. This review is an excerpt from Episode #217 of the Cinemaholics Podcast. The intro music is “Skipping Breakfast” by Sinnr. Links: Follow us on Twitter: Jon Negroni, Will Ashton Support our show on Patreon. Follow Cinemaholics on Facebook and Twitter.  Send us an email via cinemaholicspodcast [at] gmail.com. Leave us a voicemail on The “Swell” App. Shop our Cinemaholics merch page for hoodies, shirts, and more! Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

Justin and Ryan discuss how his background in sports and the lessons in teamwork, failure, and passion has prepared him for his career in the financial world.

Stowaway is a science fiction thriller film, which follows the crew of a spaceship headed to Mars and discovers an accidental stowaway shortly after takeoff. Written by Joe Penna and Ryan Morrison and directed by Penna. The film stars Anna Kendrick, Daniel Dae Kim, Shamier Anderson and Toni Collette.

Stowaway is a science fiction thriller film, which follows the crew of a spaceship headed to Mars and discovers an accidental stowaway shortly after takeoff. Written by Joe Penna and Ryan Morrison and directed by Penna. The film stars Anna Kendrick, Daniel Dae Kim, Shamier Anderson and Toni Collette.

The market's open! Andrew & Pete talk about the modern classic Jaipur, and are joined by Ryan Morrison, owner of their local board game store Tiki Tiki Board Games!

Meeting up on Skype is definitely not the route they wanted to take, but the guys get busy! Listen in and hear about what the modern workweek looks like for the fellas, alien invasions, meeting the ladies, and just having a good time with Ukrainian guys. Enjoy!

Pruitt and Fulmer out at UT. Bama coaching hire/potential hires. Does being a Saban assistant hurt you as much as it helps you? AFC/NFC championship game predictions, and Bama hoops. Special guest Packer fan Ryan Morrison joins the show.

Ryan Morrison and Mawera Karetai in Whakatane join Samuel Mann in Dunedin. With a contribution from Tahu Mackenzie. This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

If you're caught on camera during a streamer's IRL stream on the street, do you have any control over that content? This week Ryan, Austin, and special guest Noah Downs talk about Privacy Rights and recording in public!

Ryan Morrison is a successful commercial leader with over 20 years experience in helping companies of various sizes achieve their objectives and in ensuring individuals unlock their talent and fulfil their potential. His experience covers strategic planning, transaction to enterprise sales, the identification and development of strategic partnerships and leadership of highly successful teams. He also leads global marketing strategy. He is currently building a new global commercial division for TruNarrative having helped build the business from scratch We discuss: Financial crime and how we solve it The mission of Tru Narrative  Challenges of COVID 19 Open Banking  His approach to sales and new business  Enjoy the chat

Justin jumps on the mic with Dr. Ryan Morrison and Trey Tephichin from Cloud Dentistry to talk about staffing woes and technology that can help.  Cloud Dentistry is a web and app-based marketplace where dental offices can message and book dental staff on-demand. It’s free to look at dental professionals’ profiles, free to initiate messages, free to post jobs. Zero markups on daily rates for temps. And zero placement fees for full-time hires. Use code “Moody” when registering before September 30th to lock in a 10% discount. Go to www.clouddentistry.com  to claim your free account.

Will FEMA help pay for your hurricane-destroyed home? This week Ryan, Austin, and Ali discuss disaster relief, hurricanes, and COVID-19!

I'm so excited that I got the chance to sit down with my very good friend Ryan Morrison, owner and operator of Tiki Tiki board games. Tiki Tiki is slowly becoming a Woodbury staple and community gathering place with a unique twist on nostalgia and nerdom – it's truly a place anyone can enjoy. And I hope you that you enjoy listening!

Is Space Force dead in the space-water before it even launches? This week Ryan, Austin, and Ali discuss what Netflix's trademark claim on Space Force actually means for the United States' space agency!

Why have Twitch streamers been getting take-downs for background music? This week Ryan, Austin, and Ali are joined by special guest Noah Downs to discuss the legalities and realities of streaming on Twitch!

Who do you have to pay when you sing Happy Birthday in public? This week Ryan, Austin, and Ali talk about the strange ownership-journey of the world-famous Happy Birthday song!