Podcasts about beatles let it be

Ljúfur mánudagur í Popplandi. Margrét var svo slök að hún spilaði næstum jólalag. Geirfuglar eiga plötu vikunnar, Snú snú í gröfinni. Við spilum eitt Bítlalag á klukkutíma fyrir Boga Ágústsson sem les sinn síðasta fréttatíma í kvöld. EGILL ÓLAFSSON - Að hika (Hann virðist á nálum). RIHANNA - Diamonds. Bubbi Morthens - Dansaðu. Lizzo - Still Bad. David, Damiano - Born With A Broken Heart. BRYAN ADAMS - Summer Of '69. Bríet, GDRN, Magnús Jóhann Ragnarsson - Veðrið er herfilegt. Miley Cyrus - Wrecking ball. Geirfuglarnir - Tæknimál - kynning plata vikunnar 2025 18. vika. Geirfuglarnir - Tæknimál. BONEY M, BONEY M - Daddy cool. GDRN - Þú sagðir. Pulp - Spike Island. THE BEATLES - Get Back. KYLIE MINOGUE - Can?t Get You Out Of My Head. HELGI JÚLÍUS & VALDIMAR GUÐMUNDSSON - Þú ert mín. MIKA - Grace Kelly. Una Torfadóttir, Elín Hall - Bankastræti. EMILÍANA TORRINI - To Be Free. DUA LIPA - Dance The Night. THE WHITE STRIPES - The Denial Twist. METRONOMY - The Look. AMPOP - My Delusions. Laufey - Silver Lining. DURAN DURAN - Ordinary World. MANNAKORN - Á Rauðu Ljósi. MIIKE SNOW - Animal. THE BEATLES - Let It Be. Daði Freyr Pétursson - I don't wanna talk. DÚKKULÍSUR - Svarthvíta hetjan mín. Páll Óskar Hjálmtýsson, Benni Hemm Hemm - Allt í lagi. R.E.M. - Man On The Moon. HJÁLMAR - Taktu þessa trommu. Steinunn Jónsdóttir - Stiklað á stóru. THE KINKS - Sunny Afternoon. Geirfuglarnir - Út um gluggann - kynning plata vikunnar 2025 18. vika. Geirfuglarnir - Út um gluggann. KATE BUSH - Wuthering Heights. Supersport! - Gráta smá. THE BEATLES - Something. FRIÐRIK DÓR - Bleikur og blár. Árnason og Co., Unnsteinn Manuel Stefánsson - Sprettur. ÞÓRUNN ANTONÍA - Too late. Chappell Roan - The Giver. TRAIN - Drops of Jupiter. Ásdís - Touch Me. The Ting Tings - That's Not My Name.

The Wolf spent 3+ years just a stone's throw from Abbey Road in NW London, just six blocks from the studio that goes by the same name. The studio was EMI for decades until it was renamed in the 1970s after the final album recorded by The Beatles (Let It Be was released later but those sessions took place earlier and at different studios). After throwing out exotic locales for the album cover, George Harrison suggested they walk across the street and the most iconic album cover was born. The boys may not be the world's biggest Beatles fans but to love rock n roll, one must have an appreciation for them. The Wolf remained largely unfamiliar with Abbey Road until he realized he had to pick up a copy if he was going to walk down that street everyday for 3 years. As it turns 55, the boys go track x track, discuss the famous cover and dive into the state of The Beatles in their final days. Paul was trying to manage the band since the death of Brian Epstein and still deliver the goods in the studio. John was getting deeper into heroin and Yoko Ono. George was growing up and saving some of his best for his debut solo album. And Ringo just wanted the boys to stop fighting in meetings all the time. But George brought the goods with Something and Here Comes The Sun. John offered up Come Together and the pre-heavy metal I Want You (She's So Heavy). Paul put together some of his and John's best new melodies for the epic medley on the 2nd side. And dear Ringo gave us Octopus's Garden, a place he'd rather be than haggling with the band all the time. We dive deep into each song, where each member of the band was at the time and where they were going. This may not be our favorite album but it is an important document of a band that had had enough but could still bring the most amazing harmonies to life. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wolf spent 3+ years just a stone's throw from Abbey Road in NW London, just six blocks from the studio that goes by the same name. The studio was EMI for decades until it was renamed in the 1970s after the final album recorded by The Beatles (Let It Be was released later but those sessions took place earlier and at different studios). After throwing out exotic locales for the album cover, George Harrison suggested they walk across the street and the most iconic album cover was born. The boys may not be the world's biggest Beatles fans but to love rock n roll, one must have an appreciation for them. The Wolf remained largely unfamiliar with Abbey Road until he realized he had to pick up a copy if he was going to walk down that street everyday for 3 years. As it turns 55, the boys go track x track, discuss the famous cover and dive into the state of The Beatles in their final days. Paul was trying to manage the band since the death of Brian Epstein and still deliver the goods in the studio. John was getting deeper into heroin and Yoko Ono. George was growing up and saving some of his best for his debut solo album. And Ringo just wanted the boys to stop fighting in meetings all the time. But George brought the goods with Something and Here Comes The Sun. John offered up Come Together and the pre-heavy metal I Want You (She's So Heavy). Paul put together some of his and John's best new melodies for the epic medley on the 2nd side. And dear Ringo gave us Octopus's Garden, a place he'd rather be than haggling with the band all the time. We dive deep into each song, where each member of the band was at the time and where they were going. This may not be our favorite album but it is an important document of a band that had had enough but could still bring the most amazing harmonies to life. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

大条小条之重听欧美摇滚史第一期主题：The Beatles播放歌曲：1.The Beatles 《Yesterday》2.The Beatles《Norwegian Wood》3.The Beatles 《Hey Jude》4.The Beatles《Let It Be》5.John Lennon 《Imagine》

大条小条之重听欧美摇滚史第一期主题：The Beatles播放歌曲：1.The Beatles 《Yesterday》2.The Beatles《Norwegian Wood》3.The Beatles 《Hey Jude》4.The Beatles《Let It Be》5.John Lennon 《Imagine》

"The Beatles: Let It Be"

Hunde, Katzen und Primaten: auf zu PLANET DER AFFEN: NEW KINGDOM. Außerdem schwärmen wir abermals für ROBOT DREAMS, gönnen uns mit GARFIELD - EINE EXTRA PORTION ABENTEUER und nehmen noch mal kurz an THE LAST KUMITE teil. Mit wir meinen wir natürlich Schlogger, Simon, Bea und Schröck, die darüber hinaus auch wieder eine Reihe an Mediatheken- und Streaming-Tipps am Start haben. Zum Beispiel HOPE AND GLORY, der MAD MAX-Fan-Film, der jetzt frisch auf YouTube gestartet ist, oder THE FINAL: ATTACK ON WEMBLEY, POKÉMON: MEISTERDETEKTIV PIKACHU, DER EXORZIST: BEKENNTNIS und THE BEATLES: LET IT BE, eine Doku, die jetzt nach 50 Jahren zum 1. Mal wieder erhältlich ist. Dazu gibt es noch eine kleine, aber belustigte Diskussion zu der neuen Netflix-Komödie UNFROSTED, bevor wir mit DRIVE MY CAR, DER GOTT DES GEMETZELS, HIGHLANDER, RAGING FIRE und DIE MOTHMAN PROPHEZEIUNGEN auch diese beiden Rubriken abrunden. Ansonsten bleibt eigentlich nicht mehr so viel, es reicht aber trotzdem, damit die Vier wieder in diverse Richtungen galoppieren, bevor sie zu den eigentlichen Besprechungen kommen. Denn es müssen erstmal und gleich ein paar Filme von Paul Thomas Anderson diskutiert werden. Vor allem LICORICE PIZZA und PUNCH-DRUNK LOVE mit Schwenk in Richtung LA LA LAND. Außerdem geht es noch um Filme wie PROBLEMISTA, THE ZONE OF INTEREST, ALL OF US STRANGERS und POOR THINGS, was zum einen bei Donnie O'Sullivan und dann irgendwie zum anderen auch bei EIS AM STIEL endet. Man oder frau muss es selbst gesehen haben, um zu verstehen, wie so was passiert. Doch bevor es noch zu schlüpfrig wird, bringt uns Simon mit TALK TO ME auf den Boden der Horror-Tatsachen zurück. Was bleibt, sind zwei Veranstaltung-Tipps und nicht viel mehr als Euch viel Spaß und gute Unterhaltung zu wünschen. Ob im Kino, auf der Couch, hier mit uns oder bei allem anderen, das Ihr machen wollt. Bleibt nur gesund und gut drauf und ansonsten sehen wir uns nächste Woche oder bei TEASE ME am Sonntag. Kurz gesagt: Ha det bra. Rocket Beans wird unterstützt von Radio Bob! Learn more about your ad choices. Visit megaphone.fm/adchoices

El profesor de inglés, traductor, músico y agitador cultural Philip MacConnell nos invita a sumergirnos en las letras de canciones famosas. En esta ocasión repasa canciones publicadas en el año 1970. Suenan Derek And The Dominos (Layla), Simon And Garfunkel (Bridge Over Troubled Water), The Beatles (Let It Be), Elton John (Your Song) y Black Sabbath (Paranoid).

El profesor de inglés, traductor, músico y agitador cultural Philip MacConnell nos invita a sumergirnos en las letras de canciones famosas. En esta ocasión repasa canciones publicadas en el año 1970. Suenan Derek And The Dominos (Layla), Simon And Garfunkel (Bridge Over Troubled Water), The Beatles (Let It Be), Elton John (Your Song) y Black Sabbath (Paranoid).

We may have an obscure album for your listening pleasure today.  Crabby Appleton was a short-lived band that was formed by the combination of musicians from an acid blues band called Stonehenge and singer-songwriter frontman Michael Fennelly.  The band is out of the Laurel Canyon counterculture, which produced many groups like The Mamas & the Papas, Jim Morrison, Carole King, and Jackson Browne.  The group gets its name from a character on the late 50's cartoon series Tom Terrific, which was a part of the children's television show "Captain Kangaroo."  Their debut album was eponymously named Crabby Appleton.In addition to Michael Fennelly, the group consisted of percussionist Felix "Flaco" Falcon, Casey Foutz on keyboards, Phil Jones on drums, and Hank Harvey on bass.  Phil Jones was the catalyst in the formation of the group after he met Fennelly in a club on the Sunset Strip and asked him to join Stonehenge as lead singer and guitarist.  The group signed with Elektra Records, and had a top 40 single with "Go Back."  Their second album was called "Rotten to the Core" and was recorded in 1971.  After experiencing disappointing sales with this sophomore effort the group split up.  They would get some mileage out of their initial success before this happened, and would appear on American Bandstand as well as opening for a number of groups including the Doors, Three Dog Night, ABBA, and the Guess Who.  Wayne takes us through this lesser known rock album.  Friend of the show Bill Cook sits in for Bruce on this podcast. Peace by PeaceThis song grooves with the Hammond organ and talks about getting back what you give.  If you lead with a gun others will respond in kind, while if you lead with peace others will respond with peace.  It has a sound similar to the Doors, or Emerson, Lake and Palmer.  TryThe lead song from side two starts and ends with an upbeat groove with a Santana-esque percussion jam sandwiched in the middle.  The lyrics are about a relationship that could go several ways.  “We can try or we can throw it away.”CatherineA slower jam, this short acoustic-based ballad feels like Crosby, Stills, and Nash.  It is about a guy who longs for a woman who is in another relationship.  Go BackThis is the hit from the record, which went to number 36 on the Billboard Hot 100.  This was called a proto-power-pop single.  The song is about a woman in a new relationship who can't give up her love for her ex.  “And you know it's not right when you kiss me tonight and you pretend his lips are mine.” ENTERTAINMENT TRACK:Main Theme from the motion picture “Chisum”You can't go wrong with John Wayne.  This western was set in 1870's New Mexico. STAFF PICKS:Ride Captain Ride by Blues ImageRob launches the staff picks with a song which got its initial lyrics from the number of keys that singer-guitarist Mike Pinera had on his keyboard.  “Seventy-three men sailed up from the San Francisco Bay.” The band is out of Tampa Florida, and this was their only top 40 hit, reaching #4 on the Billboard Hot 100. Signed, Sealed, Delivered by Stevie WonderLynch brings us a grooving, soulful song that would be the anthem for Motown at the time.  It went to number 3 on the Billboard Hot 100.  The song itself is about a guy who has some back to his love, realizing that what he has is all he wants, never to roam again.The Long and Winding Road by the Beatles Bill features  a song off the Beatles “Let It Be” album.  It was written by Paul McCartney and was released as a single the month after the group broke up.  The original recording was more sparse, and the orchestration was added by Phil Spector.  McCartney hated the Spector “wall of sound” arrangement, citing the treatment of the song as one of six reasons for justifying the dissolution of the Beatles partnership.Ohio by Crosby, Stills, Nash, and YoungWayne's staff pick takes a political turn with a protest song inspired by the shootings at Kent State.  Neil Young wrote and sang lead on this song.  Student protests of the expansion of the Vietnam Wars led to a standoff at Kent State in which the National Guard killed four people and wounded nine.   NOVELTY TRACK:Killer Joe by Quincy JonesWe finish up the podcast with a jazzy number that was popular at the time in 1970. Thanks for listening to “What the Riff?!?” Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

KV Turley w/ Archangel Radio in Alabama QUESTION: How do you continue to stay on air after all these years? ANSWER: Entertain, Entertain and Entertain I came one host after Sean Hannity at that radio station. You can't see the hand movements and eye squinting on radio. You can't use any of those gimmicks so to speak w/ radio. What are basic rules you pass onto people interested in basic radio. Assume your audience knows NOTHING. You assume this so you can adequately inform them. Why do I use the RE 20 and will never use anything else? Learn mic technic -  BACK with KV Turley and Archangel Radio in Alabama What is your take on the industry today? If you have 50% of your audience hate it and 50% love it, you have done your job. I am willing to state something and not change my mind on it. You can't invent personality - that is intangible. I can't teach personality. If you play a character that character might get old. The Bob and Sherry Show - their key to survival is no matter who buys the station they adapt. The Beatles Let It Be album - there is a quote on there that they wanted to bring the atmosphere of a live recording to a record b/c there was nothing like the LIVE versions. Kinda like Broadway vs Movies You can't teach it, tenacity.  You can't teach that either, the desire and commitment to do it right, to get it right to have your audience love your show. Back in the day they picked a vocation and stuck with it for life. It requires a commitment to your craft. We know this in the Catholic realm as a VOCATION. You dig in through good times and bad times.

En la visita semanal de nuestra colaboradora Geraldine Hill, conocemos las canciones favoritas y las pasiones sonoras ocultas del traductor y músico escocés Philip MacConnell. Suenan canciones de The Beatles (Let It Be), The Jam (Thick As Thieves), Suede (Animal Nitrate), Mariah Carey (Without You) y Sergei Prokofiev (Troika).

Stone Temple Pilots.    There are two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo actually met; one was that Weiland and DeLeo met at a punk rock icon Black Flag concert in Long Beach, California, in 1985.  They started chit-chatting, discussing their girlfriends, only to realize they were dating the same woman. However, instead of having some beef and fighting over her, they became friends and formed a band after breaking it off with the girl. On the other hand, Weiland had a different version of meeting Deleo, written in his autobiography. The way he tells it, he and his current band Soi Disant, guitarist Corey Hicock, and drummer David Allin pursued DeLeo after watching him play live at different gigs.   Initially calling themselves "Swing," Allin left to pursue other interests after a few years. The remaining members watched drummer Eric Kretz play in a Long Beach club and convinced him to join the band. Guitarist Hicock eventually left the band in 1989; in need of a replacement and auditioning many guitarists, Robert suggested his older brother, Dean DeLeo. He and his brother were born in Montclaire, New Jersey). At the time, Dean was a successful businessman who did what many musicians do and had decided to leave music behind to find a "real job." The band convinced Dean to play for Swing, completing the original STP lineup. Dean hated the name and refused to continue playing in a band called "Swing," changing the name to "Mighty Joe Young," which was a B Movie from the 1940s. They recorded a demo tape around 1990. That demo would have tracks that would go on to be re-recorded for the band's first studio album, "Core," as well as some different styles that wouldn't show up again, like some funk and yodeling. Yes, Yodeling. Mighty Joe Young played a few gigs in the San Diego area, gradually building a fanbase. Their first show supported Henry Rollins (Formerly of that band Black Flag we mentioned earlier) at the world-famous Whisky a Go-Go in Los Angeles, CA. The group then began working on their debut album with first-time producer and mixer Brendan O'Brien, the guy who's worked with future Icons and Outlaws subjects, AC/DC, Pearl Jam, Bob Dylan, Rage Against the Machine, and Bruce Springsteen. Definitely a big deal. One day while recording, they received a call from their lawyer. He informed them that a blues player out of Chicago had already claimed the name Mighty Joe Young and they obviously didn't want to get sued for trademark infringement. So, rumor has it that they were inspired by the STP Motor Oil stickers they loved as kids. Various ideas on the initials "STP" were bounced back and forth, like "Shirley Temple's Pussy" and "Stereo Temple Pirates" before they settled on the name "Stone Temple Pilots."   STP built up their fan base in the San Diego clubs and in 1992 signed a deal with Atlantic Records, who had just released White Lion's "Main Attraction," Rush's "Roll The Bones," and Genesis' "We Can't Dance" the previous year. STP's first album, Core, was released on September 29, 1992, and peaked at No. 3 on the Billboard Albums Chart. Core was a big success, producing hits "Sex Type Thing," "Plush," (which was rumored to have been written while Eric and Scott were in a Jacuzzi) "Creep," and "Wicked Garden." The debut album was a major commercial success; however, some press called the band "grunge imitators." The name of the album, "Core," refers to the apple in the biblical tale of Adam and Eve. It was recorded in only five weeks! Weiland has said that the album's central theme is that humanity is confused, with songs like "Sex Type Thing" (which is an anti date rape song and written after a woman that Weiland was deeply in love with was raped by 3 football players after a drunken high school party). Whereas "Naked Sunday" dealt with social injustice. "Sex Type Thing," according to Weiland, deals with abuse of power, "macho" behavior, and humanity's attitude toward women, treating them as sex objects. Also, "Naked Sunday" "is about organized religion. "About people who tell others what to do and what to believe. They switch off people's minds and control the masses." He goes on to say, "It gives me a feeling of isolation when I think about it. Organized religion does not view everyone as equals." Weiland says about his lyrics on "Core": "I feel very strongly that all individuals, regardless of age, race, creed, or sexual preference, should have the freedom to exercise their rights as human beings to enjoy life, pursue what they want, and feel comfortable about who they are. I guess I tend to find the darker sides of life more attractive than the yellows and oranges. I know it's something that I relate to when I listen to music."   According to Weiland, "Wicked Garden" 's lyrics deal with the loss of innocence and purity, while "Sin" addresses "violent and ugly" relationships.    Also, the instrumental song "No Memory," the interlude between "Wicked Garden" and "Sin," was written by guitarist Dean DeLeo.   Deleo said about "Core," "You know how when you listen to a Led Zeppelin album, you listen to the entire album, not just the odd song? We wanted to make a record like that. We wanted to create a vibe which would run right through the whole album."    "Core" contained many more bangers, including Dead and Bloated and Crackerman. Since its release, the album has gone eight times platinum, selling over 8 million copies!   Also, that same year, Scott Weiland and Dean DeLeo played an acoustic version of "Plush" on the show Headbangers Ball. If you're not familiar, Headbanger's Ball was a T.V. show consisting of heavy metal music videos airing on MTV and hosted by Riki Rachtman. Some have considered this one of Weiland's most outstanding vocal performances.   Despite some negative reviews from critics, STP continued to gain fans and toured, opening for bands like Rage Against the Machine and Megadeth. Then, 1993 saw the band kicking ass, headlining a two-and-a-half-month tour here in the states.   In 1993, the band filmed an episode of MTV Unplugged, where they debuted the song "Big Empty," which would go on to be on the soundtrack for the movie "The Crow." You can hear our version of this iconic song at the end of the episode.    In a poll in Rolling Stone from 1994, Rolling Stone's readers voted STP Best New Band and Worst New Band by the magazine's music critics. In addition, they took home the "Favorite Pop/Rock New Artist" and "Heavy Metal/Hard Rock New Artist" awards the following month at the American Music Awards. Finally, in March 1994, they won a Grammy for Best Hard Rock Performance for "Plush."    Later that same year, STP returned to the studio with Brenden O'Brien, once again producing, to work on their second album, Purple. Unfortunately, around this time, it was also revealed Weiland had become a heroin addict. On the last stop of an STP co-headlining tour with the Butthole Surfers in 1993, in a back room of New York City's Royalton Hotel, Weiland first tried heroin, and in the embrace of this sticky brown shit, his demons were finally at ease. While "Core" took just five weeks to complete, Purple would take less than a month to record. Which, if you're not familiar, is extremely quick. The album's first single was "Big Empty," which debuted at STP's MTV Unplugged acoustic performance in 1993 and reached number one on the Billboard charts. A couple of weeks later, "Purple" also reached the top of the charts, making two for the band in 1994. Although like "Core," "Purple" features grunge elements. However, this album also displays the bands developing sound influenced by other genres, apparent in the psychedelic rock found in "Lounge Fly" and "Silvergun Superman," the country vibes of "Interstate Love Song," and the blues-rock elements of "Big Empty."  AllMusic.com's Stephen Thomas Erlewine wrote that "Purple is a quantum leap over [Core], showcasing a band hitting their stride." Erlewine also described "Interstate Love Song" as a "concise epic as alluring as the open highway" and "Big Empty" as "a perfect encapsulation of mainstream alienation.” The other two singles after "Big Empty," "Vaseline," and "Interstate Love Song" also hit the top ten on the Billboard Charts, giving them three top ten hits that year. The album also included other minor hits, including "Pretty Penny" and "Unglued." Purple has been certified 6x platinum, selling over 6 million copies. It sold three million copies just four months after its release. The cover of Purple shows a baby riding a dragon in the sky while some angelic figures look on. It is based on the artwork from a package of China White heroin that Weiland scored in Los Angeles. 1994 also saw Weiland marry Janina Castaneda, in which it is said that "Sour girl" and "Interstate Love Song" were written about. Heading into 1995, Weiland would slide into drug and legal problems. His heroin problems were getting worse. "When I tried heroin for the first time," Weiland recalled in 1998, "it seemed to make all those insecurities just go away. I suddenly felt: 'Wow, this is how normal people feel on a day-to-day basis.'" He was spending over $3,000 a week on smack within a year. Weiland found that heroin not only took away his anxiety but also fed into his carefully concocted "wasted rock star persona" and inspired a "bracing new experimentalism." He credited a lot of his creativity during the "Purple" recording sessions to his addiction to heroin. "Heroin gave me this ability to distance myself from the creative process and thereby gave me the strength and courage to try new things," he told Classic Rock.com. "Part of me felt I couldn't be creative unless I was high."   In October 1995, STP got together to begin recording their third album, "Tiny Music... Songs from the Vatican Gift Shop." They rented out a mansion in Santa Barbara, California, to live together during the recording process. Unfortunately, the production process of Tiny Music wasn't easy. In early 1995, shortly after the band was forced to scrap two weeks' worth of recorded material, Scott was arrested, just two days out of another rehab, for heroin and cocaine possession and sentenced to one year's probation. Obviously, it didn't take long for Weiland to lose that little control of the addiction he held during this time. After his wife Janina bailed him out, he literally jumped out of her car at a stoplight and disappeared for days while shooting dope with Courtney Love. Yes, that Courtney Love. Weiland formed his side band, the Magnificent Bastards, and recorded songs for the Tank Girl soundtrack and a John Lennon tribute album in the months following this incident.     They released "Tiny Music" on March 5, 1996 and spawned three singles that reached No. 1 on the Mainstream Rock Tracks chart: "Big Bang Baby," "Lady Picture Show," and "Trippin' on a Hole in a Paper Heart."   The album's sound severely changed from their previous two albums, adding more glam rock and psychedelic styles and less of the hard rock/grunge sound that made them famous. Of course, reception by critics at the time was mixed. Rolling Stone, the magazine that initially dubbed them the "Worst New Band" in 1994, praised the record, calling it the group's best effort to date. However, they were surprised at "the clattering, upbeat character of the music," seeing that Weiland was all over the news with his drug use and arrests. STP was also featured on the cover of Rolling Stones issue No. 753 in February 1997. The band was only partially successful touring in support of Tiny Music... and was forced to pull out as support for Kiss' reunion tour. A small tour in the fall of 1996 commenced in the U.S. However, dates at the end of December and in 1997 had to be canceled for Weiland to enter rehab, claiming that their singer had "become unable to rehearse or appear for these shows due to his dependency on drugs."    At only 24, Weiland went from smoking heroin to injecting the stuff. He spoke about his first shot of heroin by saying. "It's like what they talk about in Buddhism, that feeling of reaching enlightenment," he told Esquire. "They say there's a golden glow that goes from your fingers all the way through every appendage and into the pit of your stomach. That's what it felt like to me. Like I'd reached enlightenment. Like a drop of water rejoining the ocean." The band then decided to take a break to work on other projects. "I can't call the kettle black," remarked Kiss drummer Peter Criss. "I just pray for the guy and hope that he gets himself better because they really are a great band."   Things were getting worse after all of the issues with recording and touring for Tiny Music. In 1998, the same year Weiland released his first solo album, 12 Bar Blues, police arrested Weiland for buying dope in a New York housing project. A drug-related probation violation landed him five months in jail. Later years would bring more arrests for drunk driving, battery, and possession.   During the initial recording of "Tiny Music," STP, without Weiland, recruited Dave Coutts, the singer of Ten Inch Men, and began performing under the name "Talk Show." Talk Show released one self-titled album in 1997 before calling it quits. Robert and Dean had gotten together to figure out which songs should be Tiny Music songs and Talk Show songs. Dean would later say, "Robert and I had about 30 songs, and we sat in the room one night and basically went down the list and marked next to every song: Scott, Scott, Dave, Scott, Dave, Dave, Scott... It's really weird, because in all reality, it was like 'Big Bang Baby' could've been on [the] Talk Show record, and 'Everybody Loves My Car' could've been on Tiny Music." Both albums, Weiland's "12 Bar Blues" and `Talk Shows "self-titled, seemed to please the critics, but neither was commercially successful.   Billy Corgan of The Smashing Pumpkins once said, "It was STP's 3rd album that had got me hooked, a wizardly mix of glam and post-punk, and I confessed to Scott, as well as the band many times, how wrong I'd been in assessing their native brilliance. And like Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere. Lastly, I'd like to share a thought which though clumsy, I hope would please Scott In Hominum. And that is if you asked me who I truly believed were the great voices of our generation, I'd say it were he, Layne, and Kurt." In 2016, The A.V. Club noted that Tiny Music "was an almost shocking leap forward in creative ambition" and that "[STP] got weirder and better than anyone gives them credit for." Numbers-wise, the album has been certified twice platinum, selling over 2 million copies.    In late 1998, the band regrouped again and began work on a fourth STP album. 1999s "No. 4" was looked at as a "back-to-basics" rock album in similar to "Core" or "Purple." Stephen Thomas Erlewine of AllMusic wrote in a review, "it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs.", comparing the album's sound to the current wave of alternative metal bands. This album found STP scoring one of its biggest hits since the "Core" and "Purple" with the single "Sour Girl," which stemmed from a music video starring "Buffy The Vampire" T.V. star, Sarah Michelle Gellar. STP then went on a summer tour with the Red Hot Chili Peppers and recorded an episode of VH1 Storytellers, supporting "No.4.", with the surviving members of The Doors. Weiland did vocals on two Doors songs, "Break On Through (To the Other Side)" and "Five to One." That same month Stone Temple Pilots appeared on the Doors tribute CD, Stoned Immaculate, with their own rendition of "Break on Through" as the lead track. Despite the lack of promotion due to singer Scott Weiland's one-year jail sentence shortly before the album's release, it would eventually be certified platinum in August 2000.    The cover art for No.4 generated some brief controversy because it strongly resembled the cover of the debut E.P. from Washington, D.C.-based band Power Lloyd. The Power Lloyd CD "Election Day" was released in 1998, and the cover was a white, five-point star on a black field under the band's name; STP's No.4 also featured a white five-point star on a black field under the band's name. Power Lloyd co-founder Gene Diotalevi explained that after their band had given a song to MTV to be used on the soundtrack of Celebrity Deathmatch, someone at MTV with an advance copy of No.4 noticed that the covers were nearly identical and alerted the band. However, Diotalevi stated that no one from STP's camp would return their calls or letters until his band mailed a cease-and-desist letter to STP's record company. STP's legal team then "made an offer to settle that was unacceptable to us," according to Power Lloyd's lawyer, Will Shill.   That same year, Weiland also recorded two songs with the short-lived supergroup the Wondergirls. The group also featured Mark McGrath of Sugar Ray, Ian Astbury of The Cult, Shannon Leto of Thirty Seconds to Mars, Jay Gordon and Ryan Shuck of Orgy and Julien-k, Doug Ardito of Puddle of Mudd, Ken Andrews of Failure, Martyn LeNoble of Porno for Pyros, and Troy Van Leeuwen of Queens of the Stone Age.   During the summer of 2001, the band released "Shangri-La Dee Da." Despite the album's promotion by going on tour with Linkin Park, Staind, and Static X on the Family Values Tour, Shangri-La Dee Da was a commercial disappointment. This album was the fifth and final album released by STP before splitting up in 2002. The album was initially conceived as a double album dedicated to the memory of Andrew Wood, the lead singer, and lyricist of Malfunkshun and Mother Love Bone. The record company was not happy with the idea of a double album, and after a while, the band relented to the pressure and made it the single album that was released. During the recording of Shangri La Di Da, the band had a filmmaker record everything that transpired. The filmmaker said the documentary was made to be in the style of The Beatles "Let It Be." Supposedly, there was a coffee table book as a companion to the documentary. Unfortunately, neither the documentary nor the book was released. The biggest hit off of this album was "Days Of The Week," which reached number four on the mainstream rock charts. The album did not perform as well as the previous STP albums, selling just over 500,000 copies and certified gold.   At that point, marketing support from their label was nonexistent, and the band decided to hold on recording any future albums. Finally, however, the band recorded "All in the Suit That You Wear," a song intended to be the lead single on the soundtrack for the 2002 film Spider-Man. However, Chad Kroeger's song "Hero" was ultimately chosen as the lead single. This soundtrack also featured the song "She Was My Girl" by Alice In Chains guitarist and vocalist Jerry Cantrell and was written by Cantrell and my good friend, Jeff Tomei, who also recorded and produced the song.   Reports that the band had begun work on a sixth studio album in 2002 were put to rest as the band went quiet by the end of that year. An altercation between Dean DeLeo and Scott Weiland after the last show of Stone Temple Pilots' fall 2002 tour led to the final dissolving of the band. As an homage to the band's successful career, in 2003, Atlantic Records released a greatest hits album called "Thank You." The album had a bonus DVD of archive material and music videos. Five days after it's release, the DeLeo brothers revealed that the band was officially done in an interview with Guitar One. Following the band's dissolution, Weiland was recruited to join the successful supergroup Velvet Revolver with Guns N' Roses members Slash (guitar), Matt Sorum (drums), Duff McKagan(bass), and former Wasted Youth guitarist Dave Kushner. Weiland was friends with all four of these fellas, so when they were looking for a singer, they sent him two discs of material. He was not really into the first disc, saying it sounded like "Bad Company gone wrong." After that, the guys sent him the second disc, which Weiland liked more. Weiland declined the invite to sing at the time as STP was not broken up yet. After STP officially announced their breakup in 2003, the band sent Weiland new material, and Weiland added vocals to the track at his studio. This track eventually became the song Set Me Free. He delivered the recording to the band in person but still would not join the band. He recorded two songs with the guys, a version of Set Me Free and a cover of Money by Pink Floyd for The Hulk and The Italian Job movies, respectively. Shortly after, Weiland officially joined the band. Before a screening of The Hulk at Universal Studios, the band chose a name. Slash liked the beginning of the word Revolution after seeing a movie by Revolution Studios, eventually thinking of Revolver because of its multiple meanings. The name of a gun, the subtext of a revolving door, and the name of a Beatles album. When he suggested Revolver to the band, Weiland suggested 'Black Velvet' Revolver,' liking the idea of "something intimate like velvet juxtaposed with something deadly like a gun." They eventually arrived at Velvet Revolver. They announced the name at a press conference and performance showcase at the El Rey Theatre while also performing the songs "Set Me Free" and "Slither" as well as covers of Nirvana's "Negative Creep," Sex Pistols' "Bodies," and Guns N' Roses' "It's So Easy."   In 2004, the band released their debut album "Contraband." The album debuted at number one and has sold over 3 million copies worldwide. 2 million were sold in the U.S., making the album certified double platinum. The album's recording was hampered at times by Weiland having to appear in court for his drug charges and his subsequent sentence for rehab. Nevertheless, two of the album's songs, "Slither" and "Fall to Pieces," reached number one on the Billboard Modern Rock Tracks chart. The song "Slither" also won a Grammy Award for Best Hard Rock Performance with Vocal in 2005, an award Weiland had won previously with STP for the song "Plush" in 1994. Velvet Revolver released their second album, Libertad, on July 3, 2007, peaking at number five on the Billboard 200. The delay in releasing their second album, according to Slash, was his fault. He had relapsed on drugs, and this caused issues with the process of getting the album out. The album's first single, "She Builds Quick Machines," peaked at 74 on the Hot Canadian Digital Singles. The second and third singles, "The Last Fight" and "Get Out the Door," peaked at numbers 16 and 34 on the Mainstream Rock Chart. Critical reception to the album was mixed. Though some critics praised the album and felt that Libertad gave the band identity of their own, others described the album as "bland" and noted that the band seemed to be "playing to their strengths instead of finding a collective sound. Later Slash would say about Weiland:                  "I just thought he was a great singer, and he'd always been on my mind for [Velvet Revolver]. He was the one vocalist that I knew had the kind of voice that would serve what we were going to do: he had a John Lennon-ish quality, a little bit of Jim Morrison, and a touch of almost David Bowie. He was the best singer to come out in a long time in my opinion."   Likewise, the DeLeo brothers formed the supergroup Army of Anyone with vocalist Richard Patrick of the rock band Filter and session drummer Ray Luzier. The band released its self-titled album in 2006 before going on "indefinite hiatus" in 2007. STP Drummer Eric Kretz kept a lower profile during this time, operating his own studio, Bomb Shelter Studios, and drumming for the band Spiralarms.   Dean DeLeo stated steps toward an STP reformation started with a phone call from Weiland's then-wife, Mary Forsberg. She invited the DeLeo brothers to play at a private beach party, which led to Weiland and the DeLeo brothers mending ways. In 2007, Dean DeLeo and Weiland discussed a concert promoter's offer to headline several summer festivals. Weiland accepted and said he had cleared the brief tour with his Velvet Revolver bandmates. He explained, "everything was cool. Then it wasn't," and said the rest of the band stopped talking to him. Weiland was diagnosed with manic-depressive disorder. He would often refuse to take medication for it and had lots of mood swings as a result. On March 20, 2008, Weiland revealed at Velvet Revolver's show in Glasgow that this would be the band's final tour. After several flares on their blogs and in interviews, on April 1, it was announced by several media outlets that Weiland would no longer be in Velvet Revolver. STP announced they were reuniting for a 65-date North American tour the following month. The group officially reunited for a private gig at the Houdini Mansion and held their first public performance on Jimmy Kimmel Live! on May 1. The reunion tour kicked off at the Rock on the Range festival on May 17, 2008. STP toured throughout the summer and fall, headlining the Virgin Mobile Festival in Baltimore in August of that year and the 10th annual Voodoo Experience in New Orleans. The band's six-month reunion tour wrapped up on Halloween 2008 in Pelham, Alabama. After taking a short break to allow Weiland to support his recently released second solo album, ""Happy" in Galoshes," pre-production for the band's sixth studio album began in mid-2009. The band also hit the road for a 13-date North American summer tour in 2009, in-between the tours for Weiland's "Happy in Galoshes.".The band showcased new material at South by Southwest, the annual get-together of film, interactive media, and music festivals and conferences organized jointly in mid-March in Austin, Texas, in 2010. The band performed at England's Download Festival in 2010, the Hurricane Festival and the Southside Festival in Germany, and the Final Four Concert Series in Indianapolis on April 2, 2010. In addition, the band appeared on the Late Show with David Letterman for the first time in ten years on May 19, performing "Between the Lines.'   It would also be the band's last album featuring Weiland on vocals. A lawsuit filed by Atlantic Records on June 12, 2008, actually left the sixth album up in the air. Atlantic eventually withdrew the case, and the band's attorney called the legal situation a "misunderstanding." Against Atlantic Records' wishes, Robert DeLeo insisted that he and his brother Dean DeLeo produce the record themselves, which began production in early 2009. Production took nearly ten months to complete because recording took place during breaks in the band's touring schedule. Three studios were used simultaneously, including Robert's home studio and Eric Kretz's Bomb Shelter Studios. Scott Weiland recorded vocals at his "Lavish Studios." Don Was came in as an additional producer to help keep the band's separate recording sessions in sync and work closely with Weiland during the recording of his vocals. The album was completed in December 2009, and mixing and mastering were finished by February 2010. The album was released on May 25, 2010, leading to two singles, "Cinnamon" and "Between the lines." The album sold 62,000 copies the first week and peaked at number 2 on the Billboard charts.    In September 2010, STP announced it was rescheduling several United States tour dates so that the band could take a "short break." STP toured Southeast Asia for the first time in 2011, playing in the Philippines (Manila), Singapore, and Indonesia (Jakarta). In addition, the band played successful shows in Australia, including sell-out performances in Sydney and Melbourne.   Dean DeLeo told Rolling Stone in December 2011, "What I'd like to see happen is the band go out and do more intimate shows – really lovely theaters around the country." DeLeo also suggested a possible extended reissue of Core, including live archived material, "We have tons of live recordings from that era, and we didn't multi-track record that stuff. There's no fixes, so they'd sound incredible if we just master them." Scott Weiland also commented on the 20th anniversary of Core, saying, "Well, we're doing a lot of special things. [There's] a lot of archival footage that we're putting together, a coffee table book, hopefully a brand new album – so many ideas. A box set and then a tour, of course."    "Alive in the Windy City," STP's first-ever concert film, was released on June 26 on DVD and Blu-ray, filmed at a sold-out show in March 2010 at the Riviera Theatre in Chicago. STP began to experience problems in 2012. Some were said to have been caused by tensions between Weiland and the rest of the band. Despite the band claiming that their fall tour would be celebrating the 20th anniversary of Core, it never happened. The rest of STP did not want to do the celebration because they believed that Weiland no longer had the vocal range to perform some of the album's songs. Weiland decided to perform the songs they did not want to play on one of his solo tours. The rest of the band didn't tell Weiland that they were pissed, which made him assume that everything was cool. On September 17, set to perform at a show in Abbotsford, British Columbia, STP arrived nearly two hours late and cut their set 30 minutes short, pissing off the crowd. The following day, the band released a brief statement announcing that that night's show in Lethbridge, Alberta, was canceled because Weiland was ordered to go on "48 hours complete vocal rest due to strained vocal cords." On December 7, hearing rumors that Weiland was open to returning to Velvet Revolver, a radio D.J. asked Slash about his possible return. Slash then told radio station 93X that he had heard rumors Weiland had been fired from STP. He claimed Weiland wanting to return to Velvet Revolver had something to do with that, something that Weiland quickly dismissed.   On February 27, 2013, shortly before this solo tour was set to commence, Stone Temple Pilots announced on their website that "...they [had] officially terminated Scott Weiland." Of course, that termination came as news to Scott. He fired back with a statement of his own that set the stage for what was sure to be an epic showdown, saying, "Not sure how I can be 'terminated' from a band I founded," "but that's something for the lawyers to figure out." Just one day before he was fired from the band, Weiland was giving interviews saying STP was working on tour plans, just another example of how significant the divide between him and his bandmates was.   Chester Bennington of Linkin Park appeared as a special guest on May 18, 2013, with the three remaining members of STP, performing at the 21st Annual KROQ Weenie Roast and the May 19, 2013, Live 105 BFD festival near San Francisco, where they performed a new song, "Out of Time." STP released a free download of their new single "Out of Time" with Bennington on May 19, 2013, citing him as an official member. Bennington had exclaimed that being in STP was his lifelong dream in interviews years before. On May 30, 2013, The new lineup performed, at the MusiCares MAP Fund Benefit Concert in Los Angeles, California. They were joined by Weiland's former bandmates Slash and Duff McKagan on to perform Mott the Hooples "All the Young Dudes", a song originally written by David Bowie. STP then announced that they would head out on a small tour in September with Filter opening up. They released a five-track E.P. titled High Rise on October 8, 2013, simply called Stone Temple Pilots with Chester Bennington. "Black Heart," the album's second single, was released through iHeart Radio on September 18, 2013. STP dropped "with Chester Bennington" officially from their name in March 2015. On November 9, 2015, Bennington announced he was leaving Stone Temple Pilots to put more focus on Linkin Park. Chester Bennington committed suicide on July 20, 2017.   Sadly, by the beginning of 2015, all signs pointed to a new cycle of relapse for Scott Weiland. While on tour with his backing band, The Wildabouts, there were rumors the Weiland had started using drugs again. The tour with the Wildabouts was not going as well as Weiland was hoping it would, and soon his rollercoaster life would come to an end. On December 3, Scott Weiland and his Wildabouts limped into Bloomington, Minnesota, to discover that their show had been canceled due to poor sales. The man who once held stadiums captivated in the palm of his hand could not even sell 100 tickets. Just before 9 pm on December 3, in a hotel parking lot just south of Minneapolis, Scott Weiland was found dead in the bunk of his tour bus. He was 48. He had finally hit rock bottom. The medical examiner later determined the cause of death to be an accidental overdose. An array of drugs were found on his tour bus, including cocaine, marijuana, bipolar medication, and anti-anxiety medication for treating addiction. Wildabouts bassist Tommy Black was arrested at the scene on drug charges. Weiland was no apologist for his behavior. Even as far back as the 90s, he admitted that he was entirely responsible for his actions and recovery. "There's no way you can place the blame on anyone but yourself, although, because I am a drug addict, I don't believe I have control over what I do when I start using it, because I feel totally powerless," he said. "But I'm still accountable for what happens."   A few days after his death, Weiland's second wife, Mary Forsberg, wrote a jagged open letter to Rolling Stone magazine. "Noah and Lucy never sought perfection from their dad," she wrote. "They just kept hoping for a little effort. If you're a parent not giving your best effort, all anyone asks is that you try just a little harder and don't give up." Her comments underscore the heartbreaking truth: that among the singer's family, friends and bandmates, in the end, it seemed that the one who cared least about Scott Weiland's sobriety was the man who needed it most. Scott. News of Weiland's death quickly spread throughout the internet, with many of his musical peers, including his former band members, along with fans and music critics throughout the world, sharing their condolences, tributes, and memories. A day following his death, his former bandmates in Stone Temple Pilots issued a statement saying that he was "gifted beyond words" but acknowledged his struggle with substance abuse, calling it "part of [his] curse." A quiet funeral for Scott was held at Hollywood Forever Cemetery on December 11, 2015, in Los Angeles. Members of both Stone Temple Pilots and Velvet Revolver attended. Chris Kushner, the wife of Velvet Revolver guitarist Dave Kushner, wrote on her Instagram page following the funeral, "A very sad day when (you) bury a friend. He was a good man. Don't believe everything (you) read. Remember, we were all there." Weiland's body was cremated. Mary Forsberg and the two children were not in attendance, later having a private ceremony in honor of their beloved family member.   In February 2016, the remaining members of Stone Temple Pilots went to the internet searching for a new vocalist, stating on their official website: "If you think you have what it takes to front this band, record with this band, and tour with this band, we would dig hearing from you."   STP announced that a 25th-anniversary edition of Core would be released on September 29, 2017. The reissue includes a 25th Anniversary box set, a remastered version of the album, previously unreleased demos and b-sides, and parts of three live performances from 1993  On November 14, 2017, the band revealed that nu-metal band, Dry Cell vocalist Jeff Gutt had been selected as their new frontman. On November 15, 2017, the band released a new song, "Meadow," from the upcoming studio album. On January 31, 2018, the band released a second new song, "Roll Me Under," and announced the release of its seventh studio album. The self-produced L.P., the band's second self-titled album, was released on March 16, 2018, and was their first album with vocalist Jeff Gutt. In mid-2018, the band embarked on a co-headlining tour with Bush and The Cult.   On September 4, 2018 They announced a 15 date Canadian tour with the band Seether.   On November 30, 2018, STP's current label announced the following: "There is a manufacturing error on vinyl copies of Live 2018 that was caused by a defective lathe, resulting in the album playing at a 4% slower speed. We deeply apologize for this unfortunate occurrence and promise to provide replacement copies to everyone that purchased."   May 3, 2019 – – Stone Temple Pilots and Rival Sons announced they will embark on their first-ever co-headlining U.S. tour in the fall. Produced by Live Nation, the exclusive 12-city outing would kick off September 13 in Baltimore and see the two bands performing on intimate stages across the states. These included The Met Philadelphia, Ford Amphitheater in New York City, The Fillmore New Orleans, and more before wrapping October 9 in San Diego.     June 6, 2019, STP Celebrated the 25th anniversary of "Purple" by releasing a 3-CD/1-LP "super deluxe edition" set including a newly remastered version of the original studio album on both CD and vinyl, plus unreleased versions of album tracks and rarities, along with an unreleased full concert recording from 1994. A limited-edition bundle of the PURPLE: SUPER DELUXE EDITION was also available that included a bonus replica 7-inch vinyl single of "Interstate Love Song" that was initially released in the U.K. in 1994. This exclusive bundle is limited to 1,000 copies.   January 24, 2020, The band announced they had to cancel their "Perdida" tour to support their newest album of the same name. The press announcement "We are sorry to announce that we must cancel the upcoming Perdida acoustic tour. Our brother Jeff has a severely herniated disc and doctors have advised immediate surgery which will require weeks of recovery time and physical therapy. Thankfully, Jeff is expected to make a full recovery and we will continue with our Australian tour with Live and Bush in April, the summer tour with Nickelback, and we hope to reschedule the Perdida tour later this year." You thought it was COVID, didn't you?   STP had several live stream performances during 2020, including playing "Core" and "Purple" in their entirety.    On March 25, 2021, They celebrated the 25th anniversary of "Tiny Music..." with the announcement of a super deluxe remastered edition. The 3-CD/1-LP set combined a newly remastered version of the album with unreleased early takes, alternate versions, instrumentals, a full never-before-released MTV Spring Break performance from 1997, as well as a previously unreleased alternate version of the album's first single, "Big Bang Baby."   And THAT, ladies and gentlemen, is the story of Stone Temple Pilots. An excellent start to the plethora of Icons and Outlaws we'll be discussing every week.    The research from this episode is due in part from Scott Weiland's Memoir "Not Dead and Not For Sale" classicrock.com Stonetemplepilots.com Adam Moody Articles by Stephen Thomas Erlewine at allmusic.com wikipedia albumoftheyear.org Billboard.com Consider being a producer of the show. www.iconsandoutlaws.com www.accidentaldads.com

Song: Let It BeSong by: The BeatlesWritten by: Lennon-McCartney Photo credit: Dersachse95 - Own workUsage: CC BY-SA 3.0https://commons.wikimedia.org/wiki/File:LetItBe.JPGPodcast vocals: Gail NoblesKeyboardist: Gail NoblesToday's topic: The Beatles - Let It BeLater I'm going to tell you how me and my mom both laid down and had a dream about the song, Let It Be. But first, let's talk about how it was written.Let It Be is a song by the English rock band the Beatles, released on March 1970 as a single. It was written and sung by Paul McCartney, and credited to the Lennon-McCartney partnership. McCartney said he had the idea of "Let It Be" after he had a dream about his mother during the tense period surrounding the sessions for The Beatles ("the White Album") in 1968. Mary Patricia McCartney died of cancer in 1956, when he was fourteen. In rehearsing the song with the Beatles in January 1969, in place of the "Mother Mary" lyric, McCartney occasionally sang "Brother Malcolm", a reference to the Beatles' assistant Mal Evans. McCartney later said: "It was great to visit with her again. I felt very blessed to have that dream. So that got me writing 'Let It Be'. In a later interview he said about the dream that his mother had told him, "It will be all right, just let it be." It's funny because when my mom was sick, we both heard the song by Paul McCartney “ Let It Be” on the same night in a dream. Me and my mom were very close.Somehow she knew she would die young. That's something she felt and strongly believed. But I kept on having faith that she would not die. When she died in the hospital, I prayed that God would bring her back, and God did and allowed her to live just a little while longer. The Lord had showed me a miracle, but it was still in God's will for him to take my mother. The breath of my mother left again around noon time. I knew I had to let it be. Still feeling like it wasn't the end, I knew that Christ was there and I heard him say some words to me. My mom died in the month of May of 2001. She was 53 years old. “Let It Be” had the highest debut on the Billboard Hot 100, beginning it's chart run at number 6 and eventually reaching the top. It was the Beatles final single before McCartney announced his departure from the band. The song, “Let It Be” was recorded on Apple records. I'm Gail Nobles. Today's topic: The Beatles- Let It Be. You're listening to Sound Flave (Radiae Applis). ..

Rage Against the Machine comes out swinging on their debut album. The team discusses a funky rhythm section, innovative guitar playing, and 1990's mixing techniques. Listen to our episode companion playlist (compilation of the songs we referenced on this episode) here: https://open.spotify.com/playlist/5DAEzJUcTf1GwCq2905knn?si=03fc2a8156954e74 (https://open.spotify.com/playlist/5DAEzJUcTf1GwCq2905knn?si=03fc2a8156954e74) Listen to Rage Against the Machine here: https://open.spotify.com/album/4Io5vWtmV1rFj4yirKb4y4?si=szfnQ9wNTxO5DbXEgqrxdQ (https://open.spotify.com/album/4Io5vWtmV1rFj4yirKb4y4?si=szfnQ9wNTxO5DbXEgqrxdQ) Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.com Intro music courtesy of https://open.spotify.com/artist/6iUot3X4FwzuZVHMQ4xh4P?si=TOpyXme9QU-Hf71jjj7_DQ&dl_branch=1 (The Beverly Crushers) Outro music courtesy of https://open.spotify.com/artist/4ehOaXsBSc6eMO2fnveJU2?si=UrpyPkbrQh2AB9wQBLVbOg&dl_branch=1 (MEGA) Next week's album: The Beatles - Let It Be

After 50 years locked away in a vault, the world finally got to see and hear some of the abandoned footage from the Beatles "Let It Be" sessions. The new documentary "Get Back" gives us almost 8 hours of never-before seen film and an unprecedented look at The Beatles at work. It was worth the wait. On this Special Edition of the podcast, we're joined by 3 of the biggest Beatle fans I know-- Ken Mills, Craig Smith and Brian Jacobs-- to discuss this fascinating look at the most important band in rock history.— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode

After 50 years locked away in a vault, the world finally got to see and hear some of the abandoned footage from the Beatles "Let It Be" sessions. The new documentary "Get Back" gives us almost 8 hours of never-before seen film and an unprecedented look at The Beatles at work. It was worth the wait. On this Special Edition of the podcast, we're joined by 3 of the biggest Beatle fans I know-- Ken Mills, Craig Smith and Brian Jacobs-- to discuss this fascinating look at the most important band in rock history.— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode

After 50 years locked away in a vault, the world finally got to see and hear some of the abandoned footage from the Beatles "Let It Be" sessions. The new documentary "Get Back" gives us almost 8 hours of never-before seen film and an unprecedented look at The Beatles at work. It was worth the wait. On this Special Edition of the podcast, we're joined by 3 of the biggest Beatle fans I know-- Ken Mills, Craig Smith and Brian Jacobs-- to discuss this fascinating look at the most important band in rock history. — This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode Learn more about your ad choices. Visit megaphone.fm/adchoices

After 50 years locked away in a vault, the world finally got to see and hear some of the abandoned footage from the Beatles "Let It Be" sessions. The new documentary "Get Back" gives us almost 8 hours of never-before seen film and an unprecedented look at The Beatles at work. It was worth the wait. On this Special Edition of the podcast, we're joined by 3 of the biggest Beatle fans I know-- Ken Mills, Craig Smith and Brian Jacobs-- to discuss this fascinating look at the most important band in rock history. — This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode Learn more about your ad choices. Visit megaphone.fm/adchoices

The History of Rock N Roll Part VII - Don't Let Me Down: Peter Jackson's Get Back On this week's episode, Mr. Chavez & I sit down to discuss Peter Jackson's Get Back, an eight-hour Disney+ documentary series chronicling the making of The Beatles Let It Be. There's a whole lot to take down in these viewings, but we look at it as important to understanding the History of Rock N Roll. Take a listen as we get into the artistry of creating, the frustrations, jealousies, and triumphs that accompany art. It's a good talk. We hope you'll join us. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.

David Bedford is a world-renowned Beatles historian, author, and filmmaker from Liverpool.  This is the first discussion we have.  What is the "holy grail" of Beatles collections. Episode Links:Website: http://www.liddypool.comLinkedIn: https://www.linkedin.com/in/david-bedford-32023b28/Facebook: https://www.facebook.com/liddypooldaveFacebook: @liddypooldaveTwitter: http://www.twitter.com/liddypooldaveTwitter: @liddypooldaveYouTube: http://www.youtube.com/liddypooldaveInstagram: https://www.instagram.com/liddypooldave/Instagram: @liddypooldaveYouTube: https://www.youtube.com/c/BrightmoonLiverpoolJoey Pinz Conversations Podcast Information: • Website: https://www.joeypinz.com • Link Tree: https://linktr.ee/joeypinz • Music by Tom Izzo: @wahlsinger  https://tomizzomusic.com  Support our podcast:  • Subscribe: https://joeypinzconversations.com/subscribe/ • How much is this podcast worth to you? Consider $5, $10 or $20/mo with Patreon: https://www.patreon.com/joeypinz  • How about a one-time payment?  • What is the episode worth to you? $25/$50/$100/$500 /$1,000/$5,000 with PayPal (one-time): https://www.paypal.com/paypalme/JoePannone Please subscribe/follow to Joey Pinz Discipline Conversations Podcast: • Spotify, Apple, Google, or others.  Please consider rating with 5 stars if you like it. • Apple: https://podcasts.apple.com/us/podcast/joey-pinz-discipline-conversations/id1583997438 • Spotify: https://open.spotify.com/show/69SFwY3XSwcw9qNvElAn10 • Google: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xODI4OTA2LnJzcw • YouTube: https://www.youtube.com/c/JoeyPinzDisciplineConversations?sub_confirmation=1Please follow on social media: @TheJoeyPinz • Instagram: @TheJoeyPinz https://www.instagram.com/TheJoeyPinz  • Twitter: @TheJoeyPinz  https://twitter.com/TheJoeyPinz • Facebook: @TheJoeyPinz https://www.facebook.com/TheJoeyPinz • TikTok:  @TheJoeyPinz  https://www.tiktok.com/@thejoeypinzFinally,  join our newsletter: https://joeypinzconversations.com/#newsletterSupport the show

David Bedford is a world-renowned Beatles historian, author, and filmmaker from Liverpool.  We discuss the launch of the new Peter Jackson documentary "The Beatles: Get Back" and the later Beatle albums. Episode Links:Website: http://www.liddypool.comLinkedIn: https://www.linkedin.com/in/david-bedford-32023b28/Facebook: https://www.facebook.com/liddypooldaveFacebook: @liddypooldaveTwitter: http://www.twitter.com/liddypooldaveTwitter: @liddypooldaveYouTube: http://www.youtube.com/liddypooldaveInstagram: https://www.instagram.com/liddypooldave/Instagram: @liddypooldaveYouTube: https://www.youtube.com/c/BrightmoonLiverpoolJoey Pinz Conversations Podcast Information: • Website: https://www.joeypinz.com • Link Tree: https://linktr.ee/joeypinz • Music by Tom Izzo: @wahlsinger  https://tomizzomusic.com  Support our podcast:  • Subscribe: https://joeypinzconversations.com/subscribe/ • How much is this podcast worth to you? Consider $5, $10 or $20/mo with Patreon: https://www.patreon.com/joeypinz  • How about a one-time payment?  • What is the episode worth to you? $25/$50/$100/$500 /$1,000/$5,000 with PayPal (one-time): https://www.paypal.com/paypalme/JoePannone Please subscribe/follow to Joey Pinz Discipline Conversations Podcast: • Spotify, Apple, Google, or others.  Please consider rating with 5 stars if you like it. • Apple: https://podcasts.apple.com/us/podcast/joey-pinz-discipline-conversations/id1583997438 • Spotify: https://open.spotify.com/show/69SFwY3XSwcw9qNvElAn10 • Google: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xODI4OTA2LnJzcw • YouTube: https://www.youtube.com/c/JoeyPinzDisciplineConversations?sub_confirmation=1Please follow on social media: @TheJoeyPinz • Instagram: @TheJoeyPinz https://www.instagram.com/TheJoeyPinz  • Twitter: @TheJoeyPinz  https://twitter.com/TheJoeyPinz • Facebook: @TheJoeyPinz https://www.facebook.com/TheJoeyPinz • TikTok:  @TheJoeyPinz  https://www.tiktok.com/@thejoeypinzFinally,  join our newsletter: https://joeypinzconversations.com/#newsletterSupport the show (https://www.patreon.com/joeypinz)

#94-92Intro/Outro: Bullets in the Fire by Rusted Root94. 1989 by Taylor Swift (1989 in 189 Seconds)93. Wish You Were Here by Pink Floyd (Shine On You Crazy Diamond, Pts. 1-5 & Welcome to the Machine & Have a Cigar & Wish You Were Here & Shine On You Crazy Diamond, Pts. 6-9)92. Let It Be by The Beatles (Let It Be & The Long and Winding Road & Get Back & Two of Us & Across the Universe & One After 909)Vote on Today's Album ArtHave you voted on Week 10 Round 1 winners yet? If so, no further action needed. If not:Vote on Week 10 Round 2 Album Art (Episodes 346-350)

Atlanta rapper Young Thug's Punk, Coldplay's Music of the Spheres, solo debuts from Finneas, Remi Wolf and more are among NPR Music's picks for the week's best new albums.Featured Albums: 1. Remi Wolf — JunoFeatured Song: "Anthony Kiedes"2. Coldplay — Music of the SpheresFeatured Song: "People of the Pride"3. Young Thug — PunkFeatured Song: "Tick Tock"4. Joy Crookes — SkinSong: "Poison"5. Finneas — OptimistFeatured Song: "The Kids Are All Dying"6. Pinkpantheress — to hell with itFeatured Song: "Noticed I cried" Other notable releases for Oct. 15: The Beatles — Let It Be (50th Anniversary Ed.); Dos Santos — City of Mirrors; Le Ren — Leftovers; Pokey LaFarge — In the Blossom of Their Shade; Xenia Rubinos — Una Rosa.

Juliet and Terence on: the life and death of Brian Jones; Beatles - Let It Be remixed; and Morecambe and Wise versus Monty Python. {Butterfly on a wheel}

In June and again in July, the director of the upcoming The Beatles: Get Back series gave interviews - in Vanity Fair and in GQ - holding forth on what to expect from his re-tooling of the Beatles Let It Be project. Though there was a certain amount of rehashing what had already been said, there were also things that provided much to discuss and analyze as we approach the countdown to broadcast.  I therefore reconvened Dr Duncan Driver and Dan Rivkin (They May Be Parted blog) for a discussion on the latest and how what Peter Jackson had to say - and didn't say - suggests where the project is going and what to expect. 

In June and again in July, the director of the upcoming The Beatles: Get Back series gave interviews - in Vanity Fair and in GQ - holding forth on what to expect from his re-tooling of the Beatles Let It Be project. Though there was a certain amount of rehashing what had already been said, there were also things that provided much to discuss and analyze as we approach the countdown to broadcast.  I therefore reconvened Dr Duncan Driver and Dan Rivkin (They May Be Parted blog) for a discussion on the latest and how what Peter Jackson had to say - and didn't say - suggests where the project is going and what to expect. 

مدت زمان: ۳۷ دقیقه زمان انتشار: خرداد ۱۴۰۰ چیزهایی که بعد از گوش دادن به این بخش خواهید دانست: - قصه‌ی نام‌گذاری روز جهانی دوچرخه بر اساس صحبت‌های ریحانه وحیدیان - قصه‌ی اختراع دوچرخه، دوره‌ی زمانی و نام کسانی که توسعه‌اش دادند بر اساس جست‌وجوهای نادا صبوری - نخستین مواجهه‌ی معلمی فرانسوی در قرن ۱۸ با دوچرخه بر اساس نامه‌ای که از کتاب تاریخچه‌ی دوچرخه استخراج و به طور اختصاصی توسط رانیو ترجمه شده است - خاطره‌ی دختردایی نادا از اینکه نادا چطور دوچرخه‌سواری یاد گرفت که برای اولین بار این خاطره را می‌گوید - در هنگام خرید دوچرخه و نگهداری آن باید به چه نکاتی توجه کرد؟ بر اساس تجربه‌ی مهرداد رجبی - قانونی مترقی که نزدیک ۱۰۰ سال پیش در ایران در مورد دوچرخه وجود دارد بر اساس مقاله‌ی «ورود دوچرخه به ایران» از خانم ندا امین کاور: عاطفه بیک‌زاده اینستاگرام رانیو: runyou_podcast وب سایت رانیو: www.runyoupodcast.com برای حمایت از رانیو می‌توانید از لینک حامی باش رانیو استفاده کنید: https://hamibash.com/runyoupodcast موسیقی استفاده شده: The Beatles - Let It Be

It was May, 1970. The Beatles “Let It Be” was one of the top songs on the pop charts. Richard Nixon was the president and the president and stock car racing was the thing to do in De Pere at the Brown County Fairgrounds. We at joeverdegan.com were able to unearth some true treasures – two reel-to-reel recordings of full nights of stock car racing on the dirt half-mile located just a few minutes from Green Bay. We believe the announcer back then was Paul Kaczrowski, who would later go on to become a very successful race promoter in his own rights. The races that year were promoted by Jack Peters of De Pere. The two nights of racing we've posted are from the season opener on May 3, 1970 and May 17, 1970. This was an era where the coupes were beginning to die out and De Pere was running what were called “quasi-late models at the time – mainly '57 Chevys and '63 Fords and what not. The May 17 race is significant as we believe this was the first time J.J. Smith came up from Appleton in his '67 Plymouth. The first true “late model” and this race at De Pere, where J.J. appears in his car number 29 kicked off the late model revolution which mushroomed in popularity week-by-week at the half-mile dirt ovals at not only De Pere but Shawano and Seymour as well. All three were county grandstands and most often all three were full to capacity. So sit back, click on the link and imagine yourself sitting in that big old concrete, covered grandstand listening to those raced cars and listen to Paul Kaczrowski call the action!

Led Zepplin - Black Dog Peter, Paul and Mary -Puff The Magic DragonRighteous Brothers - Unchained Melody The Mamas & The Papas - Monday MondayDavid Bowie - Life on Mars (listener request)The Rolling Stones - Paint It, BlackBee Gees - Stayin' AliveThe Archies - Sugar SugarCrimson and Clover - Tommy James & The ShondellsThe Clash - London Calling *listener request)Anita Ward - Ring my Bell (listener request)Queen - Somebody To LovePink Floyd - Another Brick In The Wall, Part TwoLulu - To Sir With LoveFrankie Valli and the Four Seasons - Cant Take My Eyes Off YouThe Turtles - Happy TogetherSam Cooke - What A Wonderful World (listener request)Pink Floyd - Wish You Were Here (listener request)BLACK SABBATH - "Paranoid"Rod Stewart - Da Ya Think I'm Sexy?Van Halen- Runnin' with the devil (listener request)Herb Alpert & the Tijuana Brass A Taste of HoneyLouis Armstrong - Hello Dolly LiveJohn Lennon - Stand By MeChris Norman & Suzi Quatro - Stumblin'Aerosmith - Dream OnLittle Eva - The LocomotionJoey Dee and The Starliters - Peppermint TwistChubby Checker - Limbo RockSex Pistols - Pretty Vacant (listener request)The Beatles - Let It Be (listener request)Elton John - Rocket ManLynyrd Skynyrd - Sweet Home AlabamaDeep Purple - Smoke on the Water

片头曲：The Beatles - Let It Be

片头曲：The Beatles - Let It Be

片头曲：The Beatles - Let It Be

片头曲：The Beatles - Let It Be

Episode 234 of On Screen & Beyond - Alan Parsons joins us to chat about his hits, The Alan Parsons Project, behind the scenes working on The Beatles "Let It Be" and "Abbey Road" albums, Pink Floyd's "Darkside Of The Moon" and so much more! --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message