POPULARITY
Live from AIA Colorado Design + Practice Conference in Keystone, CO -- Join Sarah Broughton with Adam Wagoner, Steve Scribner, Maura Trumble, Ken Andrews, and Linnaea Stuart, a panel featuring architect and firm award winners, to explore the intricacies of leadership in architecture. Discover key insights on building trust, evolving business strategies, and adapting mentoring practices in a changing industry. This episode offers a valuable discussion on managing work-life balance, the challenges of remote work, and the significance of peer networks and mentorship. A must-listen for industry professionals seeking to understand how these leaders are shaping the future of architecture.Watch this episode on YouTube & please subscribe!Listen on Apple Podcasts | Spotify | Amazon Music | Pandora or wherever you get podcasts!This episode is sponsored by: AIA Colorado - the Colorado Chapter of the American Institute of Architects — the voice of the architecture profession in Colorado.Pendula an inspiring co-working studio to connect and enable architects + practitioners in related fields (engineering, planning, development, interiors, landscape, production and design). Signature Windows + Doors collaboratively engages with architects to bring their vision into reality while maintaining the integrity of design intent. Check out Adam's architecture firm, High Low Buffalo!This podcast is powered by The Plug Podcast Agency & Collective CultureSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Join our PATREON for bonus episodes. This week we have music industry strategist and member of Lost Decades Kodi McKinney on to talk about the Failure album Fantastic Planet. We also talk about: what was bushwick smoking, a vehicle for sauce, indie week scene report, AI (revisited), cha cha, HQ guy, album campaign spending, instagram bands, cheating the algorithm, Marauder, creative energy, Spotify (bad), post-hardcore hat, gatekeeping through mystique, enshitification, LinkedIn titles, the Weezer canon, Stuck on You, Ken Andrews lyrical style, rig rundown, Heliotropic, and so much more. ________ Order our post-hardcore hat here! // Follow us at @danbassini, @mysprocalledlife, @kodimckinney and @runintotheground.
This week Jeremy interviews musician, songwriter, and producer Ken Andrews of Failure, Year of the Rabbit, and more. On this episode Jeremy and Ken talk Elton John, the radio station 91X, The Cars, Warmoth guitar kits, Eddie Van Halen, his relationship with Tool, home studios, Slash Records, recording with Steve Albini, forming the supergroup Replicants, navigating major labels, and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Ken answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!
Andre and Evan talk about one of their favorite obscure records from a band called ON. Released in June 2000, the album called Shifting Skin may be unknown, but its artist Ken Andrews and his other projects live on. Why is Shifting Skin and the ON project such a mystery? They talk about their discovery of this record, its inspirations, why it didn't catch on, the musical climate of which it was born into, and other stuff that happened In The Year 2000. Follow the show on Twitter: @FineTimePodcast Andre: @pizzadinosaur Evan: @tryptonique
It's episode 60 which can mean only one thing, the return of Ken Andrews!! No that's not right, the return of Joe Knight!! They look so similar it's an easy mistake to make….it's the return of Ken Knight and Joe Andrews! Join us as we talk about all things martial arts, beards, teaching and so much more. Socials and Merch https://www.instagram.com/glynham1990 https://www.instagram.com/ conversations_on_karate https://twitter.com/convokarate?s=21 https://www.facebook.com/conversationsonkarate www.conversationsonkarate.com Our training notebook! https://amzn.to/3zTtAwu Our Merch! https://www.teepublic.com/user/conversations-on-karate Buy us a coffee! https://www.buymeacoffee.com/KarateConvo Music courtesy of https://www.purple-planet.com
In this episode we get to know Kenneth Andrews! In this episode, we get a look into not only his riding history, but how he's put on so many miles over the last decade! Kenneth shares some of his old Military stories, and and a few of his riding stories with us that he may not have shared publicly in the pASSt. We also discuss two important fund raisers that he supports on his rides. His main one https://fisherhouse.org he has been supporting for years, and recently the addition of https://www.milemonstersinc.com What is the difference between the Hoka Hey and the Iron Butt Rally?? You'll learn all that and more in this episode of the Wild Ass PodcASSt! You can follow and learn more about "Go Home Ken" by clicking one of the links below! Facebook https://www.facebook.com/kenneth.andrews.5 Facebook https://www.facebook.com/GoHomeKen2020 Instagram https://www.instagram.com/gohomeken/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/the-wild-ass-podcasst/support
Blinker the Star is Jordon Zadorozny, and Jordon Zadorozny is Blinker the Star. The Canadian solo artist has created eleven albums (both major label and indie) and worked with musicians as varied as Leland Sklar (bass player with the big bushy grey beard... you know him), Ken Andrews, and one of his childhood heroes, Lindsey Buckingham (a couple of great stories in the podcast... no spoilers). Jordon spent some time in Los Angeles in the 90s, recording the Dreamworks album August Everywhere. While in LA he even lent a helping hand to Courtney Love with Hole's album Celebrity Skin. It's a testament to his strength that he survived both. Jordon remains artistically active, having just released Love Oblast, and is a producer working from his studio Skylark Studio in Pembroke, Ontario. Jordon stopped by Thunderlove Sutdio to talk to Keith and Geoff about all things Blinker the Star... and how he got his hero Lindsey Buckingham to share writing credit with him. Check it out! Links Blinker the Star on Bandcamp Blinker the Star on Spotify Jordon Z on IG Blinker the Star on IG Blinker the Star on YouTube Skylark Park Studio Geoff Calhouns Blinker the Star Spotify Playlist Kellii Scott Lusk Band Failure (the band) Ken Andrews
A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: The Church's Doctrine: Sanctification (Part 2) Midweek PM Subtitle: True Story of New Testament Speaker: Ken Andrews Broadcaster: Lighthouse Baptist Church Event: Sunday Service Date: 6/15/2022 Length: 53 min.
Stone Temple Pilots. There are two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo actually met; one was that Weiland and DeLeo met at a punk rock icon Black Flag concert in Long Beach, California, in 1985. They started chit-chatting, discussing their girlfriends, only to realize they were dating the same woman. However, instead of having some beef and fighting over her, they became friends and formed a band after breaking it off with the girl. On the other hand, Weiland had a different version of meeting Deleo, written in his autobiography. The way he tells it, he and his current band Soi Disant, guitarist Corey Hicock, and drummer David Allin pursued DeLeo after watching him play live at different gigs. Initially calling themselves "Swing," Allin left to pursue other interests after a few years. The remaining members watched drummer Eric Kretz play in a Long Beach club and convinced him to join the band. Guitarist Hicock eventually left the band in 1989; in need of a replacement and auditioning many guitarists, Robert suggested his older brother, Dean DeLeo. He and his brother were born in Montclaire, New Jersey). At the time, Dean was a successful businessman who did what many musicians do and had decided to leave music behind to find a "real job." The band convinced Dean to play for Swing, completing the original STP lineup. Dean hated the name and refused to continue playing in a band called "Swing," changing the name to "Mighty Joe Young," which was a B Movie from the 1940s. They recorded a demo tape around 1990. That demo would have tracks that would go on to be re-recorded for the band's first studio album, "Core," as well as some different styles that wouldn't show up again, like some funk and yodeling. Yes, Yodeling. Mighty Joe Young played a few gigs in the San Diego area, gradually building a fanbase. Their first show supported Henry Rollins (Formerly of that band Black Flag we mentioned earlier) at the world-famous Whisky a Go-Go in Los Angeles, CA. The group then began working on their debut album with first-time producer and mixer Brendan O'Brien, the guy who's worked with future Icons and Outlaws subjects, AC/DC, Pearl Jam, Bob Dylan, Rage Against the Machine, and Bruce Springsteen. Definitely a big deal. One day while recording, they received a call from their lawyer. He informed them that a blues player out of Chicago had already claimed the name Mighty Joe Young and they obviously didn't want to get sued for trademark infringement. So, rumor has it that they were inspired by the STP Motor Oil stickers they loved as kids. Various ideas on the initials "STP" were bounced back and forth, like "Shirley Temple's Pussy" and "Stereo Temple Pirates" before they settled on the name "Stone Temple Pilots." STP built up their fan base in the San Diego clubs and in 1992 signed a deal with Atlantic Records, who had just released White Lion's "Main Attraction," Rush's "Roll The Bones," and Genesis' "We Can't Dance" the previous year. STP's first album, Core, was released on September 29, 1992, and peaked at No. 3 on the Billboard Albums Chart. Core was a big success, producing hits "Sex Type Thing," "Plush," (which was rumored to have been written while Eric and Scott were in a Jacuzzi) "Creep," and "Wicked Garden." The debut album was a major commercial success; however, some press called the band "grunge imitators." The name of the album, "Core," refers to the apple in the biblical tale of Adam and Eve. It was recorded in only five weeks! Weiland has said that the album's central theme is that humanity is confused, with songs like "Sex Type Thing" (which is an anti date rape song and written after a woman that Weiland was deeply in love with was raped by 3 football players after a drunken high school party). Whereas "Naked Sunday" dealt with social injustice. "Sex Type Thing," according to Weiland, deals with abuse of power, "macho" behavior, and humanity's attitude toward women, treating them as sex objects. Also, "Naked Sunday" "is about organized religion. "About people who tell others what to do and what to believe. They switch off people's minds and control the masses." He goes on to say, "It gives me a feeling of isolation when I think about it. Organized religion does not view everyone as equals." Weiland says about his lyrics on "Core": "I feel very strongly that all individuals, regardless of age, race, creed, or sexual preference, should have the freedom to exercise their rights as human beings to enjoy life, pursue what they want, and feel comfortable about who they are. I guess I tend to find the darker sides of life more attractive than the yellows and oranges. I know it's something that I relate to when I listen to music." According to Weiland, "Wicked Garden" 's lyrics deal with the loss of innocence and purity, while "Sin" addresses "violent and ugly" relationships. Also, the instrumental song "No Memory," the interlude between "Wicked Garden" and "Sin," was written by guitarist Dean DeLeo. Deleo said about "Core," "You know how when you listen to a Led Zeppelin album, you listen to the entire album, not just the odd song? We wanted to make a record like that. We wanted to create a vibe which would run right through the whole album." "Core" contained many more bangers, including Dead and Bloated and Crackerman. Since its release, the album has gone eight times platinum, selling over 8 million copies! Also, that same year, Scott Weiland and Dean DeLeo played an acoustic version of "Plush" on the show Headbangers Ball. If you're not familiar, Headbanger's Ball was a T.V. show consisting of heavy metal music videos airing on MTV and hosted by Riki Rachtman. Some have considered this one of Weiland's most outstanding vocal performances. Despite some negative reviews from critics, STP continued to gain fans and toured, opening for bands like Rage Against the Machine and Megadeth. Then, 1993 saw the band kicking ass, headlining a two-and-a-half-month tour here in the states. In 1993, the band filmed an episode of MTV Unplugged, where they debuted the song "Big Empty," which would go on to be on the soundtrack for the movie "The Crow." You can hear our version of this iconic song at the end of the episode. In a poll in Rolling Stone from 1994, Rolling Stone's readers voted STP Best New Band and Worst New Band by the magazine's music critics. In addition, they took home the "Favorite Pop/Rock New Artist" and "Heavy Metal/Hard Rock New Artist" awards the following month at the American Music Awards. Finally, in March 1994, they won a Grammy for Best Hard Rock Performance for "Plush." Later that same year, STP returned to the studio with Brenden O'Brien, once again producing, to work on their second album, Purple. Unfortunately, around this time, it was also revealed Weiland had become a heroin addict. On the last stop of an STP co-headlining tour with the Butthole Surfers in 1993, in a back room of New York City's Royalton Hotel, Weiland first tried heroin, and in the embrace of this sticky brown shit, his demons were finally at ease. While "Core" took just five weeks to complete, Purple would take less than a month to record. Which, if you're not familiar, is extremely quick. The album's first single was "Big Empty," which debuted at STP's MTV Unplugged acoustic performance in 1993 and reached number one on the Billboard charts. A couple of weeks later, "Purple" also reached the top of the charts, making two for the band in 1994. Although like "Core," "Purple" features grunge elements. However, this album also displays the bands developing sound influenced by other genres, apparent in the psychedelic rock found in "Lounge Fly" and "Silvergun Superman," the country vibes of "Interstate Love Song," and the blues-rock elements of "Big Empty." AllMusic.com's Stephen Thomas Erlewine wrote that "Purple is a quantum leap over [Core], showcasing a band hitting their stride." Erlewine also described "Interstate Love Song" as a "concise epic as alluring as the open highway" and "Big Empty" as "a perfect encapsulation of mainstream alienation.” The other two singles after "Big Empty," "Vaseline," and "Interstate Love Song" also hit the top ten on the Billboard Charts, giving them three top ten hits that year. The album also included other minor hits, including "Pretty Penny" and "Unglued." Purple has been certified 6x platinum, selling over 6 million copies. It sold three million copies just four months after its release. The cover of Purple shows a baby riding a dragon in the sky while some angelic figures look on. It is based on the artwork from a package of China White heroin that Weiland scored in Los Angeles. 1994 also saw Weiland marry Janina Castaneda, in which it is said that "Sour girl" and "Interstate Love Song" were written about. Heading into 1995, Weiland would slide into drug and legal problems. His heroin problems were getting worse. "When I tried heroin for the first time," Weiland recalled in 1998, "it seemed to make all those insecurities just go away. I suddenly felt: 'Wow, this is how normal people feel on a day-to-day basis.'" He was spending over $3,000 a week on smack within a year. Weiland found that heroin not only took away his anxiety but also fed into his carefully concocted "wasted rock star persona" and inspired a "bracing new experimentalism." He credited a lot of his creativity during the "Purple" recording sessions to his addiction to heroin. "Heroin gave me this ability to distance myself from the creative process and thereby gave me the strength and courage to try new things," he told Classic Rock.com. "Part of me felt I couldn't be creative unless I was high." In October 1995, STP got together to begin recording their third album, "Tiny Music... Songs from the Vatican Gift Shop." They rented out a mansion in Santa Barbara, California, to live together during the recording process. Unfortunately, the production process of Tiny Music wasn't easy. In early 1995, shortly after the band was forced to scrap two weeks' worth of recorded material, Scott was arrested, just two days out of another rehab, for heroin and cocaine possession and sentenced to one year's probation. Obviously, it didn't take long for Weiland to lose that little control of the addiction he held during this time. After his wife Janina bailed him out, he literally jumped out of her car at a stoplight and disappeared for days while shooting dope with Courtney Love. Yes, that Courtney Love. Weiland formed his side band, the Magnificent Bastards, and recorded songs for the Tank Girl soundtrack and a John Lennon tribute album in the months following this incident. They released "Tiny Music" on March 5, 1996 and spawned three singles that reached No. 1 on the Mainstream Rock Tracks chart: "Big Bang Baby," "Lady Picture Show," and "Trippin' on a Hole in a Paper Heart." The album's sound severely changed from their previous two albums, adding more glam rock and psychedelic styles and less of the hard rock/grunge sound that made them famous. Of course, reception by critics at the time was mixed. Rolling Stone, the magazine that initially dubbed them the "Worst New Band" in 1994, praised the record, calling it the group's best effort to date. However, they were surprised at "the clattering, upbeat character of the music," seeing that Weiland was all over the news with his drug use and arrests. STP was also featured on the cover of Rolling Stones issue No. 753 in February 1997. The band was only partially successful touring in support of Tiny Music... and was forced to pull out as support for Kiss' reunion tour. A small tour in the fall of 1996 commenced in the U.S. However, dates at the end of December and in 1997 had to be canceled for Weiland to enter rehab, claiming that their singer had "become unable to rehearse or appear for these shows due to his dependency on drugs." At only 24, Weiland went from smoking heroin to injecting the stuff. He spoke about his first shot of heroin by saying. "It's like what they talk about in Buddhism, that feeling of reaching enlightenment," he told Esquire. "They say there's a golden glow that goes from your fingers all the way through every appendage and into the pit of your stomach. That's what it felt like to me. Like I'd reached enlightenment. Like a drop of water rejoining the ocean." The band then decided to take a break to work on other projects. "I can't call the kettle black," remarked Kiss drummer Peter Criss. "I just pray for the guy and hope that he gets himself better because they really are a great band." Things were getting worse after all of the issues with recording and touring for Tiny Music. In 1998, the same year Weiland released his first solo album, 12 Bar Blues, police arrested Weiland for buying dope in a New York housing project. A drug-related probation violation landed him five months in jail. Later years would bring more arrests for drunk driving, battery, and possession. During the initial recording of "Tiny Music," STP, without Weiland, recruited Dave Coutts, the singer of Ten Inch Men, and began performing under the name "Talk Show." Talk Show released one self-titled album in 1997 before calling it quits. Robert and Dean had gotten together to figure out which songs should be Tiny Music songs and Talk Show songs. Dean would later say, "Robert and I had about 30 songs, and we sat in the room one night and basically went down the list and marked next to every song: Scott, Scott, Dave, Scott, Dave, Dave, Scott... It's really weird, because in all reality, it was like 'Big Bang Baby' could've been on [the] Talk Show record, and 'Everybody Loves My Car' could've been on Tiny Music." Both albums, Weiland's "12 Bar Blues" and `Talk Shows "self-titled, seemed to please the critics, but neither was commercially successful. Billy Corgan of The Smashing Pumpkins once said, "It was STP's 3rd album that had got me hooked, a wizardly mix of glam and post-punk, and I confessed to Scott, as well as the band many times, how wrong I'd been in assessing their native brilliance. And like Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere. Lastly, I'd like to share a thought which though clumsy, I hope would please Scott In Hominum. And that is if you asked me who I truly believed were the great voices of our generation, I'd say it were he, Layne, and Kurt." In 2016, The A.V. Club noted that Tiny Music "was an almost shocking leap forward in creative ambition" and that "[STP] got weirder and better than anyone gives them credit for." Numbers-wise, the album has been certified twice platinum, selling over 2 million copies. In late 1998, the band regrouped again and began work on a fourth STP album. 1999s "No. 4" was looked at as a "back-to-basics" rock album in similar to "Core" or "Purple." Stephen Thomas Erlewine of AllMusic wrote in a review, "it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs.", comparing the album's sound to the current wave of alternative metal bands. This album found STP scoring one of its biggest hits since the "Core" and "Purple" with the single "Sour Girl," which stemmed from a music video starring "Buffy The Vampire" T.V. star, Sarah Michelle Gellar. STP then went on a summer tour with the Red Hot Chili Peppers and recorded an episode of VH1 Storytellers, supporting "No.4.", with the surviving members of The Doors. Weiland did vocals on two Doors songs, "Break On Through (To the Other Side)" and "Five to One." That same month Stone Temple Pilots appeared on the Doors tribute CD, Stoned Immaculate, with their own rendition of "Break on Through" as the lead track. Despite the lack of promotion due to singer Scott Weiland's one-year jail sentence shortly before the album's release, it would eventually be certified platinum in August 2000. The cover art for No.4 generated some brief controversy because it strongly resembled the cover of the debut E.P. from Washington, D.C.-based band Power Lloyd. The Power Lloyd CD "Election Day" was released in 1998, and the cover was a white, five-point star on a black field under the band's name; STP's No.4 also featured a white five-point star on a black field under the band's name. Power Lloyd co-founder Gene Diotalevi explained that after their band had given a song to MTV to be used on the soundtrack of Celebrity Deathmatch, someone at MTV with an advance copy of No.4 noticed that the covers were nearly identical and alerted the band. However, Diotalevi stated that no one from STP's camp would return their calls or letters until his band mailed a cease-and-desist letter to STP's record company. STP's legal team then "made an offer to settle that was unacceptable to us," according to Power Lloyd's lawyer, Will Shill. That same year, Weiland also recorded two songs with the short-lived supergroup the Wondergirls. The group also featured Mark McGrath of Sugar Ray, Ian Astbury of The Cult, Shannon Leto of Thirty Seconds to Mars, Jay Gordon and Ryan Shuck of Orgy and Julien-k, Doug Ardito of Puddle of Mudd, Ken Andrews of Failure, Martyn LeNoble of Porno for Pyros, and Troy Van Leeuwen of Queens of the Stone Age. During the summer of 2001, the band released "Shangri-La Dee Da." Despite the album's promotion by going on tour with Linkin Park, Staind, and Static X on the Family Values Tour, Shangri-La Dee Da was a commercial disappointment. This album was the fifth and final album released by STP before splitting up in 2002. The album was initially conceived as a double album dedicated to the memory of Andrew Wood, the lead singer, and lyricist of Malfunkshun and Mother Love Bone. The record company was not happy with the idea of a double album, and after a while, the band relented to the pressure and made it the single album that was released. During the recording of Shangri La Di Da, the band had a filmmaker record everything that transpired. The filmmaker said the documentary was made to be in the style of The Beatles "Let It Be." Supposedly, there was a coffee table book as a companion to the documentary. Unfortunately, neither the documentary nor the book was released. The biggest hit off of this album was "Days Of The Week," which reached number four on the mainstream rock charts. The album did not perform as well as the previous STP albums, selling just over 500,000 copies and certified gold. At that point, marketing support from their label was nonexistent, and the band decided to hold on recording any future albums. Finally, however, the band recorded "All in the Suit That You Wear," a song intended to be the lead single on the soundtrack for the 2002 film Spider-Man. However, Chad Kroeger's song "Hero" was ultimately chosen as the lead single. This soundtrack also featured the song "She Was My Girl" by Alice In Chains guitarist and vocalist Jerry Cantrell and was written by Cantrell and my good friend, Jeff Tomei, who also recorded and produced the song. Reports that the band had begun work on a sixth studio album in 2002 were put to rest as the band went quiet by the end of that year. An altercation between Dean DeLeo and Scott Weiland after the last show of Stone Temple Pilots' fall 2002 tour led to the final dissolving of the band. As an homage to the band's successful career, in 2003, Atlantic Records released a greatest hits album called "Thank You." The album had a bonus DVD of archive material and music videos. Five days after it's release, the DeLeo brothers revealed that the band was officially done in an interview with Guitar One. Following the band's dissolution, Weiland was recruited to join the successful supergroup Velvet Revolver with Guns N' Roses members Slash (guitar), Matt Sorum (drums), Duff McKagan(bass), and former Wasted Youth guitarist Dave Kushner. Weiland was friends with all four of these fellas, so when they were looking for a singer, they sent him two discs of material. He was not really into the first disc, saying it sounded like "Bad Company gone wrong." After that, the guys sent him the second disc, which Weiland liked more. Weiland declined the invite to sing at the time as STP was not broken up yet. After STP officially announced their breakup in 2003, the band sent Weiland new material, and Weiland added vocals to the track at his studio. This track eventually became the song Set Me Free. He delivered the recording to the band in person but still would not join the band. He recorded two songs with the guys, a version of Set Me Free and a cover of Money by Pink Floyd for The Hulk and The Italian Job movies, respectively. Shortly after, Weiland officially joined the band. Before a screening of The Hulk at Universal Studios, the band chose a name. Slash liked the beginning of the word Revolution after seeing a movie by Revolution Studios, eventually thinking of Revolver because of its multiple meanings. The name of a gun, the subtext of a revolving door, and the name of a Beatles album. When he suggested Revolver to the band, Weiland suggested 'Black Velvet' Revolver,' liking the idea of "something intimate like velvet juxtaposed with something deadly like a gun." They eventually arrived at Velvet Revolver. They announced the name at a press conference and performance showcase at the El Rey Theatre while also performing the songs "Set Me Free" and "Slither" as well as covers of Nirvana's "Negative Creep," Sex Pistols' "Bodies," and Guns N' Roses' "It's So Easy." In 2004, the band released their debut album "Contraband." The album debuted at number one and has sold over 3 million copies worldwide. 2 million were sold in the U.S., making the album certified double platinum. The album's recording was hampered at times by Weiland having to appear in court for his drug charges and his subsequent sentence for rehab. Nevertheless, two of the album's songs, "Slither" and "Fall to Pieces," reached number one on the Billboard Modern Rock Tracks chart. The song "Slither" also won a Grammy Award for Best Hard Rock Performance with Vocal in 2005, an award Weiland had won previously with STP for the song "Plush" in 1994. Velvet Revolver released their second album, Libertad, on July 3, 2007, peaking at number five on the Billboard 200. The delay in releasing their second album, according to Slash, was his fault. He had relapsed on drugs, and this caused issues with the process of getting the album out. The album's first single, "She Builds Quick Machines," peaked at 74 on the Hot Canadian Digital Singles. The second and third singles, "The Last Fight" and "Get Out the Door," peaked at numbers 16 and 34 on the Mainstream Rock Chart. Critical reception to the album was mixed. Though some critics praised the album and felt that Libertad gave the band identity of their own, others described the album as "bland" and noted that the band seemed to be "playing to their strengths instead of finding a collective sound. Later Slash would say about Weiland: "I just thought he was a great singer, and he'd always been on my mind for [Velvet Revolver]. He was the one vocalist that I knew had the kind of voice that would serve what we were going to do: he had a John Lennon-ish quality, a little bit of Jim Morrison, and a touch of almost David Bowie. He was the best singer to come out in a long time in my opinion." Likewise, the DeLeo brothers formed the supergroup Army of Anyone with vocalist Richard Patrick of the rock band Filter and session drummer Ray Luzier. The band released its self-titled album in 2006 before going on "indefinite hiatus" in 2007. STP Drummer Eric Kretz kept a lower profile during this time, operating his own studio, Bomb Shelter Studios, and drumming for the band Spiralarms. Dean DeLeo stated steps toward an STP reformation started with a phone call from Weiland's then-wife, Mary Forsberg. She invited the DeLeo brothers to play at a private beach party, which led to Weiland and the DeLeo brothers mending ways. In 2007, Dean DeLeo and Weiland discussed a concert promoter's offer to headline several summer festivals. Weiland accepted and said he had cleared the brief tour with his Velvet Revolver bandmates. He explained, "everything was cool. Then it wasn't," and said the rest of the band stopped talking to him. Weiland was diagnosed with manic-depressive disorder. He would often refuse to take medication for it and had lots of mood swings as a result. On March 20, 2008, Weiland revealed at Velvet Revolver's show in Glasgow that this would be the band's final tour. After several flares on their blogs and in interviews, on April 1, it was announced by several media outlets that Weiland would no longer be in Velvet Revolver. STP announced they were reuniting for a 65-date North American tour the following month. The group officially reunited for a private gig at the Houdini Mansion and held their first public performance on Jimmy Kimmel Live! on May 1. The reunion tour kicked off at the Rock on the Range festival on May 17, 2008. STP toured throughout the summer and fall, headlining the Virgin Mobile Festival in Baltimore in August of that year and the 10th annual Voodoo Experience in New Orleans. The band's six-month reunion tour wrapped up on Halloween 2008 in Pelham, Alabama. After taking a short break to allow Weiland to support his recently released second solo album, ""Happy" in Galoshes," pre-production for the band's sixth studio album began in mid-2009. The band also hit the road for a 13-date North American summer tour in 2009, in-between the tours for Weiland's "Happy in Galoshes.".The band showcased new material at South by Southwest, the annual get-together of film, interactive media, and music festivals and conferences organized jointly in mid-March in Austin, Texas, in 2010. The band performed at England's Download Festival in 2010, the Hurricane Festival and the Southside Festival in Germany, and the Final Four Concert Series in Indianapolis on April 2, 2010. In addition, the band appeared on the Late Show with David Letterman for the first time in ten years on May 19, performing "Between the Lines.' It would also be the band's last album featuring Weiland on vocals. A lawsuit filed by Atlantic Records on June 12, 2008, actually left the sixth album up in the air. Atlantic eventually withdrew the case, and the band's attorney called the legal situation a "misunderstanding." Against Atlantic Records' wishes, Robert DeLeo insisted that he and his brother Dean DeLeo produce the record themselves, which began production in early 2009. Production took nearly ten months to complete because recording took place during breaks in the band's touring schedule. Three studios were used simultaneously, including Robert's home studio and Eric Kretz's Bomb Shelter Studios. Scott Weiland recorded vocals at his "Lavish Studios." Don Was came in as an additional producer to help keep the band's separate recording sessions in sync and work closely with Weiland during the recording of his vocals. The album was completed in December 2009, and mixing and mastering were finished by February 2010. The album was released on May 25, 2010, leading to two singles, "Cinnamon" and "Between the lines." The album sold 62,000 copies the first week and peaked at number 2 on the Billboard charts. In September 2010, STP announced it was rescheduling several United States tour dates so that the band could take a "short break." STP toured Southeast Asia for the first time in 2011, playing in the Philippines (Manila), Singapore, and Indonesia (Jakarta). In addition, the band played successful shows in Australia, including sell-out performances in Sydney and Melbourne. Dean DeLeo told Rolling Stone in December 2011, "What I'd like to see happen is the band go out and do more intimate shows – really lovely theaters around the country." DeLeo also suggested a possible extended reissue of Core, including live archived material, "We have tons of live recordings from that era, and we didn't multi-track record that stuff. There's no fixes, so they'd sound incredible if we just master them." Scott Weiland also commented on the 20th anniversary of Core, saying, "Well, we're doing a lot of special things. [There's] a lot of archival footage that we're putting together, a coffee table book, hopefully a brand new album – so many ideas. A box set and then a tour, of course." "Alive in the Windy City," STP's first-ever concert film, was released on June 26 on DVD and Blu-ray, filmed at a sold-out show in March 2010 at the Riviera Theatre in Chicago. STP began to experience problems in 2012. Some were said to have been caused by tensions between Weiland and the rest of the band. Despite the band claiming that their fall tour would be celebrating the 20th anniversary of Core, it never happened. The rest of STP did not want to do the celebration because they believed that Weiland no longer had the vocal range to perform some of the album's songs. Weiland decided to perform the songs they did not want to play on one of his solo tours. The rest of the band didn't tell Weiland that they were pissed, which made him assume that everything was cool. On September 17, set to perform at a show in Abbotsford, British Columbia, STP arrived nearly two hours late and cut their set 30 minutes short, pissing off the crowd. The following day, the band released a brief statement announcing that that night's show in Lethbridge, Alberta, was canceled because Weiland was ordered to go on "48 hours complete vocal rest due to strained vocal cords." On December 7, hearing rumors that Weiland was open to returning to Velvet Revolver, a radio D.J. asked Slash about his possible return. Slash then told radio station 93X that he had heard rumors Weiland had been fired from STP. He claimed Weiland wanting to return to Velvet Revolver had something to do with that, something that Weiland quickly dismissed. On February 27, 2013, shortly before this solo tour was set to commence, Stone Temple Pilots announced on their website that "...they [had] officially terminated Scott Weiland." Of course, that termination came as news to Scott. He fired back with a statement of his own that set the stage for what was sure to be an epic showdown, saying, "Not sure how I can be 'terminated' from a band I founded," "but that's something for the lawyers to figure out." Just one day before he was fired from the band, Weiland was giving interviews saying STP was working on tour plans, just another example of how significant the divide between him and his bandmates was. Chester Bennington of Linkin Park appeared as a special guest on May 18, 2013, with the three remaining members of STP, performing at the 21st Annual KROQ Weenie Roast and the May 19, 2013, Live 105 BFD festival near San Francisco, where they performed a new song, "Out of Time." STP released a free download of their new single "Out of Time" with Bennington on May 19, 2013, citing him as an official member. Bennington had exclaimed that being in STP was his lifelong dream in interviews years before. On May 30, 2013, The new lineup performed, at the MusiCares MAP Fund Benefit Concert in Los Angeles, California. They were joined by Weiland's former bandmates Slash and Duff McKagan on to perform Mott the Hooples "All the Young Dudes", a song originally written by David Bowie. STP then announced that they would head out on a small tour in September with Filter opening up. They released a five-track E.P. titled High Rise on October 8, 2013, simply called Stone Temple Pilots with Chester Bennington. "Black Heart," the album's second single, was released through iHeart Radio on September 18, 2013. STP dropped "with Chester Bennington" officially from their name in March 2015. On November 9, 2015, Bennington announced he was leaving Stone Temple Pilots to put more focus on Linkin Park. Chester Bennington committed suicide on July 20, 2017. Sadly, by the beginning of 2015, all signs pointed to a new cycle of relapse for Scott Weiland. While on tour with his backing band, The Wildabouts, there were rumors the Weiland had started using drugs again. The tour with the Wildabouts was not going as well as Weiland was hoping it would, and soon his rollercoaster life would come to an end. On December 3, Scott Weiland and his Wildabouts limped into Bloomington, Minnesota, to discover that their show had been canceled due to poor sales. The man who once held stadiums captivated in the palm of his hand could not even sell 100 tickets. Just before 9 pm on December 3, in a hotel parking lot just south of Minneapolis, Scott Weiland was found dead in the bunk of his tour bus. He was 48. He had finally hit rock bottom. The medical examiner later determined the cause of death to be an accidental overdose. An array of drugs were found on his tour bus, including cocaine, marijuana, bipolar medication, and anti-anxiety medication for treating addiction. Wildabouts bassist Tommy Black was arrested at the scene on drug charges. Weiland was no apologist for his behavior. Even as far back as the 90s, he admitted that he was entirely responsible for his actions and recovery. "There's no way you can place the blame on anyone but yourself, although, because I am a drug addict, I don't believe I have control over what I do when I start using it, because I feel totally powerless," he said. "But I'm still accountable for what happens." A few days after his death, Weiland's second wife, Mary Forsberg, wrote a jagged open letter to Rolling Stone magazine. "Noah and Lucy never sought perfection from their dad," she wrote. "They just kept hoping for a little effort. If you're a parent not giving your best effort, all anyone asks is that you try just a little harder and don't give up." Her comments underscore the heartbreaking truth: that among the singer's family, friends and bandmates, in the end, it seemed that the one who cared least about Scott Weiland's sobriety was the man who needed it most. Scott. News of Weiland's death quickly spread throughout the internet, with many of his musical peers, including his former band members, along with fans and music critics throughout the world, sharing their condolences, tributes, and memories. A day following his death, his former bandmates in Stone Temple Pilots issued a statement saying that he was "gifted beyond words" but acknowledged his struggle with substance abuse, calling it "part of [his] curse." A quiet funeral for Scott was held at Hollywood Forever Cemetery on December 11, 2015, in Los Angeles. Members of both Stone Temple Pilots and Velvet Revolver attended. Chris Kushner, the wife of Velvet Revolver guitarist Dave Kushner, wrote on her Instagram page following the funeral, "A very sad day when (you) bury a friend. He was a good man. Don't believe everything (you) read. Remember, we were all there." Weiland's body was cremated. Mary Forsberg and the two children were not in attendance, later having a private ceremony in honor of their beloved family member. In February 2016, the remaining members of Stone Temple Pilots went to the internet searching for a new vocalist, stating on their official website: "If you think you have what it takes to front this band, record with this band, and tour with this band, we would dig hearing from you." STP announced that a 25th-anniversary edition of Core would be released on September 29, 2017. The reissue includes a 25th Anniversary box set, a remastered version of the album, previously unreleased demos and b-sides, and parts of three live performances from 1993 On November 14, 2017, the band revealed that nu-metal band, Dry Cell vocalist Jeff Gutt had been selected as their new frontman. On November 15, 2017, the band released a new song, "Meadow," from the upcoming studio album. On January 31, 2018, the band released a second new song, "Roll Me Under," and announced the release of its seventh studio album. The self-produced L.P., the band's second self-titled album, was released on March 16, 2018, and was their first album with vocalist Jeff Gutt. In mid-2018, the band embarked on a co-headlining tour with Bush and The Cult. On September 4, 2018 They announced a 15 date Canadian tour with the band Seether. On November 30, 2018, STP's current label announced the following: "There is a manufacturing error on vinyl copies of Live 2018 that was caused by a defective lathe, resulting in the album playing at a 4% slower speed. We deeply apologize for this unfortunate occurrence and promise to provide replacement copies to everyone that purchased." May 3, 2019 – – Stone Temple Pilots and Rival Sons announced they will embark on their first-ever co-headlining U.S. tour in the fall. Produced by Live Nation, the exclusive 12-city outing would kick off September 13 in Baltimore and see the two bands performing on intimate stages across the states. These included The Met Philadelphia, Ford Amphitheater in New York City, The Fillmore New Orleans, and more before wrapping October 9 in San Diego. June 6, 2019, STP Celebrated the 25th anniversary of "Purple" by releasing a 3-CD/1-LP "super deluxe edition" set including a newly remastered version of the original studio album on both CD and vinyl, plus unreleased versions of album tracks and rarities, along with an unreleased full concert recording from 1994. A limited-edition bundle of the PURPLE: SUPER DELUXE EDITION was also available that included a bonus replica 7-inch vinyl single of "Interstate Love Song" that was initially released in the U.K. in 1994. This exclusive bundle is limited to 1,000 copies. January 24, 2020, The band announced they had to cancel their "Perdida" tour to support their newest album of the same name. The press announcement "We are sorry to announce that we must cancel the upcoming Perdida acoustic tour. Our brother Jeff has a severely herniated disc and doctors have advised immediate surgery which will require weeks of recovery time and physical therapy. Thankfully, Jeff is expected to make a full recovery and we will continue with our Australian tour with Live and Bush in April, the summer tour with Nickelback, and we hope to reschedule the Perdida tour later this year." You thought it was COVID, didn't you? STP had several live stream performances during 2020, including playing "Core" and "Purple" in their entirety. On March 25, 2021, They celebrated the 25th anniversary of "Tiny Music..." with the announcement of a super deluxe remastered edition. The 3-CD/1-LP set combined a newly remastered version of the album with unreleased early takes, alternate versions, instrumentals, a full never-before-released MTV Spring Break performance from 1997, as well as a previously unreleased alternate version of the album's first single, "Big Bang Baby." And THAT, ladies and gentlemen, is the story of Stone Temple Pilots. An excellent start to the plethora of Icons and Outlaws we'll be discussing every week. The research from this episode is due in part from Scott Weiland's Memoir "Not Dead and Not For Sale" classicrock.com Stonetemplepilots.com Adam Moody Articles by Stephen Thomas Erlewine at allmusic.com wikipedia albumoftheyear.org Billboard.com Consider being a producer of the show. www.iconsandoutlaws.com www.accidentaldads.com
Scott sits in person with an incredibly talented band, Failure, who were fixtures of the LA underground rock scene in the 90's. Known for their album, Fantastic Planet, Ken Andrews, Greg Edwards and Kelli Scott are here to discuss the bands history, the new record Wild Type Droid and everything in-between. They get into some mutual friends and how the band formed. The early Failure days are brought up along with their first few records on Slash records ending with Fantastic Planet and the on boarding of Kelli Scott before breaking up and taking a 17 year hiatus. They get into the bands relationship with Tool, Kens video directing career, and some of the other band projects each member has had. Stay tuned for a great conversation!
Ken Andrews of Failure shares his history as a fan, from his deep love for The Cure through to the surprising bands he still has on repeat. He confirms the band are currently working on a music documentary chronicling their history. He also explores his songwriting process with Failure, connecting with Maynard James Keenan of TOOL when their bands first began, and the open-minded people who embraced both bands at the time. Hosted by Christina Rowatt. Watch on YouTube: https://youtu.be/wqHtenMgw1c
We are starting this year off with a BANG! Today I am talking with Ken Andrews from the band Failure. We dive into the rather unique way they recorded their latest release "Wild Type Droid", how a band can play around each other instead of with each other, their reunion, his dive into a fully digital guitar rig, and a whole lot more. This episode is an absolute blast. I think you will really enjoy it. Check out Failure at their website HERE and scope out Ken's YouTube channel HERE. TEXT ME (503) 751-8577 Support the show and get extra episodes over at Patreon.com/tonemob. You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 7% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices
I'm pleased to have Ken Andrews from Failure on the podcast. We talk about so much in this episode, like how Ken got into music, how Failure formed, and how the band decided on their name. There is so much Failure in this episode, which makes sense because they just released a new album called Wild Type Droid. But we also go into the space between Failure's breakup in 1997 and reformation in 2013. We go pretty in depth on the bands ON, Year Of The Rabbit, Digital Noise Academy, and Ken's solo album. There is so much in here like how the Segues came to be, news of a Failure documentary and if there are tour plans for 2022 and how some of the songs on Wild Type Droid were pieced together. Follow the band @failurebandig on Instagram, @Failure on Twitter, or the website failureband.com and pick up Wild Type Droid on every format imaginable (except maybe laser disc). Follow us on the socials @PerformanceAnx. You can help support the show at ko-fi.com/performanceanxiety or performanceanx.threadless.com. Let's get right into the show with Ken Andrews of Failure on Performance Anxiety on the Pantheon Podcast Network.
I'm pleased to have Ken Andrews from Failure on the podcast. We talk about so much in this episode, like how Ken got into music, how Failure formed, and how the band decided on their name. There is so much Failure in this episode, which makes sense because they just released a new album called Wild Type Droid. But we also go into the space between Failure's breakup in 1997 and reformation in 2013. We go pretty in depth on the bands ON, Year Of The Rabbit, Digital Noise Academy, and Ken's solo album. There is so much in here like how the Segues came to be, news of a Failure documentary and if there are tour plans for 2022 and how some of the songs on Wild Type Droid were pieced together. Follow the band @failurebandig on Instagram, @Failure on Twitter, or the website failureband.com and pick up Wild Type Droid on every format imaginable (except maybe laser disc). Follow us on the socials @PerformanceAnx. You can help support the show at ko-fi.com/performanceanxiety or performanceanx.threadless.com. Let's get right into the show with Ken Andrews of Failure on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's damn Ken Andrews week on the podcast! I couldn't be more thrilled to have the man behind Failure, Ken Andrews, on to discuss their new record, the insanity of the early late 80's and early 90's major label boom and Cave In. We go all over the place but Ken is such a pleasant chat, I could have hung with him for another hour. Oh don't worry, I also bring up Year of the Rabbit as well. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
Conan Neutron's Protonic Reversal
Interview No. 69 with musician/producer Ken Andrews of Failure.Emperor Cabinets can be found at emperorcabinets.comMusic in the intro ad by Adrian VinoMusic placed in the podcast intro:Frodus: "There Will Be No More Scum" off the record "And We Washed Our Weapons In The Sea"
EP254 is with the legend Ken Andrews of Failure. We talk about their new album "Wild Type Droid" which is out Dec.3rd, the writing process behind it, the direction humanity is taking, the affects of social media, politics and much more! This one goes deep but very thought provoking and inspiring. Cheers! Video: https://youtu.be/No4uvWOjRYU Follow Failure: @failure on Twitter or @failurebandig on IG Follow Ken: @andrewsken To pick up the album and for all things Failure: https://failureband.bandcamp.com/ Intro: "Submarines" by Failure Outro: "Headstand" by Failure Don't forget to like, share & subscribe and follow us on social media Instagram & Twitter: @RRBGPodcast RRBG is a proud member of the Podbelly Network! Check out all the great shows on our network here: https://podbelly.com/ PLEASE check out the Patreon page. Support the podcast and earn exclusive content like full audio interviews from Psycho Las Vegas from acts like Andrew WK, Red Fang, CKY and more. www.patreon.com/rrbg Sponsors! Kill Cliff The premier recovery & energy drinks come from Kill Cliff. Their Mango Tango comes with 25 MG of CBD and it's the perfect way to recover from a hard work out or to work on your yoga practice. Check out their variety of flavors and styles. https://killcliff.com/ Saint Joints Check out our friends at Saints Joints providing the Pacific Northwest with carefully crafted Mixed Strain Joint packs. Featuring artwork from artists such as Skinner.
Ken Andrews is a singer, guitarist, songwriter, producer and founding member of Failure. In this episode Joe and Ken discuss the poison legacy of the Trump administration and the stress that comes with a politicized public health system. Ken explains the major label debacle that is responsible for Failure's 1997 break up and why the band is a better a functioning unit in the reboot phase. We hear a couple tunes from Failures forthcoming record Wild Type Droid (out December 3 2021) and Ken shares how improvisation was influential in the recording process. Music by Failure and Joe Plummerhttps://failureband.com/Visit https://www.izotope.com/ and use code FRET10 to get 10% off all softwareVisit https://wundergroundcoffee.com/ and use code doctorwunder to get 10% your purchase
This week on JBTV the Podcast we bring you a classic. Failure's Ken Andrews, Greg Edwards, and Troy Van Leeuwen talk about their songwriting process and their biggest hits.Failure: https://failureband.com/Follow Us On Social Media: Youtube - Instagram - TwitterWe are a proud member of Pantheon Podcasts
This week on JBTV the Podcast we bring you a classic. Failure's Ken Andrews, Greg Edwards, and Troy Van Leeuwen talk about their songwriting process and their biggest hits.Failure: https://failureband.com/Follow Us On Social Media: Youtube - Instagram - TwitterWe are a proud member of Pantheon Podcasts
This week on JBTV the Podcast we bring you a classic. Failure's Ken Andrews, Greg Edwards, and Troy Van Leeuwen talk about their songwriting process and their biggest hits. Failure: https://failureband.com/ Follow Us On Social Media: Youtube - Instagram - Twitter We are a proud member of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
Ken Andrews is a producer and mixing engineer who has worked with artists such as Jimmy Eat World, Paramore, Beck, and many more. Not only is he an amazing engineer, but he is best known as the co-founder, lead vocalist, guitarist, bassist, and co-songwriter of the alternative rock band Failure. IN THIS EPISODE, YOU'LL LEARN ABOUT: - Striking the balance of vibe vs technical perfection - Working with Jimmy Eat World - How to make a mix feel full when you only have a single guitar performance - How to use room mics to make your drums sound bigger - Using automation on drums to create movement within a mix - How to control cymbal bleed To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!
How Ken won the MTV Basement Tapes in his first career - producing music videos… growing up in Seattle and San Diego, being a parent, working with Chris Cornell on the Casino Royale theme song, folding laundry and why, in the future... your body will be the furthest thing from your mind: If you'd like to support this show: http://www.everyonelovesguitar.com/support Ken is the co-founder, vocalist, guitarist, bassist and co-songwriter of the alt band Failure. Ken talks candidly about why Failure broke up and how they wound up getting back together. Their comeback story is great: they weren't sure if there'd be an interest, but when they booked a show at the El Rey and it sold out in minutes… they knew they were on to something Subscribe YouTube: https://www.youtube.com/c/EveryoneLovesGuitar?sub_confirmation=1 Website: https://www.everyonelovesguitar.com/subscribe
Ken Andrews: absolute legend. You might know him from the incredible band Failure, or his band Year of the Rabbit, or his incredibly extensive resume as an engineer, or maybe you subscribe to his incredible YouTube channel or Patreon Page... If you shook your head through all of that, it's not too late. Dive into this chat and change you life now! Ken has been sharing a ton of secrets from behind the board on his YouTube channel, but I got him to open up a bit more on this episode where we take a dive into the songwriting process of Failure, his relationship with the term "Space Rock", the magic of Keanu Reeves, how he's evolved as a musician and a producer since "Fantastic Planet", the magic of Fractal Audio, some of the most unique collaborations in the studio for his solo work, and much much more. Be sure to subscribe to Ken's Youtube Channel at www.youtube.com/c/KenAndrewsMusic and I implore you to become a patron at www.patreon.com/kenandrews to go even deeper. If you want to hear more of this conversation (including the secrets behind the Heliotropic bass tone), the extended version is available to patrons on all tiers at the Rigs of Dad Patreon page. More gear talk, more riff talk, more mix talk, and more laughs. You can even take some deep dives with more of my guests, get some Patreon exclusive swag, and more by checking out the Rigs of Dad Patreon page at www.patreon.com/rigsofdad OR just download the Patreon ap, search for Rigs of Dad, and you can support creators like me and so many more in the process! Big shout out to the homies at www.shearrevival.com as well... Take care of yourself. Look good, feel good. Treat your body and neighbors nose with love using Shear Revival! Use the code CLEANTONE10 to get 10% off your order!! Much love to the fine folks at Custom District Pedalboards for allowing me to pack the heaviest tones on the lightest boards. Get yours over at www.customdistrictpedalboards.com Artists need your support now more than ever. Let's make sure bands like LaPêche are able to hit the road again by making sure you buy direct. Check them out at www.lapecheband.bandcamp.com Huge loves to the incredible Sacha Dunable. Check out www.dunableguitars.com if you need some real tone in your life. I also want to give a shoutout to Quantum Industries. These dudes are putting out true tanks of guitar cases. Check them out at https://www.quantumindustries.jp/ BE SURE to enter ROD10 for a discount on your order!!!
Ken Andrews gives us a lengthy peek at his life making music with his band Failure, making music as a solo artist vs band, producing and mixing as a living, working with household names like Jimmy Eat World, Black Rebel Motorcycle Club and NIN, he details the writing process with Failure and how they use improvisation as a key tool and how to know what to throw away, which turns out to be most of it, we discuss being befuddled by our children's math homework and why it's David Lee Roth over Sammy Hagar any day. kenandrews.com allenepley.com thirdgearscratch.com
I sit down with friend, fellow cyclocross racer and Principal Architect at Arch11, Ken Andrews. I have personally been fascinated with design and architecture since I was a kid, but never understood the nuances of why I liked some buildings and not others. Take a look at the amazing designs on Arch11's Instagram feed: Ken takes me through, with passion, expertise and humility: art, function, style, proportion defining compression and release the interconnected role of construction and architecture site specific response the making of space and how design inhabits the world Arch11's commitment to a built environment and eliminating carbon footprints Here are the books and movies now on my list from this chat: Charles Eames, Screening Room and Powers of 10 Bjarke Ingels: Abstract on Netflix The Phenomenology of Religious Life (Studies in Continental Thought) ★ Support this podcast on Patreon ★
Why yes, we digress. It's in there (this time - we promise) with everything from a murderous feline to tow truck technique, plus seasons in Chicago, the 2020 Egg Nog GP, and Ken Andrews of the band Failure. While we're at it, there's actually a topic, too - detailing in the off-season because you care about how you look during the on-season. Winter is mean. Keep your rig clean even it it's not pretty, because little dings get big when you neglect them. Torn mats, harbored moisture, cracked clearcoats, destroyed fabrics - winter can make them all worse. You're a gearhead - do it right.
Why yes, we digress. It's in there (this time - we promise) with everything from a murderous feline to tow truck technique, plus seasons in Chicago, the 2020 Egg Nog GP, and Ken Andrews of the band Failure. While we're at it, there's actually a topic, too - detailing in the off-season because you care about how you look during the on-season. Winter is mean. Keep your rig clean even it it's not pretty, because little dings get big when you neglect them. Torn mats, harbored moisture, cracked clearcoats, destroyed fabrics - winter can make them all worse. You're a gearhead - do it right.
In this episode of the Liberal Europe Podcast, Ricardo Silvestre (Movimento Liberal Social) talks with Ken Andrews, musician, record producer and sound engineer. Ken is known for his solo career and for being part of the band Failure. They discuss the intersection between art and politics, and how to use one's talent to convey that kind of message, knowing the positive, and potentially negative, aspects associated with such a decision. You can find the show notes at https://www.liberalforum.eu/blog/liberal-europe-podcast-episode-61-ken-andrews. This podcast is produced by the European Liberal Forum in collaboration with the Movimento Liberal Social with the financial support of the European Parliament. Neither the European Parliament nor the European Liberal Forum are responsible for the content or for any use that be made of it.
A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: "Thanksgiving Service" Speaker: Ken Andrews Broadcaster: Lighthouse Baptist Church Event: Midweek Service Date: 11/24/2020 Length: 55 min.
A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: "Thanksgiving Service" Speaker: Ken Andrews Broadcaster: Lighthouse Baptist Church Event: Midweek Service Date: 11/24/2020 Length: 55 min.
We play a quick trivia game and then review System of a Down's special project, Ken Andrew's new EP and Stabbing Westward's Halloween EP.
The Failureverse is the gift that keeps on giving with a surprise release from 90s cult hero and superproducer Ken Andrews, as well as the return of Bring Me the Horizon and new records from Chinese and Japanese artists we’ve had our eye on. THIS WEEK: What’s Coming EP by Ken Andrews / 100,000 Whys […]
Ken and Jim get nerd rapping about the DAW writing vs analog realm writing, the perils of instrument switching mid-song and lyric writing tips to keep you from getting psyched out. GET THE MUG: https://kingsroadmerch.com/jim-adkins...Subscribe: https://smarturl.it/JEWSubscribe More Jimmy Eat World:Website: https://www.jimmyeatworld.com/Facebook: https://www.facebook.com/jimmyeatworldInstagram: https://www.instagram.com/jimmyeatworld/Twitter: https://twitter.com/jimmyeatworldSpotify: https://open.spotify.com/artist/3Ayl7mCk0nScecqOzvNp6s?si=MbdpB2sETYupWQgha07PDwApple: https://itunes.apple.com/us/artist/jimmy-eat-world/id3446973 Ken Andrews Links: New Music-https://www.youtube.com/watch?v=K8fjmqAu_1E&feature=youtu.be https://open.spotify.com/album/2MtKaIaXZgok297WbkwKkF?si=J7bZGMuiQD2Gu6mVg7XTCwKen's YouTube Channel:https://www.youtube.com/channel/UCTEQ9s3ETBBlW5dnyfpivtQKen's Merch:https://www.hellomerch.com/collections/ken-andrews Animations and Logo: Tonianne Tartaro @tonianaro and Emily Argiro @em_argiroCredit Sequence Music: “Flying On By” by Jackson, Finn and Jim Adkins. Published by Red Pods Of Fire Music (Kobalt) Produced and Edited by Jim Adkins
Chapter 216 - "Our Enduring Friendship" ...as read by Ryan Parrish of Hopesfall and In Parallel This week I’m excited to welcome back Ryan Parrish to the podcast. Ryan chats about rejoining Hopesfall and the music they’re creating now. Then we chat about the new In Parallel record, Fashioner, out this Friday September 4th via Wiretap Records.In Parallel - https://inparallelband.bandcamp.com/Snag Fashioner on vinyl - https://wiretaprecords.limitedrun.com/products/676023-in-parallel-fashioner-12-epYou can still pickup Broken Codes on vinyl - https://www.storenvy.com/products/24225270-in-parallel-broken-codes-vinyl----------Chapter 216 Music:Hopesfall - "Hall Of the Sky"In Parallel - "Deep Dark"In Parallel - "Leave It With The Ghost"---As The Story Grows links:Help out at PatreonATSG WebsiteATSG Music and MerchJoin the Email ListATSG FacebookEmail: asthestorygrows@gmail.comYouTube - https://www.youtube.com/channel/UCNuP0_JUpT6DoIhhbGlwEYA?view_as=subscriber
A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: "Man, Paul and The Church" Subtitle: The Book of Colossians Speaker: Ken Andrews Broadcaster: Lighthouse Baptist Church Event: Sunday - PM Date: 6/14/2020 Bible: Colossians 1:21-29 Length: 61 min.
By request, we talk with Ken Andrews about the IBR, Hoka Hey, his elusive 48/10 ride(s), and much more.
Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s. Songs In This Episode: Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood) Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s. Songs In This Episode: Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood) Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
JUST.LIKE.THE.MOVIES............................... by tony justerini 01. Nick Cave & The Bad Seeds – Nobody’s Baby Now, Too Late OST, 2015 02. The Free Association – Shanghai, Code 46 OST, 2003 03. Townes Van Zandt – Dead Flowers, The Big Lebowski OST, 1998 04. Hans Zimmer - Dust, Interstellar OST, 2014 05. Mark Isham – Flames, Crash OST, 2005 06. Jonny Greenwood – Prospectors Arrive, There Will Be Blood OST, 2007 07. Nick Cave & The Bad Seeds – (I'll Love You) Till The End Of The World, Until The End Of The World OST, 1991 08. Alexandre Desplat – Awakening, The Tree Of Life OST, 2011 09. The Veils – Vicious Traditions, Mr Brooks OST, 2007 10. Peter Gabriel - Passion, Passion Of Christ OST, 1989 11. Sigur Rós – Hoppipolla, We Bought A Zoo OST, 2011 12. The Cure – Boys Don't Cry, The X-Files OST, 1993 13. Ken Andrews & Brian Reitzell – Requiem For August, Shrink OST, 2009 14. Ryuichi Sakamoto & Bryce Dessner – Final Fight, The Revenant OST, 2016 15. Ani DiFranco – Soft Shoulder, Remember Me OST, 2010 16. Patrick Doyle – Caesar’s Stand, Rise Of The Planet Of The Apes OST, 2011 17. Elvis Costello – Days, Until The End Of The World OST, 1991 18. Noiserv - Nunca Poderia Ver Tudo, José e Pilar OST, 2010 total time: 01:20:00 http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com
Episode 95 features Ken Andrews of Los Angeles alternative rock band Failure. Ken talks about comebacks, The Cure, college radio, frogs, Nirvana, hating on hair metal./ Songs from Failure featured on the podcast include 'No One Left' and 'Dark Speed'./ Find out more about Failure at failureband.com
The sonic sorcerer illustrates how he meticulously builds the wall of textured sounds in the Axe-Fx III and details the creation of his new Electrical Guitar Company signature offset.
Can't Tell Us Nothing does a live show at Station Theater joined by Ken Andrews and Cayn King of ADV Films Works. Together they discuss DefNation, the origins of a superhero who fires people, and baby nuance. We have opinions and you're gonna hear them! Follow our characters down rabbit holes in our fast-paced improv shows.Hosted by Amechi Ngwe, Antoine W.B, Jon Myles, and Tandiwe Kone.Edited by Antoine W.BHosted on Mocking Bird Network
Ken is the co-founder, vocalist, guitarist, bassist and co-songwriter of the alt band Failure. Ken talks candidly about why Failure broke up and how they wound up getting back together. They weren’t sure if there would be an interest in the band coming back together, but when they booked a show at the El Rey theater and it sold out in minutes… they knew they were on to something How he won the MTV Basement Tapes in his first career - producing music videos… growing up in Seattle and San Diego, being a parent, working with Chris Cornell on the Casino Royale theme song, folding laundry and why in the future, your body will be the furthest thing from your mind: Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar
The band Failure has witnessed major transitions within the world of analogue & digital recording and the re-ignition of the vinyl record format. With their new album, "In The Future Your Body Will Be The Furthest Thing From Your Mind", Chief Cosmonaut Ken Andrews takes us through the history of Failure recordings, their vinyl history and some of the interesting stories and rare-records of their past. If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related. Web | Facebook | Instagram | YouTube
A new King of the Castle is crowned in a brutal ladder match, and Ken Andrews challenges Unlimited Champion and SWO owner Ace Dallas for his title!
A new King of the Castle is crowned in a brutal ladder match, and Ken Andrews challenges Unlimited Champion and SWO owner Ace Dallas for his title!
In 2015 Ken’s band Failure released their first album in 19 years, and Paramore's hit "Ain't It Fun” (mixed by Ken) won a Grammy for ”Best Rock Song”. Ken’s work on both sides of the glass has been varied and successful, and we were happy to sit down with him backstage in San Diego to discuss the making of his new record, a secret mix project he’s really excited about, his favorite gear, plugins, and some of the stuff he uses in the Failure live show. Artists Ken Andrews has worked with include: Paramore, Pete Yorn, Beck, Tenacious D, Blink-182, M83, A Perfect Circle, Chris Cornell, Black Rebel Motorcycle Club, Jimmy Eat World, Nine Inch Nails, and Failure. Ken Andrews
The Liquid Nation reunite to challenge Da Gunnaz for the tag straps! Ace Dallas vs. Leo Sweet, Benny Slater vs. Richard Bonnair, and Ken Andrews vs. Van Valley, all occurring in one violent evening!
On this night: Travis Banks vs. Harszang, Van Valley and Ace Dallas vs. 30 Miles South, Slayer vs. Ken Andrews, and King Kaluha meets O-Dogg in the main event!
Ken Andrews spits fire at Dino Sanna until the WWWA President finally grants him a match for the heavyweight championship. Also, Raena Skye meets Sienna Duvall for her title in a controversial contest.
Da Gunnaz defend their newly-won tag titles, Ken Andrews and Stan Styles compete in a rematch for the High Impact Championship, and O-Dogg meets Jake Bishop in the main event.
"The Black Piranha" Havoc Shade faces Unlimited Champion Ace Dallas in an explosive main event, and Ken Andrews and David Hetfield square off — literally — in a Lego deathmatch!
"The Black Piranha" Havoc Shade faces Unlimited Champion Ace Dallas in an explosive main event, and Ken Andrews and David Hetfield square off — literally — in a Lego deathmatch!
Guest : Ken Andrews from FailureRABID NOISE on Rabbit Radio : Metal, Rock and Everything noisy from Australia and around the world!Listen to Rabid Noise at www.rabbitradio.com.au live every wednesday night 9-11:30PMHosted by Nev Pearce and Shane SmithRabid Noise is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au
Guest : Ken Andrews from FailureRABID NOISE on Rabbit Radio : Metal, Rock and Everything noisy from Australia and around the world!Listen to Rabid Noise at www.rabbitradio.com.au live every wednesday night 9-11:30PMHosted by Nev Pearce and Shane SmithRabid Noise is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au
Ken Andrews, contestant on Biggest Loser, shares the importance of Christian relationships.
After nearly two decades, space rock cult giants Failure have emerged from their catacombs and into the daylight to kick off 2014 with a big bang. Now touring as a power trio, Kelli Scott, Greg Edwards and Ken Andrews have been traversing the country to treat their devoted fans to textured sounds and fantastic sets with sides of fun filmic inspiration. Before taking us on that ride -- and what a ride it was! -- our own Roddy Rasti caught up backstage with Greg, who was kind enough to chat with us about cat allergies, the early days, fretless bass, head-space, and what's on the horizon. See acast.com/privacy for privacy and opt-out information.
In this episode, we have the dedicated director, actor, improviser and writer Ken Andrews. We talk about why his different ODD jobs before getting into show biz, his participation on the movie "Oz: The Great and Powerful" and how improv shows can go super wrong without establishing the situation.Ken Andrews - Fiesta Movement - The MovieBig Yellow Taxi (Improv Show) : At The Complex Every 1st, 3rd, 4th Tuesday 8pmWho are the Volkovs? Guys Guys - Coming SOON Steve Dez - stevedez.comTwitter: @SteveDezTV Facebook.com/SteveDezShow Instagram: @SteveDezTV
Moksha by Caspian Globe by On-the-go Day Six by Explosions In The Sky Day Out by Everything is made in China Red Bird by Johnnytwentythree Ending theme by SRKP Frail by Nine Inch Nails Requiem for August by Ken Andrews & Brian Reitzell Arcadia (Boys Noize Version) by Apparat Rock Song by Gregor Samsa