Podcasts about one after

Januari 1969 was een pittige maand voor The Beatles, maar er zijn genoeg momenten geweest waarop het spelplezier er vanaf spatte. Zoals bij One After 909, een ‘oldie' die werd afgestoft tijdens de Get Back/Let It Be-sessies. Fab4Cast vertelt over de lange weg van onstaansgeschiedenis (1957) naar release (1970), and beyond! Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

http://www.copperplatemailorder.com                                   Copperplate Time 495                    presented by Alan O'Leary                    www.copperplatemailorder.com  1. Bothy Band:  Green Groves/Flowers of Red Hill.   1975 2. Ushers Island:  The Half Century Set.  Ushers Island 3. John Doyle/Ushers Island:   Heart in Hand.  Ushers Island 4. Carlos/Sweeney/McCartin: The Tinker's Stick/Spoil the Dance/Humours of Lissadell.  The One After it 5. Dan Brouder & Angelina Carberry: Michael Gorman's/Tommie Potts'/Alice's Reel/Finbarr Dwyer's. A Waltz for Joy 6. Mick O'Brien & Coaimhin O'Raghallaigh:  Na Ceannabhain Bhana/Alisdrum's March/Munster Buttermilk.    Kitty Lie Over 7. Eamonn Cotter: Lady Gordon's/Lord Gordon's.Trad Music from Clare 8. Christy Moore:  The Broomie Law.  A Terrible Beauty 9. Laoise Kelly:   Little John's Home/The Spey in Spate.   Ceís 10. PJ & Marcus Hernon: The Brown Coffin/The Liverpool HP/The Good Natured Man.   Celebrating 50 Years 11. James Cullinane: Eddie Kelly's/The Happy Man/Boy on the Hilltop:                 Here It Is 12 Eleanor Shanley/Garadice:   Motherland. Garadice 13. Paddy Canny & Eileen O'Brien: The Bunch of Green Rushes/Gerdie Commane's. The Old Reels of the World 14. James Keane: The Hunter's Purse/The Flowing Bowl/Tillie Finn's.  With Friends Like These 15. Declan O'Rourke:   Galileo.    Since Kyabram 16. Bob Dylan:  The Girl From the North Country.  The Freewheelin' Bob Dylan17. Ralph McTell:  West 4th Street & Jones. Hill of Beans 18. Johnny Cash:   Big River.  Compilation 19. Bothy Band:  Green Groves/Flowers of Red Hill.   1975

http://www.copperplatemailorder.com                    Copperplate Podcast 301                  presented by Alan O'Leary         January 2025                      1.Gerry Diver:  The Bath Set.  Diversions 2. Garadice:     Gan Ainm/The Sunny Hills of Beara/The Castleblaney Piper. Garadice3 PJ & Marcus Hernon:Speed the Plough/Travers No1 & Traver's No 2.   Celebrating 50 Years 4. Sorcha Costello: Farewell to Ireland/Farewell to Cailroe.  The Primrose Lass 5. Mick Moloney: The Wren's Song.  An Irish Christmas 6. Tim Dennehy:  The Boys of Barr na Sráide.                        Between the Mountains & the Sea  7. John Wynne & John McEvoy:                   McPaddin's Fave/A Visit to Ireland.                       The Dancer at the Fair 8. Elaine Reilly:  Leddy from Cavan/Tim Fitzpatrick's.                    Epiphany9. Helen Roche:  Green Grow the Laurel.                  Shake the Blossom Early 10. Dave Sheridan: The Hut in the Bog/Tom Dowd's Fave/The Trip to Cullenstown.   Drivin' Leitrim Timber 11. Mick O'Brien: Statia Donnelly's/I Will If I Can/Patsy Geary's.   May Morning Dew12. Carlos/Sweeney/McCartin:   The Cran Man/The Flying Wheelchair.    The One After it13. Eleanor Shanley/Garadice: Sanctuary.                   Sanctuary  14. Andy Martin: The Sailor's Bonnet/The Culfadda Reel                Will We Give It a Go? 15. Goitse:  Banjoman Button.   Inspird By Chance16. Ralph McTell:   Things You Wish Yourself.   Single

As a songwriter, I could never imagine at this point in my life, putting out song a wrote at 16 or 17. I don't ever want anyone to hear that. But then again, I'm not the Beatles. who were able to resurrect one of the earliest songs in their repertoire, from well before they were even The Beatles. Though the song was in their early setlists for a long time, it never found a home on a Beatles record, even after taking a shot at recording it in 1963. But when nostalgia reared it's head during the Let It Be sessions, this song came back to the fore, and with Billy Preston in tow, it found a new life a scorching little rock song that fit the bill for the Get Back project perfectly. It's the most rocking moment of the whole month, and in their performance on the rooftop that day, for a couple of minutes, you see these world-weary men return back to the young, hopeful, driven boys they were when they first started. Even if the song has no real meaning, it's a fantastic moment with real electricity to it. Joining us this week are Allison and Erika from BC The Beatles, one of our favorite Beatles podcasts. We chat about their own Beatles journeys, the Beatles' invention of meta-nostalgia, Paul's sock game, Cruisin' Classics, and much more! If you're not listening to BC The Beatles, I dunno what' you're waiting for, get on it! Listen here, or anywhere you get podcasts, and follow them on Facebook, Twitter, or Instagram. What do you think about "One After 909" at #85? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! --- Support this podcast: https://podcasters.spotify.com/pod/show/rankingthebeatles/support

Dr. Alan Kurschner, in his last episode, gave the context to the unfolding of the seals, trumpets, and bowls. In today's episode, Dr. Kurschner outlines 10 reasons against the concurrent-recapitulatory interpretation of the book of Revelation while arguing for the consecutive-progressive framework. Seals, Trumpets, Bowls – At the Same Time or One After the Other? Consecutive-Progressive The prewrath position interprets a sequential chronological framework for the seals, trumpets, and bowls. That is, the seal-trumpet-bowl septets (sets of seven) will happen in a consecutive-progressive fashion, with each septet consecutively following each other. For example, the trumpet septet cannot begin until the seventh seal is opened; and the bowl septet cannot begin before the seventh trumpet is blown. The last judgment element of the day of the Lord's wrath will be the seventh bowl. Accordingly, the seventh seal and the seventh trumpet serve as transitions to the next set of God's climaxing judgments, culminating with the seventh bowl. Concurrent-Recapitulation Posttribulationists subscribe instead to a concurrent-recapitulation framework with the septets occurring at the same time with the judgment elements giving different emphases or perspectives. For example, it is said that the sixth seal, sixth trumpet, and sixth bowl describe the same event from a different angle. Accordingly, the last element in the day of the Lord's wrath describes the seventh of each septet; thus, the seventh seal, seventh trumpet, and seventh bowl are the same event from different perspectives. And there are those posttribulationists who hold that it does not describe the exact same event, but they affirm that the three elements occur roughly at the same time. For all practical purposes, the main point is that both of these posttrib interpretations do not view the trumpets and bowls occurring after the seventh seal is opened. It is noted that this debate does not hinge on whether each judgment element within the septets succeed each other; that is not the issue. The main question is: Do each of the three septets themselves succeed each other (consecutive) or do they simultaneously unfold (concurrent)? Dr. Kurschner's aim is to demonstrate that the concurrent view is flawed. He argues for the consecutive nature of the three septets, showing that the seventh seal does not depict the culmination but the introduction to the day of the Lord via the seven trumpets and culminating in the seven bowls. Why Recapitulation? There are two main observations from the book of Revelation that lead posttribulationists to conclude the concurrent-recapitulation theory is correct. First, they will point out that the septets possess a similar structure, thinking these depict the same events with different emphases. They draw attention to at least two observations: (1) the first four elements of each septet share a structured unit, and (2) the first two septets, the seals and trumpets, each contain a parenthetical section between the sixth and seventh element. However, this is a non sequitur (no pun intended) to reason that because they share similar forms, therefore they must possess the same content and occur at the same time. It is a fallacy to equate similarity with identity. The second observation is where their theory either falls or stands. They will point out similarities between the sixth and seventh element of each septet, along with their parenthetical sections, concluding all three describe the end. They argue that since there cannot be “three ultimate ends,” it follows that they recapitulate the trumpet and bowls back into the seals giving a composite of a single event (see the chart above). Marko Jauhiainen pinpoints their key argument for the recapitulation theory. He writes, [R]egarding the septets, the recapitulation theory seems to be logically necessary only if one sees the ‘end' narrated or described before the seventh bowl....

Dr. Alan Kurschner gave some context to one of the most common interpretations of the posttribulation view, where the seals, trumpets, and bowls occur roughly at the same time. Indeed, many posttribs believe the corresponding elements are the same events; i.e., the seventh trumpet is the seventh bowl. The posttribulation interpretation necessarily forces a framework upon the book of Revelation because of a deep-seated presupposition that they hold. The presupposition is that the depiction of the battle of Armageddon in Revelation 19, with Christ appearing in the sky with his heavenly armies, indicates the beginning of his parousia. Yet, many posttribs recognize this causes a discrepancy because the book of Revelation shows the day of the Lord's wrath unfolding before the battle of Armageddon during the trumpet and bowl judgments. In other words, how can the parousia begin at the battle of Armageddon but at the same time affirm that his judgment does not begin before his parousia? They also recognize the discrepancy of affirming that God's people have been resurrected between the sixth and the seventh seal in Revelation 7 and, at the same time, claiming that the resurrection occurs in association with the battle of Armageddon in Revelation 19 that they say initiates the parousia. How, then, do they attempt to reconcile these problems? Enter the concurrent-recapitulation interpretation of posttribulationism. Since this issue is important and a very common point of disagreement between prewrath and posttrib, Dr. Kurschner argues that the concurrent-recapitulation interpretation is not only implausible but contradictory. In addition, he shows that the consecutive-progressive framework is the most natural, intended interpretation to the relationship of the seals, trumpets, and bowls. Seals, Trumpets, Bowls – At the Same Time or One After the Other? Consecutive-Progressive The prewrath position interprets a sequential chronological framework for the seals, trumpets, and bowls. That is, the seal-trumpet-bowl septets (sets of seven) will happen in a consecutive-progressive fashion, with each septet consecutively following each other. For example, the trumpet septet cannot begin until the seventh seal is opened; and the bowl septet cannot begin before the seventh trumpet is blown. The last judgment element of the day of the Lord's wrath will be the seventh bowl. Accordingly, the seventh seal and the seventh trumpet serve as transitions to the next set of God's climaxing judgments, culminating with the seventh bowl. Concurrent-Recapitulation Posttribulationists subscribe instead to a concurrent-recapitulation framework with the septets occurring at the same time with the judgment elements giving different emphases or perspectives. For example, it is said that the sixth seal, sixth trumpet, and sixth bowl describe the same event from a different angle. Accordingly, the last element in the day of the Lord's wrath describes the seventh of each septet; thus, the seventh seal, seventh trumpet, and seventh bowl are the same event from different perspectives. And there are those posttribulationists who hold that it does not describe the exact same event, but they affirm that the three elements occur roughly at the same time. For all practical purposes, the main point is that both of these posttrib interpretations do not view the trumpets and bowls occurring after the seventh seal is opened. It is noted that this debate does not hinge on whether each judgment element within the septets succeed each other; that is not the issue. The main question is: Do each of the three septets themselves succeed each other (consecutive) or do they simultaneously unfold (concurrent)? Dr. Kurschner's aim is to demonstrate that the concurrent view is flawed. He argues for the consecutive nature of the three septets, showing that the seventh seal does not depict the culmination but the introduction to the day of the Lord v...

S2 Episode 13. The One After the Super Bowl: Part 2. This week's episode starts off with Tiana giving her thoughts on her recent TV binge show, The Bear, followed by a mid-season stat check in on who is leading for Best Friend and Frenemy. Tiana gives her thoughts on being called "Mama" now that she's pregnant, and Natalie makes a future promise. They address going commando and having sex in questionable places, what it's like to fight with a best friend, and why they hope the shress never makes a comeback. Tiana and Natalie obsess over this week's guest star, Julia Roberts, and what their favorite movies of hers are. This week's Best Friend is a first for Season 2, and Natalie gives a double nomination for her Frenemy.Hosts: Tiana Wasinger and Natalie NovotonyEmail: donttakemywind@gmail.comInstagram: @thepivotpod Hosted on Acast. See acast.com/privacy for more information.

S2 Episode 12. The One After the Super Bowl Part 1. This episode Tiana and Natalie talk more reality TV and recent happenings in the Bravo-verse, specifically their thoughts on the Rachel interview with Bethenny and if they agree with the Reality Reckoning. Next, they point out some great improv moments by Matthew Perry, and discuss why people who drink water out of coffee mugs are psychopaths. When it comes to choosing their Sandwich Rating the girls have some differing opinions to reconcile. Hosts: Tiana Wasinger and Natalie NovotonyEmail: donttakemywind@gmail.comInstagram: @thepivotpod Hosted on Acast. See acast.com/privacy for more information.

New Movies: Dungeons and Dragons: Honor Among Thieves - A charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong    A Thousand and One - After unapologetic and fiercely loyal Inez kidnaps her son Terry from the foster care system, mother and son set out to reclaim their sense of home, identity, and stability, in a rapidly changing New York City.   A Good Person - Follows Allison, whose life falls apart following her involvement in a fatal accident.   Undisputed Classic The Lost Weekend - The desperate life of a chronic alcoholic is followed through a four-day drinking bout.   1993 - The Adventures of Huck Finn, Cop and a Half, Crush, Jack the Bear Next Week - Air, Mario Brothers, Paint Classic - Basquiat 1993 - Indecent Proposal, The Sandlot, Bodies Rest and Motion, Sidekicks   Patreon: https://www.patreon.com/criticspod Teepublic: https://www.teepublic.com/user/criticspod?utm_source=designer&utm_medium=social&utm_campaign=reAEYmh6vUY YouTube: https://www.youtube.com/channel/UCnFNiCSoEAfk7Y3C8sfoTRw/videos Jeff's Art: https://jefflassiter.com/home.html Sean's Reviews: https://seanatthemovies.blogspot.com/?fbclid=IwAR2JISOf6B0anoWaKj1Lipb6cptYzKeIBEGxmQBeXIXB2LEYbcbvLhs8OjU    

Live—from the campus of Hillsdale College in beautiful Hillsdale Michigan— this is Scot Bertram in for Steve on the Steve Gruber Show for –Friday, October 28th 2022—   —Here are 3 big things you need to know—   One — After being Twitter's new owner for an hour, Elon Musk is already firing several top executives.  The billionaire has previously said he plans to cut around 75-percent of the company's staff after he takes ownership.  The same night he acquired the company, Musk fired the CEO and CFO, along with other top executives.   Two—   The closing of a self-driving vehicle technology company led to a large third quarter loss at Ford Motor Company. The automaker lost 827-million dollars and noted that Argo AI, which was trying develop fully autonomous vehicles, will be shut down. Ford invested one-billion dollars in the company back in 2017 and said they would have self-driving cars on the road by 2021.   And number three— Mortgage rates are increasing yet again.  Freddie Mac says the 30-year rate went up to seven-point-zero-eight percent this week.   It comes as the Federal Reserve has been hiking interest rates in a bid to fight soaring inflation this year.  

The journey to find the Beatles GOAT continues, with another 4 randomly selected songs taking the plunge - only one winner can emerge from the quirky bunch of One After 909, Don't Pass Me By, What You're Doing and Her Majesty. Cue 'I dunno' emoji.

From the album - Two of Us, Dig A Pony, Across the Universe, I MeMine, Dig It, Let It Be, Maggie Mae, I've Got A Feeling, One After 909, The LongAnd Winding Road, Because Your Sweet and Lovely, For You Blue, Get Back, (alsoincluded are) Drive My Car, Taxman, Come Together, and A Hard Day's Night.

#94-92Intro/Outro: Bullets in the Fire by Rusted Root94. 1989 by Taylor Swift (1989 in 189 Seconds)93. Wish You Were Here by Pink Floyd (Shine On You Crazy Diamond, Pts. 1-5 & Welcome to the Machine & Have a Cigar & Wish You Were Here & Shine On You Crazy Diamond, Pts. 6-9)92. Let It Be by The Beatles (Let It Be & The Long and Winding Road & Get Back & Two of Us & Across the Universe & One After 909)Vote on Today's Album ArtHave you voted on Week 10 Round 1 winners yet? If so, no further action needed. If not:Vote on Week 10 Round 2 Album Art (Episodes 346-350)

2021 marks the 50th anniversary of the release of the Beatles' final album, Let it Be. To commemorate the occasion, the remaining members of the band have remixed the album and unleashed an eight-hour-plus documentary directed by Peter Jackson that lays bare the making of the record. For super-fans this video memoir reveals a lot about the messiness of the creative process: The Beatles nearly broke up while making it! Author Tim Riley says that the band approached Let It Be with an aesthetic challenge: to get back to playing as a live band. But the original release of the album deviated from that mission and received mixed reviews. Over the decades, The Beatles have revisited this work with multiple mixes and alternative takes that try to show the original spirit of this direct-to-tape, live album. Charlie and Nate listen back, warts and all, to get to the heart of this enigmatic project. Songs Discussed The Beatles - I Saw Her Standing There, I Want To Hold Your Hand, Strawberry Fields, Dig A Pony, Good Golly Miss Molly, I've Got A Feeling, One After 909, Get Back, Two Of Us, The Long & Winding Road, Let It Be, I Me Mine Little Richard - Tutti Frutti More Read Tim Riley's works on The Beatles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 34 kicks off with the announcement of a new Beatles-related Peter Jackson film (but not THAT one), our wonderful guest Kit O'Toole, The Ringo Carr, Becker trying an impression, what Scotty thinks heaven looks like, when Paul just wore that one glove, a play-by-play of Kit Moonwalking around the Zoom room, and the Quarrymen-era song "One After 909."As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can also drunk dial us (tel:+18572339793)  or leave us a tip in our new tip jar (don't forget to include a message telling us what drinks we should drink with the money).See the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list; listen to it on Spotify here.Please remember to enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Guest: Kit O'Toole (@kitotoole)Additional Musical Supervision: RB (@ryanobrooks)#PeteBestGetThatCheck

Regresamos a los estudios de Radio Utopía en Madrid para recuperar el formato de programa donde rebuscamos versiones de los Beatles. Y esta vez invitamos a una voz muy querida por tod@s: 🙌 FELIPE COUSELO 🙌 Suenan: 01. Something - Los Norte Americanos 02. I Am The Walrus - Oasis 03. I Me Mine + Dig it - Beth Orton 04. You've Got To Hide Your Love Away - Eddie Vedder 05. One After 909 - James Apollo 06. Hey Jude - Wilson Pickett 07. I’ve Got A Feeling - Pearl Jam 08. In My Life - Judy Collins 09. Blue Jay Way - Secret Machines 10. Sgt Peppers Lonely Hearts Club Band - Jimi Hendrix 11. And I Love Her - Asfalto 12. Here Comes the Sun - Nina Simone 🙏Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON72, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGUEL, ALEXANDER CASTAÑEDA, ANTO78, JULMORGON, JUANMI, MIGUEL BLANCO, JUAN CARLOS ACERO, GIULIA GOVERNI, PERE PASQUAL, SPINDA RECORDS, FRANC PUERTO, DAVICIN BLACKMETAL, NURIA SONABÉ, JM MORENTE, AGUI102, OCTAVIO OLIVA SÁNCHEZ, SCREAMING, AMANDA PATTERSON y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣

Så er pladen vendt – side 1 er endevendt og nu skal det handle om side 2 på Let It Be – LP´en fra maj måned,1970. Det sidst udsendte album i diskografien, mens The Beatles stadigvæk eksisterede som kvartet. Pladesiden hvor The Long And Winding Road rejser sig som et stort fyrtårn mange elsker at hade. Men som også rummer noget af det mest gyngende, swingende nogensinde produceret af The Beatles. I´ve Got A Feeling, Get Back, For You Blue og One After 909. De to b-sider: Don´t Let Me Down og You Know My Name, ryger også med I Toppermost-pujlen. Claus Nielsen er med igen. Ham kan du læse mere om her: https://www.facebook.com/cln1974. Derudover kigger episoden også på det store perspektiv: Hvad skete der med Let It Be efter 1970 – og hvad skal der ske i efteråret, når albummet remixes og genudgives?   Hvad synes du om Let It Be side 2 i almindelighed og The Long And Winding Road i særdeleshed?  Du er meget velkommen til at blande dig i debatten: https://www.facebook.com/search/top?q=elsker%20the%20beatles

It's time for a brand new episode of The Flickcast. The podcast about stuff nerds love. This week it's Episode 440: The One After 339.  This week Chris and Joe jump into discussions about a whole slew of new and recurring topics. Some of these include the new "teaser" for Star Trek: Picard featuring a not so surprising new character and, of course, the second episode of the Marvel/Disney+ series Loki and the "realism" of Star Wars. They also get a little personal and talk about moving forward after the pandemic and Chris' feelings about Elon Musk. In addition to the above, you can also probably expect the usual "more." They do seem to go on and on a bit, don't they? In fact, this episode is a long one, so buckle up. If you like the show, please consider rating or reviewing it on Apple Podcasts, or your podcast app of choice. Every rating or review helps. And if you're really feeling it, consider supporting the show on Patreon. That would be cool.  Thanks for listening! As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don't mind.

Opening Monologues. Chicken Wing Shortage Grips America. Yet another national crisis for Joe Biden, as we observe solidifying perceptions of presidential illegitimacy. Meanwhile, Fauci flip-flops on the mysterious "origins" of COVID. Suddenly reversing his long-held opinions, a defensive Fauci says he's "not convinced" the virus developed naturally and now supports investigation into "what went on in China." Good Grief. Is there anything Fauci hasn't botched over this past year? Rand Paul was right. Plus, our debate on the best version of The Beatles song "One After 909." With Listener Calls & Music via The Black Keys, Marshmello, The Jonas Brothers and The Beatles. See omnystudio.com/listener for privacy information.

Welcome to the Big Beatles Sort Out, a show in which I, author and musician Garry Abbott, attempt to finally decide my favourite Beatles recordings by scoring each and every one for lyrical content, musicality and production. I am assisted in this venture by my brother and resident Beatles expert, Paul Abbott, with a deep knowledge of the Beatles and the wider context in which they operated. Each episode we explore and score 5 songs from the Beatles full recording catalogue. The songs are drawn at random to try and avoid any album or era prejudices skewing the results. So please join us as we try and sort out, The Beatles. This Week's Songs: I Don't Want To Spoil The Party, When I'm 64, What You're Doing, All My Loving, One After 909 PLUS DOUBLE RUTLES BONUS! Back in 64 and Hold Your Hand! Please let anyone know about this podcast who might be interested! You can contact me on Twitter @big_sort or @Garry_Abbott, or via my website www.garryabbott.co.uk. If you would like to support my music, please consider ordering my new EP 'Chapter And Multiverse' and/or listening to the singles here on Spotify. Please listen out for Paul's other Podcasts, 'The Head Ballet' - all about novelty music, and 'Hark! 87th Precinct Podcast' - all about Ed McBain's seminal police procedural novel series. You can listen along to the songs featured in this episode on this handy Spotify playlist: Episode 25 Playlist Keep up with the scoring charts, or start your own using the blank-master, with this handy google sheet: Charts

April and A.J. discuss the One After the Superbowl!  The guest stars, the return of an old friend, singing to children, and the hi-jinks.  Oh, you just have to check this one out.  Please e-mail us at www.wrightonnetwork.com  Tim, we are going to respond to you in the next episode.  A.J. for got to approve the messages again!  Twitter @The4WhoRule

This episode is brought to you by The Rancher Meets His Match, the fourth Western romance in the Millers of Morgan Valley series by Kate Pearce.The Novel:Party Favors (So Over the Holidays #4)The Author: Erin McLellanThe Noobies:Jessica, Host of Deconstructing Damsels IG: @damselspodcastTwitter: @damselspodcastThe Synopsis:Three…Amanda Ellis knows three things: she’s tired of doing what’s expected of her, she hates her job at her family’s business, and the last thing she wants to do is attend her parents’ boring New Year’s Eve ball with a date her mother picked. A few days of fun with her online best friend is exactly what she needs to ring in the New Year on her own terms.Two…Wren Rebello is impulsive and always ready for fun. A last-minute girls’ getaway sounds like the perfect way to spend New Year’s. But even Wren isn’t prepared for the spark of attraction she feels when she meets Amanda in person for the first time. Good thing Wren loves popping Amanda’s cork.One…After days spent sharing end-of-year resolutions and the one bed in their cottage, the clock strikes midnight and the ball drops on their time together. As Amanda and Wren go their separate ways, they leave new resolutions unfulfilled. Is there enough New Year’s magic left to turn their online friendship into real-life love?Show Notes:- Sponsored promo for The Rancher Meets His Match by Kate Pearce - 2021 Themes - Get a sneak peek on Patreon- Welcoming Jessica Hannan, host of Deconstructing Damsels - Kicking off a new year with a great book!- Finding your "comfortable" in romance: historical vs. contemporary- A few (too many) words on "America's Next Top Model" (00:10:40)- Introducing Party Favors (00:17:38)- Throwback to our Stocking Stuffers episode- Non-shaming and nontraditional - Erin McLellan, Suleikha Snyder, Rebekah Weatherspoon- A short synopsis for Party Favors- Overall Impressions (00:25:04)- Friendship goals- New-old year resolutions- Any excuse to be naked- The orgy t-shirt we all need (00:38:41)- Ever-evolving body standards and plastic surgery- Ode to verbal foreplay... and Shrek's dick (00:54:10)- A few steamy sexcerpts (00:59:24)- Gimme! That! Foreplay!- Trust & Sex- Heart, Heat, & Humor Ratings (01:06:35)- Found family and friendships across genders (in historical romance): Tessa Dare and Martha Waters - Wrapping things up!Shoutouts: - Podcasts: My Worst Date, Heaving Bosoms- IG: PeaceLoveBooksxo, RemarkablyLisa, & LaceyBookLovers- YouTube: Allison Pregler (reacts to Modelland), Brad Mondo (hairdresser reacts to ANTM)Follow Boobies & Noobies on Twitter, Instagram, & Facebook @boobiespodcast and check out our blog, merch, and more on our brand new Boobies & Noobies website.*Boobies & Noobies is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts* 

Closing down the restaurants again here in New York City -- what a delightful way to finish off one of the worst years ever in 2020. To that end we play our usual Vince Guaraldi to lift the mood a little bit and then talk about the shut down and of course, next weeks, big podcast with Amy Heckerling - so technically, we're finishing out the year strong. Also we speak to our friend and Liza Minnelli publicist Scotty Gorenstein on his boy Timothée Chalamet's performance on SNL. How could we not? It's the One After the 300th everybody. Happy Holidays!!! See acast.com/privacy for privacy and opt-out information.

El pasado 9 de Octubre se cumplía el 80º aniversario del nacimiento de John Lennon y por ello dedicamos nuestro programa a escuchar varias de sus composiciones en las voces de músicos incluidos en el gran paraguas de la Americana. El próximo martes será obligado recordar que 40 años atrás un loco asesino que no merece ni tan siquiera que se recuerde su nombre nos privó de su presencia a las puertas del edificio Dakota de Nueva York. Por eso, hoy nos adelantamos a esa fecha para recordar cómo los más significativos músicos de Americana han mirado en alguna ocasión las canciones que John Lennon creó para formar parte de la discografía de los Beatles.  El cuarteto de Liverpool grabó “One After 909” en su concierto de la terraza y esa versión en directo fue la que se incluyó en el álbum original. Era un tema de Lennon que compuso con 17 años y hacía referencia a un número, el 9, que parecía perseguirle. Nació el 9 de octubre y por entonces vivía en el 9 de Newcastle Road. Por entonces se escuchaban varias canciones que hablaban de trenes de carga como "Rock Island Line" o “Midnight Special” y John y PaulMcCartney decidieron ponerla un ritmo similar. El cuarteto llegó a grabar la canción en la primavera de 1963, durante las sesiones de "From Me to You" y "Thank You Girl”, que conformaron su tercer single, pero el resultado no les convenció y la desestimaron. Willie Nelson quiso homenajear al grupo con su propia versión. Los más veteranos artistas de country también han tenido un momento en su carrera para rememorar alguna canción de los Beatles. Kris Kristofferson también echó una mirada a los Fab 4 para versionar una canción claramente compuesta por John Lennon como fue “Paperback Writer” haciendo referencia a su faceta de escritor. Sería grabada por los Beatles cuando trabajaban en 1966 en Revolver, y aunque se editó en single en su momento, quedó fuera de sus álbumes oficiales. Se acaban de cumplir 55 años de la salida al mercado de Rubber Soul, uno de los discos más determinantes de la discografía de los Beatles y en el que las canciones de John Lennon tuvieron una significación relevante. Aquel trabajo lo cerraba “Run For Your Life”, que fue, por el contrario, la primera canción que grabaron para el disco. Para componer aquel tema sobre los celos con tonalidades de country, Lennon se basó en Elvis y su "Baby Let's Play House", utilizando incluso una frase completa de aquella canción de El Rey. John Cowan, una de las voces más potentes de la Americana, firmó en 2014 por el sello Compass para afrontar un proyecto que tituló Sixty, producido por su buen amigo y compañero de los Doobie Brothers, John McFee, y en el que pudimos encontrar una lista interminable de selectos invitados, desde Leon Russell, Alison Krauss y Rodney Crowell, hasta Bernie Leadon, Sam Bush o Chris Hillman, pasando por Huey Lewis, Bonnie Bramlett, Ray Benson y varios más. Su versión de “Run For Your Life” se convirtió en uno de los cortes de bonificación de la edición de lujo de Sixty, donde el artista de Ohio exhibió su poderío vocal. En Rubber Soul John Lennon compuso cuatro temas de forma independiente y otros tantos McCartney. También fueron cuatro en los que la pareja colaboró conjuntamente y dos los firmó George Harrison. “Norwegian Wood (This Bird Has Flown)” pasó a ser la primera canción de rock en la que aparecía un sitar y, como todo aquel álbum Rubber Soul al que pertenecía, marcó en música y letra un paso de gigante en la evolución de los Beatles. De hecho, John Lennon la creó como una carta a su mujer, Cynthia, admitiendo una aventura. Tim O’Brien aprovechó las tonalidades folkies para realizar una versión imponente que sirvió de cierre a su disco de 2011 Two Journeys. En realidad, escarbó en los antecedentes irlandeses del cuarteto de Liverpool, un importante puerto de entrada para tantos exiliados que buscaban trabajo. Una de las bandas míticas del bluegrass es Hot Rize, fundada en 1978 por Tim O'Brien, Pete Wernick, Charles Sawtelle y Mike Scap, aunque este último fue reemplazado muy pronto por Nick Forster. Además, tenían un divertido “alter ego” llamado Red Knuckles & The Trailblazers. En su álbum Shades In The Past incluyeron su particular versión de “Nowhere Man”, que también pertenece a Rubber Soul, el sexto álbum de los Beatles y que parece definir en un principio el carácter del propio John Lennon. Tras admitir posteriormente que consumía drogas, el personaje de esta canción fue analizado desde todos los puntos de vista posibles por los expertos. Como conclusión, aquél “hombre de ninguna parte” podía ser desde un “camello” al capitán del Submarino Amarillo. Rhett Miller, el nombre artístico de Stewart Ransom Miller II, siempre ha estado asociado a la banda Old 97’s como su líder y cantante solista. The Dreamer es el quinto álbum de estudio que graba al margen de su banda y un disco en el que se marca un cambio en sus exposiciones personales. Resultaba curioso que cuando Rhett Miller grababa en solitario tenía ciertas inclinaciones hacia el pop con cierto acento británico, mientras que con Old 97’s se manifestaba mucho más inclinado a las raíces. En 2005 se realizó un álbum dedicado al álbum Rubber Soul con motivo de su cumpleaños número 40, This Bird Has Flown – A 40th Anniversary Tribute to the Beatles' Rubber Soul, y en él participó el músico tejano con esta versión de “Girl”. El siglo XXI comenzó con una película llamada I Am Sam que protagonizaron Sean Penn y Michelle Pfeiffer. Los productores pretendieron que su banda sonora estuviera compuesta de grabaciones originales de los Beatles, pero ante su imposibilidad, optaron por reunir toda una serie de versiones de la banda de Liverpool realizadas por nombres tan sonoros como Rufus Wainwright, los Wallflowers, Sheryl Crow, Nick Cave, Ben Harper o los Black Crowes, entre otros. Poco antes de su disolución en 2002, la banda de los hermanos Robinson grabó “Lucy In The Sky With Diamonds”, una de las composiciones de Lennon siempre controvertida que formó parte en 1967 de Sgt. Pepper's Lonely Hearts Club Band, el disco que lo cambió todo. El tema de apertura del último álbum grabado por los Beatles, Abbey Road, aunque se publicara en 1969, antes que Let It Be, es uno de los más musculosos del grupo. En parte tiene que ver con la veneración de John Lennon por Chuck Berry y su entrega a las campañas en favor de la paz en las que estaba muy implicado por entonces. El tejano Delbert McClinton escogió “Come Together” para el álbum Come Together - America Salutes The Beatles de 1995, en el que participaron varios de los grandes nombres de la country music. Espléndido con la armónica, en una gira por Gran Bretaña a comienzos de los 60 con Bruce Channel, al que había acompañado en su clásico "Hey! Baby", enseñó a John Lennon algunos trucos con la armónica. Se notó mucho en “Love Me Do”. Cuando Rosanne Cash dejó el sello Columbia en 1965, la compañía publicó un recopilatorio titulado Retrospective, al que se añadió esta versión de “I’m Only Sleeping”, que John Lennon compuso para Revolver en 1966 en el reverso de una carta. Refleja a la perfección su estado de ánimo de entonces cuando no estaba de gira con los Beatles. Se pasaba el día en la cama bajo los efectos de las drogas durmiendo, escribiendo o leyendo… hasta que McCartney venía a interrumpirle para trabajar sobre las canciones. Los Beatles impulsaron el comienzo de diversas bandas del Merseybeat. Varias de sus composiciones sirvieron para que aquellos grupos empezaran a despuntar. En 1963 John Lennon entregó uno de esos temas a Billy J. Kramer & The Dakotas. Era “I Call Your Name”, que él mismo había escrito antes incluso de que se formaran los Beatles en casa de su tía Mimi, con la que se crió. Billy J. Kramer & The Dakotas la utilizaron como B de “Bad To Me”, otra composición del binomio Lennon/McCartney, pero no acabó de convencerlos, de tal forma que los Beatles hicieron su propia versión, apareciendo primeramente en Estados Unidos dentro del llamado Second Album y en 1964 en Gran Bretaña formando parte del EP Long Tall Sally. En 1966, The Mamas And The Papas, “la familia real de Laurel Canyon”, hicieron su debut con el álbum If You Can Believe Your Eyes and Ears y la dieron a conocer a nivel popular en Estados Unidos. “In My Life” se incluyó originalmente en un Lp tan imponente como Rubber Soul de los Beatles. En el texto, aunque la autoría fue compartida con McCartney, un John Lennon que acababa de cumplir 25 años recordaba con nostalgia a la gente y los lugares donde pasó una parte muy importante de sus años jóvenes. La canción tiene claras reminiscencias de “Penny Lane” y “Strawberry Fields Forever” y el músico exploraría la misma temática en los siguientes momentos de su carrera, de forma muy especial en el doble álbum del cuarteto, bien conocido como el Álbum Blanco. En 1994, Crosby, Stills & Nash editaron su álbum After The Storm coincidiendo con el 25º aniversario de su disco de debut, tras haber estado dedicados a ampliar su discografía en solitario, con dos nuevos álbumes por parte de Stills y Crosby, además de un recopilatorio de Nash. Todas las canciones de este disco que les llevó a hacer una larga gira, incluyendo el Woodstock ’94, pertenecían a los tres músicos, excepto una versión de “In My Life”.  John Lennon siempre admitió las más variadas experiencias, que se fueron ampliando con el paso de los años. El rock and roll de sus comienzos dio paso a una cierta fijación por figuras como las de Elvis, los Everly Brothers o Bob Dylan y su forma de crear canciones. Si ellos podían hacerlo, Lennon también. “You've Got To Hide Your Love Away” fue una de sus primeras reflexiones sobre su manera de escribir, que había comenzado con temas como "I'm a Loser" en el verano del 64. Lennon la compuso en casa, buscando un nuevo tema para la película Help!. Jackson Browne, que al versionar a los Beatles siempre se ha inclinado por las creaciones de John Lennon, la cantó así en uno de sus homenajes. Jonathan Edwards es un veterano artista de Aitkin, Minnesota, que empezó su carrera abriendo los conciertos de B.B. King y la Allman Brothers Band, fichando por Capricorn Records y lanzando su disco de debut hace 47 años. En 2011, Jonathan Edwards publicaba su álbum My Love Will Keep incluyendo una versión de “She Loves You”, muy alejada de como conocíamos aquella canción de los Beatles que a mediados de septiembre de 1963 se editaba como single en Estados Unidos en un pequeño sello discográfico llamado Swan Records. En este caso, “She Loves You” tiene que ver con una cierta fijación de Paul McCartney con una canción de Bobby Rydell titulada “Forget Him” (“Olvídale”) y pensó en crear una dónde preguntar “¿Ella te quiere?” y que los demás contestaran “Si”. Lo comentó con Lennon y la idea quedó flotando en el ambiente. Empezaron a trastear con las guitarras en el hotel mientras estaban de gira con Roy Orbison y Gerry and the Pacemakers y terminaron aquella composición en casa de Paul al día siguiente. Jim Lauderdale también se fijó en el álbum Rubber Soul del cuarteto de Liverpool y eligió “I’m Looking Through You”, llevándose el tema hasta el sonido de Bakersfield y las influencias de Buck Owens. Producido por Phil Madeira y grabado en la Music City, Nueva York y San Francisco, el álbum Let Us In Americana contaba entre los invitados con Buddy Miller, Will Hoge, Rodney Crowell, Ketch Secor de Old Crow Medicine Show, Steve Earle y Allison Moorer. Escuchar audio

Hellooo Basementeers all over the world: Well This is a new series were launching tonight called: BASEMENT BEATLES.... For the first show we will be playing some very early vintage Beatle songs from their first 7 years on record. This show will for now will be ran once a month on the third Wednesday of the month, and yes we have more Beatle musical surprises in the near future. We are trying this unique series and see if it runs the way it should. We hope you will enjoy this series, let us know at our email: Songsfromthebasement35@gmail.com You can let us know how were doing too. Intro: She Loves You-The George Martin Orchestra 1. Intro): From Us To You- 2. Searching 3. I'll Be On My Way 4. My Bonnie 5. That'll Be The Day 6. How Do You Do It 7. Hallelujah I Love Her So 8. Beautiful Dreamer 9. Some Other Guy 10. Love Me Do 11. Money 12. Shimmy Shake 13. Cayenne 14. Soldier Of Love 15. In spite Of The Danger 16. One After 909 17. I'm Gonna Sit Right Down And Cry Over You 18. Hello Little Girl 19. You'll Be Mine 20. Cry For A Shadow 21. Lend Me Your Comb 22. Like Dreamers Do 23. Please Please Me Outro: From Us To You Basement Beatles The second episode will be on next Month...Stay Tuned as they say on TV.....

When, on Monday, 15th August, 1960, The Beatles left Liverpool en route to their first stint in Hamburg, West Germany, the five of them—John, Paul, George, Stu and the newly recruited Pete—were joined by five others: their manager/agent Allan Williams, Trinidadian calypsonian Harold Philips (a.k.a. Lord Woodbine), Austrian translator Herr Steiner, Allan’s wife Beryl… and her 19-year-old brother Barry Chang. 60 years later, Barry shares his memories of that fateful trip: in a van, on a boat and inside the Indra Club during The Beatles’ inaugural week there. It was Barry who snapped the now-iconic photo of the travellers, mid-journey, posing at Holland’s Arnhem Oosterbeek War Cemetery, in front of a memorial bearing the legend Their Names Liveth For Evermore. Half of them have now passed on; he’s here to recount how his routine vacation became the stuff of legend. The Music I’ll Follow the Sun The One After 909 I’m Gonna Sit Right Down and Cry (Over You) Roll Over Beethoven Youngblood Ain’t She Sweet That’s All Right (Mama) Nothin’ Shakin’ (but the Leaves on the Trees) Catswalk

We’re revisiting the Beatles 12th and ultimately final studio album 'Let It Be' in this episode. Released 50 years ago last month (5/8/70), it began a three week run at number one on June 13th, 1970. By the time the album was released the worst fear among Beatles fans had become reality - The Fab Four was no more. Paul McCartney officially announced the band’s split on April 10th, just a month before the album’s release. In this episode we’ll get into the stories behind the songs that make up the album, the "long and windy road" it took to seeing its eventual release, the eerie connection John Lennon had with the number nine and much more.SIDE ONE:1. "Two of Us"2. "Dig a Pony"3. "Across the Universe"4. "I Me Mine" 5. "Dig It" 6. "Let It Be"7. "Maggie Mae" SIDE TWO:1. "I've Got a Feeling"2. "One After 909"3. "The Long and Winding Road"4. "For You Blue" 5. "Get Back"Find DISCovery on Facebook at www.facebook.com/TheDISCoverypodcasthomeThe DISCovery theme song "Woo Hoo" by Reebosound (https://reebosound.bandcamp.com)Please give the show a five-star rating and review wherever you listen to DISCovery!

Join us as we discuss Season 2 - Episodes 12 & 13 - "The One After the Super Bowl – Parts 1 & 2"Follow our Facebook Page: Friends Watching Friends PodcastYou can also join our Facebook Group to discuss each episode and interact with us!Follow us on Instagram for fun shenanigans: @friendswatchingfriendspod

Happy Palindrome Day. The One After 909. President Trump's Super Bowl Lightning Round -- A Political Genius At Work. Notes on the Communist Bernie Sanders, new Democrat frontrunner. Democratic Establishment panics, piles on poor Bernie, rigging things all over again. Fallout from the Sanders People? Puny Mini-Mike Bloomberg demands "boxes" to stand on for the Dem Debates. CNN tries to deny it. But we know the score. Where's Hunter? Needs specialty Burisma plates on his Porsche Panamera. A caller describes life behind the Iron Curtain. Loretta Lynn declares Country Music "dead." Is she right? A musical celebration of palindrome history. Bernie's heart in Havana. With Listener Calls & Music via Camila Cabello, They Might Be Giants, The Beatles, Loretta Lynn and Dwight Yoakam.

El tema elegido para esta emisión es One After 909 del disco Let it be. Fernando Blanco recorre la particular historia de esta canción, una de las primeras de la dupla Lennon/Mc Cartney pero también una de las últimas en ser editadas. Durante el programa se escuchan canciones vinculadas al estilo, la temática y con referencias obligadas a la obsesión del número 9 de John. Entre otros sonaron canciones de Lonnie Donegan, Paul Mc Cartney, John Lennon, Elvis, Question Mark, Bob Dylan, Queen, Pappo, Charly García, Riff. El especial de esta fecha estuvo dedicado a la tercera parte de los Rolling Stones  

Hiya, everyone! As we mentioned last week, we are doing a DOUBLE FRIENDS episode this week because HIMYM has 22 episodes and FRIENDS has 24. That way the finales will be matched up at the end of the season. So get ready for "The One After the Superbowl Part 1 & 2"! There's no Superbowl in sight but there are a ton of guest stars in this week's DOUBLE FEATURE! And we are talking BIG stars...HUGE...you work on commission, right? Oops, sorry, thought we were in Pretty Woman for a second. And don't forget some of the most quotable lines ever: "If we were in prison, you guys would be like my bitches," "Give me back my sweater or its handbag marinara," and "Enclosed, please find 14 of my eyelashes. In crazy world, that means you're married." SURPRISE! WE NOW HAVE A YOUTUBE CHANNEL! Go check out the videos from this week, where we unboxed a listener gift and cooked dinner. Watch for more videos soon. https://www.youtube.com/channel/UCNE1JJntYwJ1NlMmofbRW2A Next week we'll cover "First Time in New York" and "The One With the Prom Video." We can't wait! Rate and review us on iTunes and subscribe on your favorite podcast app to get the newest episode when it posts. Come chat with us on social media: Twitter @himyfriendspod, FB & IG @howimetyourfriendspod. Email us your “Friend of the Day” at howimetyourfriendspod@gmail.com.

WHOA, this one is a doozy! This week we watched "The One With the Lesbian Wedding" and "How Lily Stole Christmas," and we had LOTS to say. Ross is reeling from the news that Carol and Susan are getting married, Joey is debuting on DOOL, Monica steps in as the wedding caterer, Phoebe is inhabited by an elderly woman's spirit, and Rachel learns her Mom and Dad might be getting a divorce. This is a major episode and we went deep into the expected reactions this episode would have...and the reality of what really happened. All Marshall wants for Christmas is Lily's Winter Wonderland, but after Lily hears what Ted called her after she went to SanFran, Christmas is cancelled. We have lots to say about "grinch," and we'd love to get your thoughts! THEN, you should go check out the recap done by Hey Beautiful (https://podcasts.apple.com/us/podcast/s2-e11-how-lily-stole-christmas/id1297423020?i=1000417970770)! Next week we'll cover "The One After the Superbowl, Pt 1" and "The One After the Superbowl, Pt 2." No HIMYM episode as FRIENDS has two more episodes this season. SURPRISE! WE NOW HAVE A YOUTUBE CHANNEL! Go check out the videos from this week, where we unboxed a listener gift and cooked dinner. Watch for more videos soon. https://www.youtube.com/channel/UCNE1JJntYwJ1NlMmofbRW2A Rate and review us on iTunes and subscribe on your favorite podcast app to get the newest episode when it posts. Come chat with us on social media: Twitter @himyfriendspod, FB & IG @howimetyourfriendspod. Email us your “Friend of the Day” at howimetyourfriendspod@gmail.com.

It's Part 2 of The One After the Super Bowl! Heather made another round of the Handbag Marinara cocktail, Elizabeth went straight-up champagne. In this episode, we discuss ideal public bathroom sex setups, semi-smarmy action star pickup lines, and the origins of the podcast: "You give me back my sweater, or it's handbag marinara." More at: http://handbagmarinara.com/blog/s02-e13-to-after-the-super-bowl-part-2 Instagram: @handbagmarinara | http://instagram.com/handbagmarinara Donate to No Kid Hungry!: http://join.nokidhungry.org/goto/handbagmarinara Shop the Show: http://handbagmarinara.com/shop-the-show  

There’s no good explanation why Macintosh hasn’t seen Jean-Claude Van Damme’s action-star debut. He’s seen his fair share of martial-arts epics, fighting movies and dumb action roles. But other than Street Fighter, there’s a major lack of JCVD in his repertoire. Meanwhile, Maud has watched this at least a dozen times, and now it’s time for her to share this terribly-acted but nevertheless immensely watchable fighting movie. With no budget, 1988 looks and a super-unreliable narrator in the real Frank Dux, this movie is a hot mess in the absolute best way. And if that won’t convince you, just drink every time JCVD does the splits or yells. That’ll REALLY help you enjoy the movie… Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including our newest episode reviewing Love, Simon! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Stitcher or your favorite podcatcher, and tell your friends. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from Bloodsport, copyright Warner Home Video 1988, and Friends episode 13, season 2, “The One After the Super Bowl, Part 2,” copyright Warner Bros. Television 1998. Excerpt taken from “Fight to Survive” written and performed by Stan Bush, from the Bloodsport Original Motion Picture Soundtrack. Copyright Perseverance Records 2007.

El Kaiser and J.D. are back this week with the usual suitcase full of technology news to unpack, including Samsung’s announcement that its Bixby virtual assistant is open (source) for business.  And while Blue Apron is folding up a bit of its workforce,  and Google’s DeepMind A.I. software is folding proteins. Oh, and let’s not forget, … Continue reading PTJ 251: The One After the 250th Episode →

We have a blast with Lani Diane Rich! Can’t get the monkey off your back? Then put it in your mouth! Joey has a stalker. We have our first ever Milli Vanilli. There’s talk about teen sex and monkey deaths. Brandon has this great pun about joey having water splashed in his face and then coming clean, but no one laughs. Can you please laugh? Please!? We talk Chandler underwear. There’s a fight.  Let’s make A Donkey, A Monkey, and Jean-Claude Van Damme happen! Bills fans play strip solitaire by themselves every Super Bowl Sunday. And no - Marcel’s is not a real restaurant. #girlyouknowitsmoo #fryingpansfirst #makeDonkeyMonkeyandJCVDhappen #cuzitsajungleoutthere #sexstunts August 10th, 2017 SCORING Jozi manages to grab a point. Brandon - 211Jozi - 25 FUNNY ROSS TALLY Cowboys- 3 Steelers - 3 Overall - 128 RECORDING AND EPISODE DETAILS: S2:E12-13 | The One After the Superbowl | Aired January 28th, 1996 | This was recorded in Oregon and Alaska and New York on July 29th, 2017. NEXT WEEK We get feisty over The One with the Prom Video EXTRA Lani on Twitter Chipperish on Twitter, and website For more great guest intros, check out Liam on Twitter and Final Games. And You’re Welcome FEEDBACK Find us at Moopodcast.com or on Twitter: Jozi | Brandon | Moo Point Email the show Of course we have a Facebook Page Moo Point, A Friends Podcast 021 - T1W Brandon and Jozi Have Different Parts (With Lani Diane Rich)

Jozi goes for 6(!!) points in a row. Can the Russ pull it off? (Spoiler: Jozi was in the room while Brandon watched - can’t fake that enjoyment.) We get more hockey! Joey gets a bad review and madness ensues. Funny Bobby is not so fun sober. Ross gets two different kids in one shot. Brandon sings The Love Boat. We talk about George Washington’s wood…..teeth. All women at lesbian weddings are apparently lesbians. Do bee do bee doooooo. #adognamedmoo #igotbonedatthenaturalhistorymuseum #GWsWood August 3rd, 2017 SCORING Finally, Jozi loses one. Brandon - 213Jozi - 23 FUNNY ROSS TALLY Russ - 3 Lesbian - 3 Overall - 122 RECORDING AND EPISODE DETAILS: S2:E10 | The One with Russ | Aired January 4th, 1996 | S2:E11 | The One with the Lesbian Wedding | Aired January 18th, 1996 | This was recorded in Oregon and Alaska on July 18th, 2017. NEXT WEEK Lani Diane Rich of Chipperish Media joins us to talk about The One After the Superbowl parts one and two. EXTRA   FEEDBACK Find us at Moopodcast.com or on Twitter: Jozi | Brandon | Moo Point Email the show Of course we have a Facebook Page Moo Point, A Friends Podcast 020 - T1W Brandon Sings and Jozi Concedes  

While we prepare for the release of Paul McCartney's deluxe edition of "Flowers in the Dirt", this week we look at how Paul and Elvis first met, their songwriting collaborations which will soon be coming out, their collective live work and more.      Included is "The One After 909" from the Royal College of Music benefit, Elvis and the Fairfield four doing a stunning version of "That Day is Done" on the Late Show with David Letterman, EC's live performance of "Tommy's Coming Home" from Carnegie Hall in 2014, a bit of commentary from the "Concert for Linda", and Mrs. McManus (Diana Krall) doing a live version of "If I Take You Home Tonight".

  On this date in 1969, The Beatles had their last public performance, playing on their record company’s roof in London. Here are some things you may not have known about the concert. The performance was unannounced and caught the lunchtime crowd of office workers on the streets below by surprise. The previous year, The Beatles had started a multimedia corporation called Apple Corps Limited. The concert was conducted on the roof of the company’s headquarters at 3 Saville Row, during recording sessions for the album that eventually became “Let it Be.”  The album was originally intended to be called “Get Back” after one of the songs, and as a reference to the group’s effort to get back to basics after several heavily produced albums. The recording process, however, was from all reports, a disaster, leading George Harrison to leave the band for a week. During his absence, John Lennon reportedly wanted to hire Eric Clapton to replace Harrison, but Paul McCartney and Ringo Starr wouldn’t agree. Harrison returned a week later, bringing along keyboardist Billy Preston to help ease tensions. The sessions were then moved to Apple Studio. The sessions were filmed as part of a planned movie. As a finale for the film, a rooftop concert was devised. Harrison initially resisted, calling the idea “silly,” but relented for the sake of the film. Wires from the control room in the basement were run to the roof to record the sessions. The four Beatles and Preston played nine takes of five songs during the 42-minute show. Takes of the songs “I’ve Got a Feeling,” “One After 909” and Dig a Pony,” were eventually used on the album, while chatter was used on and between other tracks. Eventually, the crowd of onlookers began to snarl traffic, and noise complaints arose, leading the Metropolitan Police to try to shut down the performance. Initially Apple employees wouldn’t let police in the building, but changed their minds after being threatened with arrest. The band played for several minutes longer, before concluding with Lennon’s now famous ending. While “Let It Be” was the final Beatles album released, it wasn’t the last to be recorded. The sessions for “Abbey Road” began less than three weeks after the “Get Back” sessions ended. Our question: What was the Beatles’ final No. 1 hit song in the United States? Today is unofficially Yodel for Your Neighbors Day, National Croissant Day, and Bubble Wrap Appreciation Day. It’s the birthday of former U.S. President Franklin Roosevelt, who was born in 1882; actor Gene Hackman, who is 87; and musician Phil Collins, who is 66. This week in 1969, the top song in the U.S. was “Crimson and Clover” by Tommy James and the Shondells. The No. 1 movie was “Oliver!,” while the novel “The Salzburg Connection” by Helen MacInnes topped the New York Times Bestsellers list.  Weekly question: What were Billy Preston’s two No. 1 singles in the United States? Submit your answer at triviapeople.com/test and we’ll add the name of the person with the first correct answer to our winner’s wall … at triviapeople.com. We'll have the correct answer on Friday’s episode. Links Follow us on Twitter, Facebook or our website. Also, if you’re enjoying the show, please consider supporting it through Patreon.com Please rate the show on iTunes by clicking here. Sources https://en.wikipedia.org/wiki/January_30 https://www.checkiday.com/01/30/2017 https://en.wikipedia.org/wiki/The_Beatles%27_rooftop_concert https://en.wikipedia.org/wiki/Apple_Corps https://en.wikipedia.org/wiki/Apple_Records https://en.wikipedia.org/wiki/Abbey_Road https://en.wikipedia.org/wiki/Let_It_Be https://en.wikipedia.org/wiki/Billy_Preston http://www.billboard.com/artist/383540/beatles/chart http://www.biography.com/people/groups/born-on-january-30 http://www.bobborst.com/popculture/numberonesongs/ https://en.wikipedia.org/wiki/The_New_York_Times_Fiction_Best_Sellers_of_1969 https://en.wikipedia.org/wiki/List_of_1969_box_office_number-one_films_in_the_United_States iOS: http://apple.co/1H2paH9  Android: http://bit.ly/2bQnk3m

This is the second installment of a three-part podcast with my friend RJ. He’s a talented percussionist and straight-up badass drummer. Furthermore, he’s smart, passionate, charismatic, funny, and incredibly thoughtful. This makes for what turns out to be a booze-soaked master class on music criticism and appreciation. If you skipped part one but love music…not just listening to it but thinking about it, not just as background but as an integral part of your life and happiness, not as a soundtrack but as a primary focus…you should NOT miss this one. I asked RJ to tell me why Ringo Starr is such an important drummer, and why the majority of casual Beatles fans, who generally consider him to be the least important, least talented Beatle by far, should lay off of Ringo.  RJ’s responses are outstanding, original, and extremely thought provoking. Keep in mind as you listen, we’d consumed 3+ big beers each by this point…so we were skating around this sophisticated rink in full-on drunken revelry. Things you’ll learn today: Sgt. Pepper’s Lonely Hearts Club Band is close to a perfect album…except for that stupid fucking George Harrison song. (Within You, Without You) The Beatles sound…is Ringo. The Beatles didn’t groove until Abbey Road, and that’s because Ringo, like Stella, got his groove back. Listen to the song, “Sun King.” Ringo is to the Beatles as Nick Mason is to Pink Floyd. Or Flink Poyd. (Remember, beer.) How the fuck do you say the name: Neil Peart? (“Pert” or “Peert”) Nirvana’s “Breed,” from Nevermind, is, from every technical perspective (i.e. lyrics, composition, arrangement, musicality, mix), complete and utter shit. However, R.J. simply can’t get enough of it, and neither could most of us in our late 30’s to early 40’s. Also, a question for you, loyal listener and reader: What album before “Nevermind” was as culturally and historically significant? And have there been any after? We end on a good RJ rant. A very good one. But then again, every RJ rant is better than average. Have fun with this! (Oh hey…the music.  Here’s the list, in order of appearance: The Beatles, “One After 909.” The Beatles, “Sun King.” Nirvana, “Breed.”  I know I’m missing a couple RJ played in the body of the recording.  For now, let’s just assume I intend all credit where due and required, take none, earn no money from the use of unsaid credited music [oxymoron much, Del Duca?], and will remove it if someone legitimately threatens to sue me.) -G   We hope you have enjoyed the show!

In this episode, Robert and Richard discuss the various iterations of the album produced from the fractious “Get Back/Let It Be sessions. Featuring an exclusive interview with Glyn Johns, songs include “One After 909,” “Two of Us” and “Across The Universe.” April 2016 is upon us and so are the Something About The Beatles 2016 calendars, featuring hundreds of Beatles history dates and 24 full color original illsutrations – get one of the last remaining copies in stock here and specially priced! The post 51: A “Cardboard Tombstone”? – The Beatles’ Epitaph appeared first on Something About The Beatles.

In this episode, Robert and Richard discuss the various iterations of the album produced from the fractious “Get Back/Let It Be sessions. Featuring an exclusive interview with Glyn Johns, songs include “One After 909,” “Two of Us” and “Across The Universe.” April 2016 is upon us and so are the Something About The Beatles 2016 calendars, featuring hundreds of Beatles history dates and 24 full color original illsutrations – get one of the last remaining copies in stock here and specially priced! The post 51: A “Cardboard Tombstone”? – The Beatles’ Epitaph appeared first on Something About The Beatles.

The Beatles pick up their bags and head to the roof for a little "One After 909!" See acast.com/privacy for privacy and opt-out information.

In part 2, I gave about 10 reasons against the concurrent-recapitulatory interpretation of the book of Revelation while arguing for the consecutive-progressive framework. Seals, Trumpets, Bowls – At the Same Time or One After the Other? Consecutive-Progressive The prewrath position interprets a sequential chronological framework for the seals, trumpets, and bowls. That is, the seal-trumpet-bowl […] Related Posts: Why the Bowls Follow AFTER the Trumpet Judgements:… Why the Bowls Follow AFTER the Trumpet Judgements:… Why the Bowls Follow AFTER the Trumpet Judgements:… The post Seals, Trumpets, Bowls: Concurrent-Recapitulation or Consecutive-Progressive? (Part 2 of 2) – Ep. 37 appeared first on ESCHATOS MINISTRIES.

Track Listing: (Don't Fear) the Reaper - Blue Öyster Cult Tequila Sunrise - The Eagles Josh and Nate discuss making a Tequila Sunrise D'yer Maker - Led Zeppelin My Best Friend's Girl - The Cars Long Tall Glasses (Live) - Leo Sayer Josh and Nate discuss the letter P Fox on the Run - Sweet Let It Ride - Bachman-Turner Overdrive Christine Sixteen - Kiss Josh and Nate discuss Christopher Lloyd's hair and route 910 The One After 909 - The Beatles East Bound and Down - Jerry Reed

The Friends Challenge Podcast is back!  This week we answer the age old question:  which of these Friends episodes is the best? The One After the Superbowl Part 2 The One with the Prom Video The One where Ross and Rachel...You Know The One where Joey Moves Out

"Ask Me Why" was released in the United Kingdom and The US (VJ Records) as the B-side of their single "Please Please Me". It was also included on the UK album, Please Please Me. It was recorded on 26 November 1962, in 6 takes. Take 6 was used for both the mono single and the stereo LP mix. No outtakes have surfaced, so there's not a lot to create a remix from.... Apparently, Ask Me Why was always intended as a B-side, and the production is not of the same standard as Please Please Me. It is a single run-through, no overdubs or double tracking anywhere. Oddly, there's an acoustic guitar on the vocal track, so I suppose Lennon played this acoustic guitar while recording the vocals. The vocal performance is fine as far as timing and phrasing go, but sounds a little unmotivated at times. Perhaps Lennon's disinterst in the vocals is rooted in the lyrics: they are typical Lennon, although this is one of the earliest Lennon compositions. Unfortunately, it is the earliest example of a Lennon 'schoolboy poet' type, and not of the - much stronger - type where Lennon sings about his own true emotions. Still, a song that starts with "I Love You' can't be that bad..... Although not a strong text, it is very much Lennon nonetheless: as usual, we learn nothing about his lover, we just hear about Lennon's own feelings; as we see more often, Lennon expects obedience from his lover (I Love You because you say the words I want to know), which is also the theme in others songs, such as "All I've Got To Do", One After 909 (I said move over once....), "Run For Your Life" and many others. Musically, the song is more complex than one would think at first hearing (as I found out while remixing it.....). Vocals come in somwehere in the middle of the bar, a verse contains an 'odd' number (13) of bars, and bits and pieces are repeated and strung together. But he all makes it hang tight into a possible underrated song: there are only 2 cover versions in the BDJ archives, far below the typcial number of covers. Anyway, well worth a remix to lift it from the left/right stereo soundscape !

While cleaning out the attic of BDJ Towers, we stumbled on a tape; it carried a hand-written label, stating only: "Carnival of Light JPM". When we played the tape, we found it contained just fragments of speech, reversed loops and sound effects. So we erased it. The flip side of the tape was much more interesting: apparently a private copy of the Cavern Rehearsel sessions; this tape is special, since it contains One After 909 IN STEREO, recorded in the cavern. This again shows how avant-garde the Beatles were, even then, since stereo recording hadn't been invented yet.

This cast is filled with stories about our complicated relationship with time. Our featured storyteller is Dan Farren..."One After 909" by The Beatles (Lennon/McCartney). Performed by Beverly Mickins and John O'Kennedy..."Mr. Farren's Spirit" shot by Lance Anderson...40:00 / 37.6 MB / Rated: PG-13 (Some Adult Language and Themes)..."Thanks for the Download"