Podcasts about so heavy

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Send us a textIntro song: Flying70. Yer Blues69. The Long and Winding Road68. I Want You (She's So Heavy)67. Don't Let Me Down66. GirlOutro song: Blue Jay Way

Markets are a mess, your inbox is full, and you're probably feeling like you're having the same conversation 100 times in a row. Maybe you're exhausted, maybe a little discouraged, and definitely stretched thin between trying to market yourself, stay visible, and manage nervous clients.I see you. This work is hard. I wanted to create a special podcast for you—interrupting our planned content calendar—to address this, because it can feel SO HEAVY!But I want to give you a little mindset shift today—and some tactical things you can do right now to support your clients and your business. This comes from my own experience of managing clients through the 2008 crisis and many ups and downs since then. And, because of the strategies we're going to talk about, we actually brought on SO MANY clients during down markets—they were our biggest onboarding years because we were proactive and client-centric.

The Wolf spent 3+ years just a stone's throw from Abbey Road in NW London, just six blocks from the studio that goes by the same name. The studio was EMI for decades until it was renamed in the 1970s after the final album recorded by The Beatles (Let It Be was released later but those sessions took place earlier and at different studios). After throwing out exotic locales for the album cover, George Harrison suggested they walk across the street and the most iconic album cover was born. The boys may not be the world's biggest Beatles fans but to love rock n roll, one must have an appreciation for them. The Wolf remained largely unfamiliar with Abbey Road until he realized he had to pick up a copy if he was going to walk down that street everyday for 3 years. As it turns 55, the boys go track x track, discuss the famous cover and dive into the state of The Beatles in their final days. Paul was trying to manage the band since the death of Brian Epstein and still deliver the goods in the studio. John was getting deeper into heroin and Yoko Ono. George was growing up and saving some of his best for his debut solo album. And Ringo just wanted the boys to stop fighting in meetings all the time. But George brought the goods with Something and Here Comes The Sun. John offered up Come Together and the pre-heavy metal I Want You (She's So Heavy). Paul put together some of his and John's best new melodies for the epic medley on the 2nd side. And dear Ringo gave us Octopus's Garden, a place he'd rather be than haggling with the band all the time. We dive deep into each song, where each member of the band was at the time and where they were going. This may not be our favorite album but it is an important document of a band that had had enough but could still bring the most amazing harmonies to life. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wolf spent 3+ years just a stone's throw from Abbey Road in NW London, just six blocks from the studio that goes by the same name. The studio was EMI for decades until it was renamed in the 1970s after the final album recorded by The Beatles (Let It Be was released later but those sessions took place earlier and at different studios). After throwing out exotic locales for the album cover, George Harrison suggested they walk across the street and the most iconic album cover was born. The boys may not be the world's biggest Beatles fans but to love rock n roll, one must have an appreciation for them. The Wolf remained largely unfamiliar with Abbey Road until he realized he had to pick up a copy if he was going to walk down that street everyday for 3 years. As it turns 55, the boys go track x track, discuss the famous cover and dive into the state of The Beatles in their final days. Paul was trying to manage the band since the death of Brian Epstein and still deliver the goods in the studio. John was getting deeper into heroin and Yoko Ono. George was growing up and saving some of his best for his debut solo album. And Ringo just wanted the boys to stop fighting in meetings all the time. But George brought the goods with Something and Here Comes The Sun. John offered up Come Together and the pre-heavy metal I Want You (She's So Heavy). Paul put together some of his and John's best new melodies for the epic medley on the 2nd side. And dear Ringo gave us Octopus's Garden, a place he'd rather be than haggling with the band all the time. We dive deep into each song, where each member of the band was at the time and where they were going. This may not be our favorite album but it is an important document of a band that had had enough but could still bring the most amazing harmonies to life. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher & Jobst im Gespräch mit Flo. Wir reden über Pfadfinder, Travis Bickle & Schimanski, das tolle Medium Internet, Expedit-Fächer, die Sex Pistols vorm Buckingham Palace, ein Punker-Treffen in Trier, Der kleene Punker, Bis zum bitteren Ende, Fugazi aufm Mixtape, sinnliches Mixtape aufnehmen, die My War Demos, die Winzersöhne in der Freiwilligen Feuerwehr, Cola nur im Urlaub, Texas Cowboy von den Spermbirds am Lagefeuer beigebracht bekommen, Diskussionen um Latein, Streit ums Aussehen, Katholiken sind mehr Punk als Protestanten, jeden Tag eine gute Tat, die fließende Grenze von Pfadfindern zu Wehrsportgruppen, die Jungs von der Opel-Gang, ROR-Platten auf durchgenudelten Kassetten, geiler Hardcore aus Friedelsheim, John Peels Grabstein, Nirvana Bootleg-Kassetten, Pornos mit der englischen Gastfamilie, Bretter mit Kissen drunter, Rorschach Live in der Hölle in Bad Dürkheim, Dead Beat & Narsaak Split 7", biertrinkender Jungpunker bei Downcast, epiphanische Erlebnisse, Peter Burschs Gitarrenbuch, Niels von den Strassenjungs, in Flammen aufgehende Boxen, Jay Frog von Scooter, Icon von Paradise Lost, Umzug nach Potsdam, schwerer Einstieg in die Potsdamer Szene, eine Tresenschicht in der Breiti, der schwierige Start von Altenburg 76, Tijan Silas alte Band Atlas Lanze, Nico & der Starkstrom, Mönster & Chainbreaker, Crowskin ist natürlich eine Hardcore-Band, mit Doom im 1-in-12-Club, die Start-Up-Szene war wie der wilde Westen, SEA, Pesto ausm Mörser, Zeitunglesen, eine bizarre Leidenschaft für Tatort, doch noch Beatles, uvm. Drei Songs für die Playlist: 1) Ein richtig guter Song von DIE TOTEN HOSEN: Oberhausen 2) Ein Song, den Flo mit seinem England-Aufenthalt verbindet: CYPRESS HILL - Insane in the Brain 3) Ein richtig guter Song, den Flo über seinen 16-jährigen Sohn kennengelernt hat: BEATLES - I Want You (She´s So Heavy)

The passing of Shannen Doherty, you'll never understand Sunnyvale, balloons are useless, another great steakhouse, eating with Jake Gittes, playing pool with Weezer, dear daddy, lost in San Mateo, listening to Bad Religion on the way home, some tips for when you come across a bear, the power of Ironside, the power of infomercials, the power of Billy Mays, the dumbest product ever, the tangled web we are stuck in, and a heavy song. Stuff mentioned: Beverly Hills, 90210 (1990-2000), Heathers (1988), Charmed (1998-2006), "Let's Be Clear with Shannen Doherty" (2023-2024), Commando (1985), Dreamscape (1984), The Stepfather (1987), Chinatown (1974), Soundgarden "The Day I Tried to Live" (1984), Superchunk "Detroit Has a Skyline" (1995), Weezer "Say It Ain't So" (1994), Weezer Weezer aka The Blue Album (1994), Weezer "Say It Ain't So" live on David Letterman (1995 https://www.youtube.com/watch?v=RXqG6oR_o7Q), Pet Shop Boys "Always on My Mind" (1987), The Naked Gun: From the Files of Police Squad" (1988), James Hervey "Since all the downward tracts of time" (1746), Bad Religion "Generator" (1991, released in 1992), Bad Religion Generator (1991, released in 1992), Visiting Hours (1982), Scanners (1981), Tool Band-it (https://www.youtube.com/watch?v=TyYTYqIB3-Q), The Beatles "I Want You/She's So Heavy" (1969), Abbey Road (1969), Paul McCartney isolated bass "I Want You/She's So Heavy" (1969 https://www.youtube.com/watch?v=eNN48VIh-0Y&t=292s).

TTO-191 Beatles I Want You, She's So Heavy, Johns Reaction, Lego Talk Soundboard Battle, Name That State, Worm At RFK Jr Brain, Divorce Curb Your Enthusiasm, Helen Keller Soundtrack, Amoeba Brain Eating Elkhorn River, Harry Potter Diagonally Alley, Pastor Killed Wife, Texas Football Player Oldest College, World's Largest Vacuum Iceland Mammoth, Crazy Work Stories, Ai dreams, Flint Dibble Debate Hancock Attack Ancient Apocalypses, 

Singles Going Around- The WantingNew records and a new episode of the podcast!The Beatles- "If I Needed Someone"Otis Redding- "Loving By The Pound"The Band- "When I Paint My Masterpiece"Love- "Emotions"The Bar-Kays- "Soul Finger" (45 version)Tony Joe White- "Roosevelt And Ira Lee"The Small Faces- "Itchycoo Park"Frank Zappa- "Peaches En Regalia"Love- "Can't Explain"The Rolling Stones- Live With Me"Them- "Mystic Eyes"The Mar-Keys- "Last Night" (45 version)The Beatles- "I Want You (She's So Heavy)"Love- "A House Is Not A Motel"The Black Crowes- "Sometimes Salvation"*All Selections taken from Lp's and 45's

PLAYLIST: Pacific St Blues & AmericanaMarch 10, 2024Having some fun this week - What is the common thread in each set of music?In 8 of the 9 blocks of tunes, there is a comment thread. What is the common thread? 1. Buddy Guy / Hammer & a Nail 2. Koko Taylor / Blues Power3. Skip James / I'm So Proud4. Rotary Connection / Brave Ulysses5. Keb Mo / Love in Vain6. Rolling Stones / Stop Breaking Down Blues7. Taj Mahal / Crossroads Blues8. Pinetop Perkins / Sweet Home Chicago 9. Albert Cummings / Why Don't We Do It in the Road10. Monster Mike Welch / I Me Mine11. Larry Williams / Bad Boy 12. Booker T & the MGs / She's So Heavy 13. Joe Bonamassa / Nobody Loves Me But My Mother14. Peter Frampton / The Thrill is Gone 15. Aretha Franklin / The Night Life16. Shaun Murphy / Sweet Little Angel 17. Tommy Castro / It Serves You Right to Suffer18. Amos Milburn / One Scotch, One Bourbon, One Beer19. Van Morrison & Gail Lewis / Boogie Chillen 20. The Allman Brothers / Dimples ........Answers: Eric Clapton or Cream, Robert Johnson, The Beatles, BB King, John Lee Hooker.How did you do? Go to our Facebook page and share your results! 

En "Las mil y una músicas" seguimos descubriendo detalles de Los Beatles en "Lo Bitel" de Marta G. Navarro. Hoy, canciones del disco Sgt. Pepper’s Lonely Hearts Club Band y escuchamos: Strawberry Fields Forever, She’s Leaving Home, God Only Knows, Sgt. Pepper’s Lonely Hearts Club Band y Being For The Benefit Of Mr Kite! / I Want You (She’s So Heavy) / Helter Skelter.Escuchar audio

Aquesta setmana al Males Vibracions, Rubén a cavall d'una haca psicodèlica, combat el tedi setmanal a colps de Rock&Roll. Mentre Andreu torna a estar desaparegut, aixi que Rubenako ens porta tot sol l'episodi 334 amb novetats, Agenda Vibradora i un final boníssim, amb més varietat que les fruiteries de Madrid. Para l'orella: The Celibate Riffles - Back in the red; PAL - 96 tears; The Pissed Ones - Drink about it; Living Liks - I live in here; Gary Del Vecchio - Buzzin'; Nebula - Aphrodite; Exfan - Fuego; Tito Ramirez - Alma Sicodélica (Psychedelic Soul); Pölvora - Polvo; Azero - Acaba de una vez; Bo Diddley - Hey Bo Diddley; Leo Soto - Caballo Psicodélico; Chelsea - Rockin' horse; Red Dons - Aüslander; The Creeps - She's gone; The Beatles - I Want You (She’s So Heavy).

Join us in this episode of Space Cafe as Markus Mooslechner talks with Andy Rivkin about the thrilling DART mission. As its Lead Investigator, Rivkin offers a rare glimpse into the world of planetary defense, sharing the intricate dance between meticulously executed plans and the unpredictable nature of space exploration. From the collision course with Dimorphos to the anticipation of Hera's future findings, Rivkin's narrative is a testament to human ingenuity and our relentless pursuit of cosmic knowledge. 3 Memorable Quotes by Andy Rivkin:1. "The DART mission stands as a testament to our proactive stance on planetary defense, showcasing our readiness to safeguard our planet."2. "Every mission has its heartbeat, its rhythm. With DART, it was about embracing the mission's end as much as its beginning, knowing the impact we hoped to achieve."3. "In the cosmos, we find a reflection of life's unpredictability, where even the most calculated orbits can reveal new paths, new possibilities." List of All Links or Names Shared:• Andy Rivkin: https://shorturl.at/dxyP1• DART – Double Asteroid Redirection Test: official NASA page: https://shorturl.at/fqvMO• ESA's Hera Mission: official ESA page: https://shorturl.at/oGQT5• Planetary Defense Coordination Office: official page: https://shorturl.at/chQYZ• CubeSats Milani and Juventus: mission details: https://shorturl.at/oFH19Choice of Music for the Spotify Playlist for the Aspiring Space Traveler: For the Spotify playlist, Andy Rivkin has chosen:"I Want You (She's So Heavy)" by The Beatles, https://www.youtube.com/watch?v=tAe2Q_LhY8g&ab_channel=TheBeatles-Topica song that echoes the gravitational pull of celestial bodies and the weight of human desire to explore beyond our earthly confines.Rate us and leave a review on Apple Podcasts.

SpaceWatch.Global is pleased to present: The Space Café Podcast #94: Diving into NASA's DART Mission: Lead Investigator Andy Rivkin on the Frontlines of Planetary Defense Episode 094 features special guests: Andy RivkinJoin us in this episode of Space Cafe Podcast as Markus Mooslechner talks with Andy Rivkin about the thrilling DART mission. As its Lead Investigator, Rivkin offers a rare glimpse into the world of planetary defense, sharing the intricate dance between meticulously executed plans and the unpredictable nature of space exploration. From the collision course with Dimorphos to the anticipation of Hera's future findings, Rivkin's narrative is a testament to human ingenuity and our relentless pursuit of cosmic knowledge.3 Memorable Quotes by Andy Rivkin:"The DART mission stands as a testament to our proactive stance on planetary defense, showcasing our readiness to safeguard our planet.""Every mission has its heartbeat, its rhythm. With DART, it was about embracing the mission's end as much as its beginning, knowing the impact we hoped to achieve.""In the cosmos, we find a reflection of life's unpredictability, where even the most calculated orbits can reveal new paths, new possibilities."List of All Links or Names Shared: • DART – Double Asteroid Redirection Test: official NASA page: https://shorturl.at/fqvMO• ESA's Hera Mission: official ESA page: https://shorturl.at/oGQT5• Planetary Defense Coordination Office: official page: https://shorturl.at/chQYZ• CubeSats Milani and Juventus: mission details: https://shorturl.at/oFH19Choice of Music for the Spotify Playlist for the Aspiring Space Traveler: "I Want You (She's So Heavy)" by The Beatles, https://www.youtube.com/watch?v=tAe2Q_LhY8g&ab_channel=TheBeatles-Topic a song that echoes the gravitational pull of celestial bodies and the weight of human desire to explore beyond our earthly confines. 

Welcome to “Concerts on the Corner: Best of Summer 2023”! This full concert is comprised of many of our favorite performances and moments from the 2023 Summer Tour. We made sure to incorporate DMB's new material, older classics, and of course some special guests as well. In total, 16 different shows are represented across this 3+ hour epic journey that will be sure to leave you cheering for more! We hope you enjoy this iteration of “Concerts on the Corner”!   HUGE thanks and shoutout to the tapers! Without them, none of this would be possible. Audio from the following taper's sources were used in this show: Zach Semcken, Rob Bokon, Scott Plumer, "bersey", Ryan Hoyt, Henry Hart, Robert Taylor, Mark Terrell, Jon Koch, and Noam Yemini   0:00 Intro 02:23 Madman's Eyes (fake) (06/30/23 - Deer Creek)  04:50 Minarets (06/30/23 - Deer Creek) 12:10 Madman's Eyes (07/14/23 - SPAC) 16:17 Bismarck (06/03/23 - Charleston, SC) 21:39 Busted Stuff (06/23/23 - Burgettstown, PA) 26:46 JTR (06/09/23 - Forest Hills, NY) 33:15 It Could Happen (07/15/23 - SPAC) 37:37 Virginia in the Rain (07/14/23 - SPAC) 44:30 Too Much (fake) (07/07/23 - Chicago, IL) 44:48 Warehouse (07/26/23 - Orange Beach, AL) 54:35 Seek Up (09/01/23 - The Gorge) 01:15:45 Looking for a Vein (05/26/23 - Nashville, TN) 01:19:26 Cha Cha (06/16/23 - Bangor, ME) 01:25:38 American Baby Intro (07/14/23 - SPAC) 01:32:40 I Want You (She's So Heavy) (06/23/23 - Burgettstown, PA) 01:34:52 Break Free (feat. Greg Phillinganes) (08/26/23 - Irvine, CA) 01:42:58 Grace is Gone (feat. Greg Phillinganes) (08/25/23 - Irvine, CA) 01:51:51 The Only Thing (07/29/23 West Palm Beach, FL) 01:59:20 The Weight (09/02/23 - The Gorge) 02:04:54 Lie in Our Graves (feat. Béla Fleck) (07/15/23 - SPAC) 02:17:01 Cry Freedom (09/01/23 - The Gorge) 02:24:21 Tripping Billies (feat. Warren Haynes) (07/18/23 - Holmdel, NJ) ————————————————— 02:31:18 A Pirate Looks at Forty (09/02/23 - The Gorge) 02:35:47 Monsters (feat. Warren Haynes) (07/18/23 - Holmdel, NJ) 02:42:50 Two Step (feat. Warren Haynes) (07/19/23 - Wantagh, NY) ————————————————— 03:01:44 Just Breathe (09/02/23 - The Gorge) 03:06:41 Spoon (feat. Molly Tuttle & Bronwyn Keith-Hynes) (09/01/23 - The Gorge) 03:12:56 Ants Marching (feat. Molly Tuttle & Bronwyn Keith-Hynes) (09/01/23 - The Gorge)

1. The Beatles - I Saw Her Standing There2. Halestorm - I Want You (She's So Heavy)3. The Beatles - A Hard Day's Night4. Godsmack - Come Together5. The Beatles - Help!6. Stone Temple Pilots - Revolution7. The Beatles - Tomorrow Never Knows8. Rockfour - Strawberry Fields Forever9. The Beatles - With A Little Help From My Friends10. Evanescence - Across The Universe11. The Beatles - Blackbird12. T.V. Carpio - I Want To Hold Your Hand13. The Beatles - Something14. Eddie Vedder - You've Got to Hide Your Love Away

So much good stuff:  why Johnny Cab is planning to kill you, why nobody wants electric cars, why gov't choices aren't, why electric cars are a social contagion too, why gov't action is an inverse penalty, why more CO2 is a good thing, why 60% of new cars can never be electric, why artificial intelligence isn't smart, and why robot cars are causing new and innovative traffic jams. Also, F-16 flyovers, hooch VS hooch, Budweiser's tranny fail (is more than a missed gear), “She's So Heavy” and “Spaceship Landing”, and Kyuss, Anthrax, Southern Culture on the Skids, Bio-Mechanical Degeneration, Living Colour, Beatles, Volbeat, Zeppelin, The Rev and Machines of Loving Grace.

So much good stuff:  why Johnny Cab is planning to kill you, why nobody wants electric cars, why gov't choices aren't, why electric cars are a social contagion too, why gov't action is an inverse penalty, why more CO2 is a good thing, why 60% of new cars can never be electric, why artificial intelligence isn't smart, and why robot cars are causing new and innovative traffic jams. Also, F-16 flyovers, hooch VS hooch, Budweiser's tranny fail (is more than a missed gear), “She's So Heavy” and “Spaceship Landing”, and Kyuss, Anthrax, Southern Culture on the Skids, Bio-Mechanical Degeneration, Living Colour, Beatles, Volbeat, Zeppelin, The Rev and Machines of Loving Grace.

Show Notes: (0:01) - Intro | SZA “SOS” (2:50) - SZA " SOS " album review (36:26) - Irv Gotti says Cash Money Records is the greatest hip hop label of all time (52:10) - Arri's Wave Of The Week | The Beatles " I Want You (She's So Heavy) " (1:07:35) - Brittney Griner freed (1:09:18) - Joe pulls up (1:15:20) - R.Kelly album mysteriously drops and disappears (1:18:46) - Forest Hills Drive anniversary (1:23:40) - Who's the better rapper right now Jay Z or Nas? (1:30:52) - Los's Wave Of The Week | Kendrick Lamar " U " (1:37:00) - Smack Vol. 10 Recap (2:32:13) - ROH Final Battle recap (2:38:39) - NXT deadline recap (2:43:52) - Joe's Wave Of The Week | J.Cole " Premeditated Murder " (2:49:08) - Su's Wave Of The Week | Valee Ft. DRAM " About U " 2:56:03 - sign off --- Send in a voice message: https://anchor.fm/gybo/message Support this podcast: https://anchor.fm/gybo/support

Convidámos Fernando Matias, músico e produtor, para uma agradável conversa a horas tardias - que poderá ter tido efeito nalgumas das intervenções causadas por esse flagelo conhecido pelo povo como a embriaguez do sono. Sugestão Matias - A Voz Humana - Peça de Teatro com Patrícia Andrade a acontecer algures entre Fevereiro e Março Lex - Serviços de vídeo e captação de Miguel Carrapiço - Instagram @miguelcarrapico Fernando - Mortal Kombat Sugestão Spotify Matias - I Want You (She's So Heavy) dos Beatles e outras versões Lex - Toxikull - Let There Be Rock Fernando - Revocation - Godforsaken Produzido e apresentado por Lex Thunder e Fernando Ferreira Editado pelo Senhor Podcast

Un cruce de caminos, una despedida disfrazada de perfección sonora. Abbey Road fue el último álbum que grabaron juntos The Beatles y el inicio de un legado eterno. En el episodio 11 de la temporada 4 de Behind The Songs, Jesús Martínez y Gerardo Ortega nos guían por la historia, las tensiones y la genialidad que habita detrás de cinco de sus temas más memorables.

Barry and Abigail discuss Bellybutton by Jellyfish and sample South Fork Grapefruit Gose, Squatchy Ale, and Nuclear Seahorse from Booneshine Brewing Company in Boone, North Carolina. The Man I Used To Be reminded Abigail of Never Tear Us Apart by INXS and I Want You (She's So Heavy) by The Beatles. Barry heard elements of Oh, Darling! and Honey Pie (The Beatles). She Still Loves Him reminded Barry of Free As a Bird (The Beatles). Watch the anthology video of Free As a Bird. Now She Knows She's Wrong reminded Abigail of Vienna by Billy Joel. Baby's Coming Back reminded Abigail of Crazy Little Thing Called Love by Queen. Up next… Under Pressure by Logic Jingles are by our friend Pete Coe. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Facebook | Instagram | Twitter | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://anchor.fm/pops-on-hops-podcast/message

It's been long and sometimes winding, but Joel and Ian have almost reached the end of this journey. This week they discuss the last album the Beatles ever recorded as a group, 1969's "Abbey Road."   In episode 12, Joel basks in the simple songwriting brilliance of "Something," Ian finally tells us his honest thoughts about "Maxwell's Silver Hammer," and they both just sit there and soak up the elemental heaviness of "I Want You (She's So Heavy)."    THIS IS NOT THE FINAL EPISODE OF SEASON ONE. We will be back next week for a final episode where Joel and Ian will talk through their feelings and experiences from out first season, "Ian Hears the Beatles" share their favorite and least favorite Beatles songs, rank all 12 albums and MORE! Join us then for the exciting conclusion!

Some big hitters duke it out this week with Love Me Do, I Want You (She's So Heavy), Lucy In the Sky with Diamonds and She Loves You ready to do battle. Only one will go through, just like only one has a wind machine in the mix, only one has been covered by Miley Cyrus & Moby, and only one has 3 different drummers. Intrigued, much?

la hora del rock 181 Stratovarius - Survive (Single) (2022)1 Survive. Tierra Santa - Destino (2022)1 - Por el Valle de las Sombras. Tierra Santa - Destino (2022)3 - El Dorado. BON JOVI - Get Ready (Bon Jovi, 1984). Shameless - So Good, You Should... (2022)1 - Erection (feat. Tracii Guns). Wolfsbane - Genius (2022)5 - Small Town Kisses. ZARPA2012 - Las Puertas del Tiempo1 - Rescatame. Venus 5 - Venus 5 (2022)1 - Lioness. Venus 5 - Venus 5 (2022)8 - Because of You. VITROL9.Entre los Muertos. Angkor (Colombia)2022 - El Infierno Que Amamos7 - Renacer. CoreLeoni - III (2022)3 - Guilty Under Pressure. Anunnaki - Aterrizaje (2022)3 - Embrujada. Crematory - Inglorious Darkness (2022)6 - Tränen der Zeit. Descendientes - Que Reviente El Planeta. So Heavy 90s (2021)1. Machine Head - Spine. Kreator - Hate Über Alles (2022)8 - Midnight Sun. GRACE EVERGARDREN RONNIE ROMERO HOPE. Gräce - Hope (2022)4 - The Sinner. Michael Schenker Group - Universal (2022)8. Yesterday Is Dead. VINTER PROJECT.mil demonios Def Leppard - Diamond Star Halos (Limited Edition) (2022)2. Kick. ENOBIACD28. Unidos por el Metal (Live In Madrid). Crashdïet - Automaton (2022)2 - Together Whatever. DYNAZTY - Yours (Single)DYNAZTY - Yours. Reckless Love - Turborider (2022)9. '89 Sparkle. UFO - Will the Last Man Standing (Turn Out the Lightm) The Best of UFO (2019)24 - Let It Roll. Jani Liimatainen - My Father's Son (2022)5 - Side by Side (feat. Pekka Heino).mp3 New Horizon - Gate Of The Gods (2022)7 - Event Horizon.

Would you look at that? It was JUST Valentimes Day! And, beloved listener, please accept our belated gift: the thrilling conclusion to our conversation about the tunes inspired by Beatle significant others. T.J. and Tony talk tender tunes, play some Pattie (Boyd) Cake, and ponder:  

Abbey Road by The Beatles was released in 1969.Abbey Road (Andrew's Mix) includes the following songs, mixed with 48 clips:1. Come Together2. Something3. Maxwell's Silver Hammer4. Oh! Darling5. Octopus's Garden6. I Want You (She's So Heavy)7. Here Comes the Sun8. Because9. You Never Give Me Your Money10. Sun King11. Mean Mr. Mustard12. Polythene Pam13. She Came in Through the Bathroom Window14. Golden Slumbers15. Carry That Weight16. The End17. Her Majesty

Making their 2nd appearance on The Walrus Was Paul podcast - one of Canada's finest song writers, Jim Cuddy, and his good friend and Blue Rodeo bandmate, lead guitarist Colin Cripps. Chatting with host Paul Romanuk, the guys dig into what many regard as The Beatles finest album, 1969's Abbey Road. In this episode - focused in on the first side of the album - Jim and Colin marvel and give their takes on Paul McCartney's singing on Oh Darling, George Harrison's great guitar solo on Something and John Lennon's hypnotic opus I Want You (She's So Heavy). There is also lots of talk about what Blue Rodeo is up to and how they put their great new album, Many A Mile, together during the pandemic. For lots of information on the new record and the band, visit https://www.bluerodeo.com (bluerodeo.com) Jim has his own great website, where you can read all about his solo work, https://www.jimcuddy.com (jimcuddy.com) Colin Cripps is an impressive guy in his own right. Here's https://en.wikipedia.org/wiki/Colin_Cripps (his Wikipedia page) - and here's where you can find out about http://www.colincripps.com (some of his solo work). This episode is the first of two parts - in the next one Jim and Colin will focus in on Side Two of Abbey Road.

Episode 8 Band on the Run – the origin of a hit song Part 2Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative!Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarDrama-pizza, Mike Sugar; performed by Mike SugarDramockumystery Tour, Mike Sugar; performed by Mike SugarSuspenseful Stridi, Mike Sugar; performed by Mike SugarHotel (Theme), Henry Mancini; performed by Mike SugarAm Be Into Background, Mike Sugar; performed by Mike SugarAbandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike SugarGoodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Two Part Invention in D Minor, J.S. Bach; performed by Mike SugarI Want You (She's So Heavy), Lennon and McCartney; performed by Mike SugarThus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike SugarMaxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike SugarKalider Story, Mike Sugar; performed by Mike SugarBaroque Inn, Mike Sugar; performed by Mike SugarSuperstition, Stevie Wonder; performed by Mike SugarShe Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike SugarPopcorn, Gershon Kingsley; performed by Mike SugarFrankenstein; Edgar Winter: performed by Mike SugarMy Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarWhats' My Line, Charles Fox; performed by Mike SugarThe Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike SugarDesperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike SugarPenny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny LaneThe End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny LaneSources:Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles Anthology; Chronicle Books; San Francisco; 2000Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe EditionThe Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photosBand on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.comMoog synthesizer; WikipediaMinimoog; WikipediaFab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007McCartney, songwriter, Howard Elson; W.H. Allen; 1986

Stroll Down Penny Lane Episode 8 Band on the Run – the origin of a hit song Part 2 Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative! Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Drama-pizza, Mike Sugar; performed by Mike Sugar Dramockumystery Tour, Mike Sugar; performed by Mike Sugar Suspenseful Stridi, Mike Sugar; performed by Mike Sugar Hotel (Theme), Henry Mancini; performed by Mike Sugar Am Be Into Background, Mike Sugar; performed by Mike Sugar Abandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike Sugar Goodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Two Part Invention in D Minor, J.S. Bach; performed by Mike Sugar I Want You (She's So Heavy), Lennon and McCartney; performed by Mike Sugar Thus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike Sugar Maxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike Sugar Kalider Story, Mike Sugar; performed by Mike Sugar Baroque Inn, Mike Sugar; performed by Mike Sugar Superstition, Stevie Wonder; performed by Mike Sugar She Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike Sugar Popcorn, Gershon Kingsley; performed by Mike Sugar Frankenstein; Edgar Winter: performed by Mike Sugar My Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Whats' My Line, Charles Fox; performed by Mike Sugar The Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike Sugar Desperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike Sugar Penny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny Lane The End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny Lane Sources: Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003 Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010 Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles Anthology; Chronicle Books; San Francisco; 2000 Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016 Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016 Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe Edition The Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photos Band on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.com Moog synthesizer; Wikipedia Minimoog; Wikipedia Fab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007 McCartney, songwriter, Howard Elson; W.H. Allen; 1986 Learn more about your ad choices. Visit megaphone.fm/adchoices

Here I'm name dropping my wife in a song title AGAIN! ;-) This is Hamer supplementing the mighty 9 on trumpet and Marge from Duku singing the back ups. This also has stayed in the live set forever. It's as true a declaration of love as I've ever gotten. Unapologetic love songs are tough. I don't know how the Beatles did it without ever sounding like a bunch of drips. I reflexively want to sabotage lovely little odes with profanity. I still am pretty much a 14 year old boy at heart. Also, the vocal/guitar line is inspired by "I Want You (She's So Heavy)" by the Beatles off of Abbey Road. It's a C-major so I expect to be weeping at some point.

We brought notes for this one! Another of John's great songs with an odd time signature. Featuring blistering bass, a killer John Lennon guitar solo, wicked drums and Billy Preston. The first song recorded for the Abbey Road album, I Want You (She's So Heavy) gets high marks from Billy and Jay. This episode dives into Trident Studios, Billy Preston, white noise and more amazing Beatle outros. If you don't love this song as much as we do, you just may after listening to this episode of Looking Through The Glass Onion. We bet you like it better than Robbie Roberson did...

01 DJ Saturn - Saturn Radio Theme / (Unreleased Richard E production)02 The Zombies - Smokey Day03 Robert Burbidge ft Winter - Gift04 ILYA - In The Valley05 Newspeak - I Would Prefer Not To06 Shane Alexander - Shipwrecked 07 Tristan de Liège and Gregory Allison - Solstice08 Neptune Alpha Base Massive - Saturn Radio09 David Sylvian & Ryuichi Sakamoto - Bamboo Houses (12" Mix)10 Vasconcelos Sentimento - Batebate 11 Sylvan Paul - America12 JKriv, Free Magic - Emmanuel 13 George Benson - Here Comes The Sun - I Want You (She's So Heavy)14 YSE Saint Laur'Ant - Disco Fix15 Julia Messenger - And We Danced16 Vex Ruffin & Fab 5 Freddy - The Balance17 Gramme - Discolovers18 Girl Friday - Earthquake19 Theon Cross - We Go Again20 London Elektricity - Love The Silence21 Agar Agar - You're High 22 Izzy La Vague - Asi Vib^e (Jaymz Nylon Afro Tech ReShape)23 Ely Bruna and Papik - Steppin' Out (Diego`s Mainmix)24 Charles Webster - The Spell (High Skies Remix) [feat. Ingrid Chavez]25 Johnny Faith - Slumber

The gods of guesting have been kind to us once again, and Darren Korb, audio director for Supergiant Games (Hades, Bastion, Transistor, Pyre) and voice of Zagreus in Hades, has landed in our lap to talk of Beatles and Queens! Darren loves how weird, inventive, and well-produced The Beatles' penultimate album “Abbey Road” is, and in this episode, he talks about how that blend makes him think about his own music in different ways. Queens of the Stone Age's “Songs for the Deaf” isn't actually that, but it is full of mean riffs and precise Dave Grohl drumming, and that adds up to what Darren calls “heavy stoner rock.” Our community portion is chock-full of fun questions from our Patreon patrons about favorite guitar tunings, our first-ever “favorite” songs, who has the best “best-of” album, and much more! Support MinnMax on Patreon: https://www.patreon.com/minnmax/ Donate to the Crossfade HopeWell Music School Charity Drive at https://www.givemn.org/Crossfade Follow Darren on Twitter at https://twitter.com/darrenkorb Hear Darren's voice, music, and production in Hades, out this week on PlayStation and Xbox platforms https://www.supergiantgames.com/games/hades/ Listen to the CrossFade Community Playlist of our community's favorite music:  https://spoti.fi/3aRRgox To jump to a particular discussion, check out the timestamps below… 0:00 - The Beatles vs. Queens of the Stone Age (feat. Darren Korb) 3:48 - Darren's time as Rock Band 2 US champ 8:56 - The Beatles' “Abbey Road” 13:04 - Come Together 17:12 - Something 20:14 - Maxwell's Silver Hammer 22:49 - Octopus's Garden 24:30 - I Want You (She's So Heavy) 27:55 - Here Comes The Sun 30:57 - Side two of Abbey Road 31:58 - You Never Give Me Your Money 36:17 - Sun King 39:56 - Mean Mr Mustard 41:02 - Polythene Pam 42:20 - She Came In Through The Bathroom Window 44:13 - Golden Slumbers 45:45 - Carry That Weight 47:22 - The End 49:46 - Her Majesty 51:55 - Queens of the Stone Age's “Songs for the Deaf” 53:42 - No One Knows 56:54 - You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire 1:00:22 - First It Giveth 1:02:49 - Song For The Dead 1:08:25 - Go With The Flow 1:12:23 - Hanging Tree 1:16:20 - Do It Again 1:21:10 - Another Love Song 1:26:04 - Community Questions (writing music, best “best-of” albums, favorite guitar tunings & more) 1:51:33 - Bruce Springsteen - “Magic” (suggested by MinnMax supporter Jeremiah Parks)

RADIO.D59B / SATURN RADIO #11 w/ Richard E 01 DJ Saturn - Saturn Radio Theme / (Unreleased Richard E production) 02 The Zombies - Smokey Day 03 Robert Burbidge ft Winter - Gift 04 ILYA - In The Valley 05 Newspeak - I Would Prefer Not To 06 Shane Alexander - Shipwrecked 07 Tristan de Liège and Gregory Allison - Solstice 08 Neptune Alpha Base Massive - Saturn Radio 09 David Sylvian & Ryuichi Sakamoto – Bamboo Houses (12'' Mix) 10 Vasconcelos Sentimento - Batebate 11 Sylvan Paul - America 12 JKriv, Free Magic - Emmanuel 13 George Benson - Here Comes The Sun - I Want You (She's So Heavy) 14 YSE Saint Laur'Ant - Disco Fix 15 Julia Messenger – And We Danced 16 Vex Ruffin & Fab 5 Freddy – The Balance 17 Gramme – Discolovers 18 Girl Friday – Earthquake 19 Theon Cross – We Go Again 20 London Elektricity – Love The Silence 21 Agar Agar – You're High 22 Izzy La Vague – Asi Vib^e (Jaymz Nylon Afro Tech ReShape) 23 Ely Bruna and Papik – Steppin' Out (Diego`s Mainmix) 24 Charles Webster – The Spell (High Skies Remix) [feat. Ingrid Chavez] 25 Johnny Faith – Slumber

Number10 0:01 The Beatles Got To Get You Into My Life 2:31 Revolver 1966 Number9 0:01 The Beatles Something 2:57 Abbey Road 1969 Number8 0:01 The Beatles Hello Goodbye 3:32 Magical Mystery Tour 1967 Number7 0:01 The Beatles I Want you (She's So Heavy) 7:47 Abbey Road 1969 Number6 0:01 The Beatles She Said She […]

Synopsis On this date in 1787, an obituary in London's Morning Post noted the passing two days earlier of Carl Friedrich Abel – composer, concert impresario and viola da gamba virtuoso – aged 63. The viola da gamba was the forerunner of the modern cello. Its heyday was in the 17th century be soon after the softer-voiced gamba lost out to the more powerful cello. Abel's obituary remarked that:  “his favorite instrument was not in general use and would probably die with him.” Well, as usual, the press got it partly right – the gamba did pass out of general use for almost 150 years, but the early music revival in the 20th century has renewed interest in the viola da gamba, and today there's even NEW music being composed for this old instrument:  for example Roy Whelden's “Prelude and Divisions on ‘She's So Heavy'” – based on the Beatles tune by Lennon and McCartney. Roy Whelden was born in 1950 in New Hampshire.  Until age 23, his instruments were the trumpet, and secondarily, the cello, but he fell in love with the viola da gamba and ended up playing with and composing for period instrument groups like Ensemble Alcatraz and American Baroque. Music Played in Today's Program Roy Whelden (b. 1950) Prelude and Divisions on She's So Heavy (Roy Whelden, viola da gamba) New Albion 59

Synopsis On this date in 1787, an obituary in London's Morning Post noted the passing two days earlier of Carl Friedrich Abel – composer, concert impresario and viola da gamba virtuoso – aged 63. The viola da gamba was the forerunner of the modern cello. Its heyday was in the 17th century be soon after the softer-voiced gamba lost out to the more powerful cello. Abel's obituary remarked that:  “his favorite instrument was not in general use and would probably die with him.” Well, as usual, the press got it partly right – the gamba did pass out of general use for almost 150 years, but the early music revival in the 20th century has renewed interest in the viola da gamba, and today there's even NEW music being composed for this old instrument:  for example Roy Whelden's “Prelude and Divisions on ‘She's So Heavy'” – based on the Beatles tune by Lennon and McCartney. Roy Whelden was born in 1950 in New Hampshire.  Until age 23, his instruments were the trumpet, and secondarily, the cello, but he fell in love with the viola da gamba and ended up playing with and composing for period instrument groups like Ensemble Alcatraz and American Baroque. Music Played in Today's Program Roy Whelden (b. 1950) Prelude and Divisions on She's So Heavy (Roy Whelden, viola da gamba) New Albion 59

SONGLIST: 1) Campbell & Johnson's Black Market Band - Don't Leave Me Hangin'. 2) Campbell & Johnson's Black Market Band - Whiskey Train, 3) Campbell & Johnson's Black Market Band - Bittersweet, 4) Campbell & Johnson's Black Market Band - You're So Heavy, 5) Campbell & Johnson's Black Market Band - Go To Feel It, 6) Campbell & Johnson's Black Market Band - Rock n' Roll Breaks Hearts, 7) BONUS: Dillon Ryan & The Dream Romantic - The Story. Enjoy!

This is technically episode #2 of the podcast originally released on April 30th, 2020. It was unfortunately removed because of copyright infringement. I've learned my lesson not to mess with The Beatles. But I didn't want a gap in my library of podcasts so I've removed the music from this episode and have included Spotify links if you want to follow along and listen to the music. Chances are though if you're as big a Beatles fan as I am you are already familiar with all of these songs. It's not like there is much that is classified as an "underrated" song in their catalogue. Follow the ABC's of rock on Facebook @abcofrockpodcast and on Twitter @abcrockpodcast, or email me directly at abcofrockpodcast@gmail.comTo follow along the episode Featured Songs:Do You Want To Know A Secret - https://open.spotify.com/track/7Aobt67JnaF7qN8jCCKvHq?si=7149691f0bf24183You Can't Do That - https://open.spotify.com/track/5b9G4dtK3Tdguuy9BO3Nwo?si=f25b2e9be57643e3Honey Don't - https://open.spotify.com/track/2d7GP7Fz1NrfPpo7MzWZgb?si=a7e6e342c7374685I've Just Seen a Face - https://open.spotify.com/track/788U1Sqej9M6c4iikuDGxO?si=e401f112ad214da0I'm Looking Through You - https://open.spotify.com/track/5E3BVY66TEDexFutOO5GeS?si=6887397f792b4533Lovely Rita - https://open.spotify.com/track/6h9W5FxX4E9lUFsyq8j1AD?si=90bf2e8405b14194Your Mother Should Know - https://open.spotify.com/track/1dxbAIfCASqv6jix2R1Taj?si=beac1245dafd4ec8Mother Nature's Son - https://open.spotify.com/track/6TjUg1cTUzWHbal6yQAi7c?si=cd2fcd365c4f492fI've Got A Feeling - https://open.spotify.com/track/3gwRWIbr5ycEVLIAXrWaw7?si=93a66e10bb854ec1I Want You (She's So Heavy) - https://open.spotify.com/track/3Z25k4ZF6QENy2d9YatsM5?si=6aa5ba5d446b4882

Arrancamos un nuevo formato donde cada mes (aproximadamente) invitaré a alguien para que pinche sus versiones de los Beatles favoritas.  J.F.León es el responsable de 'Rock and Roll Animal', un programa musical que me recuerda a los espacios que escuchaba en los años 90, cargados de música y datos interesantes. Si os mola el formato vídeo buscad su canal de Twitch (JFLeonRnRAnimal)o sus vídeos currados en Youtube (El Olimpo del Rock). Suenan: 01. Aretha Franklin - The Long and Winding Road 02. Pat Benatar - Helter Skelter 03. Eric Gales - I Want You (She's So Heavy) 04. Lowell Fulsom - Why Don't We Do It In The Road 05. Ella Fitzgerald - Got To Get You Into My Life 06. The Jeff Healey Band - While My Guitar Gently Weeps  07. Little Richard - I Saw Her Standing There 08. Black Pumas - Eleanor Rigby 09. Ike and Tina Turner She Came In Through The Bathroom Window 10. Joe Cocker - With A Little Help From My Friends 11. Deep Purple - Help 12. Whitesnake - Day Tripper 🙏Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON72, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGUEL, ALEXANDER CASTAÑEDA, ANTO78, JULMORGON, JUANMI, MIGUEL BLANCO, JUAN CARLOS ACERO, GIULIA GOVERNI, PERE PASQUAL y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣

More new episodes are coming soon, but today Tony and TJ have pressed a limited edition light green vinyl of another classic episode exclusively for their top fans on Spotify. Personally curated by Producer Casey, the fresh remix and remaster of Discovering the Beatles features an A-List assortment of musical moments and nostalgic needle drops. A limited quantity is available for this offer - while supplies last - so act quickly! [FROM JULY 2020] TJ and Tony take their long and rambling road down memory lane, reminiscing about discovering the Fab Four for the first time, with detours to Grease, Webster and NBC-era Letterman.  Shout-outs to Pear Records, Denny Dent and Valerie Harper. Fact cheque please: D.A. Pennebaker not Pennemaker, Sherman Hemsley not Helmsley. Special "She's So Heavy" style edit courtesy of Zoom.   LINKS: This week's Pandora playlist We want to hear all about your Fab Firsts on Facebook Help the show! Leave us a review or subscribe anywhere you get podcasts

EP 35 The Beatles pt 2 "I Want You (She's So Heavy)"

Elijah Witt of Cane Hill talks to Mosh Talks' Beez about the band's explosive new single, "God Is The Enemy", religion in America and a brave, bold and bright future. 0:00 Why the New Music is So Heavy 4:00 Drugs and Religion 7:10 "Good art doesn't come from a mentally healthy person" 10:25 "God is the Enemy" Trouble with American Religion 16:20 Unwillingness to play the game 19:00 Future of Cane Hill  Listen to "God is the Enemy" on your favorite streaming platform and grab merch from Cane Hill - https://wearecanehill.com/

Episode Title: “Worried Women in Chaos” Guest name: Elizabeth “Biz” Cush. Licensed Clinical Professional Counselor (LCPC), Business Owner, Podcaster and Blogger in Annapolis, Maryland. Biz hosts Woman Worriers, a podcast for anxious women. In her private practice, Progression Counseling, she helps men and women who feel overwhelmed, anxious, and stressed out find more connection with themselves and others, allowing them to live their lives with more ease, intention, and purpose. She’s worked in the mental health field for over 10 years, is a certified clinical trauma professional and she incorporates mindfulness and meditation into her psychotherapy work with individuals and groups. In this podcast: Biz introduces herself and describes the work she does to help “Women Worriers.” Tracy and Biz discuss the top worries of women in today’s society, and talk about how to help women clear their minds and behave in ways where they are helping their mental wellbeing.   Worry  #1: The Pandemic has changed our way of life   Top worries within the Pandemic include:   Losing a loved one Being perceived as not careful about prevention or being careful enough Being excluded by others in social gatherings, being out to the loop Getting sick Dying…and being responsible for someone’s death Doing the right thing for yourself and others   All of this is SO HEAVY!   Worry #2: Our Lifestyles have Changed   Kids are at home We’re working at home Online school, and parents aren’t teachers Partner coordination   Worry #3: Relationships have Changed   Families are learning how to cooperate with each other Family members make sacrifices Silver linings include a mindful consideration of… What I want to keep, hold on to, approach What I want to avoid, discard, move away from   Worry #4: The chaos before the Pandemic – where do we go now?   Rushing around to accomplish things Being forced to shut down Finding things to worry about Keeping a balance between work and life     Worry #5: Food, Eating and Body Changes   Are we drifting into complacency, avoiding? Are we creating in-sustainability? What about self-soothing using chocolate?   Worry #6: Political / Social Worries   The Capitol Insurrection A lot of stress and worry about our future People dying Governor Hogan     Ways of Coping   Hope Look to each other for strength Consider what has gotten us through Gratitude Looking at the positive Consciously bringing in the positive Finding joy, being aware of the joy Laughter and smiling The laugh club (Marsha Linehan and Dawson Church) Music to create positive emotions Simple Self-Care:   Ask: What do I need? Ask: Who can support me so that I receive what I need?   Worry and fear: Cognitive reframing tips   “This will pass” This is a part of life” This will get better I may feel stuck, and it won’t stay that way   Visit Biz on her website at https://www.progressioncounseling.com/ Listen to Biz on her podcast at the following sites: iTunes / Apple Podcasts: https://podcasts.apple.com/us/podcast/woman-worriers/id1354079086?app=itunes&mt=2 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93b21hbndvcnJpZXJzLmxpYnN5bi5jb20vcnNz Spotify: https://open.spotify.com/show/64SRf073AoPVAAg8TEyc4i   Elizabeth Cush has been a featured guest on these podcasts: Sacred Psychology, Women In Depth, The Practice Of Being Seen , and Selling The Couch,  the Soul-filled Sisterhood, The Therapy Show, and Hypnotize Me, and A Therapist Takes Her Own Advice. She’s also an expert contributor for Good Therapy, a guest contributor to the Happily Imperfect Blog on Psych Central and has been quoted in articles for The List, Teen Vogue, Tonic, Best Life, Bustle Thriveworks, UpJourney and The Paper Gown. Listen to Calming the Chaos! Main podcast website: calmingthechaos.libsyn.com YouTube (Playlists): https://www.youtube.com/channel/UC7qISnLR8T4g-bSDu-pW9LQ/playlists?view_as=subscriber Main iTunes and Apple Podcasts: https://podcasts.apple.com/us/podcast/calming-the-chaos/id1489271578?ls=1 Podbay: https://podbay.fm/podcast/1489271578 HubHopper: https://hubhopper.com/podcast/calming-the-chaos/102122 Visit Tracy’s Website at www.lokahicounseling.com Email Tracy at calmingthec@gmail.com

In this two-part episode in the L/M Breakup Series, Diana and Phoebe dig into the relatively under-explored Abbey Road period and the songs that resulted from it. They examine the songs and the events surrounding the creation of the album through the lens of the breakup. In PART TWO Phoebe and Diana discuss the Medley, "I Want You (She's So Heavy)" and the overarching themes of the album.Please check out:Another Kind of Mind Podcast: (https://anotherkindofmind.com/); Twitter: @akompodcast; Phoebe Lorde: @akompod, @akompodcast@gmail.comOnesweetdreampodcast.com; Twitter: Diana: @onesweetdreamdi; @dianaakom; onesweetdreampodcast@gmail.com

New Moons - Wash Me Away; Modern Aquatic - Laurel Leaves; Bishop Battle - Temptress; Us, Today - Wealth + Fame + Love + Luck; Lemon Sky - She's So Heavy; Lauren Eylise - Middle Of Nowhere; Jess Lamb - Feel It; Leggy - Grrrls Like Us; Freak Mythology - Surge; The Pistol Mystics - All Wound Up; Fabricated Freedom - All My Fault; Ma Crow & Co. - Bury Me

Welcome to the Big Beatles Sort Out, a show in which I, author and musician Garry Abbott, attempt to finally decide my favourite Beatles recordings by scoring each and every one for lyrical content, musicality and production. I am assisted in this venture by my brother and resident Beatles expert, Paul Abbott, with a deep knowledge of the Beatles and the wider context in which they operated. Each episode we explore and score 5 songs from the Beatles full recording catalogue. The songs are drawn at random to try and avoid any album or era prejudices skewing the results. So please join us as we try and sort out, The Beatles. Episode 8 Songs: Blue Jay Way, Sgt Pepper's Reprise, You Know My Name (Look Up the number), I Want You (She's So Heavy), Long Long Long. Please let anyone know about this podcast who might be interested!  You can contact me on Twitter @big_sort or @Garry_Abbott, or via my website www.garryabbott.co.uk. Please listen out for Paul's other Podcasts, 'The Head Ballet' - all about novelty music, and 'Hark! 87th Precinct Podcast'  - all about Ed McBain's seminal police procedural novel series. You can listen along to the songs featured in this episode on this handy Spotify playlist: https://open.spotify.com/playlist/5WvezvXAyk8aEJPwmAoEzW?si=tNVCKuHnTw-nS4lztkzBhQ Keep up with the scoring charts, or start your own using the blank-master, with this handy google sheet: https://docs.google.com/spreadsheets/d/1Qc7mHMeBBM9LSPUV0L6zrYrF2Rib9eX-Xssua-Wox3g/edit?usp=sharing

We brought notes for this one! Another of John’s great songs with an odd time signature. Featuring blistering bass, a killer John Lennon guitar solo, wicked drums and Billy Preston. The first song recorded for the Abbey Road album, I Want You (She’s So Heavy) gets high marks from Billy and Jay. This episode dives into Trident Studios, Billy Preston, white noise and more amazing Beatle outros. If you don’t love this song as much as we do, you just may after listening to this episode of Looking Through The Glass Onion. We bet you like it better than Robbie Roberson did...www.billymcguigan.com/beatlessongpodcast

So Heavy and Mr. Mack decided to have it out about Dating. What does it really mean to date in 2020? Given the fact that this year has been one for the books, Heavy still chooses to believe that finding love through the foundation of dating can still be magical. Mr. Mack on the other hand is more along the lines of what is the point of it all, and do people really want to date honestly? Hope you enjoy, and remember Heavy Thoughts... Enlighten Minds --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

NEW FOR SEPTEMBER 15, 2020 The never ending saga . . . Dogs Vs. Shoes- The Best Radio You Have Never Heard Vol. 395 1. (The Angels Wanna Wear My) Red Shoes (early) - Elvis Costello 2. Confusion Wheel - Tom Petty 3. Senses Working Overtime / Grass / Love On A Farmboy's Wages (unplugged - XTC 4. Frame By Frame (tour demo) - King Crimson 5. Elderly Woman Behind The Counter In A Small Town (live) - Pearl Jam 6. Wish You Were Here (alt) - Pink Floyd w/ Stephane Grappelli 7. Shine - Stephane Grappelli and David Grisman 8. The Jumping Jive - Joe Jackson 9. Open My Eyes (live) - Todd Rundgren 10. All Down The Line (live) - The Rolling Stones 11. She's So Modern - The Boomtown Rats 12. This Is Not A Love Song - Public Image Ltd. 13. Computer Blue (live) - Prince and The Revolution 14. Temporary Beauty - Graham Parker 15. Papa Was A Rolling Stone (live) - David Lindley / El Rayo X 16. Uptight (Everything Alright / Day Tripper / Driving Wheel (live) - Electric Flag 17. I Want You (She's So Heavy) (live) - Santana 18. Close (To The Edit) - The Art Of Noise 19. Sao Paulo Sunrise/ Costa del Sol/ Marvelous Moses /It's Over - Nektar The Best Radio You Have Never Heard. Where the heel has no soul. Accept No Substitute. Click to join the conversation on the Facebook page.

TJ and Tony take their long and rambling road down memory lane, reminiscing about discovering the Fab Four for the first time, with detours to Grease, Webster and NBC-era Letterman. Shout-outs to Pear Records, Denny Dent and Valerie Harper.Fact cheque please: D.A. Pennebaker not Pennemaker, Sherman Hemsley not Helmsley.Special "She's So Heavy" style edit courtesy of Zoom.

A Deluxe Podcast of ‘Abbey Road’ Lets Us Rediscover the Beatles’ Joyous Final Masterpiece “All four knew it was the end, For the last time in their lives, they were writing, playing and singing Beatles songs.” Abbey Road has always represented a historic peak of pop invention and perfection. To this day, it remains their biggest seller. But it’s also their bittersweet goodbye. After the disastrous Get Back sessions in early 1969, they regrouped for one last blaze of glory. The final moment when all four were playing together was when they cut “I Want You (She’s So Heavy).” All four knew it was the end. For the last time in their lives, they were writing, playing and singing Beatles songs. Like what you hear keep upto date with our latest news on our music only podcast No Talk, No Ads, just Music om #twitter https://twitter.com/PodMusiccast

Why do Saturn transits always feel SO HEAVY? Does he always cause DEPRESSION? Is he really the "bad guy"? Join me in this episode to reframe the archetype of Capricorn and also its ruling planet, Saturn. You will be mind blown to find out that he actually just wants you to be in ALIGNMENT with your purpose - and even helps you to find your path! xoxo Kathi more infos on the JUPITER PLUTO 2020 WEBINAR: https://www.instagram.com/p/B-xX6OdhNF4/ --> get access by submitting 20.20 Euro / 22 Dollar to https://paypal.me/magickathiofficial via PayPal or DM me!

这期节目，是2020年1月19日在有待老师的九霄俱乐部现场录制的，参加完这期活动大家就开始迎接春节假期，准备回家过年了，但没想这个假期竟如此的漫长与煎熬。今天再重听这期节目，就好像回到了那个美妙的夜晚，有待老师、晓辉老师和相爷围绕The Beatles1 969年发行的专辑《Abbey Road》，聊了聊专辑封面背后隐藏的信息，一起欣赏了这张专辑里的经典歌曲，当然还不忘调侃这四个年轻人的绯闻八卦，那天晚上还有好多大密蜜都拿到了新年礼物……这个重返教堂路的夜晚，好像成为了大家最后的狂欢。在《Abbey Road》这张专辑发行50年后，还有这么多人聚在一起来怀念它的诞生，大家带着孩子般热切的目光去欣赏所热爱之物，也让我们感受到了一种对生活最原本的热爱之心。在这个特殊时期，我们也希望能够传递这样一份对摇滚乐、对生活的热爱。
就像这张专辑里的最后一首歌《The End》的最后一句：“And in the end, the love you take is equal to the love you make。”主播 / 有待 晓辉 相征封面设计 / 划水怪音频后期 / 黑爪音频上传 / ObserverplaylistThe Beatles - Come Together@00:34:41 The Beatles - Something@00:49:46 The Beatles - Oh Darling@00:58:20 The Beatles - I Want You (She 's So Heavy)@01:03:23 The Beatles - Because@01:07:30The Beatles - The End @01:10:55The Beatles - The Sun@01:14:00大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

这期节目，是2020年1月19日在有待老师的九霄俱乐部现场录制的，参加完这期活动大家就开始迎接春节假期，准备回家过年了，但没想这个假期竟如此的漫长与煎熬。今天再重听这期节目，就好像回到了那个美妙的夜晚，有待老师、晓辉老师和相爷围绕The Beatles1 969年发行的专辑《Abbey Road》，聊了聊专辑封面背后隐藏的信息，一起欣赏了这张专辑里的经典歌曲，当然还不忘调侃这四个年轻人的绯闻八卦，那天晚上还有好多大密蜜都拿到了新年礼物……这个重返教堂路的夜晚，好像成为了大家最后的狂欢。在《Abbey Road》这张专辑发行50年后，还有这么多人聚在一起来怀念它的诞生，大家带着孩子般热切的目光去欣赏所热爱之物，也让我们感受到了一种对生活最原本的热爱之心。在这个特殊时期，我们也希望能够传递这样一份对摇滚乐、对生活的热爱。
就像这张专辑里的最后一首歌《The End》的最后一句：“And in the end, the love you take is equal to the love you make。”主播 / 有待 晓辉 相征封面设计 / 划水怪音频后期 / 黑爪音频上传 / ObserverplaylistThe Beatles - Come Together@00:34:41 The Beatles - Something@00:49:46 The Beatles - Oh Darling@00:58:20 The Beatles - I Want You (She 's So Heavy)@01:03:23 The Beatles - Because@01:07:30The Beatles - The End @01:10:55The Beatles - The Sun@01:14:00大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

这期节目，是2020年1月19日在有待老师的九霄俱乐部现场录制的，参加完这期活动大家就开始迎接春节假期，准备回家过年了，但没想这个假期竟如此的漫长与煎熬。今天再重听这期节目，就好像回到了那个美妙的夜晚，有待老师、晓辉老师和相爷围绕The Beatles1 969年发行的专辑《Abbey Road》，聊了聊专辑封面背后隐藏的信息，一起欣赏了这张专辑里的经典歌曲，当然还不忘调侃这四个年轻人的绯闻八卦，那天晚上还有好多大密蜜都拿到了新年礼物……这个重返教堂路的夜晚，好像成为了大家最后的狂欢。在《Abbey Road》这张专辑发行50年后，还有这么多人聚在一起来怀念它的诞生，大家带着孩子般热切的目光去欣赏所热爱之物，也让我们感受到了一种对生活最原本的热爱之心。在这个特殊时期，我们也希望能够传递这样一份对摇滚乐、对生活的热爱。
就像这张专辑里的最后一首歌《The End》的最后一句：“And in the end, the love you take is equal to the love you make。”主播 / 有待 晓辉 相征封面设计 / 划水怪音频后期 / 黑爪音频上传 / ObserverplaylistThe Beatles - Come Together@00:34:41 The Beatles - Something@00:49:46 The Beatles - Oh Darling@00:58:20 The Beatles - I Want You (She ’s So Heavy)@01:03:23 The Beatles - Because@01:07:30The Beatles - The End @01:10:55The Beatles - The Sun@01:14:00大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

We beginnen onze diepgravende analyse van het Abbey Road-album met de fantastische liefdesbetuiging van John aan Yoko: I Want You (She's So Heavy). Het is na Revolution #9 het langste Beatles-nummer ooit en het eerste nummer waar de groep aan begint na de tumultueuze Let It Be-sessies.

NEW FOR OCTOBER 15, 2019 Neither tuned up or tuned down, but certainly turned on. In The Key Of Everything - The Best Radio You Have Never Heard Vol. 373 1. The Weight (live) - The Allman Brothers Band w/ Natalie Cole 2. Sea Of Joy - Blind Faith Buy From iTunes 3. Low Spark Of High Heeled Boys (live) - Steve Winwood w/ Warren Haynes Buy From iTunes* 4. Dear Mr. Fantasy (live) - Dave Mason Buy From iTunes* 5. John Barleycorn Must Die - Traffic Buy From iTunes 6. Wooden Ships (live solo acoustic) - David Crosby Buy From iTunes* 7. The Ancient / Ritual (live solo acoustic) - Jon Anderson 8. The Geese and The Ghost (pt 1) - Anthony Phillips Buy From iTunes 9. Moonchild (live) - King Crimson Buy From iTunes* 10. Soma - Smashing Pumpkins Buy From iTunes 11. Monkey Man (live) - The Rolling Stones Buy From iTunes* 12. I Want You (She's's So Heavy) (early) - The Beatles Buy From iTunes 13. Strawberry Fields Forever - XTC 14. Rondo '69 (live) - The Nice Buy From iTunes 15. Thunderstruck - AC/DC Buy From iTunes 16. All This Music Must Fade - The Who Buy From iTunes The Best Radio You Have Never Heard. The key to your musical happiness. Accept No Substitute Click to join the conversation on the Facebook page.

We have all now bought the 50th Anniversary Abbey Road box, and explored the 3 CD's. CD1 is Giles Martin's remix of the album; I suppose it is intended for the younger generation, and I'm perfectly happy with the 1969 mix...... CD's 2 and 3 contain the outtakes, and these are interesting, although quite a number of them were already available in good quality as bootlegs. Furthermore, the demo's for Goodbye and Come and Get It seem out of place, since these songs never appeared on any Beatles album. With a little critical look, the outtakes would have fitted on a singe CD, which makes the harvest of new outtakes for Abbey Road rather meagre. Therefore, we decide to produce more outtakes, by cleverly remixing the outtakes in the Abbey Road box. First, we present the extra outtakes for CD2. By interlacing the Fourier transforms through our proprietary spectral demuxers, we could isolate the instruments and obtain these additional tracks. 1. I Want You (She's So Heavy): without the distortion 2. Something (Studio Demo): piano only 3. Something (Studio Demo): guitar only 4. The Ballad Of John And Yoko (Take 7): guitar only 5. Old Brown Shoe (Take 2): piano version 6. Old Brown Shoe (Take 2): guitar version 7. Oh! Darling (Take 4): piano version 8. Oh! Darling (Take 4): guitar version 9. Octopus's Garden (Take 9): solo guitar version 10. Octopus's Garden (Take 9): rythm guitar version 11. You Never Give Me Your Money (Take 36): no drums version 12. You Never Give Me Your Money (Take 36): piano version 13. Golden Slumbers Carry That Weight (Takes 1-3 Medley): piano version 14. Golden Slumbers Carry That Weight (Takes 1-3 Medley): guitar version 15. Here Comes The Sun (Take 9): no drums 16. Maxwell's Silver Hammer (Take 12): rythm section 17. Maxwell's Silver Hammer (Take 12): piano version

On this episode, we discuss the endless stream of incredible metal bands doing incredibly metal covers of (often) non-metal songs. JOIN US as we get into the purpose of covers, some of our personal favorites (and some awesome new discoveries!) and a few surprises along the way (including one of the few times in Metal Nerdery History when we ACTUALLY agree with something Milley said!)Be sure to check us out on the Inter-webs:MetalNerdery.comFacebookInstagramVisit www.metalnerdery.com/podcast for more on this episode  00.00: Intro/Metal bands covering non metal songs and the purpose of playing covers (other than irritating the employees at Guitar Center)03:00: Wrathchild America doing Pink Floyd’s “Time” (and their overall musical diversity)/IT’S IN THERE!07.54: Pantera doing Black Sabbath’s “Planet Caravan”/The Perfect ending to Far Beyond Driven/Suicide Paneling, Pt. 110.32: Type-O-Negative doing Black Sabbath’s “Paranoid” (from Origin of the Feces) VERY differently (and VERY brilliantly!)/Other Type-O covers: Black Sabbath, Highway Star (Deep Purple), Hey Joe (Hey Pete), Cinnamon Girl (Neil Young), Summer Breeze (Seals and Crofts)/Type-O-Negative show story and Peter Steele’s marketing genius16.30: Anthrax doing Joe Jackson‘s “Got the Time” (from Persistence of Time)/Kansas “Carry on My Wayward Son” (Nailed it!!!)/One of two ways to do covers/Anthems (very faithful to the originals!): Rush, Boston, Journey, ACDC, Cheap Trick, Thin Lizzy/Joey Belladonna’s versatility (Sabbath Bloody Sabbath) and the Bruce Dickinson/Godspeed version/Nativity in Black Tribute albums/COC/Slayer “Hand of Doom”/Black Slayer Sabbath23.00: Alien Ant Farm doing Michael Jackson’s Smooth Criminal/a non-metal artist doing a metal cover: Tori Amos doing Slayer’s Raining Blood/Slayer doing the “Slayerized” version of In-a-Gadda-Da-Vida (Iron Butterfly)/Hand of Doom/Undisputed Attitude27.16: Exodus metal cover two-fer: Low Rider (War) and Overdose (ACDC) from Fabulous Disaster/Voivod doing Pink Floyd’s “Astronomy Domine”31.21: Korn doing Pink Floyd’s “Another Brick in the Wall”/Life of Agony doing “Don’t you Forget about Me” by Simple Minds and the power of "The Soft Intro"33.44: Therapy? (From Ireland) w/ Bruce Dickinson doing “Black Night” by Deep Purple/*Soft Intro* aftershock35.21: Kreator doing (a KICK ASS version of) “Number of the Beast” by Iron Maiden/Milley’s old tour stories/Black Sabbath doing Evil Woman by “Crow”/W.A.S.P. doing “The Real Me” by The Who and “I don’t need no Doctor” from Inside the Electric Circus/Uriah Heap: Easy Livin’40.30: The Sword doing “Cheap Sunglasses” by ZZ Top and Mastodon doing “Just Got Paid”/Coroner doing “I want you (She’s So Heavy)” by The Beatles46.50: Death doing KISS “God of Thunder” and Judas Priest “Painkiller/Manic Depression by Jimi Hendrix (Carnivore and King’s X)/Megadeth doing “These Boots” by (CENSORED!)/Tool doing “No Quarter” by Led Zeppelin/Crowbar also did “No Quarter”/A special message from Bill… ACTIVATE THE METAL NERDERY TIME TUNNEL (MNTT): late 80’s/early 90’s Decimation (ATL!)

Habíamos dejado al grupo saboreando las mieles del éxito de su Sgt. Pepper’s pero… éste éxito abrió la caja de los truenos y ya nada fue igual. John andaba con su nueva pareja, la artista conceptual Yoko Ono, y Paul pronto rompería lazos con el pasado y se enamoraría de la fotógrafa Linda Eastman. En 1968, tras el lanzamiento de su discográfica Appel, se habían convertido en un monstruo y antes de que este monstruo les devorara, quisieron recuperar sus propias identidades. Se reunieron para grabar, pero John y Paul ya no trabajaron juntos. Cada uno aportaba sus propias canciones (George hacía lo mismo) y las grababan como grupo, nada más. En este caldo de cultivo, nada propicio, se cocieron los últimos álbumes de la banda. El primero, Magical Mystery Tour, que era la banda sonora de su próxima película, apareció como un doble EP de seis temas a principios de diciembre de 1967. En los Estados Unidos las seis canciones aparecieron en un LP titulado de la misma manera, en el que se incluyeron también los temas de sus últimos sencillos. Allmusic, que es una guía de referencia para los aficionados, decía que las canciones contenidas en el Magical Mystery Tour americano eran: « «enormes, gloriosas e innovadoras». Pero amigos, no siempre se acierta y, aunque el álbum estableció un nuevo récord en sus primeras tres semanas de venta inicial en los Estados Unidos, la película, Magical Mystery Tour, dirigida básicamente por McCartney, les trajo la primera crítica negativa por parte de la prensa del Reino Unido, con artículos bastante duros. El Daily Express la calificó de «una indudable basura» y la describió como «una sucesión de imágenes sin editar mostrando a un grupo de gente subiendo y bajando de un autobús y viajando todo el tiempo». El Daily Mail la calificó como «un proyecto vanidoso», mientras que The Guardian la calificó como «una especie de juego de fantasía moral sobre la grosería, la calidez y la estupidez de la audiencia». Les fue tan rotundamente mal que fue cancelada en Estados Unidos. Hay en este disco, en la edición americana, una canción editada también en sencillo sobre la que merece la pena detenerse, es Strawberry Field. Strawberry Field era el nombre de un orfanato del Ejército de Salvación, muy cerca de la casa de John Lennon en Woolton, un suburbio de Liverpool. Lennon y sus amigos de la infancia solían jugar en el jardín arbolado que se encontraba detrás de la casa. Allí, en ese jardín, todos los veranos se celebraba un fiesta donde el niño Lennon se lo pasaba en grande escuchando la música de la banda del Ejercito de Salvación. Él mismo dijo que esta canción refleja la nostalgia y el recuerdo de aquellos primeros años vividos en Liverpool. A pesar de que se está refiriendo a lugares reales, también se detectan fuertes connotaciones surrealistas y psicodélicas. El productor George Martin dijo que cuando escuchó por primera vez la canción, pensó en un «mundo de sueños brumoso e impresionista». Para Lennon el periodo de tiempo en el que compuso la canción fue, por decirlo de alguna manera, complicado. A la controvertida frase «somos más populares que Jesucristo» y el desaire a Imelda Marcos, tenemos que añadir que el matrimonio de Lennon con Cynthia Powell estaba fallando y que había comenzado a consumir LSD de forma habitual. Con todo, la canción es preciosa. Entre tanto, apareció lo que sería el álbum The Beatles, un doble LP popularmente conocido como el White Album —Álbum Blanco— debido a su funda totalmente blanca. En contraposición a las anteriores fundas o cubiertas, el Álbum Blanco —publicado con el plus del diseño minimalista de Richard Hamilton— contrastaba con anteriores diseños de las cubiertas de estilo pop-art como los que realizaba Peter Blake. La inspiración creativa para este álbum llegó de la mano de su nuevo gurú Maharishi Mahesh Yogi. El caso es que el grupo participó en un «curso-guía» de tres meses de meditación transcendental que se convirtió en uno de sus períodos más creativos, produciendo allí un gran número de canciones, incluyendo la mayor parte de las treinta grabadas para el álbum. Pero pronto se cayeron del guindo: Ringo se marchó después de diez días de estancia allí, comparando aquel lugar con un campamento familiar de verano, y McCartney finalmente se aburrió con el comportamiento de sus compañeros en aquel lugar y se fue un mes después. A Lennon y Harrison les tuvieron que abrir los ojos gente de su entorno. Al constatar la manipulación a la que estaban siendo sometidos, Lennon quedó convencido y se fue abruptamente, llevándose a Harrison y al resto de la comitiva consigo. McCartney dijo: «Hemos cometido un error. Pensábamos que había algo más en el Maharishi de lo que realmente había». Durante las sesiones de grabación para el álbum, que se extendieron desde fines de mayo hasta mediados de octubre de 1968, las diferencias y los desacuerdos comenzaron a dividirlos. Ringo los dejó por un tiempo, lo que hizo que siguiesen adelante con McCartney tocando la batería en varios temas. El romance de Lennon con la artista vanguardista Yoko Ono contribuyó a crearles tensiones, haciendo que Lennon perdiese el interés en escribir canciones con McCartney. Desobedeciendo el acuerdo que ellos mismos establecieron de no llevar parejas al estudio, Lennon insistió en llevar a Ono a todas las sesiones de grabación, situación que no le agradaba a Harrison. También era cada vez más despectivo con los aportes creativos de McCartney, al que empezó a identificar como «autor de música para abuelitas», calificando la canción «Ob-La-Di, Ob-La-Da» como «música-basura para abuelitas». Recordando las sesiones del White Album, Lennon ofreció un abreviado resumen de la historia que había vivido con sus compañeros a partir de ese momento, diciendo: «Es como si sacaras cada tema de ahí y lo convirtieras en todo mío y todo de Paul [...] solamente yo con músicos de acompañamiento por un lado y Paul igualmente por otro; y me lo pasé bien. Entonces fue cuando nos disolvimos». McCartney también recordó que las sesiones marcaron los comienzos de la ruptura, diciendo: «Hasta ese momento, el mundo era un problema, pero nosotros no lo éramos», lo cual siempre había sido «la mejor cosa de The Beatles». Publicado en noviembre, el White Album fue el primer álbum de The Beatles editado por Apple Records. El sello discográfico era una de las divisiones de la empresa Apple Corps, formada por el grupo a su regreso de la India. El álbum tuvo más de dos millones de pedidos anticipados, vendiendo casi cuatro millones de copias en los Estados Unidos en poco más de un mes, y sus temas dominaron las listas de las emisoras de radio estadounidenses. A pesar de su popularidad, el doble álbum no tuvo, en los primeros días, una buena acogida. La crítica osciló entre la confusión y el desencanto. Finalmente, la opinión general de la crítica se decantó a favor del White Album, y en 2003 la revista Rolling Stone lo consideró el décimo mejor álbum de todos los tiempos. Esta es una de las mejores aportaciones de Harrison al album. Para ese entonces, el interés por las letras de The Beatles estaba tomando un aspecto más serio. Cuando la canción de Lennon «Revolution» se había publicado en un sencillo, como anticipo del White Album, su mensaje parecía claro: «libera tu mente» y «no cuentes conmigo» para cualquier conversación sobre la destrucción como medio para alcanzar un fin. En un año caracterizado por protestas estudiantiles que se extendían desde Varsovia hasta París y Chicago, la respuesta de la izquierda radical fue mordaz. Sin embargo, la versión de la canción en el White Album, «Revolution 1», añadía una palabra extra: «count me out... in» (traducible por: «no cuentes conmigo..., cuenta conmigo»), lo que implicaba un cambio de ideas desde la publicación del sencillo. De hecho, la cronología se había invertido: la ambigua versión del álbum se había grabado antes, pero algunos creyeron que The Beatles ahora decían que la violencia política podía ser, a pesar de todo, justificable. El LP Yellow Submarine apareció finalmente en enero de 1969. Contenía sólo cuatro de sus canciones inéditas, junto a la pista del título, ya aparecida en Revolver; una canción editada en sencillo en 1967; y siete piezas instrumentales compuestas por George Martin e interpretadas con su orquestada. Debido a la escasez de música nueva que la agrupación proporcionaba, Allmusic sugirió que quizás el álbum «no fuese esencial», salvo por el tema «It's All Too Much» de Harrison, «la joya de las nuevas canciones [...] resplandecida por un mellotron envolvente, una percusión increíble, y un feedback de guitarra fastuoso [...] una excursión virtuosa en la por otra parte confusa psicodelia reinante». Aunque Let It Be fue el último álbum que lanzaron, la mayor parte de su contenido fue grabado antes de Abbey Road. Inicialmente llamado Get Back, Let It Be se originó de una idea que Martin atribuye a McCartney: preparar nuevo material e interpretarlo por primera vez en un concierto, grabarlo para un nuevo álbum y filmar sus sesiones de grabación. En este caso, mucho del contenido del disco vino del trabajo en estudio, muchas horas de las cuales fueron capturadas en película por el director Michael Lindsay-Hogg. Martin dijo que los ensayos y la grabación para el proyecto, que ocuparon gran parte de enero de 1969, «no fue en absoluto una experiencia feliz. Fue una época en la que las relaciones entre los miembros de The Beatles estaban en su punto más bajo». Agravado por las relaciones entre McCartney y Lennon, Harrison abandonó los ensayos durante una semana. Regresó con el teclista Billy Preston, que participó en los últimos diez días de las sesiones del álbum y que fue acreditado en el sencillo «Get Back», el único músico en recibir tal reconocimiento en una grabación oficial de The Beatles. Pensando en la localización para realizar el concierto, a los miembros de la banda se les agotaron todas las ideas, rechazando, entre otros escenarios, un barco en el río Támesis, el desierto de Túnez y el Coliseo de Roma. Finalmente, acompañados por Preston, llevaron a cabo y filmaron la actuación en la azotea del edificio de Apple Corps en el 3 de Savile Row, Londres, el 30 de enero de 1969. Pero había que hacer el disco. Martin se sorprendió cuando McCartney se puso en contacto con él y le pidió que produjera un nuevo álbum, ya que las sesiones de Get Back habían sido —según el productor— «una experiencia desagradable» y que había «pensado que era el final del camino para todos nosotros [...] se habían convertido en personas desagradables - para ellos mismos como para las demás personas.» Las sesiones de grabación de Abbey Road se iniciaron a finales de febrero de 1969. El 4 de julio, mientras iba progresando el trabajo en el álbum, apareció el primer sencillo de un miembro de The Beatles en solitario: «Give Peace a Chance» de Lennon, acompañado por la Plastic Ono Band. El día que terminaron de grabar «I Want You (She's So Heavy)», de Abbey Road, el 20 de agosto, fue la última vez que los cuatro Beatles estuvieron juntos en el mismo estudio. Lennon anunció su retirada de la formación el 20 de septiembre de 1969, pero se llegó a un acuerdo por el cual no se haría ningún anuncio público hasta que no se resolvieran algunos asuntos legales aún pendientes. Lanzado seis días después de la declaración de Lennon, Abbey Road vendió cuatro millones de copias en dos meses y encabezó las listas del Reino Unido durante once semanas. Su segundo corte, la balada «Something», se publicó también como sencillo, la primera y única composición de Harrison en aparecer como un lado A en los sencillos de The Beatles. Abbey Road recibió críticas muy variadas: Allmusic considera que es «un oportuno canto de cisne para el grupo» con «algunas de las mejores armonías que pueden ser oídas en cualquier disco de rock». Por otro lado, MacDonald, un importante crítico de la época, lo resaltó como «errático y, a menudo hueco»: «Si no hubiera sido por la aportación de McCartney, Abbey Road carecería de la semblanza de unidad y coherencia que hace que parezca mejor de lo que es». Martin lo colocó como su favorito entre todos los álbumes de The Beatles y Lennon dijo que era «competente», pero «no tenía vida en él», tildando a las aportaciones de Paul como más música de abuelas. El 3 de enero de 1970 se grabó la última nueva canción de The Beatles, «I Me Mine», de Harrison, para el aún incompleto álbum Get Back. No había participado Lennon, que se encontraba entonces en Dinamarca. Para completar el álbum, ahora retitulado Let It Be, dieron las cintas de grabación de Get Back al productor estadounidense Phil Spector. Conocido por su característico muro de sonido, Spector había producido recientemente el sencillo en solitario de Lennon «Instant Karma!». Además de remezclar el material de Get Back, Spector editó, empalmó y sobregrabó varias de las pistas que The Beatles habían concebido como grabaciones «en vivo». McCartney estaba insatisfecho con el tratamiento que Spector le dio al material, y particularmente con la orquestación en «The Long and Winding Road», que involucró a un un coro y una orquesta de treinta y cuatro músicos. Por ello, intentó sin éxito detener el lanzamiento del álbum en la versión de Phil Spector. Finalmente, McCartney anunció públicamente la separación del grupo el 10 de abril de 1970, una semana antes de la publicación de su primer álbum en solitario. El 8 de mayo se lanzó el álbum Let It Be, y la película documental del mismo título le siguió más tarde. En la ceremonia de los Premios Óscar del siguiente año ganaría el Óscar a la mejor banda sonora. Pero los Beatles ya no eran un éxito seguro. The Sunday Telegraph la calificó como «una película muy mala, pero tierna al mismo tiempo, sobre la ruptura de esta tranquila, perfecta, y a veces atemporal familia de compañeros». Let It Be es el único álbum de The Beatles que ha recibido reseñas negativas, incluso hostiles. Paul McCartney presentó una demanda para la disolución de The Beatles el 31 de diciembre de 1970. Las disputas legales continuaron mucho tiempo después de la ruptura, y la disolución de la asociación no surtiría efecto hasta 1975. Esta versión de Don’t let me down es la del concierto en la terraza. Al final, cada uno de ellos recuperó su individualidad, y por primera vez en su vida, pudieron ser ellos mismos en lugar de ser un Beatle. Y entonces, como si el manto mágico que siempre les había protegido se esfumase de golpe, descubrimos que John era un grosero que se compadecía de si mismo, que Paul era malicioso y transmitia tensión por donde pasaba, que George, con sus barbas y su postura de loto era un pedante redomado y un roñoso y que Ringo, que se bebía el Nilo, cantaba country sensiblero acodado en la barra. Pero es que siempre habían intentado decírnoslo y, al final, no tuvimos más remedio que aceptarlo: solo eran cuatro seres humanos que hacían muy buena música. Y esto, queridos oyentes, es el fin. The End, The Beatles. Hasta aquí llegaron los Beatles y hasta aquí hemos llegado nosotros en el día de hoy. El final del mito dio paso a otros muchos músicos que, con el mismo genio, con el mismo talento, nos han proporcionado momentos musicales memorables y de los que nos ocuparemos. Eso si, ellos fueron los primeros. Amigos oyentes, disfrutad de la semana lo máximo posible y el próximo día os espero a todos aquí, en vuestra casa, en Radio La Granja. Hasta entonces… Buenas vibraciones!!!

Much love to the big homie Xta-C aka Mr So Heavy for stopping by the show! We had a lot of fun talking about his career and how his hit track "So Heavy" is still bumping hard. He also dropped an exclusive, never been heard before track called "Crush On You" which will be on his new album Legend in da Game!

Keyboard player Billy Preston is another excellent candidate to be called the Fifth Beatle. In April 1969 the Get Back single was credited to "The Beatles with Billy Preston", as was its b-side, Don’t Let Me Down. Along with Tony Sheridan, he was one of just two non-members to receive top billing on a Beatles single. On the Beatles albums ‘Let It Be’ and ‘Abbey Road’ we can listen to Preston’s keyboard playing. Here in the Cellar, for the first time ever, we have a recording of Preston singing, accompanied by the Beatles. He really makes ‘I’ve Got a Feeling’ his own! Billy Preston is also associated with the history of the Beatles in many ways over the years. Billy Preston first met the Beatles in Hamburg in 1962. Preston was playing keyboards for Little Richard, and the Beatles were huge fans. Harrison, the youngest of the Beatles, bonded with the 15-year-old Preston, and they remained life-long friends. They met again in 1969, during the sessions for the Let It Be album and film. According to George Harrison, George had walked out of the studio and gone to a Ray Charles concert in London, where he saw Preston playing the organ. George brought Billy in to play keyboards on some of the Let It Be tracks, as the original idea of Let It Be was to be a "live" recording with no overdubbing, which left none of them to add things like a keyboard part. According to others, George invited Billy to say hello to the Beatles when they were recording in the Apple studios, and Paul invited him to jam along. Anyway, they probably all felt that bringing in an outsider would make the others behave nicer and make the Let It Be set a happier place to be, and it worked, albeit temporarily. Billy worked with The Beatles from 22-31 January 1969, playing Fender Rhodes electric piano and a Lowrey DSO Heritage organ (not Hammond organ!). The Beatles were happy to have Billy in the studio, and after 2 days John suddenly said that he’d like to see Billy join The Beatles. Feeling that two days involvement is rather too short an apprenticeship for membership in the world’s most influential band, Paul half-jokingly stated that it’s bad enough with four of them. George settled the matter by saying that he then would invite Bob Dylan to join The Beatles! If only……….. Preston performed with The Beatles during their 42-minute performance on the rooftop of Apple, on 30 January 1969, which was the band's final public performance. Billy Preston also played on the Abbey Road album. He performed on the songs I Want You (She's So Heavy) and Something, though was not credited. Billy's relationship with the Beatles continued even after their breakup. George Harrison co-produced two albums for Apple with Billy. His greatest hit single, That's The Way God Planned It, was produced by George Harrison. Billy performed with George at the Concert for Bangla Desh at Madison Square Garden, and played on these George Harrison albums: All Things Must Pass, Extra Texture, Dark Horse and 33 1/3. He also played on John's Plastic Ono Band and Sometime in New York City albums (and is reputed to play on Instant Karma!), and with Ringo on the ‘Ringo’ and ‘Goodnight Vienna’ albums. Billy Preston performed at the Concert For George, the 2002 tribute concert for Harrison at the Royal Albert Hall, where he played My Sweet Lord and Isn't It A Pity. In 2003 he was heard on Let It Be... Naked, the de-Spectored version of the 1969 Let It Be sessions. His final public appearance was at a 2005 in Los Angeles, for the re-release of the Concert for Bangladesh film. Afterwards he performed Give Me Love (Give Me Peace On Earth), My Sweet Lord and Isn't It A Pity with Ringo Starr and George's son Dhani. Preston was the first to record My Sweet Lord, for his 1970 album Encouraging Words, and this would come to haunt poor Harrison; Harrison wrote “My Sweet Lord” in 1969, while he, Eric Clapton, and Billy Preston were on a European tour backing Delaney & Bonnie and Friends. Harrison had been listening a lot to the chart hit “Oh, Happy Day,” a gospel recording by the Edwin Hawkins Singers. George continued to develop the composition over the next few days, including a recording session during which Billy Preston recorded “My Sweet Lord,” featuring backing vocals from the Edwin Hawkins Singers. Billy Preston’s version was issued on Apple just prior to George's. Preston's version didn’t chart, but George took his version all the way to the top, becoming a major smash over Christmas of 1970. It remains his biggest chart hit to date. Unfortunately, My Sweet Lord sounds rather similar to another song: the Chiffons' 1963 hit 'He's So Fine'. A liability trial over “My Sweet Lord” began on February 23, 1976 in Manhattan. District Judge Richard Owen was also a trained pianist who composed publicly performed operas, sometimes sung by his soprano wife, Lynn. Harrison was accused that the songs were so similar that Harrison could have only written his by copying “He’s So Fine.” In court, the Judge had both versions (Harrison and Preston’s) played, to compare with ‘He’s So Fine’. Surprisingly, the Judge found that Preston’s version included a few notes that made it more similar to He’s So Fine than Harrison’s own! This probably contributed to the Judge’s ruling: My Sweet Lord was copied from He’s So Fine. In a strange twist, the legal battle over financial compensation continued for decades, and saw Harrison opposed by his former manager, Alan Klein (who had bought the rights to He’s So Fine). The matter was finally settled in 1998. A few notes can have big consequences! Preston passed away in 2006. Intriguingly, in the years preceding his death Billy worked on a collection of Beatles cover versions, which remains unreleased………. With thanks to P.R. Lee for the idea.

On September 26th, 1969, the final studio album to be recorded by The Beatles was released: Abbey Road. With the tumultuous Get Back sessions still tucked away (more or less) on the shelf, John, Paul, George and Ringo got together one final time to create what would become an innovative, groundbreaking album that many argue sounds as fresh and modern today as it did upon its release. Newer studio techniques and instrumentation were used giving the record this timeless quality, including the moog synthesizer which adorned several of the tracks and would become a prog rock and top 40 staples over the next decade. Also unlike its predecessors, Abbey Road finds itself split in intent between sides A and B - with side A offering more of a traditional collection of songs, and side B expanding outward into a conceptual suite of smaller tracks. The album kicks in the door with the raucous Lennon rocker Come Together, which takes the stripped down lessons of Get Back and places them in a slick, proper recording with enough snap to send chills up the spine. George Harrison’s Something is close behind, proving the the world (and his bandmates) that he was every bit the mast songwriter that Lennon and McCartney were by this point in time. McCartney’s contributions to side A include Maxwell’s Silver Hammer (introduced during the Get Back sessions and famously hated by the rest of the band) and the throwback soul ballad Oh! Darling. Ringo’s second song, Octopus’s Garden, also adorns side A with its playful childlike melody that hints at special things to come for Starr’s songwriting in the future. I Want You (She’s So Heavy) closes the side and takes the blistering straightforward rock of Yer Blues to an entirely new level. Next, we move on to side B... See acast.com/privacy for privacy and opt-out information.

La locomotora de este episodio nos muestra parajes conocidos para los que gustan del buen Rock como el Rock Progresivo, el Neo Clásico, Thrash Metal, Heavy Metal, Power Metal, El Rock -así, a secas-, Hard rock y Heavy Rock también. 1.- CONCERTO MOON "Over The Fear" · 2.- PHANTOM BLUE "Going Mad" · 3.- CACTUS "Let Me Swim" · 4.- KINGDOM COME "Bon Scott" · 5.- JOEY TAFOLLA "Eternity's End" · 6.- MAMA'S BOYS "Runaway Dreams" · 7.- LED ZEPPELIN "Sick Again" (live bootleg) · 8.- TRIUMVIRAT "Maze/Dawning/Bad Deal" · 9.- THE BEATLES "I Want You (She's So Heavy)" (rehersal) · 11.-MYRBEIN "Larks' Tongues In Aspic (Pt.1)" (King Crimson cover)

Heavy and Gustav are back to talk bonsai trees, french fries, childhood dangers and all you can eat catfish.   In what may be the most boring start ever to a podcast Heavy and Gustav seriously discuss bonsai trees.  There ought to be a listener warning that the segment may induce sleep while driving or operating heavy machinery.  But they are truly interested in such things and that's just where the conversation went. Gus acknowledges Heavy's supreme knowledge of trees amongst the three of them (even though Ty isn't there to lay claim to the crown).  So Heavy discusses an innovative professor he had in college and the wacky horticulture he engaged in.  They also discuss parks and show a general lack of knowledge. Luckily, some listeners were kind enough to send in questions.  Returning to the.270 vs 30-06 question, Heavy gives his answer.  Then they turn to their dangerous childhood with lawn darts, battery operated trucks, pop rocks and a general apathy toward seat belts. Then they hit their stride as they weigh in on the best way to French fry potatoes.  Emboldened, Heavy actually ranks the fast food franchises for their french fries.  That makes them think then about all you can eat catfish places and Gus wonders if they even exist in the big city.  Heavy is particularly interested if anyone knows of an all you can eat catfish place around the Lake Lavon area.   Good dude Ray Ranfill sends an email about Braum's that fits nicely into french fry talk.   So send us your emails about bonsai trees,  french fries, lawn dart injuries ,  or rifle cartridges to canyouhearmepod@gmail.com Follow us on Twitter @canyouhearmepod @realgustav @tywebb3000 @longmireheavy Find us on Tumblr and Instagram @canyouhearmepod     Also be sure to tell your friends and neighbors that this episode is a bit more boring than usual and not to judge us too harshly.  Ty will be back soon.           The post Bonsai and French Fry appeared first on Can You Hear Me?.

  Australia's Mr Rock'n'Roll Davey Lane, lead guitarist for You Am I and singer/songwriter, returns for the third time to the podcast for our most epic Beatles chat yet. Armed with a bottle of Lagavulin, an acoustic guitar and the original multi-track recordings, we delve into the Fab Four's final masterpiece ‘Abbey Road'. How does the album function as the band's final mission statement? How did Her Majesty originally fit into the album? Which members of The Office cast should star in the Ricky Gervais directed Beatles movie? How does John Lennon's contribution to the album presage his solo work? What is the Beatles signature chord change? Why do people hate Paul McCartney, the man who wrote the most profound lyric in rock'n'roll? and what was Davey's experience seeing Sir Paul live earlier this year? Plus, we dig into the multi-track recordings of Something, I Want You (She's So Heavy), Polythene Pam and Oh Darling and look at the musical complexities of these classic tracks - the melodies of McCartney's bass-lines, the intricate Beatle harmonies and the singable guitar solos. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com. This episode was originally released in October 2015

Hi. Today we have Jim, Jen, Greg, and a group of teenagers. Teenagers who fairly recently made the biological step into adulthood.  All 12 – 14.  How shall we refer to a group of such teenagers. A puberty of teens. A slewberty of teens?! Maybe. Nonetheless, being a (step) Father of a beautiful, social, popular thirteen-year-old girl is a bit of a challenge.  And by “bit of a challenge,” I mean a really fucking significant challenge.  Yes, it’s the boys.  Yes, it’s the constant struggle toward independence and being right.  Yes, it’s the boys.  Yes, it’s the fact that she is super smart, has world-class wit and thus can be a world class smart ass, knows me entirely too well and is enough like me to put me in my place much more often than I prefer.  And she’s beautiful.  So mostly…Yes, it’s the fucking boys. Anyway, this podcast will give a little window into my life, and our life with Maddy, and our life with Maddy on a night when our friend Jim comes over to hang. Also, I’m giving you an extended intro and several songs from Abbey Road.  Namely, “I Want You (She’s So Heavy),” and “Oh! Darling.” We present to you, “Sounds Like Teen Spirit.”   Here we are now.

Groove On Air Vol 37 - Music For Your Soul Tracklist: 1 Jaffa Beach by Kutiman 2 Hooch by Kelis 3 Track 1 by one self 4 Porque Te Vas !! by Jeanette 5 dragonz by the apples ft illspokinn homeboy sandman 6 Lemme Get Some (Feat. Chuck Inglish) by Amanda Blank 7 freedun feat zayn by M.I.A. 8 Just Jammin' - Original Mix by Gramatik 9 Mateo y Cabrera by Bajofondo Tango Club 10 Doobie To The Head by Funkdoobiest 11 Too High by DJ KENSEI 12 Je n'avais qu'un seul mot a lui dire by Jean-Claude Brialy Anna Karina 13 Hip To The Jive by Renegades Of Jazz 14 I'm So Heavy by Sonny J 15 Sector 7 by Khromozomes feat Infared 16 frankie sintra by the avalanches

Groove On Air Vol 34 - Freestyle Journey Tracklist: 1 The Season | Carry Me by Anderson .Paak 2 Jaffa Beach by Kutiman 3 Chante El Pilon by Alif Tree 4 Strawberry Fields Forever by TATRAN 5 Heavenly Steps by DJ Obake 6 Mateo y Cabrera by Bajofondo Tango Club 7 Too High by DJ KENSEI 8 I'm So Heavy by Sonny J 9 cirkus original mix by Gramatik 10 Sector 7 by Khromozomes feat Infared 11 frankie sintra by the avalanches 12 Yambu by Santana 13 Bugutu (CULISUELTA BASS SDJ) by OG BLACK & GUAYO 14 Kiiro No Sekai by J.Girls 15 You're Not All That by The Herbaliser feat. Jessica Darling

show#644 05.22.16 Ramp it UP !!! Eric Gales Band - Fed Up With You from The Eric Gales Band 1991 (4:37) Crooked Eye Tommy - I Stole The Blues from Butterflies And Snakes 2016 (4:05) The Eric Gales Band - I Want You (She's So Heavy) from Picture Of A Thousand Faces 1993 (7:40) Jan Akkerman - Green Onions from Talent For Sale 1968 (3:15) Mighty Sam McClain - A Change Is Gonna Come from Your Perfect Companion 1986 (5:47) Zoots - Feel So Good from Bad Days Are Gone 1985 (4:05) The Gales Brothers - Talk is Cheap from Left Hand Brand 1996 (4:39) Galen Weston - Austin from Plugged In 2015 (5:28) Eric Gales - You Ugly from That's What I Am 2001 (3:54) Lou Ann Barton - I'm Old Enough from Old Enough 1982 (3:47) Frankie Miller - I'm Old Enough from The Rock 1975 (4:42) Delbert McClinton - Hold On To Your Hiney from Love Rustler 1977 (3:04) Tony Joe White - Hold On To Your Hiney from Eyes 1976 (3:35) Eric Gale - Freedom from My Demons from Crystal Vision 2006 (7:28) John Mayall's Bluesbreakers - Bad Boy from Live In 1967 Vol. II (5:07) Eric Gales - I Ain't No Shrink from Layin' Down The Blues 2009 (4:16) Al Smith - I've Got The Right Kind Of Lovin' from Hear My Blues 1959 (3:23) Mike Morgan & the Crawl - I've Got a Good Thing from Raw & Ready 1990 (5:30) Snatch It Back - Lorraine from The Movie 1989 (2:51) Groovetones - Set 'em Up from 45 RPM Flexidisc 1990 (4:10) Albert Castiglia - Somehow from Big Dog 2016 (6:16) Eric Gales - You Ain't the Boss of Me from The Story of My Life 2008 (7:30) The Rev Shawn Amos - The Outlaw from Live at Bear's 2015 (2:48) Sugar Blue - On My Way from Voyage 2016 (5:07)

In this episode of LONG PLAY, we tackle a band SO HEAVY that it takes 3 HOSTS to lift it! Join TRENTUS MAGNUS - BOB FISHER and CHRIS HONEYWELL - the UNHOLY TRINITY as they turn their BLEEDING EARHOLES toward LED ZEPPELIN III. Chris whips out his VINTAGE VINYL for this one - pops, skips and all! Fond (and not-so-fond) memories are evoked, tiny flowers are kissed and tribute is paid to STRIDER!Feedback for this show can be sent to: twotruefreaks@gmail.com

In this episode of LONG PLAY, we tackle a band SO HEAVY that it takes 3 HOSTS to lift it! Join TRENTUS MAGNUS - BOB FISHER and CHRIS HONEYWELL - the UNHOLY TRINITY as they turn their BLEEDING EARHOLES toward LED ZEPPELIN III. Chris whips out his VINTAGE VINYL for this one - pops, skips and all! Fond (and not-so-fond) memories are evoked, tiny flowers are kissed and tribute is paid to STRIDER!Feedback for this show can be sent to: twotruefreaks@gmail.com

Australia's Mr Rock'n'Roll Davey Lane, lead guitarist for You Am I and singer/songwriter, returns for the third time to the podcast for our most epic Beatles chat yet. Armed with a bottle of Lagavulin, an acoustic guitar and the original multi-track recordings, we delve into the Fab Four's final masterpiece ‘Abbey Road'. How does the album function as the band's final mission statement? How did Her Majesty originally fit into the album? Which members of The Office cast should star in the Ricky Gervais directed Beatles movie? How does John Lennon's contribution to the album presage his solo work? What is the Beatles signature chord change? Why do people hate Paul McCartney, the man who wrote the most profound lyric in rock'n'roll? and what was Davey's experience seeing Sir Paul live earlier this year? Plus, we dig into the multi-track recordings of Something, I Want You (She's So Heavy), Polythene Pam and Oh Darling and look at the musical complexities of these classic tracks - the melodies of McCartney's bass-lines, the intricate Beatle harmonies and the singable guitar solos. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music.Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

NEW FOR FEBRUARY 1, 2015 Let's Play Two ! - The Best Radio You Have Never Heard - Vol. 251 18 innings and not a foul song in the bunch . . . 1. Alive (live unplugged) - Pearl Jam Buy From iTunes* 2. Elderly Woman Behind The Counter In A Small Town (live unplugged) - Pearl JamBuy From iTunes* 3. Heroes (live) - Blondie w/ Robert Fripp Buy From iTunes 4. Once I Had A Love (aka The Disco Song) (early) - Blondie Buy From iTunes 5. When You're Near Me I Have Difficulty (live) - XTC Buy From iTunes* 6. King For A Day (live unplugged) - XTC Buy From iTunes* 7. Cornflake Girl (live unplugged) - Tori Amos Buy From iTunes* 8. Over The Rainbow (live unplugged) - Tori Amos Buy From iTunes* 9. Here Comes The Sun (live unplugged) - Paul Simon Buy From iTunes* 10 I Want You (She's So Heavy) (live) - Santana 11. Have A Cigar - Primus Buy From iTunes 12. Wish You Were Here - Pink Floyd w/ Stéphane Grappelli Buy From iTunes 13. Funeral For A Friend / Love Lies Bleeding (live) - Elton John Buy From iTunes 14. A Dying Cubs Fan's Last Request (live) - Steve Goodman Buy From iTunes The Best Radio You Have Never Heard Only plays doubleheaders as day games . . . Accept No Substitute Click to join the conversation on the Facebook page.

To celebrate 25 episodes of My Favorite Album, guest host Danny Yau puts regular host Jeremy Dylan into the hot seat for a super-sized chat about 1969's classic Beatles masterpiece - Abbey Road. Along the way, they break down classic songs “Come Together” (and the surrounding lawsuit), “Maxwell's Silver Hammer”, “Oh! Darling”, “Something”, “I Want You (She's So Heavy)” and the side two medley, Jeremy tells the McCartney-centric sequel to his Hyde Park story (hear part one in episode 21 with Neil Finn), they look at how this album has influenced Lana Del Rey and why “The End” was the perfect finish for the band. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com

  1. Chipocrite – Game of Thrones Theme (2:11 ) 2. Starrysea – Hytrameus (1:51 ) 3. Ohio Sky – I Want You (She’s So Heavy ) (4:35 ) 4. Michael Zucker – Creator (3:49 ) 5. The Michael Zucker Group – Alias (7:50 ) 6. The Fucking Champs – Dale Bozzio (3:39 ) 7. ...Continue reading ‘Open Circuit #91’ »

00:00 Professor Wormbog > 02:13 "Jimmy Stewart" > 07:10 Professor Wormbog (02.28.07 - Georgia Theatre, Athens, Georgia) 09:52 Miss Tinkle's Overture (02.18.07 - Grand Sierra Theatre, Reno, Nevada) 23:20 Liquid > 40:48 Get in the Van (02.27.07 The NorVa, Norfolk, Virginia) 47:10 Believe the Lie (02.16.07 - The Fillmore, San Francisco, California) 58:51 Robot World* > 65:29 I Want You (She's So Heavy) (02.17.07 - The Fillmore, San Francisco, California) Total Broadcast Length 74:14 Notes: * with Sweet Child o' Mine (Guns N' Roses) tease

Jay Synflood - clouded mix -130:08- 27.11.2008 01. Ras G - Power Of Thought 02. Dr Who Dat - Space Balls 03. Brittany Bosco - Glitch 04. Professor Ojo - The Slick 05. Samiyam - Savagely Attacked By Space Angels 06. Stacy Epps - Addicted 07. Dr Who Dat - Ghetto Dreaming 08. Professor Ojo - Strangely Shaped Peace 09. Musinah - Mine 10. Ike Turnah - 10% 11. King Midas Sound - One Ting (Dabrye Remix) 12. Esthero - Superheroes (Afta-1 Remix) 13. Technose District - Untitled 2 14. Flying Lotus - Raw Cartoons (Track 5) 15. Fantastic Planet + Jneiro Jarel - Earth Without A Soul 16. Madlib - Two For Pay Jay (No Dough, No Show) 17. Dorian Concept - Fort Teen 18. Madlib - King Chop (Top Line) 19. Fantastic Planet + Jneiro Jarel - What you in here 4? 20. Madlib - Floating Soul (Peace) 21. Brittany Bosco - Black Keys 22. Illa J - DFTF (feat. Affion Crockett) 23. Ras G - 1Sketchbook 24. Dr Who Dat - Nights Over Nantes/Brakes 25. Ras G - Overcast78Beat(Two) 26. Hanif-Jamiyl - Wetdream 27. Morgan Zarate - M.A.B. feat. Sarah Anne Webb 28. Fat Jon The Ample Soul Physician - Lighthouse Sleeper 29. Flying Lotus - R2D2 30. Fantastic Planet + Jneiro Jarel - Space Cowboys 31. Clouds - B.Timekeeper (Ras G Remix) 32. J Todd - The Night 33. Fonzworth Bentley - Everybody (feat. Kanye West, Sa-Ra + Andre 3000 instrumental) 34. Nia Jai - Intro (Rio Ferdinand) 35. Hudson Mohawke - Star Crackout 36. Dam Funk - Hood Pass Intact 37. Danny - I Want H.E.R. (She's So Heavy) feat. Brittany Bosco 38. The Long Lost - Woebegone (FlyLo's Like Wo) 39. Fat Jon The Ample Soul Physician - Berlin Grey 40. Professor Ojo - Stepping Off 41. Mass Production - Turn Up The Music 42. Apple - Segulizer 43. TRG + Dub U - Losing Marbles (2562 Remix) 44. Dusk + Blackdown - dis/East 45. Martyn - Vancouver 46. Coki Vs Chefal - Electro Bashment 47. Ital Tek - Versus 48. Criminal Minds - Re-Baptised By Dub (Selector's Revenge) 49. Martyn + Marcus Intalex - After Seven