Podcasts about bar blues

‘True, Fine Rock ‘N' Roll'By the mid 1950s, Rock ‘N' Roll had established itself and its sound, but there were still artists pushing the boundaries and exploring the avenues of the genre.‘Here's Little Richard' is one of those albums that made such a significant contribution to the genre's progression and development. In this episode, we dive deep into the energetic performances, raw sound, and innovative songwriting that made ‘Here's Little Richard' a groundbreaking album of its time.From the infectious melodies of "Tutti Frutti" to the rebellious spirit of "Long Tall Sally", join us as we dissect and explore the album's impact on music, and uncover the genius behind the man who helped shape the sound of a generation - whether you're a longtime fan or discovering this iconic album for the first time, there's something here for every Music fan to enjoy and appreciateEpisode Playlist: https://open.spotify.com/playlist/0dbYu32kxbxxhIYzOwfTWj?si=b0ec008f3c974d40What's A 12 Bar Blues?: https://www.youtube.com/watch?v=vx3N6tlz9N8Earl Palmer: https://www.youtube.com/watch?v=MI6-WeRRNcE

In this second, thrilling music theory episode, I am once again joined by my clones to talk about song forms and how they were used in early rock music! In addition to discussing various song forms, we of course cover the related topics of phrases and, perhaps most important within early rock, 12-Bar Blues! Buckle up for some fun "shop talk" as we discuss the "nuts and bolts" of "music"! Wait, I don't know why I "music" in quotes. Whatever! Enjoy!

Wow...another cool beats ringtone for you guys with Logic Pro tips and tricks from iServalan, pianist, cellist and composer from the band Tale Teller Club.Singtones and Ringtones by iServalan at Tale Teller ClubYou have arrived at the Ringtone factory and the ringtone queen iServalan. Come on in to our cutting edge recording studio with daily bonus music to download and great digital music tips with iServalan, the composer and artist at the Tale Teller Club.We also just launched the new singtone collection featuring female vocal ringtones, female vocal backing songs and loads of uber fab free stuff for our musicians looking for great free content.#backing #backingsingers #suzuki #suzukischool #female_vocals #AI #immersion #sci-fi #adventure #books #midjourney #beats #digital #audio #tech #library #loops #ringtones #funk #phonk #driftphonk #rap #trap #house #sub #technology #subwoofa #bass #jungle #memphis #southern #music #latin #hiphop #bonus #giveaway #thrash #punk #metal #musicpodcasts #musician #composer  Hosted on Acast. See acast.com/privacy for more information.

1- ANTONY AND CLEOPATRA THEME – PAUL GONSALVES 2- MISTY – DON BYAS 3- SLINKY SWING – BRAD HATFIELD 4- A SMOOTH ONE – JUNIOR MANCE 5- GEORGIA IN MY MIND – DON BYAS 6- MYSTIC BREW – RONNIE FOSTER 7- LOTUS BLOSSOM – JOHNNY HODGES 8- ANGEL EYES – RAY BRYANT TRIO 9- DON´T GET AROUND MUCH ANYMORE – HAMPTON HAWEX TRIO 10- TRIBUTE TO WESS – MELVIN TAYLOR & LUCKY PETERSON 11- 16-BAR-BLUES – STEPHAN NOEL LANG 12- ELEGY FOR A BLUESMAN – RONNIE EARL 13- LITTLE B´S POEM – BOBBY HUTCHERSON 14- BORIS DANCING – IAN ANDERSON 15- GRAVY WALTZ – MARC HEMMELER 16- CAN´T WE BE FRIENDS – SONNY STITT QUARTET 17- GROOVIN´IN PARIS – MELVIN TAYLOR & LUCKY PETERSON 18- GREENSELVES – JEFF BECK 19- 5:55 – PHILIP SAYCE 20- 2.00 AM – ROB TOGNONI 21- LA CHICA YEYE – LOS TIKI PHANTOMS

In this lesson I want to show you how to play a Duane Allman, Peter Green style 8 Bar Blues solo in the key of a.

EX39 - Wide Mouth Mason - not your typical, run of the mill 12-bar blues band - two songs - Midnight Rain and Companion - Lay Me Down When one thinks of the epitome of a ‘blues band', the first thing that comes to mind is not a couple of Canadian kids coming of age in the 1980s. This is not your typical, run of the mill 12-bar blues about lost lovers, big-legged women, whiskey, church and sinnin'. This is a new voice and a new vehicle for the blues. This is Wide Mouth Mason. Wide Mouth Mason formed in 1995 in Saskatoon, Saskatchewan and released their debut album, The Nazarene, in 1996, drawing immediate interest and attention from the Canadian music industry. It was re-recorded songs from that debut, as well as some new songs on their 1997 self-titled sophomore recording that cemented a major label record deal, Gold status in Canada, a JUNO nomination for Best New Group, and launched the career of one of the country's most popular blues-based rock bands. And the hits kept coming… In the years to follow, Wide Mouth Mason had another Gold record with 1999's Where I Started, and another JUNO nomination for Best Rock Album for their Y2K release Stew, two invitations to perform at the esteemed Montreux Jazz Festival in Switzerland as well as extensive tours with AC/DC, ZZ Top and The Rolling Stones. Not too shabby for a couple of Canadian kids on the Prairies. Fast forward to 2019, where we find Wide Mouth Mason as a duo with original members Shaun Verreault on vocals, guitars, and Safwan Javed on percussions and vocals. Their 8th release, I Wanna Go With You, was released on indie label We Are Busy Bodies on October 25, 2019. It is Wide Mouth Mason reinvented and unapologetically blues. Two Songs for you today Wide Mouth Mason - Midnight Rain Wide Mouth Mason - Companion (Lay Me Down) For more on the band - https://widemouthmason.com/ Want to know more about our podcast? https://truemediasolutions.ca/add-to-my-playlist-1

Dustin's Vinyl Episode 81 with Hosts Dustin Chafin and Anthony Kapfer On this week's episode of Dustin's Vinyl, we get into solo albums, and feature Damon Albarn's "Everyday Robots," Scott Weiland's "12 Bar Blues," Frank Turner's "England Keep my Bones," and so much more! Learn more about your ad choices. Visit podcastchoices.com/adchoices

L'année 2003 était foisonnante pour le cinéma québécois puisque paraissait entre autre Gaz Bar Blues, le 2e long-métrage de Louis Bélanger, qui fait encore du bien à l'âme près de 20 ans après sa sortie.

L'année 2003 était foisonnante pour le cinéma québécois puisque paraissait entre autre Gaz Bar Blues, le 2e long-métrage de Louis Bélanger, qui fait encore du bien à l'âme près de 20 ans après sa sortie.

Sometimes, your student is just not feeling the lesson you've planned and you need something fresh inspiration to stop the lesson getting stale. Learn how to teach the 12 bar blues and you'll never be stuck for what to do when a student hasn't practised or is out-of-sorts. Being able to teach the 12 bar blues at the drop of a hat is a great trick to have up your sleeve. There isn't just one way to teach the blues, of course. But in this article, I'll explain the method I've used countless times now to rescue a lacklustre lesson. Jump in with this step-by-step process any time you feel like your student needs something fresh and different. Find out more about membership at vibrantmusicteaching.com.

On March 28, 2022 we welcomed Tampa Bay area trombonist and educator, Tyler Wertman, back to CJH's Young Lions Jazz Master "Virtual" Sessions. To watch this Full Session visit www.clearwaterjazz.com/education and click on THE STUDIO. You can learn more at www.clearwaterjazz.com about CJH events, the annual Clearwater Jazz Holiday music festival tradition and Clearwater Jazz Holiday Foundation's year-round Education & Outreach.

In this episode, Jeremy and Steven talk with Rex Butts about his new book Gospel Portraits: Reading Scripture as Participants in the Mission of God. Leaning into guitar playing interests, Rex likens our interaction with the story of the Bible to that of members of a blues band. Knowing the key and tempo of the song and following the structure of 12 bar blues, the improvisation of these musicians brings the song to life. For Rex, this serves as a model of how we can live out the story in a way that is faithful to the good news of Jesus Christ and the kingdom of God but in a way that is contextualized for the local community in which we live. Rex is the lead minister with the Newark Church of Christ in Newark, DE. Gospel Portraits is out now wherever you get your books. Connect with Rex via his Facebook author page or email him at krexbutts@newarkchurch.com. Rex also writes for and manages the Mission Alive blog, Missional Church Planting.

The 12 bar blues is probably the most popular chord progression in 20th century popular music, but most people mainly talk about it exclusively in terms of blues players and guitarists (or pianists or bassists... soloists basically) rather than in terms of songwriting. This video looks at a load of famous songs that use the 12 bar blues progression, across a range of genres, from the 30s, to the 60s, 70s, 80s and 90s. I talk about tonnes of stuff, from Chuck Berry, to Queen. And yes, obviously the Beach Boys :D #12barblues #music #songwriting

Stone Temple Pilots.    There are two conflicting stories of how frontman Scott Weiland and bassist Robert DeLeo actually met; one was that Weiland and DeLeo met at a punk rock icon Black Flag concert in Long Beach, California, in 1985.  They started chit-chatting, discussing their girlfriends, only to realize they were dating the same woman. However, instead of having some beef and fighting over her, they became friends and formed a band after breaking it off with the girl. On the other hand, Weiland had a different version of meeting Deleo, written in his autobiography. The way he tells it, he and his current band Soi Disant, guitarist Corey Hicock, and drummer David Allin pursued DeLeo after watching him play live at different gigs.   Initially calling themselves "Swing," Allin left to pursue other interests after a few years. The remaining members watched drummer Eric Kretz play in a Long Beach club and convinced him to join the band. Guitarist Hicock eventually left the band in 1989; in need of a replacement and auditioning many guitarists, Robert suggested his older brother, Dean DeLeo. He and his brother were born in Montclaire, New Jersey). At the time, Dean was a successful businessman who did what many musicians do and had decided to leave music behind to find a "real job." The band convinced Dean to play for Swing, completing the original STP lineup. Dean hated the name and refused to continue playing in a band called "Swing," changing the name to "Mighty Joe Young," which was a B Movie from the 1940s. They recorded a demo tape around 1990. That demo would have tracks that would go on to be re-recorded for the band's first studio album, "Core," as well as some different styles that wouldn't show up again, like some funk and yodeling. Yes, Yodeling. Mighty Joe Young played a few gigs in the San Diego area, gradually building a fanbase. Their first show supported Henry Rollins (Formerly of that band Black Flag we mentioned earlier) at the world-famous Whisky a Go-Go in Los Angeles, CA. The group then began working on their debut album with first-time producer and mixer Brendan O'Brien, the guy who's worked with future Icons and Outlaws subjects, AC/DC, Pearl Jam, Bob Dylan, Rage Against the Machine, and Bruce Springsteen. Definitely a big deal. One day while recording, they received a call from their lawyer. He informed them that a blues player out of Chicago had already claimed the name Mighty Joe Young and they obviously didn't want to get sued for trademark infringement. So, rumor has it that they were inspired by the STP Motor Oil stickers they loved as kids. Various ideas on the initials "STP" were bounced back and forth, like "Shirley Temple's Pussy" and "Stereo Temple Pirates" before they settled on the name "Stone Temple Pilots."   STP built up their fan base in the San Diego clubs and in 1992 signed a deal with Atlantic Records, who had just released White Lion's "Main Attraction," Rush's "Roll The Bones," and Genesis' "We Can't Dance" the previous year. STP's first album, Core, was released on September 29, 1992, and peaked at No. 3 on the Billboard Albums Chart. Core was a big success, producing hits "Sex Type Thing," "Plush," (which was rumored to have been written while Eric and Scott were in a Jacuzzi) "Creep," and "Wicked Garden." The debut album was a major commercial success; however, some press called the band "grunge imitators." The name of the album, "Core," refers to the apple in the biblical tale of Adam and Eve. It was recorded in only five weeks! Weiland has said that the album's central theme is that humanity is confused, with songs like "Sex Type Thing" (which is an anti date rape song and written after a woman that Weiland was deeply in love with was raped by 3 football players after a drunken high school party). Whereas "Naked Sunday" dealt with social injustice. "Sex Type Thing," according to Weiland, deals with abuse of power, "macho" behavior, and humanity's attitude toward women, treating them as sex objects. Also, "Naked Sunday" "is about organized religion. "About people who tell others what to do and what to believe. They switch off people's minds and control the masses." He goes on to say, "It gives me a feeling of isolation when I think about it. Organized religion does not view everyone as equals." Weiland says about his lyrics on "Core": "I feel very strongly that all individuals, regardless of age, race, creed, or sexual preference, should have the freedom to exercise their rights as human beings to enjoy life, pursue what they want, and feel comfortable about who they are. I guess I tend to find the darker sides of life more attractive than the yellows and oranges. I know it's something that I relate to when I listen to music."   According to Weiland, "Wicked Garden" 's lyrics deal with the loss of innocence and purity, while "Sin" addresses "violent and ugly" relationships.    Also, the instrumental song "No Memory," the interlude between "Wicked Garden" and "Sin," was written by guitarist Dean DeLeo.   Deleo said about "Core," "You know how when you listen to a Led Zeppelin album, you listen to the entire album, not just the odd song? We wanted to make a record like that. We wanted to create a vibe which would run right through the whole album."    "Core" contained many more bangers, including Dead and Bloated and Crackerman. Since its release, the album has gone eight times platinum, selling over 8 million copies!   Also, that same year, Scott Weiland and Dean DeLeo played an acoustic version of "Plush" on the show Headbangers Ball. If you're not familiar, Headbanger's Ball was a T.V. show consisting of heavy metal music videos airing on MTV and hosted by Riki Rachtman. Some have considered this one of Weiland's most outstanding vocal performances.   Despite some negative reviews from critics, STP continued to gain fans and toured, opening for bands like Rage Against the Machine and Megadeth. Then, 1993 saw the band kicking ass, headlining a two-and-a-half-month tour here in the states.   In 1993, the band filmed an episode of MTV Unplugged, where they debuted the song "Big Empty," which would go on to be on the soundtrack for the movie "The Crow." You can hear our version of this iconic song at the end of the episode.    In a poll in Rolling Stone from 1994, Rolling Stone's readers voted STP Best New Band and Worst New Band by the magazine's music critics. In addition, they took home the "Favorite Pop/Rock New Artist" and "Heavy Metal/Hard Rock New Artist" awards the following month at the American Music Awards. Finally, in March 1994, they won a Grammy for Best Hard Rock Performance for "Plush."    Later that same year, STP returned to the studio with Brenden O'Brien, once again producing, to work on their second album, Purple. Unfortunately, around this time, it was also revealed Weiland had become a heroin addict. On the last stop of an STP co-headlining tour with the Butthole Surfers in 1993, in a back room of New York City's Royalton Hotel, Weiland first tried heroin, and in the embrace of this sticky brown shit, his demons were finally at ease. While "Core" took just five weeks to complete, Purple would take less than a month to record. Which, if you're not familiar, is extremely quick. The album's first single was "Big Empty," which debuted at STP's MTV Unplugged acoustic performance in 1993 and reached number one on the Billboard charts. A couple of weeks later, "Purple" also reached the top of the charts, making two for the band in 1994. Although like "Core," "Purple" features grunge elements. However, this album also displays the bands developing sound influenced by other genres, apparent in the psychedelic rock found in "Lounge Fly" and "Silvergun Superman," the country vibes of "Interstate Love Song," and the blues-rock elements of "Big Empty."  AllMusic.com's Stephen Thomas Erlewine wrote that "Purple is a quantum leap over [Core], showcasing a band hitting their stride." Erlewine also described "Interstate Love Song" as a "concise epic as alluring as the open highway" and "Big Empty" as "a perfect encapsulation of mainstream alienation.” The other two singles after "Big Empty," "Vaseline," and "Interstate Love Song" also hit the top ten on the Billboard Charts, giving them three top ten hits that year. The album also included other minor hits, including "Pretty Penny" and "Unglued." Purple has been certified 6x platinum, selling over 6 million copies. It sold three million copies just four months after its release. The cover of Purple shows a baby riding a dragon in the sky while some angelic figures look on. It is based on the artwork from a package of China White heroin that Weiland scored in Los Angeles. 1994 also saw Weiland marry Janina Castaneda, in which it is said that "Sour girl" and "Interstate Love Song" were written about. Heading into 1995, Weiland would slide into drug and legal problems. His heroin problems were getting worse. "When I tried heroin for the first time," Weiland recalled in 1998, "it seemed to make all those insecurities just go away. I suddenly felt: 'Wow, this is how normal people feel on a day-to-day basis.'" He was spending over $3,000 a week on smack within a year. Weiland found that heroin not only took away his anxiety but also fed into his carefully concocted "wasted rock star persona" and inspired a "bracing new experimentalism." He credited a lot of his creativity during the "Purple" recording sessions to his addiction to heroin. "Heroin gave me this ability to distance myself from the creative process and thereby gave me the strength and courage to try new things," he told Classic Rock.com. "Part of me felt I couldn't be creative unless I was high."   In October 1995, STP got together to begin recording their third album, "Tiny Music... Songs from the Vatican Gift Shop." They rented out a mansion in Santa Barbara, California, to live together during the recording process. Unfortunately, the production process of Tiny Music wasn't easy. In early 1995, shortly after the band was forced to scrap two weeks' worth of recorded material, Scott was arrested, just two days out of another rehab, for heroin and cocaine possession and sentenced to one year's probation. Obviously, it didn't take long for Weiland to lose that little control of the addiction he held during this time. After his wife Janina bailed him out, he literally jumped out of her car at a stoplight and disappeared for days while shooting dope with Courtney Love. Yes, that Courtney Love. Weiland formed his side band, the Magnificent Bastards, and recorded songs for the Tank Girl soundtrack and a John Lennon tribute album in the months following this incident.     They released "Tiny Music" on March 5, 1996 and spawned three singles that reached No. 1 on the Mainstream Rock Tracks chart: "Big Bang Baby," "Lady Picture Show," and "Trippin' on a Hole in a Paper Heart."   The album's sound severely changed from their previous two albums, adding more glam rock and psychedelic styles and less of the hard rock/grunge sound that made them famous. Of course, reception by critics at the time was mixed. Rolling Stone, the magazine that initially dubbed them the "Worst New Band" in 1994, praised the record, calling it the group's best effort to date. However, they were surprised at "the clattering, upbeat character of the music," seeing that Weiland was all over the news with his drug use and arrests. STP was also featured on the cover of Rolling Stones issue No. 753 in February 1997. The band was only partially successful touring in support of Tiny Music... and was forced to pull out as support for Kiss' reunion tour. A small tour in the fall of 1996 commenced in the U.S. However, dates at the end of December and in 1997 had to be canceled for Weiland to enter rehab, claiming that their singer had "become unable to rehearse or appear for these shows due to his dependency on drugs."    At only 24, Weiland went from smoking heroin to injecting the stuff. He spoke about his first shot of heroin by saying. "It's like what they talk about in Buddhism, that feeling of reaching enlightenment," he told Esquire. "They say there's a golden glow that goes from your fingers all the way through every appendage and into the pit of your stomach. That's what it felt like to me. Like I'd reached enlightenment. Like a drop of water rejoining the ocean." The band then decided to take a break to work on other projects. "I can't call the kettle black," remarked Kiss drummer Peter Criss. "I just pray for the guy and hope that he gets himself better because they really are a great band."   Things were getting worse after all of the issues with recording and touring for Tiny Music. In 1998, the same year Weiland released his first solo album, 12 Bar Blues, police arrested Weiland for buying dope in a New York housing project. A drug-related probation violation landed him five months in jail. Later years would bring more arrests for drunk driving, battery, and possession.   During the initial recording of "Tiny Music," STP, without Weiland, recruited Dave Coutts, the singer of Ten Inch Men, and began performing under the name "Talk Show." Talk Show released one self-titled album in 1997 before calling it quits. Robert and Dean had gotten together to figure out which songs should be Tiny Music songs and Talk Show songs. Dean would later say, "Robert and I had about 30 songs, and we sat in the room one night and basically went down the list and marked next to every song: Scott, Scott, Dave, Scott, Dave, Dave, Scott... It's really weird, because in all reality, it was like 'Big Bang Baby' could've been on [the] Talk Show record, and 'Everybody Loves My Car' could've been on Tiny Music." Both albums, Weiland's "12 Bar Blues" and `Talk Shows "self-titled, seemed to please the critics, but neither was commercially successful.   Billy Corgan of The Smashing Pumpkins once said, "It was STP's 3rd album that had got me hooked, a wizardly mix of glam and post-punk, and I confessed to Scott, as well as the band many times, how wrong I'd been in assessing their native brilliance. And like Bowie can and does, it was Scott's phrasing that pushed his music into a unique, and hard to pin down, aesthetic sonicsphere. Lastly, I'd like to share a thought which though clumsy, I hope would please Scott In Hominum. And that is if you asked me who I truly believed were the great voices of our generation, I'd say it were he, Layne, and Kurt." In 2016, The A.V. Club noted that Tiny Music "was an almost shocking leap forward in creative ambition" and that "[STP] got weirder and better than anyone gives them credit for." Numbers-wise, the album has been certified twice platinum, selling over 2 million copies.    In late 1998, the band regrouped again and began work on a fourth STP album. 1999s "No. 4" was looked at as a "back-to-basics" rock album in similar to "Core" or "Purple." Stephen Thomas Erlewine of AllMusic wrote in a review, "it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs.", comparing the album's sound to the current wave of alternative metal bands. This album found STP scoring one of its biggest hits since the "Core" and "Purple" with the single "Sour Girl," which stemmed from a music video starring "Buffy The Vampire" T.V. star, Sarah Michelle Gellar. STP then went on a summer tour with the Red Hot Chili Peppers and recorded an episode of VH1 Storytellers, supporting "No.4.", with the surviving members of The Doors. Weiland did vocals on two Doors songs, "Break On Through (To the Other Side)" and "Five to One." That same month Stone Temple Pilots appeared on the Doors tribute CD, Stoned Immaculate, with their own rendition of "Break on Through" as the lead track. Despite the lack of promotion due to singer Scott Weiland's one-year jail sentence shortly before the album's release, it would eventually be certified platinum in August 2000.    The cover art for No.4 generated some brief controversy because it strongly resembled the cover of the debut E.P. from Washington, D.C.-based band Power Lloyd. The Power Lloyd CD "Election Day" was released in 1998, and the cover was a white, five-point star on a black field under the band's name; STP's No.4 also featured a white five-point star on a black field under the band's name. Power Lloyd co-founder Gene Diotalevi explained that after their band had given a song to MTV to be used on the soundtrack of Celebrity Deathmatch, someone at MTV with an advance copy of No.4 noticed that the covers were nearly identical and alerted the band. However, Diotalevi stated that no one from STP's camp would return their calls or letters until his band mailed a cease-and-desist letter to STP's record company. STP's legal team then "made an offer to settle that was unacceptable to us," according to Power Lloyd's lawyer, Will Shill.   That same year, Weiland also recorded two songs with the short-lived supergroup the Wondergirls. The group also featured Mark McGrath of Sugar Ray, Ian Astbury of The Cult, Shannon Leto of Thirty Seconds to Mars, Jay Gordon and Ryan Shuck of Orgy and Julien-k, Doug Ardito of Puddle of Mudd, Ken Andrews of Failure, Martyn LeNoble of Porno for Pyros, and Troy Van Leeuwen of Queens of the Stone Age.   During the summer of 2001, the band released "Shangri-La Dee Da." Despite the album's promotion by going on tour with Linkin Park, Staind, and Static X on the Family Values Tour, Shangri-La Dee Da was a commercial disappointment. This album was the fifth and final album released by STP before splitting up in 2002. The album was initially conceived as a double album dedicated to the memory of Andrew Wood, the lead singer, and lyricist of Malfunkshun and Mother Love Bone. The record company was not happy with the idea of a double album, and after a while, the band relented to the pressure and made it the single album that was released. During the recording of Shangri La Di Da, the band had a filmmaker record everything that transpired. The filmmaker said the documentary was made to be in the style of The Beatles "Let It Be." Supposedly, there was a coffee table book as a companion to the documentary. Unfortunately, neither the documentary nor the book was released. The biggest hit off of this album was "Days Of The Week," which reached number four on the mainstream rock charts. The album did not perform as well as the previous STP albums, selling just over 500,000 copies and certified gold.   At that point, marketing support from their label was nonexistent, and the band decided to hold on recording any future albums. Finally, however, the band recorded "All in the Suit That You Wear," a song intended to be the lead single on the soundtrack for the 2002 film Spider-Man. However, Chad Kroeger's song "Hero" was ultimately chosen as the lead single. This soundtrack also featured the song "She Was My Girl" by Alice In Chains guitarist and vocalist Jerry Cantrell and was written by Cantrell and my good friend, Jeff Tomei, who also recorded and produced the song.   Reports that the band had begun work on a sixth studio album in 2002 were put to rest as the band went quiet by the end of that year. An altercation between Dean DeLeo and Scott Weiland after the last show of Stone Temple Pilots' fall 2002 tour led to the final dissolving of the band. As an homage to the band's successful career, in 2003, Atlantic Records released a greatest hits album called "Thank You." The album had a bonus DVD of archive material and music videos. Five days after it's release, the DeLeo brothers revealed that the band was officially done in an interview with Guitar One. Following the band's dissolution, Weiland was recruited to join the successful supergroup Velvet Revolver with Guns N' Roses members Slash (guitar), Matt Sorum (drums), Duff McKagan(bass), and former Wasted Youth guitarist Dave Kushner. Weiland was friends with all four of these fellas, so when they were looking for a singer, they sent him two discs of material. He was not really into the first disc, saying it sounded like "Bad Company gone wrong." After that, the guys sent him the second disc, which Weiland liked more. Weiland declined the invite to sing at the time as STP was not broken up yet. After STP officially announced their breakup in 2003, the band sent Weiland new material, and Weiland added vocals to the track at his studio. This track eventually became the song Set Me Free. He delivered the recording to the band in person but still would not join the band. He recorded two songs with the guys, a version of Set Me Free and a cover of Money by Pink Floyd for The Hulk and The Italian Job movies, respectively. Shortly after, Weiland officially joined the band. Before a screening of The Hulk at Universal Studios, the band chose a name. Slash liked the beginning of the word Revolution after seeing a movie by Revolution Studios, eventually thinking of Revolver because of its multiple meanings. The name of a gun, the subtext of a revolving door, and the name of a Beatles album. When he suggested Revolver to the band, Weiland suggested 'Black Velvet' Revolver,' liking the idea of "something intimate like velvet juxtaposed with something deadly like a gun." They eventually arrived at Velvet Revolver. They announced the name at a press conference and performance showcase at the El Rey Theatre while also performing the songs "Set Me Free" and "Slither" as well as covers of Nirvana's "Negative Creep," Sex Pistols' "Bodies," and Guns N' Roses' "It's So Easy."   In 2004, the band released their debut album "Contraband." The album debuted at number one and has sold over 3 million copies worldwide. 2 million were sold in the U.S., making the album certified double platinum. The album's recording was hampered at times by Weiland having to appear in court for his drug charges and his subsequent sentence for rehab. Nevertheless, two of the album's songs, "Slither" and "Fall to Pieces," reached number one on the Billboard Modern Rock Tracks chart. The song "Slither" also won a Grammy Award for Best Hard Rock Performance with Vocal in 2005, an award Weiland had won previously with STP for the song "Plush" in 1994. Velvet Revolver released their second album, Libertad, on July 3, 2007, peaking at number five on the Billboard 200. The delay in releasing their second album, according to Slash, was his fault. He had relapsed on drugs, and this caused issues with the process of getting the album out. The album's first single, "She Builds Quick Machines," peaked at 74 on the Hot Canadian Digital Singles. The second and third singles, "The Last Fight" and "Get Out the Door," peaked at numbers 16 and 34 on the Mainstream Rock Chart. Critical reception to the album was mixed. Though some critics praised the album and felt that Libertad gave the band identity of their own, others described the album as "bland" and noted that the band seemed to be "playing to their strengths instead of finding a collective sound. Later Slash would say about Weiland:                  "I just thought he was a great singer, and he'd always been on my mind for [Velvet Revolver]. He was the one vocalist that I knew had the kind of voice that would serve what we were going to do: he had a John Lennon-ish quality, a little bit of Jim Morrison, and a touch of almost David Bowie. He was the best singer to come out in a long time in my opinion."   Likewise, the DeLeo brothers formed the supergroup Army of Anyone with vocalist Richard Patrick of the rock band Filter and session drummer Ray Luzier. The band released its self-titled album in 2006 before going on "indefinite hiatus" in 2007. STP Drummer Eric Kretz kept a lower profile during this time, operating his own studio, Bomb Shelter Studios, and drumming for the band Spiralarms.   Dean DeLeo stated steps toward an STP reformation started with a phone call from Weiland's then-wife, Mary Forsberg. She invited the DeLeo brothers to play at a private beach party, which led to Weiland and the DeLeo brothers mending ways. In 2007, Dean DeLeo and Weiland discussed a concert promoter's offer to headline several summer festivals. Weiland accepted and said he had cleared the brief tour with his Velvet Revolver bandmates. He explained, "everything was cool. Then it wasn't," and said the rest of the band stopped talking to him. Weiland was diagnosed with manic-depressive disorder. He would often refuse to take medication for it and had lots of mood swings as a result. On March 20, 2008, Weiland revealed at Velvet Revolver's show in Glasgow that this would be the band's final tour. After several flares on their blogs and in interviews, on April 1, it was announced by several media outlets that Weiland would no longer be in Velvet Revolver. STP announced they were reuniting for a 65-date North American tour the following month. The group officially reunited for a private gig at the Houdini Mansion and held their first public performance on Jimmy Kimmel Live! on May 1. The reunion tour kicked off at the Rock on the Range festival on May 17, 2008. STP toured throughout the summer and fall, headlining the Virgin Mobile Festival in Baltimore in August of that year and the 10th annual Voodoo Experience in New Orleans. The band's six-month reunion tour wrapped up on Halloween 2008 in Pelham, Alabama. After taking a short break to allow Weiland to support his recently released second solo album, ""Happy" in Galoshes," pre-production for the band's sixth studio album began in mid-2009. The band also hit the road for a 13-date North American summer tour in 2009, in-between the tours for Weiland's "Happy in Galoshes.".The band showcased new material at South by Southwest, the annual get-together of film, interactive media, and music festivals and conferences organized jointly in mid-March in Austin, Texas, in 2010. The band performed at England's Download Festival in 2010, the Hurricane Festival and the Southside Festival in Germany, and the Final Four Concert Series in Indianapolis on April 2, 2010. In addition, the band appeared on the Late Show with David Letterman for the first time in ten years on May 19, performing "Between the Lines.'   It would also be the band's last album featuring Weiland on vocals. A lawsuit filed by Atlantic Records on June 12, 2008, actually left the sixth album up in the air. Atlantic eventually withdrew the case, and the band's attorney called the legal situation a "misunderstanding." Against Atlantic Records' wishes, Robert DeLeo insisted that he and his brother Dean DeLeo produce the record themselves, which began production in early 2009. Production took nearly ten months to complete because recording took place during breaks in the band's touring schedule. Three studios were used simultaneously, including Robert's home studio and Eric Kretz's Bomb Shelter Studios. Scott Weiland recorded vocals at his "Lavish Studios." Don Was came in as an additional producer to help keep the band's separate recording sessions in sync and work closely with Weiland during the recording of his vocals. The album was completed in December 2009, and mixing and mastering were finished by February 2010. The album was released on May 25, 2010, leading to two singles, "Cinnamon" and "Between the lines." The album sold 62,000 copies the first week and peaked at number 2 on the Billboard charts.    In September 2010, STP announced it was rescheduling several United States tour dates so that the band could take a "short break." STP toured Southeast Asia for the first time in 2011, playing in the Philippines (Manila), Singapore, and Indonesia (Jakarta). In addition, the band played successful shows in Australia, including sell-out performances in Sydney and Melbourne.   Dean DeLeo told Rolling Stone in December 2011, "What I'd like to see happen is the band go out and do more intimate shows – really lovely theaters around the country." DeLeo also suggested a possible extended reissue of Core, including live archived material, "We have tons of live recordings from that era, and we didn't multi-track record that stuff. There's no fixes, so they'd sound incredible if we just master them." Scott Weiland also commented on the 20th anniversary of Core, saying, "Well, we're doing a lot of special things. [There's] a lot of archival footage that we're putting together, a coffee table book, hopefully a brand new album – so many ideas. A box set and then a tour, of course."    "Alive in the Windy City," STP's first-ever concert film, was released on June 26 on DVD and Blu-ray, filmed at a sold-out show in March 2010 at the Riviera Theatre in Chicago. STP began to experience problems in 2012. Some were said to have been caused by tensions between Weiland and the rest of the band. Despite the band claiming that their fall tour would be celebrating the 20th anniversary of Core, it never happened. The rest of STP did not want to do the celebration because they believed that Weiland no longer had the vocal range to perform some of the album's songs. Weiland decided to perform the songs they did not want to play on one of his solo tours. The rest of the band didn't tell Weiland that they were pissed, which made him assume that everything was cool. On September 17, set to perform at a show in Abbotsford, British Columbia, STP arrived nearly two hours late and cut their set 30 minutes short, pissing off the crowd. The following day, the band released a brief statement announcing that that night's show in Lethbridge, Alberta, was canceled because Weiland was ordered to go on "48 hours complete vocal rest due to strained vocal cords." On December 7, hearing rumors that Weiland was open to returning to Velvet Revolver, a radio D.J. asked Slash about his possible return. Slash then told radio station 93X that he had heard rumors Weiland had been fired from STP. He claimed Weiland wanting to return to Velvet Revolver had something to do with that, something that Weiland quickly dismissed.   On February 27, 2013, shortly before this solo tour was set to commence, Stone Temple Pilots announced on their website that "...they [had] officially terminated Scott Weiland." Of course, that termination came as news to Scott. He fired back with a statement of his own that set the stage for what was sure to be an epic showdown, saying, "Not sure how I can be 'terminated' from a band I founded," "but that's something for the lawyers to figure out." Just one day before he was fired from the band, Weiland was giving interviews saying STP was working on tour plans, just another example of how significant the divide between him and his bandmates was.   Chester Bennington of Linkin Park appeared as a special guest on May 18, 2013, with the three remaining members of STP, performing at the 21st Annual KROQ Weenie Roast and the May 19, 2013, Live 105 BFD festival near San Francisco, where they performed a new song, "Out of Time." STP released a free download of their new single "Out of Time" with Bennington on May 19, 2013, citing him as an official member. Bennington had exclaimed that being in STP was his lifelong dream in interviews years before. On May 30, 2013, The new lineup performed, at the MusiCares MAP Fund Benefit Concert in Los Angeles, California. They were joined by Weiland's former bandmates Slash and Duff McKagan on to perform Mott the Hooples "All the Young Dudes", a song originally written by David Bowie. STP then announced that they would head out on a small tour in September with Filter opening up. They released a five-track E.P. titled High Rise on October 8, 2013, simply called Stone Temple Pilots with Chester Bennington. "Black Heart," the album's second single, was released through iHeart Radio on September 18, 2013. STP dropped "with Chester Bennington" officially from their name in March 2015. On November 9, 2015, Bennington announced he was leaving Stone Temple Pilots to put more focus on Linkin Park. Chester Bennington committed suicide on July 20, 2017.   Sadly, by the beginning of 2015, all signs pointed to a new cycle of relapse for Scott Weiland. While on tour with his backing band, The Wildabouts, there were rumors the Weiland had started using drugs again. The tour with the Wildabouts was not going as well as Weiland was hoping it would, and soon his rollercoaster life would come to an end. On December 3, Scott Weiland and his Wildabouts limped into Bloomington, Minnesota, to discover that their show had been canceled due to poor sales. The man who once held stadiums captivated in the palm of his hand could not even sell 100 tickets. Just before 9 pm on December 3, in a hotel parking lot just south of Minneapolis, Scott Weiland was found dead in the bunk of his tour bus. He was 48. He had finally hit rock bottom. The medical examiner later determined the cause of death to be an accidental overdose. An array of drugs were found on his tour bus, including cocaine, marijuana, bipolar medication, and anti-anxiety medication for treating addiction. Wildabouts bassist Tommy Black was arrested at the scene on drug charges. Weiland was no apologist for his behavior. Even as far back as the 90s, he admitted that he was entirely responsible for his actions and recovery. "There's no way you can place the blame on anyone but yourself, although, because I am a drug addict, I don't believe I have control over what I do when I start using it, because I feel totally powerless," he said. "But I'm still accountable for what happens."   A few days after his death, Weiland's second wife, Mary Forsberg, wrote a jagged open letter to Rolling Stone magazine. "Noah and Lucy never sought perfection from their dad," she wrote. "They just kept hoping for a little effort. If you're a parent not giving your best effort, all anyone asks is that you try just a little harder and don't give up." Her comments underscore the heartbreaking truth: that among the singer's family, friends and bandmates, in the end, it seemed that the one who cared least about Scott Weiland's sobriety was the man who needed it most. Scott. News of Weiland's death quickly spread throughout the internet, with many of his musical peers, including his former band members, along with fans and music critics throughout the world, sharing their condolences, tributes, and memories. A day following his death, his former bandmates in Stone Temple Pilots issued a statement saying that he was "gifted beyond words" but acknowledged his struggle with substance abuse, calling it "part of [his] curse." A quiet funeral for Scott was held at Hollywood Forever Cemetery on December 11, 2015, in Los Angeles. Members of both Stone Temple Pilots and Velvet Revolver attended. Chris Kushner, the wife of Velvet Revolver guitarist Dave Kushner, wrote on her Instagram page following the funeral, "A very sad day when (you) bury a friend. He was a good man. Don't believe everything (you) read. Remember, we were all there." Weiland's body was cremated. Mary Forsberg and the two children were not in attendance, later having a private ceremony in honor of their beloved family member.   In February 2016, the remaining members of Stone Temple Pilots went to the internet searching for a new vocalist, stating on their official website: "If you think you have what it takes to front this band, record with this band, and tour with this band, we would dig hearing from you."   STP announced that a 25th-anniversary edition of Core would be released on September 29, 2017. The reissue includes a 25th Anniversary box set, a remastered version of the album, previously unreleased demos and b-sides, and parts of three live performances from 1993  On November 14, 2017, the band revealed that nu-metal band, Dry Cell vocalist Jeff Gutt had been selected as their new frontman. On November 15, 2017, the band released a new song, "Meadow," from the upcoming studio album. On January 31, 2018, the band released a second new song, "Roll Me Under," and announced the release of its seventh studio album. The self-produced L.P., the band's second self-titled album, was released on March 16, 2018, and was their first album with vocalist Jeff Gutt. In mid-2018, the band embarked on a co-headlining tour with Bush and The Cult.   On September 4, 2018 They announced a 15 date Canadian tour with the band Seether.   On November 30, 2018, STP's current label announced the following: "There is a manufacturing error on vinyl copies of Live 2018 that was caused by a defective lathe, resulting in the album playing at a 4% slower speed. We deeply apologize for this unfortunate occurrence and promise to provide replacement copies to everyone that purchased."   May 3, 2019 – – Stone Temple Pilots and Rival Sons announced they will embark on their first-ever co-headlining U.S. tour in the fall. Produced by Live Nation, the exclusive 12-city outing would kick off September 13 in Baltimore and see the two bands performing on intimate stages across the states. These included The Met Philadelphia, Ford Amphitheater in New York City, The Fillmore New Orleans, and more before wrapping October 9 in San Diego.     June 6, 2019, STP Celebrated the 25th anniversary of "Purple" by releasing a 3-CD/1-LP "super deluxe edition" set including a newly remastered version of the original studio album on both CD and vinyl, plus unreleased versions of album tracks and rarities, along with an unreleased full concert recording from 1994. A limited-edition bundle of the PURPLE: SUPER DELUXE EDITION was also available that included a bonus replica 7-inch vinyl single of "Interstate Love Song" that was initially released in the U.K. in 1994. This exclusive bundle is limited to 1,000 copies.   January 24, 2020, The band announced they had to cancel their "Perdida" tour to support their newest album of the same name. The press announcement "We are sorry to announce that we must cancel the upcoming Perdida acoustic tour. Our brother Jeff has a severely herniated disc and doctors have advised immediate surgery which will require weeks of recovery time and physical therapy. Thankfully, Jeff is expected to make a full recovery and we will continue with our Australian tour with Live and Bush in April, the summer tour with Nickelback, and we hope to reschedule the Perdida tour later this year." You thought it was COVID, didn't you?   STP had several live stream performances during 2020, including playing "Core" and "Purple" in their entirety.    On March 25, 2021, They celebrated the 25th anniversary of "Tiny Music..." with the announcement of a super deluxe remastered edition. The 3-CD/1-LP set combined a newly remastered version of the album with unreleased early takes, alternate versions, instrumentals, a full never-before-released MTV Spring Break performance from 1997, as well as a previously unreleased alternate version of the album's first single, "Big Bang Baby."   And THAT, ladies and gentlemen, is the story of Stone Temple Pilots. An excellent start to the plethora of Icons and Outlaws we'll be discussing every week.    The research from this episode is due in part from Scott Weiland's Memoir "Not Dead and Not For Sale" classicrock.com Stonetemplepilots.com Adam Moody Articles by Stephen Thomas Erlewine at allmusic.com wikipedia albumoftheyear.org Billboard.com Consider being a producer of the show. www.iconsandoutlaws.com www.accidentaldads.com

"OK, I know the chords for Blues. What do I do with them?" Today, I show you the strategy for making interesting blues rhythm guitar figures. Coaching link: https://www.playguitaracademy.com/play-guitar-coaching Academy Days Discount: https://www.playguitaracademy.com/academy-days Become a VIP Supporter: https://playguitarpodcast.com/vip-patron/ Show notes at: https://playguitarpodcast.com/rhythm-ideas-for-12-bar-blues-academy-days-19-241/ Copyright ©2022 Play Guitar Academy

The Blues is a big part of learning popular guitar. Today, I show you why you need to have a knowledge of the Blues, even if it's not the style of music you want to play. Academy Days Discount: https://www.playguitaracademy.com/academy-days Podcast question: https://www.playguitaracademy.com/assessments/2147595504 Become a VIP Supporter: https://playguitarpodcast.com/vip-patron/ Show notes at: https://playguitarpodcast.com/why-learn-the-12-bar-blues-academy-days-8-230/ Copyright ©2022 Play Guitar Academy

SUNDAYS OF BLUES Nº 25 1- 662 – CHRISTONE KINGFISH INGRAM 2- Going Back Home – Wilko Johnson & Roger Daltrey 3- What Kinda Guy? – Steve Forbert 4- I´m a Bluesman – Magic Slim & The Teardrops 5- Snatch it back and hold it – Junior Wells 6- Voodoo Cadillac – Southern Culture on the Skids 7- 12 Bar Blues – Aaron Lee Tasjan 8- Red House – Chass Walker Band 9- Big Momma´s Door – Alvin Youngblood Hart

A musical improvisation. [Free. 3 minutes 23 seconds.]

On the 25th (!) ​installment of SRR, the guys discuss STP frontman Scott Weiland's 1998 debut album 12 Bar Blues. We talk Talk Show (the band), Scott's Christmas album, and our favorite STP albums ranked. Oh, and you know we take those reviewers from our favorite music publications to task baby! Get wild, with SRR on the SILVER SHOW!

It's Planet Porky time again as Mike Parry and Lesley-Ann Jones guide you through the biggest stories of the week. Today's topics include: LAJ's new clerical appointment, the Eurovision song contest, giving ABBA no points, the multi-faceted Martin Bashir BBC scandal and the damage it's done to the Royal Family, Hampton Court, Terry Venables, women taking over the church, the Chelsea Flower Show, Ringo Starr, The Queen's cuties, proposals for a new royal yacht, snooker, the fascination of George Best, gifted genius and Gerry Rafferty. Clowns may well be to the left and jokers to the right, but you're stuck in the middle with Planet Porky.Follow the show on Twitter: @PlanetPorky or Mike is: @MikeParry8 while you can find Lesley-Ann: @LAJwriter.Or you can email us questions or comments to: planetporkypod@gmail.com. We'd love to hear from you! 

In this Blues Guitar Workshop (recorded LIVE), Steve's going to help you understand the 12-Bar blues for guitar, so you can play authentic blues and even write your own original blues songs from scratch. P.S. Steve's best-selling course Blues Licks opens Friday (March 12) for 42%-off, plus you get some killer bonuses to up your blues game. Go here for details: https://guitarzoom.com/blueslicks/promo/Highlights:[3:54] Difference of blues and bluesy songs[4:39] Understanding 12 bar blues[8:58] Chords needed for learning the fundamentals[9:54] Playing one chord for four measures[14:00] Understanding and playing the 145 note with any key[16:30] Playing in the note of 5415[20:06] 12 Bar Blues in the Key of C[21:45] Making G, C, and D Major sound bluesy with 12 bar blues[26:17] Converting chords from major into seventh[27:20] Making minor blues[30:40] How to make soloing sound more connecting[31:47] Dominant 7 as focus in making blues sounds[35:29] 8th and 16th Bar BluesIf you love this episode please subscribe and leave an iTunes 5-star review. If you want to improve your guitar playing and take it to the next level, head over to GuitarZoom.com.

We read the short story cycle, Nine Bar Blues. Giant cicadas, Beale Street Blues, and a devil at the crossroads, what else could you want from Southern fiction? This ain't no Faulkner's Yoknapatawpha County, this here is Sheree's Memphis. Other Sources: Mixtape v. Album- https://www.vice.com/en/article/rmx446/the-real-difference-between-a-mixtape-and-an-album Black Justin Bieber-https://www.thrillist.com/entertainment/nation/atlanta-justin-bieber

Third Man Books (the publishing imprint of Jack White's Third Man Records) returns to City Lights to launch three new titles: IT CAME FROM MEMPHIS by Robert Gordon, CAR MA by Alison Mosshart, and 9 Bar Blues by Sheree Renée Thomas. This event was originally broadcast live via Zoom. Robert Gordon is a writer and a filmmaker, a native Memphian who has been exporting the city's authentic weirdness since long before his first book, It Came From Memphis (1995). Alison Mosshart is best known for her work in her musical duo The Kills, as well as fronting the Grammy nominated rock n’ roll band, The Dead Weather. Her 5 major solo exhibits: "Fire Power," Joseph Gross Gallery in NYC, 2015, "Fire Power Los Angeles," Maxfield in Los Angeles, 2017, "Tonight Only," Muscle Shoals, Alabama, 2016, "Side Effects," Panteon in Mexico City, 2018, and "Los Trachas," FF-1051 Gallery in Los Angeles, 2018. Sheree Renée Thomas imagines stories that are sonic rituals, works that cultivate and affirm the magical and the mystical in everyday living. Nine Bar Blues explores the multitudinous forms of music and the people who make it and appreciate it—the body’s music, the spirit’s music, and what moves a soul forward in the crossroads journey of life.

12 小節藍調是一種 12 個小節的和弦進行，常常會出現在爵士音樂或是早期的搖滾音樂。因為有很多很多首曲子都有用到它，所以我猜你應該也會有聽過這個和弦進行的聲音，只是你可能沒有去注意過它而已。

Want to take your blues playing to the next level? Tune in to today's episode of the Steve Stine Guitar Podcast.Because Steve’s going to show you how to play 12-bar blues with minor chords. So you can add a whole new level of creativity to your blues playing. And create expressive and musical minor blues solos from scratch. Want to improve your blues playing even faster? Go toGuitarZoom.com

If you’re serious about learning to play blues guitar, today’s episode of the Steve Stine Guitar Podcast is crucial. :-) Because Steve’s going to show you how to play the most important chord progression in blues. Knowing the 12-bar blues unlocks literally thousands of blues songs. And you can use this simple chord progression to create your own authentic blues songs from scratch. So if you’re serious about learning blues guitar, be sure to check out today's podcast. Want to improve your blues playing even faster? Go to GuitarZoom.com

Think you can’t play a blues solo? Think again. ;-)Tune in to today's episode of the Steve Stine Guitar Podcast, because Steve’s going to show you a simple but effective 12-bar blues solo in the key of G. So tune up your guitar and have fun! Want to improve your blues playing even faster? Go to GuitarZoom.com

If you want to play authentic blues, today’s episode of the Steve Stine Guitar Podcast is crucial. Steve’s going to show you the top 3 ways to play 12-bar blues guitar rhythms. You’ll discover how blues music really “works,” so you can jump into any blues jam and play. The best part is all you need to know is the first chord.Listen to find out for yourself. And don’t forget, more Blues Guitar Workshop videos will be coming your way all week. So stay tuned! ;-) Want to improve your blues playing even faster? Go to GuitarZoom.com

Want to play acoustic blues the simple, easy way? Watch this video.Steve’s going to show you how to play the 12-bar blues on acoustic guitar. Plus you’ll get tips and advice on how to make your playing sound more “bluesy” and authentic.Now, this lesson is designed for acoustic guitar. But even if you’re “electric only” you should check it out, because the blues is fun to play, and it’s easier than you might think. :-)Want to improve your acoustic playing even faster? Go to GuitarZoom.com

This week the bros get together and talk; poppers, saving money, school mascots, Disney Plus, go to grocery store foods, frozen deserts, and JD’s engagement. Share with a friend! Follow the bros on Twitter: @Bigbadbecerril, @impatrickscott and @LHRBpodcast Instagram: @big_bad_bexerril , @iampatrickscott , and @lefthandrightbrain Facebook: JD Lopez, Andres Becerril, and Patrick Scott

This episode is an invigorating, aurally demonstrative conversation that took place in Portland, Oregon between Kite, Aaron, and Spencer in September 2019. It’s about the guitar Kite invented that uses every other note of 41edo. Music theory nerds will greatly enjoy this episode! P.S. Be on the lookout for a Jacob Collier cameo... Music Intro: 12-Bar Blues on Kite guitar (played by Aaron Wolf) Friendship and Love to the End (barbershop tag); played by Aaron Wolf on Tonal Plexus and Kite guitar Outro: Modified Kite Guitar Take 1 (played by Jason Yerger)    Socials/Projects: Kite: http://tallkite.com/Aaron: https://www.youtube.com/user/nphony Spencer: https://redricksultanband.bandcamp.com/ https://jocktears.bandcamp.com/ Jacob: https://www.jacobcollier.com/   Support us on Patreon! https://www.patreon.com/nowandxen   Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/   Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA

After some fumbling around with audio settings, the guys settle into a few topics John keeps his cable subscription for one channel and is sad. A vague discussion about the presidential statues in Rapid City John is going to host a scotch tasting Phil reports back from his visit to Norseman distillery in Minneapolis - https://norsemandistillery.com The musical connection between the I Love Lucy and Star Trek Phil and John recall their experiences meeting famous people Discussed Media: Supertramp, Roger Hodgson (TV Show "Red Oaks") Major Dundee (1965) Parasite (2019) The Song: “(I Can't Remember) The 12-Bar Blues”

Recent research has shown that the bulk of political tweets on social media come from a small percentage of users. The echo chamber is real and it affects us. How do we combat this mentality in our churches? After that, we skip our normal “Hit the Books” to jump right into a chat about one of our favorite folk musicians: David Wilcox.

Katie Derham presents highlights from In Tune, with performances jazz & blues artists Jacqui Dankworth + Charlie Wood; Echea, the Fellowship String Quartet at the Royal Academy of Music; rising star soprano Francesca Chiejina discusses Porgy & Bess; and Sean Rafferty goes to Glasgow for performances by students from the Royal Scottish Conservatoire and Glasgow University Chapel Choir in a special broadcast from the university’s Debating Chamber. Playlist: Cole Porter Every Time We Say Goodbye Performer: Jacqui Dankworth. Performer: Charlie Wood. Traditional New Orleans Junko Partner Performer: Charlie Wood Lonnie Chatmon/Walter Vinson Sitting On Top of the World Performer: Jacqui Dankworth. Performer: Charlie Wood. Joseph Haydn String Quartet in D major, Op 20 No 4 (4th mvt) Ensemble: Echéa Quartet. George Gershwin Summertime Performer: Francesca Chiejina. Performer: Jeremy Cooke. Samuel Coleridge-Taylor African Love Song Performer: Francesca Coleridge-Taylor. Performer: Jeremy Cooke. Benjamin Cooke Hark, hark the lark! Glasgow University Chapel Choir / Katy Cooper (cond.) Traditional Maids of Mitchelstown Folk Trio from Royal Conservatoire of Scotland Robert Burns Scots Wha Hae Performer: Ríoghnach Connolly. Ensemble: Band of Burns

Ensemble improvisation is one of my favourite activities to do at group workshops. In this episode, I’ll teach you how to do this with the 12 bar blues, no matter what instruments you have available!

➜All show notes and links: https://acousticlife.tv/at82/➜Get the show: https://tonypolecastro.com/get-acoustic-tuesday Featured in This Episode... #4 Play Blues In Any Key Learning the Blues is where many guitar geeks start because it's fun, recognizable and rewarding. So, in this lesson, I'm gonna show you one blues lick that is incredibly useful because after you learn it, you will be able to play the 12 Bar Blues in ANY Key. #3 What's On the Turntable This Week? This week’s featured acoustic artist is Cory Chisel. From Wisconsin, Cory's voice is immediately recognizable and pours his heart and soul in both his solo music, as well as his group projects. Both are worth a listen.  #2 GHS Vintage Bronze String Review I love trying new guitar strings. And what's more... I love getting to share with you my findings on each and every one of them :) These GHS Vintage Bronze Strings #1 Eric Skye 3x3 Featured in Acoustic Tuesday #74, Eric Skye is a true guitar geek. We asked Eric three guitar geeky questions and he more than delivered. He reveals the piece of gear that changed his guitar playing forever.

In this lesson I want to show you how to play a Derek Trucks 8 bar blues solo. This lesson is in the key of C#.

In this lesson I want to show you how to play a Derek Trucks 8 bar blues solo. This lesson is in the key of C#.

During our revisit of the one and only Talk Show album featuring the three guys not named Scott Weiland from Stone Temple Pilots during their infamous 1997 hiatus, we remarked how the music remained steady but the vocals and melodies were less interesting. Now we get to examine the other side of that temporary split with Weiland's 1998 solo debut 12 Bar Blues. Would the lack of the DeLeo brothers inventive riffing similarly hamper the lead singers creative output? The simple answer is no, thanks to Weiland's willingness to experiment, filling the record with interesting sounds and surrounding himself with accomplished musicians. It is an admirable, if occasionally messy, attempt to shatter the perceptions of what it meant to be "the lead singer of Stone Temple Pilots," but more often than not, the influences start to show. Sadly, this left us wondering if the lukewarm critical reception, albums sales and radio play pushed Weiland back into the easy embrace of Stone Temple Pilots too quickly, who churned out successive radio friendly if bland riffage that palled to their primer-era output. Weiland never pushed the envelope like he did on this record, and we try to figure out why. Intro - Barbarella 13:20 - Mockingbird Girl 18:05 - About Nothing 29:28 - Son Outro - Lady, Your Roof Brings Me Down Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

During our revisit of the one and only Talk Show album featuring the three guys not named Scott Weiland from Stone Temple Pilots during their infamous 1997 hiatus, we remarked how the music remained steady but the vocals and melodies were less interesting. Now we get to examine the other side of that temporary split with Weiland's 1998 solo debut 12 Bar Blues. Would the lack of the DeLeo brothers inventive riffing similarly hamper the lead singers creative output? The simple answer is no, thanks to Weiland's willingness to experiment, filling the record with interesting sounds and surrounding himself with accomplished musicians. It is an admirable, if occasionally messy, attempt to shatter the perceptions of what it meant to be "the lead singer of Stone Temple Pilots," but more often than not, the influences start to show. Sadly, this left us wondering if the lukewarm critical reception, albums sales and radio play pushed Weiland back into the easy embrace of Stone Temple Pilots too quickly, who churned out successive radio friendly if bland riffage that palled to their primer-era output. Weiland never pushed the envelope like he did on this record, and we try to figure out why. Intro - Barbarella 13:20 - Mockingbird Girl 18:05 - About Nothing 29:28 - Son Outro - Lady, Your Roof Brings Me Down Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Without the 12-bar blues, we wouldn't have rock 'n' roll... or, come to think of it, much of the Western music we have today! In this episode of the Musicality Podcast, we'll look at the simple chord progression that comprises the 12-bar blues, how to play it in any key, and how the 12-bar blues can be used as a powerful songwriting tool (and not just by blues musicians!).   Subscribe For Future Episodes! Apple Podcasts | Android | Stitcher | RSS   Full Show Notes and Transcript: Episode 043   Links and Resources • Interview with Bill Hilton • About the I, IV, V, and vi Chords • Finding Chords in Scales • Playlist of songs that use the 12-bar blues • Introduction to Blues   Enjoying the show? Please consider rating and reviewing it! Click here to rate and review

In this lesson I want to show you a how to play a mini blues solo in the style of Eric Clapton. This lesson is in the key of A.

In this lesson I want to show you a how to play a mini blues solo in the style of Eric Clapton. This lesson is in the key of A.

Mike and Shane discuss attending a wedding with their bosses and making inappropriate jokes. Scott Weiland (Stone Temple Pilots, Velvet Revolver) tells Mike about The Wildabouts, losing guitarist Jeremy Brown, working with Daniel Lanois on "12 Bar Blues," negativity in the media, being sober, spirituality and looking to the future. For dessert, Shane sees M. Night Shyamalan's “The Visit” with his family.

Steve from Retro Man Blog and Rock Photographer Paul Slattery present a bumper end of year episode packed full of our pick of the best in classic and contemporary Garage Rock, Psych, Punk, Mod, Power Pop, Soul and more! From classics, overlooked oldies and hidden gems to brand new releases, exclusives and unsigned acts. In Episode 17 we have an exclusive unreleased new track from The Fallen Leaves and new releases from The Medway's legendary Garage Rock icons Billy Childish & CTMF and Graham Day & The Forefathers. New Punk sounds from Buzzcocks, The Pukes and a live classic from The Outcasts. If you like your Mod and Psych then you will love The Most, Speakeasy and The Mynd Set. Some French Pop from Serge Gainsbourg and Brigitte Bardot and Les Kitschenette's. There's the new single from of Arrowe Hill, some stompin' Soul from Willie Kendrick and Dana Gillespie and 60's nuggets from The Vagrants and The Hardtimes. If that's not enough there's Sunset Drive and The Sound and a tribute to Ian McLagan and a truly classic Small Faces number. Plus the usual waffle, rambling, news and reviews including a special piece on the sad demise of The 12 Bar Club and the scandalous re-development of Denmark Street. Enjoy!

Part II-“Birth of the Blues” (11:38): This section explores the development of the Delta Blues from its earliest origins in “shout” music from slaves and sharecroppers on plantations, accompanied by primitive string instruments. The chord structure of “12 Bar Blues” and other early aspects of Blues Music are explored.

12 Bar Blues by Jody Worrell is a free video guitar lesson for beginners on blues rhythm. You'll learn how to play a 12 Bar Blues chord progression in the key of E. See more at http://www.freeguitarvideos.com/LJ_Bl/12-bar-blues.html

Vi sitter med Jonas Sundström i "12 Bar Blues" studio och tar ett snack om vad som gör en gitarrist awesome och mycket annat. Mattias Lindh rycker in som Richard, Andreas saknar sin katt Hugo och Dick trivs bland mixerbord och mikrofoner.Som vi säger det, program 17 (1 timme 5 minuter)

シカゴブルースポッドキャストエピソード　＃15 （もし環境によってプレイヤーが使えない場合、このタイトルをクリックすれば聴けます。） シカゴブルースポッドキャストをはじめて１年たちました。　どうもありがとうございます。 ニュースボビーブルーブランド氏死去　CNNの記事日本でのライブが決まりました。8月9日　大阪シカゴロック8月10日　名古屋スローブルース今回のゲストピアニストのLEEさんLeeさんのブログページ　Lee''s Boogie１曲目「Slow Blues Jam」２曲目「8 BAR Blues 」Piano, LeeHarp & Guitar, Shoji SHOJIの日本語ブログ　写真中心です。　japanese.shoblues.com挿入BGM 曲　by　SHOJIイントロ　 「Groove and Cats」　ニュース　「Blue Stroller」エンディング　「Autumn in Chicago」

Summer & The Sinners (12 Bar Blues); Muddy Waters (I'm Ready); Hubert Sumlin (Long Distance Call); Charley Patton (Pea Vine Blues); Henry 'Son' Sims (Tell Me Man Blues); Storm Warning (Gonna Miss You); Andres Roots (Homesick Sam); L.R. Phoenix (Hollow Log); Jimmy McCracklin (Street Loafin' Woman); Tab Benoit, Debbie Davies & Kenny Neal (Night Life); Lazy Lester (I'm Gonna Leave You Baby); King Davis (Someday You'll Understand); Liam Tarpey (Warm Up My Bones); John Pippus (One World); David Philips (Stones Throw); Jim Allchin (Don't Tell Me What To Do).

show#39406.25.11 Donate at the Tip Jar ...it's easy... http://www.bandanablues.com/donation.html Two weeks of work with my old laptop, a new Win7 laptop (that I sent back) and a Toshiba Tecra XP unit that I bought and POW!!! I just got all the old software that I needed to produce the show working this morning. Let's hope the high anxiety is finally over...... Big Joe Duskin - Cincinnati Stomp (Down Home Urban Blues Classics - Arhoolie 2011)Michael Powers - Honeybee (Revolutionary Boogie 2011 to be released in August)Dana Gillespie - Ten Ton Blocks (Live with the London Blues Band 2007)Matt Schofield - Prisoner of Love (Basil's Bar Blues 2003)Spinner's Section:Delbert McClinton: that's the way I feel (3:12) (I'm With You, Curb, 1990)Electric Kings: lonesome road blues (4:41) (Electronic, MW, 1997)William Clarke: ain't no way to do (3:29) (One More Again, Watch Dog, 2008)Johnny Adams: I underestimated you (4:43) (The Real Me, Sky Ranch, 1992)Moreland & Arbuckle: in the morning I'll be gone (3:33) (Flood, Telarc, 2010)Blues Company: blues is my middle name (3:27) (Then And Now, Inakustik, 2001)Fried Bourbon: blue Picasso night (3:44) (Boogie Blend Blues, Music Arena, 2007)Charlie Musselwhite: no (4:50) (Continental Drifter, Virgin, 1999)Big Sugar: if I had my way (5:13) (Hemi-Vision, A&M, 1996)Back To Beardo:Jackie Johnson - Wash Your Hands (Memphis Jewel 2001) Home Cookin' -   Aw Shucks, Hush Your Mouth (Home Cookin'1999)Chris James Patrick Ryan - Can't Stand To See You Go (Gonna Boogie Anyway 2010)Guitar Shorty - Get Off (Bare Knuckle 2010)Mikey Jr - Can't be Satsfied (it ain't hard to tell 2011)Bill Perry - Fade To Blue (Live in NYC at Manny's Car Wash 1999)Tina And The Tigers - Good Lovin' (Christine Vitale vocals)Donate at the Tip Jar ...it's easy... http://www.bandanablues.com/donation.html

This is a very cool take on the traditional blues progression

A study in 12-bar blues in three tempos: slow, medium, normal. Download tablature for lesson 1.