Podcast appearances and mentions of jerry leiber

PopaHALLics 140 "Pop Go the Clues"It's no mystery why we love TV's "The Residence" and the book "The Last"—they're both murder mysteries, albeit very different ones (a comedy and a dystopian thriller). And does Seth Rogen have a clue about being a Hollywood executive in "The Studio"? Stay tuned!Streaming:"The Residence," Netflix. A brilliant, eccentric, no-nonsense detective (Uzo Adoba) investigates a murder in the White House residence during a State dinner in this comedy from Shondaland Productions. With Giancarlo Esposito, Bronson Pinchot, Al Franken, Jane Curtin, and more."The Studio," Apple +. A new studio head (Seth Rogen) tries to juggle his desire to make great movies with his boss' desire for big box office. A Kool-Aid movie, anyone? With Catherine O'Hara, Kathryn Hahn, Bryan Cranston, and such real-life Hollywooders as Martin Scorsese playing themselves.Books:"Everything I Know About Love," by Dolly Alderton. In a funny, sometimes heartbreaking memoir, a British journalist and podcast host reflects on the trials and tribulations of becoming an adult."The Last," by Hanna Jameson. Imagine an Agatha Christie novel written by Stephen King. This dark, chilling, highly original novel finds a historian trying to solve a murder at an isolated Swiss hotel after the end of the world."A Hound Dog Tale: Big Mama, Elvis and the Song That Changed Everything," by Ben Wynne. This nonfiction book traces the unusual development of the song "Hound Dog"—written by two Jewish teenagers, popularized by a black woman with a large frame and a booming voice, parodied by a Las Vegas lounge act—and then taken to new heights of popularity by Elvis Presley. Podcasts:"Miss Me?" from BBC Audio. Join pop star Lily Allen and Miquita Oliver, her friend since childhood, for a twice-weekly podcast. On Mondays they answer questions on a theme: celebrity weddings, lies, orgasms, etc. On Thursdays, they pick apart everything from intimacy to interiors.Music:Because of our discussion of the book "A Hound Dog Tale," PopaHALLics #140 Playlist (Hound Dog) features various versions of that song, more Big Mama songs, and some classics from "Hound Dog" writers Jerry Leiber and Mike Stoller.Click through the links above to watch, read, and listen to what we're discussing.

I attended the Wednesday, March 26, 2025 Herb Alpert and the Tijuana Brass concert at the Goodyear Theater in Akron, Ohio.  Yes, Herb is still touring at 89 years old. Yes, I was excited to see him again.  Obviously, I can't can't record the show. That's why I'm going to do something the FM radio stations did when I was younger. After a show, they would play the entire set list in order. Sit tight. This will be a long episode. So get ready to hear one of the most influential artists in music recording, art, and philanthropy in Volume 222: A TJB Concert Rewind. Promised link for Lani Hall bio.  Credits and copyrights The Lonely Bull (El solo toro) Written-By – Sol Lake The Lonely Bull (El solo toro) 1962 Work Song Written-By – Nat Adderley and Oscar Brown, Jr. SRO 1967 Memories of Madrid Written-By – Sol Lake What Now My Love 1966 Whipped Cream Written-By – Naomi Nevillev Whipped Cream and Other Delights 1965 Spanish Flea Written-By – Julius Wechter !!Going Places!! 1965 A Banda Written-By – Chico Baurque De Hollanda Herb Alpert's Ninth 1967 Ladyfingers Written-By – Toots Thielemans Whipped Cream and Other Delights 1965 Lollipops and Roses Written-By – Tony Velona Whipped Cream and Other Delights 1965 Bittersweet Samba Written-By – Sol Lake Whipped Cream and Other Delights 1965 Mexican Shuffle Written-By – Sol Lake South Of The Border 1964 Tangerine Written-By – Johnny Mercer, and Victor Shertinzer Whipped Cream and Other Delights 1965 I'm Getting Sentimental Over You (The Dorsey Brothers Orchestra cover) Written-By – George Bassman !!Going Places!! 1965 Love Potion No. 9  (The Clovers cover) Written-By the writing team of Jerry Leiber and Mike Stoller Whipped Cream and Other Delights 1965 This Guy's in Love With You Vocals – Herb Alpert Written-By – Burt Bacharach and Hal David The Beat Of The Brass 1968 Tim Dom Dom (with Lani Hall) Written by Brito Clodoaldo and Luiz Joao Mello Herb Alpert Presents Sergio Mendes and Brasil '66 1966 One Note Samba Sergio Mendes and Brasil '66 (with Lani Hall) Herb Alpert Presents Sergio Mendes and Brasil '66 1966 The Fool on the Hill (The Beatles cover) (with Lani Hall) Sergio Mendes and Brasil '66 Fool on the Hill 1968 Mas que nada written by Jorge Ben Jor (Jorge Ben Jor cover) (with Lani Hall) Herb Alpert Presents Sergio Mendes and Brasil '66 1966 Rise Written-By – Andy Armer, Randy Badazz Alpert (Herb's nephew) Rise 1979 Solo A Taste of Honey - TJB Written-By – Bobby Scott, and Ric Marlow (Scott Cover) Whipped Cream and Other Delights A Taste of Honey - Solo Midnight Sun 1992 Zorba the Greek Written-By – Mikis Theodorakis !!Going Places!! 1965 Smile Written-By – Charles Chaplin, Geoffrey Parsons, and John Turner Midnight Sun 1992 What Now My Love (Gilbert Bécaud cover) Written-By – Carl Sigman, Gilbert Bécaud What Now My Love 1966 A Banda (Reprise) (with band intros) Tijuana Taxi Written-By – Ervan Coleman !!Going Places!! 1965 On The Sunny Side of the Street written by Dorothy Fields, and Jimmy McHugh Sunny Side Of The Street 2022 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #herbalpert #herbalpertandthetijuanabrass #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

Justin and Bec forego a typical main topic this week, opting instead for effectively two main topics with absolutely massive, iconic Songs of the Week! Bec's Song of the Week is "You Don't Have to Say You Love Me" and she explores the roots of it from the 1965 Italian ballad "Io che non vive (senza te)" through to Dusty Springfield's hugely successful English adaptation and eventually to Elvis's famous performances of it in the 1970s, across his 1970 Nashville sessions, the concerts filmed for "That's The Way It Is," and even much later and deeper into the decade. Justin then traces the lineage of Jerry Leiber and Mike Stoller's legendary "Trouble," originally featured in the 1958 film "King Creole," but increasingly recognized over the years as one of Elvis's most enduring recordings, symbolizing the myth of him as a rebellious rocker, most prominently recently featured in Baz Luhrmann's "Elvis." We go deeper, though, touching on the history of stop-time in Dixieland jazz and, most influentially on Leiber/Stoller, in Muddy Waters's "Hoochie Coochie Man." Understanding the history behind that song, the hoochie coochie itself, and the way Trouble has become representative of expressions of both masculinity and femininity unlocks a deeper sense of the song's significance as one of the all-time masterpieces of Elvis's entire recorded works. Oh yeah, and the duo react to the first trailer for Disney's live action remake of Lilo & Stitch! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Here's a fun find from this collection. My father really loved his country music too besides all that jazz, pop and classical. This is the kind of country and western music that was kind of between the fiddle-led twang of early country and the days of outlaw country, although you will hear one of those outlaws from his early days first. This album is filled with memorable songs and some great memories that went beyond those songs. You know how music triggers those. So, get ready to hear several great singers from what I think was a great era in Volume 207: Good Country Record 1. More information about this album, see the Discogs webpage for it.  Credits and copyrights Various – The Good Times In Country Music Label: Columbia Special Products Tampa Records  – C2-10419 Format: 2 x Vinyl, LP, Compilation, Stereo, Terre Haute Pressing Released: 1974 Genre: Folk, World, & Country Style: Country We'll hear 10 of the 17 songs on record 2 of this two-record set. Johnny Cash & June Carter – Jackson written by Jerry Leiber, Billy Edd Wheeler Johnny Cash and The Tennessee Two –  Folsom Prison Blues written by Johnny Cash, Gordon Jenkins Jim Nabors - Wichita Lineman written by Jimmy Webb Dottie West – I Fall To Pieces written by Hank Cochran, Harlan Howard Hank Thompson– Smoke, Smoke, Smoke That Cigarette written by Merle Travis, Tex Williams Roy Clark - Yesterday When I Was Young written by Herbert Kretzmer, Charles Aznavour Buck Owens - Sweet Hearts In Heaven written by Buck Owens Grandpa Jones and His Grandchildren - Mountain Dew written by Scott Wiseman, Bascom Lamar Lunsford Jimmy Dean - Big Bad John (September 22, 1961) written by Jimmy Dean Carl Storey - Daddy Sang Bass written by Carl Perkins I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #countrymusic #oldcountrymusic #heehaw

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

The Coasters were formed 69 years ago this month, when two members of an L.A.-based R&B group called The Robins came east to join Atlantic Records. The new group was dubbed The Coasters because they crossed the continent to come together.About the same time, songwriters Jerry Leiber and Mike Stoller produced “Smokey Joe's Cafe" for The Robins (their sixth for the group). Atlantic liked the tune so much, the company offered Leiber and Stoller an independent production contract to bring The Robins to Atlantic. However, when only two Robins — Carl Gardner and Bobby Nunn — wanted to make the move to New York, the new Coasters were born; the group's association with Leiber and Stoller was a match made in rock ‘n' roll heaven. The Family Flood grew up singing, laughing and dancing to The Coasters' string of good-humored storytelling hits. Theirs were some of the most joyful radio moments of the 1950s and early ‘60s, starting with “Down in Mexico,” “Young Blood” and “Searchin',” quickly followed by “Yakety Yak,” “Charlie Brown,” “Poison Ivy,” “Little Egypt.”About This SongAs reported earlier, the song featured in this video that Pamela Bowen shot at a recent rehearsal dropped into The Coaster's world in 1957, and various incarnations of The Flood have played it for the past four decades. (For more on that part of the story, click here.)For this latest rendition, the guys were joined by Floodster Emeritus Paul Martin who dropped by to sit in for the evening. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Avec The Clash, They Might Be Giants, Soundgarden et Elvis Presley. The Clash avec "Jail Guitar Doors", un titre de Joe Strummer, chanteur et guitariste avait écrit et interprété avec The 101ers, puis Mick Jones, guitariste principal, a réécrit les paroles, on ressent l'influence de "Rebel Rebel" de David Bowie ou celle des New York Dolls. En 1994, They Might Be Giants, groupe originaire de Brooklyn (New York), sort son 5e album "John Henry" avec "Out of Jail". Classique du groupe de grunge américain Soundgarden "Rusty Cage", feu Chris Cornell utilise la cage métaphore du milieu carcéral, mais aussi du tour bus ressenti comme une prison avec ses tournées interminables. 1957, sortie de l'un des titres les plus célèbres et qui traite de la vie derrière les barreaux : "Jailhouse Rock" d'Elvis Presley, signé Jerry Leiber et Mike Stoler ("Hound Dog"), c'est aussi le film du même nom mettant en scène le King qui chante accompagné par des prisonniers, sur une chorégraphie totalement dingue. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Avec The Zombies, The Robins, System of a Down et Johnny Cash. En 1968, The Zombies sortent leur chef-d'œuvre, l'album "Odessey and Oracles" sur lequel on retrouve le classique "Time of The Season" et aussi "Care of Cell 44" qui nous transporte dans l'univers carcéral, composé par Rod Argent, le claviériste du groupe, le chanteur des Zombies, Colin Bluntsone, convaincu du potentiel succès de ce titre mais qui arrivera trop tard, un an après la séparation du groupe. Les 50's avec "Riot in Cell Block #9" des Robins, groupe californien qui collaborait les compositeurs Jerry Leiber et Mike Stoller. Les années 2000, System of a Down émerge avec "Prison Song", extrait de "Toxicity". Impossible d'évoquer les titres qui parlent de prison sans citer le classique de Johnny Cash "Folsom Prison Blues" en 1968. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Legendary songwriter Mike Stoller, of the songwriting team Leiber and Stoller, is speaking with us in this episode. Together with Jerry Leiber, Mike Stoller wrote a breathtaking number of classics for Elvis Presley, The Coasters, The Drifters, Peggy Lee, LaVern Baker, Ben. E. King, and more, including "Jailhouse Rock," "Hound Dog," "Santa Claus Is Back in Town," "Stand By Me," "Love Potion #9," "Yakety Yak," "Kansas City," "Poison Ivy," "Along Came Jones," "Bossa Nova Baby," and so many more.  Although Jerry passed in 2011, Mike continues the duo's legacy and is still actively working. Songfacts Podcast host Stephanie R. Myers spoke with Mike, now 90 years old, to discuss his work on the recently released album Brendan McCreary Sings the Love Songs of Mike Stoller, tell the story behind the fascinating Peggy Lee song "Is That All There Is?" and talk about his new project, working on the musical Beaches. Enjoying the show? Please leave us a 5-star review on Apple Podcasts, Goodpods, or Spotify! Connect with us on Facebook and X (Twitter). For the stories behind the songs, go to Songfacts.com. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary songwriter Mike Stoller, of the songwriting team Leiber and Stoller, is speaking with us in this episode. Together with Jerry Leiber, Mike Stoller wrote a breathtaking number of classics for Elvis Presley, The Coasters, The Drifters, Peggy Lee, LaVern Baker, Ben. E. King, and more, including "Jailhouse Rock," "Hound Dog," "Santa Claus Is Back in Town," "Stand By Me," "Love Potion #9," "Yakety Yak," "Kansas City," "Poison Ivy," "Along Came Jones," "Bossa Nova Baby," and so many more.  Although Jerry passed in 2011, Mike continues the duo's legacy and is still actively working. Songfacts Podcast host Stephanie R. Myers spoke with Mike, now 90 years old, to discuss his work on the recently released album Brendan McCreary Sings the Love Songs of Mike Stoller, tell the story behind the fascinating Peggy Lee song "Is That All There Is?" and talk about his new project, working on the musical Beaches. Enjoying the show? Please leave us a 5-star review on Apple Podcasts, Goodpods, or Spotify! Connect with us on Facebook and X (Twitter). For the stories behind the songs, go to Songfacts.com. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

More discussions of Waits's unreleased recordings brings us to the 1980s, featuring several demos, a bunch of covers, and significant collaborations with other musicians, both big and small. Highlights this week include his contribution to a poetry documentary, a live Ewan MacColl cover, and his evening of collaborations with The Replacements. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Purple Avenue / Empty Pockets, live recording, Expo Theatre, Montreal Canada (3 July 1981) Smuggler's Waltz / Bronx Lullaby, from Poetry In Motion, dir. Ron Mann (1982) Carnivalins, unreleased recording, Frank's Wild Demos (1986?) Vegas Theme, unreleased recording, Frank's Wild Demos (1986?) Downtown Train (alt take), NME's Big Four 7" EP, Tom Waits (1986) Harlem Shuffle, Dirty Work, The Rolling Stones (1986) I Forgot More Than You'll Ever Knew (About Her), live recording, Beverly Theatre, Los Angeles CA, Tom Waits with Elvis Costello and Lou Reed, w. Cecil Null (4 October 1986) Papa's Got A Brand New Bag, live recording, Massey Hall, Toronto Canada, w. James brown (7 October 1987) Mack The Knife, live recording, Freie Volksbuhne, Berlin Germany, w. Bertolt Brecht / Kurt Weill (8 December 1987) Big Rock Candy Mountain, from the film Ironweed, dir. Hector Babenco (1987) Once More Before I Go, from the film Candy Mountain, dir. Robert Frank and Rudy Wurlitzer (1988) Date To Church, single b-side, The Replacements / Tom Waits (1989) Lowdown Monkey Blues, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) If Only You Were Lonely, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) I Can Help, studio outtake / Dead Man's Pop, The Replacements / Tom Waits, w. Billy Swan (1989/2019) We Know The Night - Rehearsal Version, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) Take It As It Comes, live recording, Wiltern Theatre, Los Angeles CA, w. The Doors (31 December 1988) Pennies From Heaven, live recording, Wiltern Theatre, Los Angeles CA, w. Arthur Johnston and Johnny Burke (31 December 1988) Dirty Old Town, live recording, Wiltern Theatre, Los Angeles CA, w. Ewan MacColl (31 December 1988) Hound Dog, live recording, Wiltern Theatre, Los Angeles CA, w. Jerry Leiber and Mike Stoller (31 December 1988) Dirty Old Town, Rum Sodomy and The Lash, The Pogues (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

INSTRUMENTAL "Love Potion No. 9" :  SING ALONG !Written by Jerry Leiber & Mike Stoller 1959Producer Renee plays her rendition on Piano + Guitar.Here are the Lyrics:I took my troubles down to Madame RueYou know that gypsy with the gold capped toothShe's got a pad down on Thirty-Fourth and VineSellin' little bottles of Love Potion No. 9I told her that he was a flop with chicksHe's been that way since 1956She looked at my palm and she made a magic signShe said "What you need is Love Potion No. 9"She bent down and turned around and gave me a winkShe said, " I'm good make it up right here in the sinkIt smelled like turpentine it looked like Indian inkI held my nose, I closed my eyes, I took a drinkI didn't know if it was day or nightI started kissing everything in sightBut when I kissed a cop down on Thirty-Fourth and VineHe broke my little bottle of Love Potion No. 9INSTRUMENTAL ....I held my nose, I closed my eyes, I took a drinkI didn't know if it was day or nightI started kissing everything in sightBut when I kissed a cop down on Thirty-Fourth and VineHe broke my little bottle of Love Potion No. 9Love Potion No. 9 ... Love Potion No 9 ...VoiceRenee@charter.net

Pinkie Sings "Love Potion # 9 " Written by Jerry Leiber & Mike Stoller 1957Producer Renee plays her rendition on Piano + GuitarVoiceRenee@charter.net

"Is That All There Is?", a song written by American songwriting team Jerry Leiber and Mike Stoller during the 1960s, became a hit for American singer Peggy Lee and an award winner from her album of the same title in November 1969. The song was originally performed by Georgia Brown in May 1967 for a television special. It was first recorded by disc jockey Dan Daniel in March 1968, but this was an unauthorized recording that, while played on Daniel's own radio show, went unissued at the songwriters' request. The first authorized recording was by Leslie Uggams in August 1968. Then came the hit Peggy Lee version in August 1969, followed by Guy Lombardo in 1969 and Tony Bennett on 22 December 1969.[2]Peggy Lee's version reached number 11 on the U.S. pop singles chart — becoming her first Top 40 pop hit since "Fever" eleven years earlier—and doing even better on the adult contemporary scene, topping that Billboardchart. It also reached number six in Canada. It won Lee the Grammy Award for Best Female Pop Vocal Performance, and then later was named to the Grammy Hall of Fame.The orchestral arrangement on the song was composed by Randy Newman, who played the piano in the slower introduction section,[3] and who also conducted the orchestra.[4]LyricsThe lyrics of this song are written from the point of view of a person who is disillusioned with events in life that are supposedly unique experiences. The singer tells of witnessing her family's house on fire when she was a little girl, seeing the circus, and falling in love for the first time. After each recital, she expresses her disappointment in the experience. She suggests that we "break out the booze and have a ball—if that's all there is," instead of worrying about life. She explains that she'll never kill herself either because she knows that death will be a disappointment as well. The verses of the song are spoken, rather than sung. Only the refrain of the song is sung.

Probably the most famous songwriters in rock and roll history, today we'll discover all the interesting circumstances that made Leiber and Stoller the magic duo that wrote for Elvis, Ben E. King, The Coasters, and many more!

Uno de los ídolos juveniles de Latinoamérica en la década de 1960 fue sin duda alguna Enrique Guzmán, quien se anotó varios éxitos musicales de la Nueva Ola, como la canción incluida en el álbum “Enamorado - From Mexico with Love” de 1964 titulada “Uno de tantos”. Así la escuché yo…. “Uno de tantos” de Enrique Guzmán es una versión al español adaptada por el famosísimo compositor mexicano Armando Manzanero de la canción que fuera éxito en inglés una año antes en la voz del estadounidense Ben E. King, quien la grabó en 1963 bajo el título “I, who have nothing” (Yo, que nada tengo). La letra en inglés de esta canción fue escrita por la célebre dupla de compositores estadounidenses conformada por Jerry Leiber y Mike Stoller, tema musical que alcanzó fama mundial en 1970 en la voz del británico Tom Jones. Sin embargo, los anteriores temas musicales son en realidad versiones en otros idiomas de la canción compuesta originalmente en italiano por Carlo Donida Labati y Giulio Rapetti, conocido simplemente como Mogol, la cual fue grabada inicialmente por el cantante italiano Joe Sentieri en 1961 con el título “Uno dei tanti”. ¿Y tú, conocías el origen italiano de esta canción? Autores: Carlo Donida Labati & Mogol (nombres reales Carlo Labati & Giulio Rapetti, italianos) - Versión al español Armando Manzanero (nombre real Armando Manzanero Canché, mexicano) - Versión al inglés Jerry Leiber & Mike Stoller (nombres reales Jerome Leiber & Michael Stoller, estadounidenses) Uno de tantos - Enrique Guzmán (1964) “Enamorado - From Mexico with love” álbum (1964) Enrique Guzmán (nombre real Enrique Alejandro Guzmán Vargas, mexicano nacido en Venezuela) I (who have nothing) - Ben E. King (1963) single "I (Who have nothing)/The beginning of time" (1963) Ben E. King (nombre real Benjamín Earl Nelson, estadounidense) I (who have nothing) - Tom Jones (1970) “I who have nothing” álbum (1970) Tom Jones (nombre real Thomas John Woodward, británico) Uno dei tanti - Joe Sentieri (1961) single “Uno dei tanti/Cara, cara” (1961) Joe Sentieri (nombre real Rino Luigi Sentieri, italiano) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 50 Sergio Productions Cali – Colombia Sergio Luis López Mora

OLD HOLLYWOOD PART 2, BEACHWOOD CANYON The last dark night of an Old Hollywood actor's life. Inspired by the murder of silent film star Ramon Navarro. With David Rubin as Tommy, Isaac J. Cruz as Ramon Navarro, and Shaughn Bucholz as Cookie. Music composed, performed, and recorded by John Groover McDuffie, with John Palmer, drums. Tango by Jerry Leiber and Mike Stoller; this accompaniment arrangement by John Groover McDuffie. Recording Engineer was Wayne Peet @ Newzone Studio. Sound Design & Mixing by Gage Hurley. Written & Directed by Sharon Yablon. Podcast image by Cassie Taggart. All Rights Reserved.

Rock & Roll Hall of Fame, Rhythm & Blues Foundation Inductee,Grammy® Award NomineeA  Music Group  BEFORE my Time that created Beautiful Music that is Classic & Treasured Today !! I LOVE MANY Genre's of Music, I Have a Special Place in my Heart for The Drifter's Music. This is my Tribute Show to a True Classy Gentleman, The last remaining Original Group Member who recorded the Music Hits, Charlie Thomas who just passed away this Week January 31st, 2023. This is Part 1 of my interview with him.Charlie actually Thanked Me for Interviewing HIM?!, the Honor was ALL Mine, What a Gentleman!Charles Thomas  was an American singer best known for his work with The Drifters. Thomas was performing with The Five Crowns at the Apollo Theater in 1958 when George Treadwell fired his group, called The Drifters. Treadwell recruited the Five Crowns to become the new Drifters. Although the Five Crowns never made any impression on the national charts under their own name, they regularly charted locally in New York and were stars in Harlem.The new Drifters' first release was the 1959 hit "There Goes My Baby".  This version of the group released the smash "There Goes My Baby," working for the first time with legendary songwriter/producers Jerry Leiber and Mike Stoller, and followed with a string of hits including the top 10 "Save The Last Dance For Me" and "This Magic Moment." Charlie was lead singer on two of the group's top 40 hits, "Sweets for My Sweet" and "When My Little Girl Is Smiling". Their late-'50s incarnation, featuring original members Doc Green, James Clark, Elsbeary Hobbs, Ben E. King, and Charles Thomas, became the post-1958 Drifters, responsible for "There Goes My Baby" and the core of the group that later recorded "Up on the Roof," "Under the Boardwalk," and "On Broadway."Most of The Drifters biggest hits featured different lead singers:Ben E. King “There Goes My Baby” “Dance With Me” “This Magic Moment” “Save the Last Dance for Me” “I Count the Tears” Charlie Thomas “Sweets for My Sweet” “Room Full of Tears” “When My Little Girl is Smiling” Rudy Lewis “Some Kind of Wonderful” “Up On the Roof” “Please Stay” “On Broadway” Clyde McPhatter “Money Honey” “Honey Love” Bill Pinkney“White Christmas” (with Clyde McPhatter)Johnny Moore “Adorable” “Fools Fall In Love” “Ruby Baby” “Under the Boardwalk” “I've Got Sand in My Shoes” “Saturday Night at the Movies” Bobby Hendricks“Drip Drop”© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Elvis Presley, el Rey del Rock & Roll grabó en 1956 uno de sus grandes éxitos titulado “Hound dog”. Así la escuché yo… La canción éxito de Elvis Presley es una obra de la legendaria dupla de compositores conformada por Jerry Leiber y Mike Stoller, quienes la escribieron con el título “Hound dog”, y fue grabada originalmente cuatro años antes, en 1956, por la artista estadounidense Willie Mae Thornton, quien poco después llegó a conocerse con el seudónimo de "Big Mama" Thornton. ¿Y tú, conocías la canción original? Autores: Jerry Leiber & Mike Stoller (estadounidenses) Hound dog - Elvis Presley (1956) single “Hound dog/Don't be cruel (1956) Elvis Presley (nombre real Elvis Aaron Presley, estadounidense) Hound dog - Willie Mae "Big Mama" Thornton (1952) single Hound dog/Night mare” (1952) "Big Mama" Thornton (nombre real Willie Mae Thornton, estadounidense) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 32 Sergio Productions Cali – Colombia Sergio Luis López Mora

ELLIE GREENWICH -SONGWRITER HALL OF FAME INDUCTEE- 1991Ellie Greenwich is one of the most successful songwriters of the modern pop music era. She was one of the major influences on the 60's rock and roll, a music that continues alive and well today. Her songs, which have sold in the tens of millions, have earned her 25 gold and platinum records.Born in Brooklyn, her young life was filled with singing and dancing recitals and winning first prize in a local newspaper's poetry contest. At 11, she moved to Levittown, Long Island, and her musical career became serious when she took up the accordion and by 13, was writing songs. Along with two high school friends, she formed her first "girls group," The Jivettes, and the trio performed original songs at hospitals, schools and charity benefits throughout Long Island.About this time, Greenwich's mother arranged a meeting for Ellie with Cadence Records president Archie Bleyer (of Everly Brothers and Chordettes fame). His advice to "keep writing but finish school... the music business will always be there," stuck in the young writer's head and she did just that. She attended Hofstra University, was its Spring Queen and graduated with top honors with a BA degree in English, and a listing in "Who's Who in American Colleges and Universities."During her latter years in college, she met Jeff Barry at a family gathering and the two became good friends almost immediately. "He was the first male I could actually harmonize with," she recalls. Eventually, the couple married and went on to become co-writers of some of the most memorable classic rock hits.After graduation in 1962 and following a High School English teaching career which lasted three and one half weeks, she began free-lancing and working out of the offices of Jerry Leiber and Mike Stoller, a pair of hot songwriters in their own right, in Broadway's Brill Building, one of the music business headquarters of that time. She wrote songs with Doc Pomus and Tony Powers and enjoyed her first chart successes with "This Is It," by Jay and the Americans, and "He's Got the Power," by the Exciters. She and Barry formed The Raindrops, who skimmed the top 16 with "What a Guy" and "The Kind of Boy You Can't Forget."Teaming with Phil Spector, the two managed number one hits with "Be My Baby," "Da Doo Ron Ron," "And Then He Kissed Me," "Chapel of Love" and "River Deep, Mountain High." Greenwich and Barry also continued their successes with such number one smashes as "Hanky Panky," and co-written with Shadow Morton, the epic, "Leader of the Pack." During these years, too, Greenwich reigned as one of New York's top demo singers and session vocal arrangers/singers, working with artists ranging from Dusty Springfield and Lesley Gore to Ella Fitzgerald, Bobby Darin and Frank Sinatra. During one of the many demo sessions in which she was involved, Greenwich met and "discovered" Neil Diamond and went on to co-produce such early Diamond hits as "Cherry Cherry" and "Kentucky Woman," doing background vocals as well.During the latter part of the 60's, Greenwich found continued success in collaborations with Bob Crewe, in writing for The Hardy Boys TV series, and in singing on popular commercials for Cheerios

Fast As Sonic The Hedgehog

Leikin eru nokkur lög eftir bandarísku lagasmiiðina Jerry Leiber og Mike Stoller og einnig eftir Aaron Schroeder sem íslenskt tónlistarfólk flytur. Þar á meðal eru Björk Guðmundsdóttir, Blue Ice Band, Roof Tops, Lúdó sextett og Stefán, Bjarki Lárusson, Óðinn Valdimarsson, Rokkbræður, Guðbergur Auðunsson og Stórsveit Ríkisútvarpsins ásamt MK kvartettinum.

Leikin eru nokkur lög eftir bandarísku lagasmiiðina Jerry Leiber og Mike Stoller og einnig eftir Aaron Schroeder sem íslenskt tónlistarfólk flytur. Þar á meðal eru Björk Guðmundsdóttir, Blue Ice Band, Roof Tops, Lúdó sextett og Stefán, Bjarki Lárusson, Óðinn Valdimarsson, Rokkbræður, Guðbergur Auðunsson og Stórsveit Ríkisútvarpsins ásamt MK kvartettinum.

This week, Madigan covers feminist fave, Gloria Allred, a renowned feminist lawyer. GET YOUR YANF MERCH! https://yanfpodcast.threadless.com/  Do you have a news story that you want our take on?    Email us at neighborhoodfeminist@gmail.com Find us on social media:     Instagram: @angryneighborhoodfeminist    Twitter: @YANFPodcast    Facebook: https://www.facebook.com/angryneighborhoodfeminist **Don't forget to REVIEW and SUBSCRIBE on iTunes!** SOURCES: https://www.newyorker.com/magazine/2017/10/02/gloria-allreds-crusade Netflix Seeing Allred https://www.encyclopedia.com/law/encyclopedias-almanacs-transcripts-and-maps/allred-gloria https://www.upi.com/Archives/1988/02/09/Court-orders-priest-to-pay-back-child-support/9921571381200/ https://esme.com/single-moms/solo-mom-in-the-spotlight/discrimination-attorney-single-mom-gloria-allred-fights-underdog https://www.theguardian.com/us-news/2017/jul/09/who-is-afraid-of-gloria-allred-trump-feminist-laywer https://www.hollywoodreporter.com/lifestyle/arts/five-revelations-ronan-farrow-s-book-catch-kill-1246308/ I do not own the song "Is That All There Is" sang by Peggy Lee, written by Jerry Leiber and Mike Stoller Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, it's Christmas time pretty baby, and... I am reposting this fun chat with Jerry Leiber and Mike Stoller in 2005

Leikin eru lög eftir bandarísku lagasmiðina Jerry Leiber og Mike Stoller, sem íslenskt tónlistarfólk flytur. Flytjendur eru Berti Möller og Hljómsveit Svavars Gests, Stefán Jónsson og Lúdó sextett, SAS tríóið, Andrea Gylfadóttir og Blúsmenn, Björgvin Halldórsson í hlutverki Bödda Billó, Lónlí blú bojs, Laddi, Friðrik Óma, Roof Tops og Hundur í óskilum. Umsjón: Jónatan Garðarsson.

Leikin eru lög eftir bandarísku lagasmiðina Jerry Leiber og Mike Stoller, sem íslenskt tónlistarfólk flytur. Flytjendur eru Berti Möller og Hljómsveit Svavars Gests, Stefán Jónsson og Lúdó sextett, SAS tríóið, Andrea Gylfadóttir og Blúsmenn, Björgvin Halldórsson í hlutverki Bödda Billó, Lónlí blú bojs, Laddi, Friðrik Óma, Roof Tops og Hundur í óskilum. Umsjón: Jónatan Garðarsson.

Í síðustu viku kom út ný rannsókn á vegum Stígamóta. Rannsóknin greinir tölfræðigögn þar sem skoðað er hvað einkennir þann hóp sem sækir þjónustu samtakanna vegna vændis í samanburði við fólk sem kemur til Stígamóta vegna annars kynferðisofbeldis. Niðurstöðurnar sýna alvarlegar afleiðingar vændis á líkamlega og andlega líðan brotaþola. Við fengum Steinunni Gyðu- og Guðjónsdóttur, talskonu Stígamóta, til að koma í þáttinn og með henni komu Gyða Margrét Pétursdóttir, prófessor í kynjafræði við Háskóla Íslands og Sveina Hjördís Þorvaldsdóttir, meistarafræðinema í kynjafræði, en þær sögðu frá meistaraverkefni Sveinu. Í verkefninu var leitað til kvenna sem hafa reynslu af vændi og þær spurðar hvaða úrræði þurfa að vera til staðar til að hverfa úr vændi ? eða hvernig þjónustu þær hefðu þurft sem forvörn gegn vændi. Síðastliðið föstudagskvöld var frumsýnd í sjónvarpi og á netinu auglýsing sem vakti mikla athygli. Auglýsingin, Það má ekkert lengur, er hluti af vitundarvakningu VIRK um kynferðislega áreitni á vinnustöðum. Við fengum Ingibjörgu Loftsdóttur, sviðsstjóra forvarnarsviðs VIRK, til að koma í þáttinn til okkar og segja okkur frá þessari herferð og vitundarvakningunni. Við fengum póstkort frá Magnúsi R. Einarssyni í dag. Áfram sagði Magnús af ferðum sínum um Evrópu, nú frá Frakklandi og Spáni. Hann heimsótti borgirnar Orange og Arles sem eru báðar frægar fyrir merkilegar og fornar byggingar og myndlistamenn. Hann sagði líka frá Salvador Dalí safninu î Figueres á Spáni, strandbænum Tossa de Mar og fleiri stöðum í Katalóníu. Hann endar í Palma de Mallorca og segir meðal annars frá stærsta diskoteki í heimi. Tónlist í þættinum í dag: Hlíðin mín fríða / GÓSS (F. Flemming og Jón Thoroddsen) Time in a Bottle / Jim Croce (Jim Croce) Stand By Me / Ben E. King (Ben E. King, Jerry Leiber og Mike Stoller) UMSJÓN: GUNNAR HANSSON OG ÞORGERÐUR ÁSA AÐALSTEINSD.

Í síðustu viku kom út ný rannsókn á vegum Stígamóta. Rannsóknin greinir tölfræðigögn þar sem skoðað er hvað einkennir þann hóp sem sækir þjónustu samtakanna vegna vændis í samanburði við fólk sem kemur til Stígamóta vegna annars kynferðisofbeldis. Niðurstöðurnar sýna alvarlegar afleiðingar vændis á líkamlega og andlega líðan brotaþola. Við fengum Steinunni Gyðu- og Guðjónsdóttur, talskonu Stígamóta, til að koma í þáttinn og með henni komu Gyða Margrét Pétursdóttir, prófessor í kynjafræði við Háskóla Íslands og Sveina Hjördís Þorvaldsdóttir, meistarafræðinema í kynjafræði, en þær sögðu frá meistaraverkefni Sveinu. Í verkefninu var leitað til kvenna sem hafa reynslu af vændi og þær spurðar hvaða úrræði þurfa að vera til staðar til að hverfa úr vændi ? eða hvernig þjónustu þær hefðu þurft sem forvörn gegn vændi. Síðastliðið föstudagskvöld var frumsýnd í sjónvarpi og á netinu auglýsing sem vakti mikla athygli. Auglýsingin, Það má ekkert lengur, er hluti af vitundarvakningu VIRK um kynferðislega áreitni á vinnustöðum. Við fengum Ingibjörgu Loftsdóttur, sviðsstjóra forvarnarsviðs VIRK, til að koma í þáttinn til okkar og segja okkur frá þessari herferð og vitundarvakningunni. Við fengum póstkort frá Magnúsi R. Einarssyni í dag. Áfram sagði Magnús af ferðum sínum um Evrópu, nú frá Frakklandi og Spáni. Hann heimsótti borgirnar Orange og Arles sem eru báðar frægar fyrir merkilegar og fornar byggingar og myndlistamenn. Hann sagði líka frá Salvador Dalí safninu î Figueres á Spáni, strandbænum Tossa de Mar og fleiri stöðum í Katalóníu. Hann endar í Palma de Mallorca og segir meðal annars frá stærsta diskoteki í heimi. Tónlist í þættinum í dag: Hlíðin mín fríða / GÓSS (F. Flemming og Jón Thoroddsen) Time in a Bottle / Jim Croce (Jim Croce) Stand By Me / Ben E. King (Ben E. King, Jerry Leiber og Mike Stoller) UMSJÓN: GUNNAR HANSSON OG ÞORGERÐUR ÁSA AÐALSTEINSD.

Í síðustu viku kom út ný rannsókn á vegum Stígamóta. Rannsóknin greinir tölfræðigögn þar sem skoðað er hvað einkennir þann hóp sem sækir þjónustu samtakanna vegna vændis í samanburði við fólk sem kemur til Stígamóta vegna annars kynferðisofbeldis. Niðurstöðurnar sýna alvarlegar afleiðingar vændis á líkamlega og andlega líðan brotaþola. Við fengum Steinunni Gyðu- og Guðjónsdóttur, talskonu Stígamóta, til að koma í þáttinn og með henni komu Gyða Margrét Pétursdóttir, prófessor í kynjafræði við Háskóla Íslands og Sveina Hjördís Þorvaldsdóttir, meistarafræðinema í kynjafræði, en þær sögðu frá meistaraverkefni Sveinu. Í verkefninu var leitað til kvenna sem hafa reynslu af vændi og þær spurðar hvaða úrræði þurfa að vera til staðar til að hverfa úr vændi ? eða hvernig þjónustu þær hefðu þurft sem forvörn gegn vændi. Síðastliðið föstudagskvöld var frumsýnd í sjónvarpi og á netinu auglýsing sem vakti mikla athygli. Auglýsingin, Það má ekkert lengur, er hluti af vitundarvakningu VIRK um kynferðislega áreitni á vinnustöðum. Við fengum Ingibjörgu Loftsdóttur, sviðsstjóra forvarnarsviðs VIRK, til að koma í þáttinn til okkar og segja okkur frá þessari herferð og vitundarvakningunni. Við fengum póstkort frá Magnúsi R. Einarssyni í dag. Áfram sagði Magnús af ferðum sínum um Evrópu, nú frá Frakklandi og Spáni. Hann heimsótti borgirnar Orange og Arles sem eru báðar frægar fyrir merkilegar og fornar byggingar og myndlistamenn. Hann sagði líka frá Salvador Dalí safninu î Figueres á Spáni, strandbænum Tossa de Mar og fleiri stöðum í Katalóníu. Hann endar í Palma de Mallorca og segir meðal annars frá stærsta diskoteki í heimi. Tónlist í þættinum í dag: Hlíðin mín fríða / GÓSS (F. Flemming og Jón Thoroddsen) Time in a Bottle / Jim Croce (Jim Croce) Stand By Me / Ben E. King (Ben E. King, Jerry Leiber og Mike Stoller) UMSJÓN: GUNNAR HANSSON OG ÞORGERÐUR ÁSA AÐALSTEINSD.

Bianca Pyl e Luís Brasilino conversam com o cientista político Josué Medeiros, professor adjunto do Departamento de Ciência Política da Universidade Federal do Rio de Janeiro (UFRJ). Ele é um dos coordenadores do Observatório Político e Eleitoral (Opel) - ao lado de Jorge Chaloub, Mayra Goulart, Pedro Lima e Thais Aguiar -, iniciativa de três grupos de pesquisa da UFRJ e da Universidade Federal Rural do Rio de Janeiro (UFRRJ), que, entre outras ações, está produzindo desde maio boletins mensais de acompanhamento do processo eleitoral brasileiro deste ano. Conversamos sobre a disputa entre democracia e autoritarismo nas eleições de 2022, o fracasso da terceira via, as principais razões das intenções de voto em Lula e Bolsonaro, o impacto da PEC do Desespero e da campanha nas redes sociais, a decisiva última semana antes da votação, o peso de uma vitória petista no primeiro turno, a carta pela democracia e muito mais! Além de professor na UFRJ, Josué é coordenador do Núcleo de Estudos sobre a Democracia Brasileira da mesma universidade, membro do Programa de Pós-Graduação em Ciências Sociais da UFRRJ, pesquisador do Laboratório de Eleições, Partidos e Política Comparada e doutor em Ciência Política pelo Instituto de Estudos Sociais e Políticos da Universidade do Estado do Rio de Janeiro, com doutorado-sanduíche na Universidade de Paris 3. Trilha: Ben E. King e Stan Applebaum, “Stand by Me” (Ben E. King, Jerry Leiber e Mike Stoller); e Courtney Barnett, “If I Don't Hear from You Tonight”.

Baz Luhrmann's hit box office hit biopic Elvis has spurred new interest in the music of The King. Elvis Presley's streaming subscribers has grown by two million listeners on Spotify since the film's release according to ChartMetric, and if you're hearing a lot more “Hound Dog” these days, it might be partially due to the success of Doja Cat's hit song “Vegas,” which updates – and interpolates – the song for contemporary listeners.  Doja Cat's version samples from the original 1953 “Hound Dog,” sung by Big Mama Thornton and written by acclaimed songwriter team Jerry Leiber and Mike Stoller (whose credits also include Presley's “Jailhouse Rock” and Ben E. King's “Stand By Me”). The original is a sauntering blues song with a raunchy tale about a two timing man; Presley, who is frequently said to have stolen the song from Thorton, instead sings a tepid lyric about an actual dog, and radically changes the groove.  But in an interview with Rolling Stone, Stoller says Presley didn't steal the song at all. Rather, he adapted one of many covers of the song, specifically the version performed by the Las Vegas lounge act Freddie Bell and the Bellboys. Their “Hound Dog” borrows its upbeat rhythm from a song responding to the original “Hound Dog,” titled “Bear Cat.” It's a similar rhythm to the one we hear on the contemporary Doja Cat version, “Vegas,” which heavily features samples of Thornton's original vocals: listening closely reveals a song that synthesizes a complicated music history by uniting the best parts of the many versions of “Hound Dog.”  Listen to the latest episode of Switched On Pop and uncover the long legacy of “Hound Dog.” Songs Discussed Big Mama Thorton - Hound Dog Elvis - Hound Dog Doja Cat - Vegas Esther Phillips - Hound Dog Jack Turner - Hound Dog Rufus Thomas - Bear Cat Freddie Bell and the Bellboys T.L.C. - No Scrubs Sporty Thievz - No Pigeons  W.C. Handy - St. Louis Blues Duke Ellington - Conga brava Sister Rosetta Tharpe - Didn't It Rain Fats Domino - Mardi Gras in New Orleans Dave Bartholomew - Country Boy Little Richard - Slipping' And Sliding' Jack Harlow - Dua Lipa Future - Puffin on Zootiez Hitkidd, Gorilla - F.N.F. (Let's Go) Bad Bunny - Después de la Playa Learn more about your ad choices. Visit podcastchoices.com/adchoices

We mark the death on July 25, 1984 – 38 years ago today – of the American Rhythm and Blues singer Willie Mae “Big Mama” Thornton.  Born on December 11, 1926, she died in Los Angeles of both heart and liver disease brought on by alcohol abuse.  According to Gillian Gaar, writing in She's a Rebel: The History of Women in Rock & Roll (Seal Press, 1992), during the brief period of her final illness, Thornton went from 450 pounds (Big Momma!) to 95 pounds, a weight loss of some 355 pounds. Thornton scored her one-and-only hit when, on August 13, 1952, she recorded a brand-new, 12-bar blues song by Jerry Leiber and Mike Stoller entitled Hound Dog.   Released by Peacock Records in February 1953, Big Mama Thornton's Hound Dog sold over 500,000 copies and spent fourteen weeks on the Rhythm and Blues charts, seven of those fourteen weeks at number one.  Thornton's recording is linked below: (By the way: please ignore the photo of Josephine Baker at the top of the link; Big Momma's left leg was bigger than all of Madame Baker.) Thornton's recording of Hound Dog was inducted into the Grammy Hall of Fame in 2013 […] The post Music History Monday: Under the Covers first appeared on Robert Greenberg.

Legendary songwriter Mike Stoller joins host Brian Hiatt to explain how he and Jerry Leiber wrote "Hound Dog" for Big Mama Thornton – and what happened next. He also shares tales of his time with Elvis Presley and much more. Plus David Fear on the new "Elvis" movie, and Rolling Stone News correspondent Delissa Shannon's interview with Yola about playing Sister Rosetta Tharpe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Air Week: June 20-26, 2022 Leiber & Stoller's Spark Records The “Juke In The Back” is proud to present one of the premiere, short-lived R&B record labels of the 1950s. Started by songwriters Jerry Leiber & Mike Stoller after they were stiffed on royalty payments for Big Mama Thornton's “Hound Dog,” Spark records only lasted […]

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Jody Mosser @jodymossermusicBen E King “Stand By Me” from the 1961 album "Don't Play That Song!" released on Atco. Written by  Benjamin King, Jerome Leiber, and Michael Stoller and produced by Jerry Leiber and Michael Stoller.Personel:Ben E King - vocalRomeo Penque - saxErnie Hayes - pianoAl Caiola and Charles McCracken - guitarsLloyd Trotman - bassPhil Kraus - percussionStanley Applebaum - string arrangementGary Chester– drumsCover:Performed by Josh Bond, Neal Marsh, and Jody MosserIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Jody Mosser @jodymossermusicBen E King “Stand By Me” from the 1961 album "Don't Play That Song" released on Atco. Written by  Benjamin King, Jerome Leiber, and Michael Stoller and produced by Jerry Leiber and Michael Stoller.Personel:Ben E King - vocalRomeo Penque - saxErnie Hayes - pianoAl Caiola and Charles McCracken - guitarsLloyd Trotman - bassPhil Kraus - percussionStanley Applebaum - string arrangementGary Chester– drumsCover:Performed by Josh Bond, Neal Marsh, and Jody MosserIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Van Morrison “Into the Mystic”MotownThe DriftersFrankie ValliThe Temptations “My Girl”Elvis “Jailhouse Rock”Elvis “King Creole”Elvis “Lovin You”Elvis “Hound Dogs”The Coasters “Yakety Yak”The Drifters “On Broadway”Fats Domino  “Kansas City”Phil SpectorNat King ColeOtis ReddingThe Zombies “This Will Be Our Year”SantigoldJessie Ed DavisJohn LennonThe KingsmanSam CookeJW AlexanderThe Soul Stirrers “Stand By Me, Father”Johnnie TaylorStephen KingThe Drifters “This Magic Moment”The Drifters “There Goes My Baby”Ben E King “Spanish Harlem”George GershwinOscar Hammerstein Cassius ClayRev Charles Alan Tinsley “Stand By Me”The Staples SingersLed Zeppelin “Thank You”Tammy Wynette “Stand By Your Man”Steve CropperThe Old Grey Whistle TestMuhammed AliThe YardbirdsThe Rolling StonesThe AnimalsIke and Tina TurnerMeatloafU2Bruce SpringsteenVersaceTom Ford

In the SEASON FINALE of the seventh season of the show (the seventh episode of this season and the 43rd overall) Kevin welcomes O.G. palington Eric Buegler AKA Buegs onto the show. Buegs is the co-host of the movie podcast "The Avid Indoorsmen," and the two catch up over their love of girl pop, Buegs' time on a cruise ship, his love of romantic comedies, and his complicated relationship with music. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here! To learn more about "The Avid Indoorsmen," head to their website.   Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996. Incidental Music: "It Never Entered My Mind," written by Lorenz Hart and Richard Rogers; performed by Miles Davis. Workin', Prestige, 1954. "Home," written by Marc Broussard, Shannon Sanders, Marshall Altan, Ted Broussard, and Andrew Ramsey; performed by Marc Broussard. Carencro, Island, 2004. "Stand by Me," written by Ben E. King, Jerry Leiber, and Mike stoller; performed by Ben E. King. Don't Play That Song!, ATCO, 1961. "Respect" written by Otis Redding; performed by Aretha Franklin. I Never Loved A Man The Way I Love You, Atlantic, 1967. "Superstition," written and performed by Stevie Wonder. Talking Book, Motown/Tamla, 1972. "Adagio for Strings, Op. 11," written by Samuel Barber; conducted by Leonard Bernstein and performed by the New York Philharmonic. Barber: Adagio for Strings & Violin Concerto - Schuman: In Praise of Shahn & To Thee Old Cause, Sony, 1971. "Stop This Train," written and performed by John Mayer. Continuum, Aware/Columbia, 2006. "Fields of Gold," written by Gordon Sumner; performed by Eva Cassidy. Songbird, Blix Street, 1998. "Somewhere Over The Rainbow/What A Wonderful World," written by Harold Arlen, Yip Harburg, Bob Thiele, and George David Weiss; performed by Israel Kamakawiwo'ole. Facing Future, Big Boy, 1993. "Goodbye Until Tomorrow/I Could Never Save You," written by Jason Robert Brown; performed by Sherie Rene Scott and Norbert Leo Butz. The Last Five Years, Sh-K Boom, 2002. "Cut to The Feeling," written by Carly Rae Jepsen, Simon Wilcox, and Nolan Lambroza; performed by Carly Rae Jepsen. School Boy/Interscope, 2017.

Every Monday on One FM Roman 'Koz' Kozlovski joins Breakfast announcer Terri Cowley for Kozie's Corner. Today he talks to fill in Breakfast host Peter D. about the songwriters Jerry Leiber & Mike Stoller This program originally aired on Monday the 14th of March, 2022. Listen to Terri Cowley live on weekday mornings from 6am-9am. Contact the station on admin@fm985.com.au or (+613) 58313131 The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1. PRA AMCOS (Australasian Performing Right Association Limited and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1

Direttamenta dal Brill Building di New York una delle coopie più prolifiche della storia della musica pop.

Grammy-winning producer, singer, and songwriter, Steve Tyrell, shares his life story with award-winning journalist, host, and creator of the Little Italy Podcast, Deborah Zara Kobylt.  Steve chats about his upcoming album, his mega-successful career music career, his radio show, and of course his Italian roots.Steve's breakthrough performances in Father of the Bride and Father of the Bride II helped Tyrell reinvent and re-popularize classic pop standards for a modern-day audience. His hits, The Way You Look Tonight, The Simple Life, Crush On You, and The Sunny Side of The Street, have launched millions of romances and been played at thousands of weddings, including Chelsea Clinton's. He also sang for Prince Charles, at his request, in London. What an experience that was!As an artist, all 9 of his American Standards albums have achieved top 5 status on Billboard's Jazz charts. His first album, A New Standard, was amongst the best selling jazz albums for more than 5 years. Steve's latest album, That Lovin' Feeling, debuted in the top 5. On it, he celebrates what he calls the Great American Songbook 2, featuring seminal rock era classics penned by legendary songwriters, including Carole King, Burt Bacharach, Neil Sedaka, Barry Mann and Cynthia Weil, Mike Stoller and Jerry Leiber, among others.We hope you enjoy our Little Italy of LA  podcast with Deborah Zara Kobylt, who also hosts the award-winning Deborah Kobylt LIVE, interviewing authors, actors, and change makers from around the globe.  Support the show (https://www.paypal.com/biz/fund?id=GYVQXMPXJL9D4)

El cantante Prince Royce lanzó en 2010 su álbum homónimo, el cual incluyó la canción “Stand by me”, cantada en español e inglés simultáneamente. La canción de Prince Royce es una versión bilingüe del súper clásico de la música “Stand by me” (Quédate conmigo), interpretada originalmente por Ben E. King quien coescribió la canción junto a la legendaria dupla de compositores Leiber y Stoller. Así la escuché yo… A lo largo de los años, diversos artistas incluyeron en su repertorio versiones de “Stand by me”, como el legendario ex-beatle John Lennon para su álbum “Rock 'n' roll” de 1974. En 2009, se destacó un proyecto musical titulado “Playing for change” en el que se incluyó una versión de “Stand by me” interpretada por artistas de diferentes países del mundo. Autores: Ben E. King & Glick (seudónimo usado por la dupla de compositores Jerry Leiber & Mike Stoller) Stand by me - Prince Royce (2010) “Prince Royce” álbum (2010) Prince Royce (nombre real Geoffrey Royce Rojas, estadounidense) Stand by me - Ben E. King (1961) “Don't play that song” álbum (1961) Stand by me - John Lennon (1974) “Rock 'n' roll” álbum (1974) Stand by me - Playing for change (2009) “Songs around the World” álbum (2009) Inspirada en: Stand by me, Father - The Soul Stirrers Joy in my soul álbum (19??) Canta: Johnnie Taylor A su vez inspirada en el Salmo 46, 2-3 Autores: J.W. Alexander & Sam Cooke & Junior Parker ___________________ “Así la escuché yo…” Temporada: 3 Episodio: 57 Sergio Productions Cali – Colombia

Join us in episode 6 to understand out how THIS song, Till There Was You is somehow connected to the song Will Rock You, by the rock band, Queen! Discover how we, indeed, establish a bona-fide connection between these two songs – AND, how we connect Till There Was You to many other Beatles classics!So settle in for a series of revelations that you will find entertaining and informative!SongsTill There Was You, Meredith Willson, performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)On Broadway, Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller; performed by Mike SugarRight Place, Wrong Time, Mac Rebennack; performed by Mike Sugar and Joe AnastasiStory Time Music; composed and performed by Mike SugarDocu-inspiration theme; composed and performed by Mike SugarP.S. I Love You, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)It Won't Be Long, Lennon and McCartney; performed by Joe Anastasi and Mike SugarI Saw Her Standing There, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Hello Goodbye, Lennon and McCartney; performed by Joe Anastasi and Mike SugarOh! Darling, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Let It Be, Lennon and McCartney; performed by Mike SugarIf I Fell, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)You Won't See Me, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and WinterFrom Me to You, Lennon and McCartney; performed by Joe Anastasi and Mike SugarTwist and Shout, Bert Berns and Phil Medley; performed by Joe Anastasi and Mike SugarKansas City / Hey, Hey, Hey, Hey, Jerry Leiber / Mike Stoller / Richard Penniman; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Long, Tall Sally, Enotris Johnson, Robert Blackwell, Richard Penniman; performed by Joe Anastasi and Mike SugarThus Spake Zarathustra, Richard Wagner; performed by Mike SugarFerry Cross the Mersey, Gerry Marsden; performed by Joe Anastasi and Mike Sugar;You'll Never Walk Alone, Rogers and Hammerstein; performed by Joe Anastasi and Mike SugarAbandon the Run Interstitial - based on Paul McCartney's Band On The Run, created and performed by Mike SugarWe Will Rock You, Brian May, performed by Joe Anastasi and Mike SugarNothing Rhymed, “Gilbert” O'Sullivan; performed by Joe Anastasi and Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Penny Lane, Lennon and McCartney; guitar intro performed by WinterAnd the great Dan Castellaneta, the voice of Homer Simpson!Sources:The Music Man https://en.wikipedia.org/wiki/The_Music_ManWhat Songs the Beatles Sang, William Mann; The Times; December 27, 1963.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Anfield's 50 years of never walking alone, Simon Hart; The Independent; October 25, 2013.Gilbert O'Sullivan – Interview; The Danny Baker Show; February, 2016Mike Pachelli – YouTube https://www.youtube.com/watch?v=VdYoK2klGqM

Episode 6 Till There Was You – and Many MoreJoin us in episode 6 to understand out how THIS song, Till There Was You is somehow connected to the song We Will Rock You, by the rock band, Queen! Discover how we, indeed, establish a bona-fide connection between these two songs – AND, how we connect Till There Was You to many other Beatles classics!So settle in for a series of revelations that you will find entertaining and informative!SongsTill There Was You, Meredith Willson, performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)On Broadway, Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller; performed by Mike SugarRight Place, Wrong Time, Mac Rebennack; performed by Mike Sugar and Joe AnastasiStory Time Music; composed and performed by Mike SugarDocu-inspiration theme; composed and performed by Mike SugarP.S. I Love You, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)It Won't Be Long, Lennon and McCartney; performed by Joe Anastasi and Mike SugarI Saw Her Standing There, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Hello Goodbye, Lennon and McCartney; performed by Joe Anastasi and Mike SugarOh! Darling, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Let It Be, Lennon and McCartney; performed by Mike SugarIf I Fell, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)You Won't See Me, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and WinterFrom Me to You, Lennon and McCartney; performed by Joe Anastasi and Mike SugarTwist and Shout, Bert Berns and Phil Medley; performed by Joe Anastasi and Mike SugarKansas City / Hey, Hey, Hey, Hey, Jerry Leiber / Mike Stoller / Richard Penniman; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Long, Tall Sally, Enotris Johnson, Robert Blackwell, Richard Penniman; performed by Joe Anastasi and Mike SugarThus Spake Zarathustra, Richard Wagner; performed by Mike SugarFerry Cross the Mersey, Gerry Marsden; performed by Joe Anastasi and Mike Sugar;You'll Never Walk Alone, Rogers and Hammerstein; performed by Joe Anastasi and Mike SugarAbandon the Run Interstitial - based on Paul McCartney's Band On The Run, created and performed by Mike SugarWe Will Rock You, Brian May, performed by Joe Anastasi and Mike SugarNothing Rhymed, “Gilbert” O'Sullivan; performed by Joe Anastasi and Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Penny Lane, Lennon and McCartney; guitar intro performed by WinterAnd the great Dan Castellaneta, the voice of Homer Simpson!Sources:The Music Man https://en.wikipedia.org/wiki/The_Music_ManWhat Songs the Beatles Sang, William Mann; The Times; December 27, 1963.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Anfield's 50 years of never walking alone, Simon Hart; The Independent; October 25, 2013.Gilbert O'Sullivan – Interview; The Danny Baker Show; February, 2016Mike Pachelli – YouTube https://www.youtube.com/watch?v=VdYoK2klGqM

Current Productions (1:23) Boxy Chevrons (Ravelry Link) Hearthstone Pullover (Ravelry Link) Mom's Looped Loop Cowl (Ravelry Link) Paloma Pullover (Ravelry Link)   Mention of Dad's Socks Mention of Dexter's Sweater Mention of my Looped Loop Cowl   Events (18:14)  May Playlist: For May! is now LIVE! Stash Dash 2021 hosted by the KnitGirllls Stitches at Home – May 15 & 16, 22 & 23, 2021 Tour de Fleece - June 26 - July 18, 2021 #teamsasquatch 2020 Olympic Games July 23 - August 8, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022 Nightly Met Opera Streams   Mention of The Knitmore Girls Podcast   Hey Look Me Over (24:13) Memphis   Mention of Big Mama Thornton   Correction: Hound Dog was first recorded by Big Mama Thornton, and was written by Jerry Leiber and Mike Stoller   Little Known Facts (39:47)             Pack some backup knitting!   It's De-Lovely (41:41)             Making Plans!

I am an Elvis fan and rock 'n' roll fan who was blessed to be able to interview my life-long heroes such as songwriters. Jerry Leiber and Mike Stoller,  and my delight shows in this "Singles" edition of my podcast. It is less than five minutes long but has a world exclusive! Leiber and Stoller not only telling me how that great blues for Elvis, Santa Claus is Back in Town, came about, but also singing a "blue" blues tune called Bow-Legged Woman. If this doesn't make you smile, or laugh, we must be on different frequencies, I am afraid!  Enjoy

I was born, at the age of ten, or rather, reborn, the day I discovered rock 'n' roll via an old Elvis single called I Need Your Love Tonight. I died a little when Elvis died in 1977. It fragmented my life in ways, as I say in the intro to this podcast. But it also sent me off on a life-long quest to talk with, among all my hundreds of celebrity interviewees, anyone who knew or worked with Elvis. I also regard Leiber and Stoller as the best songwriters in the early years of rock 'n' roll and beyond. And during a ninety-minute interview, we did in their office in LA in 2005, I finally got to ask them, just for fun, and for the history books, if Jailhouse Rock is a gay love song. We certainly had so much fun that day and there will be more Leiber and Stoller podcasts from me, and a digital magazine based on the interview

Stand by Me é uma música originalmente lançada em 1961 pelo cantor e compositor americano Ben E. King e escrita por King, Jerry Leiber e Mike Stoller. Existem mais de 400 versões gravadas da música, executadas por muitos artistas e inclusive na trilha sonora do filme Stand by Me de 1986. No intervalo, a versão acústica da cantora britânica Samantha Harvey, gravada em 2018. --- Send in a voice message: https://anchor.fm/inlovewithmepodcast/message

Have you ever heard of Jerry Leiber and Mike Stoller? If you have or you haven't, either way, I guarantee these guys wrote one of your favorite songs! Today we stage dive headfirst into the story of the songwriting duo known as Leiber and Stoller. Two Hit Making Demigods that changed the History of Rock and Roll! Show Notes and Extras available at: www.rockandrollhistory.com