Podcast appearances and mentions of mike stoller

! Turn On - Choon In - Zig Zag ! - ! What's Past - Is Prologue ! ! !   Callin'  ALL  The  Boom Booms  &  The Zoom Zooms   ! ! . . .   GROUND  DOWN  TO  THE  REAL UNDERGROUND   . . . * * *  GROOVIN'  BLUE   25 - 04  * * * Groovin' Blue is dedicated to Dr. Li Wenliang 1.  (4:14)  WAGRadio GB 25 - 04 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter (formerly CKLG-FM 96.9 Boss Jock - 'Bill Reiter - The All-Niter') 2.  (4:13)  "Mi Salsa (DJZigZag Phig Pat EdiT)" - LENNON VIBES, OMAR CARDOSA, AFRO DRUMZ [Xumba] 3.  (2:59)  "Shoppin' For Clothes" - THE COASTERS [Atco 45rpm No. 6178] 1960 - The Coasters were Carl Gardner (ld tenor), Cornel Gunter (ten), Billy Guy (bar), Will "Dub" Jones (bs) - King Curtis (tn sx),  Mike Stoller (pn), Sonny Forriest, Phil Spector (gtr), Wendell Marshall (bs), Gary Chester (dm) A Leiber - Stoller Production 4.  (1:26)  "I'm Ready (Quick Hit Version)" - JENN EM [Death Row] 5.  (3:36)  "Wants And Needs (DJZigZag Hubb & Chub EdiT)" - JAKE ANTONIO [AH:Vision] 6.  (  :18)  WAGRadio Gathur Round Id 7.  (4:27)  "Love Is Free" - BRENTON WOOD [Cream Records Lp No. CR-1006] 1977 Prod. Hal Winn & Brenton Wood 8.  (1:10)  WAGRadio UndaGroun' Id 9.  (3:07)  "Way People (DJZigZag Deter The Tires Wisom EdiT)" - ANGELO FERRERI, HATIRAS [Spacedisco Records Promo] 10.(  :43)  WAGRadio SoundIntro Id 11.(2:58)  "Over Under" - JOE LEONE [JBR Entertainment] 12.(5:53)  "With Just A Word" - DIEGO RIVERA [Posi-Tone Cd No. 1644 "With Just A Word"] 2024 13.(4:35)  "Freak Out For Fitness (DJZigZag Fatnuz EdiT)" - FSQ [Soul Clap Records] 14.(5:06)  "Would You (go to bed with me) vs. Jazzed Fusion (Muzikman Original Mix) [DJZigZag MashEdiT Pt.1]"  - CAMPBELL, ALCEMIST, DANIELE BUSCIALA, MUZIKMAN EDITION [Atlantic Records UK] / Merecumbe Records] 2023 15.(  :31)  WAGRadio SNAPP 2025 Id 16.(2:13)  "Must (Acapella)" - BOYPEE, BROWN JOEL, HYCE [Azuri] Nigeria 17.(4:53)  "Machete" - DIEGO RIVERA [Posi-Tone Cd No. 1644 "With Just A Word"] 2024 18.(3:50)  "The Inner World vs. I'm Ready (DJZigZag MashEd EdiT)" - ENRICO SANGIULIANO, GMS, JENN EMM [Ninetozero] / [Death Row] 19.(6:27)  "No Words (DJZigZag Doodle Whang EdiT Pt.1 of the Terry Hunter Club Mix)" - HBCU SYMPHONY, TARREY TORAE, ANTHONY HAMILTON, J. IVY [Mirror Ball] 20.(3:47)  "Risk It All" - oH! The Artist [S.O.G. Entertainment] 21.(  :34)  WAGRadio Dream Perspective Id 22.(6:13)  "Skyz (The Afro Disco Jam)" - BAD LIEUTENANT [Jolly Jams] 23.(7:14)  "What About My Love (DJZigZag EdiT)" - DAVE & MAURISSA, MAURISSA ROSE, DAVE LEE ZR [Z Records] 24.(  :07)  Nu GB End 79:37    

PopaHALLics 140 "Pop Go the Clues"It's no mystery why we love TV's "The Residence" and the book "The Last"—they're both murder mysteries, albeit very different ones (a comedy and a dystopian thriller). And does Seth Rogen have a clue about being a Hollywood executive in "The Studio"? Stay tuned!Streaming:"The Residence," Netflix. A brilliant, eccentric, no-nonsense detective (Uzo Adoba) investigates a murder in the White House residence during a State dinner in this comedy from Shondaland Productions. With Giancarlo Esposito, Bronson Pinchot, Al Franken, Jane Curtin, and more."The Studio," Apple +. A new studio head (Seth Rogen) tries to juggle his desire to make great movies with his boss' desire for big box office. A Kool-Aid movie, anyone? With Catherine O'Hara, Kathryn Hahn, Bryan Cranston, and such real-life Hollywooders as Martin Scorsese playing themselves.Books:"Everything I Know About Love," by Dolly Alderton. In a funny, sometimes heartbreaking memoir, a British journalist and podcast host reflects on the trials and tribulations of becoming an adult."The Last," by Hanna Jameson. Imagine an Agatha Christie novel written by Stephen King. This dark, chilling, highly original novel finds a historian trying to solve a murder at an isolated Swiss hotel after the end of the world."A Hound Dog Tale: Big Mama, Elvis and the Song That Changed Everything," by Ben Wynne. This nonfiction book traces the unusual development of the song "Hound Dog"—written by two Jewish teenagers, popularized by a black woman with a large frame and a booming voice, parodied by a Las Vegas lounge act—and then taken to new heights of popularity by Elvis Presley. Podcasts:"Miss Me?" from BBC Audio. Join pop star Lily Allen and Miquita Oliver, her friend since childhood, for a twice-weekly podcast. On Mondays they answer questions on a theme: celebrity weddings, lies, orgasms, etc. On Thursdays, they pick apart everything from intimacy to interiors.Music:Because of our discussion of the book "A Hound Dog Tale," PopaHALLics #140 Playlist (Hound Dog) features various versions of that song, more Big Mama songs, and some classics from "Hound Dog" writers Jerry Leiber and Mike Stoller.Click through the links above to watch, read, and listen to what we're discussing.

Justin and Bec forego a typical main topic this week, opting instead for effectively two main topics with absolutely massive, iconic Songs of the Week! Bec's Song of the Week is "You Don't Have to Say You Love Me" and she explores the roots of it from the 1965 Italian ballad "Io che non vive (senza te)" through to Dusty Springfield's hugely successful English adaptation and eventually to Elvis's famous performances of it in the 1970s, across his 1970 Nashville sessions, the concerts filmed for "That's The Way It Is," and even much later and deeper into the decade. Justin then traces the lineage of Jerry Leiber and Mike Stoller's legendary "Trouble," originally featured in the 1958 film "King Creole," but increasingly recognized over the years as one of Elvis's most enduring recordings, symbolizing the myth of him as a rebellious rocker, most prominently recently featured in Baz Luhrmann's "Elvis." We go deeper, though, touching on the history of stop-time in Dixieland jazz and, most influentially on Leiber/Stoller, in Muddy Waters's "Hoochie Coochie Man." Understanding the history behind that song, the hoochie coochie itself, and the way Trouble has become representative of expressions of both masculinity and femininity unlocks a deeper sense of the song's significance as one of the all-time masterpieces of Elvis's entire recorded works. Oh yeah, and the duo react to the first trailer for Disney's live action remake of Lilo & Stitch! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

A finales de los 50, principios de los 60, hacer llegar al público una cancion en EEUU tan sencillo como acercarte a un edificio en el 1619 de Broadway en la calle 49 de Manhattan, en Nueva York. Once pisos con todo lo necesario, músicos, autores, editores, salas de ensayo...una autentica "fabrica de sueños" comandada por Don Kirshner. Nombres establecidos como Jerry Leiber y Mike Stoller o jovenes promesas como Goffin&King , autores de “¿Will You Still Love Me Tomorrow ?“ para las Shirelles como Jeff Barry y Ellie Greenwich de ”Be My Baby” para las Ronettes.Una miriada de famosos desconocidos como Barry Mann-Cynthia Weil, Doc Pomus-Mort Shuman o Bacharach y David, la inequívoca señal de que estabas en el lugar adecuado. Te asombrará saber las maravillas que produjeron y cómo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

The Coasters were formed 69 years ago this month, when two members of an L.A.-based R&B group called The Robins came east to join Atlantic Records. The new group was dubbed The Coasters because they crossed the continent to come together.About the same time, songwriters Jerry Leiber and Mike Stoller produced “Smokey Joe's Cafe" for The Robins (their sixth for the group). Atlantic liked the tune so much, the company offered Leiber and Stoller an independent production contract to bring The Robins to Atlantic. However, when only two Robins — Carl Gardner and Bobby Nunn — wanted to make the move to New York, the new Coasters were born; the group's association with Leiber and Stoller was a match made in rock ‘n' roll heaven. The Family Flood grew up singing, laughing and dancing to The Coasters' string of good-humored storytelling hits. Theirs were some of the most joyful radio moments of the 1950s and early ‘60s, starting with “Down in Mexico,” “Young Blood” and “Searchin',” quickly followed by “Yakety Yak,” “Charlie Brown,” “Poison Ivy,” “Little Egypt.”About This SongAs reported earlier, the song featured in this video that Pamela Bowen shot at a recent rehearsal dropped into The Coaster's world in 1957, and various incarnations of The Flood have played it for the past four decades. (For more on that part of the story, click here.)For this latest rendition, the guys were joined by Floodster Emeritus Paul Martin who dropped by to sit in for the evening. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Avec The Zombies, The Robins, System of a Down et Johnny Cash. En 1968, The Zombies sortent leur chef-d'œuvre, l'album "Odessey and Oracles" sur lequel on retrouve le classique "Time of The Season" et aussi "Care of Cell 44" qui nous transporte dans l'univers carcéral, composé par Rod Argent, le claviériste du groupe, le chanteur des Zombies, Colin Bluntsone, convaincu du potentiel succès de ce titre mais qui arrivera trop tard, un an après la séparation du groupe. Les 50's avec "Riot in Cell Block #9" des Robins, groupe californien qui collaborait les compositeurs Jerry Leiber et Mike Stoller. Les années 2000, System of a Down émerge avec "Prison Song", extrait de "Toxicity". Impossible d'évoquer les titres qui parlent de prison sans citer le classique de Johnny Cash "Folsom Prison Blues" en 1968. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

This week our hosts Brittany and Rob look at one of the longest, craziest stories in pop music: the never-ending saga of “Hound Dog.” Big Mama Thornton came out with this massive R&B belter in 1952 and was the first hit from the legendary writing team of Jerry Lieber and Mike Stoller. The song comes in at #318 on the list, and instantly became a cultural phenomenon, inspiring countless cover versions, answer songs, rewrites and sequels in blues, pop, and country. The most notable was Elvis Presley's version of Hound Dog” in 1956, but he wasn't covering Big Mama Thornton's song – these were two very different tunes with the same title, and the only thing they had in common was the opening line, “You ain't nothing but a hound dog.” In this episode, Brittany and Rob dive deep into the secret history of “Hound Dog” and why time has simplified the story to being between Big Mama and Elvis. Rolling Stone senior writer Angie Martoccio also joins us to look at the song and its complex cultural afterlife. Together we celebrate the greatness of Willie Mae “Big Mama” Thornton, and the incredible power of her “Hound Dog”. For a song that's continued to change constantly throughout the past 70 years after it first became a hit, there's really no other story in music history like this one. From Jimi Hendrix to Doja Cat, we look at how “Hound Dog” keeps on inspiring sequels and likely will for the rest of history.See omnystudio.com/listener for privacy information.

Legendary songwriter Mike Stoller, of the songwriting team Leiber and Stoller, is speaking with us in this episode. Together with Jerry Leiber, Mike Stoller wrote a breathtaking number of classics for Elvis Presley, The Coasters, The Drifters, Peggy Lee, LaVern Baker, Ben. E. King, and more, including "Jailhouse Rock," "Hound Dog," "Santa Claus Is Back in Town," "Stand By Me," "Love Potion #9," "Yakety Yak," "Kansas City," "Poison Ivy," "Along Came Jones," "Bossa Nova Baby," and so many more.  Although Jerry passed in 2011, Mike continues the duo's legacy and is still actively working. Songfacts Podcast host Stephanie R. Myers spoke with Mike, now 90 years old, to discuss his work on the recently released album Brendan McCreary Sings the Love Songs of Mike Stoller, tell the story behind the fascinating Peggy Lee song "Is That All There Is?" and talk about his new project, working on the musical Beaches. Enjoying the show? Please leave us a 5-star review on Apple Podcasts, Goodpods, or Spotify! Connect with us on Facebook and X (Twitter). For the stories behind the songs, go to Songfacts.com. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary songwriter Mike Stoller, of the songwriting team Leiber and Stoller, is speaking with us in this episode. Together with Jerry Leiber, Mike Stoller wrote a breathtaking number of classics for Elvis Presley, The Coasters, The Drifters, Peggy Lee, LaVern Baker, Ben. E. King, and more, including "Jailhouse Rock," "Hound Dog," "Santa Claus Is Back in Town," "Stand By Me," "Love Potion #9," "Yakety Yak," "Kansas City," "Poison Ivy," "Along Came Jones," "Bossa Nova Baby," and so many more.  Although Jerry passed in 2011, Mike continues the duo's legacy and is still actively working. Songfacts Podcast host Stephanie R. Myers spoke with Mike, now 90 years old, to discuss his work on the recently released album Brendan McCreary Sings the Love Songs of Mike Stoller, tell the story behind the fascinating Peggy Lee song "Is That All There Is?" and talk about his new project, working on the musical Beaches. Enjoying the show? Please leave us a 5-star review on Apple Podcasts, Goodpods, or Spotify! Connect with us on Facebook and X (Twitter). For the stories behind the songs, go to Songfacts.com. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

More discussions of Waits's unreleased recordings brings us to the 1980s, featuring several demos, a bunch of covers, and significant collaborations with other musicians, both big and small. Highlights this week include his contribution to a poetry documentary, a live Ewan MacColl cover, and his evening of collaborations with The Replacements. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Purple Avenue / Empty Pockets, live recording, Expo Theatre, Montreal Canada (3 July 1981) Smuggler's Waltz / Bronx Lullaby, from Poetry In Motion, dir. Ron Mann (1982) Carnivalins, unreleased recording, Frank's Wild Demos (1986?) Vegas Theme, unreleased recording, Frank's Wild Demos (1986?) Downtown Train (alt take), NME's Big Four 7" EP, Tom Waits (1986) Harlem Shuffle, Dirty Work, The Rolling Stones (1986) I Forgot More Than You'll Ever Knew (About Her), live recording, Beverly Theatre, Los Angeles CA, Tom Waits with Elvis Costello and Lou Reed, w. Cecil Null (4 October 1986) Papa's Got A Brand New Bag, live recording, Massey Hall, Toronto Canada, w. James brown (7 October 1987) Mack The Knife, live recording, Freie Volksbuhne, Berlin Germany, w. Bertolt Brecht / Kurt Weill (8 December 1987) Big Rock Candy Mountain, from the film Ironweed, dir. Hector Babenco (1987) Once More Before I Go, from the film Candy Mountain, dir. Robert Frank and Rudy Wurlitzer (1988) Date To Church, single b-side, The Replacements / Tom Waits (1989) Lowdown Monkey Blues, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) If Only You Were Lonely, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) I Can Help, studio outtake / Dead Man's Pop, The Replacements / Tom Waits, w. Billy Swan (1989/2019) We Know The Night - Rehearsal Version, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) Take It As It Comes, live recording, Wiltern Theatre, Los Angeles CA, w. The Doors (31 December 1988) Pennies From Heaven, live recording, Wiltern Theatre, Los Angeles CA, w. Arthur Johnston and Johnny Burke (31 December 1988) Dirty Old Town, live recording, Wiltern Theatre, Los Angeles CA, w. Ewan MacColl (31 December 1988) Hound Dog, live recording, Wiltern Theatre, Los Angeles CA, w. Jerry Leiber and Mike Stoller (31 December 1988) Dirty Old Town, Rum Sodomy and The Lash, The Pogues (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

INSTRUMENTAL "Love Potion No. 9" :  SING ALONG !Written by Jerry Leiber & Mike Stoller 1959Producer Renee plays her rendition on Piano + Guitar.Here are the Lyrics:I took my troubles down to Madame RueYou know that gypsy with the gold capped toothShe's got a pad down on Thirty-Fourth and VineSellin' little bottles of Love Potion No. 9I told her that he was a flop with chicksHe's been that way since 1956She looked at my palm and she made a magic signShe said "What you need is Love Potion No. 9"She bent down and turned around and gave me a winkShe said, " I'm good make it up right here in the sinkIt smelled like turpentine it looked like Indian inkI held my nose, I closed my eyes, I took a drinkI didn't know if it was day or nightI started kissing everything in sightBut when I kissed a cop down on Thirty-Fourth and VineHe broke my little bottle of Love Potion No. 9INSTRUMENTAL ....I held my nose, I closed my eyes, I took a drinkI didn't know if it was day or nightI started kissing everything in sightBut when I kissed a cop down on Thirty-Fourth and VineHe broke my little bottle of Love Potion No. 9Love Potion No. 9 ... Love Potion No 9 ...VoiceRenee@charter.net

Pinkie Sings "Love Potion # 9 " Written by Jerry Leiber & Mike Stoller 1957Producer Renee plays her rendition on Piano + GuitarVoiceRenee@charter.net

Buddy Holly, Jerry Lieber, Mike Stoller, Norman Petty, Bob Thiele, and you.

"Is That All There Is?", a song written by American songwriting team Jerry Leiber and Mike Stoller during the 1960s, became a hit for American singer Peggy Lee and an award winner from her album of the same title in November 1969. The song was originally performed by Georgia Brown in May 1967 for a television special. It was first recorded by disc jockey Dan Daniel in March 1968, but this was an unauthorized recording that, while played on Daniel's own radio show, went unissued at the songwriters' request. The first authorized recording was by Leslie Uggams in August 1968. Then came the hit Peggy Lee version in August 1969, followed by Guy Lombardo in 1969 and Tony Bennett on 22 December 1969.[2]Peggy Lee's version reached number 11 on the U.S. pop singles chart — becoming her first Top 40 pop hit since "Fever" eleven years earlier—and doing even better on the adult contemporary scene, topping that Billboardchart. It also reached number six in Canada. It won Lee the Grammy Award for Best Female Pop Vocal Performance, and then later was named to the Grammy Hall of Fame.The orchestral arrangement on the song was composed by Randy Newman, who played the piano in the slower introduction section,[3] and who also conducted the orchestra.[4]LyricsThe lyrics of this song are written from the point of view of a person who is disillusioned with events in life that are supposedly unique experiences. The singer tells of witnessing her family's house on fire when she was a little girl, seeing the circus, and falling in love for the first time. After each recital, she expresses her disappointment in the experience. She suggests that we "break out the booze and have a ball—if that's all there is," instead of worrying about life. She explains that she'll never kill herself either because she knows that death will be a disappointment as well. The verses of the song are spoken, rather than sung. Only the refrain of the song is sung.

Thank you to all of our new, upgrading, and boosting MaxFun Members who contributed in the name of Go Fact Yourself! We'll have more information on some special rewards YOU unlocked in this episode.Sing a song and survive at sea – it's a brand new episode of Go Fact Yourself!Bruce Vilanch is an Emmy award-winning comedy writer and game show icon. He'll tell us about what may be his greatest achievement yet: writing a new musical with Dolly Parton. Bruce is also happy to celebrate his career low-lights as well. He's got an upcoming book about his work on The Star Wars Holiday Special.Josefina López is a playwright and screenwriter, perhaps best known for creating Real Women Have Curves. The play has always been a point of pride for her. For many Hispanic actors, it's the first time they get to play roles that they can be proud of. Josefina also has a diplome de cuisine from Le Cordon Bleu in France. She'll tell us about how she'll combine her knowledge of food and plays in writing an upcoming musical.Our guests will compete to answer trivia about squares, shipwrecks, and Saigon.Areas of expertiseBruce: Classic cartoon characters, Jewish food, and the SS Andrea Doria.Josefina: Mexican muralists, the history of Boyle Heights in Los Angeles, and the musical Miss Saigon.What's the difference: It's hip to be square.What's the difference between rap and hip-hop?What's the difference between a handkerchief and a pocket square?Appearing in this episode:J. Keith van StraatenHelen HongBruce VilanchJosefina LopezWith guests expertsMike Stoller: Member of the Grammy Hall of Fame and the Rock & Roll Hall of Fame, known for co-writing hits like “Hound Dog,” “Stand By Me,” and more.Richard Maltby Jr., Tony award-winning theater director, producer and lyricist, who wrote the lyrics for the musical Miss Saigon. Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Associate Producer and Editor is Julian Burrell.Seeing our upcoming live shows in LA by YOU!

Probably the most famous songwriters in rock and roll history, today we'll discover all the interesting circumstances that made Leiber and Stoller the magic duo that wrote for Elvis, Ben E. King, The Coasters, and many more!

Uno de los ídolos juveniles de Latinoamérica en la década de 1960 fue sin duda alguna Enrique Guzmán, quien se anotó varios éxitos musicales de la Nueva Ola, como la canción incluida en el álbum “Enamorado - From Mexico with Love” de 1964 titulada “Uno de tantos”. Así la escuché yo…. “Uno de tantos” de Enrique Guzmán es una versión al español adaptada por el famosísimo compositor mexicano Armando Manzanero de la canción que fuera éxito en inglés una año antes en la voz del estadounidense Ben E. King, quien la grabó en 1963 bajo el título “I, who have nothing” (Yo, que nada tengo). La letra en inglés de esta canción fue escrita por la célebre dupla de compositores estadounidenses conformada por Jerry Leiber y Mike Stoller, tema musical que alcanzó fama mundial en 1970 en la voz del británico Tom Jones. Sin embargo, los anteriores temas musicales son en realidad versiones en otros idiomas de la canción compuesta originalmente en italiano por Carlo Donida Labati y Giulio Rapetti, conocido simplemente como Mogol, la cual fue grabada inicialmente por el cantante italiano Joe Sentieri en 1961 con el título “Uno dei tanti”. ¿Y tú, conocías el origen italiano de esta canción? Autores: Carlo Donida Labati & Mogol (nombres reales Carlo Labati & Giulio Rapetti, italianos) - Versión al español Armando Manzanero (nombre real Armando Manzanero Canché, mexicano) - Versión al inglés Jerry Leiber & Mike Stoller (nombres reales Jerome Leiber & Michael Stoller, estadounidenses) Uno de tantos - Enrique Guzmán (1964) “Enamorado - From Mexico with love” álbum (1964) Enrique Guzmán (nombre real Enrique Alejandro Guzmán Vargas, mexicano nacido en Venezuela) I (who have nothing) - Ben E. King (1963) single "I (Who have nothing)/The beginning of time" (1963) Ben E. King (nombre real Benjamín Earl Nelson, estadounidense) I (who have nothing) - Tom Jones (1970) “I who have nothing” álbum (1970) Tom Jones (nombre real Thomas John Woodward, británico) Uno dei tanti - Joe Sentieri (1961) single “Uno dei tanti/Cara, cara” (1961) Joe Sentieri (nombre real Rino Luigi Sentieri, italiano) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 50 Sergio Productions Cali – Colombia Sergio Luis López Mora

OLD HOLLYWOOD PART 2, BEACHWOOD CANYON The last dark night of an Old Hollywood actor's life. Inspired by the murder of silent film star Ramon Navarro. With David Rubin as Tommy, Isaac J. Cruz as Ramon Navarro, and Shaughn Bucholz as Cookie. Music composed, performed, and recorded by John Groover McDuffie, with John Palmer, drums. Tango by Jerry Leiber and Mike Stoller; this accompaniment arrangement by John Groover McDuffie. Recording Engineer was Wayne Peet @ Newzone Studio. Sound Design & Mixing by Gage Hurley. Written & Directed by Sharon Yablon. Podcast image by Cassie Taggart. All Rights Reserved.

Rock & Roll Hall of Fame, Rhythm & Blues Foundation Inductee,Grammy® Award NomineeA  Music Group  BEFORE my Time that created Beautiful Music that is Classic & Treasured Today !! I LOVE MANY Genre's of Music, I Have a Special Place in my Heart for The Drifter's Music. This is my Tribute Show to a True Classy Gentleman, The last remaining Original Group Member who recorded the Music Hits, Charlie Thomas who just passed away this Week January 31st, 2023. This is Part 1 of my interview with him.Charlie actually Thanked Me for Interviewing HIM?!, the Honor was ALL Mine, What a Gentleman!Charles Thomas  was an American singer best known for his work with The Drifters. Thomas was performing with The Five Crowns at the Apollo Theater in 1958 when George Treadwell fired his group, called The Drifters. Treadwell recruited the Five Crowns to become the new Drifters. Although the Five Crowns never made any impression on the national charts under their own name, they regularly charted locally in New York and were stars in Harlem.The new Drifters' first release was the 1959 hit "There Goes My Baby".  This version of the group released the smash "There Goes My Baby," working for the first time with legendary songwriter/producers Jerry Leiber and Mike Stoller, and followed with a string of hits including the top 10 "Save The Last Dance For Me" and "This Magic Moment." Charlie was lead singer on two of the group's top 40 hits, "Sweets for My Sweet" and "When My Little Girl Is Smiling". Their late-'50s incarnation, featuring original members Doc Green, James Clark, Elsbeary Hobbs, Ben E. King, and Charles Thomas, became the post-1958 Drifters, responsible for "There Goes My Baby" and the core of the group that later recorded "Up on the Roof," "Under the Boardwalk," and "On Broadway."Most of The Drifters biggest hits featured different lead singers:Ben E. King “There Goes My Baby” “Dance With Me” “This Magic Moment” “Save the Last Dance for Me” “I Count the Tears” Charlie Thomas “Sweets for My Sweet” “Room Full of Tears” “When My Little Girl is Smiling” Rudy Lewis “Some Kind of Wonderful” “Up On the Roof” “Please Stay” “On Broadway” Clyde McPhatter “Money Honey” “Honey Love” Bill Pinkney“White Christmas” (with Clyde McPhatter)Johnny Moore “Adorable” “Fools Fall In Love” “Ruby Baby” “Under the Boardwalk” “I've Got Sand in My Shoes” “Saturday Night at the Movies” Bobby Hendricks“Drip Drop”© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Elvis Presley, el Rey del Rock & Roll grabó en 1956 uno de sus grandes éxitos titulado “Hound dog”. Así la escuché yo… La canción éxito de Elvis Presley es una obra de la legendaria dupla de compositores conformada por Jerry Leiber y Mike Stoller, quienes la escribieron con el título “Hound dog”, y fue grabada originalmente cuatro años antes, en 1956, por la artista estadounidense Willie Mae Thornton, quien poco después llegó a conocerse con el seudónimo de "Big Mama" Thornton. ¿Y tú, conocías la canción original? Autores: Jerry Leiber & Mike Stoller (estadounidenses) Hound dog - Elvis Presley (1956) single “Hound dog/Don't be cruel (1956) Elvis Presley (nombre real Elvis Aaron Presley, estadounidense) Hound dog - Willie Mae "Big Mama" Thornton (1952) single Hound dog/Night mare” (1952) "Big Mama" Thornton (nombre real Willie Mae Thornton, estadounidense) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 32 Sergio Productions Cali – Colombia Sergio Luis López Mora

ELLIE GREENWICH -SONGWRITER HALL OF FAME INDUCTEE- 1991Ellie Greenwich is one of the most successful songwriters of the modern pop music era. She was one of the major influences on the 60's rock and roll, a music that continues alive and well today. Her songs, which have sold in the tens of millions, have earned her 25 gold and platinum records.Born in Brooklyn, her young life was filled with singing and dancing recitals and winning first prize in a local newspaper's poetry contest. At 11, she moved to Levittown, Long Island, and her musical career became serious when she took up the accordion and by 13, was writing songs. Along with two high school friends, she formed her first "girls group," The Jivettes, and the trio performed original songs at hospitals, schools and charity benefits throughout Long Island.About this time, Greenwich's mother arranged a meeting for Ellie with Cadence Records president Archie Bleyer (of Everly Brothers and Chordettes fame). His advice to "keep writing but finish school... the music business will always be there," stuck in the young writer's head and she did just that. She attended Hofstra University, was its Spring Queen and graduated with top honors with a BA degree in English, and a listing in "Who's Who in American Colleges and Universities."During her latter years in college, she met Jeff Barry at a family gathering and the two became good friends almost immediately. "He was the first male I could actually harmonize with," she recalls. Eventually, the couple married and went on to become co-writers of some of the most memorable classic rock hits.After graduation in 1962 and following a High School English teaching career which lasted three and one half weeks, she began free-lancing and working out of the offices of Jerry Leiber and Mike Stoller, a pair of hot songwriters in their own right, in Broadway's Brill Building, one of the music business headquarters of that time. She wrote songs with Doc Pomus and Tony Powers and enjoyed her first chart successes with "This Is It," by Jay and the Americans, and "He's Got the Power," by the Exciters. She and Barry formed The Raindrops, who skimmed the top 16 with "What a Guy" and "The Kind of Boy You Can't Forget."Teaming with Phil Spector, the two managed number one hits with "Be My Baby," "Da Doo Ron Ron," "And Then He Kissed Me," "Chapel of Love" and "River Deep, Mountain High." Greenwich and Barry also continued their successes with such number one smashes as "Hanky Panky," and co-written with Shadow Morton, the epic, "Leader of the Pack." During these years, too, Greenwich reigned as one of New York's top demo singers and session vocal arrangers/singers, working with artists ranging from Dusty Springfield and Lesley Gore to Ella Fitzgerald, Bobby Darin and Frank Sinatra. During one of the many demo sessions in which she was involved, Greenwich met and "discovered" Neil Diamond and went on to co-produce such early Diamond hits as "Cherry Cherry" and "Kentucky Woman," doing background vocals as well.During the latter part of the 60's, Greenwich found continued success in collaborations with Bob Crewe, in writing for The Hardy Boys TV series, and in singing on popular commercials for Cheerios

Leikin eru nokkur lög eftir bandarísku lagasmiiðina Jerry Leiber og Mike Stoller og einnig eftir Aaron Schroeder sem íslenskt tónlistarfólk flytur. Þar á meðal eru Björk Guðmundsdóttir, Blue Ice Band, Roof Tops, Lúdó sextett og Stefán, Bjarki Lárusson, Óðinn Valdimarsson, Rokkbræður, Guðbergur Auðunsson og Stórsveit Ríkisútvarpsins ásamt MK kvartettinum.

Leikin eru nokkur lög eftir bandarísku lagasmiiðina Jerry Leiber og Mike Stoller og einnig eftir Aaron Schroeder sem íslenskt tónlistarfólk flytur. Þar á meðal eru Björk Guðmundsdóttir, Blue Ice Band, Roof Tops, Lúdó sextett og Stefán, Bjarki Lárusson, Óðinn Valdimarsson, Rokkbræður, Guðbergur Auðunsson og Stórsveit Ríkisútvarpsins ásamt MK kvartettinum.

Well, it's Christmas time pretty baby, and... I am reposting this fun chat with Jerry Leiber and Mike Stoller in 2005

Leikin eru lög eftir bandarísku lagasmiðina Jerry Leiber og Mike Stoller, sem íslenskt tónlistarfólk flytur. Flytjendur eru Berti Möller og Hljómsveit Svavars Gests, Stefán Jónsson og Lúdó sextett, SAS tríóið, Andrea Gylfadóttir og Blúsmenn, Björgvin Halldórsson í hlutverki Bödda Billó, Lónlí blú bojs, Laddi, Friðrik Óma, Roof Tops og Hundur í óskilum. Umsjón: Jónatan Garðarsson.

Leikin eru lög eftir bandarísku lagasmiðina Jerry Leiber og Mike Stoller, sem íslenskt tónlistarfólk flytur. Flytjendur eru Berti Möller og Hljómsveit Svavars Gests, Stefán Jónsson og Lúdó sextett, SAS tríóið, Andrea Gylfadóttir og Blúsmenn, Björgvin Halldórsson í hlutverki Bödda Billó, Lónlí blú bojs, Laddi, Friðrik Óma, Roof Tops og Hundur í óskilum. Umsjón: Jónatan Garðarsson.

Today we hear the personal journey of a dear friend of mine, John Arthur Greene, an actor, singer and songwriter. John reflects on the impact that the pause during the pandemic's lockdown had on his career and mindset. John walked away from the entertainment industry after 26 years, performing on Broadway for 8 shows a week, and more. He talks about how difficult his career has been on his body, not always in a healthy way. John and I crossed paths during my time intensively treating Broadway performers so we were able to reflect on what health meant to him years ago compared to how he feels about it now. He discusses the type of physical and mental regiment that he endured to maintain excellent physique and mindset and succeed in the industry. For John, times of prayer, meditation, and stillness with God are the most important aspects of his daily practice now. John's notable work:He was most recently seen as Walker Jerome the Blouse Man in the East Coast Premier of A Walk On The Moon at the pre-Broadway house George St. Playhouse. Some of his other credits include: Stand-By for 5 Principle Characters, the Fight Captain & Dance Captain in the revival of Stephan Sondheim's Company (Broadway). U/S Max Van Horn in Tootsie (Broadway), Theo - the lead singer of “No Vacancy” in School of Rock (Broadway); American Idol Season 15 - Farewell Season (FOX), Riff in West Side Story (Broadway); Doctor, U/S Mr. Wormwood in Matilda (Broadway); Robert Mullins in Peter Pan Live (NBC); Luke in Mim (Off-Broadway); Jonathan in Tick Tick Boom… (LA); Action in West Side Story (50th Anniversary European Tour); Jack Kelly in Newsies (Maltz Jupiter); Riff in West Side Story (Boston Pops Symphony); Danny in Grease (NCT - BroadwayWorld.com Award For Best Actor In A Musical) just to name a few. He performs solo's and his solo music all over the world, singing “Oh Holy Night” for ABC 11's 2020 Happy Holiday's Special; “Heavens On Their Minds” for the promotion of NBC's Jesus Christ Superstar Live with the kids from School Of Rock on Broadway, “Gethsemane” for Andrew Lloyd Webber's New York Times Talk and “Jailhouse Rock” for Mike Stoller's 80th Birthday Celebration. His Latest Single “LiNE & THE LETTiNG GO” is out along with “March On!”, “Wild & Free”, “Hold Onto Me”, “Easy”, “Brooklyn”, “Takes Me Back” & his Debut EP “Shadows Of Light” are all now available on iTunes, Spotify, Amazon and YouTube under his own record label JAG Records.The music videos for “LiNE & THE LETTiNG GO”, “March On!”, “Over & Over”, “Wild & Free”,  “Easy” & “Creep” are available on YouTube. John runs a Prayer & Worship Ministry called REViAL SESSiONS which went global in 2017 reaching 18 different countries. After spending 15 years away, John is now back and has accepted the call to serve as the Worship Pastor at New Hope Church in Durham. Connect with him:www.johnarthurgreenemusic.com.

Picking right back up where they left off, Justin, Gurdip and Darin continue examining the material recorded in March 1962, now beginning to fully take shape as the album that would come to be known as "Pot Luck." There's still a lot of Latin-flavored pop mixed in with country ballads, but things get really heated (and fun!) when Darin and Gurdip go head to head over "Suspicion" and the differences between Elvis's recording and Terry Stafford's hit cover. Then, for Song of the Week, Darin brings attention to the underrated "Please Don't Stop Loving Me" from the movie Frankie and Johnny, and its source, an Italian pop ballad known as "Non ho l'età (per amarti)." Gurdip, meanwhile, picks "Danny," the alternative title song for "King Creole" that wasn't released until 1978's "A Legendary Performer Volume 3." Lastly, Darin picks a song for Justin, "I Want To Be Free," famously from 1957's Jailhouse Rock. Upon revisiting the outtakes, Justin uncovers a possible previously-unnoted influence on Mike Stoller's piano-playing on the more polished version released on the original Jailhouse Rock EP.  All this and more on this second part covering the Pot Luck sessions and album! Thanks so much Darin for coming on!! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast! Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Bianca Pyl e Luís Brasilino conversam com o cientista político Josué Medeiros, professor adjunto do Departamento de Ciência Política da Universidade Federal do Rio de Janeiro (UFRJ). Ele é um dos coordenadores do Observatório Político e Eleitoral (Opel) - ao lado de Jorge Chaloub, Mayra Goulart, Pedro Lima e Thais Aguiar -, iniciativa de três grupos de pesquisa da UFRJ e da Universidade Federal Rural do Rio de Janeiro (UFRRJ), que, entre outras ações, está produzindo desde maio boletins mensais de acompanhamento do processo eleitoral brasileiro deste ano. Conversamos sobre a disputa entre democracia e autoritarismo nas eleições de 2022, o fracasso da terceira via, as principais razões das intenções de voto em Lula e Bolsonaro, o impacto da PEC do Desespero e da campanha nas redes sociais, a decisiva última semana antes da votação, o peso de uma vitória petista no primeiro turno, a carta pela democracia e muito mais! Além de professor na UFRJ, Josué é coordenador do Núcleo de Estudos sobre a Democracia Brasileira da mesma universidade, membro do Programa de Pós-Graduação em Ciências Sociais da UFRRJ, pesquisador do Laboratório de Eleições, Partidos e Política Comparada e doutor em Ciência Política pelo Instituto de Estudos Sociais e Políticos da Universidade do Estado do Rio de Janeiro, com doutorado-sanduíche na Universidade de Paris 3. Trilha: Ben E. King e Stan Applebaum, “Stand by Me” (Ben E. King, Jerry Leiber e Mike Stoller); e Courtney Barnett, “If I Don't Hear from You Tonight”.

Baz Luhrmann's hit box office hit biopic Elvis has spurred new interest in the music of The King. Elvis Presley's streaming subscribers has grown by two million listeners on Spotify since the film's release according to ChartMetric, and if you're hearing a lot more “Hound Dog” these days, it might be partially due to the success of Doja Cat's hit song “Vegas,” which updates – and interpolates – the song for contemporary listeners.  Doja Cat's version samples from the original 1953 “Hound Dog,” sung by Big Mama Thornton and written by acclaimed songwriter team Jerry Leiber and Mike Stoller (whose credits also include Presley's “Jailhouse Rock” and Ben E. King's “Stand By Me”). The original is a sauntering blues song with a raunchy tale about a two timing man; Presley, who is frequently said to have stolen the song from Thorton, instead sings a tepid lyric about an actual dog, and radically changes the groove.  But in an interview with Rolling Stone, Stoller says Presley didn't steal the song at all. Rather, he adapted one of many covers of the song, specifically the version performed by the Las Vegas lounge act Freddie Bell and the Bellboys. Their “Hound Dog” borrows its upbeat rhythm from a song responding to the original “Hound Dog,” titled “Bear Cat.” It's a similar rhythm to the one we hear on the contemporary Doja Cat version, “Vegas,” which heavily features samples of Thornton's original vocals: listening closely reveals a song that synthesizes a complicated music history by uniting the best parts of the many versions of “Hound Dog.”  Listen to the latest episode of Switched On Pop and uncover the long legacy of “Hound Dog.” Songs Discussed Big Mama Thorton - Hound Dog Elvis - Hound Dog Doja Cat - Vegas Esther Phillips - Hound Dog Jack Turner - Hound Dog Rufus Thomas - Bear Cat Freddie Bell and the Bellboys T.L.C. - No Scrubs Sporty Thievz - No Pigeons  W.C. Handy - St. Louis Blues Duke Ellington - Conga brava Sister Rosetta Tharpe - Didn't It Rain Fats Domino - Mardi Gras in New Orleans Dave Bartholomew - Country Boy Little Richard - Slipping' And Sliding' Jack Harlow - Dua Lipa Future - Puffin on Zootiez Hitkidd, Gorilla - F.N.F. (Let's Go) Bad Bunny - Después de la Playa Learn more about your ad choices. Visit podcastchoices.com/adchoices

We mark the death on July 25, 1984 – 38 years ago today – of the American Rhythm and Blues singer Willie Mae “Big Mama” Thornton.  Born on December 11, 1926, she died in Los Angeles of both heart and liver disease brought on by alcohol abuse.  According to Gillian Gaar, writing in She's a Rebel: The History of Women in Rock & Roll (Seal Press, 1992), during the brief period of her final illness, Thornton went from 450 pounds (Big Momma!) to 95 pounds, a weight loss of some 355 pounds. Thornton scored her one-and-only hit when, on August 13, 1952, she recorded a brand-new, 12-bar blues song by Jerry Leiber and Mike Stoller entitled Hound Dog.   Released by Peacock Records in February 1953, Big Mama Thornton's Hound Dog sold over 500,000 copies and spent fourteen weeks on the Rhythm and Blues charts, seven of those fourteen weeks at number one.  Thornton's recording is linked below: (By the way: please ignore the photo of Josephine Baker at the top of the link; Big Momma's left leg was bigger than all of Madame Baker.) Thornton's recording of Hound Dog was inducted into the Grammy Hall of Fame in 2013 […] The post Music History Monday: Under the Covers first appeared on Robert Greenberg.

We continue our mini series on maritime disasters with the extraordinary tale of the Andrea Doria, a magnificent Italian passenger liner lost off the coast of Massachusetts in 1956 when she was rammed by another liner. The Andrea Doria was built in the 1950s, born from Italy's bruised pride after the Second World War, and seen as a way to put Italy back on the map as a major player in the world of transatlantic travel. She became a hugely important ship for the Italian nation, a true icon of Italian culture and history. Launched in 1953 to great fanfare and fitted with the most exquisite Italian art, she enjoyed a successful career – though cut far too short by the events of July 1956. To find out more Dr Sam Willis spoke with Pierette Simpson who, as a child, witnessed those terrible events and has since dedicated her life to sharing the story of the Andrea Doria so that it is never forgotten. Pierette is the author of Alive on the Andrea Doria!: The Greatest Sea Rescue in History and the award-winning docufilm Andrea Doria: Are the Passengers Saved?This episode is Part 1 of 3. Part 2 will include two more eyewitness accounts including an interview with Mike Stoller of the legendary songwriting team Lieber & Stoller who wrote hits for Elvis and Ben E. King. Part 3 will be focussed on the wreck itself and includes an interview with marine explorer John Moyer. See acast.com/privacy for privacy and opt-out information.

This episode continues our mini series on maritime disasters and our investigation into the wreck, in the summer of 1956, of the Italian passenger liner, Andrea Doria. This episode includes eyewitness accounts from Linda Hardberger and Mike Stoller. Linda is now 80 and lives in San Antonio Texas – she has been a teacher, librarian, museum curator and is a mother and in spite of her terrible experience on the Andrea Doria has been boating for 40 years. Mike Stoller is now 89, lives in California and is one half of the songwriting team Lieber and Stoller – who wrote, among many other hits, Hound Dog, Jailhouse Rock and Stand by Me. The Andrea Doria was built in the 1950s, born from Italy's bruised pride after the Second World War, and seen as a way to put Italy back on the map as a major player in the world of transatlantic travel. She became a hugely important ship for the Italian nation, a true icon of Italian culture and history. Launched in 1953 to great fanfare and fitted with the most exquisite Italian art, she enjoyed a successful career – though cut far too short by the events of July 1956. See acast.com/privacy for privacy and opt-out information.

Legendary songwriter Mike Stoller joins host Brian Hiatt to explain how he and Jerry Leiber wrote "Hound Dog" for Big Mama Thornton – and what happened next. He also shares tales of his time with Elvis Presley and much more. Plus David Fear on the new "Elvis" movie, and Rolling Stone News correspondent Delissa Shannon's interview with Yola about playing Sister Rosetta Tharpe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sull'Andrea Doria, tragicamente piegata su un fianco, sono ore di puro terrore. Nessuno può dire quanto tempo le rimane prima di venire inghiottita dall'Atlantico e bisogna riuscire ad evacuare il più rapidamente possibile tutti i passeggeri e l'equipaggio, inventando qualsiasi modo per consentire alle persone di calarsi sulle scialuppe. Durante le operazioni di salvataggio dei naufraghi dell'Andrea Doria, sul ponte della Ile de France un fotoreporter come Loomis Dean sa quel che deve fare: scattare e documentare l'agonia della nave italiana, sempre più piegata su un fianco. Loomis sa però che non sarà l'unico e, anzi, sente il rumore di pale di elicottero e si immagina che là sopra ci sarà qualcuno inviato da New York con una visuale migliore, e magari anche cineprese per filmare l'intera sequenza. E infatti così è. La fine dell'Andrea Doria è uno dei primi grandi eventi mediatici raccontati in diretta. I filmati e le foto che ne documentano gli ultimi istanti sono numerosi. Così come le immagini dell'arrivo dei superstiti a New York. Le scene di gioia e di disperazione si intrecciano, e comincia a crescere la richiesta di spiegazioni su chi sia il responsabile della catastrofe.PROTAGONISTI:Il Comandante Eugenio Giannini, all'epoca Terzo Ufficiale sull'Andrea Doria; lo Storico navale Maurizio Eliseo, tra i massimi esperti di transatlantici; il musicista Mike Stoller, passeggero dell'Andrea Doria.

Air Week: June 20-26, 2022 Leiber & Stoller's Spark Records The “Juke In The Back” is proud to present one of the premiere, short-lived R&B record labels of the 1950s. Started by songwriters Jerry Leiber & Mike Stoller after they were stiffed on royalty payments for Big Mama Thornton's “Hound Dog,” Spark records only lasted […]

Direttamenta dal Brill Building di New York una delle coopie più prolifiche della storia della musica pop.

Grammy-winning producer, singer, and songwriter, Steve Tyrell, shares his life story with award-winning journalist, host, and creator of the Little Italy Podcast, Deborah Zara Kobylt.  Steve chats about his upcoming album, his mega-successful career music career, his radio show, and of course his Italian roots.Steve's breakthrough performances in Father of the Bride and Father of the Bride II helped Tyrell reinvent and re-popularize classic pop standards for a modern-day audience. His hits, The Way You Look Tonight, The Simple Life, Crush On You, and The Sunny Side of The Street, have launched millions of romances and been played at thousands of weddings, including Chelsea Clinton's. He also sang for Prince Charles, at his request, in London. What an experience that was!As an artist, all 9 of his American Standards albums have achieved top 5 status on Billboard's Jazz charts. His first album, A New Standard, was amongst the best selling jazz albums for more than 5 years. Steve's latest album, That Lovin' Feeling, debuted in the top 5. On it, he celebrates what he calls the Great American Songbook 2, featuring seminal rock era classics penned by legendary songwriters, including Carole King, Burt Bacharach, Neil Sedaka, Barry Mann and Cynthia Weil, Mike Stoller and Jerry Leiber, among others.We hope you enjoy our Little Italy of LA  podcast with Deborah Zara Kobylt, who also hosts the award-winning Deborah Kobylt LIVE, interviewing authors, actors, and change makers from around the globe.  Support the show (https://www.paypal.com/biz/fund?id=GYVQXMPXJL9D4)

Join us in episode 6 to understand out how THIS song, Till There Was You is somehow connected to the song Will Rock You, by the rock band, Queen! Discover how we, indeed, establish a bona-fide connection between these two songs – AND, how we connect Till There Was You to many other Beatles classics!So settle in for a series of revelations that you will find entertaining and informative!SongsTill There Was You, Meredith Willson, performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)On Broadway, Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller; performed by Mike SugarRight Place, Wrong Time, Mac Rebennack; performed by Mike Sugar and Joe AnastasiStory Time Music; composed and performed by Mike SugarDocu-inspiration theme; composed and performed by Mike SugarP.S. I Love You, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)It Won't Be Long, Lennon and McCartney; performed by Joe Anastasi and Mike SugarI Saw Her Standing There, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Hello Goodbye, Lennon and McCartney; performed by Joe Anastasi and Mike SugarOh! Darling, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Let It Be, Lennon and McCartney; performed by Mike SugarIf I Fell, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)You Won't See Me, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and WinterFrom Me to You, Lennon and McCartney; performed by Joe Anastasi and Mike SugarTwist and Shout, Bert Berns and Phil Medley; performed by Joe Anastasi and Mike SugarKansas City / Hey, Hey, Hey, Hey, Jerry Leiber / Mike Stoller / Richard Penniman; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Long, Tall Sally, Enotris Johnson, Robert Blackwell, Richard Penniman; performed by Joe Anastasi and Mike SugarThus Spake Zarathustra, Richard Wagner; performed by Mike SugarFerry Cross the Mersey, Gerry Marsden; performed by Joe Anastasi and Mike Sugar;You'll Never Walk Alone, Rogers and Hammerstein; performed by Joe Anastasi and Mike SugarAbandon the Run Interstitial - based on Paul McCartney's Band On The Run, created and performed by Mike SugarWe Will Rock You, Brian May, performed by Joe Anastasi and Mike SugarNothing Rhymed, “Gilbert” O'Sullivan; performed by Joe Anastasi and Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Penny Lane, Lennon and McCartney; guitar intro performed by WinterAnd the great Dan Castellaneta, the voice of Homer Simpson!Sources:The Music Man https://en.wikipedia.org/wiki/The_Music_ManWhat Songs the Beatles Sang, William Mann; The Times; December 27, 1963.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Anfield's 50 years of never walking alone, Simon Hart; The Independent; October 25, 2013.Gilbert O'Sullivan – Interview; The Danny Baker Show; February, 2016Mike Pachelli – YouTube https://www.youtube.com/watch?v=VdYoK2klGqM

Episode 6 Till There Was You – and Many MoreJoin us in episode 6 to understand out how THIS song, Till There Was You is somehow connected to the song We Will Rock You, by the rock band, Queen! Discover how we, indeed, establish a bona-fide connection between these two songs – AND, how we connect Till There Was You to many other Beatles classics!So settle in for a series of revelations that you will find entertaining and informative!SongsTill There Was You, Meredith Willson, performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)On Broadway, Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller; performed by Mike SugarRight Place, Wrong Time, Mac Rebennack; performed by Mike Sugar and Joe AnastasiStory Time Music; composed and performed by Mike SugarDocu-inspiration theme; composed and performed by Mike SugarP.S. I Love You, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)It Won't Be Long, Lennon and McCartney; performed by Joe Anastasi and Mike SugarI Saw Her Standing There, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Hello Goodbye, Lennon and McCartney; performed by Joe Anastasi and Mike SugarOh! Darling, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Let It Be, Lennon and McCartney; performed by Mike SugarIf I Fell, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)You Won't See Me, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and WinterFrom Me to You, Lennon and McCartney; performed by Joe Anastasi and Mike SugarTwist and Shout, Bert Berns and Phil Medley; performed by Joe Anastasi and Mike SugarKansas City / Hey, Hey, Hey, Hey, Jerry Leiber / Mike Stoller / Richard Penniman; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Long, Tall Sally, Enotris Johnson, Robert Blackwell, Richard Penniman; performed by Joe Anastasi and Mike SugarThus Spake Zarathustra, Richard Wagner; performed by Mike SugarFerry Cross the Mersey, Gerry Marsden; performed by Joe Anastasi and Mike Sugar;You'll Never Walk Alone, Rogers and Hammerstein; performed by Joe Anastasi and Mike SugarAbandon the Run Interstitial - based on Paul McCartney's Band On The Run, created and performed by Mike SugarWe Will Rock You, Brian May, performed by Joe Anastasi and Mike SugarNothing Rhymed, “Gilbert” O'Sullivan; performed by Joe Anastasi and Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Penny Lane, Lennon and McCartney; guitar intro performed by WinterAnd the great Dan Castellaneta, the voice of Homer Simpson!Sources:The Music Man https://en.wikipedia.org/wiki/The_Music_ManWhat Songs the Beatles Sang, William Mann; The Times; December 27, 1963.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Anfield's 50 years of never walking alone, Simon Hart; The Independent; October 25, 2013.Gilbert O'Sullivan – Interview; The Danny Baker Show; February, 2016Mike Pachelli – YouTube https://www.youtube.com/watch?v=VdYoK2klGqM

Current Productions (1:23) Boxy Chevrons (Ravelry Link) Hearthstone Pullover (Ravelry Link) Mom's Looped Loop Cowl (Ravelry Link) Paloma Pullover (Ravelry Link)   Mention of Dad's Socks Mention of Dexter's Sweater Mention of my Looped Loop Cowl   Events (18:14)  May Playlist: For May! is now LIVE! Stash Dash 2021 hosted by the KnitGirllls Stitches at Home – May 15 & 16, 22 & 23, 2021 Tour de Fleece - June 26 - July 18, 2021 #teamsasquatch 2020 Olympic Games July 23 - August 8, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022 Nightly Met Opera Streams   Mention of The Knitmore Girls Podcast   Hey Look Me Over (24:13) Memphis   Mention of Big Mama Thornton   Correction: Hound Dog was first recorded by Big Mama Thornton, and was written by Jerry Leiber and Mike Stoller   Little Known Facts (39:47)             Pack some backup knitting!   It's De-Lovely (41:41)             Making Plans!

February 1, 2021Stroll Down Penny LaneEpisode 4 Michelle – where voodoo meets the devil!In this chapter in our podcast series we explore the creation story for this song, Michelle. We also uncover how Paul McCartney's bass playing was transformed by his experience in the recording of Michelle. Finally, in this episode we will explore an unusual subject – the voodoo and the devil in this song, Michelle.So settle in for a story that will knock your socks off!SongsMichelle, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Twenty Flight Rock, Eddie Cochran, performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneGetting Closer, Paul McCartney; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa Mer, Charles Trenet, Albert Lasry; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa belle Vie; Sacha Distel, with French lyrics by Jean Broussolle; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneThat's Amore; Harry Warren and Jack Brooks; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneMoney Honey, Jesse Stone; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneJailhouse Rock, Jerry Lieber and Mike Stoller; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa Vie En Rose, Édith Piaf (lyrics), Louiguy and Marguerite Monnot;; performed by Stroll Down Penny Lane (Joe Anastasi and Mike Sugar)Purple Haze, Jimmy Hendrix; performed by Mike Sugar, of Stroll Down Penny LaneTill There Was You, Meredith Wilson; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)I Put a Spell on You; Screamin' Jay Hawkins; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneAnother Day, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Patience, Guns N' Roses; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneMoment of Truth, Bill Conti, Dennis Lambert & Peter Beckett; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneThus Spoke Zarathustra, Richard WagnerTristan und Isolde, Richard Wagner; Conductor: Wilhelm Furtwangler; Philharmonia OrchestraThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Sources:Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Beatlesongs; William J. Dowling; Simon & Shuster, New York, 1989.Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006Paul McCartney, Many Years from Now; Barry Miles; Secker &Warburg; 1997McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles; Hunter Davis; McGraw-Hill; 1968The Complete Beatles Recording Sessions; Mark Lewisohn; Hamlyn (a division of the Octopus Publishing Group); 1988All You Need Is Ears, George Martin, with Jeremy Hornsby; St. Martin's Griffin; 1979This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007Paul McCartney After the Beatles; Understanding Michelle; Adrian Allan; 2020Michelle History; Beatlesbooks.comLast Train to Memphis: The Rise of Elvis Presley, Peter Guralnick, Little Brown, 1994Careless Love, the unmaking of Elvis Presley, Peter Guralnick, Little Brown, 1999Music Historian Peter Guralnick — Serious Jibber-Jabber with Conan O'Brien; https://www.youtube.com/watch?v=VZY7L0p2Gj0Screamin' Jay Hawkins; SongfactsI Put a Spell on You, Wikipedia.Dominant seventh sharp ninth chord, Wikipedia.What is the ‘Hendrix Chord'? Fender; articles, tech-talk; Purple Reign: the ‘Hendrix Chord'McCartney: Yesterday … and Today, Ray Coleman; Boxtree Ltd; 1998.

Episode 4 Michelle – where voodoo meets the devil!In this chapter in our podcast series we explore the creation story for this song, Michelle. We also uncover how Paul McCartney's bass playing was transformed by his experience in the recording of Michelle. Finally, in this episode we will explore an unusual subject – the voodoo and the devil in this song, Michelle.So settle in for a story that will knock your socks off!SongsMichelle, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Twenty Flight Rock, Eddie Cochran, performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneGetting Closer, Paul McCartney; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa Mer, Charles Trenet, Albert Lasry; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa belle Vie; Sacha Distel, with French lyrics by Jean Broussolle; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneThat's Amore; Harry Warren and Jack Brooks; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneMoney Honey, Jesse Stone; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneJailhouse Rock, Jerry Lieber and Mike Stoller; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneLa Vie En Rose, Édith Piaf (lyrics), Louiguy and Marguerite Monnot;; performed by Stroll Down Penny Lane (Joe Anastasi and Mike Sugar)Purple Haze, Jimmy Hendrix; performed by Mike Sugar, of Stroll Down Penny LaneTill There Was You, Meredith Wilson; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)I Put a Spell on You; Screamin' Jay Hawkins; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneAnother Day, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott)Patience, Guns N' Roses; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneMoment of Truth, Bill Conti, Dennis Lambert & Peter Beckett; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny LaneThus Spoke Zarathustra, Richard WagnerTristan und Isolde, Richard Wagner; Conductor: Wilhelm Furtwangler; Philharmonia OrchestraThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Sources:Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Beatlesongs; William J. Dowling; Simon & Shuster, New York, 1989.Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006Paul McCartney, Many Years from Now; Barry Miles; Secker &Warburg; 1997McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles; Hunter Davis; McGraw-Hill; 1968The Complete Beatles Recording Sessions; Mark Lewisohn; Hamlyn (a division of the Octopus Publishing Group); 1988All You Need Is Ears, George Martin, with Jeremy Hornsby; St. Martin's Griffin; 1979This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007Paul McCartney After the Beatles; Understanding Michelle; Adrian Allan; 2020Michelle History; Beatlesbooks.comLast Train to Memphis: The Rise of Elvis Presley, Peter Guralnick, Little Brown, 1994Careless Love, the unmaking of Elvis Presley, Peter Guralnick, Little Brown, 1999Music Historian Peter Guralnick — Serious Jibber-Jabber with Conan O'Brien; https://www.youtube.com/watch?v=VZY7L0p2Gj0Screamin' Jay Hawkins; SongfactsI Put a Spell on You, Wikipedia.Dominant seventh sharp ninth chord, Wikipedia.What is the ‘Hendrix Chord'? Fender; articles, tech-talk; Purple Reign: the ‘Hendrix Chord'McCartney: Yesterday … and Today, Ray Coleman; Boxtree Ltd; 1998.

I am an Elvis fan and rock 'n' roll fan who was blessed to be able to interview my life-long heroes such as songwriters. Jerry Leiber and Mike Stoller,  and my delight shows in this "Singles" edition of my podcast. It is less than five minutes long but has a world exclusive! Leiber and Stoller not only telling me how that great blues for Elvis, Santa Claus is Back in Town, came about, but also singing a "blue" blues tune called Bow-Legged Woman. If this doesn't make you smile, or laugh, we must be on different frequencies, I am afraid!  Enjoy

I was born, at the age of ten, or rather, reborn, the day I discovered rock 'n' roll via an old Elvis single called I Need Your Love Tonight. I died a little when Elvis died in 1977. It fragmented my life in ways, as I say in the intro to this podcast. But it also sent me off on a life-long quest to talk with, among all my hundreds of celebrity interviewees, anyone who knew or worked with Elvis. I also regard Leiber and Stoller as the best songwriters in the early years of rock 'n' roll and beyond. And during a ninety-minute interview, we did in their office in LA in 2005, I finally got to ask them, just for fun, and for the history books, if Jailhouse Rock is a gay love song. We certainly had so much fun that day and there will be more Leiber and Stoller podcasts from me, and a digital magazine based on the interview

Josh Alan Friedman joins Nate to discuss his book “Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock 'n' Roll”.Nate and Josh talk about Jerry Lieber and his incredible song-writing partnership with Mike Stoller, their work with Elvis Presley, Atlantic Records, the Coasters and much more.This show is part of Pantheon Podcasts.

Josh Alan Friedman joins Nate to discuss his book “Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock 'n' Roll”.Nate and Josh talk about Jerry Lieber and his incredible song-writing partnership with Mike Stoller, their work with Elvis Presley, Atlantic Records, the Coasters and much more.This show is part of Pantheon Podcasts.

Stand by Me é uma música originalmente lançada em 1961 pelo cantor e compositor americano Ben E. King e escrita por King, Jerry Leiber e Mike Stoller. Existem mais de 400 versões gravadas da música, executadas por muitos artistas e inclusive na trilha sonora do filme Stand by Me de 1986. No intervalo, a versão acústica da cantora britânica Samantha Harvey, gravada em 2018. --- Send in a voice message: https://anchor.fm/inlovewithmepodcast/message

Have you ever heard of Jerry Leiber and Mike Stoller? If you have or you haven't, either way, I guarantee these guys wrote one of your favorite songs! Today we stage dive headfirst into the story of the songwriting duo known as Leiber and Stoller. Two Hit Making Demigods that changed the History of Rock and Roll! Show Notes and Extras available at: www.rockandrollhistory.com