Podcasts about creators project

Video Link: https://youtu.be/96_PikXsj7QRafaël Rozendaal (born 1980) is a Dutch-Brazilian visual artist currently living and working in New York City. He is known as a pioneer of Internet Art.Exhibitions: Times square, Museum Folkwang, Centre Pompidou, Whitney Museum, Valencia Biennial, Casa Franca Brasil Rio, Seoul Art Square, Stedelijk Museum. Press: Time Magazine, Wall Street Journal, Flash Art, Dazed & Confused, Interview, Wired, Purple, McSweeney's, O Globo, Vice, Creators Project, Artreview, Vogue. Lectures: Yale, DLD conference, Ecole des Beaux Arts, NYU, Vivid Sydney. Collections: Whitney Museum, Centre Pompidou, Stedelijk Museum. Galleries: Upstream Amsterdam – TSCA Tokyo

In this episode, I talk virtually with writer and photographer Gabriel Spadaccini about music photography, documenting experiences, making money as a creative, hiring yourself first, and demystifying people's stories through his independent interview series Creators Project. GET THE SHOW NOTES HERE! You can keep up with Gabriel on his website here https://www.gabrielspadaccini.com/ and connect with him on LinkedIn here https://www.linkedin.com/in/gabrielspadaccini/ Follow Creators Project on Instagram: @creatorsproject.co and read the interviews at https://www.creatorsproject.co/ Keep up with Jordan @jordanhefler and www.jordanhefler.com Don't forget to SUBSCRIBE, RATE, and REVIEW on iTunes! FOLLOW on Spotify! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

PHILIPPA PRICE IS A MULTI-DISCIPLINARY CREATIVE BEHIND SOME OF THE MOST FORWARD THINKING FILM, FASHION, AND LIVE VISUAL EXPERIENCES OF THE LAST DECADE. BORN IN LONDON, PHILIPPA MOVED TO LOS ANGELES AT THE AGE OF 10, WHERE SHE FOSTERED A STRONG LOVE FOR SCIENCE AND DESIGN, ULTIMATELY STUDYING THE LATTER AT PARSONS SCHOOL OF DESIGN IN NEW YORK CITY. AFTER GRADUATION IN 2010, SHE MOVED BACK TO LA TO WORK AT COMMUNE DESIGN, SPECIALIZING IN ARCHITECTURE AND GRAPHICS. IN 2011 SHE LEFT THE COMPANY TO FORM [GG$] GUNS GERMS STEAL, A BOUNDARY DEFYING MENSWEAR LABEL INSPIRED BY THE STREET WHILE LOOKING TO THE FUTURE. THE BRAND QUICKLY DREW INTERNATIONAL ACCLAIM FROM THE LIKES OF VOGUE, WWD, VICE, CREATORS PROJECT, AS WELL AS TASTEMAKERS LIKE RIHANNA, PHARRELL, A$AP ROCKY, KENDRICK LAMAR, JUSTIN BEIBER AND OTHERS. WHILE FASHION REMAINS A PRIMARY FOCUS OF PHILIPPA’S, HER WORK SPANS MANY PLATFORMS AS SHE CONTINUES TO CREATE DYNAMIC ART ACROSS MYRIAD FORMATS OF EXPRESSIONS. SINCE MOVING ON FROM HER BRAND IN 2014, SHE’S BEEN THE VISIONARY FORCE BEHIND CAMPAIGNS, MUSIC VIDEOS, PERFORMANCES, AND TOURS FOR RIHANNA, STELLA MCCARTNEY, ST. VINCENT, PHARRELL, ALICIA KEYS, KATY PERRY, GRIMES, PUMA, BALMAIN, SAVAGE X FENTY, APPLE MUSIC, ABSOLUT VODKA, CONDE NAST, VOGUE MAGAZINE, HUNGER MAGAZINE, AND ID MAGAZINE. IN 2016 SHE WAS NAMED ONE OF "THE CONDE NAST DARING 25 - THE MOST INTREPID PEOPLE, COMPANIES, AND INNOVATORS OF 2016" IN 2018 PHILIPPA WAS THE CREATIVE DIRECTOR FOR THE LAUNCH OF RIHANNA’S SAVAGE X FENTY LINGERIE BRAND, OVERSEEING AND DIRECTING THE CAMPAIGNS AND REVOLUTIONARY FASHION SHOW THAT LAUNCHED AT NEW YORK FASHION WEEK. MOST RECENTLY PHILIPPA WAS THE CREATIVE DIRECTOR BEHIND THE PUMA X BALMAIN COLLECTION FEATURING CARA DELEVIGNE, OVERSEEING AND DIRECTING THE MARKETING CAMPAIGN AND AWARD WINNING FASHION SHOW / LAUNCH EVENT FOR THE COLLECTION. IG: @Philippaprice Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

Bill welcomes artist and author Rebekah Modrak. Rebekah is a writer and interventionist artist whose artworks resist consumer culture. Re Made Co. (remadeco.org) poses as an online “company” to recreate actual company Best Made Co. by promoting artisanal toilet plungers. RETHINK SHINOLA (rethinkshinola.com) will guide you through the Shinola company’s past and present of marketing white supremacy. Hyperallergic, Core77, The Creators Project, Detroit MetroTimes, and Design Observer and other publications have written about her work. A Professor in the Stamps School of Art & Design at the University of Michigan, she is co-editor of Radical Humility: Essays on Ordinary Acts.

Berättelsen om två barndomskompisar som från ett pojkrum i Montmartre skapade musik som revolutionerade en hel genre. I danstältet på Coachellafestivalen trängs publiken i ett vibrerande bäckmörker. Det är april 2006 och elektroduon Daft Punk befinner sig på på botten av sin karriär. Fans och kritiker har avfärdat deras senaste album som rutinmässig och oinspirerad. Robotarna som en gång revolutionerade den elektroniska musiken har börjat avfärdas som föredettingar. Det ingen vet är att duon i hemlighet har spenderat hundra tusentals dollar på en scenföreställning som kommer förändra musikhistorien och synen på hur elektronisk musik kan framföras live. Det här är berättelsen om hur två tonårskillar tar en subkultur ur franska källarlokaler till musikvärldens största scener. En dokumentär av: Carl-Johan Ulvenäs Producent: Hanna Frelin Exekutiv producent: Vendela Lundberg Tekniker: Fredrik Nilsson Programmet är gjort av Tredje Statsmakten Media Ljudklippen i dokumentären är hämtade från: Scion Radio, RÚV, The Creators Project, Rhapsody TV, BBC Radio, Sveriges Television, Recording Academy/ GRAMMYs, David Guetta, UMF TV, Collider, Wall Street Journal Tack till dokumentären "Daft Punk Unchained" av BBC

Heidi Lee harnesses technology to create surreal headwear that walks the line between fashion, design, and fine art. Her whimsical pieces derive inspiration from mythology and have been worn by celebrities, including JLO, Madonna, Missy Elliot, and Lady Gaga. In this episode, we discuss her trajectory into millinery, her first creations, including an origami hat, and take a deep dive into some of her most recognizable designs, like the Endless Echo Hat.-About Heidi Lee-A RISD graduate and recipient of the 2012 MET Museum Costume Institute Accessory Design Award, Heidi Lee is a NYC-based artist and designer whose hats have featured in VOGUE, V, W, Visionaire, Dazed & Confused, MTV, SHOWstudio, NYT, New York Magazine, The Creators Project, etc. Exhibitions include The National Centre for Craft and Design (UK) "The World is Your Dressing Up Box" and MAD Museum’s “MAD Biennial: 100 Makers that manifest the cultural capital of NYC." Her clientele include JLO, Billy Porter, Anne Hathaway, Madonna, G-Dragon, Lady Gaga, Missy Elliott and Lauryn Hill.Learn more at https://www.heidi337.com Follow Heidi at @HEIDI_337

Casey Neistat's 368 Youtube Creators Project gets a surge from Adobe --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode we speak with Alfredo Caro-Salazar about his latest piece, Dreams of the Jaguar’s Daughter which uses VR to immerse patrons in the migrant experience. Alfredo also discusses the Digital Museum of Digital Art, a virtual institution he founded with collaborator, William Robertson.Check out Dreams of the Jaguar's Daughter's Trailer: https://www.youtube.com/watch?v=vwB4t1eeC60&t=0 Or experience it in 360 here: https://www.youtube.com/watch?v=_ohxAz_rC5k&t=0-About Alfredo Caro-Salazar-Alfredo Salazar-Caro is a multimedia artist who works at the intersection of portraiture, installation, documentary, virtual reality, video, and sculpture.Together with William Robertson, Salazar-Caro conceived the Digital Museum of Digital Art, a groundbreaking project that functions as a virtual institution and a virtual reality exhibition platform dedicated to the promotion and distribution of new media art. His work has been exhibited nationally and internationally in exhibitions such as Dreamlands at the Whitney Museum, New York; The Wrong Biennale in São Paulo; New Normal at The Hangar, Beirut and Supa Salon, Istanbul; Die Ungerahmte Welt at the Haus der elektronischen Künste Basel; Siggraph Asia, Bangkok; and 1Mes1Artista, Mexico City, among others. His work has been featured in publications such as Leonardo, Cultured Magazine, Art F City, Vice Magazine and Creators Project.Learn more at http://salazarcaro.com/Follow him @tmvrtx

Rafaël Rozendaal is a dutch-brazilian visual artist based out of new york city who uses the internet as his canvas. He also creates installations, tapestries, lenticulars, haiku and lectures. Exhibitions: Times square, Centre Pompidou, Venice Biennial, Valencia Biennial, Postmasters Gallery, the Hole gallery. TSCA Gallery Tokyo, Seoul Art Square, NIMk Amsterdam, Stedelijk Museum. Press: Time Magazine, Wall street Journal, Flash Art, Dazed & Confused, Interview, Wired, Purple, McSweeney’s, O Globo, Vice, Creators Project, Artreview, Vogue. Lectures: Yale (New Haven), DLD (Munich), AIT (Tokyo), Ecole des Beaux Arts (Paris), NYU (New York), Here (London), Vivid (Sydney). Collections: Whitney Museum, Stedelijk Museum Sound and Vision is supported by Golden Artist Colors. Golden is an employee owned company based in upstate New York committed to making the highest quality artist materials.

Does AI need more fuzzy thinkers? How can we increase interdisciplinary perspectives in emerging tech? Can an interdisciplinary lens help us better foresee unintended consequences? In this episode of thinkPod, we are joined by Scott Hartley (author of The Fuzzy and The Techie: Why Liberal Arts Will Rule the Digital World) and interdisciplinary artist Carla Gannis. We talk to Scott and Carla about the disciplines missing in the AI conversation, how we can bring greater ethical thinking into AI, and the dramatic influence of sci-fi writers on emerging tech. We also tackle whether a four-year degree is an antiquated idea, how the mundane uses of AI can often be more important, and the borderless nature of data. Connect with us & the guests: thinkLeaders @IBMthinkLeaders Scott Hartley @scottehartley Carla Gannis @carlagannis HartleyGlobal.com CarlaGannis.com Scott Hartley is a venture capitalist and best-selling author of THE FUZZY AND THE TECHIE (Houghton Mifflin Harcourt, 2017), a Financial Times business book of the month, and finalist for the Financial Times and McKinsey & Company's Bracken Bower Prize for an author under 35. He is a global keynote speaker on future of work, and human skills in our technology age. He has served as a Presidential Innovation Fellow at the White House, a Partner at Mohr Davidow Ventures (MDV), and a Venture Partner at Metamorphic Ventures. Prior to venture capital, Scott worked at Google, Facebook, and Harvard’s Berkman Center for Internet & Society. He has been a contributing author at MIT Press, and has written for publications such as Quartz, The Financial Times, and Foreign Policy, and been featured in USA Today, Harvard Business Review and The Wall Street Journal. He holds three degrees from Stanford and Columbia, has finished six marathon and Ironman 70.3 triathlons. He is a Term Member at the Council on Foreign Relations, and has visited over 70 countries. Carla Gannis is an interdisciplinary artist based in Brooklyn, New York. She produces virtual and physical works that are darkly comical in their contemplation of human, earthly and cosmological conditions. Fascinated by digital semiotics and the lineage of hybrid identity, Gannis takes a horror vacui approach to her artistic practice, culling inspiration from networked communication, art and literary history, emerging technologies and speculative fiction. Gannis’s work has appeared in exhibitions, screenings and internet projects across the globe. Recent projects include “Portraits in Landscape,” Midnight Moment, Times Square Arts, NY and “Sunrise/Sunset,” Whitney Museum of American Art, Artport. A regular lecturer on art, innovation and society, in March 2019 Gannis was a speaker at the SXSW Interactive Festival on the panel “Human Presence and Humor Make Us Better Storytellers.” Publications who have featured Gannis’s work include The Creators Project, Wired, FastCo, Hyperallergic, The Wall Street Journal, The New York Times, El PaÍs and The LA Times, among others. In 2015 her speculative fiction was included in DEVOURING THE GREEN:: fear of a human planet: a cyborg / eco poetry anthology, published by Jaded Ibis Press. Gannis received an MFA in painting from Boston University in the twentieth century. In the twenty-first century she is faculty and assistant chair of the Department of Digital Arts at Pratt Institute.

Transmedia artist, Carla Gannis, is perhaps best known for her reinterpretation of art historical masterpieces in contemporary lens, replacing elements with popular iconography--aka, emojis. These tableaus include her piece, Garden of Emoji Delights (2014), a contemporary take on Hieronymus Bosch's famous masterpiece, The Garden of Earthly Delights, and, more recently, Portraits in Landscape (2018), which premiered in Times Square and is inspired by the sixteenth-century mannerist painter Giuseppe Arcimboldo. In this episode, Carla tells us about her childhood growing up in the Appalachian mountains within a family that encouraged creative expression, her shift from traditional oil painting to digital media, her journey as an artist whose medium was initially received with bias and skepticism, and why innovations like the internet excite her.-About Carla Gannis-Carla Gannis, originally from Oxford, North Carolina, today lives and works in Brooklyn, New York. She received a BFA in painting from The University of North Carolina at Greensboro and an MFA in painting from Boston University. In the late 1990s she began to incorporate digital technologies into her work, and in 2005 she was awarded a New York Foundation for the Arts (NYFA) Grant in Computer Arts. Currently she is a professor and assistant chairperson of The Department of Digital Arts at Pratt Institute.Gannis identifies as a visual storyteller. With the use of 21st Century representational technologies she narrates through a “digital looking glass” where reflections on power, sexuality, marginalization, and agency emerge. She is fascinated by digital semiotics and the situation of identity in the blurring contexts of real and virtual.Since 2003 Gannis’s work has appeared in over 20 solo exhibitions and numerous group exhibitions both nationally and internationally. Her most recent solo exhibitions include “A Subject Self-Defined” at Transfer Gallery, Brooklyn, NY; “The Garden of Earthly Delights” at The Hudson River Museum, Yonkers, NY and at Kasia Kay Art Projects in Chicago, IL, 2014. In 2013 she collaborated with poet Justin Petropoulos on a transmedia book, installation and net art project entitled published byJaded Ibis Press, Seattle, WA and exhibited at Transfer Gallery, Brooklyn, NY. Recent group exhibitions include “Porn to Pizza – Domestic Clichés” at DAM Gallery, in Berlin Germany and “Beautiful Interfaces” at Reverse Gallery, New York, NY.Features on her work have appeared in ARTnews, The Creators Project, The Huffington Post, Wired, Buzzfeed, FastCo, Hyperallergic, Art F City, Art Critical, Art Report, The Wallstreet Journal, The New York Timesand The LA Times, among others. Recently her speculative fiction was included in DEVOURING THE GREEN:: fear of a human planet: a cyborg / eco poetry anthology, published by Jaded Ibis Press. Her recent speaking engagements include “Let’s Get Digital” at the Metropolitan Museum of Art and “Cogency in the Imaginarium” at Cooper Union and at the School of the Art Institute of Chicago. She has participated in numerous panels on the intersections between art, technology, education and networked culture.Follow her @carlagannisTweet her @carlagannisLearn more at http://carlagannis.com/Cover art by Graydon Speace

How 3D Audio enhances and impacts content, human experiences, art, and science… Photo credit: Kevin Vallejos Julie Kaganskiy (Cultural Director), and Seth Kranzler and Daniel Perlin (members), of  New Inc. (the first museum-led incubator and a coworking space designed to encourage collaboration and spark new ideas from the synthesis of different disciplines) discuss how 3D Audio will enhance sensory experiences, influence human emotions and perception through a new lens of viewing and interpreting art. They also take questions from the audience and cover the importance of really listening. Presented by Sennheiser in collaboration with MouthMedia Network.Panelists Julie Kaganskiy Photo credit: Kevin Vallejos Julia Kaganskiy is a cultural producer across art and technology. She previously served as global editor of the Creators Project, a partnership between VICE Media Group and Intel. In 2010, she founded #ArtsTech Meetup, an initiative that brings together digital artists and professionals from New York’s museums, galleries, and art-related start-ups. In 2012, she was profiled in the AOL/PBS series “MAKERS,” which honored women leaders. In 2015, she was named in Crain’s New York Business’s 40 Under 40 list, and has been cited by Fast Company (2011) and Business Insider(2013) as one of the most influential women in technology. Seth Kranzler Photo credit: Kevin Vallejos Seth Kranzler is an artist, engineer, and developer working at the intersection of art and technology. He seeks to examine the impact of technological progress and expose new modes of interaction through the subversion of new technologies. His work manifests itself in installations, websites, and physical artifacts. He holds a Masters degree from New York University’s ITP program and a Bachelor of Science in Mechanical Engineering from Drexel University in Philadelphia. Seth cofounded Mixed Signals, an emerging concert series highlighting new works in electronic and digital video, music and dance. He also cofounded Channel Studio, a design and technology studio based in Brooklyn. Daniel Perlin Daniel Perlin is an artist and designer who believes in listening as a strategy for good design. Daniel got his start making work with things that make sound such as music, film, objects and sometimes spaces. After some years spent in Rio de Janeiro, where he worked in film and made work, he returned to New York where he attended NYU’s ITP program and the Whitney Independent Study program. During that time he started Perlin Studios, an experience and sound design studio in New York. Daniel has had the privilege of making things that cross many disciplines including sounds, interactive designs, objects, installations and performances. Recent work has included a solo performance at MoMA for the Lygia Clark Exhibition, an installation for the Costa Rica Pavilion in the Venice Biennial of Architecture, interactive work for Toyota’s Hydrogen Fuel Cell Vehicle and a kinetic speaker in São Paulo. He has worked with such people, places and things as Google, Vito Acconci, Maya Lin, Errol Morris, Todd Solondz, IBM, Toyota, Domus Magazine, Under Armour, The Whitney Museum of American Art, PS1 the Cooper Hewitt and The New Museum. The post 3D Audio – Sennheiser Master Class with New Inc. appeared first on Content Is Your Business.

One of my dangdest friends, Chloe Wise, came by the studio this week. She and I got to talk about her recent solo exhibition in Paris (France, not Texas), whether being Canadian automatically makes you funny, trying out new mediums, her new kitten named Pluto Chicken Nugget Wise, the politics of dairy, Ubering to incredible pizza in Philly, food in general, sculptural carbohydrates, and a terrible joke I tried to tell to the man who owns my local wine store. We’re sponsored this week by bootleg ranch dressing hacks, impostor designer handbags, clowning on The Creators Project, and partying LOL.

Dams clog rivers and streams all over New England. Environmentalists want to take many of them down to improve habitat for fish, but some entrepreneurs want to put them back to work doing their original jobs: making power. Plus, with the Trump Administration’s voter fraud commission meeting in New Hampshire this week, we revisit our conversation about the wacky political world of the Granite State. And, we take trips to two places that are trying to attract tourists: the factory site of a controversial gun magnate, and a mythical wonderland that takes shape just over the border in Québec. Built about 150 years ago, Mill Pond Dam in Colchester, Vt., is currently breached, but still creating a small swamp upstream. Photo by Kathleen Masterson for VPR What Do You Do With an Old Dam? The rivers and streams of New England are littered with thousands of dams. Many of them were used to produce the energy that sparked industry, but they’re now doing little more than than clogging waterways. Conservationists looking to restore the health of rivers are often met with political and emotional resistance when they try to remove large dams. So some are turning their attention to smaller, privately owned ones. Vermont Public Radio’s Kathleen Masterson took a closer look. Nick Cabral is a co-founder of Goose River Hydro in Belfast, Maine But not everyone’s ready to tear down old New England dams. In central Maine, a couple of young entrepreneurs sees potential in old dams in the form of renewable energy and profit. Maine Public Radio’s Fred Bever has more.  Vote First or Die Voters cast ballots in Windham, New Hampshire. Photo by Allegra Boverman for NHPR. Even by New Hampshire's high standards, this was a pretty big week in politics. President Trump's controversial voter fraud commission met in Manchester, where one of the commission's members, long-time New Hampshire secretary of state Bill Gardner, faced criticism from all four members of the state's congressional delegation. Gardner used the occasion of the meeting to rebuke Kris Kobach, the Kansas Secretary of State, for his op-ed on Brietbart.com, suggesting widespread voter fraud in the 2016 New Hampshire election. It's a claim that FactCheck.org called “bogus.” Meanwhile, a state judge ruled against a provision in a new voter law that would have subjected voters to a possible fine or jail time if they failed to submit residency paperwork in a timely fashion. The judge wrote that the provision was a “very serious deterrent” to the right to vote. That New Hampshire's elections have come under scrutiny is something that grates at state residents. The Granite State takes pride in the way it conducts its elections, with no institution more sacred than its first-in-the-nation primary. Scott Conroy is a long-time political reporter, who grew up in neighboring Massachusetts, and who became enamored with New Hampshire's political culture while covering presidential candidates criss-crossing the state. His book is Vote First or Die: The New Hampshire Primary: Americas Discerning, Magnificent, and Absurd Road to the White House. NEXT caught up with Conroy earlier this year. Building a National Park Based on Hartford History Sparks Pride, and Discomfort Unlike New Hampshire, Connecticut has long suffered from a kind of civic inferiority complex. The state is stuck between Boston and New York, but far more congested than scenic New England destinations to the north. Student reporters Nicole Ellis (left) and Madyson Frame pose at Samuel Colt’s statue in Hartford’s Colt Park, with historian Bill Hosley. Photo by Sam Hockaday And then there are the money problems. It's one of the richest states in the nation, but the state budget is billions in the hole. And Hartford, the state’s capital, struggles with a perception that it has too much crime and not enough to do. But something big is on the horizon. A new national park, set to open in the next few years, will tell the story of one of the city's most important industrial leaders. Coltsville National Historical Park will be built on land that once belonged to firearms manufacturer Samuel Colt, and will include parts of the historic Colt factory complex. Colt had an outsized influence on Hartford and was a major player in the Industrial Revolution. But is his a history worth honoring? Madyson Frame, a recent graduate of Hartford's Journalism and Media Academy, reports. Lighting Up the Forest Flips the Switch on a Small Town A stroll through Foresta Lumina includes some sparkly, stunningly lit sections of forest. Photo by Chris Jensen While Hartford dreams about creating a tourist attraction from the ground up, Coaticook, Québec, which sits right on the Vermont border, pulled it off. Local officials took an unusual idea, made a $1 million gamble, and hit a tourism geyser: a high-tech enchanted woodland called Foresta Lumina. Reporter Chris Jensen, with the New Hampshire Center for Public Interest Journalism, went to see for himself. Below: a video from the Creators Project goes behind the scenes at Foresta Lumina. About NEXT NEXT is produced at WNPR. Host: John Dankosky Producer: Andrea Muraskin Executive Producer: Catie Talarski Contributors to this episode: Kathleen Masterson, Fred Bevers, Madyson Frame, Nicole Ellis, Tikeyah Whittle, Sam Hockaday, Jose Vargas, and Chris Jensen Music: Todd Merrell, “New England” by Goodnight Blue Moon, “Nature Kid” by Podington Bear, “Cm” by Podington Bear Get all the NEXT episodes. We appreciate your feedback! Send praise, critique, suggestions, questions, story leads, and tourism ideas to next@wnpr.org.See omnystudio.com/listener for privacy information.

Do you feel that chill in the air? You do? Well, cozy up while you listen to another coffee break mini episode! This week Gracie and Abbey discuss a few of their favorite YouTube channels. Check out the channels below! * Bloodbath & Beyond: https://www.youtube.com/user/BloodbathAndBeyondTV * Chris Stuckmann: https://www.youtube.com/user/ChrisStuckmann * Homicidal Homemaker: https://www.youtube.com/user/HomicidalHomemaker * Menton Matthews III: https://www.youtube.com/user/mentonart * Pop Culture Detective: https://www.youtube.com/user/rebelliouspixels/featured * The Creators Project: https://www.youtube.com/user/TheCreatorsProject * Spooky Astronauts: https://www.youtube.com/user/spookyastronauts/featured Follow Good Mourning, Nancy on Social Media: Twitter: https://twitter.com/goodmourningnan Facebook: https://www.facebook.com/goodmourningnancy/ Instagram: https://www.instagram.com/goodmourningnancypodcast/

Terapias de ayahuasca, dominatrix financieras, una aldea poblada solo por mujeres… 'La Realidad Definitiva' traslada a la radio los reportajes insólitos de VICE, con su característico estilo irreverente. Documentales de sus canales internacionales (The Creators Project, VICE News, Broadly…), su serie en HBO o su programa de televisión en España (Diario VICE), a los que se añaden nuevos datos y el testimonio de sus creadores y protagonistas.

Mede mogelijk gemaakt door: Orange Cyberdefense Over het juridische en politieke deel van deze vraag zijn advocaat Christiaan Alberdingk Thijm van Bureau Brandeis en Tweede Kamerlid voor de VVD Jeroen van Wijngaarden te gast. Er zijn namelijk verschillende meningen: kabinet en bijvoorbeeld D66 willen volledige encryptie voor iedereen, maar politie, OM en bijvoorbeeld de VVD denken daar anders over. Technisch Als je dan encryptie wilt toepassen op je bestanden of je mail, hoe doe je dat doen? Encryptie voor dummies. Want hoe noodzakelijk is dit eigenlijk voor de 'gewone' internetgebruiker? Is encryptie waterdicht en moeten we encryptie van derde partijen zoals Whatsapp en Dropbox vertrouwen? Te gast is Herbert Bos, hoogleraar systeem- en netwerkbeveiliging bij de VU. Technieuws In het technieuws onder andere aandacht voor een onderwerp waar we het vorige week al over hadden: de kapotte iPhones. Apple is daarvoor nu aangeklaagd. Verder: slim dierenspeelgoed van Acer en de Oval Office voor YouTubers. Internetkabels in de oceaan Het internet gaat door de lucht, over land en ook onder de zee door: de bekende kabels die over de bodem van de oceaan lopen. Maar bijna niemand heeft die kabels in het echt gezien. Behalve kunstenaar Trevor Paglen, hij zocht ze op en The Creators Project volgde hem. See omnystudio.com/listener for privacy information.

Jonathan Hunt is the Global Vice President of Marketing and Partnerships at Vox Media, a man with his finger very much on the pulse of where the engagement between brands and media is going. He talked to us about his previous career experiences at Clear Channel in Florida and Vice in New York, his work on the Creators Project, the attractions for him of Vox as a new school media company and the challenges for editorial and brands in exploiting such new channels as Snapchat.

In the fall of 2001, Phil Elverum released the album The Glow Pt 2 on K Records. Pitchfork named it the best album of the year. In this episode, Phil recounts how he created the first song on the record at Dub Narcotic Studio. He spoke with me from his home in Anacortes, Washington, about his love of being alone in the studio, evoking nature through music, and where the name The Microphones came from. Plus a few words from Calvin Johnson, the founder of K Records. This episode is presented in conjunction with The Creators Project.   

batt_006_nathanselikoff.mp3 batt_006_nathanselikoff.oggNathan Selikoff is a visual artist who employs computer programming and math to create visual art, interactive pieces, sculptures and even live performances with musicians. We discuss how he came to be a professional artist, and how others can follow his example. Mentioned in this podcast Nathan Selikoff Buy Nathan's Prints Beautiful Chaos - Leap Motion Controller App Inspiration Creators Project Creative Applications Network Eyeo Festival on Vimeo Leaders in Software and Art Conference Video INST-INT - interactive installations Picks of the Week Sophia Brueckner Retro Admiral Television with Raspberry Pi and XBMC BarCamp Deland Digital Arts - Stetson University Indie Game The Movie Extra Lives: Why Video Games Matter Music: "Recruitment Gong (Instrumental)" by BOPD (Jason Sigal) via Vimeo Music Store Follow us @nselikoff on Twitter Processing Orlando Meetup Hire Nathan Hire Kathryn on LinkedIn @KathrynLNeel Ryan Price @liberatr

On this episode of The Unconventionals, host Mike O'Toole sits down with Intel's Creative Director, David Haroldsen to discuss The Creators Project: Intel's unique way connecting the future of chip technology with today's modern artist. This revolutionary partnership between Intel and VICE media allows visionary artists using technology in innovative ways to push the boundaries of creative expression. By doing so, Intel is able to gather insights from those who place unusually heavy demands on technology and, ultimately, generate new ideas for future capabilities for their chips. Enjoying the music in this episode? It's a special composition brought to you by The Creators Project and Nick Zinner of Yeah Yeah Yeahs. http://www.youtube.com/watch?v=fh9oyffQYd8

Scott Snibbe, founder of Snibbe Interactive and Scott Snibbe Studio, discusses the creation of Biophilia, Bjork’s interactive album. We met Scott at The Creators Project, an art/technology conference organized by Intel and Vice. Check out http://www.snibbe.com/ Buy Biophilia: https://itunes.apple.com/us/app/bjork-biophilia/id434122935?mt=8