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2 episodes with derek frank
2 episodes with derek frank
2 episodes with derek frank
2 episodes with derek frank
In the 248th episode of The Main Street Electrical Podcast, Jenn & Dave are not hanging out here - because Jenn is in Epic Universe! So d$ has invited in one of the best friends of the show, none other than THE Derek Frank! After a little chit-chat, including discussing the VIPassholders dining perks this summer, Derek and d$ give their own Star Wars stories and how they became life long fans. Then, starting at 1977's original Star Wars, they rank all 12 theatrical films in the SW Universe... the 9 films in the three trilogies, the two stand-alone films, and that gosh awful Clone Wars movie. Two life long Star Wars fans talking The Force and Disney... what more could you want!
In the 239th episode of The Main Street Electrical Podcast, Jenn & Dave chat a little travel and the things we love about it! And what better way to share the love than chatting with Friend of the Show and podcaster and vlogger extraordinaire THE Derek Frank! While Jenn is prepping for a Disney Wish sailing, Derek is talking Disney, while d$ found more magic while weekend thrifting. Then, a little news covering all the latest for Disneyland's 70th Anniversary celebration, plus the Season of the Force Star Wars news -- all the stuff Disney World isn't getting anytime soon. Finally, a random list of things we love about travel... what we love to snack on in WDW... where we love to stay... the ships we enjoy sailing on... the beaches we love to walk... and much more love shared right before Valentine's Day!
Due to evacuating from the Los Angeles fires, for the first time ever in our 5 year run as a show, we were unable to deliver a new weekly episode. Instead, please enjoy this unlocked bonus episode from our Patreon vaults of one of our favorite things we watched in 2024. We are actually working on our special 5 year anniversary roundup/clip show, so we'll be back soon with brand new content. Thanks so much for your support! --- One of the most bizarre and singular pieces of Christian media we've ever watched is this dreamlike documentary from the minds of father/daughter writer/director team Derek and Vanessa Frank, who assembled some of the biggest names in Christian film history to shake the Protestant Reformation down to the “demonic conspiracy” at its very core: the anti-Semitic teachings of Martin Luther and John Calvin. In LET THE LION ROAR, Kevin Sorbo, Stephen Baldwin, Eric Roberts, John Schneider, and young up-and-comer Ben Davies star as 16th-century European historical figures who don funny hats and monologue their virulently anti-Semitic views to the camera for extended scenes, some lasting for several minutes at a time. Writer Derek Frank believes that the major weakness that plagues Protestantism is its insufficient respect for the Jewish faith and an unwillingness for the Christian church to become fully “grafted into Israel.” Mr. Frank has written five more “theses,” to add to Martin Luther's famous 95 Theses of 1517, that propose full deference to Jews from Protestants that he hopes will heal Christianity and save it from vague, unitarian sluggishness that he reads as weakness. This is an ambitious and extremely boring goal to try to sell to an audience, but the Franks make it fun with uncanny corporate stock footage and a series of costume changes that make Derek Frank look like the Architect from The Matrix, if that character were a hardcore Zionist. In general, Derek Frank's extreme passion for his case of “finishing” the Protestant Reformation is what sells this documentary — he gazes directly at the audience severely like a cat that has just cornered a mouse and wants to talk to it about Israel for an hour before dealing the death blow that will wipe it out of existence forever. The Lion of Judah is a lion after all, and Derek Frank teaches us that to hammer your point home, you must approach your argument with the ferocity of an apex predator. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy
It was our 200th episode last April, and our good friend of the show Derek Frank suggested this for ENCORE week here at the podcast... the Attraction Bracket! Derek put together 64 shows/rides/attractions for a tournament style episode and d$, Jenn, Derek, and Quasi-Producer Heather, aka The Moana Mom, discuss each "match", one on one, to determine the best thing at WDW. Plus, this ep was when the Tiffany vs Debbie Gibson debate surfaced between d$ and Heather. Enjoy (or re-enjoy) this ENCORE ep from April 2024!
In the latest Everything is Personal episode, host Len May sits down with renowned bassist Derek Frank—the musical powerhouse behind some of the world's biggest acts! From rocking stadiums to laying down smooth grooves in the studio, Derek spills the secrets of life on tour, his creative process, and what it takes to thrive in the ever-changing music industry. Get ready for behind-the-scenes stories, valuable insights on balancing fame with personal growth, and a deep dive into the passion that drives this incredible artist. Whether you're a fan of the industry or just curious about what it takes to make it as a top-tier musician, Derek's raw, unfiltered insights will inspire you. Tune in—you won't want to miss it!EndoDNA: The breakthrough DNA test that matches you with the right cannabinoid products for your wellness journey. Endo·dna gives you two guaranteed ways to uncover your unique endocompatibility today. Click here to check out which product is right for you. Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG
In the 221st episode of The Main Street Electrical Podcast, Jenn & Dave invite in friend of the show, THE Derek Frank to chat about all things in the the World of Magic. First, stains on a Remy shirt and Jenn's new vintage map, then a tribute to James Earl Jones... Dick Van Dyke's not-Emmy... when will the new Mermaid show open... another Halloween party update... and Tron goes standby! Then, Travel Planner d$, Upon a Star Agency Owner Jenn, and agency collaborator Derek discuss the biggest myths surrounding using a Travel Agent, starting with both Jenn's & d$'s "origin stories" of how they became involved in Travel, and even how they met and began working together. Myths like "Does it cost extra money to us a TA?", and "Can't I just do it on my own?", and "Do TAs sell you things you don't need", and even "How do I find a good Travel Agent?". Plus, how we Travel Agents sometimes lose money by making sure your trips are amazing, and even the age old question of "How do I become a Travel agent??" Hope you enjoy our fun discussion on the behind the scenes world of travel planning!
Many of you will remember the last time I chatted with Derek Frank was back in 2017. The main thing that impressed me was how busy Derek was and how he juggled playing with many huge acts.Now, I am happy to hear that Derek launched a new album last March titled “Origin Story” where he digs deep into his roots and pays homage to Pittsburg.Join me as we get caught up after all these years and hear the details about the new album, how Derek gets his sound, and his plans for the future.Photo, Stephen BradleyThis interview first appeared in Bass Musician Magazine in May 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.
One of the most bizarre and singular pieces of Christian media we've ever watched is this dreamlike documentary from the minds of father/daughter writer/director team Derek and Vanessa Frank, who assembled some of the biggest names in Christian film history to shake the Protestant Reformation down to the “demonic conspiracy” at its very core: the anti-semitic teachings of Martin Luther and John Calvin. In LET THE LION ROAR, Kevin Sorbo, Stephen Baldwin, Eric Roberts, John Schneider, and young up-and-comer Ben Davies star as 16th-century European historical figures who don funny hats and monologue their virulently anti-Semitic views to the camera for extended scenes, some lasting for several minutes at a time. Writer Derek Frank believes that the major weakness that plagues Protestantism is its insufficient respect for the Jewish faith and an unwillingness for the Christian church to become fully “grafted into Israel.” Mr. Frank has written five more “theses,” to add to Martin Luther's famous 95 Theses of 1517, that propose full deference to Jews from Protestants that he hopes will heal Christianity and save it from vague, unitarian sluggishness that he reads as weakness. This is an ambitious and extremely boring goal to try to sell to an audience, but the Franks make it fun with uncanny corporate stock footage and a series of costume changes that make Derek Frank look like the Architect from The Matrix, if that character were a hardcore Zionist. In general, Derek Frank's extreme passion for his case of “finishing” the Protestant Reformation is what sells this documentary — he gazes directly at the audience severely like a cat that has just cornered a mouse and wants to talk to it about Israel for an hour before dealing the death blow that will wipe it out of existence forever. The Lion of Judah is a lion after all, and Derek Frank teaches us that to hammer your point home, you must approach your argument with the ferocity of an apex predator. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy
In the 210th episode of The Main Street Electrical Podcast, Jenn and Dave finally reunite on the show! Jenn is back from her overseas world travels, while Dave is just back from his weekend with his 12yo, and both have a few things to share -- more on both trips in coming episodes. And because the subject is Epcot today, coming back into the studio is third co-host #KylaKylaKyla (ready for her own trip!) and Vlogger, Influencer, and showman THE Derek Frank (on location in Iowa!), and the foursome are here to chat all the Epcot stuff. First, a quick look at the newest Disney change, as Genie+ is set to go away, to be replaced by Multi Pass and Single Pass and all the Pass. Then, now that the Epcot walls are finally down, we all give our thoughts on all the new things we've gotten in the last few years... and the things we didn't get. Mary Poppins, anyone? Wrapping up the series from the last few weeks, the crew looks at all the attractions in Epcot, from the newest like Remy and Guardians to the classics like Figment and Spaceship Earth -- what gets a "LOVE IT!", what gets a "LIKE IT", and what ends up in the "Meh" pile. And finally... Jenn, d$, Kyla, and Derek all give their 1, 2, 3, and 4 rankings of the Epcot festivals. This is a great ep of conversation for any Epcot fan!
At the Deucecast Movie Show, we celebrate the most special days of the year, like Christmas, and Mother's Day, and Thanksgiving, and of course, both May the 4th Be With You, and it's follow, Revenge of the Fifth, and it's spiritual sequel Revenge of the Sixth. To help Mikey, Dave, and #XLessDrEarl celebrate, we invite in first time Friend of the Show, videographer and vlogger and Disney sorta influencer and hardcore Star Wars fiend, THE Derek Frank! First, a little background on Derek to open the show, followed by the return of America's favorite easy Q&A, Simple Star Wars Trivia (spoiler alert - Mikey always dominates), then a review on the epic re-watch everyone had this weekend over Star Wars Episode I: The Phantom Menace. And finally, the guys count down their favorite Star Wars fight scenes - not the epic space battles, but one on one or one on five or five on a hundred -- no Star Destroyers, rather blasters and space swords -- and to make the pot even sweeter, the lists cover all the screen media, including TV shows, not just the movies. And a quick chat on Tom Hanks Playtone movie studio!
EPISODE 109: After years of touring the world with artists such as Gwen Stefani, Shania Twain, Shakira, Air Supply, and others, veteran LA bass player Derek Frank decided it was time to take a slight detour from the life of a “hired gun” musician and focus on his own instrumental quintet. Described as “Seventies-Inspired Funky Instrumental Jams With Fewer Bass Solos Than You Would Expect”, Derek and his band blend funk, blues, soul, jazz, southern rock, and seventies soundtrack music into a genre all their own. 2020 saw the release of “Eleven Years Later”, Derek's first solo album since his 2009 debut “Let the Games Begin…”, and his newest album Origin Story was released on March 25th, 2024 on all download and streaming platforms. The 2-disc vinyl version (with bonus live tracks) will be available sometime in May 2024. derekfrank.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!
In the 190th episode of The Main Street Electrical Podcast, Jenn & Dave borrow a concept from one of our favorite shows - Living with the Landspeeder, where a Disney Attraction is turned into a Star Wars Attraction... "Star Warsifying" it. This time, we reverse the concept and "Disneyfy" the three Star Wars attractions in WDW - Smuggler's Run, Rise of the Resistance, and the O.G., Star Tours. And what better way to retheme a ride than to invite on the guys who did it better - Catron, Chris, Ryan, and Derek Frank, hosts of the IAmGeek show and Living with the Landspeeder. Six new attractions are presented, two for each of the existing Star Wars rides, with ideas from Atlantis to Aladdin to Toy Story... plus Coco gets a ride (finally), we talk more about The Black Hole than any show in recent memory, and even Walt appears at the end of an attraction.
In the 186th episode of The Main Street Electrical Podcast, Jenn & Dave close the year with what is now a tradition -- with the Candlelight Processional! In year's past, both Jenn and Dave have taken turns reading the narration, pulled directly from the long standing classic annual production at Epcot, with the music from the show intersparsed, but this year, they've asked a few Friends of the Show to pitch in and lend their voices to the narrations. Matt & Susie from The ImagineEars Podcast... Catron, Ryan, and Chris from IAmGeek... Derek Frank from Living with the Landspeeder... Melissa Reagan from The Food for Thoughtcast... and show faves Quasi Producer Heather and #KylaKylaKyla all assist, with Dave and Jenn of course. What you'll hear in this show is nearly the exact show you'd hear if you attended the CLP over the holiday season at Epcot. So we hope you enjoy our presentation of The Candlelight Processional. All rights of music go to the writers, composers, and producers of the musical works themselves, as well as the script of the narration to those who adapted it for the show.
Evan and Bryan welcome back their Star Wars expert Derek Frank, as they discuss the recent Ahsoka series on Disney+. The three of them discuss the characters, things they liked and didn't like and even attempt to rank the Star Wars series. Great conversation, and stuff a Star Wars geek would love !!! Derek can be reached at Thederekfrank@gmail.com and Living with the Landspeeder. podcast
#283 Derek Frank and Ray Chase join us as we wrap up the final 2 episodes of Ahsoka Season one on Disney Plus. In true Star Wars fashion, we kept the balance in the force as some expressed their love for the show while others felt there were too many holes for people who haven't watched Clone Wars or Rebels. Could this story be leading to Heir to the Empire? You won't want to miss this discussion as we break it all down for you! Thank you for listening. Please consider leaving us rating and review wherever you listen to our show! You can also watch this episode on YouTube--just search for iamgeekshow!
LA-based bassist Derek Frank is one of the industry's most in demand session bassists, having played with a who's who of artists including Shania Twain, Gwen Stefani, Air Supply, Orianthi and many, many more along with having two incredible solo records titled "Let The Games Begin" and "Eleven Years Later." Listen in as we talk all things bass, including how Derek gets his incredible tone, his advice for building your career as a session player, playing with some legendary artists and the influences and gear behind the tracks on Derek's most recent album "Eleven Years Later."
#270 In this episode we celebrate our 6th anniversary! The Derek Frank joins Ryan, Chris and Catron as we look back at our favorite episodes and talk about different things we GEEK out about--movie props, Star Wars, making things, movies, food and more! Thank you for listening, and please stick around for at least another 6 years! We hope this has been better than the Phantom Menace! (be sure to check out our first episode!) We had originally planned to start recording our new side project this week -- Living with the Landspeeder -- but we ran into some technical issues. It all worked out, though, because we were able record this fun episode for our anniversary! Please tell your friends about our show and be sure to check us out on social media -- @iamgeekshow! Epic Trailer by LesFM | https://lesfm.net/ Music promoted by https://www.chosic.com/free-music/all/ Creative Commons CC BY 3.0 https://creativecommons.org/licenses/by/3.0/
#265 The Derek Frank joins us again as we talk about Ryan's upcoming trip on the Halcyon on May the 4th. We introduce a new podcast we are working on called "Living with the Landspeeder"! Don't worry--we're not going anywhere--this will be a new show with content about Star Wars and Disney! New trailers were released for Guardians of the Galaxy, Indiana Jones and Flash. And finally, we hear an epic story about Ryan's battle with this washing machine. All this and more in episode 265!
In the 139th episode of The Main Street Electrical Podcast, Jenn & Dave welcome to the show for the very first time branding and marketing expert, musician, and Disney Vlogger Derek Frank! After some chit-chat about returning attractions to WDW, Derek shares a little about his Disney history, and how he got into the photography and videos inside the park itself. Then, Jenn, Dave, and Derek share thoughts on their favorite picture and video spots in all four parks -- from taking reflection shots to finding the right bridges to catching the monorail at the right time. Plus, Derek shares his idea to turn Hollywood Studios into an entire Star Wars park. Finally, Derek gives out his tips for amateur Disney Vloggers, and how to take some great shots around the parks themselves. Make sure to follow Derek on YouTube (search "The Derek Frank") and Instagram @TheDerekFrank and website www.thederekfrank.com
#261 Derek Frank joins us for another episode to talk Disney and Universal as the two amusement park giants battle it out to see which franchise reigns supreme! Disney released some discounts, the opening of Tron and removed paid parking at the resorts. Universal strikes back by opening Super Nintendo World at Universal Studios Hollywood ahead of schedule and announces a new kid's amusement park along with a haunted house in Las Vegas. So much to unwrap and talk about. There was also a new Ant-Man trailer to talk about, so a lot to discuss! Thanks for listening! Please leave us a 5-star review on Apple Podcasts and share our podcast with your friends!
Derek is a lifelong musician and performer. After years of doing music full-time, he decided to shift his focus to the business side of the music industry. He was able to work with several major musical instrument brands and some of the top artists in the world. He soon realized that the skills he learned were made for more than just the music industry and he started branching out with brand deals from companies like Razer, Red Dragon, MXL and SE Microphones, Pelican Cases, Presonus, and many others. Now he uses his knowledge to teach others how to get brand deals as a small creator and start earning more money through social media. www.thederekfrank.com It's never too late to start your own daily creative habit! Join our free Facebook community Daily Creative Habit & subscribe to the Daily Creative Habit newsletter, delivered right to your inbox twice a week! www.DailyCreativeHabit.com Grab your copy of the Daily Creative Habit guided creative journal!
Evan and Bryan tare joined by their very special guest Derek Frank as they get deep into Star Wars philosophy and look at the recent Andor series and look at why its so much different than any other Star Wars release so far. If you want to join us and discuss your opinions on the flagships or any of the topics we discuss, provide a trip report or even just ask questions, please reach out to us on our Facebook page , Spoonie Nation, Instagram or Twitter Follow Derek Frank at thederekfrank.com ------------------------------------------------------ Find everything about the podcast here
Derek shares his thoughts about how the church departing from it's Jewish roots, has impacted it's approach to salvation.- https://aliveinmessiah.org- https://youtu.be/o-hjpXFio2MYouTube Version: www.youtube.com/RadicalLifestyle- Radical Lifestyle Instagram Click Here- Telegram channel and discussion: Click HereYou can also follow Andrew and Daphne on their social media platforms:Andrew Kirk: Facebook | Instagram | Twitter | ParlerDaphne Kirk: Facebook | Instagram | Twitter | ParlerTo support the channel: Click Here- UK only Donations here: Click Here
#249 The Derek Frank is back to make a guest appearance while Chris is away at WDW and will soon board the Disney Wish! Galaxy's Edge needs to expand and we are here to tell you how they can do it. Hear about a new area called "The World Between Worlds" and how we'll build a 5th gate. You've heard of Living with the Land, well how about Living with the Landspeeder? We've got enough food, experiences and other entertainment covered to make this park the most profitable park ever. We'll even tell you how Disney can improve the Sci-Fi Drive-In at Hollywood Studios by changing 1 thing. Thanks for listening! If you want to watch a live version of this episode and hear extra content, check us out on YouTube...just search for iamgeekshow!
Derek Frank and Evan meet up with Sal Capaccio. They also go over the NFL Tiers from worst to best.
Derek Frank and Evan talk about the pressure that is on the Bills this season as well as a little peak from Bills OC Ken Dorsey who met with the media today.
#243 An interview with Music Industry Insider and Artist Relations Manager who is also a Disney and Star Wars geek, The Derek Frank! Hear about his experience in the music business and everything he geeks out about! Find links to all of Derek's content at https://thederekfrank.com!
On this episode of Toque Talk we're stoked to have Derek Frank as our guest. He's played with Shania, Gwen Stefani, Air Supply and guested on The Kelly Clarkson Show! Today is his birthday, so show him some birthday love by tuning in.If you'd like to watch the video version of this episode as it streamed live to the internet, click on the YouTube link below...https://youtu.be/iJhKumjcbGQDerek's website
A love letter to the live concert experience, vocalist Roberta Freeman has released a passionate Pink Floyd cover. For the song and video, she recruited friends Derek Day, Derek Frank, and her Use Your Illusion tour mate Teddy Zig Zag. We discuss putting the video together and celebrate the 30th Anniversary of #UseYourIllusion. Wish You Were Here: https://www.youtube.com/watch?v=KLCygvj4o7k #gunsnroses #pinkfloyd #robertafreeman
On this Derek Frank Interview: Influences on making his latest LP and his approach to writing these tracks, what he learned from making the record, how he showcased his bass but not at the expense of the other musicians, funk, 1970’s cop shows, Covid, and more. GREAT chat, high energy… comes with Derek’s original ELG episode as well If you’d like to support this show: http://www.everyonelovesguitar.com/support A successful side man in LA, Derek is currently the bass player for Gwen Stefani, Shania Twain (5 yrs), and LA- based rock band The Dirty Diamond. He’s also part of the Soundcheck Live house band at the Lucky Strike Live in Hollywood. He’s also toured with Shakira (2018), Air Supply (2016-17), Mindi Abair & The Boneshakers (2010-2018), Daniel Powter (2018), Victoria Justice (2012-2013), Jeff Golub (2011-2012), Dancing With the Stars (2007-2009), Brian Auger’s Oblivion Express (2002-present) & others. He recently released a solo LP called Eleven Years Later Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/
Los Angeles touring/session bassist talks about his latest album and his gigs with Gwen Stefani and Shania Twain.
Los Angeles touring/session bassist talks about his latest album and his gigs with Gwen Stefani and Shania Twain.
Los Angeles touring/session bassist talks about his latest album and his gigs with Gwen Stefani and Shania Twain.
NOMAD is not only a career musician... He is THE career musician! He is a veteran in the biz with credits and experience that spans decades. As a professional guitarist, he has worked and played with many of the most respected celebrity artists in music. He remains committed to pushing the envelope and has broadened his career by seeking and securing opportunities in other facets of the industry; such as operating as Music Director for Kenny “Babyface” Edmonds, composing for film and television, and oh yeah... creating this podcast!NOMAD's has worked and played for such legends as Aretha Franklin, Stevie Wonder, Sting, Celine Dion, Barbra Streisand, Donny Osmond, Toni Braxton, Kem, Jewel, Colbie Caillat, and Justin Bieber just to name a few. His film credits are also a force to be reckoned with; recording for such titles as Mr. and Mrs. Smith, The Lorax, Lilo and Stitch, Men In Black III, and Ferdinand. And don't forget his television credits like Who Do You Think You Are, Long Lost Family, The Bradshaw Bunch, Fast Foodies, Basketball Wives, and Gentified!Looking back on these 100 episodes, The Career Musician Podcast's guest list also reads like a list of who's who. Here are a few highlights from past seasons of the show: John Powell, Rickey Minor, Harvey Mason Jr., Doug E. Fresh, KEM, Damon Thomas, Brian Frasier-Moore, Walfredo Reyes Jr., Kevin Martin, Maysa Leak, Lucy Woodward, Nicole Row, Wavy Wayne, Matt Rollings, John Stoddart, Michael Elsner, Chloe Flower, Tariqh Akoni, The Immediate Family Band, Dmitry Gorodetsky, Tim Stewart, Tim Davies, Derek Frank, Manuel Romero, Tommy Sims, Philip Lassiter, Keith D. Nelson, Norwood Fisher, Daryl Simmons, Kirk Whalum, Nathan East, Curt Chambers, Adam Blackstone, and many more!This 100th Episode marks the end of Season 3 of The Career Musician Podcast. Stay tuned for more exiting things in Season 4 – 2021!@thecareermusician@nomadsplace
NOMAD is not only a career musician... He is THE career musician! He is a veteran in the biz with credits and experience that spans decades. As a professional guitarist, he has worked and played with many of the most respected celebrity artists in music. He remains committed to pushing the envelope and has broadened his career by seeking and securing opportunities in other facets of the industry; such as operating as Music Director for Kenny “Babyface” Edmonds, composing for film and television, and oh yeah... creating this podcast! NOMAD's has worked and played for such legends as Aretha Franklin, Stevie Wonder, Sting, Celine Dion, Barbra Streisand, Donny Osmond, Toni Braxton, Kem, Jewel, Colbie Caillat, and Justin Bieber just to name a few. His film credits are also a force to be reckoned with; recording for such titles as Mr. and Mrs. Smith, The Lorax, Lilo and Stitch, Men In Black III, and Ferdinand. And don't forget his television credits like Who Do You Think You Are, Long Lost Family, The Bradshaw Bunch, Fast Foodies, Basketball Wives, and Gentified! Looking back on these 100 episodes, The Career Musician Podcast's guest list also reads like a list of who's who. Here are a few highlights from past seasons of the show: John Powell, Rickey Minor, Harvey Mason Jr., Doug E. Fresh, KEM, Damon Thomas, Brian Frasier-Moore, Walfredo Reyes Jr., Kevin Martin, Maysa Leak, Lucy Woodward, Nicole Row, Wavy Wayne, Matt Rollings, John Stoddart, Michael Elsner, Chloe Flower, Tariqh Akoni, The Immediate Family Band, Dmitry Gorodetsky, Tim Stewart, Tim Davies, Derek Frank, Manuel Romero, Tommy Sims, Philip Lassiter, Keith D. Nelson, Norwood Fisher, Daryl Simmons, Kirk Whalum, Nathan East, Curt Chambers, Adam Blackstone, and many more! This 100th Episode marks the end of Season 3 of The Career Musician Podcast. Stay tuned for more exiting things in Season 4 – 2021!
Derek Frank is a bass player who has toured and recorded with artists such as Shania Twain, Gwen Stefani, Shakira, Brian Auger, Air Supply, and many more. He has been a staple of the Los Angeles music scene for decades now and has one of the best reputations of any musician in the city. He's the consummate professional who shows up to gigs with detailed charts, immaculate gear, but simultaneously plays with a raw energy that is rare amongst hired gun session and touring players. In this episode we discuss where/when we met, and how a last minute gig in which Derek subbed on bass, led to his recommendation for an upcoming Shania Twain audition. Unsurprisingly he nailed the audition and has now been a member of her band since 2015. We also discuss Derek's time spent at University of Miami and how it helped shape the musician that he is today and subsequently led to his interest in vastly different styles than he had been interested in before attending. Of course, we get into the nitty gritty of what makes these two albums so incredible and why he chose 2 live albums over studio recordings. Luckily for us, both of his choices came along with a video recording as well, so, for those of you who want to see these shows in action, Derek and I both highly recommend checking those out as well. Thank you and please enjoy this weeks episode of, Album Impact With Joshua Ray Gooch
Derek Frank sits down with Park City Jimmy Eaton and opens up his world of the rockstar life and his history as he grew and developed into a renown bassist. Currently, he is splitting his time between pop icon Gwen Stefani, country-pop superstar Shania Twain, indie rock band The Dirty Diamond, the Soundcheck Live Resident Band at Lucky Strike in Hollywood, plus other gigs and recording sessions with various bands and artists. On Sept 18, 2020, he released his latest album "Eleven Years Later".
Bass Player Derek Frank talks about his experience playing dual Las Vegas residencies with Gwen Stefani and Shania Twain. He talks about preparing for gigs, writing charts and sending good subs. He tells some road stories of his time with Air Supply and his first time playing in Vegas. Derek remembers his time at the University of Miami and why he lives in L.A.. He reflects on his diverse career of jazz, pop and country. He discusses how much control we're in of our careers. www.derekfrank.com Let The Games Begin… https://open.spotify.com/album/1yIBSDqlaR1RKOgVi74CkI?si=-4VDP4rmQMGvXzqGe1afhg
Lessons learned from auditions, playing with Mindi Abair, Shania Twain, Brian Auger, Air Supply… dealing with the loss of his mom, Devo, work ethic, Shaun Cassidy’s wedding, New Zealand, skydiving, climbing Mount Kilimanjaro, why every gig is a win, and “just play the groove.” Super cool, super sincere guy Derek is currently the bass player for Gwen Stefani, Shania Twain (5 yrs), LA-based rock band The Dirty Diamond. He’s also part of the Soundcheck Live house band at the Lucky Strike Live in Hollywood. He’s toured with: Shakira, Air Supply (2016-17), Mindi Abair & The Boneshakers (2010-2018), Daniel Powter, Victoria Justice, Jeff Golub, Dancing With the Stars (2007-2009), Brian Auger’s Oblivion Express (2002-present) & others Support this Show: http://www.everyonelovesguitar.com/support Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/
Nate Morton from "The Voice" In this episode, Part 2, we dig deeper into the audition he went on thanks to Barry Squire and his own networking becoming known as a "player" in town. Besides doing gigs around town and networking, he would go to some of the more well-known jam session so he could be seen, heard and start to build his network. As you'll hear as a constant thread throughout both parts of this conversation, networking and relationships have been key to Nate's growth and success. We talk about the sequence of auditions and gigs in a timeline so you can get a feel for the progression of what Nate went through to bring us current to today. In 2005, there's the lengthy audition for "Rock Star: INXS" and then in 2006, "Rock Start: Supernova". Then onto "The Bonnie Hunt Show" from September 2008 to May 2010. Finally in 2011, he lands one of the greatest gigs of all times, "The Voice" We talk more about his early days in Los Angeles and we walk through his timeline of auditions, touring gigs with well-known artists and end in the present day. Enjoy and thank you for listening!! ********** Nate Morton: Nate's Website: https://natemortondrums.com/ Fraudprophets Website: http://www.fraudprophets.com/ YouTube: Nate Morton Drum Cam Facebook: https://www.facebook.com/natemortondrums/ Instagram: https://www.instagram.com/n8drumz/ Twitter: https://twitter.com/n8drumz Nate's company affiliations include: Pearl drums & percussion Zildjian cymbals & sticks Roland Remo ePad Cympad GoPro Sennheiser Kelly SHU WingKey https://youtu.be/pjljYtm5DCQ Podcast Music By: Andy Galore, Album: "Out and About", Song: "Chicken & Scotch" 2014 Andy's Links: http://andygalore.com/ https://www.facebook.com/andygalorebass Subscribe, Rate & Review: I would love if you could subscribe to the podcast and leave an honest rating & review. This will encourage other people to listen and allow us to grow as a community. The bigger we get as a community, the bigger the impact we can have on the world. 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Joe: Were you given music ahead of time or did you have to go in and just wing it? Nate: Oh, God. No, no, no, no. If you're gonna do an audition typically back in that era and they would say, you know, oh, go to her manager's office and pick up this C.D. and the he would have, you know, three songs on it and they would generally be listed in the order that they were gonna be released as singles. You know, here's the first single second, third. And in the case of Billy Myers, I feel like her single was already out or was a song called Kiss the Rain. Kenny Aronoff, I think, played drums on the original recording. Joe: Ok. Nate: And yeah, that dude. Yeah. You know that. Yeah. That that up and coming guy. Joe: Right. Nate: What Joe: Right. Nate: He's got, he's got a lot of potential. Joe: Yeah. Nate: I think if he sticks with it, he's really Joe: Right. Nate: Going to Joe: Yeah, Nate: Go far. Joe: Yeah. Nate: I hope, I hope people get my, my stupid sense of humor Joe: They Nate: Like Joe: Totally. Nate: They're just out there just not like oh my God. He said he thinks Kenny Arnow is up and coming. Joe: The Nate: Oh, my God. He's an idiot. That guy. Joe: No. Nate: So, yes, Kenny, if you're listening. I'm sorry. Just joking. So. So I pick up, you know, you pick up the C.D. and. This is twenty, twenty years before almost 20 years before I have to start. No, no, no, no, no. I think that that. I'm sorry. That would have been in the. That would've been let's call it let's call it ninety nine. Two thousand area. And then it wasn't until. Two thousand, five, six or so when Rockstar came along, which is which is this TV show that I did where we started having to learn these like kind of high volumes of songs, right. Where it's like, oh, there's fifteen songs this week to learn, which in retrospect doesn't seem like a lot because there are times on the voice when it's like, OK, here's the thirty six songs rolling this week. Joe: It's amazing. Nate: But at that time to have to come in and in a week learn 14 songs or 12 songs, it was like, I mean if you do a tour. If you do a tour, you might be rehearsing. Let's just say six days a week. Seven or eight hours a day. And you, depending on the tour you're doing and the level you're doing. I mean, you might be learning two songs a day. You're not Joe: Hey, Nate: Saying Joe: Yeah. Nate: Muddy Lane shoes on the day because the keyboard players are dialing sounds and this is that I didn't want to wear. It was it was actually literally that it was literally out of a 10 hour day. The keyboard players and guitar players were dialing sounds for seven and a half or eight hours of getting the sound right for you. The track was so the idea that you would come in and in the space of a week, from Monday to Saturday, Saturday, really Monday to Sunday, you know, it's like Monday and Tuesday, you've got to learn 14 songs because you're seeing the contestants on Wednesday and Thursday. I mean, at that, like I said now. I mean, I could I could, I could. You know, this sounds terrible, but, I mean, I could do that and read a book and crochet a sweater at the same time. Well, but then but then the idea of fourteens on the two days like war. So anyway, my Joe: And this Nate: Only. Joe: Was the rock star time frame that you're talking about. Nate: Correct. Joe: When? Nate: This was the beginning Joe: Ok. Nate: Of rock star. This is Joe: All Nate: The Joe: Right. Nate: Beginning of rock star. Joe: Ok. Nate: So. So. Joe: And how did you get that? Like. Morgan walks in the room and like every drummer runs its runs to the corner like a bunch. Nate: Are you out of your mind? Joe: So don't don't you know, don't belittle Nate: Okay, okay, okay, Joe: The Nate: Okay, Joe: Fact Nate: Ok. Joe: That you had to go do something to get these gigs. That's important. Nate: Ok, Joe. Joe: It's. Nate: Ok. Why did you ask me? Ask me? Joe: Ok, so you were with Nate: Ask Joe: Billy Nate: Me, Joe: Myers Nate: Ask me, Joe: And then. Nate: Ask me the big question, which is because this is this is this was this is the big question that I'll bring it on home. Ask me the big question, which is how did you get the gig on The Voice? Joe: No, because there's so many other things in Nate: No, Joe: Between. Nate: No, no, no, no. Just Joe: Oh, Nate: Try Joe: I thought there Nate: It. Joe: Was. Nate: No, no, no, just try Joe: Ok. Nate: It. Joe: Really? OK. So Nate, how did you get the audition on The Voice? Nate: No, no, no, no, no, no. The gate, the gate stretch. Joe: Oh, the Nate: Try, Joe: Gag Nate: Try again. Try again, Joe. Nate, how did you get the gig on The Voice? Joe: Me. How did you get the gag on The Voice? Nate: Funny you should ask. Joe: Oh, good. Nate: So back in, ho, ho, ho. Get comfortable people back. Somewhere around 2002. I always want to do like in the year 2000. Joe: Right. Nate: If anyone remembers that, I don't even remember that little Conan O'Brien bit. That has to do with Eddie Richter. So back somewhere around 2002, I was playing with the singer songwriter piano player named Billy Appealing. That was a little earlier named Vanessa Carlton. So 2002, 2002, 2003, somewhere in that neighborhood, maybe 2003. And for those of you who may not be familiar with Vanessa Carlton, she had a single called A Thousand Miles. It was a really big summertime single. So interrelates with Vanessa, and we're somewhere in the middle of somewhere and I get a call. Joe: See? But there you go again, you skipped over, how did you get that gig? Nate: Well, I actually didn't skip over Joe because I said because I said Nate's a jerk because because I said that many of my earlier auditions, of which Vanessa Carlton was one can't be very Swier, actually. Probably Joe: Ok. Nate: Did. I probably Joe: Ok. Nate: Admitted that. Yes, she. So OK, then I'll give you the quick I'll give you the quick. Overview of the various wire gate, so of the various of the gigs that I did or of the auditions that I did when I first moved the town, that I found myself in a room in some way, shape or form or fashion at the result of knowing or as a result of knowing various wire. The first one was Billy Myers. The next one, I think, was Tommy Hinrichsen, who is a guitar player, bass player, singer songwriter, rocker of all levels. He's currently playing guitar with Alice Cooper. Right. But it's time he had a deal on capital. Yes, capital is the only capital records. So Billy Myers, Tommy Henderson. Darren Hayes, who was a lead. I think he was the lead singer of Savage Garden. And so for a minute there, Darren Hayes had a solo project. Darren Hayes. And so I didn't audition that. I was fortunate to get through that. I was unable to do it because of a conflict with another very ask audition that I did, which was Vanessa Carlton. So Darren Hayes and Vanessa Carlton conflicted. So I found myself having to choose between the two or fortunate to have the, you know, good, good problem of choosing between the two. And and I elected to. Play with Vanessa Carlton and then also in there was there was a well, there is a he's a bad ass, a techno dance artist, ETM artist, if you will, called Brian Transito or Beatty is his name. So those those handful of auditions all came through the Barry Squire stream. So Joe: Perfect. Nate: Very smart, Joe: Now, I feel Nate: Very Joe: So Nate: Suave Joe: Much Nate: Stream. Joe: Better now. Nate: There you go. Barry Swier Stream led to Vanessa Carlton. So both now mentor Vanessa. Phone rings This might've been a Bery call as well, but it was Hey, Nate. There's a certain big artist who's auditioning and she is looking to put the band on retainer and the auditions are this day, she's heard a lot of players. They haven't said of the band yet. And we would like you to come to the audition and I won't say the artists. Name, but her initials are Alanis Morissette. So. Let's hope Joe: Oh, Nate: So. Joe: Good. Nate: So Joe: That Nate: I'm Joe: Was true, Nate Nate: So Joe: Martin Nate: I'm free. Joe: Form right Nate: Thank you. Joe: There Nate: Thank Joe: Was Nate: You. Thank Joe: Perfect. Nate: You. Thank you. Thank you. Joe: God, I'm so glad. Nate: So so I'm out with Vanessa and I get this call that Atlantis is auditioning. And I know that Vanessa's tour is winding down. And so I'm very excited. I'm like, oh, man, this could be a great transition. So in the middle of the Vanessa gate, I fly home. All of this, by the way, I'm still answering the question, how did you get to get on the voice? If you can't if you can believe it. So, so so it works out that the day she's auditioning it, it falls on like a day off that I've got with Vanessa. And so it's a day off with Vanessa. I don't remember where we are, but I raced to the airport in the morning. I fly home. I'm listening to Atlanta songs on the way home, the song songs if you're going to ask for a rhyme, charting out my little charts. And I think and I get there and I go to the audition and. And it was amazing. I played it. Yeah. Sounds great. You guys will rock it. And at the end of the audition they go, man, that was great. You didn't get to play. Oh, my heart broke. I was so sad. Right. So I did not get the gig. They said, thank you for joining us. You're you know, you did a good job. But we're going to you know, we have another guy. OK, I get back on a plane the next day, I fly back, I rejoin Venessa, which is a great gig. No disrespect to Buddhism. Joe: Anybody Nate: And so. Joe: Know where you went in that period of time? Nate: Sure, Joe: Was it Nate: Probably. Joe: That the van? Nate: Or you know what? Do you know what the truth is? I'll be honest with you. I don't even remember. I don't remember. I don't remember. I might have said maybe it would be not kosher to be like, hey, I'm going home to audition for a gig that's no bigger than this one. And so so maybe I wouldn't have said it. Maybe it would have added more a little bit more subtle approach. But nonetheless, I didn't get it anyway. So I arrived back and then I finish out of Inessa tour and I'm a little bit bummed that I missed out on that great opportunity because. Hashtag comments were sent. Joe: Yeah, Nate: All Joe: Yeah, Nate: Right. Joe: Yeah. Hell, yeah. Nate: Shoot. So if you called me today, I'd be like, I don't know, can I. Can I fit your voice schedule? Or is it here? I mean, she's amazing. Right, Joe: Yeah, absolutely. Nate: Though. So the Vanessa. Tour finishes and not too long after the Vanessa tour finishes, and I feel like this is I feel like this is the end of. Oh, for. I get a call from a friend and he says, hey, mate, Mark Burnett is putting together his TV show. It's called Rock Star. He needs a band. And so he is called upon however many in eight, ten, twelve days to put together bands to come in audition to potentially be the house band on this show. It's going to be like American Idol, but it's going to have like rock and rock songs. You know, it could be great. And so I go, okay. That man, of course, I would love to. And so the person who called me for that audition was a bass player named Derek Frank, who has a very, very long list of credits to his name. So Derek put together the band as the band leader, and we went and auditioned. So now we're in early 2005, because if memory serves the first round of auditions for Rock Star, we're in the first or second week of the year. That was like January 5th or something, right? Was the audition. We audition and again, multiple bands audition again. The whole process is going on and on and on. And eventually they wind up saying, OK, I get a call from Clive Lieberman, who is I'm still in my life at that time. I get a call from Clive Lieberman and he says, OK, we've narrowed it down. We have three drummers that we're looking at. And you're one of the three. And here's the next day, you know, can you be here on this day? At this time? OK, sure. Of course I can. So I go there. And now now we're in like late January because the process started like early January. Now we're moving into like mid late January. Joe: Wow. That's incredible. Nate: The man I was started. I'm just getting warmed up. So so I go there. And the other drummers are playing and the rotating Grumman's in and out in the way that. I mean, I've done several auditions and they all work a variety of ways. But generally, if none of the band is set, then some portion of the audition live audition is that drummer with that bass player, that bass player with that guitar player, that guitar player with that drummer that removes that bass player on that guitar player in there, especially in this sense, has a television show. They're analyzing it all. So so they're they're well above like, do these guys sound good? They're like, do I like that guy's dreadlocks? In my case, for example, I know that guy has a guitar that's like Dayglo pink. That's cool. Oh, I hate that guy's boots. Like, it's on that level because the TV show. Right. So at the end of the day, we're playing with vulnerably. Okay. I'm let's let's say I'm drummer number three. So we're playing, playing, playing, playing, playing. At some point they say, okay, drummer number one, you can go home. And then I look around and there's just like German number two and me bling, bling, bling, bling, bling. And at some point they say, OK, drummer number two. Thank you a lot. You can go home and then it's just me and I'm playing for like the rest of the day and well into the night. So finally they say, OK, we're finished for the night. Everybody can go home. Now, when they did that on Billy Myers, it was this is the band we're playing Vibe tomorrow. Let's get her done as opposed to on this, where they're like. All right. Joe: Go Nate: So Joe: Now, Nate: I Joe: Go home Nate: Could Joe: And worry. Now go home and Nate: Go Joe: Worry. Nate: Home. Now go home. Right. So I go up to Clyde. Clide Lieberman. Love them, love, love, love. I got to climb. I go say Hi, Clyde. As I look around, I don't see any other drummers. I said so. So can I. I said, so should I. Should I go home and, you know, have a celebratory drink? And Clyde's response was, well, you should definitely go home and have a drink, Joe: Yes. Oh, no. Nate: Right? It's so, Joe: Oh, no. Nate: So, so now we're at the end of January. The band that they arrived at. Sort of somewhere in February. They had this band. Right. And I was included among and within that band. And they had an M.D., a guitar player, a bass player and a multi instrumentalist. And so then that band did a gig for the. That was a CBS show. So we'd have done a gig for, like, those higher up CBS guys. Right. We would have had to have been approved by them. Then at some point, they kind of went like, well, what if we had this person on bass? So then that band did another gig for the CBS people. Then, well, what do we have this person on guitar? Then that band did another gig for the CBS people. Joe: Wow. Nate: Then I was like, wow, this isn't working out. Let's go back to the other band. OK, now then that band did. So. So there were there were there were hoops aplenty to jump through. But in the end of all the jumping through hoops and I remember this date, I don't know why it's burned in my head. I could have it wrong. But I remember this date. I feel like May. I feel like it was May 19th. We were all sat in a room with the executive producer of that show, Rock Star. His name is David Goffin and that band. Was myself on drums. Sasha could face off on base. Half Amaria on guitar, Jim O'Gorman on guitar and multi instrumentalist and musical director. Paul Markovich. So that was the first time Paul, Sasha and myself worked together as a rhythm section. Now, Sasha was my bass player on Vanessa Carlton. And Paul had also worked with Sasha in other situations. But this is the first time at that that this was the genesis of that rhythm section. So. From Rock Star, that rhythm section went on to do multiple sessions in town. Two seasons of Rock Star. That band went on to do a tour with Paul Stanley. Ultimately, that rhythm section wound up doing the Cher Caesars Palace run. So now I flashed all the way forward from 2000 and. Five. Right. By the way. So the first audition, the first part of that audition was in early January. And the band wasn't solidified until Joe: May 19th. Nate: The end of May. Well, May 19th was when they said, if you want to do it. Joe: Got it. Nate: And then ultimately, by the time contract or signed. Yeah, it was the end of May. It was the end of May. Beginning of June. Somewhere in there. Joe: So all of this time, you're not making any money. Nate: No, the auditions that we did and the rehearsals that we did were paid Joe: Ok. Nate: Because because at the end of the day, you are a professional musician. So even whether whether you have the gig or not, it is still your time, you know. And Joe: Ok. Nate: It is, you know, I mean, we were we weren't on some sort of, you know, incredible retainer or anything. But at the same time, the powers that be know that to expect you to dedicate the time to learning these songs and doing these rehearsals and showing up and, you know, wearing halfway presentable clothes and showing up with good gear and playing gigging town and good, that's not something that people would typically want to do for free. That's something that that you know, that that's what we do. And so Joe: Right. Nate: They wouldn't have expected us to do that for free. Joe: So any point during this interview process from early January to this may date where it finally gets solidified? Did any other tour opportunities come up that almost tore you away to go and say, OK, this great thing has just come in? And if I get this, I'm out here, I'm done with these auditions. I'm going. Nate: So, Joe, when you called me. And you were like, hey, man, can you come in my pocket hasn't got to me and I was like, Sure, sure. And then you were just like, Yeah, we'll talk about your life story. Joe: All. Nate: And I was like Joe: Right. Nate: I was kind of like, oh, there's gonna be like everything I've always been asked before and about we all the same stuff. I hope Joe comes with a new question. I hope so. That's the first time anyone has ever asked me that question. Joe: Seriously? Nate: And yes, that's the first time I've ever been asked that question. And that is an interesting question. And it is, is it is very insightful. Joe: So we'll think I'm Nate: So Joe: Looking. Nate: Absolutely. Joe: I'm looking through all of this because I live through you, you know that, right? So I am all of these questions are like, man, if I was in the middle of all this and all of a sudden, you know, share, I get the call from Barry saying Cher's auditioning. So anyhow, that that's why it was Nate: Well, Joe: Important. Nate: And like I said, it's a good question and it's a very astute question. And the answer is yes. I mean, because it was from early part of the year to like May, April, you know, in that in that neighborhood. Joe: And they're building Nate: So, Joe: Up Nate: Yeah, Joe: Their tour Nate: That's Joe: Vans. Nate: When things are Joe: Right. Nate: Happening. Joe: Right. Nate: Right. That's why things are happening. I can't remember specific things that I would have, you know, turned down or that I would have not been available for. But I will say that even in that context of it not being solidified. I felt like it was definitely worth keeping my. Carts hooked to that ox because it was a TV show. And all the time that I was touring, I was definitely like, you know, like touring is great. Touring is a blast. I love it. I may wind up doing it again at some point. That'll be amazing. We'll be fine. But there's also an extent to where it's like it might also be nice to be able to make a living, staying in town and seeing your family every day and sleeping in your own bed, driving your car and go into your favorite restaurants and not dealing with the fact that you showed up at, you know, 10 and the rooms won't be ready until two. So you're sleeping on a couch in the hotel lobby. You know, that's that's also an element of truth. So. So, yes. So things came in. Kate came and went, and I definitely decided to stay the course and, you know, follow that that that path towards what I thought would be a TV show which wound up being a TV show. And where was I? Sorry, Bella. Joe: So, no, it's OK. So Rockstar, you guys did Nate: Right. Joe: A bunch Nate: So Joe: Of Nate: That Joe: Shows. Nate: Was the first time I played Joe: Yes. Nate: It, right? Right, exactly. Exactly. Joe: You're the new Nate: So. Joe: Heart rhythm section in town, right? Nate: Where are the new rhythm section and how. Joe: Ok. Nate: Oh, we were that time. But but yeah, you know. And so so the whole the only the only point that I was really trying to make in this very, very, very, very long winded, you know, spool here is. The. The fact that I'm able to be on The Voice now is a direct result of the relationship that I started with Paul Markovich back in 2005 on Rock Star. So what is this, 2020? Joe: Yes. Nate: Right. So. This whole gig started coming about. A decade and a half ago. And so I. And so I say all that, I say that to even spend it further back to talk about what I was saying earlier about relationships, which is that you have no idea, you know, the the guy that you do a gig with one time for one hundred bucks at a club somewhere. Might be the guy who calls you for the audition that completely changes the course of your career. Joe: All right. Nate: So, you know, Joe: So Nate: I mean, and. Joe: So Rockstar was till when? Nate: Rockstar, unfortunately, only lasted two seasons, Rockstar was 2005, 2006 on CBS. The first season it was Rockstar in excess and the feature band was in excess. And we were going through the process to find a lead singer to replace Michael Hutchence. And then the subsequent season was called Rock Star Supernova. And they had chosen Tommy Lee. Oh, this is embarrassing. Tommy Lee. Jason is dead. And a guitar player. Joe: Tell us of. Nate: But they are putting together the supergroup. They're putting the supergroup. And and so they were basically auditioning for a singer to front this supergroup. And that was what that season was about. And so then, yeah, like I said, that's easy. It ended. And then Paul Stanley called like Vee Paul Stanley. Joe: Yeah. Nate: Like the walking, breathing, living. Iconic legend Joe: Yes. Nate: Paul Stanley calls and says, Hey, guys, I'm going to go out and support my solo record. You want to play with me and I will. Duh. Joe: Right. Nate: You know, I mean, Paul is amazing. Paul, Paul, Paul is Paul and Cher. Paul, Stanley and Cher share. Shares is a share on all adult donor list, but possibly in share. Both have this. They are at once incredibly. Sort of present and know exactly who they are. And the fact that they are literally. Iconic legends. But at the same time, able to make fun of themselves, able to laugh. Selves able to be down to earth, able to be. Just so what's the word I'm looking for, relatable. Joe: Authentic. Yeah, Nate: Authentic, relatable Joe: Yeah, Nate: In a crazy Joe: Yeah. Nate: Way. You know what I mean? Have figured. I didn't pause daily. I said to you, man, I was in this band, you know, however long ago or whatever you guys met and she was older than that. Oh, okay. Go. I love it. Was the early days as to whether I was the rock band. It's the story. Joe: Peter. Nate: Sorry. You know, because I was such a funny time. So it's the band from Rockstar Impulse Daily. And I hit the pause daily as it meant the band from Rockstar and Paulist Aliens is the best band ever played with us. Here it goes. Yeah. Yeah. I'm sure this is the best band you've ever played with. Joe: Nice. Oh, my guys, Nate: No, Joe: It's Nate: It was Joe: Hours Nate: It was Joe: Of. Nate: So great. He was so great. It's like the cool thing, too, is we did it. We did a show a while back. And one of the songs we played in season finale after the season finale is over and the show's over. I hopped my car to drive home and drink. And I have a text from Paul Stanley telling me, oh, my God, man, great job on, you know, such and such a song tonight. Joe: That's so cool, man. Nate: It's amazing. Joe: It's so Nate: You know, Joe: Cool. Nate: He is he is genuinely one of those guys who. I don't know. He's just he's he he's he's able to balance being an icon and still being sort of down to earth and, Joe: That's really Nate: You know, Joe: Cool. Nate: Relatable and. Yeah. Joe: So what year is this that you go out with him right after Rockstar ends? Nate: Well, Roxette would have been a five oh oh oh five was one season. 06 was another season. And so I feel like we did. I mean, it would have been 06. It would've been 06. Maybe in two oh seven. But maybe just because because Rock Star was a summer show, so we wider than rock star and been down at the end of the summer. And then we might respect, like the fall slash winter with Paul Stanley Joe: Ok. Nate: And then been done because because the the second leg of the Paul Stanley tour was Australia. And so Australia, if you don't know or if anyone doesn't know. Is backwards to us. So Australia winter is our summer. So it's 100 degrees in the winter. So I feel like it was that. I feel like it was like the fall here. I feel like it was 2006 rehearsals. Maybe in the fall tour here in the fall. And then I feel like that tour would have gone into like maybe. Like October, November in in Australia, Joe: Ok. Nate: Something of that nature. Joe: And at Nate: Yeah. Joe: This point, is this the biggest tour that you've done up to date to Nate: With Joe: That Nate: Paul. Joe: Yet? Nate: He is definitely the most iconic artist that I would have worked with up Joe: Up Nate: To that point, Joe: To that Nate: You know? Joe: Point. OK. Nate: Well, OK. Well. No, because I don't mean. I tried not to like. Joe: You've done so many great things, we can't leave anything out. Nate: No, no, I'm just. I'm OK. What exactly Joe: That's why Nate: Is Joe: I'm Nate: Going Joe: Prodding Nate: On right now? Joe: You for all of this stuff. This Nate: No, Joe: Is my job. Nate: I mean, man, I'm just fortunate. I'm fortunate that I've managed to eke out a living doing this thing. And I'm fortunate that, like, people calling me to do what I do, I feel like. Joe: And you're about the most humble person I've ever met in my life. That's the reason. Nate: That's nice. That's nice of you to say. Thank Joe: It's Nate: You. Joe: True. Nate: But it's Joe: It's. Nate: True. I know. But you know what? It is so so look. So when I was in high school. I wasn't walking around like, yeah. One day I'm gonna play a post alien, Chaka Khan, and, you know, remember me on TV? I didn't think that. I thought like Joe: That was like your Richard Pryor. Nate: I thought. Joe: Now it's like you're selling Richard Pryor. That Nate: I'm so not going to even try to do Richard Pryor. Joe: Was Nate: But Joe: Great. Nate: But Joe: Oh, Nate: But Joe: Good. Nate: I mean, I guess. But bye bye. But my point is that, like, my point is every day I am of two people. I am the person who gets up and goes like, OK, today it's time to get up and learn the Peter Frampton song that we're playing on the show today. Like what? Like the first. Right. Right, so so, so part of me goes. OK, let's learn. Peter Frampton on. That's the that's the current me. But the high school me is still in there, and one of the first records I ever owned was a Peter Frampton record, right? Not Frampton comes alive, but it's like one before that. The single was a song called I Can't Stand It No More. Which I'm not even going to try to sing. But it's a really cool tune. But like so the part of me gets up and goes, OK, let's go to Linda Peter Frampton song play today. But then inside that is still like the little kid going like, I can't believe I'm playing with this guy. That is one of the dudes that I learned to play drums by jamming along to my drum set Joe: Yeah, Nate: To the Joe: It's Nate: To Joe: Crazy. Nate: The LP. I'm a record player, so I say all that just to say, like in terms of being humble. It's not like I'm trying to be humble. It's just that I still the meet the young me still steps back and looks at what I'm fortunate to do and goes, Oh my God. Dude, you're you're a lucky friggin fortunate mofo to get to do what you're doing. So and then again, circling back to where we were, which was you said up to that point, Paul Stanley. And the reason why I paused. I had not played with Cher at that point, but I feel like I had played with Natalie Cole at that point. Joe: Ah, Nate: Yeah, so. Joe: So that's Nate: Right. Joe: Here. Nate: So so genre differences, obviously, and volume of people who know, obviously, you know, potentially different. Joe: Yes. Nate: But I mean, in terms of iconic, Joe: Yes. Nate: I mean, they're both they're both right there. I remember going out to dinners. Natalie would have these dinners. We were on tour in Japan at one point and she said, we know want everybody come down to dinner at the restaurant, at the hotel or whatever, and we're there. And she would say things like, you know what? When Daddy said that? And I'm like. Joe: Oh, my gosh. Your mind explodes. Nate: My mind explodes. Joe: That is so Nate: One Joe: Cool. Nate: Time Daddy said, and it was like, Wow. Joe: Yeah. Nate: So yeah, man. So I mean so so I can't remember the exact timeline. But up to that point. Yes, it would have been Natalie, Paul Stanley. I had a short I had a short run with Chaka Khan Joe: Ok. Nate: Up to that point. So she's you know, she's you know, I mean, Chaka Joe: Yeah. Nate: Khan. Right. Joe: Hey. Nate: I mean it again, like I said, even as I say this, that I have a hard time saying these things because I don't come across like I played with her. It's like to me, I literally look back and I like I play with a person like they hired Joe: So Nate: Me. They're bad. Joe: Call Soquel. Nate: So now I it's. Yeah, it's man. I'm so fortunate. I'm so fortunate. Joe: So where are we in the timeline now, because. Nate: Well, at this point, we're up to about where we're up to Paul Stanley. So impossibly ends, Joe: Yeah. And this again, Nate: Stanley Joe: What Nate: Ends. Joe: Year is this? Remind me. 2009, Nate: Well, Joe: You Nate: We're Joe: Said. Nate: All well, we're we're pretty much almost current at this point because when Paul Stanley ends. That's got to be like, let's see, oh, five or six or seven. That's got to be like in the O2 eight ish 07, Joe: Ok. Nate: Seven or eight ish ballpark. Joe: Yes. OK. Nate: And then I did a TV show. I was fortunate to do a couple of TV shows, and one of them was called the Bonnie Hunt Show, which was a daytime talk show on NBC. And circling way back to your way earlier question about in terms of who was at early with me, who that I know still. So Churchill era was the piano player and the band on the body honcho. And and it is and it is through Chechu Elora that I got the call to audition for the band or the Bonnie Joe: Wow. Nate: Hunt show right Joe: How many years later Nate: Later than Berkeley. Joe: Here? It's like. Nate: I mean, it's a little Berkeley, I graduated ninety four, the call for Bonnie Joe: It's crazy. Nate: Hunt to audition comes 94, 2004 to about a decade and a half. Joe: It's crazy, right? This is exactly Nate: It's crazy, Joe: What you were talking about. Nate: But it's relationships, Joe: Yeah, Nate: It's relationships, Joe: Yeah. Nate: You know. So, yeah. So then. So Bonnie Hunt. And then that ran for a while and then Bonnie Hunt for a stretch, ran concurrent with Cher. So I was playing with Bonnie. And share at the same time, and I can't actually remember which one came online first, but what I was basically doing was I was playing in Vegas with Cher and then on my days off from Cher, I was coming home to Bonnie here in L.A. and I was basically driving back and forth and doing sort Joe: Wow. Nate: Of double duty. Yeah, it was it was a little bit. It was a little taxing because Joe: Oh, my God. Nate: I. Joe: So was Cher a Barry Squire gig? Nate: Cher actually came through my relationship with Paul Markovitch dating back to 2005, Joe: Ok. Nate: So meeting him in 05, doing the show with all five of six rock star Paul Stanley tour sessions in town. Other things in town. And then Cher would have come about. I mean, it feels like. Oh, nine ish. But don't quote me on that. Oh nine oh nine. Give or take six months to a year. Joe: Ok. And the share gig was at a walk on for you because of Paul. Or you still had to audition. Nate: Share. That's what he called a walk on. Joe: Guy, Nate: It makes Joe: I Nate: It sound so Joe: Don't Nate: So Joe: Know Nate: It Joe: What Nate: Makes us so casual, like, Joe: Would Nate: Hey, Joe: Have Nate: Man, Joe: Come Nate: Come on over Joe: Up. Nate: And play with us and share. Joe: I don't even Nate: Hey. Joe: Know where that term comes from. Walk on. Was Nate: Oh, Joe: It? Nate: Well, we'll Joe: Isn't Nate: Walk Joe: That like Nate: On Joe: A Nate: Is Joe: Football Nate: Like. Joe: Thing? Like if you don't have to. You don't have to go through the audition. Nate: No, Joe: Are Nate: I Joe: The. Nate: Think it's. No, I think it's kind of the opposite. I think it's a college. I think it's a college athletics term. But it's not a good thing. I know you're using it as a good term, but I think that in college athletics, you have your your your top tier guys who are on scholarship. So like, for example, on a college basketball team, like a Division One team, I think there's like twelve kids, I think. And I think that, like, 10 of them are on scholarship, but there's like auditions, auditions, music nerd tryouts Joe: Tryout. Nate: To fill like those last spots. Joe: Hey, Nate: And Joe: I Nate: I think Joe: Said auditions, Nate: Those last Joe: Too. Nate: Spots. Joe: I couldn't think of the word. Nate: Right. I think those last spots are walk ons like, OK. We've got art, we've got our eight or whatever it is, our 10, we've got our we've got our blue chippers over here. We've got to fill out the team, open tryouts, and then there's like 100 kids. And of that one hundred kids, you pick like four or five, whatever it is to fill out your team. That's a walk on. So like a walk on. Oftentimes never even gets on the floor like in in that context. But Joe: So Nate: I understand Joe: I Nate: What you're Joe: Totally Nate: Saying. Joe: Use Nate: No, Joe: That. Nate: You did. But no, but I understand. I totally understand what you meant. I told you so. But and to answer your question, yes. I did not audition. Mark was playing with Cher. And I believe that Pink had dates that conflicted. And so I believe that he made the decision to go and fulfill his obligation with Pink, which vacated the Cher position, which gave Paul the leeway to basically call me. And then I came in and I finished out the whole run with Cher at Caesar's Palace in Vegas. Joe: Got it. And she Nate: So Joe: Was Nate: Then. Joe: Amazing. Amazing person, everything you actually got to hang with her a little bit. Nate: She's Joe: A lot. Nate: Awesome. She's awesome. She she is one of the people like and again, I never take any of this for granted. I never think any of this is assumed. None of it. But like those kind of stories that you hear about artists who are like, you know what, I'm just gonna buy out the whole theater for Tuesday night. So my whole band and crew and dancers and everyone can go and watch Boogie Nights. You know, I mean, like or hey, I'm just gonna, like, buy out all of the pole position, indoor, you know, go kart race track for a night. So my whole band and crew could just go and do that. So, you know, she really she did a thing once where Cher is the coolest. Like, shares the coolest. And the first person to make fun of Cher is Cher. Like, she's so, you know, like self-effacing. But at the same time knows that she's an icon. And that's an amazing thing. It's an amazing balance. But we did a thing one night where we played. Bingo. Right. Hey, guys, I want everybody to come down to the theater where we're going to play bingo. OK, so here we sit playing bingo. And the prizes, if you get bingo, is like an Apple iPad. OK. So this person wins, OK? He got B eleven I 17 in bingo. Here's my pad. Thank Joe: Nice. Nate: You. Good bye. OK. Here's your iPad. OK. It's like. It's like. It's like Oprah. You got a car. Joe: Right. Nate: You've got a car. You've got a car. Right. So. So. So the night is that we played. I don't know. There's there's 200 people on the crew. And we played 30 rounds of bingo. So 30 people have walked out with iPods. OK, well, it's late. It's you know, it's Vegas. So. So, so Vegas late. So it's, you know, hetero. 3:00 in the morning. OK, everybody. It's all good. Great job. Last round works on me. OK. Goodnight. Right. Bye. OK. Show up the next day. Do you know whatever it is, soundcheck? Oh, date. He's right that way. What you mean? I didn't win. No, no. Sure. Have for everybody. Joe: Nice. Nate: You know, I mean, like that kind Joe: Yeah, Nate: Of thing. Joe: Yeah, yeah, Nate: He get out Joe: That's cool. Nate: So. So. So, yeah, I know she was she was one of the. Coolest, most relaxed, she Ampol. I mean, I don't. I got to say, it's it's ironic or not that two of the most well-known, iconic, well respected artists that I've ever worked with are also two of the most down to earth. Relaxed. Nothing to prove. Cher has nothing to prove. Paul Stanley has nothing to prove. There's no attitude. There's no weirdness. Like. Joe: It's really cool. Nate: It's really cool. Joe: Yeah. Nate: It's really cool. And I've just been fortunate that. I. I have historically never shows in. Gigs, opportunities, situations. Politically, and here's what I mean. I've never chosen a gig because the artist was the biggest artist or because the guys in the band I thought were the coolest guys who would call me for gigs one day. I've always been the guy who. If you call me for a gig, you call me for a game. OK, Joe. Hey, Nate. Put together a band for this game of going on. I'm never gonna be like, let me call the four guys who I think are most likely to call me for a big gig. Let me call the four guys who are my boys, who I think could really a user gig or B are going to play this the best. I'm never. So that might wind up being four guys you've never heard of. Joe: Right. Nate: But they'll kill it. Joe: Sure. Nate: And they're my buddies and. And it'll be a great game. So I guess my point is I've always done that and I've never chosen gigs. By the way. Based on. Political or financial gain? So numerous times. I've had a. That might be more beneficial politically or financially, frankly. But maybe I hate the music or I've got gig B. Where I love the music and I love the dudes, but it pays half what gig pays on gig based. And the reason I've always done that is because I've always hoped that in the end, wherever I land, I'm gonna be playing great music with great musicians in a cool situation with guys that I really love being around. And I am so fortunate that that's the case. The guys in the band on the boys are my brothers. Those are my guys. Joe: Right. It could Nate: You Joe: Prove Nate: Know. Joe: To be a really long tour if you're on a gig where it pays a lot of money. But the music sucks and Nate: Or you Joe: You don't Nate: Don't Joe: Like Nate: Like Joe: The Nate: The Joe: People. Nate: People. Yeah, or you don't like the people you're playing with. And and yeah. And. Yeah, I like I said, I've just I've just been very I've been very fortunate, you know? And again, it's like the guys on the voice are my family and not even just the guys on the voice. The guys are the boys in the band. The girls on the voice in the band. The whole voice, music, family. People sometimes say, how do you guys get along so well? And I'll quote one of our keyboard techs slash. Brainiac Patrick, who knows the answers to all the questions. He just does he's like DOE technology. But someone once asked, how do you guys get along so well? And Patrick said, or no, they said, why do you guys go along so well? No. Was it. Hold on. Let me go straight. Yeah, I was how do you guys get along so well? And Patrick said it's because we have to. But we have to in other words, what we do and the product that we create and the amount of time that we spend around each other and working with each other. It could only exist if we had the kind of family relationship that we did. We have to if it if it's not that it can't get done, it can't Joe: Right. Nate: Happen. Joe: Right. Nate: You know, Joe: Yes. Nate: So I'm rambling, but that's kind Joe: No, no, Nate: Of where Joe: No. Nate: That's kind of that's that's the whole story. So, so, so an answer. Joe: So, again, in the timeline, year two thousand nine. Nate: Yeah. That's when the voice starts 2010, somewhere in that ballpark. Yeah. Joe: When the voice was, I guess I might be getting it mixed up with the rock star. The Voice wasn't a lengthy audition, right? It was you already because of Paul and everything. I don't remember. Nate: Well, I mean, the voice, so the voice came about. The voice was not an audition. The process that led to me being on The Voice. Started. A decade prior. Over a decade prior, you know, so. So, no, it wasn't an audition, but it was a relationship that built over the over the preceding however many years that was from. Well, I said it decades. So I guess I guess not a decade. But. The voice would have been 2009 10 and I would have met Paul is more than five. So about a half a decade. So, yeah, so would have been a five year, six year relationship prior that led to the voice ultimately Joe: That's Nate: For Joe: Amazing. Nate: Me anyway. Joe: Right. Nate: Yeah. Joe: And it's and it's going strong and you guys sound better than ever. And it's just amazing. And just to be on the set. It was so cool. I think the funny and I tell people the story all the time. The fact that I was able to have, you know, some ears to listen to Nate: Yes. Joe: The band, Nate: Oh, God. Joe: The banter Nate: Oh. Joe: On the bandstand. Nate: Woo! Oh, don't you ever put that out anywhere Joe: Oh, okay. Nate: Where the worst are the worst. Joe: Okay. Nate: All we do is back on each other all day. Joe: Oh, my gosh. It is amazing. So what else? I want to make sure we didn't miss anything. And I want to also give you a moment to plug anything that you're doing. I don't know if you still you still have your band outside of The Voice. Nate: Well, I'm involved in a side project with my buddy Sean Halley, Sean Halley and I, and sadly now do you always do these v a zoom? Joe: So far, because I just started it when all of this happened. Nate: Right. Joe: So. Nate: And all of this for your listeners who may see this down the road, years, three years, four years is that we are in the midst of a zombie apocalypse. Joe: Correct. Nate: There are cars being turned over. Joe: Better known as Cauvin Nate: Yes, Joe: 19. Nate: Yes. Yes. That's Joe: Yes. Nate: It's it's it's crazy. So, yeah, I mean, all of this is happening amidst this time when, you know, gigs are getting canceled and all of this. And actually, I had a gig with my side project, which is a band called Fraud Profits, which is myself and my dear, dear friend Sean Halley, also a genius, by the way. And we had this band for our profits, which was filled out by bass player Ben White. And Ed Roth was gonna be playing keys with us. And we had a gig booked on April 10th that we were all excited to do it. And so it's not happening. But in terms of things that I'm doing outside the voice, that is one of the primary things. So you can if you're interested, you can look up Frauke profits F are eight. You d p r o p h e t s dot com. And you can also find us on Instagram. You can also find us on Facebook. And so we will continue to keep you updated on what we're up to in the albums available where all albums are available. It's called Pop Ptosis and it's really rad. Yeah, Joe: Awesome. Nate: Yeah, Joe: All Nate: Man, Joe: Right, cool. Nate: It's. Joe: And then what about lessons? What are you doing Nate: I don't know, I guess trying to study with you at some point when you have some have Joe: Ok. Nate: Some availability Joe: Well, Nate: And you can you Joe: Yeah, Nate: Can fit me Joe: I'm Nate: In. Joe: Pretty tied Nate: Ok. Joe: Up Nate: We'll Joe: Right Nate: Get back Joe: Now. Nate: To me. Get back to me. You can when you can fit me in your schedule. Now, Joe: Oh, Nate: So. Joe: Good. No, sir. So how can people how can drummers that want to go to the next level take lessons from you? How I know that. Nate: Right. Joe: I guess if they're in L.A. and when things get back to whatever air quotes normal, if that happens, they could come there to your studio and Nate: Right. Joe: Do it. Nate: Right. But in Joe: You Nate: The meantime, Joe: Doing? Nate: I Joe: Yeah. Nate: Will. I am making myself available for online lessons. And it's a thing that thanks to this. I think I mentioned to you earlier, I got my whole rig up and running. So I'm talking into like an actual microphone as opposed to my my earbuds and I have on headphones as opposed to my earbuds, because the headphones, the microphone are all running through my studio gear, which I'm making like gestures at, but no one can see. But I am getting the rig here setup so that I can do online lessons. I have done some of the past and I'm thinking that with my new audio going on. Thanks to the motivation of getting with you and chatting tonight. I have it a little bit more under control. So sure, if you want to man if you want get together online for like a lesson or an exchange of knowledge or any of that stuff, I'm so easy to find. I'm on Instagram or Insta, as I call it, when I want to make my wife really Joe: It's Nate: Angry. She's like Joe: Nice. Nate: No one calls it. It's the I call it ads that no one calls it. It's. Oh. Joe: Oh, good. Nate: No, Joe: So Nate: It's very. Joe: What's your what's your handle on Instagram? Nate: Oh, no. Joe: Oh, man, I'll I'll find Nate: Shut up, Joe: It and put it Nate: Shut Joe: In the show Nate: Up. Joe: Notes. Nate: Wait, wait, wait. No, I think it's just. I think it's in in as inmate eight, the number eight D. Are you Amzi in eight D. Are you M z. I think that's me on Instagram. It's also my license plate. Oh, hey, buddy, sorry. So so the band was having a rehearsal at center staging. And my license plate on my SUV says in eight D-R, UMC meat drums. And there were some other band there and I can't remember who the artist was. But like the drummer and the guitar player of that band came over to our rehearsal. I was hanging out. And you know how it is. Musicians know, what is this? The voice. Oh, what are you doing? I'm doing this gig. And so the drummer talks to me and says, Oh, you know, you're the drummer on The Voice. What's your name? Nate anymore. Oh, Nate. Nate. Oh, is that your car in the parking lot? This is Nate drums on the license plate. I was like, yeah. And like, literally, I swear to God, that's because. I could be an atriums like like I felt like I needed to have a gig Joe: Right. Nate: Of a stature that would allow me to Joe: The Nate: Have the mic. Joe: Name Nate: And Joe: On Nate: They Joe: Your Nate: Trust. Joe: License plate. Perfect. Nate: Oh, yes. I was like, oh, you're so young, like young, you Joe: Oh, Nate: Know? Joe: Good. Nate: But he was funny. He was funny. All right. You could be aid drops was like, thanks. Joe: That's so Nate: Next year, Joe: Funny. It's awesome. Nate: Let me just give like a.. Joe: Yeah. Nate: Ok. Joe: Oh, God. Nate: David, he was girl. Of course. And of course, I looked him up and he's like, you know, what are these killing young drummers? There's so many bands. There's so many of those incredible guys Joe: Yeah, Nate: Just playing all that stuff. Joe: Well, cool. Nate: And I go, boom, boom, boom bap. Joe: Yeah, well, no, you don't, but you can say that if you want. You do a lot more Nate: It's Joe: Than that. Nate: True. Joe: So how about Nate: Well. Joe: Facebook? Do you know where they find you on Facebook? Nate: Yeah, sure, Facebook dot com slash Nate Morton drums. Joe: Perfect. So we did Instagram, Facebook. You have a website. Nate: I don't have an actual Web site. The closest thing I have is probably the for profit scam Joe: Ok, cool. Nate: Site. Joe: Ok. Nate: And what else we got? Joe: I assume Nate: Facebook. Joe: You don't hang out on Twitter or do you? Nate: You know what? So here's the thing. And I'm just being honest right now, it is being real. Somewhere along the line, I intentionally or unintentionally linked my Instagram to my Twitter. So it seems like whatever I put on Instagram winds up on Twitter. Or maybe it's my Facebook. But no, I'm not really active on Twitter. So if you actually want to catch up with me, find me on Facebook and I'm easy and like I'm not always the fastest to get back, but I get back to people. So if you find me on Facebook, dot com slash Nate Morton drums and you follow me there, you send me a message, whatever, whatever. I'm going to find it eventually. I'm gonna get back to you because it bugs me. My OCD would be bother. I can't look at a message and like, just delete it. Like, I look at it and I go back to that. So even so, if it's a it's over a day or a week or a month. I do my very best to get back. Joe: I'm sure. Nate: And and and you can always go, like super old school and just email me at an eight D argue Amzi at EarthLink thought that. Joe: Cool. And then really important is your YouTube page. Nate: Oh, I asked ask you to recite Joe: No. Nate: It. Joe: I'll put it in the show notes. But do you have more? Do you have your name? One and then. Is it the nake? Nate: No, no, it's just one. Joe: So it's the one Nate: It's Joe: With Nate: Just Joe: The Nate: One. Joe: Nait can. Like all the stuff. The Nate: Yeah, Joe: Voice videos. Nate: Yeah, it's all Joe: Right. Nate: On the same. That's all Joe: Ok, Nate: The same. Joe: Cool. Nate: Yes, that's all the same channel and it's YouTube dot com slash. See, like the letter C slash. Nate Morton drums, Joe: Perfect. Nate: Youtube dotcom Joe: See, Nate: Slash Joe: Nate Martin jumps. Nate: C slash O C anymore and drums. Oh, wow. Joe: There you go. Nate: I kind of just got that. Again, I swear. Joe: Oh. I think I should actually put some, like, cool Jeffs Nate: Yes, Joe: On the Nate: Yes, Joe: Video like that, lower Nate: Yes. Joe: Your head, just explode like the top flies off. Nate: I think Joe: All right. Endorsement's. Nate: If. You're awesome, Joe. Joe: Say always thinking. Nate: That's my endorsement. That's my words. Joe: No, no, Nate: That's my judgment. Joe: No. Nate: You said endorsements, Joe, your incredible. Joe: Yeah, well, you're amazing. But that's not Nate: What Joe: What you know. Nate: Does that mean? OK. So I am very, very fortunate to be affiliated with some really awesome companies. I'm afraid to say them all because like. I'm afraid to forget one and then Joe: Oh, I know. OK, Nate: So, so, so, so it's OK to put it in the Joe: I put in Nate: In Joe: The show. Nate: The text. Joe: Yeah. Is there anything else that I missed that you wanted to talk about? You know, I don't want to leave anything out. Nate: You know what? That's that's that's interesting, you should ask. And I will just I will just say this. I have it's going to be really weird. I'm going to go a little a little go a little left, Joe. Joe: That's Nate: And I Joe: Right. Nate: Know if you're expecting this Joe: That's Nate: Or not. Joe: Ok. Nate: I have six kids. I have a wife. Her name is Nicole, and outside of all of this, the show stuff and the gigs and this audition and that audition and this tour and that artist in that venue and that TV show and all of those things are amazing. I have to say that. I find my motivation and I find myself. Looking back on what is most important and all of those things are great. In the sense that. They allow me to do the things that I want to do with my family. Does that make sense? Joe: Absolutely. Nate: Know, I don't mean to be fruity or anything. It's just it's like I spend I spend a little bit of time getting to do things like this, like chatting to you. And I talk about drumhead to talk about music on the show. And I just never want to lose sight of the fact that within that world. I take a lot of pride and I put a lot of import on being able to spend time with my kids and my family as well. And one of the biggest words in our industry or in my life. I'll speak very small scale. One of the biggest words in my life is balance. And so while it may look from the outside, like the balance is completely shifted to all of that, there's also the other side, which is that you've also got allow yourself time to like spend time with your gnarly four year old to drive you crazy because she's insane or you're a two year old who might fall off the trampoline if you don't zip the thing closed. Or my 13 year old who has a tennis lesson or who can't play tennis right now. So I take him to Home Depot so he can hit on the on the wall or my 17 year old who I drag into the lounge room to play a game of chess with me or my 19 year old who is away at college while he's home. Now, who I communicate with and go, how's things going in your pursuits? You know. Or my. I left on my eight year old. Who? Who is it? Eight year old teenager. She's eight, but she's already a teenager. Isabelle, could that have a hug? Okay. Joe: Fine. Nate: You know, so. So it's like I don't mean to get too cheesy, but, you know, a long time ago, a great and dear friend of mine, Tony de Augustine, said the hardest thing about creating a career as a professional musician is finding a balance. And I said, a balance between what? And he said a balance between everything. And at the time, I was in my early 20s and I was like, what? What does that mean? And the older I get and every day, every week, month, year that goes by, I really do get it. It's a balance between. Gigs that you love. Gigs that pay the bills. Being gone on tour, making money and supporting your family. Seeing your family. Working hard and, you know, doing whatsoever versus having to work, but making yourself spend time doing things that are important otherwise. So again, I don't mean to get too cosmic with all of this, but yeah, I just want to make mention of that. I just wanted to make mention the fact that. Again. Certainly. Certainly way back again to Sharon, what's her name? Who said you don't sound very well rounded? I said I'm focused. Well, now I've adapted that focus. And that focus is, you know, to fill the time, music and and creativity and doing that side of things. But it's also in focus on Family and spending time with the wife and the kids. All those people who put up with me, Joe: Yeah. Nate: You know, all those little people who call me dad, I'm like, what? Joe: Yeah. Yeah. You have such a great Nate: And Joe: Family. Nate: My wife and my wife and the wife who puts up with me, the wife. Joe: Yes. Nate: I couldn't. I couldn't I couldn't be in my studio working 10 hours a day without her. Joe: No. Nate: I couldn't jump in my car and drive in the universal and work, you know, 80 hours a week without her. Joe: Go Nate: Right. Joe: Get. Nate: So. So those people are important and those people create the balance that that that makes my life really fucking cool. Joe: You deserve, brother. It's. I am honored to call you a friend. I am so glad we met. I don't even know how it happened. I, I know that we were both at one of those drum get togethers. It was a remote village in something. Nate: Yes, sure, probably, yeah. Joe: And I saw you as I was leaving and I handed you a card. And I had this funny slogan on the back of the card. And I was like a block and a half away already. And you're like, Hey dude, I love your card. Nate: It's Joe: It was really funny Nate: Like Joe: Like Nate: Me Joe: That. Nate: That Joe: Yeah. Nate: Sounds Joe: And Nate: Like me. Joe: Then it just it went from there and all the other stuff. So I appreciate you so much and I can't wait to Nate: I Joe: See Nate: Appreciate Joe: You in Nate: You. Joe: Person Nate: I appreciate Joe: Again. Nate: It. Joe: Please give. Nate: Hopefully soon. Joe: Yeah, I know. Please give my love to your family. Nate: We'll Joe: And Nate: Do, buddy, and you Joe: Yeah I will. Nate: And you. Joe: I will. And I really appreciate your time. And this is awesome. And thanks so much. Nate: Joe, absolutely my pleasure. And thank you for having me on. Joe: All right, brother, I appreciate it. You take care.
Bassist Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, and Derek has made a name for himself as one of the hardest-working touring/studio bassists in Los Angeles. Building a career based on versatility, professionalism, and integrity, he has traveled the world several times over with a “who's-who” of A-list artists and bands. Currently, he is splitting his time between pop icon Gwen Stefani, country-pop superstar Shania Twain, indie rock band The Dirty Diamond, the Soundcheck Live Resident Band at Lucky Strike in Hollywood, plus other gigs and recording sessions with various bands and artists. https://www.derekfrank.com/Derek Frank InstagramDerek Frank SpotifyDerek Frank Youtube
Bassist Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, and Derek has made a name for himself as one of the hardest-working touring/studio bassists in Los Angeles. Building a career based on versatility, professionalism, and integrity, he has traveled the world several times over with a “who’s-who” of A-list artists and bands. Currently, he is splitting his time between pop icon Gwen Stefani, country-pop superstar Shania Twain, indie rock band The Dirty Diamond, the Soundcheck Live Resident Band at Lucky Strike in Hollywood, plus other gigs and recording sessions with various bands and artists. https://www.derekfrank.com/ Derek Frank Instagram Derek Frank Spotify Derek Frank Youtube
Bassist Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, and Derek has made a name for himself as one of the hardest-working touring/studio bassists in Los Angeles. Building a career based on versatility, professionalism, and integrity, he has traveled the world several times over with a “who's-who” of A-list artists and bands. Currently, he is splitting his time between pop icon Gwen Stefani, country-pop superstar Shania Twain, indie rock band The Dirty Diamond, the Soundcheck Live Resident Band at Lucky Strike in Hollywood, plus other gigs and recording sessions with various bands and artists. Derek Frank dishes the Low Down on this episode of The Career Musician Podcast and trust me, he's more than qualified to do so! Studying at University of Miami then moving out west to LA it didn't take Derek long to establish a long star studded list of clients.https://www.derekfrank.com/@thecareermusician@nomadsplace
Bassist Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, and Derek has made a name for himself as one of the hardest-working touring/studio bassists in Los Angeles. Building a career based on versatility, professionalism, and integrity, he has traveled the world several times over with a “who's-who” of A-list artists and bands. Currently, he is splitting his time between pop icon Gwen Stefani, country-pop superstar Shania Twain, indie rock band The Dirty Diamond, the Soundcheck Live Resident Band at Lucky Strike in Hollywood, plus other gigs and recording sessions with various bands and artists. Derek Frank dishes the Low Down on this episode of The Career Musician Podcast and trust me, he's more than qualified to do so! Studying at University of Miami then moving out west to LA it didn't take Derek long to establish a long star studded list of clients. https://www.derekfrank.com/
Michelle talks to Derek Frank from KHS America about the importance of music education in a child's life and how KHS has played such an integral role. Debra Kallinikos, founder of "Animal Packers," talks about how she came up with the animal backpacks and her inspiration for doing so.
Derek Frank has spent 24 years in Los Angeles as a professional bassist. In the past few years he has landed some big gigs that required him to wear many hats as a bass player as well as retooling his rigs for all the different applications. We get to hear about playing in Gwen Stefani's current Vegas production and we also get to hear a few samples of the bass lines he enjoyed playing the most on his last few tours. It rocked so incredibly hard that our little podcast recording device started distorting. Derek can also be found in the house band for one of L.A's most acclaimed monthly musician jams "Soundcheck Live". If you guys travel through Los Angeles, make sure you check him out there. Spending an hour with a guy like Derek, who succesfully has many exciting irons in the musical fire in the city with the world's most competitive music scene, is the kind of thing that only happens here on The Lowdown Society Podcast. Today's episode is brought to you by the DSM Noisemaker OmniCab Sim Tweakable Cabinet Simulator.
On this week's episode I share with you all a conversation I had with one of the best bass players in LA: Derek Frank! I've known him for years and really enjoy his playing and what he's all about as a musician. He's worked with a ton of people but you can catch him right now in Las Vegas with the one and only Gwen Stefani. EXPLICIT!!
THE GIG THAT PAYS THE BILLS is a Podcast based in Nashville, TN about different jobs in the music industry that you may not think of. Hosted by Derek Frank, and co-host Kaleb McEwen, THE GIG THAT PAYS THE BILLS features a weekly guest that is working in the music industry and a product spotlight of some of the coolest gear that helps artistic minds create the work. This week, we introduce ourselves and talk about our Gigs That Pay The Bills. We also talk about how we met, the bands we played in together, where we are now, and some gear spotlights. Every episode we feature a new "spirit." This weeks episode features the Blaum Brothers Distilling Companies Knotter Rye. It is a smooth Rye from near our midwest hometown. You can find them at http://www.blaumbros.com/
Derek Frank tells his story about how the movie Philomena brought his desire, to know where he came from, to the surface. We talk about his reunion with his birth father and siblings and what’s holding him back from connecting with his birth mother. We tackle some deep topics including feeling like "culturally cousins" instead of like siblings, grief, and the importance of art therapy. Ridghaus (from season 3 episode 1) returns and, together with Derek, they share behind-the-scenes of the Six Word Adoption Memoir Project. Full Show Notes Here Connect With Us Haley Radke: Twitter | Instagram | Facebook Adoptees On: Twitter | Instagram | Facebook Monthly Newsletter Send a Note or Record a Voicemail Subscribe Apple Podcasts | Google Play | iHeart Radio | Spotify | Stitcher | YouTube Support Adoptees On One Time Donation | Monthly | Secret Facebook Group
Ridghaus shares about relinquishing a son at age 19, and then moving ahead to age 35, he is surprised to learn he too is adopted. We discuss the crisis of identity caused by late discovery and how he managed to establish and ground himself during a two-year healing period. Ridghaus also shares an intimate conversation between himself and his son, processing adoption loss and what he would do if he could go back in time. This is part one of the two-part premiere of season 3! Next week we meet Derek Frank. Derek and Ridghaus are the creators of the Six Word Adoption Memoir Project. Full Show Notes Here Connect With Us Haley Radke: Twitter | Instagram | Facebook Adoptees On: Twitter | Instagram | Facebook Monthly Newsletter Send a Note or Record a Voicemail Subscribe Apple Podcasts | Google Play | iHeart Radio | Spotify | Stitcher | YouTube Support Adoptees On One Time Donation | Monthly | Secret Facebook Group
Bass player Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, as he has gotten the opportunity to perform all over the world (to this date 25 countries and 48 states) on tours with various artists/bands. Currently Derek keeps himself busy occupying the bass position with soft rock hitmakers Air Supply, country-pop superstar Shania Twain, LA-based rock band The Dirty Diamond, groove-centric soul/blues band Mindi Abair & The Boneshakers, the resident band every Wednesday at Lucky Strike Live in Hollywood, amongst many other gigs with LA-based independent artists and bands. Past artists he has toured with extensively include: Victoria Justice (2012-2013), Russian artist Roman Arkhipov aka “Troy Harley” (2012), David Pack (2011-2012), Jeff Golub (2011-2012), Mindi Abair (2010-present), Dancing With the Stars (2007-2009), Aly & AJ (2006-2008), and Brian Auger’s Oblivion Express (2002-present). One-off performances, including TV shows with: Poe, Alan Parsons, Siedah Garrett, Gregg Rolie Band, Alejandra Guzman(Mexico), Siavash Ghomayshi (Iran), Christina Aguilera, Bonnie McKee, Rachael Yamagata, Keb Mo, Peter White, Chris Standring, Lari White, and Jennifer Paige, in addition to many performances with lesser-known but equally talented artists and several independent band projects. Derek also keeps himself busy in the recording studio, laying down bass tracks for many different artists, bands, composers, and producers over the years. Check out the SOUNDS and DISCOGRAPHY pages of this site for more info. Derek also has a website dedicated to his recording studio, where he provides solid bass tracks to clients all over the world via the internet. For more info, please visit BassTracksOnline.com. When not on tour, Derek splits his time between his homes in Los Angeles, California and Mammoth Lakes, California, where he lives with his wife, Annette, dog Penny, and cats Ringo and Sherwin. derekfrank.com
Bass player Derek Frank arrived on the Los Angeles music scene years ago with one goal in mind: To create good music with good people. That goal continues to be realized year after year, as he has gotten the opportunity to perform all over the world (to this date 25 countries and 48 states) on tours with various artists/bands. Currently Derek keeps himself busy occupying the bass position with soft rock hitmakers Air Supply, country-pop superstar Shania Twain, LA-based rock band The Dirty Diamond, groove-centric soul/blues band Mindi Abair & The Boneshakers, the resident band every Wednesday at Lucky Strike Live in Hollywood, amongst many other gigs with LA-based independent artists and bands. Past artists he has toured with extensively include: Victoria Justice (2012-2013), Russian artist Roman Arkhipov aka “Troy Harley” (2012), David Pack (2011-2012), Jeff Golub (2011-2012), Mindi Abair (2010-present), Dancing With the Stars (2007-2009), Aly & AJ (2006-2008), and Brian Auger’s Oblivion Express (2002-present). One-off performances, including TV shows with: Poe, Alan Parsons, Siedah Garrett, Gregg Rolie Band, Alejandra Guzman(Mexico), Siavash Ghomayshi (Iran), Christina Aguilera, Bonnie McKee, Rachael Yamagata, Keb Mo, Peter White, Chris Standring, Lari White, and Jennifer Paige, in addition to many performances with lesser-known but equally talented artists and several independent band projects. Derek also keeps himself busy in the recording studio, laying down bass tracks for many different artists, bands, composers, and producers over the years. Check out the SOUNDS and DISCOGRAPHY pages of this site for more info. Derek also has a website dedicated to his recording studio, where he provides solid bass tracks to clients all over the world via the internet. For more info, please visit BassTracksOnline.com. When not on tour, Derek splits his time between his homes in Los Angeles, California and Mammoth Lakes, California, where he lives with his wife, Annette, dog Penny, and cats Ringo and Sherwin. derekfrank.com
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
On this week's edition of The Watchman, we sit down with filmmaker Derek Frank to discuss his latest work, "Let the Lion Roar"--a powerful argument for why the Church should stand with Israel and the Jewish people.
God told Derek Frank, “Your first love must be for a people who have a puzzle they cannot solve.” He's been battling anti-Semitism ever since.
God told Derek Frank, “Your first love must be for a people who have a puzzle they cannot solve.” He's been battling anti-Semitism ever since.
God told Derek Frank, “Your first love must be for a people who have a puzzle they cannot solve.” He's been battling anti-Semitism ever since.
God told Derek Frank, “Your first love must be for a people who have a puzzle they cannot solve.” He's been battling anti-Semitism ever since.
Don't forget to Subscribe, Rate & Review on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts.Follow us on YouTube, Twitter, Instagram, and Facebook.Norman's Rare Guitars, The Podcast, is brought to you by Norman's Rare Guitars, All Guitar Network and Rosewood Media Group, Inc.Executive Producers: Norman Harris, Sarah Harris Edwards, and Stephanie ArnowProduced and Engineered by: Stephanie ArnowOriginal Theme Song and Music by: Brandon SorianoRecorded at: All Guitar Network, Los Angeles
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