Podcasts about bery

Play Episode Listen Later Apr 12, 2022 53:44

The party faces off against whatever it was Bery was fighting on the other side of the rift in the Astral Plane. Magic is acting up for some reason and the party can barely see what they are fighting.

magic astral plane bery

069 Nice, Champions of the Feywild

Play Episode Listen Later Apr 5, 2022 71:41

Our Critters take stock of what they have with reunited relationships and loot alike. Bery does some research on the party's new toy as a familiar voice rings in his head.

champions feywild bery

İlişkiler - Part 2 | Willie Ray

Play Episode Listen Later Mar 21, 2022 52:15

Bery ile Anlamlandıramadıklarım'da bu bölüm Willie ile birlikteyim, nam-ı diğer @willieray_

bery

İlişkiler - Part 1 | Willie Ray

Play Episode Listen Later Mar 14, 2022 49:35

Bery ile Anlamlandıramadıklarım'da bu bölüm Willie ile birlikteyim, nam-ı diğer @willieray_

ee bery

"A zenén keresztül szeretnénk megfogni az időt" / Váczi Eszter és Sándor András a Sláger KULT-ban

Sláger FM

Play Episode Listen Later Mar 13, 2022 24:35

Hogy mi a zene? Állítólag anyag, ám anyagként nélkülözi a teret. A Váczi Eszter Qaurtet a zenén keresztül próbálja mégis megfogni az időt. A múltat, jelent és a jövőt. Egyebek közt erről a misszióról is mesélt Eszter a Sláger KULT-ban Sándor Andrásnak.# A Sláger FM-en minden este 22 órakor a kultúráé a főszerep. Sándor András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi, kulturális, zenei szcena résztvevői. Egy óra Budapest és Pest megye aktuális kult történeteivel.

budapest sl pest kult quartets egy hogy eszter szeretn bery

8 Mart Özel - Erkeklik | Nazlı Karabıyıkoğlu

Play Episode Listen Later Mar 7, 2022 52:55

Bery ile Anlamlandıramadıklarım'da bu bölüm 8 Mart özel konuğu Nazlı ile birlikteyim, nam-ı değer @nazlikarabiyikoglu

mart nedir 8 mart karab bery

Mental Dalgalanmalar | Cassandra

Play Episode Listen Later Feb 28, 2022 56:12

Bery ile Anlamlandıramadıklarım 'da bu bölüm konuğu Cassandra, nam-ı değer @cassandracanttellyou

mental bery

Anlamlandıramadıklarım soon...

The Dick and Boonies Podcast

Play Episode Listen Later Feb 14, 2022 0:21

Bery ile anlamlandıramadıklarım serisinde kolilenmedik konu kalmıyor...

klar ramad bery

MUZYCZNE MARZENIA ZUZANNY BERY

MUZYKALNOŚCI

Play Episode Listen Later Feb 4, 2022 2:01

Ma swoje muzyczne marzenia, które zaczyna realizować. Zmierzyła się hejtem i napisała o tym piosenkę „Odbijam się”. Co poza śpiewaniem lubi Zuzanna Bera?

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Episode 85- Bery White

Play Episode Listen Later Feb 1, 2022 101:41

Kendy Day is back on the pod to guest produce while Tay Tay recovers. We explore a wide range of topics on this ep so come in and have a few larfs with us! We hope you enoy!

tay tay bery

054 Bery‘d Their Way In

I Hear of Sherlock Everywhere

Play Episode Listen Later Dec 21, 2021 67:10

Our Critters finish some simple landscaping and take inventory while forming a plan to take the next hag.

bery

Circulation October 26, 2021 Issue

Circulation on the Run

Play Episode Listen Later Oct 25, 2021 26:58

Please join author Jonathan Newman and Associate Editor Sandeep Das as they discuss the article "Outcomes of Participants With Diabetes in the ISCHEMIA Trials." Dr. Carolyn Lam: Welcome to circulation on the run, your weekly podcast, summary, and backstage pass to the journal and its editors. We're your co-hosts; I'm Dr. Carolyn Lam, Associate Editor from the National Heart Center and Duke National University of Singapore. Dr. Greg Hundley: And I'm Dr. Greg Hundley, Associate Editor, Director of the Pauley Heart Center at VCU health in Richmond, Virginia. Well, Carolyn, this week's feature, a couple of weeks ago, we had that feature forum on the ischemia trial. Now we're going to explore some of the outcomes in patients with diabetes, from the ischemia trial in the feature discussion today. But, before we get to that, let's grab a cup of coffee and start in on some of the other articles in this issue. So, how about if I go first, this time? This particular paper, Carolyn, we're going to start on one of your topics. I know you're a fan of diet related interventions. So high intake of added sugar is linked to weight gain and cardio-metabolic risk. And in 2018, the U S National Salt and Sugar Reduction Initiative proposed government supported voluntary national sugar reduction targets. Dr. Greg Hundley: This intervention's potential health and equity impacts and cost effectiveness are unclear. And so Carolyn, these authors, led by Dr. Renata Micha from Tufts University, incorporated a validated micro-simulation model - CVD Predict coded in C++, and used it to estimate incremental changes in type two diabetes, cardiovascular disease, quality adjusted life years, cost and cost effectiveness of this national policy. The model was run at the individual level and the model incorporated national demographic and dietary data from the National Health and Nutrition Examination Survey across three cycles spanning from 2011 to 2016, added sugar related diseases from meta-analysis and policy costs and health-related costs from established sources and a simulated nationally representative us population was created and followed until age 100 years or death with 2019 as the year of intervention start and findings were evaluated over 10 years and a lifetime from healthcare and societal perspectives. Dr. Carolyn Lam: Ooooh, You so got my attention, Greg, a very important topic and so, what did they find? Dr. Greg Hundley: Right, Carolyn. So achieving the NSRI sugar reduction targets could prevent 2.48 million cardiovascular death related events, 0.5 million cardiovascular disease deaths, and three quarters of a million diabetes cases, gain 6.7 million quality adjusted life years, and save $160.8 billion in net cost from a societal perspective over a lifetime. The policy became cost-effective, defined as less than $150,000 for quality adjusted life years at six years and highly cost-effective at seven years with a cost savings noted at nine years. And therefore, Carolyn, implementing and achieving the NSSRI sugar reformation targets could generate substantial health gains, equity gains, and cost savings. Dr. Carolyn Lam: Wow, thanks Greg. So, moving from a very publicly health focused paper to this paper that really focuses on hypoplastic left heart syndrome with very, very scientifically significant findings. Now, first, we know hypoplastic left heart syndrome is the most common and severe manifestation within the spectrum of left ventricular outflow tract obstruction defects occurring in association with ventricular hypoplasia. The pathogenesis is unknown, but hemodynamic disturbances are assumed to play a prominent role. Authors led by Doctors Moretti and Laugwitz from Technical University of Munich in Germany, as well as Dr. Gruber from Yale University School of Medicine, and their colleagues combined whole exome sequencing of parent offspring, trios, transcriptome profiling of cardiomyocytes from ventricular biopsies and immuno-pluripotent stem cell derived cardiac progenator or cardiomyocyte models of 2D and 3D cardiogenesis, as well as single cell gene expression analysis to decode the cellular and molecular principles of hypoplastic left heart syndrome phenotypes. Dr. Greg Hundley: Wow, Carolyn, there is a lot of data, very complex preclinical science here. So what did they find? Dr. Carolyn Lam: Indeed, Greg. As I said, scientifically incredible and rigorous, and they found that initial aberrations in the cell cycle unfolded protein response, autophagy hub led to disrupted cardiac progenator lineage commitment, consequently, impaired maturation of ventricular cardiomyocytes limited their ability to respond to growth cues. Resulting in premature cell cycle exit and increase apoptosis under biomechanical stress in 3D heart structures. Together, these studies provide evidence that the hypoplastic left heart syndrome pathogenesis is not exclusively of hemodynamic origin, and they revealed novel potential nodes for rational design of therapeutic intervention. Dr. Greg Hundley: Wow, Carolyn, we really need research in this topic and this is great preclinical science that we're getting here in our journal. Congratulations to the authors and what a great presentation of that by you. Well, Carolyn and my next paper there remain major uncertainties regarding disease activity within the Retain Native Aortic Valve, as well as bioprosthetic valve durability, following transcatheter aortic valve implantation. And these authors led by Doctor Jacek Kwiecinski, from the Institute of Cardiology, aimed in a multi-center cross-sectional observational cohort study to assess native aortic valve disease activity and bioprosthetic valve durability in patients with TAVI in comparison to subjects with bioprosthetic surgical aortic valve replacement or SAVR. Dr. Carolyn Lam: Oh, very interesting. And what were the results? Dr. Greg Hundley: An interesting comparison, Carolyn. So in patients with TAVI, native aortic valves demonstrated 18 F sodium fluoride uptake around the outside of the bioprosthesis that showed a modest correlation with the time from TAVI. Next, 18 sodium fluoride uptake in the bias prosthetic leaflets was comparable between SAVR and TAVI groups. Next, the frequencies of imaging evidence of bioprosthetic valve degeneration at baseline were similar on echo cardiography 6 and 8% respectively, CT, 15 and 14% respectively, and with PET scanning. Next, baseline 18 F sodium fluoride uptake was associated with subsequent change in peak aortic velocity for both TAVI and SAVR. And on multi-variable analysis, the 18 F sodium fluoride uptake was the only predictor of peak velocity progression. And so Carolyn, therefore, in patients with TAVI, native aortic valves demonstrate evidence of ongoing active disease and across imaging modalities, TAVI degeneration is of similar magnitude to bioprosthetic SAVR suggesting comparable midterm durability. Dr. Carolyn Lam: Very nice, important stuff. Dr. Carolyn Lam: Well, thanks, Greg. Let's tell everyone about the other papers in today's issue. There's an exchange of letters between Doctors Baillon and Blaha regarding the article very high coronary artery, calcium and association with cardiovascular disease events, non-cardiovascular outcomes and mortality from MESA. There's an ECG challenge from Dr. Bell Belhassen on a left bundle branch block, tachycardia following transcatheter aortic valve replacement. And On My Mind paper by Dr. Neeland on cardiovascular outcomes trials for weight loss interventions, another tool for cardiovascular prevention, another Research Letter by Dr. Nakamura on clinical outcomes of Rivaroxaban Mono therapy in heart failure, patients with atrial fibrillation and stable coronary artery disease. So insights from the AFIRE trial, and finally, a Research Letter from Dr. Kumoro three-dimensional visualization of hypoxia induced, pulmonary vascular remodeling in mice. Dr. Greg Hundley: Great, Carolyn, and I've got an in-depth piece from Professor Jia Sani entitled breadth of life, heart disease, linked to developmental hypoxia. Dr. Greg Hundley: Well, Carolyn, how about we get onto that feature discussion and learn more about results from the ischemia trial? Dr. Carolyn Lam: Let's go Greg. Dr. Carolyn Lam: Well, we all know how important diabetes is as a risk factor for atherosclerotic coronary disease. And we know it's a very common comorbidity among patients with chronic coronary disease, but the question is do patients with diabetes and chronic coronary disease on top of guideline directed medical therapy and lifestyle interventions, of course, do they derive incremental benefit from an invasive management strategy of their coronary disease? Well, we are going to try to answer that question today in our feature discussion. Thank you so much for joining us today. The first author and corresponding author of today's feature paper, which tells us about results from the ischemia trials. And that's Dr. Jonathan Newman from New York university Grossman School of Medicine. We also have associate editor Sandeep Das from UT Southwestern. So welcome both of you. And if I could please start with Jonathan reminding us, perhaps, what were the ischemia trials and then what you tried to answer and do in today's paper, Dr. Jonathan Newman: Of course, Carolyn, and thank you so much for having me and for the discussion with Sandeep. It's a pleasure to be here. So sure has a little bit of background, as you indicated, the ischemia trials basically enrolled and for the purposes of this discussion and this analysis, I'm referring to both the main ischemia trial and the ischemia chronic kidney disease trials. So ischemia CKD under the umbrella of the ischemia trials. Ischemia stands for the international study of comparative health effectiveness with medical and invasive approaches. And the purpose of the trial was to test to see whether a routine invasive approach on a background of intensive guideline directed medical therapy for high risk patients with chronic coronary disease and at least moderate ischemia and obstructive coronary disease documented on a blinded CCTA or computed coronary tomography angiography prior to randomization was associated with benefits for a cardiovascular composite. And we looked in this analysis at whether or not there was appreciable heterogeneity of treatment effect or a difference in treatment effect for patients compared without diabetes in the ischemia trials, in ischemia and ischemia CKD. Dr. Carolyn Lam: Great, thanks for lining that up so nicely. So what, Dr. Jonathan Newman: So the results of our analysis really highlighted a couple of things that I think you touched upon initially, the first thing that I would highlight is that diabetes was very common in this high risk cohort with chronic coronary disease, over 40% of participants in the ischemia trials, 43% with obstructive coronary disease and moderate to severe, you may have had diabetes. Perhaps not surprisingly patients with diabetes had higher rates of death or MI than those without diabetes. And the rates were highest among those patients that required insulin, had insulin treated diabetes, but using really robust methods to assess for heterogeneity using a Bassen assessment of heterogeneity of treatment effect accounting for violation of proportional hazards. The fact that there was an upfront hazard and a late benefit, we really saw no difference in death or MI, between the invasive or conservative strategies for patients with, or without diabetes over about three years of follow-up. Dr. Jonathan Newman: And the results importantly were consistent for ischemia and ischemia CKD and provided the rationale for us when we started by looking to see if the distribution of risk and characteristics allowed the trials to be combined. The study really confirms this higher risk of death or a MI for chronic coronary disease patients who have diabetes extends these findings for those patients with moderate or severe ischemia. And I think really notably also adds information about chronic coronary disease patients with diabetes and CKD. That's sort of the overall findings. And I'm happy to talk in more detail about that. Dr. Carolyn Lam: I love the way you explain that Jonathan and especially, going into detail on what was so different about the paper and the really important statistical methods that made these findings robust, very important and impactful findings. If I could ask Sandeep to share your thoughts. Dr. Sandeep Das: Thanks, Carolyn. You know, I am just a big fan of everything that's come out of the ischemia group. One of the things that I really most enjoy as a consumer of the literature is when well done studies give me results that are unexpected. And I know it's become fashionable now to say that everybody knew that all along that this is what going to be the result. But honestly, I think we all sort of are many of us thought that there's going to be a subgroup somewhere that's really going to benefit from an invasive approach in terms of preventing heart outcomes. I think the key here that really jumped out at me was that this is identifying what we typically think of is a very high risk subgroup. You know, patients with diabetes patients with multi-vessel coronary disease patients with insulin dependent diabetes. Dr. Sandeep Das: And we did see the association with mortality across the increased disease severity and the increased severity of diabetes as expected. But really we didn't see a signal that revascularization, routinely revascularizing patients, even the higher risk patients led to clinically relevant heart outcome benefits. So I thought that that was a really interesting top line finding and really that's kind of. I mean, it would have been interesting if it was the other way too, but it was, it really was kind of the hook that got me into the paper. Dr. Sandeep Das: I actually have a question for Jonathan, one of the things that I think we spend a lot of time as an editorial group thinking about and talking about, and we bounce back and forth with the authors a few times was the idea that relatively few of these patients with multi-vessel CAD ended up having CABG. So, you would typically think of diabetes multi-vessel CAD as being a pretty strong signal for patients that may benefit in terms of mortality from having bypass surgery. And here it was a relatively small group about a third, or maybe even less than a third. And I realized up front, they excluded the left main and the patients that had angina had a CTA, et cetera. But what I'd be curious as to your thoughts about, the benefits of bypass surgery and diabetes, which have been established in other trials. Dr. Jonathan Newman: It's a great question. And I think we really appreciated the questions from you and from the editors to try and get at some of the nuance with this issue. As you indicated in the ischemia and ischemia CKD trials overall, and the patients in the invasive treatment arm, it was about 25% or so 26% and 15% were revascularized with CABG. Part of the issue here is that it gets a little tricky with the use of CCTA of pre randomization CTA to define coronary artery severity, which was not required in the CKD population due to impaired renal function. But what we can say is among the patients with diabetes and multi-vessel coronary disease, 29% were revascularized surgically in their combined analysis, which is comparable to the 30% in Bery 2d that were revascularized via bypass surgery, as we've discussed. And as you know, the decision for surgical versus percutaneous revascularization in ischemia, as in Barry 2d was non-randomized though we might want to, we really tried to be very, very cautious in terms of comparing revascularization strategies on outcomes for patients with diabetes and multi-vessel CAD, which has you suggested. Dr. Jonathan Newman: And as we pointed out, the proportion with multi-vessel CAD was more common amongst in patients with diabetes compared with those patients without diabetes. The other thing I would sort of say in the framework of, the revascularization and strategies for revascularization, comparing, let's say ischemia to Barry 2d or to freedom. Basically we have very little data about revascularization approaches for those patients with creatinine with impaired renal function and, patients with the crediting greater than two were excluded from Barry 2d. So while we had about 15% or so that had severe CKD. So in the GFR, less than 30 are on dialysis. And we know that's an extremely high risk group of patients with diabetes and chronic coronary disease. And we don't have great evidence on which strategy for revascularization if at all provides additional benefit. So I think it's a really a tough question to answer, and we tried to be as judicious as possible in our comments about revascularization approaches, given the nature of the trial design. Dr. Carolyn Lam: Gee, thanks so much, Jonathan, for explaining that. So, well, I actually have a related question now, referring to the medical therapy. Can I, sort of ask you about the fact that, these days that the rage is all about GLP one receptor agonist, for example, that are known to reduce the risk of atherosclerotic cardiovascular disease and diabetes. So these ischemic trials, I assume, did not have a high usage of these medications. And what do you think would be the impact, if anything, I suppose even more for guideline directed medical therapy. Huh? Dr. Jonathan Newman: Yeah. So it's a great question, Carolyn. As you know, in strategy trials and clinical trials in general, that take a while it's always a real challenge to keep the trial contemporary with current clinical practice, whether it's revascularization strategies or changes in medical therapy. And as you indicated, the real revolution and glucose lowering therapies with profound cardiovascular benefit for patients with diabetes, we worked hard to try and stay up to date and encourage sites around the world with the use of best SGLT2 inhibitors and GLP ones. The rates were very, very low and we don't actually given the fact that the ischemia trials were conducted a real multinational and is really an international trial is over 330 sites worldwide. So we really had to balance the data that we could get from sites with the reality of collecting and running this trial across the whole world. Dr. Jonathan Newman: So we don't actually know. We know insulin use or non-use or oral medication use or non-use or no medication use or non-use, but not much more than that. From what, as, you know, unfortunately, even after now, six going on seven years of impressive data for the benefit of these agents, uptake remains low for patients with diabetes, whether it's with coronary disease or heart failure. And there was certainly the case with the trial, which started back in 2015, or sorry, before 2015, even before the results of EMPA-REG. So the rates of those agents were low. I would expect as you indicated that if we did have greater use of these beneficial therapies. Medical therapy may have performed even better and potentially given an added boost potentially for our high risk, even higher risk subgroups that we'd looked at that were available in these trials. Dr. Carolyn Lam: Oh, thanks again. I wish we could go on forever, but we've got just a little bit of time left. So I'd like to ask you both for your quick take home messages for the audience. Could I start with Sandeep and then Jonathan? Dr. Sandeep Das: Yeah. You know, I think a key take home from this is that, although it may be naively intuitive that a very aggressive invasive strategy would be superior, especially in high risk patients. You know, the data are very, very convincing that it's not. And so therefore I think in an absolute minimum, you have plenty of time and ability to think about these patients carefully, to select who, if anybody would be a great candidate for revascularization, more aggressive therapy and more invasive therapy, but the most patients will do well with conservative management. Dr. Sandeep Das: And I think that that's the, that's a real key take home here. And I think that the points that Jonathan raised about, you know, poor uptake of GLP one RAs and SGLT 2 inhibitors in the community as they're so far are key, right? So we have great medicines that we just under used, and that to me is the other sort of clarion call here is that if in the context of a nice trial, that you can see similar result for invasive conservative approaches, then lets, let's get our medical therapy where it needs to be to provide our patients the best outcomes we can Speaker 3: Love it, Jonathan. Dr. Jonathan Newman: Yeah. So I'm really glad that Sandeep brought up the issue of medical therapy in the trial. And maybe I can take a minute to sort of frame what San kind of build off of what Sandeep just said, you know, we, in the context of this clinical trial, you know, Dr. Judy Hawkman, the study chair and Dr. David Marin, the co-chair and I, we worked very hard with optimizing medical therapy across the trials, for all participants. So really getting patients on the maximum tolerated doses of high-intensity statins, lowering patient's LDL as aggressively as possible evolving our systolic blood pressure targets. And it was extremely challenging. And at the end of the day, we see that patients with diabetes were more likely than those without to get to our LDL goal. We used a threshold problematic concept that that still may be to some extent, but they were less likely to achieve their systolic blood pressure goals. Dr. Jonathan Newman: And I think Sandeep was exactly right. We have a way to go with implementing existing therapies, existing medical therapy. There may be a benefit for as demonstrated in Dr. S. for patients that remain highly symptomatic to derive symptom benefit with revascularization. The other context I would sort of add with the medical therapy issue is that despite really aggressive medical therapy, and we really did as much as we could, patients with diabetes still had, a 40, 50% greater risk of death or MI than those without diabetes. So there's still this idea of kind of residual risk. And these were patients with diabetes that were very well managed from a medical and glycemic control perspective. So we still have a lot of work to do. And I think understanding ways we can benefit our patients is really that challenge. Speaker 3: Thanks so much, Jonathan, and thank you Sandeep for joining us today. Speaker 3: And thank you audience for listening from Greg and I. This has been "Circulation On The Run", please tune in again. Next week. Dr. Greg Hundley: This program is copyright of the American Heart Association, 2021. The opinions expressed by speakers in this podcast are their own and not necessarily those of the editors or of the American Heart Association for more visit AHJjournals.org.

Ep 50. 'A Couple of Gretchen Wieners' with Kabir Bery

Drama School Dropout

Play Episode Listen Later Oct 19, 2021 41:44

It's another podcast first! We've had Jodie Steele on the podcast recording from a moving train (complete with ticket checks!) and now, for the 50th episode Kabir Bery joins me from a car. We chat about playing Swampy the Pirate, studying in New York City, playing Kevin Gnapoor in the US tour of Mean Girls, the infamous Kevin G rap, auditioning in front of Tina Fey, stage combat going wrong, and discovering our mutual personality traits as we both announce that we're definitely Gretchen Weiners in the world of Mean Girls, improv scenes going wrong and broken bones. Host: Ingram Noble Guest: Kabir Bery Producers: Heather Spiden & Ingram Noble Links: Ingram's Instagram & Twitter: @ingramnoble Kabir's Social Media's: @kabirbery

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Scuttlebutt from the Spermaceti Press

Play Episode Listen Later Aug 15, 2021 60:02

“all gossip upon the matter” [BERY] If there is one name that is synonymous with the Sherlockian hobby, it is Peter Blau, BSI, 2s. ("Black Peter"). And if there is one publication that is eagerly anticipated every month, it is his longstanding newsletter "Scuttlebutt from the Spermaceti Press." As "Cartwright" of the Baker Street Irregulars, Peter goes more places, sees more things, and overhears more than just about anyone in the Sherlockian world. So much so that it has often been said that if Peter doesn't know about it, it's not happening. We had a chance to speak with Peter about the origins of his newsletter, what makes for a good story, and what his plans for the future are. You won't want to miss this episode. And of course, we have another Canonical Couplet to challenge your acuity. If you are chosen as a winner, you'll get some mystery item from the IHOSE vaults. Answers are due by August 29, 2021 at 11:59 a.m. EDT. Information on sponsors, links, and notes available below. Please do consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and transcription services. BONUS CONTENT: For our supporters, the conversation continues with Peter Blau. Go behind the scenes and participate in a special question just for our supporters. Become one for as little as $1 a month on Patreon. Sponsors is the premier publisher of books about Sherlock Holmes and Arthur Conan Doyle, including . has a number of new Kickstarters that need your attention: , , and . Would you care to advertise with us? You can find . Let's chat! Links This episode: , 2012-present (Sherlocktron) Previous episodes mentioned: and : Peter Blau Many more links, articles and images are available in our Flipboard magazine at as well as through our accounts on , , , and . And would you consider leaving us a rating and review? It would help other Sherlockians to find us. Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323). Transcript We are so grateful for your support , which makes our transcripts possible. The transcript for this episode will be available soon at . --

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031 Alarm! Alarm!

Play Episode Listen Later Jul 13, 2021 71:25

Our party meets with Melchior to learn more of what they have gathered. A competition with the new druid and Bery ensues.

alarm melchior bery

027 What Do You Mean We're Fighting Again

Play Episode Listen Later Jun 22, 2021 59:45

Bery runs into another room filled with cultists. It's possible the cult is dealing with dwarves and elves from below ground.

fighting bery

014 Bery in the Bathroom with the Tub

Stock Market Mentor Chart of the Day

Play Episode Listen Later Mar 23, 2021 79:02

Things get a little slippery when the critters make an attempt at interrogation.

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Swing Trades by Scott (December 07, 2020)

Play Episode Listen Later Dec 8, 2020

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28. Kabir Bery (Mean Girls: The Musical)

Actors With Issues, with Juan Ayala

Play Episode Listen Later Nov 28, 2020 47:27

Kabir Bery joins us this week and talks about his early love of Bollywood movies that led to performing, his approach to acting from his training at the renowned Lee Strasberg Theatre & Film Institute, and his audition experience and eventual booking for the national tour of Mean Girls: The Musical. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/actorswithissues/support

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Zakázané zábery odhalené - Objavy skrývané pred svetom - David Kim

Zmeň svoj život

Play Episode Listen Later Oct 27, 2020 53:52

Interview s Dr. Davidom Kimom, ktorý sa počas svojho pôsobenia v Saudskej Arábii venoval prieskumu bežne neprístupných archeologických miest v Madianskej zemi spojených s putovaním Izraelcov do zasľúbenej Zeme. Vypočujte si zaujímavé rozprávanie o nálezoch, ktoré hovoria, že Biblia nie je vymysleným príbehom, ale historickým faktom.

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Nicole Bery - How to price my work, Exploring Creativity - Dreamer Talks 015

Dreamer Talks

Play Episode Listen Later Oct 5, 2020 41:31

Social Media Handles: https://www.instagram.com/nicolebery/ https://www.instagram.com/bery.artsyy/ Show Notes: Started painting and drawing as a kid on everything and everywhere Loves all painting styles depending on her mood Began business idea from a conversation with her hairdresser Hard to come up with pricing model when starting out Give-away on Oct 11th Book referenced: Steal Like an Artist - Austin Kleon

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Stock Watch (September 11, 2020)

Stock Market Mentor Chart of the Day

Play Episode Listen Later Sep 11, 2020

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Gamesite Podcast #39 - Kúsok z Halo infinite bude zadarmo, platený multiplayer na Xboxe zrejme končí a unikli zábery z FIFA 2021...20...19...

Gamesite Podcast

Play Episode Listen Later Aug 2, 2020 58:32

V 39. časti Gamesite Podcastu sme sa venovali možnému zrušeniu plateného multiplayeru na Xboxe, tomu, že multiplayer Halo Infinite bude zdarma a záberom z staro-novej hry FIFA

fifa halo infinite multiplayer bude platen bery zrejme

Psi Fany a Bery, literární dílo učitelky jihlavského gymnázia, mají své pokračování

Dobré dopoledne

Play Episode Listen Later Jul 23, 2020 12:42

Ivana Fexová je civilním povoláním učitelkou jihlavského gymnázia. Jak sama říká, psaním si splnila svůj velký sen.

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S2: E28 - Good Morning Grammar: 'Commonly Confused: Who vs. Whom' Tricky Tuesdays with Tania Bery

'Live & Learn' with Shivraj Parshad

Play Episode Listen Later Jul 20, 2020 4:21

This Tuesday we decided we just had to have Tania Bery back, on popular demand. This articulate college admissions counselor, essay editor and SAT English coach, takes on the commonly confused pronouns: Who vs Whom. Tania digs deep into her kitty and comes up with some tricks to clarify things. What do you think? Listen to this episode and remember, like Tania, you too can feature on a dedicated Good Morning Grammar episode. Just send in your voice messages on WhatsApp at +91-9625475442 or email; Shivraj@brevis.in. Let's make our morning listening a little more interesting; Rate or Review by looking for Season 2 of the Brevis Living & Learning Podcast – Android - https://tinyurl.com/yc3qfhcb Apple - tinyurl.com/v8euj6z Follow us on: Twitter: https://twitter.com/ShivrajParshad Facebook: https://www.facebook.com/BrevityinourDNA/ LinkedIn: https://www.linkedin.com/company/16321692/ YouTube: https://tinyurl.com/y7uo9fcvSpotify – tinyurl.com/y766k958Google Podcasts - https://tinyurl.com/y9fslvdbApple Podcasts – tinyurl.com/v8euj6zTuneIn - tinyurl.com/y86pv3soiHeart Radio - https://tinyurl.com/yay4kqpaListen Notes - https://tinyurl.com/y7d6sj9e

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S2: E23 - Good Morning Grammar: 'Full Stops, Semi-Colons or Commas to Separate Sentences?' Tricky Tuesdays with Tania Bery

'Live & Learn' with Shivraj Parshad

Play Episode Listen Later Jul 13, 2020 4:22

This Tuesday we decided to turn things up. On the tricky question of the use of commas by a friend who heads GMAT out of South Asia, we turned it over to college admissions counselor, essay editor and SAT English coach, Tania Bery. Tania decided to look at the use of punctuation when separating sentences. Sounds technical doesn't it? What do you think? Listen to this episode and remember, like Tania, you too can feature on a dedicated Good Morning Grammar episode. Just send in your voice messages on WhatsApp at +91-9625475442 or email; Shivraj@brevis.in. Let's make our morning listening a little more interesting; Rate or Review by looking for Season 2 of the Brevis Living & Learning Podcast – Android - https://tinyurl.com/yc3qfhcb Apple - tinyurl.com/v8euj6z Follow us on: Twitter: https://twitter.com/ShivrajParshad Facebook: https://www.facebook.com/BrevityinourDNA/ LinkedIn: https://www.linkedin.com/company/16321692/ YouTube: https://tinyurl.com/y7uo9fcvSpotify – tinyurl.com/y766k958Google Podcasts - https://tinyurl.com/y9fslvdbApple Podcasts – tinyurl.com/v8euj6zTuneIn - tinyurl.com/y86pv3soiHeart Radio - https://tinyurl.com/yay4kqpaListen Notes - https://tinyurl.com/y7d6sj9e

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The Blacker The Bery

The Last Supper Podcast

Play Episode Listen Later May 31, 2020 80:58

blacker bery

Part 2 - An Interview with Nate Morton, Drummer for "The Voice"

The Joe Costello Show

Play Episode Listen Later May 13, 2020 62:19

Nate Morton from "The Voice" In this episode, Part 2, we dig deeper into the audition he went on thanks to Barry Squire and his own networking becoming known as a "player" in town. Besides doing gigs around town and networking, he would go to some of the more well-known jam session so he could be seen, heard and start to build his network. As you'll hear as a constant thread throughout both parts of this conversation, networking and relationships have been key to Nate's growth and success. We talk about the sequence of auditions and gigs in a timeline so you can get a feel for the progression of what Nate went through to bring us current to today. In 2005, there's the lengthy audition for "Rock Star: INXS" and then in 2006, "Rock Start: Supernova". Then onto "The Bonnie Hunt Show" from September 2008 to May 2010. Finally in 2011, he lands one of the greatest gigs of all times, "The Voice" We talk more about his early days in Los Angeles and we walk through his timeline of auditions, touring gigs with well-known artists and end in the present day. Enjoy and thank you for listening!! ********** Nate Morton: Nate's Website: https://natemortondrums.com/ Fraudprophets Website: http://www.fraudprophets.com/ YouTube: Nate Morton Drum Cam Facebook: https://www.facebook.com/natemortondrums/ Instagram: https://www.instagram.com/n8drumz/ Twitter: https://twitter.com/n8drumz Nate's company affiliations include: Pearl drums & percussion Zildjian cymbals & sticks Roland Remo ePad Cympad GoPro Sennheiser Kelly SHU WingKey https://youtu.be/pjljYtm5DCQ Podcast Music By: Andy Galore, Album: "Out and About", Song: "Chicken & Scotch" 2014 Andy's Links: http://andygalore.com/ https://www.facebook.com/andygalorebass Subscribe, Rate & Review: I would love if you could subscribe to the podcast and leave an honest rating & review. This will encourage other people to listen and allow us to grow as a community. The bigger we get as a community, the bigger the impact we can have on the world. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. For show notes and past guests, please visit: https://joecostelloglobal.com/#thejoecostelloshow Sign up for Joe's email newsletter at: https://joecostelloglobal.com/#signup For transcripts of episodes, go to: https://joecostelloglobal.com/#thejoecostelloshow Follow Joe: Twitter: https://twitter.com/jcostelloglobal Instagram: https://www.instagram.com/jcostelloglobal/ Facebook: https://www.facebook.com/jcostelloglobal/ YouTube: https://www.youtube.com/channel/UCUZsrJsf8-1dS6ddAa9Sr1Q?view_as=subscriber Transcript Part 2 - Nate Morton Interview: Joe: And some of Nate: I Joe: The process, Nate: Will say. Joe: Like with the Billy Myers or gay. Right. With with that with that two day audition series that happened. Nate: Yep. Joe: Were you given music ahead of time or did you have to go in and just wing it? Nate: Oh, God. No, no, no, no. If you're gonna do an audition typically back in that era and they would say, you know, oh, go to her manager's office and pick up this C.D. and the he would have, you know, three songs on it and they would generally be listed in the order that they were gonna be released as singles. You know, here's the first single second, third. And in the case of Billy Myers, I feel like her single was already out or was a song called Kiss the Rain. Kenny Aronoff, I think, played drums on the original recording. Joe: Ok. Nate: And yeah, that dude. Yeah. You know that. Yeah. That that up and coming guy. Joe: Right. Nate: What Joe: Right. Nate: He's got, he's got a lot of potential. Joe: Yeah. Nate: I think if he sticks with it, he's really Joe: Right. Nate: Going to Joe: Yeah, Nate: Go far. Joe: Yeah. Nate: I hope, I hope people get my, my stupid sense of humor Joe: They Nate: Like Joe: Totally. Nate: They're just out there just not like oh my God. He said he thinks Kenny Arnow is up and coming. Joe: The Nate: Oh, my God. He's an idiot. That guy. Joe: No. Nate: So, yes, Kenny, if you're listening. I'm sorry. Just joking. So. So I pick up, you know, you pick up the C.D. and. This is twenty, twenty years before almost 20 years before I have to start. No, no, no, no, no. I think that that. I'm sorry. That would have been in the. That would've been let's call it let's call it ninety nine. Two thousand area. And then it wasn't until. Two thousand, five, six or so when Rockstar came along, which is which is this TV show that I did where we started having to learn these like kind of high volumes of songs, right. Where it's like, oh, there's fifteen songs this week to learn, which in retrospect doesn't seem like a lot because there are times on the voice when it's like, OK, here's the thirty six songs rolling this week. Joe: It's amazing. Nate: But at that time to have to come in and in a week learn 14 songs or 12 songs, it was like, I mean if you do a tour. If you do a tour, you might be rehearsing. Let's just say six days a week. Seven or eight hours a day. And you, depending on the tour you're doing and the level you're doing. I mean, you might be learning two songs a day. You're not Joe: Hey, Nate: Saying Joe: Yeah. Nate: Muddy Lane shoes on the day because the keyboard players are dialing sounds and this is that I didn't want to wear. It was it was actually literally that it was literally out of a 10 hour day. The keyboard players and guitar players were dialing sounds for seven and a half or eight hours of getting the sound right for you. The track was so the idea that you would come in and in the space of a week, from Monday to Saturday, Saturday, really Monday to Sunday, you know, it's like Monday and Tuesday, you've got to learn 14 songs because you're seeing the contestants on Wednesday and Thursday. I mean, at that, like I said now. I mean, I could I could, I could. You know, this sounds terrible, but, I mean, I could do that and read a book and crochet a sweater at the same time. Well, but then but then the idea of fourteens on the two days like war. So anyway, my Joe: And this Nate: Only. Joe: Was the rock star time frame that you're talking about. Nate: Correct. Joe: When? Nate: This was the beginning Joe: Ok. Nate: Of rock star. This is Joe: All Nate: The Joe: Right. Nate: Beginning of rock star. Joe: Ok. Nate: So. So. Joe: And how did you get that? Like. Morgan walks in the room and like every drummer runs its runs to the corner like a bunch. Nate: Are you out of your mind? Joe: So don't don't you know, don't belittle Nate: Okay, okay, okay, Joe: The Nate: Okay, Joe: Fact Nate: Ok. Joe: That you had to go do something to get these gigs. That's important. Nate: Ok, Joe. Joe: It's. Nate: Ok. Why did you ask me? Ask me? Joe: Ok, so you were with Nate: Ask Joe: Billy Nate: Me, Joe: Myers Nate: Ask me, Joe: And then. Nate: Ask me the big question, which is because this is this is this was this is the big question that I'll bring it on home. Ask me the big question, which is how did you get the gig on The Voice? Joe: No, because there's so many other things in Nate: No, Joe: Between. Nate: No, no, no, no. Just Joe: Oh, Nate: Try Joe: I thought there Nate: It. Joe: Was. Nate: No, no, no, just try Joe: Ok. Nate: It. Joe: Really? OK. So Nate, how did you get the audition on The Voice? Nate: No, no, no, no, no, no. The gate, the gate stretch. Joe: Oh, the Nate: Try, Joe: Gag Nate: Try again. Try again, Joe. Nate, how did you get the gig on The Voice? Joe: Me. How did you get the gag on The Voice? Nate: Funny you should ask. Joe: Oh, good. Nate: So back in, ho, ho, ho. Get comfortable people back. Somewhere around 2002. I always want to do like in the year 2000. Joe: Right. Nate: If anyone remembers that, I don't even remember that little Conan O'Brien bit. That has to do with Eddie Richter. So back somewhere around 2002, I was playing with the singer songwriter piano player named Billy Appealing. That was a little earlier named Vanessa Carlton. So 2002, 2002, 2003, somewhere in that neighborhood, maybe 2003. And for those of you who may not be familiar with Vanessa Carlton, she had a single called A Thousand Miles. It was a really big summertime single. So interrelates with Vanessa, and we're somewhere in the middle of somewhere and I get a call. Joe: See? But there you go again, you skipped over, how did you get that gig? Nate: Well, I actually didn't skip over Joe because I said because I said Nate's a jerk because because I said that many of my earlier auditions, of which Vanessa Carlton was one can't be very Swier, actually. Probably Joe: Ok. Nate: Did. I probably Joe: Ok. Nate: Admitted that. Yes, she. So OK, then I'll give you the quick I'll give you the quick. Overview of the various wire gate, so of the various of the gigs that I did or of the auditions that I did when I first moved the town, that I found myself in a room in some way, shape or form or fashion at the result of knowing or as a result of knowing various wire. The first one was Billy Myers. The next one, I think, was Tommy Hinrichsen, who is a guitar player, bass player, singer songwriter, rocker of all levels. He's currently playing guitar with Alice Cooper. Right. But it's time he had a deal on capital. Yes, capital is the only capital records. So Billy Myers, Tommy Henderson. Darren Hayes, who was a lead. I think he was the lead singer of Savage Garden. And so for a minute there, Darren Hayes had a solo project. Darren Hayes. And so I didn't audition that. I was fortunate to get through that. I was unable to do it because of a conflict with another very ask audition that I did, which was Vanessa Carlton. So Darren Hayes and Vanessa Carlton conflicted. So I found myself having to choose between the two or fortunate to have the, you know, good, good problem of choosing between the two. And and I elected to. Play with Vanessa Carlton and then also in there was there was a well, there is a he's a bad ass, a techno dance artist, ETM artist, if you will, called Brian Transito or Beatty is his name. So those those handful of auditions all came through the Barry Squire stream. So Joe: Perfect. Nate: Very smart, Joe: Now, I feel Nate: Very Joe: So Nate: Suave Joe: Much Nate: Stream. Joe: Better now. Nate: There you go. Barry Swier Stream led to Vanessa Carlton. So both now mentor Vanessa. Phone rings This might've been a Bery call as well, but it was Hey, Nate. There's a certain big artist who's auditioning and she is looking to put the band on retainer and the auditions are this day, she's heard a lot of players. They haven't said of the band yet. And we would like you to come to the audition and I won't say the artists. Name, but her initials are Alanis Morissette. So. Let's hope Joe: Oh, Nate: So. Joe: Good. Nate: So Joe: That Nate: I'm Joe: Was true, Nate Nate: So Joe: Martin Nate: I'm free. Joe: Form right Nate: Thank you. Joe: There Nate: Thank Joe: Was Nate: You. Thank Joe: Perfect. Nate: You. Thank you. Thank you. Joe: God, I'm so glad. Nate: So so I'm out with Vanessa and I get this call that Atlantis is auditioning. And I know that Vanessa's tour is winding down. And so I'm very excited. I'm like, oh, man, this could be a great transition. So in the middle of the Vanessa gate, I fly home. All of this, by the way, I'm still answering the question, how did you get to get on the voice? If you can't if you can believe it. So, so so it works out that the day she's auditioning it, it falls on like a day off that I've got with Vanessa. And so it's a day off with Vanessa. I don't remember where we are, but I raced to the airport in the morning. I fly home. I'm listening to Atlanta songs on the way home, the song songs if you're going to ask for a rhyme, charting out my little charts. And I think and I get there and I go to the audition and. And it was amazing. I played it. Yeah. Sounds great. You guys will rock it. And at the end of the audition they go, man, that was great. You didn't get to play. Oh, my heart broke. I was so sad. Right. So I did not get the gig. They said, thank you for joining us. You're you know, you did a good job. But we're going to you know, we have another guy. OK, I get back on a plane the next day, I fly back, I rejoin Venessa, which is a great gig. No disrespect to Buddhism. Joe: Anybody Nate: And so. Joe: Know where you went in that period of time? Nate: Sure, Joe: Was it Nate: Probably. Joe: That the van? Nate: Or you know what? Do you know what the truth is? I'll be honest with you. I don't even remember. I don't remember. I don't remember. I might have said maybe it would be not kosher to be like, hey, I'm going home to audition for a gig that's no bigger than this one. And so so maybe I wouldn't have said it. Maybe it would have added more a little bit more subtle approach. But nonetheless, I didn't get it anyway. So I arrived back and then I finish out of Inessa tour and I'm a little bit bummed that I missed out on that great opportunity because. Hashtag comments were sent. Joe: Yeah, Nate: All Joe: Yeah, Nate: Right. Joe: Yeah. Hell, yeah. Nate: Shoot. So if you called me today, I'd be like, I don't know, can I. Can I fit your voice schedule? Or is it here? I mean, she's amazing. Right, Joe: Yeah, absolutely. Nate: Though. So the Vanessa. Tour finishes and not too long after the Vanessa tour finishes, and I feel like this is I feel like this is the end of. Oh, for. I get a call from a friend and he says, hey, mate, Mark Burnett is putting together his TV show. It's called Rock Star. He needs a band. And so he is called upon however many in eight, ten, twelve days to put together bands to come in audition to potentially be the house band on this show. It's going to be like American Idol, but it's going to have like rock and rock songs. You know, it could be great. And so I go, okay. That man, of course, I would love to. And so the person who called me for that audition was a bass player named Derek Frank, who has a very, very long list of credits to his name. So Derek put together the band as the band leader, and we went and auditioned. So now we're in early 2005, because if memory serves the first round of auditions for Rock Star, we're in the first or second week of the year. That was like January 5th or something, right? Was the audition. We audition and again, multiple bands audition again. The whole process is going on and on and on. And eventually they wind up saying, OK, I get a call from Clive Lieberman, who is I'm still in my life at that time. I get a call from Clive Lieberman and he says, OK, we've narrowed it down. We have three drummers that we're looking at. And you're one of the three. And here's the next day, you know, can you be here on this day? At this time? OK, sure. Of course I can. So I go there. And now now we're in like late January because the process started like early January. Now we're moving into like mid late January. Joe: Wow. That's incredible. Nate: The man I was started. I'm just getting warmed up. So so I go there. And the other drummers are playing and the rotating Grumman's in and out in the way that. I mean, I've done several auditions and they all work a variety of ways. But generally, if none of the band is set, then some portion of the audition live audition is that drummer with that bass player, that bass player with that guitar player, that guitar player with that drummer that removes that bass player on that guitar player in there, especially in this sense, has a television show. They're analyzing it all. So so they're they're well above like, do these guys sound good? They're like, do I like that guy's dreadlocks? In my case, for example, I know that guy has a guitar that's like Dayglo pink. That's cool. Oh, I hate that guy's boots. Like, it's on that level because the TV show. Right. So at the end of the day, we're playing with vulnerably. Okay. I'm let's let's say I'm drummer number three. So we're playing, playing, playing, playing, playing. At some point they say, okay, drummer number one, you can go home. And then I look around and there's just like German number two and me bling, bling, bling, bling, bling. And at some point they say, OK, drummer number two. Thank you a lot. You can go home and then it's just me and I'm playing for like the rest of the day and well into the night. So finally they say, OK, we're finished for the night. Everybody can go home. Now, when they did that on Billy Myers, it was this is the band we're playing Vibe tomorrow. Let's get her done as opposed to on this, where they're like. All right. Joe: Go Nate: So Joe: Now, Nate: I Joe: Go home Nate: Could Joe: And worry. Now go home and Nate: Go Joe: Worry. Nate: Home. Now go home. Right. So I go up to Clyde. Clide Lieberman. Love them, love, love, love. I got to climb. I go say Hi, Clyde. As I look around, I don't see any other drummers. I said so. So can I. I said, so should I. Should I go home and, you know, have a celebratory drink? And Clyde's response was, well, you should definitely go home and have a drink, Joe: Yes. Oh, no. Nate: Right? It's so, Joe: Oh, no. Nate: So, so now we're at the end of January. The band that they arrived at. Sort of somewhere in February. They had this band. Right. And I was included among and within that band. And they had an M.D., a guitar player, a bass player and a multi instrumentalist. And so then that band did a gig for the. That was a CBS show. So we'd have done a gig for, like, those higher up CBS guys. Right. We would have had to have been approved by them. Then at some point, they kind of went like, well, what if we had this person on bass? So then that band did another gig for the CBS people. Then, well, what do we have this person on guitar? Then that band did another gig for the CBS people. Joe: Wow. Nate: Then I was like, wow, this isn't working out. Let's go back to the other band. OK, now then that band did. So. So there were there were there were hoops aplenty to jump through. But in the end of all the jumping through hoops and I remember this date, I don't know why it's burned in my head. I could have it wrong. But I remember this date. I feel like May. I feel like it was May 19th. We were all sat in a room with the executive producer of that show, Rock Star. His name is David Goffin and that band. Was myself on drums. Sasha could face off on base. Half Amaria on guitar, Jim O'Gorman on guitar and multi instrumentalist and musical director. Paul Markovich. So that was the first time Paul, Sasha and myself worked together as a rhythm section. Now, Sasha was my bass player on Vanessa Carlton. And Paul had also worked with Sasha in other situations. But this is the first time at that that this was the genesis of that rhythm section. So. From Rock Star, that rhythm section went on to do multiple sessions in town. Two seasons of Rock Star. That band went on to do a tour with Paul Stanley. Ultimately, that rhythm section wound up doing the Cher Caesars Palace run. So now I flashed all the way forward from 2000 and. Five. Right. By the way. So the first audition, the first part of that audition was in early January. And the band wasn't solidified until Joe: May 19th. Nate: The end of May. Well, May 19th was when they said, if you want to do it. Joe: Got it. Nate: And then ultimately, by the time contract or signed. Yeah, it was the end of May. It was the end of May. Beginning of June. Somewhere in there. Joe: So all of this time, you're not making any money. Nate: No, the auditions that we did and the rehearsals that we did were paid Joe: Ok. Nate: Because because at the end of the day, you are a professional musician. So even whether whether you have the gig or not, it is still your time, you know. And Joe: Ok. Nate: It is, you know, I mean, we were we weren't on some sort of, you know, incredible retainer or anything. But at the same time, the powers that be know that to expect you to dedicate the time to learning these songs and doing these rehearsals and showing up and, you know, wearing halfway presentable clothes and showing up with good gear and playing gigging town and good, that's not something that people would typically want to do for free. That's something that that you know, that that's what we do. And so Joe: Right. Nate: They wouldn't have expected us to do that for free. Joe: So any point during this interview process from early January to this may date where it finally gets solidified? Did any other tour opportunities come up that almost tore you away to go and say, OK, this great thing has just come in? And if I get this, I'm out here, I'm done with these auditions. I'm going. Nate: So, Joe, when you called me. And you were like, hey, man, can you come in my pocket hasn't got to me and I was like, Sure, sure. And then you were just like, Yeah, we'll talk about your life story. Joe: All. Nate: And I was like Joe: Right. Nate: I was kind of like, oh, there's gonna be like everything I've always been asked before and about we all the same stuff. I hope Joe comes with a new question. I hope so. That's the first time anyone has ever asked me that question. Joe: Seriously? Nate: And yes, that's the first time I've ever been asked that question. And that is an interesting question. And it is, is it is very insightful. Joe: So we'll think I'm Nate: So Joe: Looking. Nate: Absolutely. Joe: I'm looking through all of this because I live through you, you know that, right? So I am all of these questions are like, man, if I was in the middle of all this and all of a sudden, you know, share, I get the call from Barry saying Cher's auditioning. So anyhow, that that's why it was Nate: Well, Joe: Important. Nate: And like I said, it's a good question and it's a very astute question. And the answer is yes. I mean, because it was from early part of the year to like May, April, you know, in that in that neighborhood. Joe: And they're building Nate: So, Joe: Up Nate: Yeah, Joe: Their tour Nate: That's Joe: Vans. Nate: When things are Joe: Right. Nate: Happening. Joe: Right. Nate: Right. That's why things are happening. I can't remember specific things that I would have, you know, turned down or that I would have not been available for. But I will say that even in that context of it not being solidified. I felt like it was definitely worth keeping my. Carts hooked to that ox because it was a TV show. And all the time that I was touring, I was definitely like, you know, like touring is great. Touring is a blast. I love it. I may wind up doing it again at some point. That'll be amazing. We'll be fine. But there's also an extent to where it's like it might also be nice to be able to make a living, staying in town and seeing your family every day and sleeping in your own bed, driving your car and go into your favorite restaurants and not dealing with the fact that you showed up at, you know, 10 and the rooms won't be ready until two. So you're sleeping on a couch in the hotel lobby. You know, that's that's also an element of truth. So. So, yes. So things came in. Kate came and went, and I definitely decided to stay the course and, you know, follow that that that path towards what I thought would be a TV show which wound up being a TV show. And where was I? Sorry, Bella. Joe: So, no, it's OK. So Rockstar, you guys did Nate: Right. Joe: A bunch Nate: So Joe: Of Nate: That Joe: Shows. Nate: Was the first time I played Joe: Yes. Nate: It, right? Right, exactly. Exactly. Joe: You're the new Nate: So. Joe: Heart rhythm section in town, right? Nate: Where are the new rhythm section and how. Joe: Ok. Nate: Oh, we were that time. But but yeah, you know. And so so the whole the only the only point that I was really trying to make in this very, very, very, very long winded, you know, spool here is. The. The fact that I'm able to be on The Voice now is a direct result of the relationship that I started with Paul Markovich back in 2005 on Rock Star. So what is this, 2020? Joe: Yes. Nate: Right. So. This whole gig started coming about. A decade and a half ago. And so I. And so I say all that, I say that to even spend it further back to talk about what I was saying earlier about relationships, which is that you have no idea, you know, the the guy that you do a gig with one time for one hundred bucks at a club somewhere. Might be the guy who calls you for the audition that completely changes the course of your career. Joe: All right. Nate: So, you know, Joe: So Nate: I mean, and. Joe: So Rockstar was till when? Nate: Rockstar, unfortunately, only lasted two seasons, Rockstar was 2005, 2006 on CBS. The first season it was Rockstar in excess and the feature band was in excess. And we were going through the process to find a lead singer to replace Michael Hutchence. And then the subsequent season was called Rock Star Supernova. And they had chosen Tommy Lee. Oh, this is embarrassing. Tommy Lee. Jason is dead. And a guitar player. Joe: Tell us of. Nate: But they are putting together the supergroup. They're putting the supergroup. And and so they were basically auditioning for a singer to front this supergroup. And that was what that season was about. And so then, yeah, like I said, that's easy. It ended. And then Paul Stanley called like Vee Paul Stanley. Joe: Yeah. Nate: Like the walking, breathing, living. Iconic legend Joe: Yes. Nate: Paul Stanley calls and says, Hey, guys, I'm going to go out and support my solo record. You want to play with me and I will. Duh. Joe: Right. Nate: You know, I mean, Paul is amazing. Paul, Paul, Paul is Paul and Cher. Paul, Stanley and Cher share. Shares is a share on all adult donor list, but possibly in share. Both have this. They are at once incredibly. Sort of present and know exactly who they are. And the fact that they are literally. Iconic legends. But at the same time, able to make fun of themselves, able to laugh. Selves able to be down to earth, able to be. Just so what's the word I'm looking for, relatable. Joe: Authentic. Yeah, Nate: Authentic, relatable Joe: Yeah, Nate: In a crazy Joe: Yeah. Nate: Way. You know what I mean? Have figured. I didn't pause daily. I said to you, man, I was in this band, you know, however long ago or whatever you guys met and she was older than that. Oh, okay. Go. I love it. Was the early days as to whether I was the rock band. It's the story. Joe: Peter. Nate: Sorry. You know, because I was such a funny time. So it's the band from Rockstar Impulse Daily. And I hit the pause daily as it meant the band from Rockstar and Paulist Aliens is the best band ever played with us. Here it goes. Yeah. Yeah. I'm sure this is the best band you've ever played with. Joe: Nice. Oh, my guys, Nate: No, Joe: It's Nate: It was Joe: Hours Nate: It was Joe: Of. Nate: So great. He was so great. It's like the cool thing, too, is we did it. We did a show a while back. And one of the songs we played in season finale after the season finale is over and the show's over. I hopped my car to drive home and drink. And I have a text from Paul Stanley telling me, oh, my God, man, great job on, you know, such and such a song tonight. Joe: That's so cool, man. Nate: It's amazing. Joe: It's so Nate: You know, Joe: Cool. Nate: He is he is genuinely one of those guys who. I don't know. He's just he's he he's he's able to balance being an icon and still being sort of down to earth and, Joe: That's really Nate: You know, Joe: Cool. Nate: Relatable and. Yeah. Joe: So what year is this that you go out with him right after Rockstar ends? Nate: Well, Roxette would have been a five oh oh oh five was one season. 06 was another season. And so I feel like we did. I mean, it would have been 06. It would've been 06. Maybe in two oh seven. But maybe just because because Rock Star was a summer show, so we wider than rock star and been down at the end of the summer. And then we might respect, like the fall slash winter with Paul Stanley Joe: Ok. Nate: And then been done because because the the second leg of the Paul Stanley tour was Australia. And so Australia, if you don't know or if anyone doesn't know. Is backwards to us. So Australia winter is our summer. So it's 100 degrees in the winter. So I feel like it was that. I feel like it was like the fall here. I feel like it was 2006 rehearsals. Maybe in the fall tour here in the fall. And then I feel like that tour would have gone into like maybe. Like October, November in in Australia, Joe: Ok. Nate: Something of that nature. Joe: And at Nate: Yeah. Joe: This point, is this the biggest tour that you've done up to date to Nate: With Joe: That Nate: Paul. Joe: Yet? Nate: He is definitely the most iconic artist that I would have worked with up Joe: Up Nate: To that point, Joe: To that Nate: You know? Joe: Point. OK. Nate: Well, OK. Well. No, because I don't mean. I tried not to like. Joe: You've done so many great things, we can't leave anything out. Nate: No, no, I'm just. I'm OK. What exactly Joe: That's why Nate: Is Joe: I'm Nate: Going Joe: Prodding Nate: On right now? Joe: You for all of this stuff. This Nate: No, Joe: Is my job. Nate: I mean, man, I'm just fortunate. I'm fortunate that I've managed to eke out a living doing this thing. And I'm fortunate that, like, people calling me to do what I do, I feel like. Joe: And you're about the most humble person I've ever met in my life. That's the reason. Nate: That's nice. That's nice of you to say. Thank Joe: It's Nate: You. Joe: True. Nate: But it's Joe: It's. Nate: True. I know. But you know what? It is so so look. So when I was in high school. I wasn't walking around like, yeah. One day I'm gonna play a post alien, Chaka Khan, and, you know, remember me on TV? I didn't think that. I thought like Joe: That was like your Richard Pryor. Nate: I thought. Joe: Now it's like you're selling Richard Pryor. That Nate: I'm so not going to even try to do Richard Pryor. Joe: Was Nate: But Joe: Great. Nate: But Joe: Oh, Nate: But Joe: Good. Nate: I mean, I guess. But bye bye. But my point is that, like, my point is every day I am of two people. I am the person who gets up and goes like, OK, today it's time to get up and learn the Peter Frampton song that we're playing on the show today. Like what? Like the first. Right. Right, so so, so part of me goes. OK, let's learn. Peter Frampton on. That's the that's the current me. But the high school me is still in there, and one of the first records I ever owned was a Peter Frampton record, right? Not Frampton comes alive, but it's like one before that. The single was a song called I Can't Stand It No More. Which I'm not even going to try to sing. But it's a really cool tune. But like so the part of me gets up and goes, OK, let's go to Linda Peter Frampton song play today. But then inside that is still like the little kid going like, I can't believe I'm playing with this guy. That is one of the dudes that I learned to play drums by jamming along to my drum set Joe: Yeah, Nate: To the Joe: It's Nate: To Joe: Crazy. Nate: The LP. I'm a record player, so I say all that just to say, like in terms of being humble. It's not like I'm trying to be humble. It's just that I still the meet the young me still steps back and looks at what I'm fortunate to do and goes, Oh my God. Dude, you're you're a lucky friggin fortunate mofo to get to do what you're doing. So and then again, circling back to where we were, which was you said up to that point, Paul Stanley. And the reason why I paused. I had not played with Cher at that point, but I feel like I had played with Natalie Cole at that point. Joe: Ah, Nate: Yeah, so. Joe: So that's Nate: Right. Joe: Here. Nate: So so genre differences, obviously, and volume of people who know, obviously, you know, potentially different. Joe: Yes. Nate: But I mean, in terms of iconic, Joe: Yes. Nate: I mean, they're both they're both right there. I remember going out to dinners. Natalie would have these dinners. We were on tour in Japan at one point and she said, we know want everybody come down to dinner at the restaurant, at the hotel or whatever, and we're there. And she would say things like, you know what? When Daddy said that? And I'm like. Joe: Oh, my gosh. Your mind explodes. Nate: My mind explodes. Joe: That is so Nate: One Joe: Cool. Nate: Time Daddy said, and it was like, Wow. Joe: Yeah. Nate: So yeah, man. So I mean so so I can't remember the exact timeline. But up to that point. Yes, it would have been Natalie, Paul Stanley. I had a short I had a short run with Chaka Khan Joe: Ok. Nate: Up to that point. So she's you know, she's you know, I mean, Chaka Joe: Yeah. Nate: Khan. Right. Joe: Hey. Nate: I mean it again, like I said, even as I say this, that I have a hard time saying these things because I don't come across like I played with her. It's like to me, I literally look back and I like I play with a person like they hired Joe: So Nate: Me. They're bad. Joe: Call Soquel. Nate: So now I it's. Yeah, it's man. I'm so fortunate. I'm so fortunate. Joe: So where are we in the timeline now, because. Nate: Well, at this point, we're up to about where we're up to Paul Stanley. So impossibly ends, Joe: Yeah. And this again, Nate: Stanley Joe: What Nate: Ends. Joe: Year is this? Remind me. 2009, Nate: Well, Joe: You Nate: We're Joe: Said. Nate: All well, we're we're pretty much almost current at this point because when Paul Stanley ends. That's got to be like, let's see, oh, five or six or seven. That's got to be like in the O2 eight ish 07, Joe: Ok. Nate: Seven or eight ish ballpark. Joe: Yes. OK. Nate: And then I did a TV show. I was fortunate to do a couple of TV shows, and one of them was called the Bonnie Hunt Show, which was a daytime talk show on NBC. And circling way back to your way earlier question about in terms of who was at early with me, who that I know still. So Churchill era was the piano player and the band on the body honcho. And and it is and it is through Chechu Elora that I got the call to audition for the band or the Bonnie Joe: Wow. Nate: Hunt show right Joe: How many years later Nate: Later than Berkeley. Joe: Here? It's like. Nate: I mean, it's a little Berkeley, I graduated ninety four, the call for Bonnie Joe: It's crazy. Nate: Hunt to audition comes 94, 2004 to about a decade and a half. Joe: It's crazy, right? This is exactly Nate: It's crazy, Joe: What you were talking about. Nate: But it's relationships, Joe: Yeah, Nate: It's relationships, Joe: Yeah. Nate: You know. So, yeah. So then. So Bonnie Hunt. And then that ran for a while and then Bonnie Hunt for a stretch, ran concurrent with Cher. So I was playing with Bonnie. And share at the same time, and I can't actually remember which one came online first, but what I was basically doing was I was playing in Vegas with Cher and then on my days off from Cher, I was coming home to Bonnie here in L.A. and I was basically driving back and forth and doing sort Joe: Wow. Nate: Of double duty. Yeah, it was it was a little bit. It was a little taxing because Joe: Oh, my God. Nate: I. Joe: So was Cher a Barry Squire gig? Nate: Cher actually came through my relationship with Paul Markovitch dating back to 2005, Joe: Ok. Nate: So meeting him in 05, doing the show with all five of six rock star Paul Stanley tour sessions in town. Other things in town. And then Cher would have come about. I mean, it feels like. Oh, nine ish. But don't quote me on that. Oh nine oh nine. Give or take six months to a year. Joe: Ok. And the share gig was at a walk on for you because of Paul. Or you still had to audition. Nate: Share. That's what he called a walk on. Joe: Guy, Nate: It makes Joe: I Nate: It sound so Joe: Don't Nate: So Joe: Know Nate: It Joe: What Nate: Makes us so casual, like, Joe: Would Nate: Hey, Joe: Have Nate: Man, Joe: Come Nate: Come on over Joe: Up. Nate: And play with us and share. Joe: I don't even Nate: Hey. Joe: Know where that term comes from. Walk on. Was Nate: Oh, Joe: It? Nate: Well, we'll Joe: Isn't Nate: Walk Joe: That like Nate: On Joe: A Nate: Is Joe: Football Nate: Like. Joe: Thing? Like if you don't have to. You don't have to go through the audition. Nate: No, Joe: Are Nate: I Joe: The. Nate: Think it's. No, I think it's kind of the opposite. I think it's a college. I think it's a college athletics term. But it's not a good thing. I know you're using it as a good term, but I think that in college athletics, you have your your your top tier guys who are on scholarship. So like, for example, on a college basketball team, like a Division One team, I think there's like twelve kids, I think. And I think that, like, 10 of them are on scholarship, but there's like auditions, auditions, music nerd tryouts Joe: Tryout. Nate: To fill like those last spots. Joe: Hey, Nate: And Joe: I Nate: I think Joe: Said auditions, Nate: Those last Joe: Too. Nate: Spots. Joe: I couldn't think of the word. Nate: Right. I think those last spots are walk ons like, OK. We've got art, we've got our eight or whatever it is, our 10, we've got our we've got our blue chippers over here. We've got to fill out the team, open tryouts, and then there's like 100 kids. And of that one hundred kids, you pick like four or five, whatever it is to fill out your team. That's a walk on. So like a walk on. Oftentimes never even gets on the floor like in in that context. But Joe: So Nate: I understand Joe: I Nate: What you're Joe: Totally Nate: Saying. Joe: Use Nate: No, Joe: That. Nate: You did. But no, but I understand. I totally understand what you meant. I told you so. But and to answer your question, yes. I did not audition. Mark was playing with Cher. And I believe that Pink had dates that conflicted. And so I believe that he made the decision to go and fulfill his obligation with Pink, which vacated the Cher position, which gave Paul the leeway to basically call me. And then I came in and I finished out the whole run with Cher at Caesar's Palace in Vegas. Joe: Got it. And she Nate: So Joe: Was Nate: Then. Joe: Amazing. Amazing person, everything you actually got to hang with her a little bit. Nate: She's Joe: A lot. Nate: Awesome. She's awesome. She she is one of the people like and again, I never take any of this for granted. I never think any of this is assumed. None of it. But like those kind of stories that you hear about artists who are like, you know what, I'm just gonna buy out the whole theater for Tuesday night. So my whole band and crew and dancers and everyone can go and watch Boogie Nights. You know, I mean, like or hey, I'm just gonna, like, buy out all of the pole position, indoor, you know, go kart race track for a night. So my whole band and crew could just go and do that. So, you know, she really she did a thing once where Cher is the coolest. Like, shares the coolest. And the first person to make fun of Cher is Cher. Like, she's so, you know, like self-effacing. But at the same time knows that she's an icon. And that's an amazing thing. It's an amazing balance. But we did a thing one night where we played. Bingo. Right. Hey, guys, I want everybody to come down to the theater where we're going to play bingo. OK, so here we sit playing bingo. And the prizes, if you get bingo, is like an Apple iPad. OK. So this person wins, OK? He got B eleven I 17 in bingo. Here's my pad. Thank Joe: Nice. Nate: You. Good bye. OK. Here's your iPad. OK. It's like. It's like. It's like Oprah. You got a car. Joe: Right. Nate: You've got a car. You've got a car. Right. So. So. So the night is that we played. I don't know. There's there's 200 people on the crew. And we played 30 rounds of bingo. So 30 people have walked out with iPods. OK, well, it's late. It's you know, it's Vegas. So. So, so Vegas late. So it's, you know, hetero. 3:00 in the morning. OK, everybody. It's all good. Great job. Last round works on me. OK. Goodnight. Right. Bye. OK. Show up the next day. Do you know whatever it is, soundcheck? Oh, date. He's right that way. What you mean? I didn't win. No, no. Sure. Have for everybody. Joe: Nice. Nate: You know, I mean, like that kind Joe: Yeah, Nate: Of thing. Joe: Yeah, yeah, Nate: He get out Joe: That's cool. Nate: So. So. So, yeah, I know she was she was one of the. Coolest, most relaxed, she Ampol. I mean, I don't. I got to say, it's it's ironic or not that two of the most well-known, iconic, well respected artists that I've ever worked with are also two of the most down to earth. Relaxed. Nothing to prove. Cher has nothing to prove. Paul Stanley has nothing to prove. There's no attitude. There's no weirdness. Like. Joe: It's really cool. Nate: It's really cool. Joe: Yeah. Nate: It's really cool. And I've just been fortunate that. I. I have historically never shows in. Gigs, opportunities, situations. Politically, and here's what I mean. I've never chosen a gig because the artist was the biggest artist or because the guys in the band I thought were the coolest guys who would call me for gigs one day. I've always been the guy who. If you call me for a gig, you call me for a game. OK, Joe. Hey, Nate. Put together a band for this game of going on. I'm never gonna be like, let me call the four guys who I think are most likely to call me for a big gig. Let me call the four guys who are my boys, who I think could really a user gig or B are going to play this the best. I'm never. So that might wind up being four guys you've never heard of. Joe: Right. Nate: But they'll kill it. Joe: Sure. Nate: And they're my buddies and. And it'll be a great game. So I guess my point is I've always done that and I've never chosen gigs. By the way. Based on. Political or financial gain? So numerous times. I've had a. That might be more beneficial politically or financially, frankly. But maybe I hate the music or I've got gig B. Where I love the music and I love the dudes, but it pays half what gig pays on gig based. And the reason I've always done that is because I've always hoped that in the end, wherever I land, I'm gonna be playing great music with great musicians in a cool situation with guys that I really love being around. And I am so fortunate that that's the case. The guys in the band on the boys are my brothers. Those are my guys. Joe: Right. It could Nate: You Joe: Prove Nate: Know. Joe: To be a really long tour if you're on a gig where it pays a lot of money. But the music sucks and Nate: Or you Joe: You don't Nate: Don't Joe: Like Nate: Like Joe: The Nate: The Joe: People. Nate: People. Yeah, or you don't like the people you're playing with. And and yeah. And. Yeah, I like I said, I've just I've just been very I've been very fortunate, you know? And again, it's like the guys on the voice are my family and not even just the guys on the voice. The guys are the boys in the band. The girls on the voice in the band. The whole voice, music, family. People sometimes say, how do you guys get along so well? And I'll quote one of our keyboard techs slash. Brainiac Patrick, who knows the answers to all the questions. He just does he's like DOE technology. But someone once asked, how do you guys get along so well? And Patrick said, or no, they said, why do you guys go along so well? No. Was it. Hold on. Let me go straight. Yeah, I was how do you guys get along so well? And Patrick said it's because we have to. But we have to in other words, what we do and the product that we create and the amount of time that we spend around each other and working with each other. It could only exist if we had the kind of family relationship that we did. We have to if it if it's not that it can't get done, it can't Joe: Right. Nate: Happen. Joe: Right. Nate: You know, Joe: Yes. Nate: So I'm rambling, but that's kind Joe: No, no, Nate: Of where Joe: No. Nate: That's kind of that's that's the whole story. So, so, so an answer. Joe: So, again, in the timeline, year two thousand nine. Nate: Yeah. That's when the voice starts 2010, somewhere in that ballpark. Yeah. Joe: When the voice was, I guess I might be getting it mixed up with the rock star. The Voice wasn't a lengthy audition, right? It was you already because of Paul and everything. I don't remember. Nate: Well, I mean, the voice, so the voice came about. The voice was not an audition. The process that led to me being on The Voice. Started. A decade prior. Over a decade prior, you know, so. So, no, it wasn't an audition, but it was a relationship that built over the over the preceding however many years that was from. Well, I said it decades. So I guess I guess not a decade. But. The voice would have been 2009 10 and I would have met Paul is more than five. So about a half a decade. So, yeah, so would have been a five year, six year relationship prior that led to the voice ultimately Joe: That's Nate: For Joe: Amazing. Nate: Me anyway. Joe: Right. Nate: Yeah. Joe: And it's and it's going strong and you guys sound better than ever. And it's just amazing. And just to be on the set. It was so cool. I think the funny and I tell people the story all the time. The fact that I was able to have, you know, some ears to listen to Nate: Yes. Joe: The band, Nate: Oh, God. Joe: The banter Nate: Oh. Joe: On the bandstand. Nate: Woo! Oh, don't you ever put that out anywhere Joe: Oh, okay. Nate: Where the worst are the worst. Joe: Okay. Nate: All we do is back on each other all day. Joe: Oh, my gosh. It is amazing. So what else? I want to make sure we didn't miss anything. And I want to also give you a moment to plug anything that you're doing. I don't know if you still you still have your band outside of The Voice. Nate: Well, I'm involved in a side project with my buddy Sean Halley, Sean Halley and I, and sadly now do you always do these v a zoom? Joe: So far, because I just started it when all of this happened. Nate: Right. Joe: So. Nate: And all of this for your listeners who may see this down the road, years, three years, four years is that we are in the midst of a zombie apocalypse. Joe: Correct. Nate: There are cars being turned over. Joe: Better known as Cauvin Nate: Yes, Joe: 19. Nate: Yes. Yes. That's Joe: Yes. Nate: It's it's it's crazy. So, yeah, I mean, all of this is happening amidst this time when, you know, gigs are getting canceled and all of this. And actually, I had a gig with my side project, which is a band called Fraud Profits, which is myself and my dear, dear friend Sean Halley, also a genius, by the way. And we had this band for our profits, which was filled out by bass player Ben White. And Ed Roth was gonna be playing keys with us. And we had a gig booked on April 10th that we were all excited to do it. And so it's not happening. But in terms of things that I'm doing outside the voice, that is one of the primary things. So you can if you're interested, you can look up Frauke profits F are eight. You d p r o p h e t s dot com. And you can also find us on Instagram. You can also find us on Facebook. And so we will continue to keep you updated on what we're up to in the albums available where all albums are available. It's called Pop Ptosis and it's really rad. Yeah, Joe: Awesome. Nate: Yeah, Joe: All Nate: Man, Joe: Right, cool. Nate: It's. Joe: And then what about lessons? What are you doing Nate: I don't know, I guess trying to study with you at some point when you have some have Joe: Ok. Nate: Some availability Joe: Well, Nate: And you can you Joe: Yeah, Nate: Can fit me Joe: I'm Nate: In. Joe: Pretty tied Nate: Ok. Joe: Up Nate: We'll Joe: Right Nate: Get back Joe: Now. Nate: To me. Get back to me. You can when you can fit me in your schedule. Now, Joe: Oh, Nate: So. Joe: Good. No, sir. So how can people how can drummers that want to go to the next level take lessons from you? How I know that. Nate: Right. Joe: I guess if they're in L.A. and when things get back to whatever air quotes normal, if that happens, they could come there to your studio and Nate: Right. Joe: Do it. Nate: Right. But in Joe: You Nate: The meantime, Joe: Doing? Nate: I Joe: Yeah. Nate: Will. I am making myself available for online lessons. And it's a thing that thanks to this. I think I mentioned to you earlier, I got my whole rig up and running. So I'm talking into like an actual microphone as opposed to my my earbuds and I have on headphones as opposed to my earbuds, because the headphones, the microphone are all running through my studio gear, which I'm making like gestures at, but no one can see. But I am getting the rig here setup so that I can do online lessons. I have done some of the past and I'm thinking that with my new audio going on. Thanks to the motivation of getting with you and chatting tonight. I have it a little bit more under control. So sure, if you want to man if you want get together online for like a lesson or an exchange of knowledge or any of that stuff, I'm so easy to find. I'm on Instagram or Insta, as I call it, when I want to make my wife really Joe: It's Nate: Angry. She's like Joe: Nice. Nate: No one calls it. It's the I call it ads that no one calls it. It's. Oh. Joe: Oh, good. Nate: No, Joe: So Nate: It's very. Joe: What's your what's your handle on Instagram? Nate: Oh, no. Joe: Oh, man, I'll I'll find Nate: Shut up, Joe: It and put it Nate: Shut Joe: In the show Nate: Up. Joe: Notes. Nate: Wait, wait, wait. No, I think it's just. I think it's in in as inmate eight, the number eight D. Are you Amzi in eight D. Are you M z. I think that's me on Instagram. It's also my license plate. Oh, hey, buddy, sorry. So so the band was having a rehearsal at center staging. And my license plate on my SUV says in eight D-R, UMC meat drums. And there were some other band there and I can't remember who the artist was. But like the drummer and the guitar player of that band came over to our rehearsal. I was hanging out. And you know how it is. Musicians know, what is this? The voice. Oh, what are you doing? I'm doing this gig. And so the drummer talks to me and says, Oh, you know, you're the drummer on The Voice. What's your name? Nate anymore. Oh, Nate. Nate. Oh, is that your car in the parking lot? This is Nate drums on the license plate. I was like, yeah. And like, literally, I swear to God, that's because. I could be an atriums like like I felt like I needed to have a gig Joe: Right. Nate: Of a stature that would allow me to Joe: The Nate: Have the mic. Joe: Name Nate: And Joe: On Nate: They Joe: Your Nate: Trust. Joe: License plate. Perfect. Nate: Oh, yes. I was like, oh, you're so young, like young, you Joe: Oh, Nate: Know? Joe: Good. Nate: But he was funny. He was funny. All right. You could be aid drops was like, thanks. Joe: That's so Nate: Next year, Joe: Funny. It's awesome. Nate: Let me just give like a.. Joe: Yeah. Nate: Ok. Joe: Oh, God. Nate: David, he was girl. Of course. And of course, I looked him up and he's like, you know, what are these killing young drummers? There's so many bands. There's so many of those incredible guys Joe: Yeah, Nate: Just playing all that stuff. Joe: Well, cool. Nate: And I go, boom, boom, boom bap. Joe: Yeah, well, no, you don't, but you can say that if you want. You do a lot more Nate: It's Joe: Than that. Nate: True. Joe: So how about Nate: Well. Joe: Facebook? Do you know where they find you on Facebook? Nate: Yeah, sure, Facebook dot com slash Nate Morton drums. Joe: Perfect. So we did Instagram, Facebook. You have a website. Nate: I don't have an actual Web site. The closest thing I have is probably the for profit scam Joe: Ok, cool. Nate: Site. Joe: Ok. Nate: And what else we got? Joe: I assume Nate: Facebook. Joe: You don't hang out on Twitter or do you? Nate: You know what? So here's the thing. And I'm just being honest right now, it is being real. Somewhere along the line, I intentionally or unintentionally linked my Instagram to my Twitter. So it seems like whatever I put on Instagram winds up on Twitter. Or maybe it's my Facebook. But no, I'm not really active on Twitter. So if you actually want to catch up with me, find me on Facebook and I'm easy and like I'm not always the fastest to get back, but I get back to people. So if you find me on Facebook, dot com slash Nate Morton drums and you follow me there, you send me a message, whatever, whatever. I'm going to find it eventually. I'm gonna get back to you because it bugs me. My OCD would be bother. I can't look at a message and like, just delete it. Like, I look at it and I go back to that. So even so, if it's a it's over a day or a week or a month. I do my very best to get back. Joe: I'm sure. Nate: And and and you can always go, like super old school and just email me at an eight D argue Amzi at EarthLink thought that. Joe: Cool. And then really important is your YouTube page. Nate: Oh, I asked ask you to recite Joe: No. Nate: It. Joe: I'll put it in the show notes. But do you have more? Do you have your name? One and then. Is it the nake? Nate: No, no, it's just one. Joe: So it's the one Nate: It's Joe: With Nate: Just Joe: The Nate: One. Joe: Nait can. Like all the stuff. The Nate: Yeah, Joe: Voice videos. Nate: Yeah, it's all Joe: Right. Nate: On the same. That's all Joe: Ok, Nate: The same. Joe: Cool. Nate: Yes, that's all the same channel and it's YouTube dot com slash. See, like the letter C slash. Nate Morton drums, Joe: Perfect. Nate: Youtube dotcom Joe: See, Nate: Slash Joe: Nate Martin jumps. Nate: C slash O C anymore and drums. Oh, wow. Joe: There you go. Nate: I kind of just got that. Again, I swear. Joe: Oh. I think I should actually put some, like, cool Jeffs Nate: Yes, Joe: On the Nate: Yes, Joe: Video like that, lower Nate: Yes. Joe: Your head, just explode like the top flies off. Nate: I think Joe: All right. Endorsement's. Nate: If. You're awesome, Joe. Joe: Say always thinking. Nate: That's my endorsement. That's my words. Joe: No, no, Nate: That's my judgment. Joe: No. Nate: You said endorsements, Joe, your incredible. Joe: Yeah, well, you're amazing. But that's not Nate: What Joe: What you know. Nate: Does that mean? OK. So I am very, very fortunate to be affiliated with some really awesome companies. I'm afraid to say them all because like. I'm afraid to forget one and then Joe: Oh, I know. OK, Nate: So, so, so, so it's OK to put it in the Joe: I put in Nate: In Joe: The show. Nate: The text. Joe: Yeah. Is there anything else that I missed that you wanted to talk about? You know, I don't want to leave anything out. Nate: You know what? That's that's that's interesting, you should ask. And I will just I will just say this. I have it's going to be really weird. I'm going to go a little a little go a little left, Joe. Joe: That's Nate: And I Joe: Right. Nate: Know if you're expecting this Joe: That's Nate: Or not. Joe: Ok. Nate: I have six kids. I have a wife. Her name is Nicole, and outside of all of this, the show stuff and the gigs and this audition and that audition and this tour and that artist in that venue and that TV show and all of those things are amazing. I have to say that. I find my motivation and I find myself. Looking back on what is most important and all of those things are great. In the sense that. They allow me to do the things that I want to do with my family. Does that make sense? Joe: Absolutely. Nate: Know, I don't mean to be fruity or anything. It's just it's like I spend I spend a little bit of time getting to do things like this, like chatting to you. And I talk about drumhead to talk about music on the show. And I just never want to lose sight of the fact that within that world. I take a lot of pride and I put a lot of import on being able to spend time with my kids and my family as well. And one of the biggest words in our industry or in my life. I'll speak very small scale. One of the biggest words in my life is balance. And so while it may look from the outside, like the balance is completely shifted to all of that, there's also the other side, which is that you've also got allow yourself time to like spend time with your gnarly four year old to drive you crazy because she's insane or you're a two year old who might fall off the trampoline if you don't zip the thing closed. Or my 13 year old who has a tennis lesson or who can't play tennis right now. So I take him to Home Depot so he can hit on the on the wall or my 17 year old who I drag into the lounge room to play a game of chess with me or my 19 year old who is away at college while he's home. Now, who I communicate with and go, how's things going in your pursuits? You know. Or my. I left on my eight year old. Who? Who is it? Eight year old teenager. She's eight, but she's already a teenager. Isabelle, could that have a hug? Okay. Joe: Fine. Nate: You know, so. So it's like I don't mean to get too cheesy, but, you know, a long time ago, a great and dear friend of mine, Tony de Augustine, said the hardest thing about creating a career as a professional musician is finding a balance. And I said, a balance between what? And he said a balance between everything. And at the time, I was in my early 20s and I was like, what? What does that mean? And the older I get and every day, every week, month, year that goes by, I really do get it. It's a balance between. Gigs that you love. Gigs that pay the bills. Being gone on tour, making money and supporting your family. Seeing your family. Working hard and, you know, doing whatsoever versus having to work, but making yourself spend time doing things that are important otherwise. So again, I don't mean to get too cosmic with all of this, but yeah, I just want to make mention of that. I just wanted to make mention the fact that. Again. Certainly. Certainly way back again to Sharon, what's her name? Who said you don't sound very well rounded? I said I'm focused. Well, now I've adapted that focus. And that focus is, you know, to fill the time, music and and creativity and doing that side of things. But it's also in focus on Family and spending time with the wife and the kids. All those people who put up with me, Joe: Yeah. Nate: You know, all those little people who call me dad, I'm like, what? Joe: Yeah. Yeah. You have such a great Nate: And Joe: Family. Nate: My wife and my wife and the wife who puts up with me, the wife. Joe: Yes. Nate: I couldn't. I couldn't I couldn't be in my studio working 10 hours a day without her. Joe: No. Nate: I couldn't jump in my car and drive in the universal and work, you know, 80 hours a week without her. Joe: Go Nate: Right. Joe: Get. Nate: So. So those people are important and those people create the balance that that that makes my life really fucking cool. Joe: You deserve, brother. It's. I am honored to call you a friend. I am so glad we met. I don't even know how it happened. I, I know that we were both at one of those drum get togethers. It was a remote village in something. Nate: Yes, sure, probably, yeah. Joe: And I saw you as I was leaving and I handed you a card. And I had this funny slogan on the back of the card. And I was like a block and a half away already. And you're like, Hey dude, I love your card. Nate: It's Joe: It was really funny Nate: Like Joe: Like Nate: Me Joe: That. Nate: That Joe: Yeah. Nate: Sounds Joe: And Nate: Like me. Joe: Then it just it went from there and all the other stuff. So I appreciate you so much and I can't wait to Nate: I Joe: See Nate: Appreciate Joe: You in Nate: You. Joe: Person Nate: I appreciate Joe: Again. Nate: It. Joe: Please give. Nate: Hopefully soon. Joe: Yeah, I know. Please give my love to your family. Nate: We'll Joe: And Nate: Do, buddy, and you Joe: Yeah I will. Nate: And you. Joe: I will. And I really appreciate your time. And this is awesome. And thanks so much. Nate: Joe, absolutely my pleasure. And thank you for having me on. Joe: All right, brother, I appreciate it. You take care.

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a short update

not lonk

Play Episode Listen Later Apr 23, 2020 2:31

a short update by Delilah and Bery

bery

Transmission Decay #18

not lonk

Play Episode Listen Later Apr 1, 2020 30:51

Bery https://instagram.com/maki.is.gay Delilah https://instagram.com/punxie Intro by Saturnultra https://www.instagram.com/saturncos_ Music CVLTVRΣ - Business Resort https://cvltvre.bandcamp.com/track/business-resort SAINT PEPSI - レーザータグZERO https://saintpepsi.bandcamp.com/track/zero Transmission Decay Merch https://www.redbubble.com/people/Transm-Decay Transmission Decay Soundcloud https://soundcloud.com/transmissiondecay Transmission Decay YouTube https://www.youtube.com/channel/UCAuPTxGpaph-izDz9BWazxg

transmission decay bery

Pete Holmes says he told Obama daughter to STFU

Daily Comedy News

Play Episode Listen Later Jan 27, 2020 5:41

Pete Holmes told a funny story on Conan. Susie Essman has had enough with this PC crap. Terry Jones had one more project in the works. Your host records a podcast in his car.

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Transmission Decay #14 (Bonus)

not lonk

Play Episode Listen Later Jan 22, 2020 7:49

Bery https://instagram.com/maki.is.gay Delilah https://instagram.com/punxie Monokuma voice by Gang Estrogen https://www.instagram.com/gang_estrogen_on_ig Music CVLTVRΣ - Business Resort https://cvltvre.bandcamp.com/track/business-resort Transmission Decay Merch https://www.redbubble.com/people/Transm-Decay Transmission Decay Soundcloud https://soundcloud.com/transmissiondecay Transmission Decay YouTube https://www.youtube.com/channel/UCAuPTxGpaph-izDz9BWazxg

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Top 5 de películas perrunas [guest: Bery Zamora]

Vestidumbre: podcast de Orus Villacorta

Play Episode Listen Later Nov 21, 2019 41:10

Bery Zamora [coordinadora y cofundadora de La Manada de Pick] es la invitada es la invitada especial que nos comparte cuáles son –a su juicio– las cinco mejores películas sobre perros de la historia del cine.

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A new Syrian Emergency - Oct 10, 2019 - Sherwan Bery, Co-president of Kurd Red Crescent

Cominciamo Bene - Le interviste

Play Episode Listen Later Oct 10, 2019 8:27

Another chapter in the Syrian war started this week with the Turkish attack against the NE part of Syria, in particular targeting the Kurd population in the area. So, we’re connected with Doctor Sherwan Bery, Co-president of Heyva Sor a Kurd, the Kurd Red Crescent in Northern Syrian Federation.

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A new Syrian Emergency - Oct 10, 2019 - Sherwan Bery, Co-president of Kurd Red Crescent

Cominciamo Bene - Le interviste

Play Episode Listen Later Oct 10, 2019 8:27

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Watson's Club

Play Episode Listen Later Jun 26, 2019 19:51

“a member of an aristocratic club” [BERY] From golf clubs to gentlemen's clubs... Ask any Sherlockian to name a club in the Canon and they'll invariably say the Diogenes Club (that's right after Tonga's club. You don't have to be a Penang lawyer to get that one.). And there were a number of fictional clubs as well. But one club that gets just a passing mention is Watson's club. Which one was it? Speculation abounds, so we gave it a shot. It's just a trifle. Have you left us a rating and review on Apple Podcasts yet? You don't need to own an Apple device, and every review helps more people find the show. We're available everywhere you listen to podcasts, including Apple Podcasts, Google Podcasts, Spotify, SoundCloud, and RadioPublic. And please consider supporting our efforts through Patreon or PayPal. Links / Notes This episode: ihose.co/trifles130 The Gentlemen's Clubs of London (Amazon) List of gentlemen's clubs in London (Wikipedia) Get your own "Signs of Four" merchandise from our store. Over 20 designs to choose from on mugs and a variety of colored t-shirts. Special Summer sale happening now - 25% off! Sponsor The Baker Street Journal Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band Copyright: Creative Commons Attribution 3.0 --

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You've Got a Deal

sneakers collector nice kicks bery

Play Episode Listen Later May 8, 2019 24:20

“I would not have missed it for a good deal” [BERY] Eight episodes ago, we talked very specifically about a card game: whist. But we're aware that there's more to cards than whist, and there are additional references in the Sherlock Holmes Canon. A brief review of a number of Sherlock Holmes stories will show "card playing" as well as one or two specifically named card games. Oh, and what about a card game specifically related to Sherlock Holmes? It's all here in Trifles. Have you left us a rating and review on Apple Podcasts yet? You don't need to own an Apple device, and every review helps more people find the show. We're available everywhere you listen to podcasts, including Apple Podcasts, Google Podcasts, Spotify, SoundCloud, and RadioPublic. And please consider supporting our efforts through Patreon or PayPal. Links / Notes This episode: ihose.co/trifles123 Episode 115 - Whist Écarté Get your own "Four Violets" merchandise Sponsor The Baker Street Journal Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band Copyright: Creative Commons Attribution 3.0

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Chapel: #InThisTogether with Faith-inspired Engagement by Malinda Bery, professor of Ethics at Associated Mennonite Biblical Seminary

Goshen College Podcast

Play Episode Listen Later Jan 23, 2019 29:44

Chapel: #InThisTogether with Faith-inspired Engagement by Malinda Bery, professor of Ethics at Associated Mennonite Biblical Seminary

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Bery Zamora y Javier Vásquez (La Manada de Pick)

Pencho y Aída

Play Episode Listen Later Oct 26, 2018 64:38

Hoy conversamos en nuestro estudio con Bery Zamora, Cofundadora La Manada de Pick y Javier Vásquez, Médico Veterinario de Veterinaria La Rábida, para conocer más de este proyecto de ayuda a los perros abandonados en las calles.

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sneaker collector?

MrsTeriyaki

Play Episode Listen Later Aug 11, 2018 37:30

episode two: Back with episode 2, discussing sneaker collecting; the habit, the term, the evolution of it all + more. Bery excited to welcome Nice Kicks founder @matthalfhill on this one!

5: Desde el fondo del salón: Bery, el baterista.

Don Borbotón

Play Episode Listen Later Jul 13, 2018 52:26

El programa más Don Borbotón de las dos temporadas. Debut en conducción, debut frente a un micrófono y una entrevista a un baterista. Uno de esos que, a veces, pasan desapercibidos, que están en el fondo y que, a su vez, son de un valor importantísimo a la hora de armar una banda. Todo lo que siempre quisiste saber sobre batería y nunca te preguntaste. REDES: Facebook: https://www.facebook.com/Don-Borbot%C3%B3n-159519281285137/ Instagram: https://www.instagram.com/donborboton/ Twitter: https://twitter.com/DonBorboton

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#27 "One Night in Bangkok" Nico Bery/The Cricket Lab

Ento Nation

Play Episode Listen Later May 18, 2018 45:01

This week our guest is Nico Bery of The Cricket Lab in Thailand. Nico has been farming crickets in Thailand for years, and his company is now gearing up to produce and export cricket powder to the far reaches of the Earth. Nico was recently a presenter at the recent “Insects to Feed the World 2018” global edible insects conference in Wuhan, China. In our European Buzz segment, our Friend from France, Florian gets us all caught up on the conference, as he was also a presenter, and gives us a live report from Wuhan, China. In the Cricketlicious Café ChefPV creates “Kickin’ Cricket Energy Bars” for you to try at home, and then there’s a brief interview with me talking about “As the Crickets Chirp” to Chef Joseph Yoon, who turned the tables on me during my interview with him, and he began asking me questions.

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Episode 66 - Sherlock Holmes's Honorifics

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Play Episode Listen Later Apr 4, 2018 20:07

"I was overwhelmed by the honour" [BERY] Sherlock Holmes was a well-known public figure. But he was also a known and sought-after expert specifically by other well-known public figures and entities. Which notable public figures sought and received Holmes's services and then bestowed upon him some gift other than cash? Have you left us a rating and review on the podcast player of your choice yet? We could really use your help. And please consider supporting our efforts through Patreon or PayPal. Links / Notes This episode: ihose.co/trifles66 The Legion of Honor Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band Copyright: Creative Commons Attribution 3.0

Episode 54 - Inside 221B: On the Sideboard

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Play Episode Listen Later Jan 10, 2018 13:36

"upon the sideboard" [BERY] In this episode of Trifles, we're starting what will become a recurring feature over the course of a few episodes: namely, we're looking at some of the things you'll find in Sherlock Holmes's sitting room at 221B Baker Street. We're calling the series Inside 221B. The sideboard makes a number of appearances in the Canon, and serves as a solemn but essential member of the Baker Street set as it features beef and fowl, drinks and related accouterments, and as a resting place for various objects. But just what is a sideboard and in which stories do we find it? Have you left us a rating and review on the podcast player of your choice yet? We could really use your help. And please consider supporting our efforts through Patreon or PayPal. Links / Notes The Great Exhibition The Festival of Britain May - September 1951: An Exhibition on Sherlock Holmes Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band Copyright: Creative Commons Attribution 3.0

Episode 48 - Gotcha!

music sherlock holmes gotcha bery

Play Episode Listen Later Nov 29, 2017 18:29

"you have been caught in the act" [BERY] One of the general bits of enjoyment of the Sherlock Holmes stories is the denouement in which Sherlock Holmes apprehends the criminal. In some instances, he does so after the crime has been committed; in other instances, no crime has been committed. But what about those delicious times when the criminals are caught in the act? Or even better, those instances when they greeted with sweet, swift justice. Have you left us a rating and review on the podcast player of your choice yet? We could really use your help. And please consider supporting our efforts through Patreon or PayPal. Links / Notes "The Dying Detective" Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band Copyright: Creative Commons Attribution 3.0

Episode 119: A Brace of Interviews

I Hear of Sherlock Everywhere

Play Episode Listen Later Apr 30, 2017 43:13

"he braced himself to tell his story" [BERY] It's always a treat to have guests on our show when we air interviews. But two interviews in a single show? It just isn't done! Until now, that is. We were pleased to see Lynsday Faye, BSI ("Kitty Winter") at an event at Otto Penzler's Mysterious Bookshop, launching her newest book The Whole Art of Detection. We managed to take her gently by the elbow and lead her away from her admiring fans to have a few words. Those words included "Watson," "Doyle," "voice," and many others. You'll enjoy the way they're strung together. And at a separate event at the Rosenbach Library, we met Ed Pettit, the new manager of public programs for the institution. He gave us a rundown of the latest exhibit, "Clever Criminals and Daring Detectives." Sponsors This episode includes our two longtime sponsors, plus the every-other-episode favorite, Sherlock Holmes Brand products. Please support our sponsors by visiting their sites: Wessex Press, publishers of by Leah Guinn and Jamie Mahoney. , filled with Sherlockian personalities galore. Please , , , or and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.

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8 - The Wrinkle in The Beryl Coronet