Podcasts about day glo

Fight: Inside the Wildest Battle for the White House is a detailed account of the unraveling within the Democratic Party, and it starts with a shocking reality: Co-authors Jonathan Allen and Amie Parnes didn't originally intend to write this book. The result is a work that skips over primaries but captures, in vivid detail, the implosion of Joe Biden's re-election effort as 2024's political battles came to a head.Reading it, I was stunned at the depth of denial w ithin the Biden White House. The President's mental decline — obvious in isolated public moments — was a constant behind the scenes. Everything from oversized fonts on cue cards to aides using Day-Glo tape to guide his steps in the White House painted a troubling picture. And no one, not even his closest confidants or family, could convince him to step aside.Politics Politics Politics is a reader-supported publication. To receive two bonus episodes a week, consider becoming a paid subscriber.What emerges from Fight is a picture of a campaign built on delusion. Aides and strategists twisted themselves into knots to compensate for a candidate who was no longer capable of meeting the demands of the presidency. Biden's infamous “Where's Jackie?” moment, where he searched for a deceased congresswoman, is only one of many jarring anecdotes.Eventually, the dam broke. Chuck Schumer's blunt conversation with Biden about waning Senate support coincided with Trump being shot in Butler — two seismic events on the same day. For all the chaos that defined the Biden campaign, that moment marked a pivot.Kamala's Rise and the GOP MachineKamala Harris's takeover of the Democratic ticket happened with surprising efficiency. Despite opposition from heavyweights like Nancy Pelosi and Barack Obama, who preferred Gretchen Whitmer and wanted a mini-primary, Harris's team moved quickly to shut down all challengers. They outmaneuvered everyone, including J.B. Pritzker's billions, and solidified her position.Still, old habits died hard. Many of the Biden-era staffers, including campaign manager Jen O'Malley Dillon, were kept on. It was a costly mistake. The same strategic paralysis that haunted Biden's run persisted. One of the most telling moments? The botched attempt to land Kamala on Joe Rogan's podcast — a micromanaged mess that ended with Trump getting the coveted spot instead.In stark contrast, the Trump campaign is depicted as ruthlessly efficient. They knew their weaknesses (Trump's tendency to force headlines) and their strengths (his appeal on unconventional platforms like Theo Von's podcast). Susie Wiles and Chris LaCivita emerge as the stars — people who knew how to play the game and win. Even a brief internal hiccup involving Corey Lewandowski was swiftly handled without much in the way of fallout.The Scorecard: Who Rose, Who FellFight functions as a political report card as much as a narrative. On the Democratic side, it's a tale of lost influence. Jen O'Malley Dillon, once considered a top operative, is portrayed as a non-responsive, bunker-minded leader. Barack Obama, too, takes a hit. Despite pulling the strings to push Biden off the ticket, he couldn't get his preferred successor in place or move the needle on the campaign trail.And that may be the most sobering takeaway. Obama, once the undisputed leader of the Democratic Party, couldn't rally it. His influence is clearly waning — and the next Democratic president might not treat him with the reverence millennials once did.Meanwhile, on the Republican side, the power players are clear. Wiles and LaCivita are now kingmakers. Tony Fabrizio's polling proved consistently accurate. Alex Bruesewitz reinvented Trump's online presence for a younger generation. If Trumpism persists, these are the architects.I strongly recommend Fight. Whether you're a political junkie or just trying to make sense of how the 2024 election unfolded, it's essential reading. Parnes and Allen provide not just insider details but clarity in the chaos.Read it yourself. Then let me know what you think.Chapters00:00:00 - Intro00:01:20 - Fight Book Report and Analysis00:28:13 - Update00:29:35 - Marine Le Pen Sentenced, Fined, and Barred from Politics in France00:32:37 - Tuesday Special Elections Preview00:37:26 - Interview with Fight's Jonathan Allen and Amie Parnes01:11:43 - Wrap-up This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.politicspoliticspolitics.com/subscribe

It's supposed to be a fun filled cruise celebrating the 1980's, with passengers watching their favorite movies from the decade as well as going to concerts by bands from the era of Day-Glo and big hair. However, there's now a cloud over the festivities after the fiancée of one of the 80's musicians jumped or fell overboard. Steven Fabian has the latest. And it was the Oscar moment that had lots of viewers going “eww,” when Best Actor winner Adrien Brody took his gum out of his mouth and tossed it to his girlfriend. Now the actor is getting some backlash, not only for “gum gate” - but also for delivering the longest speech in Oscar history. Plus, it was horror at a kids birthday party after an alleged drunk driver plowed into the restaurant killing two of the children. Now as her trial gets underway, we're hearing emotional testimony including from a witness who confronted the driver right after the crash. The driver's lawyer claims she had medical conditions including seizures that lead to the crash. And they had one of the longest marriages in show business, now Dolly Parton's husband has died.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week we're replaying some of our favorite episodes about the stuff painters use. In this episode from September 2019, paintings made with Day Glo paint, some made by well-known and influential artists, are losing their glow over time. Scientists are trying to keep the glo for as long as possible. Plus: a research team in Massachusetts figures out how to make a color that absorbs 99.995 percent of incoming light. Day-Glo masterpieces are fading. A conservator and her team are racing to save them (Los Angeles Times)How DayGlo Went From Utility Pigment to Design World Darling (AIGA Eye on Design)Engineers Just Unveiled a New Blackest-Ever Material, Even Darker Than Vantablack (Science Alert)Make life more colorful when you back Cool Weird Awesome on Patreon

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Our guest this week is Frank “Sully” Sullivan, President of DayGlo Color Corp. In this episode, Sully walks us through the colorful history of DayGlo and its impact on various industries, from safety to fashion.  Since being named President in 2023, he shares how he's worked to navigate an iconic brand through a competitive market. He also shares how they prioritize a culture of transparency and offers a perspective on how they hope to keep innovating. His top restaurant picks include Cabin Club, Veranda, Il Venetian, and Li Wah. Connect with Sully on LinkedIn to stay up-to-date on all things fun & fluorescent!

This week, the V8 Sleuth Podcast powered by Castrol winds back four decades for a look at the 1984 motorsport year, touching on the big topics and happenings in motorsport in Australia and around the world, from the end of the Group C touring car era, the vast changes to Sandown, the last standalone Australian Grand Prix, Ayrton Senna's arrival in Formula 1, and the failed touring car street race enduro scheduled for that Easter. Find the right Castrol product for your vehicle or equipment here with the Castrol Product Finder >> https://www.castrol.com/en_au/australia/home/oil-selector.html V8 Sleuth Superstore >> https://superstore.v8sleuth.com.au/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an encore presentation of my episode about how DayGlo colors work and how they were developed by a pair of brothers in the 1930s. Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A Day-Glo orange splatter of paint. A geyser of green slime. A seductive forearm tattoo named Petunia. If this doesn't conjure up some serious nostalgia, you either weren't a kid in the 90s, or your mom banned you from watching Nickelodeon. We invited Nick veteran and new dad Danny Tamberelli to the podcast to chat about growing up in the spotlight and how fatherhood is treating him 19 months into his journey. Tune in to find out whether Danny and Adam have actually been cosmically linked ever since one fateful day in 1997 at Universal Studios. Also, Marc exclaims profanities as he is doused with bodily fluids. Episode 35 of Modern Dadhood opens with a brief conversation about milk, and speculation on why Adam's daughters both decided that they no longer care for it. The guys briefly address their guest selection process before introducing Danny Tamberelli into the conversation. Danny is best known for playing little Pete on Nickelodeon's The Adventures of Pete and Pete in the 90s, though he continued with the network for over a decade, appearing in seasons of All That and the game show Figure It Out. Additionally, Danny appeared in films such as Igby Goes Down and The Mighty Ducks, acting alongside former Nickelodeon pal Kenan Thompson, and has voiced many animated characters for television and video games. Danny discusses the events that led to him landing prominent acting roles as a child, as well as his own experience as a new dad to 19 month old Alfie. Topics include:•  The joy of being the fun uncle•  An examination of Sandra Boynton's catalog•  Old fashioned names coming back into style•  Being a child actor•  Weezer's Blue album•  How creativity can evolve when you become a fatherThe episode culminates with a rather "shitty" installment of Did I Just Say That Out Loud? [Episode Transcript] LINKS:Danny Tamberelli (official website)Tuesdays With Alfie (Instagram)The Adventures of Danny and MikeJounceNostalgia PersonifiedMan Boobs ComedyThe Undone SweatersThe Adventures of Pete And Pete (YouTube)Danny + Katelyn's booksRed Vault AudioCaspar BabypantsSpencer AlbeeStuffed AnimalModern Dadhood (website)MD (Instagram)MD (Facebook)MD (TikTok)

This week get your nerd on with us as we are raiding the Prog Rock crypt again. However, this will be a much different journey into the world of progressiveness, as we are covering Neo-Prog from the early to mid-1980s. A much different time for progressive rock, as these bands were influenced by more than just Genesis, Yes, and King Crimson. These groups were injecting heavy doses of hard rock, new wave, punk, and pop into their progressive Day-Glo soup! Keep an open mind and give it a listen…What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Prog rock in the 60s and 70s initially had mostly classical music and jazz influences, but over the last 40 years it has come to include other fusions of music styles including metal, punk, funk, folk, and electronic. From Zappa and Sgt. Pepper to the 1980s music by bands like Marillion and Pendragon… This is Neo-Prog Rock! Get yer nerd on!Songs this week include:Saga – “Wind Him Up” from Worlds Apart (1981)Twelfth Night – “East Of Eden” from Smiling At Grief (1982)IQ – “The Wake” from The Wake (1985) Pendragon – “Fly High Fall Far” from The Jewel (1985)Gowan – “Keep Up The Fight” from Gowan (1982)It Bites – “All In Red” from The Big Lad In The Windmill (1986)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Tree of Life 1985 acrylic on canvas tarpaulin with metal grommets Private collection All images © Keith Haring Foundation This large painting is hung in landscape orientation and is approximately 10' high x 12' wide. It is created in Haring's instantly recognizable style which repeats brightly coloured and stylised shapes outlined in black . Tree of Life is a painting of a large green tree contrasted against a bright pink background, underneath it, four yellow dancing figures are shown from the waist up. It is mounted directly to the wall with screws through grommets, 13 across and 11 high. The top two thirds of the painting are taken up by the trees leaves which sprout off two main branches that split off at the trunk. The branches corkscrew, as do twiggy offshoots. Each offshoot results in either an oval leaf shape with one line down the centre indicating the fold of the leaf shape or, sprouts a similar shape with an added round head and pumping arms with rounded hands on the ends. In total there are 9 tree leaf figures with arms bent at elbows and raised up and there are 12 leaves. The crown of the tree is painted so that it fills up the canvas giving it a rectangle shape. Outlining the tree leaves and bodies, are stacks of dashes which indicate movement and seem to cause the tree to visually quiver, vibrate and shake in a chorus of celebratory movement. Filling up all the available space around these shapes, Haring adds another familiar element. Straight black lines radiate outward around the heads of the tree leaf figures, using a visual shorthand for what could be interpreted as awareness, enlightenment, anger, confusion or something else. The following exhibition wall quote speaks to this: “I am interested in making art to be experienced and explored by as many individuals as possible, with as many different individual ideas about the given piece with no final meaning attached.” Keith Haring. Spread out in the lower third of the work are the head, torso and arms of four larger figures, two on each side of the tree trunk. Their arms are raised up with elbows bent, motion lines in effect. Their yellow bodies are filled in with a pattern of brighter orange squares. In the centre of their round heads in face position is a single black “x” shape. Some of Haring's favorite party music can be heard emanating from a nearby room which celebrates his use of Day Glo paints. Day-Glo colors are shades of orange, pink, green, and yellow which are so bright that they seem to glow. The walls outside this room and in close proximity to Tree of Life are vertically striped in orange paint and pink Dayglo paint. They back a pair of architectural columns that Haring created and painted in a similar style. Also close by is a large triangular canvas entitled, “A Pile of Crowns for Jean-Michel Basquiat”, in which Haring pays homage to his contemporary, artist Jean Michel Basquiat. Haring has painted Basquiat's signature symbol, a three pointed crown, in a triangular mound of crowns. It has black lines emanating outward around the pile. He includes a small letter c copyright symbol in the lower right corner of this work.

Welcome to the Instant Trivia podcast episode 967, where we ask the best trivia on the Internet. Round 1. Category: The Hudson 1: A bridge named for this fictional snoozer crosses the Hudson at Catskill. Rip Van Winkle. 2: In 1802 a military academy was established at this site. West Point. 3: In 1807 the first practical steamboat, commonly known by this name, was launched on the Hudson. Clermont. 4: This interstate park on the Hudson features 300-500 foot high cliffs. Palisades. 5: It was on this ship that Henry Hudson was first sent up the river. Half Moon. Round 2. Category: Trade Names 1: As Roosevelt was called Teddy, and motion pictures called movies, the new wheat flakes were named this. Wheaties. 2: Originally introduced as "Celluwipes", it's now a common brand of tissues. Kleenex. 3: White soap which got its name when Harvey Procter heard this word from a Psalm quoted in a sermon. Ivory. 4: This trade name for a fluorescent paint has come to be used for any bright, shocking color. Day-Glo. 5: Japanese for "three-diamond", this company's name can be seen in its symbol. Mitsubishi. Round 3. Category: If You Can'T Beat 'Em... 1: At the Buick Invitational from 2005 to 2008, many were invited but no one was beating this golfer. Tiger Woods. 2: Many on our staff were sad to see the Astros invade Chavez Ravine and beat this team in Game 7 of the 2017 World Series. the Dodgers. 3: From 2005 to 2008 and again from 2010 to 2014, no man was beating this Spaniard for the French Open men's singles title. (Rafael) Nadal. 4: This storied franchise was the last north-of-the-border team to win the Stanley Cup, back in 1993. the (Montreal) Canadiens. 5: Over 4 straight Super Bowls, it was the rest of the NFL 139, this team 73. the Buffalo Bills. Round 4. Category: Double Double Letters 1: He raises and tends the honey kind. beekeeper. 2: A gathering at which Pete Seeger and Joan Baez, or an owl and a goat might sing. hootenanny. 3: Quality of ice, eels, and banana peels. slipperiness. 4: Locusts are actually short-horned ones of these insects. grasshoppers. 5: It's another word for pirate, arrgh. buccaneer. Round 5. Category: Lost In Yonkers 1: Ms. Levi, the matchmaker, has her eye on Mr. Vandergelder of Yonkers in this 1964 musical. Hello, Dolly!. 2: The city's website claims the USA's first game of this took place at Yonkers' St. Andrew's Club. golf. 3: You can get to Yonkers from NYC by taking the parkway named for this man, like the nearby river. the Henry Hudson Parkway. 4: The 85-mile-long Delaware one of these structures runs from a reservoir in the Catskills to one in Yonkers. aqueduct. 5: Like the adjacent Bronx, Yonkers was settled by people from this European nation in 1639. Holland (the Netherlands). Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Some people think little girls should be seen and not heard, but Pop Screen says: welcome to our episode on Poly Styrene: I am a Cliche! Co-directed by Celeste Bell in collaboration with Paul Sng, it follows Bell's journey to explore her late mother's iconic time with the punk band X-Ray Spex, as well as her troubled life and - more important than it sounds, this - her one-of-a-kind fashion sense. The documentary is based closely on the book Day-Glo, by Bell and Zoe Howe, and on this episode We Are Cult's Mark Cunliffe joins Graham to discuss what was left out from that text, as well as appreciate Poly Styrene's classic work with X-Ray Spex, her distance from the mainstream British punk scene, the afterlife of her band and her still-underrated solo career. We also pitch an ITV1 detective series starring Kate Bush, although we're still unsure why. The free episodes are only part of our identity: subscribe to our Patreon and you'll also get a bonus episode on Barbie, as well as access to our other podcasts From the Video Aisle - about cult franchises past and present - and Last Night..., which is literally about what we watched last night. Both of those are only available on Patreon subscribers, as are our written reviews of classic TV science fiction serials Red Dwarf, The X-Files and Doctor Who. Follow us on Twitter, Instagram and Facebook for more. www.patreon.com/thegeekshow www.wearecult.rocks --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message

Welcome to the Instant Trivia podcast episode 924, where we ask the best trivia on the Internet. Round 1. Category: "v" love it! 1: With names like Michelangelo and Black Widow, they're designed to vandalize your computer system. viruses. 2: "You've Come a Long Way, Baby" was the classic tagline of these cigarettes. Virginia Slims. 3: It flows through Kazan and Saratov. Volga River. 4: God bless this author of "God Bless You, Mr. Rosewater". Kurt Vonnegut. 5: The third most populous city in Spain, it's known for its silks and its oranges. Valencia. Round 2. Category: history test 1: The Spanish version of this judicial body was set up in 1478; the Roman one, in 1542. the Inquisition. 2: In 1848 this U.S.-Mexico peace treaty was signed not far from the Basilica of the Virgin of Guadalupe. Treaty of Guadalupe Hidalgo. 3: The Boxer Protocol, signed in September 1901, forced this country to pay about $330 million. China. 4: Vermeer's view of this city dates from a few years after its devastating powder magazine explosion. Delft. 5: This ship left Tahiti April 4, 1789, apparently to the regret of many of the crew. the Bounty. Round 3. Category: classic tv title roles 1: Dry cleaner Sherman Hemsley, Isabel Sanford and their son. The Jeffersons. 2: Police captain Hal Linden. Barney Miller. 3: Alien life form voiced by Paul Fusco. ALF. 4: Waitress Linda Lavin. Alice. 5: Streetwise detective Robert Blake. Baretta. Round 4. Category: "day" or "night" 1: If you're habitually up and active late into the night you're one of these "bird"s. Night owl. 2: A trademark for luminous paints and colors like that of my "Rocket Red" underwear. DayGlo. 3: One of mine is being chased by a tyrannosaurus rex, one of yours may be "on Elm Street". Nightmare. 4: The goddess Eos knows it's another word for dawn. Daybreak. 5: On his 20th attempt, Dale Earnhardt won this grueling auto race February 15, 1998. Daytona 500. Round 5. Category: cnn 25: international news 1: In 1989, one lone protestor halted a column of tanks as it advanced on this square. Tiananmen Square. 2: (Hi, I'm Anderson Cooper of CNN's 360.) In 2002 I reported from this capital that U.S. allies had liberated the previous November. Kabul. 3: In 1997, we said "hello" to this sheep as CNN reported on her cloning by Scottish scientists. Dolly. 4: Held hostage in Lebanon, this AP correspondant was finally freed in 1991, ending his 7-year ordeal. Terry Anderson. 5: Tragically in 1995, more than 200 people died in the country then called this during an outbreak of the Ebola virus. Zaire. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Welcome to the Nothing Shocking Podcast 2.0 reboot episode 186 with our guest Kevin Whitworth (Love Battery, Sky Cries Mary).  In this episode we discuss the vinyl re-release of Love Battery's Confusion Au Go Go and Dayglo albums.  We also discuss  his current band Sky Cries Mary, session work, and more!   For more information visit:  https://www.facebook.com/p/Love-Battery-100063468314848/ https://www.skycriesmary.com/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Welcome to the Instant Trivia podcast episode 877, where we ask the best trivia on the Internet. Round 1. Category: clio hall of fame 1: "Does She or Doesn't She?". Miss Clairol. 2: "In The Driver's Seat". Hertz. 3: "Mean Joe Greene" and "Buy The World". Coca-Cola. 4: "Three Brothers --- Mikey". Life cereal. 5: "Acapulco Diver" and "Watch On Propeller". Timex. Round 2. Category: the bull pen 1: It's 10" high with a rubber on it. the pitcher's mound. 2: Of 3, 5, or 7, minimum # of innings a starting pitcher must pitch to earn a win. 5. 3: In a 1952 film he pitched as Grover Cleveland Alexander; today he pitches "Star Wars". Ronald Reagan. 4: "Pitching... is the art of instilling fear," says this Dodger Hall-of-Famer. Sandy Koufax. 5: Old Boston Braves pitching rotation was described as "Spahn and Sain, then pray for" this. rain. Round 3. Category: olympic gold medalists 1: In addition to winning 4 gold medals, he set 3 Olympic records at the 1936 Olympics. Jesse Owens. 2: 1936:Men's Track and Field 100 Meters. Jesse Owens. 3: 1964, 1968 and 1976:Men's Basketball. USA. 4: 1972:Men's Basketball. Soviet Union. 5: 1968:Men's Heavyweight Boxing. George Foreman. Round 4. Category: trade names 1: Specifically, it's the brand of tape made by 3M. Scotch Tape. 2: An Australian named this shoe polish, 1st sold in 1906, in honor of his wife, a New Zealander. Kiwi. 3: White soap which got its name when Harvey Procter heard this word from a Psalm quoted in a sermon. Ivory. 4: Japanese for "three-diamond", this company's name can be seen in its symbol. Mitsubishi. 5: This trade name for a fluorescent paint has come to be used for any bright, shocking color. Day-Glo. Round 5. Category: "b" your best 1: Moon walker Aldrin's moniker. Buzz. 2: Whether he "did it" or not, he's the male head servant. the butler. 3: An athletic competition combining skiing and shooting. a biathlon. 4: Until 1973, it was known as British Honduras. Belize. 5: This country of southeastern Europe is outlined here. Bulgaria. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Farscape 4·20: Hot to Katratzi: We're So Screwed, Part 2The crew of Moya go into the heart of Scarran space in a dangerous attempt to rescue Scorpius and prevent the Scarrans from unlocking the secrets of wormholes.“If I play 'big dog', will they buy it?We'll be Day-Glo daisies if anyone tries it.Does mummy know-you stoop so low?""It's beer-o'clock, where the hell is my riot?""” (thanks Ric From the Delta Quadrant!)“Following Harvey's bombshell the crew gate crash peace talks with the offer of a lifetime! Being a good American, Jon use the twin disciplines of Capitalism and violence to get what he wants. Nuclear bombs, terrible plans and double crosses abound, but will our intrepid space jock get out of this one alive?” (thanks Marky See !)“The gang stop worrying and learn to love the bomb, and start a bar fight with the most powerful weapon of all: improv.” (thanks Mysterytour !)First aired on Tuesday, 25 February 2003, written by Carleton Eastlake, and directed by Karl ZwickyWe're on Twitter, Facebook, and SoFarscape.com. Our theme music is by Leigh Collier of Give Them L.Send us your synopses, support us on Patreon or suggest a fanfic story for us to read!

In this week's mini episode, listen to learn about some of our favorite bright and shiny materials. In this episode we covered what glitter is made of, who invented it and how along with the story of DayGlo colors and why they are so much brighter than the average color. If you enjoy this podcast, please help us out and leave a kind rating/review on your favorite podcast app. Rainbow Puppy Science Lab is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com

Day-Glo fuzzy boots are not required, but they certainly help. The world's largest electronic dance music festival is back at Las Vegas Motor Speedway, and prepared to welcome about 190,000 party people. Yes, Tiesto is [...] The post The Vegas Update: Electric Daisy Carnival 2023 appeared first on Highway Radio.

This is an encore presentation of my episode about how DayGlo colors work and how they were developed by a pair of brothers in the 1930s. Fill out the Airwave Media Network survey to give me feedback and get a chance to win a $500 gift card: www.surveymonkey.com/r/airwave  Check out my other podcast Art Smart Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Connect with me: Website | Twitter | Instagram | Tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

iTunes          Spotify          Youtube     Patreon        Brad Tucker has served as Senior Project Manager for Dayglo Presents since 2014. Tucker joined the organization in 2010 as Intern to CEO & Founder Peter Shapiro at Relix Magazine, and was quickly promoted to Shapiro's Executive Assistant. Today, Tucker's responsibilities extend to all Dayglo properties including Brooklyn Bowl (New York, Las Vegas, Nashville and Philadelphia), The Capitol Theatre, Garcia's, Lockn' Music Festival and Lockn' Farm, FANS.live, Rock And Roll Playhouse and Relix Magazine. He currently oversees the merchandising for Dayglo venues and entities from inception to manufacturing to sale. Tucker is the Creator/Producer of the Relix Music Conference and was an Associate Producer on Fare Thee Well and Bobby & Phil Duo Tour, as well as a Producer of Jazz & Colors. He started a music industry interview section for Relix Magazine titled “Behind The Scene,” and Produces theLimited Edition “Relix Vinyl Series” from intimate live in-studio artist sessions. Brad graduated from Ithaca College in 2010 with a BS in Organizational Behavior Management & Social Psychology. He is a Young Patron member of City Josh Baron is a ticketing industry expert, consultant and VP of business development for Project Admission where he works with content owners to facilitate a more connected and integrated ticketing experience for fans and rights holders working across professional sports and live entertainment. Previously, Baron helped lead business development at Songkick in working closely with artists and management teams on direct-to-fan ticketing. Baron is also the co-author of Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped which is widely regarded as the definitive source on the history of the live entertainment business in North America. For more than a decade, Baron served as editor of Relix Magazine.  Special Mentions: Relix Music Conference, The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic – Peter Shapiro, Brooklyn Bowl Nashville, Brooklyn Bowl Williamsburg, Brooklyn Bowl Philadelphia, Relix Magazine, The Capitol Theater, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

Hope and Jackie are back at it again, returning with some ear hole goodness. This time we discuss fashion icon, punk musician, and writer Poly Styrene. She wore a highlighter color scheme that interlaced with her sound, poetry, and art. Her fashion shouted out to the world how scrupulous her frenemy relationship to Dayglo could be. So we dove into the world of Dayglo and asked the important questions, like wtf is Dayglo anyway? Well we get into it and it isn't what you think it is. Tune in to find out!   Some resources for this episode: Punk Legend Poly Styrene's Untold Fashion Influence by Scarlett Newman Poly Styrene: I Am A Cliche Documentary Poly Styrene wikipedia https://rbkclibraries.wordpress.com/2013/11/20/fade-to-grey-fashion-and-music-from-the-1980s/ https://www.mentalfloss.com/article/82792/brief-history-day-glo https://www.latimes.com/california/story/2019-09-03/la-me-col1-day-glo-art-fading-lacma-saturn-yellow   We're socialists, so follow us on our socials! @fashismpod on Instagram and TikTok Email us at fashismpod@gmail.com

Mike and Tracy risk incarceration by gifting each other illegal items.

Peter Shapiro is the founder of Dayglo Presents, a live music and media company. Named on the 2022 Billboard Power List, Peter is one of the biggest independent concert promoters in the music industry. He owns and operates the Brooklyn Bowl music venues and The Capitol Theatre and produced Fare Thee Well: Celebrating 50 Years of the Grateful Dead. Peter is also the publisher of Relix magazine and chairman of HeadCount.

Peter Shapiro is the founder of Dayglo Presents, a live music and media company. Named on the 2022 Billboard Power List, Peter is one of the biggest independent concert promoters in the music industry. He owns and operates the Brooklyn Bowl music venues and The Capitol Theatre and produced Fare Thee Well: Celebrating 50 Years of the Grateful Dead. Peter is also the publisher of Relix magazine and chairman of HeadCount.

Though Love Battery emerged from the Seattle scene with numerous connections and an ascendant Sub Pop label backing them, the band never managed to breakthrough to the mainstream like their various label mates. Their 1992 debut Dayglo may shed some light on the reasons. The guitars are loud, loud, loud, sometimes overpowering the other instruments the way James Williamson would in The Stooges, but that's not necessarily a bad thing. Thanks to a group of innovative, stellar musicians, the band can fluidly move from aggressive garage rock to punk indie rock without missing a beat.   Songs In This Episode: Intro - Out of Focus 16:59 - See Your Mind 20:57 - Foot 26:23 - Side (With You) 32:02 - Blonde Outro - Cool School (Trane of Thought)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In episode 207 we spend an hour with Blind Marc, drummer with The Dayglo Abortions. He has a new solo album out called “Isolated Earthlings” so we chat with him about that, and catch up with what's going on with The Dayglo Abortions. Music by Isolated Earthlings and The Dayglo Abortions. 

Though Love Battery emerged from the Seattle scene with numerous connections and an ascendant Sub Pop label backing them, the band never managed to breakthrough to the mainstream like their various label mates. Their 1992 debut Dayglo may shed some light on the reasons. The guitars are loud, loud, loud, sometimes overpowering the other instruments the way James Williamson would in The Stooges, but that's not necessarily a bad thing. Thanks to a group of innovative, stellar musicians, the band can fluidly move from aggressive garage rock to punk indie rock without missing a beat.   Songs In This Episode: Intro - Out of Focus 16:59 - See Your Mind 20:57 - Foot 26:23 - Side (With You) 32:02 - Blonde Outro - Cool School (Trane of Thought)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

We meet leading artist Peter Halley from his studio in NYC!Throughout the 1980s and 1990s, Peter Halley's paintings and extensive writings about the ever-growing digitisation of cultural, artistic, and social life established him as a leading figure of the Neo-Conceptualist movement in New York City. In his paintings and writings, Halley described the increasingly isolated built environment through his uniquely invented language of ​‘cells', ​‘prisons' and ​‘conduits'. These central motifs were a means of thinking through the French Post-Structuralist ideas of Michel Foucault and Jean Baudrillard – among others – in relation to digital technology and capitalism. The gridded forms of Halley's paintings reference not only the societal structures of the urban grid and the expansion of its underlying network of information technologies, but also the legacies of minimalist painting with which Halley grew up. It was during this period of the 1980s, while re-evaluating some of the inherited traditions of modernism, that Halley began to use synthetic colours and materials such as Day-Glo paint and Roll-a-Tex, which continue to characterise his work to this day. Alongside his teaching, painting and writing, in 1996, Halley founded index magazine, which was a further locus of his contribution to critical discourse around contemporary culture.Halley's exhibition at Modern Art comprises a group of new shaped-canvas paintings that Halley has been evolving over the past several years. Building on his well-developed language of cells, prisons and conduits, these new shaped-canvas paintings further elaborate a relationship between two-dimensional and three-dimensional space in relation to the built environment. While remaining faithful to his painterly vocabulary and chosen materials: acrylic, Roll-a-Tex, and fluorescent Roll-a-Tex on canvas, Halley's new works mark a departure from his paintings from the 1980s which assumed rectangular forms. The shapes of Halley's new canvas surfaces are defined through the painted geometric compositions, associative of another dimension – perhaps an architectural plan, or a circuitry board – while the works continue to inhabit a point of contradiction between pure, rationalist geometry and playful, irreverent colour and texture. Peter Halley was born in 1953 in New York City, where he continues to live and work. He received his ba from Yale University in 1975 and his mfa from the University of New Orleans in 1978, remaining in New Orleans until 1980.Follow @PeterHalleyStudio on Instagram and https://www.peterhalley.com/View his works at his gallery Stuart Shave/Modern Art: https://modernart.net/artists/peter-halley Hosted on Acast. See acast.com/privacy for more information.

Tune in and drop dead! That's right, we're flipping the channel on our off-week shows and programming a block of the weirdest TV TERRORS we can find. This week, run in slow motion with us as an attempt to rescue the Baywatch Nights episode “Space Spore!” This was season 2 of Baywatch Nights when they switched from a sexy detective show to a not-too-sexy X-Files rip-off. Along the way, we talk about Lou Rawls again, evaluate paranormal midriffs, consider the very valid science of decapitated rat paw collections, debate improv-based detective work, and one of the worst line readings ever recorded. All this plus Day-Glo juice burps, revelatory phone calls, and the single worst escape attempt of all time! Your nights will never be the same after this episode!!Our TeePublic shop for killer merch is right here: https://www.teepublic.com/stores/kill-by-kill-podcast?utm_campaign=18042&utm_medium=affiliate&utm_source=Kill%2BBy%2BKill%2Bpodcast%2BHave something to say? Find us on Twitter @KillByKillPod Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast Check out the films we've covered & what might come soon on Letterboxd! Get even more episodes exclusively on Patreon!  Follow our station on vurbl: https://vurbl.com/station/2bdTISeI3X/ Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!

This week, we're asking what Gen Z kids mean when they say "My aesthetic is looking like a terrible 90s market stall in Camden Town!"? (NB this may not be a direct quotation, but close enough.) Kasia and Dan take us on a wild journey through 'cybergoth internationalism', fluokids, retro culture, futurism and modernity, chaotic teenage ideas of cool and the death (or not!) of youth subcultures. Full episode available on Patreon.com/cursedobjects Theme music and production: Mr Beatnick Artwork: Archie Bashford

Themen u.a.: Perestroika auch in der Kultur - Zum Tod von Michail Gorbatschow; Neuer Film mit Lars Eidinger: "Die Zeit, die wir teilen"; Energiekrise bedroht Theater; Service Hören: "Day-Glo" von Erasure; Moderation: Rebecca Link Von Rebecca Link.

We've made it through the wilderness, and now it's time to feel like a virgin as we make our debut into Society. This film is the definition of 1989, with wall-to-wall denim, fashion mullets, and Day-Glo swimwear, and we couldn't resist putting former guest Ian Voltaire Deanes through the trials and tribulations of the bizarre Shunting. Then, we pair Society up with a second ‘80s melt movie, the grimy, low-budget ectoplasm-sploitation, Slime City. Follow our show on social media @CallsInsidePod and our host Kevin Sparrow on Twitter @dirtydevlin Referenced in this episode: Society: Party Animal [sequel comics to the original film]: http://www.roughcut-comics.com/pages/society.html --- Send in a voice message: https://anchor.fm/calls-inside-pod/message

WEDNESDAY HR 2 RRR Trivia - This pop singer in was arrested on this date in 2010 for wrecking in to a photoshop while under the influence. The guys have a moment. Sometime Co-parenting is not easy. Monsters Back In The Day - Russ tells the story of the first time The Monsters had guest hosts.

I read from Day-Glo to daytimes.     Learning about "Day Neutral" https://en.wikipedia.org/wiki/Photoperiodism https://www.gardeningknowhow.com/edible/fruits/strawberry/day-neutral-strawberry-info.htm     The word of the episode is "daylight saving time". https://en.wikipedia.org/wiki/Daylight_saving_time Here's an episode that talks more about how hard DST is on our lives.  https://www.npr.org/2022/03/24/1088655406/to-be-dst-or-not-to-be-that-is-the-question       Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Mr Motivator (yes, THE Mr Motivator) chats to us about everything from exercise to positivity, future-proofing your health, leading an exercise class before a funeral, the importance of wearing Day-Glo lycra and how he likes to tell his wife he loves her. The Jamaican-born British fitness instructor burst onto our screens in the '90s and quickly became a household name following appearances on the UK breakfast television show GMTV. His legendary infectious positivity, fun live fitness sessions and advice for viewers saw him return to our screens during the pandemic when we needed him most! And now he dedicates his time to helping people improve their health, especially the older generation. We caught up with Mr M at The Big Retreat Festival, where he'd been leading a class on stage and had just given an honest and inspiring talk in the Talk Tent. He sets us all a simple challenge which promises to have lasting positive effects for all ages. Join the Mr Motivator Club: https://mrmotivatorsclub.com/The Warm Up: The Story Behind the Lycra with Television's Mr Motivatoris available from all good bookstores: https://www.waterstones.com/book/the-warm-up/derrick-evans/9781910819579Thank you to our team:Proofing - Cat O'BaoillMusic - Andrew GrimesArtwork - Erica Frances GeorgeIf you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Thank you!Join the RUMP Club! Support the team and access exclusive content from as little as £3 p/month at:  https://www.patreon.com/rightupmypodcast

It's a covid special! Nick Ginn and myself caught the ol' 'Vid on tour while we were out with Daylgo Abortions. We ended up quarantined for 5 days together where we binge watched The Boys and played an unhealthy amount of Fortnite. Join us as we unveil all the ridiculous stories we came across while on the road. From smuggling drugs to blind drummers this episode has everything you need.⬇️⬇️⬇️⬇️WATCH HERE⬇️⬇️⬇️⬇️Like and Subscribe below:Youtube.com/Bandecdotes⬇️⬇️⬇️⬇️LISTEN HERE⬇️⬇️⬇️⬇️https://linktr.ee/Bandecdotes-SUPPORT HELLBENT HERE-BANDCAMP: https://hellbentband.bandcamp.com/SPOTIFY: https://open.spotify.com/artist/0yHSTPJzWpm6r8jGEm0WJ4?si=GIf-8KZuTkm2gxdIwDhMAQYOUTUBE: https://www.youtube.com/user/OnTheFray1INSTAGRAM: https://www.instagram.com/hellbenthc/FACEBOOK: https://www.facebook.com/hellbenthc/WEBSITE: https://hellbenthc.com/

If you're listening to this on Day One, Happy July 1st – Canada Day! There's no better way to enjoy the holiday than with an interview with a legendary Canadian punk band. Day Glo Abortions are no strangers to RAM. Vox/Axeman Murray The Cretin has graced us with his presence so often now we should just set up a cot beside our recording mic. It was a long sweltering night,...

If you're listening to this on Day One, Happy July 1st - Canada Day! There's no better way to enjoy the holiday than with an interview with a legendary Canadian punk band. Day Glo Abortions are no strangers to RAM. Vox/Axeman Murray The Cretin has graced us with his presence so often now we should just set up a cot beside our recording mic. It was a long sweltering night, and Father's Day even, but Murray was again more than eager to chat. Especially with the new "Hate Speech" album ready to rock! In our "News, Views and Tunes", we talk the new Megadeth track and our RSD Part Deux haul. Musically, we crank some new and used from Day Glos, Primitive Man, Mortiferum, Sacramentum, Overdose, Citizen Rage, and introduce Colorado metalled Buried Realm in our "Indie Spotlight". Horns Up and Stay Healthy!! This Episode is sponsored by Trve Kvlt Coffee. Summon the coffee demons to possess yourself a cup today! Follow us on Twitter and Instagram

The Horde got the chance to chat with Murray about many things to do with Dayglos Abortions

When world famine is among us, and food supply is low, you can turn to Dayglo Abortions to Feed Us a Fetus.  During this interview we get the opportunity to talk to found member Murray Acton AKA The Cretin about the history of Dayglo Abortions.  The interview talks about their early musical influences, how they got into punk, the start of Dayglo Abortions and their Obscenity charges which made them household names in Canada.  They also dive into their more prolific albums, memorable shows and where things are today.  So, enjoy another episode of The Punk Rock Chronicles Podcast.  www.Facebook.com/Thepunkrockchronciles Instagram @thepunkrockchronciles 

Welcome to The Nothing Shocking Podcast 2.0 Reboot episode 109, on this episode our guest is Ron Nine of Love Battery.  In this episode we discuss the vinyl re-release of “Dayglo,” and the self titled debut by the band Purple Strange.  We also discuss his discography with Love Battery, Vaporland, Room Nine, and more!   For more information visit:   https://www.facebook.com/people/Love-Battery/100063468314848/   https://purplestrange.bandcamp.com/album/purple-strange   Hong Kong Sleepover: https://www.amazon.com/Butcher-Bolt-Explicit-Hong-Sleepover/dp/B07P5H6ZY2 or additional merchandise at https://thehongkongsleepover.bandcamp.com   Also don't forget to like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at  https://twitter.com/hashtag/noshockpod   Help support the podcast and record stores by shopping at Ragged Records.  http://www.raggedrecords.org

"The Cretin" has been pissing people off with his raunchy rock-n-roll band, The Dayglo Abortions, since before you were born. Always outspoken, often offensive, and forever funnier than a wet fart in a g-string, Cretin and I cover a lot of ground in this episode: shoplifting, social injustice, racism, The Queen, Black Sabbath, hate, love, eating babies...? If you're easily offended, you should probably just skip over this one. But if you love crude humor, mayhem, acting like Black Sabbath and your mom then this episode is for you. ARGH, FUCK ENJOY! See acast.com/privacy for privacy and opt-out information.

On our latest episode, we veer slightly off the post-apocalyptic path in our sci-fi / futuristic sports movie extravaganza to discuss Speed Racer! Devout Speed Racer fanboy Jed Bookout joins your regular underdogs (Jordan & Paul) to discuss the Wachowski Sisters' singular adaptation of this classic anime entry. We colloquially swerve, meander, and careen as we chat about everything good & bad about the film, including its over-the-top DayGlo color palette, Matrix Resurrections adjacent anti-corporate messaging, white-washed cast, use of vanguard digital camera techniques & technologies, pitch-perfect verisimilitude of childlike sensibilities, sugar-high/candy-coated pacing, controversial accusations of animal cruelty, and boundless imagination. Like the opening sequence in which Speed daydreams about racing by designing a flip-book of the Mach 5 zipping at hyper-speed, the Wachowskis' adaptation simulates the untainted wonder & unbridled creativity of cinema in a way that few blockbusters have captured before or since. You won't want to miss our celebration of why Speed Racer is so well-worthy of its place in the unofficial pantheon of modern cult-classics. Enjoy! Ruff Ruff!

There a new Batman in theaters, and there's no better way to celebrate than revisiting the Day-Glo drenched fever dream that was Joel Schumacher's Batman Forever, the first half of our "Batman Threequel" two-parter! Crank up the Seal and/or U2 singles as Will and Sam head back to 1995 to revisit the box office smash that was, amazingly, FOUR Bat-Actors ago. (Five if you count the one made of Legos.) Music: Backbeat by Kevin MacLeod (https://incompetech.filmmusic.io/) via Creative Commons license. (https://creativecommons.org/licenses/by/3.0/legalcode)

How do you follow up a twisted, dark, and somewhat perverted Batman sequel (previous episode Batman Returns) which upset a lot of parents, angered a fast-food franchise, and freaked out a major studio?  If you're Warner Bros., you take the character of Batman/Bruce Wayne….and cast 90's star Val Kilmer and hire Joel Schumacher to direct and cast the biggest stars at the time including Jim Carrey as The Riddler, Tommy Lee Jones as Two-Face, Nicole Kidman as Dr. Chase Meridian, and Chris O'Donnell as Robin……plus you add Day-Glo production design, buffoonery from some key cast members, and….Bat-nipples?  As part of our ongoing "Living for the Batman" series, let's examine how this movie holds up…..Host: Geoff GershonProducer: Marlene Gershonhttps://livingforthecinema.com/#livingforthecinema #moviereviews #batmanforever #valkilmer #jimcarrey #tommyleejones #nicolekidman #chrisodonnell #batmanseries #livingforthebatman  #U2 #1995

This episode is also available as a blog post: https://thecitylife.org/2021/12/06/day-glo-december-a-very-80s-holiday-at-the-museum-of-the-city-of-new-york/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Nate Morton from "The Voice" In this episode, Part 2, we dig deeper into the audition he went on thanks to Barry Squire and his own networking becoming known as a "player" in town. Besides doing gigs around town and networking, he would go to some of the more well-known jam session so he could be seen, heard and start to build his network. As you'll hear as a constant thread throughout both parts of this conversation, networking and relationships have been key to Nate's growth and success. We talk about the sequence of auditions and gigs in a timeline so you can get a feel for the progression of what Nate went through to bring us current to today. In 2005, there's the lengthy audition for "Rock Star: INXS" and then in 2006, "Rock Start: Supernova". Then onto "The Bonnie Hunt Show" from September 2008 to May 2010. Finally in 2011, he lands one of the greatest gigs of all times, "The Voice" We talk more about his early days in Los Angeles and we walk through his timeline of auditions, touring gigs with well-known artists and end in the present day. Enjoy and thank you for listening!! ********** Nate Morton: Nate's Website: https://natemortondrums.com/ Fraudprophets Website: http://www.fraudprophets.com/ YouTube: Nate Morton Drum Cam Facebook: https://www.facebook.com/natemortondrums/ Instagram: https://www.instagram.com/n8drumz/ Twitter: https://twitter.com/n8drumz Nate's company affiliations include: Pearl drums & percussion Zildjian cymbals & sticks Roland Remo ePad Cympad GoPro Sennheiser Kelly SHU WingKey https://youtu.be/pjljYtm5DCQ Podcast Music By: Andy Galore, Album: "Out and About", Song: "Chicken & Scotch" 2014 Andy's Links: http://andygalore.com/ https://www.facebook.com/andygalorebass Subscribe, Rate & Review: I would love if you could subscribe to the podcast and leave an honest rating & review. This will encourage other people to listen and allow us to grow as a community. The bigger we get as a community, the bigger the impact we can have on the world. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. For show notes and past guests, please visit: https://joecostelloglobal.com/#thejoecostelloshow Sign up for Joe's email newsletter at: https://joecostelloglobal.com/#signup For transcripts of episodes, go to: https://joecostelloglobal.com/#thejoecostelloshow Follow Joe: Twitter: https://twitter.com/jcostelloglobal Instagram: https://www.instagram.com/jcostelloglobal/ Facebook: https://www.facebook.com/jcostelloglobal/ YouTube: https://www.youtube.com/channel/UCUZsrJsf8-1dS6ddAa9Sr1Q?view_as=subscriber Transcript Part 2 - Nate Morton Interview: Joe: And some of Nate: I Joe: The process, Nate: Will say. Joe: Like with the Billy Myers or gay. Right. With with that with that two day audition series that happened. Nate: Yep. Joe: Were you given music ahead of time or did you have to go in and just wing it? Nate: Oh, God. No, no, no, no. If you're gonna do an audition typically back in that era and they would say, you know, oh, go to her manager's office and pick up this C.D. and the he would have, you know, three songs on it and they would generally be listed in the order that they were gonna be released as singles. You know, here's the first single second, third. And in the case of Billy Myers, I feel like her single was already out or was a song called Kiss the Rain. Kenny Aronoff, I think, played drums on the original recording. Joe: Ok. Nate: And yeah, that dude. Yeah. You know that. Yeah. That that up and coming guy. Joe: Right. Nate: What Joe: Right. Nate: He's got, he's got a lot of potential. Joe: Yeah. Nate: I think if he sticks with it, he's really Joe: Right. Nate: Going to Joe: Yeah, Nate: Go far. Joe: Yeah. Nate: I hope, I hope people get my, my stupid sense of humor Joe: They Nate: Like Joe: Totally. Nate: They're just out there just not like oh my God. He said he thinks Kenny Arnow is up and coming. Joe: The Nate: Oh, my God. He's an idiot. That guy. Joe: No. Nate: So, yes, Kenny, if you're listening. I'm sorry. Just joking. So. So I pick up, you know, you pick up the C.D. and. This is twenty, twenty years before almost 20 years before I have to start. No, no, no, no, no. I think that that. I'm sorry. That would have been in the. That would've been let's call it let's call it ninety nine. Two thousand area. And then it wasn't until. Two thousand, five, six or so when Rockstar came along, which is which is this TV show that I did where we started having to learn these like kind of high volumes of songs, right. Where it's like, oh, there's fifteen songs this week to learn, which in retrospect doesn't seem like a lot because there are times on the voice when it's like, OK, here's the thirty six songs rolling this week. Joe: It's amazing. Nate: But at that time to have to come in and in a week learn 14 songs or 12 songs, it was like, I mean if you do a tour. If you do a tour, you might be rehearsing. Let's just say six days a week. Seven or eight hours a day. And you, depending on the tour you're doing and the level you're doing. I mean, you might be learning two songs a day. You're not Joe: Hey, Nate: Saying Joe: Yeah. Nate: Muddy Lane shoes on the day because the keyboard players are dialing sounds and this is that I didn't want to wear. It was it was actually literally that it was literally out of a 10 hour day. The keyboard players and guitar players were dialing sounds for seven and a half or eight hours of getting the sound right for you. The track was so the idea that you would come in and in the space of a week, from Monday to Saturday, Saturday, really Monday to Sunday, you know, it's like Monday and Tuesday, you've got to learn 14 songs because you're seeing the contestants on Wednesday and Thursday. I mean, at that, like I said now. I mean, I could I could, I could. You know, this sounds terrible, but, I mean, I could do that and read a book and crochet a sweater at the same time. Well, but then but then the idea of fourteens on the two days like war. So anyway, my Joe: And this Nate: Only. Joe: Was the rock star time frame that you're talking about. Nate: Correct. Joe: When? Nate: This was the beginning Joe: Ok. Nate: Of rock star. This is Joe: All Nate: The Joe: Right. Nate: Beginning of rock star. Joe: Ok. Nate: So. So. Joe: And how did you get that? Like. Morgan walks in the room and like every drummer runs its runs to the corner like a bunch. Nate: Are you out of your mind? Joe: So don't don't you know, don't belittle Nate: Okay, okay, okay, Joe: The Nate: Okay, Joe: Fact Nate: Ok. Joe: That you had to go do something to get these gigs. That's important. Nate: Ok, Joe. Joe: It's. Nate: Ok. Why did you ask me? Ask me? Joe: Ok, so you were with Nate: Ask Joe: Billy Nate: Me, Joe: Myers Nate: Ask me, Joe: And then. Nate: Ask me the big question, which is because this is this is this was this is the big question that I'll bring it on home. Ask me the big question, which is how did you get the gig on The Voice? Joe: No, because there's so many other things in Nate: No, Joe: Between. Nate: No, no, no, no. Just Joe: Oh, Nate: Try Joe: I thought there Nate: It. Joe: Was. Nate: No, no, no, just try Joe: Ok. Nate: It. Joe: Really? OK. So Nate, how did you get the audition on The Voice? Nate: No, no, no, no, no, no. The gate, the gate stretch. Joe: Oh, the Nate: Try, Joe: Gag Nate: Try again. Try again, Joe. Nate, how did you get the gig on The Voice? Joe: Me. How did you get the gag on The Voice? Nate: Funny you should ask. Joe: Oh, good. Nate: So back in, ho, ho, ho. Get comfortable people back. Somewhere around 2002. I always want to do like in the year 2000. Joe: Right. Nate: If anyone remembers that, I don't even remember that little Conan O'Brien bit. That has to do with Eddie Richter. So back somewhere around 2002, I was playing with the singer songwriter piano player named Billy Appealing. That was a little earlier named Vanessa Carlton. So 2002, 2002, 2003, somewhere in that neighborhood, maybe 2003. And for those of you who may not be familiar with Vanessa Carlton, she had a single called A Thousand Miles. It was a really big summertime single. So interrelates with Vanessa, and we're somewhere in the middle of somewhere and I get a call. Joe: See? But there you go again, you skipped over, how did you get that gig? Nate: Well, I actually didn't skip over Joe because I said because I said Nate's a jerk because because I said that many of my earlier auditions, of which Vanessa Carlton was one can't be very Swier, actually. Probably Joe: Ok. Nate: Did. I probably Joe: Ok. Nate: Admitted that. Yes, she. So OK, then I'll give you the quick I'll give you the quick. Overview of the various wire gate, so of the various of the gigs that I did or of the auditions that I did when I first moved the town, that I found myself in a room in some way, shape or form or fashion at the result of knowing or as a result of knowing various wire. The first one was Billy Myers. The next one, I think, was Tommy Hinrichsen, who is a guitar player, bass player, singer songwriter, rocker of all levels. He's currently playing guitar with Alice Cooper. Right. But it's time he had a deal on capital. Yes, capital is the only capital records. So Billy Myers, Tommy Henderson. Darren Hayes, who was a lead. I think he was the lead singer of Savage Garden. And so for a minute there, Darren Hayes had a solo project. Darren Hayes. And so I didn't audition that. I was fortunate to get through that. I was unable to do it because of a conflict with another very ask audition that I did, which was Vanessa Carlton. So Darren Hayes and Vanessa Carlton conflicted. So I found myself having to choose between the two or fortunate to have the, you know, good, good problem of choosing between the two. And and I elected to. Play with Vanessa Carlton and then also in there was there was a well, there is a he's a bad ass, a techno dance artist, ETM artist, if you will, called Brian Transito or Beatty is his name. So those those handful of auditions all came through the Barry Squire stream. So Joe: Perfect. Nate: Very smart, Joe: Now, I feel Nate: Very Joe: So Nate: Suave Joe: Much Nate: Stream. Joe: Better now. Nate: There you go. Barry Swier Stream led to Vanessa Carlton. So both now mentor Vanessa. Phone rings This might've been a Bery call as well, but it was Hey, Nate. There's a certain big artist who's auditioning and she is looking to put the band on retainer and the auditions are this day, she's heard a lot of players. They haven't said of the band yet. And we would like you to come to the audition and I won't say the artists. Name, but her initials are Alanis Morissette. So. Let's hope Joe: Oh, Nate: So. Joe: Good. Nate: So Joe: That Nate: I'm Joe: Was true, Nate Nate: So Joe: Martin Nate: I'm free. Joe: Form right Nate: Thank you. Joe: There Nate: Thank Joe: Was Nate: You. Thank Joe: Perfect. Nate: You. Thank you. Thank you. Joe: God, I'm so glad. Nate: So so I'm out with Vanessa and I get this call that Atlantis is auditioning. And I know that Vanessa's tour is winding down. And so I'm very excited. I'm like, oh, man, this could be a great transition. So in the middle of the Vanessa gate, I fly home. All of this, by the way, I'm still answering the question, how did you get to get on the voice? If you can't if you can believe it. So, so so it works out that the day she's auditioning it, it falls on like a day off that I've got with Vanessa. And so it's a day off with Vanessa. I don't remember where we are, but I raced to the airport in the morning. I fly home. I'm listening to Atlanta songs on the way home, the song songs if you're going to ask for a rhyme, charting out my little charts. And I think and I get there and I go to the audition and. And it was amazing. I played it. Yeah. Sounds great. You guys will rock it. And at the end of the audition they go, man, that was great. You didn't get to play. Oh, my heart broke. I was so sad. Right. So I did not get the gig. They said, thank you for joining us. You're you know, you did a good job. But we're going to you know, we have another guy. OK, I get back on a plane the next day, I fly back, I rejoin Venessa, which is a great gig. No disrespect to Buddhism. Joe: Anybody Nate: And so. Joe: Know where you went in that period of time? Nate: Sure, Joe: Was it Nate: Probably. Joe: That the van? Nate: Or you know what? Do you know what the truth is? I'll be honest with you. I don't even remember. I don't remember. I don't remember. I might have said maybe it would be not kosher to be like, hey, I'm going home to audition for a gig that's no bigger than this one. And so so maybe I wouldn't have said it. Maybe it would have added more a little bit more subtle approach. But nonetheless, I didn't get it anyway. So I arrived back and then I finish out of Inessa tour and I'm a little bit bummed that I missed out on that great opportunity because. Hashtag comments were sent. Joe: Yeah, Nate: All Joe: Yeah, Nate: Right. Joe: Yeah. Hell, yeah. Nate: Shoot. So if you called me today, I'd be like, I don't know, can I. Can I fit your voice schedule? Or is it here? I mean, she's amazing. Right, Joe: Yeah, absolutely. Nate: Though. So the Vanessa. Tour finishes and not too long after the Vanessa tour finishes, and I feel like this is I feel like this is the end of. Oh, for. I get a call from a friend and he says, hey, mate, Mark Burnett is putting together his TV show. It's called Rock Star. He needs a band. And so he is called upon however many in eight, ten, twelve days to put together bands to come in audition to potentially be the house band on this show. It's going to be like American Idol, but it's going to have like rock and rock songs. You know, it could be great. And so I go, okay. That man, of course, I would love to. And so the person who called me for that audition was a bass player named Derek Frank, who has a very, very long list of credits to his name. So Derek put together the band as the band leader, and we went and auditioned. So now we're in early 2005, because if memory serves the first round of auditions for Rock Star, we're in the first or second week of the year. That was like January 5th or something, right? Was the audition. We audition and again, multiple bands audition again. The whole process is going on and on and on. And eventually they wind up saying, OK, I get a call from Clive Lieberman, who is I'm still in my life at that time. I get a call from Clive Lieberman and he says, OK, we've narrowed it down. We have three drummers that we're looking at. And you're one of the three. And here's the next day, you know, can you be here on this day? At this time? OK, sure. Of course I can. So I go there. And now now we're in like late January because the process started like early January. Now we're moving into like mid late January. Joe: Wow. That's incredible. Nate: The man I was started. I'm just getting warmed up. So so I go there. And the other drummers are playing and the rotating Grumman's in and out in the way that. I mean, I've done several auditions and they all work a variety of ways. But generally, if none of the band is set, then some portion of the audition live audition is that drummer with that bass player, that bass player with that guitar player, that guitar player with that drummer that removes that bass player on that guitar player in there, especially in this sense, has a television show. They're analyzing it all. So so they're they're well above like, do these guys sound good? They're like, do I like that guy's dreadlocks? In my case, for example, I know that guy has a guitar that's like Dayglo pink. That's cool. Oh, I hate that guy's boots. Like, it's on that level because the TV show. Right. So at the end of the day, we're playing with vulnerably. Okay. I'm let's let's say I'm drummer number three. So we're playing, playing, playing, playing, playing. At some point they say, okay, drummer number one, you can go home. And then I look around and there's just like German number two and me bling, bling, bling, bling, bling. And at some point they say, OK, drummer number two. Thank you a lot. You can go home and then it's just me and I'm playing for like the rest of the day and well into the night. So finally they say, OK, we're finished for the night. Everybody can go home. Now, when they did that on Billy Myers, it was this is the band we're playing Vibe tomorrow. Let's get her done as opposed to on this, where they're like. All right. Joe: Go Nate: So Joe: Now, Nate: I Joe: Go home Nate: Could Joe: And worry. Now go home and Nate: Go Joe: Worry. Nate: Home. Now go home. Right. So I go up to Clyde. Clide Lieberman. Love them, love, love, love. I got to climb. I go say Hi, Clyde. As I look around, I don't see any other drummers. I said so. So can I. I said, so should I. Should I go home and, you know, have a celebratory drink? And Clyde's response was, well, you should definitely go home and have a drink, Joe: Yes. Oh, no. Nate: Right? It's so, Joe: Oh, no. Nate: So, so now we're at the end of January. The band that they arrived at. Sort of somewhere in February. They had this band. Right. And I was included among and within that band. And they had an M.D., a guitar player, a bass player and a multi instrumentalist. And so then that band did a gig for the. That was a CBS show. So we'd have done a gig for, like, those higher up CBS guys. Right. We would have had to have been approved by them. Then at some point, they kind of went like, well, what if we had this person on bass? So then that band did another gig for the CBS people. Then, well, what do we have this person on guitar? Then that band did another gig for the CBS people. Joe: Wow. Nate: Then I was like, wow, this isn't working out. Let's go back to the other band. OK, now then that band did. So. So there were there were there were hoops aplenty to jump through. But in the end of all the jumping through hoops and I remember this date, I don't know why it's burned in my head. I could have it wrong. But I remember this date. I feel like May. I feel like it was May 19th. We were all sat in a room with the executive producer of that show, Rock Star. His name is David Goffin and that band. Was myself on drums. Sasha could face off on base. Half Amaria on guitar, Jim O'Gorman on guitar and multi instrumentalist and musical director. Paul Markovich. So that was the first time Paul, Sasha and myself worked together as a rhythm section. Now, Sasha was my bass player on Vanessa Carlton. And Paul had also worked with Sasha in other situations. But this is the first time at that that this was the genesis of that rhythm section. So. From Rock Star, that rhythm section went on to do multiple sessions in town. Two seasons of Rock Star. That band went on to do a tour with Paul Stanley. Ultimately, that rhythm section wound up doing the Cher Caesars Palace run. So now I flashed all the way forward from 2000 and. Five. Right. By the way. So the first audition, the first part of that audition was in early January. And the band wasn't solidified until Joe: May 19th. Nate: The end of May. Well, May 19th was when they said, if you want to do it. Joe: Got it. Nate: And then ultimately, by the time contract or signed. Yeah, it was the end of May. It was the end of May. Beginning of June. Somewhere in there. Joe: So all of this time, you're not making any money. Nate: No, the auditions that we did and the rehearsals that we did were paid Joe: Ok. Nate: Because because at the end of the day, you are a professional musician. So even whether whether you have the gig or not, it is still your time, you know. And Joe: Ok. Nate: It is, you know, I mean, we were we weren't on some sort of, you know, incredible retainer or anything. But at the same time, the powers that be know that to expect you to dedicate the time to learning these songs and doing these rehearsals and showing up and, you know, wearing halfway presentable clothes and showing up with good gear and playing gigging town and good, that's not something that people would typically want to do for free. That's something that that you know, that that's what we do. And so Joe: Right. Nate: They wouldn't have expected us to do that for free. Joe: So any point during this interview process from early January to this may date where it finally gets solidified? Did any other tour opportunities come up that almost tore you away to go and say, OK, this great thing has just come in? And if I get this, I'm out here, I'm done with these auditions. I'm going. Nate: So, Joe, when you called me. And you were like, hey, man, can you come in my pocket hasn't got to me and I was like, Sure, sure. And then you were just like, Yeah, we'll talk about your life story. Joe: All. Nate: And I was like Joe: Right. Nate: I was kind of like, oh, there's gonna be like everything I've always been asked before and about we all the same stuff. I hope Joe comes with a new question. I hope so. That's the first time anyone has ever asked me that question. Joe: Seriously? Nate: And yes, that's the first time I've ever been asked that question. And that is an interesting question. And it is, is it is very insightful. Joe: So we'll think I'm Nate: So Joe: Looking. Nate: Absolutely. Joe: I'm looking through all of this because I live through you, you know that, right? So I am all of these questions are like, man, if I was in the middle of all this and all of a sudden, you know, share, I get the call from Barry saying Cher's auditioning. So anyhow, that that's why it was Nate: Well, Joe: Important. Nate: And like I said, it's a good question and it's a very astute question. And the answer is yes. I mean, because it was from early part of the year to like May, April, you know, in that in that neighborhood. Joe: And they're building Nate: So, Joe: Up Nate: Yeah, Joe: Their tour Nate: That's Joe: Vans. Nate: When things are Joe: Right. Nate: Happening. Joe: Right. Nate: Right. That's why things are happening. I can't remember specific things that I would have, you know, turned down or that I would have not been available for. But I will say that even in that context of it not being solidified. I felt like it was definitely worth keeping my. Carts hooked to that ox because it was a TV show. And all the time that I was touring, I was definitely like, you know, like touring is great. Touring is a blast. I love it. I may wind up doing it again at some point. That'll be amazing. We'll be fine. But there's also an extent to where it's like it might also be nice to be able to make a living, staying in town and seeing your family every day and sleeping in your own bed, driving your car and go into your favorite restaurants and not dealing with the fact that you showed up at, you know, 10 and the rooms won't be ready until two. So you're sleeping on a couch in the hotel lobby. You know, that's that's also an element of truth. So. So, yes. So things came in. Kate came and went, and I definitely decided to stay the course and, you know, follow that that that path towards what I thought would be a TV show which wound up being a TV show. And where was I? Sorry, Bella. Joe: So, no, it's OK. So Rockstar, you guys did Nate: Right. Joe: A bunch Nate: So Joe: Of Nate: That Joe: Shows. Nate: Was the first time I played Joe: Yes. Nate: It, right? Right, exactly. Exactly. Joe: You're the new Nate: So. Joe: Heart rhythm section in town, right? Nate: Where are the new rhythm section and how. Joe: Ok. Nate: Oh, we were that time. But but yeah, you know. And so so the whole the only the only point that I was really trying to make in this very, very, very, very long winded, you know, spool here is. The. The fact that I'm able to be on The Voice now is a direct result of the relationship that I started with Paul Markovich back in 2005 on Rock Star. So what is this, 2020? Joe: Yes. Nate: Right. So. This whole gig started coming about. A decade and a half ago. And so I. And so I say all that, I say that to even spend it further back to talk about what I was saying earlier about relationships, which is that you have no idea, you know, the the guy that you do a gig with one time for one hundred bucks at a club somewhere. Might be the guy who calls you for the audition that completely changes the course of your career. Joe: All right. Nate: So, you know, Joe: So Nate: I mean, and. Joe: So Rockstar was till when? Nate: Rockstar, unfortunately, only lasted two seasons, Rockstar was 2005, 2006 on CBS. The first season it was Rockstar in excess and the feature band was in excess. And we were going through the process to find a lead singer to replace Michael Hutchence. And then the subsequent season was called Rock Star Supernova. And they had chosen Tommy Lee. Oh, this is embarrassing. Tommy Lee. Jason is dead. And a guitar player. Joe: Tell us of. Nate: But they are putting together the supergroup. They're putting the supergroup. And and so they were basically auditioning for a singer to front this supergroup. And that was what that season was about. And so then, yeah, like I said, that's easy. It ended. And then Paul Stanley called like Vee Paul Stanley. Joe: Yeah. Nate: Like the walking, breathing, living. Iconic legend Joe: Yes. Nate: Paul Stanley calls and says, Hey, guys, I'm going to go out and support my solo record. You want to play with me and I will. Duh. Joe: Right. Nate: You know, I mean, Paul is amazing. Paul, Paul, Paul is Paul and Cher. Paul, Stanley and Cher share. Shares is a share on all adult donor list, but possibly in share. Both have this. They are at once incredibly. Sort of present and know exactly who they are. And the fact that they are literally. Iconic legends. But at the same time, able to make fun of themselves, able to laugh. Selves able to be down to earth, able to be. Just so what's the word I'm looking for, relatable. Joe: Authentic. Yeah, Nate: Authentic, relatable Joe: Yeah, Nate: In a crazy Joe: Yeah. Nate: Way. You know what I mean? Have figured. I didn't pause daily. I said to you, man, I was in this band, you know, however long ago or whatever you guys met and she was older than that. Oh, okay. Go. I love it. Was the early days as to whether I was the rock band. It's the story. Joe: Peter. Nate: Sorry. You know, because I was such a funny time. So it's the band from Rockstar Impulse Daily. And I hit the pause daily as it meant the band from Rockstar and Paulist Aliens is the best band ever played with us. Here it goes. Yeah. Yeah. I'm sure this is the best band you've ever played with. Joe: Nice. Oh, my guys, Nate: No, Joe: It's Nate: It was Joe: Hours Nate: It was Joe: Of. Nate: So great. He was so great. It's like the cool thing, too, is we did it. We did a show a while back. And one of the songs we played in season finale after the season finale is over and the show's over. I hopped my car to drive home and drink. And I have a text from Paul Stanley telling me, oh, my God, man, great job on, you know, such and such a song tonight. Joe: That's so cool, man. Nate: It's amazing. Joe: It's so Nate: You know, Joe: Cool. Nate: He is he is genuinely one of those guys who. I don't know. He's just he's he he's he's able to balance being an icon and still being sort of down to earth and, Joe: That's really Nate: You know, Joe: Cool. Nate: Relatable and. Yeah. Joe: So what year is this that you go out with him right after Rockstar ends? Nate: Well, Roxette would have been a five oh oh oh five was one season. 06 was another season. And so I feel like we did. I mean, it would have been 06. It would've been 06. Maybe in two oh seven. But maybe just because because Rock Star was a summer show, so we wider than rock star and been down at the end of the summer. And then we might respect, like the fall slash winter with Paul Stanley Joe: Ok. Nate: And then been done because because the the second leg of the Paul Stanley tour was Australia. And so Australia, if you don't know or if anyone doesn't know. Is backwards to us. So Australia winter is our summer. So it's 100 degrees in the winter. So I feel like it was that. I feel like it was like the fall here. I feel like it was 2006 rehearsals. Maybe in the fall tour here in the fall. And then I feel like that tour would have gone into like maybe. Like October, November in in Australia, Joe: Ok. Nate: Something of that nature. Joe: And at Nate: Yeah. Joe: This point, is this the biggest tour that you've done up to date to Nate: With Joe: That Nate: Paul. Joe: Yet? Nate: He is definitely the most iconic artist that I would have worked with up Joe: Up Nate: To that point, Joe: To that Nate: You know? Joe: Point. OK. Nate: Well, OK. Well. No, because I don't mean. I tried not to like. Joe: You've done so many great things, we can't leave anything out. Nate: No, no, I'm just. I'm OK. What exactly Joe: That's why Nate: Is Joe: I'm Nate: Going Joe: Prodding Nate: On right now? Joe: You for all of this stuff. This Nate: No, Joe: Is my job. Nate: I mean, man, I'm just fortunate. I'm fortunate that I've managed to eke out a living doing this thing. And I'm fortunate that, like, people calling me to do what I do, I feel like. Joe: And you're about the most humble person I've ever met in my life. That's the reason. Nate: That's nice. That's nice of you to say. Thank Joe: It's Nate: You. Joe: True. Nate: But it's Joe: It's. Nate: True. I know. But you know what? It is so so look. So when I was in high school. I wasn't walking around like, yeah. One day I'm gonna play a post alien, Chaka Khan, and, you know, remember me on TV? I didn't think that. I thought like Joe: That was like your Richard Pryor. Nate: I thought. Joe: Now it's like you're selling Richard Pryor. That Nate: I'm so not going to even try to do Richard Pryor. Joe: Was Nate: But Joe: Great. Nate: But Joe: Oh, Nate: But Joe: Good. Nate: I mean, I guess. But bye bye. But my point is that, like, my point is every day I am of two people. I am the person who gets up and goes like, OK, today it's time to get up and learn the Peter Frampton song that we're playing on the show today. Like what? Like the first. Right. Right, so so, so part of me goes. OK, let's learn. Peter Frampton on. That's the that's the current me. But the high school me is still in there, and one of the first records I ever owned was a Peter Frampton record, right? Not Frampton comes alive, but it's like one before that. The single was a song called I Can't Stand It No More. Which I'm not even going to try to sing. But it's a really cool tune. But like so the part of me gets up and goes, OK, let's go to Linda Peter Frampton song play today. But then inside that is still like the little kid going like, I can't believe I'm playing with this guy. That is one of the dudes that I learned to play drums by jamming along to my drum set Joe: Yeah, Nate: To the Joe: It's Nate: To Joe: Crazy. Nate: The LP. I'm a record player, so I say all that just to say, like in terms of being humble. It's not like I'm trying to be humble. It's just that I still the meet the young me still steps back and looks at what I'm fortunate to do and goes, Oh my God. Dude, you're you're a lucky friggin fortunate mofo to get to do what you're doing. So and then again, circling back to where we were, which was you said up to that point, Paul Stanley. And the reason why I paused. I had not played with Cher at that point, but I feel like I had played with Natalie Cole at that point. Joe: Ah, Nate: Yeah, so. Joe: So that's Nate: Right. Joe: Here. Nate: So so genre differences, obviously, and volume of people who know, obviously, you know, potentially different. Joe: Yes. Nate: But I mean, in terms of iconic, Joe: Yes. Nate: I mean, they're both they're both right there. I remember going out to dinners. Natalie would have these dinners. We were on tour in Japan at one point and she said, we know want everybody come down to dinner at the restaurant, at the hotel or whatever, and we're there. And she would say things like, you know what? When Daddy said that? And I'm like. Joe: Oh, my gosh. Your mind explodes. Nate: My mind explodes. Joe: That is so Nate: One Joe: Cool. Nate: Time Daddy said, and it was like, Wow. Joe: Yeah. Nate: So yeah, man. So I mean so so I can't remember the exact timeline. But up to that point. Yes, it would have been Natalie, Paul Stanley. I had a short I had a short run with Chaka Khan Joe: Ok. Nate: Up to that point. So she's you know, she's you know, I mean, Chaka Joe: Yeah. Nate: Khan. Right. Joe: Hey. Nate: I mean it again, like I said, even as I say this, that I have a hard time saying these things because I don't come across like I played with her. It's like to me, I literally look back and I like I play with a person like they hired Joe: So Nate: Me. They're bad. Joe: Call Soquel. Nate: So now I it's. Yeah, it's man. I'm so fortunate. I'm so fortunate. Joe: So where are we in the timeline now, because. Nate: Well, at this point, we're up to about where we're up to Paul Stanley. So impossibly ends, Joe: Yeah. And this again, Nate: Stanley Joe: What Nate: Ends. Joe: Year is this? Remind me. 2009, Nate: Well, Joe: You Nate: We're Joe: Said. Nate: All well, we're we're pretty much almost current at this point because when Paul Stanley ends. That's got to be like, let's see, oh, five or six or seven. That's got to be like in the O2 eight ish 07, Joe: Ok. Nate: Seven or eight ish ballpark. Joe: Yes. OK. Nate: And then I did a TV show. I was fortunate to do a couple of TV shows, and one of them was called the Bonnie Hunt Show, which was a daytime talk show on NBC. And circling way back to your way earlier question about in terms of who was at early with me, who that I know still. So Churchill era was the piano player and the band on the body honcho. And and it is and it is through Chechu Elora that I got the call to audition for the band or the Bonnie Joe: Wow. Nate: Hunt show right Joe: How many years later Nate: Later than Berkeley. Joe: Here? It's like. Nate: I mean, it's a little Berkeley, I graduated ninety four, the call for Bonnie Joe: It's crazy. Nate: Hunt to audition comes 94, 2004 to about a decade and a half. Joe: It's crazy, right? This is exactly Nate: It's crazy, Joe: What you were talking about. Nate: But it's relationships, Joe: Yeah, Nate: It's relationships, Joe: Yeah. Nate: You know. So, yeah. So then. So Bonnie Hunt. And then that ran for a while and then Bonnie Hunt for a stretch, ran concurrent with Cher. So I was playing with Bonnie. And share at the same time, and I can't actually remember which one came online first, but what I was basically doing was I was playing in Vegas with Cher and then on my days off from Cher, I was coming home to Bonnie here in L.A. and I was basically driving back and forth and doing sort Joe: Wow. Nate: Of double duty. Yeah, it was it was a little bit. It was a little taxing because Joe: Oh, my God. Nate: I. Joe: So was Cher a Barry Squire gig? Nate: Cher actually came through my relationship with Paul Markovitch dating back to 2005, Joe: Ok. Nate: So meeting him in 05, doing the show with all five of six rock star Paul Stanley tour sessions in town. Other things in town. And then Cher would have come about. I mean, it feels like. Oh, nine ish. But don't quote me on that. Oh nine oh nine. Give or take six months to a year. Joe: Ok. And the share gig was at a walk on for you because of Paul. Or you still had to audition. Nate: Share. That's what he called a walk on. Joe: Guy, Nate: It makes Joe: I Nate: It sound so Joe: Don't Nate: So Joe: Know Nate: It Joe: What Nate: Makes us so casual, like, Joe: Would Nate: Hey, Joe: Have Nate: Man, Joe: Come Nate: Come on over Joe: Up. Nate: And play with us and share. Joe: I don't even Nate: Hey. Joe: Know where that term comes from. Walk on. Was Nate: Oh, Joe: It? Nate: Well, we'll Joe: Isn't Nate: Walk Joe: That like Nate: On Joe: A Nate: Is Joe: Football Nate: Like. Joe: Thing? Like if you don't have to. You don't have to go through the audition. Nate: No, Joe: Are Nate: I Joe: The. Nate: Think it's. No, I think it's kind of the opposite. I think it's a college. I think it's a college athletics term. But it's not a good thing. I know you're using it as a good term, but I think that in college athletics, you have your your your top tier guys who are on scholarship. So like, for example, on a college basketball team, like a Division One team, I think there's like twelve kids, I think. And I think that, like, 10 of them are on scholarship, but there's like auditions, auditions, music nerd tryouts Joe: Tryout. Nate: To fill like those last spots. Joe: Hey, Nate: And Joe: I Nate: I think Joe: Said auditions, Nate: Those last Joe: Too. Nate: Spots. Joe: I couldn't think of the word. Nate: Right. I think those last spots are walk ons like, OK. We've got art, we've got our eight or whatever it is, our 10, we've got our we've got our blue chippers over here. We've got to fill out the team, open tryouts, and then there's like 100 kids. And of that one hundred kids, you pick like four or five, whatever it is to fill out your team. That's a walk on. So like a walk on. Oftentimes never even gets on the floor like in in that context. But Joe: So Nate: I understand Joe: I Nate: What you're Joe: Totally Nate: Saying. Joe: Use Nate: No, Joe: That. Nate: You did. But no, but I understand. I totally understand what you meant. I told you so. But and to answer your question, yes. I did not audition. Mark was playing with Cher. And I believe that Pink had dates that conflicted. And so I believe that he made the decision to go and fulfill his obligation with Pink, which vacated the Cher position, which gave Paul the leeway to basically call me. And then I came in and I finished out the whole run with Cher at Caesar's Palace in Vegas. Joe: Got it. And she Nate: So Joe: Was Nate: Then. Joe: Amazing. Amazing person, everything you actually got to hang with her a little bit. Nate: She's Joe: A lot. Nate: Awesome. She's awesome. She she is one of the people like and again, I never take any of this for granted. I never think any of this is assumed. None of it. But like those kind of stories that you hear about artists who are like, you know what, I'm just gonna buy out the whole theater for Tuesday night. So my whole band and crew and dancers and everyone can go and watch Boogie Nights. You know, I mean, like or hey, I'm just gonna, like, buy out all of the pole position, indoor, you know, go kart race track for a night. So my whole band and crew could just go and do that. So, you know, she really she did a thing once where Cher is the coolest. Like, shares the coolest. And the first person to make fun of Cher is Cher. Like, she's so, you know, like self-effacing. But at the same time knows that she's an icon. And that's an amazing thing. It's an amazing balance. But we did a thing one night where we played. Bingo. Right. Hey, guys, I want everybody to come down to the theater where we're going to play bingo. OK, so here we sit playing bingo. And the prizes, if you get bingo, is like an Apple iPad. OK. So this person wins, OK? He got B eleven I 17 in bingo. Here's my pad. Thank Joe: Nice. Nate: You. Good bye. OK. Here's your iPad. OK. It's like. It's like. It's like Oprah. You got a car. Joe: Right. Nate: You've got a car. You've got a car. Right. So. So. So the night is that we played. I don't know. There's there's 200 people on the crew. And we played 30 rounds of bingo. So 30 people have walked out with iPods. OK, well, it's late. It's you know, it's Vegas. So. So, so Vegas late. So it's, you know, hetero. 3:00 in the morning. OK, everybody. It's all good. Great job. Last round works on me. OK. Goodnight. Right. Bye. OK. Show up the next day. Do you know whatever it is, soundcheck? Oh, date. He's right that way. What you mean? I didn't win. No, no. Sure. Have for everybody. Joe: Nice. Nate: You know, I mean, like that kind Joe: Yeah, Nate: Of thing. Joe: Yeah, yeah, Nate: He get out Joe: That's cool. Nate: So. So. So, yeah, I know she was she was one of the. Coolest, most relaxed, she Ampol. I mean, I don't. I got to say, it's it's ironic or not that two of the most well-known, iconic, well respected artists that I've ever worked with are also two of the most down to earth. Relaxed. Nothing to prove. Cher has nothing to prove. Paul Stanley has nothing to prove. There's no attitude. There's no weirdness. Like. Joe: It's really cool. Nate: It's really cool. Joe: Yeah. Nate: It's really cool. And I've just been fortunate that. I. I have historically never shows in. Gigs, opportunities, situations. Politically, and here's what I mean. I've never chosen a gig because the artist was the biggest artist or because the guys in the band I thought were the coolest guys who would call me for gigs one day. I've always been the guy who. If you call me for a gig, you call me for a game. OK, Joe. Hey, Nate. Put together a band for this game of going on. I'm never gonna be like, let me call the four guys who I think are most likely to call me for a big gig. Let me call the four guys who are my boys, who I think could really a user gig or B are going to play this the best. I'm never. So that might wind up being four guys you've never heard of. Joe: Right. Nate: But they'll kill it. Joe: Sure. Nate: And they're my buddies and. And it'll be a great game. So I guess my point is I've always done that and I've never chosen gigs. By the way. Based on. Political or financial gain? So numerous times. I've had a. That might be more beneficial politically or financially, frankly. But maybe I hate the music or I've got gig B. Where I love the music and I love the dudes, but it pays half what gig pays on gig based. And the reason I've always done that is because I've always hoped that in the end, wherever I land, I'm gonna be playing great music with great musicians in a cool situation with guys that I really love being around. And I am so fortunate that that's the case. The guys in the band on the boys are my brothers. Those are my guys. Joe: Right. It could Nate: You Joe: Prove Nate: Know. Joe: To be a really long tour if you're on a gig where it pays a lot of money. But the music sucks and Nate: Or you Joe: You don't Nate: Don't Joe: Like Nate: Like Joe: The Nate: The Joe: People. Nate: People. Yeah, or you don't like the people you're playing with. And and yeah. And. Yeah, I like I said, I've just I've just been very I've been very fortunate, you know? And again, it's like the guys on the voice are my family and not even just the guys on the voice. The guys are the boys in the band. The girls on the voice in the band. The whole voice, music, family. People sometimes say, how do you guys get along so well? And I'll quote one of our keyboard techs slash. Brainiac Patrick, who knows the answers to all the questions. He just does he's like DOE technology. But someone once asked, how do you guys get along so well? And Patrick said, or no, they said, why do you guys go along so well? No. Was it. Hold on. Let me go straight. Yeah, I was how do you guys get along so well? And Patrick said it's because we have to. But we have to in other words, what we do and the product that we create and the amount of time that we spend around each other and working with each other. It could only exist if we had the kind of family relationship that we did. We have to if it if it's not that it can't get done, it can't Joe: Right. Nate: Happen. Joe: Right. Nate: You know, Joe: Yes. Nate: So I'm rambling, but that's kind Joe: No, no, Nate: Of where Joe: No. Nate: That's kind of that's that's the whole story. So, so, so an answer. Joe: So, again, in the timeline, year two thousand nine. Nate: Yeah. That's when the voice starts 2010, somewhere in that ballpark. Yeah. Joe: When the voice was, I guess I might be getting it mixed up with the rock star. The Voice wasn't a lengthy audition, right? It was you already because of Paul and everything. I don't remember. Nate: Well, I mean, the voice, so the voice came about. The voice was not an audition. The process that led to me being on The Voice. Started. A decade prior. Over a decade prior, you know, so. So, no, it wasn't an audition, but it was a relationship that built over the over the preceding however many years that was from. Well, I said it decades. So I guess I guess not a decade. But. The voice would have been 2009 10 and I would have met Paul is more than five. So about a half a decade. So, yeah, so would have been a five year, six year relationship prior that led to the voice ultimately Joe: That's Nate: For Joe: Amazing. Nate: Me anyway. Joe: Right. Nate: Yeah. Joe: And it's and it's going strong and you guys sound better than ever. And it's just amazing. And just to be on the set. It was so cool. I think the funny and I tell people the story all the time. The fact that I was able to have, you know, some ears to listen to Nate: Yes. Joe: The band, Nate: Oh, God. Joe: The banter Nate: Oh. Joe: On the bandstand. Nate: Woo! Oh, don't you ever put that out anywhere Joe: Oh, okay. Nate: Where the worst are the worst. Joe: Okay. Nate: All we do is back on each other all day. Joe: Oh, my gosh. It is amazing. So what else? I want to make sure we didn't miss anything. And I want to also give you a moment to plug anything that you're doing. I don't know if you still you still have your band outside of The Voice. Nate: Well, I'm involved in a side project with my buddy Sean Halley, Sean Halley and I, and sadly now do you always do these v a zoom? Joe: So far, because I just started it when all of this happened. Nate: Right. Joe: So. Nate: And all of this for your listeners who may see this down the road, years, three years, four years is that we are in the midst of a zombie apocalypse. Joe: Correct. Nate: There are cars being turned over. Joe: Better known as Cauvin Nate: Yes, Joe: 19. Nate: Yes. Yes. That's Joe: Yes. Nate: It's it's it's crazy. So, yeah, I mean, all of this is happening amidst this time when, you know, gigs are getting canceled and all of this. And actually, I had a gig with my side project, which is a band called Fraud Profits, which is myself and my dear, dear friend Sean Halley, also a genius, by the way. And we had this band for our profits, which was filled out by bass player Ben White. And Ed Roth was gonna be playing keys with us. And we had a gig booked on April 10th that we were all excited to do it. And so it's not happening. But in terms of things that I'm doing outside the voice, that is one of the primary things. So you can if you're interested, you can look up Frauke profits F are eight. You d p r o p h e t s dot com. And you can also find us on Instagram. You can also find us on Facebook. And so we will continue to keep you updated on what we're up to in the albums available where all albums are available. It's called Pop Ptosis and it's really rad. Yeah, Joe: Awesome. Nate: Yeah, Joe: All Nate: Man, Joe: Right, cool. Nate: It's. Joe: And then what about lessons? What are you doing Nate: I don't know, I guess trying to study with you at some point when you have some have Joe: Ok. Nate: Some availability Joe: Well, Nate: And you can you Joe: Yeah, Nate: Can fit me Joe: I'm Nate: In. Joe: Pretty tied Nate: Ok. Joe: Up Nate: We'll Joe: Right Nate: Get back Joe: Now. Nate: To me. Get back to me. You can when you can fit me in your schedule. Now, Joe: Oh, Nate: So. Joe: Good. No, sir. So how can people how can drummers that want to go to the next level take lessons from you? How I know that. Nate: Right. Joe: I guess if they're in L.A. and when things get back to whatever air quotes normal, if that happens, they could come there to your studio and Nate: Right. Joe: Do it. Nate: Right. But in Joe: You Nate: The meantime, Joe: Doing? Nate: I Joe: Yeah. Nate: Will. I am making myself available for online lessons. And it's a thing that thanks to this. I think I mentioned to you earlier, I got my whole rig up and running. So I'm talking into like an actual microphone as opposed to my my earbuds and I have on headphones as opposed to my earbuds, because the headphones, the microphone are all running through my studio gear, which I'm making like gestures at, but no one can see. But I am getting the rig here setup so that I can do online lessons. I have done some of the past and I'm thinking that with my new audio going on. Thanks to the motivation of getting with you and chatting tonight. I have it a little bit more under control. So sure, if you want to man if you want get together online for like a lesson or an exchange of knowledge or any of that stuff, I'm so easy to find. I'm on Instagram or Insta, as I call it, when I want to make my wife really Joe: It's Nate: Angry. She's like Joe: Nice. Nate: No one calls it. It's the I call it ads that no one calls it. It's. Oh. Joe: Oh, good. Nate: No, Joe: So Nate: It's very. Joe: What's your what's your handle on Instagram? Nate: Oh, no. Joe: Oh, man, I'll I'll find Nate: Shut up, Joe: It and put it Nate: Shut Joe: In the show Nate: Up. Joe: Notes. Nate: Wait, wait, wait. No, I think it's just. I think it's in in as inmate eight, the number eight D. Are you Amzi in eight D. Are you M z. I think that's me on Instagram. It's also my license plate. Oh, hey, buddy, sorry. So so the band was having a rehearsal at center staging. And my license plate on my SUV says in eight D-R, UMC meat drums. And there were some other band there and I can't remember who the artist was. But like the drummer and the guitar player of that band came over to our rehearsal. I was hanging out. And you know how it is. Musicians know, what is this? The voice. Oh, what are you doing? I'm doing this gig. And so the drummer talks to me and says, Oh, you know, you're the drummer on The Voice. What's your name? Nate anymore. Oh, Nate. Nate. Oh, is that your car in the parking lot? This is Nate drums on the license plate. I was like, yeah. And like, literally, I swear to God, that's because. I could be an atriums like like I felt like I needed to have a gig Joe: Right. Nate: Of a stature that would allow me to Joe: The Nate: Have the mic. Joe: Name Nate: And Joe: On Nate: They Joe: Your Nate: Trust. Joe: License plate. Perfect. Nate: Oh, yes. I was like, oh, you're so young, like young, you Joe: Oh, Nate: Know? Joe: Good. Nate: But he was funny. He was funny. All right. You could be aid drops was like, thanks. Joe: That's so Nate: Next year, Joe: Funny. It's awesome. Nate: Let me just give like a.. Joe: Yeah. Nate: Ok. Joe: Oh, God. Nate: David, he was girl. Of course. And of course, I looked him up and he's like, you know, what are these killing young drummers? There's so many bands. There's so many of those incredible guys Joe: Yeah, Nate: Just playing all that stuff. Joe: Well, cool. Nate: And I go, boom, boom, boom bap. Joe: Yeah, well, no, you don't, but you can say that if you want. You do a lot more Nate: It's Joe: Than that. Nate: True. Joe: So how about Nate: Well. Joe: Facebook? Do you know where they find you on Facebook? Nate: Yeah, sure, Facebook dot com slash Nate Morton drums. Joe: Perfect. So we did Instagram, Facebook. You have a website. Nate: I don't have an actual Web site. The closest thing I have is probably the for profit scam Joe: Ok, cool. Nate: Site. Joe: Ok. Nate: And what else we got? Joe: I assume Nate: Facebook. Joe: You don't hang out on Twitter or do you? Nate: You know what? So here's the thing. And I'm just being honest right now, it is being real. Somewhere along the line, I intentionally or unintentionally linked my Instagram to my Twitter. So it seems like whatever I put on Instagram winds up on Twitter. Or maybe it's my Facebook. But no, I'm not really active on Twitter. So if you actually want to catch up with me, find me on Facebook and I'm easy and like I'm not always the fastest to get back, but I get back to people. So if you find me on Facebook, dot com slash Nate Morton drums and you follow me there, you send me a message, whatever, whatever. I'm going to find it eventually. I'm gonna get back to you because it bugs me. My OCD would be bother. I can't look at a message and like, just delete it. Like, I look at it and I go back to that. So even so, if it's a it's over a day or a week or a month. I do my very best to get back. Joe: I'm sure. Nate: And and and you can always go, like super old school and just email me at an eight D argue Amzi at EarthLink thought that. Joe: Cool. And then really important is your YouTube page. Nate: Oh, I asked ask you to recite Joe: No. Nate: It. Joe: I'll put it in the show notes. But do you have more? Do you have your name? One and then. Is it the nake? Nate: No, no, it's just one. Joe: So it's the one Nate: It's Joe: With Nate: Just Joe: The Nate: One. Joe: Nait can. Like all the stuff. The Nate: Yeah, Joe: Voice videos. Nate: Yeah, it's all Joe: Right. Nate: On the same. That's all Joe: Ok, Nate: The same. Joe: Cool. Nate: Yes, that's all the same channel and it's YouTube dot com slash. See, like the letter C slash. Nate Morton drums, Joe: Perfect. Nate: Youtube dotcom Joe: See, Nate: Slash Joe: Nate Martin jumps. Nate: C slash O C anymore and drums. Oh, wow. Joe: There you go. Nate: I kind of just got that. Again, I swear. Joe: Oh. I think I should actually put some, like, cool Jeffs Nate: Yes, Joe: On the Nate: Yes, Joe: Video like that, lower Nate: Yes. Joe: Your head, just explode like the top flies off. Nate: I think Joe: All right. Endorsement's. Nate: If. You're awesome, Joe. Joe: Say always thinking. Nate: That's my endorsement. That's my words. Joe: No, no, Nate: That's my judgment. Joe: No. Nate: You said endorsements, Joe, your incredible. Joe: Yeah, well, you're amazing. But that's not Nate: What Joe: What you know. Nate: Does that mean? OK. So I am very, very fortunate to be affiliated with some really awesome companies. I'm afraid to say them all because like. I'm afraid to forget one and then Joe: Oh, I know. OK, Nate: So, so, so, so it's OK to put it in the Joe: I put in Nate: In Joe: The show. Nate: The text. Joe: Yeah. Is there anything else that I missed that you wanted to talk about? You know, I don't want to leave anything out. Nate: You know what? That's that's that's interesting, you should ask. And I will just I will just say this. I have it's going to be really weird. I'm going to go a little a little go a little left, Joe. Joe: That's Nate: And I Joe: Right. Nate: Know if you're expecting this Joe: That's Nate: Or not. Joe: Ok. Nate: I have six kids. I have a wife. Her name is Nicole, and outside of all of this, the show stuff and the gigs and this audition and that audition and this tour and that artist in that venue and that TV show and all of those things are amazing. I have to say that. I find my motivation and I find myself. Looking back on what is most important and all of those things are great. In the sense that. They allow me to do the things that I want to do with my family. Does that make sense? Joe: Absolutely. Nate: Know, I don't mean to be fruity or anything. It's just it's like I spend I spend a little bit of time getting to do things like this, like chatting to you. And I talk about drumhead to talk about music on the show. And I just never want to lose sight of the fact that within that world. I take a lot of pride and I put a lot of import on being able to spend time with my kids and my family as well. And one of the biggest words in our industry or in my life. I'll speak very small scale. One of the biggest words in my life is balance. And so while it may look from the outside, like the balance is completely shifted to all of that, there's also the other side, which is that you've also got allow yourself time to like spend time with your gnarly four year old to drive you crazy because she's insane or you're a two year old who might fall off the trampoline if you don't zip the thing closed. Or my 13 year old who has a tennis lesson or who can't play tennis right now. So I take him to Home Depot so he can hit on the on the wall or my 17 year old who I drag into the lounge room to play a game of chess with me or my 19 year old who is away at college while he's home. Now, who I communicate with and go, how's things going in your pursuits? You know. Or my. I left on my eight year old. Who? Who is it? Eight year old teenager. She's eight, but she's already a teenager. Isabelle, could that have a hug? Okay. Joe: Fine. Nate: You know, so. So it's like I don't mean to get too cheesy, but, you know, a long time ago, a great and dear friend of mine, Tony de Augustine, said the hardest thing about creating a career as a professional musician is finding a balance. And I said, a balance between what? And he said a balance between everything. And at the time, I was in my early 20s and I was like, what? What does that mean? And the older I get and every day, every week, month, year that goes by, I really do get it. It's a balance between. Gigs that you love. Gigs that pay the bills. Being gone on tour, making money and supporting your family. Seeing your family. Working hard and, you know, doing whatsoever versus having to work, but making yourself spend time doing things that are important otherwise. So again, I don't mean to get too cosmic with all of this, but yeah, I just want to make mention of that. I just wanted to make mention the fact that. Again. Certainly. Certainly way back again to Sharon, what's her name? Who said you don't sound very well rounded? I said I'm focused. Well, now I've adapted that focus. And that focus is, you know, to fill the time, music and and creativity and doing that side of things. But it's also in focus on Family and spending time with the wife and the kids. All those people who put up with me, Joe: Yeah. Nate: You know, all those little people who call me dad, I'm like, what? Joe: Yeah. Yeah. You have such a great Nate: And Joe: Family. Nate: My wife and my wife and the wife who puts up with me, the wife. Joe: Yes. Nate: I couldn't. I couldn't I couldn't be in my studio working 10 hours a day without her. Joe: No. Nate: I couldn't jump in my car and drive in the universal and work, you know, 80 hours a week without her. Joe: Go Nate: Right. Joe: Get. Nate: So. So those people are important and those people create the balance that that that makes my life really fucking cool. Joe: You deserve, brother. It's. I am honored to call you a friend. I am so glad we met. I don't even know how it happened. I, I know that we were both at one of those drum get togethers. It was a remote village in something. Nate: Yes, sure, probably, yeah. Joe: And I saw you as I was leaving and I handed you a card. And I had this funny slogan on the back of the card. And I was like a block and a half away already. And you're like, Hey dude, I love your card. Nate: It's Joe: It was really funny Nate: Like Joe: Like Nate: Me Joe: That. Nate: That Joe: Yeah. Nate: Sounds Joe: And Nate: Like me. Joe: Then it just it went from there and all the other stuff. So I appreciate you so much and I can't wait to Nate: I Joe: See Nate: Appreciate Joe: You in Nate: You. Joe: Person Nate: I appreciate Joe: Again. Nate: It. Joe: Please give. Nate: Hopefully soon. Joe: Yeah, I know. Please give my love to your family. Nate: We'll Joe: And Nate: Do, buddy, and you Joe: Yeah I will. Nate: And you. Joe: I will. And I really appreciate your time. And this is awesome. And thanks so much. Nate: Joe, absolutely my pleasure. And thank you for having me on. Joe: All right, brother, I appreciate it. You take care.

If you were born some time in the 20th century and lived anywhere as far north as New York City or as far south as Alabama, you may recall seeing neon event posters pasted on electrical boxes or stapled to wooden light-posts. In the DC area, these posters are best known for promoting gogo, rap, and r&b shows. For those unfamiliar, these posters were created by the Baltimore-based Globe Poster - a company started by a couple of blue-collar guys with an entrepreneurial idea that became iconic 90 years later. The Maryland Institute College of Art (better known as MICA) and our friends Shaolin Jazz have teamed up to present an exhibition paying homage to Globe Poster during DC Design Week which kicks off this week and runs through next Friday. Our guy Marcus K. Dowling, who'll be speaking on the panel at exhibit's opening, is back in studio to give more insight into what you'll see and why Globe Poster represents more than an event poster with a memorable aesthetic. #NecessaryListening For tickets and more information on the Globe Poster Exhibit, visit https://dcdesignweek.org/events/shaolin-jazz-and-globe-posters/ Follow Marcus K. Dowling: Twitter - www.twitter.com/marcuskdowling Instagram - www.instagram.com/marcuskdowling Facebook - www.facebook.com/marcuskdowling Follow Geronimo Knows: www.instagram.com/geronimoknows www.twitter.com/GeronimoKnows www.facebook.com/GeronimoKnowsTheWorld Follow All The Fly Kids: www.instagram.com/alltheflykids linktr.ee/alltheflykids Follow Fairground Inc: www.instagram.com/fairgroundinc linktr.ee/fairgroundtimes Follow Full Service Radio: www.fullserviceradio.org www.instagram.com/fullserviceradio The All the Fly Kids Show is where the cool, calm and connected talk straight – no chaser. Your host, Geronimo Knows, sits down each week with culture creators you [should] know specializing in moments of good taste in the arts, fashion, food, business and more. A necessary listen for the urban lifestyle enthusiast.

Full, uncut interview with the original Dayglo Abortions - from Jan. 2018.