Podcasts about Disney comics

Guest: Alberto Becattini | Listeners, we are finally at the episode where we get to discuss Barks' last great character creation, the fan favorite Italian sorceress Magica De Spell! My guest Alberto is Italian himself, and the author of a book on Disney comics! In addition to discussing Magica and the story herself, we also take some time to discuss his book and the history of Disney Comics in Italy!

Guest Host: Harry Fluks | Hold on to the ground, listeners! Lest ye be blown away to Valhalla! Not the mythic afterlife, but the weird planet the ducks encounter in this deeply strange early 60s Barks adventure! My guest Harry Fluks helps me discuss the story, its weird mash-up of different mythologies, and somewhat jarring excision of some of Barks original panels. He also talks about his long-running internet database INDUCKS, an invaluable resource for Disney Comics fans!

Guest: Maciek Kur | "On a Silver Platter" is one of Rosa's all-time classic ten-page stories. My guest and I discuss Rosa's first real use of Magica DeSpell in a story, the incredible high concept, the hapless Vesuvius detectives, and one of the best four-panel sequences in Disney Comics!

Guest Host: Harry Fluks | What ho, varlet? Make sure your passport is in order and journey with us to McDuckland, the sovereign mini-state governed by his royal stinginess, Scrooge McDuck, the First! I'm joined by Harry Fluks, who conceived the great Disney Comics resource INDUCKS, so we have some conversation about that project in addition to discussing this classic Scrooge adventure, a loose adaptation of the British film romp "Passport to Pimlico" (catch the opening fanfare in the intro).

Final Fantasy est l'une des plus grandes sagas de l'histoire du jeu vidéo, c'est un fait. Mais saviez-vous que bien avant Kingdom Hearts, Disney et Square se sont croisés pour un projet d'adaptation comme seule la bande dessinée américaine sait en proposer ? Aujourd'hui, on parle du comic book inachevé tiré de Final Fantasy ! Si le nom de Final Fantasy parle aujourd'hui à pratiquement tout le monde, ça n'a pas toujours été le cas. Lancée en 1987 au Japon, la licence va mettre un peu de temps pour se faire une place au-delà des frontières du pays du Soleil-Levant. Il faudra en effet attendre 1990 pour que le premier opus, sorti sur Nintendo NES, atteigne le marché américain, tandis qu'en France et en Europe, FFVII, sorti en 1997 sur Playstation, sera le premier épisode officiellement disponible, exception faite du spin-off Mystic Quest, sorti sur Game Boy en 1994. Bien que le premier épisode de la saga ai connu un succès non négligeable au pays de l'Oncle Sam, Final Fantasy II et III ne bénéficieront pas de localisation aux USA, et c'est ainsi que Final Fantasy IV, sorti en 1991 sur Super Famicom au Japon, est renommé Final Fantasy II pour l'arrivée de la cartouche Super Nintendo sur le sol américain la même année. Si vous avez suivi, c'est que vous êtes prêts pour la suite. Il n'est pas rare qu'une licence en vogue aux États-Unis, qu'il s'agisse d'un jeu vidéo, d'une ligne de jouets, d'un film, ou d'une série télé, ait droit à son adaptation sur le papier chez un éditeur de comics. Cette tendance est d'autant plus vraie à partir des années 1980, avec l'arrivée dans les rayons des comic shops de titres allant des Maîtres de l'Univers aux Transformers, en passant par Atari Force, G.I. Joe ou Cosmocats. Et il en va de même pour Indiana Jones, Alien, Predator, Robocop, et bien évidemment Star Wars, qui ont tous été convertis en comic book pour une durée plus ou moins longue, aux côtés d'autres franchises plus ou moins plébiscitées par les lecteurs, telles que Biker Mice from Mars, L'Agence Tous Risques, Double Dragon, The Real Ghostbusters, et même Chuck Norris Karate Kommandos… Si la qualité n'est pas toujours au rendez-vous, en démontre l'horrible Street Fighter chez Malibu Comics, c'est parce que, sans grande surprise, la motivation initiale est avant tout mercantile. En 1990, dans une démarche expansionniste, le groupe Disney Publishing Worldwide lance sa filiale Disney Comics, ayant pour objectif de continuer la publication de titres comme Uncle Scrooge ou Walt Disney's Comics and Stories ; déjà en cours depuis plusieurs années chez Gladstone Publishing, et avant ça chez Gold Key et Dell Comics ; et de lancer de nouvelles séries. Adepte d'une politique agressive, Disney Comics vise un développement un peu trop optimiste face à la réalité du marché en démultipliant les annonces de nouveaux labels, comme Hollywood Comics, qui aurait dû publier les adaptations en comic book des films produits par Hollywood Pictures, autre filiale de Disney. Mais Len Wein, co-créateur de Swamp Thing et de Wolverine, ne fait pas l'unanimité auprès des fans dans son rôle d'éditeur en chef de Disney Comics, et les ventes décevantes viennent rapidement saper les ambitions du groupe qui espérait pouvoir concurrencer Marvel et DC Comics dans la cour des grands. Ainsi, dès l'année 1991, une bonne partie des titres s'arrête et les projets de développement et autres labels, dont Hollywood Comics, sont abandonnés. Disney Comics disparaît pour de bon en 1993 et les séries survivantes sont de nouveau confiées à Gladstone Publishing. Un seul et unique titre aura été publié par Hollywood Comics : l'adaptation de Arachnophobia, film produit par Steven Spielberg. Mais il aurait pu en être autrement… En effet, voilà quelques années, le scénariste Kurt Busiek, célèbre pour son travail sur Marvels avec Alex Ross ou sur le crossover Justice League of America / Avengers avec le regretté George Perez, a révélé qu'il avait œuvré sur un projet pour le moins intriguant pour Hollywood Comics au début des années 1990 : l'adaptation en comic book de Final Fantasy. Pour remettre les choses dans leur contexte : Squaresoft avait pour idée de promouvoir la franchise auprès du public américain en s'appuyant sur une série de comics, et Kurt Busiek, déjà auteur depuis le début des années 1980, fut chargé de son écriture par Disney Comics qui, sans doute à la suite d'un jeu de rachats quelconque, avait obtenu les droits pour publier ladite série. À l'époque, le jeu vidéo est encore loin d'être une activité aussi démocratisée qu'aujourd'hui, de plus, seul le tout premier Final Fantasy est sorti aux États-Unis, et malgré un accueil favorable, il est évident que la popularité de la saga à travers le monde et la sacralisation de son lore ne sont en rien comparables à ce que nous pouvons connaître. Busiek commença donc à écrire une histoire prenant place dans l'univers du premier jeu, avant que Square ne demande finalement à l'auteur de totalement revoir sa copie pour placer l'intrigue dans l'univers de FFIV, dont la sortie est prévue au Japon et aux États-Unis pour l'année 1991. Un bon moyen de promouvoir la sortie de ce qui serait Final Fantasy II en Amérique du Nord. Après avoir reçu le maximum d'informations possible de la part de Square sur ce nouvel opus, Busiek se lance, et le scénario qu'il propose semble plaire au développeur nippon. Ce dernier, sûrement peu confiant quant à l'attrait des Américains pour le JRPG, considère que Busiek a les compétences pour rendre leur univers plus accessible aux USA et l'autorise même à “américaniser” le tout en renommant les personnages. La décision paraît douteuse, et presque suicidaire, à l'heure d'une Pop Culture mondialisée, mais elle est plutôt cohérente avec l'état d'esprit de l'époque. C'est l'artiste Dell Barras ; d'origine philippine, comme Alfredo Alcala ; fort d'un parcours de dessinateur, d'encreur et d'animateur, qui est choisi pour illustrer la série, tandis que Mike Mignola, qui deviendra mondialement célèbre en créant Hellboy, se chargera des couvertures de ce qui est initialement prévu comme une mini-série de quatre numéros. Mais lorsque Disney Comics frôle la banqueroute et abandonne le label Hollywood Comics, le projet Final Fantasy est mis au placard. Busiek estime qu'il avait sûrement terminé l'écriture de deux ou trois des quatre épisodes prévus, et que Barras avait dessiné au moins un numéro complet. Malheureusement, à l'exception d'un dessin promotionnel et de deux couvertures par Mignola, il ne subsiste aucun autre visuel connu de ce projet à ma connaissance. Est-ce une mauvaise chose ? Les adaptations de films ou de jeu vidéo en comics sont, il faut l'avouer, souvent médiocres, et les quelques exceptions qui vous viennent en tête ne font que confirmer cette règle immuable. Busiek n'avait de toute évidence pas pu jouer à Final Fantasy IV pendant qu'il écrivait son histoire, et si Square lui avait confié une bible de références pour lui permettre de travailler dans des conditions optimales, les libertés qu'on avait pu lui laisser pour adapter l'univers aux attentes du public occidental d'alors seraient sans doute très mal interprétées par les puristes d'aujourd'hui. Quand bien même on pourrait découvrir le premier épisode quasi-finalisé de cette mini-série, on ferait face à un pur objet de son époque, qui n'aurait aucun intérêt de nos jours, si ce n'est de provoquer quelques malaises dans l'assistance. Kurt Busiek, qui aurait pu rejoindre Squaresoft afin de participer à l'adaptation des prochains jeux Final Fantasy en occident, va finalement continuer sa carrière de scénariste de comics chez Marvel, avec le succès qu'on lui connaît. Comme quoi, un peu comme dans les RPG, l'avenir ne tient parfois qu'à une décision prise au bon moment… Final Fantasy IV arrive en novembre 1991 aux USA ; sous le titre de Final Fantasy II, donc ; dans une version légèrement modifiée. Les références religieuses sont gommées, tandis que l'ensemble est édulcoré pour éviter de choquer un jeune public, et la difficulté des combats est même revue à la baisse. Le soft restera une référence du jeu de rôles sur console, notamment pour son introduction du système Active Time Battle, qui pousse le joueur à rester impliqué pour avoir le meilleur timing durant les séquences de combat. Malgré le succès durable de la saga, il est assez étonnant de voir que là où des licences de fantasy comme Magic The Gathering, The Witcher ou Donjons & Dragons ont eu droit à de multiples versions plus ou moins pertinentes et réussies sur le papier, plus jamais aucun éditeur américain n'a tenté d'adapter Final Fantasy en comics. Il est probable que cela découle de la volonté de Square Enix de garder le contrôle sur la marque et de limiter les produits dérivés douteux pouvant dégrader l'image de sa poule aux œufs d'or auprès d'une communauté de fans aussi fidèles qu'exigeants. Enfin, à l'heure où l'hégémonie de Disney sur la culture populaire est plus affirmée que jamais, il est bon de se rappeler que cet empire du divertissement a aussi connu de véritables revers au cours de son existence. Si, à la même période, Valiant Comics, Dark Horse, ou Image Comics ont su profiter d'un contexte né de l'arrivée d'une nouvelle génération d'auteurs et d'une bulle spéculative à son paroxysme, Disney a littéralement raté le coche, son échec devançant de plusieurs années l'effondrement du marché de la bande dessinée américaine. Quand on sait que la multinationale a actuellement la main sur une partie des plus grandes licences de la planète, y compris celles de Marvel Comics, il y a de quoi trouver ça plutôt amusant… N'hésitez pas à partager cet article sur les réseaux sociaux s'il vous a plu ! Recevez mes articles, podcasts et vidéos directement dans votre boîte mail, sans intermédiaire ni publicité, en vous abonnant gratuitement ! Get full access to CHRIS - POP CULTURE & COMICS at chrisstup.substack.com/subscribe

Το παιχνίδι αναμένεται να κυκλοφορήσει επίσημα σε κονσόλες νέας και προηγούμενης γενιάς στις 20/06/23. Όποιος έχει προ παραγγείλει μία από τις δύο εκδόσεις του παιχνιδιού είχε πρόσβαση στην κλειστή έκδοση BETA του παιχνιδιού για 4 ημέρες. Από 20/4 έως 24/4. Η αρχή δεν ήταν καλή καθώς για να αποκτήσετε πρόσβαση έπρεπε να λάβετε από το store της συσκευής σας ένα SMS με τον κωδικό επιβεβαίωσης για να μπορέσετε να λάβετε το κλειδί προϊόντος. Όμως η πλατφόρμα είχε πολλά προβλήματα και δεν λειτουργούσε πάντα, με αποτέλεσμα όταν γράφατε τον κωδικό που σας έδωσε το κατάστημα να μην σας δίνει το κλείδι προϊόντος για εξαργυρώσετε τον κωδικό, με αποτέλεσμα να μην μπορείτε να λάβετε το κλειδί. https://retropolis.gr/2023/04/23/crash-team-rumble-preview-%ce%b1%cf%80%cf%8c-%cf%84%ce%bf%ce%bd-disney-comics-club/

Die letzte Bonusfolge hat klar bewiesen; ja, Ihr kennt noch die LIMIT? Mit "Comics, Action und Abenteuer" für 3,80 DM brachte der Ehapa-Verlag mit Disney-Comics und vielem mehr vor 30 Jahren Stimmung in die Jugendzimmer des Landes. Einmal mehr folge ich mit dieser Bonusfolge dem Motto "Geh' an dein LIMIT" und werfe einen Blick in Ausgabe 2 des Crossover-Taschenbuchs, die den Juni 1992 erhitzte. Einmal mehr gibt es auf rd. 100 Seiten allerlei zu entdecken, darunter neue Trendsportarten, Comics, Schwarzenegger-Sammelkarten, Artikel, News und vieles mehr. Darunter auch eine Witzeseite, die mich vor drei Dekaden schon nicht zum Schmunzeln brachte, woran sich auch nichts geändert hat. Aber hört selbst! Ihr wollt mehr von solchen Specials? Lasst es mich gerne via Socials, E-Mail usw. wissen. "Kino 90 Podcast" ist überall vertreten. Viel Hörvergnügen!

Artist, Animator & Writer Doug Rice joins us on Splash Pages to talk about his amazing career from Dynamo Joe, to Animaniacs. We also look at the the Plastic Man mini-series from 1988.   This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com Retro Dorkening Shirts on Amazon! https://tinyurl.com/dorkshirts   Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 Follow our Guest https://www.facebook.com/doug.rice.1610 https://www.imdb.com/name/nm4653141/ https://www.linkedin.com/in/doug-rice-794ba710/   At age 70, the easiest way to describe Doug Rice's life is that he is a veteran of the United States Air Force, the comics industry, and the animation industry – coming away with an Honorable Discharge, the 1985 San Diego Con's Russ Manning “Most Promising Newcomer” Award (at age 34!!), and a Daytime Emmy certificate, respectively. In terms of any skills or abilities, he is completely self-taught…though he does NOT recommend that path for most would-be artists. In the early 1970's, when the old 4-color comics process was hours away from techno-extinction, Rice was hired to work as the one-man production staff of a small new company in Chicago called FIRST COMICS. Some months later his studio duties were expanded to include an original comics title, DYNAMO JOE, a giant-robot series which he created and penciled. From there Doug went off in many other directions as a freelancer: STARBLAZERS (for Comico), PLASTIC MAN and MANHUNTER (for DC Comics), TOXIC AVENGER and WHAT THE--?! (for Marvel), ROGER RABBIT (for Disney Comics), TALES OF THE TMNT (for Mirage Comics), and STUPID (for Image Comics), among others. It was in 1993 that Rice changed careers and got into TV animation – again, with no formal training at all.   Startoons Studio in the south suburbs of Chicago was a beehive of activity for Warner Bros. weekday programming, which found Doug storyboarding and doing background layouts for “Steven Spielberg presents The Animaniacs” which, in turn, led to him being handed an Emmy certificate and ‘letter-of-congratulations' from the head of KidsWB animation a little over two years after he started. After the studio folded in the summer of 2001, Rice began work on a two-fisted/pulp-style adventure novel, as a sort of hobby between freelance jobs. The book, SQUADRON, is currently in publication in soft and hard volumes designed by the author. Since 2013, Doug has been teaching animation-related classes as a part-time professor at Columbia College of the Arts in Chicago because, even though he never graduated from the University of Illinois Chicago Circle, his Emmy honor counts for a professorship at Columbia.   Follow our Hosts Rich Davis Former co-host of the clowns of cosplay podcast & Cesar Romero enthusiast https://www.facebook.com/bagelbar https://www.instagram.com/velvetjoker2021/   Leo Pond Owner and Producer of The Dorkening Podcast Network https://www.facebook.com/leopond https://www.instagram.com/leo.pond/   Drew Mollo https://www.facebook.com/drew.mollo/ https://www.linkedin.com/in/drew-mollo https://screenrant.com/author/drew-mollo https://www.instagram.com/ghostbusterman1984 Send us your feedback online: https://pinecast.com/feedback/splash-pages-the-comic-book-cl/75683b71-3ec1-4878-bf7d-b50d1a9ea796 This podcast is powered by Pinecast.

S2E41- Join us as we dive into the mind of the great Doug Rice. Professor, Animator & Soo much more.   Follow Still Toking With and their friends! https://smartpa.ge/5zv1   Follow our Guest https://www.facebook.com/doug.rice.1610 https://www.imdb.com/name/nm4653141/ https://www.linkedin.com/in/doug-rice-794ba710/   At age 70, the easiest way to describe Doug Rice's life is that he is a veteran of the United States Air Force, the comics industry, and the animation industry – coming away with an Honorable Discharge, the 1985 San Diego Con's Russ Manning “Most Promising Newcomer” Award (at age 34!!), and a Daytime Emmy certificate, respectively. In terms of any skills or abilities, he is completely self-taught…though he does NOT recommend that path for most would-be artists. In the early 1970's, when the old 4-color comics process was hours away from techno-extinction, Rice was hired to work as the one-man production staff of a small new company in Chicago called FIRST COMICS. Some months later his studio duties were expanded to include an original comics title, DYNAMO JOE, a giant-robot series which he created and penciled. From there Doug went off in many other directions as a freelancer: STARBLAZERS (for Comico), PLASTIC MAN and MANHUNTER (for DC Comics), TOXIC AVENGER and WHAT THE--?! (for Marvel), ROGER RABBIT (for Disney Comics), TALES OF THE TMNT (for Mirage Comics), and STUPID (for Image Comics), among others. It was in 1993 that Rice changed careers and got into TV animation – again, with no formal training at all.   Startoons Studio in the south suburbs of Chicago was a beehive of activity for Warner Bros. weekday programming, which found Doug storyboarding and doing background layouts for “Steven Spielberg presents The Animaniacs” which, in turn, led to him being handed an Emmy certificate and ‘letter-of-congratulations' from the head of KidsWB animation a little over two years after he started. After the studio folded in the summer of 2001, Rice began work on a two-fisted/pulp-style adventure novel, as a sort of hobby between freelance jobs. The book, SQUADRON, is currently in publication in soft and hard volumes designed by the author. Since 2013, Doug has been teaching animation-related classes as a part-time professor at Columbia College of the Arts in Chicago because, even though he never graduated from the University of Illinois Chicago Circle, his Emmy honor counts for a professorship at Columbia. Find out more at https://still-toking-with.pinecast.co This podcast is powered by Pinecast.

Die drei Comic-Caballeros Lukas, Leon und Enti schnattern in der ersten Folge ihres neuen Podcasts darüber, wie sie zu Disney-Comics gekommen sind, warum einen die Sammelleidenschaft nicht so einfach loslässt und weshalb man häufig die pauschale Meinung hört, Comics aus Entenhausen seien nur "Kinderkram". Hört rein und schreibt uns eure Kommentare über Twitter oder bei Youtube! ;-) Ihr habt Anregungen, Kritik oder Themenvorschläge? - Immer her damit! Folgt uns auf Twitter: @DDCCaballeros #ddCC

Si Cregan kicks off his Podcast with his Mother (Marian)  as his first guest.  Marian talks about going back to college in her 60s and completing her degree in English from Trinity College Dublin. They also reflect on years gone by when Marian dabbled in creative writing and was recruited to write stories for Disney Comics, and the Gay Byrne radio show treasure hunt that led to Gay personally reciting a poem over the airwaves written by Marian herself lamenting her unsuccessful attempts to find the treasure!  All in all an enjoyable listen!

Es ist eine fiktive mittelständische Stadt der Disney-Comics. Zu seinen berühmtesten Bewohnern gehören Donald Duck und Micky Maus. Wie sie zu ihrem Namen kam, erklärt heute der MDR JUMP Wortinspektor, der immer dienstags zum Ortinspektor wird.

Thursday Comics #17from the Library of Graphic LiteratureJuly 3rd, 2020Welcome to a another fun filled episode of Thursday Comics with issue #17 and the new De-natured Lords of comic book media, Dennis Osbourne and Wallace Ryan!!!In this episode, we talk about the blacklisting of Warren Ellis and how that's screwed over the reprinting of a book I worked on and a few other people who are on the dick list, Dark Horse sticking with Diamond, Marvel taking over Aliens vs Predator, the passing of inking legend, joe Sinnott and a lot of other stuff including the webinar we watched in between about the Kirby and Steranko Captain America comics as brought to life by our pal, Arlen Schumer. I also mention how tomorrow on "In the Library of Graphic Literature", I'll be discussing Disney Comics with our local Disney expert, Sam Johnston!!!Check back next week too as with Dennis on vacation, we'll get a chance to do a special show for you fine and fabulous folks!!!Thursday Comics theme by Bill Brennan#dennyoneil #arlenschumer #dicklist #thursdaycomics #comicbooks #graphic novels #joesinnott #darkhorse

On this episode of the podcast the guys are joined by their friend Dan Cunningham (@HonuDan) to discuss the latest news on DuckTales Season 3 episodes titles and descriptions, and then Dan school’s the guys on the almost 100 year publication history of Disney comics. […]

From Dell to Gold Key to Gladstone to Disney to Gladstone to Gemstone to Boom Studios to IDW, I chronicle all the places that flagship title for Disney Comics in America have been published over the years.  Or you can subscribe to the podcast on Apple Podcasts (iTunes) by simply searching for "KSCGSF" or by putting KSCGSF.libsyn.com into the podcatcher of your choice. This blog will be serve as the show headquarters. You can also check it out on Facebook at Facebook.com/comicsretroreview As well as follow me on twitter @ KyleBenning_Art

Benny, Dan and Gary talk about some of the new MCU based shows in production.

This week Jason speaks with J. Michael Catron, a senior editor at Fantagraphics Books who is responsible for the E.C. Comics and Disney Comics libraries, among others. Jason and Mike talk for around an hour about what made E.C. the greatest company of their time, celebrate some great cartoonists and some rather subpar lettering. They also delve into Mike's history as a publisher at his own Apple Comics. Show notes at comicscavalcade.tumblr.com --- Send in a voice message: https://anchor.fm/classiccomics/message Support this podcast: https://anchor.fm/classiccomics/support

Shelley Valladolid & Jim Hill start off this episode by talking about Disney D-Lish and the food-themed merch that this short-lived pop-up store sold at WDW’s Disney Springs this past weekend. They then talk about Disney Comics artist Amy Mebberson and the fun new Disney Princess items that Amy & the team at Hasbros are now collaborating on. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shelley Valladolid & Jim Hill start off this episode by talking about Disney D-Lish and the food-themed merch that this short-lived pop-up store sold at WDW’s Disney Springs this past weekend. They then talk about Disney Comics artist Amy Mebberson and the fun new Disney Princess items that Amy & the team at Hasbros are now collaborating on. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this double-sized episode of DuckTalks Mitch, Josh, and Pirate Steven are joined by Dan Cunningham (@HonuDan) as they discuss Fantagraphics’ amazing volumes of Disney Comics. We dive deep into Carl Barks, Don Rosa, Disney Masters, DuckTales, 87 DuckTales, and more! We are sure you […]

David Seidman of Disney Comics, Claypool Comics, Marvel Comics and DC Comics, and the author of numerous books on a variety of subjects joins Mark today, along with the latest updates from Fun Ideas Productions.

Artsy Alex Grand, Jazzy Jim Thompson, and Bill Fantastic Field continue the Rick Marschall Interview starting when he first starts in Marvel Comics Magazines in 1978 and meets Jim Shooter for the first time, discussing his working with various comic book superstars of the time like Chris Claremont, Rudy Nebres, John Buscema, Dough Moench, Marv Wolfman and Len Wein, Tony DeZuniga, Don McGregor, Bob Larkin, Earl Norem, Frank Frazetta, Gil Kane, Marie Severin, John Severin, Stan Lee, Archie Goodwin, Howard the Duck and more. The circumstance of his Marvel departure in 1980 as he creates Epic Magazine, and his portion of the Jim Shooter purge of eliminating 70s Marvel talent from the bullpen is discussed, as well as his later assignments at Disney Comics, Nemo Magazine with Fantagraphics, Nemo Strip Reprints, Plotting the Thundercats cartoon, starting Hogan's Alley with Tom Heintjes, working with Milton Caniff, Dr. Seuss, and writing his many entries or books on comic history. There are so many sticks of butter you'll need for this one, it will make your head spin! Again, it's the cat's meow. No Sense Remix - Standard License. Marvel Magazines ©Marvel Comics. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Brian Harris joins me from the Central Florida area to talk about a variety of fandoms. I saw Brian at MegaCon this year as he repped an awesome looking Maui cosplay from the Disney movie Moana. Through a mutual friend, Patrick Towers, we got hooked up! We talk Disney movies and characters with some 80's anecdotes mixed in.  We also talk comics and characters that he likes.  Brian then tells us about Perler art and provides some important tips.  He also talks Cosplay. You can find Brian at: https://www.instagram.com/harris_cosplay/ https://www.instagram.com/pinoypanda89/ https://www.facebook.com/theartofpinoyhulk/ https://twitter.com/azntank89 https://www.facebook.com/orlandocharacterparties/ - Central Florida characters for parties https://www.instagram.com/loganzgreat/ - Made the Maui hook https://www.instagram.com/_cosfay/ - the Tefiti to his Maui Promo by The Jock and Nerd Podcast.  Find them at: http://JockandNerd.com 

This week we answer some listener questions, including our dream job at Walt Disney World and what ride we would want to see a comic book series about! Then we bring back Imagineering for Dummies and mash-up Star Tours and The Nightmare Before Christmas! Question of the week: What IP or ride would YOU want to see a comic about? Have a question for us? Let us know on Twitter@TheTTAPodcast! Find us on the internet! Rob's YouTube Channel Christine's YouTube Channel Rob's Twitter Christine's Twitter

Chandler Einstein, The DNC and Shylock Gets Laid! Guests: Geoffrey Golden (Devastator Press, Disney Comics) and Matt Manser (UCB's Bonafide, Californication). Hosted by Justin Michael and Jacob Reed. Please rate and subscribe in iTunes! Follow the show on Twitter @BYWFpodcast and on Instagram @BeforeYouWereFunny.Don’t miss an episode! Subscribe @ smarturl.it/bywfLike what you hear? Check out Don’t Ever Change @ smarturl.it/donteverchangeOh! Check out our survey @ smarturl.it/feralsurvey

Things get really meta when Mickey and Goofy discover they are living inside a comic book, and the comic book is striking back! Will it make us laugh, cry, or scream in horror? And what does learning have to do with it? Check out this week's Dueling Review to find out. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Dueling Reviews continues far into the future! WALT DISNEY COMICS & STORIES #733 “Night of the Living Text!” The fourth wall breaks as Mickey and Goofy discover they’re really living in a comic book story–with scary plans for them both! Then Donald Duck and Gyro are “Swallowed Whole” in a new William Van Horn adventure!

Things get really meta when Mickey and Goofy discover they are living inside a comic book, and the comic book is striking back! Will it make us laugh, cry, or scream in horror? And what does learning have to do with it? Check out this week's Dueling Review to find out. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Dueling Reviews continues far into the future! WALT DISNEY COMICS & STORIES #733 “Night of the Living Text!” The fourth wall breaks as Mickey and Goofy discover they’re really living in a comic book story–with scary plans for them both! Then Donald Duck and Gyro are “Swallowed Whole” in a new William Van Horn adventure!

It's time to talk Scarface, dummies! First I sit down with Amanda Meadows and Geoffrey Golden (The Devastator Press, McSweeney's, Disney Comics) to chat Read My Lips, The Ventriloquist and a healthy dose of 90s X-Men. Then I sit down with writing legend Joe R. Lansdale (Bubba Ho-Tep, Hap & Leonard, Jonah Hex) to chat about writing for Batman: The Animated Series, comics, horror and more! Lastly, a brand new segment is unveiled. Sponsored by the Zatara School of Ventriloquism! Rate + Subscribe in iTunes. Donate at www.patreon.com/BTASpodcast and follow @BTASpodcast for updates.

It's our very first episode! It's time to introduce ourselves, and tell you a little bit about what to expect from the show. In this episode we talk about some favorite Walt Disney World attractions including The Haunted Mansion and the original Journey Into Imagination in Epcot. We also veer off and talk about Disney Comics, and everybody's lovable ol' money hungry duck -- Uncle Scrooge! ** This episode is sponsored in part by WISH UPON A STAR WITH US TRAVEL. Let them help you plan your next Disney vacation AND take advantage of seasonal Disney discounts! On the web: http://bit.ly/WishUponDiscount ** On the web: http://piratesandprincesses.net Like Us on Facebook: http://bit.ly/DisneyPodcastFacebook On Youtube: http://bit.ly/DisneyPodcastYoutube Follow Thom on Twitter:... See acast.com/privacy for privacy and opt-out information.

Diese Folge war ursprünglich leicht anders geplant, aber Raffzahn ist mangels Autobahnvignette auf der Landstrasse versumpft. XTaran und Venty haben dann adhoc das Thema Comics und Webcomics ausgewählt, um etwas darüber zu erzählen. Trackliste Kraftfuttermischwerk – Frühlingswärme Core Wizard & Dark Master – Hello World Man with no alias – Promised Land Nächste Sendung am 7. Mai 2011 Garfield :: Frech, Fett, Faul und Filosofisch Peanuts :: Charly Brown und die Peanuts von Charles M. Schultz Foxtrot :: Foxtrot von Bill Amend Userfriendly :: Userfriendly von Illiad Sabrina :: Sabrina von Eric Schwartz Sabrina in Deutsch :: Sabrina in Deutsch von Fans übersetzt Eric Schwartz :: Diverse Kurzfilme von Eric Schwartz vom Amiga (Youtube) Globi-Verlag :: Globi, Papa Moll etc. Ringgi und Zofi :: Ringgi und Zofi, leider vergriffen Ehapa Verlag :: Asterix, Disney Comics etc. in Deutsch Marvel Universe :: Spiderman, Hulk, Iron Man etc. DC Comics :: Superman, Bat Man, Roter Blitz etc. Yps mit Gimmick :: Yps, Urzeitkrebse und andere lustige Gimmicks Calvin & Hobbes :: Calvin und Hobbes Sinfest :: Sinfest Gaston :: Gaston Lagaffe PhD Comics :: Piled Higher and Deeper XKCD :: A webcomic of romance, sarcasm, math, and language. Joy of Tech :: The Joy of Tech Nichtlustig :: Meistens eben doch Kevin and Kell :: Kevin and Kell DAR :: DAR Comic Bucko :: Bucko Comic Commissioned :: Commissioned Comic Extra Life :: My Extra Life CAD :: CTRL-ALT-DELETE Devil's Panties :: The Devil's Panties Questionable Content :: Questionable Content Geek & Poke :: Geek and Poke The Bizarre Cathedral :: Comic von der Free Software Foundation Wapsi Square :: Slice of supernatural life APOD :: Astronomy Picture Of the Day von der NASA File Download (60:02 min / 75 MB)

Diese Folge war ursprünglich leicht anders geplant, aber Raffzahn ist mangels Autobahnvignette auf der Landstrasse versumpft. XTaran und Venty haben dann adhoc das Thema Comics und Webcomics ausgewählt, um etwas darüber zu erzählen. Trackliste Kraftfuttermischwerk – Frühlingswärme Core Wizard & Dark Master – Hello World Man with no alias – Promised Land Nächste Sendung am 7. Mai 2011 Garfield :: Frech, Fett, Faul und Filosofisch Peanuts :: Charly Brown und die Peanuts von Charles M. Schultz Foxtrot :: Foxtrot von Bill Amend Userfriendly :: Userfriendly von Illiad Sabrina :: Sabrina von Eric Schwartz Sabrina in Deutsch :: Sabrina in Deutsch von Fans übersetzt Eric Schwartz :: Diverse Kurzfilme von Eric Schwartz vom Amiga (Youtube) Globi-Verlag :: Globi, Papa Moll etc. Ringgi und Zofi :: Ringgi und Zofi, leider vergriffen Ehapa Verlag :: Asterix, Disney Comics etc. in Deutsch Marvel Universe :: Spiderman, Hulk, Iron Man etc. DC Comics :: Superman, Bat Man, Roter Blitz etc. Yps mit Gimmick :: Yps, Urzeitkrebse und andere lustige Gimmicks Calvin & Hobbes :: Calvin und Hobbes Sinfest :: Sinfest Gaston :: Gaston Lagaffe PhD Comics :: Piled Higher and Deeper XKCD :: A webcomic of romance, sarcasm, math, and language. Joy of Tech :: The Joy of Tech Nichtlustig :: Meistens eben doch Kevin and Kell :: Kevin and Kell DAR :: DAR Comic Bucko :: Bucko Comic Commissioned :: Commissioned Comic Extra Life :: My Extra Life CAD :: CTRL-ALT-DELETE Devil's Panties :: The Devil's Panties Questionable Content :: Questionable Content Geek & Poke :: Geek and Poke The Bizarre Cathedral :: Comic von der Free Software Foundation Wapsi Square :: Slice of supernatural life APOD :: Astronomy Picture Of the Day von der NASA File Download (60:02 min / 75 MB)

This week on the show; Rodrigo is still gone which means Matthew and Stephen must tackle Blacksad on their own. Plus, Birds of Prey and some Mickey Mouse antics from BOOM! Studios. NEWS DC Comics stays in NYC, everyone else goes west LINKAGE REVIEWS Stephen MICKEY MOUSE AND FRIENDS #300 Written by Ted Osborne, Stefan Petrucha Drawn by César Floyd Gottfredson, Ferioli Pelaez COVER: Daan Jippes First, mouse mischief multiplies when a cloning experiment goes wrong in a tale we could only call “300 Mickeys!” Then, experience the classic Floyd Gottfredson tale “Dan the Dogcatcher” in its first wide U.S. release since 1932 and in its original layout! Regular edition features a brand-new cover by Disney Comics master Casty. [rating:3/5] Matthew Birds of Prey #5 Written by GAIL SIMONE • Art by ALVIN LEE • Cover by ALINA URUSOV Join writer Gail Simone and guest artist Alvin Lee as two Birds track down a missing team member in Thailand...where someone is hunting them to make sure they never return! Plus, the shocking events of BRIGHTEST DAY continue to rock Hawk and Dove, the newest recruits to Oracle's organization! [rating:2/5] MAJOR SPOILERS POLL OF THE WEEK FIGHT! Thanos vs. Darkseid VOTE MAJOR SPOILERS DISCUSSION: Blacksad The story is set in a film noir environment, in the USA of the late 1950s. All the characters are anthropomorphic animals (female characters are often much more anthropomorphized, though it varies depending on the animal.), their specific species reflecting their personality and their part in the story. For example, nearly all the policemen are canid, usually German Shepherds, Bloodhounds, Foxes or Scottish Terriers. The strip is made with a rather dirty-realist outlook, a dark cinematic style and fairly clean, realistic lines. Coupled with the truly lavish and time-consuming drawing, done in watercolor, the strip appears very realistic indeed despite using animals. The quality of the drawing has improved noticeably throughout the series, with sharper, higher-quality colour and fewer grainy lines in later issues. Contact us at podcast@majorspoilers.com Music from this episode comes from Armin Brewer (intro) and James Kennison (closing) from the Nobody's Listening Podcast. A big thanks to both of these guys for creating kick-ass music for the show! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

This week on the show; Rodrigo is still gone which means Matthew and Stephen must tackle Blacksad on their own. Plus, Birds of Prey and some Mickey Mouse antics from BOOM! Studios. NEWS DC Comics stays in NYC, everyone else goes west LINKAGE REVIEWS Stephen MICKEY MOUSE AND FRIENDS #300 Written by Ted Osborne, Stefan Petrucha Drawn by César Floyd Gottfredson, Ferioli Pelaez COVER: Daan Jippes First, mouse mischief multiplies when a cloning experiment goes wrong in a tale we could only call “300 Mickeys!” Then, experience the classic Floyd Gottfredson tale “Dan the Dogcatcher” in its first wide U.S. release since 1932 and in its original layout! Regular edition features a brand-new cover by Disney Comics master Casty. [rating:3/5] Matthew Birds of Prey #5 Written by GAIL SIMONE • Art by ALVIN LEE • Cover by ALINA URUSOV Join writer Gail Simone and guest artist Alvin Lee as two Birds track down a missing team member in Thailand...where someone is hunting them to make sure they never return! Plus, the shocking events of BRIGHTEST DAY continue to rock Hawk and Dove, the newest recruits to Oracle's organization! [rating:2/5] MAJOR SPOILERS POLL OF THE WEEK FIGHT! Thanos vs. Darkseid VOTE MAJOR SPOILERS DISCUSSION: Blacksad The story is set in a film noir environment, in the USA of the late 1950s. All the characters are anthropomorphic animals (female characters are often much more anthropomorphized, though it varies depending on the animal.), their specific species reflecting their personality and their part in the story. For example, nearly all the policemen are canid, usually German Shepherds, Bloodhounds, Foxes or Scottish Terriers. The strip is made with a rather dirty-realist outlook, a dark cinematic style and fairly clean, realistic lines. Coupled with the truly lavish and time-consuming drawing, done in watercolor, the strip appears very realistic indeed despite using animals. The quality of the drawing has improved noticeably throughout the series, with sharper, higher-quality colour and fewer grainy lines in later issues. Contact us at podcast@majorspoilers.com Music from this episode comes from Armin Brewer (intro) and James Kennison (closing) from the Nobody's Listening Podcast. A big thanks to both of these guys for creating kick-ass music for the show! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.