Podcast appearances and mentions of francesco turrisi

The musician and avid cook talks to Mark and Kate about the learning processes of cooking and playing music, why Italians get so mad about Italian-American food, Italian food legends vs. history, and knowing your pasta.Subscribe to Food with Mark Bittman on Apple Podcasts, Spotify, or wherever you like to listen, and please help us grow by leaving us a 5 star review on Apple Podcasts.Follow Mark on Twitter at @bittman, and on Facebook and Instagram at @markbittman. Want more food content? Subscribe to The Bittman Project at www.bittmanproject.com.Questions or comments? Email food@markbittman.com. And if you have a minute, we'd love it if you'd take a short survey about our show! Head here: http://bit.ly/foodwithmarkbittman-survey Hosted on Acast. See acast.com/privacy for more information.

By the standards of any musician, Rhiannon Giddens has taken a twisting and complex path. She was trained as an operatic soprano at the prestigious Oberlin Conservatory of Music, and then fell almost by chance into the study of American folk music and took up the banjo. With like-minded musicians, she founded the influential Carolina Chocolate Drops, which focussed on reviving the repertoire of Black Southern string bands. Giddens plays on Beyoncé's new country album, which boldly asserts the Black presence in country music. But her view of Black music is unbounded by genre: “There's been Black people singing opera and writing classical music forever.” Giddens shared a Pulitzer Prize for the opera “Omar” in 2023, and as a solo artist, she has moved through the Black diaspora and beyond it. David Remnick talked with Giddens when her album “There Is No Other,” recorded in Dublin, had just come out, and she performed in the studio with her collaborator, Francesco Turrisi. This segment originally aired May 3, 2019.

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Our final episode welcomes kamancheh player Niloufar Shiri, pipa player Wu Man, and multi-instrumetalist Francesco Turrisi to the podcast, where they discuss the history of their instruments, how they are played in contemporary music today, and what we can look forward to in this year's festival programming. Niloufar Shiri Performs at Ojai Meadows Preserve Niloufar Shiri Pop Up Pipa with Wu Man  Francesco Turrisi: Playlist & Ojai Talk  Francesco Turrisi Rhiannon Giddens and Francesco Turrisi Met Museum Concert Emily Praetorius, host and producer Louis Ng, recording engineer OJAICast theme by Thomas Kotcheff and Louis Weeks Music Excerpts in this Episode: Niloufar Shiri Improvisation Rhiannon Giddens and Francesco Turrisi Met Museum Concert  

Two-time Grammy Award winner, MacArthur “Genius Grant” recipient, and folk artist Rhiannon Giddens is a musical polymath. Defying the odds, she enrolled at Oberlin College to study opera without being able to read music, nor having seen a live performance. Rhiannon credits her formal training at conservatory and an apprenticeship with Black string musician Joe Thompson for her success, and sees music as her most powerful vehicle. The Artistic Director of the Silkroad Ensemble talks about her recent collaborations with Yo-Yo Ma and Francesco Turrisi, love of the banjo, and mission to reclaim American musical traditions.Check out Rhiannon Giddens on Facebook, Instagram, Twitter, YouTube, Apple Music, Spotify, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Rhiannon Giddens talks about "They're Calling Me Home," the album she recorded with partner Francesco Turrisi. It won a Grammy Award Sunday for Best Folk Album. And, this summer's World Games in Birmingham, Alabama, will feature several sports including one less familiar to Americans, called korfball. WBHM's Kyra Miles tells us why it's already so popular in Birmingham.

Known as the Gate City, Greensboro, North Carolina is a transitional town: hub of the Piedmont between the mountain high country to the west and coastal Sandhill Plains to the east, and a city defined by the people who have come, gone, and passed through over the years. As a crossroads location, it has long been a way station for many endeavors, including touring musicians - from the likes of the Rolling Stones and Jimi Hendrix at the Greensboro Coliseum, the state's largest indoor arena, to James Brown and Otis Redding at clubs like the El Rocco on the Chitlin' Circuit. Throw in the country and string band influences from the textile mill towns in the area, and the regional style of the Piedmont blues, and you've got yourself quite the musical melting pot.  This historical mixture was not lost on one of Greensboro's own, Rhiannon Giddens - one of modern day Americana's ultimate crossover artists. A child of black and white parents, she grew up in the area hearing folk and country music, participating in music programs in local public schools, and eventually going on to study opera at Oberlin Conservatory in Ohio. Once she returned to North Carolina and came under the study of fiddler Joe Thompson and the Black string band tradition, she began playing folk music and forged an artistic identity steeped in classical as well as vernacular music. In this episode of Carolina Calling, we spoke with Giddens about her background in Greensboro and how growing up mixed and immersed in various cultures, in a city so informed by its history of segregation and status as a key civil rights battleground, informed her artistic interests and endeavors, musical styles, and her mission in the music industry.    Subscribe to Carolina Calling to follow along as we journey across the Old North State, visiting towns like Durham, Wilmington, Shelby, Asheville, and more. Brought to you by The Bluegrass Situation and Come Hear NC Music featured in this episode: Rhiannon Giddens - "Black is the Color"Andrew Marlin - "Erie Fiddler"Carolina Chocolate Drops - "Cornbread and Butterbeans"The Rolling Stones - "Rocks Off"Count Basie and His Orchestra - "Honeysuckle Rose"Roy Harvey - "Blue Eyes"Blind Boy Fuller - Step It Up and GoRhiannon Giddens, Francesco Turrisi - "Avalon"Carolina Chocolate Drops - "Snowden's Jig (Genuine Negro Jig)"Barbara Lewis -"Hello Stranger"The O'Kaysions - "Girl Watcher"Joe and Odell Thompson - "Donna Got a Rambling Mind"Carolina Chocolate Drops - "Country Girl"Carolina Chocolate Drops - "Hit 'Em Up Style"Our Native Daughters - "Moon Meets the Sun"Rhiannon Giddens, Francesco Turrisi - "Si Dolce é'l Tormento" Cover image: Rhiannon Giddens by Ebru YildizAdvertising Inquiries: https://redcircle.com/brands

A few weeks ago, Myself and Andrea took a day trip to Galway city to visit the Black Gate Cultural Centre. In 2020 both Andrea and I were big champions of Niamh Regan's debut album Hemet which was released on Black Gate's label, Indeed, we talked to Niamh on the show that summer, and the record went onto receive a Choice Music Prize nomination last year. Last year the Black Gate venue was streaming live concerts from its small venue space, and this week, it will debut its TV show on TG4 - called Cumasc: Seisiúin sa Black Gate, the show pairs up disparate musicians for a series of collaborative days resulting in performances in the Black Gate.  There are 12 episodes of Cumasc featuring the likes of Rhiannon Giddens / Róisín Elsafty and Francesco Turrisi, Rachael Lavelle and Peter Broderick, Seamus Begley and Junior Brother, Jinx Lennon and The Mary Wallopers, Sam Amidon and Siobhán Peoples, Anna Mullarkey and David Kitt's New Jackson and much more. Cumasc is available to watch on the TG4 player from today, before TV broadcast on February 26th. So, Black Gate - is it a label? Is it venue? Is it wine bar? Is it a recording studio? Well, it's a bit of everything. I've always thought that multi-use spaces are the way forward in terms of music and entertainment venues, and when it comes with wine and a cheese board too, well, we thought we better go down to Galway and have a look for ourselves. So Andrea and I did just that, and it just happened to arrive on Black Gate's fifth birthday. We spoke to Niamh Regan once again, talked to the director of Cumasc Mia Mullarkey, as well as her little sister, the musician Anna Mullarkey, who appeared on the show with David Kitt and wrote the theme song.  And we met the people behind the Black Gate including Co-owner Peadar King to hear about how it all came together and their plans for the space, and we'll hear a bit from one of their upcoming releases too from Rodney Owl. Let's drop in… Listen to the episode below or subscribe in your favourite podcast app: Subscribe in Apple | Android | ACAST | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed Episode notes / references Songs played on the Nialler9 Podcast Spotify Playlist View this post on Instagram A post shared by The Black Gate (@blackgategalway) Support Nialler9 on Patreon and join our Discord chat + member playlists & content. Andrea has a Ghost newsletter Andrea's own podcast - My Favourite Album Subscribe to the podcast and please leave a review on iTunes, tell your friends or commit to supporting us directly. Support us on Patreon. Previous podcast episodes

Raine Hamilton (they/them) joins us on Episode 619 of Folk Roots Radio to chat about their new concept album "Brave Land", a chamber-folk recording that speaks to both courage and wisdom, inspired by a deep connection to the earth through the mountainous landscapes they have encountered while out on the road. It's a fascinating conversation about a really interesting album. We wrap up the rest of the episode with new releases from Sarah Jarosz, Billy Strings, Malcolm McWatt, Old Blind Dogs, Over The Moon, Eliza Gilkyson and Rhiannon Giddens (with Francesco Turrisi). Enjoy! If you like the artists you hear on this show and want to support them, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live show opportunities. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-619-feat-raine-hamilton-brave-land-more-new-releases/

By the standards of any musician, Rhiannon Giddens has taken a twisting and complex path. Trained as an operatic soprano at the prestigious Oberlin Conservatory, Giddens fell almost by chance into the study of American folk music. Alongside two like-minded musicians, she formed the Carolina Chocolate Drops, in which she plays banjo and sings. The group is focussed on reviving the nearly forgotten repertoire of Black Southern string bands, but the audience for acoustic music remains largely white. Giddens tells David Remnick she was heartbroken that her largest Black audience was at a prison concert. “The gatekeepers of Black culture are not interested in what I'm doing,” she says. “This is a complaint I've heard from many, many people of color who do music that's not considered Black—hip-hop, R. & B.” Her view of Black music is more expansive: “There's been black people singing opera and writing classical music forever.” As a solo artist, Giddens is moving increasingly further afield from African American and American music; her new album, “There Is No Other,” recorded in Dublin in collaboration with the musician Francesco Turrisi, explores folk styles from the Middle East, Europe, and Brazil, as well as early America. She and Turrisi perform “Wayfaring Stranger,” the ancient ballad “Little Margaret,” and the tarantella “Pizzica di San Vito.”    This segment was previously aired in 2019.

Mark talks to the prolific musicians about being "the other," the profound similarities between food and music, and biscuits vs. scones. Be sure to check out Rhiannon Giddens and Francesco Turrisi's new album They're Calling Me Home. This episode was sponsored by Brami Snacks (www.bramisnacks.com and promo code BITTMAN30 for 30% off), Mr. Espresso (www.mrespresso.com and promo code FreeShip1978 for free shipping), Luke's Lobster (www.lukeslobster.com and promo code BITTMAN15 for 15% off), and Hodo Foods ( www.hodofoods.com/bittman to get your coupon to try ANY Hodo products). Subscribe to Food with Mark Bittman on Apple Podcasts, Spotify, or wherever you like to listen, and please leave us a 5 star review on Apple Podcasts. Follow Mark on Twitter at @bittman, and on Facebook and Instagram at @markbittman. Subscribe to Mark's newsletter The Bittman Project at www.bittmanproject.com. Submit your listener questions to Mark and Team Bittman on our toll-free listener voicemail line at (833) FOOD-POD or (833) 366-3763. Food with Mark Bittman is part of the Airwave Media podcast network. Email sales@advertisecast.com to advertise on the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhiannon Giddens and Francesco Turrisi are touring in support of their latest album “They're Calling Me Home” and will be at The Bardavon in Poughkeepsie, New York on Friday, November 5 and at SUNY Potsdam in Potsdam, New York on Saturday, November 6.

Episode 14 features Brandi Waller-Pace, educator, activist, and the Founder and Executive Director of Decolonizing the Music Room. We talk with Brandi about DTMR, being informed, and where she sees the future of music education. Transcripts to all podcast episodes are created by Hollyn Slykhuis and are posted on our website! To learn more about Brandi and all her favorite organizations and resources, check out the links below! Decolonizing the Music Room - https://decolonizingthemusicroom.com/donate Decolonizing the Music Room Resources - https://decolonizingthemusicroom.com/resources The Score Podcast - https://www.revivalmusicproject.org/podthescore/ NPR Codeswitch - https://www.npr.org/podcasts/510312/codeswitch Bettina L. Love's “We Want to Do More Than Survive: Abolitionist Teaching” - https://www.goodreads.com/en/book/show/40642377-we-want-to-do-more-than-survive Rising Tide Music Press - www.risingtidemusicpress.com Woke Kindergarten - https://www.wokekindergarten.org/ Colors of Classical Music - https://www.instagram.com/colorsofclassicalmusic/?hl=en @littleupbeatclass - https://www.instagram.com/littleupbeatclass/ @pinkmantaray - https://www.instagram.com/pinkmantaray/ @musicwithmissalice - https://www.instagram.com/musicwithmissalice/ The Conscious Lee - https://www.instagram.com/consciousleespeaks/ Blair Imani - https://blairimani.com/ Rhiannon Giddens - https://www.rhiannongiddens.com/ Francesco Turrisi - https://www.francescoturrisi.com/ The Carolina Chocolate Drops - https://www.rhiannongiddens.com/carolina-chocolate-drops Giddens & Turrisi at the Met - there is no other - https://www.youtube.com/watch?v=Ignhso0iv9U&ab_channel=TheMet Huge thanks to Trevor Weston and Whitney George for letting us include their music in our intro and outro! Our recording of Weston's “Fanfare for Changes” opens the podcast, and Ashley's recording of George's “Incantations” closes each episode. Visit their websites to learn more about them and their works below! Trevor Weston - http://www.trevorweston.com/ Whitney George - https://www.whitneygeorge.com/

The Grammy winner and McArthur 'Genius' award-winner joined us from her home in Ireland to play a few songs from the new album she recorded with her partner Francesco Turrisi called They're Calling Me Home.

The Grammy winner and McArthur 'Genius' award-winner joined us from her home in Ireland to play a few songs from the new album she recorded with her partner Francesco Turrisi called They're Calling Me Home.

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Rhiannon Giddens is a brilliant fiddle and banjo player who’s one of the few musicians alive today trained in the centuries-old black string band tradition. Giddens is a North Carolina native but now lives in Ireland, not far from her partner Francesco Turrisi. During lockdown, the duo recorded their latest album, They’re Calling Me Home. On today’s episode, Bruce Headlam talks to Giddens about her decision to write from a cultural point of view rather than her own. Giddens also talks about how she has been able to maintain a living connection to the near-extinct black square dance players. And we’ll hear her play a banjo style that originated in West Africa. Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord You can also check out past episodes here: https://brokenrecordpodcast.com Check out a playlist of our favorite Rhiannon Giddens songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

We wrap up the April new music series with two more listener calls. Scott Isom goes with tunes by No-No Boy, Rhiannon Giddens with Francesco Turrisi and Fantastic Negrito. And Adam Coop likes Red Fang, a White Stripes remix, Jeff Rosenstock and Royal Blood.Episode editor: Patrick FosterBecome a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspodSubscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com(c) Artie S. Industries LLC

El 5 de mayo de 1984 Ramoncín actuó en Anaitasuna Pamplona dentro de la gira de su quinto álbum “Ramoncinco”. Ahora se publica el formato vinilo del álbum de aquel concierto, una buena excusa para traer a nuestro programa a este poeta urbano incontestable, contracorriente, curtido en mil batallas, pero conservando integridad y un corazón tan grande como su discografía. Además, queremos presentar a un artista que se sale de cualquier etiqueta o parámetro: Montañés. DISCO 1 SARAH JAROSZ Interlude 1 (4) DISCO 2 RHIANNON GIDDENS & Francesco Turrisi Waterbound (9) DISCO 3 MIGUEL RÍOS A Contra Ley (9) DISCO 4 IMELDA MAY Different Kinds Of Love (4) DISCO 5 RAMONCÍN Al Límite (Cara 1 Corte 1) DISCO 6 RAMONCÍN Hormigón, Mujeres y Alcohol (Cara 1 Corte 4) Arañando la Ciudad DISCO 7 RAMONCÍN La Chica de la Puerta 16(Cara 1 Corte 4) Ramoncinco DISCO 8 MONTAÑÉS El Gran Simulador (Cara 2 Corte 4) DISCO 9 MONTAÑÉS Romance del Mago Enamorado (Cara 1 Corte 4) DISCO 10 MONTAÑÉS Circo (Cara 2 Corte 3) Escuchar audio

Rhiannon Giddens catches up with Kyle Meredith to talk about They’re Calling Me Home, the latest project with Francesco Turrisi that finds her (an American) and him (an Italian) searching for the meaning of home while stuck in Ireland with the lockdown. Giddens talks about the old folks tunes that populate the album and what they still say in today’s climate, writing about the fabled city of Avalon, and the cross section of their multicultural music. The Carolina Chocolate Drops co-founder also talks about the possibility of another Our Native Daughters record with Amythyst Kiah, Leyla McCalla, and Allison Russell and her upcoming opera. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In North Carolina entdeckte Rhiannon Giddens, dass das Banjo in der afro-amerikanischen Kultur eine Geschichte hatte, die nahezu verschwunden war. Ihre Mission: diese wiederbeleben. Gemeinsam mit dem Perkussionisten Turrisi hielt sie sich im Lockdown bei Laune, dank frischen Versionen alter Songs.

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For this week’s #TuesdayTriplePlay, Kevin explores 3 new releases.  The mix includes hard rock, rockabilly, and indie folk.Silver Synthetic – Silver Synthetic (2021) Sample Track: “Unchain Your Heart"Rhiannon Gidens with Francesco Turrisi – They’re Calling Me Home (2021) Sample Track: “Waterbound"NubiyanTwist – Freedom Fables (2021) Sample Track: “Ma Wonka (feat. Pat Thomas)" Support the show (https://www.patreon.com/SchizoMusic)

An atmospheric blend of new releases from the likes of Toumani Diabate & The L.S.O., Chinese band Manhu, Corsica's L'Alba, and the latest Songlines Magazine sampler started the show. Also threw in some classic cuts from Orchestra Baobab and Kora Jazz Band and a new single from Dobet Gnahore. Then a pipeline protest song, new songs from Allison Russell, Annabelle Chvostek, and Maria Muldaur - and a couple of stunning tracks from the new CD by Rhiannon Giddens and Francesco Turrisi. Some classic blues, some brilliant bluegrass, a few songs in Welsh, and a tribute to English singer Sandy Denny, who passed away 43 years ago this week.

'To Star the Dark' from Doireann Ní Ghríofa. She wrote the new poetry side by side with 'A Ghost in the Throat', the extraordinary prose work published in 2020, The Grammy-winning artist Rhiannon Giddens and partner, Francesco Turrisi discuss their new album They’re Calling Me Home, renowned folklorist and anthropologist Henry Glassie.

Lucy Dacus, Lord Huron, Rhiannon Giddens & Francesco Turrisi, Rostam, Johnny Flynn & Robert Macfarlane, Shirley Collins New music with a touch of Americana and world flavour

Multi-instrumentalist Rhiannon Giddens has sought comfort from traditional songs during the pandemic, and they form her new album with Francesco Turrisi. And how Matt Keegan's great grandfather's journey of survival inspired a programmatic jazz suite.

Clive Anderson and Emma Freud are joined by Michael Mosley, Yasmeen Khan and Tez Ilyas for an eclectic mix of conversation, music and comedy. With music from Rhiannon Giddens and Francesco Turrisi and Philippe Cohen Solal and Mike Lindsay.

Rhiannon Giddens joins us to discuss "They're Calling Me Home," the new album she recorded with her partner Francesco Turrisi. And, Minneapolis racial trauma expert Resmaa Menakem says for Black and Brown Americans, trauma is passed down from generation to generation, becoming a physical manifestation of the systemic racism the U.S. is only now starting to acknowledge.

La tête appuyée sur des coussins moelleux comme des nuages, l'ambiance est vaporeuse, avec des chips et des tchip quand François and the Atlas Mountains ouvre son nouvel album “Banane Bleue” par “une chanson douce“, The Foreigner, délicate la kora et la voix de Camille sur ce nouvel album de Ballaké Sissoko, folk, soul, tour à tour fragile ou puissante l'artiste Rhiannon Giddens, ancienne connaissance de nova, venue jouer dans nos studios avec son groupe Carolina Chocolate Drops auquel s'associa un temps Leyla Mccalla : de ces jeunes artistes américains repartis sur les traces de leurs aînés musiciens troubadours, joueur de banjo ou de violon. Vous écouterez “Calling Me Home” enregistré avec le musicien Francesco Turrisi, suivi du “Foghorn Calling” de Piers Faccini pour bien atterrir sur terre... les nouveautés de la sono mondiale !Ci-dessus, le clip de la chanson Foghorn Calling de Piers Faccini. See acast.com/privacy for privacy and opt-out information.

Last Thursday show! I'm back on SATURDAYS from 6th March at 12pm GMT. Wear headphones! Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ One More Time by Daft Punk on Discovery (Parlophone) 8′37″ The Awakening by Gianni Brezzo on The Awakening (Jakarta Records) 🆕 12′34″ Hypotheticals - Edit by Lake Street Dive on Hypotheticals (Nonesuch) 🆕 15′48″ Flow by Nubiyan Twist; CHERISE on Flow (Strut Records) 🆕 22′33″ Eyes Without A Face - Poolside Remix by Billy Idol; Poolside on Eyes Without A Face (Poolside Remix) (Capitol) 🆕 25′29″ La Cumbia Sampuesana by Abelardo Carbono; Meridian Brothers on La Cumbia Sampuesana (Palenque Records) 🆕 31′32″ Righty-O! by Spike Wilner Trio on Righty-O! (Cellar Live) 🆕 39′00″ BAM! (Massproductions Dub) by Axel Boman on BAM! (Massproductions Dub) (Studio Barnhus) 🆕 45′00″ Kara Toprak by Altin Gün on Kara Toprak (Glitterbeat Records) 🆕 49′11″ The Clock Won't Tick by Quantic; Eddie Roberts on The Clock Won't Tick (Color Red) 53′44″ Fruit Market Jazz by The Brothers Nylon on Fruit Market Jazz (Hot Bagels) 🆕 59′06″ Fantas for Saxophone and Voice by Caterina Barbieri; Bendik Giske on Fantas for Saxophone and Voice (Editions Mego) 🆕 62′41″ i believe in you by Hand Habits on i believe in you (Saddle Creek) 🆕 66′28″ Calling Me Home (with Francesco Turrisi) by Rhiannon Giddens; Francesco Turrisi on Calling Me Home (with Francesco Turrisi) (Nonesuch) 🆕 75′10″ I Believe In Love by Polyrhythmics; Lucky Brown on I Believe In Love (45) (Color Red) 78′19″ Projection by Yves Jarvis on Projection (Anti) 🆕 79′57″ Keep Checking Up On Me - ALASKALASKA Re-Edit by Chartreuse; ALASKALASKA on Keep Checking Up On Me (ALASKALASKA Re-Edit) (Communion) 🆕 84′22″ Hey Boy by Brijean on Hey Boy (Ghostly Internationl) 🆕 87′48″ Ton Esprit by Whitesquare on Prima (Maurice Uzzan) 98′59″ Asanebo - Quarion Remix by John Tejada; Quarion on Asanebo (Quarion Remix) - 20 Years of Poker Flat Remixes (Poker Flat ) 103′49″ Solaris by Mocongo on Broken Pillar (ALBUM) (Depot6) 109′31″ Subconscious Space by Djalo on Dissociative Realm (Souplex Records) 116′34″ Minor Malfunction by A Sagittariun on Minor Malfunction (Kneaded Pains) Check out the full archives on the website.

The Sundilla Radio Hour for the week of 02/08/2021 featuring: Richie & Rosie “Honey Bee” (feat. Abby Newton) Nowhere in Time (2017 Richie and Rosie) 5:00 Tiffany Williams & Jonathan Dean “If It Wasn't” I'll Be Back Soon (2021 Tiffany Williams) 3:33 Jud Caswell “Moon on a String” Live at the Seagull Shop (Jud Caswell) 4:13 Lizzy Plotkin & Natalie Spears “Carry Me with You” Just over the Ridge (2021 Lizzy Plotkin & Natalie Spears) 3:45 Rod Abernethy “Just Around the Corner” Normal Isn't Normal Anymore (2021 Rod Abernethy) 3:12 Grace Morrison “Mothers” Single (2020 Grace Morrison) 2:54 Thomas Hine “Ledgers and Stones” Ledgers and Stones (2020 THM) 4:05 Toshi Reagon “Let Me Remember” SpiritLand (Toshi Reagon) 3:06 Justin Farren “How's Your Garden Grow” Pretty Free (2020 Justin Farren) 3:30 Eric Hansen “It'll Be Good to Feel the Sun” Hero In the Dark (2001 Half Moon Full Star) 3:45 Anna Elizabeth Laube “Already There” Annamania (2021 Ahh…Pockets!) 3:01 Jory Nash “Whispers” The Many Hats of Jory Nash (Thin Man) 3:57 Rhiannon Giddens “He Will See You Through” (with Francesco Turrisi) there is no Other (2019 Nonesuch) 3:59

Brandi Carlile acaba de hacer pública su reciente versión de "Take Me Home, Country Roads" de John Denver como avance del próximo spin-off de El Silencio de los corderos que la cadena CBS ha titulado Clarice, el nombre de la protagonista de la novela de Thomas Harris. Es una buena forma de abrir un programa sobre la actualidad de la Americana. Sarah Jarosz también se ha inclinado por hacer algunas curiosas versiones en este tiempo de pandemia. Extraído de la serie de NPR Morning Edition Song Project, la tejana nos ha sorprendido cantando simplemente con un micro y su guitarra “I Still Haven’t Found What I’m Looking For” que U2 llevaron a su quinto álbum The Joshua Tree en 1987. Ese concepto de hogar de estos tiempos es la excusa de Rhiannon Giddens y Francesco Turrisi para completar un nuevo álbum, They're Calling Me Home, donde recuerdan incluso a Alice Gerrard. “Midnight Train To Georgia” es una composición de Jim Weatherly convertida en todo un himno de la música sureña. El nativo de Mississippi ha muerto el pasado día 3 y hemos querido que Joan Osborne recordará aquel tema antológico. También es tiempo de celebrar un cuarto de siglo de una discográfica independiente dedicada a la Americana. Se publica Golden Age: 25 Years of Signature Sounds donde podemos encontrar grabaciones de Josh Ritter, Lake Street Dive, Chris Smither, Lori McKenna, Zoe Muth o Eilen Jewell, una de nuestras favoritas. Brennen Leigh, una mujer con una facilidad especial para contar historias creíbles que han sido interpretadas por artistas bien conocidos, ha querido que su sexto álbum, Prairie Love Letter, sea un homenaje a su natal Minnesota. Ten Penny Gypsy, desde Arkansas, son un dúo que en su segundo LP, Fugitive Heart, es un oasis sonoro que se convierte en necesario en estos tiempos. De igual manera no debería dejar pasar inadvertido a Mac Leaphart, de Carolina del Sur y con un álbum como Music City Joke que es una cosa seria en la que a veces es Bob Dylan, otras es John Prine y también nos recuerda a Jerry Jeff Walker. En ese sentido, Jared Tyler, habitual acompañante de las últimas visitas de Malcolm Holcombe se ha puesto al frente de Saugeye, un proyecto compartido con otros cuatro okies y cuyo nombre tiene que ver con ese pez híbrido que también define a la perfección su música. Bo Armstrong es un tejano de Dallas que se enmarca en la sencillez de un álbum Chasing Ballads, donde reconoce el pasado y se motiva de cara al futuro. Nuestra despedida tiene que ver con el álbum That’s Life, la última entrega discográfica de Willie Nelson y el segundo de sus álbumes dedicado a Frank Sinatra, que nos deja una colaboración de Diana Krall, la pianista canadiense, que se ha acercado algo más a la Americana desde que se casó en 2003 con Elvis Costello. Escuchar audio

Italian multi-instrumentalist Francesco Turrisi talks about ostinato basslines, the similarities between language and musical improvisation, and how the basslines used in Radiohead and My Funny Valentine are a lot older than we think. Useful links:Spotify playlist for Francesco’s pieces Spotify playlist for main pieces Spotify playlist for final question pieces  More useful links:Ostinato bassline Improvisation in music Bebop jazz *Correction (23:37): Charlie Parker saxophone solo The Early Music Movement in Classical music  The harpsichord The organ Henry Purcell’s opera, Dido and Aeneas The Villancico Video featuring Rhiannon Giddens talking about the history of the minstrel banjo  Support Francesco:Website: https://www.francescoturrisi.com/Patreon for Francesco and his partner, Rhiannon Giddens: https://www.patreon.com/rhiannongiddensBandcamp: https://francescoturrisi.bandcamp.com/Buy Francesco’s album based on 17th-century music: https://diatriberecords.bandcamp.com/album/si-dolce-il-tormentoBuy Francesco’s solo piano album: https://francescoturrisi.bandcamp.com/album/northern-migrations Get in touch with us!DONATE: PayPal.me/MusicBoxConcerts Facebook: @OutsidetheMusicBox Instagram: @outsidethemusicbox Twitter: @OutsideMusicBox Email: concerts.musicbox@gmail.comWebsite: www.musicboxconcerts.com

Banjo player, comedian, actor, and musician Ed Helms has combined music and comedy in an online show for the pandemic era, The Whiskey Sour Happy Hour, presented by The Bluegrass Situation. He joins John to talk about making old-timey magic, with music performed by the featured artists like Aubrie Sellers and her mother Lee Ann Womack, multi-instrumentalist Robert Ellis and his glorious robe, and Helms himself. Plus, a discussion of that scene of Helms playing the sitar in the Christmas party episode of The Office. The Whiskey Sour Happy Hour benefits MusiCares’ COVID-19 Relief Fund and personal protective equipment and supplies through Direct Relief. Future guests include Rhiannon Giddens and Francesco Turrisi, Jerry Douglas, and more surprises in store. The Whiskey Sour Happy Hour airs at 8PM EDT via YouTube on May 13. The previous three episodes (April 22, 29, May 6) are also archived on The Bluegrass Situation's YouTube channel. 

Rhiannon Giddens and Francesco Turrisi recently completed their first tour of Australia together, although it turned out to be an abbreviated visit due to the cancellation of their appearance at the Blue Mountains Folk Festival. However, they did appear at Womadelaide and the Port Fairy Folk Festival to great acclaim and we saw them give a final brilliant show at the Melbourne Recital Centre on Saturday March 14. The day prior to this they spoke to Brian Wise and played several songs from their acclaimed album There Is No Other, released in 2019. (The song 'I'm On My Way' was nominated for a Grammy and, in September 2019, Giddens received the Legacy of Americana Award at the Americana Honors & Awards in Nashville).  

Two multi-instrumentalists blending American and Italian traditions, using hip hop as a tool for change in Papua New Guinea and the legendary gospel group The Blind Boys of Alabama. Recorded live on stage at WOMADelaide 2020, under the figs trees at Botanic Park.

A song with a complicated origin and non-collaborative collaboration that became a signature sound, unexpected country, and the Nashville machine. Wagon Wheel, originally by Old Crow Medicine Show, covered by Nathan Carter and by Darius Rucker. Outro music is I'm On My Way by Rhiannon Giddens with Francesco Turrisi.

PODCAST: 30 Jun 2019 01 Harpers Frolic/Bonny Kate - Banter - Dare 02 Man Of Constant Sorrow - Track Dogs - Uke Songs By Track Dogs 03 The Squire And The Parson - Kate Rusby - Philosophers, Poets 04 The Clannad Mare - The Paul McKenna Band - Breathe  05 Adieu Sweet Lovely Nancy - Laura Smyth and Ted Kemp - From  Here - English Folk Field Recordings Vol 2 06 Wayfaring Stranger - Rhiannon Giddens & Francesco Turrisi - There Is No Other 07 Candy Man - Lea Nicholson & Naomi Randall - Farewell  He ...Another Parcel Of Old Crams 08 Folk Club Song - Vicki Swan & Jonny Dyer - Twelve Months & A Day 09 I Courted A Wee Girl - Ye Vagabonds - The Hare's Lament 10 Big Ivy - The Resonant Rogues - Autumn Of The World 11 John Barleycorn - Fran Foote, Belinda Kempster - On Clay Hill 12 Bankruptcy Blues - Mark Cook - Backwoods Chaos 13 Jack Frost - Peggy Seeger- Vision & Revision - The First 80 Years  Of Topic Records 14 Shawnee Town - Sam Kelly & The Lost Boys - Vision & Revision -  The First 80 Years Of Topic Records 15 An Léimras / Harris Dance - Brighde Chaimbeul- The Reeling 16 John Stafford's Song - Coe, Peters & Smyth- The Road To  Peterloo 17 Bedtime Stories / Five Miles From Home - Alfi - Wolves In The Woods 18 Crazy Man Michael - Kate Rusby - Philosophers, Poets And Kings 19 The Bonny Boy - Belinda O’Hooley - Inversions 20 Little Margaret - Rhiannon Giddens & Francesco Turrisi -  There Is No Other 21 Heartwood - The Lost Words: Spell Songs, Karine Polwart - The  Lost Words: Spell Songs 22 Willow - The Lost Words: Spell Songs, Rachel Newton and Seckou Keita - The Lost Words: Spell Songs 23 Puirt Set - Skipinnish - Steer By The Stars

Grammy Award-winning singer-songwriter Rhiannon Giddens joins us to discuss her new record, There Is No Other, made in collaboration with Francesco Turrisi. During the course of this in-depth conversation, Rhiannon describes the spontaneous process fuelling their work together, the historical resonance attached to songs like 'Mama's Cryin' Long' and 'At The Purchaser's Option', and how telling these stories informs her mission as an artist.

By the standards of any musician, Rhiannon Giddens has a twisting and complex path. Trained as an operatic soprano at the prestigious Oberlin Conservatory, Giddens fell almost by chance into the study of American folk music. Alongside two like-minded musicians, she formed the Carolina Chocolate Drops, in which she plays banjo and sings. The group is focussed on reviving the nearly forgotten repertoire of black Southern string bands, but the audience for acoustic music remains largely white. Giddens tells David Remnick she was heartbroken that her largest black audience was at a prison concert. “The gatekeepers of black culture are not interested in what I’m doing,” she says. “This is a complaint I’ve heard from many, many people of color who do music that’s not considered black—hip-hop, R&B.” Her view of black music is more expansive: “There’s been black people singing opera and writing classical music forever.” As a solo artist, Giddens is moving increasingly far afield from African-American or American music; her new album, “There Is No Other,” recorded in Dublin in collaboration with the musician Francesco Turrisi, explores folk styles from the Middle East, Europe, and Brazil, as well as early America. She and Turrisi perform “Wayfaring Stranger,” the ancient ballad “Little Margaret,” and the tarantella “Pizzica di San Vito.”

In The Hot Box Episode 29 we celebrate International Jazz Day which is a relatively new affair started back in 2011 by the United Nations Educational, Scientific and Cultural Organization (UNESCO) and gain much ground. This episode features a necessarily small sample of music created by jazz musicians from many different countries, including Ireland, demonstrating the increasingly wide dimension of jazz music today and the role that it plays around the world. Even the first piece played includes musicians from Colombia, Cuba, Canada, USA, Switzerland, Argentina, Greece, France and Portugal, recorded in a big band led by Colombian newcomer Juan Andres Ospina. You can hear tracks from Francesco Turrisi's new album “Northern Migrations” as well as Linley Hamilton's new album “Making Other Arrangements”. On top of that we have tracks from a surprise parcel from the Norwegian Embassy in Dublin and many more international acts.