Podcasts about color red

(***TIMESTAMPS in description below) ~ @Anyextee is an ancient civilizations historian. He was formerly music industry CEO and is now one of the world's leading researchers in ancient symbolism, and esoteric traditions. PATREON: https://www.patreon.com/JulianDorey  FOLLOW JULIAN DOREY: INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/   INSTAGRAM (Personal): https://www.instagram.com/julianddorey/   X: https://twitter.com/julianddorey  GUEST LINKS: - Anyextee YT: https://www.youtube.com/Anyextee  - Anyextee IG: https://www.instagram.com/Anyextee  ****TIMESTAMPS**** 00:00 - Anyextee approach to History, Billy Carson, Emerald Tablets 11:53 - Name of Egypt History, Supernatural Egyptians, Mayans 21:15 - Egyptian Afterlife, San Jose Esoteric Museum, Rosicrucians 30:11 - Anyextee & Diddy Situation, Twitter Beefs 43:20 - Esoteria, Color Red & Meaning (Psychology), Music Industry 57:43 - Meaning of Life Confusion, Joe Budden & Floyd Mayweather Connection 1:14:01 - 50 Cent & Eminem Records, Living w/ Floyd Mayweather, Joe Budden 1:30:20 - Traveling World & Learning Ancient Religions, Ancient Texts of Luxor 1:42:30 - John Anthony West (Astrology) & Secret Societies 1:56:20 - Mysticism & Supernatural Realm, Sit Down w/ the Devil 2:10:36 - John Anthony West Sphinx Theory & Robert M. Schoch, Sphinx Geology 2:24:04 - Narmer's Palette vs Egyptian Sphinx 2:33:16 - Challenging Egyptian Sphinx Water Erosion Theory of John Anthony West 2:42:13 - Pineal Gland, Meditative Practices Tapping into History (Channeling) 2:53:50 - Hidden Entrances of the Sphinx  CREDITS: - Host & Producer: Julian D. Dorey - In-Studio Producer & Editor: Alessi Allaman - https://www.youtube.com/@alessiallaman Julian Dorey Podcast Episode 281 - Anyextee Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Carolyn Kendrick's latest project explores complex themes of moral panic, tradition, and the figure of the devil (AKA Satan, AKA Lucifer). The LA-based songwriter opens up about the inspiration behind her album, 'Each Machine,' which is accompanied by a thought-provoking zine. In our Basic Folk conversation, she discusses the significance of the color red in her work, symbolizing themes of anger, danger, and familial ties, and how it contrasts with the black and white imagery used throughout the project.Carolyn also shares her unexpected journey into researching the devil, sparked by a podcast project that ended up overtaking her life, leading her to interview the leader of the Satanic Temple, among many others. This deep dive into the topic became a way for her to process the overwhelming political and cultural landscape. She candidly discusses the challenges of maintaining balance while being consumed by such a heavy subject matter (spoiler alert: she did not maintain balance AT ALL).We also touch on Carolyn's work in podcasting (You're Wrong About, You Are Good) and how it has influenced her approach to music. She reflects on the importance of integrating culture and music, creating a world-building experience that connects various aspects of her life. Carolyn's creation of the Gender Equity Audio Workshop, along with co-producer and 'Each Machine' collaborator Isa Burke, highlights the power of women supporting each other in the music industry, fostering an environment where questions can be asked without fear of judgment.She expands on her exploration of traditional songs through a devilish lens, which allowed her to examine how their meanings shift when viewed in this context. She also discusses her dual versions of the hymn "Are You Washed in the Blood," inspired by Naomi Klein's book 'Doppelganger,' and how they represent different facets of her musical identity.Throughout this episode of Basic Folk, Carolyn Kendrick offers insights into forgiveness and harm, emphasizing the need for solution-focused actions in today's society. Our chat concludes with a fun and quirky Satan-themed lightning round, where Carolyn shares her favorite pop culture depictions of Satan and imagines a music festival in hell. The devil is fun again!Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Wednesday's first hour.

Incorporate this idea -- the color red appears in many aspects of our lives, just like love -- into your week, bringing mindfulness and intentionality to the way in which you move through the world. NOW AVAILABLE: subscription meditations and contemplations through Wild Blue Yonder Meditations! Become a subscriber today by visiting ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tinyurl.com/wbym-subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Alexis on Instagram at @wildblueyonderyoga Learn more about Alexis at wifeinthewildblueyonder.com

Hello, It's Anchisa from the Ling app here to share another story with you! In this vibrant episode of "Learn Thai with Ling," host Anchisa takes you through the fascinating tradition of color associations in Thai culture. Did you know that each day of the week has its own lucky color? Discover the meanings behind the colors for Sunday through Saturday, the gods and planets that influence them, and how these colors are believed to bring good fortune, especially in work and relationships. Plus, learn about the fun practice of using "lucky color calendars" to boost your success in daily life. Whether you're dressing for a big meeting or just want to explore this cultural gem, this episode has it all! Let's start learning and have fun

Contact me: pastormichaeljbowman@gmail.com Find more: ccc-pca.org Archived Episodes: https://www.youtube.com/playlist?list=PLemXd3Lo1bSnyqEy3Hk-E8fVw2_Q4l3F8

Welcome to Off The Tap! Join us this week as we drink Kolsch brewed at Alstadt Brewery in Fredericksburg, Texas and discuss topics like the Color Red, Looking Back, and more. If you enjoy the content, follow us on social media to watch clips and stay up to date on episode releases! Twitter: @offthetappod Instagram: @offthetappodcast TikTok: @offthetappod Facebook: @offthetappodcast

 Color excites us more than any design element in the garden because it speaks emotionally to us.In this episode we will dissect and learn how color speaks to usin our garden. In this episode of 'The Garden Question' podcast, host Craig McManus discusses the role of color in gardening with Dr. Laura Deeter, a professor of horticulture at Ohio State University.  Laura explains the science behind color perception, the impact of color in garden design, and how different lighting conditions affect our view of plant colors.  She also shares practical advice on creating a year-round colorful garden, leveraging the color wheel, and considering plant features such as bark and fruit for visual interest.  Additionally, Dr. Deeter touches on garden myths, automation in horticulture, and the importance of enjoying the beauty of one's garden. Dr. Laura Deeter received her PhD in horticulture from The Ohio State University where she is currently a Full Professor of Horticulture at Ohio State ATI in Wooster, OH.She teaches a multitude of horticulture classes including: Woodyand Herbaceous Plant Identification, Landscape Design, Sustainable Landscaping,Plant Health Management, Landscape Construction, and Ecology, to name a few.Twice awarded the OSU Alumni Award for Distinguished Teaching,the Perennial Plant Association Teaching Awardthe American Horticulture Society Teaching Award,Perennial Plant Association Service Award,a Lifetime Achievement Award from the Ohio Landscape Associationand Professor of the Year from Instructure.She travels extensively around the country speaking on a varietyof topics ranging from taxonomy and nomenclature to shade gardens, design,color, and specialty gardens and plants.At home she gardens on her tenth of an acre with her hubby, fourdogs, 100 pink plastic flamingos and counts her 300+ species of perennials asdear friends.This is an encore and remixed episode.  Time Line 00:00 Introduction to The Garden Question Podcast00:54 Meet Dr. Laura Deeter: Horticulture Expert02:29 Understanding the Color Red in Gardens04:01 The Complexity of Color Perception05:30 Seasonal Color Planning for Your Garden08:00 Incorporating Woody Ornamentals and Annuals14:58 The Role of Lighting in Garden Color23:00 Using Green as a Neutral Backdrop26:22 Personalizing Your Garden with Color27:48 Exploring Color Preferences in Gardening28:57 Breaking Away from Traditional Garden Designs31:05 Debunking Common Garden Myths32:49 Personal Gardening Memories and Influences36:51 Challenges and Mistakes in Gardening45:44 Innovations and Future of Horticulture47:11 Final Thoughts and Connecting with Dr. Laura Deter

The color red is everywhere! But, have you noticed that most warning lights are red? Fire truck sirens, airplanes, brake lights, traffic lights, and even on top of skyscrapers! Why is the color red used in warning lights and what is the science behind it? In this episode, I will take you behind the science … Continue reading "Episode 175: Why Are Warning Lights Red? The Science of the Color Red"

A recent report claims wearing the color red when you fly can help make your travel day "smoother and less anxiety-inducing." Source: https://www.airplanetips.com/why-wear-red-at-airport/#:~:text=Airline%20Staff%20Treat,of%20color

Inför denna julveckas avsnitt har Ida varit på konsert och sett gen z i sin fysiska gestalt, nämligen duon Yony x Malla som bl.a. gjort TikTok-succé med låten 'Android'. Vi diskuterar vad so händer när musik kortas ned till 15-30 sekunders segment och mer och mer börjar likna jinglar. Ett och annat tips slinker med som kan hjälpa dig med de sista köpen på önskelistan, så häng med! Musiken i podden görs av Canto Dessutom: Liam Gallagher Yony x Malla, 'Android' pontus.de.wolfe på TikTok 'Processen' av Kafka på Stadsteatern Carl Knif Fabian Hedlund Rabattkod: Processen23 'Wild cats' Gabrielle Zevin, 'I morgon och i morgon och i morgon' Pontus de Wolfe & The Color Red feat. S v R, 'Calling me baby'

iieee remix by Meg Craddox ~ 1. Meg Craddox - Obviously King 2. The Blinders - Always 3. Idles - Grace 4. The London Suede - There Is No Me If There Is No You 5. Kind Beast - Highway Madness 6. Re:um - Wallflower 7. Madilyn Posey - Paradise II 8. Brenn! - Looking For 9. Pontus de Wolfe - Calling Me Baby (feat The Color Red) 10. Bill Ryder-Jones - If Tomorrow Starts Without Me 11. Florrie - Hell or High Water 12. Nessa Barrett - Girl In New York 13. Jerkin Hendrix - Duncan and Martha 14. Sarz - Happiness (feat Asake and Gunna) 15. Will Taylor UK - Oxygen 16. Tekno - Away 17. The Knocks - One on One (feat Sofi Tucker) 18. Switch Disco - Ease My Mind (feat Autograf)

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Keeping with our October whores4horror theme, this episode is on the feminist horror flick Run Sweetheart Run, one of Blaire's faves! Cherie (Ella Balinska) is a single mom and secretary at an LA law firm who has to go to dinner with her boss' client. Sure, he may be hot and rich, but he's actually a bloodthirsty demon who chases her all around the city. Dating in LA is hard! Costume designer Nadine used touches of symbolic red throughout the film and other interesting choices, like a decorated military jacket and karate suits. Other things we discuss? Oh, just the great Hoe Bag vs. Slut Kit debate, men in gray sweatpants, and Blaire reminisces about her interesting night at Schwartz and Sandy's (for all your Vanderpump peeps). Tune in, now! *Disclaimer: IMDB has incorrect information, and Marie named an additional costume designer in the episode, which was wrong. Our bad! For visuals of the costumes, follow us on: Instagram at @makeovermontagepodcast TikTok at @makeovermontagepodcast Follow Marie on Instagram and Blaire on Instagram To request a movie for us to cover, DM us on Instagram or hit us up at makeovermontagepod[at]gmail.com. Call us at our sexy new hotline: (323) 487-2383. We wanna hear from you! 

This week on No Simple Road we are super stoked to have returning guest, Ed Durocher from Apollo Suns returning as our guest! Founded by Ed, Apollo Suns is a 9-piece instrumental collective from Winnipeg, Manitoba. The band fuses the influence of jazz, rock, and psychedelic music, to create their own unique sounds with the dance floor in mind. They have self-released three EP's: 'Each Day A Different Sun' (2017), 'Dawn Offerings' (2019), 'A Relationship Of Force' (Color Red, 2021), and were awarded "Instrumental Artist Of The Year" at Western Canadian Music Awards in 2018/2020. We talk with Ed about: Some recent struggles regarding burn-out. Learning to mitigate exhaustion and tactics for better mental health. The freedom that came from acknowledging that we all struggle sometimes. How art can come from a place of ease and stability and not just from places of sadness or struggle. The reality of getting the things you have always dreamed of. Honoring the moment as it deserves to be honored. The expansion of 'jam music' into Europe. A Canadian's perspective when traveling over the border into the US of A. Creating the soon to be released new album 'Departures'. ... and a ton more! For everything on Apollo Suns including tour dates, merch, and more head over to www.apollosuns.ca -Go over to @MELTMUSHROOMS ON INSTAGRAM and shoot them a DM for a menu of all the amazing flavors of MUSHROOM CHOCOLATE BARS and MAKE SURE TO TELL THEM NSR SENT YOU FOR $20 OFF YOUR FIRST ORDER! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -Make Sure to visit our friends at Fire On The Mountain for some amazing food at one of the 3 location in the Portland area or one of the 2 location in the Denver area! -CHECK OUT THE NSR EXCLUSIVE BETA PREVIEW OF www.venuellama.com INTRO MUSIC PROVIDED BY - Will Hanza of Escaper MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music. We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life.

We caught up with Eric Halborg (Dragondeer) on working with Color Red Music on his new LP and the Denver scene    Album release October 7th https://color-red.com/products/pre-order-dragondeer-across-the-waves  

So you wanna open your third eye? Join me for this guided visualization and sound healing to connect with your own Clairvoyant abilities aka your "Psychic Seeing" Abilities. No experience necessary, this is just the beginning, enjoy the following practice to connect with the energy of the Root Chakra, The Color Red and your Intuitive Abilities. Meditation Starts at 4:20 Guided Visualization and Sound Healing, working through the energy centers, creating images in the mind, understanding the messages we are receiving and learning to see what is not "physically" there. Plus some Sound Healing for Spiritual Healing and Psychic Awakening! Get a notebook handy to write down your experience, and I ENCOURAGE to download this practice and try for a week and see how much more you can SEE and we will be back for more color visualizations! LEAVE US A RATING AND REVIEW AND SHARE YOUR FAVORITE PART OF THIS WEEKS EPISODE  Donate to the Show: https://www.paypal.com/donate/?hosted_button_id=Q4QMJ5P2CVXP2  For 1:1 sessions and classes please visit Gracelannon.com  Use special discount code “POD” for 15% off your first 1:1 session  To Book A Session with Grace: https://angelface.as.me/?appointmentType=18465155 Follow us on Tiktok and IG @angelface.grace Follow the podcast IG @angelfacemagichour Subscribe to our Youtube to watch video versions of the podcast, meditations and much more: https://www.youtube.com/channel/UCMmrpT5oCPY8HIwJt4isoxQ  Join the Mailing List to Stay Up To Date on Classes and Workshops! https://www.gracelannon.com Join our Meet Up Group to stay up date on our upcoming workshops Cosmic Seekers: https://meetu.ps/e/KT6rp/SsHpx/i --- Send in a voice message: https://podcasters.spotify.com/pod/show/angelfacemagichour/message Support this podcast: https://podcasters.spotify.com/pod/show/angelfacemagichour/support

The Bad Bounce Boys come together to talk wanting more from Rory, our picks for The Open

On this episode of the morning update we dive right back into the disgraced Prince Andrew story and hear from more sources who give us the goods on Andrew's personal life and how he was 'obsessed' by redheads and how his good pal Jeffrey Epstein would procure them for him.(Commercial at 20:02)To contact me:bobbycapucci@protonmail.comsource:https://www.thesun.co.uk/news/17383773/prince-andrew-redhead-obsession-jeffrey-epstein/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5003294/advertisement

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THE COLOR OF RED is explained by Edgar Cayce's writings, Dr. Caroline's experiences and the provings of color in the homeopathic book called a  Reperatory. 'Ready, set, plan and go'.Also enjoy: https://www.buzzsprout.com/103155/12040216-changing-your-life-in-a-day.mp3?download=trueOrder Standard Process' Catalyn GF, the all purpose vitamin which contains all the organic foods from every color in the spectrum!  https://www.carolinewalrad.standardprocess.com/productsStandard Process Whole Food Supplements, Organically Grown in the United States. "Changing lives since 1929"Order directly from Standard Process here:carolinewalrad.standardprocess.com/products

There's a reason most fast food joints have red in their logos and a seventh grader saved his bus driver and friends!

Inför veckans avsnitt av Kulturbarnen har Ida hållit föredrag på författarskolan i Lund och Pontus har befunnit sig på Gotland och tagit in våren själsligt så väl som med kameran, på båda sätt inspirerad av Eva Dahlgrens memoarer 'Instrumenten'. Nu på fredag släpps singeln 'Saven och Mossan' tillsammans med Viola Martinsson och Pontus producentkollektiv The Color Red, vilken vi bjuder på i slutet av avsnittet. Dessutom ger Ida en massa boktips inför våren, vi lyssnar på AI-genererad rap och spekulerar i om huruvida TV-spel är de nya superhjältarna. Välkomna! instagram.com/kulturbarnen Dessutom: Ia Genberg - 'Detaljerna'Eva Dahlgren - 'Instrumenten, Memoarer del 1'Steve Sem-Sandberg, 'Oceanen'Marlene Van Niekerk, 'Triomf'Scholastique Mukasonga, 'Barfotakvinnan'Kate Zambreno, 'Drift'Aravind Jayan, 'tonårsbarn har kul på allmän plats'Jennifer Egan, 'Sockerhuset'The Last of UsSuper Mario-filmenGran TurismoNeil DruckmanSONY World Photographer AwardsBoris Eldagsen, 'Electricia'Ghostwriter, 'Heart on my sleeve'Drake & The WeekndDavid GuettaEminemFörfattarskolan i LundLuneViola Martinsson & The Color Red, 'Saven & Mossan'Filmen om Ingrid Bergman

Striving to snatch, steal, or strip us of our souls or spirits and obsessed with possessing or seizing them. Support is Appreciated:    Support the Show – Psychopath In Your Life   The post ISIS Serpent Goddess* Eve is ISIS * Satan, Snake, Serpent or DRAGON *WHY the color RED? appeared first on Psychopath In Your Life.

(00:00) Welcome(00:09) Your host Suzy Chase(00:20) Michael Cox(00:23) Foley & Cox(00:29) Language of Home(00:46) Michael Cox's Design Background(00:55) Ralph Lauren(01:12) Ralph Lauren Madison Avenue(01:25) Ralph(01:34) Chile(01:37) Indonesia(01:39) Philippines(01:48) Language of Home Book(01:57) Ralph Lauren Interiors(02:03) Michael(02:11) Foley & Cox Interiors(02:17) David Jimenez(02:30) The Design Book Show(02:36) Follow the Show(02:52) Buy Book Here(02:55) Foley & Cox Portfolio(03:00) New York Apartment(03:02) Hampton Retreat(03:05) Coastal New England(03:06) European Glamour(03:09) Private Jet(03:15) The Book(03:47) Decorating by the Book Podcast(03:58) Suzy Chase Your Host(04:10) A Diverse Portfolio(04:37) Michael Cox of Foley & Cox(05:08) The Decorating Show(05:19) Timeless Triumphs(05:40) Tapping into a Feeling(06:00) Mission Statement(06:25) Language of Home Michael Cox(06:37) Shingled on the South Fork(06:51) The Hamptons(07:03) South Fork(07:31) Little Peconic Bay(07:46) Sweeping Views(07:52) Blue & White(07:56) Black & White(08:02) Color Scheme(08:35) Blue and White(08:38) Black and White(08:43) The Elements(09:14) The Use of Stripes(09:39) Stripes(09:47) Floorcovering(09:56) Design Flow(10:23) Flow(10:36) Zones(10:43) Eloquent on the Park(10:47) Robert A.M. Stern Building(10:51) Robert A.M. Stern(11:05) Modern Furnishings(11:15) Purchase the Book Here(11:33) Pied-à-Terre(12:20) Suzy(12:48) My View(13:01) NYC Skyline(13:21) Language of Home book(14:00) Project Example(14:12) Happy(14:19) Joyful(14:29) Development of a Dream(14:40) DBTB(15:03) The Color Red(15:28) Vintage Bell Jar(15:38) Cherry Blossoms(15:50) Follow the Show(16:04) Bespoke in Austria(16:18) Kaiser Mountains(16:25) Cox(17:00) Lichen(17:02) Moss(17:04) Cork(17:06) Stone(17:08) Take Screenshot to Buy Book (17:30) Fruit Orchard(17:40) Bee Farm(17:42) Cattle(17:50) Traditional Alpine Lifestyle(18:13) Tyrolean Style(18:30) Lifestyle(18:35) Book(18:40) Materials(18:52) Reclaimed Beams(19:10) Austrian Kitchen(19:26) The Loden(19:28) Deer Skin(19:30) Embroidery(19:32) Lederhosen(19:45) Ceiling(20:50) To Buy the Book Take Screenshot(21:08) Browns & Creams(21:11) Greens(21:15) Fluffy Shearling(21:32) Light Fixture(21:48) Lighting Element(22:35) Exclamation Point(22:40) Exclamation Point Hanging From Ceiling(22:55) Empty Room(23:44) Hudson, NY Store(23:51) Marie Kondo(24:08) Foley & Cox on the Web(24:19) Foley & Cox in Hudson(24:33) Buy The Book Here (24:42) Thanks for ListeningChapters, images & show notes powered by vizzy.fm.

In today's podcast episode the group discusses Aliens, Drugs, Covid the color Red & various other topics all from the perspective of a moron. Enjoy! To Subscribe To My Patreon For Exclusive Content: https://patreon.com/conservativeatheistpodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator --- Send in a voice message: https://podcasters.spotify.com/pod/show/conservativeatheist1970/message

Topics of minor import discussed by an accountant and a middle school teacher. 1. Damar Hamlin 2. Arsenal 3. "Plane" the movie 4. Listener mail 5. Text-to-speech virtual voice of Alex Trebek --- Send in a voice message: https://anchor.fm/talkingparagraphs/message Support this podcast: https://anchor.fm/talkingparagraphs/support

Topics of minor import discussed by an accountant and a middle school teacher. 1. Damar Hamlin 2. Arsenal 3. "Plane" the movie 4. Listener mail 5. Text-to-speech virtual voice of Alex Trebek --- Send in a voice message: https://podcasters.spotify.com/pod/show/talkingparagraphs/message Support this podcast: https://podcasters.spotify.com/pod/show/talkingparagraphs/support

Red is powerful color for showing emotion and personality, and the shades of red are also powerful. Using color, like red, can add nuance and enrich your writing, no matter what it's describing. ⭐️ PART OF MY SHOW DON'T TELL SERIES ⭐️

We're being watched!Join us (and the fans) as we talk Strawberries and The Color Red. We just might get a visit from an old friend, with a cool new nickname.-_-_-_-_-_-_-_-_-_-_-_-_-wbahpodcast.com_-_-_-_-_-_-_-_-_-_-_-_-_-Our SponsorThe Pendulum Swings Tarot - WBAH15 for 15% offEtsy: etsy.com/ca/shop/PenduIumSwingsTarotIG:instagram.com/thependulumswingstarot?igshid=YmMyMTA2M2Y=Advertise with us!Just shoot us an email over to wbahpodcast@gmail.comSnag yourself some WBAH Merch!teespring.com/stores/wbah-podcast-storeWant to help support the Podcast? Consider becoming a Patron or OnlyFan!www.patreon.com/wbahpodcastonlyfans.com/wbahpodcastContact Us (Come Eat With Us)Instagram @WitchBitchAmateurHourTwitter @BitchHourFacebook @WitchAmateurHourDiscord https://discord.gg/DBhCw9vZwbahpodcast@gmail.comHandwritten letters are actual magic!PO Box 865Canton, Tx75103Theme music by:www.fiverr.com/master_service_-_-_-_-_-_-_-_-_-_-_-_-_-Play The Sims With Charlyetwitch.tv/charlye_withawhyTwitter @charlyewithawhyOur Video EditorRich's Kitchhttps://m.youtube.com/channel/UC_CwBrVMhqezVz_fog716Ow_-_-_-_-_-_-_-_-_-_-_-_-_-We are not doctors, lawyers, or professionals. We are amateurs, and nothing we say should be taken as advice, instruction, or seriously. Any action taken based on what we say or imply can and will lead to illness, existential crisis, injury, your pets no longer loving you, and death. We make no promise or guarantee, expressed or implied, and assume no legal liability or responsibility for any injuries resulting from the use of information contained within our media.Support the show

Episode Notes Mage Against the Machine is a game by Jordan Palmer and may be found here. "Angel Share" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Twitter | Ko-Fi | Discord Intro and Outro Music by Bryan Find out more at https://hopeshearth.pinecast.co This podcast is powered by Pinecast.

Hello to you listening in Hillerod, Denmark!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Time Out Tuesday and your host, Diane Wyzga.Perhaps you've heard the old saying about being unable to understand another person's experience until you've walked a mile in their shoes. The saying is attributed to Native American tribes and from the 1895 poem by Mary T. Lathrap, Judge Softly, with its well-known closing line, “Take the time to walk a mile in his moccasins.” Until “woke” culture hijacked publication, this poem was so embedded in American public education that almost every American often used the expression “Walk a mile in his moccasins.”Prompted by an art display in our local Sno-Isle library I offer you a different perspective: “Yes, I could walk a mile in your shoes; but I imagine that they are as ill-fitting as mine. What if we take off our shoes, walk the road side-by-side and share our stories so we can hear each other's lives unfold as we pass the miles together.”Question: We cannot really know how to be in the same situation as a particular person just like we cannot see the color red as they do. What if we just take off our shoes and walk together?    CTA: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, follow, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together.You're invited:  Remember to stop by the Quarter Moon Story Arts website, check out the Services, arrange a Discovery Call, and Opt In to stay current with Diane and on LinkedIn.  Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present: for credit & attribution Quarter Moon Story Arts 

If you think being a rock star isn't hard work, think again. Ivan Bodley aka Funkboy is a bass player who has appeared on Broadway and been inducted into the Blues Hall of Fame. He's performed with music icons like Sting, Carlos Santana, and the Temptations. Plus, he's a magna cum laude graduate of the premier Berklee College of Music. In this interview, he chats with Dr. mOe about his impressive career, life on the road, and his new book "Am I Famous Yet? - Memoir of a Working-Class Rock Star." Hear Ivan perform and learn more about his journey at   Transcript is auto-generated: [00:00] Dr. mOe Anderson: Welcome, Ivan. [00:02] Ivan Bodley: Thanks so much. Great to see you. [00:04] Dr. mOe Anderson: And you as well. I've been looking forward to talking to the legendary Funk Boy. We're going to have some fun today. You're quite the god. My goodness, talk about being versatile. You have a BA in psychology from V Two Lane University in New Orleans. I'm headed there soon. You were also a publicist with Epic record Sony Music. How did you go from that to working class musician? How did this journey begin? [00:35] Ivan Bodley: You know, that was an interesting kind of career transition. Yes, you're right. I have an undergraduate degree, and then I went into the music business, and I was a junior executive, and I had a corporate Amex card, and I seemed to be on that path as a career path for life. And after about three years of being in the music business, I realized that the music business is pretty much a marketing company. It had very little to do with creativity and creation of music. Certainly we were getting to hang out with the rock stars we were promoting, but we weren't involved in any of the creative aspects of making this product. So I kind of had a moment of realization, and it was kind of a difficult one because I realized there really wasn't anything else I wanted to do but to try to be an actual performer. And when you come to realization like that, you kind of realize, like, wow, that's a tough road to ho, as they say. There's no guarantees of success, and I have nothing else I really wanted to fall back on. There's nothing else I wanted to do regardless of education or qualifications or anything else. So I was like, I kind of resigned myself. Well, I guess I got to try to make it go of this if I'm going to do that. And then once I came to that realization, I was like, all right, well, if I'm going to do this, I need to go ahead and get myself more specifically formally educated in music, because most of my study at that point had been self study or with private teachers or that kind of thing. So then I went back as a slightly older person. I was in my mid twenties after 26, I think. Then I went to the Berkeley College of Music. Well, and then I'll slip in that I managed to graduate from there, magna cum laude, too. So I really tried to dedicate myself to my studies to give myself the tools that I needed to hopefully then have any success in the business. In a business where no success is ever guaranteed, you then have to have a good deal of hard work and good fortune on your side to try to rent. That's what happened. I kind of took a bizarre leap of faith after I was resigned to my fate, and somehow, looking back now, 30 years later, it worked out. [03:13] Dr. mOe Anderson: Absolutely. I talked about your impressive CV in the intro. I would say it has more than worked out. And what I'm particularly impressed by is that I'm a creative as well. So I know how it is when you have those two sides, the corporate and then the fashion and artsy side of you, but that you fully committed to what you wanted to do, whether it was the corporate side or the music that you went all in. And a lot of people get stuck because they want to love everything, but we got to do some stuff we don't like so much to get to the point where we can do what we really want to do. That's just part of the process. So from there you've studied, you've got a great background in business and music based on that investment in yourself. How did you go from that to becoming a freelance professional musician because you've worked with some of the biggest people in the music business. [04:13] Ivan Bodley: Well, after I got my degree from Berkeley, I came back to New York City because that's kind of where I thought I knew that I always sort of wanted to be musically. A lot of the music that I was sort of interested in was coming was emanating from here. So I had a grand career set of goals, and what I was going to do was I was going to become a famous musician. I was going to play at Madison Square Garden. I was going to play on The Tonight Show and the David Letterman Show and Saturday Night Live. These are my career goals, the trifecta, right? And I can tell you with great confidence, 30 years later, exactly none of those things actually happened. But a bunch of other things happened along the way that sort of made it worthwhile. When I got here, I started typing resumes. I was a temp secretary. I had the temp gig for like three years during the day, world's longest temp gig. It was three years long, and I was typing resumes for the people that the phone company was laying off. It was this bizarre, weird, good karma job I was trying to help, working this career resource center of the phone company, believe it or not. And then little by little, step by step, inch by inch, just over time, over that three year period, the evening freelance music career became just enough to tip the balance, to go ahead and pay the rent and take an additional leap of faith and leave the temp gig. And that was the last time I had a day job, was 1995. [05:52] Dr. mOe Anderson: Oh, you lucky, lucky man. [05:54] Ivan Bodley: I know. True. That is true. That is true. [05:57] Dr. mOe Anderson: But you worked hard at it. You even took a job that you were overqualified for until you could fully pursue your commitment and your passion, your talent for music. And, you know, you call yourself almost famous, but you performed at Carnegie Hall the Kennedy Center. You're in the Blues freaking hall of Fame, right? You've been music director for Sam and Moore, Sam and Dave for my old schoolers, Martha and the Vandelas. But you've also performed with Sting the Temptations. Benny King,  Chaka Khan Wynonna Judd and David Foster! I don't normally tik off a list like that, but most people don't have a list like that. [06:45] Ivan Bodley: It's funny. I have a joke sort of my resume, which is included in the end of my book, and I will send it out to some people. It's on my website. It's seven pages long. It's unconscionably long. There's no possible reason people shouldn't have that much information. But what happens is I find over and over again and you just demonstrated this exactly. I'd never know which name on the resume is going to resonate with somebody. Like, you have a personal relationship to, say, Sam and Dave, for instance, and people go, wow, you play with Sam and Dave. But it's always one that I don't expect. Like, I'll have seven pages of information and some people will say, like, wow, you play with Buster Point extra. I'm like, yeah, I did. That's the one that turned you on. Great. Perfect. Now we can talk about that. [07:30] Dr. mOe Anderson: Yeah, it is funny. And it just tells us that we have some lives well lived when we can make references to people throughout multiple generations. And that's exactly what you've done. Because, like, my mom would be way Sam and Dave, right? And she listened to music all the time. And I'm not that much older than you. I'm not trying to throw shade, but no, that's my Sam and Dave and Martha Reid's reference. But then when you get to Chakra Khan and Rufus and why not especially David Foster. Oh, my God, he's a genius. That's when you're getting into my influences and just all around. It's just exciting reading, and I can't imagine what it was like. Do you have any funny story you can share with us about your life on the road or with one of these celebrities? I know there's a bunch of them in the book, but is there one you can share with us now? [08:26] Ivan Bodley: There's a whole bunch of them. Actually, you're right. That's the reason I did write the book, because there's so many of them. I do want to correct you on one small point. I didn't ever actually play with the band Rufus. I played with Rufus Thomas, the world's oldest teenagers of the man who did the funky chicken down in Memphis, Tennessee. I don't want to misappropriate my strange celebrity resume. [08:49] Dr. mOe Anderson: Hey, my bad. That's so mean. Folks, I corrected and I'm okay with that. [08:54] Ivan Bodley: All good. We opened for Chaka. I was playing with Solomon Burke at the where was this? The Saratoga Jazz Festival in New York. Excuse me. And the act immediately after us was Chaka Kahn So I feel like I've been on the same stage with her, but I've not actually played in her band yet. I'm available, Chaka, if you're around. If you need me, I'd be happy to come out. I love sliding medieval, that's all. It's all a shameless self promotion that never kind of ends. And a funny story, that show with Solomon Burke, I think we had a twelve piece band. Solomon Burke at that time in his career was, I believe, £425. He was a formidable gentleman of certain stature. So on his technical rider, he had a king's throne to be placed at the front of the stage and he sat down on the throne and conducted his business from the front of the stage using just the power of his voice. And he ran for 15,000 people and he moved, like emotionally moved the entire audience with just the sound of his voice. It was the most extraordinary thing I've ever seen. He also had on his technical writer two dozen long stem roses with the thorns removed that he had to have by the throne. So he gave them out one at a time to ladies in the front row in the audience as he was performing. He was a master showman and very sort of like old school, old world RMB. And then at the end of the show, like for the big climax of the night, his big stage move was he stood up on a high note, he stood up from the throne and the audience was like, wow. It was just unbelievable. Like you see performers dancing and sweating for 2 hours. He had one move and it was as effective as any Britney Spears concert you've ever seen. Amazing former. [11:04] Dr. mOe Anderson: And that's what I always say about singers versus entertainers. I'm a big deal fan, for example, I don't think she has a move other than turning to one profile side or the other. But she doesn't need one. [11:18] Ivan Bodley: She doesn't need it. [11:19] Dr. mOe Anderson: It's so amazing. Now, if you can sing and dance to Kudos to you, but if you got a pig, I'll take a singer over an entertainer any day and I just can't even imagine someone just sitting on their throne like a sovereign management rising 15,000 people. That is a gift. That's a form of genius. And whether people recognize it or not, that is not an easy thing. Thanks for sharing that story. [11:47] Ivan Bodley: Furthermore, as the band, as the backing band, I think we rehearsed with him one time, the first time we met him, and then never again. Because what he did was the other thing too. Like all of his songs, the only thing you knew about what he was about to say was that it was in the key of G. He stayed in the same key for the entire evening and it was never, ever dull. So he had a group of songs that were hits for him back in the Atlantic record spaces. So I kind of had, like, a little cheat sheet sort of in front of me, like a three or four page thing that kind of happened. So what he would do, he would just start singing a melody, a capella. And as the backing band, we had to figure out what song he was on. And then we had to catch up because he was already two bars into the song. So he got to get you into my life. And we're like, okay, all right. Figure out what song was. Figure out what the changes were and catch up. And he did this over and over again. And it was just such an amazing exercise for us to try to listen and try to respond to him live like that. [12:50] Dr. mOe Anderson: And then he would do that with you guys. Said he had a lot of confidence in you, too, and your musical abilities, because that is really some Southern Black Baptist Church stuff right there. [13:04] Ivan Bodley: Exactly what it is. Never had a set list, never premeditate. What's going to happen now that you said that? Now I can tell you the next story. We're playing with him at Lincoln Center. At Avery Fisher Hall. This is the jazz festival thing. We're in this very prestigious concert event opening for Wilson Ticket. Wilson, the mighty, wicked Picket. So Dr. Burke is like to be referred as he was a doctor of mortuary sciences. Dr. Burke started Sigma. I'm 100,000% serious. He was a many faceted, individual, fascinating human being. [13:50] Dr. mOe Anderson: That's crazy. [13:51] Ivan Bodley: He started singing in the same manner I just described to you. He would just start singing a melody. So he started singing the Ray Charles classic drowned in My Own Tears. And between, I looked at the keyboard player and the keyboard player look at the guitar player, and the guitar player looked at me. And we realized between the three of us, none of us knew the changes exactly to the song. We're like, oh, we're live on stage being reviewed by The New York Times at Lincoln Center, and we don't know the song that he's now singing. And he realizes within 20 seconds or 10 seconds, like, we're not with it. So he sings a couple of lines of it, then he moves on to something else, and we're back in the fold, and the concert continues on. We got away with it, really. Probably. We were only the ones that noticed it. But then as we're leaving the stage at the end of the night, triumphant standing ovation, he got the whole thing. The greatest jockey and record producer, Bob Porter with the MC for the evening. So if we're coming up to the wings, bob Porter looks at me and he says, Drowning My Own Tears. So I was like, oh, man, you heard that? [15:04] Dr. mOe Anderson: There's a lot of nonverbal kind of back and forth. I'm not a musician. I'm a creative. I write and speak. But just that, you guys. I mean, I kind of see it when I see the biopics and the movies, but you guys just kind of feed off of each other, get to know each other to that degree that he knew to just move on. Okay, they're not getting it. He moved on. And it's just like a seamless communication. [15:34] Ivan Bodley: We don't call it eyeballing. We call it earballing. [15:37] Dr. mOe Anderson: Earballing. I was searching for a word. Thank you. I was like, there's got to be a term for that. And that makes sense. And it is a relationship just like every other relationship, even if it's just for an hour or two. And that's what's another thing that's so beautiful about music and what you do and that you've been able to perform with all these different types of musicians. You've also worked for a major record label and you've been a musician. What is it like to work for a major record label? You alluded to it, but a little bit more of what that life is like. [16:21] Ivan Bodley: Well, that's what I did coming out of my college years. While I was at Two Lane, I was also the music director of the campus radio station. There's a station there called Wtwo two Lane radio. And it was a 1500 watt station which covered all greater metro New Orleans. So had a potential listenership of like a million people. Not that we had those kind of numbers, but it had a very wide coverage and as such, it was a very influential station. So the record companies knew this and they would promote directly to us and have us interview their artists when they would come through town and send us. So my job was to sort of be in contact with the record companies and make sure that the station had all the latest product and all this kind of thing. So that was kind of my entree into the music business, was doing it from the radio station side. And because I really didn't pick up a bass guitar until I was a senior in high school, I was 17 years old. So when it was time to make the decision to go to college, I was in no position to say, I'm going to be a music major. I didn't have that much experience. I actually started Tulane as a biomedical engineering major first, and after about two years of that majoring actually in college, radio, I ended up with a psych degree. So because of the context that I'd made through the music directorship, then that's how I was able to parlay that into an assistant job in the publicity department at Epic Records. And then at which you start out making Xerox copies and making coffee and running errands, whatever you need to do. [17:51] Dr. mOe Anderson: Back in the days when we worked. [17:53] Ivan Bodley: Our way up from the bottom, that's exactly what happened. [17:56] Dr. mOe Anderson: You know, they come in privileged and expecting to have a corner office. Initially, no shade. [18:03] Ivan Bodley: That's exactly what it is. And then after about a year and a half of being successful doing that, an office opened up and it was the manager of West Coast publicity I was in New York initially, the manager of West Coast publicity for Epic Portrait and CBS Associated Labels. So I had to move out to Los Angeles midway through my record company career. And that's when I got the business card, the corporate Amex card. And it wasn't the corner office, but it was an office with a window and all that kind of nonsense. And I was working for, I guess, my sort of pride and joy projects from that time where the band Living Color, we were working on their first project called Personality on the Vivid album. I was working with Stanley Clark, the great jazz bass player who's been a dear friend of mine ever since George Duke. [18:53] Dr. mOe Anderson: Stanley Clark. [18:54] Ivan Bodley: George, exactly. Big Daddy. We called George Duke Big Daddy. And I was working with near. Not directly with, but certainly near. I have a platinum plaque on my wall now. That was all the gold and platinum records. I'm looking at it right now from the year 1988. So in no particular order. Gloria Estefan, Cheap Trick, Luther Vandross, Michael Jackson, Ozzy Osbourne the Band europe Shade Joan Jet And The blackhearted Weird Al Yankovic Alexander O'Neill and REO Speed Wagon So those were the clients that I was dealing with at the label at that time. [19:33] Dr. mOe Anderson: I saw some of those during our pre call. You have a very interesting office or whatever the room you were in as we were talking, I was just looking at the guitars and all the boards and the gold platinum records. Just amazing just being in that environment. And sometimes people like, I have some degrees and family pictures and art in the room on my office. And sometimes people are like, oh, that's your ego wall. But you know what? For me, it's a hustle wall. It's like what you can do when you try really hard. And frankly, I'm the one in here ten to 12 hours a day. It's not like I'm out on the street like, look at this, look at this. It just reminds me that hard work and effort gets results. And to keep at it, keep at it, don't get discouraged. [20:25] Ivan Bodley: I remember when I saw the picture of your office as well. I call them my own. I call them the bowling trophies. These are the bowling trophies. And having a platinum record up that I was presented with 35 years ago, does that mean something now? Like, yes and no. It's part of my origin story. And it's one of those things when you see it, it looks impressive. And occasionally I'm reminded to look at it and go like, oh, yeah, I did that. [20:48] Dr. mOe Anderson: I did that. And at the end of the day, it's by you for you to do what you want to with. That's why I love it. I was very inspired just seeing it, honestly, and I'm glad I had that opportunity. [21:01] Ivan Bodley: Yes, good. Thank you. [21:02] Dr. mOe Anderson: So you talked about all the sides of it, that you've been on the corporate side file, you've done whatever was necessary, ultimately. We Heard You trifecta The Tonight Show, medicine Square Garden And So forth. [21:19] Ivan Bodley: None of that happened, by the way. [21:20] Dr. mOe Anderson: None of it happened, but none of it a lot of people have lofty goals like that. What advice would you give to someone chasing fame and fortune. [21:32] Ivan Bodley: That is so difficult? Because I'm not sure I've gotten either one, even though I've been a successful, quote unquote, successful, working class musician my whole life. [21:40] Dr. mOe Anderson: Right. The key was the chase, though. For someone, that's their objective, to chase rather than producing something excellent or a service or commitment or a mission. But that's the end goal. I just want to be famous, right? [21:59] Ivan Bodley: Yeah. The fame part of it, that's a very tenuous thing. And I've had brushes with fame. Certainly you've seen the photo album, stood next to some very famous people for very short periods of time to get a photo. But like, for instance, when I was doing the Broadway show Rock of Ages, which was like the 80s rock musical, the band was on stage, we were on stage, we were in costume and makeup and flipping our hair around for two and a half hours. So when we would come out of the stage door, very often there would be people waiting to meet the actors and get their playbills signed and maybe take a picture of that kind of thing. So when you would come out the stage door, people go like, Yay, it's the bass player. And then you were known by an audience all the way up until you turn the corner on 7th Avenue and you're famous for half a block. And then as soon as you turned the corner on 7th Avenue, you were right back into obscurity. Nobody knew who you were, nobody seen you, and it was right back to normal, everyday life. To me, fame is tenuous at kind of every level. I mean, even if you look at somebody sort of uber famous, like, I don't know, Justin Bieber or something, I have to understand that my parents generation have no idea who he is, and they don't care. It's not for them. So, yeah, he's as famous as you can get, and still not everybody is going to know him. But for me, the key was to give myself the tools that I needed to allow myself to be able to succeed. And for me, that was going back to musical, that's what I needed to do was sort of plug in the gaps in my education and give myself the possibility of them succeeding. Then once I had that possibility, then I knew it was just going to be a lot of hard work. It's still hard work. I'm still taking jobs that require a lot of transcription time, a lot of practice time, preparation time, sometimes a lot of driving, you know, like drive from New York City to Buffalo is going to be 6 hours to do a job that's going to pay me $300 which barely pays for the gas and tolls in my time. But it's all part of it. It's all part of the journey because you never know what leads to what. And all the gigs that I've told you solomon Burke and Sam Moore and all those Martha Reeves, all those gigs came from working with a band here in New Orleans called the Uptown Horns Review. The uptown Horns. They're the Horns section who played on James Brown Living in America. B 52 Loveshack Cameo ward up. They're a very famous, well established horn section. So I became their bass player through two things. One, I was touring with the Sherrells and their drummer Crusher Green was also the drummer in the Uptown Horns Review. And the other thing was, I did a $50 blues gig in Manhattan one night with a friend of mine named Timothy Beckerman, the blues siren of New Orleans. She was up here in New York and the sax player was Crispincio, who's the lead alto player in the Uptown Horn. So from a $50 job and then also from this recommendation, I got from the drummer, suddenly I started working with this group which introduced me to everybody on that list that we just talked about. And there's no way to have anticipated that that $50 job is going to lead to everything else. So you just kind of have to take everything, do everything, be prepared and show up on time. [25:32] Dr. mOe Anderson: Unfortunately. I just like to that you're saying that it was your dedication to the craft not just do anything outrageous, outlandish or whatever to get attention and be famous, but your dedication to the craft led to you getting in the company of the right people and networking and just having what is really an amazing life. These names you drop like they're nothing are just people who are legends to me. I've got vinyl in there with these folks pictures on them, which is the closest I'll ever get to them. So I'm just a little bit envious. Don't be upset with me, but I'm a little bit envious. [26:15] Ivan Bodley: I'm not mad at all. I'm a fan too. That's how I started doing this. I'm a fan of this music. My mom's record collection was Gladys Knight and the Pips and Stevie Wonder and King Floyd and I can tina Turner. Those are the records that I grew up in the house and they trained in Georgia. Thank you. That's what I grew up with. Gladys was my mom's absolute favorite. So then dedicating myself to working with these classic soul artists. This is, for me, a pilgrimage. Yeah. I love it. I can't get enough of it. The other thing too, is sort of like preparing yourself, what you're talking about, sort of doing things to get attention. That's all well and good, but then once you're given the opportunity, you need to have the goods to back it up, to be able to do the job right. Yeah, publicity stuff, that's all great, but then they say, okay, come on our stage and play. If you're not really dedicated and ready to do the job, you're not going to get a second call. It'll be a one and done. [27:17] Dr. mOe Anderson: I know, exactly. And there's a maturity and growth that happens, too. Personal growth that happens during all that. You've been through all that. I've been through all that. So many people who've worked hard and suddenly are almost famous, and people don't see everything that came before that. Which leads me to your memoir. What inspired you to write? Am I famous yet? Memoir of a working class rock star. [27:46] Ivan Bodley: I think the title describes exactly who I am. I stand next to rockstars occasionally for long enough to take a photo or play a concert, but most of what I do is I lift my own amps, I drive my own car, I work for a living. Definitely what would happen was if something crazy would happen at a sound check, for instance, between sound check and the show, usually there's a dinner break for the abandoned crew. We'll sit down and have a little catering or somebody who's going to order out sandwiches or pizza. And what would happen was I would be like, you know that thing that just happened? It reminded me of another thing that just happened on another job that was even stranger or even weirder. And I would start telling these stories to my bandmates and my compatriots and anyone who would listen. And I was told over and over again, they say, you should really write these things down because you've got so many of these road stories at this point. And I was thinking to myself, back in my publicity days for the label, I used to write the artist BIOS and the liner notes and the press releases and that kind of stuff. I always had the writing gene has always been part of what I do. So as I was being encouraged to do this, maybe about four years ago, I sat down during the winter, which is kind of my slow season, and I said, Let me start to see if I can assemble enough of these stories to see if it's a book. And I started writing and writing and writing and writing in my spare time, such as it was. And about three months in, I'm like, yeah, I think it's a book. I think we have a book there, but never quite got it finished until the world shut down two years ago. And suddenly all the live gigs dried up and we basically sat home for 15 months. It was a very scary. Time in the music business for us, everybody. But what I tried to do during that time was make lemonade out of the lemon. So I had time to finish the book, get it edited and send it to my aunt is a copy editor for Time magazine, so she kindly copied the whole book. I got it formatted. I got it put up on Amazon. I was able to finish it sort of with the time that I had. All the while, I was also, like doing home recordings via file sharing with all my other musician friends who were similarly displaced and out of work, and they're all happy to play. So I did about two albums worth of material during that time, too, which got me signed to a record label for the first time in my life as well. [30:24] Dr. mOe Anderson: Congratulations. Which record label, if I may ask? [30:28] Ivan Bodley: It's a company called Color Red. Music. Color REDCOM out in Colorado. It's run by Eddie Roberts, who is the leader of the new Master Sounds, which is a British band, like a new British version of The Meters or Booker T. And the Mg is kind of like an instrumental funk band. Really interesting. And it's a great platform for these independent musicians and they have a whole licensing wing. So hopefully one day one of my songs will show up in a TV show or commercial and like, that returns on investment. [31:02] Dr. mOe Anderson: I hope that for you. And again, congratulations. That's great news. A lot did happen during that period, but I saw some videos, I think, on YouTube, and I didn't jot down was a crab walk or crab tree. [31:20] Ivan Bodley: Crab walk. [31:22] Dr. mOe Anderson: I got to drop that in the show notes. You are hilarious. A talented musician, but also very funny and a great, great storyteller. Ivan. [31:32] Ivan Bodley: Oh, thank you. Yeah, that was another thing. During the Quarantine, I had all the time in the world to shoot my own little independent video clips to go with these projects. All that stuff is on YouTube as well. [31:43] Dr. mOe Anderson: And people can hear you and get engaged and they can connect with you on YouTube. But where else can people find you? Learn more about you download this book on Amazon guys, and my famous yet memoir of a working class rock star. But how can they connect with you online? [32:00] Ivan Bodley: The book is available as hardcover, soft cover, Kindle edition, as a podcast, as YouTube clips in any possible format that you consume. Media. I believe there's a version for you. Links to everything, everything are at my website, funkboy. Net. Funkboy. Net. Not Funky Boy. Funk Boy. Everybody spelling counts in this day and age. But it's got links to Amazon. It's got links to the YouTube stuff, it's got links to all of the recordings and way too many pictures of me standing next to famous people, which are highly amusing. [32:40] Dr. mOe Anderson: I think there is no such thing. I happen to love looking at videos and photos. And Instagram is leading the social media war right now because of their big focus on Photos. So keep posting those, keep doing your videos and keep making great music. You guys connect with Ivan. Follow him online. He is a fun and talented guy. And you just heard a story of perseverance, excellence and success. And for this moment, for this episode, I thank you. Ivan the famous Funkboy. [33:21] Ivan Bodley: Thank you so much, Doctor mOe. I really appreciate you taking interest in my work. [33:27] Dr. mOe Anderson: Wasn't that a great program? Oh, love that episode. I enjoyed it. I hope you did too. Please remember to like, subscribe and share. Learn more about me on my website, dr. Moanderson.com. That's Moe. You can read book excerpts, watch videos, learn about the services that I offer, and book me for a speaking engagement. I'd love to talk with your group and I'd love to work with you. So until the next time, review, renew and renew. Thank you.

Producer/Host: Anu Dudley The post Earthwise 7/9/22: The Color Red first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

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All you need are 5 minutes to hear these 5 answers that could help you win a million dollar prize in a trivia contest. (I even learned something new while researching this episode) We'll explore how cows vision differs from ours, how their teeth compared to ours, and how many bones a cow has compared to us (this answer may not be as obvious as you think). Cows are interesting creatures and provide a lot to our families. If you learn something new, please be sure to share this with a friend. . . Want to learn more? Here are the sources used to create this episode: https://thedairyalliance.com/ https://www.cabotcheese.coop/blog/facts-dairy-cows/ https://datcp.wi.gov/Pages/AgDevelopment/DairyDevelopment.aspx . . We talk about a lot on the podcast, but we're talking about other great topics on the Inside the Bullseye social media pages as well. If you want to keep the conversation going, be sure to follow along on Facebook and Instagram -- @insidethebullseye --- Send in a voice message: https://anchor.fm/amy-hanson7/message

The Motivation: End my Migraines! The idea for CD Seasons of the Soul came from my own healing experience. I had struggled for years with all sorts of mysterious illnesses. None of my symptoms added up to a specific diagnosis, and so none of the treatments I tried worked completely. When the mystery illness evolved into a migraine that wouldn't stop, I became a gentle warrior for my own health. I worked with a talented acupuncturist on Hawai'i Island, and when I became too sensitive for needles, she taught me how to adjust my energy, and reduce the headaches, by what foods I ate. Connecting Food to SeasonsI ate what she recommended, and then gradually wanted to know why she was recommending these foods to me. She pointed me to a wonderful book called, Healing With Whole Foods by Paul Pitchford. It is a tome and dominates the cookbook shelf in the kitchen. As I began eating in order to stop the headaches, I began to notice that the foods that my acupuncturist was suggesting were following the seasons. My body actually wanted to eat what was in season. Eating foods that were out of season or shipped from somewhere else were contributing to my headaches.I continued to eat, following my body and following the seasons. I began to notice other patterns that followed the seasons, too. Different emotions or parts of myself seemed to step forward at certain times of year, and they seemed to be in a regular cycle. I began to regain my health when I allowed my body to follow the seasons. Enter the HarpWhen I got to the point where I was trying Reiki to treat the migraines, my Reiki master suggested that I connect with something in my childhood that was happy. I remembered a dream of playing the harp and gave it a try. I loved it. And when I discovered that it was possible to connect certain keys and styles of harp playing with various emotions, this was about the same time I was making the connection between the seasons, food, and my emotional and physical health. Research and ExperimentationI started improvising around the idea of creating musical seasons according to ancient traditional Chinese thinking. This idea excited me tremendously. And isn't this what composers are doing anyway? Translating their vision of the emotional and energetic world into sound and music? I felt right at home. As I learned the harp, I began studies with the International Harp Therapy Program in San Diego. It was through this program that I learned how to play the modes and how I learned to improvise on the harp. I am thankful to Susan Zevenbergen, my first teacher, and to Christina Tourin, who is the founder and director of IHTP. I worked with the modes while I was reading about Healing with Whole Foods. I discovered that I had a different musical landscape than what I found while researching Paul Pitchford. ~~~~~~~~~~Early SummerJune 21-Aug. 1 FireHeartExpansion, growth, lightness and outward activity. Luxurious growth. Work, play, travel, be joyful, and grow into selfless service. Other Early Summer words:growthexpansionlightYangheartfirevibrant colorsElement: Fire. Color: Red. Nature: Yang. Organs: Heart, Small Intestine. Emotion: Joy. Support the show

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Robert Barton is Professor in the Department of Anthropology, Member of the Durham Cultural Evolution Research Centre at Durham University, UK. He is an evolutionary biologist/anthropologist interested in brains, behavior and cognition, using phylogenetic comparative methods to study how these traits evolved. He developed and tested the 'Visual brain hypothesis' for primate brain size evolution. In this episode, we talk about the evolution of the primate brain. We talk about the relationship between the brain, cognition, and behavior. We discuss ecological and social factors behind the evolution of the primate brain. We talk specifically about sexual selection, social selection, life history, and maternal investment. We talk about the evolution of the cerebellum and its functions. We explain why cognition cannot be disembodied. We talk about the “visual brain hypothesis”. We discuss the growth of the primate brain, and specifically the hominin brain, and ask if there is anything unique about the human brain. Finally, we talk about the evolution of the color red, and what it signals. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: KARIN LIETZCKE, ANN BLANCHETTE, PER HELGE LARSEN, LAU GUERREIRO, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, HERBERT GINTIS, RUTGER VOS, RICARDO VLADIMIRO, CRAIG HEALY, OLAF ALEX, PHILIP KURIAN, JONATHAN VISSER, JAKOB KLINKBY, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, JOHN CONNORS, PAULINA BARREN, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ARTHUR KOH, ZOOP, MARCO NEVES, COLIN HOLBROOK, SUSAN PINKER, PABLO SANTURBANO, SIMON COLUMBUS, PHIL KAVANAGH, JORGE ESPINHA, CORY CLARK, MARK BLYTH, ROBERTO INGUANZO, MIKKEL STORMYR, ERIC NEURMANN, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, BERNARD HUGUENEY, ALEXANDER DANNBAUER, FERGAL CUSSEN, YEVHEN BODRENKO, HAL HERZOG, NUNO MACHADO, DON ROSS, JONATHAN LEIBRANT, JOÃO LINHARES, OZLEM BULUT, NATHAN NGUYEN, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, J.W., JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, IDAN SOLON, ROMAIN ROCH, DMITRY GRIGORYEV, TOM ROTH, DIEGO LONDOÑO CORREA, YANICK PUNTER, ADANER USMANI, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, AL ORTIZ, NELLEKE BAK, KATHRINE AND PATRICK TOBIN, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, NICK GOLDEN, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS P. FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, DENISE COOK, SCOTT, ZACHARY FISH, TIM DUFFY, TRADERINNYC, AND MAX BEILBY! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, IAN GILLIGAN, LUIS CAYETANO, TOM VANEGDOM, CURTIS DIXON, BENEDIKT MUELLER, VEGA GIDEY, THOMAS TRUMBLE, AND NUNO ELDER! AND TO MY EXECUTIVE PRODUCERS, MICHAL RUSIECKI, ROSEY, JAMES PRATT, MATTHEW LAVENDER, SERGIU CODREANU, AND BOGDAN KANIVETS!

So Aaron and Jared went down a deep rabbit hole on why things are the way they are.

Jill is back this week while I navigate this new chapter. I'm clearing some things up and getting honest about my current situation. We answer your 'Ask Alyssa' questions via voice note and spill the tea on various pop-culture topics. We're recapping the Kravis wedding weekend, discussing Pete leaving SNL and I go on a women empowerment tangent.

Red- an ambivalent color is dominant all around us. From YouTube, Netflix, Zomato, to marriages, flowers, and a lot more, it is truly an omnipresent color. Come with me and indulge yourself in this poetic tribute of the most prominent & powerful color- ‘The Color Red'. _____ I am Hemangini Mandaliya, also known as The Hedonist Writer. I ardently believe that words have the power to change worlds and that is what I am striving for with this podcast. Find me on Instagram and revel in new literature content at The Hedonist Writer Get in touch with me at thehedonistwriter@gmail.com _____ “…And one day, the girl with the books became the woman writing them!”

Nate and Noah discuss the meaning of red in films by using two scenes from Coraline and Sisperia.   All episodes are recorded live on 97.5 WOBN The Wildcard on Mondays at 3:00 pm. They are posted at noon EST on Saturdays. You can listen to WOBN and our live airings at http://tunein.com/popout/player/s21635   Feel free to leave a review or subscribe to us on Podbean, ITunes, YouTube, Google Play, or more!   Want to contact us?  Hit us up on: Twitter: @_RetroRadio_ (https://twitter.com/_RetroRadio_) Facebook: @RetrospectionRadio (https://www.facebook.com/retrospectionradio) Email us at retrospectionradio@gmail.com You can listen to any previous episodes on www.retrospectionradio.com

The color red is special to the Chinese people. We love to see it as much as possible on significant occasions such as during the Spring Festival or at weddings. Why do the Chinese have a soft spot for the color red? Does the color carry any special connation for us?

Marie: This is Minnesota Native News. I'm Marie Rock. Coming up, from a 2020 report by the Minnesota Task Force on Missing and Murdered Indigenous Women, "While Indigenous people make up just 1% of the state's population, 9% of all murdered girls and women in Minnesota from 2010 to 2019 were American Indian."February 14th marks a day of honoring for those who are missing and murdered. Events are held, bringing awareness to the epidemic. This year during the pandemic, some events are now online. What is consistent is the support shared for one another and the color red, which is often worn and used in art and signs.Reporter Leah Lemm speaks with three survivors about the significance of the color red in the search and honoring of Missing and Murdered Indigenous Women and Relatives.STORY #1: MMIWR AND THE COLOR REDReporter: Thanks for taking some time today to talk with me about Missing and Murdered Indigenous Women and Relatives. Can you each please introduce yourself starting with Jessica?Jessica Smith: [Ojibwemowin]. My name is Jessica Smith. I am a two-spirit enrolled member of the Bois Forte Band of the Minnesota Chippewa tribe. I am a survivor of human trafficking, sexual assault and domestic abuse. So I work with Sovereign Bodies Institute. I'm on their survivor leadership council and all the work that I do nationally is surrounding those issues and how they correlate with the epidemic of Missing and Murdered Indigenous People.Mysti Babineau: Hello, my name is Mysti Babineau. I am a citizen of the Red Lake nation. Like Jessica, I'm a survivor of trafficking, sexual assault, violence, domestic violence, and I'm a climate justice organizer.Taysha Martineau: [Ojibwemowin]. My name is Taysha Martineau. I am a two-spirit Indigenous rights anarchist from the Fond du Lac reservation. I am a single mother of four and I'm a survivor of abuse.Reporter: Miigwech for sharing. In attending the rallies and marches and other honorings myself, red is a significant color. Signs, clothing, ribbon, skirts, and red dresses are often displayed. Can you talk a bit about the significance of red and the red dresses?Jessica Smith: Red is, we are told, that is the only color that spirits can see. So by wearing red or putting out these red dresses is to call back the spirits of these women and allowing their voices to be heard through our bodies and do the things that we do.Mysti Babineau: Just like Jessica said, that's what I was taught too. And also that's just a very sacred color, at least to the Ojibwe people. We often use it for protection as well, and I think that's also the thing that's really beautiful about our culture and our traditions is the way that they can also shift.Taysha Martineau: So when we wear red, we're calling those spirits back to us. We're wearing that red so that they come to us so that while we're searching for them, they know who it is we're calling.Reporter: And wearing a red dress and displaying red dresses are a continuation of that?Jessica Smith: The red dress project and everything that stemmed from that actually originated in Canada from a woman named Jamie Black. It started out as just a project to show that these women are missing.Taysha Martineau: The red dress signifies women and it signifies solidarity with the families who are going through this with those mothers who are sitting at home, just waiting for a phone call. The MMIW epidemic has been an epidemic since first contact, and that color, it signifies not only that a woman's missing, but it signifies our love for that person and our love for that family and our support for them.Reporter: So red is a call to spirits and showing solidarity with those lost and their loved ones and community. Well, thank you, Jessica Smith, Mysti Babineau, and Taysha Martineau for sharing today.If you need help, there are free resources available. Strong Hearts Native helpline (www.strongheartshelpline.org) provides culturally appropriate support and advocacy for American Indians and Alaskan natives. And that hotline is 1-844-7NATIVE. It's anonymous and confidential. That's 1-844-762-8483. This information can be found on the Minnesota Native News website, www.mnnativenews.org.For Minnesota Native News, I'm Leah Lemm.

Welcome BLACK BURNER PROJECT founder ERIN DOUGLAS, and DJ WILLIAMS of Shots Fired & Karl Denson's Tiny Universe to Episode 036 of The Upful LIFE Podcast! T'was an honor & a privilege to host these inspiring individuals to this program. A pair of enlightening dialogues and Black American narratives that are at once relevant, uplifting, and above all, salient to our current cultural climate.   BLACK BURNER PROJECT Erin Douglas @ 9:00 DJ WILLIAMS -Shots Fired/KDTU  @ 54:00  Black Burner Project is a multicultural movement driving inclusivity at Burning Man. Travel, self exploration and radical expression through imagery and personal stories. Erin Douglas is a Maryland-based travel & lifestyle photo journalist, and 3 time Burner. Erin saw the desperate need to document other Burners of Color, to share their stories, to create a space where the misconception that Burning Man was just for “white hippies” could be squashed. She wanted to create a place where people of color could be seen. Erin hoped her images would inspire other people to give Burning Man a shot, give truth to what Burning Man was really about, who it was for, and show the beauty in it all... Especially with a demographic not normally associated with Burning Man. And its WORKING.  D.J. Williams is a tremendous guitarist/songwriter and a dear friend for several years. The main man behind Shots Fired, the blistering Denver-based funk rock outfit with an alternating cast of all-star musicians. Williams is also over a decade deep in the lead guitar slot of Karl Denson's Tiny Universe, and founded his own DJ Williams' Projekt in his hometown of Richmond, VA. In this brief, personal, potent powwow, we get the latest scoop on Shots Fired releases on the Color Red label, and then explore DJ's unique, intercontinental Black American story and experiences. Shots Fired on Color Red VIBE JUNKIE JAM "Dusted Compass" The Human Experience (Phutureprimitive remix) Special Thanks to PROPER CANNA NATURALS EMAIL the SHOW! B.Getz@UpfulLIFE.com PLEASE LEAVE A REVIEW on iTunes! You Can Listen on Spotify!  Theme Song: Mazel Tov by CALVIN VALENTINE  

Episode 034 of *The Upful LIFE Podcast* welcomes vocalist KIM DAWSON to the show for an important discussion. A chat as necessary as it is enlightening, with memories uncomfortable and messages inspiring. Kim Dawson is currently a solo artist on Eddie Roberts' label Color Red, a co-frontwoman of Roberts' quasi-supergroup Matador Soul Sounds, a go-to singer for any number of collectives, tribute shows, sit-ins and such. Most recently she released the R&B single "Try" with Wil Blades, and sings her heart out on "Good Thang" with Crushed Velvet & the Velveteers, on Alan Evans' own Vintage League Music. However, I invited her on the podcast to discuss important matters beyond her fantastic performances and collaborations. KIM DAWSON - intro @ 11:30, interview @ 16:00 *apologize for any minor sound issues or clicks during the interview... trust I did my best to minimize the annoyance*  Kim has been a presence within the jam/funk music community for a long time, and a mainstay on the Front Rage scene. She's an educator with Swallow Hill Music, where she works with aspiring young singers; she also mentors young women of color in the Denver metro area. Ms. Dawson was kind enough to give us an hour and a half of the medicine we need, in a wide ranging discussion of her journey as a Black American, a female of color in the performing arts, Black music heritage in the jam scene, her own experiences as a youth and just exactly the moment when she really learned what time it was with race in America. We get a peek into her reality as it pertains to intermarriage, her current situation in Denver juxtaposed with growing up in Oklahoma, and so much more. But of course, we kick things off talkin' music... because, well, that's still how we do. Thanks to the divine Kim Dawson for her gracious time & the vibe! Please listen to her remarkable patience, and compassion in speaking to the people and our greater music community from her heart, as we so dearly need it.   Vibe Junkie JAM of the Week The Roots featuring Jill Scott "You Got Me" (goth arrangement LIVE from 9:30 Club, Washington DC - 2002)   EMAIL the SHOW! B.Getz@UpfulLIFE.com PLEASE LEAVE A REVIEW on iTunes! You Can Listen on Spotify!  Theme Song: Mazel Tov by CALVIN VALENTINE  

Episode 025 of *The Upful LIFE Podcast* welcomes the legendary Eric Krasno to the show for a pretty sweet powwow on a number of salient topics from the guitarist/producer's illustrious career. Co-founder of Soulive, co-founder and former guitarist of Lettuce, Kraz was in the Bay Area in late September for a quick run with E3- (Eric Krasno Trio), at Sweetwater Music Hall in Mill Valley, a club owned by Bob Weir of the Grateful Dead. In between soundcheck and the gig, Kraz and I sat down and chopped it up for nearly an hour, and trust it was a thrill to have this conversation after so many years of being a superfan of so many of his projects. Krasno Introduction & KRAZ "Leave a Little" at 7:30 Eric Krasno Interview at 15:00   We start chatting about the present tense, beginning with his formation of E3, a little about his bandmates and loosely defining what the mission is. From there we pivot to his brand new KRAZ project, and the album Telescope, released on Sept.27. Eric lets us in on why KRAZ is such a departure from his established norm, and what went into the creation of this new lane for the longtime Soulive shredder. Krasno also details his departure from Brooklyn after 20 years, and how that figured into the conception and realization of the concept album Telescope. We also touch on his stoke for his new digs and studio in Los Angeles, and some super funky neighbors.     Since we were at Bob Weir's club, it only felt perfect to get into the Grateful Dead. With reverence, Kraz takes us back to his first GD shows in the late 80's, all the way up through sharing the stage with Phil Lesh, Bobby and the Rhythm Devils. Kraz also tells a few stories about father and son, his own pops, & later Phil and Grahame Lesh for a couple nights out on the NOLA town over Jazz Fest. Naturally, we had to dive into two decades of Soulive, and why they were such a revolutionary band at the turn of the century. Kraz walks us down memory lane a little, but chooses to focus on how fiery the most recent Soulive performances have been. After taking the temperature of Soulive, Kraz opens up a bit about Lettuce. The guitarist reflects on the early days, their meteoric ascent, his decision to walk away (and why), and brings it full circle back at LOCK'N when LETT paid tribute to JGB with Bobby, John Mayer, Oteil and others back in August 2018. Eric then takes a few moments to explain what was behind the difficult decision to step up and perform with Circles Around the Sun, in honor and memory of his dearly departed friend Neal Casal. We finish up our riveting conversation with some guitar shop talk, focusing on the PRS Silver Sky, John Mayer signature model.     LEAH CONCIALDI Inteview begins at 1hr 11m Following that interview is a short, sweet conversation with Leah Concialdi, a saxophonist (and more) with ATOMGA and Tnertle, as well as a major cog in the wheel that is Color Red Music out in Colorado. Over the summer, we got a chance to hear all about the label, the concept and the people behind Color Red, as well as a little bit about both of her bands and her experience in the music industry for the past decade. *Vibe Junkie JAM of the Week* - "Telephone" by Erykah Badu.  Enjoy my look back at Badoula's 7-minute elegy to J-Dilla, written the day after his funeral, about how ODB acted as Dilla's visionary guide to the afterlife. Celebrate Tonight!    Email the show! B.Getz@upfulLIFE.com The Upful LIFE Podcast is available on iTunes! Also available on Spotify!  Theme Song: Mazel Tov by CALVIN VALENTINE