Podcast appearances and mentions of hayes code

Joseph Holmes and Nathan Clarkson talk with Pulitzer Prize-winning journalist and author Walter Hickey about what the research says on how the media we consume really does--and does not--affect us and our lives.   Time people spend with TV/Media: https://www.nielsen.com/insights/2023/tops-of-2023-tv/   Sesame Street improves education outcomes: https://www.theatlantic.com/education/archive/2015/06/sesame-street-preschool-education/396056/   History of the Hayes Code: https://www.britannica.com/art/Hays-Code Blesses Bednobs and Broomsticks (Movie) Spider-Man 2 (Movie) You Are What You Watch (Book) Through a Screen Darkly (Book) The Truman Show (Movie) FLow (Movie) Curses Heart Eyes (Movie) La La Land (Movie) The Show Recommended by the Algorithm    Websites The Overthinkers: theoverthinkersjournal.world Nathan Clarkson: nathanclarkson.me Joseph Holmes: josephholmesstudios.com Walter Hickey: https://walthickey.com/

Join Lafayette, Carlos, Laura, and Marie in this jam-packed episode of Nerds Talking! Ever heard of the Hayes Code? It's an outdated set of film industry rules, and we're here to break it down. Plus, Resident Evil is getting yet another reboot, The Last of Us season 2 is on the horizon, and Disney's Snow White premiere has been scaled back—find out why!Lafayette and Carlos dive into Anora, this year's Best Picture winner, and explain why they think it's not worthy of the title. Did you know that winning Best Picture might not always be about the best film—but about the best campaign? We discuss the rumored behind-the-scenes politics of Oscar wins.We also tackle the age-old debate: Which sequels are actually better than their predecessors? And to wrap things up, we take a quick dive into the global phenomenon that is Blackpink!Tune in for laughs, movie talk, and plenty of nerdy insights as the crew brings humor and fun straight to your ears. Don't miss it!

Is this trip really necessary? Or rather, is this podcast a little too of the moment?? Well, half of it, anyway. The animation industry became pitchmen for rationing, selling war bonds and other ways to help our men and women overseas during World War 2, while also taking every pot shot the Hayes Code would allow them to at the fascist powers we were opposed to. Can we bring that energy back? Please? Anyhow, we've got Donald Duck, Popeye, Woody Woodpecker and a batch of oddly familiar gremlins.

In our second last "Rated PC for Pre-Code" Specials, we look at the drama "Blonde Venus" Starring Marlene Dietrich. Join us as we try to unpack the multi-layer character in this 90+ year old film. We debate if there are any truly good people in the story and also look at how the screenplay fell victim to a "Hayes Code" like cutting before there was the official "Hayes Codes". check it out now and also check out my crew's other content: Literary License Podcast: ⁠⁠https://www.llpodcast.com/⁠⁠Kicking the Seat: ⁠⁠https://kickseat.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

It's another Pre-code film ya see, myah! This one stars the mug Edward G Robinson. The Spoiler Room Crew take on "The Little Giant". How does this relate to the other pre-code gangster films and how could it have contributed to the forming of the Hayes Code? Tune in as we discuss. #podcast #precodemovies #littlegiant #robinson Literary License Podcast: ⁠⁠https://www.llpodcast.com/⁠⁠Kicking the Seat: ⁠⁠https://kickseat.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

That time again where we look at another Pre code film. The crew try to decipher how it is supposed to be a comedy. We discuss the risqué visuals and dialog, how hard it is to get behind a character you really don't like, and how much of this film is why the Hayes Code were created. Yep another one :D There are a lot of red flags for "The Red Headed Woman". Literary License Podcast: https://www.llpodcast.com/Kicking the Seat: https://kickseat.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

Today I am joined again with a classic guest from back in the podcast day, Brent from his own movie fueled show, Home Video Hustle to talk all about the original 1932 Scarface film. You probably know the classic 1983 Al Pacino, Oliver Stone, and Brian De Palma Miami Gangster classic of the same name, but not many have seen the classic prohibition era take. From Howard Hughes and Directed by Howard Hawks. Staring Paul Muni with Ann Dvorak, Osgood Perkins, and Boris Karloff. We go back in time, almost a hundred years to a pre Hayes Code era film of action packed violence, scenery chewing acting, and a solid story that always holds up fine. We get distracted along the way talking old school WWF and WCW, Resident Evil, couch co-op games, and a ton on just movies in general. Some that relate, like the Scarface video game on Wii, PS2, and Xbox and then some just of the rails tangents to no mans land. All in good fun. So, come on by and join us on another adventure of OMO Podcast. Be sure to take a listen to the Home Video Hustle Podcast from Brent. It's in a very similar vein to OMO and Via VHS from a man who loves movies almost more that we do. - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Old Man Orange is Spencer Scott Holmes & Ryan Dunigan - 2024 - "Young Adults, Old Man Attitude. Talking retro games, classic films and comic good times with a crisp of Orange taste." - www.OldManOrange.com Our link tree with all the places one could go for our podcasts like Old Man Orange, Via VHS, and more of our radio filled adventures. Plus, Pizza Boyz Comics, the sitcom styled, retro fueled indie series from Spencer Scott Holmes in physical and digital reading forms. Then topped out nicely with our old videos, animations, and other experiments over the years too for the amusement. - https://linktr.ee/OldManOrange I also have my new workout and strength motivation book, "Pull-Ups For Life" up on Amazon Kindle and included in the Unlimited Membership too. Link in the Link Tree Above or you can look it up on Kindle. Support the Show the easy and simple way, by using one of our Amazon Links to make your purchases. Doesn't cost you a penny extra but sends a little something our way. Thanks! Scarface 1932 - https://amzn.to/4fLCaDb

Welcome to our 50 Years of Shit Robots Patreon cult. Today, you can have a sneaky peak of the chat we had after we'd watched Sleeper. It's a rambling but very interesting chat about the Hayes Code, queerness in cinema and smutty names. It is completely off the top of our heads and not meant to be an exhaustive chat on the subject. If you'd like to join the ROBOT CULT then follow the link below. Thanks so much.https://www.patreon.com/50YOSR Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

EPISODE 44 - "THERESA HARRIS: HOW OLD HOLLYWOOD STOPPED HER STAR FROM RISING" - 07/15/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When THERESA HARRIS appears on screen, you cannot take your eyes off of her. Beautiful, talented, and a skilled singer and dancer, she lights up any scene she's in. Despite appearing in over 100 films, she rarely received screen credit and most often played a maid, waitress, or other types of domestic servant. Her parts were small, but her charisma and presence on screen were enormous! As a black woman in the early days of Hollywood, she was limited in the roles she could perform by the restrictive Hayes Code of 1934 and the horrible Jim Crow laws of the South. Still, she is a welcome presence in so many classic films. This week, we look at the extraordinary life and career of the talented THERESA HARRIS.  SHOW NOTES:  Sources: “Theresa Harris, Credited and Uncredited in Over 100 Films,” March 28, 2024, by Herb Boyd, New York Amsterdam News; “Just a Maid in Movies, But Not Forgotten,” April 21, 2011, by Manohla Dargis, The New York Times; “The Underrated Charms of Theresa Harris,” July 11, 2020, by Constance Cherise, TCM.com; “Theresa Harris: Television and Film Actress of the 1930s,” August 18, 2023, by Jae Jones, BackThen.com; “Actress Theresa Harris Hollywood Vixen Turned Servant,”September 2, 2011, by Veronica Wells, Madamenoire; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Thunderbolt (1929), starring Fay Wray and George Brent; Hold Your Man (1932), starring Jean Harlow and Clark Gable; Baby Face (1933), starring Barbara Stanwyck and George Brent; Professional Sweetheart (1933), starring Ginger Rogers, Norman Foster, and Zasu Pitts; Horse Feathers (1932), starring The Marx Brothers and Thelma Todd; Gold Diggers of 1933 (1933), starring Joan Blondell, Dick Powell, Ruby Keeler, and Ginger Rogers; Morning Glory (1933), starring Katharine Hepburn and Douglas Fairbanks, Jr; Flying Down to Rio (1933), starring Delores Del Rio, Gene Raymond, Ginger Rogers, and Fred Astaire; Broadway Melody of 1936 (1935), starring Jack Benny and Eleanor Powell; Banjo On My Knee (1936), starring Barbara Stanwyck and Joel McCrea; Bargain With Bullets (aka The Gangster's On The Loose) (1937), starring Ralph Cooper and Theresa Harris; Jezebel (1938), starring Bette Davis, Henry Fonda, and George Brent; Tell No Tales (1939), starring Melvyn Douglas and Louise Platt; Buck Benny Rides Again (1940), starring Jack Benny, Ellen Drew, Eddie “Rochester” Anderson, and Theresa Harris; What's Buzzin' Cousin? (1943), starring Jack Benny and Ann Miller; Blossoms In The Dust (1941), starring Greer Garson, Walter Pidgeon, and Marsha Hunt; Our Wife (1941), starring Melvyn Douglas, Ruth Hussey, and Ellen Drew; Cat People (1942), starring Kent Smith, Simone Simon, Jane Randolph, and Tom Conway; I Walked With A Zombie (1943), starring Frances Dee, Tom Conway, Darby Jones, and Christine Gordon; The Dolly Sisters (1945), starring Betty Grable, John Payne, and June Haver; Three Little Girls In Blue (1946), starring George Montgomery, Vera-Ellen, and June Haver; Miracle on 34th Street (1947), starring Maureen O'Hara, Edmund Gwenn, John Payne, and Natalie Wood; Out of the Past (1947), staring Robert Mitchum, Jane Greer, and Kirk Douglas; Angel Face (1952), starring Robert Mitchum and Jean Simmons; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Crew head to an island with no extradition treaty to protect themselves from the "Hayes Code" trials. On this "Rated PC for Pre-Code" special we look at the not so talked about classic "Safe in Hell". We discuss how the film holds up today after 93 years, the wonderful performance of all involved and how they just don't make them like this anymore.  Check out Joe Randazzo Literary License podcast here:  ⁠⁠⁠https://www.llpodcast.com/⁠⁠⁠  Check out Kicking the Seat Here: ⁠⁠https://kickseat.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilerroompodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

Emma Hayes finally made her proper debut as the USWNT manager, and naturally, the Soccer Edition crew have lots of thoughts. Join Mitch, Emily & Matheus for said thoughts, as well as a review of the most thrilling MLS action from the weekend. Tap in!

If ever there was a prime example of a cinematic victim of the Hayes Code, it would be "Puttin' on the Ritz" from 1930. Join the Crew as we discuss this film and try to deduce what would have caused the censor board to cut 20 minutes. Check out Kicking the Seat Here: ⁠https://kickseat.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilerroompodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

So first thing, we have to apologize about the audio quality on this one, there was an issue with Katie's mic, and I tried to clean it up as much as possible, but it doesn't sound great, so that sucks. Hopefully it won't bother you too much, and we'll definitely do our best to prevent this from happening in the future.That said, here's It Happened One Night! Reaching back to 1934, this classic movie started the Screwball Comedy craze in Hollywood, which would eventually evolve into the Romcoms we all know and love. In this episode, Emma and Katie spend most of their time thirsting over Clark Gable, but also get around to talking about the Hayes Code, The Postal Service, Oscar bait movies of 2023, and which gashouse palooka really is the Bad Boy of the Skies.

Our 1st special "Rated PC for Pre-Code"  episode for 2024. Each month we will be looking at least one Pre-code film. Today we look at the classic gangster film "Scarface" from 1932. We talk about the its impact on gangster films, how it holds up to today, and if it contributed to the reason the Hayes Code. --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilerroompodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

It's the wicki wicki wild Wild West! We're putting on our worst cowboy voices and donning some coconuts so it sounds like we're on horseback as we go into the Holodeck or to worlds where things are suspiciously like The Ancient West. A Fistful of Datas has Worf resentfully taking his son to the Holodeck during downtime only for things to go awry after Data gets plugged into the ship. We also get Troi living her best life as a Western LARPer. The Spectre of the Gun puts the away team into a weird half-built Wild West set where they're the villains in a no-win scenario and Chekhov gets to romance an alien dream construct that looks like a woman. North Star is a good episode of Enterprise, where Archer, T'Pol and Trip have to deal with the descendents of Ancient West folks who were abducted by aliens centuries ago and are now oppressing the descendents of their captors. 00:06:32 - Westerns 00:16:28 - Star Trek TNG: “A Fistful of Datas” 00:37:16 - Star Trek TOS: “The Spectre of the Gun” 01:00:54 - Enterprise: “North Star” Somehow Charlie forgot to mention that instead of playing “Cowboys and Indians” as a kid, his father made him play “Christians and Heathens”. Also there was a moment where Charlie spent too long talking about the Legion of Super-Heroes and we cut that. If you want Charlie to annoy Miles with pointless Legion of Super-Heroes trivia, tell us and we'll do an episode on the Star Trek/Legion comic! Talking points include: Deadwood, Westworld, Red Dead Redemption, The Between: Ghosts of El Paso, the Quick and the Dead, Star Wars, Firefly, Blake's 7, The Prisoner, Red Dwarf, Worf doesn't get Worfed, Crisis on Infinite Earths, Doomlord, Dogville, Gunfight at the OK Corral, The Hayes Code, specifically NOT the Legion of Super-Heroes after Charlie explained Ultra Boy's origin to Miles, Unforgiven, 24, Quantum Leap, Gilmore Girls, Doctor Who. Oh, and occasionally Star Trek. Pedant's Corner: Emily Bergl who played the teacher here and Francie in Gilmore Girls played the roles about 10 months apart. Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Miles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com

Good morning, afternoon, and evening! It's the holiday season, so you ought to get cozy and settle in on the couch for a relaxing night watching an American Christmas classic. Why yes, It's a Wonderful Life would be a great choice! As Kaylie, Gibby, and guest host Ian can see, there's nothing to worry about when you're watching this feel-good story, There's no chance at all that the filmmakers would hide something un-American like socialist ideals and Hayes Code violations in a Jimmy Stewart movie, right? Right?! Tune in as the hosts reflect on how strange it is that this Christmas Carol knock-off became one of the most beloved movies of all time. Also included: Odysseus's casualty count, how to eat a vinyl record, pre-internet Rotten Tomatoes, and so much more!

The Hayes Code relaxed restrictions on certain issues related to sex the year before Peyton Place was released, and the filmmakers took that ball and ran with it. A melodrama that would go on to be a television soap opera, every plot point is as over-the-top and ridiculous as it possibly can be.

On episode 101 of the SKIDS PODCAST; we discuss the Hayes Code of the past, Alec Baldwin being re-charged for the Rust shooting, South Park being sued by Disney, crazy protestors, Hummus, the new podcast censorship coming down the pipeline from the EU and Canada, and SO MUCH MORE!!Opening Video -Dumpster fire Brighton Fire 04-18-13https://www.youtube.com/watch?v=8n3ZzWKXaU4Velvet Alley Designs -https://velvet-alley.com/Coffee Brand Coffee -https://coffeebrandcoffee.com/Use the coupon code: gps1 to receive 5% off your purchase.  You will be supporting an independent, growing company, as well as our show in the process!!Gary Plauchehttps://www.youtube.com/watch?v=dSCwLf9rIoY#skids #skidspodcast #garbagepailskids #gps #podcast #discussion #comedy #alecbaldwin #rust #israel #palastine #war #EU #canada #jimnorton #normmacdonald #fallen #maximus #hummus #hayescode #fcc #suzannesommers #threescompany #tvshow #sitcom #johnritter #dannydevito #garyplauche #movieregulations #disney #southpark #fallofthehouseofusher #edgarallenpoe #hplovecraft #theoutsider #stephenking #alwayssunnyinphiladelphia #thegeneral 

Welcome to New Hollywood, listeners! The Academy goes for tense, racially charged In The Heat of the Night, where Sidney Poitier announces "They call me Mr. Tibbs" and helps a hick southern sheriff solve a murder. It's gripping, it's powerful, it brings up some sad thoughts for Erin, Claire, and Dan in the wake of recent events in Canada. Then on the lighter side, Dustin Hoffman makes his AVA debut in The Graduate, a blend of bleak and very funny that your co-hosts fall for partially because the characters are very unlikable. The Hayes Code is dead, the Studio Bosses have fallen, and boundaries get pushed as the New Hollywood era begins! Listen in now.Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com

The world of cinema has seen many innovations in its short history, from the birth of sound to the rise of CGI. But behind every great film is a story of the creative process, and the struggles filmmakers face to bring their vision to the screen. In this podcast, we explore a few different aspects of filmmaking and film history, from the innovations of director Orson Welles to the impact of the Hayes Code on the industry. Join us as Mike and Diego return to also take a closer look at the importance of the director's cut and whether classic films like Touch of Evil can still be enjoyed in contemporary times.----------The Touch of Evil is a classic film noir that tells the story of a corrupt cop, Hank Quinlan, who plants evidence to frame innocent suspects. The movie is directed by Orson Welles, who also stars as Quinlan, and is known for its stunning opening shot, which is a three-minute long tracking shot that sets up the premise of the movie.The film has a lot of themes and subplots that explore power, corruption, and justice. The conversation on The Cinedicate centers around the movie's cinematography, genre, and storytelling. Mike, an avid cinephile, explains how he got into film noir and was interested in finding a unique take on the genre. He was fascinated with how film noir built its own ecosystem and found films like The Touch of Evil and The Third Man innovative in their approach to the genre.Diego, the genre lover, had never seen an Orson Welles movie before and was impressed with how well Welles portrayed a corrupt cop. The conversation goes on to discuss the movie's other themes and characters, including its portrayal of minorities and female characters. The podcast hosts encourage listeners to watch the movie, dive into its themes, and appreciate the storytelling techniques employed by Welles.Overall, The Touch of Evil is a classic film that has influenced many other directors and movies and is still relevant today in its exploration of power and corruption. The podcast conversation does a great job of highlighting the movie's strengths and encourages listeners to watch it and appreciate its innovations.----------Support The Cinedicate on PatreonConnect with The Cinedicate on these social platforms!Instagram: https://www.instagram.com/cinedicate/Twitter: https://twitter.com/cinedicate/Discord: https://www.cinedicate.com/discord Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Norah joins Ben this week on a show that is rated V for vague!  They are taking about the word rating for about 83 percent of the show, and they hope that your interest, in this specific case, is very high!  Get it?  After sharing what they have been watching recently, they dive right in to the definition.  Ben explores the nature of MPAA movie ratings, examines their relation to censorship, and provides a couple of examples from two of his favorite movies… Galaxy Quest and Robocop.  Norah recalls her experiences in advertising, drops some Michelin restaurant knowledge, and relays positive vides on the work of Consumer Reports.  Finally, the discussion turns to the US government and how a congressional hearing and the strange game Night Trap helped to shape the ESRB's video game ratings system.    00:00:21 - Ben tries something new, and Norah saw the “Little Jagged Pill” musical 00:03:00 - Ben's dad joke about mediocrity, and then he apologizes for getting a name wrong 00:05:10 - Ben buys a movie to repent and tells Norah about the premise for “Be Kind Rewind”   00:09:25 - The definition according to Ox Ford Languages, yachts, and angry reprimands 00:12:45 - Again with the Google N-gram Viewer, and Ben unintentionally tests Norah  00:15:33 - Norah thinks that the definition needs to be simplified, and Ben can't affords a yacht 00:17:54 - Mild censorship and how ratings can control what you read, view, play, etc. 00:20:56 - The subjective nature and the sliding scale of ratings systems 00:23:07 - From the Hayes Code to the MPAA rating system… is it still censorship? 00:26:28 - Bring your lawyer to the movie theater, and the North Atlantic Treaty Organization 00:28:56 - Example of how the movie industry uses ratings to stifle creativity: “Galaxy Quest” 00:31:34 - Robocop, Siskel and Ebert, and Ben's rendition of the “At the Movies” theme 00:36:44 - Norah explains the origin of Michelin star ratings 00:39:28 - Consumer Reports, schools, grades, books, and Neilson Ratings 00:43:40 - Metacritic, Rotten Tomatoes, on a scale of 1 to boring, and Norah's tiny rebellion 00:46:30 - Ben's impression… video games are not always completed before they are reviewed 00:49:29 - The Entertainment Software Ratings Board (ESRB) and their classifications  00:51:14 - Atari 2600 pornographic games, cartoon violence, and congressional hearings 00:53:21 - Ben explains the convoluted narrative and simple gameplay of Night Trap 00:58:43 - The United States 103rd Congress intervenes, and the creation of Night Trap  01:02:28 - Ninja burglars, Vampires, non-reproducible violence, and the 25th Anniversary 01:05:17 - One of the worst ranking systems is one that doesn't take history in to account 01:09:05 - Final thoughts… subjectivity, parents, tools, subtle neglect, and individuality 01:12:21 - Ben agrees with Norah, a VERY late tangent, and goodbye

Today we spoke with Professor Emeritus Robert Pucci, recently retired from SUNY-Ulster, where he taught Media and Communications.Mr. Pucci discussed some of his favorite films, the Hayes Code, and the techniques employed in good cinematography.The Director of 'The Seven Year Itch', mentioned in this podcast, was Billy Wilder.The Edward G. Robinson movie mentioned was 'Tales Of Manhattan'

On this episode of The Snub Club, our ensemble watches The Moon Is Blue. Directed by Otto Preminger and starring William Holden and Maggie McNamara, The Moon Is Blue was nominated for three whole Academy Awards but went home empty handed. In this episode, Danny, Sarah, and Caleb discuss the evolution of The Hayes Code, sexy saxophones, and M*A*S*H . The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: That's All Right by Arthur Crudup

---ARTICLES AND LINKS DISCUSSED"When I'm good, I'm very, very good, but when I'm bad, I'm better."I'm No Angel [1933] Trailer:https://www.youtube.com/watch?v=qVrfHXnUJFc---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSED"Come up and see me sometime."She Done Him Wrong [1933] Trailer:https://www.youtube.com/watch?v=ec4lKmkfO9I---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSED"I'm the girl who works at Paramount all day and Fox at night."Sextette [1977] Trailer:https://www.youtube.com/watch?v=as6Iv5R1G0M&t=59s---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

Our journey to review every Academy Award Best Picture continues with the winner of the 7th Academy Awards trophy "It Happened One Night". Arguably the first "screwball comedy" which set the stage for future "rom-coms" starred Clark Gable and Claudette Colbert and was directed by Frank Capra. 0:00 - Intro 0:55 - It Happened One Night at the 1934 Academy Awards 2:32 - It Happened One Night synopsis 3:30 - Some pre-Code liberties taken 5:06 - James explains the Hayes “Code” 7:42 - It Happened One Night could have been made today 11:47 - Claudette Colbert and Clark Gable 19:00 - Gender changes since 1934 24:15 - “I loved seeing Alan Hale” 25:34 - Best Picture contenders 1934

---ARTICLES AND LINKS DISCUSSED"I'm the girl who works at Paramount all day and Fox at night."Sextette [1977] Trailer:https://www.youtube.com/watch?v=as6Iv5R1G0M&t=59s---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSED"Come up and see me sometime."She Done Him Wrong [1933] Trailer:https://www.youtube.com/watch?v=ec4lKmkfO9I---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

One of the first Angry Evil Lesbians graces us with her class, her grace, and her venom. Despite being toned down for the Hayes Code, the villain of the movie clearly belongs in the greyscale rainbow. Liz joins us to discuss the Hitchcock romantic thriller, Rebecca. Follow us on Twitch for listening parties and just hanging out. also we have a discord (links expire so ask me for one) We now have a website! Visit us at www.strangebiscuits.com/graveyard to send us movie suggestions and comment on episodes!You can follow us on Facebook at https://www.facebook.com/Thegraveyardshiftpod/On Twitter at https://twitter.com/GS_horrorpodAnd on Instagram at www.instagram.com/thegraveyardshiftpod/If you would like to make a donation to help keep the show going and get access to bonus content, you can do so by checking us out at https://www.patreon.com/Graveyardemail us at graveyardshiftpod@gmail.com for movie suggestions or Patreon ideas.Thanks for listening.

---ARTICLES AND LINKS DISCUSSED"When I'm good, I'm very, very good, but when I'm bad, I'm better."I'm No Angel [1933] Trailer:https://www.youtube.com/watch?v=qVrfHXnUJFc---Mae West: And The Men Who Knew Her:https://www.youtube.com/watch?v=JpcEEyXo7QQ---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

John Michael Hayes was a two-time Academy Award-nominated screenwriter who wrote four films for Alfred Hitchcock. But before that, he was a busy radio writer penning adventures for Johnny Dollar and comedies for Lucille Ball. We'll hear three of Hayes' old time radio scripts: "The Seeing Eye" from The Whistler (originally aired on CBS on November 12, 1945); "Lady in Distress" from Richard Diamond, Private Detective (originally aired on ABC on February 23, 1951); and "The Vendetta Caper" from The Adventures of Sam Spade (originally aired on NBC on March 30, 1951).

Finnish director Hanna Bergholm put her creative spirit into her new body-horror coming-of-age film for IFCMidnight, Hatching. But she's hear today to tell us about feeling seen by another creative spirit: the titular Lucy Muir in Joseph L. Mankiewicz's 1947 classic The Ghost and Mrs. Muir.Then, Jordan has one quick thing about Tron, obviously.Hatching is in theaters and will hit streaming in the US starting May 17, 2022.***With Jordan Crucchiola and Hanna Bergholm

Joining us for this episode are Meff and Jenny from Hey Adora: A Queer SheRa Podcast.Meff and Jenny talk about how their podcast came about and why and we discuss the need for this podcast in the queer community. We discuss how we as members of the queer community need to feel a connection to something, whether its fandom, a tv show, a character. We also have a Buffy and She-Ra discussion and if you do not know how they are related, then you REALLY need to know. Meff leads us on a discussion about queer coding, related to Disney, Xena and other delicious content and introduces us to the Hayes Code. Somehow we talk about licking toads. Not sure how this happens but that shit is funny.This entire episode is covered in glitter and rainbows.  Why miss it?Join the fun!You can reach Jenny & Meff with Hey Adora: A Queer SheRa Podcast @Twitter: @heyadoracastInstagram: @heyadoracasttiktok @heyadoracastwww.heyadora.gayDon't forget you can email me at hellowonderfulpodcast@gmail.comSupport the show (https://www.patreon.com/hellowonderfulpodcast)

Double Indemnity? In this economy?! Join the DBFS as we discuss insurance fraud and how to do it, the origins of noir cinema, the dreaded voiceover and why it's necessary here, smoking, so much smoking, all the time with the smoking, dictaphone, sexy anklets, dames and detectives, venetian blinds, snappy 40's dialogue, the clever plot, dumb dumb Walter Neff, Edward G. Robinson, Billy Wilder (real name Sam?!), Law & Order, common men caught up in a life of crime, neo-noir, WWII America, the Hayes Code, the influence of German Expressionism, drive-in beer joints, bowling alone and why you're a serial killer if you do that, the influence on TV shows, and the femme fatale as a strong female character or mysogenistic device to illustrate the downfall of man with an in depth Double Indemnity film analysis! (Special Guest: Brad Holden) Click here to listen and subscribe to Dim Lights & Stiff Drinks podcast!  

Matt Men Movies is back again to talk all things movies. This week, we review the awesomeness that is Peacemaker, some of the biggest and baddest actions sequences in movie history, and we revisit a little movie history as we talk about the impact of the Hayes Code on early American movies. All that, plus two sultry Matt voices for the price of one. Thanks for listening. 

Season 9: Under the Mistletoe - This Christmas week we're talking about the 1949 Robert Mitchum and Janet Leigh romance, Holiday Affair. We discuss Hollywood's blacklist, the Hayes Code and the studio system. We sing and laugh and have an overall jolly time! Join us for this fun and festive episode! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/to-all-the-flicks-podcast/message Support this podcast: https://anchor.fm/to-all-the-flicks-podcast/support

Liv shows Lizzie her favorite gothic melodrama plagued by the Hayes Code but still early Hitchcock magic.

It's spooky month and this month we are covering Alfred Hitchcock movies. To give some context on the censorship of the time, Kia presents a primer on the Hayes Code. Intro and outro music: Life of Riley by Kevin McCloud (InCompetech) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

Mara and Josh take another trip down memory lane, recounting their top ten childhood creeps and chills that were more fun than traumatizing. Come join the fun, and let us know what gave you shivers as a kid! Also discussed: Looney Tunes, Lloyd Alexander, WandaVision, Morticia Addams, prohibition, and the Hayes Code. Next month we will be discussing our top ten childhood spoops, which is like last October's episode except focusing on the fun scares and not the traumatizing ones! After that, we will be checking out Redwall by Brian Jacques. Contact us at hfkpodcast@gmail.com or @hfkpodcast on Twitter and Instagram. We're also on GoodReads: www.goodreads.com/user/show/90379252-josh-mara Theme music composed by Ben Ash. Visit him at www.benash.com. Mixing and drums by Chaz Bommarito, guitar by Jakael Tristram. Note: This month's episode is being uploaded in WAV format instead of MP3 due to technical challenges. Please let us know if this affects your downloading or listening experience.

Although 1968 is a stressful year in American history, audiences can look forward to many great films coming to theaters. The Hayes Code is no more. Auteurs are producing classics like 2001: A Space Odyssey and One Upon a Time in the West. Arthur and Andrew discuss the spaghetti western genre, post-modern subversions, and whether or not you should watch a movie on your phone.Where to watch Once Upon a Time in the WestVincent Canby NYT Review of Once Upon a Time in the WestWhere to watch 2001: A Space OdysseyWhere to watch Easy Rider (1969)

This week we're putting on our film nerd caps and re-examining the legendary Alfred Hitchcock. With both Rope and Strangers on a Train ol' Hitch trots out killer queers in high society out to commit the perfect murder. Under the rules of the infamous “Hayes Code,” these films couldn't portray homosexuals explicitly, and Alfred Hitchcock seemed to take that as a challenge, crafting two films that show more than they tell. But did he help create stereotypes that still abound today? Our friend Nick joins Brian and Max for the first time to discuss queer villains, the Hayes Code and Hitchcock's various problematic qualities.

Learn why we've latched onto lavender! In this episode, uncover the historical tie between lavender and the LGBTQIA+ community - from The Hayes Code through The Lavender Menaces. Cheers!

Join Chris and Kevin this fabulous June for a shoe stomping show stopping good time! With our latest episode of Talking Musical History, 42nd Street: Side-stepping Authority and Slipping by Sedition. Where we look at not only 42nd Street the 1933 musical; but also the musical adaptation, Gold Diggers 1933 and 1935, Hayes Code, and more. If you want to support our show and all of our projects at Skye Rainbow Productions then donate to our Patreon at patreon.com/stonewallthemusical. Check out our YouTube channel and website at skyerainbow.com. Like us on Facebook at Find the Courage. Want to reach out, email findthecourage@icloud.com. Thank you for listening to two musical theatre nerds gab about ourstory. Happy Pride 2021!! Support this show http://supporter.acast.com/talking-musical-history. See acast.com/privacy for privacy and opt-out information.

This isn't the first Shakespearean adaptation we've tackled on the show. It's not even the second, come to think of it. But it is the first one starting Gay Icons and is also somehow the most… tepid? It's okay. It's at least as amusing as Splash. And is considerably more progressive, all told. We even get some Gay without the Panic, and only a dash of lingering Hayes Code. If we include this in queer cinema, then it's certainly one of the funniest. But if you had to pick, maybe watch But I'm a Cheerleader over this. Get to this eventually. But it's not urgent. Splash some water on your face and maintain.  Marvel Studios Celebrates the Movies and Announces a Bunch of Them: https://www.youtube.com/watch?v=QdpxoFcdORI  Ironheart news: https://www.cbr.com/disney-plus-ironheart-marvel-series-episode-count/ New to D+ in May: https://www.cnet.com/news/disney-plus-whats-coming-in-may-2021/  All other research and references completed using Wikipedia, IMDb, and Rotten Tomatoes. ----- We're bringing hexy back! Use code NONPLUSSED10 for 10% off WandaVision and Nonplussed merch at MischiefMerch.com!    ----- Download the Knowable app and use code NONPLUSSED for 20% off your subscription and tap into the knowledge of over 200 experts at the top of their field, ad free! -- We are (out and) proud members of the Mischief Media Network! To check out their full slate of shows, search “Mischief Media” your podcast app or visit mischiefmedia.com.  -- And if you like what you hear and want more, check out the Mischief Media Patreon at patreon.com/makingmischief! ----- Drop us a line! Email: submissions@nonplussedpod.com   Twitter/Facebook/Instagram: @nonplussedpod   -- Produced and hosted by Clancy Canto and Josh Wittge in conjunction with Mischief Media.    Edited by Josh Wittge.   Theme Music: "Quirky Dog" by Kevin MacLeod. Check out more tunes at https://incompetech.com.

This is a series where I introduce my children to scary movies and then I interview them about it afterwards. Today we are on about Freaks (1932), the classic movie that help to usher in the Hayes Code. We'll see what the Monsters think about this great movie. Follow on us on Twitter to get updates for the channel: twitter.com/WyrdcatHorror

We end Mike White March with a film that pushed the Hayes Code at the time and continues to offer an intriguing look at the lengths one woman will go to get what she wants: Baby Face. Featuring Barbara Stanwyck as the titular character, she embarks on a journey of self-discovery and self-realization within the world of 1930's finance. It pushes the boundaries of what was acceptable at the time and is still worth checking out today. The Projection Booth's Mike White and On Seagal's Trevor Gumbel join Chris to talk about the film, Stanwyck's performance, and the month as a whole.You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content, along with our Patreon page.

We near the end of Mike White March with a look at a film that pushes the boundaries of what was acceptable in cinema at the time: Three on a Match. Featuring Anne Dvorak, Joan Blondell, and Bette Davis, the three play friends reunited after years apart whose lives spiral out of control after their chance meeting. It features drug addiction, suicide, and child abuse; oh boy! The Projection Booth's Mike White and Dark Destination's Father Malone join Chris to talk all about the film, Cagney's performance, and the history of the Hayes Code.You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

We come to the halfway point of Mike White March with a pre-Code film that stars one of the eras indomitable stars James Cagney: Blonde Crazy. With Cagney in the lead as Bert Harris, it follows his quick-thinking bellboy as he schemes his way across the United States trying to win over Joan Blondell. It's another fantastic entry in an already solid Mike White March. The Projection Booth's Mike White, Pulp Serenade's Cullen Gallagher, and screenwriter Richard Hatem join Chris to talk all about the film, Cagney's performance, and the history of the Hayes Code.You can follow Chris Stachiw at @Casualty_Chris and the Kulturecast @kulturecast. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

In the second and final part of our fandom culture series, Lena tells Omme and Katie all about everyone's favorite hellsite. Some of you might already know where this is going - we discuss Putin, the Hayes Code, and the most famous alum of Katie's drama school. Omme and Katie's references include Waterfalls by TLC and Victorian literary salons. We managed to cut down the amount of time Katie talks about Shakespeare to a surprisingly small amount. Follow us on Instagram, Twitter, Facebook and TikTok (the picture of Misha Collins we reference in the episode will be posted in the first four of those places!): @GenZExplainsPod This episode was recorded and produced on the traditional lands of the Congaree and East Cherokee tribes.

It’s our 30th episode, dollfaces! We watched 1941’s The Maltese Falcon and dug into one of Hollywood’s biggest noir movies. We cover the iconic Humphrey Bogart and his literal presence in our lives, get into the vague history of the MacGuffin storytelling device, talk about how this is an actual mystery we traverse along with Sam Spade, and discuss how no one in the movie is really a good person—not least because everyone’s lying all the time. Katy shares a bonkers (but not so fun) fact concerning the falcon prop’s sculptor, Carrie liked the title treatment’s quotation marks, Maddy draws valid parallels between the “Fat Man” and Professor Slughorn, and Mack did some excellent real detecting and film analysis. We also come up with at least three different spin offs and/or sequels for the Maltese Falcon Cinematic Universe, Mack hosts the first partly-gay Pirate Corner™, we learn about Mary Astor’s secret diaries and what her casting meant to a contemporary audience, discuss the Hayes Code and The Celluloid Closet (again), and get into Guns-As-Penis-Metaphor tropes. We all lean in on our ‘40s radio persona for a bit and lament the lack of pirates and knights after a big title card promise. Give it a listen, baby doll! TW: discussion of police misconduct, slave trade and piracy, historical views on homosexuality, child molestation

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * John B is @YouOldSoAndSo everywhere. * 20th President of the United States James Garfield's proof of the Pythagorean Theorem: https://www.maa.org/press/periodicals/convergence/mathematical-treasure-james-a-garfields-proof-of-the-pythagorean-theorem * Khan Academy video: https://www.youtube.com/watch?v=EINpkcphsPQ * Nick is @NickPancakes on Twitter. Topics: * Micro game jams, Weekend of ZZT * WarioWare D.I.Y. archive: https://archive.org/details/WarioWareDIYWarehouse * Super Metroid and A Link to the Past Randomizer (a.k.a. SMZ3): https://samus.link/ * SGDQ2019 co-op speedrun: https://www.youtube.com/watch?v=uujsW7yFkZU * The primary motivation for information acquisition being grist for making and understanding jokes * Ken Jennings' books about knowledge acquisition and comedy: * https://www.goodreads.com/book/show/79195.Brainiac * https://www.goodreads.com/book/show/36373629-planet-funny * These two contain the sum of all human knowledge: * https://cdn.shopify.com/s/files/1/1745/8107/products/IMGE19711400x.JPG?v=1571480346 * https://upload.wikimedia.org/wikipedia/en/4/45/BillyJoelStormFront.jpg * Roblox as the most popular game platform * Downloading Wikipedia: https://www.digitaltrends.com/computing/how-to-download-wikipedia/ * All roads lead to "philosophy" on Wikipedia: https://flowingdata.com/2011/06/08/all-roads-lead-to-philosophy-on-wikipedia/ * Adopt Me!, one of the most popular games created in Roblox: https://roblox.fandom.com/wiki/DreamCraft/AdoptMe! * I Wanna Maker: https://store.steampowered.com/app/1114940/IWannaMaker/ * Quill points out: this list of things unexpectedly named after people: https://notes.rolandcrosby.com/posts/unexpectedly-eponymous/ * "Widenius has three children – My, Max, and Maria – who inspired the names for MySQL, MaxDB and the MySQL-Max distribution, and MariaDB" https://twitter.com/davidjustodavid/status/1288903463422722049 * Becoming a film nerd * Turner Classic Movies, from the same company that brings you Mortal Kombat: http://www.tcm.com/ * They Shoot Pictures, Don't They? - 1,000 Greatest Films, compiled using a Metacritic-like approach of looking at other people's lists: https://www.theyshootpictures.com/gf1000.htm * Also, their 1,000 Noir Films list: https://www.theyshootpictures.com/noir1000.htm * The Narrow Margin (1952): https://www.imdb.com/title/tt0044954/ * The Tall Target (1951): https://www.imdb.com/title/tt0044105/ * A good starting list for train movies, by no means exhaustive or definitive: https://allgiftsconsidered.com/the-31-best-train-movies-of-all-time/ * List of films on Netflix from the year 2000 and before, total count at the time of search approx. 250, compared to around 3,500 for 2001-2020 : https://reelgood.com/movies/source/netflix?filter-yearend=2000 * Kanopy, a movie streaming service you may be able to use through your local library: https://www.kanopy.com/ * Qwikster, b. 2011 d. 2011: https://www.theatlantic.com/business/archive/2011/10/5-reasons-why-qwikster-is-now-deadster/246465/ * 1939, Hollywood's "annus mirabilis": https://ew.com/movies/2019/12/22/1939-hollywoods-greatest-year/ * 1957 in Film: https://en.wikipedia.org/wiki/1957infilm * Patton Oswalt's book about becoming a film nerd, Silver Screen Fiend: https://www.goodreads.com/book/show/17571109-silver-screen-fiend * CBoyardee, Barkley: Shut Up and Jam Gaiden, and the failure of Barkley 2. * CBoyardee's Dilbert trilogy: https://www.youtube.com/watch?v=a6rGUlVvVJ4 * www.nfl.com: Just check it out. * Barkley, Shut Up and Jam Gaiden: https://www.talesofgames.com/relatedgame/barkley-shut-up-jam-gaiden/ * Hardcore Gaming 101 article about the game: http://www.hardcoregaming101.net/barkley-shut-up-and-jam-gaiden/ * Barkley 2 Kickstarter: https://www.kickstarter.com/projects/talesofgames/barkley-2-an-rpg-sequel-to-barkley-shut-up-and-jam * Barkley 2 PAX Prime 2015 interview for PC Gamer: https://www.youtube.com/watch?v=hHSyDqIyYE * A longer look at Barkley 2 from that same PAX: https://www.youtube.com/watch?v=Ni2hceqpqHA * Barkley 2 - Janky Demo: https://talesofgames.itch.io/barkley-2 * The gun's of Barkley 2: https://bowelflies.tumblr.com/post/185855518364/the-magical-realms-of-t%C3%ADr-na-n%C3%B3g-escape-from * Dingletopia, Gortarius' game that actually came out: https://store.steampowered.com/app/1286140/DingletopiaNationUnderSiegebyOrcs/ * Not mentioned in the show, but CBoyardee also did some writing on the 2019 video game Katana ZERO: https://www.katanazero.com/ * Cyberdwarf Body Pillow (Warning: Tsundere): https://knowyourmeme.com/photos/767094-dakimakura-body-pillow Microtopics: * What the insulin pod had to say. * An extremely sexy insulin pod telegraphing its own death. * Mourning many insulin pods at a rapid clip. * President Garfield's proof of the Pythagorean theorem. * Making your first ZZT game. * Doing fetch quest after fetch quest until two AIs fall in love and a nuclear reactor explodes. * Attempts to archive the user-uploaded games before the Wario Ware DIY servers get shut down. * The only Meat Boy game to come out for the Wii. * A demon that can only exist on sand and is formed of the sand. * ShareCart, the save format shared between many different games so you can save in one game and load in another. * How much Dr. Sbaitso likes you and how much his henchmen like you. * Spending an afternoon trying out randomly generated Game Genie codes. * Flipping random bits to see what comes out there other end. * Generating a hash of a large file twice in a row and getting two different results. * Seeing an exciting glitch in Super Mario 64 and nobody being able to replicate it until someone tries flipping bits in RAM like a solar ray might. * The randomizer hack that combines Link to the Past and Super Metroid into a single game. * Thirty people all making different games and hoping something interesting comes from mashing them together. * Why the heck everyone is suddenly talking about cake. * The primary use for your understanding of the world being making and understanding comedy. * Your filters going to sleep first, so you make weirder connections when you're half-asleep. * How everyone would know all the world capitals if you had also been obsessed with them as a child. * Spending 10% of your brain on how to spell antidisestablishmentarianism and the rest on the lyrics to "We Didn't Start The Fire." * How to download Wikipedia so you can give your son Wikipedia before you give him internet access. * How Roblox is a much more popular game platform than any you've ever touched. * Not knowing how to make games that appeal to children, but knowing how to make games that remind 40 year olds of when they were children. * The incredibly accurate clone of Counterstrike that some rando made inside of Roblox. * Roblox users calling platforming levels "Obbies." * The window in your life where you don't talk to children. * Watching a four year old play Minecraft and they're just breaking and replacing the same block over and over to see if it happens the same way every time. * A Roblox level that is just a series of waterslides. * "I Wanna Maker," for making your own masocore platformers. * How PageRank is named after Larry Page and Debian is named after Deb and Ian. * How Price Club is named after Sol Price and Main St. in San Fransisco is named after Charles Main. * Jim trying to figure out when humans first called a street Main St. and giving up. * "Taco Bell" appropriating respectfully because it respects the romance language adjective-noun order. * Reading about aptronyms in Marilyn vos Savant's column. * Sending your octuplets to a carnival owned by Larry Kidkill. * The late NASCAR racer Dick Trickle. * Changing our names to Fuck and starting a band called The Fucks and that's it, that's the tweet. * Unemployment as a prerequisite for starting any hobby as an adult. * Film Noir figuring out how to tell adult stories after the Hayes Code was enacted. * The constraints of being set on a train leading to compelling storytelling. * The train movie as a slightly less constrained bottle episode. * Whether they allow trains on the Internet Movie Car Database. * Yelling at librarians until morale improved. * Libraries often offering ebooks and movie streaming. * Netflix streaming having a limited selection of movies but the disc mailing service having every DVD, but it takes two or three days to get it. * Filmmakers being huge nerds and that's why they keep making movies about making movies. * 1939 and 1957 in filmmaking. * The history of Barkley Shut Up And Jam Gaiden. * Destroying Manhattan by performing a Chaos Dunk. * Setting your cyberpunk universe after basketball has been outlawed. * The dangers of running a successful Kickstarter. * The game design conceit that there should be way too much of everything. * Bizarre unthinkable development processes that somehow in the end produce a shippable game. * A 397-page forum thread of people asking "Where is Barkley 2?" * The second concrete product of the Barkley 2 Kickstarter, after the CyberDwarf body pillow.

So you saw Night of the Living Dead when you were 8, you brag to all your high school buddies about how your parents let you watch Martyrs, but trust me you aren't ready for this. Gnarly onscreen violence is one thing, but violent architecture? There's only one classic horror film that can make art deco scary: The Black Cat.   Lugosi and Karloff together, now you know you in trouble. Ain't nothin but Ulmer thing baby, two horror star legends so it's crazy. Released a mere month and a half before they started enforcing the Hayes Code, this deep dive in sadism, necrophilia, torture, Satanism and sexual assault is every bad taste horror idea you can think of rolled into one very classy old-dark-but-actually-extremely-clean-and-well-lit-house horror movie. Let's get into it!   0:00 - 2:23 - Intro 2:24 - 1:12:00 - Commentary

Ghouls are talking about LGBTQIA representation in horror with the amazingly talented singer/songwriter/musician/beautiful human Jacqueline Constance. Ghouls learn about the Hayes Code, queer horror (both real and on-screen) and talk about the indie horror film, What Keeps You Alive. --- Send in a voice message: https://anchor.fm/black-tribbles/message

Ghouls are talking about LGBTQIA representation in horror with the amazingly talented singer/songwriter/musician/beautifulhuman Jacqueline Constance. Ghouls learn about the Hayes Code, queer horror (both real and on screen) and talk about the indie horror film, What Keeps You Alive. --- Support this podcast: https://anchor.fm/the-ghouls-next-door/support

They're baaaaaack! It's a miracle. Caroline and Adrienne return with the scandalous tale of Talullah Bankhead....man eater and well, let's just say that she was all for practicing equal opportunity when it came to sex partners. Known as a brilliant stage actress, she struggled to break into Hollywood and eventually ran aground during the period of heightened morality during the Hayes Code era. This is Part 1 of 2.===============================================================Visit Scandal Sheets on Facebook and Instagram (@scandalsheetspod) and our website, www.scandalsheetspod.com. Enjoyed the show? Don't forget to subscribe, rate and review us at Apple Podcasts, Stitcher, TuneIn, iHeartRadio.... and pretty much wherever you get your podcasts. Thank you for your support!We now have a Patreon! We would appreciate your support in defraying the costs of producing "Scandal Sheets". You will be handsomely rewarded. For one time gifts, we also have a Paypal linked to scandalsheetspod@gmail.com===============================================================Theme Music:Blind Love Dub by Jeris (c) copyright 2017 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/VJ_Memes/55416 Ft: Kara Square (mindmapthat)

They're baaaaaack! It's a miracle. Caroline and Adrienne return with the scandalous tale of Talullah Bankhead....man eater and well, let's just say that she was all for practicing equal opportunity when it came to sex partners. Known as a brilliant stage actress, she struggled to break into Hollywood and eventually ran aground during the period of heightened morality during the Hayes Code era. This is Part 1 of 2.===============================================================Visit Scandal Sheets on Facebook and Instagram (@scandalsheetspod) and our website, www.scandalsheetspod.com. Enjoyed the show? Don't forget to subscribe, rate and review us at Apple Podcasts, Stitcher, TuneIn, iHeartRadio.... and pretty much wherever you get your podcasts. Thank you for your support!We now have a Patreon! We would appreciate your support in defraying the costs of producing "Scandal Sheets". You will be handsomely rewarded. For one time gifts, we also have a Paypal linked to scandalsheetspod@gmail.com===============================================================Theme Music:Blind Love Dub by Jeris (c) copyright 2017 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/VJ_Memes/55416 Ft: Kara Square (mindmapthat)

On this episode the guys start talk about the third edition of their Best Picture Winners revisits. The years are 1948-1957 (the 20th– 29th Oscar winners). You can find Edition 1 here and Edition 2 here and Part 2 here. Dakota and Andreas talk about the history of HUAC (The House of Un-American Actives) and the Hayes Code both black marks on the history of Hollywood. Sarah Rix’s favourite films Oceans Eleven Fantastic Mr. Fox Children of Men Make sure you follow Sarah on Twitter! 10. The Greatest Show on Earth 9. Around the World in 80 Days 8. From Here to Eternity Tie for 6th place 6. An American in Paris 6. Marty Music this week is from Justin Nozuka a worldly talent from right here in Toronto. Songs featured on this episode are: Eyes Changing Colour Right by You Dakota photographed and Andreas reviewed Justin back in July at the Danforth Music Hall when he opened for the legendary Brian Wilson of the Beach Boys. You can purchase Justin’s latest album Ulysees on iTunes here. Follow Dakota @Dgapa and Andreas @AndreasBabs and follow the show @ContraZoomPod on Twitter. This episode was originally posted on November 26, 2015 --- Send in a voice message: https://anchor.fm/contrazoompod/message

On this episode of Wicked Hot Movie Mayhem we discuss the history of the MPAA back when they were called the MPPDA and the Hayes Code ruled the film industry (00:00). We dive into the inception of the MPAA and the rating system (36:43). We also go over some of the corrupt practices by the MPAA (50:10). Finally, we discuss some alarming things discovered by the documentary, This Film is Not Yet Rated (56:32). www.wickedhottalk.com Twitter/Instagram/FacebookShow - @WickedHotTalkKevin - @ImperiaDigitalJon - @KimJon_Gil

How indecent!! This week Will and Marc look at their first pre-Code movie, 1934's crime comedy THE THIN MAN. Join in as they explore the Hayes Code, overexerted acronyms, Nora's pajamas, and putrefied oysters. Plus: Marc gets a birthday surprise, Will struggles to keep track of characters, and the two of them try to answer once and for all the question of whether evil really is hereditary. Don't forget to rate, review, and subscribe! Next week: THE TALL GUY (1989) --- Send in a voice message: https://anchor.fm/we-love-the-love/message

Description Todd and Joe are talking about Roger Thornhill from the Alfred Hitchcock film North by Northwest. Topics of discussion include what is an everyman, chaotic story writing, and dodging the Hayes Code. Support the Show SUPPORT US ON PATREON … Continue reading →

Robert, Nat, and Cody take a journey back to the early days of the talkies, and prior to the Hayes Code, with 1933's THE INVISIBLE MAN.   It's safe to say that there's not much disagreement with the conventional wisdom on this film, but we talk about it at length. Plus a Cinecast tradition of mispronounced names lives on! You have to listen to find out who is continuing that tradition.    If that’s not enough, we spend the second half of the episode with Zach Snyder’s and Joss Whedon’s JUSTICE LEAGUE. It’s fair to say that we all had a lot of problems with the film amidst some highlights.

David May returns as guest when Michael and Noel jump back to MGM for the third movie in the Johnny Weissmuller series: Tarzan's Return. Or was it Tarzan and the Vampires? No, wait, The Capture of Tarzan. Oh, that's right: Tarzan Escapes! Featuring studio meddling, killer iguanas, the Hayes Code, and what happens when you let the monkey cook the roast.

This week we form our very own knitting circle with RETURN GUEST Shelley (B.) Farmer of our bisexuality round table!!! Shelley knows more about Old Hollywood than we do about pretty much anything, and she also brought an enormous packet with her, so she has a lot to teach us. We start off by talking about the Hayes Code, during which Shelley tells us about the craziest movie we've ever heard of, The Miracle of Morgan's Creek. Then we dive in to our favorite queer coded characters, closeted celebrities, and shifting audience perspectives. Stay tuned for a ~special announcement~ about some INTERACTIVE CONTENT coming your way! Follow Shelley on social media: @ShelleyBFarmer PATREON: www.patreon.com/onemorethingTWITTER/INSTAGRAM: @OneMoreThangNEWSLETTER: www.tinyletter.com/onemorethingFACEBOOK: One More Thing PodcastEMAIL: 1morethingpodcast@gmail.com

Film critic Peter Rainer is back this week to help us wrap up Pride Month with one of the earliest queer representation in cinema Some Like it Hot. Starring Jack Lemmon, Tony Curtis, and Marilyn Monroe and directed by Billy Wilder, Some Like it Hot killed the Hayes Code and is listed in the top 100 films of all time by AFI. Join us as we explore the historical implications of this iconic film. Follow @PegahRad on Twitter! Follow @JoelleMonique on Twitter!

Warning: The following podcast contains spoilers for the following - When Marnie Was There, Sherlock, the first episode of Riverdale and the most recent season of It’s Always Sunny in Philadelphia. Taking a dive into more topical waters, in this episode Hamish and Jade attempt to tackle the often mentioned and highly infamous subject of Queer Baiting. With the discussion ranging from the Hayes Code to Sweeps Week Lesbian Kisses, two fandom juggernauts looming over our shoulders and our pockets now significantly lighter in loose change thanks to overuse of a certain word, we offer our take on this insidious media phenomena. Special thanks for our audio and theme music to Graham Waller (grahamwaller.com) and if you want to watch the videos mentioned in this episode you can find them on their youtube channels - Chez Lindsay and Rown Ellis. If you want to get in contact with us, we are BoxNotIncluded on Facebook, Tumblr, Twitter and @gmail.com and we also have our individual twitters at @hamishsteele and @jadeoxfordrose.

This week, we watch the pre-Hayes Code pre-noir gangster classic, The Public Enemy! We highly recommend you watch the film before listening to the episode, because it's a great gangster flick. This film is currently available for streaming rental on iTunes, Amazon Video, Vudu, and Microsoft, and is also available on DVD. (It's also currently available for free on YouTube, … Continue reading The post Episode 17: The Public Enemy appeared first on A Reel Education: Noir.

Osborne, Gardner Goldsmith and I continue our once-a-month listener participation live show where we discuss our recent shows, projects, challenges, investigations, etc... Discussed:A chronology of film and television self-censorship with many tangents 1. WHY THIS TOPIC? -censorship of the film, "The Interview" by Sony Pictures entertainment -What's unique about this situation? What isn't? -It is unlikely that North Korea is behind the hack: -Whether it's a legit cyber attack, an inside job by Sony or a government false flag the response from Washington is predictable 2. HISTORY - ESCALATION OF CENSORSHIP -Censorship increasing and decreasing were both gradual processes -first film censorship laws -movies were considered evil, similar to all new mediums at first -The First Amendment and "Community Standards" -1915 - Mutual Film Corporation v Ohio Industrial Commission, Supreme Court Case - Movies deemed "not free speech," so government censorship was "justified" - now they were just waiting for reasons to move in further -US v Motion Picture film The Spirit of 76 -The Fatty Arbuckle Scandal -Journalists like WR Hearst were pushing this idea that the business needed to be cleaned up -over 100 bills for censorship were submitted to congress in the early 1920s -defensive act: 1922 Motion Picture producers and Distributors of America start working with William H. Hayes. Hayes acts as a buffer between Hollywood and Washington, or a kind of lobbyist, PR -1927: committee formed to develop a list of 11 don'ts and 25 be-carefuls -then it escalates in 1927 with a new development - SOUND -because now who could go to the movies? children -and sound makes film even more real -1930 - Motion Pictures Production Code, Hayes Code -1934 - Production Code Administration studios agreed, kept Washington at bay, avoided boycotts aided mass production with a reliable formula -But who gets to have input? -Hitler in Hollywood? -Reticence of Jewish studio moguls 3. HISTORY - HOW THE CODE FALLS APART: -Reason #1: Supreme Court Decisions 1948 - United States v. Paramount Pictures, Inc. 1952 - Joseph Burstyn, Inc. v. Wilson -Reason #2: Competition Television, had an even stricter code Rod Serling explains how censorship led to the creation of ‘The Twilight Zone’ Foreign Films/ Art house Changing culture sexual content that would have previously been banned by the Code was being retained -Reason #3: REBELIOUS FILMMAKERS: Otto Preminger Billy Wilder's Some Like It Hot 1964 Sidney Lumet's "Pawnbroker" 1966 "Who's Afraid of Virginia Woolf?" 4. CENSORSHIP/CONTROVERSY AFTER THE CODE -1970-1972: It wasn't just the government and the church: The Godfather - Hollywood makes a deal with the mob -1971: Stanley Kubrick pulled A Clockwork Orange -UK: Kubrick asked Warner Brothers to withdraw the film from British distribution. In response to allegations that the film was responsible for copycat violence Kubrick stated: "To try and fasten any responsibility on art as the cause of life seems to me to put the case the wrong way around. Art consists of reshaping life, but it does not create life, nor cause life. Furthermore, to attribute powerful suggestive qualities to a film is at odds with the scientifically accepted view that, even after deep hypnosis in a posthypnotic state, people cannot be made to do things which are at odds with their natures." -US: The National Catholic Office for Motion Pictures rated it C ("Condemned"), a rating which forbade Roman Catholics seeing the film. Full Video: Coming Soon Look Closer: Brett's Show Notes Folder - https://www.evernote.com/pub/brettveinotte/hollywoodcensorship Liberty Conspiracy - http://libertyconspiracy.com/

Talking about The Thin Man--a zany crime comedy and one of the last films to show a couple realistically before the Hayes Code brought censorship to Hollywood.