1997 film directed by Martin Scorsese
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5 episodes with Kundun
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2 episodes with Kundun
2 episodes with Kundun
2 episodes with Kundun
2 episodes with Kundun
2 episodes with Kundun
2 episodes with Kundun
2 episodes with Kundun
Martin Charles Scorsese (/skɔːrˈsɛsi/ skor-SESS-ee,[1][2] Italian: [skorˈseːze, -se]; born November 17, 1942) is an American filmmaker. He emerged as one of the major figures of the New Hollywood era. He has received many accolades, including an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, and three Golden Globe Awards. He has been honored with the AFI Life Achievement Award in 1997, the Film Society of Lincoln Center tribute in 1998, the Kennedy Center Honor in 2007, the Cecil B. DeMille Award in 2010, and the BAFTA Fellowship in 2012. Four of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".Scorsese received a Master of Arts degree from New York University's Steinhardt School of Culture, Education, and Human Development in 1968. His directorial debut, Who's That Knocking at My Door (1967), was accepted into the Chicago Film Festival. In the 1970s and 1980s, Scorsese's films, much influenced by his Italian-American background and upbringing in New York City, centered on macho-posturing men and explore crime, machismo, nihilism and Catholic concepts of guilt and redemption.[3][4] His trademark styles include extensive use of slow motion and freeze frames, voice-over narration, graphic depictions of extreme violence and liberal use of profanity. Mean Streets (1973) was a blueprint for his filmmaking styles.Scorsese won the Palme d'Or at Cannes with Taxi Driver (1976), which starred Robert De Niro as a disturbed Vietnam Veteran. De Niro became associated with Scorsese through eight more films including New York, New York (1977), Raging Bull (1980), The King of Comedy (1982), Goodfellas (1990), Casino (1995) and The Irishman (2019). In the following decades, he garnered box office success with a series of collaborations with Leonardo DiCaprio, including Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010), and The Wolf of Wall Street (2013). He worked with both De Niro and DiCaprio on Killers of the Flower Moon (2023). He also directed After Hours (1985), The Color of Money (1986), The Last Temptation of Christ (1988), The Age of Innocence (1993), Kundun (1997), Hugo (2011), and Silence (2016).On television, he has directed episodes for the HBO series Boardwalk Empire (2010–2014) and Vinyl (2016), as well as the HBO documentary Public Speaking (2010) and the Netflix docu-series Pretend It's a City (2021). He has also directed several rock documentaries including The Last Waltz (1978), No Direction Home (2005), and Shine a Light (2008). He has explored film history in the documentaries A Personal Journey with Martin Scorsese Through American Movies (1995) and My Voyage to Italy (1999).[5] An advocate for film preservation and restoration, he has founded three nonprofit organizations: The Film Foundation in 1990, the World Cinema Foundation in 2007 and the African Film Heritage Project in 2017.[6]PICTURE: By Harald Krichel - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=146148488
Thomas Sena & Deremy Dove (Pop Culture Five Podcast Duo) light a match and illuminate the pros and cons of Martin Scorsese's Religious Epics Trilogy: THE LAST TEMPTATION OF CHRIST, KUNDUN and SILENCE! TOPICS INCLUDE: *An overview on Scorsese's look at Catholicism *Is Adam Driver needing better roles of late? *Philip Glass and Peter Gabriel's brilliantly inserted film scores for the initial two films *How hard it is to handle FOR ANY KIND of religious epic without someone disagreeing on the messaging *Which film ran out of steam before it even got going *Which one is easily Scorsese's most accessible film to date *And which one has a rather captivating script for even the most agnostic viewer to find riveting! MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/ SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222 Discord: https://discord.com/channels/796154005914779678/796154006358851586 #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass
This month, we're talking about 60s and 70s Hollywood; the old masters giving their last efforts for a dying system, and the new filmmakers who changed everything. We start with Howard Hawks' slow and steady reworking of his greatest screwball works from decades before, Man's Favorite Sport? A Late Style Object if there ever was one. We got into Hawks' undying instincts for the essentials of great cinema, like when a bear rides a dirt bike. Also, did Howard Hawks invent the wet t-shirt contest? Then, on everybody's favorite segment, MITM, we got into Party Girl, The Day the Earth Blew Up: A Looney Tunes Movie, Letterboxd, and Kundun. 00:00 - Man's Favorite Sport? 54:17 - Malcolm in the Middle Join us on patreon and get an extra episode every week for $5/month. Write to us at extendedclippodcast@gmail.com
Send us a textOn this episode we dive into the 1993 film A Perfect World, part two of our Clint Eastwood double-feature. Directed by Eastwood, the film was his follow-up to Unforgiven and features Kevin Costner in one of his best roles as Butch, an escaped convict who kidnaps a young boy. As they journey across the countryside, an unexpected bond forms between them. Meanwhile, Clint Eastwood plays a detective torn between his moral compass and upholding the law. We check out whether A Perfect World deserves to be among Eastwood's best movies and Costner's best performance.Other topics include Eastwood's possible final film, Juror #2, the end of Hollywood's old guard, Costner's iconic early '90s career peak, upholding the 90s in film and music, discovering Martin Scorsese's Kundun and picking out Philip Glass's best scores, realizing The Walking Dead will never end, and how the Mike Tyson vs. Jake Paul fight is the exact plot of Rocky Balboa.Songs of the weekHold On To Your Friends by MorrisseyJerkin' by Amyl and the SniffersRemainders Podcast JukeboxWebsiteFacebookInstagramYouTubeTwitter
@austin_hayden @cinemythology cinemythologypod@gmail.com
This week on the Talk Without Rhythm Podcast I'm fulfilling a Patreon Pick from TWoRP Legionnaire from Thomas F. by diving back into the religious world of Martin Scorsese with 1988's The Last Temptation of Christ and 1997's Kundun. [00:00] INTRO [02:17] Trick or Treat Radio Promo [03:33] RANDOM CONVERSATION [14:58] The Last Temptation of Christ (1988) [01:06:01] Kundun (1997) [01:49:45] FEEDBACK [01:53:39] ENDING MUSIC: Temptation by New Order Buy The Last Temptation of Christ (1988) Buy Kundun (1997) Watch Kundun Support TWoRP Contact Us talkwithoutrhythm@gmail.com
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about one of the great ones: Martin Scorsese. Who's better than Marty? Dan, Conor, and guest Jake Kring-Schreifels. Our B-Sides today include Italianamerican, Kundun, Bringing Out the Dead, and Silence. We talk about a lot in this one. How to pronounce Scorsese! How to pronounce Coppola! Catholicism! Buddhism! Making films about religions in your life! This is an episode with lofty ambitions, not unlike most Scorsese pictures! In examining Italianamerican we muse on Marty as documentarian, including the mention of an incredibly-underrated Scorsese documentary that's hard to find: Public Speaking starring Fran Lebowitz. We reflect on the guardedness of memory by older generations (and how that may reveal itself in this new, Covid-stung generation). We also recount the Muddy Waters - László Kovács story from the set of The Last Waltz, We parse Marty's constant wrestle with faith in Bringing Out the Dead, and how its gentler, compassionate qualities weave into Kundun and Silence, all of which feature some of the best collaborations in his career. Additional writing from Jake includes his superb oral history of The Wolf of Wall Street (also linking to Fran Hoepfner's great piece on the same movie on Bright Wall Dark Room), a recent great piece on stunts tied to the release of The Fall Guy, and a lovely interview with the director of Saved! In celebration of its twenty-year anniversary. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
Menetrend: 00:00 - Polgárháború 29:00 - A szimpatizáns (HBO Max) 54:20 - A tehetséges Mr. Ripley 01:15:20 - Ripley (Netflix) 1:39:15 - Scorsese-sorozat: Kundun 2:19:20 - Polgárháború spoileresen
Que Martin Scorsese es un gran director nadie lo pone en duda. Podrá tener películas mejores o peores, premiadas o no, pero sin duda su biografía fílmica es digna de ser considerada. Es por eso que lanzo esta dedicatoria y os pregunto, para que lo dejéis en los comentarios: ¿Cuál es vuestra película favorita de Martin Scorsese? Las enumero con el nombre que le dieron en España: Malas calles (1973) Alicia ya no vive aquí (1974) Taxi Driver (1976) Toro Salvaje (1980) El rey de la comedia (1982) Jo, ¡qué noche! (1985) El color del dinero (1986) La última tentación de Cristo (1988) Uno de los nuestros (1990) El cabo del miedo (1991) La edad de la inocencia (1993) Casino (1995) Kundun (1997) Al límite (1999) Gangs of New York (2002) El aviador (2004) Infiltrados (2006) Shutter Island (2010) La invención de Hugo (2011) El lobo de Wall Street (2013) Silencio (2016) El irlandés (2019) Los asesinos de la luna (2023) Lo se, no están todas, pero son las que he destacado. Martin Scorsese es uno de los directores de cine más influyentes y aclamados de la historia del cine. Aquí tienes una breve biografía sobre él: Nombre: Martin Charles Scorsese Fecha de nacimiento: 17 de noviembre de 1942 Lugar de nacimiento: Queens, Nueva York, Estados Unidos Primeros años y educación: Martin Scorsese nació en el seno de una familia italoamericana en Queens, Nueva York. Creció en el barrio de Little Italy, donde se familiarizó con la cultura italiana y con el cine gracias a su padre, quien le llevaba a ver películas en el cine desde una edad temprana. Estudió en la Universidad de Nueva York, donde se graduó en cine. Carrera: Scorsese emergió como una figura prominente en el cine estadounidense durante la década de 1970. Su estilo visual único y su habilidad para contar historias lo llevaron a dirigir una serie de películas aclamadas por la crítica y el público. Algunas de sus películas más destacadas incluyen: - "Taxi Driver" (1976): Un retrato sombrío de la vida nocturna de Nueva York, protagonizado por Robert De Niro como un taxista alienado y perturbado mentalmente. - "Toro salvaje" (1980): La historia biográfica de Jake LaMotta, un boxeador neoyorquino, interpretado por Robert De Niro, cuya vida está marcada por la violencia y el autodestrucción. - "Buenos muchachos" (1990): Un retrato de la mafia ítaloamericana en Nueva York, basado en la vida real del gánster Henry Hill, interpretado por Ray Liotta. - "Casino" (1995): Otra mirada a la mafia, esta vez ambientada en Las Vegas y protagonizada por Robert De Niro, Sharon Stone y Joe Pesci. - "El lobo de Wall Street" (2013): Una exploración satírica de la vida de Jordan Belfort, un corredor de bolsa ambicioso y corrupto, protagonizada por Leonardo DiCaprio. Legado: Martin Scorsese ha sido galardonado con numerosos premios a lo largo de su carrera, incluyendo el premio Óscar al Mejor Director por "Los infiltrados" en 2006, así como múltiples premios de la Academia por sus contribuciones al cine. Su estilo distintivo, que combina una dirección visualmente audaz con historias profundamente humanas, ha influenciado a generaciones de cineastas. Además de su trabajo como director, Scorsese también es un apasionado defensor de la preservación del cine y ha desempeñado un papel importante en la restauración y conservación de películas clásicas. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/avisos-de-la-historia-zz-podcast-05x32/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0
Show Notes:The queen's gambit: Gov. Sanders and Co play political games with overcrowded prisonshttps://arktimes.com/arkansas-blog/2024/02/28/the-queens-gambit-gov-sanders-and-co-play-political-games-with-overcrowded-prisons?fbclid=IwAR2FFU6Gw9ldB0JxOij_e81FprTrW3fL2QwkzkHeI_i8aFYkRFzBh-LFB9cLegislature OKs 'emergency' rule limiting gender options on state IDs, dodges public commenthttps://arktimes.com/arkansas-blog/2024/03/15/legislature-oks-emergency-rule-restricting-gender-options-on-state-ids-dodging-public-commentBill Whitworth, legendary editor at The New Yorker and The Atlantic, dies at 87https://arktimes.com/arkansas-blog/2024/03/08/bill-whitworth-legendary-editor-at-the-new-yorker-and-the-atlantic-dies-at-87I remember his sweetness: Bill Whitworth and Dizzy Gillespiehttps://arktimes.com/arkansas-blog/2024/03/12/i-remember-his-sweetness-bill-whitworth-and-dizzy-gillespieThe Women by Kristin Hannahhttps://kristinhannah.com/books/the-women/The Arkansas Times Film Series Presents Kundun (1997)https://www.riverdale10.com/movie/Kundun
When a director of Martin Scorsese's stature releases a new movie, it's time to drop everything else and discuss. When last we did this, with "The irishman", our thoughts on that film were mixed; it was a summation of some of the themes and ideas that have characterized Scorsese's work, and it also contained certain thematic elements of his “spiritual” trilogy of "Last Temptation of Christ", "Kundun" and "Silence". Michael summed it up best when he characterized "The Irishman", and not in a disparaging way, as the film of an old man, an elegy for a passing time. And here we are, once again, with the director in his early 80's, releasing a very different kind of 3 ½ hour epic that, in our view, not only feels like it could have been made by someone in his 30's, but encompasses an ambition (both emotional and temporal/spatial) that Scorsese has never attempted before. So we present Episode 49, "Killers of the Flower Moon: It's Just the Way This Is Going.” As we did with our study of "The Irishman", we divide this episode into two parts. In the first, we discuss the film on its own terms. Here, we disagree somewhat (which always makes for an interesting discussion) on the overall impact of the film; Michael sees it as an unalloyed masterpiece, while John and I, while recognizing its brilliance, express some reservations. We all agreed, for example, that the film's extended running time was actually insufficient to tell this story, and that it might have been better done as a mini-series or some longer format. Another thing we all agree on is the acting which, down to the smallest roles, is pitch-perfect. This is especially true of the three leads, and of the stunning performance by Lily Gladstone as Mollie in particular. And we all love the opening and the ending of the film, and how brilliantly Scorsese uses the music of Robbie Robertson (who acts as almost a presiding spirit over the film) to underscore the themes and the mood of the piece. We also appreciate how Scorsese, in adapting David Grann's brilliant book for the screen, shifts Grann's emphasis on how the Osage murders helped put the FBI and J. Edgar Hoover on the map and puts his focus up, until nearly the very end, on the human side of these horrific crimes, centered around the extraordinarily complex relationship between DiCaprio's Ernest and Gladstone's Mollie. Then, as we did with "Irishman", we try to place the film in the context of Scorsese's body of work, and this is where things get really interesting. While his films often focus on violence, and often depict this violence through elaborate set pieces, Scorsese's approach is very different here. For one, with the possible exception of the misbegotten "Gangs of New York", Scorsese has never attempted to show organized violence perpetrated over such a long period of time and on such an epic scale. Paradoxically, though, while this film contains countless acts of brutal violence, Scorsese chooses to show them in the most blunt, matter-of-fact way. It's as though he felt that calling attention to his own craft would only distract from the horrific story he is trying to tell. And this raises the stakes for the director in an unprecedented way. Rather than focusing on the violence between rival gangs, or internecine strife within a gang, Scorsese seems to be saying that the whole of American history is at least in part a kind of gang war, with profit and gain for some happening only with the suffering, exploitation and murder of "othered" peoples across the centuries. It is an exploration of the darkest corners of the American Dream, and we think you will find our conclusions about where it fits in the Scorsese canon to be interesting. "Killers of the Flower Moon" is a film of tremendous resonance, depth and contradiction as seen through the eyes of someone who, as an artist, has always been one of the sharpest observers of the complexities of who we are as a people.
Pt. 2 of our Martin Scorsese Retrospective including: The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995), Kundun (1997), Bringing Out the Dead (1999), Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010), Hugo (2011), The Wolf of Wall Street (2013), Silence (2016), The Irishman (2019), and Killers of the Flower Moon (2023). This episode is sponsored by FNX Fitness (Use the Discount Code: fourseasonsoffilm and receive 15% off your order). Podcast App: https://playpodca.st/fourseasons Spotify: http://bit.ly/4SOFspotify Amazon Music: https://tinyurl.com/35zkuzya Check out our latest episodes, digital shorts, movie reviews and more: fourseasonsoffilm.com Where to Find Nathan and Andy: @fourseasonspod on Twitter @fourseasonsoffilm on Instagram @NathanRobertBlackburn on Instagram & Twitter @AJPesa on IG & Twitter Facebook: http://facebook.com/fourseasonsoffilm YouTube: http://youtube.com/fourseasonsoffilm Vimeo: https://vimeo.com/fourseasonsoffilm @fnx_fit Keep Film Alive!
On this episode of the Team Deakins Episode, casting director Ellen Lewis (KILLERS OF THE FLOWER MOON, THE DEVIL WEARS PRADA, GOODFELLAS) joins us to talk about all things casting—of which we knew very little before speaking with her. A disciple of veteran casting director Juliet Taylor, Ellen shares with us how they were first introduced and what she learned working with her for eight years. Ellen reveals how closely casting works with talent agents to find the right actor for a role and how some casting directors even directly negotiate an actor's contract. We worked with Ellen on KUNDUN, and she recounts her global odyssey to cast the 14th Dalai Lama across four separate stages of his life. We later discuss setting actors at ease, both on set and in the audition room, and how we do what we can to lift the pressure under which actors must work. Ellen also admits to us just how far she's willing to travel to go to set. - This episode is sponsored by Fiilex Instagram: @fiilexled - Recommended Viewing: KUNDUN
The nerds are back for another extra review this week with their discussion on Martin Scorsese's Kundun! Thank You ALL for Helping Support Us! Visit Our Website
In this Special Episode of Edward Reib's "Buddhist Books" Podcast, we'll be watching Martin Scorsese's "Kundun," released in 1997. "Kundun" is a historical bio-pic made in collaboration with His Holiness The 14th Dalai Lama. It covers the period starting with just before he was discovered as a child until the day he left Tibet, as seen from his point of view.
Editor - Thelma Schoonmaker, ACE KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE has literally had a front row seat to some of the most celebrated films of the past four decades, working as director Martin Scorsese's editor and filmmaking partner. The pair reunite once again for KILLERS OF THE FLOWER MOON, starring Leonardo DiCaprio and Robert DeNiro, two mainstays of Scorsese's acting troupe, as well as Lily Gladstone, who delivers a breakout performance as Mollie Kyle. KILLERS OF THE FLOWER MOON was directed by Martin Scorsese from a screenplay he co-wrote with Eric Roth, based on the 2017 non-fiction book of the same name by David Grann. Set in 1920's Oklahoma, it focuses on a series of murders of Osage members and relations in the Osage Nation after oil was being produced on tribal land. Tribal members had retained mineral rights on their reservation, and whites sought to gain their wealth. THELMA SCHOONMAKER ACE Thelma Schoonmaker is a three-time Academy Award winner, having worked for more than 40 years alongside filmmaker Martin Scorsese. Schoonmaker has been honored with Oscars, most recently in 2007 for her work on Scorsese's “The Departed,” and in 2004 for his film “The Aviator.” In 1981, she won both the Academy Award and BAFTA Award for editing Scorsese's “Raging Bull.” Subsequently, she worked on all of Scorsese's features: “The King of Comedy,” “After Hours,” “The Color of Money,” “The Last Temptation of Christ,” the “Life Lessons” segment from “New York Stories,” “Goodfellas” (which earned her another BAFTA Award, as well as an Oscar nomination), “Cape Fear,” “The Age of Innocence,” “Casino,” “Kundun,” “Bringing Out the Dead,” “Gangs of New York” (for which she received the ACE Eddie Award and was nominated for an Academy Award), “Shutter Island,” “Hugo” (for which she received another Oscar nomination), “The Wolf of Wall Street,” and “Silence.” In addition to her film editing, Schoonmaker works tirelessly to promote the films and writings of her late husband, the director Michael Powell, among them “The Red Shoes,” “Black Narcissus,” “The Life and Death of Colonel Blimp,” “I Know Where I'm Going,” “A Matter of Life and Death,” “Tales of Hoffmann,” and “Peeping Tom.” Editing Killers of the Flower Moon In our discussion with KILLERS OF THE FLOWER MOON editor Thelma Schoonmaker ACE, we talk about: Leaning into the love story When to cut to DiCaprio or DeNiro Scorsese's shooting style The structural perfection of Goodfellas Twelve cuts to completion The Credits Visit ExtremeMusic for all your production audio needs Learn all about what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
Huge week this week as one of our absolute favourites returns, Alexei Toliopoulos is back to talk about the holiday paradise of Wooli. Lex tells us his family history of visiting the tiny seaside town every year, renting Kundun and eating at the local Chinese Restaurant. Plus we also look into how Barnaby Joyce used the town to get his affair on, delve into the Goanna Pulling championships and Lex reads us the most genuinely moving thing that will ever appear on the pod. Laughs, heart, drip, camaraderie, Community Noticeboard has it all. Get it on all pod apps. We also have a Patreon. You can access bonus episodes featuring more great Community Noticeboard content for $5 a month. Check the link below for bonus eps, merch and all our socials. Thanks for listening! https://linktr.ee/CommunityNoticeboardPodcast
Kundun (1997) - Unmasking Disney's Cowardice in the Face of China's Pressure Prepare to delve into the untold story of "Kundun" (1997), a Martin Scorsese film that has been buried by controversy and Disney's seemingly appeasing stance towards China. Join Drew McWeeny and Ben Friedman as we uncover the complex web of censorship, politics, and corporate decisions that led to this film's obscurity. Find Drew McWeeny: https://drewmcweeny.com Twitter: https://x.com/drewmcweeny?s=21
Today on Art of the Cut, Jennifer Lame, ACE, discusses editing Oppenheimer with some of the key members of her editing team: Additional Editor, Mike Fay, First Assistant editor (Avid) Nick Ellsberg, and First Assistant Editor (film), Tom Foligno. Jennifer Lame was an early Art of the Cut guest when she edited Manchester By the Sea, for which she was nominated for a BAFTA and an ACE Eddie. She has since edited Hereditary, Marriage Story - also nominated for an ACE Eddie - Tenet, and Black Panther: Wakanda Forever. Mike Fay was previously the Visual Effects editor on Bullet Train, John Wick 3, and Passengers, First Assistant Editor on Ghostbusters: Afterlife, and The Mountain Between Us, and editor on the feature film, A Shot through the Wall. Nick Ellsberg was First assistant editor on Bullet Train, assistant editor on Ghostbusters: Afterlife, second assistant editor on John Wick 3, and editor on the feature film, Watch List. Tom Faligno was nominated for an ACE Eddie for an episode of Curb Your Enthusiasm. He's also edited the TV series Ballers, Altered Carbon and Dispatches from Elsewhere. He's also cut features including All for Nikki and Sweet Lorraine. Later in the episode, you'll hear his background included working on Martin Scorsese's Casino, Kundun, and The Aviator as an assistant editor under Thelma Schoonmaker, ACE.
I came across my guest, Jigme Ugen after he uploaded a video in response to a viral clip of a young Indian boy with the Dalai Lama. The video Jigme uploaded explained Tibetan cultural traditions and tried to give another opinion on what was going around on the mainstream media. My intention here is not at all to convince you that the Dalai Lama is one thing or another but when I decided to share this video on Instagram some of the responses I got enraged me. Some people rejected it without even watching it. This led me to decide to have this conversation to tell my listeners that the top skill we need in today's fake world of social media, is to always listen to the opposite point of view before we make up our mind.Jigme Ugen is the President of the Tibetan National Congress who has lived in exile in Minnesota, USA since 2001. Listen as we discuss:05:30 - Important disclaimer 08:00 - The opinion and the other opinion 10:00 - Meaning of prayer 13:00 - History of Tibet 18:00 - Seven Years In Tibet and Kundun 21:00 - Injustices and struggles 22:30 - Empathy and compassion 28:00 - Child abuse 30:30 - Culture shock 32:20 - Sky burial 37:00 - Tibetan culture 41:00 - Squeezing cheeks 43:00 - THAT video 58:00 - The long tale 01:03:00 - A community in pain 01:06:30 - The impact of hate speech 01:15:30 - The truth and the sun 01:17:30 - Finding peace and harmony 01:19:00 - The inner child 01:22:00 - Obama's ears 01:24:00 - Sexual harassment 01:25:00 - Consider ALL opinions to find the truth Connect with Jigme Ugen on Instagram Jigme, Twitter @JigmeUgen and LinkedIn YouTube: @mogawdatofficialInstagram: @mo_gawdatFacebook: @mo.gawdat.officialTwitter: @mgawdatLinkedIn: /in/mogawdatWebsite: mogawdat.comDon't forget to subscribe to Slo Mo for new episodes every Saturday. Only with your help can we reach One Billion Happy #onebillionhappy
He's a guitarist, a composer, a producer, an audio engineer and a teacher. Gaurav Chintamani joins Amit Varma in episode 316 of The Seen and the Unseen to share his reflections on music and life. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Gaurav Chintamani at Instagram, Twitter, LinkedIn, SACAC and his own website. 2. Advaita on YouTube Music, YouTube, Spotify, Instagram and Twitter. 3. Raman Negi on YouTube Music, YouTube, Spotify, Instagram and Twitter. 4. The Dirt Machine on YouTube Music, YouTube and Spotify. 5. Grounded in Space -- Advaita. 6. The Silent Sea -- Advaita. 7. Shaksiyat -- Raman Negi. 8. Mehroom -- Raman Negi. 9. Lullaby for the Anxious Bones -- Raman Negi. 10. It's About Time -- The Dirt Machine. 11. Kleptocrat -- The Dirt Machine + Amartya Ghosh (The song that started with dripping water). 12. Carol of the Bells -- Ishaan Chintamani. 13. Gaurav Chintamani on the School of Bass Podcast. 14. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 15. Hard work vs. Long work -- Seth Godin. 16. Warren Mendonsa Plays the Universal Pentatonic — Episode 273 of The Seen and the Unseen. 17. The Beatles on YouTube Music, Spotify and Wikipedia. 18. Bob Dylan on YouTube Music, Spotify and Wikipedia. 19. Choo Lo -- The Local Train. 20. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 21. Four Thousand Weeks -- Oliver Burkeman. 22. Redemption Song -- Bob Marley. 23. The Beach (book) -- Alex Garland. 24. The Beach (film) -- Danny Boyle. 25. John Cage on YouTube Music, Spotify and Wikipedia. 26. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 27. Over the Hills and Far Away -- Led Zeppelin. 28. Amit Varma's favourite lofi playlists on YouTube and Spotify. 29. Music for Airports -- Brian Eno. 30. The Formula Behind Every Perfect Pop Song — Seeker. 31. The Double ‘Thank-You' Moment — John Stossel. 32. Deezer -- The French streaming service that Gaurav mentions. This is how they pay their artists. 33. Entry and Exit in Agriculture -- Episode 1 of The Seen and the Unseen (w Pavan Srinath and Karthik Shashidhar). 34. Altitude -- Advaita on The Dewarists. 35. A Hard Day's Night -- The Beatles. 36. Thriller -- Michael Jackson. 37. Guns N' Roses, Pantera and The Doors. 38. The Sky is Crying -- Stevie Ray Vaughan. 39. Jai Arjun Singh Lost It at the Movies — Episode 230 of The Seen and the Unseen. 40. Lou Majaw on YouTube Music and Spotify. 41. Acquired Senses (a demo version) -- HFT. 42. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 43. Suyash Rai Embraces India's Complexity -- Episode 307 of The Seen and the Unseen. 44. Jeff Beck on YouTube Music, Spotify and Wikipedia. 45. Jimi Hendrix on YouTube Music, Spotify and Wikipedia. 46. Imposter Syndrome. 47. Aakar Patel on Twitter. 48. A Meditation on Form — Amit Varma. 49. Wanting — Luke Burgis. 50. René Girard on Amazon and Wikipedia. 51. Lifespan: Why We Age – and Why We Don't Have To — David Sinclair. 52. Waking Up - A New Operating System for Your Mind -- Sam Harris. 53. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 54. Dirty Mind -- Jeff Beck. 55. The Haas Effect. 56. The Advaita jam in the Kolkata hotel room. 57. Here, There and Everywhere -- Geoff Emerick. 58. Paul McCartney listens to John Lennon's Beautiful Boy. 59. Watching the Wheels -- John Lennon. 60. Chris Cornell's covers of Watching the Wheels, Redemption Song, Long As I Can See The Light, Nothing Compares 2 U, I Will Always Love You and Thunder Road. 61. Penny Lane -- The Beatles. 62. Strawberry Fields Forever -- The Beatles. 63. The Bends -- Radiohead. 64. The White Album -- The Beatles. 65. Sticky Fingers, Exile on Main Street and Goat's Head Soup -- The Rolling Stones. 66. Time out of Mind -- Bob Dylan. 67. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 68. A Day in the Life -- The Beatles. 69. Stevie Wonder on YouTube Music, Spotify and Wikipedia. 70. Friends, Crime, & The Cosmos -- Abhishek Upmanyu. 71. This Be The Verse — Philip Larkin. 72. Somebody That I Used To Know -- Mike Dawes. 73. Happy -- Pharrell Williams. 74. Blow by Blow -- Jeff Beck. 75. Cause We've Ended as Lovers -- Jeff Beck. 76. Miles Davis on YouTube Music, Spotify and Wikipedia. 77. Bitches Brew -- MIles Davis. 78. Pat Metheny on YouTube Music, Spotify and Wikipedia. 79. John Scofield on YouTube Music, Spotify and Wikipedia. 80. I Can See Your House from Here -- Pat Metheny and John Scofield. 81. SD Burman on YouTube Music, Spotify and Wikipedia. 82. John Williams on YouTube Music, Spotify and Wikipedia. 83. The Study of Orchestration -- Samuel Adler. 84. Maurice Ravel on YouTube Music, Spotify and Wikipedia. 85. Claude Debussy on YouTube Music, Spotify and Wikipedia. 86. Johann Sebastian Bach on YouTube Music, Spotify and Wikipedia. 87. Cello Suite No. 1 in G Major -- Johann Sebastian Bach, played by Yo Yo Ma. 88. Thomas Dybdahl on YouTube Music, Spotify and Wikipedia. 89. The Old Man and the Sea -- Ernest Hemingway. 90. The Great Gatsby -- F Scott Fitzgerald. 91. Crime and Punishment — Fyodor Dostoevsky. 92. Atomic Habits — James Clear. 93. Stanley Kubrick on IMDb and Wikipedia. 94. Martin Scorsese on IMDb and Wikipedia. 95. Goodfellas -- Martin Scorsese. 96. Raging Bull -- Martin Scorsese. 97. Bernard Herrmann. 98. Psycho -- Alfred Hitchcock. 99. The Sopranos, Breaking Bad and Better Call Saul. 100. Seven Samurai -- Akira Kurosawa.. 101. The Girl From Kashmir — Episode 295 of The Seen and the Unseen (w Farah Bashir). 102. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 103. Akira Kurosawa and Yasujirō Ozu. 104. Mulholland Drive and Twin Peaks -- David Lynch. 105. Taxi Driver, New York Stories, Casino, Kundun and Silence -- Martin Scorsese. 106. A Whiter Shade of Pale -- Procul Harum. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Pieces of Me' by Simahina.
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This week is our final film covered in our Martin Scorseason, but also the final film of Scorsese's religious trilogy of films beginning with "The Last Temptation of Christ" and "Kundun." We explore the making of the film in Taiwan, the actors involved, and Scorsese's connection to the material. After we cover the background, we break the film down plot point by plot point and each pair the film with another film. Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on twitter @DoubleBillChil1 https://twitter.com/DoubleBillChil1Letterboxd: FartsDomino44
This week, we continue our Martin Scorseason with a breakdown of "Kundun." We share our apprehension for men dressed in gold, then we discuss the historical background of the Tibetan conflict. Next, we cover the Moroccan production and the many pleasant monks in the cast. Lastly, we cover the plot and pair the film with two other films. Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGough
Uproxx's VINCE MANCINI gave us a buzz to talk CUT, COLOR, MURDER (2022), but: Forensics can wait for the pageant ... THEME: "Fuck You If You Don't Like Christmas," from Crudbump, by Drew Fairweather ... PART ONE All things seamy, guest starring Sutton Niekro ... Sopranos vs. Hallmark podcasting ... Vince's Hallmark bona fides ... Gilmore Girls comp ... Muted romance, many speakers ... Lego/cigarette Canadian ... More Karpluk! ... Cast Rundown ... Jeb Flubs Name of Brendon Zub ... The Expositional Challenge ... Sublimely 311 ... Shear Delight: Gownless neck-hair trim; lumberjack sketch; hands off my instrument; listless blocking/acting ... The Bear, but for hair ... Hallmark-ass prestige restaurant ... Break: "Sweet Home Chicago (Live)" by The Blues Brothers PART TWO Chekhov Wept: No time for loose ends; Knives Out shade; disappearing mom horniness; disappearing setups; landlocked sailboat; Mitzi's break-in breakdown; "local"-status alibis ... New Yorker director ... Wrong-footed by Hallmark ... Murder twist ... Women laughing alone with tombstones ... Burn Notice ending ... Eat Your Heart Out: Stress eating fruit; flapjack group, toast group; Dominican BBQ; Todd Gurley for Burger King; open-mouth etiquette; more Gurley burger ... Land of wigged brunettes ... Familiar Canadian ... Break: "Hair," by The Cowsills PART THREE The Hallmark Expanded Universe: A Denver of the Soul; pageant town; Adrian Grenier interlude; a Sopranos Hallmark movie ... Overdetermined: Sterling pleading innocence and creepy invitation ... Homemade weed killer ... Crossover: Benoit Blanc accent; Carmy as Kyle; Bear guy hair; Hair Rescue; post-canceled James Franco twins interviewing El Chapo; Kundun! ... Break: Original music by Chris Collingwood PART FOUR Hallmark Voight-Kampff Test: Salon crew yaass droids; Olivia, the murderer; Passions mom and cop-wife whining ... Dave's Anne Heche issues ... Who's the Real Villain?: Weatherman Darren; law-enforcement impunity; pageant objectification mania ... Beautiful klutz ... Title/Sequel: Lather, Rinse, Revenge; seamy split ends ... Rating: 3 ... Julie Gonzalo Appreciation Station ... Break: Original music by Chris Collingwood PART FIVE The Leftovers: IMDB dive; 1st Assistant Director; ahhh, Tibor; SFW; Bringing Down the House ... Our screenplay goes viral! ... Walt Becker, Van Wilder, Wild Hogs and Old Dogs ... Darren's remote hit just outside ... Precinct sweet tea urn ... Sloppy Ken, forensic snacker ... Quarter zips ... Shakespeare talent show ... Pharma ad direction ... Walking my rabbit ... Rabbit dad shirt ... Plugs ... Merry Christmas! All other music by Chris Collingwood of Look Park and Fountains of Wayne, except: "Orchestral Sports Theme" by Chris Collingwood and Rick Murnane and "Cut Your Hair (Karaoke Version)" by Pavement. Follow Vince on Twitter: @VinceMancini
Gyun Chak Sumpa and Sherab Nyingpo by His Holiness the 14th Dalai Lama | Kundun Yeshi Norbu Let's start a day with the blessing of Kundun Yeshi Norbu and reciting a Homage to Shakyamuni Buddha and ཤེས་རབ་སྙིང་པོ། ། | The Heart Sūtra or Sherab Nyingpo The Heart Sūtra or Sherap Nyingpo (ཤེས་རབ་སྙིང་པོ་) is one of the most popular Buddhist sūtra and certainly among the most widely used and chanted sutra-s in Tibet. Its full title in Sanskrit is Bhagavatīprajñāpāramitāhṛdaya and in Tibetan བཅོམ་ལྡན་འདས་མ་ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པའི་སྙིང་པོ་ which translates as The Heart of the Blessed Perfection of Wisdom. The followers of Mahāyāna Buddhism consider it sacred literature that falls within the category of the words of the Buddha. Thus, it is placed within the Perfection of Wisdom (ཤེར་ཕྱིན་) section of the Kagyur (བཀའ་འགྱུར་) canon.. read more https://thongdrol.org/sherab-nyingpo/
@NothingNewPod's Andrew Linde is with us this week for the 8th episode of Bunheads. Also: Gilmore Girls, TV vs. movies, runnning times, characters named Boo and of course, The Oretega Maneuver.
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Leonard Cohen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.The operas – “Einstein on the Beach,” “Satyagraha,” “Akhnaten,” and “The Voyage,” among many others – play throughout the world's leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese's “Kundun,” while “Koyaanisqatsi,” his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since “Fantasia.” His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music – simultaneously.He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland , Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty five operas, large and small; twelve symphonies, thirteen concertos; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris's documentary about former defense secretary Robert McNamara; nine string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.From https://philipglass.com/biography/. For more information about Philip Glass:Words Without Music: https://wwnorton.com/books/Words-Without-Music/“The beginner's guide to Philip Glass”: https://www.eno.org/discover-opera/the-beginners-guide-to-philip-glass/“How Philip Glass Went From Driving Taxis to Composing”: https://www.theatlantic.com/business/archive/2018/04/philip-glass-taxi-driver-composer/558278/“Philip Glass”: https://www.interviewmagazine.com/music/philip-glass
Join Nick, Tom, Tyler and Kevin as they explore movies through trivia. In this episode of the Talking Pictures Trivia podcast, they discuss Kundun (1997), directed by Martin Scorsese.https://talkingpicturestrivia.com/
After returning to familiar territory with Casino, Marty decides to switch it up completely. Not just with subject matter, a film about the life of the 14th Dali Lama, but also in style and collaborators. This being his only film with writer Melissa Mathison, DP Roger Deakins, and composer Philip Glass. See where our Grouches place this in their rankings, and what former Best Picture Winner this reminds them of most.
Eric & Jeremy discuss Martin Scorsese's "Kundun" Visit patreon.com/ericandjeremy for some good ol fashioned bonus content.
The Daily Beast's ASAWIN SUBSAENG joins us to observe BUTLERS IN LOVE (2022) and ask: Did you hear when the butt went "Bwaammp"? THEME: "Fuck You If You Don't Like Christmas," from Crudbump, by Drew Fairweather PART ONE Violating dibs ... A Desperate Housewives thing ... Go to bed, Ryan Murphy ... Did the nerds hear about this movie? Break: "Clue, Main Theme" by John Morris PART TWO Cast Rundown ... Only seven years older ... The Expositional Challenge ... Let's spoilers! ... Plot Mop-Up: Shrek dad, bad-boy legacy butler ... Russian or Scotsman? ... 300 years of cousin-butlering ... Trump's CHUD butler ... It's not Florida's fault! ... Willoughby Status: Avuncular ... Emma has no non-butlering enthusiasms or identity ... Instantly ditching a lifelong dream ... Zero butler guests ... Swin's REAL butler reporting ... Seven-figure butler ... Butler Double-Dare ... Quit climax, hotel edition ... Hogwarts is real, butling is real, and my friend ... From Cordon Bleu to Chipotle ... Spizzwinks? interlude ... Tufts bants ... Break: "Beantown," by John Cena and Tha Trademarc (feat. Esoteric) PART THREE Spot the Angel: No ... The Lisa Void ... Yacht butler ... Kundun, I liked it! ... Trump's Boy Scouts yacht orgy ... Back to Spot the Angel: Willoughby's failed potential; butling via owning; butling via kung fu ... Please make Hogwarts for Butlers wack ... No ropes or zipliness ... Eat Your Heart Out: Audible fart; super hearing, for farts; learning how to rip it; Maxwell Caulfield or Stacey Farber?; could you clean this in post?; "Moondance" and Hallmark auteurism; Beef Wellington; 70's foods; wine pairing; eat like David Roth; not understanding grilled cheese; They Came Together, but literal; audible fart reprise; eggnog does not pair with everything; progressive nog pairing; chomping vine tomatoes; we need grad school knife errors; cookies; "Fiiiiive agéd cheeses!"; today we're all wines in the box; one poisoned wine bottle; a real Big Boy moment ... Break: Original music by Chris Collingwood PART FOUR The Hallmark Expanded Universe: Recency bias; our feet in tissue boxes; butling in the manor house where every other Hallmark couple meets; You're Bacon Me Crazy (Episode 085); the Hallmark wealth pantheon in Episodes 005, 029, 057, 044, 048, 058 ... Overdetermined: Everything; bad-boy butler sticking it to dad; "I want to do what I want to do!" "Me too!"; the bizarre self-fulfillment; whiff of domestic menace; projecting the other love interest's "path" ... Crossover: Honeymoon White Lotus or Adam Sandler's Fart Vacation; plunked into Gosford Parkiverse; Butler X-Men academy; coaching Butler; Break: Original music by Chris Collingwood PART FIVE The Hallmark Bechdel Test: Probably no ... The Hallmark Voight-Kampff Test: Everyone; many early replicants; Henry's Russo-Scots Dad; Lisa Appreciation Station; stat-shouting butling student ... Explicitly anti-Italian podcast ... Who's the Real Villain: Emma, anti-feminist; very unfair to Emma; the concept of aristocracy; the caste/service system ... Will you help me write a business plan? ... Title/Sequel: Letdown, "Dawn of War: Butlers in Love"; not doing an incest thing; totally delivers; butlers, not in love, and in love but not butlers; "Caterers in Love"; Clerks-to-Party Down ... Rating: 3 ... Break: Original music by Chris Collingwood PART SIX The Leftovers: Lifetime vs. Hallmark beef ... Swin's Hallmark and Lifetime Movie Network taxonomy ... Lifetime Bolshevik ... Creator network crossover ... The opposite of Fox News is the LMN universe ... Defund the LMN police ... Mike Lindell, LMN enemy ... Jeb, My Pillow owner ... LMN and the Fox-to-Hallmark/threat-to-homestead continuum ... Malaise forever! ... IMDB Dive: Curious and Unusual Deaths ... Butler dojo ... Where are the alterations? ... Let the butling come to you ... Plugs! ... Merry Christmas! All other music by Chris Collingwood of Look Park and Fountains of Wayne, except: "Orchestral Sports Theme" by Chris Collingwood and Rick Murnane and "Love Butler," by K.R.Y.T.I.C. Art by Caitlin Fitz Gerald. Buy her wonderful book here. Follow Swin on Twitter here. Jeb's Hallmark piece on Medium, and Jeb's other Hallmark piece in WaPo.
"The Rock", "Star Wars: A New Hope", "Kundun", "Black Swan" , "Far from Heaven", "Harry Potter and the Sorcerer's Stone" Awards season is underway, so we decided to dive into a favorite category - film scores. The musical score is an important part of setting the mood and creating the emotion of a movie and both of us have a passion for music written specifically to accompany a film. In this episode we list our top 3 movies (and their music) that shaped our love of film scores.
In this episode, the presenters, Zen Buddhist monk Brother Phap Huu and lay Buddhist practitioner and journalist Jo Confino, are joined by special guest, Zen Buddhist monk Brother Phap Linh (Brother Spirit). Together, they discuss eco-anxiety, the challenges of and solutions for shifting to a new paradigm which can heal us and our planet, and whether it's possible to change our minds, hearts, and future. Plus: how can you be at peace in what feels like a battlefield? The conversation touches upon “the decisive decade”; individualism and competition; interdependence; handling fear; transformation; change in “the age of collective procrastination”; and opportunities in difficult times. Is it possible to ‘sit' with collapse? Brother Phap Linh (Brother Spirit) shares his journey of transformation, from studying sciences at Cambridge, to numerous retreats, and eventual monastic life. He further talks about creating transformation at both personal and collective levels; the cult of individualism; societal numbness; handling the energy of negativity; the basis of understanding reality, and what nourishes our views and beliefs; the economic conceit ‘the tragedy of the commons'; creating shared visions and aspirations; and telling new stories. And how do you change your view when you're caught in the old paradigm?Brother Phap Huu shares insights on how to not lose ourselves in a fast-paced environment, and looks at: fundamental questions; procrastination; individual aspirations; becoming free from attachment; striving and the importance of stopping; learning in the community; the Six Harmonies; and the joy of sharing.There's also important advice for those ‘burning out' in the environmental movement.Jo recollects Thich Nhat Hanh's speech to the members of the UK Parliament and his thoughts on conflictual political systems. He further muses on the lasting joy of community life. The episode ends with a short meditation on gratitude and Mother Earth, guided by Brother Phap Linh. ------
Buddhist author, Von Galt joins Matt Comegys today to talk about the multidimensional multiverse in terms of 5th dimensional consciousness in her newest book, Buddhist Mandalas: Christ Consciousness of a Multidimensional Merkabah and how elements of the movie, “Kundun” speak about Starseeds and Tulku children. For more information on Von's metaphysical work: https://merkabachakras.com/Please subscribe, review, and rate us on all the podcatchers. We are at @AuralHygienePod on Twitter and you can search the same on Facebook. And if you're Scrooge McDuck, throw a bob to out Patreon:https://www.patreon.com/podcastiopodcastiusMatt has a brand new album of psychedelic electro-rock. Why not have a listen? Ain't no charge:https://rovingsagemedia.bandcamp.com/album/cave-at-the-endComing Soon: July 19 - Why Not a Woman?July 23 - Old TV and Video LogosJuly 24 - Recreation UnlimitedJuly 26 - The Pedal Movie
Phil and Jake rank the 80s blockbuster E.T. the Extra-Terrestrial and Reese's Ultimate Peanut Butter Lovers Cup on the List of Every Damn Thing.If you have something to add to the list, email it to list@everydamnthing.net (or get at us on Twitter, Instagram and Facebook).SHOW NOTES: Here's the Eddie Murphy bit that Phil talks about at the beginning of the episode. Steven Spielberg projects mentioned include Close Encounters of the Third Kind, Night Skies, 1941, Raiders of the Lost Ark and his remake of War of the Worlds. Other movies talked about include Never Been Kissed (which Phil's mother really enjoyed on an airplane), The Goonies, Star Wars, Howard the Duck, Back to the Future, The Last Starfighter, Bill & Ted's Bogus Journey, Trading Places, The Truman Show, Flashdance and Enter the Dragon. Melissa Mathison is not related to Richard Matheson, whose work Spielberg had adapted. Their last names are homonyms, that's why Phil was confused. Melissa Mathison also wrote Kundun, The BFG and Indian in the Cupboard. Phil wasn't trying to steal autism valor but his point got mangled. There's a kind of boy that started showing up in movies around this time. The other example Phil could think of was the kid from D.A.R.Y.L. and the kid from Cloak and Dagger (played by the same kid who played Elliot in E.T.). In the past child actors were usually more anglo-looking. Maybe it boils down to Spielberg having enough pull to cast someone who looks like his own kids. For the record, we don't want to disparage New Age bullshit. C. Thomas Howell has a small role in E.T. We like when someone's name is also a sentence. It's not such a big deal though since it's a stage name. E.T. was produced by "Amblin Productions" and of course they didn't have the logo of the bike in front of the moon at the time, since it comes from E.T. Are You My Mother? by P.D. Eastman is the book Phil talks about. Erika Eleniak played Eliott's classmate and, as an adult, jumps out of a cake in Under Siege (but Phil forgets her name in the episode). Oops! All Berries is a foundational concept that we never tire of discussing. Here's the Chris Gaines VH1 Behind the Music that we failed to consider in last week's episode. ALSO DISCUSSED IN THIS EPISODE:Mad Magazine * Drew Barrymore * Stranger Things * Peter Coyote * John Williams * Reese's Pieces * product placement * Coors aka Colorado Kool-Aid * Charmander * objectivity * Double Stuf Oreos * boiled peanuts * Whoppers * peanut butter ice cream * Cadbury Creme EggsBelow are the Top Ten and Bottom Top items on List of Every Damn Thing as of this episode (for the complete up-to-date list, go here):TOP TEN: Dolly Parton - person interspecies animal friends - idea sex - idea Clement Street in San Francisco - location Prince - person It's-It - food Cher - person Pee-Wee Herman - fictional character Donald Duck - fictional character Hank Williams - person BOTTOM TEN:163. Jenny McCarthy - person164. Jon Voight - person165. Hank Williams, Jr - person166. British Royal Family - institution167. Steven Seagal - person168. McRib - food169. war - idea170. cigarettes - drug171. QAnon - idea172. transphobia - ideaTheme song by Jade Puget. Graphic design by Jason Mann. This episode was edited by Jake MacLachlan, with audio help from Luke Janela. Show notes by Jake MacLachlan & Phil Green.Our website is everydamnthing.net and we're also on Twitter, Instagram and Facebook.Email us at list@everydamnthing.net.
This week, Eric is joined by guest Ben Tiede and the pair continue their look at the filmography of Martin Scorsese with a discussion of the films Kundun and Bringing Out the Dead. Thank you for listening and join Eric and Ben next week as they continue their journey through the filmography of Martin Scorsese […]
This week, Eric is joined by guest Ben Tiede and the pair continue their look at the filmography of Martin Scorsese with a discussion of the films Kundun and Bringing Out the Dead. Thank you for listening and join Eric and Ben next week as they continue their journey through the filmography of Martin Scorsese […]
We're briefly returning to the Antoine Fuqua well with his latest film, Infinite. It's essentially Scorsese's Kundun, but if it was an action movie. Suffice it to say, a more apt title for this movie would be Kundumb. Join our resident cinephiles Jason, Paco and Terry as they try to make sense of the disheveled mess that is Fuqua's latest installment to his filmography. Fuqua, we still love you…we just hope you make it up with Guilty. . . Thank you all for listening! Please remember to rate, review and subscribe wherever you're hearing us. . Many thanks to Matthew Roland Pharris for our artwork. You can find him/follow him and his amazing work on Instagram @pestopasta44 . You can find us/follow us on Twitter @AuteursVulgar, and on Instagram @vulgarauteurspodcast. You are also welcome to email us at vulgarauteurs@gmail.com about anything, and we mean ANYTHING. We have a spam folder, so don't get too excited. . We love you all! Go hug yourself --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week, Eric is joined by guest Ben Tiede and the pair continue their look at the filmography of Martin Scorsese with a discussion of the films Kundun and Bringing Out the Dead. Thank you for listening and join Eric and Ben next week as they continue their journey through the filmography of Martin Scorsese […]
EPISODE 117 - PETE CAVACIUTI - Steadicam operator Team Deakins speaks with Steadicam operator, Pete Cavaciuti (1917, EYES WIDE SHUT, NOW YOU SEE ME 2). Of course, we learn a lot about what the Steadicam is, what training is needed, what you can do with it and what you can’t, and that being a Steadicam operator is a way of life! Pete also shares his experiences with Stanley Kubrick on the film EYES WIDE SHUT and talks about his most challenging shot. He also talks about his experiences on KUNDUN, SKYFALL, 1917, and BLADE RUNNER 2049. A great look into a very specific skill!
The Bloody Awesome Movie Podcast in its new format. In the past, we did a monthly episode where we looked back at four big movies released in the prior month. From now on, we focus on a single film, usually a new release (hopefully theatrically at some point) giving a spoiler free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture related topics in a series of segments. Review of The Last Blockbuster (2020) Directed by Taylor Morden Written by Zeke Kamm Featuring Sandi Harding, Kevin Smith, Ione Skye, Brian Posehn, Doug Benson Paul Scheer, Samm Levine and many more IMDb.com Synopsis: A documentary on the last remaining Blockbuster Video, located in Bend, Oregon. RT 67% critic, 59 Metascore, and 6.9 IMDb user score RELEASE location/ DATE: Netflix Chuffed Headlines Movie/Pop culture news that caught our attention Matt’s Headline: Sylvester Stallone Reveals He's Writing Pitch For A Rocky Prequel Series Jon’s Headline: Seth Rogen clarifies comments about Emma Watson leaving the set of This Is The End Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt’s others: Whiplash, The Dark Knight Invincible E1, Falcon and the Winter Soldier E2 Jonathan’s others: Blank Check Podcast - Blankies New York, New York; Kundun, The Crying Game, A New Leaf, Charade, Star Trek, Search Party S1, Falcon and the Winter Soldier E2 BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support
Hij wordt de meester van de minimal music genoemd; Philip Glass. Als bekendste moderne componist is hij geroemd om zijn repeterende motieven en het gebruik van veel elektronische instrumenten. Bekendheid kreeg hij dankzij zijn opera Einstein on the Beach en zijn vele symfonieën. Maar hij componeerde ook de muziek voor films als The Hours, The Truman Show en Kundun. Op uitnodiging van AD filmredacteur Gudo Tienhooven en filmmaker Coen Haver kruipt Nederlands bekendste harpiste Lavinia Meijer in deze aflevering achter de microfoon én de harp. Ontwapenend en vol enthousiasme vertelt ze over de invloed die de muziek van Glass heeft op haar als muzikant én als mens. En ze laat horen hoe gelaagd en met welke precisie Glass zijn composities opbouwt voor soundtracks als Koyaanisqatsi en Mishima. Support the show: https://www.patreon.com/movieinsiders See omnystudio.com/listener for privacy information.
Our career-long deep dive into Martin Scorsese's storied career continues with conversations about the genre ones (Shutter Island; Cape Fear), the Leo ones (The Departed; Wolf of Wall Street; Gangs of New York; The Aviator); the religious ones (Silence; Kundun; Last Temptation of Christ); and more!
Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, with special guests Luke Dunne and Aoife Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This time, concluding our Summer of Scorsese with his most recent film on the list, Martin Scorsese's The Wolf of Wall Street. Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Taxi Driver, Raging Bull, Goodfellas, Casino, Kundun, Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Irishman. The Summer of Scorsese season offers a trip through his filmography via the IMDb's 250. Jordan Belfort developed a reputation as one of the most amoral stockbrokers working in the financial industry, wearing the name "the Wolf of Wall Street" as a badge of honour. Belfort is afforded the chance to tell his own side of the story, of the gaudy excess and tasteless indulgence that defined the industry for so many years. At time of recording, it was ranked 142nd on the Internet Movie Database's list of the best movies of all-time.
Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, with special guest Carl Sweeney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This time, continuing our Summer of Scorsese season with a crossover with The Movie Palace, Martin Scorsese's Hugo. Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Alice Doesn't Live Here Anymore, New York, New York, Goodfellas, Kundun, The Departed, The Wolf of Wall Street. The Summer of Scorsese season offers a trip through his filmography via the IMDb's 250. Hugo Cabret is a twelve-year-old kid living and hiding in the industrial spaces behind a central Paris railway station. Recovering from the loss of his father, Hugo is desperate to repair the damaged automaton that is the last connection that he shares with his deceased parent. The mystery leads Hugo to a strange and lonely old man operating a kiosk, and into a whole new world. At time of recording, it was ranked not on the Internet Movie Database's list of the best movies of all-time.
Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This time, continuing our Summer of Scorsese season, Martin Scorsese's The Departed. Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Taxi Driver, The Last Temptation of Christ, Age of Innocence, Kundun, The Aviator, Shutter Island, Hugo. The Summer of Scorsese season offers a trip through his filmography via the IMDb's 250. Boston gangster Frank Costello believes that boundaries are fungible: sinner/saint, hero/villain, cop/criminal. Sending one of his young followers to infiltrate the local police department, Costello quickly discovers that something similar is happening to him. As the stakes escalate, the boundaries between policemen and gangsters blur, as Colin Sullivan and Billy Costigan straddle the gulf. At time of recording, it was ranked 47th on the Internet Movie Database's list of the best movies of all-time.
Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This time, continuing our Summer of Scorsese season, Martin Scorsese's Gangs of New York. Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Alice Doesn't Live Here Anymore, Raging Bull, The Last Temptation of Christ, Goodfellas, Kundun, The Aviator, The Departed. The Summer of Scorsese season offers a trip through his filmography via the IMDb's 250. New York is a furnace. As Irish immigrants arrive off the boats, they find an old conflict waiting for them. As the Civil War wages and passions stir, young Amsterdam Vallon seems to avenge the death of his father by slaying the local crime lord Bill the Butcher. However, things are never as simple as they appear; worlds collide and loyalties shift as the city begins to settle around them. At time of recording, it was not ranked on the Internet Movie Database's list of the best movies of all-time.
Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This time, continuing our Summer of Scorsese season, Martin Scorsese's Kundun. Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: New York, New York, Raging Bull, The Colour of Money, Goodfellas, Casino, Shutter Island, The Irishman. The Summer of Scorsese season offers a trip through his filmography via the IMDb's 250. The fourteenth Dalai Lama navigates the complicated web of faith and politics at a highly volatile time in the history of Tibet, meditating on both his divine responsibilities and the looming threat of Chinese intervention as the world changes around him. At time of recording, it was not ranked on the Internet Movie Database's list of the best movies of all-time.
The Chronic Canon Presents... A Series on Martin Scorsese... Episode 16: Kundun (1997) Scorsese takes your hosts Frank, Brandon, and Jesse all the way to Tibet to meet with the Dalai Lama this week, as they discuss Kundun! The boys expand a bit on the Dalai Lama's history, as well as note a few of their favorite coming of age films. As always, there will be spoilers, and the boys are very high.
Let it begin. We have emerged from the current kundun. The fresh breezes of change and growth have begun to blow. Join Paul, Alex, and the Orange Oracle as we stand on a fence and bellow our joy to the Universe. Also, the Moon misses you. Give it a call. https://garfield.com/comic/2017/07/13
In which we take a brief tour through some selected highlights of the cinematographer's Illustrious career. Check out out takes on 1917, Nineteen Eighty-Four, Barton Fink, Kundun, O Brother, Where Art Thou?, The Assassination of Jesse James by the Coward Robert Ford, and Sicario.
Check out our premium community, join hundreds of Catholics from all over thw world! www.coffinnation.com ************************************************************** Here is my review for the new Sam Mendes World War 1 drama, 1917. The movie showcases a wise blend of newcomers and veterans. Director Sam Mendes has decades of experience in the theater and went on to direct movies like American Beauty, Skyfall, and Road to Perdition I just read that he directed Dame Judi Dench on the stage in England at the age of 24. The Director of Photography is Academy Award winner, Roger Deakins, whose credits include Kundun, The Shawshank Redemption, Oh Brother Where Art Thou, and the underrated movie “The Assassination of Jesse James By the Coward Robert Ford” based on a book by Deacon Ron Hanson. 1917 blends together all that experience to deliver a quiet wallop. While the subject matter is harrowing and mostly terrifying, one has to use the word beautiful to describe the visuals throughout. More on that in a moment. Two very well-known actors have small but critical roles as military commanders, Benedict Cumberbatch—who has one of the most magnificent speaking voices in the world—and Colin Firth. Both of these great actors seem born to play characters from the past. On the other hand, Mendes’ co-writer is a relative newcomer Krysty Wilson-Cairns, who has written a few short films and a TV series. There’s nothing green showing here, though. The dialogue is pithy and rings true to the context and the period. Almost unknowns in the two lead roles: Dean-Charles Chapman as Lance Corporal Blake and George MacKay as Lance Corporal Schofield. These are fine young actors who are mostly unknown to American audiences. and this is a good thing because, from the opening scene, they are a blank slate. The fact that both characters are a bit on the bland side is also a plus because they become “everyman” making it easier to vicariously follow their mission behind enemy lines and alert a British general to halt an invasion that intelligence has discovered is a German trap. The emotional stakes have to do with the fact that Lance Corporal Blake's brother is set to be unleashed into this trap along with 1600 other British soldiers. And this is where 1917 draws an easy comparison with “Saving Private Ryan.” The brutal depiction of what was called The War to End All Wars coupled with the emotional impact of saving a brother makes for a very watchable movie. But 1917 in its basic story components it's much more similar to Gallipoli, the 1981 World War One drama that proved to the world that Mel Gibson could you more as an actor than motorbike to the desert a black leather outfit and bad hair. Gallipoli and 1917 share the same trope of gung ho soldiers maybe or maybe not being stopped before going over the top into enemy fire. No spoiler alerts, so I’ll stop right there on that. 1917 opens and closes with bookend images that show how many physical and emotional miles the characters have undergone. Again, simple and unadorned. Everyone's talking about the single continuous shot which of course is not literally true, as was the case with the Oscar-winning Birdman, directed by Alejandro Gonzalez Innaritu. It WAS the case with the 2002 movie Russian Ark, directed by Alexander Sokurov, and LITERALLY a 90-minute continuous steadicam shot. With 1917, Mendes and Deakins have pulled off a two-hour magic trick by seamlessly blending the cuts along the way to give the uncanny appearance of one single camera perspective, mostly handheld and mostly traveling backward which adds to the sense of disorientation. If you're wondering where they spent the estimated 100 million dollar budget, this is it. cameras mounted on dollies, on cranes, on steady-cam operators, and even on motorcycles, all to take the viewer on a dangerous and unpredictable adventure into hell. Unlike with most war stories that introduce the characters’ backstories, 1917 jumps right into the mission, we don't know who these men are, we're not sure where they came from, we're only half sure of where they're going, And we certainly don't know if they'll live through it. 1917 does not have the same explicit blood and guts visuals of a “Saving Private Ryan.” The obstacles met and the dangers faced by the two leads is more Hitchcock than Spielberg. The non-stop action includes a few stops for breathers, one of which is a beautiful scene involving a young French woman and a baby in the middle of a German-controlled village. I'll mention one more. Special mention here goes to a haunting rendition of a 19th-century gospel ballad called “Wayfaring Stranger,” which has been covered by Johnny Cash, Emmylou Harris, Ed Sheeran, and Jack White. In 1917, we are treated to an angelic acapella version by actor Jos Slovick, who, standing in the middle of the clearing in the forest in front of absolutely exhausted sitting men—many of them teenagers—sings the song like a liturgical hymn. It's one of those memorable movie moments that provides a consoling elixir for both the characters and the audience. For a few moments, a war-torn forest becomes a cathedral. It reminded me of the montage scene with Jose Feliciano haunting version of “California Dreamin’” smack in the middle of Quentin Tarantino's Masterpiece black comedy, “Once Upon a Time in Hollywood.” All this to say that 1917 is going to clean up at Oscar time. Finally, an Academy Award win that makes sense! _____________________________________________________________________
When our Greatest Living Director puts out a new film that feels like a capstone to the major themes of his incomparable career, you know that Team Vintage Sand is on the case. Thus, Episode 17--The Irishman: It's What It Is. Martin Scorsese's 3 1/2 hour epic The Irishman reunites all of the director's major players (and adds in Al Pacino for good measure) to tell a sprawling organized crime story whose scope and range have not been seen in 35 years, since Leone's Once Upon a Time in America (which Josh thinks is a better film than The Irishman, over Mike and John's strenuous objections). The Irishman will probably not be Scorsese's last film, but it seems to be a final statement regarding both his ideas on the human impact of the male-centered world of organized violence (from Mean Streets through The Departed)and, in its brilliant final half hour, the spiritual searching prominent in some of his most underrated films (Last Temptation, Kundun, Silence). While we disagree slightly on The Irishman's place in the Scorsese canon, it's a must-see for even the casual film lover. And in the end, the only hitman who can never be stopped is Time...
From the evolved college film that started it all to his most recent gangster opus, Martin Scorsese has proven himself to be one of the most important and influential directors of our times. A leading member of the 70s New Hollywood movement, Scorsese’s films have paved the way and stood the test of time. Even now, some 50 years after making his first film, he’s still churning out grand works that show no loss of luster from the illustrious director, outshining all of his New Hollywood contemporaries. We’ve covered Scorsese’s work some before, including and a previous podcast on Goodfellas (1990), and a raving review of his most recent release, The Irishman (2019). Today, we’re taking on all 25 of his theatrical feature films, and ranking them according to the collective opinion of all our writers and contributors. Everyone has an underrated favorite and a greatest of all time, and we’ve done our best to represent them accordingly here. From the excess of Wall Street to the life of Jesus Christ himself, we’re weighing them all, so buckle up and dive in with us as we rank every feature film from Martin Scorsese. Timestamps: 0:00: Bro, Calvin, and David introduce the list 6:05: 25. New York New York (1977) 11:53: 24. Boxcar Bertha (1972) 17:15: 23. Bringing out the Dead (1999) 23:00: 22. Who’s That Knocking at My Door (1967) 27:24: 21. Cape Fear (1991) 32:12: 20. Hugo (2011) 38:17: 19. The Departed (2006) 47:30: 18. Silence (2016) 51:55: 17. Kundun (1997) 55:07: 16. Gangs of New York (2002) 57:58: 15. The Color of Money (1986) 1:02:03: 14. After Hours (1985) 1:04:58 13. Casino (1995) 1:08:38: 12. Mean Streets (1973) 1:13:25: 11. The Last Temptation of Christ (1988) 1:17:22: 10. Shutter Island (2010) 1:20:50: 9. The Age of Innocence (1993) 1:25:02: 8. The Wolf of Wall Street (2013) 1:28:35: 7. The King of Comedy (1982) 1:31:55: 6. The Aviator (2004) 1:34:39: 5. Alice Doesn’t Live Here Anymore (1974) 1:39:02: 4. The Irishman (2019) 1:43:55: 3. Goodfellas (1990) 1:46:49: 2. Taxi Driver (1976) 1:52:00: 1. Raging Bull (1980)
MOVIES IN THIS WEEK’S DISCUSSION INCLUDE: The Irishman, The Age of Innocence, Kundun, Cape Fear, Shutter Island, Raging Bull, Goodfellas, Mean Streets, Wolf of Wall Street, The Last Temptation of Christ, and CasinoNEXT WEEK:Media from A Pastoral PerspectiveThe True Myth Media Podcast is a film discussion and review show focusing on the artistic qualities of film and our own personal journeys of faith, which releases every Friday Morning, barring unforeseen and sometimes foreseen circumstances ;)Past Episodes can be found on…Our Website:https://www.truemythmedia.comOur Podcast Page: https://trumythmedia.com/podcastSubscribe in Apple Podcasts: https://tinyurl.com/y3ojdtyo*the views and statements of hosts & guests do not necessarily reflect the views of True Myth Media, LLC.CREDITS:Producer/Host - Michael McDonald (@mjamesmcdonald on Twitter&Instagram)Producer/Host - Seth SteeleHost - Karl NagurskiMusic (Main Theme) - Kristopher SlobodaMusic (Book Club Theme) - Wagner KoopPodcast Logo - Michael McDonaldEpisode Art - Michael McDonald
•The Morning Show (0.55) • The Mandalorian (01.15)• Ludwig Goransson - Composer for The Mandalorian (05.10)• Basil Poledouris – Composer (05.33)• The Ballad of John McTiernan (06.15)• The Lion King 2019, Jon Favreau, Iron Man & Iron Man 2 (10.10)• Iron Man 3 & Musing about Writer/Director, Shane Black (15.15)• Speaking of Shane Black: The Long Kiss Goodnight (16.15)• Renny Harlin also directed his wife in: Cutthroat Island (16.40)• Jarrod’s Favourite Filmmakers: Michael Mann (23.47)• Heat• Thief• Movies that are hard to find (29.08)- Bill Collins- David Stratton- Ivan Hutchinson• Hard to find films: Director Sam Fuller’s Shock Corridor, The Big Red One (32.10)• Availability of old films on new formats (33.53)• Peeping Tom, Michael Powell/Emeric Pressburger (39.08)• Damo’s Favourite Filmmakers: Martin Scorsese (40.26)• Kundun (40.30)• Jarrod mentions The Last Temptation of Christ (41.15)• The Departed (45.27)• Scorsese Documentary: My Voyage to Italy (47.55)
Part Three! The final installment of our Scorsese series covering his narrative feature work - and it's an epic closer at a touch over 4 hours! We pickup with where Part Two left off and start with KUNDUN and go all the way through to SILENCE. Lots of Marty, lots of pairings and hopefully lots of cinematic enjoyment to be had! Listen to our previous Scorsese Episodes here: Part One: https://directory.libsyn.com/episode/index/show/purecinemapodcast/id/7304339 Part Two: https://directory.libsyn.com/episode/index/show/purecinemapodcast/id/8354582 You can help support this show by going to: https://www.patreon.com/purecinemapod Follow the Show on Twitter: twitter.com/purecinemapod Instagram: www.instagram.com/purecinemapod/ and Facebook: www.facebook.com/purecinemapod/ Elric's Twitter: twitter.com/elrickane Brian's Twitter: twitter.com/bobfreelander
Pondering the effectiveness of offices, the similarities between golf and therapy, and the ramifications of near-death experiences all surrounded by a soundtrack from the This Isn't Just a Cult constellation of artists. We Tangle by The Creeping Man Just You & Me by This Isn't Just a Cult I See by The Halcyon Brothers Aloha by Björ6n Oranj Ego, Death, Compassion, Wisdom by This Isn't Just a Cult The Difference is Kundun. Kundun is the difference by Squinting Matador This episode was written by Björ6n Oranj. Learn more about this art collective at This Isn't Just a Cult commentary / writing / storytelling --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Welcome to the world of Kundun, where rabbits talk and vampires can haunt you even centuries after their death. Will our heroine make it out unharmed, or will she be changed for good?Today's story is One Night in a Vampire's House. Go to EasyStoriesInEnglish.com/Vampire for the full transcript. Level: Intermediate, Genre: Horror, Vocabulary: Furniture, Vampires, Magic, Animals; Setting: Kundun, Word Count: 1757, Author: Ariel Goodbody
Martin is joined by Scorsese aficionado Robert Cotto to discuss Martin Scorsese's Religious Trilogy (The Last Temptation of Christ, Kundun, and Silence). Together they examine the themes of the trilogy, praise the many performances throughout, talk about the varied responses to each film upon their release, and manage to give their personal feelings toward each film as well.
In this class session, Marty learns a new way to make a film.
In this class session, Marty learns a new way to make a film.
"Holy, Holy, Holy, Holy..." Allen Ginsberg knew to power of the holy and so does Charlie on this sanctified episode where he talks to writer/photographer/archivist Casey Winkleman about the spiritual aspects of cinema. Religous themes and spirituality form our lives in ways obvious and hidden, especially how we make and recieve art. From the devotional to the profane, there's a world to cover that goes back to the origins of human history. Films discussed include: FIRST REFORMED, THE SACRIFICE, MIRROR, ANDREI RUBLEV, THE PASSION OF JOAN OF ARC, 2001: A SPACE ODYSSEY, KUNDUN, THE COLOR OF PARADISE, THE FLOWERS OF ST. FRANCIS, SPRING, SUMMER, FALL, WINTER...AND SPRING, UNCLE BOONME WHO CAN RECALL HIS PAST LIVES, and more. Also, please check out @latecinemapod on Twitter and IG and rate/comment on iTunes. This episode is brought you by the Catholic Church.
Jim discusses Marty Scorsese’s Kundun for part 2 of the Martin Scorsese religious themed trilogy series. @mangamiplayers --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/NCWJpodcast/support
On this episode of #SoLA, Camille and Charlie dive into the Los Angeles mantra “Living Your Best Life”. They discuss best-life practices: affirmations, psychics, cupping, sensory deprivation chambers, chromatherapy, chakra realignment, and sound baths. Heartbeat House, The Integratron, Boo’s Cheesesteak (the one on Wilshire), Sugar Paper and Peet’s Coffee all get a mention. Of course, they got off track and discussed Major Dad, Designing Women, Night Court, Blue Bloods, Late Night with Conan O’Brien, Magnum P.I., The A Team, Younger and Sex and the City; Tuck Everlasting, The Giving Tree, The Bridge to Teribithia (spoiler alert!); Texas Chainsaw Massacre, and Scorsese classics Kundun and The Age of Innocence. Finally, Charlie enacts the end of GoodFellas, including of course the Layla Piano Exit. Take the 2 to the “mini” Glendale to Silver Lake Wine and buy some Una Lou canned rosé!
Join us – Pete Wright and Andy Nelson – as we wrap up our Melissa Mathison series with Martin Scorsese's 1997 film Kundun.
Join us – Pete Wright and Andy Nelson – as we wrap up our Melissa Mathison series with Martin Scorsese's 1997 film Kundun.
"He dared to be born right on the border with China." Regardless of whether you are a Buddhist or not, the story of Tenzin Gyatso is an interesting one that certainly provides drama that can draw you in. Born as the 14th reincarnation of the Dalai Lama, Gyatso grew up as the leader of Tibet. China, however, had other plans and eventually took Tibet, leaving the Dalai Lama no choice but to flee China in 1959. Still hoping to return one day, the Dalai Lama’s life story was one of interest to screenwriter Melissa Mathison who asked him if she could write about him. This eventually led to the biopic Kundun. Join us – Pete Wright and Andy Nelson – as we wrap up our Melissa Mathison series with Martin Scorsese’s 1997 film Kundun. We talk about why it works for Andy but why it doesn’t work for Pete, and what could perhaps lead to that discrepancy. We chat about Mathison and how this fits in the films she wrote and what we’ve discussed in this series thus far, and how well it works in telling the story of a child in large, otherworldly situations. We talk about Scorsese and all the brilliant cinematic techniques he brings to the film, paired with his cinematographer Roger Deakins, production & costume designer Dante Ferretti, editor Thelma Schoonmaker and composer Philip Glass. We discuss the quality of performances from the Tibetan non-actors Scorsese cast in the film, yet how the story balancing across four youthful performances as the Dalai Lama hampers the film from becoming connectible for Pete. And we look at the incredibly difficult time this film has had with its release, primarily because China banned people involved from entering the country and nearly cut off all ties with Disney for distribution within its borders. It’s a fascinating film that left us divided but which still is well worth watching and discussing, whether you’re a Buddhist, a Scorsese fan, a Mathison fan, a fan of biopics or a fan of interesting films in general. It’s tricky to find because of the issues Disney had with China, but it’s worth seeking out (likely at your local public library). So check it out then tune in! The Next Reel: when the movie ends, our conversation begins. Film Sundries Watch this film: Check your local library Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Pete's Trailer: Goodbye Christopher Robin — "Can you believe I almost picked Flatliners over this? What am I, nutz? Huge fan of the Pooh and a proper biopic is well deserved. Love that this comes from Simon Curtis and writer Frank Cottrell Boyce (Code 46, yes?) and should make a spot-on double with Saving Mr. Banks." Andy's Trailer: Happy Death Day — "Pete takes the high road while I take the low. Instead of Brigsby Bear, I’m going with Happy Death Day. That’s right, a funny, twisted and hopefully scary blend of Groundhog Day and Edge of Tomorrow”. As much as it looks like so many horror movies I’ve seen before, I couldn’t help but smile as I watched this trailer. Dumb? Probably. Will I see it? Definitely.
"He dared to be born right on the border with China." Regardless of whether you are a Buddhist or not, the story of Tenzin Gyatso is an interesting one that certainly provides drama that can draw you in. Born as the 14th reincarnation of the Dalai Lama, Gyatso grew up as the leader of Tibet. China, however, had other plans and eventually took Tibet, leaving the Dalai Lama no choice but to flee China in 1959. Still hoping to return one day, the Dalai Lama's life story was one of interest to screenwriter Melissa Mathison who asked him if she could write about him. This eventually led to the biopic Kundun. Join us – Pete Wright and Andy Nelson – as we wrap up our Melissa Mathison series with Martin Scorsese's 1997 film Kundun. We talk about why it works for Andy but why it doesn't work for Pete, and what could perhaps lead to that discrepancy. We chat about Mathison and how this fits in the films she wrote and what we've discussed in this series thus far, and how well it works in telling the story of a child in large, otherworldly situations. We talk about Scorsese and all the brilliant cinematic techniques he brings to the film, paired with his cinematographer Roger Deakins, production & costume designer Dante Ferretti, editor Thelma Schoonmaker and composer Philip Glass. We discuss the quality of performances from the Tibetan non-actors Scorsese cast in the film, yet how the story balancing across four youthful performances as the Dalai Lama hampers the film from becoming connectible for Pete. And we look at the incredibly difficult time this film has had with its release, primarily because China banned people involved from entering the country and nearly cut off all ties with Disney for distribution within its borders. It's a fascinating film that left us divided but which still is well worth watching and discussing, whether you're a Buddhist, a Scorsese fan, a Mathison fan, a fan of biopics or a fan of interesting films in general. It's tricky to find because of the issues Disney had with China, but it's worth seeking out (likely at your local public library). So check it out then tune in! The Next Reel: when the movie ends, our conversation begins. Film Sundries Watch this film: Check your local library Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd Trailers of the Week Pete's Trailer: Goodbye Christopher Robin — "Can you believe I almost picked Flatliners over this? What am I, nutz? Huge fan of the Pooh and a proper biopic is well deserved. Love that this comes from Simon Curtis and writer Frank Cottrell Boyce (Code 46, yes?) and should make a spot-on double with Saving Mr. Banks." Andy's Trailer: Happy Death Day — "Pete takes the high road while I take the low. Instead of Brigsby Bear, I'm going with Happy Death Day. That's right, a funny, twisted and hopefully scary blend of Groundhog Day and Edge of Tomorrow”. As much as it looks like so many horror movies I've seen before, I couldn't help but smile as I watched this trailer. Dumb? Probably. Will I see it? Definitely.
In what will become a regular thing for the podcast, Brian brings filmmaker Chris Esper back to the podcast, and we focus in on Martin Scorsese's trilogy of faith, "The Last Temptation of Christ," "Kundun" and "Silence." Released on April 28, 2017.
主播打分： 雷普利（凤凰电影前编辑；《推销员》等11期嘉宾）：7.5分； “马丁对远藤周作小说的还原极其精准，出色的导演就是懂得在逼近改编边界时刹住车。”——雷普利 （雷普利的其它打分：《罗曼蒂克》7.5分；《推销员》7分；《夜行动物》7分；） 波米：7.5分； “《沉默》展现了‘受难’的三种境界，自我的肉体牺牲只是最低的一种，也未尝不是愚忠的表现。”——波米 《沉默》(Silence)平均分：7.5分 本期节目流程与目录： 开场曲：(Kathryn Kluge)； 第20秒-第1分：嘉宾及公众号信息介绍； 第1分-第9分：影片信息介绍（无剧透）； 第9分-第13分：两位主播为影片打分并阐述理由，波米介绍节目流程（无剧透）； 第13分-第20分半：波米介绍《沉默》“沉默”多年的变故和意外，从三方面回溯该片“马拉松式官司”、“频繁更换演员”和“台湾片场死人”等重大事故（无剧透）： 第20分半-54分半：两位主播谈及本片“剧情”；雷普利详述了该片与原著的异同之处；波米则详述该片与日版电影的异同，并表达了对马丁版“结局”为神父洗白的不满；随后两位主播就此事有了多回合的探讨；（涉及剧透） 第54分半-1小时13分：两位主播谈及本片“人设”；雷普利提及了两位神父之间“价值观”的异同，波米进行了补充，并对这样的人设表达了质疑；（涉及剧透） 1小时13分-1时25分半：波米结合摄影师阐述谈及本片在视听语言上的亮点；雷普利进行了补充； 1时25分半-尾声：外延环节话题（无剧透）： 1、主播对比《钢锯岭》与此片在北美的两极反馈，讨论美国“宗教正确”的红线； 2、波米着重谈及中国的“沉默”案例——王志明牧师之死； 3、雷普利和波米再谈东西方导演“一本两拍”的经典案例；波米对比《火龙》与《末代皇帝》对《我的前半生》的改编差异； 尾声歌曲：(James Rainbird)。 影片《沉默》(Silence)重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： 《沉默》（日版，1971） 《火龙》（1986） 《末代皇帝》（1987） 《基督的最后诱惑》（1988） 《Kundun》（1997） 《密阳》（2007） 《我，迈克尔》（2015） 《血战钢锯岭》（2016）
Hello, friends! It's time for another new episode of Mousterpiece Cinema, as Josh and Scott dive back into the extensive career of one of America's finest filmmakers, Martin Scorsese. Though it was little-seen originally, Scorsese's story of the young Dalai Lama, Kundun, is our topic for this week's show. Josh and Scott are joined by Bilge Ebiri of The Village Voice to talk about this artful, gorgeous, yet potentially emotionally distant story and its place in Scorsese's filmography. Is this movie too unlike the rest of his career, or does it fit right in? And what's more, is it really necessary that Disney's executives had to literally apologize to the Chinese Prime Minister for this film? Only one way to know for sure: check out the new show!
In the second and final part of our disquisition on Martin Scorsese's storied body of work, we discuss his films from 1989 - in which he directed the short film Life Lessons for the anthology New York Stories - to the present day, including his new film Silence, which at least one of us (meaning one of us) has actually seen! We talk about his cameos in other directors' films, his career as a producer, and the role of faith in his work, and we pick some of our favourites from his extensive catalogue, whilst also taking the time to disseminate the propaganda of the Russian state. Marty! Kundun! We still haven't seen it!
Back once again after only a month and a half, talk show radio hero extraordinare, WGN's Nick Digilio returns once again to discuss the post-GOODFELLAS career of Martin Scorsese. We start with CAPE FEAR and go all the way to THE WOLF OF WALL STREET, and everything in-between. Digressions galore, but a real highlight of this episode comes at about the 59 minute mark when Nick brings up an infamous studio publicist who loved to let the expletives fly! When he discusses Frank Casey at one point, it might've been the hardest I've laughed on this show in a long time. But really, this is all about Scorsese's fascinating and influential career as continued from Part One. Nick and I disagree a couple of times, particularly on the last film he has put out as of 2016. Truly hope you enjoy this memorable conversation, because as always, talking with Nick on my own show is something that remains very special to me indeed. Scorsese Part One:http://www.directorsclubpodcast.com/blog/scorsesepart1 00:00 - 08:00 - Introduction 08:01 - 35:03 - CAPE FEAR, THE AGE OF INNOCENCE, CASINO 35:04 - 54:44 - KUNDUN, BRINGING OUT THE DEAD, GANGS OF NEW YORK 54:45 - 01:21:17 - AVIATOR, SHUTTER ISLAND, HUGO 01:21:18 - 01:35:15 - WOLF OF WALL STREET / Top 5 Scorsese Films / Outro Subscribe to Nick Digilio's podcast here: http://wgnradio.com/category/nick-digilio/ Nick, Erik & Collin's Favorite Films Of 2016 So Far: http://wgnradio.com/2016/07/11/the-best-and-worst-movies-of-2016-so-far/ Stay tuned -- many more episodes to come this month, including Agnes Varda, Alex Cox, and more! Be sure to visit NowPlayingNetwork.net for all of the great shows I mentioned during the introduction. Send an email to directorsclubpodcast@gmail.com and subscribe over on ITunes. Thank you again so much for listening, and your continuing support. Finally, the piece of music I used at the end of this episode is one of my favorite compositions of all time. It's by the great Max Richter and was used briefly and brilliantly in SHUTTER ISLAND. Do listen to this piece in its entirety: https://www.youtube.com/watch?v=rVN1B-tUpgs Website / Archives: http://directorsclubpodcast.com ITunes: https://itunes.apple.com/us/podcast/directors-club/id414288912 Like The Show On Facebook: https://www.facebook.com/Directors-Club-248157061905613/
On this week's mother-lovin' Dude & A Monkey, Marc & Ian journey to Middle-Earth to fuck some dwarves and shit on some elves as they take on The Hobbit: The Battle of the Five Armies. They also get on down with the Daila Lama as they look at the next part of their Overlooked Scorsese marathon with 1997's Kundun and they tear it up through some trailers and One Old, One New. All this and more on the podcast that just wants to bum you. Hard. @dudeandamonkey @ianloring @dudefozz dudeandamonkey@gmail.com
In this episode: This month Mark Cosgrove, Watershed Cinema Curator, is in conversation with Fern Dunn, an MA Curation student on placement at Watershed. They discuss the nature of and influences on Film Curation, why Watershed is a partner in the MA course and the upcoming season of films that Ferne has curated – Beats to Buddhism. Beats to Buddhism is Watershed's contribution to November's Glassfest celebrations which sees seminal composer Philip Glass return to Bristol, with the season of films exploring the interests, inspirations, and influences on a composer who has irrevocably changed the face of contemporary music.
JOSE LUIS DANA regresa en su sección LOS OLVIDADOS, para hablarnos del 4º ESPECIAL MARTIN SCORSESE. Muchas películas han quedado por comentar, desde EL COLOR DEL DINERO, LA ÚLTIMA TENTACIÓN DE CRISTO, LA EDAD DE LA INOCENCIA, KUNDUN, GANGS OF NEW YORK, EL AVIADOR, INFILTRADOS, SHUTTER ISLAND y LA INVENCIÓN DE HUGO entre otras, y en este programa vamos a repasar la mayoría de ellas.
GET THE TEAR GAS! Surfing! Kundun! Bullets! Hendrix! And a can of napalm! JOHN PHILBIN (Tombstone, Point Break, North Shore) rides in to remember Patrick Swayze and talk ICM, Kurt Russel, Val Kilmer, G Land, Costner, Children Of The Corn, Cycles and...working with Ethan DAVID ANTHONY MARSHALL (Lock Up w.Stallone) is back to preform a song and talk some 'Rock n' Roll/Film' politics. Ethan talks dangerous stunt work and confesses he has become something of a monk. Erik lights it up with some comedy and the gang tries to hire Gary Busey to be their publicist.
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