Podcast appearances and mentions of ira robbins

Out of all of the Third Lads that we've ever had, there is probably no one who has had a more profound impact on shaping our taste as alternative music fans and collectors than Ira Robbins. In 1974, young writer Robbins and two friends launched the fanzine Trans-Oceanic Trouser Press, later shortened to simply Trouser Press. Over the course of 10 years and nearly 100 issues, Trouser Press championed the eccentric outsiders, the punk pioneers, the new wave nerds, and the indie icons. The magazine ceased publication in 1984, but continued to publish record guides, which became the alternative music bible for Brett and Uncle Gregg. The contents of those essential books, as well as digitized copies of the magazine, have been lovingly archived at https://trouserpress.com. Today, Trouser Press Books continues to carry out the mission that drove the fanzine 50 years ago, releasing some of the best music-centric books on the market, including the new anthology Zip It Up! The Best of Trouser Press Magazine 1974-1984. Fittingly, this week we have an insightful, slightly nutty conversation about the eccentric geniuses of the O3L era. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode we're joined by the admirable Simon Raymonde, sometime Cocteau Twin, head honcho at Bella Union Records and author of the autobiographical In One Ear. We commence by asking our guest about growing up as the son of the legendary Ivor Raymonde, string arranger on umpteen hits by pop idols from Billy Fury to the Walker Brothers. We hear clips from Ira Robbins' 1989 audio interview with Raymonde Sr.'s most famous client Dusty Springfield — and discuss a Ray Connolly piece from 1970 in which she more or less outs herself as gay. Simon then talks about his days behind the counter at Beggars Banquet Records and how they led to his joining the Cocteaus in 1984. Clips from a 1996 audio interview with the trio prompt his reflections on writing and performing with Robin Guthrie and Elizabeth Fraser — and how their extraordinary music won the admiration of everyone from Prince to Jeff Buckley. Simon also recalls the fallout from leaving indie sanctuary 4AD for major-label Fontana. We conclude by asking our guest about the 27-year-old Bella Union label, home to Midlake, Fleet Foxes, Beach House, John Grant, Flaming Lips and Father John Misty… and to 17-year-old Nell Smith, who tragically died in a car accident three days before we recorded this episode. After Mark quotes from newly-added library pieces — Val Wilmer's 1966 interview with Sun Ra; Lester Bangs' rave review of the Temptations' Sky's the Limit — Jasper brings the episode to a close with his thoughts on early interviews with Alicia Keys (2001) and Amy Winehouse (2004). Many thanks to special guest Simon Raymonde. In One Ear: Cocteau Twins, Ivor and Me is published by Nine Eight Books and available now from all good bookshops. Visit the Bella Union Vinyl Shop at 25 Church St in Brighton and online at bellaunionvinylshop.com. Pieces discussed: Cocteau Twins, Cocteau Triplets, Cocteau Quadruplets, Dusty Springfield audio, Dusty Springfield: Dusty at 30... loneliness is an occasional thing, Sun Ra: Flying Saucers Coming To Take Me Away, Ha Ha!, The Temptations: Sky's the Limit, Alicia Keys: Move over Macy and Whine and Song; Amy Winehouse hits out at girl singers and why she's one of the very best.

Joining us all the way from Santa Barbara for this episode is Darrell M. McNeill, director of operations at the Black Rock Coalition and author of a new 33 1/3 study of the Isley Brothers' mighty 1973 album 3 + 3. We start by asking our guest about his '90s contributions to the Village Voice and his involvement with the B.R.C.. Crediting his dad for his own childhood love of the Isleys, Darrell tells us how he came to write about the band. We discuss their unique history across six-plus decades, arriving at the dramatic game-changer that was 3 + 3. Inevitably referencing Jimi Hendrix — an Isleys sideman in the mid-'60s — we ask Darrell about the group's pioneering hybrid of R&B and rock and their covers of classic songs by Carole King, James Taylor et al. A special nod, of course, to Jimi's incalculable influence on kid brother and budding guitar genius Ernie. From the Isleys to Isaac Hayes: following two clips from Ira Robbins' 1995 audio interview with the sometime Stax superstar, we discuss such radical milestones as 'Theme from Shaft' and Hot Buttered Soul's version of Bacharach & David's 'Walk On By'. After a brief digression to salute the 50th anniversary of long-time RBP contributor John Broven's seminal 1974 book Walking to New Orleans, Mark talks us out with quotes from newly-added interviews with Janis Joplin (1969) and Beatles session guitarist David Spinozza (1971). Jasper then wraps up the episode with remarks on Destiny's Child (2003) and The Comet is Coming (2019). Many thanks to special guest Darrell M. McNeill. His book on the Isley Brother's 3 + 3 is published by Bloomsbury and available now. Pieces discussed: The Isleys: first time winners again!, The Isley Brothers: 3 + 3, The Isley Brothers: 3 + 3 = Super Success, Ernie Isley: Pride of the Isleys, Isaac Hayes audio, Fats Domino & His Orchestra: Saville Theatre, Behind The Sun: New Orleans, 'See You Later Alligator': Bobby Charles, Janis Joplin: Janis Superhypermost!, Paul McCartney: Working with Paul — A Session Musician Speaks, Kelly Rowland: Real Girl Talk, Michie Mee is the First Lady of Toronto Hip-Hop and The Comet is Coming: Interstellar Apocalypse.

It's ImmaLetYouFinish... Podcast #196! Along with talking about Ice Spice and Celine, Court & Amy welcome author/critic Ira Robbins to talk about everything Blondie; Call us! It's a rapture!  ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's ImmaLetYouFinish... Podcast #196! Along with talking about Ice Spice and Celine, Court & Amy welcome author/critic Ira Robbins to talk about everything Blondie; Call us! It's a rapture!  ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot talk with Ira Robbins, founder of Trouser Press magazine which inspired a generation of underground music writers. Plus, the hosts review new music from Billie Eilish and Shellac.--Get Exclusive NordVPN deal here → https://nordvpn.com/soundops It's risk-free with Nord's 30-day money-back guarantee!--Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9T--Featured Songs:Billie Eilish, "Skinny," Hit Me Hard and Soft, Interscope, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1966Billie Eilish, "Ocean Eyes," Don't Smile at Me, Interscope, 2017Billie Eilish, "Lunch," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Bury A Friend," When We All Fall Asleep, Where Do We Go?, Interscope, 2019Billie Eilish, "The Greatest," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Blue," Hit Me Hard and Soft, Interscope, 2024Shellac, "Scabby the Rat," To All Trains, Touch and Go, 2024Shellac, "I Don't Fear Hell," To All Trains, Touch and Go, 2024Shellac, "Tattoos," To All Trains, Touch and Go, 2024Rory Gallagher, "A Million Miles Away (Live at The San Diego Center, CA, USA 1974)," Live In San Diego '74, UMC, 2022Tucky Buzzard, "Run in the Morning," Buzzard, Purple, 1973The Who, "A Quick One, While He's Away," A Quick One, Reaction, 1966Camel, "Never Let Go (Live at Hammersmith Odeon)," A Live Record, Deram, 1978The Bonzo Doo-Dah Dog Band, "The Trouser Press," The Doughnut in Granny's Greenhouse, Liberty, 1968Carole King, "I Feel the Earth Move," Tapestry, Ode, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode — our first-ever "field recording" — we travel up to North London to interview the legendary writer-photographer Val Wilmer. Val takes us back to her earliest musical memories in Streatham, South London, and her immersion in the capital's '60s jazz and blues scenes. We hear about her first pieces for Jazz Journal and her experiences of interviewing (and photographing) the likes of blues singer Jesse Fuller. We also hear about her remarkable DownBeat interview with Jimi Hendrix from early 1968. Val's classic 1977 book As Serious As Your Life — reissued in 2018 — provides the pretext for asking about her passionate championing of the "free jazz" of John Coltrane, Ornette Coleman and others. We focus on her 1966 Melody Maker encounter with the extraordinary Albert Ayler and the unsolved mystery of his death in 1970. A discussion of Val's deep involvement in the women's movement leads us to clips from Ira Robbins 1994 audio interview with the late Lesley ('It's My Party') Gore — and in particular her startling photo-feminist classic 'You Don't Own Me', six decades young this year. Jasper talks us out with his thoughts on Alan Light's 1991 Rolling Stone interview with Queen Latifah. Many thanks to special guest Val Wilmer. As Serious As Your Life is published by Serpent's Tail and available from all good bookshops. Pieces discussed: Jimi Hendrix: An experience, Once Upon A Time In Williamsburg, Ayler: Mystic tenor with a direct hot line to heaven?, Memories of Hoppy: An interview with Val Wilmer, The New Jazz Gets With It (That Means With Contemporary Art), Tempo: Coltrane, Shankar and All That Rock & Roll, Coltrane, Davis, Monk, Mingus, Lesley Gore audio and Queen Latifah's New Gambit.

Fifty years to the month after Trouser Press published its first issue, Trouser Press Books has released Zip It Up! The Best of Trouser Press Magazine 1974 - 1984. This 440-page large-format paperback collects more than 90 of the best articles - profiles, interviews and histories - that appeared in the magazine fans have called "the bible of alternative rock" but had a broader mission than that. Sections on: . the 1960s. classic rock. glam rock. prog and art rock. reggae. the roots of punk. American punk and new wave. UK punk and new wave. post-punk Annotated with recollections and reflections on the changing times, the ridiculous business of independent magazine publishing and the colorful, complicated artists - illustrated with cartoons, covers, documents and ads from the Trouser Press archive - Zip It Up! is vintage rock journalism of a form that is no longer widely practiced: features heavy on historical detail and lengthy, probing interviews, all written with wit, intelligence and a willful expression of opinions and values. It is also an extensive document of rock's evolution from the 1970s to the mid-'80s, often capturing now-iconic bands in the early stages of their existence. By turns reverent, snarky, adulatory and cynical, Zip It Up! is a rich grazing ground for fans and students of music and music journalism. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Fifty years to the month after Trouser Press published its first issue, Trouser Press Books has released Zip It Up! The Best of Trouser Press Magazine 1974 - 1984. This 440-page large-format paperback collects more than 90 of the best articles - profiles, interviews and histories - that appeared in the magazine fans have called "the bible of alternative rock" but had a broader mission than that. Sections on: . the 1960s. classic rock. glam rock. prog and art rock. reggae. the roots of punk. American punk and new wave. UK punk and new wave. post-punk Annotated with recollections and reflections on the changing times, the ridiculous business of independent magazine publishing and the colorful, complicated artists - illustrated with cartoons, covers, documents and ads from the Trouser Press archive - Zip It Up! is vintage rock journalism of a form that is no longer widely practiced: features heavy on historical detail and lengthy, probing interviews, all written with wit, intelligence and a willful expression of opinions and values. It is also an extensive document of rock's evolution from the 1970s to the mid-'80s, often capturing now-iconic bands in the early stages of their existence. By turns reverent, snarky, adulatory and cynical, Zip It Up! is a rich grazing ground for fans and students of music and music journalism. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Steve Adubato and Mary Gamba sit down with Ira Robbins, CEO, Valley Bank, to talk about the importance of innovation, lifelong learning and investing in your people, as well as work-life balance and integration. Then, Steve and Mary talk with Steven K. Libutti, MD, Director, Rutgers Cancer Institute, Sr. VP, Oncology Services, RWJBarnabas Health, about … Continue reading Lessons in Leadership: Ira Robbins and Dr. Steve Libutti

On this episode, Marc talks with Ira Robbins, editor of “Zip it Up! The Best of Trouser Press Magazine, 1974-1984,” published in March 2024. It's an anthology of pieces published in the New York-based magazine Trouser Press, which covered all kinds of rock music and other genres, and launched the careers of writers like David Fricke, Jon Leland, and Tim Sommer. The selections are roughly chronological in order but also grouped into categories such as glam rock, roots of punk, reggae, and post-punk.As Ira writes, “We were determined to never patronize our readers, who we assumed to be intelligent, curious and willing to make a little effort — just as we were in our reading. We used big words, tossed around arcane references, even the occasional sophisticated concept to put across what we wanted to convey."We hope you enjoy Marc's conversation with Ira Robbins!

In this episode we welcome long-time RBP contributor Ira Robbins as he celebrates the 50th anniversary of the launch of his beloved Trouser Press. Ira tells us about the musical Anglophilia that began for him with the Beatles but surged with the 1968 release of The Who Sell Out.  He then recounts the beginning of his friendship with schoolmate Dave Schulps and explains how it led to a shared obsession with the British music press. The story of the 1974 launch of Anglophile fanzine Trans-Oceanic Trouser Press, in partnership with the late Karen Rose, is accompanied by quotes from a 2001 interview Ira gave to RockCritics.com. He talks about the years that followed the dropping of the "Trans-Oceanic" prefix, and about some of the contributors – more than a few female – who made Trouser Press such essential '70s reading. After playing a clip from a 1975 audio interview Ira did with Cockney Rebel's late frontman Steve Harley – who died after this episode was recorded – we turn our attention to his more recent encounter with the rather more genial Nick Lowe. Clips from this 2007 conversation prompt a general appreciation of the Jesus of Cool's career from Kippington Lodge to Little Village via Elvis Costello and Johnny Cash. After we've paid tribute to the departed Eric Carmen – with our guest disputing that (the) Raspberries were authentically "power pop" – Mark talks us out with quotes from the pieces he's most enjoyed adding to the RBP library over the preceding fortnight. Many thanks to special guest Ira Robbins. Zip It Up! The Best of Trouser Press Magazine 1974–1984 is published by Trouser Press Books and available now via trouserpressbooks.com.  Pieces discussed: Ira Robbins articles, The Story behind Trouser Press, Ira interviewed on RockCritics.com, Steve Harley audio, The New Wave Washes Out, Nick Lowe audio, Eric Carmen: Rock's Rejuvenated Raspberry, World Party, Charlie Watts, Was (Not Was), Rhythm and Blues and Kiss.

The Fanzine Podcast finally gets across the Atlantic, and talks to two of the mainstays of the New York 'zine scene.Ira Robbins started Trouser Press in 1974 as "hopefully the first consumer-oriented, ( inter }national rock fanzine" and went on to produce 96 issues that got up to a 60,000 circulation before calling it a day after exactly 10 years; Trouser Press continued life as a record buyer's guide, a website, and now as a publishing imprint too.Jack Rabid started The Big Takeover in 1980 as a one-page broadsheet devoted to New York punk band The Stimulators before gradually turning into an reputable zine that has been publishing twice a year for four decades now, circulation peaking at 30,000. The Big Takeover also has a website and a radio show.Between them, Trouser Press and The Big Takeover have published 181 issues, and counting.As well as discussing how and why they started out, how their zines turned into magazines, and why they have persisted in the world of small publishing all this time, Ira and Jack discuss their best and worst interviews, the bands that turned them on and some of those that did not. Acts discussed in this episode include: The Planets, Bad Brains, The Who, Pink Faeries, Even Worse, John Lydon, The La's, The Stranglers, The Buzzcocks, The Damned, The Ramones, Talking Heads, Blondie, The Mumps, Rory Gallagher, The Mad, The Stimulators, and many many more.The Trouser Press Archives are here. The ongoing Trouser Press website is here. Trouser Press books is here.The Big Takeover web site/magazine is here. The Big Takeover Radio is here.The Best Of Jamming!: Selections & Stories from the Fanzine That Grew Up, 1977-86 can be found here and signed copies are available in the USA direct from https://tonyfletcherauthor.bandcamp.com/merch/ SIgn up for Tony Fletcher's weekly newsletter, long weekend read, and for exclusive access to archived interviews, including those from his Keith Moon biography, at tonyfletcher.substack.com. Theme music by Noel Fletcher. Logo by Greg Morton. Hosted on Acast. See acast.com/privacy for more information.

Rock journalist Ira Robbins talks music plus his career as co-founder of Trouser Press  and beyond. Visit TrouserPress.com and TrouserPressBooks.com!

Steve Adubato and Mary Gamba are joined by Ira Robbins, CEO, Valley Bank, talking about leadership in challenging times and the importance of teamwork, coaching and creating a culture of wellness. Then, Steve and Mary talk with Regina Foley, PhD, MBA, RN, EVP, Chief Transformation Officer and Interim Chief Nurse Executive, Hackensack Meridian Healh about … Continue reading Lessons in Leadership: Ira Robbins and Regina Foley

In this episode we welcome the dynamic transatlantic duo of Luke Haines & Peter Buck and invite them to discuss their splendidly-titled new album All the Kids are Super Bummed-Out.Luke and Peter reflect on their musical partnership, working methodology, and relationships with music journalists — sometimes fractious, occasionally fruitful. Peter recalls growing up as a New York Dolls fan in the Allman Brothers country of his native Georgia, then listens to 1992 audio of himself and bandmate Mike Mills telling Ira Robbins about R.E.M.'s rise and decision not to tour the imminent Automatic for the People. Luke then reflects on his early preference for Sounds (over NME and Melody Maker) and the postpunk writing of the late Dave McCullough.Mark & Jasper pay fulsome tribute to the departed Pharoah Sanders, with both guests pitching in on the music of the intrepid jazz man — and we also bid farewell to 'Gangsta's Paradise' rapper Coolio. Marks then talks us through his highlights among the latest articles added to the RBP library, including pieces about the Beatles in America (1964), Otis Redding at the Whisky (1966) and Leon Russell at the Royal Albert Hall(1971) — the greatest gig he ever saw, he claims — and Jasper wraps matters up with quotes from articles about Harry Styles (2017) and Rose Royce (2021)...Many thanks to special guests Luke Haines and Peter Buck; their new album All The Kids Are Super Bummed Out is out October 28th on Cherry Red.Pieces discussed: Rock Criticism and the Rocker: Peter Buck in conversation with Anthony DeCurtis, Simon Price on the Auteurs, Peter Buck and Mike Mills audio, Don Snowden's tribute to Pharoah Sanders, Coolio Like That, The Beatles in New York, Graham Nash, The Beach Boys, Leon Russell, Otis Redding, Arif Mardin, Harry Styles and Rose Royce on making 'Car Wash'.

In this episode we welcome the dynamic transatlantic duo of Luke Haines & Peter Buck and invite them to discuss their splendidly-titled new album All the Kids are Super Bummed-Out.Luke and Peter reflect on their musical partnership, working methodology, and relationships with music journalists — sometimes fractious, occasionally fruitful. Peter recalls growing up as a New York Dolls fan in the Allman Brothers country of his native Georgia, then listens to 1992 audio of himself and bandmate Mike Mills telling Ira Robbins about R.E.M.'s rise and decision not to tour the imminent Automatic for the People. Luke then reflects on his early preference for Sounds (over NME and Melody Maker) and the postpunk writing of the late Dave McCullough.Mark & Jasper pay fulsome tribute to the departed Pharoah Sanders, with both guests pitching in on the music of the intrepid jazz man — and we also bid farewell to 'Gangsta's Paradise' rapper Coolio. Marks then talks us through his highlights among the latest articles added to the RBP library, including pieces about the Beatles in America (1964), Otis Redding at the Whisky (1966) and Leon Russell at the Royal Albert Hall (1971) — the greatest gig he ever saw, he claims — and Jasper wraps matters up with quotes from articles about Harry Styles (2017) and Rose Royce (2021)...Many thanks to special guests Luke Haines and Peter Buck; their new album All The Kids Are Super Bummed Out is out October 28th on Cherry Red.Pieces discussed: Rock Criticism and the Rocker: Peter Buck in conversation with Anthony DeCurtis, Simon Price on the Auteurs, Peter Buck and Mike Mills audio, Don Snowden's tribute to Pharoah Sanders, Coolio Like That, The Beatles in New York, Graham Nash, The Beach Boys, Leon Russell, Otis Redding, Arif Mardin, Harry Styles and Rose Royce on making 'Car Wash'.

Radio Ambulante - así cuenta sus historiasRadio Ambulante es una de las marcas más poderosas en Podcast. Y lo ha logrado gracias a que cuenta muy buenas historias. En este episodio te explico cómo Radio Ambulante construye y planea sus historias. Y por supuesto, te comparto además una muy buena historia.Radio Ambulante y su manual para contar historiasSi algo tiene en común cualquier pieza de comunicación efectiva para cualquier contexto es el uso adecuado de las historias.Así que en este episodio puntualmente nos vamos a ocupar de la fórmula del éxito que tiene uno de los podcasts más populares en habla hispana. Me refiero a Radio Ambulante producido por NPR la National Public Radio en Estadios Unidos.Este lenguaje que han desarrollado parte del estilo de Ira Robbins quien es el creador del espacio This American Life. Pero la verdad que la versión que hacen en español es fantástica; es más, seríamos muy injustos diciendo que es una versión, porque Radio Ambulante tiene vida propia, tiene un tono propio y a mí la verdad me encanta.Soy oyente del podcast desde hace mucho rato y recientemente quise invitar a Daniel Alarcón y a Carolina Guerrero quienes son como las cabezas visibles de Radio Ambulante. Quise que compartieran aquí en Mil Palabras cómo es que cuentan sus historias, cómo las estructuran, cómo las terminan ejecutando.Infortunadamente no los pude concretar, pero eso se resuelve. Buscando en la página su contacto me encontré con algo que ellos tienen público que se llama el "manual para productores de Radio Ambulante". Les contaré de qué se trata y por qué esto te puede servir para estructurar tu propio contenido, tu propio podcast.En esta entrega voy a elaborar un poco sobre este buen manual para productores de Radio Ambulante para contar historias.Pero, además, te contaré una historia maravillosa que estoy seguro te va a encantar.Recuerda por favor escucharnos y suscribirte en la plataforma que más te guste:Apple Podcast Spotify Google Podcast Para participar, escríbeme tus comentarios a santiagorios@milpalabras.com.coRecursos recomendados en este PodcastRelato original de Hernan Casciari que se contó en este episodio. Escúchalos en este orden:https://www.youtube.com/watch?v=raiZklrPnichttps://www.youtube.com/watch?v=sVuMmcFu9uILos podcast de Radio Ambulantehttps://radioambulante.org/El manual para productores de Radio Ambulantehttps://drive.google.com/file/d/1HGvQ8L2OuSJlcP5DIsLvwrRdbWV9nOwp/viewSpreaker es el lugar que recomendamos para alojar tus podcasthttps://spreaker.pxf.io/milpalabrasSuscríbete al Podcast de Mil Palabras enwww.milpalabras.comDescarga GRATIS el ebook “Cómo Crear un Podcast Corporativo”https://milpalabras.com.co/ Quizás quieras escuchar el episodio anteriorhttps://www.milpalabras.com/186-como-vender-siempre/Otros podcast recomendados de nuestra redSomos CancionesEntrevistas e historias divertidas y personales con Gente que ama la música y sabe de música. (suenan canciones completas al lado de las historias).spoti.fi/3hWr020Historias que NutrenConversaciones con profesionales que tienen algo para nutrir tu vida en lo personal, lo profesional, lo espiritual y lo físico.bit.ly/historiasquenutrenDe Vuelta por San IgnacioCharlas donde conocerás la historia y la cultura de uno de los sitios emblemáticos de Medellín: El Distrito San Ignacio.bit.ly/distritosanignacioHistorias con colorRelatos inspiradores de personas que han transformado su vida y la de los demás a través del color.bit.ly/historiasconcolorConversaciones que transformanGrandes personalidades de la industria, la empresa privada y el sector público presentan su perspectiva sobre las prácticas y tendencias que transforman la sociedad.bit.ly/argoscqtInstrucciones para FlorecerConfesiones de mujeres sobresalientes que comparten sus instrucciones para realizarse personal y profesionalmente.bit.ly/instruccionespfLiderar con propósitoLos líderes de algunas de las empresas más grandes de Colombia entregan sus mejores prácticas de liderazgo a parir de casos reales.bit.ly/lcpdoriaRadio Ambulante, Daniel Alarcón, Carolina Guerrero, NPR, Historia, Airbnb, Hernán Casciari, podcast, Podcast Corporativo, Comunicación Organizacional, Recursos Humanos, Desarrollo Profesional, Desarrollo Personal, Comunicación Efectiva, Santiago Ríos, Mil Palabras

BJ wrote a book, published by Jawbone Press and available now:https://www.amazon.com/This-Band-Has-No-Past/dp/1911036874For this episode BJ covers some of the podcasts he has been on to promote the book, along with some of the reviews that have come out, then interviews Trouser Press editor Ira Robbins, who shares his thoughts on the book, and also some insights and stories relating to Cheap Trick. Also included is a recording of a casual conversation between Howie Klein and Rick Nielsen and Robin Zander from March 1977.

This week Mike and Chris look back at the Todd Rundgren penned "Heaven's Falling" from their 1983 release, NEXT POSITION PLEASE...but they are joined by a very special guest.  Ira Robbins,rock journalist whose work has appeared in The New York Times, Rolling Stone, Entertainment Weekly, and of course Trouser Press which he began publishing in 1974. Most importantly though, he was an early supporter of Cheap Trick and wrote of their debut, "its sarcastic, smart, nasty, powerful, tight, casual, and destined for something great." His new book MUSIC IN A WORD, VOLUME 2 can be purchased at Trouser Press.

On a special edition of Lessons in Leadership, Steve Adubato and Mary Gamba talk with Ira Robbins, CEO, Valley Bank and Thais R. Sullivan, SVP, National Director of Community Lending, Valley Bank, about the importance of lifelong learning and investing in your people. Then, Steve talks with Matt Whelan, EdD, President, Caldwell University, about the … Continue reading Lessons in Leadership: Ira Robbins, Thais Sullivan and Matt Whelan

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century.Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties.After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw.Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents.Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century. Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties. After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw. Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents. Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century.Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties.After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw.Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents.Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century. Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties. After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw. Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents. Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Suicidal Tendencies es una banda estadounidense de Hardcore punk formada en 1981.en Venice, Los Ángeles.A veces citados como uno de los grupos pioneros del crossover thrash junto con D.R.I., Corrosion of Conformity y Stormtroopers of Death, porque, más tarde, incorporaron elementos del thrash metal a su música hardcore.Grabaron un demo en 1982 y aparecieron en el LP de compilación de Slamulation en Mystic Records. La canción presentada fue "I Saw Your Mommy", que más tarde apareció en su álbum debut homónimo. Los hermanos Dunnigan renunciaron después de estas grabaciones, con Mike Dunnigan más tarde uniéndose a la banda de Tony Alva, Skoundrelz, para volver con Mike Ball en la guitarra y Bela Horvath en la batería. Ball permaneció en la banda durante 2 años y medio antes de unirse a Skoundrelz y fue reemplazado por Dunnigan. El guitarrista Rick Battson grabó la demo antes del primer álbum. Grant Estes lo reemplazó en la guitarra y tocó en el primer disco de Suicidal Tendencies.El éxito que tuvo el primer disco de Suicidal Tendencies, en 1983, al convertirse en uno de los más vendidos de la escena underground del punk y el metal a comienzos de los ochenta le permitió firmar con la discográfica Frontier Records.Este álbum fue descrito por el crítico Steve Huey como "Rápido, furioso y divertido... Mike Muir demuestra ser un autor y comentarista articulado, profundizando en temas como la alienación, la depresión y la política inconformista con inteligencia y humor".En este primer álbum homónimo aparece la canción «Institutionalized», cuyo video promocional fue uno de los primeros del estilo hardcore punk en aparecer en la cadena televisiva MTV, además de incluirse el polémico tema "I shot The Devil", que originariamente se tituló "I shot Reagan", (Yo disparé a Reagan), frase que incluye la canción. Más tarde el tema "Institutionalized", apareció en la película de cine de Emilio Estévez Repo Man y recientemente en Iron Man, donde la canción suena de fondo mientras Tony Stark trabaja en su automóvil,así como en un episodio de la serie de televisión Miami Vice (en el cual el grupo hizo un cameo).Poco después del lanzamiento de su álbum debut en 1983, Estes dejó la banda y fue reemplazado por Jon Nelson, exgerente de la banda Neighborhood Watch con sede en Venecia. Nelson tocó con Suicidal Tendencies en todos los primeros conciertos de punk de 1983 a 1984 contribuyendo con la música para futuras canciones como: "War Inside My Head", "You Got, I Want", "Human Guinea Pig", "You Are Forgiven" y "Look Up ... (The Boys Are Back)", este último terminó en el álbum recopilatorio de la banda llamado Welcome to Venice.En 1984 fue el comienzo de la pausa de grabación de cuatro años de Suicidal Tendencies y Mike Muir y el bajista Louiche Mayorga formaron el sello Suicidal Records, así como la banda Los Cycos.​ Jon Nelson dejó el grupo y a Suicidal Tendencies se les prohibió tocar en espectáculos de Los Ángeles por un incidente en el Palacio Perkins (sus fanáticos arrancaron diez filas de asientos y los promotores no pudieron obtener el seguro adecuado para contratarlos).​ Muir también estaba a punto de intentar su nueva producción, y quería comenzar su sello discográfico. Los Cycos eran originalmente Mike Muir (voz), Bob Heathcote (bajo), Anthony Gallo (guitarra) y Amery Smith (batería).Después de algunos ensayos, Amery Smith dejó la fila para unirse a Jon Nelson para comenzar su propia banda (The Brood). Los Cycos finalmente incluyeron a Grant Estes en la guitarra principal y las elecciones originales Bob Heathcote y Amery Smith fueron reemplazadas por Louiche Mayorga (bajo) y Sal Troy (batería). Grabaron la canción "It's Not Easy" escrita por Muir.​ "Welcome to Venice" fue el primer disco lanzado en Suicidal Records, los discos fueron destruidos en un incendio.​ En 1989, Suicidal Tendencies volvió a grabar "It's Not Easy" para su lanzamiento Controlled By Hatred / Feel Like Shit ... DejaVu album. La otra canción de Los Cycos "A Little Each Day" que nunca llegó al álbum, fue regrabada para el lanzamiento de Suicidal Tendencies de 1987 Join the Army y nuevamente en Still Cyco After All These Years lanzado en 1993. En 2000 resurgió la compilación de FNG y una cuarta vez en el álbum de 2008 (dividido) Lights... Camera... Revolution!/Still Cyco After All These Years.​ Suicidal Tendencies tocó en la canción "Look Up ... (The Boys are Back)", que fue la presentación del guitarrista Rocky George y el baterista RJ Herrera.La banda encontró un nuevo sello en Caroline Records en 1986.La temática del grupo abordaba la incomunicación, y el conflicto generacional, el aislamiento, la confusión, la soledad; el Crítico Ira Robbins escribe sobre uno de sus temas; "Una de las expresiones de la era, la quinta esencia de la confusión adolescentess, convierte los malentendidos del conflicto generacional en una total ruptura de comunicaciones, conteniendo toda la filosofía Punk de películas como Repo Man y Suburbia en cuatro minutos."Sus dos primeros discos se mantuvieron en un Punk Rock acelerado, y fueron una referencia para el mundo del Skate -su segundo disco, "Join The Army" contenía el tema "Possesed to Skate". La estética y filosofía del grupo se asemejaba a la de las pandillas chicanas del sur de california; Bandanas, ropas deportivas, y el propio grupo, en boca de Muir, declaraba considerarse un "Gang", y sentirse próximo a la filosofía de una banda juvenil. Hubo muchos rumores de que los miembros de la banda, así como sus amigos y seguidores estaban involucrados con pandillas (especialmente Venecia 13, pandilla mexicano-estadounidense en su área), por el pañuelo azul característico de Muir y la violencia en las actuaciones de la banda como evidencia.Pero su tercer disco, un trabajo de corta duración casi cercano a un EP, significó un cambió; los tiempos se ralentizaron, y las guitarras se volvieron más técnicas y pesadas. El grupo entraba de lleno en el Thrash Metal con How Will I Laugh Tomorrow When I Can't Even Smile Today? , y la canción del mismo nombre, un tema con tiempo de balada y un fuerte cambio de tiempo a la mitad de su minutaje, se volvió un éxito y una referencia en su música. Su siguiente disco, publicado en 1989, "Controlled by Hatred/Feel Like Shit...Déjà Vu", era otro LP de corta duración que incluía un tema más a sumar a los destacados en su repertorio: "Controlled by Hatred", un perfecto ejemplo del particular estilo de Muir como vocalista, casi susurrando los versos con rabia contenida; El LP se convirtió en disco de oro.Los dos siguientes álbumes fueron celebrados por su cada vez más amplio círculo de fanes como auténticas obras maestras; el estilo de la banda se definía y se consolidaba, en los discos Lights...Camera...Revolution!(1990) (que alcanzó el disco de oro).​ y Art Of Rebellion (1992), trabajos que ahondaban en las temáticas características de Mike Muir; la soledad, la incomprensión, el aislamiento, la confusión, la fuerza interior. Temas como "Lovely", "Lost Again" "Give it Revolution", de Lights...Camera...Revolution! o "Tap into Power" de Art Of Rebellion, se convertían en clásicos dentro del repertorio del grupo, y seguían la línea thrash metal que habían iniciado hace tres álbumes. Al mismo tiempo, habían empezado los Años 90, y eso significaba Fusión de estilos y creatividad. Bandas diferentes y comercialmente arriesgadas estaban triunfando en todo el mundo, lo cual sin duda influyó en Suicidal Tendencies, que se convirtió en un grupo más de esa nueva escena, y en Mike Muir, que decidió montar sus grupos paralelos Infectious Grooves, en el que experimentaba con el Funk Metal y el Rock de fusión, y Cyko Myko, que mantenía una onda de Punk más puro. En 1993, el grupo regraba con un sonido de mayor calidad su primer álbum "Suicidal Tendencies", bajo el título de Still Cyco After All These Years, y rinden un homenaje a la popular portada del disco, que les representaba colgados cabeza abajo en una estructura metálica, fotografiándose una vez más de esa manera. 1994 vería la publicación del que se pensaba sería su último disco, "Suicidal For Life", y la separación del grupo.

Uleis and Walker are back with a one-of-a-kind episode that looks at the days when They Might Be Giants went from indie label darlings to major label upstarts, and from a two-man outfit with pre-recorded backing tracks to touring with a kickass live band. Each guest—management company go-to guy Bo Orloff, music writer Ira Robbins, and Elektra A&R person Sue Drew—has their own perspective on the band's development and, in a series of interlocking conversations, their stories are told. Throw in some favorite TMBG song picks from Bo and Ira and this is the epic show you need to help kill off all that spare time. Email the show at 9secreteps@gmail.com! We're lonely!

Legendary rock and roll magazine Trouser Press was a big part of my musical coming-of-age, so I was super excited to have founding editor/publisher Ira Robbins on the show to discuss a record that expanded HIS artistic horizons as a NY teenager: "Urban Spaceman" by Bonzo Dog Band. A collective as much as a band, the Bonzo's combined an absurdist mix of pop, cabaret, and Dada to create a surrealist portrait of late-60s England and beyond. Spotify episode playlist: https://open.spotify.com/playlist/6oHV5QxS9bYZr8bjFIDbds?si=d10a331b079e4199

Vinyl aficionados rejoice! Authors Sal Maida (Roxy Music, Sparks) and acclaimed veteran rock scribe and former major label executive Mitchell Cohen discuss their new book THE WHITE LABEL PROMO PRESERVATION SOCIETY: 100 FLOP ALBUMS YOU OUGHT TO KNOW (HoZac Books 2021) with host David C. Gross and Tom Semioli. A collection of essays by Maida, Cohen, and numerous contributors including Lenny Kaye (Patti Smith Group, Nuggets), producer Russ Titelman (Rickie Lee Jones, James Taylor), journalists Jim Farber, Peter Keepnews, Ira Robbins and Mike Stax, and Steve Shelley (Sonic Youth), among others – David, Tom, Sal, and Mitch debate such topics as the musical importance of the year 1966 vs. 1971 and much, much more!White Label Promo Book Playlist Pt 2

Vinyl aficionados rejoice! Authors Sal Maida (Roxy Music, Sparks) and acclaimed veteran rock scribe and former major label executive Mitchell Cohen discuss their new book THE WHITE LABEL PROMO PRESERVATION SOCIETY: 100 FLOP ALBUMS YOU OUGHT TO KNOW (HoZac Books 2021) with host David C. Gross and Tom Semioli. A collection of essays by Maida, Cohen, and numerous contributors including Lenny Kaye (Patti Smith Group, Nuggets), producer Russ Titelman (Rickie Lee Jones, James Taylor), journalists Jim Farber, Peter Keepnews, Ira Robbins and Mike Stax, and Steve Shelley (Sonic Youth), among others – David, Tom, Sal, and Mitch debate such topics as the musical importance of the year 1966 vs. 1971 and much, much more!White Label Promo Book Playlist Pt. 1

Editor Jim Testa interviews Ira Robbins on his new book Music In A Word, a combination anthology and memoir about his life and career as a music journalist.

Ira Robbins, President & CEO, Valley Bank, shares the lessons he learned during the pandemic and how Valley continues to support their Valley team members and customers during uncertain times. Then, Steve talks with Gary Vaynerchuk, CEO of VaynerMedia & Chairman of VaynerX, about what it means to be an entrepreneur while dealing with adversity. … Continue reading Lessons in Leadership: Ira Robbins and Gary Vaynerchuk

Often called "the bible of alternative rock," Trouser Press was a highly influential music magazine in the '70s and 80s. We speak with Ira Robbins, who was a founder, writer, editor and publisher with the magazine and the series of "Trouser Press Record Guides" that followed.Robbins has recently put all 94 issues — in their entirety — online at www.trouserpress.com, and is adding new content as well. He's recently authored a new novel, based in the glam-rock music world, called "Marc Bolan Killed in Crash."

Baxie talk to author, music critic, archivist, and former radio executive Ira Robbins about music, fanzines, his new book, and why he gave Nirvana's "Nevermind" such a crummy review in Rolling Stone Magazine!

Steve Adubato is joined by Nicole Swenarton, Senior Producer of Think Tank with Steve Adubato, to discuss the segments on this episode of Think Tank. Steve Adubato is joined by Ira Robbins, President & CEO, Valley Bank, to talk about the larger role banks play in helping small businesses, non-profits and the larger community survive […]

On today's podcast, we break down the implications of the law and policy for the coming grand jury proceedings in the murder of Ahmaud Arbery. We also discuss the state budget situation facing lawmakers when they return to Atlanta next month. See the Bitter Southerner for an excellent piece about the claim Arbery's family can make to Georgia's coastal communities and what was lost in his passing. Check out Zak Cheney-Rice's reflections on parenthood in the wake of the shooting. Read about other incidents regarding questionable police practices by the Glynn County Police Department in Georgia Recorder.Read this argument against citizen's arrest statutes from American University law professor Ira Robbins.

Steve Adubato and Mary Gamba are joined by Ira Robbins, President & CEO, Valley Bank, to discuss tips and tools on re-branding and how leadership skills aren’t one size fits all.

Steve Adubato and Mary Gamba are joined by Ira Robbins, President & CEO, Valley, to discuss how leadership skills aren’t one size fits all.

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Hailing 'Ghost Town' as "one of the great British records", RBP podcast hosts Mark Pringle and Barney Hoskyns consider The Specials and their politically conscious combination of punk and ska. They then pay tribute to Dave Laing and reflect on his role in the influential Let It Rock magazine, presenting pieces of Dave's on John Martyn, a Bill Monroe live show in a Scottish monastery and singer-songwriters from Jim Croce to John Denver. The week’s audio interview sees Juliana Hatfield in conversation with Ira Robbins about not wanting to get pigeonholed as the Lemonheads' bassist and her subsequent solo album Hey Babe. Beyond all of that, Mark and Barney somehow find time to discuss an early Beatles piece, get confused about Dawn James interviewing her sister Twinkle and berate Robert Fripp for his lack of self-awareness... Produced by Jasper Murison-Bowie Pieces discussed: The Specials, The Specialer, The Specialest, John Martyn, Bill Monroe, the evolution of the singer-songwriter, The Beatles, Twinkle, Hot Chocolate's Errol Brown, Morrissey on the New York Dolls, Robert Fripp, Mark Eitzel, Oasis' fan letters, Nik Cohn's Triksta, Van Dyke Parks, Bob Dylan, Jimmy Page

Ira Robbins (The Trouser Press, Newsday, Rolling Stone) reads a chapter from his book “Marc Bolan Killed in Crash”. Recorded live at Hi-Fi Bar in New York, NY on July 18, 2017 Follow Ira on Twitter Follow Michael on Twitter Follow Zac on Twitter Like Words & Guitars on Facebook Follow Words & Guitars on […]

Steve Adubato is joined by Ira Robbins of Valley National Bank to discuss work-life balance and keys to effective communication.

In part two of our series 1977: The Year Punk Broke, hosts Jim DeRogatis and Greg Kot look at the punk movement stateside with music writer Ira Robbins. They discuss how The Ramones, Talking Heads, and the rest of the CBGB scene inspired generations of artists. Plus, an interview and live performance from Montreal electronic duo She-Devils.

Live at Fi - A Trouser Press Playlist An Ira Robbins curated set list, performed live at The HiFi Bar. Tom Shad - Musical Director, bass Lane Steinberg - guitar Keith Hartel - guitar Carl Baggaley - keyboards Tom Curiano - drums Matthew Kaplan - MC 00:00 Introduction 00:40 Interview with Ira Robbins and Tom Shad 07:37 Introduction by Matthew Kaplan 08:47 Girl About Town performed by Tammy Faye Starlight 11:47 Girl From Germany performed by Verena Wiesendanger 15:30 Soul of My Suit performed by Chadbourne Oliver 18:05 Stop Your Sobbing performed by Amy Cabot 20:40 Love Comes in Spurts performed by Mike Fornatale 22:35 Walking Out on Love performed by Lenny Zenith 24:28 Indian Summer performed by Melissa Johnston Live sound by Colin Poellot Recorded and mixed by Richard Brukner. Host: Mike Stuto Produced by Richard Brukner for RPB Creative, LLC and Mike Stuto for The HiFi Bar. Girl About Town (H. Love) originally performed by Helen Love Girl From Germany (Mael, Mael) originally performed by Sparks Soul of My Suit (Bolan) originally performed by T. Rex Stop Your Sobbing (Davies) originally performed by The Kinks, arr. by The Pretenders Love Comes In Spurts (Hell) originally performed by Richard Hell and the Voidoids Walking Out On Love (Collins) originally performed by The Breakaways Indian Summer (Johnson, Lewis, Lunsford) originally performed by Beat Happening All recordings presented with the permission of the performers. All rights reserved. Unauthorized duplication is a violation of applicable laws. Live recordings (C)(P) 2015

For this epsiode BJ is joined by Ira Robbins, co-founder and editor of the legendary Trouser Press magazine, the Trouser Press Record Guides and the Trouser Press website to discuss the convoluted genre that is "New Wave."

In part two of our series 1977: The Year Punk Broke, Jim and Greg look at the punk movement stateside with music writer Ira Robbins. And later, Jim and Greg review the self-titled new album from afropop band Antibalas.