Podcasts about hammersmith odeon

In this heartfelt, humorous, and deeply human conversation, Ian sits down with longtime friend — artist, filmmaker, professor, and Enneagram Seven — Steve Taylor. You may know him as the legendary provocateur who "invented irony for Christians," but in this episode, we explore the terrain beneath the creativity, the energy, and the relentless forward motion that has defined so much of his life. Together we wade into the deeper waters of the second half of life — aging, character, grief, spiritual maturity, limitations, and the sacred invitation to move from doing to being. Steve speaks candidly about the shifting landscape of life at 67: the habits that no longer serve him the tender emergence of compassion learning to sit with grief rather than outrun it the uncomfortable art of slowing down how filmmaking and teaching have reshaped his inner life and the courageous (and often comical) struggle of a Seven learning to live in the present moment We talk about marriage, mortality, the ache of unfinished dreams, the sweetness of gratitude, the pains and gifts of aging, and the spiritual practices that are slowly rewiring Steve's relationship with presence. Tune in to hear this rich conversation about Enneagram transformation, emotional intelligence, creativity, and the inner work of becoming whole.     ABOUT STEVE TAYLOR Steve Taylor is a filmmaker, writer, producer and recording artist who earned his "Renaissance Man" stripes (Prism Magazine) from a body of work that's garnered him multiple Grammy, Billboard, Telly, Addy and Dove awards and nominations. A southern California native, he was raised in Denver, Colo., and studied music and film at Colorado University. In 1983, Taylor began a career as a recording artist that spanned 12 years, selling over one million albums worldwide and garnering him two Grammy nominations for "Meltdown" (1984) and "Squint" (1993). In the process, he made history as the only artist to twice win Billboard Music Video Awards for self-directed music videos. As a concert artist, Taylor headlined four international tours, including acclaimed appearances at L.A.'s Universal Amphitheater and London's Hammersmith Odeon. He was also lead singer in the MCA-signed modern rock band Chagall Guevara. Follow on Facebook or Instagram Sketch Film Website  

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Prior to the last song of the performance, Bowie told the crowd, “Not only is it the last show of the tour, but it's the last show that we'll ever do.” Even some of the band members were taken by surprise at the ...

David Bowie retired his alter-ego Ziggy Stardust live on stage at London's Hammersmith Odeon on 3rd July, 1973. To the surprise of most of his band, the Spiders From Mars, he announced to a devastated crowd that the gig was “the last show we'll ever do.”  Bowie's management company had plans to take Ziggy on an international tour, but being Ziggy Stardust had taken a mental and physical toll on the singer. “I really did want it all to come to an end,” he wrote in Moonage Daydream.  In this episode, Arion, Rebecca and Olly explain how a ‘fake' Lou Reed influenced Bowie to create the character of Ziggy; discover how, for a while, his fans were called ‘the Uglies' and his genre ‘freakrock'; and reveal how this iconic rockstar felt ‘hopelessly lost' in his own fantasy… Further Reading: • ‘Looking back on David Bowie's most legendary gig: The death of Ziggy Stardust' (London Evening Standard, 2019): https://www.standard.co.uk/culture/music/david-bowie-death-ziggy-stardust-hammersmith-odeon-a4034746.html • ‘How David Bowie killed off Ziggy Stardust' (Far Out Magazine, 2021): https://faroutmagazine.co.uk/how-david-bowie-killed-ziggy-stardust/ • ‘David Bowie – Ziggy Stardust' (Live, 1973): https://www.youtube.com/watch?v=Fq8gG3pzMrU&list=PLNJirx02I6P72KTv5oJPSF-kkagLgfJWr&index=3 Love the show? Support us!  Join 

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

En tan solo cinco años David Bowie protagonizó una de sus mejores y más prolíficas etapas creativas. En el período que fue desde 1972 hasta 1976, el músico británico publicó seis álbumes de su estudio -incluidos entre lo mejor de su discografía-, mostrando al mundo facetas musicales y teatrales muy distintas; para materializar sus inquietudes artísticas, Bowie necesitaba encarnar diferentes personajes. Así fue como se transformó en Ziggy Stardust en su fase glam rock para años después acabar mutando en The Thin White Duke (el Delgado Duque Blanco) con su combinación de soul, funk y experimentación. A lo largo de grabaciones de estudio, tomas alternativas, maquetas y grabaciones en directo, asistimos en este especial a la genialidad de un artista único.Playlist:DAVID BOWIE - StarmanDAVID BOWIE - My Death (Live, Hammersmith Odeon, London, 1973)DAVID BOWIE - It Ain't EasyDAVID BOWIE - Star (aka 'Stars') (Alternative Version - Take 5)DAVID BOWIE - StarDAVID BOWIE - Hang On To Yourself (Demo)DAVID BOWIE - Hang On To Yourself (Early Ziggy Session Take)DAVID BOWIE - Hang On To Yourself (Live, BBC, 1972)DAVID BOWIE - Velvet Goldmine (Ziggy Session Outtake)DAVID BOWIE - John, I'm Only Dancing (Alternative Trident Studios Version) DAVID BOWIE - Life On Mars? (Live, Music Hall, Boston, 1972)DAVID BOWIE - The Jean Genie (Live, Santa Monica, 1972)DAVID BOWIE - Watch That ManDAVID BOWIE - Aladdin SaneDAVID BOWIE - TimeDAVID BOWIE - Let's Spend the Night TogetherDAVID BOWIE - Lady Grinning SoulDAVID BOWIE - Rock 'N' Roll Suicide ((Live, Hammersmith Odeon, London, 1973)PINK FLOYD - See Emily PlayDAVID BOWIE - See Emily PlayDAVID BOWIE - Future LegendDAVID BOWIE - Diamond DogsDAVID BOWIE - Rebel RebelDAVID BOWIE - 1984 (Live, Los Angeles, 1974)DAVID BOWIE - Knock On Wood (Live, Los Angeles, 1974)DAVID BOWIE - Sweet Thing/Candidate/Sweet Thing (Reprise) (Live, Los Angeles, 1974)DAVID BOWIE - Moonage Daydream (Live, Los Angeles, 1974)DAVID BOWIE - Young AmericansDAVID BOWIE - FameDAVID BOWIE - Golden Years DAVID BOWIE - StayDAVID BOWIE - TVC15 (Live, Nassau Coliseum, New York, 1976)Escuchar audio

In this 30 for 30 episode of Set Listing Bruce, host Jesse Jackson and special guest Terry Smith from Music Talks dive deep into Bruce Springsteen's iconic Hammersmith Odeon concert from 1975. Terry, a retired IT professional and self-professed music nerd, shares his insights into the British music scene of the '70s and the legendary reputation of this live performance. The episode discusses the context and hype surrounding Springsteen's arrival in the UK, the setlist, standout performances, and the influencing factors for the show. Get ready for a nostalgic journey through one of Bruce's most memorable concerts from a UK perspective. 00:00 Introduction and Welcome 01:10 Meet Terry Smith 02:47 Choosing the Album 03:49 The Hammersmith Odeon Performance 09:53 The British Music Scene in the 70s 14:45 Bruce Springsteen's Arrival in London 24:34 Exploring the Setlist and Performance 25:45 Bruce Springsteen's Musical Roots and Influences 27:45 Memorable Concert Moments and Fan Experiences 29:16 Analyzing Iconic Songs and Performances 30:49 The Evolution of Live Performances 31:20 Unique Concert Stories and Anecdotes 35:35 Reflecting on Bruce's Legacy and Impact 42:17 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 30 for 30 episode of Set Listing Bruce, host Jesse Jackson and special guest Terry Smith from Music Talks dive deep into Bruce Springsteen's iconic Hammersmith Odeon concert from 1975. Terry, a retired IT professional and self-professed music nerd, shares his insights into the British music scene of the '70s and the legendary reputation of this live performance. The episode discusses the context and hype surrounding Springsteen's arrival in the UK, the setlist, standout performances, and the influencing factors for the show. Get ready for a nostalgic journey through one of Bruce's most memorable concerts from a UK perspective. Musical Talks Link - https://www.musictalkspod.com/ Support the show here - buymeacoffee.com/setlustingbruce  00:00 Introduction and Welcome 01:10 Meet Terry Smith 02:47 Choosing the Album 03:49 The Hammersmith Odeon Performance 09:53 The British Music Scene in the 70s 14:45 Bruce Springsteen's Arrival in London 24:34 Exploring the Setlist and Performance 25:45 Bruce Springsteen's Musical Roots and Influences 27:45 Memorable Concert Moments and Fan Experiences 29:16 Analyzing Iconic Songs and Performances 30:49 The Evolution of Live Performances 31:20 Unique Concert Stories and Anecdotes 35:35 Reflecting on Bruce's Legacy and Impact 42:17 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

 | Artist  | Title  | Album Name  | Album Copyright  | Reverend Shawn Amos  | You're Gonna Miss Me (When I'm Home)  | Vivir En Espagna  |   | Todd Sharpville  | Stand Your Ground.mp3  | Medication Time  |   | Pat Fulgoni Blues Experience  | Everybody Wants to Go To Heaven  | Pat Fulgoni Blues Experience  | Annie Keating  | Doris  | Bristol County Tides  |   | Eric Clapton  | Singin' the Blues  | 461 Ocean Boulevard [Live at Hammersmith Odeon 4 & 5 December 1  | Taj Mahal  | Queen Bee  | Taj Mahal -Swinging Live At The Church In Tulsa  | Arthur Montana Taylor  | Lowdown Bugle (Tk 2) (rec Chicago 18/4/46)  | Montana Taylor  |   | Cripple Clarence Lofton  | Had a Dream  | Complete Recorded Works, Vol. 1 (1935-1939)  | Jeremiah Johnson  | Young And Blind  | Hi-Fi Drive By  |   | Craig Douglas  | Only Sixteen  | The Best Of British Rock 'n' Roll (Disc 1)  | Chuck Berry  | Sweet Little Sixteen  | The Blues Collection (Chuc  | Brave Rival  | Seventeen  | Fight or Flight  |   | Milwaukee and Friends feat. Stefan Steinhäuser  | Drift Away  | Crossing Borders  | 

This is a good one. Robert Plant is in amazing voice with lots of oomph. Richie Hayward (from Little Feat) is killing it on drums, Robbie Blunt is a bloody virtuoso with his emotive playing. This is December 13, 1983 at the Hammersmith Odeon, on his Principle of Moments tour. Jimmy Page had four days prior finished up with the ARMS Tour, and was aflame with renewed enthusiasm for his musical future. The energy and fun the pair are having is evident. Jimmy is playing his typical 1983/84 b-bender solo but with some crunch instead of chorus. It's an amazing moment in time. These guys did not typically get along in the 1980's. I play an incendiary Burning Down One Side, and emotive and evocative Big Log, and the showstopper, Treat Her Right with Jimmy Page. What a night.

Hosts Jim DeRogatis and Greg Kot talk with Ira Robbins, founder of Trouser Press magazine which inspired a generation of underground music writers. Plus, the hosts review new music from Billie Eilish and Shellac.--Get Exclusive NordVPN deal here → https://nordvpn.com/soundops It's risk-free with Nord's 30-day money-back guarantee!--Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9T--Featured Songs:Billie Eilish, "Skinny," Hit Me Hard and Soft, Interscope, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1966Billie Eilish, "Ocean Eyes," Don't Smile at Me, Interscope, 2017Billie Eilish, "Lunch," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Bury A Friend," When We All Fall Asleep, Where Do We Go?, Interscope, 2019Billie Eilish, "The Greatest," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Blue," Hit Me Hard and Soft, Interscope, 2024Shellac, "Scabby the Rat," To All Trains, Touch and Go, 2024Shellac, "I Don't Fear Hell," To All Trains, Touch and Go, 2024Shellac, "Tattoos," To All Trains, Touch and Go, 2024Rory Gallagher, "A Million Miles Away (Live at The San Diego Center, CA, USA 1974)," Live In San Diego '74, UMC, 2022Tucky Buzzard, "Run in the Morning," Buzzard, Purple, 1973The Who, "A Quick One, While He's Away," A Quick One, Reaction, 1966Camel, "Never Let Go (Live at Hammersmith Odeon)," A Live Record, Deram, 1978The Bonzo Doo-Dah Dog Band, "The Trouser Press," The Doughnut in Granny's Greenhouse, Liberty, 1968Carole King, "I Feel the Earth Move," Tapestry, Ode, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $1.50 a month (Get On It)https://www.patreon.com/the80smontagepodcastEpisode - 230 - "Succession In Transition from the 70's to the 80's"Links: Heart - These Dreamshttps://www.youtube.com/watch?v=41P8UxneDJEHeart - "Barracuda" (1977)https://youtu.be/PeMvMNpvB5M?si=yEUxNj_a1gxSmBdaZZ Top - Legs (Official Music Video) [HD Remaster]https://youtu.be/eUDcTLaWJuo?si=ONbBYibVoYnEkfs7ZZ Top “La Grange” on the Howard Stern Showhttps://youtu.be/yWMnxyIhCDw?si=fVOYI0L0t4ZKUzAkAbba - Lay all your love on me - 0riginal Videohttps://youtu.be/Ln-Ua2teJKw?si=t6ftIrY_OjGijaAGABBA - SOS (Official Music Video)https://youtu.be/cvChjHcABPA?si=HSNviNuW4HfJ3irzDavid Bowie - Ashes To Ashes (Official Video)David Bowie - Moonage Daydream (Live at Hammersmith Odeon, London 1973) [4K Upgrade]https://youtu.be/6pXoQ6iYO1w?si=WiCP5rjNueNZ15CQRewind 80's Band - Moonage Daydream - The Bowie Experience UK in Australia - Lawrence Bowie's Showhttps://www.thebowiexperience.co.uk/https://youtu.be/IioSt2No1dE?si=YbSJoynBOPaJxOsTFleetwood Mac - Seven Wonders (Official Music Video)https://youtu.be/9b4F_ppjnKU?si=62eg3_Vqi1BXlsGvFleetwood Mac ~ The Chain ~ Live 1979https://youtu.be/O6P2_i0Y6ms?si=u6nZpoGPNMf-dPJqQueen - Radio Ga Ga (Live Aid 1985)https://youtu.be/o-0ygW-B_gI?si=M3vlOqOCiA2kb4dnQueen - Fat Bottomed Girls (Official Video)https://youtu.be/VMnjF1O4eH0?si=-jKvJhCiPpME1SsGThe Rolling Stones - Undercover Of The Night - OFFICIAL PROMO (EXPLICIT)https://youtu.be/DVJkfXeTs9Q?si=347BIHojpXqWTrp9The Rolling Stones - Angie - OFFICIAL PROMO (Version 1)https://youtu.be/RcZn2-bGXqQ?si=vyicPdwS3KW9o1itBette Midler - Beast Of Burden (Official Music Video)https://youtu.be/zsqf-ORB37Q?si=F6kfjHFBNsEriq4hBette Midler - The Rose (HD music video 1979)https://youtu.be/jxvPjuREDpE?si=EOFioD-ttnOI5WdqKiss - Lick It Uphttps://youtu.be/Gcj34XixuYg?si=i-u7eZJA6LbgFVEOKiss - Detroit Rock City (official Video)https://youtu.be/Dz4EFziVkNE?si=7Ps0HnVIzoKv28lbElton John - Sad Songs (Say So Much)https://youtu.be/X23v5_K7cXk?si=sr_57ioxWG99sEOLElton John - Bennie and the Jets (music video)https://youtu.be/qT-vsQ41LxM?si=rJHYlEQqdXA-0hfIThanks For Listening!The 80's Montage Podcast

David Bowie ist für viele Menschen ein unglaublich inspirierender und mutiger Künstler gewesen. Er hat schon früh mit queeren Geschlechter-Rollen gespielt und mit Ziggy Stardust die Kunstfigur im Pop etabliert. Zum 50. Jubiläum sprechen wir über sein Album "Diamond Dogs". Nachdem David Bowie 1973 im Hammersmith Odeon seine eigene Kunstfigur Ziggy Stardust, mit der er eineinhalb Jahre lang live aufgetreten war, zum Schock vieler Fans zerstörte, stand Bowie vor einem Scheideweg: Wie sollte es weiter gehen? Das Ergebnis hören wir auf "Diamond Dogs". Für den Musiker, Musikjournalisten und vor allem David-Bowie-Experten Heinz Rudolf Kunze war die Zeit nach Ziggy Stardust eine ganz besondere Phase in der Karriere von David Bowie: "Die Diamond-Dogs-Phase war die vielleicht gefährlichste in Bowies Laufbahn. Ziggy ist zu den Akten gelegt. Wer oder was würde er nun werden?" Das sagte Heinz Rudolf Kunze 1985 in einer Feature-Reihe, die er für den NDR gemacht hatte. Auch nach "Diamond Dogs" gab es noch prekäre Phasen in der Karriere von David Bowie, wie Heinz Rudolf Kunze im Podcast erzählt. Die Phase von "Diamond Dogs", war für Heinz Rudolf Kunze damals so gefährlich, weil das sehr erfolgreiche Ziggy-Stardust-Konzept komplett beendet wurde und Bowie mit "Diamond Dogs" quasi vor einem Neuanfang stand, der auch hätte schief gehen können. "Das war ein "Alles oder Nichts" Promotion-Coup! Es war eine geniale, aber wenn es schief gegangen wäre, eben auch selbstmörderische Maßnahme von der Bühne herab 1973", sagt Heinz Rudolf Kunze über das plötzliche Ende von Ziggy Stardust. Glücklicherweise hat das Album "Diamond Dogs" die Karriere von David Bowie nicht beendet, sondern Bowie als Ausnahmekünstler hat sich mit diesem Album gewandelt und gleichzeitig auch an sein vorheriges Album "Aladdin Sane" angeknüpft. Und durch die Musiker, mit denen Bowie auf "Diamond Dogs" zusammengearbeitet hat, die aus unterschiedlichen Genres kamen, hat er selbst auch seine Bandbreite erweitert. Nach dem Glanz und Glamour von Ziggy Stardust kommt bei David Bowie der menschliche Abgrund, die Dystopie. Es ist ein düsterer und apokalyptischer Blick in die Zukunft. Inspiriert dazu haben David Bowie unter anderem Fritz Langs Film "Metropolis", George Orwells Klassiker "1984" und auch die Werke von William S. Borroughs. Bowie schaut auf "Diamond Dogs" in die Zukunft und sieht in seinem Song "Future Legend" verstörende Dinge. Zum Beispiel "Flöhe, die so groß wie Ratten sind und Ratten, die so groß wie Katzen sind". Definitiv kein rosiger Blick in die Zukunft. Musikalisch hat sich David Bowie auf "Diamond Dogs" sehr viel bei seinen Kollegen und Freunden bedient wie zum Beispiel auch bei der Gitarrenarbeit, die teilweise einen deutlichen Rolling Stones Stempel trägt. Mit "Diamond Dogs" hat sich David Bowie von Großbritannien auch in Richtung USA orientiert. In Großbritannien und Europa war Bowie spätestens nach seiner Ziggy Stardust Zeit ein absoluter Megastar. Die USA hingegen waren noch ein Markt, den er gerne noch erobern wollte. Deshalb erkennen wir auf seinem Album auch immer wieder musikalische Elemente von Künstlern, die in den USA bereits sehr erfolgreich waren. Einige davon kamen auch aus dem amerikanischen Funk und Soul Bereich, wie zum Beispiel von den Temptations oder auch Bill Withers. Ob das alles nun Inspiration, Diebstahl oder eine Leihgabe ist, darüber wird auch in diesem Podcast gestritten. Aber auch über die Rolling Stones hinaus hat David Bowie sich für "Diamond Dogs" an anderen Stellen musikalisch "inspirieren" lassen. Wo genau, das hören Sie im Meilensteine Podcast zu "Diamond Dogs" von David Bowie. __________ Shownotes Meilenstein-Folge zum Album "Court And Spark" von Joni Mitchell: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-joni-mitchell-court-and-spark-100.html Meilenstein-Folge zum Album "Let's Dance" von David Bowie: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-david-bowie-lets-dance-102.html Meilenstein-Folge zum Album "The Rise and Fall of Ziggy Stardust…": https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-david-bowie-the-rise-and-fall-of-ziggy-stardust-and-the-spiders-from-mars-100.html Bruce Springsteen singt "Rebel Rebel" live: https://www.youtube.com/watch?v=YYiyufw1Wqw __________ Über diese Songs vom Album "Diamond Dogs wird im Podcast gesprochen (11:40) – "Future Legend"(29:01) – "1984"(37:11) – "Rock'n'Roll With Me"(44:07) – "Sweet Thing – Candidate – Sweet Thing Reprise"(01:04:39) – "Rebel Rebel"__________ Über diese Songs wird außerdem im Podcast gesprochen (15:23) – "It's Only Rock'n'Roll (but I LIke It)" von den Rolling Stones(23:01) – "Brown Sugar" von den Rolling Stones(23:32) – "Blackstar" von David Bowie(34:57) – "Papa Was a Rolling Stone" von The Temptations(41:42) – "Lean On Me" von Bill Withers(01:00:02) – "Zion" von David Bowie(01:00:26) – "Changes" von David Bowie(01:00:59) – "Lady Madonna" von The Beatles (01:01:24) – "Negativland" von Neu!(01:07:13) – "The Last Time" von den Rolling Stones__________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Lonnie Pena and I discuss Wings at the Hammersmith Odeon - the Concert(s) for the People of Kampuchea.     Through circumstance, December 29, 1979 would end up being the final Wings concert ever.     Got to Get You Into My Life, Coming Up, Maybe I'm Amazed, Mull of Kintyre and Let It Be.    One-Two-Three-Four!

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Adam Rutherford is a scientist, writer, broadcaster and President of Humanists UK.He is a Lecturer in Biology and Society at University College London, where he teaches the history of eugenics, race science, genetics, and science communication.He is one of the UK's most well-known science communicators and in 2021 was awarded The Royal Society David Attenborough Award in recognition of his contribution to strengthening public confidence in science through radio, TV, films, talks and books, and in particular, for challenging racist pseudoscience.His BBC programmes include Start The Week, Inside Science and The Curious Cases of Rutherford and Fry. He's written several books including 'A Brief History Of Everyone Who's Ever Lived', 'How To Argue With A Racist' and 'Control: The dark history and troubling present of eugenics'.https://www.adamrutherford.com/https://www.ucl.ac.uk/biosciences/people/dr-adam-rutherfordhttps://en.wikipedia.org/wiki/Adam_Rutherfordhttps://twitter.com/AdamRutherfordhttps://www.youtube.com/live/hIIgAIB5AWw?si=Cgj0Q8DATkF2ucRdNOTES: When Adam mentions 'the Hammersmith Apollo with Brian and Robin', he's talking about an annual science, comedy and music charity event in London held at the Eventim Apollo (which depending on your age you actually refer to as the Hammersmith Odeon or the Hammersmith Apollo, rather than its current name) or at the Royal Albert Hall, hosted by Professor Brian Cox and comedian Robin Ince.Trump's Obsession with Genetic Superiority and Bloodlines https://www.youtube.com/watch?v=V6iSgqFahoMNick Bostrom's paper ‘Existential Risks: Analyzing Human Extinction Scenarios and Related Hazards' (pdf): https://nickbostrom.com/existential/risks.pdfElon Musk Is Totally Wrong About Population Collapse (paywall): https://www.wired.com/story/elon-musk-population-crisis/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada.Subscribe for free to The Cluster F Theory Podcast. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Fritz Hutchison trekked over on a January snow day and sat with me for two hours to bullshit about music and life, and I gotta tell ya' -- it was one of my favorite conversations in recent memory.I couldn't put a finger on it until several days after we recorded, but there were a number of reasons why I was -- more so than others -- looking forward to this interview. My son -- perpetually eyeing in some fashion or other my calendar of upcoming guests -- made me giggle a time or two about Fritz's upcoming date. And after an oral-surgeon appointment for both of our kids, my ex-wife helped me connect that dots that I know his dad.Neither of those mattered, though.It just turned out to be that Fritz is a charismatic dude with a great sense of humor, a wild world of knowledge in his head, and he's a pretty darn good musician, too, it turns out. It was as if the cosmos was telling me I had a good guest on the books, and Fritz -- even though I managed to just...boorishly butcher his name several times -- did not disappoint.It's Episode No. 103, and one could follow this episode's guest, were one so inclined. He's on the good ol' Instagrams, and he's got himself a handsome bandcamp page, too.Anyway, we talked life and family, musicianship and gigging, recording, and loving music. And we may've gone a skosh overboard in our heralding of Deep Purple's "Highway Star," but...what's a guy to do.During the music-loving portion of our talk, we did pause briefly from shenanigans to mention a few of Fritz's all-time-favorite albums, and those were these:Milestones (1958), Miles DavisDeep Purple's Machine Head (1972)Hammersmith Odeon, London '75 (2006), Bruce Springsteen & the E Street BandBig Thief's Two Hands (2019)Suffice to say that this was a fun one, and I hope you enjoy it as much as I did. Thank you.copyright disclaimer: I do not own the rights to the audio clips featured in this episode. They are samples from a track called "Can It All Be So Simple" by El Michels Affair, from his 2012 release, Enter the 37th Chamber, c/o Fat Beats Records.

This is a lovely low gen recording from November 25, 1988 at the Hammersmith Odeon, London, in support of Jimmy Page's Outrider album. This tour is incredible and should not be overlooked by Zep fans. Jimmy Page, John Miles, Durban LaVerde, and Jason Bonham make a tight little unit cranking out Zeppelin tunes (for the first time since 1980), Firm tunes, Death Wish 2 tunes, and even a Yardbirds tune. Best of all Jimmy was playing like it was 1973 again, with fluidity and dexterity unseen for at least a decade.

У травні колектив презентував альбом Stay Hungry і одразу ж вирушив у турне на його підтримку. 15 червня гурт зупинився в Лондоні, де вийшов на сцену палацу Hammersmith Odeon.

Jon Summers is The Motoring Historian. He was a company car thrashing, technology sales rep that turned into a fairly inept sports bike rider. Hailing from California, he collects cars and bikes built with plenty of cheap and fast, and not much reliable. On his show, he gets together with various co-hosts to talk about new and old cars, driving, motorbikes, motor racing, and motoring travel. Special Guest Dinsmore Greep! Topics Covered on this Episode: c.2010 Mercedes Sprinter 2.2 litre turbo diesel, 5 speed manual In praise of Mercedes cruise control - stalk C.2015 Mercedes Sprinter Supermarket refrigerated delivery van, automatic M beats the governor with a neutral drop Sprinter vs. VW Crafter  A fiery Sprinter and a ten mile tail back on the A38 A fiery Ford Orion A Fiat Ducato, a lost crabstick and a Cornish dry stone wall  Slayer - Die By The Sword Dukes of Hazzard in a Citroen C35 Driving 7.5 ton trucks on a car license in England; U-haul rentals in the US Mercedes 308 The white/work van “get out of the way” effect 2010 Fiat Ducato 2010 Renault Master VW Crafter, “shat nav”, and narrow Devon lanes “Floor it and get throught, that'll be the answer” “At Dagenham and Dartford” A can of beer in a Ford Transit J's brown ‘93 Ford Econoline An unintentional burnout on California Street, San Francisco Judas Priest and Steel Panther in San Jose J's bespoke fitting of a velour driver seat from the Econoline Chateaux A bachelor party LDV duallie taking up 8 parking places A Ginster's pasty Early noughties Ford Transits - fast! Gated communities of Cornwall Slayer - Spirit In Black Turning in Driveways Memories of a Rental House in Reading; an Alfa 33 on the lawn; strimming the lawn   Greep's Corsa VXR 125mph Mitsubishi M's BMW M2, Nissan 350Z and Honda CBR600RR: fettling required A sidebar on Slayer Vauxhall Cavalier SRi Peugeot 309 Gixxer and potholes M's Fiesta ST Broken Throttle body Dio at the Hammersmith Odeon and Pee in the Radiator of a Ford Sierra Fixing Overheating by running the Heater Mad Max Falcon Ronin Audi S8 Sux 6000 (Robocop)  Toyota Yaris and Corolla GR Greep experiences a Tesla BMW CE04 electric moped Revel (who have since left San Francisco) J needs 50mph, not 30mph from his e moped Music sampled on this episode:  Slayer - Altar of Sacrifice Slayer - The AntiChrist Slayer - Behind the Crooked Cross Slayer - South of Heaven Slayer - I Don't Want To Hear It Copyright Jon Summers, The Motoring Historian. This episode is part of our Motoring Podcast Network and has been republished with permission. ===== (Oo---x---oO) ===== The Motoring Podcast Network : Years of racing, wrenching and Motorsports experience brings together a top notch collection of knowledge, stories and information. #everyonehasastory #gtmbreakfix - motoringpodcast.net Check out our membership program and go VIP at: https://www.patreon.com/gtmotorsports Other cool stuff: https://www.gtmotorsports.org/links

Roger Mairlot, a retired car mechanic in his 70s, takes center stage in this episode of Seeing Them Live. Renowned for his passionate dedication to live music, Roger's story has attracted the attention of media giants like Vice News, The Guardian, and CBC Radio Canada. With an astonishing personal record of attending over 725 consecutive gigs and accomplishing the feat of attending six gigs in one night at different venues across London, Roger has become an icon in the city's live music scene. His distinctive ornate military jacket, adorned with badges, has earned him the affectionate name "The Gig Slut" from Debbie Smith of the band Blindness.Reflecting on his early music experiences, Roger shares memories of a Joan Baez concert in the 1960s, marking the beginning of his journey through London's rich music scene. The cultural and social aspects of live performances are explored, emphasizing the intimate connection between the audience and the artists. Roger's passion for live music goes beyond attendance; he meticulously documents gig timings and schedules in "The Book of Bands," showcasing his dedication to discovering new bands and genres.The conversation delves into Roger's connection to the Mod Culture, influenced by bands like The Who and The Kinks, and explores his experiences in London's music scene during the 1970s. Notable bands from that era, including Canned Heat and Queen, are mentioned, while Roger reflects on the changing music landscape in the '70s.Roger's transition to retirement in the early 2000s allowed for greater flexibility in attending gigs, leading to a revival of his interest in live music. Charles and Roger discuss the impact of Mod Culture, Roger's favorite band, The Kinks, and his experiences seeing iconic artists like Jimi Hendrix. Roger's signature look, the guard's jacket, is born out of his paper rounds, which he took on to finance his gigging passion during his early waking hours.The episode delves into Roger's mad gigging phase, discussing his gigging routine, how he justified spending money on gigs through his paper round earnings, and the development of detailed schedules for nightly gig adventures. The conversation also touches on Roger's extensive guard's jacket collection and the experiences he had wearing them.In 2014, Roger pushed the limits by attending six gigs in one night, facing challenges in managing multiple venues and early start times. The episode explores Roger's criteria for choosing gigs, post-pandemic changes in the gig scene, and the decline in fan attendance. Despite the challenges, Roger emphasizes the importance of enjoying a gig and shares his diverse taste in music, spanning genres from jazz to chamber rock.BANDS: Adam Ant, Blindness, Blue Crime, Canned Heat, Color TV, Cream, Fleetwood Mac, Jimmy Hendrix, Joan Baez, Ogunquit, The Breeders, The Kinks, The Libertines, The Palpitations, The WhoVENUES: 100 Club, Camden (general reference to the area), Pure Groove, Rough Trade, Royal Festival Hall, Sculpture of St. James, The Clarendon Hotel, The Dublin Castle, The George Robey, The Hammersmith Odeon, The Hope and Anchor, The Kings Head, The Kursal, The Lock Tavern, The Marquee Club, The Monarch, The Old Blue Last, The Purple Turtle, The Roundhouse.More information including photos and links available at https://www.SeeingThemLive.com. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Derrick Morgan - Moon Hop Talking Heads - Moon Rocks @TalkingHeadsNet Thomas Truax - Full Moon Over Wowtown @thomastruax Lunachicks - Drop Dead @_lunachicks The Rolling Stones - Child Of The Moon @RollingStones Captain Beefheart & His Magic Band – Moonchild Chelsea Wolfe - Iron Moon Fields of the Nephilim - Moonchild @FOTNofficial Bauhaus - Who Killed Mr. Moonlight Nick Cave & the Bad Seeds - Jesus of the Moon @nickcave Can - Full Moon on the Highway David Bowie - Moonage Daydream (Live at Hammersmith Odeon, London 1973) Radiohead - Ful Stop @radiohead REM - Man On The Moon @remhq Colourbox - The Moon Is Blue Adem - You And Moon @ademadem John Maus - Hey Moon Nick Drake - Pink Moon Luna - This Time Around Goat - Union of Sun and Moon Moon Duo - Fever Night @moonduo Chris Carter - Moon Two @chris_carter_ Björk - Moon @bjork Andy Bell & Masal - The Slight Unease Of Seeing A Crescent Moon In Blue Midday Sky @Andybebop @masalbanduk @soniccathedral James Holden - Thunder Moon Gathering @mrjamesholden Szun Waves - In The Moon House @SzunWaves The Orb - Back Side Of The Moon @Orbinfo Terry Riley - Descending Moonshine Dervishes

Влітку того року майже одночасно з виходом альбому Countdown to Extinction гурт вирушив у тривале турне на його підтримку. Лише європейська його фаза триватиме до кінця жовтня. А 30 вересня на гурт чекав легендарний лондонський Hammersmith Odeon.

On this episode of The Paul Weller Fan Podcast, I am joined by the award-winning stand-up comedian, broadcaster and podcaster, Ian Stone. A huge fan of The Jam and Paul Weller since discovering the band in 1977 via John Peel's late night show on Radio One, Ian published his first book in 2020 – To Be Someone – a memoir about one teenager's obsession with The Jam…Paul Weller commented “I really liked this book. I'd forgotten how shit it was in the seventies”…We dive into his memory band from hearing that first single to attending live concerts and soundchecks and that specia the connection with the music, the lyrics and the look of the band...In May 1977, The Jam made their mark on the music scene with the release of their debut single, In The City. However, in the midst of this musical revolution, Britain was grappling with widespread discontent, and young Ian Stone's household was no exception. A fourteen-year-old navigating the challenges of school, witnessing Arsenal's dismal football performances, and enduring his parents' crumbling marriage, Ian's life seemed far from idyllic. Beyond his personal struggles, the nation was grappling with its own demons - racial tensions, violence, inner-city riots, police scandals, rising unemployment, and the looming threat of terrorism.But in 1978, one fateful evening would change Ian's life forever. The Jam took the stage at London's Music Machine, igniting an electrifying atmosphere with their iconic sound. As they launched into ninety minutes of unforgettable pop tunes, Ian's world was transformed. The sheer exhilaration of that moment eclipsed anything he had ever experienced.To Be Someone is a vivid account of the five years Ian spent captivated by his obsession with The Jam. He took on weekend jobs to fund his gig attendance, embarked on daring escapades like sneaking onto the roof of the Hammersmith Odeon, and narrowly escaped eviction from a Brighton hotel, only to be saved by none other than Paul Weller himself, who invited Ian and his friends back into the bar.Above all, the book serves as a heartfelt tribute to the band that guided Ian, and countless others, through the tumultuous landscape of Britain in the late 1970s and early 1980s. When Paul Weller eventually announced The Jam's breakup, Ian was left devastated. Yet, for him and the legions who embarked on that transformative five-year journey, their enduring love for the band remains unwavering.To Be Someone captures not only the spirit of a generation but also the indelible impact of The Jam's music on the lives of its ardent fans during a pivotal era in British history. Hosted on Acast. See acast.com/privacy for more information.

This week, G3 welcomes Jordi Visser on the podcast to get his latest thinking on recession hand-wringing that just won't go away, whether China can get out of its doldrums and the impact of healthcare on the U.S. economy. Last but not least, Jordi and G3 discuss Bruce Springsteen and the role his music has played for both of them.Please check important disclosures at the end of the podcast.Timestamps:Does Jordi's latest webinar indicate he is getting more bullish? [4:40]What do the ISM trends indicate about the likelihood of a recession? [8:06]What indicators in the Chinese market should market participants be watching? [10:24]What are the impacts of AI, interest rates and bankruptcy on business formation? [12:40]What negative surprises does Jordi think could impact his no recession theory? [19:39]Resources:September Insights: Jordi's Market Forecast [VIDEO]US healthcare's role in the broader economy (McKinsey & Co.)“Thunder Road,” Live at the Hammersmith Odeon (1975)Disclosures: This podcast and associated content (collectively, the “Post”) are provided to you by Weiss Multi-Strategy Advisers LLC (“Weiss”). The views expressed in the Post are for informational purposes only and are subject to change without notice. Information in this Post has been developed internally and is based on market conditions as of the date of the recording from sources believed to be reliable. Nothing in this Post should be construed as investment, legal, tax, or other advice and should not be viewed as a recommendation to purchase or sell any security or adopt any investment strategy. Past performance is no guarantee of future results. You should consult your own advisers regarding business, legal, tax, or other matters concerning investments. Any health-related information shared on the podcast is not intended as medical advice or for use in self-diagnosis or treatment. Please consult a qualified healthcare professional before acting upon any health-related information on the podcast. Weiss has no control over information at any external site hyperlinked in this Post. Weiss makes no representation concerning and is not responsible for the quality, content, nature, or reliability of any hyperlinked site and has included hyperlinks only as a convenience. The inclusion of any external hyperlink does not imply any endorsement, investigation, verification, or ongoing monitoring by Weiss of any information in any hyperlinked site. In no event shall Weiss be responsible for your use of a hyperlinked site. This is not intended to be an offer or solicitation of any security. Please visit www.gweiss.com to review related disclosures and learn more about Weiss.

A curated playlist of Neil Finn performance highlights and curiosities featured in the 240 podcast so far. The tracks have been lightly mastered by Chris for consistency in volume and dynamics given the original audio tracks come from a wide range sources. Enjoy. 1 Only talking sense - (Neil Finn, Fang Radio 2020) 2 There goes god - (Crowded House, Maxwell Coffee House Sessions, New York 1991) 3 Mean to me - (Finn Brothers Homebake Festival Sydney 2005) 4 White lies & alibis - (Neil Finn, KCRW, Los Angeles 2013) 5 Suffer never - (Finn Brothers, Double Door Chicago 1998) 6 Hole in the river/st theresa (Neil Finn, Largo, Los Angeles 2000) 7 Now we're getting somewhere - (Neil Finn, Fang Radio 2021) 8 Start of something (Crowded House, Auckland Soundcheck 2021) 9 Whats the matter with you (Split Enz, Hammersmith Odeon, London 1980) 10 Last one standing - (Neil Finn, Meter sessions, Hilversum 1998) 11 Black and white boy - (Crowded House, Wembly Arena, London 2007) 12 Not fade away - (Crowded House, Hanwerk FM 1986) 13 Tokyo - (Neil Finn, New York City 1998) 14 Chocolate Cake - (Finn Brothers,  Hamburg 1995) 15 Pour le monde/never be the same (Crowded House - Atlanta 2007) 16 I got you (Neil Finn, KTCZ Minneapolis 1998) 17 Don't dream it's over - (Crowded House Madison 1987) 18 The Burglar song (Neil Finn, Lalaalive, Holland 1998)You can significantly support the continuation of the 240 podcast for a donation of just a couple dollars per month. This goes directly towards covering the podcast hosting fees. Big thank yous if you are in a position to help. Head over here to: http://patreon.com/240neilfinn

In this episode we dive into the story behind the debut album by the New Wave of British Heavy Metal's Schizoid Sons of Satan themselves Venom. ‘…a band that was heavier and more over the top than anything anyone had ever seen or heard before, more Satanic than Black Sabbath, louder than Motörhead, with a pyrotechnic show to rival Kiss, and with even more leather and studs than Judas Priest, the ultimate ingredients for the Ultimate Metal Band.'Venom never compromised. Venom played up the Satanic angle and never apologized. They cut their own path and by doing so spawned not just one genre but multiple genres. Heavy music in the 21st century is different if Venom didn't happen. The blueprint this band would follow to the legendary status of metal immortals is all right here on Welcome to Hell. Not many bands can say that about their debut album.Featuring mentions of, Mantas, Abbadon, Judas Priest, Guillotine, Newcastle, Cronos, Alan Winston, Impulse Studios, Neat Records, Katriona Gilmour, Leeds Music Scene, Marshall amps, Geoff Barnes, Jesus Christ, Steve Thompson, Baphomet, METALLICA, Hammersmith Odeon, Rolling Stone, Norwegian Black Metal Sauces https://www.rollingstone.com/music/music-lists/the-100-greatest-metal-albums-of-all-time http://www.venomslegions.com/biography/venom-biog.htm https://feralhouse.com/wp/wp-content/uploads/2013/11/Black-Metal_excerpt.pdf 

David Bowie retired his alter-ego Ziggy Stardust live on stage at London's Hammersmith Odeon on 3rd July, 1973. To the surprise of most of his band, the Spiders From Mars, he announced to a devastated crowd that the gig was “the last show we'll ever do.”  Bowie's management company had plans to take Ziggy on an international tour, but being Ziggy Stardust had taken a mental and physical toll on the singer. “I really did want it all to come to an end,” he wrote in Moonage Daydream.  In this episode, Arion, Rebecca and Olly explain how a ‘fake' Lou Reed influenced Bowie to create the character of Ziggy; discover how, for a while, his fans were called ‘the Uglies' and his genre ‘freakrock'; and reveal how this iconic rockstar felt ‘hopelessly lost' in his own fantasy… Further Reading: • ‘Looking back on David Bowie's most legendary gig: The death of Ziggy Stardust' (London Evening Standard, 2019): https://www.standard.co.uk/culture/music/david-bowie-death-ziggy-stardust-hammersmith-odeon-a4034746.html • ‘How David Bowie killed off Ziggy Stardust' (Far Out Magazine, 2021): https://faroutmagazine.co.uk/how-david-bowie-killed-ziggy-stardust/ • ‘David Bowie – Ziggy Stardust' (Live, 1973): https://www.youtube.com/watch?v=Fq8gG3pzMrU&list=PLNJirx02I6P72KTv5oJPSF-kkagLgfJWr&index=3 #Music #70s #UK #LGBT Love the show? Join 

On this episode of The Paul Weller Fan Podcast, I am joined by Scottish author, David F. Ross.David is an architect by day, and a hilarious social-media commentator, author and enabler by night. His debut novel The Last Days of Disco inspired by The Jam's 1979 classic album - Setting Sons - became an international best-seller in 2015..."The Jam were my first favourite band, and you never really forget your first love."We learn all about his discovery of The Jam in the late 1970s, and the influences and connections that remain in play to this day. The thrill of live performance being one example. David has seen Paul Weller on stage in one incarnation or another on close to thirty occasions. His very first gig was seeing the band when he was fifteen at Glasgow Apollo on 8th December 1979 - and he went on to see them live at Newcastle City Hall, Hammersmith Odeon, and even The Magnum in Irvine!....The lyrics and words that Paul used in those songs that still mean so much to David and so many others to this day. An example being "That's Entertainment" - a song that David has described as "The greatest song in the English language. Paul Weller captured much of that humdrum, everyday boredom of teenage life in Thatcher's Britain in The Jam songs of the late 70s and early 80s. It's a brilliant evocation of those times, and I can identify absolutely with every line."David's own writing owes an embryonic debt to Paul Weller, and to Setting Sons in particular. "I find that complex blend of youthful working-class hope coming apart at the seams of adult and mid-life pressures very relatable. It's a powerful canvas on which to play out dramatic ideas about people and relationships, and one I return to regularly."The Style Council... pop innovation...Paul, Mick, Dee, Steve and the music created with honorary councillors a plenty also meant so much to David in the 1980s to now. A connection formed through the great songs again but also the image, the fashion, the sophistication, their core values, and, of course, the more overtly political approach to the lyrics... the power of words once again..."...The Style Council weren't given the credit for pop innovation and chameleon diversity that the songs deserved, especially those on those first two scintillating LPs."David saw TSC on numerous occasions live including the very last night of the Glasgow Apollo, 16th June, 1985. (and in Manchester the night before - because "why not?")."Still sounding essential and indispensable...As you would expect, Paul Weller's solo years have been, and continue to be a huge influence on David - both personally and in his career as an author. Writing a fabulous blog on Paul's 2023 Hamburg gig he remarked... "In the early 90s, at the dawning of Weller's solo career, it happened again. Marriage, kids, emerging personal and professional responsibilities; all relatable touchstones beginning to work their way into his lyrics just as they became catalysts for my own altered priorities." Hosted on Acast. See acast.com/privacy for more information.

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Legendary NWOBHM disc-jockey Neal Kay, who was an important factor in the rise of the new wave of British heavy metal (NWOBHM), along with Tommy Vance, in the late 1970s and early 1980s, joins us on The Loaded Radio Podcast Between 1975 and 1980, Neal managed the rock club known as "The Bandwagon Heavy Metal Soundhouse", which catered to the burgeoning genre that we know today as heavy metal. With help from the music papers of the day, "Sounds" and "Melody Maker", Neal established the venue as the location for new upcoming bands and like minded fans of the heavy metal genre. Band demo tapes started to arrive in droves after a two-page article in "Sounds", penned by journalist Geoff Barton. Kay had one of the biggest club sound systems ever seen at the time, being an 8000 watt PA, comprising mainly JBL/Martin speakers and coach built JPS associates amps. The PA was so loud that the mixing desk was "flown" on chains, suspended from the roof to help avoid feedback from the record decks. Kay would often be found at massive heavy metal gigs at venues like the Rainbow Theatre and Hammersmith Odeon, and would eventually hit the road with such iconic acts as BLACK SABBATH, RUSH, AC/DC, JUDAS PRIEST and countless others. Neal was he first high level touring rock DJ of his time. Kay would also assist in arranging and producing demos of new heavy metal bands, recorded at Spaceward Studios in Cambridge. Amongst these acts were SAXON, PRAYING MANTIS and IRON MAIDEN. He championed these and other acts, and went on to tour with those bands on full UK treks. The resulting popularity of IRON MAIDEN's recording led to a record contract for them with EMI. Several other NWOBHM bands also got contracts due to their Soundhouse demos. Kay worked with EMI Records compiling many of these demos onto an album called "Metal for Muthas", of which several volumes were released. In 1980, he was the MC for the very first Monsters of Rock Festival, at Castle Donnington, headlined by RAINBOW, SCORPIONS and JUDAS PRIEST. Kay was also a band manager in the 1980s and early 1990s. During that same period, Neal also managed a large studio complex in South London called Samurai Studios, where he also learned the art of live sound engineering. Neal, who is retired now, talks with us about the beginnings of heavy metal, his absolute dislike of punk, his relationship with the bands of the era and much more in part 1 of our talk with him on this week's edition of THE LOADED RADIO PODCAST. Tune in via the player below or wherever you get your podcasts.

//主播 Ricky Brad Dylan //题图&文案 Ricky Hello 大家好 这一期我们来聊聊David Bowie， 这期内容从离谱电台出生前已经在构思，但即使到录音的此时此刻，我们仍然感觉对这个人没有十足的把握。 本以为有很多想要输出，但在shownotes里我们决定不去用任何词语去描述，形容，定义他作为任何一种被我们熟知的身份。 最后想引用在他逝世后的巡回展览的标题：DAVID BOWIE IS ... 剩下的所有可能性，都交给大家来填写。 离谱电台的第16期，送给16年辞世的David Bowie。 //歌曲 Songs Intro Let's Dance - David Bowie (Let's Dance, 1983) 02:28 Rebel Rebel - David Bowie (Diamond Dogs, 1974) 07:46 China Girl - David Bowie (Let's Dance, 1983) 11:09 Ziggy Stardust - David Bowie (The Rise and Fall of Ziggy Stardust and the Spider from Mars, 1972) 15:50 Life on Mars - David Bowie (Hunky Dory, 1971) 21:37 Come and Buy my Toys - David Bowie (David Bowie, 1967) 24:14 Space Oddity - David Bowie (Space Oddity, 1969) 32:54 Moonage Daydream - David Bowie (The Rise and Fall of Ziggy Stardust and the Spider from Mars, 1972) 43:59 Starman - David Bowie (The Rise and Fall of Ziggy Stardust and the Spider from Mars, 1972) 54:29 Five Years - David Bowie (The Rise and Fall of Ziggy Stardust and the Spider from Mars, 1972) 01:02:40 Oh! You Pretty Things (Hunky Dory, 1971) 01:09:12 Farewell Speech/Rock 'n' Roll Suicide - David Bowie (Live at Hammersmith Odeon, 3rd July, 1973) 01:16:23 Changes - David Bowie (Hunky Dory, 1971) 01:23:53 All the Young Dudes - David Bowie (Legacy, 2016) 01:29:44 Warszawa - David Bowie (Low, 1977) 01:32:26 V-2 Schneider - David Bowie ("Heros", 1977) 01:38:05 Dancing in the Streets - David Bowie & Mick Jagger (EP, 1985) 01:41:24 Under Pressure - Queen & Annie Lennox & David Bowie (Live at Wembley 20th April, 1992) 01:51:42 Imagine - David Bowie (Live at the Coliseum, Hong Kong, 8th December 1983) Enjoy. 欢迎扫码添加小助手进群 XD 我们推荐大家使用包括苹果播客Apple Podcast, 小宇宙，Spotify等在内的泛用型播客应用订阅收听我们的节目，我们也会陆续上线其他平台。大家同样可以通过搜索或者编辑-URL添加节目-粘贴我们的RSS链接来添加。也欢迎大家订阅我们的微信公众号lipuoutoftune，在各个平台给我们留言，和我们交流。 RSS feed: https://outoftune.typlog.io/episodes/feed.xml //联系方式 Contact: 微博：离谱OutOfTune 微信公众号：离谱OutOfTune (lipuoutoftune) 邮箱：lipu.outoftune@gmail.com Later.

Gabby Logan presents a range of popular BBC sports programmes and hosts high-profile sporting events including the Olympics, Premiership football and the World Cup. Gabby was born in Leeds and her father Terry Yorath is a former footballer and manager who played for Leeds United and for the Welsh national team. As a young girl she was a rhythmic gymnast and represented Wales in the Commonwealth Games in 1990. She retired from the sport the following year after struggling with severe back pain. In 1996 she joined Sky Sports as a presenter, moving to ITV two years later where she became one of the first female sports anchors to break into terrestrial television and the first woman to host the channel's football coverage. Gabby joined the BBC in 2007 where she has presented Final Score, Inside Sport and Match of the Day. She also co-presents the BBC Sports Personality of the Year awards show. In 2021 Gabby was awarded an MBE for services to sports broadcasting and the promotion of women in sport. Gabby is married to the former rugby union player Kenny Logan and they have two children. DISC ONE: Abide With Me by Emeli Sandé DISC TWO: Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell DISC THREE: Summertime by Ella Fitzgerald and Louis Armstrong DISC FOUR: Going Home: Theme Of The Local Hero (Live at Hammersmith Odeon, 1983) by Dire Straits DISC FIVE: Daniel by Elton John DISC SIX: Belter by Gerry Cinnamon DISC SEVEN: As by George Michael & Mary J. Blige DISC EIGHT: You Got the Love by The Source, featuring Candi Staton BOOK CHOICE: Every Ruddy Word by Alan Partridge LUXURY ITEM: A piano CASTAWAY'S FAVOURITE: You Got the Love by The Source, featuring Candi Staton Presenter Lauren Laverne Producer Paula McGinley

Cats In Space - Greg Hart : Now Spinning Magazine Podcast Greg Hart is the guitarist and main writer with UK Rock band Cats in Space The band are currently on tour promoting their new album 'KickStart The Sun' This is an exciting interview from an exciting band. Each of their albums has built on the one before and this latest one is a true classic. This is music to make you feel good, punch the air and re-string your air guitar...and the vocals...wow! If you are new to the band you might hear elements of Queen, ELO, Cheap Trick, Styx, Kansas, Pilot, 10cc, Robbie Williams, Uriah Heep, New England, Supertramp, City Boy, 70s disco synths and a lot of Musical Theatre… CATS in SPACE have caused quite a stir since landing in 2015. With their unique sounds they will transport you back to the days of 70s Classic Rock. Think loud guitars, walls of soaring multi tracked vocal harmonies, grandiose pianos, and huge singable choruses. It's purr-fect! Touring with legendary rock giants Deep Purple, Status Quo & Thunder playing UK arenas, plus Hyde Park with Phil Collins and Blondie the Cats have gained an ever growing army of faithful fans, gaining incredible live reviews along the way. From humble beginnings to Hammersmith Odeon, Hyde Park and the London 02 Arena it is just part of the amazing journey for these Cats so far... For more information on Cats in Space click here Thank you for all your support Phil Aston | Now Spinning Magazine

RHLSTP Book Club 29 - To Be Someone - To Be Someone is a freewheeling account of the five years Ian spent in the grip of obsession. He took weekend jobs so he could go to gigs; he tried to sneak into the Hammersmith Odeon and ended up stuck on the roof; he was on the point of being thrown out of a Brighton hotel when Paul Weller himself intervened and invited him and his mates back into the bar.Buy To Be Someone here https://www.amazon.co.uk/Be-Someone-Stone-Ian/dp/1800180845SUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch mit Tom. Wir reden über deutsche Klischees in besetzten Häusern in Friedrichshain, sofort seine Gitarre verkaufen, 2 Stunden gut bezahlte Clown-Arbeit, crazy Typen bei Top of the Pops 1977, Queens "Flash Gordon" und Musical Youths LP, von Metal zu Punk, Musik durch John Peel mal wieder, Friday Rock Show, Schuluniformen, eine 7" von Generic für 2 Pfund, Magnum im Hammersmith Odeon, Faith No More mit Prong im Vorprogramm, Krawall um Conflict, der Konzerte wegen nach Leeds, Fanta mit Schuss im Studentenwohnheim, das Howling Mad Fanzine, Squats vs. Jugendzentren, die erste Banderfahrungen, endlos Bands unterschiedlichster Genres, Sneds Adressbuch, etwas Trauer um mixed bills, Citizen´s Arrest in 2022, potentielle Reunions, ein Folksong übers Spazierengehen, Gedanken zum Auswandern, eine Gitarre mit Techno-Aufklebern, der Sündenpfuhl Bovenden, wer nirgendwo reinpasst kommt nach Berlin, der wilde Westen Lichtenberg, zurück in die englische Provinz, 150km am Stück laufen, Vergleiche zwischen DIY-HC und Laufen, durch Hardcore/Punk gelernte Werte in der Beziehung, Chapman´s Fine Foods, full english breakfast in vegan, Risotto mit Champignons, Weird Walks Magazine, uvm.

Ladies and Gentlemen, the golden age of rock and roll... Brad Elvis and Chloe Orwell (The Handcuffs, Big Hello) call in from Chicago for a rollicking discussion of Mott the Hoople's banging 1974 release - and lead vocalist Ian Hunter's swan song with them - 'The Hoople' Songs featured in this episode: Lost in the Supermarket - The Clash; Roll Away The Stone (Live at the Hammersmith Odeon, London 1973) - Mott the Hoople; She Ain't No Fluffer, I'm Happy Just To Dream With You - The Handcuffs; All the Young Dudes (Live at Rockpalast, 1980) - Ian Hunter and Mick Ronson; Changes - David Bowie; Now's The Time - Charlie Parker; Saturday Night (High 'n' Dry) - Def Leppard; Death May Be Your Santa Claus, All The Young Dudes, The Golden Age of Rock 'n' Roll - Mott the Hoople; The Jean Genie - David Bowie; Whole Lotta Shakin' Goin' On - Jerry Lee Lewis; All The Way From Memphis (Live, 1974), Marionette, Alice, Crash Street Kids - Mott the Hoople; Now I'm Here - Queen; Be My Lover - Alice Cooper; Shout It Out Loud - Kiss; Born Late '58 - Mott the Hoople; Christine Sixteen - Kiss; Trudi's Song - Mott the Hoople; Walk on the Wild Side - Lou Reed; Pearl 'n' Roy (England), Through The Looking Glass, Roll Away The Stone - Mott the Hoople; Big Fat Mouth - The Handcuffs

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 134: PRIDE MONTH!! A Celebration of the Gayties - Featuring Nygel Andrewartha; aka Zowie Knox!  It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band: www.rewind80sband.com Facebook: the80smontagepodcast twitter: 80_montage instagram: the80smontage Links from Episode 134: PRIDE MONTH!! A Celebration of the Gayties - Featuring Nygel Andrewartha; aka Zowie Knox!Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: Featuring Nygel Andrewartha - @zowieknox - Insta handle  Nygels Art address on his Instagram.https://www.instagram.com/zowieknox/?hl=enRELAX - Frankie Goes To Hollywood - Relax (Laser Version)https://www.youtube.com/watch?v=rCp2h5jslKYDownload the Best of Frankie Goes To Hollywood album on iTunes : http://apple.co/29Iy3HXBuy their album on Amazon :  http://amzn.to/29An0TSListen to the album on Spotify : http://spoti.fi/29BNxwwMARILYN · You Don't Love Me (1984)You Don't Love Me" from the album "Despite Straight Lines" (June 21, 1985) · Re-Released as "Despite Straight Lines: The Very Best Of Marilyn" (November 14, 2008) · Composed by Peter Robinson · Produced by Clive Langer and Alan WinstanleyAdditional Resources ...http://marilyn.forumotion.comhttp://www.facebook.com/pages/MARILYN...http://www.myspace.com/mazinthemiCulture Club - Melting Pot (live)Video taken from a concert in TVE studios, Madrid in November 1983.Audio taken from a concert in Hammersmith Odeon, London December 1983.https://www.youtube.com/watch?v=ErodZr-E6kASamantha Fox - Touch Me (I Want Your Body)Samantha Fox - Touch Me (I Want Your Body) [Official Video]https://www.youtube.com/watch?v=W1btg3mpEOcListen on Spotify: http://smarturl.it/SamFoxGH_SpotifyBuy on iTunes: http://smarturl.it/SamFoxGH_iTunesAmazon: http://smarturl.it/SamFoxGH_AmazonFollow Samantha FoxWebsite: http://samfox.com/Facebook: https://www.facebook.com/Samantha-Fox...Twitter: https://twitter.com/samfoxcomInstagram: https://www.instagram.com/samanthafox...Soft Cell - Sex Dwarf [DJK VIDEO]https://www.youtube.com/watch?v=X5-TRnZxIsk #softcell#sexdwarf#80sGeorge Michael - Father Figure (Official Video)https://www.youtube.com/watch?v=m_9hfHvQSNoGeorge Michael - Father Figure (Official Video)Listen on Spotify - http://smarturl.it/Greatest_HitsListen on Apple Music - http://smarturl.it/GeorgeEssentialsAmazon - http://smarturl.it/GeorgeLWP_Amazon‘Listen without Prejudice/MTV Unplugged' – OUT NOW. Listen on Spotify here http://smarturl.it/GMFreedomSpotand get the album herehttp://smarturl.it/LWPGMFollow George MichaelMusic updates - http://www.listen-georgemichael.com #georgemichaelOfficial website - http://www.georgemichael.comFacebook - https://www.facebook.com/georgemichael/Twitter - https://twitter.com/GeorgeMOfficialInstagram - https://www.instagram.com/georgemoffi...Crimson and Clover - Joan Jetthttps://www.youtube.com/watch?v=cXFra7gjElw. #joanjettPurchase on iTunes: http://itunes.apple.com/us/album/joan...#DavidBowie #ModernLove #LetsDanceDavid Bowie - Modern Love (Official Video)https://www.youtube.com/watch?v=HivQqTtiHVwMelissa Etheridge - Bring Me Some Water (Live)https://www.youtube.com/watch?v=oIvXUNp8HtUMusic video by Melissa Etheridge performing Bring Me Some Water. (C) 1988 The Island Def Jam Music Group, a Division of UMG Recordings, Inc.Freddie Mercury - Love Kills (Official Video) #freddiemercuryhttps://www.youtube.com/watch?v=c3X6KtQ7nxQ'Metropolis' was originally produced in 1926 by Fritz Lang in Germany. Against his wishes, the film was subsequently shortened for it's American release which left the story disjointed, difficult to comprehend and caused the loss of many scenes, most of which were thought to be lost forever. In 1983, Giorgio Moroder bought the rights of the film and restored and produced the 80-minute 1984 re-release.The update was to include contemporary rock music, with contributions from the likes of Freddie Mercury, Pat Benatar, Bonnie Tyler, and Jon Anderson. Thanks to Kurgan100 from QueenZone.http://QueenPoland.WordPress.com/#BronskiBeat #SmalltownBoy #TheAgeOfConsentBronski Beat - Smalltown Boy (Official Video)https://www.youtube.com/watch?v=88sARuFu-tcTaken from the album “The Age of Consent” released in 1984Listen to “Smalltown Boy”: https://BronskiBeat.lnk.to/SmalltownBoyDead Or Alive - Something in My HousDead Or Alive - Something in My Houseehttps://www.youtube.com/watch?v=0ZKNzs35GP8Dead Or Alive - Something In My House (Official Video)Listen on Spotify - http://smarturl.it/DeadOrAlive_SpotifyListen on Apple Music - http://smarturl.it/DeadOrAlive_AppleMusAmazon - http://smarturl.it/DeadOrAlive_AmazonElton John - I'm Still Standinghttps://www.youtube.com/watch?v=ZHwVBirqD2sThe video for "I'm Still Standing" was directed by Russell Mulcahy and filmed in Cannes and Nice, France. It is the second single from Elton's 1983 album Too Low For Zero, which reunited Elton with his classic band of the 1970s.Explore the music of Elton John: https://eltonjohn.lnk.to/essentialsIDWatch more Elton videos: https://EltonJohn.lnk.to/WatchMoreSubscribe to Elton channel: http://bit.ly/EltonYTSubscribeAbout Elton John: Welcome to the official Elton John channel. Subscribe today for a vast video collection of music videos, iconic live performances, exclusive interviews, behind the scenes content and playlists to explore Elton's musical legacy in-depth.Follow Elton John on...Facebook: https://eltonjohn.lnk.to/facebookYTTwitter: https://eltonjohn.lnk.to/twitterYTInstagram: https://eltonjohn.lnk.to/instaYTOfficial Website: https://EltonJohn.lnk.to/WebsiteOfficialJoin the Rocket Club newsletter: https://EltonJohn.lnk.to/RocketClubMusic video by Elton John performing I'm Still Standing. (C) 1983 Mercury Records LimitedOUR VERY OWN - SAMMY Supersonic Lover -https://www.youtube.com/watch?v=edpn7u_jfcohttps://www.youtube.com/watch?v=Zzmw_i2zufo&list=OLAK5uy_kSjGMvhUbzTlUHCZ7N_P3sGbzjXi-btgoSupersonic Lover · Sammy Paul℗ 2016 Energise Records LtdReleased on: 2016-06-23----------TO COME!!----------------Thanks For Listening!

Hace exactamente 50 años, el 16 de junio de 1972, se lanzó el álbum que cambió para siempre la trayectoria musical de David Bowie, el disco con el que se convirtió en una rock star y con el que definió uno de los momentos más talentosos y creativos de su carrera y, a la par, de la música del siglo XX. Recreamos “The rise and fall of Ziggy Stardust and the Spiders from Mars” alternando cortes del disco con demos, versiones previas, versiones originales, rarezas de estudio o tomas en directo. Playlist; (sintonía) DAVID BOWIE “Ziggy Stardust” (demo) DAVID BOWIE “Five years” (del álbum Ziggy Stardust) DAVID BOWIE “Soul love” (del álbum Ziggy Stardust) ARNOLD CORNS “Moonage daydream” (single, 1971) ARNOLD CORNS “Hang on to yourself” (single, 1971) DAVID BOWIE “Starman” (del álbum Ziggy Stardust) DAVID BOWIE “It ain’t easy” (del álbum Ziggy Stardust) Versión y Original; RON DAVIES “It ain’t easy” (single, 1970) DAVID BOWIE “Lady Stardust” (demo) DAVID BOWIE “Star” (del álbum Ziggy Stardust) DAVID BOWIE “Round and round” (toma de estudio) DAVID BOWIE “Sweet head (descarte de estudio)” DAVID BOWIE “Sufragette City” (live at Hammersmith Odeon, Londres, Julio 1973) DAVID BOWIE “Rock’n’Roll suicide” (del álbum Ziggy Stardust) DAVID BOWIE “Velvet goldmine” (descarte de estudio) Escuchar audio

The long-awaited, highly-anticipated, and critically-acclaimed Max Creeps album “Nein” has finally arrived! And we're celebrating its release with an exclusive interview with the most influential punk rock band in history! Max Blastic and PC Bullshit of Max Creeps share their unbelievable story from their first meeting at David Bowie's 1973 concert at the Hammersmith Odeon to their time on a working cattle boat to their unfortunate falling out and ultimate break-up. They discuss the circumstances that led to their reunion, their songwriting process, how they feel about bands like The Clash, the Sex Pistols, and the Germs stealing their song ideas back in the day, why they don't consider “Nein” their debut album, and how it feels to have influenced everyone from Slash to Green Day's Billie Joe Armstrong to Henry Rollins and Fozzy.Purchase Max Creeps "Nein" album - https://shop.maxcreeps.com/Max Creeps on Night Flight - Tune in at 11PM ET on NFTV http://nightflightplus.com/signup

Det här är en berättelse om en av musikhistoriens giganter, som genom att ständigt byta skepnad lyckas hålla sig relevant under ett halvt sekel. Det är tisdagen den 3 juli 1973 på Hammersmith Odeon i London. Efter ett osannolikt framgångsrikt år ska glamrockaren David Bowie och hans band The Spiders from Mars avsluta The Ziggy Stardust Tour på hemmaplan. Ladies and gentlemen, straight from their fantastically successful world tour, including the United States of America, Japan. Now in his home country. For the last time, David Bowie.I rollen som den utomjordiska rockstjärnan Ziggy Stardust har den bleka engelsmannen på rekordtid gått från att vara en anonym kämpande musiker till att bli en hypad kultfigur. Hans röda hockeyfrilla, tajta urringade jumpsuits och sminkade ögon lämnar få oberörda.Ingen tycks riktigt förstå var Ziggy börjar och David slutar, men frågan är om det spelar någon roll. Som Ziggy har David tagit världen med storm.Den färgsprakande sångaren hinner med en rad klädbyten under kvällen och när det börjar närma sig slutet bär han en svart genomskinlig meshtopp, byxor med röda paljetter på rumpan och glittriga örhängen. Men det är varken Ziggys outfits eller framförandet av låtarna som kommer att göra just den här konserten historisk.Inför det sista extranumret kliver David fram till mikrofonen och det han säger härnäst chockar både publiken och hans bandmedlemmar. Of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it's the last show that we'll ever do. Thank you.Förvirringen i publikhavet är stor när David börjar spela låten Rock N Roll Suicide. Menar han att han lägger av med musiken helt, har bandet fått sparken och vad kommer att hända nu?P3 Musikdokumentär om David Bowie är berättelsen om en artist som ständigt lyckades återuppfinna sig själv, men också en historia om rockstjärnelivets baksidor.Medverkande: Morgan Skarin och Katarina Persson.Programmet är gjort av Joanna Korbutiak i början av 2022.  Producent var Hanna Frelin. Exekutiv producent Lars Truedsson. Slutmixen är gjord av Fredrik Nilsson. P3 Musikdokumentär görs av produktionsbolaget Tredje Statsmakten Media.Ljudklippen i dokumentären kommer från dokumentärfilmerna Ziggy Stardust and the Spiders from Mars (1979) och Rock Wives (1996), intervjuer med Canadian Broadcasting Corporation (1977), Stina Dabrowski i SVT (1987), 7.30 Report från Australiensiska ABC Television (2004), MTV (1976) och BBC's Tonight programme (1964). BBC News (2013 och 2016), Sky Nes (2013), Channel 4 (2013), filmen 2001: A Space Oddyssey och månlandningen.

Hey folks. Today's episode covers track four from Damn The Torpedoes, Shadow of a Doubt (A Complex Kid).If you want to listen to the song before you listen to the episode, you can find it here: https://youtu.be/xPwHYkVnLCICheck out this fantastic live version, recorded on March 6th, 1980 at the legendary Hammersmith Odeon in London: https://youtu.be/_WW-1Fn7NZQIn the episode, I reminded you that you can donate to humanitarian aid relief efforts in Ukiraine. If you are able help, financially, the Red Cross is coordinating a large-scale effort which you can contribute to by visiting their website here: https://donate.redcross.ca/page/100227/donate/1Don't forget to follow us on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including theme song provided by Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/ Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

Hey folks. Today's episode covers the fantastic third track from Damn The Torpedoes, Even The Losers. If you want to listen to the song before you listen to the episode, you can find it here: https://youtu.be/5Ue4_MWwKY8Check out this fantastic live version, recorded on March 6th, 1980 at the legendary Hammersmith Odeon in London: https://youtu.be/_WW-1Fn7NZQIn the episode, I briefly talked about the current crisis in Ukraine. If you are able, financially, to help at all, the Red Cross is coordinating a large-scale aid effort which you can contribute to by visiting their website here: https://donate.redcross.ca/page/100227/donate/1Don't forget to follow us on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwSupport this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

Hey folks! We're back for season two and I'm happy to be moving onto the second album, You're Gonna Get It. Today's episide looks at the lead track from that album, When the Time Comes.If you want to listen to the song before you listen to the episode, you can find it here: https://youtu.be/ykCmB_ZlI68 I mentioned a slight similarity that I hear to Eight Miles High by The Byrds, which you can find here: https://youtu.be/J74ttSR8lEg and also mentioned a live version from March 7th, 1980, recorded at the Hammersmith Odeon in London. The song was part of the encore that night and you can find that version here: https://youtu.be/0GRh_d2-uToDon't forget to follow us on social media:FB: https://www.facebook.com/thetompettyprojectTW: https://twitter.com/TomPettyProjectIG: https://www.instagram.com/thetompettyproject/Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.