Podcast appearances and mentions of Maya Beiser

Greetings! I treated this episode of PTE as if I were filling in required words needed to complete a Mad Libs, a word game that might be categorized as a phrasal template game. In order to create today's playlist, the compositions required the inclusion of an acoustic instrument & a non-instrument such as electronics, tape, digital delay, computer, etc.  Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Blue Sky: https://bsky.app/profile/envpusher1.bsky.social      2-8-25 PTE Playlist: - Mad Libs: acoustic instrument & non-instrument    Kagemusha: for pipa and electronics - Ningxin Zhang - Musicworks #148 - Musicworks (2024) https://www.musicworks.ca/winners-2023-musicworks-electronic-music-composition    Dialogue I for voice and live electronics (2021) - improvisation by Kate Soper & Sam Pluta - The Understanding of All Things - New Focus Recordings (2022) https://newfocusrecordings.bandcamp.com/album/the-understanding-of-all-things   Toccata for percussion and tape - percussion: Beverley Johnston / composer: Gary Kulesha - Alternate Currents - Centredisques (1992) https://beverleyjohnston.com/    Talkback IV for piano and computer - piano: Kathleen Suppove / composer-electronics: Guy Barash - Eye To Ivory - Starkland (2019) https://starkland.org/catalog/st233/    Coeur d'Orr for clarinet and two-channel tape, sculptor  Eric Orr - clarinet: Daniel Goode / tape - composer: Harold Budd - Frog Peak Music (2002) https://frogpeak.org/fpartists/fpgoode.html    Lonesome Dove - a true story, micro-opera for tenor saxophonist, watcher & portable darkness - tenor saxophone: Geoff Landman / watcher: Umber Qureshi / composer: Richard Cameron-Wolfe - Passionate Geometries - New Focus Recordings (2024) https://newfocusrecordings.bandcamp.com/album/passionate-geometries    Another Shore for celesta and digital delay - celesta and digital delay: Philip Schroeder - Cold Blue Two (an original anthology) - Cold Blue Music (2012) https://coldbluemusic.bandcamp.com/album/cold-blue-two-an-original-anthology    Heroin arranged by David Lang for cello, voice & electronics - cello: Maya Beiser / composer: Lou Reed - tranceclassical - Innova (2016) https://www.innova.mu/albums/maya-beiser/tranceclassical    Violin Phase (1967) for violin and pre-recorded tape - violin: Shem Guibbory / composer: Steve Reich - From The Kitchen Archives No. 2: Steve Reich & Musicians, Live 1977 - Orange Mountain Music (2005) https://stevereich.com/composition/violin-phase/    Music for Player Piano (and computer) - James Tenney - Selected Works 1961-1969 - New World Records (2003) https://www.newworldrecords.org/collections/james-tenney/products/james-tenney-selected-works-1961-1969    Lowland Side (excerpt) - M.C. Schmidt - Batu Malablab Suite for Prepared Piano, Flute and Electronics - digital release (2014) https://matmos.bandcamp.com/album/batu-malablab-suite-for-prepared-piano-flute-and-electronics 

Greetings! By the time you hear this, I'll have already returned from my 2 week jaunt to the wilds of Alaska, but I couldn't resist the episode's title focused on compositions for cello and derived, NOT from the 2012 film I've never seen, OR Phil Collins' second solo album from 1982, BUT the 1930 classic Marx Brothers film, "Animal Crackers"!   That being said, I digress.  Enjoy a panoply of cello stylings from the finest cellists and composers of our times. Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://x.com/envpusher1    6-1-24 PTE Playlist: "Cello, I Must Be Going!"   Orange and yellow II - cellos:  Dan Barrett / Stanislav Orlavsky / composer: Dominique Lemaître - De l'espace trouver la fin et le milieu (of space finding the end and the middle): Dan Barrett plays Dominique Lemaître - New Focus Recordings (2020) https://www.newfocusrecordings.com/catalogue/de-lespace-trouver-la-fin-et-le-milieu-dan-barrett-plays-dominique-lemaitre/    Cello and Orchestra - cello: Robert Cohen / New World Symphony, conducted by Michael Tilson Thomas / composer: Morton Feldman - Coptic Light - Argo (1998)   Miles Per Hour / Bones - Lung - Let It Be Gone - Romanus Records (2022) https://lunglunglung.bandcamp.com/album/let-it-be-gone    Nomos Alpha - cello: Pierre Strauch / composer: Iannis Xenakis - Various Works - Erato (1992) https://www.researchcatalogue.net/view/686273/686433     Night Music - cello: Eric Kutz / composer: Robert Gibson - Flux and Fire - Innova (2018) https://www.innova.mu/albums/robert-gibson/flux-and-fire    Descent Into Shame - Cellista - Élégie - Soundtrack to the Stage Poem (for static trapeze, silent film, and cello) - digital album (2024) https://cellista.bandcamp.com/track/descent-into-shame    Hellhound - cello: Maya Beiser / composer: David T. Little - tranceclassical - Innova (2016) https://www.innova.mu/albums/maya-beiser/tranceclassical    Batzal - Erik Friedlander - Grains of Paradise - Tzadik (2001) https://www.tzadik.com/index.php?catalog=7154    BABEL(maya)—f(f(1)): I. PortRait_8,**NYC10  BABEL(maya)—f(f(1)): V. PortRaitS_10&11,**NYC2012 - Pat Muchmore - BABEL: fragments - Innova (2016) https://www.innova.mu/albums/pat-muchmore/babel-fragments    Not Alone - cello & electronics: Seth Parker Woods / composer: George Lewis - The Recombinant Trilogy - New Focus Recordings (2021) https://newfocusrecordings.bandcamp.com/album/the-recombinant-trilogy 

Ir Teisučio Makačino akademinė kūryba, ir Dainiaus Pulausko trio albumas, ir violončelininkė Maya Beiser, kuri primena apie Terry Riley kūrinio „In C“ jubiliejų, ir nenurimstantis gitaristas Billas Frisellas, ir Pärtas, Yujos Wang Vienos rečitalis ir dar daug džiazo bei klasikos leidybinių naujienų „Kitame laike“.Ved. Domantas Razauskas

We update our tally of the year's best contenders with the effervescent Bombay Bicycle Club, Residente's epic and profound "313," cellist Maya Beiser's take on Terry Riley's "In C" and more.Alt.Latino's Anamaria Sayre and NPR Music's Tom Huizenga join host Robin HiltonFeatured Artists And Songs:1. Bombay Bicycle Club: "Willow (feat. Lucy Rose)," from 'Fantasies'2. Ela Taubert: "Como Paso" (single)3. Jlin: "Sodalite (feat. Kronos Quartet)," from 'Akoma'4. Maya Hawke: "Missing Out," from 'Chaos Angel'5. Residente: "313" from 'LAS LETRAS YA NO IMPORTAN'6. Maya Beiser: "In C," from 'Maya Beiser x Terry Riley: In C'Questions, comments, feedback? Email us: allsongs@npr.orgListen to the show sponsorship-free and support public radio with NPR Music +.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For this album, James Newton Howard created eight suites that are piano-centric and include new and original material. Pianist Jean-Yves Thibaudet performs throughout the recording. Violinist Hilary Hahn recreates her contributions to the soundtrack recording of the score for The Village, and cellist Maya Beiser reprises her performance of “An Event” from The Happening soundtrack. Gavin Greenaway conducts the orchestra and chorus in Howard's new arrangements.TRACKLIST:1. Signs: The Cornfield2. Signs: After You Were Born3. Signs: Hand of Fate4. The Village: Morning5. The Village: Noah Visits6. The Village: Ivy Saves Lucius7. The Sixth Sense: Lonely Boy8. The Sixth Sense: Ghost in the House9. The Sixth Sense: Acceptance10. Lady in the Water: Prologue11. Lady in the Water: Charades12. Lady in the Water: Story13. Lady in the Water: Return to the Blue World14. Unbreakable: Survivor15. Unbreakable: Destiny16. The Last Airbender17. The Happening: An Event18. The Happening: Harbinger19. The Happening: Aftermath20. After Earth21. Flow Like Water [piano solo version, from The Last Airbender]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

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Maya Beiser – InfInIte Bach: J.S. Bach's Six Cello Suites (Islandia Music Records) Jump to giveaway form New Classical Tracks - Maya Beiser by “I'll never forget. I think I was 10. My father said, ‘Maya, you have to decide: It's Carnegie Hall or Wimbledon,'” cellist Maya Beiser says, “And I remember telling him, ‘I don't think it's going to be Wimbledon, so why don't we do Carnegie Hall?'”Beiser did not disappoint her father. She has performed at Carnegie Hall many times over the years. She admits her father wasn't all that keen on the crazy contemporary music for which she's best known. However, he would have loved her latest recording, which is why she dedicated it to him. It's called Infinite Bach,' and it features the composer's famous cello suites.“The earliest musical memory that I have is of Bach, specifically the Bach cello suites,” she says. “I grew up in the northern part of Israel, in the Galilee, at a time where there was constant threat of war. And we spent actually a lot of time in shelters during my early childhood. I grew up in a commune. It was called a kibbutz.“And my father would always just listen to music. He bought this old recording of Pablo Casals performing the cello suites, and that is the earliest memory of my childhood, is the pleasure of just listening to that music in my parents' little house. It was the sense of safety and the connection that music always had for love.“I never thought I was going to record the Bach suites, because I always felt that there were enough recordings out there. There were wonderful cellists who have already done that, and I felt that I had a different mission. I'm 60 now. So it was kind of a big, momentous moment. For years, I had to juggle being a mother and a partner and all these things, and then the pandemic. During that time, my partner and I found this house in the Berkshires. We just fell in love with that place because it was inspiring. It had this separate converted barn; it just had the most incredible acoustics.“The first day I was there, I just took my cello and I sat in the middle of this empty space and just started to play the Bach suites. I all of a sudden realized that this is what I want to do for the next year. I imagined the cello as this sort of giant organ that takes over, and I wanted to create all these different reverbs and delays, but without any artificial electronics.  I wanted everything to be acoustic.”You say in your liner notes that some believe the suites bear a whisper of Bach's wife. Why did you include this?“All my teachers were men; all my mentors were men. And they always told me, you need to listen to Pablo Casals and Rostropovich and Pierre Fournier. I can give you the list. They were all older men. There was no model of how a woman would think of this music.“There are people who claim that Anna Magdalena, Bach's wife, was actually the one who wrote the suites. And whether it's true or not, the idea intrigued me. So I just liked to think about it as if I'm presenting a feminine Bach.” Maya Beiser: InfInIte Bach (Official Music Video) Water, The Prelude in D minorTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.GiveawayMaya Beiser New Classical Tracks GiveawayYou must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules.ResourcesMaya Beiser – Infinite Bach: J.S. Bach's Six Cello Suites (Islandia Music Records)Maya Beiser – Infinite Bach: J.S. Bach's Six Cello Suites (Amazon)Maya Beiser (official site)

#883 - Maya Beiser The Maya Beiser Interview is featured on The Paul Leslie Hour. Are you here? It's not because I'm being nosy that I ask, “Are you here?,” but rather its about manners. I want to first welcome you and secondly thank you for being here? Okay? Okay. Good. Welcome. What we have for you today is our interview with Maya Beiser.  Maya Beiser is one of the most renowned concert cellists, who has released several albums including one in particular entitled “Uncovered,” featuring songs by Pink Floyd, Led Zeppelin, AC/DC, Nirvana and more.   In this interview from our vast archives, Maya Beiser talks with Paul Edward Leslie about her roots growing up in Israel as the daughter of an Argentinian man and a French woman, plus her musical side. They get into the album “Uncovered,” a bit. Hey, would you consider…kindly consider subscribing to Paul Leslie's YouTube channel? That would be super. Thank you in advance if you can do it. And with that I see no reason to delay our interview with the lovely Maya Beiser.

Modern music specialist Maya Beiser (cellist, producer, multi-media artist and more) records — for the first time — one of the pinnacles of the cello repertoire, the Bach Solo Cello Suites. But, Maya's rendition has a bit of a twist, in that it's being released with different sound profiles, based on the space where it was recorded (in this case, a barn in the Berkshires of Massachusetts). Maya Beiser joins us to talk about the music found on her new album Infinite Bach.

Modern music specialist Maya Beiser (cellist, producer, multi-media artist and more) records — for the first time — one of the pinnacles of the cello repertoire, the Bach Solo Cello Suites. But, Maya's rendition has a bit of a twist, in that it's being released with different sound profiles, based on the space where it was recorded (in this case, a barn in the Berkshires of Massachusetts). Maya Beiser joins us to talk about the music found on her new album Infinite Bach.

Cellist and producer Maya Beiser will release her new album “InfInIte Bach” on May 26. Her first recording of the complete Solo Cello Suites of Johann Sebastian Bach, “InfInIte Bach,” Beiser made this album in her converted barn in the Berkshires in Massachusetts, recording the Suites while exploring the varying frequencies and resonances of the room, in order to create layers of sound acoustically.

Mournful...plaintive...melancholy...somber...sonorous...resonant: the cello is all this and more — a compact, versatile string orchestra in one instrument, with a four-octave range that comes fully alive in the dark days of autumn. On this transmission of Hearts of Space, an autumn journey featuring the plangent tones of the cello, on a program called "CELLO ELEGIES 2." Music is by DAVID DARLING, HANS CHRISTIAN, MAYA BEISER, BLACK TAPE for a BLUE GIRL, ERALDO BERNOCCHI & HOSHIKO YAMANE, JESSE AHMANN, MAX RICHTER, and MARCELLO DE FRANCISCI. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Maya Beiser (g. 1963), viena iš garsaus niujorkiečių ansamblio „Bang On A Can All Stars" steigėjų ir dalyvių, kaip solistė renkasi minimalistinius ir roko kompozitorių kūrinius, dažnai persmelktus etninės muzikos citatomis.Laidos autoriai Šarūnas Nakas ir Mindaugas Urbaitis

Synopsis The year 2000 marked both the arrival of a new millennium and the 250th anniversary of the death of the great German Baroque composer Johann Sebastian Bach. The International Bach Academy in Stuttgart decided to mark the occasion by commissioning four very different composers to write four new passion settings, one each after the Gospel accounts of the evangelists, Matthew, Mark, Luke, and John. A German composer, Wolfgang Rihm, was chosen for the St. Luke Passion; a Russian, Sofia Gubaidulina for St. John's; an Argentine, Osvaldo Golijov for St. Mark's; and a Chinese composer, Tan Dun, for the Passion according to St. Matthew. And on today's date in 2000, Helmuth Rilling conducted the world premiere of Tan Dun's “Water Passion after St. Matthew.” Tan said he was struck by the references to water in St. Matthew's gospel, so his setting includes seventeen large, illuminated bowls of water, positioned on stage in the form of a cross. These divide the chorus, with three percussionists and a group of additional soloists stationed at the four points of this cross. In Tan's “Water Passion,” natural sounds of water mix with a wide range of vocal techniques, including Tuvan throat singing and the stylized virtuosity of Peking Opera. Music Played in Today's Program Tan Dun (b. 1957) – Water Passion (Stephen Bryant, bass; Mark O'Connor, violin; ensemble; Tan Dun, cond.) Sony 89927 On This Day Births 1841 - Czech composer Antonin Dvorák, in Nelahozeves; 1894 - Dutch composer Willem Pijper, in Zeist; 1933 - American composer Eric Salzman, in New York City; 1934 - British composer Sir Peter Maxwell Davies (whose last name, despite its spelling, is pronounced "Davis" by the British); 1934 - Canadian composer Srul Irving Glick, in Toronto; Deaths 1613 - Italian nobleman, composer, lutenist, and murderer (of his first wife and her lover) Don Carlo Gesualdo, age c. 53, at his castle in Gesualdo; 1949 - German composer and conductor Richard Strauss, age 85, in Garmisch-Partenkirchen; 1991 - American composer Alex North, age 80, in Pacific Palisades, Calif.; Premieres 1961 - Earle Brown: "Available Forms I" for 18 players, in Darmstadt; 1971 - Bernstein: gala premiere "Mass (A Theater Piece)" at the inauguration of the John F. Kennedy Center in Washington, D.C., choreographed by Alvin Ainley, directed by Gordon Davidson, and conducted by Maurice Peress (Bernstein shared a box section with members of the Kennedy family, including Senator Ted Kennedy and his mother, Rose; Jacqueline Kennedy Onasis did not attend this performance); A dress rehearsal performances of this new work was also open to the public and specially-invited members of Congress the preceding day; 1975 - Paul Chihara: "Ceremony V (Symphony in Celebration)," in Houston; 1994 - Michael Torke: "Javelin," by the Atlanta Symphony, Yoel Levi conducting; 1995 - Lou Harrison: "New First Suite for Strings," in Majorca, by the Stuttgart Symphony, Dennis Russell Davies conductin; 2000 - Tan Dun: "Water Passion after St. Matthew," in Stuttgart (Germany), with vocal soloists Elizabeth Keusch and Stephen Bryant, violinist Mark O'Connor, cellist Maya Beiser, and percussionist David Cossin, and the orchestra of the Bach Academy conducted by the composer; This work was one of four passion settings commissioned by the International Bach Academy to honor the 250th anniversary of Bach's death in the year 2000 (see also: Aug. 29 Sept 1 5). Links and Resources On Tan Dun More on Tan Dun

Lois Reitzes speaks with cellist Maya Beiser about her new album, Maya Beiser x Philip Glass. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On Saturday, July 24 at 7p.m., cellist, arranger, and producer Maya Beiser will be joined with a group of all-star cellists in a sold-out concert to perform Maya Beiser x Philip Glass at Hudson Hall in Hudson, New York. Drawn from her latest album (which was recorded at Hudson Hall in the winter of 2021), the immersive performance brings together an astounding group of avant-garde cellists to create a multi-layered sound sculpture, exploring and unveiling new dimensions in some of Philip Glass's most powerful and achingly beautiful works. Maya's solo album, "Maya Beiser x Philip Glass," came out on her Islandia Music Records label today!

Kas paskatino pasaulį susidomėti britišku džiazu ir kur dabartinės britų džiazo scenos šaknys? Atsakymas naujame „Decca“ kompanijos rinkinyje, kuris imasi tyrinėti 1965-1972 metų Didžiosios Britanijos džiazo vyksmą. Kokie naujausi jaunų pianistų virtuozų darbai? Atsakymas korėjietės Sonyos Bach ir kino Moye Cheno albumuose, kuriuose jaunuoliai drąsiai imasi techniškai sudėtingiausių kūrinių fortepijonui. Kaip skambėtų Philipas Glassas transkribuotas violončelei? Atsakymas amerikietės Maya Beiser leidinyje, skirtame šiam kompozitoriui minimalistui. Na ir pagaliau, kuo hinduistinės ritualinės mantros gali būti panašios į gospelo giesmes? Atsakymas legendinės Alice Coltrane iki šiol neviešintame albume. Visi klausimai ir atsakymai – „Kitame laike“, skirtame muzikinėms leidybinėms naujienoms.Ved. Domantas Razauskas

  The track, "I Will Not Be Sad In This World", is one of the most beautiful recordings ever made. It is hard not to be sad, however, upon hearing the news of the passing of Djivan Gasparyan.    I will forever be grateful to him for introducing me to the wonderful sounds of the duduk, an Armenian double reed woodwind instrument made of apricot wood. Despite it's single-octave range, Gasparyan was able to coax a wide range of emotion from the duduk.   This mix is a tribute to Djivan's wonderful music. It is by no means comprehensive, it's a collection of excellent tracks that I already had in my library. Most are solo tracks with a few collabs with Michael Brook. And one stunning cover - Maya Beiser performing "Memories" on the cello.   Thanks again, Djivan Gasparyan, for your legacy of great music.     T R A C K L I S T : 00:00    Djivan Gasparyan - I will not be sad in this world 06:10    Djivan Gasparyan & Michael Brook- Immigrant Song  12:17    Djivan Gasparyan - Holy Holy Armenian Orthodox 16:22    Erkan Ogur & Djivan Gasparyan - Fuad 22:41    Maya Beiser - Memories 29:20    Djivan Gasparyan - Nazeli 33:48    Djivan Gasparyan & Michael Brook- Chiarescuroed 36:45    Djivan Gasparyan - Male Folk Dance 42:33    Djivan Gasparyan & Michael Brook - Fallen Star 47:15    Djivan Gasparyan - In Foreign Lands 52:08    Djivan Gasparyan - A Cool Wind is Blowing 55:47    end  

This INTERPLAY features cellist Maya Beiser. Passionately forging her artistic path through uncharted territories, Maya Beiser has been captivating audiences worldwide, bringing a bold and unorthodox presence to contemporary classical music, experimenting with various musical styles, and defying conventional norms with her boundary-crossing performances. There is simply no one like the unique and captivating Maya Beiser, an extraordinary musician and world force for good. www.michaelshapiro.com www.mayabeiser.com

Lois V Vierk.   Vandaag aandacht voor de Amerikaanse componiste Lois V Vierk (1951). Zij werd onder meer beïnvloed door gagaku-muziek, traditionele muziek van de keizerlijke hoven in Japan. In deze aflevering daarom zowel composities van Vierk als gagaku-muziek.   1 – Lois V Vierk. Red shift. Maya Beiser, cello. Mark Stewart, elektrische gitaar. Steven […]

Dave Cook, long-time audio engineer and owner of Area 52 Studios joins your two favorite weekend warriors today with stories, advice, and more. Dave shares how he "accidentally" wound up engineering "Love Shack" as well as Nick Cave and The Bad Seeds, what rules Bernard Purdie laid down (before he laid down the grooves!), how he started his road career with Carly Simon, and more. Dave also brings decades of advice to help guide us all with our live streaming setups, discussing different ways of getting that pristine sound, as well as that not-so-pristine sound... depending upon what you're after! Listen, along with your hosts Paul Kent and Dave Hamilton, as Dave Cook weaves all these stories and tips together for you all. Press play and enjoy! 00:00:00 Gig Gab 258 - Monday, June 1, 2020 00:02:28 Dave Cook from Area 52 Studios Accidentally Engineering Love Shack 00:10:38 Anyone ever tell you what to do? 00:15:00 Bernard Purdie, “The Front Head Does Not Come Off My Bass Drum!”  00:18:01 Advice for Streaming Use Headphones Don’t sit in a room with hard surfaces Get a microphone that’s better than your computer mic Maya Beiser, Cellist Soundflower Blackhole Virtual Audio Cable 00:29:00 Clap Your Hands and Let Your Ears Tell You 00:31:20 Recreating that Club Vibe 00:36:49 Starting your road career … with Carly Simon 00:39:15 A $9,000 Mistake 00:45:51 Todd Rundgren’s Royalty-Bought Home 00:48:05 Mixing In the Studio for the Smithereens 00:49:38 Recording Henry’s Dream… at Dreamland Studios 00:53:47 GG 258 Visit Area-52-Studios.com area52sound@gmail.com Bonus: Fling's newest track, "Kicked In The Nuts"

Everyone is familiar with MIT and the university's reputation as a serious force in the world of science, tech, and research, but how many are aware of MIT's legacy in the arts? Did you know that MIT's founder had envisioned incorporating the arts from the very beginning?In this episode we speak with Leila Kinney and Evan Ziporyn of MIT's Center for Art, Science, and Technology (CAST) about MIT's culture of creativity and exploration, the institution's mission to humanize science and tech, and the exciting projects that have emerged from CAST, like Tomás Saraceno's Arachnid Orchestra.-About Leila Kinney-Leila W. Kinney is the Executive Director of Arts Initiatives and of the MIT Center for Art, Science & Technology (CAST), working with Associate Provost Philip S. Khoury, the School of Architecture and Planning (SA+P), the School of Humanities, Arts, and Social Sciences (SHASS), the Creative Arts Council, the Council for the Arts at MIT, the MIT List Visual Arts Center, and the MIT Museum, to advance the arts at MIT in the areas of strategic planning, cross-school collaborations, communications and resource development.Kinney is an art historian with experience in both SA+P, where she was on the faculty in the History, Theory and Criticism section of the Department of Architecture (HTC) and SHASS, where she taught in the Program in Women’s Studies and in Comparative Media Studies. She specializes in modern art, with an emphasis on media in transition, arts institutions and artists’ engagement with mass culture. She is a member of the Executive Committee of a2ru (Alliance for the Arts in Research Universities) and of the Advisory Committees of the Catalyst Collaborative at MIT, the MIT List Visual Arts Center and the MIT Museum.-About Evan Ziporyn-Evan Ziporyn makes music at the crossroads between genres and cultures, and between East and West. He studied at the Eastman School of Music, Yale University, and UC Berkeley with Joseph Schwantner, Martin Bresnick, and Gerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah, Colin McPhee’s 1930s musical informant. He returned on a Fulbright in 1987.Earlier that year, he performed a clarinet solo at the First Bang on a Can Marathon in New York. His involvement with Bang on a Can continued for twenty five years. In 1992, he co-founded the Bang on a Can All-stars (Musical America’s 2005 Ensemble of the Year), with whom he toured the globe and premiered over one hundred commissioned works, collaborating with Nik Bartsch, Iva Bittova, Don Byron, Ornette Coleman, Brian Eno, Philip Glass, Meredith Monk, Thurston Moore, Terry Riley, and Tan Dun. He co-produced their seminal 1996 recording of Brian Eno’s “Music for Airports,” as well as their most recent CD, “Big Beautiful Dark & Scary” (2012).Ziporyn joined the MIT faculty in 1990, founding Gamelan Galak Tika in 1993, and beginning a series of groundbreaking compositions for gamelan & Western instruments. These include three evening-length works, 2001’s “ShadowBang,” 2004’s “Oedipus Rex” (Robert Woodruff, director), and 2009’s “A House in Bali,” an opera which joins Western singers with Balinese traditional performers, and the Bang on a Can All-stars with a full gamelan. It received its world premiere in Bali that summer and its New York premiere at BAM Next Wave in October 2010.As a clarinetist, Ziporyn recorded the definitive version of Steve Reich’s multi-clarinet “New York Counterpoint” in 1996, sharing in that ensemble’s Grammy in 1998. In 2001, his solo clarinet CD, “This is Not A Clarinet,” made Top Ten lists across the country. His compositions have been commissioned by Yo-Yo Ma’s Silk Road, Kronos Quartet, American Composers Orchestra, Maya Beiser, So Percussion, Wu Man, and the Boston Modern Orchestra Project, with whom he recorded his most recent CD, “Big Grenadilla/Mumbai” (2012). His honors include awards from the Massachusetts Cultural Council (2011); The Herb Alpert Foundation (2011); USA Artists Walker Fellowship (2007); MIT’s Gyorgy Kepes Prize (2006); the American Academy of Arts and Letters Goddard Lieberson Fellowship (2004); as well as commissions from Meet the Composer/Commissioning Music USA and the Rockefeller MAP Fund. Recordings of his works have been been released on Cantaloupe, Sony Classical, New Albion, New World, Koch, Naxos, Innova, and CRI.He is Kenan Sahin Distinguished Professor of Music at MIT. He also serves as Head of Music and Theater Arts, and in 2012 was appointed inaugural Director of MIT’s Center for Art Science & Technology. He lives in Lexington, Massachusetts, with Christine Southworth, and has two children, Leonardo (19) and Ava (12).-About MIT CAST-The MIT Center for Art, Science & Technology (CAST) creates new opportunities for art, science and technology to thrive as interrelated, mutually informing modes of exploration, knowledge and discovery. CAST’s multidisciplinary platform presents performing and visual arts programs, supports research projects for artists working with science and engineering labs, and sponsors symposia, classes, workshops, design studios, lectures and publications. The Center is funded in part by a generous grant from the Andrew W. Mellon Foundation.

It's our new segment with Hancher's Public Engagment Assistant: Atticus. A Little Bit About an Artist is his take on what you should know about upcoming performers visiting Hancher. In this particular segment he discusses Maya Beiser and Laurie Lewis and the Right Hands.

In this week's episode of Music For Life, Music From DePauw...Orlando Cela, '97Choir director Kristina Boerger comes in to tell us about a divine choir concert...with the string chamber music class about to give its semester-end performance, Anna talks to a piano trio that's getting ready to knock our socks off...picking up from last week, we present the conclusion of my conversation with Green Guest Artist Maya Beiser...and we have a special visit with 1997 DePauw graduate, flutist and conductor Orlando Cela, back on campus with a pair of performances and some stellar advice for our 21st Century Musicians! SOURCES From a concert of March 15, 2015, Kristina Boerger leads first the DePauw University Chorus in a performance of Cesar Alejandro Carrillo's "Ave Maria," and then the DePauw Chamber Singers, with soloist Sara Blanton, in a performance of Stephen Chatman's "Prairie Lullaby" and "Chickadee." From the Faculty Select Series concert of April 8, 2015, School of Music Alumnus flutist Orlando Cela performs Eric Chasalow's "Over the Edge." From their concert of March 16, 2015, the DePauw Faculty Woodwind Ensemble (Anne Reynolds, Flute; Leonid Sirotkin, Oboe; Randy Salman, Clarinet; Kara Stolle, Bassoon; Robert Danforth, Horn; and student Daniel Hickey, Bass Clarinet) perform the third and fourth movements from Leos Janacek's "Mladi." From their concert of March 8, 2015, the DePauw University Band, under the direction of Craig Paré, perform Ralph Vaughan-Williams' "Toccata Marziale."

In this episode of Music For Life, Music From DePauw...Maya BeiserMatt Skiba catches up with some of the winners of our annual Concerto Competition, whose concert is right around the corner...Anna Gatdula chats with some students about our next Green Guest Artists concert —the Indianapolis Symphony Orchestra with guest pianist Alice Sara Ott...I welcome back our former dean, professor Amy Lynn Barber, for a concert honoring her years of service to DePauw featuring former students and colleagues...and we present the first part of a wide ranging interview with Green Guest Artist Maya Beiser, who shared a wealth of good advice with our 21st Century Musicians during her visit to DePauw! SOURCES From the "Percussive Celebration" honoring Professor Amy Barber, here are cellist Ruth Marshall and percussionists Amy Lynn Barber, Dave Dwinell, Heather Sloan, and Bonnie Whiting performing the third movement, "Dying like the soft breath of butterflies," from the piece "Dueling with time, bartering for minutes of existence," composed by Carlos Carillo Cotto.From the Student Recital Hour of Wednesday, March 18th, 2015, DePauw alum Josiah Rushing performs "Loops IV," by Phillipe Hurel.From the Student Recital Hour of Wednesday, March 18th, 2015, DePauw alum Patrick Speranza performs "She Who Sleeps with a Small Blanket," by Kevin Volans.

In this episode of Music For Life, Music From DePauw...Maya Beiserchoir director Kristina Boerger fills us in on what our choral ensembles are bringing us in their upcoming concert... Hannah talks to three of our students who had the opportunity to be coached by visiting composer Roberto Sierra... Anna chats with Elleka Okerstrom and Dan Hickey about what's happening with the Fifth House residency this week... piano faculty member Darcy McCoy comes in to invite us to her solo recital of Spanish and Latin American music... and cello professor Eric Edberg talks with me about our next Green Guest Artist, the phenomenal Maya Beiser! SOURCES From the chamber music concert of our Music of the 21st Century festival featuring guest composer Roberto Sierra, Darcy McCoy performs Sierra's piece Toccata. From our student recital hour of March 4th, 2015, saxophonist Spencer Schillerstrom and pianist Nicholas Reynolds perform two movements from John Williams' piece "Escapades," "Reflections" and "Closing In." From her CD "World to Come," Maya Beiser performs John Tavener's "Lament to Phaedra." From their performance of March 4th, 2015, the DePauw University Jazz Band, under the direction of Steve Snyder, performs Frank Mantooth's "Angelika."

Cellist Maya Beiser has created a wonderful new record. Todd Steed talks to her about that and much more. This is the full and unedited interview. To hear the music we played during the program...BUY IT!

Today on The Gist, cellist Maya Beiser tells us how her rebellious streak led her out of the classical concert hall and into the arms of classic rock. Her new album is called Uncovered. Also, political scientist Jay Ulfelder explains his efforts to quantify all the trouble in the world. For the Spiel, how the phrase “I have yet to meet the person … ” works as an indicator of ignorance. Get The Gist by email as soon as it’s available: slate.com/GistEmail Subscribe to the podcast in iTunes: itunes.apple.com/us/podcast/slate…id873667927?mt=2 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're featuring cellist Maya Beiser‘s latest CD with composer and pianist Michael Harrison, Time Loops. Hosted by Seth Boustead Produced by Jesse McQuarters Michael Harrison: Just Ancient Loops, I Harrison: Time Loops Bach/Gounod: Ave Maria Harrison: Raga Prelude I (Yaman) Pärt: Spiegel im Spiegel Harrison: Hijaz, Young People's Chorus of New York City/Núñez; Beiser, vc.

VIDEO: Maya Beiser performs in the WQXR Café Maya Beiser has been pushing her cello to the edge of avant-garde risk-taking since the early 1990s. Composers as diverse as Steve Reich, Osvaldo Golijov and Tan Dun have written works especially for her, and she was a founding member of the Bang On A Can All-Stars. Her Twitter account is called "Cello Goddess" and one of her crossover successes is an arrangement of the Led Zeppelin tune "Kashmir." Yet Beiser's biggest calling cards these days are theatrical works that involve videos, electronics, lighting effects, spoken poetry and all manner of sounds from her instrument. Many tackle dense literary themes or social-political issues. The latest is "Elsewhere: A CelloOpera," a commission from the Carolina Performing Arts series which arrives at at BAM’s Fisher Theater on Oct. 17. Scored by Eve Beglarian, Michael Gordon and Missy Mazzoli, the piece is directed by Robert Woodruff and incorporates film, dance, spoken text and vocals. "Elsewhere," was partly inspired by a poem by the surrealist Belgian poet Henri Michaux called "I am writing to you from a far-off country," about a woman witnessing the end of the world. Beglarian wrote a piece for Beiser in 2006 that incorporates the poem and it turns up here. The other main influence is the Old Testament tale of Lot's wife, who was turned into a pillar of salt. Four dancers portray the stories, while Beiser speaks portions of Michaut’s text along with those of Erin Cressida Wilson. "The whole idea is of a woman who is taking destiny in her own hands,” Beiser told host Jeff Spurgeon. “It’s been a theme throughout my life, maybe because I’ve lived elsewhere.” Beiser's comment is something of an understatement. She was born in 1963 and raised in a kibbutz in Israel by a French mother and Argentinean father. She reveals that her iPod remains heavy on Middle Eastern folk tunes and songs by the Israeli singer Ofra Haza. In the WQXR Café, Beiser presented a portion of Khse Buon, by the Cambodian-American composer Chinary Ung. The piece is a dark threnody drawing upon Cambodian folk melodies, sustained drones and otherworldly sounds. "He wrote this piece in the aftermath of the Cambodian genocide after the Cambodian genocide after the Khmer Rouge tried to destroy the culture,” she said. “He spent ten years trying to collect all these tunes that were lost. This was the first piece he wrote after that time.” Among Beiser’s upcoming projects is a concept album of rock songs from the 1970s, including Pink Floyd’s "Wish You Were Here." “I’m trying to do it in a different way,” she said. “It’s not going to be symphonic Pink Floyd.” Listen to Jeff Spurgeon’s full interview above. Video: Amy Pearl; Audio: Wayne Shulmister and Merritt Jacobson; Text & Production: Brian Wise

Today we leave the world of equal-temperament behind and explore various contemporary pieces written for instruments in just intonation. Hosted by Seth Boustead Produced by Jesse McQuarters Terry Riley: The Harp of New Albion– Premonition Rag (excerpt), Terry Riley, p. Michael Harrison: Just Ancient Loops, II, Maya Beiser, vc. Terry Riley: The Harp of New Albion– Cadence on the Wind (excerpt), Terry Riley, p. Lou Harrison: Serenade for Guitar– Air, David Tannenbaum, guitar John Adams: Dharma at Big Sur– A New Day BBC Symphony Orchestra/John Adams, conductor, Tracy Silverman, electric violin Ben Johnston: Trio, Trio Amici Kyle Gann: Fugitive Objects, Gann, piano Martin Bresnick: Everything Must Go, II, Prism Saxophone Quartet

"Stillness" image by imago2007 This mix obviously found its name from the lovely intro (and outtro) track by Nest. Inbetween, there are many moments of 'stillness', too... Moments you may slowly drift off into the drones, letting your mind wander ... to be pulled back again by some of the post-classical 'anchors' in this mix by Winged Victory For the Sullen, Human Greed, Vladimír Gódar, and Maya Beiser (member of Bang on a Can, with a stunning cello performance of the Djivan Gasparyan composition 'Memories'). Most of the tracks featured in this were released in 2011. But this mix is nót intended as a "Best of.." overview. That would result in a mix with an entirely different atmosphere (- and much longer, because one hour would not be enough to cover all the great releases I have enjoyed in 2011). Maybe it's a good way to start a new year with a small opportunity to retreat from current society's turmoil, and to find some time to 'cocoon' to the sounds (and the sometimes fascinating depths) of 'Stillness'. Some word of warning, however: if this suggests this mix only contains warm, comfortable and pleasurable sounds, be prepared for some suprises. I never said that "Stillness" always means "Comforting"... Best wishes for 2012 to all of you! --- originally published on Ambientblog ---

Cellist Maya Beiser plays a gorgeous eight-part modern etude with seven copies of herself, and segues into a meditative music/video hybrid -- using tech to create endless possibilities for transformative sound. Music is Steve Reich's "Cello Counterpoint," with video from Bill Morrison, then David Lang's "World to Come," with video by Irit Batsry.

Die Cellistin Maya Beiser spielt eine wundervolle achtteilige Etude mit sieben Kopien ihrer selbst und leitet über zu einem meditativen Hybrid aus Musik und Video – dabei erzeugt sie mit Hilfe von Technologie zahllose Möglichkeiten für transformierenden Klang. Die Musik ist Steve Reichs "Cello Gegenpunkt", mit Bildern von Bill Morrison, danach David Langs "Welt von morgen", mit Bildern von Irit Batsry.

La violoncelliste Maya Beiser interprète une somptueuse étude moderne en huit parties avec sept doubles d'elle-même, et passe à un hybride méditatif en musique et vidéo -- en utilisant la technologie pour créer des possibilités infinies pour transformer les sons. La musique "Cello Counterpoint" est signée Steve Reich, avec une vidéo de Bill Morrison, puis vient "World to Come" de David Lang avec une vidéo de Irit Batsry.

A violoncelista Maya Beiser toca um esplêndido estudo moderno para octeto de violocelo com sete cópias de si mesma, em um meditativo e híbrido vídeo musical -- usando a tecnologia para criar infinitas possibilidades para um som transformador. Música "Cello Counterpoint" de Steve Reich, com vídeo de Bill Morrison, seguido de "World to Come" de David Lang, com vídeo de Irit Batsry.

Виолончелистка Майя Бейзер исполняет прекрасный современный этюд в восьми частях вместе с семью копиями самой себя и плавно переходит в созерцательный гибрид музыки и видео — используя технологию, она создаёт безграничные возможности для преображения звука. Музыка: Стив Райх — «Виолончельный контрапункт» под видео Била Моррисона, и «Мир будущего» Дэвида Ланга под видео Ирит Бэтсри.

チェリストのマヤ・バイザーが、彼女自身の7人の分身たちとともに8声からなる見事な現代的練習曲を演奏し、ついで瞑想的な音楽と映像のハイブリッドへと移行して、テクノロジーによって力強い音の際限のない可能性を作り出します。曲はスティーヴ・ライヒの「チェロ・カウンターポイント」をビル・モリソンの映像で、デヴィッド・ラングの「ワールド・トゥ・カム」をイリット・バツリーの映像でご覧いただきます。

첼리스트 마야 베이저는 화려한 여덟 파트의 현대 에튀드를 자신의 일곱 복사본과 연주하고 명상적인 음악/영상의 혼합으로 넘어갑니다. 변화시키는 힘을 가진 음악을 위한 무한한 가능성을 창출하기 위해 테크놀로지를 사용하죠. 연주된 곡은 스티브 라이히의 "첼로 대위법"과 빌 모리슨에서 영상, 그리고 다음은 데이비드 랑의 "다가올 세계"와 이리트 베이스리의 영상입니다.

Violonchelista Maya Beiser toca un hermoso estudio de ocho partes con siete copias digitales de sí misma, para luego entrar en un meditativo híbrido música/video -- usando la tecnología para crear infinitas posibilidades para un sonido transformador. La pieza es "Contrapunto de Violonchelo" de Steve Reich, con un video de Bill Morrison, y luego "El Mundo del Futuro" de David Lang con un video de Irit Batsry.

Middle Eastern flavours from Arabia to Al-Andalus, with Sister Marie Keyrouz, Bob Holroyd and Vox... and showcasing "Provenance", the new pan-cultural meisterwerk of Israeli cellist Maya Beiser.

Middle Eastern flavours from Arabia to Al-Andalus, with Sister Marie Keyrouz, Bob Holroyd and Vox... and showcasing "Provenance", the new pan-cultural meisterwerk of Israeli cellist Maya Beiser.

Pianist and composer Donal Fox crosses the classical music and jazz music boundaries and continuously receives critical acclaim for his compositions and integration of the two musical genres. In this special JazzCorner.com InnerView with producer Lois Gilbert, Donal discusses the connection of classical and jazz music as exemplied in his project: "Piazzola to Bach" which he will perform with his group and special guest cellist Maya Beiser on September 5th at the Tanglewood Jazz Festival. For more information, visit www.tanglewoodjazzfestival.org

I ran into the track "The Last Message" by John Murphy on a mix at A Strangely Isolated Place, and it got me thingking about doing another classical-ish mix. The Murphy track is in there, along with new tunes(Maya Beiser, Max Richter, Nils Frahm, etc) and old tunes(Steve Reich, Peter Gabriel, Gavin Bryars, etc). There's really not much more to say except that I hope you enjoy this collection of ambient, soundtrack, minimal & neo-classical tunes. T R A C K L I S T : 00:00    David Byrne - The Lodger 04:15    Maya Beiser - Memories 08:45    Max Richter - The Haunted Ocean 2 09:05    Nils Frahm & Anne Müller - Reminds to Teeth 13:15    Olan Mill - Country 16:30    John Murphy - The Last Message 18:00    Chihei Hatakeyama - Light Drizzle 20:30    Hummingbird - Starfish Seastar 22:30    Tarwater - Clock 23:30    Terry Riley - is in c in f (r. luke dubois remix) 25:30    Steve Reich - Music for Mallet Instruments, Voices & organ 34:50    Sufjan Stevens - Movement III - Linear Tableau With Intersecting Surprise 39:15    Max Richter - Infra 2 40:50    Kyle Bobby Dunn - The Tributary (for voices lost) 46:20    P Jorgensen - Palimpsest II 48:15    Gavin Bryars - Epilogue from Wonder Lawn 52:20    Peter Gabriel - The Nest that Sailed the Sky 54:55    end