Podcasts about romance writers

How do you write when your heart is broken? How do you go back into the publishing business after years away, knowing it's a very different industry to the one you left? With Jami Albright. In the intro, InAudio is now distributing audiobooks to BookShop.org; The Feedback Loop that Makes Better Writers [Author Nation Podcast]; Bones of the Deep on Goodreads. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How Jami started writing fiction at 47 and waited a year before publishing her first book Why she fictionalised her sister's terminal cancer story rather than writing a memoir The difference between writing as therapy and writing for the reader Reactivating an email newsletter after almost two years of silence Going wide with a standalone women's fiction novel after years in KU and rom-com Letting go of the frantic hustle of indie publishing and redefining what success looks like You can find Jami at JamiAlbright.com. Transcript of the interview with Jami Albright Jo: Jami Albright is the bestselling author of the Brides on the Run romances and the co-host of the Wish I'd Known Then Podcast. Today we're talking about her new novel, The Summer That Changed Us. So, welcome to the show, Jami. Jami: Thank you, Joanna. I've made it. This is my first time on The Creative Penn, so I can retire tomorrow. Jo: And we were saying before the show, I really thought you had been on the show before, because over the years we've connected a lot. We met over a decade ago, didn't we? At the Smarter Artist Summit. I was like, “I'm sure you've been on the show,” and you haven't. So, yes, welcome. Jami: Thank you. You've been on our show, though. We did an interview with you a few years ago. Jo: Yes. Well, anyway, for anyone who doesn't follow your show— Tell us a bit more about you and how you got into writing and publishing. Jami: Okay. So I am the co-host of the Wish I'd Known Then Podcast for Writers. Sara Rosett and I have been doing that podcast since January 2020. Little did we know what was coming, and it really saved me, just mentally, being able to talk to people every week. I never wrote a word of fiction until I was 47. I'd never really written anything. I have really bad grammar. I tell a lot of stories, and I would make up stories, but I'd never write them down because of the grammar thing. But my reading buddy had her birthday coming up in about three months, and I thought, “You know what? I'm going to write Jennifer a book for her birthday. She doesn't care if I have bad grammar.” I just thought it would be on brand. It was so hard. I wrote myself into a corner very fast. When I told her, she said, “Well, now you have to.” So I got Writing a Romance Novel for Dummies, I read that, and I started writing what is now Running from a Rock Star. But then my computer crashed and I lost it, and I was like, “Well, I'm not a writer.” So that was fine. Then I turned 50, and I told my family, “I think the only thing I regret is not finishing that book.” Of course they were like, “Well, you need to just do it again.” I was like, “No, I had 30,000 words.” A few weeks later my daughter came in and said, “Mom, I found this flash drive in my car. I think it has your book on it.” And it was 20,000 of the 30,000 words. So I was like, “Well, it's now or never.” So I joined Romance Writers of America and got involved in a critique group, and they absolutely kicked my butt for a good six months. I think every week they were surprised I came back, because it was so brutal. I knew I didn't know anything, and they taught me to write. Six months after I joined that first critique group, I won my first contest with the first 10 pages of that book. Then I just continued on. Three years later, I published Rock Star. I was going to publish it two years later, but I went to the Smarter Artist Summit, where I met you. I was advised by Julia Cant and Sean Platt and some other people to wait—preferably to have more books written. I had the second book written when the first one came out, but it still needed to be edited. So I waited a year, learned this business, and sold plasma to pay for my edits because I was poor. It was the best decision I ever made. Going to that conference, first of all, was the best $500 I've ever spent, and waiting that year really helped me learn this business. When I published the book, I had an email list of 1,200 people before the book ever came out. None of those things would have been set up had I published right after the Smarter Artist Summit, which is what I'd thought I would do, in the summer. So waiting gave me time to get everything set up so that when I published that book, it really took off from day one. I had 1,200 people on that newsletter list who wanted that book, because I had done a preview promo. Instead of putting out the whole book, I think I put out four chapters, and then people signed up. I don't know that that works anymore. Jo: I was going to say that. We should say to people, what was that, around 2016? Jami: 2017. Things have changed. Jo: Yes, things have changed, and I think this is so important. I had a question about this, and what they were implying was things that, like you said, we learned a decade ago. Things have changed. We'll come back to how you're doing it now, but just in terms of finishing off how you got started—those books did really well, didn't they? You had a couple of years there. How many books did you do? How did that go? Because you did have real success. Jami: Yes. From 2017 until really the beginning of 2021, if you look at my sales graph and my income, it just increased, increased, increased. 2019 was my very best year, but 2020 was only slightly lower as far as book sales and income. I only put out a book a year after the second book. The second book came out about six months after the first one, and after that it was about every nine months to a year that I put a book out. Everyone said you can't make money doing that, but I did. I think those books are very tropey. They're very hooky. That helped. I also think the timing of those books was really good. Rom-com was really coming up, and my rom-com is pretty wacky, but it's also really emotional too. If I get any critiques about them it's usually that “this book was way more emotional than I expected, and I was looking for something a little lighter.” They're just really wacky. They're rom-coms. Wacky circumstances. Small town, so there's all these small-town people. I just think it was a good time to release those. Those were good years. I miss those years. Jo: It's a good lesson, because it's not always up and to the right, is it? We're going to come back and revisit that. So then the pandemic hit, and on a more personal level, over the last few years, you've had a deeply difficult time that has led to The Summer That Changed Us, your latest book. So talk a bit about what's happened, why this book, and also why fictionalise it rather than write a memoir? I had that question. Jami: Okay. So 2021, my income was dropping, but it was still okay. I was still making more than enough that—thank God I don't have to make all the money in our household—but there was a level that I wanted to. At the end of 2021, my sister, who was the fourth of five sisters, had lived with cancer—non-smoker's lung cancer—for 10 years. She had the kind that, if you had a certain mutation, there were medications that worked amazingly well. Until they didn't, and then they put you on another class of that medication. So for 10 years, that's what she did. She missed work maybe three times in 10 years. People who met her never knew she had cancer unless they knew us. She just never acted like she had cancer. We would have to say, “Remember, you have cancer.” At the end of 2021, they ran out of that class of drugs. There were some being tested, but none had been approved. When she was diagnosed, she was diagnosed with stage four lung cancer. You don't survive very long having stage four lung cancer with no medication. So I saw the writing on the wall pretty much at the end of 2021, but of course I was very hopeful that they could do something. By May of 2022, it was clear things were not going well. In July of 2022, she got a six-to-twelve-week diagnosis. She just went in one day thinking she was about to get radiation, not knowing anything, and they were like, “No, we can't do radiation, and you should get your affairs in order because you have six to twelve weeks to live.” Jo: Oh. Jami: People who've been through it know this feeling. It's like being hit by a wrecking ball. It just knocks everything off your axis. Your whole world implodes into this one moment, this person that you love. I live four hours away from my family. They all still live in the same small town. I was in Dallas at my daughter's at the time, and they live about 30 miles outside of Dallas. So I went to my mom's, and I stayed there. I was there for almost six months, if you count the time I was back and forth, because she was not doing great but she was still okay. She had always rallied and come back. But once she got the diagnosis, I stayed. She would go home, but she would come back to my mom's during the day, because her husband worked. She was a teacher, so she was off during the summer. I was just there, and we all just took care of her. When she decided to go on hospice, she wanted to be at my mom's. She didn't want to be at home—they lived out in the country. She wanted to be at my mom's, so we set her up in the living room. We're redneck country people. We bring our crazy people in, our sick people, just out for everybody to see. She was just in the middle of the living room in her hospital bed, and the world just revolved around that hospital bed. Once that happened, once I knew at the end of 2021 that things were not going to go well—I really did not believe she would die. But she died a month after she went on hospice in October of 2022. That whole year, I was useless. I could not write. I couldn't think of anything to write. I write funny. How do you write funny when your heart's broken? I couldn't do it. After she died, I knew it would take a while. I knew it would maybe even be a year. But as the weeks turned into months and the months turned into years, I haven't written—except for her obituary—I've not written a word since she died until I started writing this book a year ago. I started it on April 19th. Jo: I mean, the stories of grief—there seems to be no way of escaping whatever it ends up being. You didn't choose your response. Your deep grief was just there, and you couldn't write. I feel like sometimes people just try and force it. It sounds like that's what you needed, and you have done that. So what then gave you the impetus to finally write—and to choose fiction? Jami: I didn't write memoir. I did think about doing a memoir, but I don't read memoir, and I don't know how to write it. I was already behind the eight ball, trying to write a book at all because it had been forever. I don't need to learn how to write something completely different. Plus, it just felt too close to write the memoir. I had been in Mexico City with my daughter, who has an event planning company, and we were there scouting locations for one of her events. Janet Margot lives in Mexico City, so I reached out, and we had dinner. We were talking, and she had had two big losses about the same time that my sister passed away. So we were talking about how difficult it is afterwards, just getting your head back into a space of being creative at all. She said, “You really should write this book. You should tell this story. It hits everything: middle-aged women dealing with middle-age things. You've got your parents that you were dealing with, and then your sister. You should write this story.” I said, “No, thank you. I lived it. I don't want to write it.” But it just wouldn't go away. I couldn't figure out how I would tell it. Whose point of view? I couldn't do it from the dying sister's point of view because I didn't think I could be authentic. I was afraid to tell it from multiple POVs because the book has a lot of characters in it. My family is gigantic—my immediate family, my sisters, husbands, nieces and nephews, my kids, my mom and dad—there are 35 of us. Almost all of those are in and out of my mom's house all the time. So I knew I couldn't do multiple point of view. One day, I was driving home to my mom's house, and it just hit me. The whole story laid out in front of me, and that's what I did. The first draft was pretty much just a retelling of what happened to us. I added some fictional elements, but I just wanted to get the story out. It was hard. I started Adderall on April 19th of 2025—I know that, because that's the day I started this book. I do call this the book that Adderall wrote, because I could sit and focus for three or four hours, which I'd never really been able to do. I would come to Starbucks and I would sit and write this book, and I would cry sitting in Starbucks, like a crazy person. People would walk by and slide a napkin onto the table and just keep walking, because I'm sitting there crying like crazy. I was so superstitious, and things were working so well, that I was afraid not to come and write at Starbucks. Staying at home, I think, would have been really hard. I would maybe have sunk into a depression had I done this at home. So I just wrote the whole book at Starbucks. After I wrote the first draft, I went back in and made it more fictional. But a lot of the book—especially her stuff—is a lot of what happened. She was just crazy. I tell a story in the book that, this is the absolute truth, this happened. She was in college, and she had convinced my younger sister to go to a honky-tonk club because they were having a Miss Honky-Tonk contest. Before she could get up on stage to compete as Miss Honky-Tonk, she got in a fight with some girl, and the girl hit her in the head with a bottle and split her head open. She was bleeding. My youngest sister was like, “We've got to go to the ER.” And she just refused, because there was a $300 cash prize for winning, and she needed it to make rent. So she borrowed a towel from the bartender, wrapped it around her head, competed with that bloody towel on her head, and won that stupid contest. That story in and of itself was my sister. Everything about her is in that story. So a lot of the stories in there happened to her in one way or another. What happens to June in the book happened to my sister. Jo: This is interesting, because the same thing memoir writers face is something perhaps you face: how much of the writing is therapy and how much is for the reader? You said you sat there crying. Absolutely, writing for therapy is very important—but when you come to edit, there might be things that your therapy side of you is like, “That's so important to me.” How do you kill your darlings when you're editing your sister's life? Jami: That was hard. I had to take out a lot of what was in the first draft, mostly the stories. Once she came home on hospice, it was just a steady stream of people coming in, and everybody had a story about her. What I found in editing was that Hope, the main character, was mostly a spectator in those scenes instead of being actively part of them. So I had to take those out, because they didn't serve the purpose of the book. I committed early on to: while I wanted to tell the story, I did not want it to be self-indulgent. I did not want it to be a therapy session that I sold to people as a story. Because of that, I think that really helped. I really did think about that as I was revising. I sent it to a developmental editor, and I don't know how great she was, but she gave me some really good advice about a couple of things. One was, “There's just not enough conflict in this book. You say that Hope and the father have this really contentious relationship, yet we don't see it. There's a little bit of it here and there, but you're not really digging into that.” It's hard, because while the rest of the world doesn't know, my family knows that this is a lot of our story. I just had to let that go and not worry about what my family thought. They had all given me permission. I'd sort of said, “I want to do this. Are you guys okay with that?” I talked to her husband, and everybody was okay with me doing it. But I couldn't worry about what they were going to think. I would repeat to myself: if they want to tell this story, they can write their own book. I'm writing what I saw and telling a fictionalised story that will hopefully honour her, but also help other people feel like they're being seen, and also be entertaining. If you're going to write a book, it needs to be somewhat entertaining. Jo: I don't think you can help yourself. You're funny. Jami: Yes. The book is really funny. I tell people that and they're like, “Hmm, really?” And I'm like, “It is really funny.” But it's also really sad. Jo: Well, I think that's the truth—to defend myself. There is a lot of humour in grief. There is death and dying, and it's a human condition. Jami: It is a human condition, yep. Jo: There's comedy in all of the human condition. That's just the way it is, right? I heard you mention on an interview, I can't remember where it was, that you feel very connected to this book, and you're worried that people judging it or giving it a bad review might feel like an insult to your sister. How are you dealing with these kinds of fears about how to separate ourselves from our books? Jami: I've been in therapy—like, literal therapy—for that, because I felt like that would be hard. So far, I've only gotten a few reviews back. They've all been good reviews. I haven't had anyone say they hate it. I just have had to separate myself. It's not personal. Reviews are never personal. People not liking your book is never personal. That's just a mindset. I've had to change my mind about that. Knowing that's a pitfall I could fall into, I really keep it top of mind. My family knows that's an issue, so they know they have to pull me out of that hole if I drop in. So that's really how I've handled it so far. We'll see. Jo: Maybe it's time as well. You're almost back to the “book is your baby” situation. As the years pass, the book almost becomes separate, doesn't it? How you feel about your first bride book is probably like, “It's not even me anymore.” Jami: Right. I learned early that your book isn't really your baby. Once you publish it, it's your product. So that has never been very hard for me. I still hate bad reviews, and I take them personally like everybody else does, if I let myself. But ultimately, this is a book that I'm putting out for entertainment. Yes, it's very personal. Yes, it means a lot to me. But if people don't like it, it isn't because they don't like my dead sister. They just don't like my writing. Jo: It's tough, but it's good to talk about, because this is something many people feel. My memoir Pilgrimage—it's not the same at all—but I was just so scared of judgment. The fear of judgment. What people would think of me. That's kind of different, but— It's this question of how it'll land. The reality is, not many people read these books anyway. Jami: Well, I have worried about how it would land, but mostly I worry about how it would land with the people I love. My mom read it last week. I was there while she was reading it. That was no fun. She laughed, but it was devastating to her. She's like, “It's great, and I hate it.” Because it is so raw and real to her still—well, to all of us. That's where I worry, how it's going to land with them. But again, I've had to let that go. I had to let it go during the writing, because if I worried about that, then I would not have told an honest story. That was another thing—I didn't want it to be self-indulgent, and I wanted it to be honest. As honest as I could make it, even to the point of making people uncomfortable. There's a line. Once you cross it, there's no getting you back after that. So I walked that line really carefully, because I did want it to be honest about how I felt, how other people I know who've been through something like this feel. Also, just relationships. Because when you're in a big family like my sisters and I—we adore each other, but we can also go toe-to-toe real fast. It can get ugly, because we know each other really well. We're also a little bit redneck, so we don't pull any punches. Your sisters are always the most honest people in your life. I wanted that to be true in this book too—both sides of that story. Jo: Let's circle back to the business stuff and some of the things we talked about, because obviously this has been a really difficult time. There was no way to deal with it in any other way, but your business has changed. You had these great few years, good sales, and then you had other priorities. So how are you rebooting the business? Lots of people end up taking a few years out for whatever reason. How are you rebooting the business to try and sell some books? Jami: To be honest, I have the remnants of a business. I have tried over the last four years to run some ads to get the Bride's books going, but here's something that's very interesting, and if somebody can tell me why this happened, I would love to hear it. These books that have sold so many books—I mean, so many books—I could not give them away. It didn't matter what I did. I changed covers, I changed blurbs, I put them on sale, I took them off sale, I ran ads. Ads wouldn't really move the needle. I know that at a certain point, when you haven't published and your books get pushed down in the algorithm, that is an uphill battle. But it was almost like, one day they just fell off, and once they started falling, I could not get them back. I just couldn't. So that I didn't make myself crazy—because also during this time, I was just trying to keep my head above water—when I would deal with my books or go into my dashboard, I would feel horrible. I was already feeling horrible, so I didn't need to feel more horrible. So I just sort of let them go after a certain point. I've now started running some Facebook ads. I have one Facebook ad that's working really well, knock on wood, right now for my first Bride's book. The problem is, this book and my Bride's books are different. The voice and the tone are the same, but they're really different in a lot of ways. They're the same in a lot of ways. This book doesn't have any sex; the other books don't have anybody dying. But some of the things are really similar. So I may have some crossover. For whatever reason, this ad is working. My book one is ranked better than it's been ranked in forever—really good. I'm not spending a ton of money to do it. So I don't know what changed. I don't know if I'll ever know. I've revised my newsletter, and that's worked well. I still have around a 35 to 40% open rate on a newsletter that I didn't send out for almost two years. I was sending it out, but then I kind of stopped, and then I started again. Jo: I was going to ask you about that, because I often get people emailing me. They're like, “I have a really old newsletter from several years ago. I haven't emailed them for years.” So what did you say in that first email? Like, “Hey, I'm back”? Jami: I mean, I'm just like, “Remember me?” It really was kind of like that. Just, “I'm back. You guys know life has happened. I'm sure you understand. If you're still here, thank you so much. I have been writing. I have this book that I think some of you will really love.” That's really how it was. From the first email, even that first email had a higher open rate. I think it was close to 45%. I had not sent out a newsletter in two years literally. Jo: People were like, “What happened?” Jami: They're like, “Oh, she didn't die. That was her sister, not her.” But I've just been really fortunate. They've been really encouraging. Every time I send one out, I get really encouraging emails back. So I've sent out about the book. The majority of my readers are KU readers because my books are in KU. But this book is going wide. One of the things I'm doing because I have been a little concerned about… Janet Margot does a lot of Amazon ads stuff and she knows a lot about Amazon. We've talked a lot about whether I should use my real name, my pen name, or come up with another name. Should I worry about my readers buying the book and messing up my Also Boughts? All of those things, because my readers are romance readers. Some of them read women's fiction, but for the most part, they're romance readers. I've decided to stick with Jami Albright and not worry about it. There are just things you can't control, so I've had to hold everything with a really open hand with this book. I am offering the book on my website. I'm selling it at $7.99—I chose a high price point, because I just feel like, to sit with the other books that I want it to sit with, I need that price point. So I'm offering it on my website, starting at the end of this week, for $5. If they're KU readers and they don't buy books, but they want the book, they can get it for $5 on my website, which I think is reasonable. Jo: Mm. Absolutely. Jami: If that's too much for them, I understand and I get it. Time, things are hard right now, and if they can't do that, it's going to be in libraries, so they can request it at their library. But right now that's the plan. Hopefully that helps with the Also Boughts a little bit too. Even though, again, I just can't worry about those things. As a gift to my readers, I want to do this for them as well—give them a discount. Jo: And obviously this is a standalone, right? This is not— Jami: Yes, it is. Jo: Again, a bit like memoir, all the book marketing we talk about in fiction is “write a series.” It's much easier. So it is difficult to market a standalone in general. And this is something that happened, so it is a standalone situation. So do you feel like you're back in terms of writing? Have you got plans for more books, or is this a business for you going forward? Do you feel like you want to re-enter this whole world? Jami: I do. I have an idea for a book similar to this one—not in the same kind of genre, I mean, of women's fiction, kind of midlife fiction stuff. I have an idea. I had nothing for months and months and months, and a couple of months ago, this idea kind of came to me. I was like, “Oh, that's not bad.” So I'm mulling it over—I do a lot of mulling—and that's the next book I think I will write. I don't know that I'll write rom-coms again. Not because I don't love them. I do, and I love my rom-coms. But I'm just different. You do not go through something like this and come out on the other side the same. I don't know that I could carry an entire rom-com through without it being even more emotional than mine are now. So for right now, I'm going to write another one of these kinds of books where it's got a lot of emotion, family dynamic, tension and dynamics. Jo: That's great. I do feel like once you've written the book that was waiting—your sister's book—then more things arrive, and it's great to hear that that is arriving for you. And of course, we change. One of the nice things about writing for the long term and building more of a name brand is that you change, and your readers either follow you or they don't, but it's your life. So I think that's a good reason to have one pen name. I obviously have two, but my fiction pen name I've written all kinds of genres under. Why else would we keep doing this? I don't want to write the same book over and over again. Jami: Right. Believe me, I've had to eat a lot of crow over the last four years, and it's tasty with ketchup. I have decided that a lot of the stuff I said is true: about you write in one genre, you give the people exactly what they want, and you give it to them over and over again. I believe all of that. I still believe those things. It's just that I don't know that I'm capable of doing that right now. Also, I'm older. I am about doing the things that bring me joy and are not a drudgery. I want to say this, because I miss the success. I miss who I thought I was during that time. I miss the recognition. I'll freely admit it. I miss being the person doing the thing that everybody said couldn't be done. “You can't make money with one book a year.” Well, watch me. And I did. I miss that. What I don't miss, and I've had to be really, really honest with myself, which has been difficult—I don't miss the anxiety that came with that. There was a lot of franticness. I think that if you are in a lot of groups, you see that franticness. I've had to step back, like I've had to step back, and then go back into these groups, you hear authors and see authors, and there's just this frantic sense that we're losing everything, and we have to hold on so tight to everything. I was like that. I checked my ads constantly. I checked my dashboard constantly. My mom used to say, “This should be fun.” I'm like, “Mom, it's a business. It's not fun.” But I recognise that I loved that so much that I held onto it so tight. I don't want to go back to that. I don't have the energy for that. Since this all happened, I've gained four more grandchildren than I had. I have six grandchildren now. I want to spend time with them. I want to spend time with my adult children. I want to spend time with my mom and dad. So I can't be frantic about my sales—are they going up, are they dropping?—and give emotionally to the people I love in my life. If the last four years have taught me anything, it is that the one thing you can never get back is time. You can never get it back, and that is so important to me right now. With this book—and one of the reasons I wanted to talk to you when we were talking about when I would do it—I wanted to do it before it came out, because I've already won. Writing this book, writing a book that honours the bravest person I've ever known and doing the second-hardest thing that I've ever had to do, is the win. That's the win. Whatever happens with this book afterwards is just what happens with this book afterwards. It doesn't change who I am, and you told me that when we were in Vegas two years ago. That conversation really changed a lot for me, because you said, “You are a successful author.” I was still trying to come up with a plan to be a successful author again, and you were like, “You are a successful author. You've had success. That makes you a successful author. You don't have to chase that.” That changed so much of my thinking. If I could leave listeners with anything, it is that we need to recognise the things we can't control and just deal with the things we can control. That's kind of how my sister lived. She could not control her cancer, but she could control how she responded to it and how she went forward. I think a lot of times, when bad things happen, we want to make sense of them. We want a reason for them. And a lot of times there's just no reason. There's no reason my sister died. There's no reason she left two kids and a husband devastated and a family that just has a giant hole in it. There's no reason for that. What defines us is not figuring out why that happened. It's what we do with that going forward. I think that's important for me to remember when I start getting caught up in all the franticness of this business. Jo: Yes. Or not, as the case may be. You can just let the book be what it is. And I do feel like these deeper books, they're more slow burn. You wrote books that ran, ran like the bride. Now we're not running like the bride. Jami: I'm tired. I don't run unless a wild animal's chasing me. Jo: Exactly. Look, we're out of time, but just tell people, if they haven't listened, a bit about your podcast, Wish I'd Known Then with Sara Rosett. Tell people what they can find over on that podcast and why you're still doing it. You've been doing it throughout the whole time. While not writing, you've still been podcasting. Jami: It absolutely saved my life. It's kept me in this business. While I haven't been publishing, I still know what's going on. I know about direct sales, I know about what's happening behind the scenes, with Facebook ads. I've kept in touch with those things because of our podcast. It's an interview podcast like yours, but we talk to people about what they wish they'd known about indie publishing. Most people have some certain thing that they've been working on or doing, and we talk to them a little bit about that too. We ask the same questions every week to every guest, and it's so interesting how different the answers are, and yet how similar they are. I think that helps when you're going through it and you're like, “God, I must be the only one feeling this way.” But you tune into a podcast, and you hear week after week, “Oh, no, there are other people feeling the same way I'm feeling, or struggling with the same things I'm struggling with.” Hopefully we give people things to shoot for and to aspire to. We have some amazing guests. They've all been really gracious and really honest. I don't know if it's the questions, or just because Sara and I are our style, but they're really honest with us when they answer the questions. Jo: It's a great show. I recommend it a lot. Jami: Thank you. Jo: Where can people find you and your books online? Jami: You can find me at JamiAlbright.com—that's J-A-M-I-Albright.com. I'm on all the socials as Jami Albright Author. My books are on Amazon right now, but this book is actually now on all the retailers. So that's where you can find me. Jo: Brilliant. Well, thanks so much for your time, Jami. That was great. Jami: It was an honour. Thank you so much.The post Writing Through Grief And Rebooting an Indie Author Business With Jami Albright first appeared on The Creative Penn.

Eloisa has published over 30 historical romances, many of which have hit the bestseller lists. She also wrote a bestselling memoir, Paris in Love, as well as a contemporary novel, Lizzie and Dante. Her books are published in 28 languages and 30 countries, from Slovakia to Sweden. Worldwide, she has approximately 7 million books published in print or electronically. She lives in New York City and Florence, Italy. After graduating from Harvard University, Eloisa got an M.Phil. from Oxford University, a Ph.D. from Yale and eventually became a Shakespeare professor, publishing an academic book with Oxford University Press. Her "double life” as a professor and romance writer is a source of fascination to the media and her readers. In her professorial guise, she's written a New York Times op-ed defending romance, as well as articles published everywhere from women's magazines such as More to writers' journals such as the Romance Writers' Report. Her latest novel is THE LAST LADY B. Learn more at eloisajames.comSpecial thanks to NetGalley for early previews. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Esta semana en Toxicosmos abrimos con auténtica historia de la música electrónica: Daft Punk y su imprescindible “Da Funk”, punto de partida para dedicar parte del programa al libro Daft Punk: We Were the Robots, publicado por Contra Editorial. Una obra que nos sirve para repasar la historia del dúo francés, su impacto en la música electrónica contemporánea y esa transformación que los llevó de la escena club parisina a convertirse en los robots más famosos del planeta. Además, recuperamos algunos momentos clave de su carrera con canciones como “Harder, Better, Faster, Stronger”, “One More Time”, “Robot Rock”, “Something About Us” y “Get Lucky”. Pero el programa también llega cargado de novedades. Escuchamos el nuevo single de Tommy Richman, el pop emocional y bailable de Muna, la sensibilidad alternativa de Second Spring, el regreso de Lykke Li, la electrónica fronteriza de Kerala Dust, que además pasarán por el inminente Deleste Festival de Valencia, y el nuevo golpe oscuro de Editors con “Call It In”. También suenan propuestas como st. art, Romance Writers, De'Wayne junto a Lenny Kravitz, Broken Social Scene, loveoleglove, Rikas, Wrabel, Ava Valianti y Paris Paloma, en un bloque internacional lleno de pop alternativo, guitarras, electrónica, soul y canciones con mucho pulso emocional. En la recta final recuperamos a Mercury Rev aprovechando la gira española con la que celebrarán el aniversario de All Is Dream, escuchamos lo nuevo de Death Cab for Cutie, la versión con guitarras de “Children” a cargo de Adam Guerrero, y cerramos el repaso con novedades nacionales de Shinova, Daniel González, Yo Somos y Leo Rizzi. Un programa con Daft Punk como grandes protagonistas, pero también con muchas canciones nuevas para seguir tomando el pulso a la actualidad musical alternativa.

Join as we reveal the stories that made the podium in the 'Other' Erotica category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, author Elise Scott, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Elise Scott, at https://elise-scott.com/ Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Ashton Publishing Group https://www.ashtonpublishinggroup.com Naked Wines https://www.nakedwines.com.au

Join as we reveal the stories that made the podium in the Literary Erotica category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, author Elise Scott, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Elise Scott, at https://elise-scott.com/ Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Ashton Publishing Group https://www.ashtonpublishinggroup.com Naked Wines https://www.nakedwines.com.au

Join as we reveal the stories that made the podium in the Kink & Taboo category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, author Elise Scott, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Elise Scott, at https://elise-scott.com/ Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Ashton Publishing Group https://www.ashtonpublishinggroup.com Naked Wines https://www.nakedwines.com.au

Join as we reveal the stories that made the podium in the Fantasy & Supernatural category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, author Elise Scott, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Elise Scott, at https://elise-scott.com/ Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Ashton Publishing Group https://www.ashtonpublishinggroup.com Naked Wines https://www.nakedwines.com.au

Join as we reveal the stories that made the podium in the Erotic Romance category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, romantic comedy author Julia Boggio, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Julia Boggio, at https://juliaboggio.com/ Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Adult Match Maker https://www.adultmatchmaker.com.au AdultShop https://www.adultshop.com Ashton Publishing Group https://www.ashtonpublishinggroup.com Love & Lust Adult Shop Gosford https://loveandlust.com.au Naked Wines https://www.nakedwines.com.au Odyssey Toys https://odyssey-toys.com

Join as we reveal the stories that made the podium in the Erotic Comedy category of the 2025 Not Quite Write Prize for FLESH Fiction. We'll chat with our guest judge, romantic comedy author Jo Lyons, and together delve deep into the judging process for this category. Finally, at the end of the episode, we'll read our second-place story in all its NSFW glory! It's guaranteed to get your pulse racing… Find out more about Jo Lyons, at https://jolyonsauthor.com Register for the next Not Quite Write Prize at https://notquitewriteprize.com With thanks to our generous sponsors: Romance Writers of Australia https://romanceaustralia.com Romance Writers of America https://www.rwa.org Adult Match Maker https://www.adultmatchmaker.com.au AdultShop https://www.adultshop.com Ashton Publishing Group https://www.ashtonpublishinggroup.com Love & Lust Adult Shop Gosford https://loveandlust.com.au Naked Wines https://www.nakedwines.com.au Odyssey Toys https://odyssey-toys.com

Jessica Snyder started out editing for the traditional romance publishers. She had since moved into independent editing and has created the HEA club where Romance Writers can connect and learn about their craft. She has worked with authors like Lucy Score and Carly Bloom as well as many indie romance authors. Be sure to check out her HEA Club here: https://heaauthorservices.com/services/the-hea-club/ and find out more about Jessica and her team here: https://heaauthorservices.com/Sign up for the first Craft and Connect live event! https://tidycal.com/writeyourlife/craft-and-connect-live-march-24Sign up for my writers' newsletter to learn more about the craft of writing, know when my workshops are and be the first to get exclusive information on my writing retreats. https://katcaldwell.com/writers-newsletterWant more information on my books, author swaps, short stories and what I'm reading? Sign up for my readers' newsletter. https://storylectory.katcaldwell.com/signup You can always ask me writing questions on instagram @author_katcaldwell

How do you write a sex scene that readers actually read and not just skim? That's what today's episode is all about! Author Accelerator certified book coaches Stacy Frazer and Jennifer Larkin team up for an honest conversation about writing sex in fiction—without cringe.Stacy and Jen discuss when sex scenes belong in a story, how explicit they need to be, and how to write intimacy that deepens character and advances the plot. You'll learn how genre expectations (including YA vs. adult), consent, and emotional intent shape effective intimate scenes—and how to make intentional choices that serve your story.Timestamps:00:00 Introduction 01:50 Guest: Jennifer Larkin 03:20 Do you need a sex scene in your novel? 10:04 Sex scenes in YA vs. adult 21:16 Purpose of sex scene and level of explicitness 26:20 Common mistakes 29:09 Consent on the page 35:05 When to include a sex scene Jennifer Larkin helps romance writers turn good ideas into epic stories and jagged drafts into lovable novels. Grab her free guide to writing better romance scenes at https://jenniferlarkin.kit.com/scenes.Connect on Social Media:Instagram: @jenniferlarkinbookcoachSubstack: @jenniferlarkinbookcoach Have a comment or idea about the show? Send me a direct text! Love to hear from you.Support the show To become a supporter of the show, click here!To get in touch with Stacy: Email: Stacy@writeitscared.co https://www.writeitscared.co/wis https://www.instagram.com/writeitscared/ Take advantage of these Free Resources From Write It Scared: Download Your Free Novel Planning and Drafting Quick Start Guide Download Your Free Guide to Remove Creative Blocks and Work Through Fears

Self-publishing isn't a shortcut nor a consolation prize. It's a publishing model that works well for some writers and not at all for others.Today, I'm joined by Libby Waterford, a prolific romance author and self-publishing educator with more than twenty books published across pen names.We break down what self-publishing actually involves: the costs writers don't always anticipate, the level of control and responsibility it requires, and how marketing, timelines, and long-term goals factor into whether it's a good fit for you.This episode is about education and understanding your options, asking questions, and making intentional decisions about your writing career based on your long-term goalsTimestamps01:43 Meet Libby Waterford05:28 Why Libby chose self-publishing after being with a traditional publisher08:47 Pros and cons of self-publishing16:38 The advantages of being your own publisher23:09 Budgeting and essential costs27:09 Marketing, ROI, and sustainability38:53 Advice for new authors41:07 What Libby's working on next and education resourcesGuest Bio:Libby Waterford is the author of Sawyer's Cove, the Reboot, and The Never A Bride Contemporary Romance Series, and under her other pen name, Elle Waters, writes steamy Small Town Gay Romance. A former president of the Connecticut Chapter of Romance Writers of America, Libby is also a self-publishing coach and instructor at the Westport Writers Workshop in Westport, Connecticut, where she teaches classes on genre fiction and self-publishing.Linkshttps://libbywaterford.com/, https://www.instagram.com/libbywritesromance/, https://ellewatersbooks.substack.com/https://westportwriters.org/ Have a comment or idea about the show? Send me a direct text! Love to hear from you.Support the show To become a supporter of the show, click here!To get in touch with Stacy: Email: Stacy@writeitscared.co https://www.writeitscared.co/wis https://www.instagram.com/writeitscared/ Take advantage of these Free Resources From Write It Scared: Download Your Free Novel Planning and Drafting Quick Start Guide Download Your Free Guide to Remove Creative Blocks and Work Through Fears

In 2019 a well known romance writer began tweeting about other writers in her community and concerns about racism. It led to a huge reckoning within an organization called the Romance Writers of America. And although the online debate seemed to be isolated to a specific community of romance writers and their fans, it was really a microcosm of what's been happening all over the US. In this episode we learn all about romance novels and how newer writers are changing the norms of the genre, and giving it a political power it's never had before. And, we talk about what it means for organizations to change as they grapple with questions of race. This episode, originally released in June 2022, is part of the Making Contact Anniversary Capsule: celebrating 30 years of social justice journalism. The miniseries takes us from protests on the streets of Seattle to an Indiana family fighting for their daughter's gender affirming care. It explores a racial reckoning in the world of romance writers, and tells the story of border walls from Gaza to Arizona. These shows embody how Making Contact has been digging into the story beneath the story since 1994. Featuring: - Jayashree Kamble; professor of English Literature at La Guardia Community College - Reagan Jackson; co-executive director, Young Women Empowered, also a romance reader and fan - Contance Grady; Senior Culture Reporter for Vox - Elise Staples, member of a romance reading book club through meetup.com  Credits: **Making Contact Team** - Episode Host: Salima Hamirani - Producers: Salima Hamirani, Anita Johnson, Lucy Kang, Amy Gastelum - Executive Director: Jina Chung - Engineer: [Jeff Emtman](https://jeffemtman.com/) - Digital Media Marketing: Lissa Deonorain   **Music**: - Johnny Ripper - Overout - Johnny Ripper - Sfhk (mental breakdown) - Johnny Ripper - Untitled (waking up) - Johnny Ripper - In a Dream - Dance of the Seahorse - Gideon Freudman - Pictures of the Floating World - Waves - Bio Unit - Subterannean - Ketsa - you asked Learn More:  Constance Grady's Article for Vox The Romance Writers of America International Association for the Study of Popular Romance Making Meaning in Popular Romance Fiction: An Epistemología Recommended Reading list Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

In the conclusion of this two‑part series, The Bookshop at the End of the Internet presents four more conversations with members of the First Coast Romance Writers, recorded during their recent retreat. This episode features Melody Johnson, Leah Miles, Vanessa Victoria Kilmer, and Vickey Wollan—authors whose work spans romantic suspense, paranormal worlds, adventure, and holiday stories. From ghosts and haunted lore to treasure hunting, Navy SEALs, and the creative resilience of writing with dyslexia, these interviews highlight the breadth and imagination of the romance genre. Join host Stacey Horan as she wraps up this special series celebrating storytelling, community, and the joy of discovering new authors.

In this first installment of a special two‑part series, The Bookshop at the End of the Internet features five brief, lively interviews recorded onsite at a working retreat of the First Coast Romance Writers. Host Stacey Horan chats with Maggie FitzRoy, LaTisha Redding, Lynn Westhoff, Marie Morton, and Ann Wright—authors at various stages of their writing journeys who bring humor, passion, and unique perspectives to the romance genre. From YA themes to paranormal trilogies to Caribbean‑inspired sports romance, this episode offers a warm, engaging look at the many ways stories take shape. Tune in for books, inspiration, and a behind‑the‑scenes glimpse into a vibrant writing community.

In this honest and engaging conversation, USA Today bestselling author Liz Talley shares her journey through the publishing world, discussing the challenges of transitioning to a new genre, the impact of AI on writing, and the differences between indie and traditional publishing. She emphasizes the importance of trusting one's own voice and vision as a writer while navigating the complexities of the industry. Liz also offers valuable advice for new authors, encouraging them to embrace their unique storytelling style and take risks in their writing careers. Chapters: 00:00 Introduction to Liz Talley 02:47 Navigating the Writing Journey 06:02 Transitioning to a New Genre 09:03 The Challenges of Starting Over 11:54 The Role of AI in Writing 14:47 The Indie vs. Traditional Publishing Debate 18:12 Taking Risks in Writing 20:53 Advice for New Authors Author's Website: www.liztalleybooks.com Social Media Links: http://www.facebook.com/liztalleybooks Author Bio: Liz Talley is the USA Today best-selling author of over thirty heartwarming stories. A finalist in both Romance Writers of America's Golden Heart and Rita Awards, Liz has published with Harlequin, Hallmark, and Montlake where she reached number one in kindle romance and was named to Publisher's Weekly mass market bestseller list. Her stories are set in the South where the tea is sweet, the summers are hot, and the porches are wide. In 2023, she also added screenwriter to her accomplishments, co-writing an adaptation of her novel The Wedding War, which landed in the Top 20 of Louisiana Film Prize. Book Link: https://www.amazon.com/gp/product/B08VJ6XH7Y Love this episode? Rate it ⭐️ Thumbs Up

In this honest and engaging conversation, USA Today bestselling author Liz Talley shares her journey through the publishing world, discussing the challenges of transitioning to a new genre, the impact of AI on writing, and the differences between indie and traditional publishing. She emphasizes the importance of trusting one's own voice and vision as a writer while navigating the complexities of the industry. Liz also offers valuable advice for new authors, encouraging them to embrace their unique storytelling style and take risks in their writing careers. Chapters: 00:00 Introduction to Liz Talley 02:47 Navigating the Writing Journey 06:02 Transitioning to a New Genre 09:03 The Challenges of Starting Over 11:54 The Role of AI in Writing 14:47 The Indie vs. Traditional Publishing Debate 18:12 Taking Risks in Writing 20:53 Advice for New Authors Author's Website: www.liztalleybooks.com Social Media Links: http://www.facebook.com/liztalleybooks Author Bio: Liz Talley is the USA Today best-selling author of over thirty heartwarming stories. A finalist in both Romance Writers of America's Golden Heart and Rita Awards, Liz has published with Harlequin, Hallmark, and Montlake where she reached number one in kindle romance and was named to Publisher's Weekly mass market bestseller list. Her stories are set in the South where the tea is sweet, the summers are hot, and the porches are wide. In 2023, she also added screenwriter to her accomplishments, co-writing an adaptation of her novel The Wedding War, which landed in the Top 20 of Louisiana Film Prize. Book Link: https://www.amazon.com/gp/product/B08VJ6XH7Y Love this episode? Rate it ⭐️ Thumbs Up

BEVERLY JENKINS is the recipient of the 2018 Michigan Author Award by the Michigan Library Association, the 2017 Romance Writers of America Lifetime Achievement Award, as well as the 2016 Romantic Times Reviewers' Choice Award for historical romance. She has been nominated for the NAACP Image Award in Literature and was featured in both the documentary Love Between the Covers and on CBS Sunday Morning. Since the publication of Night Song in 1994, she has been leading the charge for inclusive romance and has been a constant darling of reviewers, fans, and her peers alike, garnering accolades for her work from the likes of The Wall Street Journal, People magazine, and NPR. Her latest novel is CALLING ALL BLESSINGS. Learn more at beverlyjenkins.net Special thanks to Net Galley for advance review copies. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Charis Michaels joins the podcast to read from YOU MAY KISS THE DUKE, one of her favorite books to read aloud! We talk about her commitment to exploring sexual attitudes in romance novels, her experience working for Romance Writers of America (RWA), and how she comes up with series ideas. Plus, she proves herself to be a rule follower in a game of LOVE IT ORE LEAVE IT?   00:33 Meet Charis Michaels: USA Today Bestselling Author 01:18 Reading from 'You May Kiss the Duke' 17:20 Exploring Themes and Characters 22:26 Charis Michaels' Journey and Writing Process 28:34 Love It or Leave It 31:03 Conclusion and Where to Find Charis Michaels' Books   Find out more about Charis Michaels at www.charismichaels.com    HRS is an affiliate of Libro.fm! Sign up for a new monthly membership and get three audiobooks for the price of one with code HISTORICAL! (As an affiliate, HRS may earn a portion of your purchase, for which we thank you!) Check out the official HRS playlist at: https://tidd.ly/4hgCquh    Find out more about your host Katherine Grant: Instagram (@katherine_grant_romance) TikTok (@katherinegrantromance) Facebook (@Katherinegrantromanceauthor)  Goodreads (https://www.goodreads.com/author/show/19872840.Katherine_Grant) Bookbub (https://www.bookbub.com/authors/katherine-grant)   Follow HRS on social media! TikTok (@historicalromancesampler)  Instagram (@historicalromancesampler)

Insights from the Romance Writers of Australia Conference In this special bonus episode of 'Writes for Women,' host Pamela Cook shares her key takeaways from the Romance Writers of Australia conference held in Hobart. Pamela provides summaries of workshops and sessions from renowned authors like Sarah McClean, Sarra Cannon, Stacey McEwen, Brenda Novak, and many more. Topics include writing conflict in romance, writing through fear, different paths to publication, effective marketing tools, and tips for indie authors. Additionally, she offers insights from panels featuring publishers on what they look for in submissions and advice for avoiding common pitfalls. Grab a cuppa, a pen and notepaper and get ready for some fabulous writing tips! 1:04 Key Takeaways from RWA Conference 03:55 Insights from Indie Hybrid, and Traditional Authors 10:54 Publisher and Agent Panel Highlights 19:08 Tips for Tackling the Saggy Middle 25:39 How to Write a Romcom 28:13 Conclusion and Upcoming Events SHOWNOTES: Writes4Women www.writes4women.com Facebook @writes4women Twitter / Instagram @w4wpodcast Substack https://writes4women.substack.com Pamela Cook www.pamelacook.com.au Facebook @amelacookauthor Twitter @PamelaCookAU Sarra Cannon on Youtube here Sarah Maclean on Fated mates here This episode produced by Pamela Cook for Writes4Women and recorded on unceded Dharawal land. Support the show: https://www.patreon.com/writes4women?fan_landing=trueSee omnystudio.com/listener for privacy information.

Join us for this week's episode as host Pamela Cook gives us a post Romance Writers of Australia wrap-up chat and the talented Camille Booker returns to the convo couch. Camille's latest novel, The Woman in the Waves, is a haunting historical mash-up that is getting a lot of buzz. In this episode she chats historical research, genre-bending and life with a small press. There's something in there for everyone! And in the bonus ep for paid Substack subscribers Camille talks about the pros and cons of being with a small press AND what she looks for when she judges the Hawkeye Publishing Prize. SHOWNOTES: Writes4Women www.writes4women.com Facebook @writes4women Twitter / Instagram @w4wpodcast Substack https://writes4women.substack.com/ Camille Booker Website: click here Facebook: click here Instagram: click here Pamela Cook www.pamelacook.com.au Facebook @amelacookauthor Twitter @PamelaCookAU This episode produced by Pamela Cook for Writes4Women and recorded on unceded Dharawal land. Support the show: https://www.patreon.com/writes4women?fan_landing=trueSee omnystudio.com/listener for privacy information.

In Go On Pretending (History Through Fiction, 2025) Rose Janowitz is surprised to get a production job with a radio soap opera and stunned to fall in love with the show's African American leading man. She's a pioneer of the 1950s golden age of television, challenged to hide Jonas Cain's identity and their romance, especially from her boss Irna Phillips, the woman who invented soap operas. Years later in the 1980s, Rose's daughter, Emma Kagan leaves the USSR where she was born and struggles to survive in America after the Soviet union collapses. Then it's 2012, and Emma's daughter Libby joins the women's revolution in Syria. Rose flies to join her granddaughter and shares secrets she's buried for a lifetime about her involvement in the Spanish civil war and her dreams of a fair society. Alina Adams is the NYT best-selling author of soap opera tie-ins, figure skating mysteries, and romance novels. Her 1995 Regency Romance, "The Fictitious Marquis," was named a first #OwnVoices Jewish Historical by the Romance Writers of America. Her Soviet-Jewish historical fiction includes "The Nesting Dolls," "My Mother's Secret: A Novel of the Jewish Autonomous Region" and the May 2025 release, Go On Pretending. She was a Contributing Editor for "Kveller," and has written for "NY Jewish Week," "Interfaith Family Magazine" and "Today Show Parenting," among many others. She is currently a Contributing Writer to "Soap Hub." Alina was born in Odessa, USSR and moved to the US with her family in 1977. She currently lives in New York City with her husband and three children, where her hobbies include musical theater, tracking down classic television episodes on YouTube, and writing about the underachieving American educational system, with a focus on NYC, for "The 74 Million," "The Advance," "The NY Post" and "The NY Daily News." Learn more at her website.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Go On Pretending (History Through Fiction, 2025) Rose Janowitz is surprised to get a production job with a radio soap opera and stunned to fall in love with the show's African American leading man. She's a pioneer of the 1950s golden age of television, challenged to hide Jonas Cain's identity and their romance, especially from her boss Irna Phillips, the woman who invented soap operas. Years later in the 1980s, Rose's daughter, Emma Kagan leaves the USSR where she was born and struggles to survive in America after the Soviet union collapses. Then it's 2012, and Emma's daughter Libby joins the women's revolution in Syria. Rose flies to join her granddaughter and shares secrets she's buried for a lifetime about her involvement in the Spanish civil war and her dreams of a fair society. Alina Adams is the NYT best-selling author of soap opera tie-ins, figure skating mysteries, and romance novels. Her 1995 Regency Romance, "The Fictitious Marquis," was named a first #OwnVoices Jewish Historical by the Romance Writers of America. Her Soviet-Jewish historical fiction includes "The Nesting Dolls," "My Mother's Secret: A Novel of the Jewish Autonomous Region" and the May 2025 release, Go On Pretending. She was a Contributing Editor for "Kveller," and has written for "NY Jewish Week," "Interfaith Family Magazine" and "Today Show Parenting," among many others. She is currently a Contributing Writer to "Soap Hub." Alina was born in Odessa, USSR and moved to the US with her family in 1977. She currently lives in New York City with her husband and three children, where her hobbies include musical theater, tracking down classic television episodes on YouTube, and writing about the underachieving American educational system, with a focus on NYC, for "The 74 Million," "The Advance," "The NY Post" and "The NY Daily News." Learn more at her website.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

By request (and because Sarah needed books for her upcoming trip), we're talking about romance novels by Australian authors this week, with a nod to some New Zealanders as well. We discuss how historical romance has much maligned Australia, recommend some absolutely terrific books, many of which we've actually done deep dives on, and we talk about why so many Australian romances hit the spot with American readers. If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. Our next read along (next week!) is Susan Elizabeth Phillips's Natural Born Charmer. You can get it at Amazon, B&N, Kobo, Apple Books or wherever you get your books.NotesFrench Kiss is not available on streamers and it's very upsetting for those of us who know the deep magic of Kevin Kline & Meg Ryan.Australia is not the nation of criminals historical romance novels would like you to believe, but a lot of criminals did get sent there over an 80 year period from 1788-1868.Sarah is going to talk to the Romance Writers of Australia and the Romance Writers of New Zealand next month. Yes, she'll be going to Port Arthur in Tasmania to check out the place where all those criminals were sent.Victor Gadino illustrated the stepback for Dream Fever by Katherine SutcliffeMills & Boon is a British romance imprint, in North America these books are published under the name Harlequin. When Sarah talked about The Australians in the early years of Mills & Boon, she was wrong, and likely thinking of Diana Palmer's 1985 The Australian. The Australians series was a 12 book series in the early 2010s from Harlequin Presents. The book Raising the Stakes by Jess Dee is no longer available in Kindle, but maybe it is in other countries or maybe you downloaded it in the past? Check out her available titles here....

In this episode of PassionPod, Lauren (Director of Development) and Tosca (Founder and CEO of Passionflix) interview Gene David Paulsson, who plays the beloved character Fritz in The Black Dagger Brotherhood series. Gene shares his surreal experience of playing a fan-favorite role & his background as an actor from his early years in Manitoba to his extensive career in theater and television. The conversation touches on memorable moments on set, building relationships with co-stars and the emotional depth he brings to Fritz. Gene also reflects on the fan reactions at the premiere in New York City and the support he has received for his portrayal.If you're enjoying the Black Dagger Brotherhood series, please done forget to share it with your friends! Also, please don't forget to leave a review of this podcast on the platform of your choice!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Leave us a voicemail today at (770) 648-3677 or email at info@passionflix.com.Support the show

The main character in Chickasaw writer Danica Nava's debut novel gets into trouble for making some questionable claims about her Chickasaw identity to try and get ahead in the working world. Cherokee citizen Christina Berry writes about an Austin woman's sometimes funny, sometimes heart wrenching desire to start a family. And Karen Kay's historical novel explores an interracial connection on the mid-1800s Great Plains frontier. What each of these books has in common is the quest for true love. They also have honest, complex, and engaging portrayals of Native characters written by Native authors. We'll hear from them about their work and Native representation in modern romance literature. (This is an encore show, so we won't take calls from listeners). GUESTS Danica Nava (Chickasaw), author of The Truth According to Ember Karen Kay (Choctaw), historical romance author Christina Berry (citizen of the Cherokee Nation), contemporary romance author Break 1 Music: Death Row Love Affair (song) Tom Wilson (artist) Break 2 Music: Love Affair (song) Pepper (artist) In with the Old (album)

Note: This episode was delayed for technical reasons, so some may be confused by the opening when William teases his latest book sale. If you follow him on social media, you've already seen The Big Reveal. And if not—check out the next episode. Also, that is indeed William and Lara's dog, Baxter, expressing his enthusiasm for the new Amazon Kindle policy. We could've removed it—but why?Bestselling authors William and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Lauren Smith, the USA Today-bestselling author of many bestselling romance novels, including The Care and Feeding of Rogues—which involves not only romance, but Sherlock Holmes.00:00 Opening ThoughtsAll the latest news from Bill, Lara, and Jesse04:53 News1) Kindle Readers Can Now Purchase Books Within the App2) New Book Says "Bibliotherapy" Can Improve Your Health14:18 Craft CornerJon Meyers of Write Better Together discusses the importance of choosing setting deliberately.20:23 Interview with Lauren SmithLauren Smith has won multiple awards in several romance subgenres and was a 2018 RITA Finalist in the Romance Writers of America Contest. She was also a 2024 OK Book Awards nominee for The Care and Feeding of Rogues and she will be joining us at the WriterCon Retreat on July 16-20.36:44 Parting WordsDon't forget about the WriterCon Retreat at Canebrake Resort on July 16-20. It's a five-day, small-group writing retreat at the 300-acre resort on Ft. Gibson Lake. Our retreat group will have the resort to ourselves with paths to hike, a pool to enjoy, bikes to ride and much more! Classes every day, small-group work, guest lectures, plus plenty of time to get some writing done in a gorgeous environment. This retreat will leave you inspired to move forward in your writing journey! www.writercon.com/retreat/Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.comwww.writercon.com

⚠️ Spoiler Alert!In this episode, Tosca, Lauren & Ali break down Episode Three of The Black Dagger Brotherhood. If you haven't seen the episode yet, press pause and watch it first. We're diving into major plot points, character moments, and behind-the-scenes insights that could spoil the experience.Come back after you've watched for all the juicy details, laughs and fan-favorite moments!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.comSupport the show

What are the books that made Jodi McAlister fall in love with love stories?

With Special Guests Laura Drake & Sharon DukettMarketing books is hard, but what if your book includes themes readers might consider sensitive or controversial?From political commentary and social issues, to serious medical topics like cancer, dementia or the right to die, how should you approach marketing books like that?Join us for a frank conversation about the challenges and opportunities presented when marketing controversial books.Laura Drake is a hybrid author of Women's Fiction and Romance. Her debut, THE SWEET SPOT, won the Romance Writers of America® RITA® award for Best First Book. She's since published 10 more romances and 4 Women's Fiction. Sharon Dukett is an award-winning author who writes thrillers and memoirs. Her memoir, No Rules, won a gold medal in the Next Generation Indie Book Awards in Memoirs (Historical/Legacy). Her novel, The Shutdown List, won the 2025 Pencraft Winter Prize for Best Fiction – category Thriller.Lainey's novel! ⁠⁠The Exit Strategy is fun feminist fiction and a 15-time award-winner! A powerful, entertaining, and uplifting story of how even the smartest and strongest women fall victim to manipulation, and how, supporting one another, they can fight back, and find friendship.Winner of 15 book awards including Readers' Favorite, American Fiction Awards, National Indie Excellence.⁠⁠Join our newsletter⁠⁠⁠ and you'll always hear about new episodes and resources!Visit our ⁠⁠⁠⁠⁠episode page⁠⁠⁠⁠ ⁠for all resources and links featured in this episode.

Eloisa has published over 30 historical romances, many of which have hit the bestseller lists. She also wrote a bestselling memoir, Paris in Love, as well as a contemporary novel, Lizzie and Dante. Her books are published in 28 languages and 30 countries, from Slovakia to Sweden. Worldwide, she has approximately 7 million books published in print or electronically. She lives in New York City and Florence, Italy. After graduating from Harvard University, Eloisa earned a M.Phil. from Oxford University and a Ph.D. from Yale and eventually became a Shakespeare professor, publishing an academic book with Oxford University Press. Her "double life” as a professor and romance writer is a source of fascination to the media and her readers. In her professorial guise, she's written a New York Times op-ed defending the romance genre, as well as articles published everywhere from women's magazines such as More to journals such as the Romance Writers' Report.

NEARLY DEPARTED IN DEADWOOD, the Top-Rated #1 Kindle Bestseller in BOTH Women Sleuth and Ghost genres!WINNER of the 2010 Daphne du Maurier Award for Excellence in Mystery/SuspenseWINNER of the 2011 Romance Writers of America® Golden Heart Award for Best Novel with Strong Romantic ElementsPraise for NEARLY DEPARTED IN DEADWOOD..."Full of thrills and chills, a fun rollercoaster ride of a book!" ~Susan Andersen, New York Times Bestselling author of Burning Up"Ann Charles has written an intriguing mystery laced with a wicked sense of humor. Watch out Stephanie Plum, because Violet Parker is coming your way." ~Deborah Schneider, RWA Librarian of the Year 2009 & author of Beneath a Silver MoonSupport this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Send us a textLove is in the air as I talk with the amazing Michele Dunaway, an award-winning, contemporary romance author. Michele Dunaway is a best selling author of 30+ contemporary romance novels, with over 1.7 million books sold globallyMichele always dreamed of writing, and she sold her first romance novel after an editor appointment at the Romance Writers of American (RWA) national convention.Describing herself as a woman who does way too much and never wants to stop, Michele Dunaway writes about love and second chances in small towns that have cookie stores and wineries.Michele recently retired from an award-winning high school English and journalism teaching career. She's a proud mother of two grown daughters. As an avid pet lover, Michele shares her home with far too many rescued cats, who of course completely rule the roost. (You can see those cats on Instagram using #dunawaycats)Michele is represented by Jill Marsal of Marsal Lyon Literary Agency, LLC. Michele's also a former 3. 5 year board member of Novelists, Inc.; a past president and former newsletter editor of Missouri Romance Writers of America; and a past president and former newsletter editor of PASIC. Michele currently serves as the president of the League of Romance Writers, the former West Houston chapter of RWA.Learn more about Michele, below.https://micheledunaway.com/ Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

FREE Romance Story Structure & Beat Guide From Write It ScaredLove is in the air! In this special Valentine's Day episode of the Write it Scared podcast, I'm thrilled to be joined by the amazing Trisha Jenn Loehr, a romance expert and Author Accelerator Certified Fiction Book Coach. Together, we're diving headfirst into the art (and heart) of writing authentic romance.We're unpacking everything from developing unforgettable characters to building emotional intimacy that makes readers swoon. Trisha shares her incredible journey into romance writing and drops golden advice on overcoming common struggles—like keeping the chemistry alive and crafting believable relationships.We also explore the difference between romance and love stories, how to handle romance arcs over a series, and why happy endings are non-negotiable in this genre. Whether you're dreaming up a standalone romance or weaving love into a sprawling fantasy series, this conversation will inspire you to create stories that truly connect.Episode Highlights: 00:00 Starting with Self-Love: A Key to Great Romance 00:24 Welcome to the Write it Scared Podcast! 01:27 Valentine's Day Special

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.  In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia's experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.  In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia's experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.  In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia's experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.  In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia's experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example—and a cautionary tale—about self-organization and mutual aid in the digital economy.  In Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success (Princeton University Press, 2024), Dr. Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers—once disparaged literary outcasts—became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Dr. Larson shows how romance writers became the only authors in America to make money from the rise of ebooks—increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify—or mute—certain voices. Romancelandia's experience, Dr. Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity—but creator solidarity, in turn, depends on fair treatment of all members. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Datshiane Navanayagam talks to two writers of romantic fiction about their passion for creating stories that end happily ever after.Kiru Taye wanted to read stories about Africans falling in love. When she couldn't find those books, she decided to write the stories herself. The books in her Essien series about millionaire banker brothers are international bestsellers, she also writes about crime gangs and tribal rivalry. Kiru founded the publishing firm Love Africa Press and is a co-founder of Romance Writers of Wonderful Africa, a support organisation for African romance writers.US writer Nisha Sharma's books have been included in 'best-of' lists by The New York Times, Entertainment Weekly, Cosmopolitan, The Washington Post, Time Magazine and more. Growing up in a South Asian home she enjoyed the romantic storylines of Bollywood movies and traditional folktales like the epic Rama and Sita. Nisha joined the corporate world but quickly turned to writing Romantic Fiction and Young Adult novels too. Her books feature business mergers and re-imagine Shakespearean comedy with a South Asian twist.

Michael Buzzelli calls himself a stand-up comedian and sit-down author. Michael's performed comedy nationwide, most notably at three legendary clubs, the Ice House, the Comedy Store, and the Improv in Los Angeles. As a writer, Michael has been published in various websites, magazines, and newspapers. He's the theater & arts critic for ‘Burgh Vivant, Pittsburgh's online cultural talk magazine. He's also a Moth Grand Slam storyteller and actor. As well, Michael has presented workshops on humor to the Romance Writers of America and the Pennwriters Conference. His short film, “Light's Out,” is playing at film festivals worldwide.Michael's books, “Below Average Genius,” a collection of essays culled from his weekly humor column in the Observer-Reporter, and his romantic comedy, “All I Want for Christmas,” are on sale at Amazon.com. His short story, “Study Buddy,” is in a collection of LGBTQ romance stories entitled “Winter Break.” I've read “All I Want for Christmas,” and “Below Average Genius,” and can tell you Michael is a wry, witty, and often laugh out loud writer of heartfelt stories regarding the human condition. I highly recommend you check out Michael's work.He's also working on a full-length LGBTQ rom-com called “Why I Hate My Friends.”https://www.instagram.com/michaelbuzzelli/https://www.facebook.com/michael.buzzelli.58/

Lindsay Gibson and Savannah Carlisle talking about writing Romance, working with a small traditional press, and more!

This is the fourth episode in a series of episodes dedicated to a young woman named Olivea.  This episode is with special guest, best-selling author, Francine Rivers. In this episode Francine shares with Janell and Olivea about her life journey, how she hears from God, why trusting His character is so important, and how she knows He cares even when life can be full of disappointments or unexpected detours.    ABOUT FRANCINE RIVERS New York Times bestselling author Francine Rivers had a successful writing career in the general market for several years becoming a born-again Christian; she then wrote "Redeeming Love" as her statement of faith. A retelling of the biblical story of Gomer and Hosea set during the time of the California Gold Rush, Redeeming Love is now considered by many to be a classic work of Christian fiction and it continues to be one of the industry's top-selling titles year after year. Since Redeeming Love, Francine has published numerous bestselling novels with Christian themes—including The Masterpiece, Bridge to Haven, and A Voice in the Wind —and she has continued to win both industry acclaim and reader loyalty around the world. Her Christian novels have been awarded or nominated for numerous honors and in 1997, after winning her third RITA Award for Inspirational Fiction, Francine was inducted into the Romance Writers of America's Hall of Fame. In 2015, she received the Lifetime Achievement Award from American Christian Fiction Writers (ACFW). Francine's novels have been translated into over 30 different languages, and she enjoys bestseller status in many foreign countries. Francine and her husband live in Northern California and enjoy time spent with their grown children and grandchildren. She uses her writing to draw closer to the Lord, and she desires that through her work she might worship and praise Jesus for all He has done and is doing in her life.  

Jodi Picoult is the number 1 New York Times bestselling author of 28 novels and short stories, and has also written several issues of Wonder Woman.  Approximately 40 million copies of her books are in print worldwide and have been translated into 34 languages.  Her book My Sister's Keeper was made into a motion picture starring Cameron Diaz. Jodi is the recipient of many awards, including the 2003 New England Bookseller Award for Fiction, a lifetime achievement award for mainstream fiction from the Romance Writers of America, and the Sarah Josepha Hale Award. She holds honorary doctor of letters degrees from Dartmouth College and the University of New Haven. She is a patron of the Carol Shields Prize for Fiction, which is awarded to female fiction writers in the States.  Her new book By Any Other Name tells the story of two women, centuries apart, who are both forced to hide behind another name to make their voices heard. Jodi's book choices are: ** Gone With the Wind by Margaret Mitchell ** Out of Africa by Karen Blixen ** Beloved by Toni Morrison ** The World That We Knew by Alice Hoffman ** The Invisible Life of Addie LaRue by V. E. Schwab Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season seven of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season seven? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

Ann lives in the beautiful Northern Arizona mountains with her clever husband (Sam Lucky, with whom she co-authors The Deadwood Undertaker series), charming children, and incredibly sassy cats. After many years and several colleges, she earned her Bachelor's Degree in English with an emphasis on creative writing from the University of Washington.Her books are character-driven, mixed-genre adventures full of mystery and mayhem, comedy and spice, and whatever else feels right to her. Ann has written a bunch of contemporary, award-winning novels in multiple series full of quirky characters with whom she loves to spend time. Right now, while you're reading this, she's probably frolicking around in another story or running from some creepy supernatural villain she conjured in the middle of the night.Ann has been a member of several writer groups in the past, including Romance Writers of America, Sisters in Crime, and Western Writers of America; however, currently she's hanging out with Novelists, Inc (NINC) and soaking up all she can about writing and marketing books. Who knows what other groups she'll join next in her effort to grow her craft and business skills? She's always trying to improve and find more people who share her sense of humor.While her reading preferences range from adventure to horror to western and mystery, since trying on herfirst training bra, she has loved a good mix of romance, too.When Ann is not dabbling in fiction, she's chatting it up on various podcasts and radio shows, as well as hanging out at various book-related conferences, making new friends and sharing what she has learned over the years about the writing craft and marketing. Make sure to connect with @ann_charles

The main character in Chickasaw writer Danica Nava's debut novel gets into trouble for making some questionable claims about her Choctaw identity to try and get ahead in the working world. Cherokee citizen Christina Berry writes about an Austin woman's sometimes funny, sometimes heart wrenching desire to start a family. And Karen Kay's historical novel explores an interracial connection on the mid-1800s Great Plains frontier. What each of these books has in common is the quest for true love. They also have honest, complex, and engaging portrayals of Native characters written by Native authors. We'll hear from them about their work and Native representation in modern romance literature. GUESTS Danica Nava (Chickasaw), author of The Truth According to Ember Karen Kay (Choctaw), historical romance author Christina Berry (citizen of the Cherokee Nation), contemporary romance author

How are romance writers — and the recent romance boom — chipping away at the norms of Big Publishing? Does self-publishing lead to more diverse authors and characters? How has Amazon both expanded and limited the market? That's what we're grappling with in today's episode. Back in June, romance novelist Nisha Sharma broke down all the tropes and trends of contemporary romance. Next month, we'll have the owners of a romance bookstore explaining the the big (and complicated) business of romance-only bookselling. And today, we have Christine Larson, author of Love in the Time of Self-Publishing, walking us through the labor dynamics of romance publishing. If you like thinking about different ways of organizing labor, you'll find all of this fascinating — and if you're a romance fan, it'll make you think a lot about which books end up in front of you and why. You're gonna love it.Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here. To hear more, visit culturestudypod.substack.com

Send us a Text Message.A few weeks ago you may have heard about Romance Writers of America (RWA) filing for bankruptcy - they aren't going away, per se, just reorganizing. And you may have thought this doesn't matter to you - but it does. This single development that holds significant implications for the entire writing community, so we're talking about the vital role organizations like RWA play in the literary world, from advocacy and support to networking and learning opportunities.Buy Penny's new book, The Amazon Author Formula now!FREE BONUSIf you leave a review for the podcast email info@amarketingexpert.com and we'll give you our Book Launch Checklist! Just include your reviewer name or a screenshot of your review in the email.Check out our podcast page and learn more about the team at www.amarketingexpert.com/author-podcast

Join hosts J.D. Barker, Christine Daigle, Kevin Tumlinson, and Dick Wybrow as they discuss the week's entertainment news, including the Romance Writers of America filing for bankruptcy, Polis Books, and how Costco plans to stop selling books year round. Then, stick around for a chat with Carol LaHines! Carol LaHines: For me, the most affecting stories are those that are leavened with a sardonic sensibility.  Italo Calvino, one of my favorite writers, notes “th[e] particular connection between melancholy and humor,” speaking of how great writing “foregrounds [with] tiny, luminous traces that counterpoint the dark catastrophe.”  I've always veered toward the great literary comic writers—from Cervantes to Laurence Sterne to Pynchon, with a particular reverence for Nabokov, who believed that the best writing places the reader under a spell. My debut novel, Someday Everything Will All Make Sense, was a finalist for the Nilsen Prize for a First Novel and an American Fiction Award. My second novel, The Vixen Amber Halloway, is forthcoming in 2024 (Regal House). My fiction has appeared in journals including Fence, Denver Quarterly, Hayden's Ferry Review, Cimarron Review, The Literary Review, The Laurel Review, South Dakota Review, North Dakota Quarterly, The South Carolina Review, The Chattahoochee Review, The Nebraska Review, North Atlantic Review, Sycamore Review, Permafrost, redivider, Literary Orphans, and Literal Latte. My story, “Papijack,” was selected by judge Patrick Ryan as the recipient of the Lamar York Prize for Fiction. My short stories and novellas have been nominated for a Pushcart Prize and been finalists for the David Meyerson Fiction Prize, the Mary McCarthy Prize, the New Letters short story award, and the Disquiet Literary Prize, among others. My nonfiction includes “New York est une ville a part,” appearing in chantier d'ecriture (Mémoire d'encrier, A. Heminway, ed.). I am a graduate of New York University, Gallatin Division, and of St. John's University School of Law. My teachers include Rick Moody, Phil Schultz, and Sheila Kohler. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support

Brea and Mallory help you find books you'll like, solve a problem about reading in a genre you write, and recommend good buddy reads. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Microdose Gummieswww.microdose.comCODE: GLASSESMagic Spoonwww.magicspoon.com/GLASSESCODE: GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Slack channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!Mam's Books in SeattleReadathon - 2/3 10am PT Instagram Live KickoffStarling House by Alix E. HarrowBooks Mentioned - Sharks in the Time of Saviors by Kawai Strong WashburnA Letter to the Luminous Deep by Sylvie CathrallMy Year of Rest and Relaxation by Ottessa MoshfeghFates and Furies by Lauren GroffThe Future of Another Timeline by Annalee NewitzDykette by Jenny Fran Davis