Podcasts about Featherstone

In this week's episode of the League Express Podcast, Editor Martyn Sadler and Host Jake Kearnan discuss all the action from the Challenge Cup Final at Wembley, whether Warrington can bounce back from another major final loss and whether Hull KR can go on to win Super League. They discuss York's gritty golden point win over Featherstone, the Women's Wigan side knocking the defending Challenge Cup Champions St Helens off the podium and whether the weekend was a success. They discuss Australia searching for a new coach following Mal Meninga' accepting the Perth Bears job, Kai Pearce Paul signing with the Tigers and discuss Cameron Munster being announced as Maroons captain following Daly Cherry-Evans axing.

Host Anna Featherstone speaks with Julie Ganner and Dr. Agata Mrva-Montoya, co-authors of Books Without Barriers: A Practical Guide to Inclusive Publishing. They discuss how authors can make their books accessible from the start—by addressing formatting, fonts, image descriptions, and digital navigation. In this episode, you'll learn: What print disability means How to reach readers across formats Simple production changes that improve access Accessibility tips for children's books How semantic tagging and font choices support more readers Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guests Dr. Agata Mrva-Montoya is a senior lecturer and degree director of the Master of Publishing program in the Discipline of Media and Communications at the University of Sydney. Her research explores how technological innovation and power dynamics shape the publishing industry, with a particular focus on equitable access to literature and knowledge. She is president of the Round Table on Information Access for People with Print Disability and co-editor of Publishing Research Quarterly. Her background includes leading the implementation of accessible publishing practices at Sydney University Press. She is co-author of Books Without Barriers: A Practical Guide to Inclusive Publishing (2023), and her forthcoming book, Inclusive Publishing and the Quest for Reading Equity, will be published in August by Cambridge University Press. Julie Ganner, AE, is an accredited freelance editor and a lecturer in editing for the University of Sydney's Master of Publishing program. She represented the Institute of Professional Editors (IPEd) at the Australian Inclusive Publishing Initiative (AIPI), a cross-industry forum on print accessibility, and is a former chair of IPEd's Accessibility Initiative Working Party. She is the 2025 winner of the Janet Mackenzie Medal, IPEd's highest honor, awarded in recognition of her service to the editing profession. Julie is co-author of Books Without Barriers: A Practical Guide to Inclusive Publishing (IPEd and Australian Publishers Association, 2023) and Inclusive Publishing in Australia: An Introductory Guide (AIPI, 2019). Both guides are available as free downloads in multiple formats.

Tune into this weeks pop up podcast for reaction to all of last weeks games. Paul Rowley, Charlie Glover, Ethan Masters and Joe Shorrocks look back at the Wigan defeat. Head Coach of the ladies team Mike Grady talks to us about the ladies defeat against Featherstone and the cup final last week against Swinton, The Wheelchair team battled bravely against Warrington Head Coach Dave Able talks about the game and the development of the squad so far this season

Credits: 0.25 AMA PRA Category 1 Credit™   CME/CE Information and Claim Credit: https://www.pri-med.com/online-education/podcast/frankly-speaking-cme-435 Overview: In this episode, we discuss how screen time—from adolescence through adulthood—can disrupt sleep more than we might realize. Hear what the latest research says about topics like blue light and sleep duration, discover practical strategies to sleep smarter in this digital world, and learn how sleep deprivation can impact the health of your patients. Episode resource links: Zhong, C., Masters, M., Donzella, S. M., Diver, W. R., & Patel, A. V. (2025). Electronic Screen Use and Sleep Duration and Timing in Adults. JAMA Network Open, 8(3), e252493-e252493. Liu, Y. (2016). Prevalence of healthy sleep duration among adults—United States, 2014. MMWR. Morbidity and mortality weekly report, 65. Centers for Disease Control and Prevention (CDC). (2017). Announcement: sleep awareness week, April 23–29, 2017. Morb Mortal Wkly Rep (MMWR), 66(15), 411. Chaput, J. P., Dutil, C., Featherstone, R., Ross, R., Giangregorio, L., Saunders, T. J., ... & Carrier, J. (2020). Sleep duration and health in adults: an overview of systematic reviews. Applied Physiology, Nutrition, and Metabolism, 45(10), S218-S231. Hartley, S., Royant-Parola, S., Zayoud, A., Gremy, I., & Matulonga, B. (2022). Do both timing and duration of screen use affect sleep patterns in adolescents?. Plos one, 17(10), e0276226. Salfi, F., Amicucci, G., Corigliano, D., D'Atri, A., Viselli, L., Tempesta, D., & Ferrara, M. (2021). Changes of evening exposure to electronic devices during the COVID-19 lockdown affect the time course of sleep disturbances. Sleep, 44(9), zsab080. He, J. W., Tu, Z. H., Xiao, L., Su, T., & Tang, Y. X. (2020). Effect of restricting bedtime mobile phone use on sleep, arousal, mood, and working memory: a randomized pilot trial. PloS one, 15(2), e0228756. Guest: Mariyan L. Montaque, DNP, FNP-BC   Music Credit: Matthew Bugos Thoughts? Suggestions? Email us at FranklySpeaking@pri-med.com   

Credits: 0.25 AMA PRA Category 1 Credit™   CME/CE Information and Claim Credit: https://www.pri-med.com/online-education/podcast/frankly-speaking-cme-435 Overview: In this episode, we discuss how screen time—from adolescence through adulthood—can disrupt sleep more than we might realize. Hear what the latest research says about topics like blue light and sleep duration, discover practical strategies to sleep smarter in this digital world, and learn how sleep deprivation can impact the health of your patients. Episode resource links: Zhong, C., Masters, M., Donzella, S. M., Diver, W. R., & Patel, A. V. (2025). Electronic Screen Use and Sleep Duration and Timing in Adults. JAMA Network Open, 8(3), e252493-e252493. Liu, Y. (2016). Prevalence of healthy sleep duration among adults—United States, 2014. MMWR. Morbidity and mortality weekly report, 65. Centers for Disease Control and Prevention (CDC). (2017). Announcement: sleep awareness week, April 23–29, 2017. Morb Mortal Wkly Rep (MMWR), 66(15), 411. Chaput, J. P., Dutil, C., Featherstone, R., Ross, R., Giangregorio, L., Saunders, T. J., ... & Carrier, J. (2020). Sleep duration and health in adults: an overview of systematic reviews. Applied Physiology, Nutrition, and Metabolism, 45(10), S218-S231. Hartley, S., Royant-Parola, S., Zayoud, A., Gremy, I., & Matulonga, B. (2022). Do both timing and duration of screen use affect sleep patterns in adolescents?. Plos one, 17(10), e0276226. Salfi, F., Amicucci, G., Corigliano, D., D'Atri, A., Viselli, L., Tempesta, D., & Ferrara, M. (2021). Changes of evening exposure to electronic devices during the COVID-19 lockdown affect the time course of sleep disturbances. Sleep, 44(9), zsab080. He, J. W., Tu, Z. H., Xiao, L., Su, T., & Tang, Y. X. (2020). Effect of restricting bedtime mobile phone use on sleep, arousal, mood, and working memory: a randomized pilot trial. PloS one, 15(2), e0228756. Guest: Mariyan L. Montaque, DNP, FNP-BC   Music Credit: Matthew Bugos Thoughts? Suggestions? Email us at FranklySpeaking@pri-med.com   

Recently, BookVault—a company familiar to many of our U.S. and U.K. listeners—expanded its print-on-demand services to Australia. In this episode, ALLi's nonfiction advisor Anna Featherstone speaks with Alex Smith, BookVault's brand manager, to learn what the company offers, how it operates globally, and whether it might be a good fit for authors looking to diversify how they produce and distribute their books. In this episode, you'll learn: What BookVault is, which countries it currently serves, and how it compares to KDP, IngramSpark, and traditional book printers How special editions work—costs, timelines, trends, and possibilities The most common mistakes authors make with POD, and how to avoid them Why BookVault charges a setup fee—and how ALLi members can have it waived A crash course on bookbinding types: perfect bound, case bound, and saddle stitch Trends and innovations in indie publishing that have Alex excited about the future Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Alex Smith has been with Printondemand Worldwide, the parent company of BookVault, for more than seven years. During that time, he has gained extensive knowledge of the publishing industry. His experience positioned him to take a leading role in redeveloping the BookVault platform. Alex works closely with leading indie publishing entrepreneurs to ensure BookVault continues to deliver the innovative features authors and publishers need.

Tune into this weeks podcast lots going on as we look back at our magic weekend defeat against Hull Kr. CEO Chris Irwin resigns who is now running the club and what happens next? We look forward to a historic weekend as our ladies team play Swinton in the Challenge Trophy final at Featherstone and The Wheelchair team play their 1st league game against Hereford. This and lots more listen here or via your podcast playing app

Kapitel 38Gerade als Savini aufgrund der Entdeckung von Mr. Howett seinen Fluchtplan ändert, läuft er Capt. Featherstone in die Arme, der die Abwesenheit Bellamys nutzt, um nach dem letzten Thermometer zu suchen. Er macht Savini klar, dass er über die Fluchtpläne Bescheid weiss. Zusammen finden sie das Thermometer und Jim ist überrascht. Es zeigt 20 Grad an - 14 Grad mehr als die anderen. Der zurückkehrende Bellamy hat aber eine leider sehr gute Erklärung dafür. Vorgelesen von Rainer Schuppe; aufgenommen und bearbeitet im Coworking Space Rayaworx, Santanyí, Mallorca.

In this episode of the Self-Publishing with ALLi Podcast, Anna Featherstone speaks with Rebekah Lambert, a poet, playwright, content strategist, and founder of the Freelance Jungle, about how authors can produce and distribute zines. They discuss how zines give writers permission not to be perfect, offer a low-pressure way to spark creativity, and help both fiction and nonfiction authors deepen connections with readers. Show Notes List of Australian Writers Festivals for 2025 Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Rebekah Lambert is a freelance content and community specialist who advocates for stress reduction and support for creatives and the self-employed through the Freelance Jungle and Patreon. She's committed to ending isolation in sole employment and raising awareness of freelance industry challenges. Currently studying counselling and trauma-informed care, Rebekah aims to help creatives recover from recent difficult years. When she's not advocating, she's making art, writing, or exploring Wollongong with her Labradorks, Gibson and George. Learn more at Unashamedly Creative or follow her on Instagram.

Kapitel 35Der Angreifer stellt sich als Angestellter von Smith heraus, der oftmals nicht ganz richtig im Kopf ist. Und das weiss er geschickt auszunutzen. Jim lässt ihn laufen, nachdem Smith von einer Anzeige absieht. Im anschliessenden Gespräch macht Featherstone dem Clubchef klar, dass er in grosser Gefahr schwebt. Vorgelesen von Rainer Schuppe; aufgenommen und bearbeitet im Coworking Space Rayaworx, Santanyí, Mallorca.

Kapitel 32Bellamy übergibt Featherstone widerwillig aber ohne Widerstand die Schlüssel für das Schloss und auch den für den Geldschrank. Darin finden die Beamten einige Papiere und auch eine neunschwänzige Katze, wohl ein Geschenk Creagers. Auch gibt es Informationen über die Verwandtschaft Bellamys, vor allem über seinen Bruder. Sehr zur Genugtuung von Bellamy findet sich nichts, was ihn belasten könnte. Featherstone übergibt gerade die Schlüssel, als ein dünner Schrei hörbar wird. Vorgelesen von Rainer Schuppe; aufgenommen und bearbeitet im Coworking Space Rayaworx, Santanyí, Mallorca.

This week the British Fine Artist Frances Featherstone. Frances says her art is guided by an appreciation for storytelling. Narrative serves at the heart of her work with which she seeks to fill her paintings with ideas and conceptual depth. Her creative explorations revolve around the interplay between figures and interior spaces offering viewers a window into intimate emotions that are entangled with the spaces we occupy. Frances employs aerial perspectives to craft patterns seen from above that compress and flatten the spatial dimensions. These pieces venture beyond the constraints of conventional perception and seek to challenge our normal sense of space. One of two children—she has a brother Walter, Frances was born in 1976 in Roade, England, to parents Jane Gill, a teacher —formerly a silversmith and jeweler—and Michael Featherstone a furniture designer. Art runs throughout her family and Frances was always encouraged and supported in her talent which naturally led a formal art education. She achieved an Art Foundation Distinction and First Class Degree in Fine Art and Visual Culture from the University of the West of England, Bristol. before changing direction for her Post Grad in Interactive Multimedia at Bath Spa University, graduating in 2000. She worked as a Designer in the BBC's Interactive Factual and Learning Department for six years. In 2006 she got married and started a family, at which point she returned to painting, firstly by taking commissions for portraits. Her work took off and she was quickly gaining recognition. In 2019 Frances was shortlisted for ‘Artist of the Year' by ‘Artists and Illustrators Magazine'. In 2021 she won the ‘The Chair's Purchase Prize' at the ING Discerning Eye exhibition at The Mall Galleries in London. And in 2024 was awarded a Certificate of Commendation for ‘an exceptional work selected for the Royal Institute of Oil Painters' annual exhibition. She has also won Sky Arts Portrait of the Week twice for her paintings of Booker Prize winner Bernardine Evaristo and the singer Dannii Minogue.  Frances is represented by the Fairfax Gallery in Tunbridge Wells and Arcadia Contemporary Gallery in New York. She lives near Groombridge in East Sussex with her husband Munir Hassan and children Sam and Layla.  Frances' links: https://www.francesfeatherstone.co.uk/Instagram: @francesfeatherstone  Some favorite female artists:Paula RegoJenny SavilleFrida KahloJoan MitchellRachel Whiteread  Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTube has bonus content not included on the podcast.Email: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the British Fine Artist Frances Featherstone. Frances says her art is guided by an appreciation for storytelling. Narrative serves at the heart of her work with which she seeks to fill her paintings with ideas and conceptual depth. Her creative explorations revolve around the interplay between figures and interior spaces offering viewers a window into intimate emotions that are entangled with the spaces we occupy. Frances employs aerial perspectives to craft patterns seen from above that compress and flatten the spatial dimensions. These pieces venture beyond the constraints of conventional perception and seek to challenge our normal sense of space. One of two children—she has a brother Walter, Frances was born in 1976 in Roade, England, to parents Jane Gill, a teacher —formerly a silversmith and jeweler—and Michael Featherstone a furniture designer. Art runs throughout her family and Frances was always encouraged and supported in her talent which naturally led a formal art education. She achieved an Art Foundation Distinction and First Class Degree in Fine Art and Visual Culture from the University of the West of England, Bristol. before changing direction for her Post Grad in Interactive Multimedia at Bath Spa University, graduating in 2000. She worked as a Designer in the BBC's Interactive Factual and Learning Department for six years. In 2006 she got married and started a family, at which point she returned to painting, firstly by taking commissions for portraits. Her work took off and she was quickly gaining recognition. In 2019 Frances was shortlisted for ‘Artist of the Year' by ‘Artists and Illustrators Magazine'. In 2021 she won the ‘The Chair's Purchase Prize' at the ING Discerning Eye exhibition at The Mall Galleries in London. And in 2024 was awarded a Certificate of Commendation for ‘an exceptional work selected for the Royal Institute of Oil Painters' annual exhibition. She has also won Sky Arts Portrait of the Week twice for her paintings of Booker Prize winner Bernardine Evaristo and the singer Dannii Minogue.  Frances is represented by the Fairfax Gallery in Tunbridge Wells and Arcadia Contemporary Gallery in New York. She lives near Groombridge in East Sussex with her husband Munir Hassan and children Sam and Layla. Frances' links:https://www.francesfeatherstone.co.uk/Instagram: @francesfeatherstone Some favorite female artists:Paula RegoJenny SavilleFrida KahloJoan MitchellRachel Whiteread Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTube has bonus content not included on the podcast. Email: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Anna Featherstone is an accomplished Australian author, self-publisher, and expert in the world of independent writing. With a career spanning bestselling books like Small Farm Success Australia and Honey Farm Dreaming, she has written extensively for publications such as The Guardian and Sydney Morning Herald. As the Australian Ambassador for the Alliance of Independent Authors (ALLi), Anna is passionate about empowering non-fiction writers through workshops and guidance on taking control of their publishing journeys. Outside of writing, she has a deep love for nature, bees, and the simple joys of life, including cooking in a solar oven.Social media Links:Website: https://annafeatherstone.com/Instagram: https://www.instagram.com/annafeatherstonewriterLinkedIn: https://www.linkedin.com/in/anna-featherstone-writer/?originalSubdomain=auFacebook: https://www.facebook.com/AnnaFeatherstoneWriter/You can explore more of Hernan's work on his website, https://www.hernanchousa.com/.The music enriching our show is the creative work of Sebastian Klauer. You can reach him at klauersebas@gmail.com.

Steve Featherstone, outdoors reporter for the Syracuse Post-Standard and syracuse.com talks about the stories and opportunities for fishing and nature in the Central New York region.

On this episode of the Self-Publishing with ALLi podcast, host Anna Featherstone talks with USA Today bestselling author Phillipa Nefri Clark about the practical side of book production and distribution. Phillipa shares her experiences with different publishing methods, from KDP and Kobo to direct sales and working with a digital-first publisher. She discusses hiring a well-known TV actor for her audiobook, handling production challenges, navigating translations, and managing finances with the help of a specialist accountant. Show Notes List of Australian Writers Festivals for 2025 Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest A USA Today bestselling author, Phillipa Nefri Clark lives just outside a beautiful town in country Victoria, Australia. She also inhabits the many worlds of her imagination, stockpiling stories beside her laptop. Phillipa writes from the heart about love, dreams, secrets, discovery, the sea, and the world as she knows it—or wishes it could be. She loves happy endings, heart-pounding suspense, and characters who stay with readers long after the final page. With a passion for music, the ocean, nature, reading, and writing, she is often found in the vegetable garden pondering a new story. Phillipa is both an indie author and is traditionally published by Storm Publishing. You can find her on her website or Facebook.

Hailey Featherstone is an award-winning lighting designer and director with a passion for crafting immersive experiences. With a BA in Theatre Design and Production from ASU, she has worked across all facets of the industry—from technician to creative lead—on global tours, special events, and interactive installations.Her credits include:Hans Zimmer Live (Lighting Director) Taylor Swift's Reputation Tour (FOH Tech) Eddie Izzard's Wunderbar Tour (Lighting Director) Virgin Galactic Launches (Lighting Programmer) NBA All-Star Game (Lighting Designer)She has also led lighting design for immersive experiences like Kohlights at Kohl Children's Museum and Forest of Lights at Fair Oaks Farms. Named one of Live Design's “30 Under 30” and a Parnelli “Next Gen” Award honoree, Hailey combines technical expertise, creative vision, and a love for storytelling in every project.Ella Featherstone is a Freelance Associate Producer and Production Coordinator at Ella Featherstone Inc, she is a results-driven freelancer with expertise in event production, graphic design, and social media management, she thrives in fast-paced, high-pressure environments, seamlessly coordinating large-scale events for top brands like Salesforce, McDonald's, and Mercedes-Benz.Ella blends creativity with technical expertise to deliver exceptional experiences. Whether managing live events, digital content, or branding, she brings adaptability, precision, and a commitment to excellence to every project.This episode is brought to you by Lightswtich

Welcome back to The Sunday Scaries Podcast. This week, we welcome Almost Friday's Rusty Featherstone to the program to discuss how he spends his Sundays — his go-to hangover cures, his ideal Sunday, his go-to playlists, best Sunday meals, and so much more.Subscribe to the newsletter: willdefries.substack.com Shop the Sunday Scaries Scented Candles: www.vellabox.com/sundayscariesWatch all Retail Therapy episodes on YouTube: www.youtube.com/sundayscariespodcastSupport This Week's SponsorsShopify: www.shopify.com/scaries ($1/month trial!)Follow AlongRetail Therapy on Instagram: www.instagram.com/retail.podWill deFries on Twitter: www.twitter.com/willdefriesWill deFries on Instagram: www.instagram.com/willdefries Barrett Dudley on Twitter: www.twitter.com/barrettdudleyBarrett Dudley on Instagram: www.instagram.com/barrettdudleySunday Scaries on Twitter: www.twitter.com/sundayscariesSunday Scaries on Instagram: www.instagram.com/sunday.scariesCreditsMusic by Kevin MacLeod Licensed under Creative Commons: By Attribution 3.0

Tune into this weeks podcast for reaction to Salford going back into special measures, CEO Chris Irwin latest statement, How is everyone feeling? what now?, defeat at Hull KR and Featherstone as we travel to Castleford trying to record our 1st win of the season with only 17 men.

Tune into this weeks podcast as we look back at defeats for Paul Rowleys men against Leeds, we talk academy who battled but were beaten at Huddersfield. We have all the big news including Joe Shorrocks suspension, Challenge cup tickets, Las Vegas 9s and we look forward to this week as Paul Rowley's men face Hull KR and Mike Grady's ladies face Featherstone in their 1st pre season match.

The Sea of Change Choir, a choir composed of cancer survivors, spreads their message of Hope and Positivity.

Kapitel 8Valerie erzählte ihrem Vater, dass sie Bescheid weiss über Featherstone - später lässt dieser sie, wie vereinbart, alleine zu einem Ausflug aufbrechen. Während er darüber nachdenkt, warum Valerie so an Mrs. Held interessiert ist und zu keinem Schluss kommt, läuft ihm eine alte Bekannte über den Weg - Fay Clayton, die Frau von Julius Savini. Die ist allerdings ganz und gar nicht begeistert von der Begegnung. Vorgelesen von Rainer Schuppe; aufgenommen und bearbeitet im Coworking Space Rayaworx, Santanyí, Mallorca.

In this episode of the Self-Publishing with ALLi Podcast, Anna Featherstone speaks with audiobook marketing and distribution expert Lindsay Senior about how to distribute your audiobook globally. They discuss distribution platforms, library access, pricing strategies, and ways indie authors can reach more listeners. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Lindsay Senior is a seasoned audiobook marketing and distribution expert with a passion for helping authors bring their stories to life in audio. As the head of marketing at Author's Republic, she works closely with independent authors and publishers to maximize their audiobook sales across 50+ global platforms—including Audible, Apple, Spotify, Google, and major library networks. Lindsay brings a deep understanding of the audiobook publishing landscape and audience engagement.

Painting Insights Podcast is an online show where Richard K Blades and Simon Renshaw talk to professional painters, gallery owners, frame makers and curators. This week our guest is Frances Featherstone. Painting Insights Highlights: https://www.youtube.com/channel/UC9383DcEAAJZ51wAihdXOrQ Patreon: https://www.patreon.com/PaintingInsightsPodcast Frances's Instagram: https://www.instagram.com/p/C6rfFqCLjOD/?img_index=1 Frances's Website: https://www.francesfeatherstone.co.uk/?fbclid=PAZXh0bgNhZW0CMTEAAaZV0FvgyEUvBihJxbHYC4xbgJJS7WWWSRsiUvvR47KEdk2CJwJOOa40Bdc_aem_wG1qz1vP97n-5UYndO32Pg Silson Contemporary: https://silsoncontemporaryart.co.uk Fairfax Gallery: https://www.fairfaxgallery.com/artist/frances-featherstone/ Frances's Facebook: https://www.facebook.com/FrancesFeatherstoneArtist/?locale=en_GB Richard's Instagram: https://www.instagram.com/richard.k.blades_art/ Richard's Linktree: https://linktr.ee/richardkblades_art Simon's Instagram: https://www.instagram.com/simonsez_artwork/ Simon's Patreon: https://www.patreon.com/SimonSezArtwork

302: Self-love, second chances and dick pics with Lou FeatherstoneEver dreamed of leaving your husband, buying a leopard print bus, and touring America's Bible belt while throwing vibrators out of the window? That's what Lou Featherstone did, and she tells us all about it in this episode. We hear how a dick pic inspired her to leave her marriage after 20 years. We find out what it's like to give a Ted talk and to find new love with an old flame, and Lou shares her top tip for self-love. We also hear about her plans to take her beloved bus on the road here in the UK. To finish up we enjoy some amazing Scummy Mummy Confessions involving a Portuguese taxi driver and a threesome via a Harvester. For more from Lou, including dates for her new tour, follow her on Instagram @luinluland. We are bringing our BRAND NEW SHOW, Hot Mess, to theatres all over the country in 2025! Nunhead, Horsham and Farnham are SOLD OUT already... So get your tickets NOW for Stockport, Harlow, Birmingham, Wrexham, Salisbury, Leeds, Sheffield, Stroud and Epsom... Then we're off to Dunstable, Chelmsford, Worthing, Cardiff, Worcester, and many more... Visit scummymummies.com for dates and tickets. *WE HAVE A SHOP!* Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY! We're on X (@scummymummies), Instagram, and Facebook. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.

When Rusty joins it only means one thing... Pirates! Strider and Rusty(Friday Beers Playdate podcast) discuss the battle that perhaps ended the, "Golden Age of Piracy." The bros also discuss Captain James Cook, what gets them horny and much more. Strap on your boots cause this episode is an adventure. Strider's Special Makin' Memories Raw Dog Captain Hat ON SALE NOW! Sources: livescience.com, goldenageofpiracy.org, worldencyclopedia.org, rmg.co.uk, morethannelon.com, thoughtco.com, rmg.co.uk

In this episode of the Self-Publishing with ALLi Podcast, Anna Featherstone speaks with professional indexer Madeleine Davis, president of the Australian and New Zealand Society of Indexers. Together, they explore the critical role of indexes in nonfiction books, discussing why authors should consider investing in professional indexing, the process of creating an index, and how a great index can enhance the usability and longevity of a book. Davis also shares fascinating insights from her career, tips for working with indexers, and even some lighthearted moments from the world of indexing. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Now, go write and publish!  Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Madeleine Davis is the president of the Australian and New Zealand Society of Indexers (ANZSI) and has been a professional indexer since 1994. She has provided back-of-book indexes for trade publishers and university publishers for general, academic, textbooks, and legal publications. She has also given presentations about indexing at various international indexing conferences and seminars and has had articles published in The Indexer, a journal published on behalf of indexing societies worldwide.

Joining Anna this week is Lu Featherstone: a self-proclaimed former wild child, who turned ‘good wife' and ‘good mother', before throwing it all up in the air and reclaiming her freedom once again – this time, in her 50s. Feeling trapped after trying to squeeze herself into roles that didn't feel true to who she really was, she finally exploded out of the box she'd found herself in, and embraced an avalanche of rainbow sequins, huge sunglasses and naked photos in the wild. Lu's story is familiar to so many people finding themselves struggling at this point in life; she shares with Anna why she thinks midlife is so difficult, particularly for women, how she came to find her true self again, and how a unsolicited cheeky picture turned into a catalyst for her new life taking off.If you or someone you know is struggling with any of the topics discussed in It Can't Just Be Me, you can find useful resources and support here: https://audioalways.lnk.to/ItcantjustbemeIG.Every Friday Anna, alongside a panel of experts, will be addressing YOUR dilemmas in our brand new episodes ‘It's Not Just You'! If you have a dilemma or situation you'd like discussed, reach out to Anna by emailing hello@itcantjustbeme.co.uk or DM her on Instagram @itcantjustbemepod Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Self-Publishing with ALLi Podcast, nonfiction adviser Anna Featherstone talks with author and indie publishing expert Mark Leslie Lefebvre about how to get your books into libraries. They discuss the benefits of library distribution, strategies for working with librarians, and how to make your book a good fit for library collections. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Now, go write and publish!  Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to and memoirs and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Mark Leslie Lefebvre began working in the book industry in 1992, the same year his first published story appeared in print. In the more than thirty years since, he has published thrillers, fiction, urban fantasy, paranormal nonfiction, and books about writing and publishing. He has also worked as president of the Canadian Booksellers Association, director of Self-Publishing and Author Relations for Rakuten Kobo, and professional adviser for Sheridan College's Creative Writing and Publishing Honors Program.

In this episode of the Self-Publishing with ALLi Podcast, ALLi's nonfiction adviser Anna Featherstone talks with Michael Hanrahan, founder of Publish Central, about ways authors can save money when outsourcing publishing tasks. They cover topics such as reducing editing costs by improving your manuscript, making cost-effective printing decisions, managing contracts, and understanding what's truly necessary for distribution. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Now, go write and publish!  Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is the Australian Ambassador for the Alliance of Independent Authors, co-founder of Bold Authors, a judge of the Australian Business Book Awards, and a member of the Small Press Network (SPN) and Australian Society of Authors (ASA). She also enjoys writing and presenting workshops, and author talks on entrepreneurial writing and publishing. About the Guest Michael Hanrahan grew up in a home filled with books, inspired by his writer father's love of words. After earning a diploma in professional writing and editing at Deakin University in 1997, he built a career in publishing, holding key roles with Wrightbooks and John Wiley & Sons Australia. Over the years, Hanrahan has worked with bestselling authors and major clients such as Oxford University Press, Random House, and HardieGrant, gaining expertise in editing, design, and print management. As the founder of Publish Central, he employs professional publishing systems to help hundreds of authors self-publish high-quality books, earning recognition as Australia's leading expert in self-publishing for small business. He is also the cofounder of the Australian Business Book Awards.

John Featherstone Principal & Managing Director of Lightswitch. Born and educated in the United Kingdom, John was theatrically trained at Britain's National Youth Theatre.John met four lads who had just formed a band called The Smiths,John hit the road with The Smiths, and worked with them and his dear friend Johnny Marr until the band split. After that, he spent a decade concert touring under the watchful eye of Roy Bennett. John toured with bands from DuranDuran, INXS, Janet Jackson, Van Halen, and more. John met Norm Schwab also Principal & Managing Director for Lightswitch in 1986 — the same trip to the States when he met his wife, Kathy. John moved to the United States in 1989 and continued to tour extensively until he founded Lightswitch in 1993 with Norn Schwab.Lightswitch is a design consortium committed to the continuing pursuit of excellence in all aspects of the design process. Lightswitch creates visual design for dynamic live events and compelling architectural environments. John is married to Kathy and they have two daughters, Hailey and Ella who are both in the industry Please welcome my good friend John Featherstone to Geezers Of Gear. This Episode is brought to you by Main Light and Elation

Gus, Liam and Rusty spray hose water at dirt and turn it into mud. Rusty tries to pull some weak ass prank and gets owned. SUPPORT BLANDINO'S PIZZA: https://fridaybeers.shop/collections/af-pod FOLLOW OUR SOCIALS: https://www.flowcode.com/page/almostfridaypod SUPPORT OUR SPONSORS: GET PREMIUM WIRELESS PLANS STARTING AT $15 A MONTH AT https://www.mintmobile.com/almostfriday Download the BETMGM app and use bonus code “AFPOD” and you will get up to a $1500 First Bet Offer on your first wager! HEAD TO https://rikispirits.com/ TO FIND OUT WHERE TO GET RIKI NEAR YOU. FOLLOW @FRIDAY.BEERS AND @RIKISPIRITS TO STAY UP TO DATE WITH UPCOMING RIKI CONTESTS AND GIVEAWAYS (0:00) Intro (4:33) Car Shopping (10:28) The Dangerous Book for Boys (15:42) Emily Goes Viral (23:06) Strangest Toyota Commercial (28:50) Will's Fedora Phase (36:55) Learn. Me. Now. (41:48) Trevone Boykin (46:46) AJ and Big Justice in the Club?? (51:44) Liam and Will as Roommates (58:12) Cracker of the Week (1:06:24) Rusty's Big Prank Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show we talk with journalists, activists, and political commentators, Liza Featherstone and Doug Henwood about the recent Presidential elections. We try to make sense of the fact that a convicted felon, proud misogynist, outright racist, authoritarian figure, and known liar whose first term put nearly all those characteristics on display for four years, will be the most powerful person in the world again. Much of our discussion takes the Democratic party, and Kamala Harris in particular, to task, for proving once again that it is entirely beholden to the donor class, and incapable of recognizing the immense suffering, alienation, and cynicism of much of the United States.  We pay particular attention to exactly those things Harris chose not to emphasize—the economy, Gaza, and climate change.  We end by trying to see what kinds of progressive possibilities might be nurtured, and how we can lean on each other in the next several years.Liza Featherstone is the author of Divining Desire: Focus Groups and the Culture of Consultation, published by O/R Books in 2018, as well as Selling Women Short: the Landmark Battle for Workers' Rights at Walmart (Basic Books, 2004).  She co-authored Students Against Sweatshops (Verso, 2002) and is editor of False Choices: the Faux Feminism of Hillary Rodham Clinton (Verso, 2016). She's currently editing a collection of Alexandra Kollontai 's work for O/R Books and International Publishers and writing the introduction to that volume.Featherstone's work has been published in Lux, TV Guide, The New York Times, The Washington Post, Ms., the American Prospect, Columbia Journalism Review, Glamour, Teen Vogue, Dissent, the Guardian, In These Times, and many other publications. Liza teachers at NYU 's Literary Reportage Program as well as at Columbia University School for International and Public Affairs. She is proud to be an active member of the New York City Democratic Socialists of America and of UAW local 7902. Doug Henwood is a Brooklyn-based journalist and broadcaster specializing in economics and politics. He edited Left Business Observer, a newsletter, from 1986–2013, and has been host of Behind the News, a weekly radio show/podcast that originates on KPFA, Berkeley, since 1995. He is the author of Wall Street: How It Works and for Whom (Verso, 1997), After the New Economy (New Press, 2004), and My Turn: Hillary Clinton Targets the Presidency (OR Books, 2016). He's written for numerous periodicals including Harper's, The New Republic, The Nation, The Baffler, and Jacobin. He's been working on a book about the rot of the US ruling class for way too long and needs to acquire the self-discipline to finish it.  

In this Self-Publishing with ALLi episode, Nonfiction Adviser Anna Featherstone and Outreach Manager Michael La Ronn discuss ISBNs and why indie authors should consider owning them. Michael shares practical tips on buying, managing, and using ISBNs across book formats, with a focus on how this choice impacts professionalism, distribution, and control over your work. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Now, go write and publish!  Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is the Australian Ambassador for the Alliance of Independent Authors, co-founder of Bold Authors, a judge of the Australian Business Book Awards, and a member of the Small Press Network (SPN) and Australian Society of Authors (ASA). She also enjoys writing and presenting workshops, and author talks on entrepreneurial writing and publishing.

In this interview, Keziah Featherstone, an executive head teacher in the West Midlands of England, discusses her leadership philosophy and experiences. She emphasizes the importance of authentic leadership, challenging the homogenized model of leadership that often excludes women and people of color. Featherstone advocates for “punk leadership,” which encourages leaders to stay true to their values and be adaptable. She highlights the significance of relationships and impact over rigid adherence to traditional leadership models. Featherstone also touches on the challenges of recruitment and retention in education, stressing the need for leaders to find joy and fulfillment in their roles. She shares insights on creating inclusive environments and the importance of being intentional in supporting diverse leadership. The conversation also explores the role of men in championing women in leadership and the universal challenges faced by educators worldwide.Check out her book, Punk Leadership: Leading Schools Differently at Corwin.com.Let us know what you think!

Today we are joined by Rusty Featherstone and Willy D from The Playdate Podcast and Friday Beers. The fellas join us after a day at the Mets vs Dodgers game. Willy talks childhood and growing up on the east coast. Rusty breaks down his First Date Ever with a preschool teacher. We talk NFL and seeing Rodgers tear his achilles at Metlife.  A legend calls in from a philly after he tries everything on the menu but still can't find the right recipe for cravings. Check out their pod: https://www.youtube.com/@playdatepod We are live streaming a Fully unedited version of the pod on Twitch, if you want to chat with us while we're recording, follow here: https://www.twitch.tv/chadandjtgodeep Grab some dank merch here:https://shop.chadandjt.com/ Come see us on Tour! SPOKANE AND CANADA are the next stops. Get your tix - http://www.chadandjt.com TEXT OR CALL the hotline with your issue or question: 323-418-2019(Start with where you're from and name for best possible advice) Check out the reddit for some dank convo: https://www.reddit.com/r/ChadGoesDeep/ Shoutout to Our Sponsors: Jack Black Scents: The best Men's Fragrance company! Discover your smell today! 10% off your order  + free shipping at https://www. getjackblack.com/godeepBETTERHELP - The best place for online therapy ! 10% off first month . https://www.betterhelp.com/goingdeepChubbies Shorts: Our Favorite Clothing company. Get 20% off your order today when using promo code: GODEEP20 at checkout. https://www.chubbiesshorts.com/ MagicMind, Easy Rider, Botanic Tonics

Iain is joined for this one by the Lib Dem peer Baroness Featherstone for this 'un. They talk about Labour's first hundred days in government, the death of Alex Salmond, Lynne's legacy on equal marriage, the future of the Lib Dems, international investment and more!

Some publishers claim to be in the hybrid publishing space when they're, in fact, service providers or little more than vanity publishers. So, what is hybrid publishing really, and what are the potential upsides and downsides for authors bringing books out under this model? Listen to Anna Featherstone, ALLi's nonfiction adviser, and Christopher Locke, director of Membership and Member Services for the Independent Book Publishers Association, as they explain what authors need to be aware of when dealing with operators in this space. Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. Now, go write and publish!  Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Anna Featherstone is the Australian Ambassador for the Alliance of Independent Authors, co-founder of Bold Authors, a judge of the Australian Business Book Awards, and a member of the Small Press Network (SPN) and Australian Society of Authors (ASA). She also enjoys writing and presenting workshops, and author talks on entrepreneurial writing and publishing.

Welcome to the Aphasia Access, Aphasia Conversations Podcast. I'm Ellen Bernstein Ellis, Director Emeritus of the Aphasia Treatment Program at Cal State East Bay in the Department of Speech, Language and Hearing Sciences, and a member of the Aphasia Access Podcast Working Group.  Aphasia Access strives to provide members with information, inspiration and ideas that support their aphasia care through a variety of educational materials and resources. Brief topic intro I'm today's host for an episode that will feature Dr Felicity Bright. We'll discuss her research looking at factors impacting wellbeing,  engagement and hope. Guest bio   Felicity Bright is a registered speech language therapist and associate professor in rehabilitation at Auckland University of Technology in Aotearoa, New Zealand. Her research examines cultures of care, and in particular, how the cultures and practices in rehabilitation respond to the needs and priorities of patients and those who support them. She has a particular interest in stroke and in the needs and experiences of those with communication impairment through her work, Felicity seeks to support practitioners services and rehabilitation organizations and to provide better person centered care. Listener Take-aways In today's episode you will: Explore how qualitative research promotes the nuanced study of meaningful clinical practice Consider cultural differences in well-being and what this might mean for how we work with people with aphasia and their support networks Reflect on the importance of having discussions with patients about hope and well-being Discuss how culture and organizations impact healthcare practice for individuals with aphasia Show notes edited for conciseness Ellen Bernstein-Ellis Felicity, welcome to our show. Thank you for agreeing to be our guest today. Felicity Bright  Thank you for having me. It's great to be here. Ellen Bernstein-Ellis  Welcome Felicity. We're going to start today with  an icebreaker question. The one you selected for today is, “Do you have  a favorite book or movie about aphasia? Felicity Bright  It was hard to choose one. Actually, I was just looking at my bookshelf and I went back to myself as a fairly new speech and language therapist quite a few years ago now. One that was really transformative for my practice was Talking about Aphasia by Suzie Parr and Sally Bing.  It's a classic, but it was a beautifully written book that really opened my eyes to the experiences of people with aphasia beyond all the technical work that we'd learned in university and so on, but it brought to life the humanity of the people who have aphasia, and really helped me rethink why I do what I do, and what the real impacts of aphasia can be for people. Ellen Bernstein-Ellis  Yes, that's a beautiful book that brings that all to the forefront. And I want you to say the title and author again, in case I spoke over you a moment ago, Felicity Bright The book is Talking about Aphasia and the authors are Susie Parr, Sally Bing and Sue Gilpin with Chris Ireland, Ellen Bernstein-Ellis We'll put that (i.e. citation)  into the reference list on our speaker notes. So thank you. And as we start today's interview, I was wondering if you'd like to share your path from clinician to researcher, because we've had several guests who have started in clinical work and then came to their doctoral work and research a little bit later. So,  I'd love it if you could share that with our listeners. Felicity Bright Sure. So I worked as a speech and language therapist in New Zealand. We are speech language therapists. I worked in a range of neurological settings, from acute stroke neurosurgery, did a little bit of ICU, did some rehab in inpatient services and in community, and really enjoyed that work, but I'd always had a long standing interest in research. I was a bit of a geek, you know, When I was in training, that was, that was me,  I was the geek. And so I'd always kind of expected at some point I would go down the research track. It was prompted after I had my first baby, and my work required me to either go back full time or to not work. And so at that point, I chose to not go back to work full time, and a research job came up at Auckland University of Technology, and I'd followed their work for a while. We don't do speech therapy here, it was rehabilitation research, and I was offered an opportunity to be a research officer doing interventions as part of a randomized control trial with people with traumatic brain injury. And so that kind of gave me the space to bring together some clinical work, but also some research work. It gave me the opportunity to do my Masters alongside this with my fees paid. So that was fantastic. And it really solidified for me that I was quite happy and enjoyed being in that kind of clinical research space. And so I've been in the university now for 15, nearly 16 years Ellen Bernstein-Ellis  Wow, that's a great story. So now you have a 15 year old, right? Felicity Bright I have a 16 year old who is now taller than I am. Ellen Bernstein-Ellis Well, thank you for sharing that.  I'm just really looking forward to a discussion around some, what I consider critical but hard to define and challenging to research topics. like engagement, wellbeing and hope.  I want to start by asking, how did you end up researching a topic like engagement or hope? You did say during our planning meeting that you research things that you're bad at, which made me laugh. So that sounds like some courageous and reflective exploration. So maybe talk a little more about that. Felicity Bright Yeah, I am a bit of a selfish researcher. I research the things that I find tricky and a little bit hard, because for me, I want to learn how can I do better at this? How can I help my students learn how to be better in these areas? How can I help clinicians not make the mistakes that  I've made. I guess trying to be a better clinician has been at the heart of a lot of the work that I do. And you know, when I was working full time in clinical practice, I had patients who would stick with me where I just felt I let them down. They had such a short window of rehabilitation access. They were living with stroke for the rest of their lives. They maybe had eight or 12 weeks of speech therapy. There were just times when I really felt I missed the mark for them, when they didn't get the best rehab they could have had. And it was when I was working in the university in this randomized control trial of goal setting interventions after traumatic brain injury that it started to help me reflect on some of the why I was maybe having some of the challenges I was having. So in this trial, which was quite prescribed because it's a randomized control trial, I was noticing that patients seem to be engaging with these interventions a lot more than the people who I worked with in clinical practice, and that kind of surprised me a little bit. I also noticed that-- we were using Mark Ylvisaker's approach to goal setting around what  is meaningful identity based goal setting--and people were identifying hopes and goals and dreams that would have left me panicking as a speech and language therapist. What do I do about this? But it made me realize, actually, I didn't need to panic about that, and there were ways to engage with people about their hopes and dreams that honored those hopes and dreams, that kept them alive. But also, I could see ways that  I could work with this. I could bring my speech therapy hat and help people. And so it highlighted to me that maybe the things that I had perceived to be difficult or issues, didn't need to be and there were ways to think about these things differently and ways to work differently to better support people. So working on this trial, and I did some quite structured reflection around that with some of my colleagues, writing in auto ethnography around this, gave me the opportunity to reflect on these areas, but also highlighted that there was the real opportunity to do more nuanced and more detailed research that would bring to life different ways that we could support people to hold hope, to engage in rehabilitation that is meaningful and that might be able to produce some quite tangible suggestions to support clinicians and to support the people with stroke who we work with. Ellen Bernstein-Ellis  I just want to say that these intangible, some what we call intangible topics that you've tackled, you always seem to end with tangible suggestions, and that's what I have found so inspiring. And we're going to circle back to hope in a few more questions. But, I just want to say, not only has my clinical thinking been informed and inspired by your research topics, but I've also just learned so much from the variety of qualitative methodologies that you've used in your work. I was wondering if you could share how you developed your expertise in qualitative research, maybe even offer some tips to people wanting to develop their own skill set. And okay, maybe I'm being a little selfish interviewer. You just said selfish researcher, but I found this challenging, and I've been trying to dip my toe, or I've fallen in head first,  trying to develop my skill set around qualitative research. What's your advice?  Felicity Bright  I was really fortunate. I came into research, into a team that had qualitative expertise and that used a variety, but not a wide variety, of different qualitative approaches. And it was a team, and still is a team, that has really high standards for methodological rigor. So to us, it's really important to do research that is robust and rigorous and that anchors back to the underpinning theory and philosophy that underlies each of the approaches that we use. But I was also really lucky in my research that I had supervisors and bosses who really supported innovation, who didn't tell me, no, this is how we do things, who didn't expect me to come into a study and do it just as they had told me to do. But they created the space for me to explore when I was working as a clinical researcher, but also as a master's and as a PhD student. Really had no issues when I said I'm going to go to the library, and I would just sit in the library and read qualitative textbooks and come back with a completely hair brained idea, but that actually turned into something that was really interesting and meaningful. So the Voice Centered Relational Approach that I've used a number of times came from sitting in the library one afternoon and just reading Feminist Research Methodology books. And I think one of my tips would be read outside speech and language therapy. There's amazing work that is happening, not just in the health disciplines or education spaces, but I love reading health sociology journals. I get notifications of a number of different journal types that alert me to different work. One of my recent projects I used Applied Tensions Analysis, which I'd never heard of, but I had a notification come across for a paper about domestic violence settings and kind of how services work. That's not in my area of research or clinical expertise, but there was something within that abstract that made me go, oh, there's an idea there that is similar to the ideas that I'm trying to get at in my stroke research. And so reading widely, I use Twitter a lot as a way of, kind of coming up to date with different research. I use trial and error. I've tried things and got them terribly wrong. I tried Grounded Theory  for about a year for my Masters, and it was atrocious. But also I found that doing research with people with aphasia pushes you to be innovative. A lot of the methodologies as they are published don't necessarily quite fit with the types of interviews or the types of data that we have, and so for me, that's provided an opportunity to test and do things differently. Ellen Bernstein-Ellis I mean, that's an inspiring response and encouraging support. So thank you. During our planning discussion, you also referred me to the Life Thread model and the 2008 article by Ellis Hill, Payne and Ward. What a wonderful article. So thank you for that. I was particularly taken with its implications for clinical practice and how it might guide us in asking questions in a better way to help us understand the social realities of our clients, to prioritize that. To understand how important the social reality is for our clients. Could you please share with our listeners some of the core concepts of the Life Thread model and how it's informed your work? Because I do see the connection there. Felicity Bright  Yeah, I came across this, Carolyn Alice Hill, who developed it, I think, as part of her PhD, was a collaborator of one of my PhD supervisors, and so Cath put me onto it. But the Life Threads model is about identity. And Carolyn's work was in stroke, and she was kind of talking to how identity changes and develops over time. And the Life Threads model talks to how our lives and our identities are made up of many threads, and those threads, they can change over time. But when there's a traumatic event like a stroke, it can cause some threads to break or be frayed, and that can be really challenging. We know there's a lot of work around aphasia and identity construction and identity loss, that's come around. But also what we know is that stroke can also prompt people to think about what are the threads that they want to continue post stroke.  Maybe there are some threads, I found in my hope research, where people are saying,”I don't want to be that person anymore. That's not something that I value”, and for them, sometimes the stroke could be an opportunity to rethink what are the threads that I now want to bring into my life as I weave this new identity of somebody post stroke, but still continues threads that have come through from before the stroke. We know from the hope research that I was doing that it was often really hard for people to see these threads.  It kind of felt like there was a pre-stroke life and a post-stroke life, and that there was quite a disruption. Those threads were cut. And so for me, it prompted questions about how do our conversations as clinicians help people identify the threads that are important for them to thread through their life. What are the new threads that they want to pick up on? You know, some of the work I've done, and we will talk about this a bit later on, around life after stroke, has highlighted how actually a lot of the conversations that happen between clinicians focus around things like tasks and activities and doing things, but there isn't necessarily a lot of conversation about identity or about what is meaningful and what do people want to carry through, and how can clinicians support that? And I would say that if we can kind of tune into the threads that matter to people or that people want to matter in their lives, it gives us a chance to tailor therapy to be much more personalized, more meaningful and more engaging, and I would suggest, probably leads to better outcomes for people. What we know from quite a bit of the research, not just my research, but other work, is that people are often doing this identity work on their own, without support. And we know that it's really hard, because our identities are social and they're relational, and they occur through connection and through communication, all of these things that are disrupted by aphasia, often. And so I think the Life Threads model really prompts us to think how can we as clinicians, support people to engage in conversations about identity, and how can we overtly, really attend to supporting identity within the work that we do. Ellen Bernstein-Ellis  Wow, that's beautiful. And yes, I think there's been, fortunately, a growing understanding of the importance of looking at the lack of support for this identity work with us with our clients, and I can really see how the Life Threads model has played an important role in your thinking and research. I recommend our readers to the article because it has some great examples of how to maybe flex the way you ask questions to help understand the narrative better. So I think it's, a marvelous article, I just want to take a moment and let our listeners know about the fabulous interview that you did with Michael Biel on the ANCDS podcast where you discussed engagement and ways you might incorporate Goal Attainment Scaling to help our clients establish meaningful goals.  I'll put the link to that, along with the citations to all of the work we're discussing today in our show notes. That also gives me a chance to say I don't have to cover everything today, because he did a really good job on those topics. But at the end of that podcast with Michael, you highlighted what was coming next, and that was your work on wellbeing. You've been exploring, and this is a quote by you, “what does it look like to explicitly attend to holistic, long term wellbeing?” Can you discuss some of the takeaways from your 2024 article, Psychosocial Well being After Stroke in Aotearoa, New Zealand, a Qualitative Meta-synthesis with your co authors, Ibell-Roberts and Wilson. Maybe we can just start by talking about the term psychosocial wellbeing. That's an important one to understand, but it can vary depending on one's cultural context.  Just to start with that, so yeah, good luck with all of that! Felicity Bright  It's a massive question, and it's funny, I started with the term psychosocial wellbeing, and I really intentionally used the language of psychosocial to kind of move away from thinking about just psychological wellbeing, which tended to be framed more from a mood perspective. And so I really wanted to be attending to some of the emotional, and the social, and the relational elements of wellbeing. But actually, I've now dropped the psychosocial because what we found is, when we talk to our people with stroke in the community, as part of our research, that term is completely meaningless to them, but the term wellbeing is something that resonates. Wellbeing is a really, firstly, a really nebulous term, but it's also really multifaceted. And I guess the place we've come to is, we view wellbeing as kind of quite unique to an individual, but it's deeply relational, and it's influenced through connection with people, with their cultures and with their communities, and all of those areas need attention. Now, in this piece of work that you referred to, Qualitative Metasynthesis, we were looking across the literature in Aotearoa, New Zealand, when we look at all the work that's been done, looking at life after stroke, and living life after stroke, what do people say about wellbeing and that highlighted that there were a number of features. Now, one thing I want to flag is that within New Zealand, we have an indigenous population, the  Māori population of New Zealand, who have been here for centuries before Pakeha came and colonized New Zealand. And one of the things that's been really important in our work is to really make sure that we are upholding the voices of Māori, who are often either not included in research, or are involved in research that is not particularly culturally safe, or where their perspectives are kind of subsumed within the wider perspectives of the dominant Pakeha, or European culture. And so one of the things we've been really lucky to do with this is to have my colleague BJ Wilson, who was leading the Māori stream, so she engaged with our  Māori data and literature uniquely. So we upheld that in its own right. That's context, because I'm going to talk to two different ways of thinking about wellbeing, one that was general from all of the literature and one that was specific to Māori . So when we look across all of the New Zealand literature, including the  Māori literature, we kind of saw there were probably four key areas that seemed to matter for wellbeing. Having strong connections with family, with old, pre stroke friends, but also with new friends, people who had also been through stroke and had some similar experiences. The sense of self that was connected, where people had a sense of being connected to who they were before the stroke, who they are now, and have an idea of who do I want to be in the future? And there was a sense of coherence, sense of thread that went between those identities. There was, when they experienced wellbeing,  a general sense of stability in the present. So things were okay now. It didn't mean that things were perfect. Some of the literature has suggested that people have to have positive emotions if they're going to have a sense of wellbeing. But actually, this qualitative meta synthesis, and the following qualitative work we've done has suggested, no, life is never 100% positive for any of us, but it's about having a balance of, yes, maybe there are some hard times, but also there are some good times as well.  That overall, there's an equilibrium of emotions, Ellen Bernstein-Ellis  Right the duality, like be able to hold the duality Felicity Bright  Absolutely and kind of be okay with it, recognize that each of them has a time and a place. People also, when there was a sense of wellbeing, had a vision for the future, kind of a sense of moving towards that. So, yes,  they were okay in the present, but they also had a sense that the present is not my future for the rest of my life. I can see a life that is meaningful and enjoyable, and I'm taking steps towards it. But when we looked at the literature from Māori, and this was the analysis led by my colleague, Bobby-Jo, it also came through ideas like whanaungatanga and ngā hono. So whanaungatanga talks to the notion of connections, and ngā hono talks to connections and kind of belonging as well. And that was a sense of connection to whānau. So that is to people's wider kinship networks, not just blood relations like a family would be, but to kinship networks who are meaningful to the person. Having a sense of connection and belonging in their community, but also to places of meaning. So not just people, but to places. We also notice an idea around ko ahau, so being connected to their identity as Māori, to their cultural identity, in a sense that their cultural identity was recognized and was valued and supported by those around them, including healthcare professionals. Ideas of mana and wairua. So mana talks to the inherent standing and value that an individual has. And we all know that in a healthcare context, actually, that can be diminished because you become a patient in the healthcare context. But actually, for wellbeing, having that mana recognized and valued and upheld was really critical. And when one's personhood is understood and respected, that also helped with the sense of wairua, I guess, the spiritual essence of the person. And finally, was the notion of rangatiratanga, which is about autonomy and control and the ability to make decisions for oneself.  We can see that while there were similarities between our  Māori and our non-Māori groups, there were also cultural differences. So for wellbeing, for Māori, had wider integrations with their sense of whānau, their family and kinship networks, and for their culture and wellbeing was unique for each whānau within the research. Ellen Bernstein-Ellis  I'd like to take a moment and have you elaborate a little bit more on that concept of the relationship of whānau to wellbeing, and how the whānau may be impacted by the stroke and subsequent aphasia. So often our family and support network does not receive direct attention. And here, you're elevating it quite a bit, so maybe you could speak to that a bit more. This is really top of mind for me, because I just went to a think tank meeting and hearing the stories of the care providers saying, I'm not sure I mattered in this equation of my spouse's health care rehabilitation.It just really struck me to hear that. So please, let's talk a little bit more about those values. Felicity Bright  Yeah, absolutely, for all of the people in our wellbeing research and in the previous hope research and so on that I've done, kind of people's whānau, their family and their social connections were absolutely critical to their recovery. And what came through, when we were looking at Māori experiences, was particularly also the intergenerational aspect, like sometimes within stroke services, we might think about the partner a little bit, not always particularly well. And I'll talk to that in a minute. But actually, we could also hear within our  Māori whānau, kind of the impacts for generations above and generations below, like the disruption to relationships between grandparents and grandchildren, and how the grandparent who may have aphasia, would usually have a really critical role in passing on family knowledge, or passing on Matauranga, kind of Māori cultural knowledge. But actually, because of the way the stroke affected them, they couldn't do that and take that role on, and so that impacted not just on the relationship, but also kind of on the identity and how Māori culture could be passed on through a whānau unit. But we've also heard exactly what you talk about. Our services are focused around the person with stroke rather than their whānau, but our services are also really short term. And so what  we can see from the research is that the family and the whānau become the connectors and the supporters. They are the consistent people. They hold, usually, deep knowledge of the person that often the healthcare professional doesn't hold. And we're doing some work at the moment around communication access in stroke units.  And even in the context of really significant aphasia, we're hearing about how whānau, even though they don't know about aphasia, they don't know about communication strategies.  But because they know how to read the person, they know their non verbal communication, they are actually really powerful translators, and hold the expertise that, actually, we don't hold as Speech and Language Therapists.  But we also know that the whānau are key in helping people access supports outside the healthcare system, and they do a lot of that navigation work that they are left to do because the healthcare system doesn't do it very well. And like you say, that's really challenging when the whānau's well-being is impacted themselves, you know, but that isn't seen consistently, and it isn't acknowledged. They very quickly become the carer, rather than, this is this person's wife and they've been married for 45 years. Or this is this person's husband, and they've got three young children at home. What is this going to mean for their relationship as a couple, for their relationship as parents? And so the families are talking to us about the exhaustion and the grief and the shock and the loss.  The relief that the person is alive, but again, the duality, there is relief, but there is also distress from the way that the stroke is impacting. And so we would really be calling for much more focus on everybody's wellbeing in this context, because if the wellbeing of whānau is not there, that impacts also on the wellbeing of the person. And I think we need to be shifting how we think about who is our client, whose needs do we serve, and what is our role in supporting the social and relational context around the person Ellen Bernstein-Ellis  That's beautiful. You really highlighted that role, the role of the whānau. And you also identify, Felicity, some other key contributors to wellbeing, and then how those might really impact our clinical goal setting, and I know that's always such an important aspect of how we think as clinicians. You have to document because we're in a system, which we'll talk about. Maybe you can share some other factors that you identified. Felicity Bright  Yeah, so I would be encouraging people to think about what are all the things that seem to support people's long term wellbeing? And those are things, like the relationships they hold within their family, but also within their social networks and within their work networks and so on, Thinking about the different emotions that people might be experiencing. Thinking about hope and what supports people to hold hope, and what do people hope for. Think about the connections that matter to people, the connections to people.  The cultural things that matter for people's wellbeing.  The connections to community activities and roles and so on. And think about the things that matter and are meaningful for individuals that usually fall outside our traditional SMART goals that we use in New Zealand, you know? Is it smart, specific, measurable, achievable, realistic, time bound? What is it? I would be saying our goal should be focusing on what makes a good life for this person. And I would be encouraging you, if you're a clinician, looking at the goals that you're setting for the person.  Where is the good life in those goals? Is that up front and center and documented on the page that everyone can see it? That's something I learned through my goal setting research. That was my first research job, the importance of taking people's words, putting their words on a page, and keeping the words where everybody could see it. So where are the things that support wellbeing and that constitute a good life in our goal setting? Where are they in the interventions that we're doing? And I would be really encouraging people to reflect on how they are making the links explicit between the therapeutic tasks and the things that really matter to people. Because we know from the engagement work that when people can see the link between what they're doing in therapy and what matters to them in life, it is much more likely to be engaging and is much more likely to support them to persist, even when it's difficult, because they can understand this is why I'm doing this thing. Ellen Bernstein-Ellis  Right? Oh, that's beautiful. That really leads nicely into another 2024 article that you've put out focused on wellbeing.  And that's The physical wellbeing is our top priority: Healthcare professionals' challenges in supporting psychosocial wellbeing and stroke services. That article examines what seems to be a mismatch between knowing as clinicians that wellbeing is important, right, and being able to specifically address it within our clinical context. So, we say that we want to, and we know it's important, but the ability to get there, it's quite challenging. I was wondering if you could highlight some of your findings and key recommendations. And I think one of those actually addresses the graduate curriculum. I think that is really going back to the beginning, right? So, please share some of the wonderful work from that article. Felicity Bright So the context for this work is, this is part of a bigger program of research I'm doing around wellbeing after stroke. And this isn't specific to people with aphasia, but we do have people with aphasia in the research.  This research came from this issue-- we've got decades of literature that says that wellbeing is important. We've got a body of literature that says clinicians know wellbeing is important, but we are persistently not addressing wellbeing, and we've got decades of patient experience data that says this is an unmet need. So I was really interested in understanding, why have we got this persistent mismatch between what is known what matters and what is done, and so using an approach called institutional ethnography to try and get into the cultures and the structures that contribute to this, the rationale behind that is I didn't want to be creating solutions that were going to be completely unattainable in the healthcare context. And so I wanted to understand what's going on in the structure of the healthcare system, and how might we be able to work with that or push against that, to create different ways of thinking about how we work to deal with this persistent issue. So this project, this part of the research, we were looking at, why are clinicians not seeming to address wellbeing? And so we interviewed over 30 clinicians, I think, within this research for a whole range of healthcare disciplines. What came through really consistently was everybody wanted to support wellbeing. Everybody thought it was important, but there were a number of factors that made it difficult, and we traced as to why that was so. Firstly, we can look back to when the person first comes into the service. They come into the emergency department. There's often a code stroke that's called. It's a time of really busy early biomedical focus around investigating the stroke, doing assessments. The first couple of days are about intervening to prevent another stroke or to prevent complications. And dysphagia assessment is a classic in New Zealand. Dysphagia assessment is usually prioritized over communication assessment because it is seen to have particular risks and contribute to particular complications. And so we've got this really early biomedical focus as people come through the first few days. Then the focus shifts a little bit to assessments and treating impairment in function. And when we were interviewing clinicians, they were talking about wanting to give people the best chance of recovery, and that linked to ideas around neuroplasticity and the importance of early intervention for maximizing neuroplasticity and brain remodeling. There was a real focus on addressing the practicalities like toileting and dressing and what was needed to get people home. And there was a view often that emotions could wait. We need to do the practicalities first. We can do the other stuff later. This was a time of focusing on helping people survive, get through and get home, and it was in the context of really busy wards.  You know, sitting and watching nurses work, they are flat out. They are understaffed, and they have very limited time to be doing these aspects of work. But all of this contributes in this wider healthcare system that in New Zealand, and I suspect internationally, is short staffed, underfunded. We've got more demand than we've got beds. There is a really strong focus on getting people home. Now that's not inherently bad. A lot of our people that we speak to want to be home. Home is a more healing environment for many people than being in hospital. But when the focus is on getting people home, and that is usually about, is the person physically safe to be home, what can happen is other forms of work and other impacts of stroke can be devalued or be forgotten. And what we could see is people were doing work to support wellbeing within this, but it was kind of a particular form of wellbeing work. They would acknowledge a person's emotions, if they came up through interactions.  They would be responding to the emotional cues that people gave off that they were maybe feeling a bit uncertain or a bit upset. They talked about the importance of listening to the person, but that was often couched in a ‘I can listen for so long, but then I need to get on with my session', because the assessment, the treatment, the moving people forward wasn't important, and they would look to others to help. But the problem is, I would say this, this did a really good job of dealing with the tip of the iceberg, the emotions that were on the surface. But if we think back to what I've just said about what matters for wellbeing,  relationships, connection, sense of self, hope, those things are not addressed. What we saw was that wellbeing was other to the core work of any individual discipline. That didn't work for anybody. Didn't work for our patients that we spoke to. It didn't work for our clinicians as well, because we could also see the moral injury and the burnout that comes when you can't offer the services that you know people are wanting and needing. And when we think about what do we do about that? Well, yeah, it's tricky, and I don't have any great answers, but training and education is one thing. So when we think about wellbeing as seen as other to the core business of the disciplines, we need to look at, what is it that we're teaching our students? What are we saying is core work of speech therapy or of physiotherapy or of nursing. I've got the privilege of chairing the accreditation body for speech therapy in New Zealand, and we are rewriting our accreditation framework at the moment that essentially dictates what programs need to teach. We now have a requirement that programs are teaching about psychosocial wellbeing, and that programs are assessing students on how they're addressing psychosocial wellbeing. We need to look at how pathways for care develop, and where is wellbeing within policies, processes, structures, documentation, Basically, it's nowhere. But we also need to look structurally, and we can talk a little bit more about structures and organizations and cultures, because I think what this work reflects is a wider issue around the cultures and the organization of care that can make it really challenging for clinicians to work in the ways that they do. Ellen Bernstein-Ellis  Oh my gosh, it's a beautiful, beautiful response. I think my favorite quote, and there were many in that article, but the one that said “people with stroke live with the impacts of a stroke system that is designed around biomedical short term care for a lifelong condition and deserve services that support them to thrive, not just survive.” I think it's what we need to bring back into the curriculum for our students to understand. And all of this ties into the importance of understanding how cultures and organizations, like you just said, of care, might impact the therapy we provide to our clients. Why do cultures and organizations of care matter? You're alluding to that. I think we've just started to reflect on that. Felicity Bright  Yeah, I've often felt there's a real risk with the research that I do that we could end up pointing the finger at clinicians of not doing things as well as they could or as well as they should. But actually, we need to understand why is this? Why does it make sense for clinicians to prioritize dysphagia over communication? Why does it make sense to prioritize getting people home, over spending the time on addressing their wider wellbeing? And I've been really lucky to work with Deb Hersh and Stacey Attrill, we did a piece of work that looked at this in the context of how speech therapists enacted therapeutic relationships. And we started by delving into why do people work in the way that they do? We started to see the cultural elements. So the needs, for instance,  your allegiances to colleagues, to be a good team player, to maintain your legitimacy. And particularly for speech therapists, who often have a slightly tenuous role in stroke teams. Physios and OTs are important, but speech therapists often have to kind of fight to kind of have their voices heard, and so that can lead to speechies behaving in particular ways. We can also see how cultures of safety impact on what people prioritize. So Abby Foster has done some beautiful work around the cultures of aphasia care and acute care, and highlighting that actually the priority for physical safety and managing dysphagia risk is privileged over the culture of or a need to think about what is the risk associated with communication and poor communication and people not having communication access. If we understand why people work as they do, and if we understand how the cultures and the structures work, then we can start to unpack them and think about what are the ways that we might be able to do things differently. You know, these cultural factors are very real, and none of them are inherently wrong, like it's not a bad thing that we're trying to prevent people getting aspiration pneumonia. That's really, really important, but we need to understand how these things shape practice and the unintended consequences that they might have for what is not valued and for what work isn't prioritized, and what outcomes don't actually seem to really matter in these contexts. And when we start to make these visible, then that opens up space to think about, how might we be able to do things differently, where we can maybe hold all of these things. And you know, in my work that I'm doing around wellbeing, that's the next phase of our work, is working with clinicians to think about, how might we be able to do things differently, so that it's not one or the other, it's not a dichotomy.  But how do we create space for all of these things to be viewed as important and to be prioritized? Ellen Bernstein-Ellis  You've started to dig into that already, because you have yet another 2024 article that you co-authored with Kayes, Soundy and Drown,  Limited conversations about constrained futures: exploring clinician conversations about life after stroke in inpatient settings. And that examines how clinicians talk about the future with their clients. It analyzes 300 hours of observation of clinical interactions, along with 76 interviews with people with aphasia and 37 clinicians. I just want to say that's an astounding undertaking. So, as I read it, it felt like almost an extension of your 2013 and  2020 articles looking at hope, because you connected how what we say can impact how our clients see their future possibilities. Can you share some of the themes you constructed from all of that amazing data collection? I mean, I'm sorry, I thought 15 interviews were a lot, so then I saw this, and I'm like, oh my goodness, amazing. Felicity Bright  It was a pretty massive piece of work, but it was a real privilege to be able to sit and just observe interactions. And I'm so grateful to our people with stroke, many of whom were like two or three days post stroke, and they had the stranger come along and sit there and observe them for 12 hours, but also to our clinicians, who were quite vulnerable in that process of having somebody observe and analyze what they were doing. But at the same time, I think that work is really valuable for looking at what is going on. What we could see is that the conversations that were being had tended to focus on quite a short term future, and we termed this theme constrained temporal horizons. When clinicians were talking about the future, the vast majority of those conversations were about the immediate future. For doctors and nurses--for nurses, it was often what needs to happen in this shift. For allied health and for doctors, it was what needs to happen before you discharge from our service into the next service. And for some allied health, it might be the first few days at home, but there was a view that talking about the longer term future beyond that should be done by other clinicians who might have more knowledge of what life could look like at that stage. We also found that the talk about quite a constrained future was in the context of actually very limited talk, in the first place. So when we think about communication access, for instance, we think, oh, people with aphasia aren't getting very good communication. Actually, lots of people with stroke are not getting very good communication. Again, thinking about cultural factors, but actually communication is not happening well in stroke units, or, I think within the wider healthcare system.  You know, we've got a very task focused, medically focused situation. And so the conversations that were happening were on topics that were led by healthcare professionals, on the topics that they felt mattered-- the tasks they needed to do, the body structures and impairments. The goals that were set were about what needs to happen before somebody gets home. There was little talk about emotions. There was little talk about how you're feeling about what's going on, or what it might be like for you or for your family when you go home. And so this talk about the emotions and so on and future possibilities was left to patients and to families to raise. And instead, the conversations tended to focus on what the healthcare professionals saw as essential topics for the episode of care. We certainly did see some conversations about the future. So I don't want to be disparaging, and I also want to acknowledge the very partial nature of research. I did not see every single interaction. I know that a lot of these quite personal conversations often happen in things like the shower, when the nurses or the OTS are helping the person shower.  That's one of the few private spaces on the ward. And so I want to acknowledge that my analysis is based on a limited data set, and it isn't based on all the conversations that happened, but certainly there was a trend towards limited conversations. We did see that clinicians would open some doors about the future. So they would talk about possible prognosis in the context of things like upper limb prognostic testing that is offered in some hospitals in New Zealand. We would see clinicians talk about what was meaningful to people, particularly in a context where the patient was struggling to engage, but often when the clinicians were talking about this wider future in this context, it was done to try and plant seeds about what the healthcare professional thought was realistic, and it was done to try and help the person engage in rehabilitation in the context of maybe struggling to engage at the best of times. So I think what we could see was that conversations were limited. They were limited conversations about short term, constrained futures that didn't necessarily set people up with hope for the future, with a sense of possibility, with a sense of even starting that process about what matters, to thinking about what matters to me, what do I want life to look like? Ellen Bernstein-Ellis  Wow, and that really just circles us back to that concept of hope. Your work in hope has just been so meaningful to me. I've been really honored to be the guest lecturer speaking about aphasia to our counseling course that's taught by Dr Shubha Kashinath at Cal State, East Bay. And I've included, from the beginning, your work on hope. I just feel it's critical to give our students ways to understand and think about this construct and the role they can have in offering some hope building clinical interactions. I'd like to close this interview by having you discuss some of your first work that I had the honor to read, and some of the hope affirming strategies that you suggest in your 2020 article. Because I just think that's really a gift. Felicity Bright  One of the things that really fascinated me in this work was how our people with aphasia in the research talked about how they look at their clinician and they are reading them to see, are you somebody who's going to give me hope or not? And if they didn't feel their clinician was going to support their hope or was going to help give them hope, or was going to disparage their hopes, they would shut down and they wouldn't share. And so I think, one of the things is to be reflecting on yourself.  What are the messages that you are giving about how you are a safe person to talk to, about whether you are somebody that they can engage in these risky conversations about? I think there's a couple of things as well. We need to recognize that just because somebody says they hope for something doesn't mean that they expect it to happen. We all have unrealistic hopes and expectations. You know,  psychologist colleagues talk to me about how actually having unrealistic hope is part of being psychologically adjusted, and why should that be different for people with stroke? Who are we to say that we hold the expertise. Now, that's not to say that there aren't challenges. So sometimes you might need to do a bit of a balance of, oh, is this something I need to engage in a conversation about? You know, an example is, if somebody is going to invest quite a bit of money in something that actually, there's no evidence to support and could potentially be problematic. There's a really good guideline I found from Christy Simpson, who's an ethicist, who talked about what are the positive effects that this hope has for people? What would be the impacts of taking it away, both positive, but also, what are the negative things that it would do? And so actually engaging in a bit of a risk analysis to think critically about what is holding this hope doing for somebody. Linked to that in the latest paper we did around recalibrating hope, it really highlighted to me the importance of trusting people to often recalibrate their own hopes. So I went back to my original participants from my 2013 research a couple of years later, and I looked at their experiences of hope over that time. And what we found was most of them recalibrated their hopes. They hoped for different things over that time, and they had done that as they engaged in different activities, as they tried things, as they considered their progress, as they rethought what mattered to them. And so that really highlighted, to me, the need to trust people, but it also highlighted the need to think about, how do we support a context that supports people to do that recalibration. Those who were more likely to recalibrate and hold both hope and realism together were people who had social networks, who were engaging in meaningful activities, and who had a sense of purpose and possibility. One of my participants didn't have that. They had lost their social connections. They had no activities in which they were engaging in what was meaningful, and their hope had shrunk. And so it talks to me again, those earlier conversations we've had about well being, thinking about what's meaningful, what supports wellbeing, that's exactly the same thing that supports hope. How are we supporting people's social wellbeing? How are we supporting their relational wellbeing? How are we helping them connect to what is meaningful and what is possible, not just to their impairments, and maybe what is not working so well. I think it's really important to be explicitly thinking about, what is it that helps people bring joy, have joy? What brings them peace in the present? And how can we help them have that sense that things are okay, even if they're not perfect, but also help them have that sense of looking to a future that's possible. Ellen Bernstein-Ellis  Okay, we only have a minute or two left, but I'm going to throw this last question out to you. Felicity, if you had to pick only one thing that we need to achieve urgently as a community of providers, of professionals, what would that one thing be? This is almost like your elevator pitch. You got 60 seconds here. So, so Felicity Bright  So my one thing, in a long, complex sentence, is that speech and language therapists need to reprioritize communication and supporting people to live well after stroke and aphasia, and they need to consider how we model to our colleagues and to our patients and families, and how we support cultures of care that value relationships and relational work, that value and support communication, and that value and support wellbeing.    Ellen Bernstein-Ellis  Oh my goodness, well said, Felicity. Thank you so much for the honor of having this interview today. I know it's going to be impactful to our listeners, and I want to thank our listeners as well. For references and resources mentioned in today's show,  please see our show notes. They're available on our website@www.aphasiaaccess.org and there you can also become a member of our organization, browse our growing library of materials and find out about the Aphasia Access Academy, and if you have an idea for a future podcast episode, email us at info@aphasia access.org.  For Aphasia Access Conversations,  I'm Ellen Bernstein-Ellis, and thanks again for your ongoing support of Aphasia Access. Thank you, Felicity. Felicity Bright  My pleasure. Thank you for having me.   References and Resources AUT Centre for Person Centred Research: https://cpcr.aut.ac.nz/our-research Biel, M. (Host). (2016). An interview with Felicity Bright: The patient's engagement and experience with you, the speech pathologist (No. 2) [audio podcast episode). ANCDS. SoundCloud.https://soundcloud.com/ancds/ep-2-an-interview-with-felicity-bright-the-patients-engagement-and-experience?utm_source=www.ancds.org&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fancds%252Fep-2-an-interview-with-felicity-bright-the-patients-engagement-and-experience  Bright, F. A., Ibell‐Roberts, C., Featherstone, K., Signal, N., Wilson, B. J., Collier, A., & Fu, V. (2024). ‘Physical well‐being is our top priority': Healthcare professionals' challenges in supporting psychosocial well‐being in stroke services. Health Expectations, 27(2), e14016. Bright, F. A., Ibell-Roberts, C., & Wilson, B. J. (2024). Psychosocial well-being after stroke in Aotearoa New Zealand: a qualitative metasynthesis. Disability and Rehabilitation, 46(10), 2000-2013. Bright, F. A., Kayes, N. M., McCann, C. M., & McPherson, K. M. (2013). Hope in people with aphasia. Aphasiology, 27(1), 41-58. Bright, F. A., McCann, C. M., & Kayes, N. M. (2020). Recalibrating hope: A longitudinal study of the experiences of people with aphasia after stroke. Scandinavian Journal of Caring Sciences, 34(2), 428-435. Bright, F. A., Kayes, N. M., Soundy, A., & Drown, J. (2024). Limited conversations about constrained futures: exploring clinicians' conversations about life after stroke in inpatient settings. Brain Impairment, 25(1). Ellis-Hill, C., Payne, S., & Ward, C. (2008). Using stroke to explore the life thread model: an alternative approach to understanding rehabilitation following an acquired disability. Disability and rehabilitation, 30(2), 150-159. Foster, A., O'Halloran, R., Rose, M., & Worrall, L. (2016). “Communication is taking a back seat”: speech pathologists' perceptions of aphasia management in acute hospital settings. Aphasiology, 30(5), 585-608. Parr, S., Byng, S., & Gilpin, S. (1997). Talking about aphasia: Living with loss of language after stroke. McGraw-Hill Education (UK). Simpson, C. (2004). When hope makes us vulnerable: A discussion of patient-healthcare provider interactions in the context of hope. Bioethics, 18(5), 428-447

Today we speak with journalists and political commentators Liza Featherstone and Doug Henwood about the state of the US Presidential elections. Recorded just after the Democratic National Convention in Chicago, we muse about Kamala Harris's ascension, her choice of running mate, the strangely abiding popularity of Donald Trump, and the Democratic political calculation to downplay and even ignore our country's complicity in Israel's genocidal attacks on Palestine, and to likewise table any serious discussion of our environmental crisis.Liza Featherstone is the author of Divining Desire: Focus Groups and the Culture of Consultation, published by O/R Books in 2018, as well as Selling Women Short: the Landmark Battle for Workers' Rights at Walmart (Basic Books, 2004).  She co-authored Students Against Sweatshops (Verso, 2002) and is editor of False Choices: the Faux Feminism of Hillary Rodham Clinton (Verso, 2016). She's currently editing a collection of Alexandra Kollontai 's work for O/R Books and International Publishers and writing the introduction to that volume.Featherstone's work has been published in Lux, TV Guide, The New York Times, The Washington Post, Ms., the American Prospect, Columbia Journalism Review, Glamour, Teen Vogue, Dissent, the Guardian, In These Times, and many other publications. Liza teachers at NYU 's Literary Reportage Program as well as at Columbia University School for International and Public Affairs. She is proud to be an active member of the New York City Democratic Socialists of America and of UAW local 7902.Doug Henwood is a Brooklyn-based journalist and broadcaster specializing in economics and politics. He edited Left Business Observer, a newsletter, from 1986–2013, and has been host of Behind the News, a weekly radio show/podcast that originates on KPFA, Berkeley, since 1995. He is the author of Wall Street: How It Works and for Whom (Verso, 1997), After the New Economy (New Press, 2004), and My Turn: Hillary Clinton Targets the Presidency (OR Books, 2016). He's written for numerous periodicals including Harper's, The New Republic, The Nation, The Baffler, and Jacobin. He's been working on a book about the rot of the US ruling class for way too long and needs to acquire the self-discipline to finish it. 

In this episode, your hosts Norm and Jodi are joined by Devin Featherstone, an accomplished ultra runner from Calgary, Alberta.  Devin shares his journey in the ultra running world, from his first race at the Canadian Death Race to his multiple podium finishes at the Lost Soul Ultra. He also provides invaluable tips for those preparing for Lost Soul, covering everything from gear choices to course strategies. Tune in to hear Devin's insights, his experiences with races like Hurt 100 and Western States 100, and his thoughts on the challenges of ultra running.  Get ready to be inspired and informed as you prepare for your next ultra marathon adventure. Happy running! Here is Devin... You can follow Devin on Instagram here - https://www.instagram.com/dfeatherstone/   Save 5% on Kinesys Sunscreen by using this link https://www.kinesysactive.ca/?ref=gottarun Save 20% on Caffeine Bullet by using coupon code GOTTARUN https://caffeinebullet.com/GOTTARUN Save 10% on Air Relax by using our coupon code GOTTARUN https://www.airrelax.ca/?ref=GOTTARUN   If you enjoyed our show please leave a rating and review.  We would really appreciate it. Check out the Gotta Run Racing website here and use promo code GRRPODCAST for discounts - gottarunracing.com Check out our YouTube Channel here - https://youtube.com/@GottaRunRacing Check out GRR Facebook here: https://www.facebook.com/gottarunracing/ Check out GRR Instagram here: https://www.instagram.com/gottarunracing/ Support us on Patreon here : https://www.patreon.com/gottarunracing  

Join Erik and comedian Rusty as they take a (verbal) stroll through golf, modernity, and internet culture.Use code lowtempslowscores for $150 off your next Plunge at Plunge.comSign up for a one-dollar-per-month trial period at Shopify.com/ealshow!Follow us!RANDOM GOLF CLUBwww.randomgolfclub.comIG: @randomgolfclubTwitter: @randomgolfclubTikTok: @randomgolfclubofficialERIK ANDERS LANGIG: @erikanderslangTwitter: @erikanderslang

The boys are joined by Rusty Featherstone to break down one of the most iconic and memorable hockey movies of all time. NEW EPISODES EVERY MONDAY & WEDNESDAY!  SUBSCRIBE TO OUR YOUTUBE: https://www.youtube.com/channel/UCuf52MHW1O7guPMzsMvv2kA FOLLOW US ON INSTAGRAM: https://www.instagram.com/empty.netters/?hl=en FOLLOW US ON TIKTOK: https://www.tiktok.com/@empty.netters (0:00) - Intro (2:30) Plot Breakdown (48:40) Awards

Matty Dalrymple talks with Anna Featherstone about HOW TO KEEP NON-FICTION FRESH, including maintaining the human touch in an age of AI, the importance of fresh perspectives, effective book proposals, and integrating multiple viewpoints. Anna also emphasizes the need for authenticity, the strategic exclusion of outdated or overly technical information, and innovative formats that can enhance the reader's experience.   Interview video at https://youtu.be/FVo76tZ2GFI   Show notes at https://www.theindyauthor.com/podcast.html   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Anna Featherstone mentors and empowers writers who value practical, warm, wise, and creative advice during the various stages of writing, publishing and marketing their words. She is the author of five non-fiction books, a judge of the Australian Business Book Awards, and the non-fiction book advisor to The Alliance of Independent Authors (ALLi). Anna is also the founder of Bold Authors, a collaborative online hub where publishing insiders share their insights about writing, publishing, and book marketing. When she's not being bookish, Anna is a seedsaver, and into bees, beings, and the big issues of our time.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

For the month of May, we are dedicating our podcasts to mothers and the journey of motherhood

This open-hearted chat about 40-something decisions doesn't beat around the divorce bush. From when to get out to how to do it amicably, this is an episode that digs deep on how making decisions that serve you at 40 don't need to be steeped in shame and repackaged as a ‘crisis'. Chat about a vibrator called The Boss, too. Essential intel for anyone moving into a new era.

The vibe master himself, Rusty Featherstone, cruised in to talk pirates. Not just any pirate though, the legendary Blackbeard. We discuss the infamous captains raise and demise. Strider and Rusty also get personal. It's sweet! Download the DraftKings Casino app NOW and use code DANK. New players get an instant deposit match up to ONE HUNDRED DOLLARS in casino credits when you deposit five dollars or more. patreon.com/striderwilson Sources: Britannica.com, Qaronline.org, Thehistorypress.co.uk, Amherst.edu, Wikipedia.org, History.co.uk Gambling problem? Call one eight hundred GAMBLER or visit w w w dot one eight hundred gambler dot net. In Connecticut, Help is available for problem gambling call eight eight eight seven eight nine seven seven seven seven or visit c c p g dot org. Please play responsibly. twenty one plus. Physically present in Connecticut, Michigan, New Jersey, Pennsylvania, West Virginia only. Void in Ontario. Eligibility and other restrictions apply. One per new customer. Must opt-in and make minimum five dollar deposit within seven days (one hundred sixty eight hours) of registering new account. Max. match one hundred dollars in casino credits which require one time play-thru within seven days (one hundred sixty eight hours). See terms at casino dot draftkings dot com slash new player offer twenty twenty four.