Podcasts about almost always

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Preliminary reports following U.S. military operations are standard, and “almost always wrong,” according to President Donald Trump's former deputy national security advisor.   The effectiveness of U.S. strikes on Iran's three primary nuclear facilities was called into question following reporting from CNN and The New York Times that was based on a leaked initial Defense Intelligence Agency report that suggested the strikes only set Iran's nuclear program back several months.  Initial reports are “in real time,” Victoria Coates, who served in Trump's first term and is currently the vice president of the Davis Institute for National Security and Foreign Policy at The Heritage Foundation, told The Daily Signal, adding, such reports, as was the case with the leaked Defense Intelligence Agency report, are “expressed with low confidence.”   Subscribe to The Tony Kinnett Cast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/the-tony-kinnett-cast/id1714879044⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep Up With The Daily Signal Sign up for our email newsletters:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dailysignal.com/email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠     Subscribe to our other shows:  Problematic Women:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dailysignal.com/problematic-women⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Victor Davis Hanson: https://megaphone.link/THEDAILYSIGNAL9809784327   Follow The Daily Signal:  X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://x.com/intent/user?screen_name=DailySignal Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/thedailysignal/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/TheDailySignalNews/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Truth Social:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://truthsocial.com/@DailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/dailysignal?sub_confirmation=1    Thanks for making The Daily Signal Podcast your trusted source for the day's top news. Subscribe on your favorite podcast platform and never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Some dentists almost always win big, but most don't hit the jackpot. Join Pam and David in this week's episode to see what the top 2% of dentists are doing very differently. You'll also get an inside look at three of David's personal mentors he attributes much of his success to.

Cassie Smedile, Republican Strategist joins the show to talk about Democrat Activist saying conservative young men are almost always pro-choice, pro-gay marriage and the big beautiful bill.

Ryan Wrecker is joined by Cassie Smedile, Republican Strategist to talk about Democrat Activist saying conservative young men are almost always pro-choice, pro-gay marriage and the big beautiful bill.

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Learn three key strategies to respond to lowball offers and negotiate a better deal on your home sale. Dear friends and clients, Getting a lowball offer on a home can feel like a punch in the gut, but before rejecting it outright, it is important to consider a strategic approach. The housing market in 2025 has seen some shifts, with home prices still high and interest rates hovering around 7%. So, how should a seller respond to a low offer while still maximizing their sale? Let's explore your options. 1. Recheck the market comps. Before you react, double-check that the offer is actually low. The market moves fast, and home values can shift in just a few weeks. Some experts predict a 5% price increase this spring, so make sure your pricing is still accurate. You should also look at recent sales of comparable homes in your area. You can also ask the buyer's agent where they got their numbers—sometimes, they're just misinformed. If you can show them stronger comps, they may be willing to adjust their offer without much negotiation. 2. (Almost) Always counteroffer. Once you've confirmed your home's value, don't walk away too fast. It's usually worth countering unless the buyer isn't serious. Some buyers start low just to see if they can get a deal. If they refuse to negotiate or immediately shut down your counter, they probably weren't serious to begin with. But in most cases, a counteroffer keeps the conversation going and gets you closer to your goal. “Rechecking comparable sales in your area can help determine if an offer is truly low.” 3. Find a middle ground with better terms. Price isn't the only thing up for negotiation. Some buyers submit low offers because they're short on cash, not because they're trying to take advantage of you. Instead of lowering your price, consider asking for better terms—like a shorter inspection period, a rent-back agreement, or fewer contingencies. If price is the sticking point, offering to cover some closing costs or buying down their interest rate might help bridge the gap without sacrificing your bottom line. Lowball offers aren't fun, but they don't have to be deal-breakers. If you're selling this spring and want expert advice on pricing, negotiating, or market trends, let's talk. Call or email me today—I'm here to help you get the best deal possible!

The more that you start looking at things, you start realizing that there's just lots of moments where things break down and they don't work as if you wanted them to actually work. We look at somebody else that seems really, really successful, and we try to mimic what they do, but we inevitably fail. There is almost always a ton of invisible infrastructure that you never see. I've learned this repeatedly with this whole R3ciprocity Project. So I simply choose now to simplify my life and do things as easy as possible. What is the most simplest approach? What can you do with just what you have to make sure it actually works in your favor?

Imagine waking up to new leads in your inbox without begging for sales and even better, not feeling like a sleazy salesman.Selling in your DMs is one of the BEST ways to achieve this, but most people are overcomplicating it, doing it wrong, or scaring people away with your 6 minute long voice notes.So today we're talking about our exact process for turning DMs into booked calls and sales, including the secrets to building trust fast, knowing exactly when to pitch, and closing the sale… without feeling awkward.We're also talking about the latest drama in the U.S. with Federal Employees now being required to prove they actually did work every week (shocking, we know) and answering a listener's question on whether teaching your clients to use AI will cost you your job as their coach.You'll find out:How to get more replies and stop getting ghostedAbout a tiny adjustment you can make to your script that will make people trust you way fasterHow to spot the perfect moment when your lead is ready to say yes to your offer… and so much more!Watch the YouTube version of the podcast here.And if you don't want Tim to get fired make sure you hit follow wherever you're listening. Ready to build your 7 Figure+ Business? And come on a FREE retreat to Phuket … Apply to join Success School here. Got questions or want more free content? Follow us over at @realtimfrey or @stephgorton__Join us every Monday to get your weekly hit of knowledge.If you have any questions or find value in the show, let us know on IG @realtimfrey & @stephgorton__ or for more on our courses and mentorship head over to Success School's Website.

In this episode of No Hacks Snacks, I sit down with Manuel Krähe, a digital growth and Conversion Rate Optimization (CRO) expert and founder of notion.ch, to discuss the limitations of UX best practices as starting points for experimentation. Manuel shared his insights on why relying solely on these practices can be misleading and emphasizes the importance of individualized data analysis and forming proper hypotheses based on your specific audience and website metrics. He also touches upon the pitfalls of outdated best practice checklists and offers strategies for guiding clients through data-driven decision-making processes.Tune in to catch one of the best quotes in No Hacks history and subscribe to stay updated on future episodes and an exclusive giveaway for No Hacks listeners! ---If you enjoyed the episode, please share it with a friend!No Hacks websiteYouTubeLinkedInInstagram

Scammers are using AI to pull off their most convincing tax fraud yet. Here's what to watch for and how to protect yourself.

Send us a textTrade is all the rage these days. Or, at least, raging about trade is. Today, we unpack what trade and free trade are, and how to talk about it. We also address the abundance of lawyers in trade policy. Douglas Irwin is a professor of economics at Dartmouth College and the author of several books including Clashing Over Commerce and Against the Tide: An Intellectual History of Free Trade.Want to explore more?Douglas Irwin, International Trade Agreements, in the Concise Encyclopedia of EconomicsSamuel Gregg on National Security and Industrial Policy, a Great Antidote podcast.Why Industrial Policy is (Almost) Always a Bad Idea (with Scott Sumner), an EconTalk podcast.Colin Grabow on the Jones Act 2: Treason and Cruises, a Great Antidote podcast.Jon Murphy, Does National Security Justify Tariffs? at Econlib Never miss another AdamSmithWorks update.Follow us on Facebook, Twitter, and Instagram.

SEO Contracts are scams. Here's why.

Your eyes won't believe you when you hear the fascinating facts we expose on this most 258th round of Beer Thursday ever! We uncover a collection of random and amusing facts and engage in fun banter, all in our signature Beer Thursday style. Please support us on the Beer Thursday Patreon page! At the $10 level, the next 18 Great Human Beings will get access to the Beer Thursday Facebook group. Never miss an episode and join us on the slow, easy ride to the top by subscribing and leaving a 5-star review on your favorite podcasting app. Here's what our house elf, Artie (not Archie), says about this round: Useless Facts, Fun Banter, and the Longest Concert Ever In this round of Beer Thursday, your fearless factfinders of fascination dive straight into sharing random, fascinating, and occasionally amusing facts that are almost always useless. From Heineken's innovative beer bottle houses of 1963 to mind-boggling details about the human circulatory system, this round is packed with interesting tidbits. They even reveal the surprising truth about bananas and strawberries and wrap it up with thoughts on Heineken beer. Plus, have you ever wondered why hardback books come out before paperbacks? Tune in for the answer and much more, including the world's longest concert, which lasted a whopping 453 hours. Get ready for laughs, learning, and lots of beer talk!

Tariffs are in the air. Will they help or hurt Americans? Listen as economist Scott Sumner makes the case against tariffs and various other forms of government intervention that go by the name of industrial policy. Along the way he looks at some of the history of worrying about the economic and military dangers posed by foreign countries.

In this episode of Shrink for the Shy Guy, Dr. Aziz delves into the fourth principle of sanity and victory: Almost Always On My Own Side (AMOS). Building on the previous principles—taking ownership, surrendering to life's flow, and embracing the process—AMOS introduces the idea of being consistently compassionate and supportive toward yourself. Dr. Aziz explores the concept of self-compassion as a transformative tool, helping you to let go of self-criticism and cultivate a nurturing relationship with yourself. He draws on both personal experience and years of clinical research, illustrating how shifting from self-attack to self-support can profoundly impact your confidence and overall well-being. Dr. Aziz emphasizes that being on your own side is not just about boosting self-esteem or acknowledging your worth when things go well. Instead, it's about offering yourself kindness and empathy, especially when you face setbacks or challenges. He provides actionable steps to practice AMOS in daily life, including simple yet powerful questions like, “What would I do or say if I were truly on my own side right now?” Whether you're new to the concept or already practicing it, this episode offers fresh insights and practical tools to deepen your self-compassion and unlock greater confidence. Tune in to discover how to step into a more aligned and supportive relationship with yourself.------------------------------------------------------------------------- Welcome to today's episode, where we dive deep into the fourth principle of sanity and victory—a concept that can truly transform your confidence. If you've been following along, you already know the first three principles: I am the captain of my ship—taking full ownership of your life. Surrender is the ultimate life skill—accepting that you can't control everything, but you can control how you respond. The process is the purpose—embracing the journey rather than obsessing over the end goal. If you're feeling intrigued, then the next principle will change the way you see yourself, forever. It's called Almost Always On My Own Side (OMOS). What Does "Almost Always" Mean? At its core, this principle is about learning to be on your own side. It's about treating yourself as you would a close friend—compassionately, with understanding, and without judgment. You're probably familiar with the term "self-esteem," which refers to how much you value yourself. High self-esteem is about believing you bring value to the world; low self-esteem, on the other hand, is when you feel like you have nothing to offer. But what happens when you don't feel valuable, especially after making a mistake or when you're in the process of learning something new? This is where self-compassion comes in. Unlike self-esteem, which is dependent on how well you perform, self-compassion is unconditional. It's not about being perfect or achieving greatness; it's about acknowledging your struggles and treating yourself with kindness, regardless of the outcome. What Happens When You're Not On Your Own Side? Imagine being constantly followed around by someone who critiques everything you do. They point out every mistake, call you stupid, and tell you that you're not good enough. You wouldn't tolerate this behavior from someone else, so why do we allow this internal critic to rule our lives? For many of us, this critic becomes our default mode. We spend our days beating ourselves up, never allowing room for compassion or understanding. The truth is, this is insanity—it's a toxic pattern that drains our energy and holds us back from living fully. But when we practice being on our own side, we begin to shift from self-attack to self-support. We stop judging ourselves harshly and start lifting ourselves up with compassion, understanding that we are enough just as we are. The Power of Practicing OMOS When you begin to practice being on your own side, something amazing happens: You start to shift how you approach life's challenges. Instead of hiding from difficulties, you embrace them as opportunities for growth. This change in perspective is incredibly freeing, and it can radically alter your confidence. Why This Principle Is Key to Your Confidence So why is being on your own side so essential for building confidence? Because confidence isn't about being perfect; it's about embracing your humanity, mistakes and all. You need the courage to face your fears and take risks, even when things don't go perfectly. When you're on your own side, you develop the strength to keep moving forward—no matter how many setbacks you face. Take Action Today Now that you understand the power of being on your own side, it's time to put this principle into action. Start by asking yourself: How on my own side am I today? Can you treat yourself with kindness and compassion, even in moments of struggle? To take it a step further, think about one area of your life where you've been critical of yourself. Maybe it's your work, your appearance, or your relationships. Now, instead of criticizing yourself, show compassion. Acknowledge your struggles, give yourself some grace, and move forward with kindness. If you're ready for more transformation and support in this journey, check out my Unstoppable Confidence Mastermind, where we take principles like OMOS and apply them to real-life challenges, helping you build lasting, unshakable confidence. Remember, you're awesome, and you deserve to be on your own side. Start practicing today, and watch how your life begins to transform.

Hindsight is 20/20 but sometimes when you look back at a historical stock return things look so simple you just have to ask yourself why do I even bother with valuations. Microsoft is a great example of a stock that you could have invested in at almost any time in the last 20 years and ended up with one heck of a great return regardless of whether it looked cheap or expensive. Join me to break down how Microsoft achieved this and what you should look for to find the next great dividend growth stock! I hope you enjoy the content! Quality At A Fair Price - Newsletter: https://substack.com/home/post/p-139973056?source=queue Microsoft Article - https://qualityatafairprice.substack.com/p/microsoft-corporation-msft M1 Finance referral link: https://m1.finance/UNbCUpuP36lm Links: Subscribe to my channel: https://www.youtube.com/c/LongacresFinance Patreon: https://www.patreon.com/LongacresFinance Disclaimer: This video is intended for entertainment purposes only and should not be taken as investment advice. --- Support this podcast: https://podcasters.spotify.com/pod/show/longacresfinance/support

Gen and Jette get all dolled up for Peyton and Lucas' wedding. A few surprise guests show up. Haley steps in as officiant. Skills keeps a strict watch on Jamie, still feeling bad about the last wedding incident. Don't forget to follow us on Instagram @teenagedaydreampodcast and on Twitter @teendreampod.

Golf is a game of strategy, and nowhere is that more evident than on the tee box. While conventional wisdom might suggest playing it safe with irons or fairway woods, there's a growing argument for unleashing the big dog on every hole. Here's why you should seriously consider gripping it and ripping it with your driver more often:1. Maximize Distance, Minimize Strokes:The driver is the longest club in your bag for a reason. By maximizing distance off the tee, you shorten your approach shots, increasing your chances of hitting greens in regulation and ultimately lowering your scores. 2. Modern Drivers are More Forgiving:Today's drivers are designed for forgiveness, with larger sweet spots and technology that minimizes the penalty for off-center hits. Even if you don't always find the center of the face, you're likely to achieve better results than you might expect.3. Fairway Isn't Always the Goal:While accuracy is important, hitting the fairway isn't the be-all and end-all. Modern courses often offer generous landing areas, and even a slightly missed drive can leave you with a manageable approach shot. Don't be afraid to take an aggressive line with your driver.4. Mental Advantage:There's nothing quite like the feeling of crushing a drive down the fairway. Starting the hole with an aggressive, confident swing can set a positive tone for your round and boost your mental game.5. It's More Fun!Let's be honest, hitting driver is just plain fun. It's exhilarating to unleash your power and watch the ball soar down the fairway. Embrace the thrill of the game and enjoy the satisfaction of a well-struck drive.When to Dial it Back:Of course, there are exceptions to every rule. Here are a few situations where you might consider clubbing down:Tight Fairways: On extremely narrow holes, the risk of missing the fairway might outweigh the reward of extra distance.Forced Carries: If there's a hazard you can't carry with your driver, choose a club that guarantees a safe landing.Trouble Lurking: If the rough or hazards are particularly penal, playing it safe with a shorter club might be the smarter play.The Bottom Line:In most situations, the benefits of hitting driver outweigh the risks. By embracing an aggressive mindset and trusting your equipment, you can unlock greater distance, improve your scoring opportunities, and add an element of excitement to your game. So, step up to the tee box with confidence, grip it and rip it, and watch your scores plummet.

Despite his career ending in ignomy 104 years ago this week, Joe Jackson remains a larger than life figure iin baseball and in American culture. But so much of how we picture Jackson is wrong, says former executive director of the Shoeless Joe Museum Dan Wallach (@shoelesspodcast). We talk with Dan about the man behind the myth and why it persists. Plus, happy birthday to Bernard Gilkey and Urban Shocker! And farewell to Jim Umbarger and Doug Creek.

Have you ever noticed how airplane seats are almost always blue, and have you ever wondered if there's a special reason for that? We're going to answer this and other popular plane-related questions and also help you pick the best seat aboard as a bonus. With the stress and apprehension that comes with traveling, especially by air, airlines understood that it's important to calm passengers down and reassure them that everything's gonna be alright. It turns out blue is the perfect color to send that message. As for materials, the seats can be upholstered with either faux leather or fabric. As a rule, in aircrafts used for long-distance flights, like transatlantic ones, the seats are upholstered with fabric because it's more breathable for the skin, so passengers won't sweat, chafe, or experience any discomfort. Tracks on the floor of the aircraft allow rows of seats to be organized at the airline's discretion, so companies take advantage of this in order to install as many seats as they can physically cram into the space. That's why plane windows don't line up with the seats. Most planes are painted white to save money on fuel. The heavier the plane is (and it gets heavier when painted), the more fuel it needs. The color white also reflects light better, which means the plane won't overheat because of the sun's rays. Plus, white makes it easier to notice cracks, leaks, and any other damage that needs to be fixed. The temperature onboard is kept close to freezing for a reason. Many airplane passengers get hypoxia, which is when a person is more likely to faint at high altitudes than on the ground. It happens when bodily tissues don't get enough oxygen. To minimize the risk of it, airlines keep the temperature low. Music: Rondo Brothers - Special Ed https://www.youtube.com/audiolibrary/... TIMESTAMPS Why are the seats blue? 0:50 Fabric or leather? 2:41 Why don't plane windows line up with the seats? 3:53 Why are planes white? 4:53 Why is it so cold on planes? 6:07 Where do the pilots sleep? 7:27 Bonus: how to choose the best seat 8:40 Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightgram   5-Minute Crafts Youtube: https://www.goo.gl/8JVmuC ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Notes In this episode of Workplace Hugs, Rami and Shannon discuss the role of feedback in improving movies, drawing examples from "La La Land" and "Moonstruck." They highlight the importance of setting proper expectations at the beginning to enhance the audience's experience and apply these principles to various contexts, emphasizing the value of feedback in driving improvement and ensuring a positive outcome.

This 'Media Buzz Meter' first aired on July 30th, 2024 ... Howie Kurtz on Kamala Harris trying to boost relationships with the media, Democrats depicting Trump and Vance as 'weird' and Trump complaining about FOX News covering Harris campaign events. Follow Howie on Twitter: @HowardKurtz For more #MediaBuzz click here Learn more about your ad choices. Visit megaphone.fm/adchoices

Is it possible to get an avoidant ex back, or is it a lost cause, since they value independence?  Dating/relationship expert Lucia reveals what you have to do to get an avoidant ex back.Get coaching!Download Silenzio App:  iPhone OR AndroidRead No Contact Secrets Book

Howie Kurtz on Kamala Harris trying to boost relationships with the media, Democrats depicting Trump and Vance as 'weird' and Trump complaining about FOX News covering Harris campaign events.   Follow Howie on Twitter: @HowardKurtz For more #MediaBuzz click here Learn more about your ad choices. Visit megaphone.fm/adchoices

The post When Jesus sends you, he almost always sends you home. appeared first on Key Life.

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Has feminism failed women? Louise Perry uncovers the truth about sexual liberation  Louise Perry is a British journalist and host of the ‘Maiden Mother Matriarch' podcast. She is also press officer for the charity, ‘We Can't Consent To This' and author of the book, ‘The Case Against The Sexual Revolution: A New Guide to Sex in the 21st Century'.  In this conversation, Louise and Steven discuss topics such as, the dangers of casual sex for women, why you should trust your ‘icks', how dating apps are making men lonely, and the truth about sex on a first date.  You can purchase Louise's book, ‘The Case Against The Sexual Revolution: A New Guide to Sex in the 21st Century', here: https://amzn.to/3z60wqy  (0:00) Intro (01:42) What are you trying to achieve?? (03:45) What does society disagree with you on? (04:21) The trade-offs of the contraceptive pill (05:30) How has sexual culture changed? (06:59) Working in a rape crisis centre (09:49) How to channel men's aggression in the right direction (11:59) The physical differences between men and women (13:28) How men and women differ in their view on sexuality (14:58) Why men are more likely to have casual sex (17:59) How does a culture of casual sex impact women (23:31) Repercussions of casual sex in society (28:54) The lack of communication and education is hurting both genders (31:18) Why women have icks towards men (33:30) Women should listen to their icks (38:10) Women's 6th sense (41:02) There are some jobs women shouldn't do due to biology (46:44) Heroic masculinity (46:59) [Blank Entry] (48:22) Social media affecting our view on relationships & dating (50:54) Wait until engagement to have sex (56:11) The dating crisis (01:00:41) Why you should have sex before marriage (01:03:29) Why is marriage good (01:07:33) How likely you're to get divorced (01:11:02) Step-parents vs biological parents (01:14:47) Why are you saying these unpopular opinions (01:19:50) The decline in birth rates (01:25:16) What porn is doing to your brain (01:30:16) Is reproduction at the heart of male motivation? (01:31:03) Unwanted choking during sex (01:33:24) Should we ban porn? (01:40:36) What are we attracted to? (01:44:50) Better looking people bias (01:48:05) The last guest's question Follow Louise:  Twitter - https://bit.ly/4b5X4cK  YouTube - https://bit.ly/3RtSEVW  Watch the episodes on Youtube - https://g2ul0.app.link/3kxINCANKsb My new book! 'The 33 Laws Of Business & Life' is out now - https://smarturl.it/DOACbook Follow me: https://beacons.ai/diaryofaceo  Sponsors: Colgate - https://www.colgate.com/en-gb/colgate-total Learn more about your ad choices. Visit podcastchoices.com/adchoices

Saying yes to an induction, or pitocin, is like saying yes to an epidural. Once you start pitocin your birth is medicalized and that includes a higher chance of wanting the epidural. In this episode, I discuss: How pitocin and oxytocin are the same chemical compound but work very very differently in or bodies. If you had pitocin in the past and it felt like your birth was out of control, it was. Pitocin means your birth is being control outside your body. Starting pitocin can mean that your coping skills are less accessible which can lead to an unwanted epidural. ---- Download the free Birth Prep Class Get your NORA - restock this week! Join the Academy Moms in learning how to support the birth plan YOU want

Cheap Clients not only hurt you and your business, but they are also hurting themselves. But why is that? A cheap client should be happy that they got your product or service so cheap, right?Find out in today's episode why they are actually hurting themselves as well as you. Plus, more reasons why you should avoid cheap clients.Before you go, here's a special offer to supercharge your online business. Visit danlok.com/kajabi to try Kajabi for free and get your hands on thousands of dollars worth of bonuses.Kajabi is the go-to platform for entrepreneurs worldwide, helping you create, market, and sell your digital products and online courses with ease. So, don't wait! Take advantage of this offer and start your online business journey today. Until next time, keep learning, keep growing, and keep creating!

For a full transcript of this episode, click here. This show has implications for provider organizations of all stripes, especially those looking to succeed in value-based care or those who need patient trust and relationships for any other reason, including just patient volume. This episode also is for provider organizations who are trying to prevent clinician burnout better. It's also for practices trying to get themselves into narrow networks where patient satisfaction is surveyed at some point in the process, and this includes Centers of Excellence networks. You know what the rate critical is that I talk about on the show today with Jerry Durham that rarely, if ever, gets talked about in any of these contexts? It's not some fancy data artificial intelligence thing or something else the doctor needs to be clicking on or nurses need to step up and handle. Nope. I'm talking about the front desk. What an overlooked secret to success or a clinician and clinical failure point! Consider that what goes on on or about the front desk is either gonna set up the doctor or other provider for success or make it really really hard for them. This is what I talk about today with Jerry Durham in this encore episode from a couple of years ago that is still so incredibly relevant because the insights that Jerry shares are so often overlooked and they impact both patients but also doctors and other clinicians in ways we don't often think about but, in this era of staff shortages and burnout, I'd suggest maybe we should. Here's something I never really understood: how physicians and nurses more often than not get to be responsible for the entire patient journey, including, start to finish, patient satisfaction. But if you just take one look at any random poorly rated physician's reviews, they're usually littered with complaints about the front desk in the practice. Negative reviews, of course, are not limited to front desk diatribes; but there's often a lot of front desk commentary in them. It has always seemed to me to be a common and strange phenomenon in healthcare provider practices where the front desk is like a totally separate little fiefdom with a different mission statement and goals from the healthcare providers in the same exact office. Isn't that odd when you think about it? I mean, first, the front desk is literally physically separated from everybody else. No matter which direction you approach from, there's at a minimum a half-wall barrier surrounding them. Sometimes, in directions most likely to receive an attack, I suppose, there's been added a big glass barrier. Liliana Petrova pointed this out in episode 236 of the Relentless Health Value podcast, and it was really the first time that I had thought about it at all and also thought about the implicit message this sends not only to patients but also to clinicians. That whole physicality of the setup, it just screams, “We over here have nothing to do with the mission or vision of anyone else in this place. We have our own thing going on over here, and to do it, we need to be protected from you all and all of your chicanery and untoward goings-on, you doctors and nurses and patients!” So, I was really inspired the first time I heard Jerry Durham from The Client Experience Company talking. His message, as I understood it, was that a practice really on board with helping patients achieve the best patient outcomes and, nothing for nothing, erode clinician burnout includes the front desk in their thinking. Jerry has said that there's four phases in the patient life cycle, as he calls it, which is sort of a synonym for the patient journey: 1. Marketing 2. The moment that a patient/person engages with the clinic or office 3. Provider interactions 4. The post course of care So, all of these phases—all four of them—are critical to both patient outcomes and experience but also, really, to business success. So, you kind of almost have to do well by doing good. The front desk is mostly responsible for that phase two: what happens when that person/patient engages with your office or clinic. In this healthcare podcast, as mentioned, I'm talking with Jerry Durham. He's a former physical therapist and practice owner who has worked with a whole lot of PT (physical therapy) practices and also other MSK (musculoskeletal) specialties among other clients. His message transcends the specialty, however. In this healthcare podcast, we get into a lot of aspects in terms of how a front desk can work for or against patient experience and outcomes. One of them is how a front desk can help secure a patient's relationship with a practice. Without a relationship and trust, patient outcomes are meh at best. But a lack of trust is a big hairy factor behind disparities in outcomes among different ethnic groups, for example, as one point to ponder. Also mentioned in this episode are Liliana Petrova and Julie Rish, PhD. You can learn more at clientexperiencecompany.com or by emailing Jerry at jerry@jerrydurhampt.com.   Jerry Durham is a healthcare consultant and physiotherapist with a singular passion for leveraging the entire healthcare practice team toward improved patient outcomes while increasing the practice bottom line. Jerry has 30+ years' experience as a physiotherapist, including 20+ years of business ownership, including practice ownership, business consulting, and a virtual front desk sales solutions for healthcare practices. Jerry has spent a lot of time on the front line of physio practices answering calls and learning why patients think and act the way they do when interacting with the front desk team. He has learned how to leverage the information at first contact carried all the way through to a completed plan of care, and these are the systems that lead to greater patient outcomes and greater practice success. Jerry defines these systems as “the rules of client engagement.”   05:49 What is the patient life cycle? 06:48 What are the milestones of the patient life cycle? When does it start? 10:05 “This isn't a business solution; this is a patient-driven solution.” 10:21 “What is best for the patient is best for business.” 13:25 “The takeaway there is that your team members are all driving toward the same goal.” 14:34 How does the front desk impact health outcomes? 16:41 What is the objective of a front desk to reduce provider burden? 20:03 EP236 with Liliana Petrova. 21:18 “There's actually three roles at the front desk.” 30:37 EP228 with Julie Rish, PhD.   You can learn more at clientexperiencecompany.com or by emailing Jerry at jerry@jerrydurhampt.com.   @Jerry_DurhamPT discusses #patientengagement and #clinicianteam success on our #healthcarepodcast. #healthcare #podcast #digitalhealth #healthcareleadership #healthcaretransformation #healthcareinnovation   Recent past interviews: Click a guest's name for their latest RHV episode! Kate Wolin, Dr Kenny Cole, Barbara Wachsman, Luke Slindee, Julie Selesnick, Rik Renard, AJ Loiacono (Encore! EP379), Nina Lathia, Marshall Allen, Stacey Richter (INBW39)  

WIth the P. Diddy home raids and allegations all over the news the guys give their thoughts on some of the more disturbing reveals from the whole situation. This leads the guys down the rabbit hole of conspiracy theories and why lately it seems that they're more based on facts than they are conspiracy. 

In this episode, I cover the Baltimore Key Bridge accident and how the first story is almost always wrong. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike and Charlie reviewed LSU baseball's weekend series loss to Florida and the Tiger women's basketball team's trip to the Sweet 16. Mike shared his thoughts on an upcoming Washington Post article about Kim Mulkey. Mike reported on the Titans' trade for L'Jarius Sneed. Jordy Culotta, the host of The Jordy Culotta Show, joined Mike and Charlie. Culotta discussed Mulkey's comments about the Washington Post. He broke down the Tigers' path in the NCAA Women's Tournament. Culotta gave his observations from LSU spring football. He also evaluated the Tiger baseball team. 

Join Bob Fraser and Ben Fraser as they uncover the surprising data showing investors expectations on rates have historically been wrong. Learn about why this is and what it means for making investment decisions. Wall Street Journal article - https://www.wsj.com/finance/investing/investors-fed-interest-rates-a842073c Connect with Bob Fraser on LinkedIn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ht⁠tps://www.linkedin.com/in/bob-fraser-22469312/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with Ben Fraser on LinkedIn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/benwfraser/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Invest Like a Billionaire podcast is sponsored by Aspen Funds which focuses on macro-driven alternative investments for accredited investors. Get started and download your free economic report today at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://aspenfunds.us/report⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Join the Investor Club to get early access to exclusive deals. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.aspenfunds.us/investorclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Subscribe on your favorite podcast app, so you never miss an episode. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thebillionairepodcast.com/subscribe⁠⁠

Time freedom. It's the holy grail that most people seek from Real Estate. That, and financial liberty. In this episode, Bronson talks about his journey out of work as a medical equipment sales person, and into the wonderful world of investing.  Bronson's secret sauce: accepting the gradual nature of the process. In this episode, Terrie underscores the value of nurturing connections between potential partners and passive investors to cultivate confidence and foster relationships. Tune in as they share practical wisdom and experiences to inspire listeners in their own financial endeavors! Key Topics:   - Medical sales to time freedom in real estate - Financial independence and early retirement: A gradual process - The importance of self-education and networking - Networking & Self-Education: Essential Investments - Valuing Time in Real Estate   Notable Words From The Episode:    We want financial freedom, but ultimately, a lot of it has to do with time freedom.  - Terrie Schauer   With passive income, then you have the choice if you want to go to work or not, or you can create your own where you can do what you want to do because you have your living expenses covered. - Bronson Hill   Connect with Bronson Hill here:  Linkedin: linkedin.com/in/bronsonhill Website: www.bronsonequity.com   Connect with Us: Facebook Page: https://www.facebook.com/restateinvestorsclub/  Email: reic@clubimmobilier.ca  Terrie Schauer's LinkedIn: https://www.linkedin.com/in/terrieschauer/  Terrie Schauer's Instagram: https://www.instagram.com/terrieschauer/ 

Chuck Zodda and Mike Armstrong wonder why investors are almost always wrong about the Fed. Another close call in the skies, this time an incident at JetBlue. Risk of big US inflation revision puts policymakers and investors on edge. China's prices fall at fastest rate in 15 years as economy battles inflation. What are the Pros and Cons of doing business in China?

Warriors head coach Steve Kerr joins Willard and Dibs to discuss last night's win over the 76ers, the looming trade deadline, and more.

Dan Bernstein and Laurence Holmes were joined by legendary Score host Terry Boers, who ranted about the Bears' run of hiring unsuccessful coaches and the dismal state that the team once again finds itself in this season.

Original Air Date: 8/31/2022 Today, as the news of Trump's various trials continues to drop out, we take a look back at this episode covering the long and illustrious history of powerful people avoiding prosecution in the United States. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Transcript BestOfTheLeft.com/Support (Get AD FREE Shows and Bonus Content) Join our Discord community! SHOW NOTES Ch. 1: Welcome to the golden age of white collar crime (with Michael Hobbes) - Pitchfork Economics with Nick Hanauer - Air Date 3-10-20 Why is right now the easiest time in modern history for the wealthy to get away with whatever they want? HuffPost reporter and fellow Seattleite Michael Hobbes join Zach in the studio for a deep dive into his most recent article about white-collar crime. Ch. 2: Flint Residents Outraged as Charges Dropped in Fatal Water Scandal That Poisoned Majority-Black City - Democracy Now - Air Date 5-30-22 Eight years after the deadly Flint water crisis began, the state's Supreme Court has thrown out charges against former Governor Rick Snyder and eight other former officials for their complicity in the public health emergency. Ch. 3: Obama Requests Immunity for War Criminal George W. Bush - The Majority Report w/ Sam Seder - Air Date 8-22-13 Obama's DOJ has requested that George W. Bush, Dick Cheney, Donald Rumsfeld, Colin Powell, Condoleezza Rice, and Paul Wolfowitz be granted immunity in a case that is alleging that they violated international law with the Iraq War... Ch. 4: Obama on Investigating Bush Crimes: "Need to Look Forward" - This Week - Air Date 1-11-09 Barack Obama on This Week, January 11, 2009 Ch. 5: How George H.W. Bush's Pardons for Iran-Contra Conspirators Set the Stage for Trump's Impunity - Democracy Now - Air Date 12-4-18 In 1992, when Bush Sr. was president, he pardoned several Iran-Contra defendants, including Caspar Weinberger, Robert McFarlane, and Elliott Abrams. We speak with Greg Grandin, prize-winning author, and professor of Latin American history at New York Univ. Ch. 6: Pardon Me - Reveal - Air Date 7-6-19 Presidential pardons grab the headlines each time Donald Trump grants clemency to a controversial person. We tell the untold story of a pardon system that is completely broken and a pardon attorney's office that is being ignored by the White House. Ch. 7: Bryan Stevenson on the racial terrorism of lynching - Cape Up - Air Date 4-24-18 Bryan Stevenson wants us to confront our country's racial terrorism and then say, ‘Never again' Ch. 8: Justice Department Weighs Whether Or Not To Prosecute Trump - MSNBC - Air Date 8-29-22 New York Times Justice Department Reporter Katie Benner and former U.S. Attorney Harry Litman discuss how the inquiry into Trump's handling of classified documents poses an unparalleled test for DOJ MEMBERS-ONLY BONUS CLIP(S) Ch. 9: Restoring the Brotherhood of Union: Confederate Pardon and Amnesty Records, 1865-1877 - US National Archives - Air Date 5-21-15 "Restoring the Brotherhood of Union: Confederate Pardon and Amnesty Records, 1865-1877" Archives specialist John Deeben provides a brief legislative history of amnesty activity during and after the Civil War. Ch. 10: The power of presidential pardons - PBS NewsHour - Air Date 12-25-20 Pardons are among the most powerful tools a president has. While pardons can be politically motivated, drawing criticism, they can also change lives. FINAL COMMENTS Ch. 11: Final comments on the nature of pardons, accountability and hurt feelings MUSIC (Blue Dot Sessions)   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere! Follow at Twitter.com/BestOfTheLeft Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

In this episode, Patrick explains why lucky millionaires almost always go bankrupt. Connect With Experts On Minnect: https://app.minnect.com/ Get Your Tickets for The Vault 2023 NOW ⬇️⬇️ The BIGGEST EVENT in VT History! **TOM BRADY, MIKE TYSON & PATRICK BET-DAVID on one stage!** https://thevaultconference.com/ Visit our website: https://valuetainment.com/ Subscribe to our channel: http://bit.ly/2aPEwD4 @ValuetainmentMoney @ValuetainmentComedy @bizdocpodcast To reach the Valuetainment team, you can email: info@valuetainment.com Want to get clear on your next 5 business moves? https://valuetainment.com/academy/ Join the channel to get exclusive access to perks: https://bit.ly/3Q9rSQL Download the podcasts on all your favorite platforms https://bit.ly/3sFAW4N Text: PODCAST to 310.340.1132 to get added to the distribution list Patrick Bet-David is the founder and CEO of Valuetainment Media. He is the author of the #1 Wall Street Journal Bestseller Your Next Five Moves (Simon & Schuster) and a father of 2 boys and 2 girls. He currently resides in Ft. Lauderdale, Florida. --- Support this podcast: https://podcasters.spotify.com/pod/show/valuetainment/support

In this episode, Patrick discusses the biggest presidential upsets and what it means for 2024. Connect With Experts On Minnect: https://app.minnect.com/ Get Your Tickets for The Vault 2023 NOW ⬇️⬇️ The BIGGEST EVENT in VT History! **TOM BRADY, MIKE TYSON & PATRICK BET-DAVID on one stage!** https://thevaultconference.com/ Visit our website: https://valuetainment.com/ Subscribe to our channel: http://bit.ly/2aPEwD4 @ValuetainmentMoney @ValuetainmentComedy @bizdocpodcast To reach the Valuetainment team, you can email: info@valuetainment.com --- Support this podcast: https://podcasters.spotify.com/pod/show/valuetainment/support

It's not that we didn't have a reason. That we weren't provoked. Or mistreated. We were. We had legitimate reasons to be upset. We had a legitimate grievance.And yet…our response was such a mistake. We come to regret the yelling. We regret the harsh words. How much better would we have been had we been able to, as the great play about Cato put it, look at things through the “calm light of mild philosophy.”To the Stoics, what we did in a fit of passion–be it of lust or envy but most of all out of anger–was almost always the wrong thing.---And in today's Daily Stoic meditation, Ryan discusses the transformation that you will undergo when you recognize what you are complaining about in your thoughts, and then challenge yourself to re-focus

In this episode, Bob talks about the history of capturing the flag, what's going to happen with AI, how to have fun by lisping, what music of the future sounds like, his sexual history, and presents the songs: A WEEK ON MARS, ALMOST ALWAYS, THREE WORDS OR LESS, BEND AND BREAK AND BURN, BOOM BOOM BABY and AIRPLANE. What the episode on YouTube: https://youtube.com/live/R2p-tOOlv-8

In the first of what will be two installments of our interview, Gere Kennon remembers the King of Rock and Roll Elvis Presley and the late, great NASCAR 75 driver Sam Ard. Gere was the crew chief for both of Sam's championships and can testify first hand to his talent behind the wheel of a race car, his strength and his ALMOST ALWAYS gentle demeanor and the terrible accident that ended Sam's driving career. We then take a deep dive into the March 1, 1984 issue of Grand National Scene.  Cale Yarborough caps off an extraordinarily successful week with a win in the Daytona 500 AND Ricky Rudd comes back from a vicious wreck in the Busch Clash to win at Richmond and in the process, gives co-host Steve Waid a quote for the ages. There's also coverage of serious Daytona accidents involving three part-time competitors, including one who would go on to be named one of the 75 greatest drivers in NASCAR history. Darrell Waltrip wins Daytona's Busch Series event after mechanical trouble foils Sam Ard's bid for the victory and Joe Ruttman's team taps young Kenny Wallace as its co-crew chief. NOTE: This show is not associated in any way with American City Business Journals, owner of the Scene brand. Be sure to check out the latest and greatest stories from the world of NASCAR at dailydownforce.com! Interested in The Scene Vault Podcast T-shirts? Check out thescenevault.com and click on SHOP to see what we have available! Please consider supporting this show via: patreon.com/thescenevaultpodcast paypal.me/thescenevaultpodcast venmo.com/thescenevaultpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode two of the Marketing Secrets Nobody Tells You series, where we discuss the secrets that nobody talks about and the actions you can take to conquer them in your own marketing. In case you missed it, yesterday we talked about what holds 90% of the weight in your marketing success, and today we will dive into where the answer usually lies when your marketing is not working. The answer is always in your messaging. A solid strategy will never work without really solid messaging, which is the foundation of marketing success. In this episode, we will define messaging, discuss its importance, and share some tips, secrets, and simple things you can do to improve your messaging. As a marketer, I spend a lot of time on messaging and it's one of the things I do so well, enabling me to get results quickly for my clients. Let's dive in and discover the secrets to improving your messaging to connect with your audience emotionally and drive marketing success. _______________________ Ways I can support: [Free] Receive a weekly behind-the-scenes look at what is getting our clients' insane results: https://www.notforlazymarketers.com/newsletter  Looking for an entire marketing strategy VIP experience? http://notforlazymarketers.com/vip  

Buyer beware if you consider doing these cosmetic treatments! These are some of the hottest procedures being performed today and are promoted on social media by some of the most prominent doctors. So why does Dr. Youn recommend you stay away from them? Find out by listening!     Check our Dr. Youn's skincare products and nutritional supplements - younbeauty.com Download his FREE eGuide: "What to Eat to Look Younger" - dryoun.com/eat-look-younger Follow Dr. Youn on Instagram - @tonyyounmd Follow Dr. Youn on YouTube - youtube.com/tonyyounmd Follow Dr. Youn on TikTok - @doctoryoun Follow Dr. Youn on Facebook - @dryoun