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7 episodes with Mark Curry
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2 episodes with Mark Curry
3 episodes with Mark Curry
2 episodes with Mark Curry
3 episodes with Mark Curry
2 episodes with Mark Curry
2 episodes with Mark Curry
2 episodes with Mark Curry
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 7:28)to contact me:bobbycapucci@protonmail.com
Subscribe To The Willie D Live Audio Podcast at:https://podcasters.spotify.com/pod/show/williedlivepodcastArtistActivist InvestorPodcasterSupport This ChannelCashApp http://cash.app/$williedlive PayPal http://www.paypal.me/williedlive Support My Foundationhttps://marvelousbridge.orgFollow me on Social Media:Instagram: williedliveTwitter: williedliveTikTok: williedliveFacebook: williedofficial
Sean "Diddy" Combs' own words from past interviews and public appearances are now coming back to haunt him in light of his recent arrest on sex trafficking and abuse charges. Over the years, Diddy openly discussed the wild and extravagant nature of his parties, often highlighting how he fostered an environment that encouraged extreme behavior. In a 2002 interview on Late Night with Conan O'Brien, Diddy casually spoke about the importance of creating the right atmosphere for his parties, mentioning tactics like locking doors and keeping the temperature high to make people "more comfortable" and "loose." These comments, once interpreted as playful insights into his party planning, are now viewed in a much darker context as allegations of coercion and abuse emerge from these same gatherings.Furthermore, Diddy's remarks about his "freak-offs" and his reputation for hosting debauched events are being scrutinized as evidence mounts against him. What he once portrayed as a unique party experience is now being seen as a reflection of the toxic environment that allegedly facilitated predatory behavior, manipulation, and abuse. These revelations, coupled with Diddy's history of openly promoting a hedonistic lifestyle, are contributing to the growing legal and public pressure against him, as his past statements are being reinterpreted in the context of the disturbing allegations he faces.(commercial at 10:16)to contact me:bobbycapucci@protonmail.comsource:Sean ‘Diddy' Combs's Parties, in His Own Words - The New York Times (nytimes.com)
Sean "Diddy" Combs' own words from past interviews and public appearances are now coming back to haunt him in light of his recent arrest on sex trafficking and abuse charges. Over the years, Diddy openly discussed the wild and extravagant nature of his parties, often highlighting how he fostered an environment that encouraged extreme behavior. In a 2002 interview on Late Night with Conan O'Brien, Diddy casually spoke about the importance of creating the right atmosphere for his parties, mentioning tactics like locking doors and keeping the temperature high to make people "more comfortable" and "loose." These comments, once interpreted as playful insights into his party planning, are now viewed in a much darker context as allegations of coercion and abuse emerge from these same gatherings.Furthermore, Diddy's remarks about his "freak-offs" and his reputation for hosting debauched events are being scrutinized as evidence mounts against him. What he once portrayed as a unique party experience is now being seen as a reflection of the toxic environment that allegedly facilitated predatory behavior, manipulation, and abuse. These revelations, coupled with Diddy's history of openly promoting a hedonistic lifestyle, are contributing to the growing legal and public pressure against him, as his past statements are being reinterpreted in the context of the disturbing allegations he faces.(commercial at 10:16)to contact me:bobbycapucci@protonmail.comsource:Sean ‘Diddy' Combs's Parties, in His Own Words - The New York Times (nytimes.com)
Sean "Diddy" Combs' own words from past interviews and public appearances are now coming back to haunt him in light of his recent arrest on sex trafficking and abuse charges. Over the years, Diddy openly discussed the wild and extravagant nature of his parties, often highlighting how he fostered an environment that encouraged extreme behavior. In a 2002 interview on Late Night with Conan O'Brien, Diddy casually spoke about the importance of creating the right atmosphere for his parties, mentioning tactics like locking doors and keeping the temperature high to make people "more comfortable" and "loose." These comments, once interpreted as playful insights into his party planning, are now viewed in a much darker context as allegations of coercion and abuse emerge from these same gatherings.Furthermore, Diddy's remarks about his "freak-offs" and his reputation for hosting debauched events are being scrutinized as evidence mounts against him. What he once portrayed as a unique party experience is now being seen as a reflection of the toxic environment that allegedly facilitated predatory behavior, manipulation, and abuse. These revelations, coupled with Diddy's history of openly promoting a hedonistic lifestyle, are contributing to the growing legal and public pressure against him, as his past statements are being reinterpreted in the context of the disturbing allegations he faces.(commercial at 10:16)to contact me:bobbycapucci@protonmail.comsource:Sean ‘Diddy' Combs's Parties, in His Own Words - The New York Times (nytimes.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Jason Fraley interviews comedian Mark Curry, who brings his standup comedy tour to the Bethesda Theater in Bethesda, Maryland this Sunday. He previews the show and reflects on his career journey, from “Showtime at The Apollo” to the sitcom “Hangin' with Mr. Cooper” — and why there should be a reboot. (Theme Music: Scott Buckely's "Clarion")
Hear Richard Duffy's reaction after Congleton Town's 4-2 win against Clitheroe, plus a preview to the Stalybridge Celtic game. There's also a focus on the Congleton Town Ladies as Steve Wright looks back on his time as manager, while we hear from Mark Curry and Martyn Cooke who have taken over alongside Zakh Poots. And Wood Fire Smoke owner Sam Burrows shares details of a pizza deal for Congleton Town supporters. Hosted on Acast. See acast.com/privacy for more information.
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 15:19)to contact me:bobbycapucci@protonmail.comAttorney Tony Buzbee has revealed that numerous A-list celebrities are taking steps to distance themselves from Sean "Diddy" Combs following his arrest on sex trafficking and racketeering charges. According to Buzbee, many of these celebrities have been scrubbing their social media accounts in an attempt to erase any association with Diddy, particularly as more victims come forward with allegations related to his notorious parties. Buzbee suggested that these efforts are likely intended to avoid public scrutiny and potential legal exposure.Buzbee further implied that some of these high-profile figures may have been aware of or even participated in illegal activities at Diddy's parties. He hinted that additional legal actions could involve more prominent names in the entertainment industry. The attorney is meticulously vetting the claims to ensure all relevant individuals are held accountable, warning that this case could implicate a broader network of individuals beyond Diddy himself. The ongoing legal battle may ultimately reveal further complicity among his celebrity circle.to contact me:bobbycapucci@protonmail.comsource:Lawyer for 'Diddy' accuser has 'no doubt' celebrity friends are 'scrubbing' social media after indictment | Fox News
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 15:19)to contact me:bobbycapucci@protonmail.comAttorney Tony Buzbee has revealed that numerous A-list celebrities are taking steps to distance themselves from Sean "Diddy" Combs following his arrest on sex trafficking and racketeering charges. According to Buzbee, many of these celebrities have been scrubbing their social media accounts in an attempt to erase any association with Diddy, particularly as more victims come forward with allegations related to his notorious parties. Buzbee suggested that these efforts are likely intended to avoid public scrutiny and potential legal exposure.Buzbee further implied that some of these high-profile figures may have been aware of or even participated in illegal activities at Diddy's parties. He hinted that additional legal actions could involve more prominent names in the entertainment industry. The attorney is meticulously vetting the claims to ensure all relevant individuals are held accountable, warning that this case could implicate a broader network of individuals beyond Diddy himself. The ongoing legal battle may ultimately reveal further complicity among his celebrity circle.to contact me:bobbycapucci@protonmail.comsource:Lawyer for 'Diddy' accuser has 'no doubt' celebrity friends are 'scrubbing' social media after indictment | Fox News
Earned: Strategies and Success Stories From the Best in Beauty + Fashion
In Ep. 150 of Earned, Conor Begley sits down with Colette Laxton, co-founder The INKEY List, a skincare company centered around knowledge, quality and efficacy, transparency, and equality. To start, Colette shares her inspiring journey from corporate life to becoming a skincare innovator. Launching The INKEY List in 2018 with her partner Mark Curry, Colette embraced a market shift towards transparency and simplicity in skincare, quickly securing a presence in major retailers like Sephora. Central to The INKEY List's triumph is building genuine relationships with creators and consumers. Colette delves into how authenticity and shared values have been pivotal in nurturing these connections, balancing internal efforts with external support. She discusses the challenges of finding team members who excel at fostering these relationships, emphasizing sincerity and continuous engagement as keys to long-term success. Switching gears, we explore Colette's perspective on personal growth, as she reflects on leveraging TikTok's dynamic platform during the pandemic to propel brand success. To close the show, Colette shares about her love of antique items that have had a past and will have a future beyond us. In this episode, you'll learn: How transparency and authenticity are crucial to building a successful skincare brand How early adoption and genuine engagement on platforms like TikTok can significantly boost brand visibility and success How to build meaningful connections internally and externally that aid in navigating the challenges of entrepreneurship Connect with the Guest: Colette's LinkedIn - @colettelaxton Connect with Conor Begley & CreatorIQ: Conor's LinkedIn - @conormbegley CreatorIQ LinkedIn - @creatoriq Follow us on social: CreatorIQ YouTube - @TribeDynamics CreatorIQ Instagram - @creatoriq CreatorIQ TikTok - @creator.iq CreatorIQ Twitter - @CreatorIQ
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 7:28)to contact me:bobbycapucci@protonmail.com
Mark Curry, a former artist signed to Sean "Diddy" Combs' Bad Boy Records, recently alleged that Diddy used non-disclosure agreements (NDAs) to silence A-list artists in exchange for returning their music publishing rights. According to Curry, Diddy anticipated legal challenges and offered artists their publishing rights back in exchange for signing NDAs, which would prevent them from discussing him publicly. This move reportedly occurred just before Diddy faced a lawsuit filed by his ex-girlfriend Cassie Ventura.Curry himself claims he refused to sign an NDA and has since spoken out about his experience with Bad Boy Records, stating that Diddy's actions were a calculated attempt to cover his tracks amid the looming legal troubles. He shared these allegations during The Trial of Diddy, a podcast that explores the various accusations against the music mogul.(commercial at 7:28)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
On this episode of BSTV Ya Boi Shad & G. Downs sat down with one of Hollywood's best TV actors. They sat down with Omar Gooding. Omar gave them one of if not the best interview in the short lifespan of BSTV. he talked about being poor and homeless with his mom and his dad being in the band and the lead singer of Maine a gradient Cuba Gooding Sr. He also talked about being an unexpected child and what it was like growing up being the brother of Hollywood star Cuba Gooding Jr. He also spoke on getting his first role in the movie Ghost Dad with legendary comedian Bill Cosby and what it was like to work with him. He also spoke about how his brother Cuba Gooding Junior was kicked off the set of ghost that by legendary academy award winning actor Sydney Portier for giving him pointers during the movie. After that he spoke on how he got the role for wild and crazy kids on Nickelodeon and how he made himself stand out over the other kids who were going out for the role. He also talked about what it was like being a child TV star and how he adapted to Hollywood expectations. He also spoke on how he got a roll on the hit TV show Webster with Emmanuel Lewis. He also spoke on the deeper side of his upbringing and avoiding gang activity because he had good people around him to guide him in the right direction. After that he spoke on his brother winning the academy award for the movie Jerry Maguire and how he did not expect him to win due to Hollywood not giving black actors Academy awards in high volume back in the 90s. Then he spoke on getting the role in the hit TV show hangin with Mr. Cooper and how Mark Curry inspired him with his timing and acting and how Mark Curry saved him from getting fired from the show due to an incident that happened outside of filming. He also spoke on the Kat Williams interview on Club Shay Shay and Kat's allegations against Steve Harvey on wether or no Steve stole the concept of the Steve Harvey show from Hangin with Mr. Cooper. Then he spoke on getting the role on the hit TV show smart guy and why the show ended and he also spoke on what happened to That Mowry after the show ended. After that he spoke on getting the role Sweetpea for Baby Boy and wether or not it was any pressure playing the role and being in a John Singleton file due to the fact his brother was in arguably the greatest John Singleton film of all time with Boyz n the Hood. He also spoke on his relationship with John Singleton and how he pushed him to the next level with his acting. He also talked about his non existent relationship with Tyrese during the filming of the movie and how they almost came to blows at his house because he didn't want to hang out with him. He also spoke on a fight during filming with him and after Ving Rhames. After that he spoke on how he started dating his on screen girlfriend at the time Angell Conwell in real life. He also spoke on how Snoop Dogg gave him words of encouragement and how the developed a great relationship. Then he talked about his brother Cuba Gooding Jr. and the allegations against him and wether or not its a witch hunt in entertainment targeted at black men. He also talked about how the Bill Cosby allegations affected him and how the system can get anyone. Finally he spoke on his new career in comedy and hiphop and all the movies he's done on tubi and how's he stay active in Hollywood. he also spoke on doing a move with Halle berry and how his fantasy came true when he kissed her on screen. Lastly he talked about doing the movie Percentage with hiphop mega star Cam'ron and how it was a blast to work with him. https://www.youtube.com/c/BadSpeakersTV https://www.instagram.com/badspeakerspodcast https://www.tiktok.com/@badspeakerspodcast https://twitter.com/BadSpeakers https://www.facebook.com/badspeakerspodcast
Tommy Davidson is coming to Indianapolis for a special three-night engagement over Labor Day weekend at the Helium Comedy Club slated for Friday-Sunday, August 30 – September 1.Davidson recently completed co-headlining at sold-out arenas across the country with Katt Williams and Mark Curry selling out 4000+ seat venues.An all-around entertainer, Tommy has added critically lauded, hit jazz songs to his body of work which he has collaborated on with renowned performers in the genre including world renowned saxophonist Richard Elliot on I Know, and his first stand-alone single with multi-Grammy winner, Dave Koz, Sweet Reunion.Tommy's hit series Proud Family: Louder and Prouder in which he resumed his role of patriarch ‘Oscar Proud,' broke viewership records in its second season on Disney+ and has already been ordered for a third season which they are taping now for a fall 2024 premiere.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
00:00 Intro00:50 Omar Gooding on his family history18:03 On Nickelodeon, Wild and Crazy Kids21:18 On sibling relationship with Cuba22:21 On Wild & Crazy Kids ending23:50 On Cosby & stage parents30:48 Audition for Wild and Crazy Kids, breaks down audition process34:05 on Mark Curry & Hanging with Mr Cooper44:00 on Urkel & Jaleel White46:55 on Smart Guy & being rich & famous young , Tia & Tamara & Tahj Mowry51:48 Baby Boy relationship with Angell Conwell01:11:20 Movie Percentage with Cam'ron, got paid $100k for Baby Boy, Taraji P Henson & pay gap in Hollywood01:18:25 Working with people who can't act01:20:30 Cuba Gooding Jr movies & acting styles01:27:00 Snowfalls Damson Idris on "method acting" 01:28:20 Cuba Gooding Jr Radio01:34:05 Cuba Gooding Jr Oscar01:37:19 Cuba Gooding Jr Diddy 01:45:50 on new movies coming up, stand up comedyJoin this channel for EARLY access to uncut & uncensored interviewshttps://www.youtube.com/channel/UCAQLEDkByO-ckKb_oq_Stpg/join-----DONATE TO REALLYFE PRODUCTIONS CashApp $RealLyfeProductionsSUBSCRIBE to Patreon for exclusive content https://www.patreon.com/RealLyfeStreetStarzCHECK OUT OUR ONLINE STORE!!! http://www.reallyfestreetstarz.com/SUBSCRIBE for new interviews (and more) weekly: https://rb.gy/0hsvlrFollow us on Soundcloud: https://soundcloud.com/reallyfestreetstarziTunes: https://podcasts.apple.com/au/podcast/reallyfe-street-starz-podcast/Follow us on Social Media:Twitter: https://twitter.com/Reallyfe_214/Instagram: https://www.instagram.com/ReallyfeProductions/Instagram: https://www.instagram.com/ReallyfeStreetStarzFacebook: https://www.facebook.com/ReallyfeProductions/TikTok: https://www.tiktok.com/@reallyfestreetstarzSoundcloud: https://soundcloud.com/reallyfestreetstarz
Join skincare experts Caroline Hirons, Colette Laxton, Mark Curry, James Welsh and Emma Lewisham as they debunk all the popular skincare trends on Tiktok right now! Episodes are published weekly on Monday and Wednesdays. Presented By: Caroline Hirons Ad Details: Download the Skin Rocks App for free and sign up for Premium with your exlusive code CHPOD (all capitals), to save £10 off your annual subscription. To redeem the offer: 1) Download the Skin Rocks App for free from Apple or Google Play Stores. 2) Create an account 3) Go to 'Your Subscriptions' 4) Click on 'Do you have a code?' Enter CHPOD and select your annual exclusive tier to enjoy! Got a question to ask? Let us know at pod@carolinehirons.com Produced by Wall to Wall Media. Produced by: Danielle Bondzie Executive Producers for Wall to Wall: Martin Trickey & Melissa Brown Video Producer: Dominic Seymour With Thanks to: Tom Wright, Aoife Rice Murphy, Sarah Fenner, Shadia Oseni, Dom Seymour, Elizabeth Sloan & Penny Stratton The views and opinions expressed in this podcast are those of the speakers and do not reflect the views or positions of any entities that the speakers are affiliated with or of the producer.
It's Skincare Special week! Join Caroline Hirons, the UK's leading skincare expert as she is joined by some of the most exciting names in skincare. Her first guests this week are Colette Laxton and Mark Curry, the founders of the multi-million pound skincare brand The Inkey List. Episodes are published weekly on Monday and Wednesdays. Presented By: Caroline Hirons Ad Details: Download the Skin Rocks App for free and sign up for Premium with your exlusive code CHPOD (all capitals), to save £10 off your annual subscription. To redeem the offer: 1) Download the Skin Rocks App for free from Apple or Google Play Stores. 2) Create an account 3) Go to 'Your Subscriptions' 4) Click on 'Do you have a code?' Enter CHPOD and select your annual exclusive tier to enjoy! Got a question to ask? Let us know at pod@carolinehirons.com Produced by Wall to Wall Media. Produced by: Danielle Bondzie Executive Producers for Wall to Wall: Martin Trickey & Melissa Brown Video Producer: Dan Lazard With Thanks to: Tom Wright, Aoife Rice Murphy, Sarah Fenner, Shadia Oseni, Dom Seymour, Elizabeth Sloan & Penny Stratton The views and opinions expressed in this podcast are those of the speakers and do not reflect the views or positions of any entities that the speakers are affiliated with or of the producer.
Former Bad Boy artist Mark Curry breaks his silence on Diddy.The Dark Truth About Diddy Exposed By Former Bad Boy Artist: “If I Die, Look At Diddy”
Poof! Will and Sabrina are watching “The Poof Point” starring Tahj Mowry, Mark Curry and Dawnn Lewis. The film premiered in 2001 as a Disney Channel Original Movie.See omnystudio.com/listener for privacy information.
Poof! Will and Sabrina are watching “The Poof Point” starring Tahj Mowry, Mark Curry and Dawnn Lewis. The film premiered in 2001 as a Disney Channel Original Movie.See omnystudio.com/listener for privacy information.
Mark Curry is the co-founder of skincare brand The INKEY List. He's here to tell you why you should embrace change, learn to experiment and develop your strengths, NOT work everything out straightaway. If you're a fellow entrepreneur or an aspiring one, and are looking for inspiration on what makes a business flourish, then this episode is for you. Timestamps: 00:00 - Trailer and Introduction 04:49 - How Did the Idea of The Inkey List Arise? 07:30 - When Did You Realise You Wanted to be an Entrepreneur? 11:35 - Encountering Opportunities at University 16:03 - Getting Comfortable with Thinking Differently as a Teacher 23:40 - Have a Strengths-Based Career 28:50 - Why You Should Fail More 32:31 - How Do You Know When You're Failing? 36:09 - Planning for Failure 40:13 - Early Objectives of the Inkey List 43:39 - Which Categories Worked? 48:15 - From Business Partners to Life Partners 54:57 - What Makes a Good Partnership? 01:00:35 - Conflict Resolution 01:00:53 - How Do You and Your Co-founder Differ? 01:05:07 - Inkey List's Senior Leadership Selection Process 01:09:58 - What is the Biggest Business Lesson you've Learned? 01:23:06 - Why Copying is Good 01:25:12 - Advice for Your Younger Self 01:28:37 - Advice to Your Future Self Mark started out as a science teacher after graduating from university. He then pivoted to entrepreneurship in 2014, founding MAD Brands and We Are Sass, respectively. But it wasn't until 2017 that skincare powerhouse - The INKEY List - was founded, together with his co-founder Colette Laxton. Mark Curry: LinkedIn: linkedin.com/in/mark-curry-0472626b Instagram: https://www.instagram.com/mark__curry/ Website: https://uk.theinkeylist.com/ Maria Hvorostovsky: LinkedIn: https://www.linkedin.com/in/mariahvo/ Instagram: https://www.instagram.com/mariahvo/ TikTok: https://www.tiktok.com/@maria_hvo X: https://twitter.com/mhvorostovsky HVO Search: https://www.hvosearch.com Podcast filmed, edited and produced by: https://www.londonbeautyphotographer.com Need help HIRING – http://www.hirewithmaria.com LEAVE A REVIEW: If you're listening on Apple Podcasts make sure to Follow, Rate, and leave a REVIEW.
Hosted by Niki Moore and Eddie Bryant, “Backstage Beyond the Laughs” (BBTL) piques the curiosity of everyone who's ever wondered what life is like for those famous funny folks “on or off” the road. justjokesusa.com/
Tavis is hangin' with Mr. Curry, aka comedian and actor Mark Curry, as he looks ahead to his upcoming comedy shows and reflects on his life and career.
In this episode of The Sensible Hippie Podcast, I delve into the dark undercurrents of the music industry with former DJ Mark Devlin. Mark unpacks his investigation into the alleged death and replacement of Paul McCartney, exploring the occult elements and symbolism pervasive in the industry. He also discusses his recent speaking tours in the US and Australia, reflecting on the different audience receptions. Additionally, we tackle the serious allegations against Sean P Diddy Combs, examining his influence and the prevalent culture of exploitation within the music industry. Join us as we uncover the hidden forces shaping entertainment and their broader implications. Takeaways The music industry is run by occultists and dark occultists who use music for mass mind control and to shape societal agendas. The theory of Paul McCartney's death and replacement is explored, with evidence of cryptic symbolism and anomalies in photographs and video footage. Music is an expression of military intelligence and is used for mass mind control purposes. Mark's recent speaking tour in the US and Australia highlighted the interest in understanding the dark undercurrents of the music industry, but audience reception varied. Different cities and states in the US have varying levels of awareness and receptiveness to alternative perspectives on the music industry. Sean P Diddy Combs has faced numerous allegations, including rape, involvement in murders, and other unsavory activities. The book 'Dancing with the Devil' by Mark Curry provides insights into Diddy's actions and the culture of the music industry. Gatekeepers like Diddy play a significant role in shaping the music industry and influencing cultural attitudes. The prevalence of depraved activities in the entertainment world extends beyond rap and hip-hop to other genres and industries. BUY ME A COFFEE LINK https://buymeacoffee.com/sensiblehippie Middle music: And More by Neon Beach Beginning music: Fugue Frenzy by Moments Intro music:Imagination by PALA https://app.soundstripe.com/artists/210 Outro music: Just Look Up by LNDÖ Final SONG Promised Land by: Brian Brown https://app.soundstripe.com/songs/16800 http://djmarkdevlin.com/about-mark-devlin/ Mark Devlin's Book we discussed: Musical Truth --- Support this podcast: https://podcasters.spotify.com/pod/show/sensiblehippie/support
On this episode of That's What I'm Saying! Shaun and Shatara sit down with Former Bad Boy recording artist and their big brother, Mark Curry, and talk family and life after Diddy. watch the video on Youtube
Hold on to your sides because comedy legend Mark Curry is about to drop the satirical truth bomb to end all truth bombs in his hilarious new stand-up special 'How to End All Crime and Save the Economy'. In this no-holds-barred set, Curry fearlessly skewers everything from our broken justice system to corporate greed with his trademark parody and improv mastery. You won't believe his outrageous yet oddly rational solutions for fixing society's biggest issues through dark comedy and absurdist humor. Don't miss this instant classic satire - watch Mark Curry's special now on FOQNFunny.com or click to go ad-free with FOQN Funny+. Love what you're hearing on FOQN Funny? Go a step further and become a member of FOQN Funny+. Enjoy exclusive perks and never-ending laughter. Join now at: https://plus.acast.com/s/foqn-funny. Hosted on Acast. See acast.com/privacy for more information.
Mark Curry takes the stage with a burning question: Older Women vs Younger Women, who wins the battle of wits, wisdom, and whimsy? Diving into a world of satire and stand-up comedy, Mark dissects the hilariously complex dynamics between the two with his trademark humor and insight. From improv comedy showdowns to parody-filled observations, this episode is a laughter-packed exploration of age, romance, and the funny stories that come with navigating relationships at different stages of life. Curious to see which side Mark leans towards? Light up your day with a dose of comedy gold at https://foqnfunny.com or tap below to subscribe to FOQN Funny+ today for your ad-free listening pleasure. Get ready to laugh, ponder, and maybe even pick a side! Love what you're hearing on FOQN Funny? Go a step further and become a member of FOQN Funny+. Enjoy exclusive perks and never-ending laughter. Join now at: https://plus.acast.com/s/foqn-funny. Hosted on Acast. See acast.com/privacy for more information.
Why are ten year olds really using anti-ageing products? Ft The Inkey List's Mark Curry. What does Pat McGrath's 'porcelain doll' make-up mean for backstage beauty? Who is the real Pamela Anderson? Is L'Oréal's CEO right and do remote workers lack creativity?
Waddap Mutha Fuckas! This episode, I made calls to HOA residents/neighbors, tradio ads, and Omarosa, Mark Curry, Tiffany Haddish, and D.L Hughley. The intro backing track is Yung Gravy - Gravy Train, and the outro track is Camelphat - Hope (Feat. Max Milner). Thanks to Cincinatti Drew for the drop! Don't forget to leave a voicemail for the show by calling 1-866-420-LEON! Also, huge news! I'm now streaming live shows at LeonHaberdashery.com. Join the website, hop in the chat, listen to my 24/7 Live Prank Station, and catch my next live show! There is a schedule on the website. Continued thanks to all of the Patreon Supporters: B Horseman, Andy Eccentric, D-Nella Doodle, BenJammin', Licketysplit972, Greta Garbage, Jason, Cincinnati Drew, Bubba WhoaTep, Dragonmere, Joshua, Gaydoff Hitler, Tylerosaurusrex, Theo, Chrispy808, and Social Media User! Website & Live Streams: http://www.LeonHaberdashery.com Discord: http://www.LeonHaberdashery.com/discord Youtube: https://www.youtube.com/channel/UCCyHy7PseHk_guYwII4lPCg Twitch: https://www.Twitch.tv/LeonHaberdashery Facebook: https://www.facebook.com/LeonHaberdashery Reddit: https://www.reddit.com/r/LeonsHaberdashery Support the show and get access to all my latest unrelased content by joining my Patreon: http://www.Patreon.com/ItsLeonMofo You can also follow my twitter to sign up for notifications when I go live: http://www.Twitter.com/LeonMuthaFucka Also, if you want me to prank someone you know, visit http://www.LeonHaberdashery.com/request and fill out the form. You can also send numbers to request@leonhaberdashery.com Finally, to purchase merch, visit: https://shop.spreadshirt.com/leons-haberdashery
Mark Curry Sits Down With Willie To Respond To All Controversy And Makes It Clear Where He Stands. Let Us Know What You Think in The Commnents Below.
Mike Hill and Eunice Elliott dive straight into the Katt Williams interview. They circle back to Mike's interview with Mark Curry and unpack Steve Harvey's “controversial practice” of joke stealing. Ryan Garcia's making headlines with a baby announcement and a divorce announcement. What's the deal with the timing? Tiger Woods just cut ties with Nike. When's the right moment to bounce from a brand or company? Done There, Been That - https://www.youtube.com/@DoneThereBeenThat Inflection YouTube Channel - https://www.youtube.com/@TheINflectionNetwork Inflection Instagram - https://www.instagram.com/inflectionent/?hl=en Eunice Elliot Instagram - https://www.instagram.com/euniceelliott/?hl=en Mike Hill Instagram - https://www.instagram.com/itsmikehill/?hl=en See omnystudio.com/listener for privacy information.
The interesting parts about Deobra Redden tackling Judge Mary Holthaus. The short abridged review of the Epstein documents. Our thoughts on the resignation by Dr. Gay from her role as Harvard University's first black female president and the journey to the conclusion. Also, why it's necessary for the world to have more people like Katt Williams and Mark Curry. Also, our advice to Dave Chappelle. For more: https://linktr.ee/Irefusepodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/jason-clark-fox/support
Thanks for joining me on the Being Beautifully Honest channel! Leave a comment, like & subscribe for more and check out my other videos. Get your Byte Aligners For a Discount of $100 off and 75% off an impression kit! http://fbuy.me/v/ewill_1 Build your credit and earn reward points with your debit card! Check it out and you'll get 50,000 points ($50) if you sign up: https://extra.app/r/ELZABG2EGV... Your beautiful skin is waiting at www.inezelizabethbeauty.com and enter the code PERFECT10 for 10% off your first order! Get THE BEST EYELASH STRIPS here! https://temptinglashes.com Join me on my other platforms! WEBSITE: WWW.BEINGBEAUTIFULLYHONEST.COM PODCAST: bit.ly/thebbhpcast SUBSCRIBE TO MY OTHER CHANNEL AT bit.ly/ytcmobeauty THE BEING BEAUTIFULLY HONEST PODCAST DISCLAIMER: The views and opinions expressed in this video and on The Being Beautifully Honest Podcast Youtube Channel are just that, opinions and views. All topics are for entertainment purposes only! All commentary is Alleged. COPYRIGHT DISCLAIMER UNDER SECTION 107 OF THE COPYRIGHT ACT 1976, ALLOWANCE IS MADE FOR "FAIR USE" FOR PURPOSES SUCH AS CRITICISM, COMMENT, NEWS REPORTING, TEACHING, SCHOLARSHIP, AND RESEARCH. FAIR USE IS A USE PERMITTED BY COPYRIGHT STATUTE THAT MIGHT OTHERWISE BE INFRINGING. #kattwilliams , #steveharvey , #markcurryBecome a supporter of this podcast: https://www.spreaker.com/show/being-beautifully-honest-podcast/support.
The Art of Dialogue & Mark Curry & Greg Taylor's lie on Haitian Jack
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Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's. This week Matt talks about the surprisingly good Goosebumps show that's out on Disney+ and Steve confirms that he didn't make up the movie Angels in the Endzone. Its a real movie damnit. After that it's time to blow the dust off your pog collection and use a phone with a chord you cause we're talking all things November 16th in the 90s. SEGMENT 1 Show: NY Undercover Episode: The Finals (Season: 2 | Episode: 11) Premiere Date: 11/16/1995 Story: Danny Cort returns and wants Detective Williams fired and the officer's son killed. SEGMENT 2 Show: Jamie Foxx Episode: Traffic School Daze (Season: 2 | Episode: 10) Premiere Date: 11/16/1997 Story: Jamie and Braxton go to traffic school. Mark Curry guest stars. Thanks for listening! Watch all new episode every Thursday here on Youtube: https://www.youtube.com/channel/UCk5uXQXE9WGIWcpSkNkXaOg Audio available on all major platforms. Email Us At: hitnineties@gmail.com Instagram: HappenedInThe90s Twitter: HIThe90s Facebook: @HappenedInThe90s Website: https://happenedinthe90s.com MERCH LINK: https://www.redbubble.com/people/HIT90s/shop?asc=u&ref=account-nav-dropdown
In this episode, I'm chatting with the legendary entertainer, Tommy Davidson‼️He talked about his amazing single “Kid Zero”, being on tour alongside Katt Williams, Mark Curry, and more‼️He also talked about portraying Oscar Proud on The Proud Family series and so much more! Thank you for tuning in! Connect with Tommy: Website: https://www.thetommydavidson.com/?fbclid=PAAab6MlZ1I7w5vczMKM-yXyNAJVREXdaGrGu8MVEKfaxNRKuMfBe3lJ4OxLY_aem_ATpyNTgSJxMFgrV38rbq1aoX-hZToqX1041SlMkQUjPtMGaAfLDECrDi8hDE2N0lCTA Instagram: @therealtommycat Go Stream his amazing single, “Kid Zero”! Keep up with your host, Linnea! Instagram: unpacking_the_box_podcast Twitter: @unpackingthebox Threads: @unpacking_the_box_podcast Websites: https://beacons.ai/unpackingtheboxpod?fbclid=PAAaZu5DHfv9Iar5bU6fpjwCP5Alx7AC35g6bcyGBjdzdhcr6JFeyBv4LmFhU_aem_ATMXQ0RijpSWLvBrZ79mRYnb --- Support this podcast: https://podcasters.spotify.com/pod/show/linnea-38/support
This week's episode is brought to you by Manscaped! Get 20% Off and Free Shipping with the code THECHOPSHOP at Manscaped.com. That's 20% off with free shipping at manscaped.com and use code THECHOPSHOP. Unlock your confidence and always use the right tools for the job with MANSCAPED™.The NFL Season is in full effect, and EJ was on his BS with a 40-0 Cowboys win over the Giants. Meanwhile, the Steelers got smacked. Oh well.Taylor Swift is a walking VMA collector. They should just rename the show to The Taylor Swift Awards. Puffy FINALLY gives Bad Boy Artists back their Publishing Rights. Better late than never (I guess). Side Note **His new album is FIRE & we officially have to remove Stevie J from our Milk CartonsCurrent Hiphop Music sounds the same nowadays. What about in the 90s? HUGE Shoutout to O.P. Miller from Serato. We broke down Serato Sample 2/0, the inclusion of Stems, and how it speeds up your workflow.Native Instruments is Alive with the brand new Kontrol N Series Keyboards. Best MIDI Controller yet?We preview new music from YU the 78er! Kendrick Comps?! "The DMV's secret weapon is one of the greatest hip-hop artists on the planet. Even better than Kendrick." - TIDAL https://tidal.com/magazine/article/linernotes-yu/1-92932FOLLOW ON INSTAGRAM - https://www.instagram.com/officialchopshoppod/Support the showWEBSITE AND MERCH! - http://www.officialchopshoppod.com
On this episode Mike and Moe start off with asking where does Lil Jon's impact rank amongst the greats? (7:36). New Edition the blueprint for male R&B groups?/Best Big man vocalist of alltime (12:57). Kendrick Lamar old diss leaked towards Big Sean, Drake, and others which begs the question is Big Sean scared to rap against Kendrick? (30:58). Diddy gives former Bad Boy artist their publishing back. Mark Curry speaks out (1:00:59) Coco Gauff wins US Open/NFL prediction for division winners (1:24:00).
As the owner of a home improvement business, it's easy to worry about outside factors like the economy, interest rates, market demand and your competition… But one thing you can - and should - control is your PROFIT MODEL. As the owner of Revelare Kitchens and Your Remodeling Guys, Mark Curry has built his success on delivering value to the customer and paying close attention to the bottom line. Listen carefully for Mark's insights on how it can be much simpler than you think to make money by design as a home improvement business owner. Join us for The Wealthy Contractor PROFIT WORKSHOP: www.TheWealthyContractor.com/profit For more FREE Wealthy Contractor resources, go to www.TheWealthyContractor.com THE WEALTHY CONTRACTOR FACEBOOK: https://www.facebook.com/TheWealthyContractor THE WEALTHY CONTRACTOR INSTAGRAM: https://www.instagram.com/thewealthycontractor/
We can't tell the story of hip-hop without mentioning Diddy and the record label he started. Bad Boy took off in 1993 after Puff was fired from Uptown Records. He brought TheNotorious B.I.G. with him from Uptown Record, and signed a 50-50 deal with Clive Davis's Arista Records, and it was off to the races.Bad Boy survived the tragic fallout of the East Coast vs. West Coast rivalry, and reached even bigger heights after Biggie's death. Puff began to rise as a solo artist, but did the rest of the artists suffer as a result?Friend of the pod, Zack O'Malley Greenburg, joins me on this episode to cover 30 years of Bad Boy Entertainment. Here's what we hit on:0:35 Sean Combs come-up story5:16 Diddy breaks in with Uptown Records8:22 Starting Bad Boy Records14:11 What sets Diddy apart21:04 How Diddy controlled the narrative23:58 Bad Boy's formula for success 29:00 East Coast vs. West Coast rivalry30:39 Bad Boy's historic 1997-98 run45:42 Bad Boy curse?48:44 Diddy's reputation compared to Cash Money54:50 Best signing? 55:19 Best business move?57:19 Best dark horse move?1:00:19 Missed opportunity?1:08:52 Possibility of biopic?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: Diddy's ability to sort of walk the line and step back, you know, I think that's what ultimately kept Bad Boy in the position that, you know, that stayed and kept him in the position that he continued to be in.[00:00:09] Dan Runcie Outro Audio: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:35] Dan Runcie Guest Intro: Today's episode is another case study style breakdown, and this time we chose to dive deep on the one, the only Bad Boy Entertainment when it comes to branding and when it comes to marketing. I don't know if there's another record label that has as identifiable as a sound of vibe as bad Boy, you knew what that vibe was.Puff said it himself, they take hits from the eighties, but do it sound so crazy? And that was the formula, and it worked time and time again. What Puff did was smart, it was a modern approach to how Berry Gordy approached the record business with Motown. But then he put his own spin on it, interning with Andre Harrell at Uptown Records, learning from him and then putting his own spin on it even more, making it relevant for the 90s and truly becoming the icon that was synonymous with shiny suits with that Bad Boy flavor.And so much of the success of one of the best MCs ever, the Notorious BIG, some of the most iconic R&B groups at the time, and singers such as Faith Evans, 112 and many more. And plenty of artists that unfortunately also had plenty of challenges and issues when it came to payment, drama, legal disputes and more.And we dive into all of that. I'm joined again by Zack O'Malley Greenburg. He wrote a book called Three Kings, where he dived deep into Diddy, as well as Dr. Dre and Jay-Z in this book, so he's well-versed and shared a bunch of great stories in this one. So let's dive in, really excited for this one. Hope you enjoy it.[00:02:06] Dan Runcie: We are back to talk about the wondrous world that Sean Combs built himself Bad Boy entertainment and joined by the one and only Zach Greenburg. Welcome back[00:02:15] Zack Greenburg: Oh, thanks for having me, Dan.[00:02:17] Dan Runcie: Bad Boy is so fascinating because Puff is someone who has in many ways been this larger than life character even before people knew him externally as that.And he has really stayed true with that throughout his time in hip hop and even before then. And most people know the origin story starting back in his days at Howard. But I think based on the research you've done, I know you have some backstory with some of the lessons and some of the things he did even before that.So walk us back. Who was puff in the early days before the world? Got to know him.[00:02:52] Zack Greenburg: Yeah, I mean, you know, I think the funny part is that, that puffy was always puffy and, you know, it just took a while for a little while for the world to kind of figure it out. But you know, there are these kind of consistent themes when you go back through his youth and you, kind of get a sense of who he was.And, you know, I remember writing my book Three Kings, you know, Diddy being one of these kings, talking to people who grew up around him. He really was that same guy from the very beginning. So even when he was a kid, you know, he spent his very earliest years in Harlem, but then moved to Mount Vernon, kind of a suburban neighborhood.you know, just north of the city limits. And you know, he had not just one paper route, he had multiple paper routes and on every, you know, every route. He had this philosophy of like, he wasn't just gonna take the paper and fling it into the family's yard. He was gonna get up and he was gonna go, you know, open the screen door and put the paper in between the screen door and the main door so that people didn't have to go up and do so like he was, you know, that dedicated, that hardworking from the very beginning. you know, I think another story I learned from his youth, Puffy was like, there was some, Some debate, you know, some kid had a pool party and, Puffy wasn't invited. there may have been some racism at play, we don't know. But anyway, Puffy's solution was to convince his mom to build a pool in their backyard and then start his own pool parties and, you know, I mean, it's like the most puffy move ever, right? So he just ended up finding, you know, wealthier and wealthier backers to build the proverbial pool as the years went on.[00:04:23] Dan Runcie: That is the perfect story to encapsulate him because I feel like I could imagine other people having white parties. He doesn't get invited to the white party, so he's like, all right, bet I'm gonna go start my own white party. And now it's this annual thing, however many years running.[00:04:37] Zack Greenburg: Exactly. I mean, and you know, you know, as you kind of trace his evolution, you know, in between it was the same thing. So, you know, we all know the Howard Days, he was taking the Amtrak up, sometimes hiding in the bathroom, so they didn't have to pay for the tickets. He didn't have any money but, you know, he would go up back up to New York on the weekends, he would plan these parties.He started to build a name for himself. and it was exactly that, you know, so from the pool parties, in Mount Vernon to the parties that he was throwing, you know, his colleges to the White party, you get that through line of Puffy that, you know, kind of continues all the way through, through the Ciroc era, you know, I think, which really makes this sort of art celebration, ethos, you know, all the more credible, right.[00:05:16] Dan Runcie: Right, and you mentioning him taking Amtrak. Of course, that's him going from DC to New York to go to Uptown Records where he pushes and fights to get his unpaid internship. Working with Andre Harrell, who was on the Ascension himself. He had started that record label in the mid to late eighties. He then sees the rise.He's early on, new Jack Swing has so many of the early folks making that sound there. And then Puff comes in, he sees a opportunity to elevate and position that brand because the whole thing that Uptown was about, they were trying to push Ghetto Fabulous. They wanted to show that there was a opportunity for people who grew up with nothing to feel like they had that release.And Andre Harrell, he since passed away a few years ago, but he spoken about this a few times and you can see how Puff at the time adapted a lot of that. He worked with Jodeci. He was so integral with how he styled them and making sure they had the right jackets. And at the time, Jodeci was very much seen as this alternative to Boys to Men, Boys to Men was a bit more buttoned up.They made music that was G-rated that you could play everywhere. And Jodeci definitely leaned into the sex appeal, which is something that we saw continue play through with. Bad Boy records of Bad Boy Entertainment in the future. He did similar with Mary J. Blige, taking her from just being a R&B singer to giving her more of a hip hop Ben, and doing a bit more of that crossover vibe, which is something that we saw again with Bad Boy too.And as Puff continued to show his influence, things started to clash because the intern then becomes VP of A and R, and that VP in A and R starts to butt heads and really challenge Andre Harrell on a number of things.[00:07:06] Zack Greenburg: Yeah. And, you know, I think, you know, like you said, Puff really had an idea of what Uptown could be that was, you know, a little bit different from Andre. But it really worked, right? It was the idea that it was, it had a little bit more of an edge to it. you know, like Jodeci had a little more edge than boys to men.you know, that every artist that was gonna be out on Bad Boy would have like, you know, would have that level of class, but also would have kind of like, you know, kind of like a street smart edge. And so, right, it was like the Tims and the backwards hat, but, you know, maybe you had like a nice jacket.It was that kind of mix. And it was very much like in line with Puffy himself. and I think, you know, it's a theme that you kind of started to see. as kind of, he moved on, you know, whether it was Bad Boy or Roc or whatever it was, the thing was synonymous with Puffy. Puffy was synonymous with the thing. But as he began to later on build these assets, you know, he could sell the businesses in a way that he couldn't sort of sell his own image and likeness necessarily. So, that started with, Uptown for sure, it was Andre's thing, but it started to feel like it was Puffy's thing.And I think there was some thought that, you know, that there sort of couldn't be two kings in the castle. And Andre eventually pushed him out and, you know, that kind of left it, the Diddy, you know, in his early twenties kind of figuring out like, Hey, you know, what am I gonna do next? How am I gonna really start my own thing here?[00:08:22] Dan Runcie: And I have this quote from Andre. This was from a documentary a few years later. He says, when Puff got fired, he was on payroll and his artists were on payroll. He's still recording his artists, but he was able to find the best deal, so we never fired him to hurt him. But he fired him to basically make him rich.I will say that quote is much nicer than certain things that Andre said immediately after that firing, especially in the 90s. But it was cool to see the two of them find opportunities to continue to work together after that. But I think the key thing from his time in Uptown is that he was able to find and work with art is that eventually he started working with on Bad Boy.That's when he first works and discovers Big. That's when he first works and really begins to hone in on that sound. And then he officially launched Bad Boy in 1991, but it really wasn't until 1993. He starts working with Big, he starts working with Craig Mack and then it all leads up to this deal that he ends up signing with Arista records to officially do this joint venture with Arista.Arista, of course, was run by Clive Owen, legendary music executive, and they do their 50 50 split. And as the story goes, Clive was on the fence. At first he wanted to hear more, but then Puff Plays flavor in your ear. Craig Max first single, and he was like, all right, I need to be part of this, whatever it is.So that was the song that took things off and made it happen.[00:09:50] Zack Greenburg: Yeah, I mean, Clive Davis, of course, you know, legendary, record men, you know, discovered Janice Joplin, Whitney Houston, Puffy, like you could say, he discovered all these people. they were, they were kind of there already, and, I sort of suspect they would've had their success even if it were not for Clive Davis.But, you know, that, we could debate that. But, know, Clive Davis certainly had an eye for talent, one way or the other. So, I mean, I think what's really fascinating too is, you know, you got think where Puffy was at that point in his life before he got that deal. He was shopping Bad Boy around right?To a bunch of different labels and it says so much about him and his whole ethos, the way he approached it, and this was another anecdote that I found in my reporting, by one of the founders of The Fader who happened to work at EMI at the time. He was in the room when Puffy brought the Bad Boy deal, to the folks at e Emmi and, you know, so like, just to refresh, here's Puff early twenties, just been fired.Just had his first kid, I think. And also, you know, he'd been a part of, this charity basketball tournament at City College where a bunch of people got, crushed in a stampede. He was ultimately found, you know, not guilty of any kind of criminal charges or anything, but his name was all over the papers.Like there's a lot of negative press around him. He was kind of, you know, almost radioactive at this point, or at least one might have thought that turned out he wasn't. But, so anyway, he goes into this meeting with e Emmi and, you know, Their big thing was, Vanilla Ice. And he sort of goes into this meeting and he's like, that dude's corny.Like, I have no interest in anything having to do with Vanilla Ice. Let me tell you how to run your business. And, you know, so he proceeds to like, give them this vision. And then at the end of it, I mean, and I'll read the quote cause it's just so good. he says, when you guys get in a room with all them suits and you're gonna decide what you're gonna pay Puff, just when you get to a number that you think is gonna make Puff happy, I love how he was referring to himself the third person, right?He says, get crazy on top of that. And then when you're there, I want whipped cream and a cherry on top. and this is the best part, he goes, I don't even want to think about the money. That shouldn't even be an issue. Don't be coming at me with no n-word money. Goodbye. And like that was vintage puff.Like that was billionaire Puffy. Before he was billionaire, before he even had. Like before we had a company. So, you know, I think there's just such a great lesson in there, which is kind of like, you know, the sort of, if you can pull off the, fake it till you make it, if you can have that kind of swagger. And to be fair, not available to everybody and like, you know, don't try this at home, kind of if you don't have it.But man, if you can pull that off, if you have that kind of confidence in yourself, you can accomplish some pretty incredible things. He didn't even, you know, end up going with EMI but I think he made a similar pitch at Arista and, you know, and that ultimately got him the deal, that created Bad Boy and, you know, that was really the engine for so much of, what he ended up achieving as the years went on.[00:12:46] Dan Runcie: That story is one of the reasons why he has lived on to become meed and in many ways become a bit of a gift himself. Whether you look at the Chappelle Show skit where, Dave Chappelle is making fun of making the band, and he has that whole sketch about, I want you to get me some Cambodian milk from a goat, or whatever it is.And it's something that sounds completely absurd, but one, it sounded like a lot of the shit that he would say in that MTV show make in the band. And it sounds exactly like that quote that you just shared from that story. The difference is he did this, whether it was for pure entertainment on a show like making the band or when there was really things at stake, like he was at this point when there wasn't a deal in place, he was recently fired.But regardless of whether he's up or down, trying to get it still the same guy.[00:13:39] Zack Greenburg: Absolutely. You know, and I think it just kind of goes to the point like, did he creates brands. He is the brand. He imbued the brand with his essence. And then the brand becomes that much more valuable, whether it's a brand that he can sell, you know, for some huge gain, or whether it's a brand that is compensating him, you know, handsomely for his association or in some cases both. That's kind of the formula and, you know, not everybody can pull it off because not everybody has a brand that is that clear.[00:14:11] Dan Runcie: And let's dig into this because I think this is one of the things that does set him apart. Denny used to be a club promoter as well. And this is a persona that we've seen oftentimes in music where the club promoter or the party promoter works their way up to then become the executive. You see it now with Scooter Braun, someone who's a billionaire now, or close to it in his own right.And he was a party promoter in Atlanta. You saw with Desiree Perez who now runs Roc Nation. She was a party and a club promoter before as well. And you've seen it plenty of times before and I think there's a few things there. There's a hustle and a relentlessness that you need to have to make that work.You need to create momentum around some of that isn't there. You need to understand and be tapped into what people want to hear and what people wanna do and how people wanna feel entertained and how they wanna leave from something feeling like, damn, I had a good time. We need to go do that again. And that is a lifestyle and what Puff did was aligned himself by building businesses that allowed him to do that. Some of those businesses worked better than others, but I think that is the key through line there. On the flip side, I do think that some of these operators and business leaders can often struggle with the bigger picture because there's so many more elements to building companies outside of the marketing brand promotion and those things, and I think we can get into some of that here because I think we saw some of those dynamics play out with Bad Boy as well.[00:15:39] Zack Greenburg: Yeah, for sure. And you know, I mean, I think one of the things about Bad Boy is it wasn't like this was the first record label to develop an ethos and kind of build a lifestyle around it. And, almost like, assembly line, right? I mean, Puffy was doing that himself at Uptown before he just took that same idea and, Pufified it even more.But, you know, I would kind of almost liken it to Motown. I mean, if you look at, Berry Gordy's role, I mean, you see Berry Gordy, credited as a producer on so many, of those songs and, you know, he wasn't like the only person in the room, producing right? he was putting together the right songwriters, the right musicians, everybody to be in the same place. And he was tying it all together with this kind of Motown ethos. And when, you know, when you had a Motown record coming out, you knew what it was. And I think that's why people in the old days used to be fan people would be fans of like, specific labels, right? They're like, I like the stuff that this label puts out, you know, I trust them. It's almost like, you know, I don't know, you know, Coachella sells out, even before the artists are announced because you know what you're gonna get if you like Coachella and you just trust that that's what's gonna happen. That's what it was like, Motown, that's what it's like with Bad Boy.So I think Diddy really followed that model that he was going to be the person, you know, sort of putting things together, you know, maybe he was going to, do a guest verse here and there. Maybe he was gonna be more involved in the production of this play of this song or another song. but it was really more in the vision and the ethos of the brand, the Bad Boy brand, what that looked like, what success looked like, you know, the Diddy version of success looked like maybe a little different from the Uptown Andre Herrell version. And, you know, it was like, like a little more swagger, like, you know, like a little more edge to it. And he was really able to kind of like, make that tangible. So, you know, I would keep going back to that as like something that sets him apart, you know, following the footsteps of the likes of Berry Gordy and[00:17:34] Dan Runcie: The Motown example is good because they also were able to maximize the most from the broader roster they had from the hits that they had Berry Gordy, of course, was famous for one artist on his record, has a huge deal. Okay, we're gonna get another artist on that record on that label to then do it again.You saw that with Aint' No Mountain High Enough. Marvin Gaye has his version that goes through the roof. Okay, let's get Diana Ross to do her own version, her own spin on it. That becomes a song in its own right. And you saw, did he do this to some extent with remixes? How one artist had the remix that worked out well.Okay, or one artist had the original song that worked out well, okay, let's get the remix now. Let's get the whole Bad Boy crew on this remix to go do their own verse and do this thing. They did that time and time again, and then in the early two thousands he had that album. We invented the remix, and there's plenty of debate on whether or not they actually did invent the remix, but that remix that they did of Flava in Ya Ear with, Craig Mack, and they had Biggie on that one as well. That is one of the more classic iconic remixes that people do go back to. And I think the other way that they're , similar too is some of the disputes that artists have had about pavements and things like that, which we can get into eventually.But that's always been the model. I think there in many ways, you're right, it's more like Motown than it is like uptown.[00:18:58] Zack Greenburg: for sure. And you know, on the Biggie point, I mean, people forget sometimes, but Biggie was originally signed to Uptown and Puffy had to go and get him back, and I think they were able to negotiate his release or his transfer of his deal from Uptown to Bad Boy for something like half a million dollars, which, you know, turned out to be, a pretty good deal all the way around.So, you know, he knew that sometimes he would have to shell out and, you know, he did from time to time. That certainly didn't stop there from being disputes, as time went on. But, you know, I think one of the other fascinating things is sort of this interplay, you know, he really walked this line, of sort of like, you know, the corner in the corner office, right?you know, the boardroom, and the street, and, he played up this sort of like lineage that he had of the Harlem gangster world like his dad, Melvin was an associate of Frank Lucas from, you know, the subject of American gangster. And you know, like his dad was known in Harlem. I think they called him, pretty Melvin.Like he was very flashy, you know, he always had the best suits and, you know, and all that kind of thing. But, you know, he definitely came from that sort of like grand gangster era. you know, Frank Lucas and Nick Barnes and all those guys. I mean, that was sort of Puffs lineage.And he definitely played up and he certainly played up, you know, sort of different sort of, street edge, you know, when things got heated in the Bad Boy Death Row situation. But at the same time, he never really wanted to go too deep into it.And I talked to somebody who sort of grew up around him, and he called him Jimmy Clean Hands, you know, because he didn't really want to get like, like he used the association. When it was sort of convenient, but also he didn't want to get too deeply associated, with that side of things.So, to me it's, a really fascinating tightrope walk, how he pulled it off. And, if he'd gone further, toward that side of things, I don't think that would've ended well for him. And if he hadn't gone quite as far as he might not have had, you know, a certain credibility or an edge that, you know, that contributed to so much of the success of Bad Boy, especially in those days.[00:21:04] Dan Runcie: And he did it at a time in the 90s when it was easier for hip hop stars to be able to control the narrative and push what they wanna push and not have other things cover or not have other things be uncovered, or all these internet rabbit holes. I could imagine him trying to do this 10, 15 years later, and it could be a situation like Rick Ross where all of a sudden there's photos of you as a correctional officer popping up on the internet and people are like, bro, what the hell's going on here?I thought every day you were hustling. I could have seen something like that happening the same way that Diddy, but by the time that plenty of people have had those debates about, oh, well, you know, Diddy was actually a kid that grew up in the suburbs and went to college and X, Y, Z, and there's plenty of ways that you could flip that story, but by the time that even became a discussion point, at least in circles where I heard him growing up, he was already an established star.So there was really nothing else that you could do at that point.[00:21:58] Zack Greenburg: yeah. And I guess he could walk that line because he really did kind of embody both, right? Like he was the son of a, you know, a Harlem gangster. he was born in Harlem. His dad was killed, you know, on I think Central Park West and 108th Street or something, you know, in a dispute a case of I think mistaken identity.I mean, so there were real, you know, tough things that, he was born into. And at the same time, he was also, you know, like the college dropout. Like you know, he went to school, he did his thing like, you know, you could say he was like a proto backpack rapper in some ways, like if you wanted to spin it that way.And he kind of embodied both of these worlds, but I think that really, if he hadn't actually lived both those lives, it would've been harder to sort of embody them simultaneously as he did.[00:22:47] Dan Runcie: And even in him, in his own right, there were many incidents that he had that people felt could have supported this narrative that he wanted to, for better or worse, whether it was the 1990 Club nightclub, the 1999 nightclub shooting after the Nas Hate Me Now Music video, him and his team going into Steve Stout's office and then, you know, assaulting him.And then everything that came up after that, or even as recently as within the past 10 years, the incident at UCLA with the coach yelling at his son. There's been plenty of things that have came up that show, you know, that the relentless, the temperament that could often work against his advantage as well.[00:23:26] Zack Greenburg: Yeah. I mean, you know, didn't he bash Steve Stout over the head with a champagne bottle or something? I mean, you know, but what's that line? We back friends like Puffy and Steve Stout, you know, like it, 50 cent had that line. I think he has a remarkable ability to, you know, to end up being sort of friendly with, people who he had these disputes with in the past.So, you know, whether, Steve Stout or, Shine or whoever, like, he finds, various ways to, sort of bridge divides in the end. I don't know how it turned out with the coach from, was it UCLA, or USC. But I suspect that's fine too. but yeah, he does find a way of patching things up.[00:23:59] Dan Runcie: No, he definitely has and we could talk a little bit more about some of the disputes that came with some of the artists, but I do wanna talk a bit about the business of Bad Boy itself and how it went about things. And one of the things that we saw from successful record labels, of course, Zach and I have done past conversations on Cash money, and Roc-A-Fella, and they'll always find innovative ways to work within their constraints or find ways to make things work even when you don't have all of the resources in the world.And one of the things that Bad Boy did was they really leaned into sampling and sampling hits from the eighties and making them the most successful things they could be. What's that line from that May song Making, taking hits from the eighties make 'em soundso Make it sound so crazy. Yeah.so they have their in-house production as well with hit men who then do most of the production, and they give you that Bad Boy sound that you can identify when you hear it immediately on a song, whether it's a total song or it's a one 12 song.And they were able to do that and that formula worked so well because you had this generation that grew up listening to those songs because their parents heard all those songs as well. These are black music classics and then they were able to repurpose them and because of the time and things weren't quite as oversaturated, it sounded quite authentic in a way where I think even some samples now can feel almost a bit forced because you can be like, okay, they're really trying to work that artist.And who knows? I might be also looking at this now, someone in my thirties as opposed to in the 90s, looking at it as someone that's growing up experiencing this. But still, I do think that there was a bit of like a authenticity and a vibe that they were able to create with each of those sample tracks.And plenty people tried to do it. Of course they didn't invent it. I know that Death Row and NWA, Dr. Dre had done it successfully before Diddy, but Diddy and Bad Boy were definitely able to put their own unique spin on making that as effective as it was.[00:25:57] Zack Greenburg: Yeah, definitely. I think, you know, I mean, I think to your point, but it, like it really opened up this sort of aspect of mainstream hip hop when, you know, maybe there were some radio stations that weren't gonna play some of these songs, but, you know, like a puffy song or a biggie song ordinarily, but, you know, if you have like, Oh, that's David Bowie in the background.Like I'm familiar with this. then, you might be sort of like more inclined to put it on the radio if you were a certain kind of dj, which then might reach a certain kind of listener who didn't, you know, ordinarily listen in hip hop and, you know, and you kind of have this, kind of snowball effect.you know, sure.[00:26:32] Dan Runcie: And then from a personal perspective, I'll be the first to admit the amount of songs that I had heard the first time as Bad Boy Version. And then growing up, you then later hear the original one that they sampled from the eighties or seventies, whatever Disco tracker, soul Tracker was, and you're like, oh, that's what that song was from.It's happened endless times and it continues to still happen.[00:26:54] Zack Greenburg: Yeah. I must confess, I heard I'll be missing you before, I heard I'll be watching you, so, yeah, yeah, yeah, yeah. you know, so yeah, and I think a lot of that narrative around the sort of peak Bad Boy sampling era, you know, I think it gets unfairly criticized as sort of being uncreative and like, you know, essentially just being cover and, not adding much to it.But, I disagree entirely, and I think that in addition to creating a different song with a different vibe and everything, you know, th those songs did introduce a whole generation of people, to eighties music that, you know, they may not have been alive to have heard, you know, from, you know, let's say I was born 85, some of these songs came out before I was born.So, yeah, I think that does get missed sometimes.[00:27:35] Dan Runcie: Yeah, and I'm in the same boat. I knew Juicy before. I knew the original Juicy Fruit. I knew Mase Bad Boy before I knew Hollywood Swinging, and I could go on and on with all the songs that they were able to help in introduce and connect the dots there. Another thing that I think Bad Boy did at this time that was a continuation of Uptown was how intentional and borderline maniacal Puff was about continuing that image.So, they had the Can't Stop Boat Stop documentary that came out a couple years ago. And the artist from one 12, which was the main male R&B group that Puff had signed to the record label at the time, they said that they were styled, dressed and personified to be an image of Puff themselves, to essentially be Puff as R&B singers, which was really interesting.And then on the more controversial side, which I don't think would ever fly in the same way today, Faith Evans, who was married to Biggie at the time, she was sent by Puff to go to tanning salons cuz she a light-skinned black woman. They sent her to tanning salons so that her skin can be darker because he wanted to be able to sell her as a certain image that would never fly again the same way today.But that's how Puff was. He was so maniacal, even things down to the nail color and things like that for women. He wanted to make sure that people looked a certain way.[00:29:01] Zack Greenburg: Yeah, and I think what's, you know, especially interesting when you, kind of zoom back on the 90s and that, that era of Bad Boys, you know, given the level of control he had over, you know, that level of detail, you know, the whole east coast, west coast thing, the whole Bad Boy Death Row thing obviously got way out of control.and, you know, culminating in, the desert of big and pop and you know, obviously we don't know exactly who was behind each of those things, but it's, you know, still kind of debate to this day. But, the fact is that, you know, got kind of wrapped up in this kind of, know, sort of thing, like the fact that Puffy could bring Bad Boy back from that, and kind of like continue to have the same brand, you know, after everything that went down, you know, I think is another testament to like the identity of the brand, right? I mean, you know, cuz I remember in that period of time hip hop was really under fire from, you know, so, you know, like the Tipper Gores of the world and the parental advisories and all that, and there was this narrative of like, oh, this music is dangerous.And there was a whole period of time, you know, after everything that went down, in the mid to late 90s, like there were questions like, is hip hop? You know, really a viable commercial genre? Are brands really gonna want to be attached to this? you know, because of the violence that happened, you know, really publicly there.And I think, you know, whether you love him or hate him, like, I think he deserves some credit for pulling things back from the brink. you know, regardless of whatever role he played in getting them, to the brink, but he really did kind of pull things back from the brink and show that hip hop could be this, you know, commercial force.you know, that would be like a mainstream success sort of thing. And really pretty quickly, after all this went down,[00:30:39] Dan Runcie: If you go back to winter 96, the height of this beef, you have that infamous vibe cover with Tupac, Dr. Dre Snoop, and Suge Knight. They're there, the Beef and Bad Boy and, Biggie as well. Were on respective vibe covers as well. If you asked people, okay, five, 10 years from now, which of these two record labels will be in the stronger position, you probably would've put your money on Death Row.To be frank, they had the better artists just from like a roster perspective. With those four, the leadership seemed in many ways quite as strong and there were similarities there as well. You had these two relentless, large and life figures. Granted, Suge and Puff are very different in a lot of ways, but that's where you would've taken things.But then two years later, it's a completely different story. Death Row is imploding and bad Boy had the biggest year that any record label has ever had. If you look back at that 1997 to 1998 stretch, and this is after the death of the biggest rapper as well, they end up releasing Biggie's second album, Life After Death, ironically, 16 days after he passed away.And then Puff himself becomes this larger than life icon. He releases his own album, Puffy, P uff Daddy, the Family, No Way Out. And they continue to go on this run. And in many ways, as other heads and other figures in hip hop have faded and necessarily taken their own path, he continued to stay on that.It really is a remarkable journey when you look at each of those steps in it, because I probably would've put my money on Death Row if I didn't know better.[00:32:21] Zack Greenburg: Yeah, Yeah, I mean, it sure felt that way, right? I mean, but if you kinda, if you compare the leadership, if you compare Puffy to Suge, you know, I think that so much of, you know, the back and forth between Bad Boy and Death Row, you know, it was a case of like, these guys were playing a role, right?I mean, they were, it is funny in some of my reporting, people say like, both Puffy and Suge, especially Suge, were sort of, it was like they were acting in their own bad gangster movie. And I think the main difference was, you know, Suge really came to believe it and live it in a way, that Diddy, didn't quite do it you know, as we were saying before, Diddy kind of walked that line.but Suge just kind of got deeper and deeper into it, and that was kind of who he was, you know, all the time. So, you know, that there's not really like, kind of like a way to, back out, you know, to kind of come up for air when you, when you've kind of like gotten that deep into it like Suge did. I think that was the main difference, you know? I mean, I think he became just completely, you know, is like possessed by this image that he created for himself. And he started to live it, you know, all the time and Diddy's ability to sort of walk the line and step back, you know, I think that's what ultimately kept Bad Boy in the position that, you know, that stayed and kept him in the position that he continued to be in.in[00:33:42] Dan Runcie: And everything that went down to that 1995 Source Awards is a perfect example about how they dealt with this whole thing. Suge and Death Row, famously win Best soundtrack for Above the Rim. He goes up, accepts the award, and he makes the infamous line. If you wanna sign with the label, you don't wanna have your executive producer all on the record, all on the video dancing come to Death Row, and then you see.Puff is there just looking, not saying anything, but everyone knows who he's talking about. But then later on the night Puff goes and is on the mic, he doesn't go necessarily take a shot back at Suge, but he just makes some type of more global statement, Hey, we're all in this together. I forget Puff's exact quote, but that's a perfect example of this, right?Of knowing that line cuz as we know, puff had a temper. Puff wasn't afraid to throw down in the moments, right? But he knew that in that stage, in that setting, especially even on his home turf, this was all the West Coast guys coming there because, you know, there was that famous scene of Snoop Dogg standing up being like, East Coast ain't got no love for Dr. Dre and Snoop.That's my horrible Snoop dog voice there. But Puff was cool, calm, collected during all of that, and as you put it, the difference behind the difference between the two of them is more than puff deciding to be all the video and should not be in, the video. The same way it was everything that you explained it more.And that is one of the biggest reasons, I think for that difference. And what helped Bad Boys essentially be even stronger, unfortunately. So after Big's death,[00:35:21] Zack Greenburg: yeah, totally. And you know, I think with Puff, he ultimately. He had that calm, cool, collected side to him that came out, you know, I think at, helpful points, but he was ultimately about, you know, protecting the bag, right? Like Diddy is a business, he is the business. And he, knows that he has to kind of keep that in mind.And I think, you know, Suge on the other hand just kind of like got too deep in his own narrative and couldn't kind of like poke his head up over the clouds and see the view from, you know, 35,000 feet or whatever. So, I think Diddy's business sense, you know, I think ultimately helped keep him, keep him, you know, just above the fray.So, still super remarkable when you look at it. He threw that first white party in 1998. That was really, that was what, like a year, a year after Biggie was killed. And, you know, just to give you an idea of the kind of stuff that was going down. I mean, he bought this house in East Hampton, and he decided that he was gonna throw the most exclusive party people just to give the background.I did some reporting on this too, but like, it apparently if you got invited to the white party and Puffy's White party, you could not get in If you wore like a cream suit, they'd throw you out. If you had, like a blue stripe on your white shirt, they would throw you out.So you had like grown men running home to get like an all white proper shirt to go to these parties. And you know, like pretty quickly you had Martha Stewart and Howard Stern and Donna Koran and like, Donald Trump used to go to these parties, you know, with his daughter everything. So, it was kind of like a who's who of like a certain type of celebrity in the late 90s.And to go from, you know, from the depths of the East coast, West coast thing to that, in like a year. I think it just shows how Puffy's able to kind of flip things around and that's what he was able to do with Bad Boy. He pivoted the whole narrative and suddenly it was about Puff Daddy, the family.It was about, you know, Godzilla soundtrack and, you know, doing the thing with an orchestra and Jimmy Page and whatever. And, you know, singing, he's able to like recreate himself and also these brands like Bad Boy that's created in his image. you know, like in a remarkably quick timeframe, I think.[00:37:38] Dan Runcie: And to share some numbers on this era. This is peak Bad Boy. I would say this whole 97 to 1999 stretch. 1999, they sold 130 million worth of records. And for some context there, that was more than Madonna's Maverick label had that year. And this was, or Madonna, during that whole Ray of Light era, if I'm remembering the timeline, and Beautiful Stranger, if I remember the timeline correctly and more than Def Jam had at its peak that year, and this was, we did the Def Jam pod recently.This was around the same time that Lyor was trying to get X and Jay-Z to release those albums in the same year, and Bad Boy was still doing its thing then they're Puff Daddy and the Family Tour. They went on their own arena tour, they made 15 million that year, and Puff was starting to extend himself in the same way that we saw other moguls do the same.We talked in the Roc-A-Fella episode about, this was the time that Dame Dash had started to have different partnerships in film and district and sports and things like that. We saw Master P as well in the late 90s get his hand involved with a number of things. And one of the things that stuck out from this era is that Sean, is that, did he actually made a partnership with Johnny Cochran at the time, who was his attorney during all of the drama that he had in the late 90s after that nightclub shooting. And they started a management business that was gonna be focused on NBA players. And this just gives you an idea of all of the things that he was interested at the time.So it really is remarkable. And a lot of it came because Diddy himself was putting himself out there. He became the brand, it was him putting it on, and he really became the most successful artist on this label. But around this time, if you start talking to some of the other artists on the label, they start to get a bit frustrated because they feel it's no longer about their development.It is now about Puff building and doing everything for himself.[00:39:36] Zack Greenburg: Yeah, and I think that's when you know, he really starts to have all these brand extensions and, you know, you can see there's actually, I think the first Forbes cover on a hip hop artist was Puffy in 1999. And, it was a celebrity issue. And they had, Puffy and Jerry Seinfeld on the cover together, which always cracks me up.But, you know, Seinfeld's wearing this suit and Puffy's got this like Sean John denim t-shirt on. you know, just like a walking advertisement on the front of this magazine, which is just brilliant. And, you know, so he is got that going. He's like opening restaurants, you know, and like really kind of like realizing that, he could be not only the sort of the straw that stirs the drink and like the producer and whoever behind the scenes, but also the, you know, the main artist.And you know, I can imagine that being another artist on Bad Boy at this point, could start to get a little frustrating.[00:40:28] Dan Runcie: Right. And I think he had a quote around the time he wanted to be David Geffen. He wanted to be bigger than David Geffen. And of course this was Pete Geffen making moves with Dreamworks and everything else. Still being, in many ways, music's prominent mogul. That was due his thing there. And this was around the same time that we have another quote from, Andre Harrell.And I remember if you mentioned earlier, or if I mentioned earlier, there were some other quotes at the time that were less favorable than Diddy, than the ones that Harrell ended up having later. This was one of them. He said, and this was in a New York Times 1999 interview. He, Puff, gotta separate the young man thing from the business thing.If there's an incident where the situation is going in a way that he feels slighted or disrespected, the only way for him to handle it is as if he was a 45 year old IBM, CEO, which is a very interesting way. But he's essentially saying, Hey, you gotta change your act based on where you're going and where things are.And this is, that trending the line that we're talking about that I think that Diddy was eventually able to get to. But there was still some question marks about that and the trajectory in 1999. But to some extent, I think that kind of played to as factor. There was something about, especially some of those celebrities you mentioned, these are some more buttoned up, you know, white celebrities that never really did much on a, anything that was risky.So someone that has the image of Puff at that time, it's like, Ooh, I'm doing this risky thing. It's almost like the person in high school that wants to date the Bad Boy literally called his label bad voice. So they're leading into that whole persona, and I think it worked a bit to his advantage there as well.[00:42:07] Zack Greenburg: Yeah, totally. And you know, another thing people talk about, you know, I think that this time, and a lot of times I think there's a lot of jealousy going around and, you know, Puffy does this, puffy does that. But, know, one of the things that I, that I've always heard is that, Like, yeah, he's the last one at the club and you know, he's always out and, doing whatever, but he's also the, first one in, like, he outworks everybody and you know, he's somehow manages on, you know, like a couple hours of sleep at night or something.I mean, this is another thing you sometimes hear about fantastically successful people. I hear about this, about like Richard Branson and other people too, that they just can operate on four hours of sleep or something like that. And man, you know, I mean, if you think about it, if you have that much confidence and you're that brilliant, and then also you get an extra four hours a day, you know, you get another, was it, 28 hours a week, you get like an extra day every week basically to just like do shit.that's pretty hard to, contend with. I mean, like an extra day, like two extra waking days, to get things done. I mean, that, that's a pretty big advantage.[00:43:13] Dan Runcie: That was a whole 90s mentality from, overall, from people that were successful. Now that I'm thinking about it, cuz of course Richard Branson, that the 90s was a transformational decade for him. You are Bill Clinton, especially when he was president, talk about getting four or five hours of sleep at night, still being able to operate and do his thing.Even folks like Madeline Albright, who worked for him and in his cabinet were doing the same thing. And even someone like Kobe Bryant, there's that memorable. A piece of the Redeem Team documentary that came out on Netflix last year, where the younger guys at the time, LeBron, Bosh, Wade, were all going out to the club.Were all gonna go out for the night because that Olympics was in Beijing and they're coming back from the club and Kobe's on his way to the gym in the morning. And then Kobe spoke about this himself as well. He is like, no, I'm gonna do another practice to wake up earlier than everyone else. So you think about how this compounds over time, and that's what you're saying about how that essentially gives you two, three extra days a week.You do that time and time again, and just how much better you get. Granted the fact that those people can still do that while not requiring that much sleep. I know. I mean, I couldn't do that myself. I need those hours of sleep, but I commend those people that can.[00:44:25] Zack Greenburg: Yeah. I mean, and who knows, you know, from a health perspective, how it affects you, you know, sort of like later in life and whatever. And, you know, do you lose more years of your life on the tail end because you didn't sleep more earlier? I mean, I guess we'll never really know, and it's hard to kind of pull out the factors and really test that. But in any case, you know, it does give a decided advantage, at least in the, present tense. And, he really kind of like worked with that. but you know, I mean, and then just when you thought that he was kind of out of the woods, with the specter of violence, you know, again, 1999, there's the whole thing in the club, a gun goes off, you know, there's this whole like, situation, Diddy and Shine are in the club. There's this dispute, whatever, and you know, who knows what really happened, but at the end of it, Shine went off to go to jail. And, you know, and Diddy ended up, you know, without really any kind of anything other than like, a little bit of reputational hit.So, I think that, you know, he continued to walk that line, right? And there were just these instances kept popping up. But once again, he always managed to sort of, you know, avoid any really serious repercussions and then, you know, go on to some even bigger and better commercial thing, shortly thereafter, you know, which he did eventually with Ciroc and, what have you.But, you know, it didn't really seem to hurt anything with Bad Boy. Although I think around that time, you know, his career as a solo artist started faltering a little bit to be sure[00:45:42] Dan Runcie: And I think this is a good time to talk about the proverbial Bad Boy curse that's been discussed. There are a number of artists that have had their issues with Bad Boys, specifically with Diddy in terms of whether they feel like they were fairly compensated for things. And it's artists like Faith Evans 112, Mark Curry, and the Locks as well as most recently as a couple years ago, Mase famously people that have publicly claimed to try to get what's theirs called out Diddy for not doing certain things.And then on the flip side, you have people that surrounded themselves with Diddy, and Diddy was the one that came out, scott free, and they were the ones that ended up in challenges and some of that Diddy benefited from by associating himself with them, but they didn't necessarily work outta that same way.You of course mentioned Shine, who, his career never really took off after he had that brief moment where that Bad Boy song came out. I think that was in 2000. They had sampled that, the Barrington Levee reggae song and then had him on that. But you had a few instances like that. I look back on one of my favorite songs from The Bad Boy era.let's Get It with G. Dep and Black Rob. And the sad part about that song is that you have G. Dep, the first person that was. Or essentially his lead single, he's saying that he's saying, or he did special delivery as well. G. Dep eventually ended up being locked up for a murder that he had done in the 90s, but then it had some run-ins after that Black Rob unfortunately passed away a few years ago, and I don't think was ever really able to capture that momentum after Whoa. And a few of the other songs he had with Bad Boy had come out. And then of course you had Diddy who, you know, is still thriving doing his thing.And I think that's true as well. You look at an artist like Lone who l kind of had his moment where they were trying to make lone really be a thing, especially with the, I need a girl, part one and part two, but then Loon as well, ends up getting locked up. I think there was a heroin charge or something like that.So all of these folks that were around Diddy in some way ended up having their challenges. Not all of them, but some of them.[00:47:50] Zack Greenburg: For sure. And I think, you know, probably around this time, you know, the sort of like the turn of the millennium was, you know, the moment, when did he kind of realize that he had to, he did have to start figuring out his next step. And if it wasn't gonna be him, as an artist, you know, and it wasn't gonna be somebody else on his roster, it was gonna have to be something else. And so I think this is sort of like when you think about the Bad Boy era, you know, I don't know, I think about it as sort of like early 90s to late to, you know, to really the end of the decade. And although, you know, of course it went on and it continues to stay at different, you know, sort of capacities.It's like that was sort of the prime era. And, I think once the fortunes of the label became too closely intertwined with Diddy's as a solo artist, then when he stopped being such a big deal as a solo artist, the prospects of the of Bad Boy itself were a little bit more limited.[00:48:45] Dan Runcie: Agreed. Question for you. Do you think that, well, lemme take a step back. In the Cash Money episode that we talked about not just the disputes people have had with Birdman and Slim over the years, over disputes, but also the notorious reputation that they've built up. Do you feel like the reputation with Puff is similar in that way?And if it's different, why do you think so?[00:49:09] Zack Greenburg: So you mean Puff like the Cash Money sort of similarly having trouble paying people?[00:49:13] Dan Runcie: Yeah, Yeah, and whether that reputation has stuck with Puff the same way that it's clearly stuck with Bert and Slim.[00:49:21] Zack Greenburg: I think they both have, you know, or rather the three of them, I think it does follow them around, but in different ways. I mean, I think, I think with cash money, there's some element of it that's like, well, you know, I think their response to a lot of it is this stuff began when, you know, the things weren't properly papered up and, you know, nobody really knew how these things worked and blah, blah, blah.And you know, you can sort of agree with that or not, right? Or maybe you could say it is to some extent your responsibility to make sure things are paid up, you know, once you become that successful. but, you know, I think that Puff was sort of like, you know, Bad Boy was, done through Clive through real estate.It was done through a major label, sort of from the beginning. And, you know, I think you could argue actually that that's why Cash Money was ultimately worth more, like, was like a bigger source of the Williams Brothers wealth than Bad Boy ever was, for Diddy. And he had to go, you know, do these other things. But you know, like it wasn't as though there were no lawyers involved. It wasn't as though there wasn't some big record label apparatus. There absolutely was. And you know, so I, think that excuse sort of like, doesn't fly quite as much. it's probably not leveled quite as much with him either, but, you know, but it's definitely there and, it's sort of like, it's hard to look past it in some regards.[00:50:41] Dan Runcie: Yeah. I think that one of the reasons why I think the public image of it is different is because of the businesses that the two are involved in. Bird man's a music man almost in the same way that Clive Davis is a music man. That's what we know him as even in the conversation you had shared last time where you were doing this extensive feature profile with them on Forbes and you were gonna have another follow-up conversation with him that night, and he's like, no, no.Bird Man's still in the studio. He's doing his thing like that's what he wants to do versus Puff has his interest in all these other areas, beverages, spirits, sports, entertainment, now with Revolt or Sean John, or whatever it is. So there's so many more things we know him as, or he's running the New York City marathon, he's trying to launch this thing, and all of those things can broaden your image of him.So if you hear a complaint about the one particular aspect of this business, that's one area of what he's doing, as opposed to us knowing Bird and Slim as. The owners of this record label, and now there's a dispute with the one thing that we know them for.[00:51:49] Zack Greenburg: Yeah. Okay. I see what you mean. So it's sort of like, in a way it's less central like the music is less central to his identity, therefore we hear less about the disputes because we just hear less about the music side overall.[00:52:01] Dan Runcie: Right.[00:52:02] Zack Greenburg: Yeah, that makes a lot of sense. I mean, and then, when you look at what happened to Bad Boy, you know, even just from a corporate perspective, it was a 2005, he sold 50% of it to Warner for 30 million bucks, something like that.So, obviously that, means, you know, by those numbers it was worth 60 million. At the time there was probably just the recorded music side and there was publishing as well, which is separate. I think you did some other publishing deals too, but you know, that number in 2005, I mean, I'm sure that's lower than.Cash money was valued at in 2005. But, you know, he just kind of made the decision to pull some money off the table, right? And I think that says some, something about his priorities too, that he wasn't that focused on the music side of things. So, you know, like, let's make this deal and then move on, to the next thing.And I think a couple years after that was when he launched Ciroc or, you know, came on with Ciroc and launched his Ciroc campaign presence, whatever you wanna call it. you know, partnership thing. So, I think ultimately for Bad Boy, you know, I think it had a peak that was as high as really, you know, any label, in hip hop did.But its fortunes became so wrapped up with Puffy that once, once he moved away from music, it's like, how are you ever really gonna come back from that?[00:53:15] Dan Runcie: Right. It really wasn't a business it was a business, but almost in the same way that a lot of people that are creators now and trying to do things, there's this ongoing discussion or debate they have about whether are you trying to build a business with a roster around you, or is this more so a soul entity?And I think Bad Boy definitely saw both of those things, but you normally seen in the flip side where you start with the lead person being known as the thing, and then they add the roster around them. But Bad Boy was kind of the opposite, where you had this roster and then it becomes the lead person becoming more known for the thing.[00:53:48] Zack Greenburg: And I think it moved away from that assembly line idea, you know, the Motown thing, the Coachella thing, whatever, you know, you're gonna, buy the tickets for, you know, who's there. It just became all about Puff and, you know, I think in a way he realized it was more lucrative that way, right? N o matter how involved he was in however many different pro projects as sort of the, the Berry Gordy, he could make more, you know, for himself being Puff. And in a way, when you look at Ciroc, it's like, you know, it's the same thing, right? Like he's selling the Art of celebration. He's selling his brand of success. He just doesn't have to sign other artists to it, you know? So I see has Ciroc Boys, you know, that's, I mean, it is almost like a record label to some extent, you know, if you like an extension of, Bad Boy. If you think about, you know, the different artists who are kind of like involved on some level, you know, over the years with that brand, it just, you don't have to get involved in like publishing and, you know, licensing and mechanical royalties and all of that fun stuff.[00:54:50] Dan Runcie: Right. And I think with that it's a good chance to talk about some of these categories we have here. So what do you think is the best signing that Bad Boy did?[00:54:59] Zack Greenburg: I think a hundred percent, you gotta go with Biggie, no doubt. I mean, you know, if you're calling the signing $500,000 to get him over from uptown, you know, plus whatever they ended up paying him. I mean, you think about the success of Life after Death and all the other albums and, you know, the albums that, were sort of in the hopper after he died.I mean, I think hard to top that.[00:55:19] Dan Runcie: Agreed. Yeah, No debates there. That was the same one. What do you think is the best business move to come from Bad Boy?[00:55:26] Zack Greenburg: I would, I would argue that, I would argue Sean John because, you know, in creating the Bad Boy image, that was, you know, really bankrolled like all those videos, obviously Bankrolled by Arista, bankrolled by, you know, the, parent company, you know, Puffy created this aura around himself, which was very fashion oriented.And then he was able to parlay that into creating, you know, an actual fashion brand that he owned, or at least, you know, partially owned and himself, which then generated hundreds of billions of dollars. And then he sold and got, you know, whatever it was, a hundred million dollars and he bought it back.but anyway, he did really well for himself. I think with the help of this shine that was kind of like given or enabled at least, by a Bad Boy.[00:56:13] Dan Runcie: Yeah, I think that's a good one. The other thing that I wanna give some love to, that we haven't talked about much yet, but was the Bad Boy Street team and how they went about promoting and pushing their records all over the major cities. A lot of people may think that Bad Boy invented to the street team.I think I still do give loud of records credit for that, but Bad Boy did take things to another level, and this goes back to Puff and his strength as a promoter. This is what Club promoters do. This is how you push and get the word out there. So he's able to replicate himself. He's able to empower the people to feel like they're part of Bad Boy himself and making sure that they're styled in the same way, to be able to help sell that same image that Puff wants to sell himself.And you saw him replicate this as well with Ciroc Boys and things like that. And shout out to Sean Perez, who worked with Puff at Bad Boy and on Ciroc on this same strategy.[00:57:07] Zack Greenburg: Yeah. Although, you know, it was a great one, and a great strategy, but it didn't always work. What's the line? I felt like Bad Boys Street team, I couldn't work. the locks.True.[00:57:19] Dan Runcie: Yeah. Usually worked. But yeah, they just needed to see the vision as they said. what's the best dark horse move? You have a good one for this.[00:57:27] Zack Greenburg: Yeah. Yeah, yeah. Okay. maybe a little controversial. I don't know. I'm gonna go shine. Because if Paul hadn't signed Shine, I mean, I don't know, you know, I'm not a lawyer or anything, but, all I know is that something went down in that
Listen on your favorite podcast service: https://pods.to/wesoundcrazy This week, our co-host are with the hilarious Lil' Mo while on tour with Kat Williams, Mark Curry, Tommy Davidson, Tony Roberts, Daphnique Springs, Pretty Ricki, and more! Lil Moe shares how a payphone call lead to her collaborations with Missy Elliot, getting her start with Gospel legend John P. Kee being a relative, R&B Divas, and much more! Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Myah Lipscomb Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
The group discussed the future of BET, the Black Entertainment Television network. Some people felt that BET should continue to focus on Black programming, while others felt that it should expand its programming to include more diverse content. Seales argued that BET should focus on creating high-quality programming that appeals to a wide audience, regardless of race. The group discussed the qualities of a real friend. Some people said that a real friend is someone who is always there for you, no matter what. Others said that a real friend is someone who challenges you to be a better person. Seales said that a real friend is someone who accepts you for who you are, flaws and all. The group discussed a recent Facebook debate about whether or not the Disney movie The Little Mermaid is for boys. Some people said that the movie is not for boys because it is a "girly" movie. Others said that the movie is for everyone, regardless of gender. Seales said that the movie is for anyone who loves a good story and a catchy tune. The group discussed a woman who gifted herself a year free of work for her 30th birthday. Some people said that they would travel the world. Others said that they would spend more time with their family and friends. Seales said that she would use her year of no work to focus on her creative projects. FOLLOW ALONG AS WE COVER: (03:25) Discussion On What Should Happen With BET (07:23) How Has The Channel Reflected Us? (11:42) What Can We Do To Get The Content We Want? (16:12) Most Likely To….Jeremiah (20:06) Some National Holidays For Today June 1st….We Kick Off Black Music Month International Children's Day National Go Barefoot Day National Hazelnut Cake Day National Nail Polish Day, National Say Something Nice Day (22:17) What Is A Real Friend? (26:39) When Is There A Time Not To Tell A Friend The Truth? (31:22) How Well Do You Receive The Truth? (35:04) 60 Second Headlines STORY 1: House Speaker Kevin Mccarthy Speaks Out On The Debt Ceiling Talks STORY 2: A 2020 Video Resurfaced Of Chick-Fil-A Boss Dan Cathy Shining The Shoes Of Rapper Lecrae During A Plea To Fight Racial Injustice STORY 3: Minnesota Becomes Another State To Pass A Bill Legalizing Recreational Weed Story 4: Three Former Amazon Drivers Including An Iraq VET, Sue Amazon For Inhumane Work Conditions Story 5: The Smear Campaign Over ‘The Little Mermaid' Movie Is So Intense That IMDB Had To Revamp Its Rating System For The Movie (36:38) On This Date June 1st Napster, A File-Sharing Service That Lets Users Download Songs For Free, Goes Online 1999 Ja Rule Releases His Debut Album, Venni Vetti Vecci 1999 Mariah Carey Makes Her National TV Debut, Performing "Vision Of Love" On The Arsenio Hall Show 1990 The Sisterhood Of The Traveling Pants Released In 2005 Moulin Rouge Released In 2001 June Is Black Music Month (39:34) Facebook Debate On (Little Mermaid) (44:58) What Are Some Things Parents Should Actually Be Worried About Teaching Their Sons? With @THESUPREMEEXPERIENCE (50:18) What Are Some Things You Did As A Kid That Were “Not Allowed”? With @THESUPREMEEXPERIENCE (55:21) Some Birthday Shout Outs - Born On June 1st: Model Heidi Klum (1973) Morgan Freeman (1937) Amy Schumer (1981) Mark Curry (1961) (57:43) Woman Gifts Herself A Year Free Of Work For Her 30th BDAY (61:01) HOW WOULD YOU SPEND YOUR YEAR OF NO WORK? (66:17) Our Lines Are Open 24/7…. 1-855-AMANDA 8, THAT'S 1-855-262-6328 Coming Up On Friday's Show We Will Have A Fun FRIYAY! Stories Of Black Joy, Hot Bars, And More. FOLLOW THE SHOW ON ALL SOCIALS: @sealessaidit @amandaseales @jeremiahlikethebible If you have a comment leave Amanda a message at 1 855-AMANDA-8 that's 1-855-262-6328See omnystudio.com/listener for privacy information.
Anthony & I discuss Highgate's purchase of Viceroy Hotel Group, the Mark Curry hotel incident, how the NLRB wants to mess up the franchise model and much more!
Anthony & Glenn discuss Highgate's purchase of Viceroy Hotel Group, the Mark Curry hotel incident, how the NLRB wants to mess up the franchise model and much more!
Royce Lopez and Mersh Schiele of the Revenge of the Cis podcast join Luis J. Gomez and Mike Figs and discuss Dan Schneider and a do a deep dive into his accusations and creepyness, the actresses caught in the Fappening that they didn't realize were hot before, Luis getting into feet, the right way to decorate a Christmas tree, Luis responding to Jason Ellis' tweets about the Ellismania fight, the paid Twitter subscription rules, Brittney Griner getting released from prison, Mark Curry accusing hotel workers of racism and so much more!(Air Date: December 12th, 2022)Support our sponsors!ZippixToothpicks.com - Click here and use the promo code: ASS10 to get 10% off your order!Manscaped.com - Use the promo code: RealAss for 20% off your order!Submit your artwork via postal mail to:GaS Digital Networkc/o Real Ass Podcast151 1st Ave, #311New York, NY 10003Submit to be Luis' sparring partner by sending a video and your information to RealAssOfficial@gmail.com!Real Ass Podcast merchandise is available at https://podcastmerch.com/collections/real-ass-podcastYou can watch Real Ass Podcast LIVE for FREE every Monday, Wednesday and Friday at 11am ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: RAP for a 7-day FREE trial with access to every Real Ass Podcast show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Royce LopezTwitter: https://twitter.com/hippojuicefilmInstagram: https://instagram.com/revenge_of_the_cisPodcast Website: https://revengeofthecis.com/Mersh SchieleTwitter: https://twitter.com/mershInstagram: https://instagram.com/mershcomedyPodcast Website: https://revengeofthecis.com/Luis J. GomezTwitter: https://twitter.com/luisjgomezInstagram: https://instagram.com/gomezcomedyYouTube: https://www.youtube.com/c/LuisJGomezComedyTwitch: https://www.twitch.tv/prrattlesnakeWebsite: https://www.luisofskanks.comZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Anthony & I discuss Highgate's purchase of Viceroy Hotel Group, the Mark Curry hotel incident, how the NLRB wants to mess up the franchise model and much more!
12.12.2022 #RolandMartinUnfiltered: Aaron Dean Testifies, Mark Curry Racially Profiled, Eating Disorders in Black Community We're LIVE from Atlanta at the 2022 Hope Global Forums conference! The Texas officer on trial for killing Atatiana Jefferson took the stand today to tell a jury his account of the night he fatally shot and killed Atatianna. We break down what he said and how this will play to the all-white jury. Comedian and actor Mark Curry says he was racially profiled in a Colorado hotel over the weekend. We will show you the video of the incident and tell you how the hotel responded to the allegations. California witnessed history on Sunday as the first black woman Mayor of Los Angles was sworn in by Vice President Kamala Harris. We will share this historic moment that changed California's history. SCORE is offering formerly incarcerated individuals an opportunity to become entrepreneurs. We will speak with the CEO Of SCORE and tell you how they are changing the lives of hundreds of people. Today on Fit Live Win, we will speak with an Assistant professor from the University of North Carolina Chapel Hill about how eating disorders can impact the lives of black people. Support RolandMartinUnfiltered and #BlackStarNetwork via the Cash App ☛ https://cash.app/$rmunfiltered PayPal ☛ https://www.paypal.me/rmartinunfiltered Venmo ☛https://venmo.com/rmunfiltered Zelle ☛ roland@rolandsmartin.com Annual or monthly recurring #BringTheFunk Fan Club membership via paypal ☛ https://rolandsmartin.com/rmu-paypal/ Download the #BlackStarNetwork app on iOS, AppleTV, Android, Android TV, Roku, FireTV, SamsungTV and XBox
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