Podcasts about quad studios

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail Online

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

The Concert Crew celebrates the 30th Anniversary of 2Pac's third studio album. Hear the fellas discuss PAC's legal issues leading up to this album, the fallout from Quad Studios shooting, the album coming out while Pac was in prison, the songs, impact, legacy and much more. Also, the Concert Crew reviews new music from Finesse2tymes, Flau'Jae, Big Hit, ILL Tone Beats, B.G., Yung Bleu and Playboi Carti... #ConcertCrew #Podcast #MeAgainstWorld30 #MeAgainstTheWorld #2Pac #Pac #DearMama #SoManyTears #Temptations #LordKnows #ItAintEasy #DeathAroundTheCorner #FuckTheWorld #Pod #90sMusic #90sHipHop #AfeniShakur #TupacShakur 

We interviewed producer, engineer, and mixer, Chris Coady, back in 2016 for Tape Op issue 113. He has worked with TV on the Radio, Yeah Yeah Yeahs, Future Islands, Beach House, DIIV, The Drums, Porches, Amen Dunes, Sasami, Hand Habits, and countless other artists. Geoff Stanfield caught up with Chris from his studio in Glendale, CA, to discuss a wide range of topics ranging from his formative years in Baltimore, his days at New York City's Quad Studios, and his approach to recording and mixing. Enjoy!

Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.(commercial at 8:07)to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail OnlineThe East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.com

Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.(commercial at 8:07)to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail OnlineThe East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Tupac Shakur's family has taken a significant step in seeking justice for the legendary rapper's 1996 death by hiring high-profile attorney Alex Spiro to dig deeper into the case. Despite decades of speculation, multiple conspiracy theories, and false leads, Tupac's murder remains officially unsolved. Recent developments, including new evidence and arrests, have prompted the family to bring in Spiro, known for his expertise in handling high-profile cases involving celebrities. His reputation as a sharp, tenacious attorney makes him an ideal choice for re-examining Tupac's murder, and the family hopes his involvement will help uncover details that the original investigation could not provide.The decision to hire Spiro follows the 2023 Las Vegas police search of Duane "Keffe D" Davis's home, which reignited interest in the case. Spiro is expected to work closely with the family and potentially collaborate with authorities to re-evaluate evidence, witness statements, and new leads. He may focus on challenging existing narratives and investigating overlooked connections to uncover fresh insights into the events that led to Tupac's fatal shooting in Las Vegas on September 7, 1996. The Shakur family's decision to hire Spiro highlights their determination to find answers and achieve closure in a case that has long remained unsolved, hoping that his involvement will bring long-awaited accountability to those responsible for Tupac's untimely death.(commercial at 8:07)to contact me:bobbycapucci@protonmail.comsource:Tupac's family hires attorney Alex Spiro to find Diddy murder link | Daily Mail OnlineThe East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.com

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.com

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.com

The East Coast-West Coast hip-hop feud of the 1990s, primarily involving Tupac Shakur, Sean "Diddy" Combs, and The Notorious B.I.G., remains one of the most infamous sagas in music history. What began as a personal falling-out between former friends Tupac and Biggie after a 1994 shooting at Quad Studios in New York escalated into a deadly rivalry. Tupac believed Diddy and Biggie were involved in the ambush, fueling his anger and intensifying the conflict. After being bailed out of prison by Death Row Records' CEO Suge Knight, Tupac fully aligned himself with the West Coast and released the infamous diss track "Hit 'Em Up," publicly attacking Biggie and Bad Boy Records. As the feud gained national attention, gang affiliations on both sides deepened the animosity. Suge Knight's provocations and media sensationalism only fueled the escalating tension between Death Row and Bad Boy.The rivalry ultimately culminated in the tragic murders of both Tupac and Biggie. Tupac was shot in Las Vegas on September 7, 1996, after a violent altercation with Orlando Anderson, a known gang member, and died six days later. Less than six months later, on March 9, 1997, Biggie was gunned down in Los Angeles after attending a party. Both murders remain officially unsolved, although recent developments, including the indictment of Duane "Keefe D" Davis in connection with Tupac's death, have revived hope of uncovering the truth. The legacies of Tupac and Biggie continue to influence hip-hop, serving as stark reminders of the violent cost of fame and the dangerous intersection of music, street life, and power.(commercial at 11:54)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

"True Crime Deep Dive: The Tupac and Diddy Connection" unravels one of the most enduring mysteries in music history—the unsolved murder of Tupac Shakur and the alleged involvement of Sean “Diddy” Combs. In this series, we explore the explosive claims linking Diddy to both the 1994 shooting of Tupac at Quad Studios and the fatal 1996 drive-by in Las Vegas. Was it a case of East Coast vs. West Coast rivalry, or something far more sinister? With fresh investigations, new allegations, and Tupac's family hiring high-profile legal help to uncover the truth, this podcast takes a deep dive into the tangled web of accusations, rivalries, and suspicions that have haunted the hip-hop world for decades. Join us as we dissect the events, explore the alleged cover-ups, and seek answers to the question: Was Diddy involved in the murder of Tupac Shakur, or is it all just conspiracy?  Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

"True Crime Deep Dive: The Tupac and Diddy Connection" unravels one of the most enduring mysteries in music history—the unsolved murder of Tupac Shakur and the alleged involvement of Sean “Diddy” Combs. In this series, we explore the explosive claims linking Diddy to both the 1994 shooting of Tupac at Quad Studios and the fatal 1996 drive-by in Las Vegas. Was it a case of East Coast vs. West Coast rivalry, or something far more sinister? With fresh investigations, new allegations, and Tupac's family hiring high-profile legal help to uncover the truth, this podcast takes a deep dive into the tangled web of accusations, rivalries, and suspicions that have haunted the hip-hop world for decades. Join us as we dissect the events, explore the alleged cover-ups, and seek answers to the question: Was Diddy involved in the murder of Tupac Shakur, or is it all just conspiracy?   Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

 "True Crime Deep Dive: The Tupac and Diddy Connection" unravels one of the most enduring mysteries in music history—the unsolved murder of Tupac Shakur and the alleged involvement of Sean “Diddy” Combs. In this series, we explore the explosive claims linking Diddy to both the 1994 shooting of Tupac at Quad Studios and the fatal 1996 drive-by in Las Vegas. Was it a case of East Coast vs. West Coast rivalry, or something far more sinister? With fresh investigations, new allegations, and Tupac's family hiring high-profile legal help to uncover the truth, this podcast takes a deep dive into the tangled web of accusations, rivalries, and suspicions that have haunted the hip-hop world for decades. Join us as we dissect the events, explore the alleged cover-ups, and seek answers to the question: Was Diddy involved in the murder of Tupac Shakur, or is it all just conspiracy?  Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

"True Crime Deep Dive: The Tupac and Diddy Connection" unravels one of the most enduring mysteries in music history—the unsolved murder of Tupac Shakur and the alleged involvement of Sean “Diddy” Combs. In this series, we explore the explosive claims linking Diddy to both the 1994 shooting of Tupac at Quad Studios and the fatal 1996 drive-by in Las Vegas. Was it a case of East Coast vs. West Coast rivalry, or something far more sinister? With fresh investigations, new allegations, and Tupac's family hiring high-profile legal help to uncover the truth, this podcast takes a deep dive into the tangled web of accusations, rivalries, and suspicions that have haunted the hip-hop world for decades. Join us as we dissect the events, explore the alleged cover-ups, and seek answers to the question: Was Diddy involved in the murder of Tupac Shakur, or is it all just conspiracy?   Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

The murder of Tupac Shakur in 1996 remains one of the most mysterious and controversial moments in music history, with its roots deeply tied to the explosive East Coast-West Coast rivalry of the 1990s. At the center of this conflict was Sean "Diddy" Combs, a man who, alongside The Notorious B.I.G., helped define East Coast hip-hop through his label, Bad Boy Records. As the competition between Diddy's Bad Boy Records and Suge Knight's Death Row Records intensified, so did the tension between their top artists—Biggie on the East Coast and Tupac on the West. The feud, fueled by public insults, diss tracks, and personal vendettas, spiraled out of control, leading many to wonder whether it played a role in the assassination of Tupac. Diddy's name has long been whispered in connection with the murder, with some alleging that his influence behind the scenes contributed to the violence. In this in-depth exploration, we examine the circumstances that led to the East Coast-West Coast conflict, Diddy's potential involvement, and the evidence—or lack thereof—that ties him to Tupac's death. This piece will take readers through the key events, from the infamous 1994 shooting of Tupac at Quad Studios, which Tupac believed was a setup by Diddy, to the escalating diss tracks, culminating in the tragic events in Las Vegas. We delve into the longstanding conspiracy theories, witness accounts, and the complex web of power, violence, and ambition that surrounded Diddy in the 90s. Could Diddy have been more involved than he ever let on? Or was he simply a businessman swept up in a deadly rivalry? As the layers of this case continue to unravel, this narrative offers a compelling look at the darkest chapter of hip-hop's golden era. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

The murder of Tupac Shakur in 1996 remains one of the most mysterious and controversial moments in music history, with its roots deeply tied to the explosive East Coast-West Coast rivalry of the 1990s. At the center of this conflict was Sean "Diddy" Combs, a man who, alongside The Notorious B.I.G., helped define East Coast hip-hop through his label, Bad Boy Records. As the competition between Diddy's Bad Boy Records and Suge Knight's Death Row Records intensified, so did the tension between their top artists—Biggie on the East Coast and Tupac on the West. The feud, fueled by public insults, diss tracks, and personal vendettas, spiraled out of control, leading many to wonder whether it played a role in the assassination of Tupac. Diddy's name has long been whispered in connection with the murder, with some alleging that his influence behind the scenes contributed to the violence. In this in-depth exploration, we examine the circumstances that led to the East Coast-West Coast conflict, Diddy's potential involvement, and the evidence—or lack thereof—that ties him to Tupac's death. This piece will take readers through the key events, from the infamous 1994 shooting of Tupac at Quad Studios, which Tupac believed was a setup by Diddy, to the escalating diss tracks, culminating in the tragic events in Las Vegas. We delve into the longstanding conspiracy theories, witness accounts, and the complex web of power, violence, and ambition that surrounded Diddy in the 90s. Could Diddy have been more involved than he ever let on? Or was he simply a businessman swept up in a deadly rivalry? As the layers of this case continue to unravel, this narrative offers a compelling look at the darkest chapter of hip-hop's golden era. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

The murder of Tupac Shakur in 1996 remains one of the most mysterious and controversial moments in music history, with its roots deeply tied to the explosive East Coast-West Coast rivalry of the 1990s. At the center of this conflict was Sean "Diddy" Combs, a man who, alongside The Notorious B.I.G., helped define East Coast hip-hop through his label, Bad Boy Records. As the competition between Diddy's Bad Boy Records and Suge Knight's Death Row Records intensified, so did the tension between their top artists—Biggie on the East Coast and Tupac on the West. The feud, fueled by public insults, diss tracks, and personal vendettas, spiraled out of control, leading many to wonder whether it played a role in the assassination of Tupac. Diddy's name has long been whispered in connection with the murder, with some alleging that his influence behind the scenes contributed to the violence. In this in-depth exploration, we examine the circumstances that led to the East Coast-West Coast conflict, Diddy's potential involvement, and the evidence—or lack thereof—that ties him to Tupac's death. This piece will take readers through the key events, from the infamous 1994 shooting of Tupac at Quad Studios, which Tupac believed was a setup by Diddy, to the escalating diss tracks, culminating in the tragic events in Las Vegas. We delve into the longstanding conspiracy theories, witness accounts, and the complex web of power, violence, and ambition that surrounded Diddy in the 90s. Could Diddy have been more involved than he ever let on? Or was he simply a businessman swept up in a deadly rivalry? As the layers of this case continue to unravel, this narrative offers a compelling look at the darkest chapter of hip-hop's golden era. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com 

The Hip Hop Museum's Reggie Peters (Director of Marketing and Visitor Services), Eric Orr, (Artist In Residence & Gift Shop Manager) and Elai Tubo (Sound Curator & Engineer) reflect on 50 years of hip hop from NYC's Quad Studios, explain the concept of The Hip Hop Museum – located at the birthplace of hip hop in the South Bronx – the birth and growing mainstream popularity of the genre, the evolution of studio technology, why hip hop is a reflection of the human experience and how Augspurger® Monitors have shaped hip hop as we know it.

On this episode of Collect Call With Suge Knight we get straight to business! Listen as Suge tells us about people who knew Pac would get shot in Las Vegas that fateful night & also exclusive stories about Puff/P Diddy! Certainly an episode you don't wanna miss. 1:44 Feedback from Deion Sanders came in about Suge's comments on Nick Cannon's Daily Cannon radio show 5:30 the arrest of Keefe D 7:43 Suge addresses Snoop not being there when Pac got shot 9:03 Suge addresses a Warren G interview where he reveals Snoop had a special security radio at his house the night that Pac was shot 11:02 Suge addresses an interview where Daz says that Snoop did not want them to go to Vegas and also an interview where Bad Azz says Daz told him not to go to Vegas for the fight the night Pac was shot 14:09 Suge talks about Snoop doing a song with someone that allegedly was in the car with Keefe D when Pac got shot 16:13 Suge addresses the night that Pac was killed and the effects of the longstanding narrative that Suge had something to do with it 18:55 Suge exposes Steve Harvey for staging a “truce” in the “East Coast/West Coast” rivalry where Snoop and Puff appeared together on a February 1997 episode of “The Steve Harvey Show.” 20:40 Suge meets with Pac and he talks about what happened to him when he got shot in the lobby of Quad Studios in New York in November 1994 21:40 Suge addresses his infamous words on stage at The Source Awards on the night of August 3, 1995 23:31 Suge talks about Diddy beating Cassie and another woman 25:33 Suge talks about Puff being homosexual NEW EPISODES OF COLLECT CALL WITH SUGE KNIGHT ARE RELEASED WEEKLY Make sure you comment, like and subscribe on Apple, Spotify or wherever you listen to podcasts. Visit the @BreakbeatMedia YouTube page for video versions of our shows, https://www.youtube.com/@breakbeatmedia Executive Producers: Dave Mays (@therealdavemays) & Brett Jeffries (@igobybrettj) Executive Producer: Toi-Lin Kelly Editor & Producer: Trae Quaintance for Black Wolf Agency Producer: Christopher Samuel (@Christylezz) Production Manager: Norvin Leeper Audio: Cornell Sanner Sound effects: Envato Elements IG: @BreakbeatMedia @OfficialSugeKnight

Country singer/songwriter, Laurel Taylor knows who she is. It took a comment from Jlo on American Idol to make her realize that she didn't know who she was at one point. She needed to go back home and to her Gospel roots, and recognize that she belonged to God, He had given her these gifts, and she would live her life for his kingdom and glory.  Laurel, 29, knew from age 15 she wanted to sing, and she began writing songs in earnest at 17. But then went off the rails for a time, separating herself from friends, family, and God. At a crossroads (literally), after having lost it all, she chose God—seriously and for herself, this time—not just because she was raised in the faith. And she hasn't looked back.  Some gems from today's conversation: When you preach something, it comes across differently than when you sing it. People still saw me as the person in my past. And for me to move forward, I had to sing about it. I'm always looking for an opportunity to talk about the Lord. I communicate a melody that they can't get out of their head.  That's my goal. I want to be known as a believer that loves Jesus with all their heart, and would go to the ends just to help someone, no matter what, and I always want to put myself last.  I just want to be seen different. I don't want to be categorized as she's a church girl. I know that I'm nothing without the Lord. And I'm nothing without his lyrics, his melodies, you know, he can literally mess my voice up as soon as I open my mouth. I embody God's welcoming heart by giving Him the reins, every time.   About Laurel by Laurel: HERE IS WHAT YOU NEED TO KNOW… I LOVE JESUS WITH ALL MY HEART I LOVE WRITING SONGS ABOUT FREEDOM, HEALING , AND RESTORATION I AM FROM ALABAMA , SO I SAY “ROLL TIDE” I AM A DOG MOM OF 2 I LIKE SMILEY FACES I WOULD LOVE TO PRAY FOR YOU She writes the music first, and then adds the lyrics, God-breathed, she says. And I believe it.  Follow Laurel on instagram @laureltaylorofficial and you can hear her music on any of your listening platforms. Some of my favorite songs are: Song of Freedom, Healed, and her latest hit song, Old House.  Hear a preview here. Bio: LAUREL TAYLOR IS AN ARTIST AND SINGER/SONGWRITER IN NASHVILLE, TENNESSEE.  ORIGINALLY FROM ALABAMA, SHE MADE HER MOVE TO MUSIC CITY TEN YEARS AGO, RIGHT AFTER TURNING EIGHTEEN.  FROM THE AMERICAN IDOL STAGE, TO TOOTSIES ON BROADWAY, TO THE LOCAL CHURCH LEADING WORSHIP, HER VOICE AND SOUND SPEAKS TO EVERY CROWD.  LAUREL CARRIES AN EXCELLENT STAGE PRESENCE AND LIVE SHOW PERFORMANCE EVERYWHERE SHE GOES.  SHE HAS A RAW COUNTRY SOUND, MINISTRY MINDSET, AND HER OWN UNIQUE STYLE.  LAUREL USES HER LIFE STORIES TO SPEAK TO PEOPLE THRU HER MUSIC AND INTENTIONALLY WRITES FOR EVERYONE THAT LISTENS.   Something new—a transcription of our conversation for those who'd rather read it or read along while listening.    Sue Donaldson [00:00:01]: Good morning. Did you know that the most important thing about you is that God loves you? He loved you to the cross and back. And part of his great love is that he gives you a life that matters. You never have to wonder, do I matter? Do I count? You are number one in God's book and he gives you opportunities every day to live a life beyond yourself. Sue Donaldson [00:00:25]: I like to call it a legacy life. This is Sue Donaldson. As you listen today, ask God, show me how to spend today investing in people and your word. Because both last forever. There's no better way to live. Hello. Good morning. Today I have a very special guest. Well, I guess they're all special because in God's sides they are. But this is a fun one. I have never interviewed a country western singer songwriter. And today we have beautiful Laurel Taylor with us. Laurel, tell us a little bit where you live and where you're from and then we're going to get into some really great questions. Laurel Taylor [00:01:11]: Yeah, thanks for having me. I'm originally from Montgomery, Alabama, but I live in Nashville. I've lived in Nashville, Tennessee for over eleven years. Eleven years, exact, actually. And it has been quite a journey. I started in the country world thinking I was going to be the next Gretchen Wilson. And then I slowly have learned that even in that time I wanted what I wanted. And God has really taken me down a journey. Even when I wasn't holding on to his hand, I wasn't looking for his voice, I wasn't listening for his voice. I did American Idol and that took me to pop genre and then I gave my life to Christ in 2015 and I decided that this is the journey I'm going to go on. So I'm back in the roots of country, little bit of pop, little bit of rap, whatever the listening to here. But I love the Lord with all my heart. Sue Donaldson [00:02:14]: How old were you when you knew you wanted to sing as a performer? Laurel Taylor [00:02:20]: Probably 15 or 16 years old was when I started traveling to Nashville. Sue Donaldson [00:02:25]: Wow. And did you have parental support? Laurel Taylor [00:02:29]: Absolutely I did. It was very different for my dad. He is an engineer mindset. So it's A to B, B to C and music is like, okay, let's do A, but then let's skip to Z. And my mom, she loves to sing. She grew up in the choir singing. So, yeah, that was kind of my background. But they were absolutely supportive and put me in piano lessons, guitar, all that. Sue Donaldson [00:02:57]: And what came first, the singing or the writing of the songs? Laurel Taylor [00:03:01]: The singing. I didn't start writing until I went to Nashville around like 17. I had a producer tell me, he said, you have to have the full package. It's the writing, the singing and the performing. It so playing. And so I challenged myself and I went home, and I started writing everything I could think of. Sue Donaldson [00:03:27]: Wow. So you went and talked to a producer at 17, and then you went back home and then you came back. Laurel Taylor [00:03:33]: I did, yeah. So when I moved to Nashville at 18, I already knew where I was going to live, what I was going to do. It wasn't like, I'm just going to walk the streets and find my way. I had it sent at about 17. I went to Quad Studios. That is one of the first places Taylor Swift actually went. And he told me very specifically, he said, you got to do all three, and your parents can't be your biggest fans. You've got to actually build. Sue Donaldson [00:04:01]: I was like, real fan. Laurel Taylor [00:04:02]: He was super honest at 18. I knew I was going to live in Green Hills. I knew that I was going to play Tootsie's downtown Broadway. I knew my mom was happy about that, and I knew that what wasn't she happy about? Sue Donaldson [00:04:16]: I missed that part. Laurel Taylor [00:04:18]: Playing on Broadway, playing the strip with all the bars, and it's just not a good atmosphere. Sue Donaldson [00:04:24]: But that's not Nashville. So you were going to Broadway first? Laurel Taylor [00:04:27]: No, Nashville. Sue Donaldson [00:04:30]: I was thinking Broadway, new York. I was just in Nashville. Laurel Taylor [00:04:34]: That's funny. People do say that, but it's like music grow, if you want to say that instead. But it's just a bunch of restaurants, of chains, of everybody playing music everywhere you look. And I've learned a lot being down there. Sue Donaldson [00:04:48]: And do you just walk in and say, I'm a singer. Will you pay me or what? Laurel Taylor [00:04:54]: So you have auditions depending on where you're going, but tootsies and like, honky tonks, all those, those have one main guy. And what they do is they basically just interview you and on stage on the moment, like in the moment. And the band fires off of the song. And for me, they fired off some Loretta Lynn song. I did not know. Sue Donaldson [00:05:18]: Okay. Laurel Taylor [00:05:18]: And I embarrassed myself, basically embarrassed myself. And he said, Taylor I mean, he called me Taylor. You got a good voice, but you got to go home and learn, like, the legendary stuff. And so I did. I learned everything from Johnny Cash to Loretta Land, Tammy Wanette, like any song pat you claim think of, I was going to learn it. And so I came back. Sue Donaldson [00:05:43]: I mean, that is a huge library. Laurel Taylor [00:05:46]: Oh, it's huge. You have to know, even when you're playing the Strip, you need to know, like, people's favorites. Sue Donaldson [00:05:53]: You want to know people's favorites because they're going to call them out. Laurel Taylor [00:05:56]: Absolutely. And if you don't know it, you better fake it and figure it out. Sue Donaldson [00:06:00]: And do it better than the way you did when you auditioned. Laurel Taylor [00:06:03]: That's right. Sue Donaldson [00:06:03]: So when did you know you were ready to go back? Laurel Taylor [00:06:08]: I really believe it was because a place opened up for me to live. Sue Donaldson [00:06:13]: To live or to perform? Laurel Taylor [00:06:15]: Yeah. So I lived in a pool house behind a beautiful big house in Green Hills. I just chilled in their pool house, and it was perfect for me, what I needed, and I knew that I was set up writing. I met the greatest legendary writer, and he taught me so much about writing and just telling stories because he's a writer of old Red. That's all right there. He'll tell you? No, but God had his hand on me even when I wasn't living in his will, and I think that's super crazy. Sue Donaldson [00:06:53]: I would think that your parents would be a little worried just because I have adult children. That one just moved to New York, one is moving to Chicago, one lives in La. So I feel like I'm represented in all the major cities, but you kind of want, like, Lord, now, don't forget they're yours. I gave them to you when they were born, and please protect them because it's crazy and wild out there. So I appreciate your parents. Not that they had to allow you, but kind of because our kids went off to college, and that could be just as dangerous as going off to live in a pool house somewhere. And so it really doesn't really matter where you live. You just need to be under the blood and protected by Jesus. Laurel Taylor [00:07:31]: That's right. Sue Donaldson [00:07:31]: So tell me your spiritual journey, then. Laurel Taylor [00:07:34]: Yeah, so I grew up on the foundation of Jesus. And gosh, I was there every time the doors are open in church. But me, too, I didn't have it for myself. I couldn't live out my salvation through my parents. And when I got to Nashville, I really saw a big city, lots of opportunities that I've never had, decisions I have to make that are on my own now. I can't just call mom and say, Should I do this? They taught me, raised me up, and I should be able to do it. And I really started off I say I started off well, but I still didn't have it when it came to Jesus. I didn't have that love that I know that I never really encountered the love of Jesus the way I did later. So I wasn't very serious. I knew I love Jesus, okay, I'm moving on, kind of thing, but I don't need Him. I'm going to put Him on a shelf. And so I started out with a publishing deal and writing every single day and just really focused on that and then playing super late nights. And those late nights turned into staying after and starting to drink and starting to do all these different things that I've never experienced. And I wasn't a very sheltered kid, but it was very much like, this is what you do, and this is how you do it, and you don't go outside those lines. And when you're in a big city and you've never experienced that, you're on your own, and you got to find your way through your journey. And my parents were holding on so tight, they would come see me every two weeks. Wow, that was fun. But I just found myself lying a lot. I found myself living a double life. I found myself being one way and then when I go home, I'd be exactly what they wanted and I had to figure out my identity and who God says I am. And so after American Idol, actually, this is the whole journey. When J. Lo told me on national television, she said, we're going to cut you because you don't even know who you are yet. Sue Donaldson [00:09:46]: Wow. Laurel Taylor [00:09:47]: Yeah. Sue Donaldson [00:09:47]: Did you start crying? Laurel Taylor [00:09:49]: I don't really remember. I'm not a huge crier, but I was just like, what? At the time I was super cocky about it and like, what are you talking about? But now I look at it and I'm like, she was so right. Sue Donaldson [00:10:00]: I wonder how she knew that. Have you ever told her that what it meant to you? Laurel Taylor [00:10:06]: No, god was just speaking through her. And so in 2015 of January, I gave my life to Christ. I said, you know what he gave me? The peace to walk away from the city, walk away from. Sue Donaldson [00:10:20]: Was it the American Idol thing that changed it or something else? Laurel Taylor [00:10:24]: It was kind of both. It was walking that journey and then everything just kind of fell apart. Like I couldn't describe it. I had no choice but to give up. I was losing tours left and right. I was losing opportunities left and right. My booking agent dropped me. I wasn't getting the yeses anymore. I was getting more no's shut doors. And I couldn't afford to live. I couldn't afford to live there. Sue Donaldson [00:10:55]: What was causing those besides the Lord? The Lord allowing it? Laurel Taylor [00:11:00]: Yeah. I think my choices I think me choosing this over this or even just poor decision making, not showing up on time or I was so high I couldn't go to a radio interview. Like all these different things and I was just dropping left and right. And I was the person that was like, ain't nothing going to happen to me. I'm good. I got it covered. And then one day I lost everything and my family, my friends no longer were my friends. And my family loved me from afar because of the lifestyle I was living and the choices I was making. They had to love me from afar because they were done speaking into me and just gave me to the Lord. So it had to be a work that only God could do and that's what kind of happened. That's where I am today is because of him intervening and going after me. Sue Donaldson [00:12:04]: Did he speak to you? Laurel Taylor [00:12:06]: Did Jesus speak to me? Absolutely. I was on the side of the road in the interstate where you can split and go to Alabama or you can go around the circle to Nashville, Gamut, you go to Huntsville. And I was in the middle of the media, and I pulled over, and God said, you're done. You have used every bit of my abilities that I like. I gave you these abilities, these gifts, and these talents. You're done. Go home and go make your family right. And in my time, even then, I didn't think I was coming back. But he said, my time, I will bring you back. But at that point, I saw no hope. I was like, I'm not going to Nashville ever again. And he brought me back how soon after? Probably six years. Sue Donaldson [00:13:07]: Wow. That's a long wait. Laurel Taylor [00:13:09]: Yeah. About it might have been seven years. Yeah, perfect number. I went on a journey. I was with a group called People in Songs, and they traveled and led, worship, and it taught me how to pray. It taught me how to go to bat for people. It taught me how to be in the Lord's presence, which was hard for me, hours soaking in his presence, and I was like, what is this? And it just trained me how to love and how to serve. And so many wonderful artists came through, and it was kind of a label ministry, and it just taught me a lot, and so it equipped me to where I am today as my own artist. Sue Donaldson [00:13:57]: Wow. Laurel Taylor [00:13:57]: That was the journey. Sue Donaldson [00:13:59]: Well, seven years is not a short time when you're in the middle of it. Laurel Taylor [00:14:03]: No. It feels like you're like, hey, what are we doing? Like, I'm ready to go back. Sue Donaldson [00:14:09]: A quick question. When you're American Idol, people will want to know this when they're listening. How far did you go? Laurel Taylor [00:14:15]: Top 40. So Hollywood has Monday through Friday, and basically I got cut on that Friday right before the top 24 was live. So it was cool. I stayed a while, and I enjoyed it. It was very cutthroat, but God had a different plan. Sue Donaldson [00:14:33]: Are you in touch with any of those people that you worked, that you sang with? Laurel Taylor [00:14:38]: Yeah, they'll comment on my instagram things. Sue Donaldson [00:14:43]: But we live very different lives. Very different, yeah. What is your songwriting process? You read a verse or does God nudge you or you see someone in pain or is there a line from poetry or what? Laurel Taylor [00:15:00]: Yeah, most of the time it's melody. First melody, and I put lyrics to it, but sometimes it is definitely God breathed. Like, I have a song called Healed. Sue Donaldson [00:15:13]: I love that song. I listened to it yesterday and I sent it to several people, by the way. Yeah. Laurel Taylor [00:15:18]: If I could just touch him, his garment, I'd be healed. And I went to that scripture and I was like, whoa, this is so cool. Like healing is right here. You just have to want it. And so that's how I with that song is I had that line. So then I added the melody, and then from there, the bridge just poured out of me. That was so cool. Sue Donaldson [00:15:41]: Don't you know that's when the Lord that's when the Lord is oh, yeah. Laurel Taylor [00:15:46]: You could feel it. Sue Donaldson [00:15:50]: And tell us about the latest this Old House. That's the one I've heard the most. Laurel Taylor [00:15:54]: Old House. Old House was definitely inspired by just my journey, my testimony, and how I continued to live in the past and I couldn't move forward. People still saw me as the past, too. And for me to move forward, I had to sing about it. I had to literally say, I don't go cut that grass anymore. I don't go check that mail anymore. I don't open those doors anymore, and I'm walking out of my old house. And it's a beautiful thing. You just don't know how much strength you actually have to walk out. Sue Donaldson [00:16:33]: And you don't actually mention God in the song. Correct. So I think it's such a great crossover song because so many men and women are stuck in their past for perhaps some good reason. But I like to say there's that organization called MoveOn.com, and not that you want to minimize a person's pain. Never minimize a person's pain. It's up to them and God to work things out. But we can get so stuck, as you've experienced, that we're no earthly good and we need to be heavenly good while we're here, because we're not here that long, let me tell you. I can tell you that at 71 that we're not here that much longer. So we want to make the most of it. And I can't if I'm always licking my wounds or if I'm stuck in shame, I like to say that shame is from the pit, and we are not pit people. Laurel, I want you to remember that because your journey and your challenges are not over. Right? Yeah. How old are you, can I ask? Laurel Taylor [00:17:33]: 29. Sue Donaldson [00:17:33]: Oh, my gosh. You have come a long ways for 29, my dear. God has great things in store. How does singing and songwriting help you spread the gospel, grace and message of Jesus Christ? Laurel Taylor [00:17:48]: Yeah, I mean, I've always said that when you preach something, it comes across different as when you sing it. And that's what I've experienced in my journey. Even like I told you earlier, writing with the veterans, you sing it and it's a little more believable and it's not so offensive and it's not so slap in the face. And so I try to communicate in the best way, like you said, a crossover. I don't want to deliberately say, like, writing a song about your mom or dad, you don't want to put their name in there because then that person can't like, oh, well, my mom's not named this. I'm not going to listen to the song. Sue Donaldson [00:18:28]: Yeah. Laurel Taylor [00:18:28]: I try to relate in every possible way I can to the listener, and I communicate a melody that they can't get out of their head. Sue Donaldson [00:18:37]: That's my goal. Wow. Laurel Taylor [00:18:42]: Yeah. Sue Donaldson [00:18:43]: I'm writing this down. So communicate a melody that they can't get out of their head. Isn't that every songwriter's goal? Because they want you thinking about yes. My brother is a songwriter, so I can't wait for him to hear this. I also have him on my podcast, so I'll send that to you. But he's not famous like you, but he is wonderful like you. And he'll put already he'll put new music to words that were written by somebody else. Laurel Taylor [00:19:12]: Yeah. Sue Donaldson [00:19:13]: And he's such a great guitar guitarist. It's so great okay. Communicating that they can't get out of their head, which is really what God, he doesn't want to be out of our head. So if you can communicate who Jesus is through a song, in a beautiful song there's something about music, at least for me, it touches my heart and makes me cry. I cry more now that I'm older, but even when I was younger, to belt out a Broadway tune. I mean, let me tell you, there's certain songs you just don't want to sing because you don't feel like crying. But they do get to your hearts, right? Laurel Taylor [00:19:44]: Yeah. Sue Donaldson [00:19:45]: Are there any particular instances when you knew God and let's say in the last since you've come back to Nashville? How many years has that been? Laurel Taylor [00:19:54]: Two. Sue Donaldson [00:19:55]: In the last two years, let's say, where you knew God was working through your singing or your songwriting in a secular situation? Laurel Taylor [00:20:07]: Yeah. Oh, my gosh. Sue Donaldson [00:20:09]: Tell us one. Laurel Taylor [00:20:10]: So I was on this podcast. It was a podcastradio in Nashville, and they play everything from everything except for anything that's positive. Truly. Sue Donaldson [00:20:28]: Okay. Laurel Taylor [00:20:28]: I don't even care. Sue Donaldson [00:20:30]: They hear that I'm going to take your picture. How did they happen to have you host? You your agent. Laurel Taylor [00:20:40]: Yes. Sue Donaldson [00:20:40]: But they knew in advance that you were a Christian. Laurel Taylor [00:20:43]: Yes. And they said yes because of the sound of the music. The genre is what they were going for. I show up, and it was very stressful inside. I don't show it. Sue Donaldson [00:21:03]: I hope you don't feel stressful right now. Laurel Taylor [00:21:05]: No. Sue Donaldson [00:21:06]: Take it. Laurel Taylor [00:21:07]: Not even a little bit. Sue Donaldson [00:21:08]: Me neither. Laurel Taylor [00:21:09]: But he basically the host. He said, Tell us about your song. And I was like, Well, I'm always looking for opportunities to talk about the Lord in the coolest way I can, the most simple way. And I was like, well, you know, the song is called Sound of Freedom. And there's freedom there's freedom that we need there's a victory there's a cry. I was just going and I was like, there's hope. And he was like, you're a very positive person. Yeah. And I said and it's all because of Jesus. And I didn't realize I said that. And they kind of like did they bleep it out? No, they just kind of push past it and was like, okay, so tell us about your music. And I was like, it's very positive. It's very influential and encouraging. Like, I want to bring a good message. And they were nice, but I'll never do that again because they told me, they said, My gosh, you're so positive. It's like, can you be negative? Like, they were kind of like pushing back. Yeah, pushing back. Sue Donaldson [00:22:17]: And were they mocking you? Laurel Taylor [00:22:19]: Maybe. Sue Donaldson [00:22:20]: Yeah, but see, that but, Laurel, that's okay because Jesus was mocked. Laurel Taylor [00:22:25]: Yeah. Sue Donaldson [00:22:25]: So you're in good company, but you will know whether or not you should do it again. Laurel Taylor [00:22:29]: And I know for a fact never again. Sue Donaldson [00:22:31]: Okay. Laurel Taylor [00:22:32]: That I was there to be a light. Sue Donaldson [00:22:35]: Yeah. Laurel Taylor [00:22:36]: That's all. Sue Donaldson [00:22:37]: Yeah, well, and that already was broadcast. Was it broadcast live? It was live, but you don't know. We don't know because you sowed seeds that day. Jesus sowed seeds through you, who was listening, who still hasn't forgotten it. Laurel Taylor [00:22:52]: Right? Sue Donaldson [00:22:53]: And I even mean the interview earth because they put on a good show. But when they are alone, if they are honest, they are honest with their emptiness. And that goes for anyone listening here today. That when we are alone and we're honest with our emptiness. That's when we throw ourselves on Jesus breast. And we all need to do that. It doesn't matter how long we've known Him. Are there singular challenges or temptations in a performer's life that, let's say, someone like me, a high school English teacher, wouldn't face? Laurel Taylor [00:23:29]: I think a lot as musicians and artists that take a platform, it's an ego thing, it's a pride thing. I think we all go through pride, but it's a very different, like, look at me, I deserve this, and I have to die to that all the time. I know that I'm nothing without the Lord, and I'm nothing without his lyrics, his melodies. He could literally mess my voice up as soon as I open my mouth. And so it's not in my own strength, it's in his. And it can be very hard and very challenging. Especially the bigger the venue, the bigger the experience, the bigger I mean, you want to stay grounded. You don't want it to get in your head. And especially the people that treat me like, oh, my gosh. And it's like if you knew who I was on a daily basis, I'm just chilling. Sue Donaldson [00:24:30]: I remember once when we were looking for a new worship pastor in our church, and I was in the choir at the time, and I just said, the main attribute needs to be humility, because the man or woman is going to be on the platform, literally on the platform above others. And we do that so we can see them, right. But it can go to our heads. I'm a speaker, so it can go to my head. And so it's so ridiculous if you think about it. But it's a temptation that a lot of celebrity Christians have, and you just want to pray for them like I want to pray for our pastoral staff and that they will remember that God has given them any talents or leadership skills that they have. And that's exactly what you just said. And what helps you stay intimate with Jesus? Laurel Taylor [00:25:20]: Yeah. One is I set aside time my own self before or after the show, and I go into a space by myself. That's one thing I do that I like to be removed from the crowd. Another thing I like to do is I am not a person that likes to feed myself musically with trash just because it's a good melody or as it could be like no. I really try to keep it hopeful and restoring and feeling my soul. I do travel, leading worship all over, so I am fed by several churches, several pastors, several communities that I trust and I love, and then just prayer talking to him like he's your best friend and not really complicating it, over complicating it. And with my manager, we have this thing that don't ever forget. I want to help set up my booth. I want to help set up I want to carry my guitar, those kinds of things. Like don't let it get to your head. You're just there. Sue Donaldson [00:26:39]: Did you say agent? Laurel Taylor [00:26:41]: Yeah. Sue Donaldson [00:26:42]: Is your agent a believer? Laurel Taylor [00:26:44]: Yes, 100%. Sue Donaldson [00:26:46]: That makes a difference, I'm sure. Laurel Taylor [00:26:48]: It's so much like minded. It's so easier. Sue Donaldson [00:26:51]: Yeah. Where do you think God is leading you in your career and ministry? Laurel Taylor [00:26:58]: I think he's taking me a crossover. I think he's taking me secular music. It's scary because that's where I started and I really screwed up. And so for Him to take me there again, it's like he trusts me. And I know that I can hear it. I can hear it even in how I talk about it. I'm so trusted by God and I believe he trusts me with what he's given me. And I know that I'm going to do it the right way. Yes, I will fail, but I know that God is there with me and he's going to help me through every situation and I don't have to figure it out. Sue Donaldson [00:27:37]: And if not, your mother will call you. Yeah. And remind you. As you know, my podcast is about living a legacy life, and normally I don't well, I do. I have interviewed people your age because when you think of someone older, that's when you think of legacy. But I think we don't wait until we die, Laurel, to leave a good legacy. So what we do daily is what counts. So what legacy do you want to be known for now? For those who know and love you? Laurel Taylor [00:28:03]: Honestly, I've thought about this and thought about this, and I just want to be kind. I want them to literally say, because I'm really big into the church, is like super hurtful right now and it's sad. I want to be known as a believer that loves Jesus with all their heart and would go to the ends just to help that person no matter what. And I always want to put myself last and I don't know, I just want to be seen different. I don't want to be categorized as she's a church girl because you can't relate to all those people that don't go to church or have never heard about you. And I found myself in a lot of those situations and they're like, you're just different. I don't feel like you're judging me and I'm like, why would I judge you? All I can do is love you. Sue Donaldson [00:29:08]: I don't know if you've read Oswald Chambers My Utmost verse Highest, but one thing he says is that we lead the aroma of Christ when we've left the room. And that's what I want because I love the whole idea of people seeing Jesus through me without me having to say it. But we still need to say it when it's time like you did on that radio station. Doesn't mean you have to go there again so that they go, oh, there's something different. I go, well, it's not me. What you're sensing is the Holy Spirit. That might be too weird for them at the time, but yes, it is through our kindness, the scripture, Jesus said, they'll know your Christians by our love. And yet that is not what the church is known for right now. But they do throw the baby out with about bathwater. I do think at times too, it's like, oh, don't make that an excuse to stay home and watch it online. Right. And how do you go about making sure that people know that you are kind? Laurel Taylor [00:30:05]: I walk in it even before I get to venues or things even on the sides. I want to pray for people. I want to pray for the ones that host me. I want to pray for the staff, the volunteers, all those things. I pray for those opportunities because those are the relationships and those are the things that people are going to remember. They're not going to say she did a great 45 minutes show. No, she told me about this and prayed for me on the side. If I ever get to a place where I'm not doing that, then I have not fulfilled what God's called me to do. Sue Donaldson [00:30:41]: Amen. So great. And what challenges, well, you've already mentioned some, but or obstacles have you faced in order to leave this kind of legacy of kindness and love? Laurel Taylor [00:30:55]: I would say it's because I wasn't kind before living for the Lord. I was making fun of Christians. I was doing everything that the opposite. And to be able to love people well, it's because I know how to love myself well and I know where I can remember where I was at the time and how I want to be told that exact truth in however I needed to hear it. And so it's like I put myself in that position every single time I'm. Talking to someone that needs to hear it. Sue Donaldson [00:31:34]: That's so good. Some people think, oh, I can't really say that I love myself. Well, but you said it with such calmness. I know that that's based in the fact that when I'm secure in who I am with Jesus, I don't think about myself at all. And that's one thing that CS. Lewis said. It's not like you think less of yourself, you just don't think of yourself at all. And we don't need to laurel because Jesus already showed how much he loved us. So there's no really reason. It doesn't mean I don't go get a pedicure. I do like some self care, but as far as I think a lot of people hurting other people, even in the church, is because they are not secure in how much Jesus loves them. So our job in this security is to continue to reassure them even though they may annoy us. Like, I get annoyed with those kind of people, but I thought, well, what they need more is not my irritation. They need assurance that God loves them just as they are. So my favorite question, how does your life embody God's welcoming heart? Laurel Taylor [00:32:32]: I've really been thinking about this. Okay. So I just want to make sure I got it right. Ask it one more time, because how. Sue Donaldson [00:32:41]: Does your life embody God's? Welcome. Laurel Taylor [00:32:45]: Yes. So I get put into a lot of situations where Jesus is not exactly welcome. And I believe that it says, wherever we walk is kingdom ground. We take on it. That kingdom ground. And so when I'm sent somewhere, I believe that is the open door to give God the glory. And it's really hard, well, obviously through my gift, but honestly, this is going to sound like, really dumb, but it's through. Like, when I open my mouth, when I speak, sometimes it's by my actions, and I don't say anything. It's just how the Holy Spirit guides me in the moment. Not everybody's going to listen, and not everybody's just going to not listen, so it's how they need to hear it. But I always give God the reins when I'm somewhere, always. Even when I'm scared, even when I don't want to, even when I know he's about to embarrass me. I just have to. Because we submit to God, we're not accountable to others. Sue Donaldson [00:34:15]: We don't live for the approval of man. And yet even Christians, well, with all social media, it's so easy to get caught up with that. Gosh, Laura, I want to pray for you right now. I rarely do that on air, but you're young and you are mature beyond your years in Christ and you know who you are, and so Satan is kind of mad about that. And I hope you have a team around you, a prayer team. I have, like, 42 women who pray for me. Some men when I go speak, and they feel part of my team and I'm not a celebrity, but I don't want to ever speak without them knowing that I'm about ready to get up on a platform as we talked about before, because I could really mess up. And I don't mean mess up like I do a poor job, though, that could happen. I mess up that God would not get the glory. That's what's messing up. Laurel Taylor [00:35:11]: So let's pray. Sue Donaldson [00:35:13]: Father, I just want to ask again, your covering over wonderful Laurel Taylor. Thank you for the gifts you've given her. Thank you that she's confident in them. Thank you that you are opening up opportunities to cross over, because that's what Jesus did when he came to Earth. He crossed over in the real sense of the word. And it's not going to always be easy, as she knows. I pray, Lord, that you'll raise up friends and family who will take it as their duty and delight to support her and that she'll never feel alone. Lord, thank you for these opportunities and I know I'll hear more about her in the future because of what you're going to do through and in her life, Lord. Just bless her in every way that she wants to be blessed in ways that she doesn't even know. In Jesus name, amen. Laurel Taylor [00:36:00]: Amen. Sue Donaldson [00:36:01]: Thank you so much, Laura. You're great. How can people find you and where can they listen to your music? Laurel Taylor [00:36:08]: Yeah, you can find all my music on all platforms. Apple Music spotify amazon Music You can please follow me on Instagram, Laureltaler official, and then you can check out my website, laureltalermusic.com. Sue Donaldson [00:36:22]: Okay, thank you so much. It's been a delight. Laurel Taylor [00:36:24]: Thanks. Sue Donaldson [00:36:25]: Until next time, think about your legacy, the one God has called you to live all, for heaven's sake. I would love to speak at your next Christian Women's event, see my keynotes and retreat series as well as the show notes from today's broadcast@welcomeheart.com. Thanks for coming. You're always welcome here.  

Update in 2pac Shakur Murder Investigation after 25 plus years : Spolier Alert : I actually spent most of the Episode following up on the last Episode about 2pac , Big Stretch and the 1994 shooting at Quad Studios in New York. I talk about the update I want to say 17:00 minute Mark . --- Send in a voice message: https://podcasters.spotify.com/pod/show/eric-summers6/message

Update in 2pac Shakur Murder Investigation after 25 plus years : Spolier Alert : I actually spent most of the Episode following up on the last Episode about 2pac , Big Stretch and the 1994 shooting at Quad Studios in New York. I talk about the update I want to say 17:00 minute Mark . --- Send in a voice message: https://podcasters.spotify.com/pod/show/eric-summers6/message

This week’s edition of The Breaks responds to allegations about 2Pac’s role in the aftermath of the infamous Quad Studios shooting, before breaking down why smarter, even in the hustle culture of hip-hop, is always a better approach than harder. Hip Hop Facts feature little known tidbits like the reason Cypress Hill is banned from SNL, […] The post Smarter, Not Harder appeared first on KUT & KUTX Studios -- Podcasts.

When Death Row Records was founded in 1991, they never expected the whole thing would violently implode just a few years later. With Suge Knight at the helm…they probably should have. Source Material:Death Row ChroniclesThe law finally catches up with Suge Knight: A timelineEXCLUSIVE: Hip hop mogul Suge Knight, accused of attempted murder in hit and runSuge Knight Should Pay $81 Million to Family of ‘Murder Burger' Victim, Lawyer ArguesSuge Knight - WikipediaRappers Raise New Questions in Knight CaseRevisit Tupac's infamous Quad Studios shooting in leaked "All Eyez On Me" clipThe Brutal Death Of Tupac Shakur And The Full Story Behind ItLife and death in South Central LAWho Killed Tupac Shakur?The Notorious B.I.G.'s murder remains unsolved 25 years laterWEST SIDE STORY: WHAT REALLY HAPPENED ON THE MIRACLE MILE ON MARCH 9 1997?Former LAPD Detective Says He Knows Who Killed Biggie And TupacMusic Credits:1. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/locran/cant-sleepLicense code: HAVIXRYL3KM0XULJ2. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/lightless-dawnLicense code: PFYUGTZVDWOCBNLK3. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/pecan-pie/vlog-kingLicense code: XCNJCKPPDBI7DOVG 4. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/simon-folwar/brave-new-worldLicense code: MPR458MAGBPGSAAT5. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/enzalla/dystopianLicense code: 00BFHDZUS6XXOGYW6. 2021-09-06_-_Solving_The_Crime_-_David_Fesliyan.mp37. MysteriousSuspensefulMusic2018-11-03_-_Dark_Fog_-_David_Fesliyan.mp3E-mail us case ideas: killerhearttohearts@gmail.comFollow us on: Tik TokFollow us on: InstagramLike us on: FacebookFollow us on: Twitter

We've had many musicians depart this world far too soon, leaving us wondering what could have been. Today's show subject, Tupac Shakur, may just be near the top of that list.  From poverty to Poetic Justice, to 2Pacalypse, Shakur showed the world his many talents in the short time he had with us.  But, there seemed to be many different sides of ‘Pac, many we knew about, some perhaps not. Could you imagine a world where Tupac was a Broadway star and not living that thug life?  Maybe one where he stayed in his native New York and actually teamed up with Biggie?  We're going to dive into this and a whole lot more in this thug-tastic Tupac Shakur episode of AHC Podcast.     Intro Music Credits: ♫ OLD SCHOOL G FUNK WEST COAST PIANO & VIOLIN BEAT 2012 [Aries 4Rce BeatZ] Dr Dre Type INSTRUMENTAL By Aries Beats [Free Music] is licensed under a Creative Commons License.     Citations: Chung, J. (2020, August 25). These were Tupac's startling last words. SPIN. Retrieved May 6, 2023, from https://www.spin.com/photos/these-were-tupacs-startling-last-words/ Dowell, R. (2013, December 30). Rare interview with Tupac's biological father [video]. Power 107.5. Retrieved May 6, 2023, from https://mycolumbuspower.com/2916523/rare-interview-with-tupacs-biological-father-video/ Gladwell, M. (1994, December 2). Shakur guilty of sex abuse. The Washington Post. Retrieved May 6, 2023, from https://www.washingtonpost.com/archive/lifestyle/1994/12/02/shakur-guilty-of-sex-abuse/08202f80-426e-42ee-af79-e0b3abf0f7b3/ Gonzalez, V. (2012, May 10). Tupac's temper: Five greatest freakouts, from MTV to Jail Time. Miami New Times. Retrieved May 6, 2023, from https://www.miaminewtimes.com/music/tupacs-temper-five-greatest-freakouts-from-mtv-to-jail-time-6461799 Lewis, J. (2016, September 6). Tupac spent four extraordinary and formative years in Baltimore. Baltimore Magazine. Retrieved May 6, 2023, from https://www.baltimoremagazine.com/section/artsentertainment/legendary-rapper-tupac-shakur-spent-his-formative-years-in-baltimore/ Rodriguez, J. (2011, September 16). Pit of snakes: Tupac's Quad Studios shooting. XXL Mag. Retrieved May 6, 2023, from https://www.xxlmag.com/pit-of-snakes-2pacs-quad-studios-shooting-excerpt-from-sept-2011-issue/ Watkins, G. (2011, June 15). Exclusive: Jimmy Henchman associate admits to role in robbery/shooting of Tupac; apologizes to Pac & B.I.G.'s mothers. AllHipHop. Retrieved May 6, 2023, from https://allhiphop.com/news/exclusive-jimmy-henchman-associate-admits-to-role-in-robberyshooting-of-tupac-apologizes-to-pac-b-i-g-s-mothers/ Wikimedia Foundation. (2023, May 6). Tupac Shakur. Wikipedia. Retrieved May 6, 2023, from https://en.wikipedia.org/wiki/Tupac_Shakur

Tupac är med om skjutning nummer två, kort innan en rättegång för en gruppvåldtäkt. Det är fråga om den beryktade skjutningen 1994 på Quad Studios i New York. Skjutningen gör Tupac paranoid och han drar slutsatser som kommer bli början på ett blodbad. Manus av David Oscarsson.Vill du att Olösta mord ska fortsätta att komma ut varje vecka? Du kan påverka genom att dela podden med alla du känner som kan tänkas vara intresserade och/eller sponsra via Patreon; https://www.patreon.com/olostamord Välj valfri summa du vill sponsra med per avsnitt på Patreon.Har du teorier om vad som hänt i fallen som vi tagit upp i podden? Skicka dem till: zimwaypodcast@gmail.com så kommer vi ta upp dem i kommande avsnitt. Vill du höra ett specifikt fall i podden? Önska dina fall i det här formuläret: https://docs.google.com/forms/d/e/1FAIpQLSfDlQxf9SgZyeGS-qFPaB4BP-L59lQhs7BbZACfwk7xSs-AFw/viewform?fbclid=IwAR0astYAY_SJLcst89FwKaPIeHHV9zlfAxEz6Cmrh37bbMwvMHGc8z5cwg4Det här är en podd av Dan Hörning och David Oscarsson.Följ Dan Hörning här:Twitter: @danhorningInstagram: https://www.instagram.com/dan_horning/?hl=enYoutube: https://www.youtube.com/channel/UCV2Qb7SmL9mejE5RCv1chwgMail: zimwaypodcast@gmail.comFacebook: https://www.facebook.com/Olostamord/ Hosted on Acast. See acast.com/privacy for more information.

7. September 1996, Las Vegas: Ein Auto hält an einer Ampel. Auf dem Beifahrersitz: Tupac Shakur. Eine wahre Legende der Rappgeschichte. Etwa 75 Millionen Platten hat der Gangsterrapper verkauft. Doch rechts neben ihm verlangsamt jetzt ein weißer Cadillac. Ein Fenster fährt herunter. Ein Mann streckt seinen Arm heraus. In der Hand hält er eine Pistole ... Und damit herzlich willkommen bei Reich, schön, tot - dem True Crime Podcast aus der Glitzerwelt. Wir berichten über wahre Verbrechen, in denen die reichen, berühmten und schönen Menschen dieser Welt ihre oft dramatischsten Hauptrollen spielen. Mal als bemitleidenswerte Opfer, mal als eiskalte Killer. Denn eines können wir euch mit Sicherheit sagen - weder Reichtum, Ruhm noch Schönheit schützen vor Verbrechen ... ganz im Gegenteil! Wir freuen uns auf euch, jeden Montag! Wir, das sind Nadine und Susanne, haben ein Faible für die verrückte Glitzerwelt in der Glamour und Grabstein manchmal ganz nah beieinander liegen. Wir freuen uns über Feedback, Themenvorschläge und Eure Meinungen unter reichschoentot@julep.de oder bei Instagram @reichschoentot ***Podimo (Werbung)*** Reich, schön, tot ist ein Podcast der Julep Studios und Podimo. Wenn du mehr hören willst, findest du weitere Folgen in der Podcast App Podimo. Du kannst 30 Tage lang kostenlos diesen und viele weitere exklusive Podcasts und Hörbücher hören. Gehe dafür einfach auf den Link https://go.podimo.com/de/reich Du kannst das Probeabo jederzeit kündigen. Du wirst auf der Seite deine Bezahldaten hinterlegen müssen, um deine Anmeldung abzuschließen. Aber keine Sorge, wenn du innerhalb der 30 Tage kündigst, zahlst du natürlich keinen Cent. Wenn du nach Ablauf deines Probeabos bei Podimo bleiben willst, zahlst du im Monat 4,99€ und bekommst weiterhin Zugriff auf alle exklusiven Podcasts und Hörbücher der App. ***Links zum Fall*** Foto von Pac: https://www1.wdr.de/radio/cosmo/musik/musikspecials/gpn_tupac104~_v-gseapremiumxl.jpg *** Foto von Biggie: http://www.laut.de/Notorious-B.I.G./notorious-big-167446.jpg *** Interview mit Pac vor dem Gericht: https://www.youtube.com/watch?v=o9j8fs6SSfc *** Pac zeigt, nach der Schießerei in den Quad-Studios der Kamera den Mittelfinger: https://90erhiphop.de/wp-content/uploads/2014/06/2Pac-Quad-Studios_1280.jpg ***Wir übernehmen keine Haftung für die Inhalte externer Links*** Eine Produktion der Julep Studios im Auftrag von Podimo ***Diese Episode wurde ursprünglich am 23.05.2022 veröffentlicht und steht Dir ab sofort überall zur Verfügung, wo es Podcasts gibt.***

Trump Mafia listeners today we have a special episode, for those of you listening, this is a cross over episode that tells the larger-than-life story of a last-minute pardon by Donald Trump, that never happened. This episode follows the intriguing story of Hip-Hop luminary and executive James “ Jimmy Henchman “ Rosemond, who with the help of Mike Tyson, Jim Brown, Michael K Williams, and a team of lawyers was given a pardon by Trump, only for the Justice Department to shut it down.

EPISODE DESCRIPTION- GRAMMY NOMINATED AUDIO/MUSIC ENGINEER CHRIS DA ENGINEER PULLS UP THIS WEEK! TO TALK ABOUT THE IMPORTANCE OF THE UNSUNG HEROES OF MUSIC! THE AUDIO ENGINEER! AS HE DISCUSSES HIS WORK ON POWER BOOK III- RAISING KANAN. AS WELL AS, HIS WORK WITH THE LATE POP SMOKE AND MUSIC ARTIS CASANOVA. PLUS GOES INTO DETAIL ABOUT THE BEST TOOLS TO HAVE AT YOUR DISPOSAL IF YOU ARE GOING TO BE A GREAT ENGINEER, AND WHY PAYING YOUR ENGINEER ON-TIME IS CRUCIAL IN THE MUSIC BUSINESS! AND MUCH MORE SKINNY ON THE BEHIND THE SCENES OF THE MUSIC STUDIO LIFE. EPISODE BREAKDOWN- 0:00- IN MEMORIAM FOR AUNT ROSAEL CORREA 1946-2022 2:43- WHAT IS AN AUDIO ENGINEER? 3:50- WHAT DOES A MUSIC ENGINEER DO AT A RECORDING STUDIO? 5:15- HOW TO BECOME A MUSIC ENGINEER? 11:59- QUAD STUDIOS 13:01- BUILDING RELATIONSHIPS AS AN AUDIO ENGINEER 14:00- POWER BOOK III- RAISING KANAN AND THE AUDIO ENGINEERING BEHIND IT. 15:00- THE IMPORTANCE OF BUYING PLUGINS 19:04- BEST WORK PROCESS FOR A MUSIC ENGINEER 24:44- THE IMPORTANCE OF PRO TOOLS IN THE MUSIC INDUSTRY 27:05- WHY DON'T ENGINEERS GET PRODUCTION CREDITS? 31:28- WHY IS HAVING PRE-MADE TEMPLATES IMPORTANT? 33:00- PUNCHING IN AND PLUGIN ORGANIZING 38:44- SERVICES PROVIDED BY CHRIS DA ENGINEER 41:33- SPLIT SHEETS AND GETTING PAID IN MUSIC 48:03- 5 WORDS WITH ANGEL (GAME SHOW SEGMENT) THESE GREAT AFFILIATE PRODUCT LINKS BELOW CAN BE USED TO START A PODCAST OF YOUR OWN! DESCRIPTION AND BREAKDOWN OF EPISODE BELOW). Rode RODECaster Pro Podcasting Bundle with SanDisk 32GB microSD Card and StreamEye Polishing Cloth https://amzn.to/3AZ61Vj Rode PodMic Cardioid Dynamic Broadcast Microphone https://amzn.to/3B5gTkf Amazon Basics XLR Male to Female Microphone Cable - 10 Feet, Black- https://amzn.to/3epAeVJ Samson SR350 Over Ear Stereo Headphones, (SASR350) https://amzn.to/3Btphvi Ameriwood Home Parsons Desk with Drawer, Black https://amzn.to/3RSn6qP SanDisk Professional 2TB G-DRIVE SSD - Ultra-Rugged, IP67 Dust/Water Resistant, Portable External NVMe Solid State Drive, Up to 1,050 MB/s, USB 3.2 Gen 2 - SDPS11A-002T-GBANB https://amzn.to/3B26i9V Lenovo Chromebook C340 2-in-1 Laptop, 15.6" FHD (1920 X 1080) Touchscreen Display, Intel Pentium Gold 4417U Processor, 4GB DDR4 RAM, 32GB SSD, Chrome OS, 81T90003US, Mineral Grey https://amzn.to/3eEUbb6 SanDisk 64GB Ultra SDXC UHS-I Memory Card - 120MB/s, C10, U1, Full HD, SD Card - SDSDUN4-064G-GN6IN https://amzn.to/3qr06n6 SanDisk 16GB 3-Pack Ultra microSDHC UHS-I Memory Card (3x16GB) - SDSQUAR-016G-GN6MM https://amzn.to/3Qud4Ll Avid Pro Tools Perpetual with 1-year Update & Support Plan (Boxed)- https://amzn.to/3UpZBqd SONY Two Way Condenser Studio Microphone- https://amzn.to/3DDZn7Z Peluso 22 251 Vacuum Tube Microphone System- https://amzn.to/3zIgYuD Neumann U 87 Ai Set Z | Multi Pattern Condenser Microphone Set- https://amzn.to/3FKNaRU --- Send in a voice message: https://anchor.fm/angel-of-words/message

Gestartet als junge Musikerin in der Schweiz bis zu Writing Sessions in den legendären Quad-Studios in Amerika. Von ersten Auftritten in ihrer Heimat bis zum Glastonbury Festival. Tashan macht internationale Musik und schafft es damit um die ganze Welt. Seit einiger Zeit veröffentlicht sie nun auch Songs auf Deutsch und obwohl sie erst eine Handvoll Songs releast hat, ist sie wohl eine der interessantesten Künstler:innen in der Szene. Was sie über ihre Kunst und die Schweizer Rapszene zu sagen hat, was sie in ihrer Karriere bisher erlebt hat und wie es zu einer Studio Session mit Jason Derulo gekommen ist, erfahrt ihr in diesem Interview! Viel Spaß beim Zuhören!

Big thank you to Brooklyn, New York's own Maino for coming on my show for an interview! Maino discussed the new Lobby Boyz album, his I slap box the devil at night reference on the Lobby Boyz Anthem, and when he formed a brotherhood with Jim Jones to create their duo. He talked about the personal stories he told on the song Project Baby off of The Lobby Boyz album, how DJ Kay Slay helped him early on in his career, and Cormega putting him on Monsters Ball, in which that was the first album he was ever featured on. He got into his time with Universal Records, Tone from Trackmasters helping him get signed, and the story with Birdman being the reason why he left Atlantic Records. Maino spoke about portraying the shooter who shot 2Pac in the All Eyes On Me movie at Quad Studios, writing a show with his late friend Michael K Williams before he passed, and being the first NYC artist to work with Nipsey Hussle. He also gave his thoughts on the rappers being killed and going to jail for their song lyrics. Stay tuned for everything that Maino has on the way, including The Lobby Boyz tour! The Lobby Boyz's debut album The Lobby Boyz is available on all music platforms, including Apple Music: https://music.apple.com/us/album/the-lobby-boyz/1623262691. Follow Maino on Instagram and Twitter: @mainohustlehard Follow me on Instagram and Twitter: @thereelmax. Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live 365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. Maino on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=qwUysToSIT0. 

In episode 36 I talk to DiViNCi (Solillaquists of Sound) about IMAKEMADBEATS, a Memphis native, having grown up immersed in the city's unmistakable sonic identity. But despite the definitive identity of the region, he often felt disconnected from what creative paths were supported there. After leaving his home to find infrastructure and creative synergy, he would eventually end up in Manhattan's legendary Quad Studios, where he became a go-to ghost producer and found a new niche in scoring for film and television. He went on to provide music many companies, including NBC, ABC, HBO, DC Shoes, Oxygen, and more. Inspired by the idea that music could speak without words – a theme that he would uphold years later with debut instrumental EP Better Left Unsaid – he further developed the IMAKEMADBEATS persona and mask, and worked with a who's-who of the indie underground scene in the ‘00s on wax, in the studio, and on stage, including Black Milk, Oh No, Talib Kweli, Solange Knowles, Ludacris, and more.

Greg Kading solved the murders of 2pac Shakur and Biggies Smalls. Greg tells all in detail, including the first time 2pac was shot, he was not shot 5 times. Prior to 2pac's death, 2pac realized who shot him1994 at Quad Studios. Diddy and Smalls had nothing to do with it. We don't stop there. I ask Greg what he thinks about UFO sightings, encryption, We also go over the Chris Brown and Suge night shots fight at Club Oak in Cali. We go over the Jennifer Lopez , Shine, P Diddy case. Did Shine take the hit for Diddy and then never paid him or helped him when he got out of jail? Greg is in the works of starting his own podcast, along with another possible documentary non-related to 2pac and Biggie. All I can say is one cool guy! Check out Greg Below: Book: Murder Rap: The Untold Story of the Biggie Smalls & Tupac Shakur Murder Investigations by the Detective Who Solved Both Cases: https://www.amazon.com/Murder-Rap-Unt... Documentary: Inside the Biggie and Tupac Murders https://www.imdb.com/title/tt4715470/ ➔ Stay Connected With MSCS MEDIA ► Subscribe: https://cutt.ly/GEDzbsu► All Videos: https://www.youtube.com/mscsmedia/videos► Linktr.ee: https://linktr.ee/mscsmedia

While entering Quad Studios to meet Jimmy for a recording session, Tupac Shakur is robbed and shot in the lobby. The incident will haunt Jimmy forever and start the infamous East Coast vs West Coast rap war. For more information: https://www.criminalmindedmedia.com/unjust-justice-the-james-rosemond-story/ Follow us on: IG - https://www.instagram.com/unjust_justice/ FB - https://www.facebook.com/unjustjusticepodcast/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Big U breaks down the true meaning of what it is to CHECC IN touching on topics never discussed before. Episode 11 Big U checc's in with ROWDEY REBEL at Quad Studios where he was arrested 6 years ago. They talk about new music, Bobby Shmurda, Life after jail and more. https://www.checcnin.com/   Executive Produced by Danny @Dany2times Cotton, Eugene “Big U '' Henley @bigu1, Doe Henderson @dynastydoe, Kyle "KP" Reilly @KPdatpiff   Follow http://instagram.com/checcnin for episodes and talent to come.  

September 30th, 1994 was such a pivotal day for hip hop. For many, this was the beginning of the heated East vs. West rivalry that changed the game in the 90s. Death Row vs. Bad Boy, Tupac vs. Biggie, Suge vs. Diddy. It went on and on. Tune in to hear EC recap the events that happened on the night of September 30th, 1994 in New York on the segment, This Day In Hip Hop. To cap off the show, EC gives his playlist for November on What'z On Rotation.Hip Hop Leaf: MCLike the pod? Subscribe and follow:Instagram: @hhcloverleafTwitter: @hhcloverleafFacebook: @hhcloverleafYouTube: Hip Hop Cloverleaf PodcastSoundcloud: Hip Hop Cloverleaf PodcastWebsite: hiphopcloverleaf.comEmail: hiphopcloverleafpodcast@gmail.comCreditsEpisode Artwork: "Tupac Shakur at Madame Tussaud's New York" by InSapphoWeTrust is licensed with CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/Production:ECMahfuzZahidEdgar P.Jay 717Adrian Stubb

April Walker is a fashion game-changer and culture creator that inspired a lane helping to create a multi-billion dollar industry coined today as streetwear through her brand, Walker Wear.   As the first woman in this lane, she's also one of the first to dominate in urban menswear, securing celebrity endorsements from the likes of legends, like Tupac, Notorious B.I.G. and Run-DMC to name a few.  Her brand was one of the first to open distribution doors and command millions in sales, and the Walker Wear lifestyle brand still thrives today.   In this interview she talks about her humble beginnings, how she befriended Tupac & Biggie and what it was like during their highly publicized "beef."  She recalls the time Biggie called her from the hospital with Tupac after the shooting at Quad Studios. During this interview April discusses her ongoing dispute w/ Fashion Designer Virgil from Off-White for allegedly stealing her designs and how the women in hip hop fashion may have come a long way but the fight for respect remains. Women in Hip Hop is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.   

Greg Kading solved the murders of 2pac Shakur and Biggies Smalls. Full interview: https://youtu.be/ZvtDkIxOlaw Greg tells all in detail, including the first time 2pac was shot, he was not shot 5 times. Prior to 2pac's death, 2pac realized who shot him1994 at Quad Studios. Diddy and Smalls had nothing to do with it. We don't stop there. I ask Greg what he thinks about UFO sightings, encryption, We also go over the Chris Brown and Suge night shots fight at Club Oak in Cali. We go over the Jennifer Lopez , Shine, P Diddy case. Did Shine take the hit for Diddy and then never paid him and or helped him in or when he got out of jail?Greg is in the works of starting his own podcast, along with another possible documentary non-related to 2pac and Biggie. All I can say is one cool guy!Check out Greg Below:Book: Murder Rap: The Untold Story of the Biggie Smalls & Tupac Shakur Murder Investigations by the Detective Who Solved Both Cases:https://www.amazon.com/Murder-Rap-Untold-Investigations-Detective/dp/0983955484Documentary:Inside the Biggie and Tupac Murdershttps://www.imdb.com/title/tt4715470/➔ Stay Connected With MSCS MEDIA► Subscribe: https://cutt.ly/GEDzbsu► All Videos: https://www.youtube.com/mscsmedia/videos► Linktr.ee: https://linktr.ee/mscsmedia

KMF Tre joins us on this episode to talk about KMF, his recent release Room Records, time spent at Quad Studios, how he picked himself up and kept making music and more! Buy our merch here: Grind House Merch Follow on social media: Facebook Instagram Twitter Watch us on YouTube

Muzik speaks on his past life, clothing and fashion, branding opportunities, new music, almost signing to Ruff Ryders, top 5 artists, recording in Quad Studios and also we speak on PTSD and anxiety. Follow @muzikislyfe8 on Instagram Follow @jaypitt @piffradio on Instagram, Facebook, Spotify and IHeartRadio

Muzik speaks on his past life, clothing and fashion, branding opportunities, new music, almost signing to Ruff Ryders, top 5 artists, recording in Quad Studios and also we speak on PTSD and anxiety. Follow @muzikislyfe8 on Instagram Follow @jaypitt @piffradio on Instagram, Facebook, Spotify and IHeartRadio

Episode 40 is SPECIAL. Today Maino, Hala and Georgie speak to Bobby Shmurda in his first long from, in depth interview since his release. Together they talk: Bobby talks about his upbringing in the Brooklyn Streets and how disappointing his mother is what hurt him most (00:10:00) Changing his name from Chewy to Bobby Shmurda and Hot Nigga (00:33:00) What happened the night he was arrested at Quad Studios, having a gun planted on him by police and the case (00:47:00) Hala asks who he was surprised came to show love while he was in prison (01:03:22) Doing time while in the rap game - how he kept himself educated so he would be in a better position when he came out and what being home is like now (01:10:00) Finally Bobby teases some new music - It's going to be a HOT summer (01:19:00) Don't miss out on this exclusive interview with The Kitchen! You can follow the kitchen on @kitchentalkpodcast Maino: @mainohustlehard Georgie: @yourfavoritetomboy Hala: @halamaroc Ricky: @rickyhustlehard

Episode 40 is SPECIAL. Today Maino, Hala and Georgie speak to Bobby Shmurda in his first long from, in depth interview since his release. Together they talk: Bobby talks about his upbringing in the Brooklyn Streets and how disappointing his mother is what hurt him most (00:10:00) Changing his name from Chewy to Bobby Shmurda and Hot Nigga (00:33:00) What happened the night he was arrested at Quad Studios, having a gun planted on him by police and the case (00:47:00) Hala asks who he was surprised came to show love while he was in prison (01:03:22) Doing time while in the rap game - how he kept himself educated so he would be in a better position when he came out and what being home is like now (01:10:00) Finally Bobby teases some new music - It's going to be a HOT summer (01:19:00) Don't miss out on this exclusive interview with The Kitchen! You can follow the kitchen on @kitchentalkpodcast Maino: @mainohustlehard Georgie: @yourfavoritetomboy Hala: @halamaroc Ricky: @rickyhustlehard

On this episode we talk with KMF about all things going on in their camp, new releases from Tyler Lovett & Kashix2, They talk about their time at Quad Studios, Their process for making music and more! Text Us: (617) 744-4427 Buy our merch here: Grind House Merch Follow on social media: Facebook Instagram Twitter Watch us on YouTube

My guest today is Grammy award-winning mixer engineer and producer Ryan Gilligan. Ryan got his start at Quad Studios in New York, where he started as an intern, then assistant before taking on a year-long engineering gig for Busta Rhymes. Following that, he returned to Quad and began a mentorship with Michael Brower that would last for seven years. He worked alongside artists, such as Coldplay, John Mayer, Kanye West, Shakira, Grizzly Bear, and many others. Eventually, he moved to Los Angeles to work with producer John Hill on music for Adelle, Gwen, Stefani, and Florence and the Machine. He ended up staying in Los Angeles and continues to work there to this day freelancing.  In this episode, we discuss: Playing Trumpet Interning Quad Studios Electric Lady Busta Rhymes Duffle Bags of Hard Drives Los Angeles New York Michael Brauer Health Challenges Mixing Based on Emotion Surviving on Mixing Strict Budgeting Matt's Rant: Banking! Yes, seriously. Links and Show Notes Ryan's Site: https://ryangilligan.com/ Ryan on Instagram: https://www.instagram.com/gillygong/ The Royalty site Ryan mentions: https://vydia.com/ WCA on Instagram: @working_class_audio Go Ad-Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: Ryan Gilligan Host: Matt Boudreau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab

Shoutout to my guy A. Blanco for coming on my show for an interview to discuss his new debut album One of One! It is definitely a showcase of what he can do and he can do it all! One of One is available on all music platforms, including Apple Music: https://music.apple.com/us/album/one-.... A. Blanco talks about wanting to start his own independent record label, meeting Sheff G, and attending Dave East's Karma 3 listening party at Quad Studios. He will be releasing his next project before Christmas! Stay tuned for that! Follow A. Blanco on Instagram: @iamablanco Follow me on Instagram and Twitter: @thereelmax A. Blanco on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=F_4JVzrhrQE&t=566s.   Go checkout and subscribe to my YouTube channel: https://www.youtube.com/c/SportsandHipHopwithDJMadMax/featured?view_as=subscriber.

In Episode 66, we are lucky enough to be joined by former New York City Undercover Police Officer Derrick Parker. Derrick, who started working undercover aiming to take down drug and arms dealers eventually found himself embroiled in the hip hop world. Derrick talks working the 2pac Quad Studios shooting, being involved in legal cases involving the likes of Jay-Z and Puff Daddy. Derrick also reflects on the Jam Master Jay Murder and "crossing the line" as an undercover police officer.This episode is brought to you in association with our official partner and sponsor Feel Supreme. To find out more information, you can visit them on www.feelsupreme.co.uk.Don't forget to subscribe to ‘The Doctor Uz Podcast' on;Spotify- https://tinyurl.com/ybh38ftaITunes- https://tinyurl.com/ycm6zrrdYouTube- https://tinyurl.com/ya26b3r5To find out more, visit us on www.thedoctoruzpodcast.com.

It’s been 25 years since the release of Tupac’s Me Against The World album, so Mic and Jeff decided to take a look back at the iconic release. The boys touch on how far ahead of his time Tupac was, they speak on his film career and how that added to his stardom as an emceee, and how polarizing of a figure he was becoming. How did his legal issues help mold the album? How about the assassination atempt on his life at Quad Studios, or his stint in jail? Finally, the boys discuss; is this Tupac’s best album of all-time? Subscribe to the podcast and listen for more stories from hip hop history on our website www.RapAddictsMag.com   IG: @RapAddictsMag Twitter: @RapAddictsMag Facebook.com/TheRapAddicts Hosted by: IG: @MicCoolOfficial IG: @_JeffPino

This podcast episode is an introduction into the background of Wayne and Lydia Adams. They both have careers in the music industry and they have been married for five years. Not only do they juggle parenting and maintaining a home together, but they have also built several businesses that they run individually and as a team.  In this episode they discuss valuable lessons that they have learned about music, money, and marriage. Wayne shares tips that he learned while interning at the legendary QUAD Studios in New York City and also landing a job as Rapper Jim Jones' Chief engineer. Lydia shares her experiences with finances growing up as a preachers daughter in Queens, and also discusses some career highlights such as her performance at the ESSENCE festival. The couple explains how despite their contrasting upbringing and views on marriage, they still manage to maintain a happy healthy relationship.  Connect with us: https://www.youtube.com/waynewav https://www.wavywayne.com/ https://www.instagram.com/misscaesar/ https://www.youtube.com/user/LydiaCaesarMusic

In this episode, we have Louisiana(exit 11) native SJay on the show where we preview his latest project "From Me 2 You".  We also talk about what drives him, sticking to his roots, his recent slew of awards and his most recent trip to the imfamous Quad Studios in NYC where Tupac was shot!! What happened when them elevator doors closed??!!!!....Stay tuned..Subscribe and thanks for listening!!

My guest for episode 83 is the founder and CEO of Unapologetic Record Label, James Dukes aka IMAKEMADBEATS. Raised by a single father in Orange Mound, James knew at a very young age that he was different. He later moved to New York where he sharpened his skills as a sound engineer at the legendary Quad Studios working with music industry stars like Ludacris, Solange Knowles, and Busta Rhymes. After returning to Memphis, James developed the enigmatic, faceless persona IMAKEMADBEATS and started his music label Unapologetic to include a record label, video production company, event coordination, and clothing line. On this episode, you will learn about his talented roster, his ideas on the Memphis art/music/culture scene and his own experience with battling depression and anxiety. Performing this past February as a TedEx speaker, find out what secrets he had to set free in order to start his Unapologetic Movement.

You can hear in Ed's voice in this podcast episode how determined he is to clarify the dynamic between his late long-time best friend Randy "Stretch" Walker and Tupac Amaru Shakur, both men who were tragically killed and can't speak for themselves when it comes to their friendship. In case you're unfamiliar, Stretch and Pac met on the set of 'Juice'...Ed Lover was on set as well and the trio were inseparable at a moment in time. Rumors surfaced after Pac's incident in 1994 at Quad Studios in Manhattan that Stretch had something to do with it - and Ed swears on his life - it's not like that. Listen now for Ed's side of the story.

"Been There, Rocked That" returns as Prance Lo, Polo Pirata, Robbie Fingers and Blake Loington are joined by Shawn Pen, formerly known as Little Shawn. Shawn details why he launched "Behind the Smoke" and the podcast of the same name, the history behind the infamous Quad Studios session when Tupac was shot, and what led to him penning the novel "The Black Church." Shawn also details his involvement in Prance dancing for Special Ed, as well as how he helped launch AZ's rap career.

Working Class Audio #210 with David Streit!!! David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years. David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California. Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments. About this Interview: David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt Show Notes and Links David Streit's Website: www.davidstreit.com UA Promo: https://www.uaudio.com/classic-apollo-promo UA Promo #2: https://www.uaudio.com/apollo-x-promo Audio-Technica ATM230PK –  https://www.audio-technica.com/cms/wired_mics/e5c7d2ca9189679b/index.html Audio-Technica AT5045 https://www.audio-technica.com/cms/wired_mics/dcdc76fdb9d115c1/index.html WIN AN AEA  KU5A!!!!: https://www.aearibbonmics.com/workingclassaudio/ Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/ WCA on Youtube: https://goo.gl/g5nsWG

The duo in debt is back holding off the repossessions for another week, and bringing you another smash episode on Zimbabwe’s best-sounding struggle-based podcast! This time, Dan & Phil got to hob-knob with multi-platinum producer and sound-engineer Dakari, the man behind US rapper G-Eazy’s production. In a new format of the podcast, he sat down to share his story on how he went from the legendary Quad Studios in New York to becoming G-Eazy’s producer, as well as his plan to bring access to Zimbabwean artists. Dakari also contributed to the discussion on hot topics including the 2018 Zim Hip Hop Awards among other things. Zimbabweans Doing It Big this week features Donel Mangena of The Voice UK and Danny finally comes through on his promise to end the show with a song he recorded for Zim Hip Hop artists.Subscribe and listen to 2 Broke Twimbos everywhere podcasts are availableWebsiteiTunesSpotifyStitcherTuneInYouTubePlease don’t forget to rate and review!Click here to donate to 2 Broke Twimbos

This week on Keep it Real Fridays! SELETINE is riding solo as he chops it up with American based producer Dakari who is currently working G-Eazy and building a Zim based record label. The boys discuss production royalties; working at Quad Studios; Zim talent that caught his eye, producing the MGK diss track, Future projects, why Tamy Moyo is wife material and MORE!! Make sure you check out our Fresh Spotify playlist here: https://open.spotify.com/user/o9coqx1210ir6d1uxucfch779/playlist/0YJRjgIu4VfflwzQnpqH7R?si=Q0ZNVOOVSey7wXXuwwvjIg This Week's Playlist: Asaph - Good times anthem R.Peels - Tapiwa Dakari - Enough *Exclusive* #KIRF #ZimHipHop Follow @Keepitreafri @SELETINE @BrianWilliszw Dakari [twitter] · Dakari [instagram] · Dakari [youtube] · Facebook · Instagram · Spotify Playlists

This week on Keep it Real Fridays! SELETINE is riding solo as he chops it up with American based producer Dakari who is currently working G-Eazy and building a Zim based record label. The boys discuss production royalties; working at Quad Studios; Zim talent that caught his eye, producing the MGK diss track, Future projects, why Tamy Moyo is wife material and MORE!! Make sure you check out our Fresh Spotify playlist here: https://open.spotify.com/user/o9coqx1210ir6d1uxucfch779/playlist/0YJRjgIu4VfflwzQnpqH7R?si=Q0ZNVOOVSey7wXXuwwvjIg This Week's Playlist: Asaph - Good times anthem R.Peels - Tapiwa Dakari - Enough *Exclusive* #KIRF #ZimHipHop Follow @Keepitreafri @SELETINE @BrianWilliszw Dakari [twitter] · Dakari [instagram] · Dakari [youtube]

Capital26Free — This week on Keep it Real Fridays! SELETINE is riding solo as he chops it up with American based producer Dakari who is currently working G-Eazy and building a Zim based record label. The boys discuss production royalties; working at Quad Studios; Zim talent that caught his eye, producing the MGK diss track, Future projects, why Tamy Moyo is wife material and MORE!! Make sure you check out our Fresh Spotify playlist here: https://open.spotify.com/user/o9coqx1210ir6d1uxucfch779/playlist/0YJRjgIu4VfflwzQnpqH7R?si=Q0ZNVOOVSey7wXXuwwvjIg This Week's Playlist: Asaph - Good times anthem R.Peels - Tapiwa Dakari - Enough *Exclusive* #KIRF #ZimHipHop Follow @Keepitreafri @SELETINE @BrianWilliszw Dakari [twitter] · Dakari [instagram] · Dakari [youtube]

Our latest mix is from freshmen Brooklyn duo Bodywork, aka James Hartnett and Mac Stringer. Friends, sound engineers, and talented producers/DJs, James and Mac have worked closely with venues, studios, and brands such as Quad Studios, Oz Studios, Subculture, Youtube Space NY, Boiler Room and more.  Producing and DJing high energy and deep tech-house, Bodywork aims to provide a grooving and eclectic vibe tailor made for the dance floor. With their first release out on OKNF Collective's “IBITHA!” compilation earlier this summer and some exciting upcoming bookings, Bodywork is quickly making a name for themselves. Their Subdrive podcast is a bouncy set that blends heavy percussion layered with funky vocals and grooves that fits in between tech and jacking deep house. Follow Bodywork on Soundcloud → @bodyworkmusic Like Bodywork on Facebook → https://www.facebook.com/BodyworkDJ/ Follow Bodywork on Instagram & Twitter → @bodyworkmusic
 Follow → @subdrive for new podcasts, music, and more Like Subdrive on Facebook → facebook.com/subdrive

We recently had the opportunity to sit down with recording artist Secrett (@secrettisout) at Quad Studios for her Falling Up album listening session. In this twenty minute sit down we touched on her lead single "Melanin", how the song ended up on Spike Lee's upcoming Netlfix show, a little of her origin, her motivations as an artist, the significance of her Falling Up EP and much more. We apologize for some of the background noise. We'll also have the interview on our YouTube channel. See acast.com/privacy for privacy and opt-out information.

Wade Bloggs, Ari and G Li return to talk about everything in hiphop. They start off with Joe Budden vs Lil Yachty from Everyday Struggle, then they talk about Kendrick Lamar's album "Damn" going platinum in 3 weeks, Chris Brown's upcoming double CD, Upcoming albums from Jay z, Nas, and J.Cole and much much more. Wade also takes time to address Funkmaster flex's recent remarks regarding Tupac's 1994 Quad Studios shooting, and the events surrounding it. For Inquires contact Wade at WordsWithWade@uncutmag.net Hosted By @THEWadeBloggs along with @_G_Li & @Hon3y_Dipp3d Produced by @THEWadeBloggs & @iamjbraye Executive Produced by @THEWadeBloggs Engineered by @iamjbraye www.UNCUTmagazine.net

BANG! @southernvangard #radio presents the #LegSweepSpecialist interview session! These guys totally caught us by surprise last fall with their self-titled debut on Below System Records. After we played a few cuts on the show and just happened to hear Wordsworth talk about his upcoming project with 1/2 of the group, MC/Producer Sam Brown, AND the fact these guys are representing the South lovely - we knew we had to have them on the show. We sit down for a nice chat with Sam and MC Jaxx Fuzz to talk about the new LP, what’s on deck in 2017 and why they both chose to make Wilmington, NC their home. Sam drops some jewels on his time spent at Quad Studios in NYC, including an insane story about Nas and Damian Marley while they were recording “Distant Relatives”.We also get the low down on the podcast they launched last fall entitled “The Layover” and their unwavering support for the Counter Culture. There’s a lot more inside folks, so tune in the first interview session of 2017 and never forget it’s always that #smithsonian #grade #twiceaweek // @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud // #hiphop #rap #dj #mix #interview #podcast #ATL #WILMINGTON #NC #WORLDWIDE Recorded live January 08, 2016 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks @beatlabusa

Erik Dylan has a story to tell. It’s one of the qualities that drew Kip Moore, who discovered Dylan at an open mic night in 2011 to bring him to his publisher Brett James, and attracted artists including Kip himself, Eric Paslay, Justin Moore, Eli Young Band, Thompson Square, Chad Brownlee, Brent Cobb and even Hinder to record his songs. He writes on Music Row with many of Nashville's hitmakers, but Erik will gladly tell anyone that his happiest moments in songwriting occured at his hero Guy Clark's workshop over black coffee. It’s not just his country colleagues that own a room with his sounds. The fifth generation Kansan has shared stages with some of the biggest names in music, from Lynyrd Skynyrd to Reckless Kelly. “If I drive ten hours in one direction to play a show and drive ten hours back that night to get to my family, those forty-five minutes on stage have to count,” he says. Heart of a Flatland Boy is a sonic collection five years in the making. The project was produced by Dylan, Randy Montana and Paul Cossette at Quad Studios in Nashville, TN.  Erik wrote the entire record with a handful of his favorite songwriters including Montana, Driver Williams (Eric Church Band), Douglas Waterman, Westin Davis, Andrew DeRoberts, Jake Mitchell and Adam James. “This album is 100% organic. No fluff. I played guitar and tracked vocals live with the band in the studio and I truly love what happened. It's not perfect—and I didn't want it to be perfect. I wanted it to be me," says Erik.

Hip-Hop Cop Derrick Parker speaks out once again exclusively to ITS AGTV, Derrick discusses Henchman's fate and his alleged involement in Tupac Shakur's 1994 shooting at Quad Studios in New York City and how Haitian Jack may have been involved in setting up Shakur. Parker went on to talk about Jimmy being convicted for the murder of G-Unit affiliate Lowell Fletcher and how Henchman will never see the light of day.

Propelled into the express lane to fame by a rebirth of rap in the emerging generation, Nadiel began his work at the coveted House and Quad Studios in Washington, DC and New York City to kickstart his career. His daunting lyricism and natural, but untamed, flow drew the attention of many; and this was just the beginning. Nadiel’s fiery and heartfelt message in his artistry captured the faith of expert engineer Chris “Von Pimpenstein” Carter . Through this unparalleled relationships and a perseverance level matched by none, Nadiel is working on completing his debut album “The Rebel and the Right Side” featuring artists such as Yung Reno and Dahrio Wonder. Nadiel’s unique and emotionally-driven style turns back time and is often described as “raw” hip hop. His versatility of emotions and their corresponding tracks are a phenomena rarely seen in today’s industry, ranging from comedic to angry and vicious tracks. As a result, Nadiel sits at the brink of having multiple radio-ready hits

November 30th 1994……the day that changed rap forever. It's the day Pac was shot and robbed at Quad Studios. The even which subsequently set off the east coast/west coast beef. Fast forward to today. Biggest story in the world is the Mike Brown/Ferguson situation. What if Pac were alive today? What would he have to say? We answer that as well as give our opinions on the matter. We also discuss the Lil Wayne joining the Zulu Nation, Chief Keef vs Bobby Schmurda and more!!