Podcast appearances and mentions of scott heron

Jammie Holmes in his Dallas studio, 2024. Photo by  Daisy Avalos Morning Thoughts takes its title from a 1981 Gil Scott-Heron song by the same name. Throughout the song's soft, spoken-word lyrics Scott-Heron meditates on the magical potential felt in the moment when night quietly turns to day—on the possibilities that radiate in the first light of morning, as the morning glory and daylily buds open. With his newest body of work, Holmes captures this moment of possibility alongside the inevitable moments of loss that follow as flowers wilt, as color seeps away—the dichotomy of morning and mourning. Underneath all of this,Morning Thoughts embodies the resilience of Holmes, of his community: morning glory and daylily flowers may wilt and die by dusk, but the plants and their roots remain. With Morning Thoughts, Holmes reminds us that hope and loss go hand-in-hand—but beauty remains for those willing to see it, that flowers bloom again in the morning. Jammie Holmes's first solo museum exhibition, Jammie Holmes: Make the Revolution Irresistible, was presented at the Modern Art Museum of Fort Worth, TX in 2023. His work has been included in numerous group exhibitions, including:Afro-Atlantic Histories, which traveled to the Los Angeles County Museum ofArt, CA; the Museum of Fine Arts, Houston, TX; the National Gallery of Art, Washington, D.C.; and the Dallas Museum of Art, TX. His work has also been included in group exhibitions at the New OrleansMuseum of Art, LA; the China Center of International Contemporary Art Vancouver, Canada;Columbus Museum of Art, OH; Dallas Contemporary, TX; and many more. Jammie Holmes - ‘Black Market' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Morning Glory' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery Jammie Holmes - ‘Malcolm' (2024) - copyright of Jammie Holmes and courtesy of Marianne Boesky Gallery

durée : 00:59:26 - Encore une fois - par : Nathalie Piolé -

durée : 00:05:46 - C'est une chanson - par : Frédéric Pommier - Il sera ce samedi sur France 3 dans la fiction "Le Vent des Sables", et bientôt au théâtre dans la pièce "Un grand cri d'amour" de Josiane Balasko - le spectacle part en tournée jusqu'en juin. Au micro de Frédéric Pommier, Alexandre Brasseur évoque "The Bootle", du poète et musicien Gil Scott-Heron.

durée : 00:59:06 - Banzzaï du mardi 21 mai 2024 - par : Nathalie Piolé -

durée : 00:58:37 - Bien le bonjour - par : Nathalie Piolé -

Billy Valentine é vocalista e compositor de Soul, Jazz e Blues. Mora em Los Angeles. Seu vocal, inconfundível,  tem alcance de múltiplas oitavas que se encaixam diretamente entre Curtis Mayfield e Marvin Gaye. Billy Valentine nasceu William Denham na Virgínia Ocidental, mas foi criado em Columbus, Ohio. Seus pais eram donos de uma boate onde todos os seus 12 irmãos trabalhavam. Suas sete irmãs se revezavam no comando da caixa registradora e da bilheteria e seus cinco irmãos atuavam como ajudantes de palco, roadies e na banda da casa liderada por seu irmão mais velho, Alvin, um mestre do Hammond B-3. Ele foi quem mostrou ao jovem as melhores músicas de soul e jazz das décadas de 1960 e 1970. Profundamente influenciado por Otis Redding, Nat King Cole e Carmen McCrae, Valentine foi atraído e absorveu aprendendo a cantar com disciplina. Fundou com seu irmão a Valentine Brothers Durante a década de 1980, ele contribuiu com os vocais principais na trilha de Champions Forever, um documentário sobre Muhammad Ali, Joe Frazier e George Foreman. Também produziu o single "Crazay" para Jesse Johnson e Sly Stone. No início da década de 1990, Valentine participou no longa-metragem de Robert Townsend, The Five Heartbeats. Em parceria de composição com Bob Thiele Jr. e Phil Roy  co-escreveu "My World" para Ray Charles. Com Will Jennings, escreveu três canções do Neville Bros. do Álbum Family Groove. Em 2004, Valentine gravou a música tema de sucesso da série de TV Boston Legal, estrelada por William Shatner e James Spader. Em 2006, após mais de 30 anos no mundo da música, Valentine lançou Travelin' Light, seu primeiro álbum solo. Co-produzido pelo pianista Stuart Elster, o set contou com a participação do cantor com um trio de piano que tocava jazz nos padrões do Great American Songbook. Em 2007, ele revelou seu alcance estilístico com No Better Than This, um conjunto de músicas soul modernas compostas por originais e covers. Valentine já era um nome conhecido entre músicos, produtores, compositores, agentes e habitantes da vida noturna de Los Angeles. Em 2014, ele cantou "All along the Watchtower" de Bob Dylan em um episódio da série Sons of Anarchy de Kurt Sutter Em 2017, lançou o provocativo Brit Eyed Soul, cobrindo uma dúzia de músicas originadas no Reino Unido. A lista de faixas incluía revisões maravilhosamente estilizadas de sucessos de bandas como Rolling Stones, Beatles, Bee Gees, Culture Club, The Clash e mais. Em outubro, Valentine gravou a maravilhosa obra de arte  "We Are the People Who Are Darker Than Blue", de Curtis Mayfield que está na playlist. Imperdível. O álbum ofereceu uma coleção diversificada de oito músicas clássicas de "protesto" soul de Stevie Wonder, Gaye, Scott-Heron, Prince, oferecidas no inimitável estilo emotivo de Valentine e apoiadas por um elenco de músicos de primeira, incluindo tenor saxophonist Immanuel Wilkins, trumpeter Theo Croker, a bassist Linda May Han Oh, guitarist Jeff Parker, vibraphonist Joel Ross, percussionist Alex Acuña, pianist/keyboardist Larry Goldings, bassist Pino Palladino, and drummer James Gadsen Valentine homenageia Scott-Heron e o legado da gravadora Flying Dutchman com sua abordagem assustadora de “Home Is Where The Hatred Is”, um testamento comovente sobre as lutas para abandonar o abuso de substâncias. O rico legado continua com o fascinante cover de Valentine da canção de assinatura do saxofonista Pharaoh Sanders, “The Creator Has A Master Plan”, que originalmente apresentava o vocalista Leon Thomas. O álbum continua com a leitura comovente da obra-prima sócio-política de Prince de 1987, “Sign O' The Times”, seguida por uma versão mordaz do hit sarcástico de Stevie Wonder de 1974, “You Haven't Done Nothin'”. Valentine então se baseia em seu próprio passado com sua versão de “Wade In The Water”, uma música gospel do jubileu negro americano que foi regravada por muitos músicos. Uma música com assinatura do War de 1972, “The World Is a Ghetto” dá sequencia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/garimpandobolachas/message

D/L Link: https://www.dropbox.com/scl/fi/5e3c5139yqhubmt7oqtts/P-31.08.2023-Pillars-presents-Grove-Street-Market-Takeover.mp3?rlkey=f38je2kojjy4craan4n61c19a&dl=0Catch Pillars every first and third Wednesday 17:00 - 19:00 Lock in via Mode.London or Radio CultSocialsInstagram: @moderadio.london @pillarsldn @drillscottheron @malikpoloTwitter: @moderadiolondon @pillarsldn

Source Booksellers welcomed the poet, performer, and all-around creative Gia Scott Heron for a special in-store Detroit is Different podcast recording. Gia Scott-Heron is the daughter of the revolutionary artist and creative Gil Scott-Heron. Spectrum Legal Services, led by Attorney Michael Fortner, welcomed Gia here to perform in honor of the ‘Different Rules Documentary screening. In the podcast, Gia opens up about the relationship between herself and creativity. Gia speaks to the growth in her voice and now vision in artistry. How her Father's struggles with proclivities impacted the family. The beauty of Gia and Gil's relationship is the ways they work together. The spirit and light of an empowering message with culture, revolution, and spirit speak in Gia's works. Check this interview out to better understand Gia's and her family's strengths.  Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co Send us your feedback online: https://pinecast.com/feedback/detroit-is-different/341b30e8-140c-4d70-89e2-6bd814a26126

GIA SCOTT HERON, DAUGHTER OF POETRY ICON, GIL SCOTT HERON AND BRENDA SYKES, A NOTED, RESPECTED ACTRESS FROM THE 1970'S, PERFORMS EXCELLENT POETRY , IN HER OWN RIGHT, ON MY SHOW, AND DISCUSSES HOW IT HAS BEEN GROWING UP THE ONLY CHILD OF BLACK AMERICAN LEGENDS!!! CHECK HER OUT.. I LOVE HER...AND RESPECT HER AS A DEAR FRIEND! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tomeickoshow/message

DL Link: https://www.dropbox.com/s/adywva4br58q355/03.08.2022%20-%20Pillars%20-P.mp3?dl=0 Catch Pillars every Friday - 23:00 - 01:00 Listen live on Mode.London or Radio Cult Socials Twitter - @Moderadiolondon Instagram - @moderadio.london @pillarsldn

In episode 37 I talk to Philly rapper lojii about his love for Gil Scott-Heron, an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.

"The revolution will not be televised" - Gil Scott-Heron

In a week where: Facebook is now Meta. COP26 begins. The world passes 5 million COVID-19 deaths. Ethiopia calls a state of emergency as Tigray rebels move to the capital.  In the first of two Life segments: (6:02) FaceBook is now Meta which gives me yet again another chance to shit on FaceBook and implore everyone to delete it.In the 2nd Life segment: (17:59) No matter where you're at in life as a black man, there's sometimes that you're just that, a black man. Even if you're 4th generation, Black British. In Music: (33:20) Gil Scott-Heron amongst other legends have recently been inducted into the Rock & Roll Hall of Fame. And in my learning of Hip-Hop history, it's important to hail artists like Scott-Heron who were basically Hip-Hop before the word was even coined.Lastly, in Film/TV: (46:19) BBC recently held a worldwide panel to pick the best TV show of the 21st Century and *SPOILER ALERT* they picked The Wire at the top spot.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @5thElement_UK5E Community DiscordWebsite: www.the5thelement.org.uk/5epnIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

Rock & Roll Hall of Fame inductee Gil Scott-Heron had a profound influence on many aspiring poets including Malik al-Nasir and his band, Malik and the OGs. Nasir joined The World's host Marco Werman to talk about his lifelong connection with Scott-Heron recounted in his new book, "Letters to Gil."

The Australian Government lobbied hard to member states of the World Heritage Committee to propose the ‘in danger' listing of the Great Barrier Reef. They were successful in their bid and the scientific community say the irrefutable evidence of damage to the reef suggests the decision is only postponing the inevitable. Reporter Emile Pavlich spoke to James Cook University's associate professor in environmental physics Scott Heron to find out more.   See omnystudio.com/listener for privacy information.

durée : 00:59:33 - Insomnia - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

A comienzos de los años setenta el grito de los oprimidos llegó a la música. Bob Marley en Jamaica, Fela Kuti en Nigeria y decenas de afroamericanos en EEUU convirtieron las canciones en un arma, en una forma de denuncia y de retrato del injusto mundo en el que vivían los negros. Uno de los mejores retratos lo hizo Gil Scott-Heron con ‘Pieces of a Man’, una obra clave recordada por ese himno de ‘Television wont be televised’Tras un debut grabado en directo y orientado al ‘spoken word’, el poeta Scott-Heron dio el salto a la música de la mano de Bob Thiele, productor del álbum y dueño del sello que lo sacó y uno de esos visionarios del jazz que había trabajado con John Coltrane o Louis Armstrong.Junto a su socio el arreglista y músico Brian Jackson, Scott-Heron definió el mundo negro en este disco conciso y hermoso que provocó que su música fuese considerada la CNN de los barrios negros. “Teníamos que entregar un mensaje, ser los portavoces de lo que estaba pasando en ese momento, eran los años setenta y fueron tiempos marcados por la confusión”, explicaba Jackson en una entrevista reciente.La pareja se puso manos a la obra y realizaron uno de los discos más influyentes de la música negra de la época. Además de erigirse como los portavoces musicales de un movimiento, Jackson y Scott -Heron crearon una colección de canciones que mezclaban estilos, ideas e influencias que marcó a toda una generación de creadores.Esta semana recordamos ‘Pieces of a Man’, su contexto, historia y canciones de la mano de Mario Tornero y Lucía Taboada.

The song is a poem and song recorded in 1970; repressive regimes and sports owners now appropriate this revolutionary and classic ‘60s slogan. Today, sports and controversy go hand-in-hand, I wonder what Scott-Heron would think of the appropriating, marketing, and selling of his revolutionary song?Time to answer a quick 4-question survey? Click to answer; thank you!https://docs.google.com/forms/d/1pfdA_6_7YzUnyolusOJy0lJeU0gNm07HIOMFyM2YCT4/editIf you like the Podcast please do three simple things for me: rate, subscribe, and write a review. Thank you!Amazon Associate ID is thedoctorofdi-20

In this week's episode, we remember the life and work of American soul and jazz poet, musician, author, and spoken-word performer, Gil Scott-Heron. Included in this episode is a reading of Scott-Heron's piece "I Think I'll Call It Morning."Support the show (https://getlit.org/donate/)

Gil var i grunden en varm och självlysande romantisk poet som med sin skarpa och vitsiga tunga blev en av 1900-talets mest träffsäkra samhällskritiker. Hans ord borrade sig in och blev tankar som födde motivation och ifrågasättande. Gil Scott-Heron var också en modig upptäcksresande i det svarta musikarvet, ända ner till muntlig afrikansk tradition, vilket förebådade hiphop. Musiken lät trotsig och ångerfull om vartannat. Med sin satiriska udd skiljde den sig från samtidens samhällskommenterande soul signerad Marvin Gaye och Curtis Mayfield. Gil Scott-Heron nådde något av ett klimax i mitten av 70-talet kring låten "Winter in America", som med sin isande text, fjäderlätta tyngd och vackra vemod säger lika mycket om dagens USA.

George Benson - Love Ballad (Joey Negro Jazzy Reprise) US3 - Cantaloop (Flip Fantasia) Gregory Porter - 1960 What The Trammps - The Night The Lights Went Out (Black Science NY Story Part 2) Glenn Sweety G Toby Roland & Brother Rich - Watch This (Jazzed Up Mix) Groove Collective - I Want You (She's So Heavy) (Eric Kupper Remix) Saison - Senor Blues ATFC - The Blues (DJ Spen American Poetic Remix) Dennis Cruz - New Life (Original Mix) DJ Simi - Hamm Jazz Jovonn - Blues House (Jovonn's Main Mix) (Gil Scott-Heron) Wattie Green - That's Jazz (Original Mix) Jon Cutler - It's Yours (Original Distant Music Mix) Nina Simone, Felix Da Housecat - Sinnerman (Heavenly House Mix) United Future Organization - Flying Saucer (Kings of Tomorrow Remix) Time 71:07 Recorded 06.21.20

durée : 01:00:10 - Les Cool Cats - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Daughter of Gil talks about her fathers contributions to American culture and how she chooses to inspire in these historic times of adversity --- Support this podcast: https://anchor.fm/jake-feinberg/support

---------------------- Written, produced, and narrated by Remedy Robinson Twitter: @slowdragremedy Email: slowdragwithremedy@gmail.com Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag ----------------------   Elvis Costello Wiki Resource, “Invasion Hit Parade”: http://www.elviscostello.info/wiki/index.php/Invasion_Hit_Parade   “Invasion Hit Parade”: https://www.youtube.com/watch?v=i7Slp9rDxQU   Companion Blog: https://slowdragwithremedy.home.blog/2020/02/29/episode-34-invasion-hit-parade/   References: Disco Tex and The Sex O Lettes “Get Dancin’”: https://www.youtube.com/watch?v=PwUQWamRNiY Disco Tex & the Sex-O-Lettes bio: https://www.allmusic.com/artist/disco-tex-and-the-sex-o-lettes-mn0001202301/biography   Pet Shop Boys’ 2013 “Electricity”: https://www.youtube.com/watch?v=tIk1qEjI1mA   Hit Parade definition: https://www.collinsdictionary.com/dictionary/english/hit-parade   Gil Scott-Heron “The Revolution Will Not Be Televised”: https://www.youtube.com/watch?v=qGaoXAwl9kw   Background information of Scott-Heron’s “The Revolution Will Not Be Televised”: https://www.songfacts.com/facts/gil-scott-heron/the-revolution-will-not-be-televised   Butcher’s Hook Cockney Rhyming Slang: https://www.cockneyrhymingslang.co.uk/slang/butcher_s_hook   Who is Gil Scott-Heron?: https://www.youtube.com/watch?v=NH14L0IlduQ   Episode 5 of “Slow Drag with Remedy,” “Well Heaven Knows What Fills the Heart”: https://podcasts.apple.com/us/podcast/05-well-heaven-knows-what-fills-the-heart/id1478037117?i=1000449229176     So, until next time, Adieu, my little ballyhoo "Invasion Hit Parade" Lyrics: Now that you set everybody free Whatcha gonna do about me? Don't want to be treated like some poor grateful clown I'd rather go back in the sweet underground Where I can tell the time by the color of my skin And I know my neighbor 'cos he's the one, yes he's the one Who always turns me in A woman works the tunnel in the middle of the night Picking up every lost object in sight Handbags, toupees, lost legs and fingernails The black market eats up all your failures Her transistor offers no salvation or regrets No pool, no pets, no cigarettes Just non-stop Disco Tex and the Sex-o-lettes (chorus): There's no name, no name for the place Or pain we'll cause you again and again If you do not cooperate with the Invasion Hit Parade The liberation forces make movies of their own Playing their Doors records and pretending to be stoned Drowning out a broadcast that wasn't authorized Incidentally, the revolution will be televised With one head for business, another for good looks Until they started arriving with their rubber aprons and their butcher's hooks (chorus) They're hunting us down here with Liberty's light A handshaking double-talking procession of the mighty Pursued by a T.V. crew and coming after them A limousine of singing stars and their brotherhood anthem The former dictator was impeccably behaved They're mopping up all the stubborn ones who just refuse to be saved (chorus)

Gil Scott-Heron, poeta e ativista afro americano. Conhecido por suas performaces de spoken words musicadas e principalmente pela poesia “The revolution will not be televised” (A revolução não será televisionada). Scott-Heron tem uma produção intensa na primeira metade dos anos 1970, fortemente engajada aos movimentos de emancipação política e civil… Source

The ASMR talk show hosted by Adam Papagan. This week, Adam talks about a new drink he invented. Then poet Gia Scott-Heron discusses dealing with paternity claims, her father Gil Scott-Heron's legacy, and whispers a poem.

Climate change poses an existential threat to coral reefs, which undergird the survival of many marine animals and the livelihood of coastal communities. In this podcast, we turn our attention to two reef scientists: how do they approach research when the world they study is degrading before their eyes? Our host, Ben Charo, begins this episode discussing his journey to produce this story. If you would like to skip to the main story, go to 4:30. At the end of the piece, Ben shares the stories and insights he has gleaned from his fellowship research in Townsville, Australia. This piece was produced by Ben Charo, Katherine Kwok, and Serena Sung-Clarke. We’d like to shout out to Meagan Currie, Jake Stattel, and Kyle Richmond-Crosset for their help. Our background music is by Blue Dot Sessions (via Free Music Archive). The news clips are from BBC, ABC Australia, and PBS News Hour. The sound effects are by HDvideoguy, LittleRainySeasons, and Kinoton via freesound.org. Special thanks to Dr. Scott Heron and Zack Rago. Photo was taken by Ben Charo.

Songwriters of the 70s took on Richard Nixon the best way they knew how: with their music. Blaming music for drug use, the Kent State shootings, Watergate, and getting a pardon for "any crimes he may have committed" were all issues that inspired artists such as Jefferson Airplane, CSNY, Gil Scott-Heron, Stevie Wonder, and David Bowie. This episode discusses how music reflected the dissatisfaction and outright anger with President Richard Nixon, even beyond his resignation in August 1974.

Howard and Malvin take you on a journey through those times when Jazz and HipHop come together and great music is created. On this episode, you will experience the music of: Gill Scott-Heron Robert Glasper Queen Latifah Erykah Badu Ronnie Foster Dr. Lonnie Smith Digable Planets and more... Enjoy!

Gil Scott-Heron In Conversation with the audience In 2001, our friends at Canongate Books presented a concert with Gil Scott-Heron in Scotland. Jamie Byng from Canongate was a longtime friend and supporter of Scott-Heron. In this recording, Scott-Heron exudes a sense of comfort from performing in the company of friends, including the percussionist Larry McDonald. Canongate passed this recording to dublab for an exclusive broadcast in 2001. We’re happy to be able to share exerts from the performance again for this episode of In Conversation. Gil Scott-Heron, a seminal American musician, writer, and performer, began his career in the early 1970's with the albums Small Talk at 125th and Lenox and Pieces of a Man. He blended jazz, blues, political expression and spoken word to create a unique genre he called “bluesology.” Inspiring the generations that came after, his work is considered by many to be one of the forebears of rap and neo-soul. One of his most well known poems, The Revolution Will Not Be Televised, has entered into our collective imaginations becoming a touchstone in mainstream culture. In Conversation is produced by dublab. Sound editing, theme song and additional music for this episode by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com. A special thanks to Jamie Byng, Peter Collinridge and Canongate Books.

Brownie nació con la intención de disolver la frontera entre la música mainstream y el gusto por las músicas negras y del mundo. Así, ocupa un espacio ahora libre dentro de la industria radiofónica: Músicas especializadas tratadas para todos los públicos y, aun así, salpicadas por la dinámica realidad de estos tiempos. Dirigido por Andrés Ayala (@winitwo). Tracklist: Eugene Record - Here Comes The Sun Alice Merton - No Roots Talc - Sambuca Chaser Dizzy Gilespie and Lalo Schifrin - Unicorn (Paul Nice Edit) Andreya Triana - The Changing Shapes of Love Earth, Wind & Fire - Shining Star Rejjie Snow - Charlie Brown (ft. Anna Of The North) Criolo - Pegue Pra Ela Yazmin Lacey - Black Moon Otis Clay - The Only Way is Up (Dj XS Edit) Rockie Robbins - Look Before You Leap Prince - Head Gil Scott-Heron & Brian Jackson - Shah Mot (The Shah Is Dead-Checkmate)

We start the New Year off RIGHT! We're joined by our good friend James Lott Jr. as he brings in the work of one of the poetry and spoken-word greats, Gil Scott-Heron. He also graces us with some of his own published poetry that was inspired by Scott-Heron's work. Buckle up, 'cause this podcast will NOT be televised! Here's a link to James Lott Jr's Untitled Book of Poetry: http://a.co/0QbEPnx Follow James Lott Jr. on the socials @JamesLottJunior Follow us on Twitter- @MissingOutCast @TheLexMichael @TauriJay Music Credits: "Who Likes to Party" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

The Context of White Supremacy hosts the seventh and final study session on Gil Scott-Heron's autobiography, The Last Holiday. A poet, author, musician and victim of White Supremacy, Scott-Heron died in 2011, one year before this text was published. He wrote and performed music that valued black lives and examined how the System of White Supremacy devastates black people. Legendary selections like "The Revolution Will Not Be Televised"  and "Whitey on the Moon" encourage many to credit Scott-Heron as being a hip-hop music pioneer. Last week's segment described how Scott-Heron joined Stevie Wonder for the 1980 "Hotter Than July Tour." Wonder used the concerts to boost momentum to establish a national holiday in honor of Dr. Martin Luther King Jr. There was a vague description of Stevie Wonder stopping the Boston show to discuss the city's history of terrorizing black people. This was the same time period when Ronald Reagan was selected president. Gil described shock and disbelief over Reagan's triumph that reminded several readers of the 2016 election of the current U.S. president. Drugs and alcohol seem constant throughout most of the book and Scott-Heron's life. This week, Gus recommends listers closely scrutinize the description of John Lennon's death. We'll contrast this memoir to other biographies we've covered on the book club - Maya Angelou, Assata Shakur, Malcolm X. INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the 6th study session on Gil Scott-Heron's autobiography, The Last Holiday. A poet, author, musician and victim of White Supremacy, Scott-Heron died in 2011. He wrote and performed music that directly addressed black lives and how the System of White Supremacy brutalizes black people. Iconic selections like "The Revolution Will Not Be Televised" and "The Bottle" encourage many to credit Scott-Heron as being a hip-hop music founder. Last week's session explained Gil's growing success with Brian Jackson and the Midnight Band. He detailed his relationship with Clive Davis and Arista records - which garnered greater media attention for himself and the band. He again stressed the significance of black journalism - describing his tour of Johnson Publishing company and his respect for Gary Byrd's broadcast expertise. Substance abuse continues to have a critical role in Gil's life - he describes seeing black people consume large quantities of cannabis, cocaine, and liquor. We'll contrast this memoir to other biographies we've covered on the book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the 5th study session on Gil Scott-Heron's memoir, The Last Holiday. A poet, author, musician and victim of White Supremacy, Scott-Heron died in 2011. He wrote and performed music that explicitly discussed black lives and how the System of White Supremacy devastates black people. Legendary selections like "The Revolution Will Not Be Televised" encourage many to list Scott-Heron as one of the pioneer of hip-hop music. Last week's session explored Gil's leadership of a campus-wide boycott at Lincoln University regarding inadequate health facilities for the students. Gil mobilized black veterans and approximately six hundred HBCU students to forgo classes until the white president and administration vastly improved the school's medical resources. The biography discussed a sizable amount of alcohol and cannabis consumption by Gil and his friends; in fact, alcohol may have contributed to a potentially leathal car crash involving Gil and his friends. In his early 20's, Gil published multiple books and albums, obtained a college degree, and traveled the globe playing music that candidly addressed Racism. We'll compare The Last Holiday to the other biographies inspected on our book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the 4th study session on Gil Scott-Heron's memoir, The Last Holiday. A poet, author, musician and victim of White Supremacy, Scott-Heron died in 2011. He wrote and performed music that explicitly addressed black lives and how the System of White Supremacy brutalizes black people. Iconic selections like "The Revolution Will Not Be Televised" and "White on the Moon" encourage many to list Scott-Heron as one of the founders of hip-hop music. Last week's session described how Gil's mother adjusted to being diabetic and how his mother's health scare made him leave his interview for the exclusive white high school in New York. Gil was accepted to the new school and declared that not one of students or faculty was Racist. He did take time to vividly detail a White instructor who hoped to have Scott-Heron tarred and feathered, or at least stuck with a week of detention, for playing "boogie woogie" music on the expensive school piano. After high school, Gil matriculated to Lincoln University, an HBCU in Pennsylvania. With a White president at the helm, the school became coed one year before Gil's 1967 freshman year. Gil said he was partly motivated to complete his first book, The Vulture, so that he could showoff to all his black classmates, friends and family members - corroborating Mr. Neely Fuller Jr.'s concern about the prevalence and worthlessness of showing off to other black people. We'll compare The Last Holiday to the other biographies covered on our book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the 3rd study session on Gil Scott-Heron's memoir, The Last Holiday. A poet, author, musician and victim of Racism, Scott-Heron passed away in 2011. He composed an impressive body of music that directly addresses black lives and how the System of White Supremacy tortures black people. Iconic selections like "The Revolution Will Not Be Televised" encourage many to list Scott-Heron as one of the creators of rap/hip-hop music. Last week's session emphasized the many deaths Scott-Heron experienced as a child. His grandmother Lily Scott and Aunt Sissy died while he was a child in Tennessee. He was in school when President John F. Kennedy was killed. He also dealt with the trauma of being one of the first black children to be allowed to attend an all white school in his town. After Whites annihilated the black town in Tennessee by constructing a highway, Scott-Heron and his mother moved to New York. Once in the Big Apple, his mother advocated to get him the best education possible - her work included confronting Racist teachers who thought of her son as a Frankenstein. We'll compare The Last Holiday to the other biographies covered on our book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the second study session on Gil Scott-Heron's autobiography, The Last Holiday. A poet, writer, musician and victim of Racism, Scott-Heron died in 2011. He composed an array of songs, poetry, and books that directly address black lives and how the System of White Supremacy terrorizes black people. Iconic selections like "The Revolution Will Not Be Televised" cause many to list Scott-Heron as one of the creators of hip-hop music. The first week's session stressed the value of Dr. Martin Luther King Jr. as well as black genius Stevie Wonder's vigorous commitment to securing a federal holiday for the assassinated preacher. Scott-Heron detailed how his early childhood years were with his grandmother in Mississippi. He branded Mississippi the most racist state, a place where he "felt Black and mistreated." 14-year-old Emmett Till and Medgar Evers were murdered while Scott-Heron was a Mississippi resident. He also described his "fair-skinned" grandmother Lily Scott who sassed Whites and highlighted the importance of education. We'll compare The Last Holiday to the other biographies covered on our book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

The Context of White Supremacy hosts the debut study session on Gil Scott-Heron's memoir, The Last Holiday. A poet, author, musician and victim of Racism, Scott-Heron passed away in 2011. He composed an array of music that directly address black lives and how the System of White Supremacy terrorizes black people. Iconic selections like "The Revolution Will Not Be Televised" encourage many to list Scott-Heron as one of the founders of hip-hop music. We begin his 2012 biography, which details his childhood in the South and his migration to New York. One of the core motivations for writing this book is to describe his effort to help erect a federal holiday in honor of late activist and minister Dr. Martin Luther King Jr. Scott-Heron describes how musical genius Stevie Wonder was also a fierce advocate to officially recognize Dr. King's sacrifice. Since we just concluded the late Coretta Scott King autobiography, where she chronicles her own labor to secure a holiday for her slain husband. We'll compare this text to other autobiographies covered on the book club - Maya Angelou, Assata Shakur, Malcolm X. #AnswersForMiriamCarey INVEST in The COWS - http://paypal.me/GusTRenegade CALL IN NUMBER: 641.715.3640 CODE 564943#

Gilbert "Gil" Scott-Heron (April 1, 1949 – May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues".His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. In fact, Scott-Heron himself is considered by many to be the first rapper/MC ever, a recognition also shared by fellow American MC Coke La Rock.

One of the most important progenitors of rap music, Gil Scott-Heron's aggressive, no-nonsense street poetry inspired a legion of intelligent rappers while his engaging songwriting skills placed him square in the R&B charts later in his career, backed by increasingly contemporary production courtesy of Malcolm Cecil and Nile Rodgers (of Chic). Born in Chicago but transplanted to Tennessee for his early years, Scott-Heron spent most of his high-school years in the Bronx, where he learned firsthand many of the experiences that later made up his songwriting material. He had begun writing before reaching his teenage years, however, and completed his first volume of poetry at the age of 13. Though he attended college in Pennsylvania, he dropped out after one year to concentrate on his writing career and earned plaudits for his novel, The Vulture.

Inför presidentvalet i USA får du Gil Scott Heron, en av Amerikas mest träffsäkra samhällskritiker. Satirikern med den sylvassa tungan och romantiska poesin som lyckades tränga in kampens innersta väsen. Hans ord förebådade bland annat hiphoprevolutionen.

This is a very special episode of Jam Sandwich, as there are no guests on today's show. I notoriously don't know when to shut the fuck up, so I wanted to see if I could record an episode all by myself. In this episode I get into Gil Scott-Heron, why I like what I like and the ability to derail and distract one's self. 

LOTL The Comfort Zone  Welcomes , Soulful Jazz Vocalist CHARENEE WADE. Releases Her Interpretation of The Revolutionary Music of Gil Scott-Heron  & Brian Jackson ..Offering: The Music of Gil Scott-Heron and Brian Jackson . Charenee Wade is not one to hold back or let fear stand in her way. The first artist ever to enter two Thelonious Monk Vocal competitions, she walked away from the second one in 2010 with instant buzz and second place to her new friend Cecilé McLorin Salvant. Now is the time for Wade's star to rise. Known for expert vocal improvisational ability and her seriously swinging groove, Wade evokes a classic jazz sound akin to Betty Carter and Sarah Vaughan, two of her musical touchstones. With her Motéma debut, Offering: The Music of Gil Scott-Heron and Brian Jackson (June 23), she pays tribute to another inspiration, the socially conscious poet and musician Gil Scott-Heron, and confirms that she too plans to use her artist platform thoughtfully. The first full-length album tribute to Scott-Heron and his musical collaborator Brian Jackson by a woman artist, Offering is arresting in just how timely Scott-Heron's messages are today and how perfectly Wade delivers them through her savvy arrangements and intimate jazz interpretations. While she has earned many accolades – first runner-up in New York's Jazzmobile Vocal competition; a participant in Betty Carter's Jazz Ahead program; a feature on NPR's Song Travels; a starring role in the off-Broadway show Café Society and in Jazz at Lincoln Center's Salute to Betty Carter – she may surprise people with this authentic tour de force. Wade embodies Scott-Heron's poems deeply and with a pathos that belies her age.  

Berättelsen om en av Amerikas mest träffsäkra samhällskritiker - satirikern med den sylvassa tungan och romantiska poesin som lyckades tränga in i kampens innersta väsen.

Marcus Garvey meets Gil Scott Heron Gil Scott-Heron was born in Chicago, Illinois.His mother, Bobbie Scott-Heron, was an opera singer who performed with the New York Oratorio Society. Scott-Heron's father, Gil Heron, nicknamed "The Black Arrow," was a Jamaican soccer player in the 1950s who became the first black athlete to play for the Glasgow Celtic Football Club. Gil's parents separated in his early childhood and he was sent to live with his maternal grandmother, Lillie Scott, in Jackson, Tennessee.When Scott-Heron was 12 years old, his grandmother died and he returned to live with his mother in the Bronx, New York City. He enrolled at DeWitt Clinton High School,but later transferred to The Fieldston School after impressing the head of the English department with one of his writings and earning a full scholarship.As one of five black students at the prestigious school, Scott-Heron was faced with alienation and a significant socioeconomic gap. Marcus Mosiah Garvey, Jr. was born in St. Ann's Bay, Jamaica to Marcus Mosiah Garvey, Sr., a mason, and Sarah Jane Richards, a domestic worker. Of eleven siblings, only Marcus, the youngest, and his sister Indiana survived until maturity.His family was financially stable given the circumstances of this time period.Therefore, Garvey's father could afford to maintain a large library, and it was from his father that Marcus gained his love for reading. He also attended the elementary schools in St. Ann's Bay during his youth.While attending these schools, Garvey first began to experience racism. When he was younger, he used to be friends and play with his white neighbors. However, when they reached their teenage years, they began to shun him.Sometime in 1900, Garvey entered into an apprenticeship with his uncle, Alfred Burrowes, who also had an extensive library, of which young Marcus made good use caribbeanradioshow@gmail.com 661-467-2407

Berättelsen om en av Amerikas mest träffsäkra samhällskritiker, satirikern med den sylvassa tungan och romantiska poesin som lyckades tränga in i kampens innersta väsen.

The 42nd Book Slam podcast bids farewell to the legend that is Gil Scott-Heron and celebrates the publication of his posthumous memoir, 'The Last Holiday'. We're joined by his longtime collaborator Astro/ Harmonica Music, plus poets Salena Godden, Kate Tempest and Ben Mellor. We also say so long to Patrick for a bit. I don't suppose we'll miss him much. Patrick wells up, Elliott cuts him down to size.

In The Words of Gil Scott-Heron - A Tribute by Doctor L (Free MP3 download on ParisDJs.com) 2011-07-04 Gil Scott-Heron left us at the end of May. His bluesology, black American music and message marked us forever. Sandra Nkake and Ji Dru have written and recorded in one night an homage piece, A Place For You!, available here, as well as a bunch of remixes - including a nice one from Loik Dury and a cool one from Grant Phabao, check it and download it here. Better late than never, Doctor L also pays his dues, with his amazing remix/tribute featuring Allonymous and Sandra Nkake voicing words from Gil Scott-Heron with class and style. Production is 21st century soul jazz at its best, one the best Doctor L tracks we've heard in... well... weeks!! Allonymous is killing out there too, all in all it's another incredible Paris DJs virtual release!! The Man is gone, the message stays - Sandra Nkake and Ji Dru Tracklisting : 01. In The Words of Gil Scott-Heron - A Tribute by Doctor L featuring Allonymous and Sandra Nkake Links : Get the original and all the remixes on enmemetemps.com/aplaceforyou Doctor L : colored-inc. | discogs | facebook | myspace | soundcloud | wikipedia (fr) | twitter

Tribute To Gil Scott-Heron - A Place For You (Grant Phabao Remix) (Free MP3 download on ParisDJs.com) 2011-06-16 Gil Scott-Heron left us at the end of May. His bluesology, black American music and message marked us forever. Sandra Nkake and Ji Dru have wrote and recorded in one night an homage piece, A Place For You!. Joined by a bunch of friends who felt as much concerned as they were, on a riff from Marvin Gaye's Inner City Blues, they sing a chorus tribute to Scott-Heron and borrow a text extracted from I Think I'll Call It Morning. The original track was mixed by Blackjoy, with remixes from Mark de Clive-Lowe, Doctor L, Loik Dury, Eric Legnini, Jeff Sharel feat. Karl The Voice, DJ Oil or Vadim Vernay (all available here). Oh! and of course from your favorite soundmaster and reggae producer Grant Phabao, who spectacularly manages to take the song to Kingston, Jamaica - but if you're a regular Paris DJs listener, you should be used to it by now... The Man is gone, the message stays - Sandra Nkake and Ji Dru Tracklisting : 01. Tribute To Gil Scott-Heron - A Place For You (Grant Phabao Remix) Links : Get the original and all the remixes on enmemetemps.com/aplaceforyou Sandra Nkake : official | blogspot | facebook | myspace | twitter Ji Dru : facebook | myspace Grant Phabao : official | facebook | myspace Paris DJs : official | myspace | facebook | twitter

Listen to "The African History Network Show", Monday, June 6th, 8pm-11pm EST for Part 2 of our Tribute to Gil Scott-Heron, "The Godfather Of Rap". We'll talk about his life and the impact of his work. Scott-Heron was known for work that reflected the fury of Black America in the post-Civil Rights era and also spoke to the social and political disparities in the country. His songs often had incendiary titles — "Home is Where the Hatred Is" or "Whitey on the Moon" — and through spoken word and song he tapped the frustration of the masses. We will also be joined by Conscious Hip-Hop Artist, Wise Intelligent of The Poor Righteous Teachers. We'll talk about his new music and the State Of Hip Hop today. To listen visit www.AfricanHistoryNetwork.com or Call In (914) 338-1375.

CG's ALL JAZZ VINYL 45s mix edition. 1. Junior Mance - Never Say Naw 2. James Tatum - Zoombah Lu 3. Deirdre Wilson Tabac - I Can't Keep From Crying Sometimes 4. Hadley Caliman - Cigar Eddie 5. Sun Ra & His Arkestra - Sky Blues 6. Colman Brothers - El Niño (Cha Cha Mix) 7. Inez Jones with the Oscar Moore Quintet - Big Fat Butterfly 8. Cannonball Adderly - Mercy, Mercy, Mercy 9. The Ray Charles Orchestra - Booty Butt 10. Yusef Lateef - Raymond Winchester 11. Pi-R-Square - Fantasy (Part 1) 12. Ramsey Lewis - Jade East 13. Paul Humphrey & His Cool Aid Chemists - Detroit 14. Sonny Stitt - Rearin' Back (Pt. 1) 15. Gil Scott-Heron - Is That Jazz? This mix is dedicated to Gil Scott-Heron. A true scholar and master of the spoken word. His music and vision will continue to influence and inspire beyond space and time. May you Rest In Power. Peace Go With You, Brother....

American poet and songwriter Gil Scott-Heron has died at a New York hospital aged 62. Scott-Heron rose to fame in the 1970s for his compelling spoken-word performances such as "The Revolution Will Not be Televised".

American poet and songwriter Gil Scott-Heron has died at a New York hospital aged 62. Scott-Heron rose to fame in the 1970s for his compelling spoken-word performances such as "The Revolution Will Not be Televised".

First episode of the new podcast series CDRadio, recorded 2010.12.08. Episode 01 turned out really chill; alot of mellow electronica & laidback hip-hop. Also a little shorter than I expected. I have no clue what each episode will sound like, but they’ll each be compilations of new music I’m currently digging and older stuff that isn’t heard very often or stuff not many people may know about. Enjoy! download @ campdonuts.wordpress.com/podcast Camp Donuts Radio: 01 tracklist Active Child – Wilderness Jai Paul – BTSTU Danimals – Christmas Worm’s Quest for Fresh Apples Intuition – Al Bundy Divserse & Vast Aire – Big Game dr. Oop feat. Rogue Venom – Green Butter Whitefield Brothers feat. Guilty Simpson – American Nightmare Gil Scott-Heron – NY is Killing Me (Jamie xx remix) Jay Electronica – Jay-Z & The-Dream – Shiny Suit Theory Sean Hall – Ms.GoldBooty (Mos Def vs Shy Guy)

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. This is the first podcast in the new video format. The podcasts will now come in two formats, a video format as MP4, designed for Ipod and other compatible MP4 video players such as Microsoft's Zune and the same audio MP3 feed as before. There will now be an additional feed to subscribe to specifically for the video podcast, the audio feed wont change. In this episode, we talk about what has been happening over the last few months and appologise for the absence of the podcasts, due mainly to Scott's PhD progression for his next year. We bring tales of a webisode, a tutorial on camera tracking with Voodoo in Blender and some more future plans.

John and Scott talk about script writing in the second of their webisodes.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Our first show for 2008, university madness has ment it was really delayed, sorry. We talk about the score for the film and storyboard. We filmed a second webisode too and we talk about the possibility of turning this podcast into a video podcast. We give a budget update, talk about tutorials and discuss a 'show within a show' idea. In the second part of the show we talk about blanket licensing for media, some star trek fan fiction, 'Star Trek: Of Gods and Men' and 'Star Trek: Phase II' the first of which is a movie. Both are by the same group and have attracted some of the original cast from the show and also some of the cast from TNG, Voyager and DS9! Aim high guys! We also talk about a university course on blender which is freely available online, we bring you some news from Matt Ebb the lead artist on Elephants Dream talking about making open movies and we talk about Net neutrality and a short film called 'Steal This Film' which talks about how copyright doesn't match people's moral outlook. Phew.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. A short temporary show that will be replaced in 2009, it's never been more random (we can only appologise).

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Scott and John talk about the rest of the script for Fictional Fiction and wish everyone a Merry Christmas and Happy New Year. This is the last official show for 2007. They will be back mid January.

Jaime and Nex from the band, engeo, discuss their experiences of writing and recording their song, "Give Me My V.A.T. Receipt & I'll Rock'N'Roll." Scott Heron takes the role of interviewer.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Scott and John are on location this week at John Nicholson's house. He is the movie's director. We chat with him about some previous experience he has had including a short film John and John both worked on. We talk about a few purchases we have made this week of graphics tablets and green screens (which Scott's sister Gillian help to sew. Thanks Gillian). Later we talk about everything from John Cusack to Creative Commons before descending into the usual ramble.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Scott and John are joined by Jamie, a member of the hit band Engeo and guitarist for the Fictional Fiction sound track. They talk all things sound track related and give an in-depth behind the scenes look at the first part of the Fictional Fiction story. The story will continue in the next podcast when the script is due to be complete.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Scott and John talk about their script progress for this week, give a more in-depth description of what they want to get out of acting classes. They also mention the production plan in more detail. The guys talk about competitions, film making and podcast kits. Finally they mention blender and talk about the Peach project along with some mild ramblings.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. Scott and John talk about their script progress for this week, acting classes they plan to run and talk about how they will use them to make a teaser trailer for their film. They go on to mention Moby's media archive available for free to amateur film makers and the service offered by Kevin Spacey which provides free amateur film consultation. Finally they talk about Miro which is a new internet tv service that allows anyone to generate content to be viewed on the service.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. Additional film reviews and recommendations for older films to watch by a young Bostonian. A show about the making of films by people who don't know how to make films. John and Scott talk about their first production plan and the current progress on the score for the film. They also discuss the difference between creative commons and open source, which applys to the movie and how it affects distribution. They also talk about screen writers going on strike.

Teekay takes on Gil Scott-Heron's classic "We Almost Lost Detroit" and flips it into his own creation- "We Almost Lost Calgary"... a smooth cool-out banger. PLAYLIST Intro / We Almost Lost Detroit We Almost Lost Calgary The Hustle Philosophy (outside FatBeats, NYC) TIME: 5:17

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. Additional film reviews and recommendations for older films to watch by a young Bostonian. A show about the making of films by people who don't know how to make films. Lizzy gives advice for the best movies to watch for Halloween. Whether you like comedy horror, classic, scary, gore or remakes, Lizzy has you covered with reviews and suggestions for a spooky evening.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. Additional film reviews and recommendations for older films to watch by a young Bostonian. A show about the making of films by people who don't know how to make films. John and Scott get interviewed about the film by Paul Caggegi from The Process Diary.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. Additional film reviews and recommendations for older films to watch by a young Bostonian. A show about the making of films by people who don't know how to make films. John discusses Free Culture and why it led them to making a film. Lizzy takes her first part in the show by reviewing some British films and why you should see them.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. John and Scott discuss how the script is progressing, future plans for the website and the good and bad things about film remakes.

Two young Scots discuss their experiences of making a short film, "Fictional Fiction", with no experience or budget. A show about the making of films by people who don't know how to make films. John and Scott discuss how the project came about, money spent so far, need for drive if you want to make a film, software used so far, bioshock, games are art, format wars.

John and Scott introduce their concept for making a short film with no budget or experience. They say what inspired them and why they believe they can do it.