Podcasts about cyro baptista

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba Jazz Crackers From Jin Kim, J&F Quintet, Domu, Custom 4, Idris Ackamoor, Black Light Collective, Cyro Baptista's Banquet Of The Senses, Clear Path Ensmble, Fatto, Jeno Somlai & Luis Diaz, Cuban Jazz Combo & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Friendly Rich Marsella sits down with his long lost American cousin, Brian Marsella for a deep chat about why we music! Brian fell in love with it at the early age of 3, growing up in Philadelphia and has not looked back. Performing alongside so many greats, including John Zorn, Cyro Baptista, Trevor Dunn and so many more, Brian Marsella has established himself as one of the great pianists and composers of our time. Don't miss his upcoming new 3-CD release, "Brian Marsella's Imaginarium - Medietas" which comes out this Fall. Let's gig deep into the imaginative musical mind of Brian Marsella!

El sonido del compositor, saxofonista e improvisador neoyorquino se expande en mil direcciones, y comprende desde el jazz heterodoxo y de influjo improvisatorio hasta el punk y el funk. Él es el motor del jazz moderno, experimentador incansable en la reinvención constante de su propia obra._____Has escuchadoCobra (1987). Guy Klucevsek, acordeón; Arto Lindsay, guitarra eléctrica; Elliott Sharp, guitarra; Zeena Parkins, arpa [et al.]. hat ARTFilmworks XIII: 2002 Volume Three. Invitation to a Suicide Moon Moods (2002). Marc Ribot, guitarra; Rob Burger, acordeón; Erik Friedlander, violonchelo; Trevor Dunn, bajo; Kenny Wollesen, vibráfono, marimba y batería. Tzadik (2002)IAO: Music in Sacred Light. Invocation. Beth Anne Hatton, Bill Laswell, Cyro Baptista, Greg Cohen, Jamie Saft, Jennifer Charles, Jim Pugliese, Mike Patton, Rebecca Moore. Tzadik (2002)New Traditions in East Asian Bar Bands. Hu Die (1986). Zhang Jinglin, narración en chino; Bill Frisell y Fred Frith, guitarras eléctricas. Tzadik (1997)Once Upon a Time in the West (The Big Gundown: John Zorn Plays the Music of Ennio Morricone) (1985). Melvin Gibbs, bajo eléctrico; Jody Harris y Robert Quine, guitarras eléctricas; Orvin Aquart, armónica. Tzadik (2000)_____Selección bibliográficaALARCIA, Óscar, Universo John Zorn. Libritos Jenkins, 2020BRACKETT, John Lowell, John Zorn: Tradition and Transgression. Indiana University Press, 2008—, “Some Notes on John Zorn's Cobra”. American Music, vol. 28, n.º 1 (2010), pp. 44-75*DRURY, Stephen, “A View from the Piano Bench or Playing John Zorn's Carny for Fun and Profit”. Perspectives of New Music, vol. 32, n.º 1 (1994), pp. 194-201*FÉRON, François-Xavier, Tzadik: L'esthétique discographique selon John Zorn. Les Presses de l'Université de Montréal, 2015GOLDBERG, Michael, “John Zorn”. BOMB, n.º 80 (2002), pp. 32-37*MARTÍN GONZÁLEZ, Pablo, “No disparen sobre el pianista: influencias de la novela y el cine negro en el jazz de John Zorn”. En: La expansión del género negro. Editado por Àlex Martín Escribè y Javier Sánchez Zapatero. Andavira, 2020TROYANO, Ela, “John Zorn's Theatre of Musical Optics”. The Drama Review: TDR, vol. 23, n.º 4 (1979), pp. 37-44*WINDLEBURN, Maurice, John Zorn's File Card Works: Hypertextual Intermediality in Composition and Analysis. Routledge, 2024 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Fosforo 1488: I brani della striscia numero 4 della settimana: Cyro Baptista - 477; Claudia Quintet - September 16th: Mystic Klang; Bruce Cockburn - Haiku; Chris Daniels and The Kings - Baby`s In Love With The Radio; Bruce Springsteen - Back in Your Arms; Brad Mehldau - I Saw Her Standing There; Joyce Moreno featuring Joao Donato - Amor nas Estrelas; Erik Truffaz - In Heaven; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

Cyro Baptista ('Fast forward'), Mafalda Minnozzi ('Coração vagabundo', 'Estate', 'E penso a te', 'Estamos aí'), Gonzalo Rubalcaba ('Take five', 'Summertime', 'Someone to watch over me'), Camille y Paul Bertault ('Our love is here to stay', 'Dindi') y Ben Webster ('Stardust'). Escuchar audio

Del disco que el pianista portugués Julio Resende publicará a mediados de octubre, 'Sons of Revolution', adelantamos 'Portugal celebrates with red flowers', 'Liberdade desgarrada', 'Mr Fado goes to Africa for the first time', 'End of colonial war' y 'Mano a mano - Now we are brothers'. Del disco de la cantante francesa Camille Bertault con el pianista Paul Bertault, su padre, 'Songs for my daughter', las grabaciones de 'Our love is here to stay', 'You´ve changed' y 'Dindi'. Y del último disco de la cantante italiana Mafalda Minnozzi, 'Natural impression', las canciones 'Águas de março', 'Samba de verão', 'Estate' y 'Estamos aí'. Despide el percusionista brasileño Cyro Baptista con 'Fastforward' de su reciente 'Chama'. Escuchar audio

Scott Amendola is as adventurous with his playing as he is with his exploration of live looping and electronic effects. From the freest side of improvisation to the deepest pocket, he's developed a mastery of eclecticism. And if the stellar list of musicians he's worked with is any indication—including Will Blades and Cyro Baptista on this outing, it's working. 

Featuring music from Brazilian percussionist Cyro Baptista, the legendary trio Shakti feat. Shankar Mahadevan, Zakir Hussain & John McLaughlin, Cuba's Omara Portuondo + more!

Guides can be helpful in so many areas, especially Phish and the Dharma.  That's our jumping off point for today's bonus episode. Here's the Greek Tweezer>Simple we reference in this episode.Must watch --> A fascinating interview with John Zorn about his improvisational game piece "Cobra".And here are some examples of Cobra:1) The original album, Cobra2) New England Conservatory of Music3) Israel, with Mike Patton, Cyro Baptista, and Mark Ribot4) A vocal-only CobraSupport the showOur website is lamataboot.com, Instagram: @lamataboot, and YouTube: @lamatabootFind Lama Adam at lamaadam.com. His nonprofit is Mindfulness For Life at mindfulness-for-life.org and on Instagram @mindfulnessforlifeorgFind Lama Mitchell on Instagram @lamamitchellsingletary

Here is our weekly merry-go-round of recent and upcoming albums, which this time will feature great saxophonists, up and coming composers, and various projects showing that jazz is the most inclusive genre out there, welcoming any source of inspiration from Baroque to Brazilian to Flamenco. The playlist features Walter Smith III; Riccardo Gola; Felipe Salles, Melissa Aldana; Ben Rosenblum; Cyro Baptista [pictured]; Gianluigi Trovesi, Stefano Montanari; Jean-Marie Machado; Yvonnick Prené; Shirley Scott. Detailed playlist at https://spinitron.com/RFB/pl/17269003/Mondo-Jazz (up to "By The Time I Get to Phoenix"). Happy listening! Photo credit: Makota Ebi

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Max Pollak is pictured on the US Postage Stamp honoring Tap Dance and has recently been awarded a NY State Artist Grant for his musical compositions and choreography. Seamlessly combining body percussion, tap dance and singing, he has performed worldwide with top artists in jazz, Latin, and classical music. He spent his formative years learning from and working with his mentors Carnell Lyons, Heather Cornell, Buster Brown, Jimmy Slyde, Cyro Baptista, and Los Muñequitos de Matanzas. He is also recognized for playing in prestigious international classical music venues and festivals, and for his pioneering work with the visually and hearing impaired, and people with cognitive disorders. As an award-winning choreographer and composer, he is a co-creator of the Off-Broadway hit show Carmen - To Havana and Back, and a sought-after educator, writer, and recording artist. In addition, in 2015, he released his first CD entitled “RumbaTap.” Find out more at www.mxpllk.com

Solénoïde (29.08.2022) - NEW ZION est l'un des multiples projets du claviériste Jamie Saft. Après avoir sorti un second album "Chaliwa" alliant dub et spiritual-jazz, le new-yorkais livre "Sunshine Seas" son troisième opus. Une magnifique jam session (où se distingue le batteur brésilien Cyro Baptista) creusant un sillon inédit entre reggae-dub et jazz-bossa. Solénoïde se devait d'en faire son radiobalisage ! L'allemand NILS KERCHER nous soumettra un délicat assortiment de kora, djembé et balafon, mis au service d'un projet chatoyant puisant son essence dans la culture mandingue. Originaire de Toulouse, TANUKI (Laurent Rochelle et Fanny Roz) déploiera une jolie palette de timbres expressifs, avec le concours de vocalises charmeuses, d'un saxophone soprano et d'une clarinette basse. Enfin, le sitariste munichois AL GROMER KHAN nous enverra un flux d'ondes apaisantes dans une atmosphère vaporeuse très éthérée.

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"Tekufah" Electric Masada: At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD)  Este misil sonoro está interpretado por John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen, Cyro Baptista. La composición, cómo no, es obra de John Zorn. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. El tema y el disco en que aparecía se han mencionado en varias ocasiones en Tomajazz. Entre otras, como una de las Razones para amar el jazz (https://www.tomajazz.com/web/?p=39115); y por Adolphus Van Tenzing en la sección Tomajazz Recomienda... (https://www.tomajazz.com/web/?p=11595). En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Nossa entrevistada da semana é a cantora Juçara Marçal, que acaba de lançar seu segundo álbum solo, o magnífico Delta Estácio Blues. No Papo Cabeça, a diretora Maria Thais, diretora do documentário Territórios de Resistência – Florestanias, Sertanias, Ribeirias, nos explica o conceito desses territórios. Além disso, temos as dicas de Helena Bagnoli, Andrei Reina e Guilherme Werneck: o podcast Oceanos, a série 1971: O Ano em que a Música Mudou o Mundo, o Salão do Livro Político, os 5 anos da Ubu, o ciclo Diversos 22, Cyro Baptista, Florence Price, o teatro-filme Gaivota, a Mostra de Cinemas Africanos e o Negras Melodias Show. Foto: Flavio Saborido

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his varied collaborations. Initially emerging as a sideman on Terence Blanchard's Bounce in 2003, Loueke quickly found himself in demand, appearing on a bevy of albums including bassist Charlie Haden's 2004 effort Land of the Sun as well as a pair of noteworthy 2007 releases, Kendrick Scott's The Source and Herbie Hancock's Grammy-winning River: The Joni Letters. His own albums, like 2006's Virgin Forest, 2010's Mwaliko, and 2015's Gaia, have showcased his expansive, globally minded aesthetic, marked by his emotive jazz solos and a deep understanding of African folk customs. Born in the French-speaking West African country of Benin in 1973, Loueke initially started out singing and playing percussion as a child. At age 17, he picked up the guitar after receiving lessons from his older brother. Along with West African musical traditions, he developed a love of jazz after discovering the music of George Benson. Upon graduating high school, he studied at both the Ivory Coast's National Institute of Arts and Paris' American School of More Than Music before immigrating to the United States, where he attended Boston's Berklee College of Music on scholarship. In 2001, he successfully auditioned for the prestigious Thelonious Monk Institute of Jazz at the University of California Los Angeles, and in the process caught the attention of judges Herbie Hancock, Terence Blanchard, and Wayne Shorter. In 2002, he joined Blanchard's band, recording with the trumpeter on 2003's Bounce and 2005's Flow. A series of similarly high-profile recordings followed, including appearances on Haden's Land of the Sun, Hancock's Possibilities, and drummer Scott's The Source. In 2007, he gained even further recognition after contributing to Hancock's River: The Joni Letters, which took home both Album of the Year and Best Contemporary Jazz Album prizes at the 50th Annual Grammy Awards. As a solo artist, Loueke debuted with 2005's In a Trance, followed a year later by Virgin Forest. Also during this period, he formed the trio Gilfema with fellow Berklee alumni bassist Massimo Biolcati and drummer Ferenc Nemeth. Together, they issued 2005's Gilfema and 2008's Gilfema + 2, the latter of which also featured clarinet players Anat Cohen and John Ellis. He also continued his fruitful studio work, contributing to albums by Angélique Kidjo, Norah Jones, Gretchen Parlato, Esperanza Spalding, and others. In 2008, Louekesigned with Blue Note for a series of well-received albums, including 2008's Karibu, 2010's Mwaliko, and 2012's Robert Glasper-produced Heritage. For his fourth Blue Note album, 2015's Gaïa, Loueke exclusively showcased his electric guitar skills, exploring an expansive blend of African rock and jazz alongside Gilfema bandmates Biolcati and Nemeth. The following year, he joined bassist Dave Holland, saxophonist Chris Potter, and drummer Eric Harland in the fusion group Aziza. He also jumped on board the Blue Note All-Stars' 2017 album, Our Point of View, and contributed to works by Chick Corea, Luboš Soukup, and Kristóf Bacsó. In 2018, he returned to his solo output with The Journey, which featured collaborations with Pino Palladino, Cyro Baptista, Etienne Charles, and others.★ Support this podcast on Patreon ★

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Nels Cline joins us on this week’s podcast to discuss his new double-album on Blue Note, Share the Wealth. Share the Wealth finds Nels alongside the powerhouse lineup of Scott Amendola, Skerik, Trevor Dunn, Brian Marsella and Cyro Baptista. Inspired by the cut-up recording methods of Os Mutantes and influenced at least a bit by Miles Davis' electric period, it's one of his wildest projects to date. During our chat, we also talk gear (including the guitar that is closest to his heart while he’s quarantining during the pandemic, his pedal board and more), collaborator Julian Lage, forthcoming Wilco recordings and more. It’s a fun conversation with a Fretboard Journal favorite. Check out some of our previous features with Nels: His interview with Ralph Towner for our 39th issue, our cover story on him in the FJ #37 (part one, part two), and our podcast with Nels and Lage. Support what we do with a subscription to the Fretboard Journal magazine: digital / PDF subscription / keepsake print subscription. The Fretboard Journal Podcast is sponsored by Mono Cases and Folkway Music.   

Another update! It's been a month since my bike accident on 8/26. I'm doing the exercises, healing my brain and bones, and putting out podcasts. On this episode, I tell my story about when Mr. Gregory Hines observed the tap class I was teaching. I discuss how every tap dancer should have their shoes with them at all times and be ready to throw down! Also the story about the time I joined Chikako Iwahori onstage when Cyro Baptista traveled to St. Paul, MN with Beat The Donkey. I am thankful, grateful, and touched by your well-wishes, prayers, and generosity. It is a huge reason why I am healing so well. Thank you! If you'd like to chip in and help me out here's the link. https://www.gofundme.com/f/rick-ausland Ashley Akpaka sent me an AWESOME care package from California. Please check her site out for awesome healthy and delicious snacks! She showed me some love, now I'm showing her some love by sharing this link. Check it out! https://www.amway.com/en_US/myshop/ashleyakpaka This episode features the song "A Person" by Andy Ausland. We used this song in our shows back in the early 2000's. As promised, our website launched on Saturday August 14th, and we've got HTSWT stickers and buttons just waiting to get into your hands! Please check it out, and let us know what you would like to see on it. havetapshoeswilltravel.com Questions? Comments? Ideas? Visit Anchor.fm/HaveTapShoesWillTravel and record a quick voicemail message using your phone. We also welcome your tap dance-related book recommendations and movie suggestions. While you're there, please make a donation to the podcast. It's very easy to become a monthly supporter at the $1, $5, or $10 levels. Any amount is greatly appreciated and goes toward hosting our website and purchasing equipment. Send me an email. Hit me up! rick@havetapshoeswilltravel.com We're on Tik Tok now! Follow us @RickTheTapDancer & @HaveTapShoes Follow us on Facebook, Instagram, and Twitter. @HaveTapShoesWillTravel Thank you to Matt and the staff at Dancing Fair, Cathy Wind & Keane Sense of Rhythm, and Andy Ausland for the music! Bucket Drummin' Volume 1 by The Ausland Brothers is available on iTunes, Apple Music, Amazon, and Spotify. Copy/paste and search it. 10 tracks all-percussion. Perfect for tap class! ADDITIONAL WEBSITES Dancing Fair - dancingfair.com Buckets and Tap Shoes - bucketsandtapshoes.com Twin Cities Tap Festival - twincitiestap.com Keane Sense of Rhythm - tapcompany.org Rhythm Street Movement - rhythmstreetmovement.com Sarah Reich - sarahreich.com M.A.D.D. Rhythms - maddrhythms.com "Go in rhythm, y'all." - Professor Robert L. Reed, St. Louis Tap and Heritage Festival #HaveTapShoesWillTravel #BlackLivesMatter #tapdancepodcast --- Send in a voice message: https://anchor.fm/havetapshoeswilltravel/message Support this podcast: https://anchor.fm/havetapshoeswilltravel/support

Lionel Loueke Cd The JourneyUn véritable coup de foudre du label Aparté, habitué aux productions de musique classique, pour un artiste à l’univers musical totalement inclassable. S’il n’est pas "classique", il en deviendra un, sans l’ombre d’un doute.Il faut écouter ce guitariste-chanteur virtuose pour comprendre sa singularité ("une présence envoutante... une voix d’une originalité saisissante" – New York Times). La séduction immédiate de sa musique naît d’un style qui a de quoi surprendre !"Je n’ai jamais rencontré un musicien aussi incroyable que lui", souffle Herbie Hancock, bluffé en découvrant Loueke, lors de son audition d’entrée au Thelonious Monk Institute, qui scelle une ascension fulgurante. Car ce musicien de génie au double héritage, nourri des musiques d’Afrique de l’Ouest et du jazz occidental a grandi au Bénin, et n’a touché sa première guitare qu’à 17 ans. Repéré dans son pays natal, il monte étudier le jazz à l’American School of Modern Music de Paris, puis s’envole pour les États-Unis avec une bourse d’études à l’Université de Berklee, avant son entrée remarquée au Monk Institute, qui fera de lui le collaborateur régulier des plus grands : Wayne Shorter, Sting, Chick Corea, et bien sûr Herbie Hancock, qui le prend sous son aile.Synthèse d’influences, The Journey est construit autour de la personnalité musicale unique de Loueke, qui mélange de façon toujours inattendue ses riches harmonies vocales, claquements de langue et chansons douces africaines, à un jeu de guitare inimitable et percussif, qui fait sonner l’instrument comme tout un orchestre. Dans cette aventure, Loueke est rejoint par une palette impressionnante de guests, dont les horizons musicaux s’étendent du rock de The Who avec le bassiste Pino Palladino, jusqu’à la clarinette solo de l’Orchestre National de France (Patrick Messina), en passant par les cordes jazzy de Vincent Ségal et Mark Feldman, ou les percussions du brésilien pape de la frappe Cyro Baptista. Aux manettes de l’enregistrement, on retrouve le maestro américain Robert Sadin (Gershwin’s World de Hancock, ou Alegria de Wayne Shorter, tous deux récompensés d’un Grammy Award, c’était lui), passionnément impliqué dans ce projet insolite à la croisée des chemins.Le résultat ? Un disque aux sonorités dingues, d’une superbe humanité, qui alterne les ballades pleines d’espoir (Molika, Kába), les chants consolateurs (Vi Gnin, berceuse touchante à un enfant qui a perdu sa mère) et les morceaux les plus rythmés, irrésistibles (Gbê, Dark Lighting). "Avec ce projet, j’ai l’impression d’avoir trouvé la vraie raison pour laquelle je suis musicien", nous dit Loueke. - Lionel Loueke site- Lionel Loueke, The journey EPK DIAPORAMA   Harrison Kennedy, Jean-Jacques Milteau et Vincent Segal, Cd Crossborder BluesQuand trois des plus grands artistes de blues de la scène internationale actuelle s’unissent pour créer une série d’explorations originales et jubilatoires en s’appuyant sur l’univers acoustique, cela promet un résultat à couper le souffle !Respectueux du passé sans jamais sombrer dans la nostalgie, soucieux de tradition tout en abordant des thèmes actuels, curieux des mariages sonores inédits, ces trois bluesmen possèdent une formidable capacité d’invention et d’innovation que l’on nomme… la création.Avec la voix d’Harrison Kennedy, les harmonicas imaginatifs de Jean-Jacques Milteau et le violoncelle lyrique de Vincent Segal réunis ici pour la première fois, ce sera l’occasion pour ce trio de magnifier l’universalité véhiculé par le blues."N’en déplaise à Donald Trump, aux empereurs chinois voire à Edouard Maginot, une frontière n’est pas un mur, bien au contraire. Son appréciation varie certes en fonction des époques et du côté d’où on la regarde : espoir ou crainte, protection ou perspective, la frontière est juste indispensable à l’imaginaire de l’être humain depuis la nuit des temps.Quoi qu’il en soit, une frontière délimite un territoire et la question du territoire va se poser de manière de plus en plus complexe face à la dématérialisation de la vie sociale.Et pourtant, quelle que soit sa forme, le territoire est indissociable de l’humain. Il aura toujours besoin de s’asseoir quelque part et de regarder l’horizon, par-delà la frontière. "J.J. Milteau Morceaux interprétésLive1 Kennedy_Milteau_Segal Here Comes Sunday MorningLive2 Loueke Dark LightningCd Kennedy_Milteau_Segal What’s going on (Marvin Gaye)Extrait The Chairmen of the Board Give Me Just A Little More Time avec Harrison Kennedy/Tamla MotownLive3 Loueke Vi GninCd Lionel Loueke Guira (entre guitare et kora)Live4 Crossborder Judgement Day Cd Kennedy_Milteau_Segal MandéLive5 commun Loueke_Kennedy_Milteau_Segal  Back Alley Moan - Crossborder trailer- Jean-Jacques Milteau site- Harrison Kennedy site - Vincent Segal page Facebook- Vidéo The Chairmen of the Board Give Me Just A Little More Time MusiciensLionel Loueke, guitare, chantHarrison Kennedy, chant, cuillères, guitareJean-Jacques Milteau, harmonicaVincent Segal, violoncelle, percussions Ingénieurs du son : Benoît Letirant et Jérémie Besset. (Rediffusion du 7 octobre 2018)

Another week replete with deliciuos new releases, from those of European jazz queens Céline Bonacina, Yazz Ahmed and Carla Marciano, to the Pan-African manifesto of Russell Gunn's Royal Krunk Jazz Orkestra, to the collaborative trios of Ben Perowski--John Medeski--Chris Speed, Zach Brock--Matt Ulery--Jon Deitemeyer, and Alban Darche--Matthieu Donarier--Meivelyan Jacquot, not to forget the latest by Keith Jarrett and the first by Harish Raghavan. During the second hour we go from the high-powered new album by Kneebody and the 10th anniversary single by Mopo, to Mauro Ottolini's stunningly original sea-shell extravaganza, the over the top outings of the Go: Organic Orchestra & Brooklyn Raga Massive and Rhythmos (Amir Ziv, Billy Martin, Cyro Baptista), the Eastern-European rising stars Makar Kashitsyn and Fima Chupakhin and the wide-ranging music of Enrico Fazio, Julia Hülsmann and Mareike Wiening. What a bonanza to be grateful for! Happy listening! Detailed playlist at https://spinitron.com/RFB/pl/9819514/Mondo-Jazz. Photo credit: Ralf Dombrowski.

Playing back to back with Keenan (WNYU 89.1 FM). Recorded live 19th of October, 2019 at Le Mellotron. Tracks from Jazzanova, Kit Sebastian, The Karminsky Experience Inc, David Axelrod, Todd Rundgren, Cyro Baptista & more!

Guitarist and vocalist Fleurine has gained a devoted international following for what the Los Angeles Times describes as her “warm, enveloping sound and gentle rhythmic drive.” A Dutch native, she spent summers visiting her grandparents and great uncle in Portugal, becoming fluent in Portuguese and leading her first Brazilian cover band in her teens. She went on to become the first singer authorized to translate into English the lyrics of the legendary Chico Buarque, for her 2008 Sunnyside release “San Francisco.” Her lyrical adaptations of Thelonious Monk for her EmArcy/Universal debut album “Meant to Be!” featured contemporary jazz greats Tom Harrell and Christian McBride. Fleurine is also an established lyricist, contributing words for artists like Kenny Dorham, Curtis Fuller and Joshua Redman. Join us for this installment of “Leonard Lopate at Large” on WBAI when accordionist Vitor Gonçalves (best known for his collaborations with Anat Cohen and percussionist Cyro Baptista) and upright bassist Eduardo Belo join Fleurine, fresh from a pair of shows at Birdland, for a live performance in the WBAI studio.

A cura di Gigi Longo. Brani di Frank London, Medesky, Martin & Wood, Robin Holcomb, Shelley Hirsh, Chris Speed, Anat Cohen, Charming Hostess, Erik Friedlander, Cyro Baptista, Pharaoh's Daughter, Elysian Fields, Mike Patton.

A cura di Gigi Longo. Brani di Frank London, Medesky, Martin & Wood, Robin Holcomb, Shelley Hirsh, Chris Speed, Anat Cohen, Charming Hostess, Erik Friedlander, Cyro Baptista, Pharaoh's Daughter, Elysian Fields, Mike Patton.

A cura di Gigi Longo. Brani di Frank London, Medesky, Martin & Wood, Robin Holcomb, Shelley Hirsh, Chris Speed, Anat Cohen, Charming Hostess, Erik Friedlander, Cyro Baptista, Pharaoh's Daughter, Elysian Fields, Mike Patton.

For episode 186, the fabulously talented and all around good dude, Brian Marsella swings by for a wide-ranging conversation that covers a lot of ground, from dealing with death, to touring in the United States, growing up in Philadelphia and making music in the 21st century. A veteran of the bands of Cyro Baptista and John Zorn, Brian has recently released a series of powerful, smoking records and that highlight his skills as a piano player and a band leader. This is a good one.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En HDO 476, décimo primera entrega en exclusiva para los mecenas de HDO escuchamos el segundo CD de At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD) de los Electric Masada… o lo que es lo mismo John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen y Cyro Baptista. Comienza con “Tekufah” un misil sonoro sin parangón. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.

Legendary Brazilian guitar duo Sérgio and Odair Assad have been performing and recording together for 50 years, reinventing guitar technique along the way. We'll talk with Sérgio about their remarkable career and feature music by a wide variety of composers who have written for them. Hosted by Seth Boustead Produced by Jesse McQuarters Altamir Penha: Nós e o rio (excerpt) Sérgio & Odair Assad, guitars Ástor Piazzolla: Tango Suite Sérgio & Odair Assad, guitars Egberto Gismonti, arr. Sérgio Assad: Baião Malandro Sérgio & Odair Assad, guitars Sérgio Assad: Divertimento fr. Aquarelle David Russell, guitar Sérgio Assad: Sephardic Passage fr. Interchange for Guitar Quartet and Orchestra Delaware Symphony Orchestra/David Amado; Los Angeles Guitar Quartet Sérgio Assad: Uarekena Fandango Guitar Quartet Ástor Piazzolla: Libertango Yo-Yo Ma, vc.; Paquito D'Rivera, cl.; Odair Assad, gtr.; Kathryn Stott, p.; Sérgio Assad, g.; Nilson Matta, db.; Cyro Baptista, perc.

Percussionist Cyro Baptista brengt een hommage aan Nederland: Pindakaas Kingdom part I & II, LeineRoebana met een nieuwe choreografie - Ghost Track, geïnspireerd op de Indonesische gamelan muziek, singer-songwriter Fatoumata Diawara zingt ‘new Wassoulou folk’ Cyro Baptista is een New Yorker uit Brazilië. Recentelijk werd hij door Downbeat Magazine uitgeroepen tot [...]