Podcasts about Diplodocus

In VZD 10 ontleden we drie recente papers over hadrosauriërs, met als rode draad de Italiaanse paleontoloog #FilippoBertozzo.We starten met enkele boeiende luisteraarsvragen. Bovendien geven we één door ons gesigneerd exemplaar weg van het prachtige boek #AllYesterdays (2012). Drop een mooie review op Facebook, Spotify of Apple Podcasts en maak kans!https://tinyurl.com/VZD-AllYesterdaysOpgenomen op 26 februari 2026.Hoofdstukken:00:00:00 — Intro00:04:02 — R.I.P. Hans-Dieter Sues00:09:04 — Vraag van Micha: Uitzonderlijk grote dino's00:18:25 — Vraag van Andreas: Locaties voor fossielenjacht00:27:56 — Vraag van Andy & Bart: Moderne vogels vs. Krijt-vogels00:35:58 — Vraag van Annik: Migrerende dino's00:38:35 — Filippo Bertozzo00:41:56 — Haolong, de Chinese stekeldraak01:01:20 — Cariocecus, de Portugese oorlogsgod01:13:51 — Pijnlijke hadrosauriër-kamasutra01:31:14 — Verloting boek All Yesterdays01:32:43 — OutroBronnen & afbeeldingen:● Haolong dongi — Huang et al. 2026: https://doi.org/10.1038/s41559-025-02960-9● Haolong dongi fossiel: https://www.naturalsciences.be/nl/wetenschap/nieuws/spiny-dragon-onthult-geheimen-van-dinosaurushuid-na-125-miljoen-jaar● Haolong dongi paleoart © 2026 Giorgio J. Favaccio: https://www.instagram.com/p/DVjd1Ekgmv4● Haolong dongi grootte © 2026 Teratophoneus: https://www.deviantart.com/teratophoneus/art/Haolong-dongi-1299688603● Cariocecus bocagei — Bertozzo et al. 2025: https://doi.org/10.1080/14772019.2025.2536347● Cariocecus bocagei paleoart © 2025 Henry Sharpe: https://www.instagram.com/p/DOoqpMREsS5● Cariocecus bocagei grootte © 2025 PaleoHistoric: https://www.deviantart.com/paleohistoric/art/Perfil-Cariocecus-bocagei-1242803249● Hadro-seks & gebroken staarten — Bertozzo et al. 2025: https://doi.org/10.1016/j.isci.2025.113739● Hadro-kamasutra & Olorotitan arharensis paring © 2025 Emiliano Troco: https://www.cell.com/cms/10.1016/j.isci.2025.113739/asset/3e5c8392-9962-4e53-8d09-01d3b5ecd8cd/main.assets/gr3_lrg.jpg● Olorotitan arharensis grootte © 2025 PaleoHistoric: https://www.deviantart.com/paleohistoric/art/Ficha-Olorotitan-arharensis-1183921466● Grootste stegosauriër ooit? — Hunt-Foster et al. 2026: https://tinyurl.com/GrootsteStegosauria● Groei in Plateosaurus — Sander & Klein 2005: https://doi.org/10.1126/science.1120125● Diplodocus in de schaduw van Barosaurus © 2017 John Conway: https://johnconway.art/barosaurus_diplodocus_dryosaurus● Amphicoelias (sinds 2018: Maraapunisaurus) fragillimus — Woodruff & Foster 2015: https://doi.org/10.7287/peerj.preprints.838v1● Tyrannosaurus rex maximale grootte — Mallon & Hone 2024: https://doi.org/10.1002/ece3.11658● Tyrannosaurus rex-reus © 2024 Mark Witton: https://tinyurl.com/MarkWittonTRex● De documentaire Dinosaur 13: https://www.imdb.com/title/tt3090252● Evolutie van moderne vogels — Claramunt & Cracraft 2015: https://doi.org/10.1126/sciadv.1501005● Baby-sauropoden op het menu — Morrison et al. 2026: https://tinyurl.com/BabySauropoden#KoenStein #AlexanderDecommere #Hadrosauridae #hadrosauriërs #Haolong #huidstekels #Cariocecus #binnenoor #hadroseks #EmilianoTroco #Olorotitan #Plateosaurus #Barosaurus #JohnConway #Amphicoelias #Dinosaur13 #vogels #modernevogels #krijtvogels #Enantiornithes #Euornithes #migratie #Psittacosaurus #cloaca #penis #DarrenNaish #HansDieterSues #JiandongHuang Vragen of suggesties → ⁠vogelszijndinos@gmail.comHomepage: ⁠⁠https://vogelszijndinos.weebly.comFacebook: ⁠https://www.facebook.com/VogelszijndinosInstagram: ⁠https://www.instagram.com/vogelszijndinosHomepage Koen: ⁠⁠https://www.koenstein.commHomepage Alexander: ⁠⁠https://alexanderdecommere.weebly.comCredits:Gastheer — Filmmaker en dino-nerd Alexander DecommereGast — Paleontoloog dr. Koen SteinProductie en postproductie — Alexander DecommereMuziek — Kostas Panagiotou, van Pantheïst: ⁠https://pantheist.co.ukVZD-logo — Anke De Potter© 2022-2026 Alexander Decommere & Koen Stein

Riley, one of our favorite dinosaur writers, returns to discuss her latest book and lots of other dinosaur topics. Plus a new ceratopsian—Ferenceratops. And a new Dino Duels Championship.For links to every news story, all of the details we shared about Quaesitosaurus, links from Riley Black, and our fun fact check out https://iknowdino.com/Quaesitosaurus-Episode-560/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Quaesitosaurus, a titanosaur with a skull similar to Diplodocus.Interview with Riley Black, an award-winning science writer whose work has appeared in National Geographic, Scientific American, Nature, Smithsonian, and more. She has written a number of books, including “The Last Days of the Dinosaurs,” “When the Earth was Green,” and most recently “The Shortest History of the Dinosaurs”. Follow her on Bluesky @restingdinofaceIn dinosaur news this week:There's a new ceratopsian dinosaur, Ferenceratops shqiperorumDinosaurs were “ecosystem engineers” that shaped their landscapes while they were alive—and after they died outA study of New Mexican dinosaurs supports that they were still thriving before the Cretaceous-ending asteroid hit the EarthOur dino duels are going again! Create your bracket here: bit.ly/dinoduelsbracketThen enter your picks for a chance to win a year of Triceratops-level patreon membership at bit.ly/dinoduelspicksComplete rules and restrictions at bit.ly/dinoduelsrules This episode is sponsored by Squarespace, go to https://www.squarespace.com/IKD to save 10% off your first purchase of a website or domain using code IKDThis episode is brought to you by the Colorado Northwestern Community College. Join them for two weeks digging up dinosaur bones in the field, preparing fossils in their lab, or in their new field geology program. For details go to CNCC.edu/paleo26See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A bitter rivalry spirals out of control as two palaeontologists race to outdo each other and rewrite the story of the dinosaurs. This episode explores the Bone Wars, the feud between Edward Cope and Othniel Marsh that pushed American palaeontology to new heights and embarrassing lows. From sabotage and rivalry to genuine scientific breakthroughs, we trace how their obsession uncovered extraordinary fossils while nearly destroying their reputations. Topics include The Cope and Marsh rivalry Sabotage within early palaeontology Landmark dinosaur discoveries Scientific mistakes and rushed publications The long-term impact on dinosaur research Resources and Further Reading The Bone Wars - Wikipedia The Bone Wars That Made Dinosaurs So Popular – I Know Dino (Podcast) Host & Show InfoHosts: Kyle Risi & Adam CoxIntro Music:Alice in dark WonderlandCommunity & Calls to ActionCompendium Job Desciption form: https://forms.gle/xJ9uDhcjXpSLXfai9Review & follow on:Spotify & Apple PodcastsInstagram:@theCompendiumPodcastWebsite:TheCompendiumPodcast.comSupport usPatreonShare this episode with a friend! If you enjoyed it, tag us on social media and let us know your favourite takeaway. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://soundcloud.com/rene-de-paula-jr/100-anos-de-fisica-quantica-do-que-riam-os-romanos-mulheres-vikings Instant Classics A Funny Thing Happened on the Way to the Forum (or did it?) https://pca.st/e4n7ajao You’re Dead to Me Viking Women (Radio Edit) https://pca.st/0x98esvg We Didn't Evolve Color Vision to See Color https://youtu.be/GckqMcaz-3M?si=w8Qi_ckfcvIbKcqj Voyager 1 will reach one light-day from Earth in 2026. Here's what that means https://edition.cnn.com/2025/12/09/science/voyager-1-light-day-earth Heisenberg Made a Discovery in 1925. We Still Can’t Explain It https://youtu.be/c-Q5r3THR3M?si=nWWYO53a5j6b20y0 How 3 imaginary physics demons tore up the laws of nature https://www.newscientist.com/article/2502000-how-3-imaginary-physics-demons-tore-up-the-laws-of-nature/ Dinosaurs like Diplodocus may have been as colourful as birds https://www.newscientist.com/article/2507698-dinosaurs-like-diplodocus-may-have-been-as-colourful-as-birds/ canal do radinho no telegram: http://t.me/radinhodepilha meu perfil no Threads: https://www.threads.net/@renedepaulajr meu perfil no BlueSky https://bsky.app/profile/renedepaula.bsky.social meu twitter http://twitter.com/renedepaula aqui está o link para a caneca no Colab55: https://www.colab55.com/@rene/mugs/caneca-rarissima para xs raríssimxs internacionais, aqui está nossa caneca no Zazzle: https://www.zazzle.com/radinhos_anniversary_mug-168129613992374138 minha lojinha no Colab55 (posters, camisetas, adesivos, sacolas): http://bit.ly/renecolab meu livro novo na lojinha! blue notes https://www.ko-fi.com/s/550d7d5e22 meu livro solo https://www.ko-fi.com/s/0f990d61c7 o adesivo do radinho!!! http://bit.ly/rarissimos minha lojinha no ko-fi: https://ko-fi.com/renedepaula/shopmuito obrigado pelos cafés!!! http://ko-fi.com/renedepaula

Fluent Fiction - Swedish: Dinosaurs in Motion: A Day of Discovery and Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-11-22-23-34-01-sv Story Transcript:Sv: Hösten hade färgat Stockholm i gyllene toner, och i det majestätiska Naturhistoriska museet samlades Oskar och Maja för en eftermiddag av upptäckter.En: Autumn had painted Stockholm in golden tones, and in the majestic Naturhistoriska museet, Oskar and Maja gathered for an afternoon of discoveries.Sv: Byggnaden med sina höga tak och stora fönster välkomnade dem med lövens färger som ramade in utsikten.En: The building, with its high ceilings and large windows, welcomed them with the colors of the leaves framing the view.Sv: Vinden bar med sig en doft av kall luft och förväntan.En: The wind carried the scent of cold air and anticipation.Sv: Oskar, med händerna fulla av broschyrer och entusiasm, visade stolt sina favoritutställningar för Maja, hans bästa vän.En: Oskar, with his hands full of brochures and enthusiasm, proudly showed his favorite exhibitions to Maja, his best friend.Sv: Han drömde om att en dag bli paleontolog och de enorma dinosauriemodellerna fick alltid hans hjärta att slå lite snabbare.En: He dreamed of one day becoming a paleontologist, and the enormous dinosaur models always made his heart beat a little faster.Sv: Maja, med sitt ständiga leende och kvicka kommentarer, gjorde upplevelsen ännu trevligare.En: Maja, with her constant smile and witty comments, made the experience even more enjoyable.Sv: "Vet du, Mai, den här dinosaurien var en av de största rovdjuren någonsin," sade Oskar med en gest mot en T-rex-modell.En: "You know, Mai, this dinosaur was one of the largest predators ever," said Oskar, gesturing towards a T-rex model.Sv: Maja skrattade.En: Maja laughed.Sv: "Fascinerande!En: "Fascinating!Sv: Och jag trodde att du var det största rovdjuret här," retades hon, vilket fick Oskar att le och rodna samtidigt.En: And I thought you were the biggest predator here," she teased, making Oskar smile and blush simultaneously.Sv: Säkerhetsvakten Sven, med blicken skarp och bestämd, patrullerade salarna i sin rutiga uniform.En: Security guard Sven, with a sharp and determined gaze, patrolled the halls in his checkered uniform.Sv: Han var sträng men rättvis, och såg till att allt gick sin lugna gång.En: He was strict but fair and made sure that everything proceeded calmly.Sv: Oskar och Maja stötte snart på honom när de rundade hörnet mot den interaktiva delen av museet.En: Oskar and Maja soon bumped into him as they rounded the corner towards the interactive part of the museum.Sv: "Följ reglerna, ungdomar," påminde Sven dem med ett nick.En: "Follow the rules, youngsters," Sven reminded them with a nod.Sv: Oskar nickade ivrigt, men snubblade till lite när han gick baklänges och pekade ut nästa utställning.En: Oskar nodded eagerly but stumbled a bit as he walked backward, pointing out the next exhibit.Sv: "Kolla här, Maja, det är en–" Men innan han hann avsluta meningen rörde hans armbåge vid en skärm som blinkade till liv.En: "Look here, Maja, it's a—" But before he could finish his sentence, his elbow touched a screen that flickered to life.Sv: Plötsligt hördes mekaniska ljud och de enorma dinosauriemodellerna började röra på sig.En: Suddenly, mechanical sounds were heard, and the enormous dinosaur models started to move.Sv: Maja såg överraskad ut.En: Maja looked surprised.Sv: "Oj då, Oskar!En: "Oh dear, Oskar!Sv: Vad gjorde du nu?"En: What did you do now?"Sv: Oskar stirrade på de rullande dinosaurierna med ögon stora som tefat.En: Oskar stared at the rolling dinosaurs with eyes wide as saucers.Sv: Sven såg genast problemet och rusade fram, men även han såg överrumplad ut.En: Sven immediately saw the problem and rushed forward, though he also looked bewildered.Sv: "Det är ingen fara," försökte Oskar lugnt.En: "It's no problem," Oskar tried to say calmly.Sv: "Jag fixar det här."En: "I can fix this."Sv: Han tog ett djupt andetag, samlade sig och började instruera.En: He took a deep breath, composed himself, and began to instruct.Sv: "Maja, följ efter mig.En: "Maja, follow me.Sv: Sven, vi behöver din hjälp med att återställa systemet!"En: Sven, we need your help to reset the system!"Sv: Tillsammans började de följa dinosaurierna, som nu elegant rörde sig genom salarna.En: Together, they began to follow the dinosaurs, which were now elegantly moving through the halls.Sv: Oskar kom ihåg varje liten faktabit han någonsin lärt sig om dessa urtidsdjur och delade dem med Maja medan de arbetade.En: Oskar remembered every little fact he had ever learned about these prehistoric creatures and shared them with Maja as they worked.Sv: "Visste du att Velociraptorer var ungefär som stora fåglar?"En: "Did you know that Velociraptors were a bit like large birds?"Sv: sade han glatt, samtidigt som han försökte leda gruppen.En: he said cheerfully, while he tried to lead the group.Sv: Men en av dinosaurierna, en gigantisk Diplodocus, rullade långsamt mot entrén.En: But one of the dinosaurs, a gigantic Diplodocus, was slowly rolling towards the entrance.Sv: "Den där måste stoppas!"En: "That one must be stopped!"Sv: ropade Sven.En: shouted Sven.Sv: Lyckligtvis, Maja hade fått syn på en kontrollpanel.En: Thankfully, Maja spotted a control panel.Sv: "Där!En: "There!Sv: Om vi når den innan dino går igenom dörrarna!"En: If we reach it before the dino goes through the doors!"Sv: Det blev ett samarbete av spontanitet och fokuserade ansträngningar.En: It became a collaboration of spontaneity and focused efforts.Sv: Oskar kunde, med Maja vid sin sida, hitta rätt knapp och stänga ner hela systemet.En: Oskar, with Maja by his side, was able to find the right button and shut down the entire system.Sv: Museet blev åter tyst och stilla.En: The museum became quiet and still again.Sv: Sven, som nu stod lättad, kände en tacksamhet.En: Sven, who now stood relieved, felt grateful.Sv: "Tack, ni två," sade han, något motvilligt men ändå uppriktigt.En: "Thank you, you two," he said, somewhat reluctantly but sincerely.Sv: "Utan er hade det kunnat sluta illa."En: "Without you, it could have ended badly."Sv: Oskar log blygsamt och sneglade på Maja.En: Oskar smiled modestly and glanced at Maja.Sv: "Det blev ändå en riktigt spännande dag, eller hur?En: "It turned out to be a really exciting day, didn't it?Sv: Jag menar, dinosaurier och allt."En: I mean, dinosaurs and all."Sv: Maja skrattade och nickade.En: Maja laughed and nodded.Sv: "Du är min hjälte, Oskar.En: "You're my hero, Oskar.Sv: Din passion är det som alltid är viktigast."En: Your passion is what always matters most."Sv: När de gick ut från museet, med löv prasslande under deras fötter, kände Oskar hur självförtroendet växte.En: As they walked out of the museum, with leaves rustling under their feet, Oskar felt his confidence grow.Sv: Han visste nu att han inte behövde dölja sina misstag.En: He now knew he didn't need to hide his mistakes.Sv: Det viktiga var att han kunnat dela sin passion, och det var nog.En: The important thing was that he could share his passion, and that was enough. Vocabulary Words:majestic: majestätiskaanticipation: förväntanbrochures: broschyrerpaleontologist: paleontologpredators: rovdjurengesturing: gestteased: retadessecurity guard: säkerhetsvaktencheckered: rutigapatrolled: patrulleradeinteractive: interaktivastumbled: snubbladeflickered: blinkademechanical: mekaniskabewildered: överrumpladinstruct: instruerareset: återställaelegantly: elegantprehistoric: urtidsdjurcheerfully: glattgigantic: gigantiskcollaboration: samarbetespontaneity: spontanitetfocused: fokuseraderelieved: lättadgrateful: tacksamhetmodestly: blygsamtconfidence: självförtroendetpassion: passionmistakes: misstag

In order to protect herself, a witch turns to two unusual creatures: Dinosaurs!Written especially for this podcast by Simon.  If you enjoyed this story, please do leave us a review.  And, if you'd like to suggest an animal for a future Animal Tales story, you can do so by emailing podcast@animaltales.uk. We would love to hear from you.  Animal Tales Books!Collections of Animal Tales children's stories are available to buy exclusively at Amazon. Simply search for Animal Tales Short Stories or follow this link: https://www.amazon.co.uk/dp/B0CLJQZ9C9?binding=paperback&ref=dbs_dp_sirpi Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you:All episodes in our catalogue advert freeBonus Premium-only episodes (one per week) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available.   Discover a brand new story every Monday, Wednesday and Friday – just for you!  You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcastA Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page. As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.

Benoit Pineau, préparateur mental des sportifs et des dirigeants, est formé au coaching professionnel, à la PNL et à l'hypnose. Il accompagne également les collectifs au travers d'ateliers d'intelligence collective. Il est co-auteur avec Lucie Renaudeau de Le lundi, c'est happy ! (Jouvence, 2023). Sandra Laboucarie, est journaliste et autrice jeunesse, spécialisée dans les documentaires engagés pour enfants. Elle a écrit notamment Le harcèlement et (pas) moi, L'égalité filles-garçons pas bête et Diplodocus, géant gourmand. Elle a co-écrit avec Carmen Schröder Le sommeil et moi : L'essentiel pour en faire mon allié. (ill. Clothilde Delacroix, 2025)Veronique Lefebvre Des Noëttes, est psychiatre, gériatre et docteure en philosophie pratique et éthique médicale, exerçant à l'hôpital Émile‑Roux (AP‑HP) et co‑directrice du département d'éthique biomédicale au Collège des Bernardins. Sa dernière parution est Bonne nuit, bonne santé !, paru en 2025 sur le sommeil et les solutions sans médicamentsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ännu en fil in i din poddspelare – nu med ett avsnitt av Speljuntan. I vilket vi går igenom prishöjningar på andra sidan Atlanten, eventuellt inställda framtidsblickar i Assassin's Creed, avsked över ett Mario-skämt och en begravning i Paris. 

 I nästa bit av veckans junta blickar Elisabeth bakåt och tar sig an Hollow Knight för att värma upp fingrarna, Anton har varit ute och cyklat - ej bildligt - i Wheel World medan Tobias kanske sniffar GÅS i Citizen Sleeper 2. 
 Tycker vi fel eller håller ni med? In och bubbla om veckans avsnitt på vår Discord. 

 Spel som nämns i avsnittet: Assassin's Creed-spelen, Ghost of Tsushima, Ghost of Yotei, Hollow Knight: Silksong, Hollow Knight, Wheel World, Citizen Sleeper och Citizen Sleeper 2: Starward Vector.  Tidskoder: (00:49) Veckans personliga fråga (06:15) Spelnyheter (36:00) Reklam (37:10) Spelintryck

Weapons Kids are creepy right? We can all agree on that? Well, you know whats even creepier? When there are meant to be kids and they aren’t there. Or even worse… there’s just one. Weapons is the new horror from Zach Cregger starring Julia Garner, Josh Brolin and Alden Ehrenreich, whose first break out hit Barbarian scared the hell out of us… and guess what? It’s got a whole bunch of creepy not-there kids! But is it actually good? Or is this just a bunch of kids “naruto running” towards oblivion? Dion, Jill and Quinny are all in or this review, with Quinny being the only one who hasn’t been traumatised by Barbarian yet. Synopsis When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. https://youtu.be/Mw57elDUcdQ As always, a midnight thank-you to all you crazy kids join in with the conversation on the Twitch stream, live each Tuesday night at 7:30pm AEDT. And an especially huge thanks to any of you naruto running grade schoolers who are kind enough to support us by casting a tip into our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the lights on… because we’re scared of the dark. If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/OpThntO9ixc?si=_x20ryvp1bDvS9Mx WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/ Full text transcript Dion  Oh, well, hello and welcome to the periodic table of awesome. I’m unsure of who I am at the moment. I could be a weapon, I’m not sure. But you know who I know is absolutely a weapon. Jill. Jill is absolutely a weapon.  Quinny  Look at those ******* guns. Boom.  Dion  And and Quinny is potentially a weapon.  Quinny  Look, I I had to register my entire body as deadly weapon as, as, as legally one is bound to when one is as hard as ******* as I.  Jill  Make a gun.  Dion  Am I was actually going to say if you. If you commit to it quinny, if you if you, if you you put yourself on a regime, if you go to the gym, you could build yourself into a weapon. And.  Quinny  Buddy, I I am a weapon. It’s just like I’m a 10 LB ******* gun. I’m like, you know, you you you’re thinking of like a a fast kind of swishy weapon. I’m more like a like a a fat man bomb that gets dropped off, you know.  Speaker 6  Yeah.  Quinny  So technically, still the weapon.  Dion  I wasn’t gonna. I wasn’t gonna go there.  Quinny  Yeah, well, I know. And as telling us, there’s better being a weapon than being a tool. What are you?  Dion  Yeah, yeah. Now you’re a ******. Don’t don’t tism me. This is that will go down a rabbit hole. We’re not going to do it. Yes. OK. Weapons. We went and.  Quinny  I know, right?  Dion  Saw weapons. We did, we.  Quinny  Can’t get a water bomb is a weapon too.  Dion  All of that what is a weapon? Yeah.  Quinny  Is that my physique? Is that what? Speaker 7  We’re saying no.  Dion  Philosophically. OK, so story time now. A while back, Jill and I went and saw a.  Jill  Little film we trauma bonded over, but Marion.  Dion  Yeah, we trailer bond, we weren’t. We didn’t know what was going on. We weren’t. It was like, ohh this film. It’s called barbarian. OK, whatever. We’ll go do that. And they were good. They gave us some alcohol. I’m like, oh, yeah. Let’s get on this and started watching a film. And then. Don’t know, maybe. 3045 minutes into it, we started going wait, where the **** is this going? And and it just proceeded to get even ******* more terrifying and crazy all the way to the end. And then we walked out going. That was ******* cool.  Jill  Yes, it was ****** **, but it was cool.  Dion  Yeah, it was.  Speaker  Quinny  You’re not normally a huge horror fan. No, but like you, you will watch it. If it’s in front of.  Dion  I mean, you know, like I’m not the sort of person who’s like, oh, is it gory and horror, sure. Or go and laugh. I’m just more like, I don’t really need to see that. It has to be a good horror, elevated horror. Elevated horror is a discerning horror. Which, you know, like the traditional stuff like nightmare on Elm Street, you know and.  Quinny  13th.  Dion  Friday 13th and I don’t really go into. I don’t need to see Gore for the sake of gore.  Jill  Those are like a sub genre though those are.  Dion  Yeah, yeah. And slasher. Yeah. And but a good.  Speaker 6  Slasher films, yeah.  Quinny  Horror. Torture. ****. Not it’s like, you know, that kind of stuff where it’s just watching people be.  Dion  Nice.  Jill  Like so.  Quinny  Exactly.  Dion  Yeah. Yeah. I mean, like all that kind of stuff can kind of get a bit confused in. But you know, I can’t say I’m a fan of it because, you know, given the choice, I’m not sure that I’d go and see barbarian or weapons again in that kind of sense. But was it a good film? Yeah.  Speaker  But.  Dion  You know, it was just that way that it kind of went through. So sure, I’m not a huge horror fan. Jill. Jill though. Yeah, she yeah loves it. Except for.  Jill  You love it. Clowns. No, no, it I’ll never watch it.  Dion  Yeah. So. It.  Quinny  Ohh, but you’re you’re not looking forward to welcome. To Derry then.  Speaker 6  Yeah.  Quinny  The the prequel to it.  Jill  Good, because I would have thought it was something to do with dairy.  Dion  Yeah.  Speaker 8  Girls and I would have gone and seen it. And I would have been very upset.  Quinny  Why would you would have? It’s a TV series coming out soon and I’m actually really pumped. I’ve.  Speaker 6  Yeah, no.  Quinny  It was one of those books that ******* creeped this **** out of me as a kid and you know, I’m like, yeah.  Dion  Sure.  Jill  I couldn’t stare at a drain for a very long time because my father would say ohh it lives in the trees and it’s little children. So here I am in the shower, not making eye contact.  Dion  Sure.  Speaker 6  Yeah, yeah.  Jill  With the brain.  Dion  With the train.  Jill  Thinking it was any kind of drain that this ******* clown lived in.  Dion  Which which technically it did. So it does live in every drain and it is a clown.  Jill  Yeah. Yeah. And I’m like, don’t look down there cause you’ll see something staring back and. I was *******. He’s terrified.  Quinny  Hi, Georgie.  Dion  Yeah, yeah, yeah. Like if if I go down that rabbit hole, I could still easily terrify the **** out of myself.  Quinny  Yep.  Dion  Yes, so.  Jill  I do kind of tend to watch horror as a form of. Therapy. Because I’m in a constant state of fight or.  Speaker 8  Flight with anxiety and if.  Jill  I were to ah. Film. Then I I know that that is something that I can’t control and it’s I just have to go along for the ride. So I just kind of like purges the fright.  Dion  Sure. I mean it’s.  Quinny  Out and also. Yeah, it gives you that, that, that moment of tension and then release, whereas having a life of anxiety means there’s no release. Yeah, exactly.  Speaker 6  Yes.  Quinny  Just tension. Constant ******* ongoing tension.  Jill  Yeah.  Quinny  Yeah. Yeah, no, I get that totally.  Dion  Quinny, do you consider yourself a fan of horror?  Quinny  As a kid, **** no. Like I was terrified of anything that looked even remotely like horror, you know, like, even seeing a cover of a VHS of something like extra or fright night or something like that was enough to make me, you know. You have nightmares for ages, so it took me a really long time till I ever went anything near horror and I came to horror through so if I.  Dion  Sure.  Quinny  So right, you know, the first horror that I watched was aliens. And yeah, because that wasn’t really a horror. That was, you know, an action film that had horror elements.  Speaker 6  Hmm.  Quinny  Then I went back and rewatched or watched alien and was scared ********. But then I started to kind of get into it. No invasion of the body snatchers and. Like that and now I have a thing that I’m not in a huge rush to go and watch a horror.  Speaker 6  Sure. Yeah.  Quinny  But I will watch a good one.  Dion  And so back to this whole sort of story when weapons came out and it’s by Zach Krieger, who Jill and I have had the Zach Cregger experience with barbarian. And while we were like, this is gonna be like I I remember I was looking at.  Speaker 6  Hmm.  Speaker  We have.  Dion  Oh great. Ohh wait. OK. Like I’ll go see what this is, but I knew what I was going into. The funniest thing was watching it with Quinn, who had not. Had this experience at. All just going. What the **** I’m like, yeah.  Quinny  No. That’s in fact there. There are multiple times in the film where characters exclaim loudly what the ****? Sure, and I agree wholeheartedly with them.  Jill  Yeah.  Dion  Because there is a part of this where I feel like weapons is communicating with the audio. Once in a really interesting way and it doesn’t spoil anything. I just feel like there are parts of the movie and beats of the story and things that are going where it the the film makers are communicating with the audience going. We’ve just shown you a bunch of ****** ** **** and we’ve had a character on screen and saying what the **** and the whole audience is like. Yeah, what the ****?  Quinny  Yeah, yeah.  Dion  And it really it was an interesting as you were saying, the release of tension and I felt like that came through at the end too where it. Diverged a little bit, but allowed the audience to have that tension released, which has been built up for the whole thing, so I consider this one not particularly a horror, but it is. Let’s be honest. Yeah, it is. Yeah.  Jill  Ohh it is.  Dion  But it is.  Quinny  It’s it’s a proper horror, but you know.  Dion  It’s a it’s a really good tension film.  Jill  Yeah, Arena asked. Is it more of a thriller? But I would say no, it’s definitely.  Speaker 6  And.  Dion  No, no.  Jill  Not not thriller.  Dion  No, because and the horror.  Quinny  It. It does good tension building and it is it has that kind of thriller kind of thing, but no, it’s very definitely.  Dion  Yeah.  Speaker 6  Yes.  Dion  Yeah, as you say, like, oh, I’m not going with jump scares. I’m like, well, maybe this is not for you.  Quinny  In fact, this has moments that are not jump scares, but like there are there are some of the most effective moments of like, skin crawling horror that I have seen in a long time, and hearing a whole.  Dion  Horror. Just dread. That contained no.  Quinny  Audience yeah, react to them and ohh wow.  Dion  With like and they have no blood. It’s just really good ******* creepy ****.  Speaker 1  Yeah, and like.  Dion  That you’re waiting for something.  Jill  I I love all of that stuff. And when one of. The big jump scares happened and I screamed.  Dion  He did.  Speaker  It was great.  Quinny  A big way.  Dion  Yeah, and. And look, let’s be honest, we all knew it was coming. Like that’s one of the great things when you still have that result like ohh ****. Even though I knew it was coming.  Speaker 6  Yeah.  Jill  Yes. Yeah. Like, I’m like, oh, my God, I know this is coming. And then it did. And then I screamed. And I’m like, I haven’t screamed and. It jumps Gary and ages. Yeah. So it was it. Was a good pay off do do you wanna know?  Dion  And the.  Quinny  What the film’s actually about? No, no.  Dion  Not yet. One one second, one second. Can I, can I ask you one question because I don’t actually have any music and you’ve caught me off guard.  Quinny  I think. It. Yeah.  Dion  The last movie that I saw that did the same kind of thing that I really actually didn’t enjoy was smile too. Ohh yeah yeah. So watched that. Yeah, and I mean.  Jill  Never.  Quinny  Ohh you should get into that Joe.  Jill  Yeah, it’s on, it’s on telly. I’ll watch it, yeah.  Quinny  Yeah. That for the for the discomforting side of it, Dee or the.  Dion  No, the the way that it like, I mean smile, which I haven’t seen and I saw smile to going in blind which is a bit funny but I understood the craft and I thought they did it really well but they jump scares became a point where it was. Just this is the building to a jump scare. Whereas I liked weapons more because it was like is it a jump scare? Maybe you know? And it was some sort of smarter done and then sometimes was like, hey, it’s not a jump scare. It’s just something absolutely ******* terrifying that doesn’t really do it. Yeah, it’s it’s. And it’s not about some. That is terrifying. It’s the idea of it is built and constructed in such a great way that the audience is filling in their brain about how terrifying and what bad things could happen, and then it doesn’t really happen that way. It just puts the the situation goes, hey, how would you react to this situation? And everyone in the audience is going *******. No, I don’t want to be in that situation. I don’t want. To do this, I want to leave. Anyway.  Quinny  Absolutely. OK.  Dion  Sorry, synopsis time. Do you know what I’ve got? I’ve got on the boards for the music to go behind. It is stuff.  Quinny  I don’t know.  Dion  From Kpop Demon Hunter. So do you want that? Why not? We haven’t had enough.  Speaker 6  No.  Quinny  Why? No, I mean, hey, by the way, the the golden from K pop demon hunters went to number one of the Billboard charts today. Wow.  Dion  Excellent. Hear it again.  Speaker 7  Yeah, well, let’s go with.  Quinny  We’re just increasing its plays.  Dion  Sure.  Quinny  Jill  You’re gonna give us, like a Anna Delphi.  Quinny  Ohh but I can because you’re a poor.  Dion  Yes, do it.  Quinny  OK, when all but one child from the same classroom mysteriously vanish on the same night at exactly the same time because they’re porous.  Speaker 7  Right.  Quinny  A community is left questioning who or what is behind the disappearances. Sorry that just turned into the chick from SBS.  Speaker 8  This is going.  Jill  I was like, it’s like Christoph Waltz and Christopher Walken met Christoph Walton.  Quinny  First off. I apologize. I apologize to everybody that was, that was the absolute peak of **** accent.  Speaker  Yeah.  Jill  Wait, was that the whole boxes?  Quinny  Yeah. When all but one child from the same club, I can.  Speaker  Oh.  Quinny  Do a slightly longer. 1 So it’s a a horror film about a community grappling with the disappearance of 17 children from the same class, all vanishing at the same time on the same. Night and it follows. The aftermath, exploring things of trauma, grief, and the unsettling nature of the events of the townspeople, tried to understand. What happened and who is responsible?  Dion  Double s in officers. OK, one of them was backed by K pop and the other was. Just a flat scare. So. OK, yeah, good.  Quinny  Sorry.  Dion  Good, good, good, good, good, good, good, good so.  Quinny  Right. Yeah. That’s how we should do it. That’s that’s how we work there. Yes. And there was a little gesture.  Dion  Now very.  Quinny  In there I’m.  Dion  Sorry, very, very, very importantly, there was a notice in front of the screening. Which was, hey, don’t spoil it for people where people go in and I thought, OK, it’s a bit naff. Let the thing stand on its own. You know, there’s no need to go through it. But it went on upon reflection.  Speaker 8  Yes.  Dion  Having it’s it’s been out for a while now. I actually kind of go. Yeah, I don’t. Really want to. Do a big spoil because not that I think you’d lose anything from it. I just think it’s a more interesting film to not know. Sort of the last third going into it, I think it has a better effect, not not giving a **** about it. Like, don’t really listen. To. People reviewing it and and spoiling stuff because. You kind of lose.  Jill  It. Yeah, I mean, the trailer was enough and then kind of like discovering what is actually going on is I think lends more to the suspense and and keeps it interesting.  Dion  Yeah.  Speaker  Yeah.  Quinny  Yeah, I do want to talk like a little bit structurally about what happens at the end of the film, but I don’t want to talk about.  Jill  Oh yeah. OK.  Quinny  The the the facts of it like you know. But anyway, let’s not talk about that bit. Let’s talk about the beginning of the film. So a base concept, a bunch of kids run away one night. But it’s not just that they run away.  Speaker 7  Yeah.  Quinny  They Naruto runner.  Jill  Naruto run, they’re going to storm area 51. Yeah, at 2:17 in the morning? Absolutely.  Dion  At 2:17 and it’s all through grainy camera footage. And I love the little child like voice, voice over narration of, like, this is a true story. This is the stuff that happened and blah blah blah and I’m like.  Speaker 7  Which is.  Jill  Yeah, it gives it a little bit of found footage vibe.  Dion  Bit Nash.  Jill  Which is yeah. It’s like a bit creepy.  Quinny  Yeah, yeah, this this does that whole found footage and like, different cameras and stuff like that. So much better than that war of. The world’s ********.  Dion  ****, don’t. Don’t even. It’s it’s an interesting one too, because what I really like about it is it is. It is an easy to understand story. It’s set in suburban Americana. Sort of. There is something creepy going on in a space that generally wouldn’t be considered creepy, and I think you did it also in barbarian like and I and I really enjoy that. It doesn’t necessarily need. Rich people, poor people. It’s not about, you know, X&Y. It’s like, look, this weird thing happened. Hmm, that has probably been going on for a long time. In this and everyone is unsettled by it, but in the end. Life will keep going. And I really, I really like they explained at the start, they’re like ohh this really strange thing and in the end everyone just sort of accepted it. And moved on because it was too upsetting for people and I really like that it gave it a good basis and a good foundation to sort of settle in and go, OK what the?  Quinny  **** did happen but, but also it it does that that very smart thing of going OK how do people in you know, small towns react to bad things happening? They’ll turn.  Dion  You know clue.  Speaker 7  Insect.  Quinny  And and the the most obvious person to turn on is the the the school teacher. So if every kid from the class Bar 1. You know doesn’t show up who’s the first thing you’re gonna look at the school teacher. You’re gonna ask questions there.  Jill  See, I’m the opposite. I’m like, why is this one? Kid left on, yeah.  Quinny  Oh yeah, 100 percent, 100%.  Jill  What’s going on with this kid?  Quinny  And the the the good thing is they actually show you like they they interview the kid, they do a lot of like they go to great lengths to really show you that due diligence has been done. Yeah. You know, and this is just there is no answer. It’s just ******* weird.  Jill  Yeah, it’s it’s puzzling.  Dion  And and like I love that they used quite well in this, like the vignette sort of style, the way they chop it up and they follow, you know, you get introduced to kind of some of the characters and then you get like as you get introduced to more, it starts replaying their stories. And I like the way that they use that quite effectively, which is like here’s. This person, and this is their story. And then we’ll follow someone else and it overlaps and it overlaps and it overlaps until you finally get to the.  Jill  Yeah. And chill, there’s a point where it’s like, hang on a second. Something really *******.  Dion  Yeah.  Jill  Weird’s going on?  Dion  And until it gets to the point where it’s like, OK, we’ve given you enough back story about how all these things are kind of overlapping and then we’re just gonna follow this one. And explain exactly what happened and you were like by that time you’re like ohh ****. Like, how do you resolve this? What the **** did happen?  Quinny  Yeah.  Jill  Yeah, it was a good point to reveal it as well because like, it was a very kind of slow burn intro to the movie. And I was like, ohh, where is this going like?  Dion  Yeah.  Jill  It’s maybe, yeah, becoming a little bit dull until like you do get that pivot point and it’s like, ohh ****. OK now strap in, cause I’m ready for.  Dion  So.  Quinny  Yeah, yeah, yeah. She’s gotten real ****** **. Yeah, it it’s interesting because I was watching it and my immediate thought was the film rush him on, which is the one where they they tell the same story, but from different perspectives. And you see the way that interacts. It’s like that. But it it’s sort of.  Jill  The rest of it.  Speaker  Hmm.  Jill  Yeah.  Quinny  Just showing you different parts, but then continuing the story on. Yeah, which I thought was really smart.  Jill  And thank God you you made the cultural reference and didn’t go with like Pulp Fiction.  Quinny  Sure. Well, you know, because I’ve all filmically ******* knowledgeable.  Dion  I mean, look, you know.  Jill  It was like, where did that reference come from? Russian.  Dion  Barbarian great one much shorter like Barbarians. Only 100 minutes. Yeah, right. This one’s 128 minutes. So we got almost an extra half hour of, you know, additional weirdness, which I think was deserved in this. Like I really like the pacing and the punch of barbarian because it just kind of like starts off real slow and then starts hammering through this one. Get it? Has the same sort of thing. It starts off real slow, but it gives you time to build that tension. And then I think at the end, a little bit more. Time like. When you start explaining things. I thought it would move a little bit quicker, but I have to admit by the end of it I was like, Oh no, I’m fine with how you. Decided you wanted to go with this and by the time you get to that big turn or the big understanding about what is going on, which I say is like 2/3 of the way. Through the film. It does delve into stuff where I’m like, is this funny? Is this not funny? But also, how are you gonna resolve this? And the only way to do it is. Kind of with a little bit of ridiculousness. But I thought it. Was it served it quite well?  Quinny  I think the thing that worked for me about it was the way the characters each sort of had their their very clear part of the story. 3 and when it intersects with one particular place, that’s where **** starts to go badly wrong for everyone you know you’re you’re trying to. Everybody’s trying to work out. Something and they’ve all got their their challenges. So you’ve you’ve got our our Julia Garner. Who’s been Justine, who obviously school teacher Josh Brolin is the dad of one of the. Benedict Wong is one of the the principal principal of the the school. Alden Ehrenreich is one of the cops, and Austin Abrams is is a a junkie for I mean, for lack of any better description.  Jill  He’s.  Dion  Just cop.  Quinny  And each of them.  Speaker 6  They’ve.  Quinny  Their their thing, their story, their interaction, yeah.  Speaker 7  Sure.  Jill  And each of their encounters with what is going on. And so you kind of get their perspective on. Ohh man, how do we trying?  Speaker 8  It’s hard not to spoil it, but.  Dion  Isn’t it you? You get there? It’s, it’s. Yeah, they they put out like, I mean the the, the film posits a strange occurrence, and then all of these different people come into it at different ways, like their their approach that they’re in, they’re affected by it in different ways. And the way that they approach it is. All 100% what everyone knew and I would do like. Yeah, there are no, there is no stupid situation. I have to admit there’s nothing stupid about each of these characters and decisions they’re making along the way. It’s just that there is something else affecting them and we as the audience know that there is something real bad. Happening and we can’t stop them, even though within their characters like, you know, the problem with horror and like that kind of stuff. You’re like, don’t go into there. That’s stupid. You never do that. Stop splitting. Up. I don’t think there’s one character in this that makes a dumb.  Speaker 6  Yeah.  Dion  Every single character is like. This is weird. But I need to find the kids. And I’m just going to do something that’s seemingly innocuous but suddenly ends up in a world. Of hurt. Like and, that’s what I thought was great about it. Isn’t one of those things like watch out for the slash? Are they going to get you? It’s like, no, they don’t know they’re. Going to be gotten. Because they’re doing something really boring, like going to a house. In the middle of the day, yeah. And then, you know, bad **** happens not because they made a dumb decision, because something else is affecting them.  Quinny  Yes. Yeah, it’s, it’s smart and it doesn’t treat its audiences in any way stupid. Yeah, it takes some weird turns. Ohh.  Dion  100%.  Quinny  Like, yeah, there’s, I don’t know whether we talk about it afterwards or what, but there’s stuff to in the last act that I was just like, what the ****? And it really there was in some very strange directions. But up until that point, you’ve also had a bunch of pretty ******* weird moments. And there’s a point where.  Speaker  Yeah.  Quinny  Like you said, Joe, it’s gone fairly slowly for a while. Yeah. And then there’s a point. Where it just suddenly ramps up and it’s no longer creeping dread. Now it’s running ******* screaming, running, screaming, terrifying.  Jill  Naruto running.  Quinny  This is ******** terror.  Dion  And. Look, I I. Liked it because they set everyone up as an unreliable narrator or character, but everyone is in is is unreliable in this you immediately start following Justine, who’s the school teacher, and they go to great lengths to explain why. Maybe she.  Speaker 6  Yeah.  Speaker  It.  Dion  You know, and they do all of that like maybe the father, like is Josh Brolin’s character is maybe he’s got something to do with it because he seems. Overly crazy at certain points of time, but. Ultimately it’s it’s it’s very sane reactions to a very insane situation, and I think that was the success of how it worked.  Speaker 6  For me, does that make sense? Yeah. Here’s one roll. Sorry.  Dion  Hmm, also shot beautifully. Also shot. Beautifully.  Quinny  Shot beautifully and a lot of it in the very, very, very dark.  Dion  But that’s what worked, man.  Quinny  Absolutely. Like there are a lot of sequences moving around through dark houses and at night and stuff like that, which you know is one of those great tropes of all things horror. I do remember watching something recently only in the last couple of years where I was blown away that they did a horror, but in full daylight.  Jill  Oh, OK.  Quinny  And I’m bugged if I remember what it was, but it it it really impressed me that they managed to do. In full light, this one does a bit of it here and then the really.  Speaker 7  The character I.  Quinny  Wanted to call out that I thought was really impressive. Was James the our junkie buddy, really?  Speaker 8  OK, well, I was impressive.  Quinny  His character, like in terms of performance wise. Not likable, not likable at all, but the energy that he came at that with.  Speaker  No.  Quinny  Like the the really nervous ****** ** energy and the like. The complete sort of. Unreliability of the character I was like ****, that’s a really good performance. I don’t like the guy. I don’t like him at all, but that’s cause it’s a really good performance.  Speaker 8  Yeah.  Jill  Yeah, that’s true.  Dion  You know? Yeah. I mean, yeah, that was like, I mean, to be honest, halfway like by the time we got to that character, I didn’t know how they were going to make him scary because he is just a junkie. And they did do some pretty good, scary, scary scenes with that just really boring situation. Technically, when you look back at it after the jump scares and after everything has happened, you’re like ****. That was so tense. For something that was really boring.  Quinny  There is a sequence and I the possibly the sequence that the whole cinema reacted to the most.  Speaker  MHM.  Quinny  And. I don’t. It’s what I love about it and I’m not going to try and describe it because it it would be doing it a disservice to describe the sequence. But what I loved about it was that it was. Fear created almost purely through sound. Like there’s a visual element to it. Something that is this growing danger.  Dion  Yeah.  Quinny  But then the use of sound was the thing that made the whole audience go **** no. Like literally the guy behind me when you heard a particular sound that door open just went oh, no. Oh, no, no.  Speaker  Yeah.  Quinny  No. And I heard.  Jill  The dream sequence.  Speaker 6  No, no, no. OK, it’s.  Dion  It’s this like this, like stalking sequence.  Quinny  In a car.  Speaker 7  Ohh.  Dion  Yeah. Yeah, right.  Speaker 7  Yep, Yep.  Dion  See this is this is what I’m talking about the the the ability to create tension based around very boring, very banal, very normal ****.  Speaker 6  Mm-hmm.  Dion  In this is great. By doing you know great things. I was like, great. It’s gonna be in the middle of night. It’s like 2:00 AM. She’s creepy anyway. Yeah. And now we’re going to make this creepier by, you know, making it sound like there aren’t many sounds like you can hear things, but you don’t need to see it. Like, if you hear, don’t show.  Quinny  Yeah.  Speaker 6  Hmm.  Dion  It can be very creepy and I like that too when there are inside certain other houses and they’re doing the low light stuff that you kind of do.  Jill  Not just sound, but like lack of sound.  Dion  And yeah, lack of sound is a great. A great way to do that.  Jill  I think one of my favorite sequences was the dream sequence of Josh Brolin’s character because it was shot from like first person perspective. So really felt like a dream. And because it was like, you know, semi dark and like the cameras turning as if like. A person is walking through a house and you know doors are opening, but you’re not seeing it because it’s as if you’re doing it. Was absolutely terrifying because there’s like. If anybody has ever had a nightmare where, like you can’t control what’s going on and you’re like, fighting with yourself to even accomplish something within the dream, it felt just like that and that. Was that was. Really incredible bit of movie making, I thought.  Quinny  And and the the every time you round a corner or whatever, you’re expecting something to. Be there to to, you know, wanna hurt you or whatever. Cause you know vaguely where what we’re kind of doing here. We’re in horror territory. Yeah, but.  Dion  Yeah, yeah. And on top of that, I also love the the interesting ability here to allow the audience to really use their imagination while they’re watching this because.  Speaker 6  Mm-hmm.  Dion  Setting up a camera. Like we we had in the end of the trailer there or not at the end of the trailer, but like there’s scenes of like an open doorway, it’s pitch black. You can’t really see anything inside, but can you because your mind starts to fill things in?  Speaker 8  Yeah, I know. Cause it felt. It’s exactly like nightmares that I have where you’re like you’re looking and you’re looking. And it’s like you’re trying to make out something and it’s like is that.  Dion  Exactly.  Speaker 8  Something? Or is it just like?  Dion  Is it a shape? Is it a shape in the room or is it just your? Your chair group has come alive, or those those other ones, so I thought was really good, which is moving around the house and everything is normal and fine. But wait.  Speaker  Yeah, my God.  Dion  What is that like when you when your brain finally kicks in and goes, that’s not actually supposed to be there. That is not what you expect in that sort of thing. And you have to come back to it and you realize ****.  Speaker 6  Mm-hmm.  Dion  That’s terrifying. Like, these are the successful things about it, which is why I really hated watching it. But I enjoyed the. **** out of. The movie, like it was just fun and it was really fun. It, like really, as I said, it was really fun taking quinny along. So I recommend someone take someone who hasn’t seen their **** before.  Jill  Hey.  Dion  Hey, sorry Jill.  Jill  Yay on the titz off scale.  Dion  Yes, titz off none left **** all gone flying everywhere.  Jill  None left. That’s a big fat 0 on. The **** off scale.  Dion  They, they they, they were like, you know, Shinkansen hanging out the window. ****, they’re just gone.  Quinny  Love that we both.  Speaker 7  Had the same age. I love that they’re.  Dion  Connected though. I just thought that they’re like.  Quinny  Well, they connected for a while and then they go. Right. I I don’t know how many tips are off for me because I was scared titless.  Speaker 8  Ah, well, there you go. That’s zero as well.  Quinny  Yeah.  Speaker 7  Yeah, like.  Jill  I don’t know, just like in the last couple of movies that I’ve seen this month, I’ve just have not had. A reaction like I did. With this one MMM.  Quinny  Yeah. Yeah. Well, and and you, you come out of it with a very distinct sense of man. I’ve watched something. Yeah, like. You know, it wasn’t safe. It wasn’t normal. It it. It didn’t feel like just your average ******* horror. Like, oh, God. What was that movie we watched a couple of years back for? None. Like, based on The Conjuring thing.  Speaker 8  Yeah.  Jill  Yeah.  Quinny  And it was just like, yeah, it’s a horror film. Yes. There’s a spooky nun. Cool. Like, in some ways, smile was a little bit like that, though I did find it was creepy as ****. But this, I don’t know, this was doing something different. This was really going into a different level of. Scary.  Dion  I I feel like collectively. Everyone was like in the film that I was sitting there going. And yes and. Everyone just kind of decided not to talk about it anymore, cause too many people died and it was too freaky. And I’m like, yes, kind of like barbarian. Kind of like weapons. We’ve watched it now and ****, you know, a lot of stuff happened and things are good, but like. Just collectively not gonna watch it again. Or not gonna talk about it because you’re still processing stuff about it. Umm. Yeah. Anyway, look. But also, you know, I can see why some people were unhappy with it.  Quinny  What? Where do you think? It didn’t work.  Dion  It’s interesting because, well, I don’t think it it’s. I can see how some people were a bit unhappy with it because they might have wanted to go more into the slasher horror kind of stuff at the end because I feel like there was the turn that happens and it goes into more explanations. You don’t really understand.  Speaker  Oh.  Dion  Exactly what’s going on, but came to me. It became more comedy and I was like ohh, I’m getting this now. You just have to go with it and you know the ending isn’t as satisfying. I think that some people were really after because it has no resolution for the characters. But. You know, I feel like after the tension of the 1st. Aaron, Aaron. A bit. I was like, I’m happy for it to just help me relieve the tension.  Quinny  Yeah.  Dion  Yeah. And also, you know, people could be sitting there going. Ohh, I didn’t. You know, everyone thought it was great, but I didn’t like it. Like, yeah, OK, I did.  Speaker 6  Hmm.  Dion  It was fun.  Quinny  I’d I’d like predicate because thing I went in after hearing a ton of fat, and though I enjoyed it, I’m still firmly bitted.  Dion  Still, yeah, sure.  Quinny  Yeah, yeah. Yeah, like I can see why. So there is a massive tonal turn. Like. Yeah, and there’s a point where, like it goes. We’ve already talked about where it ramps up, the action, kind of the the like, the threat becomes a lot higher. Mm-hmm. But then there’s another point a little bit later on where it takes a fairly sharp left turn. Into what could be seen as comedy.  Dion  Yeah.  Jill  Yeah. I mean, I think it’s a comedic moment, but it kind of like washes all of the drama and the the evil away and kind of leaves you with. OK, this was a really ****** ** situation and you know a number of horrific things happened, but by the end of it, we’re all able. To walk away. Like and put the situation behind us and I think. If it hadn’t have ended, you know very finally like the way it did. Then it kind of leaves you open to explore that situation maybe happening again. So I think like, yeah, I think I feel like the comedic twist of the ending. Was to relieve all of the tension that we built throughout the whole movie.  Quinny  Absolutely now.  Jill  But to do it in a way that wasn’t necessarily with a scare.  Quinny  Yeah, though I I would say that they I felt like we started to get elements of comedy earlier. Ohh, OK. Like essentially when we’re introduced to one of the characters that we haven’t talked about that does. Kind of push the film into a different space. It goes from being kind of. Of. This uncertainty about what? Is happening too. Suddenly there is a. Focus for it. And the focus is. Or could be. Are let down 4 people and I. Yeah. So I had that that moment where I was like that’s that’s a weird ******* choice and I’m still creeped out. But yeah.  Dion  Should.  Jill  I I’ll stand by that choice because I think it was. It’s a good way to catch you unawares.  Quinny  Yeah, yeah, very true. Very, very.  Dion  True. So, Jill while. Try and find your **** to. Reattach them.  Speaker  Shouldn’t.  Quinny  Somewhere in the fields of Japan and all. Through the.  Dion  Quinnie, do you have a rating for for weapons?  Speaker 7  Yeah.  Quinny  Oh yes, that’s a good question. OK, I’m going to go.  Speaker 6  Adding.  Quinny  I was genuinely creeped out by most of the film, and I think it works. Incredibly well as a. Really. Proper, good, scary ******* horror. Your your mileage is going to vary as to whether or not the last bit like the the last. From a certain point onwards, works for you. For me, it did kind of make me go. Huh. But it still kept the tension pretty high. So yeah, that’s where I’m at. It’s 84. If you’ve got a number, drop it. Dion  Jewel. Right.  Quinny  In that chat. I look for them.  Dion  I was going to go 85. Ah, but I’m not. I’m gonna go 86 because I like round math. So, dude, Jill, you could totally frustrate me but.  Jill  Even number.  Dion  Getting an odd number.  Quinny  That prick dangers jumped to 93, so **** you.  Dion  Yeah.  Jill  Well, then I’ll bring it back and. I’ll, I’ll go. For a 91 so that we can.  Speaker 6  Oh ****.  Jill  Even it up.  Dion  All right.  Jill  We’re going to go 90, but because of the odd number, I’ll go 91 even it.  Dion  Yeah. Out again. Yeah, 86. I really. I really enjoyed it. I thought it was just, like, kind of watching barberry and like, what the **** is happening? But it’s really good. Can I recommend it to people? Yes, with, with, with ******* guard rails as in. You know, Peter didn’t come. That’s OK. She’s not going to see this. You know, she’s going to be like, Nope.  Quinny  Not the kind of thing that.  Dion  Beck’s gonna like. No, no, all of those kinds of things like it. It’s not for everyone. But I do think it’s great. So, yeah, that was my 86. And, Jill, you’ve already got not 91.  Speaker  No.  Jill  At 91, I I have a horror friend and I immediately went to her and said hey, I watched weapons and she said Ohh good, I’m going to go and see it on Friday. And then when she came back to me, she.  Speaker 8  Said what the ****? That was so good.  Jill  Like that ending was So what the ****? And I’m like, yeah, but it was great. And like, yeah, we were just, like, dissecting, you know, the way that they built tension and all that kind of stuff and the pay offs were were all really good. I got to say the creative.  Speaker 6  Yeah.  Jill  Format for the storytelling was was great. I thought that was very inventive for like a horror film. Yeah, the.  Speaker 8  Anything that made me ******* scream, I’m like, yes. Big ticks so.  Quinny  Yeah, it takes a bit to actually get you to scream. I I heard you scream and I thought that wouldn’t have.  Jill  There were so many moments throughout the film where I actually had to stop eating and drinking because holding on to the chair and I’m like, crawling back into the chair, like with my arms crossed thinking Oh my God, Oh my God, Oh my God. And yeah, it it made me out loud scream, not just like shock. No, I screamed. And thank God it was like a loud. Tension release in the. Audio of the film as well to kind of cover up. The embarrassment of me screaming in a horror movie, but yeah.  Dion  And. I had the yeah.  Jill  Really thoroughly enjoyed.  Speaker  It.  Dion  I had The thing is like I I like weapons as a journey. Of a film. Like.  Speaker 6  Hmm.  Dion  I don’t think that there’s like there’s no point talking about A twist or a turn or this thing and this other what the **** I’m like. I like the journey of the film. Yeah, I mean.  Jill  I feel like you don’t get to have all of this fun in the end of the movie if you don’t put in the work at the start of getting through the build up.  Dion  Yeah. And by chopping it up and following.  Quinny  Yeah, you’ve gotta get to know the characters.  Dion  Yeah. And chopping up and following people with different experiencing not the same time from a different perspective, but also like different times at different perspectives. Once you understood the establishment of the character.  Jill  Yeah, but you kind of start to get little other pieces in within these people stories so that you can, like, try to build what’s happening before it’s just revealed to you in the movie. So like you as an audience are actually doing work in the film.  Dion  Yeah.  Speaker 6  Hmm.  Quinny  Too. I like that. I really like the feeling that it was showing me things. But I wasn’t. Being spoon fed them exactly and there are certain things that they showed and implied, but never actually said. So you have to make the assumption that that character did that. They may not have, but did fairly heavily implied. I live with that. I love being asked as an audience to put a little bit of thought in.  Speaker 6  Yeah. MHM.  Dion  Crazy concept. Look, Speaking of James, I actually have a James Heavy trailer for this. Just goes on about that. We’ll do that and then come back and try not to spoil, but still talk about.  Speaker 7  Oh, OK.  Dion  It a bit more depth, OK.  Speaker  I’m calling about the $50,000 reward. For information about the missing kids. Because I know. Where they are. Filter. Help me. Help me. Come on. Please help me.  Dion  Oh yes, we. Yeah, that was James. He was the the junkie, and he had tent and a very bad experience in a tent.  Jill  Sure. Just sure, we’ve all had a bad experience in the tent.  Quinny  Yeah, yeah. Mine was really intense.  Dion  Ohh George yes, and thankfully for people who haven’t seen it. And you’re like, no.  Speaker  ah  Jill  You up for that one?  Dion  Thank you. I’m like, yeah, yeah, but. It’s a really it’s. It’s so good how it makes you go. ****. I don’t wanna know about that, but it gives you an understanding back when you like, I feel like. Having watched it and then you look at all of the tents and and spooky scenes that were through earlier in the movie, you’re like, ohh, that’s not that spooky when you really think about it. It was our own imagination making it spookier than we thought. But again, of course no like.  Speaker 7  No, sure.  Quinny  Like it’s scary.  Dion  Yeah.  Quinny  It’s it’s interesting, I think I said to you guys afterwards, I I thought we were going perhaps to go in a different direction with it. So there’s a there’s a Stephen King short story that I love super short, like, only like 5 or 6 pages or something like that called suffer the little children. It’s in one of his short story collections and it’s about a teacher. Who starts seeing out of the corner of their eyes their their primary school kids? As like little demons like you know that they’re they’re wrong. They’re twisted. There’s something ****** ** about them, but only out of the corner of their eyes. So when they turn and look at them.  Jill  Ohh, I see kids like that all the time.  Quinny  Yeah. So that’s just being a teacher. But then, yeah, one day teacher goes and 1 by 1 calls all the kids at her office. Cool. Yeah. And I thought maybe we were going to go into that direction and I was like, because that’s one. Of my favorite stories, but it’s still ****** **.  Dion  Yeah, the welcome to. The thing about the unreliable like characters that we’re we’re following here and like I think yes, Karina, I’m not. I don’t want to talk about the spoiler of the twists, that of why is it like, why is this all happening? Mainly because I don’t think it’s it. It doesn’t do anything to give you. A reason to go see the movie.  Speaker 6  Hmm.  Dion  I’d rather talk around it and let people go and see it and say, hey, did you like that? Cause it’s ****** **, isn’t it? Like I don’t really.  Jill  Yeah, like, don’t be like my mother who told me that. Bruce Willis was dead the whole time, so that I don’t even bother to watch 6th sense. Yeah. And to this day have not watched it.  Dion  You know, Jill, I gotta say I’m. I’m. I’m with you on that because it was spoil. It was spoiled for me in the break room at at a work thing. And I was like, ohh. And they’re like, oh, you haven’t seen I’m like, no, because it came out yesterday.  Jill  What’s the point? There. Yeah. Thanks.  Speaker 6  Thanks.  Quinny  Yeah, yeah, I remember.  Dion  So I’ve never actually watched it.  Quinny  Trying to watch like Battlestar Galactica, the the 2000 series, and then somebody said to me, oh, I can’t believe that such and such and such and such and such for the final styles. And I was like. What the ****? And they’re like, ohh. It’s a joke. And I’m like you weren’t ******* joking.  Dion  Thanks.  Quinny  That’s cool. Well, I got to interview them this ******* weekend. So great.  Dion  Well, look, the the I think the the the non spoilery things I can say about it is that I was disappointed with. Was that the whole mystery is all about the kids. All right.  Speaker 6  Dion  And then you really don’t get a good resolution with the kids.  Jill  Yeah.  Dion  And it’s just a little bit you, you, I understand why they did the things that they did, but there isn’t. There isn’t a great resolution really.  Jill  Yeah, I feel like you don’t always have to have that in a film.  Speaker 7  No, and there is something.  Jill  It’s like we said, like it was. It was really. The journey of the movie that was the reward.  Dion  I got to say by the end of it, like the the kid who plays Alex, Carrie Christopher, he like I didn’t give a **** about.  Jill  Gorgeous little kid.  Dion  I yeah, I I was really disappointed with that kid right up until towards the end. And then I’m like ohh, that that kid did a really ******* good. Like having to do with a lot of adult themes and adult concepts by the end. And you’re like, holy ****, that kid is either gonna be a freaking St. or the devil.  Quinny  And I do like that whilst it’s avoiding tropes all over the place, you know, and it’s doing everything it can to try and not be the obvious or whatever you do still end up in a haunted house in a way. And you know it, it’s becomes.  Speaker 6  Yeah.  Jill  Yeah, with your don’t go in the basement moment.  Quinny  I know you. You’ve got 100%, you’ll do not go in the basement moment. And I was like, yeah, cool. We’re we’re. You know, we’re hitting on those things because I do think there is something like really archetypal about certain ideas and horror concepts. And being chased around your own house. Is terrifying, and people that you know not being themselves is terrifying. Yeah, yeah.  Dion  You know, and now you’ll never look at a kid in a playground running like that with their arms out. Being a plane without going whoop.  Quinny  Have you ever Naruto run? Dion  Didn’t you? You asked that question.  Jill  God, I I. Have dignity.  Quinny  I asked it off microphone.  Jill  I have dignity I.  Quinny  Thank you.  Jill  Run.  Quinny  I have seen so many people Naruto run around conventions.  Jill  I bet you.  Quinny  Have you know I’ve seen so many *******.  Jill  Yes. Yeah, they don’t do it ironically either.  Quinny  You. This. No. And I just wonder, I I I look at this and I was like, was that intentional? Did they know that they were doing that? Oh, isn’t it? No, no.  Jill  This is not a Naruto. Arm is like the arms have to be out back behind you, yeah.  Dion  Out. Yeah, they’re gonna be.  Quinny  Ohh. OK, right. Sorry, right, right. Just like.  Jill  This was like.  Dion  Yeah, this is just.  Jill  Just to the side.  Dion  Yeah, yeah, yeah. Sort of straight down kind of thing, but I mean don’t take anything you see on anime and try and replicate it and realise you’ll just hurt yourself.  Quinny  Yeah. Or someone.  Dion  Else. Yeah, yeah, yeah, all parties.  Quinny  Teapots. Right. OK, yeah.  Dion  Fair enough. Kind of planking. If only they were yelling, skippity rears when they ran around.  Quinny  Yeah, like there are. There are so many really good, very quick jump scares. Like, you know, there are there’s moments in a bed, there’s moments, you know, all over the place where you just like, really good. Momentary jump skis, but it also does that very clever thing of going we’re building up to a a jump scare and then we’re going to give you something that isn’t the jump scare. But. That can be really obvious. Like we all know that if you’re gonna build up to a jump scare, you’re not gonna give us the jump scare. You’re gonna add in a a thing. This one I was like actually that were pretty good. Like they weren’t fake outs or anything. These felt like something that still maintained the tension.  Speaker  See.  Dion  See, I really wish we’d had been able to arrange it earlier for you to have seen, barbarian. I get before this.  Speaker 6  One going on about barbaric.  Jill  We keep talking about it. We keep talking about it, but only.  Dion  Like.  Jill  For a very good.  Speaker 7  Reason. OK so so.  Dion  I warn you, I. Don’t you, Connie? It’s not a fun watch. I’m not recommending this to you because I think you’re gonna have a good time. I’m recommending it for you because all of the tense and scary things that you kind of felt from weapons, you’re going to get in barbarian again.  Quinny  OK so. Can you give me a like give me a vague synopsis of what barbarian is about.  Dion  It’s about the dangers of Airbnb.  Jill  Yeah.  Quinny  Oh, right.  Dion  Sounds boring, huh? Definitely not.  Jill  Yeah, but Justin Long is in it, but. And he’s the red herring.  Speaker 6  Eh.  Quinny  Right, so This is why you were all very excited when. He showed up in this.  Jill  Yeah. We’re Justin long shows up in a horror movie. Yeah, right.  Dion  As the thing like. It’s it’s done it it, it does a little bit of vignette things where it sort of takes the the two things it’s like it’s following Justin Long and it’s following another character. And they’re both standing at the same Airbnb and then it’s following one.  Jill  Yeah, there’s like, a really good fake out in the beginning because you’re like, ohh, this is very much going to be this thing and then it’s not. And then you’re like, but wait, what the **** is actually happening?  Dion  Yeah. Yeah, it’s like. Yeah. And by the time you find out what the **** is actually happening, you’re like. What the **** is happening?  Jill  Yeah. And you’re like, why and why and why?  Dion  No, no. And then it.  Speaker  Speaker 6  Yeah.  Dion  Just turns out it was just really, really ******* creepy.  Speaker  Yeah.  Dion  Yeah. Anyway, but it is more. It is more your traditional horror.  Speaker 6  Yeah.  Dion  You know.  Quinny  Right cause I I looked at that and I thought it sounded a bit more like the torture pointy kind of things like.  Speaker 6  This.  Jill  Body horror elements in it, that’s for sure.  Dion  There’s a little bit of torture **** because I’ve gotta also say there was just that thing of like, I don’t want to be in that situation and it’s a bit too graphic for me. Yeah, but you don’t like, you know, it’s. It’s just a good. It was the start of the way of building tension and and confusing you by going. We’re going to present you with a thing that says you’re going down this road, but it’s just going to kind of keep going. And then it’s actually like, wait. I was on on a road at all. I was actually on a lake. How did I get in this lake? And I’m not in a boat. What is going on?  Quinny  Sorry, I just I wanted to look up torture **** films cause I’m trying to think of it and particular one.  Jill  What kind of results did you?  Quinny  Just get well. Yeah, it was not a. Good time hostel. That was the one that I was trying. To. Find the name of hostel and hostel too.  Speaker 6  Yeah.  Quinny  But I love it.  Jill  Ohh, not not hostile you’re saying hostel?  Quinny  Hostile. Sorry. Yeah. Like that was one of those ones where it’s just like, you know, bad things happen to people. Human centipede, that kind of thing, bad things happened to people. It’s about the the torture.  Speaker  Oh.  Jill  Yeah, yeah.  Quinny  Salo. 120 days of sort. Sort of I was. I’m looking down this list, and I’m like, oh, yeah, I remember that when I run into that one. Yeah. Yeah. OK. And then I get. Justin Bieber never say never like. Well done to whoever ******* wrote that.  Jill  Well done.  Quinny  List because that was. Comic timing, like you wouldn’t believe.  Speaker  Ohh dear look.  Dion  There’s, you know, like, weapons isn’t a perfect film. There are some beats, I think didn’t quite. Planned and some decisions, as you said like it it goes a bit strange in the end. You’re like you’re going to go with it or you’re just going to be like oh.  Speaker 6  Hmm.  Dion  That’s sure that’s. Stupid. It’s like, no, I was. Yeah. No, I was 100% there for it too.  Quinny  I I yeah, I actually thought and I said to a couple of people, I thought it let off the the accelerator a little bit when they introduced the.  Dion  The reason?  Quinny  The reason? Yeah, like the to me when we started to get a few answers as to what was causing this, I felt like the tension ratcheted down a little bit.  Dion  Yep. I feel like they’ve they’ve followed that through with the comedy though, but they did ramp back the they did get back to the tension as they try to resolve everything as you get to the resolution.  Speaker 6  Hmm.  Dion  You’re wrapping. You’re ramping that sort of thing up again. Yeah. I thought they did it quite well. And, you know, the the end of it was. Fun.  Jill  I think it’s just like we’re going to blow off all. Of the steam that. Yeah, you know. Yeah. Of this movie? Yeah. And we’re going to do it in a comedic way, just to kind of like, yeah, that all out, you know.  Dion  Yeah. I mean, I feel like by the end of it, the audience was all kind of like, oh, ****, that was weird and ****, and I don’t know, but it was much more. Or interesting to to see that whole audience who had who had. Spent. You know good hour and a half tense as ****, absolutely sitting there going. What the **** is happening? I don’t want to be in this audience or thankfully, we’re all experiencing this together to then have a bit of a OK, well, OK, ****. OK. What was that all about? And I love confusing a confused audience. Not a confused.  Speaker 6  Hmm.  Dion  Audience like why was Ice cube in an ad for Amazon for 80 minutes? But more like that. Was that good like I had that the thing when at the end of it I was like, is that was that a good movie?  Speaker 6  Yeah.  Quinny  And I think people will take away from it what they what they will, you know, they’ll they’ll either enjoy bits of it or they want or they’ll find that some of it worked for them and some. Of it didn’t. Yeah, but. It’s done very well. That’s something that I do, you know, I’m happy to report that it’s. Done a lot better than most of the other films were released this weekend.  Jill  Quinny  Like based on its budget and everything, it’s kicked the **** out of a couple of much bigger films.  Jill  Good for.  Quinny  Them. Yeah, one of them being freakier Friday.  Dion  Look, I’m. I’m.  Jill  The Disney cash grab.  Dion  I’m happy that Zach Cregger, you know, survived the bidding war for weapons.  Speaker 6  Yes.  Dion  And that Jordan Peele fired a couple of people over not getting it.  Jill  Ohh, Jordan Peele movie coming out soon. Him.  Dion  Oh yeah. Yeah. Yes, but he was. Yeah, he was trying like Jordan Peele was trying to get Zach Craig as, Umm, spec script for his production company and did not get it. And then fired two of his management people for not getting it. OK. And I’m like, OK, but the really interesting thing I think for the next project that has been announced for this director is the Resident Evil reboot. Oh ****. And he’s writing directing. It. Ohh so it was like OK. Interesting. Yeah. Hmm. I mean, you never like a franchise with an established fan base, and many temps is fraught with peril. Yeah, absolutely.  Speaker  Yes.  Jill  But it means we don’t have to see *******. Milla Jovovich wheeled out again.  Dion  You’d leave Miller alone. She’s the supreme being.  Quinny  I mean. I love that they even attempted another reboot a few years ago and just nobody paid any attention to.  Dion  It. Yeah, I love that even one of them was a 3D1, which was like, you know, your franchise is in trouble when you’ve gone through an era of 3D coming and going again. Like jaws, jaws through the return jaws, three Jaws 3D. Like what the ****?  Speaker 6  Hmm.  Dion  Anyway.  Quinny  Trying to remember what that ******* ohh yeah. Resident Evil. Welcome to Raccoon City, you know? Yeah, the one that nobody paid any attention to at. All. But it mean.  Dion  Yeah, you know, look had no Miller in.  Quinny  It.  Dion  It’s.  Quinny  Oh well, look, I’m. I’m keen to see what he does next. Absolutely. And if he can make Resident Evil work? Cause like to me, I think that’s that’s not actually it shouldn’t be that hard. Like resident evil’s.  Jill  Yeah, it’s really not. It’s such a straightforward premise.  Quinny  Yeah, if you do a good solid zombie film and you use the characters that are in the in the games, it’s not that hard. I would ******* love to see this guy have a go at Silent Hill.  Jill  Yeah, that could have been.  Quinny  Like.  Jill  Silent Hill would have been better than Resident Evil. For this guy.  Quinny  Yeah, I think he’s his. Disturbing.  Jill  Because this guy is like, so good at, like, suburban. Dystopia.  Quinny  Yeah.  Jill  So I think like silent. Hill would be perfect for.  Quinny  Him absolutely.  Dion  Is am I the only one who didn’t mind the Silent Hill film that came out with rider? Mitchell, like I thought it was alright.  Quinny  No, I quite liked it. If the.  Dion  Freaky and the and the Borg Queen as the evil witch woman.  Speaker 6  Yeah.  Quinny  That was another one where I was like, OK, it it started really well, did some really good creepy stuff and then ended poorly. But yeah, I quite like that.  Speaker  Sure.  Dion  I mean, I’ve I I’m I I think with in return in in the idea of Zach Gregor. I’m kind of like just let him cook. Don’t give him a franchise. Don’t let him don’t make him do other **** just like no let him do his stories he’s doing quite well at the moment.  Jill  Yeah.  Dion  Of just. That’s true. Going barbarian? Yeah, that’s a good one. Weapons pretty good. You know what’s the next one? And I don’t pitch quinnie. Go for him and say, like, can you make a the same horror film, but everything you shot during the? Hi.  Quinny  I would love to see somebody ever go. On. It I haven’t watched Midsummer so.  Dion  Really.  Quinny  Yeah.  Dion  It answers the question who would you like? Would you prefer a bear or a man?  Speaker 8  Yes.  Dion  In the wheel.  Quinny  I don’t know because I always looked at that and I thought it looked a little bit, Wicker Manish, but now I’m completely confused as. To what that may actually be that.  Dion  Yes, but it’s a woman, so it’s a Wicker woman.  Quinny  Ohh.  Dion  Sorry, there are no. Ease.  Quinny  Good, because they weren’t me in the ******* original.  Dion  Film No, but there was in the Nick Cage one.  Quinny  Don’t don’t say it.  Speaker 7  Not. Why would you mention? ******* ohh. You broke my legs.  Dion  It’s very bad, it’s. Yeah, Speaking of Speaking of bad, what are we doing next week?  Quinny  Oh, oh, well, well.  Speaker  Oh.  Jill  Hopefully it’s not a bad show, yeah.  Dion  Two shows having a bit of. It

Episode 42 (insert Hitchhiker's Guide reference here) sees Marc, Natee and Gemma team up with Andrew Stück, the one and only Dino Dad, as we tackle surely one of the most divisive topics we have ever discussed on this show: the 2025 revival of Walking With Dinosaurs. Will it be a beloved classic like the original 1999 series, an embarassing turkey like the 2013 movie, or something in between? Are we as blown away as we were when we saw our first Diplodocus? Are we as menaced as we were by Liopleurodon? Are our heartstrings tugged as they were when we saw the last journey of Ornithocheirus? Are we as endeared as we were by Leallynasaura? What place is there for a Walking With Dinosaurs in this post-Prehistoric Planet world? Who skipped through the segments of modern-day palaeontology? Can Jim Kirkland save the day? And, most crucially of all: what did Andrew's children think? It's all here in today's action packed episode.   Show Notes At Chasmosaurs!

A new species of dinosaur has been unveiled at London's Natural History Museum. The Enigmacursor was a small herbivore that lived around 150 million years ago alongside larger beasts like Stegosaurus and Diplodocus.

Một loài khủng long mới đã được công bố, tại Viện Bảo tàng Lịch sử Tự nhiên Luân đôn. Enigmacursor là một loài động vật ăn cỏ nhỏ, sống cách đây khoảng 150 triệu năm, cùng với những loài thú lớn hơn như Stegosaurus và Diplodocus.

Fluent Fiction - Swedish: Midsummer Mishap: Trapped in a Dino Wonderland Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-06-21-22-34-02-sv Story Transcript:Sv: Det var en varm sommardag och solen sken klart över Stockholm.En: It was a warm summer day and the sun shone brightly over Stockholm.Sv: Midsommarfirandet stod för dörren och staden var full av liv.En: The midsummer celebrations were just around the corner, and the city was full of life.Sv: Lars, Maja och Sven bestämde sig för att besöka Naturhistoriska riksmuseet innan de skulle fira midsommar på Skansen.En: Lars, Maja, and Sven decided to visit the Naturhistoriska riksmuseet before they would celebrate midsummer at Skansen.Sv: Lars var en historiker med ett stort intresse för dinosaurier, och hans hjärta klappade lite extra när han såg den stora dinosaurieutställningen.En: Lars was a historian with a great interest in dinosaurs, and his heart beat a little faster when he saw the big dinosaur exhibition.Sv: "Maja, kolla här!"En: "Maja, look here!"Sv: ropade Lars ivrigt när han stannade framför en rolig dinosaurie-diorama med ett T. Rex som tycktes jaga sin egen svans.En: called Lars excitedly as he stopped in front of a funny dinosaur diorama with a T. Rex that seemed to be chasing its own tail.Sv: Hans vänner skrattade och nickade, men fortsatte till nästa del av museet.En: His friends laughed and nodded but continued to the next part of the museum.Sv: Maja, som ville imponera på sin pojkvän Sven, pekade på en gigantisk skelett av en Diplodocus medan hon pratade om dess historia.En: Maja, wanting to impress her boyfriend Sven, pointed at a gigantic skeleton of a Diplodocus while she talked about its history.Sv: Lars förlorade sig i dinosauriernas värld.En: Lars lost himself in the world of dinosaurs.Sv: Han lade inte märke till att tiden gick och att hans vänner långsamt försvann från synhåll.En: He didn't notice that time passed and that his friends slowly vanished from sight.Sv: Plötsligt hördes ett meddelande i högtalarna.En: Suddenly, a message was heard over the speakers.Sv: "Museet stänger om fem minuter.En: "The museum closes in five minutes.Sv: Vänligen bege er till utgången."En: Please make your way to the exit."Sv: Lars ryckte till.En: Lars jolted.Sv: Han såg sig omkring – bara han, de uråldriga skeletten och skuggorna fanns kvar.En: He looked around—only he, the ancient skeletons, and the shadows remained.Sv: På hastiga steg skyndade han sig mot utgången, men dörrarna var redan låsta.En: He hurried towards the exit with quick steps, but the doors were already locked.Sv: Panik spred sig i hans bröst.En: Panic spread in his chest.Sv: Hur kunde han vara så disträ?En: How could he be so absent-minded?Sv: Lars kände efter i fickan efter sin mobil, men insåg med en suck att batteriet var dött.En: Lars reached into his pocket for his phone but realized with a sigh that the battery was dead.Sv: Han måste lösa detta på egen hand.En: He had to solve this on his own.Sv: Med bestämda steg började han utforska museet i hopp om att hitta en olåst dörr.En: With determined steps, he began to explore the museum in hopes of finding an unlocked door.Sv: Varje steg ekade i den tysta hallen.En: Every step echoed in the silent hall.Sv: Han trodde sig emellanåt höra dinosauriernas sus och brus i det avlägsna.En: At times, he thought he heard the whispering and rustling of dinosaurs in the distance.Sv: Plötsligt, genom ett halvmörkt rum, upptäckte han en dörr med en skylt som det stod "Kontrollrum" på.En: Suddenly, through a dimly lit room, he discovered a door with a sign that read "Control Room."Sv: När han öppnade dörren råkade hans armbåge trycka på en knapp.En: When he opened the door, his elbow accidentally pressed a button.Sv: Strax därefter hördes ljudet av mekaniska dinosaurier som började röra sig och ryta, vilket fyllde museet med ett kakofoniskt dån.En: Shortly thereafter, the sound of mechanical dinosaurs starting to move and roar filled the museum with a cacophonous din.Sv: Maja och Sven, som äntligen hade insett att Lars var borta, vände tillbaka för att leta efter honom.En: Maja and Sven, who had finally realized that Lars was missing, turned back to look for him.Sv: När de hörde ljudet av de falska dinosaurierna, kunde de inte låta bli att skratta.En: When they heard the sound of the faux dinosaurs, they couldn't help but laugh.Sv: De hittade Lars, lite röd i ansiktet men leendes triumferande, när han slutligen lyckades stänga av animatronicsen.En: They found Lars, a little red in the face but smiling triumphantly, when he finally managed to turn off the animatronics.Sv: "Lars, du gjorde det!"En: "Lars, you did it!"Sv: ropade Maja med beundran i rösten.En: Maja shouted with admiration in her voice.Sv: Sven klappade honom på axeln, "Du är verkligen en smart kille, Lars."En: Sven patted him on the shoulder, "You really are a smart guy, Lars."Sv: Med ett brett leende kände Lars att han hade hanterat situationen väl.En: With a broad smile, Lars felt he had handled the situation well.Sv: Hans respekt hos Sven hade vuxit och Maja såg honom med nya ögon.En: His respect among Sven had grown, and Maja looked at him with new eyes.Sv: De lämnade museet tillsammans, skrattande och pratar om alla framtida äventyr de skulle ha.En: They left the museum together, laughing and talking about all the future adventures they would have.Sv: Denna midsommar skulle inte bara handla om traditioner, utan också om vännernas oslagbara band och en oväntad, men uppskattad, sommarepisod i museets tysta salar.En: This midsummer would not just be about traditions, but also the unbeatable bond of friends and an unexpected but appreciated summer episode in the quiet halls of the museum. Vocabulary Words:warm: varmcelebrations: firandethistorian: historikerdinosaurs: dinosaurierjolted: ryckte tillshadows: skuggornapanicked: panikabsent-minded: disträbattery: batterietdetermined: bestämdawhispering: susrustling: brusdimly lit: halvmörktsign: skyltmechanical: mekaniskacacophonous: kakofonisktdin: dåntriumphantly: triumferandeanimatronics: animatronicsenadmiration: beundranbroad: brettrespect: respektbond: bandappreciated: uppskattadepisode: episodquiet: tystamuseum: museetgiant: gigantiskskeleton: skelettvanished: försvann

[SPONSORISÉ] À l'occasion de la sortie au cinéma du film d'animation Diplodocus, Kidico vous propose un épisode inédit en partenariat avec PAN Distribution. 10 minutes pour devenir incollables sur les diplodocus...3,2,1 partez ! Foncez découvrir le film Diplodocus au cinéma, toutes les informations sont ici !

durée : 00:07:27 - Les sorties cinéma de la semaine - par : Laurent Delmas, Christine Masson - Une fable sur l'état du monde, cauchemar en cuisine, une exploration SF du deuil, un fait divers qui a marqué la société danoise, un petit dinosaure en quête de liberté... Coup de projecteur sur notre sélection de cette semaine ! Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:07:27 - Les sorties cinéma de la semaine - par : Laurent Delmas, Christine Masson - Une fable sur l'état du monde, cauchemar en cuisine, une exploration SF du deuil, un fait divers qui a marqué la société danoise, un petit dinosaure en quête de liberté... Coup de projecteur sur notre sélection de cette semaine !

Scientists in Australia just discovered a huge Megaraptor, and it's a total game-changer. This dinosaur had massive claws and was way bigger than anyone thought lived there during that time. Before, most people believed Australia didn't have giant predatory dinosaurs like the ones found in other parts of the world. But this Megaraptor proves that ferocious, massive hunters were roaming the ancient Aussie landscape too. It also hints that Australia's dinosaur history is way more connected to South America and Antarctica than we realized. Basically, everything we thought we knew about dinosaurs Down Under just got flipped! Credit: CC BY 4.0 https://creativecommons.org/licenses/... seagull: by Julian Johnson-Mortimer, https://skfb.ly/6SIsY Tapejara: by TheAquaticSpinosaurid, https://skfb.ly/pqKSB Ornithocheirus: by Digital3dWorld, https://skfb.ly/6WVtA JWA Brachiosaurus: by TheAquaticSpinosaurid, https://skfb.ly/pqZ7Y Dinosaur: by arqdehr, https://skfb.ly/6QZVN Carcharodontosaurus: by Julian Johnson-Mortimer, https://skfb.ly/6RUtB austroraptor: by seth the yutyrannus, https://skfb.ly/prDYV Megaraptor: by Ivaskiv Grigory, https://skfb.ly/oyYw8 Natural History Museum: by Larry D. Moore, https://commons.wikimedia.org/wiki/Fi... Megaraptor claw: by Duffymeg, https://commons.wikimedia.org/wiki/Fi... Megaraptor mount: by ケラトプスユウタ, https://commons.wikimedia.org/wiki/Fi... Cryolophosaurus caudal: by Jens Lallensack, https://commons.wikimedia.org/wiki/Fi... Zigong Dinosaur: by Zhangzhugang, https://commons.wikimedia.org/wiki/Fi... Dreadnoughtus: by ArcaneHalveKnot, https://commons.wikimedia.org/wiki/Fi... Pterosaur remains: by Etemenanki3, https://commons.wikimedia.org/wiki/Fi... CC BY 2.0 https://creativecommons.org/licenses/... Megaraptor hand: by raffaele sergi, https://flic.kr/p/5MxtJV, https://commons.wikimedia.org/wiki/Fi... Tropeognathus fossil: by Tim Evanson, https://commons.wikimedia.org/wiki/Fi... Diplodocus: by James St. John, https://flic.kr/p/2hcbP4t Titanosaur Skull: by Eden, Janine and Jim, https://flic.kr/p/DVSPpa CC0 1.0 https://creativecommons.org/publicdom... Pterosaur Skeleto: by Gary Todd, https://flic.kr/p/goegB9, https://commons.wikimedia.org/wiki/Fi... Megaraptor skeleton: by ケケケノケ, https://commons.wikimedia.org/wiki/Fi... Plesiosaur vertebrae: by Digital Atlas of Ancient Life, https://skfb.ly/6XrFp Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightplanet   Instagram:   / brightside.official   TikTok: https://www.tiktok.com/@brightside.of... Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me ---------------------------------------------------------------------------------------- This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information in this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgement, care and precaution if you plan to replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices

We have talked about all manner of fundamentals of research on fossils over the years here on Terrible Lizards, including finding and excavating fossils, writing and publishing papers, reconstructing animals from fragments and more. But we've somehow really glossed over the role of museums that store and protect fossils and make them available for research, as well as carrying out their own work too. In order to correct this oversight, today we welcome ReBecca Hunt-Foster who is the curator on the legendary Dinosaur National Monument in Utah. Here she takes us through her background and research and the challenges of looking after one of the most famous and important dinosaur sites in the world.   Links:   https://www.patreon.com/terriblelizards ReBecca on Bluesky: @dinochick.bsky.social Here's the link to the US National Parks website about Dinosaur National Monument: https://www.nps.gov/dino/index.htm An old blogpost of Dave's about the bitten baby Diplodocus femur: https://archosaurmusings.wordpress.com/2018/04/22/non-tyrannosaurs-biting-like-tyrannosaurs/

Êtes-vous certain de maîtriser la langue française ? Règles de grammaire étonnantes, abus de langage, vocabulaire mal employé, origine insoupçonnée d'expressions... vous allez être surpris ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Our podcast started 4 years ago! It's hard to believe how quickly time went by. In this episode we'll learn about the amazing sauropod, Diplodocus. And as an added bonus, Dinosaur George's assistant Noah stopped by the studio for an interview. 

Darkness Syndicate members get the commercial-free version: https://weirddarkness.tiny.us/mreuam32IN THIS EPISODE: The Warren Commission concluded in 1964 that the same "magic bullet" that struck President Kennedy then also proceeded to slice through multiple layers of skin, bone, clothing, and muscle tissue, taking a strange and unbelievable zigzag pattern… lending credence to the single shooter theory. But many thought the idea was ludicrous. Now it appears the magic bullet theory may not be as crazy as it sounds. (The Truth Behind The Magic Bullet Theory) *** Reports have been coming in for centuries even through modern times of a creature in the Congo that, by all descriptions, looks to be a living Diplodocus or Brachiosaurus. They call it Mokèlé-mbèmbé. (Dinosaur in the Congo) *** When it comes to close encounters of the third kind, we immediately think of the tiny gray aliens made famous in film and television – but there are more species than just the grays. Many more. (Alien Races That Have Contacted Earth)SOURCES AND REFERENCES FROM THE EPISODE…“Is It True That Darren Marlar Is a Reptilian Alien From Sirius?”: http://weirddarkness.com/archives/4572“Alien Races That Have Contacted Earth” by Adriana John from Wonderlist: http://bit.ly/2kGIaGP“Dinosaur in the Congo” by Wu Mingren for Ancient Origins: http://bit.ly/2mgQtt6“The Truth Behind The Magic Bullet Theory” by Marco Margaritoff from All That's Interesting: http://bit.ly/2l9k3AK(Audio clip used in story is from Warner Bros' film “JFK” directed by Oliver Stone:https://www.imdb.com/title/tt0102138/)Weird Darkness theme by Alibi Music Library.= = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: September 24, 2019CUSTOM LANDING PAGE: https://weirddarkness.com/alienracesthathavecontactedearth/

INFESTATION: ANNECY ANIMATION FEST 2024 – “DIPLODOCUS” Our man in Poland, Maciej Kur, gets to go to the Annecy Animation Festival every year (lucky bastard) and bring us back news of what's good. This year, he again teams up with Spidermike to lay out what's coming soon in the world of animation for the rest… Read More »Infestation: Annecy Animation Fest 2024 – “Diplodocus”

INFESTATION: ANNECY ANIMATION FEST 2024 – “DIPLODOCUS” Our man in Poland, Maciej Kur, gets to go to the Annecy Animation Festival every year (lucky bastard) and bring us back news of what's good. This year, he again teams up with Spidermike to lay out what's coming soon in the world of animation for the rest… Read More »Infestation: Annecy Animation Fest 2024 – “Diplodocus”

Live edited recording at The Oxford Fire Station on 25/05/2024. Live Anniversary Q&A for the Oxford Podcast Festival It's the 4th (!) anniversary of the launch of Terrible Lizards and this came at a perfect time as Iszi and Dave got invited to do the recent podcast festival in Oxford. So, while we have our usual end of series Q&QA episode in a few months, here we have an early one with questions from out live audience. We thought that was more appropriate then for us to just rabbit on (or dinosaur on) in front of people and it made for a pretty compelling exchange, the time simply flew by. An obviously thanks to the organisers for hosting us and especially to all the people who actually trekked there (from Edinburgh! From Germany!) and then spent actual time to just listen to us. It's still all rather confusing and unsettling, but they say it takes all sorts to make a world. Anyway, here it all and happy birthday to us, and thanks for listening.   Links: Podcast festival link: https://www.saintaudiopodcastfestival.com/ Support us on Patreon for extra content: https://www.patreon.com/terriblelizards

Join Digger Rex as he excavates the Hanksville-Burpee Dinosaur Quarry near Hanksville, Utah, a small town rich in history and surrounded by stunning landscapes. This quarry is a paleontologist's dream, known for remarkable finds like the colossal Apatosaurus and Diplodocus!

The six days of creation provide a unique inversion to us today, because initially the order of the objects doesn't appear to make sense. After all, the sun appears on the fourth day, after the land and oceans were created. Every middle schooler who reaches the fourth day of creation can see a problem here, because the sun surely preceded the earth in terms of formation. Did we not just read in the opening verse of the Bible that “God created the heavens and the earth”? Is Genesis already switching the order and putting the sun, which is part of the “heavens,” after the earth? Did we just go from “Heavens First” to “Earth First”?This is where we apply our modern science to the book of Genesis, and in doing so we lose the wonder. But it's ok, there is an inversion waiting for us here, too. The sacred writer of Genesis did not know that the earth was round. Or maybe he did know. Or perhaps he thought it was shaped like a sausage. The point here is that it doesn't matter. I realize that saying “The shape of the universe doesn't matter” is blasphemy to a materialist who thinks that truth can only come through scientific proof. But this is the reason why materialists tend to get nothing out of the Bible, particularly the creation story. The spiritual reading is lost entirely unless you are willing to believe in spiritual things. And the first thing that you must be willing to believe in…is God. If this first principle is not in place, the Bible will be a strange read throughout and you will be sneering the entire time. If you approach it with doubt, you will get nothing from it. If you approach it with the eyes of faith, you will get the whole universe and the heavens, too. The key piece of being “willing” does not mean abandoning reason. Rather, it means using reason with faith, because they go together. One of the greatest documents from a Pope ever written is about Faith and Reason (in Latin, Fides et Ratio). It begins like this: Faith and reason are like two wings on which the human spirit rises to the contemplation of truth; and God has placed in the human heart a desire to know the truth—in a word, to know himself—so that, by knowing and loving God, men and women may also come to the fullness of truth about themselves. Thus, if you approach the Bible like a half-formed ghoul, with only reason, or only faith, or only your body, or only your soul, you will miss the point, to your detriment. If you come with only faith, you will be a Fundamentalist. If you come with only reason, you will be a cold atheist. Why be either one? Be whole. Be your whole self, as God intends us to be. (Hint: These inversions are really about becoming a whole person, body and soul, with faith and reason.) When we express belief that the Bible is “inerrant” we mean in terms of faith and morals, not mathematical truths. But if you consider “reason” to only cover provable concepts and material things, then you will be a one-trick pony who has to play dumb when considering art and beauty. No scientific answers come for the great questions, or even basic ones like “Why is a sunset beautiful?” or “Why do children bring such tears and joy?” or “How did that song change my life?” or “Why do I feel the Presence of God in a silent adoration chapel?”Beauty is a great lead-in to God, but Biblical inerrancy is a hard sell today. Thus, we should stop trying to sell it at all. I am tired of being sold. Who is not tired of being sold, when all we see is marketing from dusk ‘til dawn? I don't want a product or an experience, I would like authenticity and truth, and there is not even an atheist that I know who doesn't see both of those things in Jesus Christ. And if you don't see the supernatural in Christ, then you cannot fully see His authentic truth, as He is the way, the life, and the truth. This requires no song and dance, just as Jesus did not dance for us. We must remember the purpose of sacred scripture is not to give us the Pythagorean theorem, but rather to give us spiritual truths. When we read Genesis, at certain points we may be reading the “science” of the day when it was written, or we may not be. Just as the science of Ptolemy's day put earth at the center of the universe (and was wrong), so was the science of the day of Moses wrong about the shape of the earth. Funny, then, that “the science” can change but God does not. This is why the phrase “Follow the science” is so slippery and fraught with missteps. Truly, our model of the universe we have today will likely be quaint and silly in a century. The beauty of sacred scripture is that it opens a conversation, rather than delivering a hard answer, as we expect math to do. Here is where the idea of “mystery” bothers us modern people, but the mystery of scripture is directly caught up in the ultimate mystery of God, who created all things out of nothing, who is the “sheer act of being itself,” who formed us out of clay (or atoms if you like). What could be more fun than this escape room outside of the Garden, where at the end we can be with the God Most High, who transcends all? We love mysteries. Why shouldn't we love the conversation with the greatest mystery of all? I urge you: set your Google-brain aside, and embrace the mystery. And the first part of that mystery and conversation that gets us spun around and walking away is the six days of creation and the shape of the universe. However, this is exactly the place where if you come back to it with faith and reason, it can open up a story that transcends what happens in NASA's images of outer space. The pictures of the Crab Nebula are beautiful, but there is another view of the universe beyond the stars. The shape of things, as seen by Moses, in the spiritual view is like a house. There is an upper, middle, and lower section. You might call this the heavens, earth, and hell worldview. This is much like a house. But this is not to address anything related to science, it is about addressing the physical and spiritual reality that we occupy. Now, here we must briefly pause for the Galileo affair, the most misunderstood event in modern history. If you have not read a history of what really happened with Galileo, I recommend you read Galileo Revisited: The Galileo Affair in Context, because a fascinating tale it truly is. The story you may have heard has been massaged by propaganda writers who really dislike the Church. In fact, one of the best summaries of the Galileo affair is from an episode of the History for Atheists podcast. We live in strange times. The God-deniers first stoked the myth of the Galileo story, and now various God-deniers are looking back and de-bunking the propaganda of God-deniers.Let's get to the point: the geocentric model of the universe was not devised by the Church. In fact, the model of Ptolemy came from the science of Egypt long ago. Long before that were other models, like the “Firmament” idea we find in Genesis, which many find funny today. Any beefs that we have with the shape of the physical universe is an academic discussion, not a spiritual one. Too much time and energy has been spent away from the spiritual life, and it seems that the model where the earth or humans are at the center is always a bad model. We think too highly of ourselves. (Note: we can think highly of ourselves as we are made in the image and likeness of God, but with humility in knowing that we are not God). In Genesis, the model is simple. It is speaking to our human reality. As a human being, I can look up, I can look at eye-level, and I can look down. I know there is something higher and something beneath. Here on dry land, I live on the “main floor.” The spiritual upper and lower rooms have deeper meanings. I can't go to those floors right now, but I know they are present. The error we can make is to think that our eye, on the main floor, is at the center of the universe. This is perhaps the ultimate error. The de-centering of mankind is essential to humility, and if anything, we should be grateful to science for doing just that. To be de-centered is humbling, and wonderful. Thus the simple vertical world of up/heaven, middle/earth, and down/hell in Genesis should not cause us any alarm, because if we live long enough, we will get to see this same de-centering of our own settled science. It will be proven wrong. Yes, the science we are certain of today will be modified, perhaps wildly modified, by future findings. How do I know that? First, because scientists are nowhere near the full understanding God's universe. Second, because science cannot test and verify spiritual things, as science cannot test for God. It's a ludicrous idea, like 2 + 2 = 5. Hopefully this does not shock you: our current model of the universe is wrong. Yes, it's accurate enough to build houses and space stations, but wrong in ways we don't know about yet. But that's good: it gives graduate students something to do. If the puzzle were complete, we would become bored and go crazy (mainly because we fail to realize that boredom can actually lead to serenity, but a discussion on concupiscence will come later). An inversion sits here in this space, because this is where our approach to scripture must step into the spotlight. Now, I could say this inversion is about reading the Bible in the four senses of scripture, which is critical, because these ways will expand the text for believers and unbelievers. The literal, allegorical, moral, and “how it relates to Christ” readings are all important. But there is a more subtle inversion for us. The inversion here is that we assume that all we know today is the same that we will know tomorrow, and many 19th-century Germans who thought themselves clever are beginning to look more foolish with each passing decade. The same is happening for 20th-century academics, such as those involved in the “Quest for the Historical Jesus,” as if they were Lancelot and Percival. However, in this relentless dissecting of the Bible as a dead body, scholars took the historical-critical method to its logical end. Now we have some good data and a bit of useful information from that quest. Better yet, now we can use that data to further our understanding of God. The rest we can throw away. As St. Paul said, “Test everything; hold fast what is good.” This is great advice because all of the Bible scholars who tried to turn Jesus into a common teacher of ethics or tried to reduce Moses into a mere model of the will-to-power, are now gone and so are their anti-Semitic and anti-Catholic theories. We can keep what is useful, and toss out the rest. (Julius Wellhausen, Rudolf Bultmann, Bart Ehrmann, et al: goodnight, gentlemen - thank you for the data, as we can now use it to increase our faith.)For a long time, Biblical scholars have been doing violence to the Bible because they see it as a work of literature rather than a sacred text. The era of “Comparative Religion” courses at universities is waning, as is the dogmatic absurdity of the “Q source” Gospel, a hypothetical document that does not exist. (And if anything it would be an early version of Matthew in Hebrew, written by the apostle named Matthew.) In another twenty years, a vast swath Biblical scholarship will be swept aside and flung into oblivion, as artifacts of an era riddled with excess curiositas and too little humilitas. However, we are living in a long hangover from attacks on scripture, and need some fasting (not Taco Bell) to cure this hangover. The old German doubters' and comparative literature ideas are still ringing in lecture halls, killing off one student's faith at a time. Professors of Bible scholarship can't get hired if they disagree with a secular dogma of a Bible that doesn't believe in miracles, spirits, or even God. This begs many questions that we'll avoid for now. For the past two centuries, academics have been approaching the Word of God with “reason alone” and using suspicion as their interpretive key, but the key has worn out, or God has replaced the locks. When we hear that Jesus' miracle of multiplying the loaves and fishes was just people sharing the bread that they had brought, we should laugh out loud. This miracle is one of the few that all four Gospel writers recorded. “Sharing” is not a miracle. Sharing is great, but it's not mind-blowing or life-changing. The apostles did not get bludgeoned, burned, and buried to proclaim the good news of “sharing.” Sharing is nice, but we know all about sharing without God becoming incarnate and dying on a cross to defeat the world, the flesh, and the devil.So we come to the inversion of how we should approach the Word of God. Even before you open the book, this approach decides what you will receive from the text. In the introduction to the Navarre Bible, a quote sums up the way we should approach the Bible, which inverts the way modern scholars read:“…the interpretations of Scripture should never be approached as a research exercise dependent on the researcher's technical skills. It is, rather, an encounter with the Word of God in the living Tradition of the Church…” (Pentateuch, p 16.)For several centuries now, we have been poking at the Bible like a dead trout washed up on the riverbank. But the Bible is much more like a giant whale that cannot be caught…yes, like Moby Dick. We have stopped reading the Word as sacred and started reading it like a biology book, where nothing supernatural or exciting ever occurs. We need to read it like it has the answers to the Biggest Questions, because it does.The death of many people's faith began in the era of the Renaissance and Reformation, as we began to discover new places and models of the universe. I do believe that this was all part of God's plan. Of course it was; everything is part of God's plan. Likewise, God's truth about the universe will lead to the death of our modern idols, too. It is inevitable. In the thousands of years from the first Passover to the Paschal Mystery to today, many great saints lived alongside many sinners, and many saints started out as great sinners. This exit and return from God, back to God is indeed the road home, as the parable of the Prodigal Son said (and so say we all!). The parable of the weeds and wheat applies in history and today, and it applies within each one of us. And like King Josiah had to smash to the idolatrous “high places” in the book of 2 Kings, so must we, and today the main idol that is a stumbling block for faith is not a golden statue or stone pillar, but ideologies and the idol of the “self.” Idols always need smashing. We are in yet another era of strange idols, so let's get to smashing (don't smash yourself, just the false image of the “self” as idol.) If you think God is not working to do the same things now to the idols of modernity as he did to past idols, your assumption of final knowledge will eventually come for you, or even burn you, just like it did to so many 19th century Germans' grandchildren in the 20th century. As for those who believed in such silly things as a flat earth and six day creation, those people were not as simple as we think. Rather, we too will seem simple in a hundred years, let alone a thousand, if the Lord does not return before then. Remember that Genesis is not teaching science or the shape of the universe - that is the task of the scientists and scribes of each age. What sacred scripture teaches is humility before God. If we approach scripture with humility, we will see the forest instead of the tree. If we approach the Word of God in wonder, we will choose the tree of life, rather than the tree of knowledge of good and evil. The tree of knowledge is the one that says, “I know better than God.” In defense of those ancient scientists and scribes, let's imagine for a minute what the world looked like to them:When we live purely by the senses, without the aid of telescopes and books and knowledge handed down, the world does appear to be flat. While I am not a “flat earther,” most of the time the world is actually flat. Most of the time, I am not pondering the sphere I am standing on. I am getting groceries or walking the dog, and everywhere I go is flat in this Minnesota prairie land. Thus, it's reasonable that people believe in a flat earth because we cannot see the sphere. However, we have come to know better through reason, which is a great gift from God to us. With reason, we can use induction and deduction to arrive at conclusions. We can even make proofs about the roundness of the world. What we “know” by the senses alone is not always accurate. Our senses can fool us. This is why seductive beauty can be so deadly, but also life-giving. Beauty is like water or fire in this way, where it can aid life or destroy it. However, the same applies to reason, and by reason alone we can only get so far. By reason alone, we cannot reach the spiritual unseen realm, but we can know it dimly by logic and science. Yet there is more. By art, music, and literature, we can know of spiritual realities. Just as we can measure the earth by reason, we can at least open the door a crack to spiritual realities by art. Everyone has a song or lyric that brings tears to their eyes, a feeling that touches on something deeper than they can articulate. But to fully open the door to faith beyond this world and life requires a “willingness” to be willing, and the act of faith by our will invites our intellect into a broad new expanse that is beyond all sense and calculation. Observation and reason can take us to the door, but faith must place the key in the lock and turn it to walk into that panoramic spiritual valley. Since I cannot see all things at once, I take it on faith, from science, that the earth travels around the sun, not the other way around. I really have no means (or motivation) to prove it, which is why it makes sense to me that, prior to Copernicus, the prevailing wisdom and mathematical models did not have the sun at the center of the solar system but rather the earth. My eyes can see that the sun travels over the sky - yet the senses can deceive us. I myself have not empirically proven that the sun is at the center of the solar system, but it's wonderful that mathematicians and scientists managed to prove it. But contrary to popular belief, this dance of the sun and earth does no damage to the religious truth presented in Genesis. None whatsoever, because the two things are related yet separate. Here is something important to pause on: for people who lost their faith because the earth was no longer at the center of the solar system - they were inverted the wrong way. They were not seeing God correctly. Their God was too small. Likewise, when the “New World” was discovered, a falling away from faith occurred in Europe. Enlightenment writers said that that “man was decentered” by science; man was knocked off a pedestal by the findings of Galileo and Darwin and others. Also, geology and the discovery of dinosaur bones put man into a tiny sliver of time, making him question his centrality in the order of the universe. When I was young, this all seemed to point to religion as the enemy of the truth. Having been raised in the cult of Protestant liberalism (also called the United States of America), this made for a very strange childhood experience. We were like the mythical Pushmi-Pullyu animal of Dr. Doolittle, getting yanked in two directions by two heads. On the one end, all the history books and literature showed that science had dethroned man as the measure of all things. Then on the other end, the cults of liberalism and humanism preached freedom, self-esteem. So at the same time: I was being showered with praise for my uniqueness and specialness while scientific proofs declared me smaller and smaller. Is it any wonder that we are now confused? These two things don't flow together well. If man is not central, but is merely matter, then what ruse are the humanists trying to play with the endless plug of uniqueness? This raises a larger question, however. If man is not special, and is instead like any other species, to what do owe our “self-esteem”? If there is no soul, as public school and modern media taught us, then meaning is only what we make for ourselves, is it not? This is a tall order for each person to determine, since we must all start from scratch. But the truth is: we don't need to do any of that, if we submit our intellect and will to God. The question is already answered, if we are only willing to set pride and vanity aside for peace and hope. Truly, none of this can make sense without God as the beginning and end of all things. Thus the phrase, “made in the image and likeness of God” is so powerful, because it puts us into a relationship with His transcendence, into a nearby friendship that resolves both our smallness and our uniqueness. He is not so far that we cannot know him, nor so close that we are him. We are not God, but we are his friends. The contradiction here is that the Enlightenment spilled much ink, and even more blood, in attempts at making meaning. When the various revolutions of liberalism and communism and capitalism failed to bring the cure for sin, the humanists took up the standard and attempted to shock us to life with a foundationless hype regarding self-worth. But without God, it falls flat. Now: the problem is as follows. Placing man or the self at the center is an error. Genesis and the order of creation de-centers us. We are more valuable than many sparrows, yes, but we are not more valuable than God, or even the angels. Knowing our placement in creation brings freedom, because it allows us to willingly bend the knee to God for his grace and glory. From our proper place we can love and serve. Some people believe that the dinosaurs bones were sown into the earth to test our faith. While I find this to be absurd, it's not exactly wrong. Because if the existence of giant reptiles from a period long ago causes us to lose belief in God, then we had an error-ridden faith to begin with. If the concept of evolution upsets our ability to kneel and pray, perhaps we have never really kneeled and prayed. If anything upsets our trust in God, then we may be projecting what we want to be God, rather than receiving in humility what is God's truth. This is not a defense of creationism or darwinism or liberalism or any other “ism”: this is a goodbye to human pride masquerading as faith in God. The truth is that we are not the central item of all creation, we are a part of all creation, and a very important part. We are loved by God, more than the rest of creation. We are different from all other creatures. We are special, but not more special than God. Coming to trust in God's will means to follow Jesus' advice to “consider the lilies of the field” who do God's will without toiling or spinning. They do not worry, they do not fear - they reach up their petals to heaven, glorifying his creation. What I am getting at goes all the way back to Christ on the Cross. Upon the Cross you have the summary of all necessary first principles. On the Cross, the strangest experience in all history happened. The theory of evolution should not disturb you. The Christian story of the Creator of the universe being born into this world by a woman named Mary, living among us, performing miracles, and then being crucified by us - that is what should disturb you if you fully come to understand what it means. Dinosaur bones? The beak of the finch? A new continent across the Atlantic? The sun's position in the sky? Those are the things that made us stop believing? Those are the things that led us away from God and into the dead arms of modern idols? We trade our inheritance far too cheaply. What this means is something troubling. Most of us believers are not that serious. Most of us are just in it for Donut Sunday and cultural benefits. We may say, “Jesus, I trust in you,” but not really mean it like St. Faustina did. We were warned by Jesus about Donut Sunday faith. He said “…there are many who will say, ‘Lord, Lord, did we not prophesy in your name, and cast out demons in your name, and do many deeds of power in your name?' Then I will declare to them, ‘I never knew you; go away from me, you evildoers.'” And in hell, of one thing I am certain: there are no donuts on Sunday or any other day of the week.No wonder our faith was sunk. Our trust is really in ourselves. We say we trust and believe, but we don't. We don't go out into the world and take action like Abraham did. We don't comply with God's will like Moses did, when he insanely walked into Egypt to scold Pharoah, the most powerful man in the world. More than words or going through the motions, real trust in God means doing, partaking of the Sacraments, and even praying for your enemies. When geocentrism or evolution causes us to stop believing, we are like Peter walking on water who focuses on the wind. As the Lord said to Peter as he fell into the water, “Oh you of little faith, why did you doubt?” No finding or discovery should shake our faith. If anything, it is only a test to find out if we trusted God in the first place. As the Lord said to the Apostles, “In this world you will have trouble, but take heart, for I have conquered the world.” We are too afraid to fully trust. St. John Henry Newman said, “Ten thousand difficulties make not one doubt,” and here I've only listed four: dinosaur bones, beaks, the discovery of the Americas, and the position of the sun. That leaves 9,996 difficulties yet to go before a single doubt should even be entertained. If Darwin or Columbus or Copernicus or Diplodocus caused our faith to die, then our faith was not sailing free and fully trusting God, but was moored to the dock of the self long before we arrived at our current wacky age of postmodernism. The key to understanding where we sit in the order of creation is to know that God is far beyond our understanding, yet is simple, true, good, beautiful, omnipotent, and omnipresent. The key to the good life is knowing that God is at the center, not me. If a discovery here on earth is made, nothing about God changes. New findings should not rattle faith if the right ordering and principles are in place, because truth cannot contradict truth. And none of the revelations of science in the last five hundred years have done anything to displace the truth of “In the beginning God created the heavens and the earth.”Where the earth sits in the universe, where mankind sits in time and space, how our thumbs may have developed, or what land is discovered, what formulas are yet to be discovered - none of these things disrupt or shake the Creator of all, from whom all Being extends. If any of these things shattered faith, or embarrassed believers, then the faith was not built upon a rock but was actually sitting on sand. Evolution or heliocentrism changes nothing about faith and morals, beginnings and endings, bodies and souls. It just changes the map of the heavens, or the timeline of salvation. But God is always up, and hell is always down. As for God, these revelations are like me throwing a pebble at the moon from my driveway. Not only can the pebble not reach the moon, even if it could, it would have no impact. To me, the findings of evolution are interesting but not that important for the Biggest Questions, because humility before God has precedence. If his creation developed, it seems all the more amazing. However we came to the day of the Fall, the Fall happened, and it happened with the first two people from which we all inherit our concupiscence. The topic of how my body or brain may have developed is interesting, but not necessary for salvation. If the Fall happened 6,000 years ago or 60 billion - it makes no difference. I must live today and keep God's commandments, not because I have to but because I want to. The Fall happened, and that's what matters, and I can prove it by own penchant for sin, and I can only overcome it through the work of Jesus' redemptive suffering. If tomorrow aliens arrive, a believer should not be alarmed. The best thing to do would be to invite Gleep-Glorp to Holy Mass. If tomorrow the physicists do indeed prove there are infinite universes or that we are living in a video game, this should have no impact on a faith that knows that “In the beginning God created the heavens and the earth.” This is the certainty in which you may sail uncharted waters, outlast storms, converse with aliens, navigate confusion, resist mutiny, endure war, suffer famine, persevere in poverty, ignore propaganda, and resist fear. The main thing to be wary of is those who preach against the spiritual truth of the creation, the fall, and the resurrection. Thinking about the cosmology of the universe is fascinating because it all leads to greater wonder in creation. But in my day-to-day life, I need to prepare food on the main floor of this “house.” In some respects, you might say that I offer up prayers to the top floor, while living on the main floor, and as for the basement - well, I don't want to go there. The house is haunted with spirits. There are spirits on every floor of the house. And the sooner you realize this, the less fearful you will be, because even now they are watching you. They are always watching you. I don't want to scare you at the end of this inversion, but as Nirvana said in its lyrics: Just because you're paranoidDon't mean they're not after you The next inversion is about angels and demons. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit whydidpetersink.substack.com

Originally mounted in 1907, the Carnegie specimen is the best example of the sauropod dinosaur Diplodocus, and perhaps the most famous dinosaur skeleton in the world. Casts of the specimen, including the London example known as “Dippy”, were distributed around the world during the early 1900s, and a final concrete cast was even created in 1957 for the Utah Field House at Vernal. Although the moulds used to create these casts were lost sometime during the 1960's, new ones created from the concrete skeleton have allowed second generation casts to be made, with some elements being incorporated into other iconic mounts.

Adele's partner in crime is the palaeo formerly known as Samantha Rigby and fellow Australian Age of Dinosaurs alumni! We revisit Winton in outback Australia to chat about sauropods, bones behaving like bubble wrap, bounding baby dinosaurs, and the advantages of 3D scanning.   Plus a quick random fossil fact on Dippy the Diplodocus starring as a Krayt dragon on Tatooine in Star Wars. This episode is brought to you by Dinosaur Trips! Explore the world and see the best museums, meet experts and even dig up real dinosaurs. For more info visit dinosaurtrips.com and email zach@dinosaurtrips.com about the Badlands and Beyond Trip.Dinosaur Trips It's been 66 million years. Why wait any longer? Join an upcoming trip!Pals in Palaeo @palsinpalaeoHost: Adele Pentland @palaeodelOnline StoreTranscriptsThe Pals in Palaeo Cover ArtJenny Zhao Design @jennyzdesignCrumpet Club House@crumpetclubhouse The Pals in Palaeo Theme MusicHello Kelly @hellokellymusic Podcast Producer + Editor Jean-César Puechmarin @cesar_on_safariPodcast EditorFrançois "Francy" Goudreault @hellofrancy

LOOP 5.1: It's episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we're served up a confusing ‘dinosaur sandwich' metaphor. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

Today we talk about the Diplodocus, and today we have a webcam. during sauropod month Remember to follow me at Prehistoric_Life_Podcast on instagram and check out the new website PrehistoricLifePodcast.com and on youtube @prehistoric life podcast

On this episode of Life, the Universe & Everything Else, Ashlyn, Lauren, Gem, and Laura are joined by Marissa McCool to discuss some of the ways science and society have changed in the last two decades. Life, the Universe & Everything Else is a podcast that explores the intersection of science and society. Taste Buds: … Continue reading Episode 195: Pure Diplodocus Erasure →

*Welcome Carl Baugh. Ph. D.: One in a long list of men who bought the truth and wouldn't sell it, and by well-doing put to silence the ignorance of foolish men. He's the Founder and Director of the Creation Evidence Museum of Texas in Glen Rose. He is the discoverer and excavation director of sixteen dinosaurs, including Acrocanthosaurus in Texas and Diplodocus in Colorado. After more than forty years of work and research in creation science and ministry, he directed the construction of a 1/20th scale replica of the Ark now in the museum and holds a U.S. Patent on the gopherwood process. Dr. Baugh lectures internationally on evidence for scientific creation on television and radio, and in schools, and in churches. He stands firmly AGAINST the theory of evolution and FOR the Biblical account of creation.   *Go Figure Gopherwood: Ever wonder about the "gopherwood" God commanded Noah to use in building the Ark? Hear from Dr. Baugh what structural interlamination & gopherwood are, what may have been the adhesive Noah, (and later Neaderthals) used to make it, and how he got the patent for the gopherwood process!   *Get a Load of This: Hear how the building load of genetic mutations observed in the human genome proves man is devolving, not evolving, (and explains why it seems like everyone's getting dumber.   *Creation Evidence Museum: Visit the Creation Evidence Museum of Texas and see how sound produces light. And see the thin sectioned dinosaur tissue (and the stomach contents of trilobites) reveal collagen when viewed through one of the polarizing microscopes at Dr. Baugh's museum (and so much more) give evidence that "In the Beginning God created!"   *Revisiting the Paluxy Footprints: From George Adams to Charlie Moss, to Carl Baugh; hear about the documented evidence and Carl's account of the excavation of human & dinosaur footprints in the Paluxy River bed outside Glen Rose Texas. Some of which, (the human's that is) still withstand all attempts to discredit them).  

*Welcome Carl Baugh. Ph. D.: One in a long list of men who bought the truth and wouldn't sell it, and by well-doing put to silence the ignorance of foolish men. He's the Founder and Director of the Creation Evidence Museum of Texas in Glen Rose. He is the discoverer and excavation director of sixteen dinosaurs, including Acrocanthosaurus in Texas and Diplodocus in Colorado. After more than forty years of work and research in creation science and ministry, he directed the construction of a 1/20th scale replica of the Ark now in the museum and holds a U.S. Patent on the gopherwood process. Dr. Baugh lectures internationally on evidence for scientific creation on television and radio, and in schools, and in churches. He stands firmly AGAINST the theory of evolution and FOR the Biblical account of creation.   *Go Figure Gopherwood: Ever wonder about the "gopherwood" God commanded Noah to use in building the Ark? Hear from Dr. Baugh what structural interlamination & gopherwood are, what may have been the adhesive Noah, (and later Neaderthals) used to make it, and how he got the patent for the gopherwood process!   *Get a Load of This: Hear how the building load of genetic mutations observed in the human genome proves man is devolving, not evolving, (and explains why it seems like everyone's getting dumber.   *Creation Evidence Museum: Visit the Creation Evidence Museum of Texas and see how sound produces light. And see the thin sectioned dinosaur tissue (and the stomach contents of trilobites) reveal collagen when viewed through one of the polarizing microscopes at Dr. Baugh's museum (and so much more) give evidence that "In the Beginning God created!"   *Revisiting the Paluxy Footprints: From George Adams to Charlie Moss, to Carl Baugh; hear about the documented evidence and Carl's account of the excavation of human & dinosaur footprints in the Paluxy River bed outside Glen Rose Texas. Some of which, (the human's that is) still withstand all attempts to discredit them).  

Welcome to the Juras-Sick Park-Cast podcast, the Jurassic Park podcast about Michael Crichton's 1990 novel Jurassic Park, and also not about that, too.  Find the episode webpage at: Episode 63 - The Beach. In this episode, my terrific guests Dave Rossi and Ethan Ullman from Dave and Ethan's 2000" Weird Al Podcsat join the show to chat with me about: Now That's What I Call Polka!, weirdalpodcast.com, The Lost World: Jurassic Park, major dinosaur fans, reading Jurassic Park, Crichton's employ of hubris, Dippy the Diplodocus, attending Weird Al concerts and the "Al-Induced Haze," becoming a part of the greater Al fandome, being extras in Weird: The Al Yankovich Story, their detailed recap of being extras in the film, being collectors, defining the Yankosaurus (and the Polkaroo), Weird al and Jurassic Park (the film), having fun chatting about Weird Al's Jurassic Park music video, the hilarious graphic violence, Frank's 2000" TV, and much more! Plus dinosaur news about: New theropod dinosaur from the Lower Cretaceous of Japan provides critical implications for the early evolution of ornithomimosaurs (tyrannomimus fukuiensis) Dinosaur Brooding Behavior and the Origin of Flight Feathers (velociraptor nesting) Featuring the music of Snale https://snalerock.bandcamp.com/ Intro: Chinese Cafe.  Outro: Sally Ride. The Text: This week's text is The Beach, spanning from pages 393 – 395. Synopsis: The nest invaders, Gennaro, Grant and Sattler, follow the velociraptors through subterranean tunnels, out a beach, and upon observing their strange behaviour, Grant is struck with an epiphany, that they are instinctually driven to migrate!  Discussions surround: Humility Before Nature, and The Name Game! Corrections: Side effects:  Careful ... things may get weird! Find it on iTunes, on Spotify (click here!) or on Podbean (click here). Thank you! The Jura-Sick Park-cast is a part of the Spring Chickens banner of amateur intellectual properties including the Spring Chickens funny pages, Tomb of the Undead graphic novel, the Second Lapse graphic novelettes, The Infantry, and the worst of it all, the King St. Capers. You can find links to all that baggage in the show notes, or by visiting the schickens.blogpost.com or finding us on Facebook, at Facebook.com/SpringChickenCapers or me, I'm on twitter at @RogersRyan22 or email me at ryansrogers-at-gmail.com.  Thank you, dearly, for tuning in to the Juras-Sick Park-Cast, the Jurassic Park podcast where we talk about the novel Jurassic Park, and also not that, too. Until next time!  #JurassicPark #MichaelCrichton

I andra delen är vi kvar i Juraperioden och möter bland annat Timmy Tagg, en Stegosaurus med både ryggplattor och reservhjärna. Lyssna på alla avsnitt i Sveriges Radio Play. Om serien Hör allt om dinosaurietiden från en som själv var där! I Tony T-Rex familjealbum berättas fakta om dinosaurier på ett lite knäppt och roligt sätt. Vem var störst, farligast, snällast och snabbast? Serien passar för 4-10 år ungefär. Frågor till avsnittet: Hur lång kunde en Diplodocus bli? Åt alla dinosaurier kött? Hur farliga var taggarna på en Stegosaurus-svans? Vad tror du att Stegosaurusens ryggplattor var till för? Medverkande Författare: Michael BentonIllustratör i boken: Rob HodgsonÖversättning: Jan RishedenBerättare: Johan GlansFoton: Martina HolmbergMusik: Kristina Issa och Viktor SandströmProducent: Astrid Mohlin, Barnradion

Find Weird Darkness in your favorite podcast app at https://weirddarkness.com/listen. PLEASE SHARE WEIRD DARKNESS® in your social media and with others who loves paranormal stories, true crime, monsters, or unsolved mysteries like you do! ==========HOUR ONE: Swamplands and marshes are dangerous places, with venomous snakes, crocodiles with razor sharp teeth, and the uncertain bottom, not knowing how deep the water is. But there is another reason to avoid the marshes and swamps… as they contain evil spirits and demons. (Swamp Demons) *** Those who venture down one particularly eerie New Jersey roadway report restless spirits, a haunted lake, and glowing orbs of light. (Shades of Death Road) *** Did an extraterrestrial invasion take place in Bowling Green, Kentucky? One woman insists it did. (Aliens in Kentucky) *** If the dream world feels just as real as the waking one - at least while we are in it - how can we know for sure that we're not currently living in a dream, a dream from which we may one day wake up? (Is Life a Dream?) *** But first… always mocked for his size, Don Gaskins was intent on getting the last laugh… and hitchhikers were his preferred victims. We begin with that story. (The Pee-Wee Killer)==========HOUR TWO: The Warren Commission concluded in 1964 that the same "magic bullet" that struck President Kennedy then also proceeded to slice through multiple layers of skin, bone, clothing, and muscle tissue, taking a strange and unbelievable zigzag pattern… lending credence to the single shooter theory. But many thought the idea was ludicrous. Now it appears the magic bullet theory may not be as crazy as it sounds. (The Truth Behind The Magic Bullet Theory) *** When it comes to close encounters of the third kind, we immediately think of the tiny gray aliens made famous in film and television – but there are more species than just the grays. Many more. (Alien Races That Have Contacted Earth)==========SUDDEN DEATH OVERTIME: They arise from the ocean like a small army, and they can kill with a single look into your eyes. Beware the spirit ranks… the night marchers. (Deadly Stare of the Night Marchers) *** Reports have been coming in for centuries even through modern times of a creature in the Congo that, by all descriptions, looks to be a living Diplodocus or Brachiosaurus. They call it Mokèlé-mbèmbé. (Dinosaur in the Congo)==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:“The Pee-Wee Killer” by Shannon Raphael: http://bit.ly/2lyPV1D “Shades of Death Road” by Jamie Bogert: http://bit.ly/2lUc2zv “Deadly Stare of the Night Marchers” by Ellen Lloyd: http://bit.ly/2lSUt2P “Swamp Demons” by A. Sutherland: http://bit.ly/2m13qY7 “Aliens In Kentucky” by Caroline Eggers: http://bit.ly/2m0267P “Is Life a Dream” by Sharon Hewitt Rawlette, PhD: http://bit.ly/2m15ijB VIDEO: Is It True Darren Marlar Is a Reptilian Alien From Sirius?: https://weirddarkness.tiny.us/DarrenMarlarIsAnAlien “Alien Races That Have Contacted Earth” by Adriana John from Wonderlist: http://bit.ly/2kGIaGP “Dinosaur in the Congo” by Wu Mingren for Ancient Origins: http://bit.ly/2mgQtt6 “The Truth Behind The Magic Bullet Theory” by Marco Margaritoff from All That's Interesting: http://bit.ly/2l9k3AK(Audio clip used in story is from Warner Bros' film “JFK” directed by Oliver Stone: https://www.imdb.com/title/tt0102138/)==========Join the Weird Darkness Syndicate: https://weirddarkness.com//syndicate Advertise in the Weird Darkness podcast or syndicated radio show: https://weirddarkness.com/advertise Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.==========PODCASTS I HOST:Weird Darkness: https://weirddarkness.com/listenParanormality Magazine (COMING SOON): https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness® is a registered trademark. Copyright ©2023, Weird Darkness.====================CUSTOM WEBPAGE: https://weirddarkness.com/archives/16060This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement

For links to every news story, all of the details we shared about Claosaurus, links from Steve Brusatte, and our fun fact check out https://iknowdino.com/Claosaurus-Episode-449/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Claosaurus, Hadrosauroid that lived in the Late Cretaceous in what is now Kansas, USA.Interview with Steve Brusatte, a paleontologist, paleontology advisor for Jurassic World, and author of a number of paleontology books. He's also the expert reviewer for a new National Geographic Kids book by Stephanie Warren Drimmer, called “How to Survive in the Age of Dinosaurs”In dinosaur news this week:There's a new spinosaurid dinosaur, Protathlitis cinctorrensis, that is estimated to be 10–11m (33–36ft) longA new small theropod was named Migmanychion laiyang for its peculiar hand claws Sponsors:The PaleoPins Collection: Diversity Expansion Kickstarter expands on The PaleoPins Collection with new prehistoric animal skulls! They have new designs like Dunkleosteus, Mosasaurus, and Diplodocus. Plus, as a perk for backing, you get access to the original line of The PaleoPins Collection with over a dozen dinosaurs (plus even more prehistoric animals). Check them out and get yours at bit.ly/paleopinsThis episode is brought to you by Mylio Photos. Organize, Protect, Rediscover a lifetime of photos & videos. Download Mylio Photos for free at mylio.com/dino. Just for our community, get 25% off Mylio Photos+ by going to mylio.com/dino and keep all of your backups perfectly synched and available on all your devices at all times.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For links to every news story, all of the details we shared about Stenonychosaurus, and our fun fact check out https://iknowdino.com/Stenonychosaurus-Episode-448/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Stenonychosaurus, a troodontid that was proposed to be so advanced that it would have evolved into a human like creature if it wasn't for the Chicxulub impact that made the non-avian dinosaurs go extinct.In dinosaur news this week:A neuroscientist's take on whether dinosaurs could evolve to be as intelligent as humansThe debate on what made the dinosaurs go extinct continues, with more arguments in favor of the Chicxulub impactTroodon could change its body temperature and likely brooded its eggs in nests shared with other females of the same species Sponsors:The PaleoPins Collection: Diversity Expansion Kickstarter expands on The PaleoPins Collection with new prehistoric animal skulls! They have new designs like Dunkleosteus, Mosasaurus, and Diplodocus. Plus, as a perk for backing, you get access to the original line of The PaleoPins Collection with over a dozen dinosaurs (plus even more prehistoric animals). Check them out and get yours at bit.ly/paleopinsThis episode is brought to you by Mylio Photos. Organize, Protect, Rediscover a lifetime of photos & videos. Download Mylio Photos for free at mylio.com/dino. Just for our community, get 25% off Mylio Photos+ by going to mylio.com/dino and keep all of your backups perfectly synched and available on all your devices at all times.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week a ‘what I did on my holidays' from Dave, though it wasn't a holiday and he dug a hole in Utah and looked at a ton of museums and quarries. The Morrison Formation is a legendary slice of dinosaur history with a huge number of famous sites, important fossils, and features animals like Diplodocus, Allosaurus and Stegosaurus. After far too many years, Dave finally made it out to some of the best known and most important sites and in this episode reports back to Iszi on what he saw and learned and talks about digging a large hole with no dinosaurs in it while looking for a brachiosaur. It's all very palaeontological, but that seems to suit our audience so here we are.     Dave's new books: https://www.amazon.co.uk/s?k=dave+Hone+Smith+Wayland+dinosaur+book&crid=9EJAFZAAPNJV&sprefix=dave+hone+smith+wayland+dinosaur+book%2Caps%2C86&ref=nb_sb_noss   Dave's not got his act together yet for photos of the trip but here's some classic Morrison sauropods from the Morrison: https://archosaurmusings.wordpress.com/2011/11/11/a-pair-of-giants/ Please do support us on Patreon and unlock extra content: https://www.patreon.com/terriblelizards

For links to every news story, all of the details we shared about Pectinodon, and our fun fact check out https://iknowdino.com/Pectinodon-Episode-447/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.80 ton Alamosaurus, Tyrannosaurus losing to Quetzalcoatlus, and sauropods being killed by lightning (but not for the reason you think).Dinosaur of the day Pectinodon, a Troodontid that lived in the Late Cretaceous in what is now Wyoming and is featured eating flies and a duck-like dinosaur in Prehistoric Planet 2. Sponsors:This episode is brought to you by Mylio Photos. Organize, Protect, Rediscover a lifetime of photos & videos. Download Mylio Photos for free at mylio.com/dino. Just for our community, get 25% off Mylio Photos+ by going to mylio.com/dino and keep all of your backups perfectly synched and available on all your devices at all times.The PaleoPins Collection: Diversity Expansion Kickstarter expands on The PaleoPins Collection with new prehistoric animal skulls! They have new designs like Dunkleosteus, Mosasaurus, and Diplodocus. Plus, as a perk for backing, you get access to the original line of The PaleoPins Collection with over a dozen dinosaurs (plus even more prehistoric animals). Check them out and get yours at bit.ly/paleopinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For links to every news story, all of the details we shared about Baptornis, links from Darren Naish, and our fun fact check out https://iknowdino.com/Baptornis-Episode-446/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Baptornis, a Hesperornis relative that lived in the Late Cretaceous in the Western Interior Seaway of North America and the Turgai Strait of what is now Sweden.Interview with Darren Naish, a paleontologist, author, science communicator, and founder of Tetrapod Zoology. He's also the scientific consultant and advisor for Prehistoric Planet and Prehistoric Planet 2. The PaleoPins Collection: Diversity Expansion Kickstarter expands on The PaleoPins Collection with new prehistoric animal skulls! They have new designs like Dunkleosteus, Mosasaurus, and Diplodocus. Plus, as a perk for backing, you get access to the original line of The PaleoPins Collection with over a dozen dinosaurs (plus even more prehistoric animals). Check them out and get yours at bit.ly/paleopinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(image source: https://a-z-animals.com/animals/diplodocus/) Host Matthew Donald and guest co-host Ben O'Regan discuss Diplodocus, the longest of long boys and the absorber of the awesome but sadly now dubious genus Seismosaurus. Earthquake lizard go kaput. Sad. From the Late Jurassic, this 100-foot sauropod lived in the golden age of its family with so many damn longneck dinosaurs that it's hard to keep them all straight. Why is Supersaurus still valid if Seismo isn't? Sorry, it's a bit of a sore spot for me. Want to further support the show? Sign up to our Patreon for exclusive bonus content at Patreon.com/MatthewDonald. Also, you can purchase Matthew Donald's dinosaur book "Megazoic" on Amazon by clicking here, its sequel "Megazoic: The Primeval Power" by clicking here, its third installment "Megazoic: The Hunted Ones" by clicking here, or its final installment "Megazoic: An Era's End" by clicking here, as well as his non-dinosaur-related book "Teslanauts" by clicking here. Hosted on Acast. See acast.com/privacy for more information.

For links to every news story, all of the details we shared about Ornithomimus, and our fun fact check out https://iknowdino.com/Ornithomimus-Episode-436/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Ornithomimus, the "bird mimic" dinosaur which is the namesake for all the ostrich-like ornithomimids.In dinosaur news this week:An update on how dinosaurs became birds, by looking for the evolution of the front of their wingSauropod expert Michael Taylor et. al have an excellent paper about the concrete Diplodocus of Vernal, UtahMattel is relaunching Barney as an animated series in 2024The Chickenosaurus project—creating a non-avian-looking dinosaur from chicken embryos—is stuck at growing a tail You can dig up real dinosaur bones this summer with Colorado Northwestern Community College! Join them for a two week immersive field paleontology experience digging up dinosaur bones from the Jurassic period in Northwest Colorado. There are two scheduled digs: May 27–June 11 and July 1–July 16. There are also two concurrent immersive lab techniques programs available. Get all the details and register online at cncc.edu/dinodigSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The triumphant ('ish) return of the Chriscuit 42 Podcast with more from Life, the Universe and Everything. Straight into the drivel once again with a journey back the the 1980s. This one ended up being a lot longer than anticipated :) Hopefully a lot more content to come. Chriscuit 42 YouTube --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-42/message

This week we're talking about one of our favourite sauropods, the Diplodocus! Listen to learn more about this very long dinosaur, its habitat, what it ate, and why it may have needed such a long neck and tail!  If you'd like to support the show, please check out our merch store over on Etsy where we sell adorable animal stickers and postcards. Don't forget to subscribe and leave us a rating and review. To stay up to date and see our weekly episode illustrations, make sure to follow us on Instagram and Twitter. And don't forget to check out our TikTok! Beyond Blathers is hosted and produced by Olivia deBourcier and Sofia Osborne, with art by Olivia deBourcier and music by Max Hoosier. This podcast is not associated with Animal Crossing or Nintendo, we just love this game.

Join Digger Rex as he treks across Montana, the treasure trove of the western USA renowned for its stunning tapestry of landscapes, from the towering Rocky Mountains to the sprawling Great Plains. Our destination? The Upper Jurassic Morrison Formation – a dream destination for every paleontologist. Unveiled to the world in 1877, this fossil-rich formation became the epicenter of the notorious Bone Wars, where pioneers of paleontology, Othniel Charles Marsh and Edward Drinker Cope, clashed in a rivalry for discovery supremacy. Dive into Montana's deep past with Digger Rex and unearth tales of age-old rivalries, monumental discoveries, and the prehistoric giants that once roamed this majestic land. A must-listen for dino aficionados and history buffs alike!

#411 Diplodocus - Rich is itching for a change in Prime Minister, but will he get his wish by the time of broadcast? His guests are Elis, Mike and Steff from the dizzyingly successful new podcast that the cool kids are calling TSDSB. They talk about how their podcast is about more than just sport, how sports fans have changed in the last four decades, the new series of Fantasy Football and the new sitcom Mammoth, why Elis' musical career didn't work out, how Mike met his wife when he was a teacher at school and what it was like for Steff when his first live gig was to over 1000 peoplePlus are warm ups necessary in sport, the most inappropriate dance by 12 year old girls of all time and some neutral opinions about the new Prince and Princess of Wales.SUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITESee details of the RHLSTP TOUR DATES Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Show transcript: Hi. If you're hearing this, it means I'm sick or something else has happened that has kept me from making a new episode this week. This was a Patreon bonus episode from mid-August 2019. I think it's a good one. If you're a Patreon subscriber, I'm sorry you don't have a new episode to listen to this time. Hopefully I'll be feeling better soon and we can get back to learning about lots of strange animals. Welcome to the Patreon bonus episode of Strange Animals Podcast for mid-August, 2019! While I was doing research for the paleontology mistakes and frauds episodes, I came across the discovery of what might have been the biggest land animal that ever lived. But while I wanted to include it in one episode or the other, it wasn't clear that it was either a mistake or a fraud. It might in fact have been a real discovery, now lost. In late 1877 or early 1878, a man named Oramel Lucas was digging up dinosaur bones for the famous paleontologist Edward Cope. Cope was one of the men we talked about in the paleontological mistakes episode, the bitter enemy of Othniel Marsh. Lucas directed a team of workers digging for fossils in a number of sites near Garden Park in Colorado, and around the summer of 1878 he shipped the fossils he'd found to Marsh. Among them was a partial neural arch of a sauropod. The neural arch is the top part of a vertebra, in this case probably one near the hip. Sauropods, of course, are the biggest land animals known. Brontosaurus, Apatosaurus, and Diplodocus are all sauropods. Sauropods had long necks that were probably mostly held horizontally as the animal cropped low-growing plants and shrubs, and extremely long tails held off the ground. Their legs were column-like, something like enormous elephant legs, to support the massively heavy body. We know what Diplodocus looked like because we have lots of Diplodocus fossils and can reconstruct the entire skeleton, but for most other sauropods we still only have partial skeletons. The body size and shape of other sauropods are conjecture based on what we know about Diplodocus. In some cases we only have a few bones, or in the case of Cope's 1878 sauropod, a single partial bone. Cope examined the neural arch, sketched it and made notes, and published a formal description of it later in 1878. He named it Amphicoelias [Am-fi-sil-i-as] fragillimus. The largest species of Diplodocus, D. hallorum, was about 108 feet long, or 33 meters, measuring from its stretched-out head to the tip of its tail. Estimates of fragillimus from Cope's measurement of the single neural arch suggest that its tail alone might be longer than Diplodocus's whole body. Cope measured fragillimus's partial neural arch as 1.5 meters tall, or almost five feet. That's only the part that remained. It was broken and weathered, but the entire vertebra may have been as large as 2.7 meters high, or 8.85 feet. From that measurement, and considering that fragillimus was seemingly related to Diplodocus, even the most conservative estimate of fragillimus's overall size is 40 meters long, or 131 feet, and could be as long as 60 meters, or 197 feet. This is far larger than even Seismosaurus, which is estimated to have grown 33.5 meters long, or 110 feet, and which is considered the largest land animal known. So why isn't fragillimus considered the largest land animal known? Mainly because we no longer have the fossil to study. It's completely gone with no indication of where it might be or what happened to it. And that has led to some people thinking that it either never existed in the first place, or that Cope measured it wrong. One argument is that Cope wrote down the measurements wrong and that the neural arch wasn't nearly as large as Cope's notes indicate. But Lucas, who collected the fossil, always made his own measurements and these match up with what Cope reported. Lucas and Cope both remarked on the size of the fossil,

Apologies to all of my most loyal of listeners. I am still struggling with health issues (migraines and vertigo) due to the constant weather changes here in northern Illinois. Because of this, I am still having to post Dark Archive episodes. I will return to creating new episodes whenever I can, though it may be sporadic until we get past this crazy season of drastically rising and falling temperatures, rain and snow, high winds, barometric pressure changes, etc. Subscribe to the podcast by searching for Weird Darkness wherever you listen to podcasts – or use this RSS feed link: https://www.spreaker.com/show/3655291/episodes/feed. Look for @WeirdDarkness on Facebook and Twitter! Please SHARE Weird Darkness with others and leave a review and comment in the podcast app you listen from! Doing so helps the show to keep growing!IN THIS EPISODE: (Dark Archives episode, originally aired September 24, 2019) The Warren Commission concluded in 1964 that the same "magic bullet" that struck President Kennedy then also proceeded to slice through multiple layers of skin, bone, clothing, and muscle tissue, taking a strange and unbelievable zigzag pattern… lending credence to the single shooter theory. But many thought the idea was ludicrous. Now it appears the magic bullet theory may not be as crazy as it sounds. (The Truth Behind The Magic Bullet Theory) *** Reports have been coming in for centuries even through modern times of a creature in the Congo that, by all descriptions, looks to be a living Diplodocus or Brachiosaurus. They call it Mokèlé-mbèmbé. (Dinosaur in the Congo) *** When it comes to close encounters of the third kind, we immediately think of the tiny gray aliens made famous in film and television – but there are more species than just the grays. Many more. (Alien Races That Have Contacted Earth)SOURCES AND ESSENTIAL WEB LINKS…“Is It True That Darren Marlar Is a Reptilian Alien From Sirius?”: http://weirddarkness.com/archives/4572 “Alien Races That Have Contacted Earth” by Adriana John from Wonderlist: http://bit.ly/2kGIaGP “Dinosaur in the Congo” by Wu Mingren for Ancient Origins: http://bit.ly/2mgQtt6 “The Truth Behind The Magic Bullet Theory” by Marco Margaritoff from All That's Interesting: http://bit.ly/2l9k3AK. (Audio clip used in story is from Warner Bros' film “JFK” directed by Oliver Stone: https://www.imdb.com/title/tt0102138/) Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. 

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Visit the Church of the Undead: http://undead.church/ Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness Trademark, Weird Darkness ®. Copyright, Weird Darkness ©.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =00:22:53.657,