Podcast appearances and mentions of dave marshall

Cammy is back with this weeks Extra as he and Dave Marshall discuss the takeover latest, what work needs to be done soon, and the upcoming visit of Aberdeen to Ibrox this Sunday. Visit www.betterhelp.com/RANGERS to get 10% off your first month – as heard on the podcast. EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/heartandhand Try it risk-free now with a 30-day money-back guarantee! Learn more about your ad choices. Visit podcastchoices.com/adchoices

WVU baseball coach Steve Sabins recaps his team's weekend series against Arizona. Bridgeport basketball coach Dave Marshall on his team's Class AAA state title victory over Nitro. WVU men's basketball coaching search continues. 

David and Dave Marshall are here to look back on Rangers unconvincing win against Hearts. EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/heartandhand Try it risk-free now with a 30-day money-back guarantee! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join David and Dave Marshall as they discuss Rangers 2-0 victory over St Johnstone. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Spotlight 2024! In this series, we're sitting down with our fellow paleo-podcasters to discuss Science Communication. This episode, we're joined by one of the longest-running paleo-podcast hosts around: Dave Marshall from Palaeocast! Find Palaeocast here: https://www.palaeocast.com/ Connect with Common Descent: https://linktr.ee/common_descent Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Got a topic you want to hear about? Submit your episode request here: https://commondescentpodcast.com/request-a-topic/ We're an Audible Affiliate Partner! Use this link for a 30-day free trial to Audible: https://www.audibletrial.com/CommonDescent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org.

Join Jake and Sherry for a conversation with Dave Marshall of Flic Film.

Dave Marshall, the Founder and CEO of Mongoose Enterprises, joins FYI host Gil Rogers for a conversation about how the tides of technology are transforming higher education. Learn from Dave's first-hand experience, as he shares invaluable insights from his pioneering days of online college applications to the current era, where AI and technology serve as catalysts for human connection, breaking down barriers and fostering a deep sense of belonging among students. Looking forward, Dave predicts that future technology will enable institutions to better understand and respond to students' emotions, tailoring their communication strategies accordingly. Listen in on the conversation now.For Your Institution Podcast is a production of Mongoose Research. Introduction and Welcome | 00:03 Discussion on the Role of AI in Higher Education | 00:29 The Impact of AI on Communication in Higher Education | 01:08 AI and Facilitating Human Connection | 04:45 The Future of AI in Higher Education | 05:40 AI and Enhancing Personalization and Connection | 10:26 AI and the Student Experience | 15:39 Future Predictions for AI in Higher Education | 23:04 Conclusion and Farewell | 33:46  RELEVANT LINKS:HelloMongoose.comDave Marshall LinkedInFYI - AI and Academia: ChatGPT in Higher Education with Dave Marshall

In this episode, I had the pleasure of speaking to Dave Marshall, who recently retired after serving over 30 years in policing. Dave is the author of the book 'THE FALL OF POLICING: When Woke Cancelled The British Bobby' where he discusses the decline of British policing. According to Dave, over time, the British police have shifted their focus from keeping the law-abiding public safe to politically correct initiatives, resulting in a less safe society. This shift has eroded public trust in policing and created a perception of incompetence among the police force.   If you are interested in reading Dave's book, you can find it at https://www.amazon.com/FALL-POLICING-Cancelled-British-Bobby/dp/B0CTW6XZ5Z/ref=sr_1_1?crid=3IEKM2JSVIKJX&keywords=dave+marshall&qid=1707860502&sprefix=dave+marshall%2Caps%2C173&sr=8-1.   In his book, Dave charts the demise of British policing. He describes how, over time, British policing gradually abandoned its primary purpose of keeping the law-abiding public safe to focus instead on politically correct initiatives that have left the public much less safe. This has undermined public trust in policing and created a perception that the police are incompetent.

Samantha lives in the town of Faulkesville, where the sweet smell of apple blossoms fill in the air, the teenagers waste their afternoons at the Drive-Thru, kids still make the most out of that tire swing at the lake… and no one… absolutely no one… speaks of the evil that lives at the edge of town. Our season finale, presented ad-free: "The Floodgates of Willowhill". Written by Mary SanGiovanni, and Adapted by Lance Roger Axt with Fred Greenhalgh Produced by William Dufris Directed by William Dufris Featuring the voices of Joseph Bearor, Paul Haley, Maiya Koloski, Christine Marshall, Dave Marshall, Tom Power, and Christopher Price. With your host, Sally Walker-Taylor.

In this play-within-a-play it's Halloween in Portland, ME. And from the safety of a public radio studio the Rocky Coast Radio Theater is about to premiere a tribute audio drama to Stephen King only to find themselves besieged by…the undead? And what's a feature without a short? We open with a special work of horror poetry, "The Cremation of Sam McGee"... "The Horror of Walker Point" was written Anthony Marino, "The Cremation of Sam McGee" by Robert W. Service Produced by William Dufris Directed by William Dufris Featuring the voices of Eileen Avery, Paul Drinan, William Dufris, Claudia Hughes, David LaGraffe, Christine Marshall, Dave Marshall, Thomas Power, Christopher Price, and Keith Shortall. With your host, Sally Walker-Taylor.

LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed. We'd love your feedback on this podcast series. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth's history. We explore the periodicity of glacials and interglacials and the control Earth's orbit around the sun has on climate. She then places the Holocene's megafaunal extinctions and major palaeobiogeograpical events within this climatic context. We finally look at the impact of human radiation on the world and the lessons we can learn from this time. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.3: Episode 8's producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate change and the 6th mass extinction and try to find any positives. Ultimately, if documentaries keep having to make this point, is the message really getting through? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show's take-home messages and Dan's hopes for Life On Our Planet's legacy. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.3: We're taken into the field to film snow leopards by episode 7's Assistant Producer, Darren Williams. He reveals how difficult it is to get just a few minutes of video, both logistically and practically. We get to know the ‘old male' snow leopard, trace his movements, and learn of his importance to the community. Darren then speaks about the emotional conflict of capturing his final moments on film. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.4: Prof. Anjan Bhullar continues his overview of avian evolution with a look at how the birds fared after the K-Pg mass extinction. What was it that allowed birds to survive when the non-avian dinosaurs died out? Why didn't they just become dinosaurs again? What have birds been able to achieve in the time since and how important are they to modern ecosystems. Not an episode to be missed (unless you're Prof. Dan Field). Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it a little rebranding to make the science even more approachable. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated immediately after. We end by looking at how mammals, similar to what we learned about birds, are relatively insignificant to today's ecosystems. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He's pressed on where he'd draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does flight evolve and was it ‘ground up' or ‘tree down'? We find out that none of these questions are simple. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you're recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn't even know were questions. What colour was the asteroid? How bright was the flash? How long does it take to cook a Triceratops to death? Silverback Films researcher Edd Dyer returns to discuss the difficulties of finding such information. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.1: It's episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we're served up a confusing ‘dinosaur sandwich' metaphor. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them right? In light of this, how much room is there for telling the stories of other groups of organisms? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 5.3: We're exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this question or any other. Were dinosaurs brightly coloured? How intelligent were they? Do not miss some of these mind-blowing insights! Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.1: Against the odds, we've all made it through the PTME. It's now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How did you guide Industrial Light and Magic in the creation of their CGI models? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.1: We introduce episode three of Life On Our Planet and discuss one of the most significant stories in the series. We're in agreement that lichens are the unsung heroes of the whole series and that Arthropleura is the crunchiest animal to ever exist. We talk about the ‘fishapod' Strepsodus and its locomotion. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.2: Producer Sophie Lanfear gives us our first insights into how documentaries are shaped. She tells us about the enormous scope of episode three and the difficulty of trying to fit in so many significant events. We analyse her use of emotion throughout the episode and she explains why she opted to use comedy. Finally, we look at the problem of anthropomorphism in documentaries. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such high-tech equipment to record behaviours, it's unsurprising that something new might be encountered! Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.2: Prof. Christian Klug, University of Zurich, is our first academic guest. He introduces us to the Cambrian explosion, the Great Ordovician Biodiversification Event and the Late Ordovician Mass Extinction. Christian is an expert on cephalopods and he tells us more about their biology and his thoughts on the vertical orientation of Cameroceras in this series. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.1: We introduce episode two of Life On Our Planet and discuss our roles in its creation. We're down deep in the geological time with all the “crunchy and squishy” organisms. We talk about our favourite scenes, jellyfish reproduction and the proper pronunciation of cephalopod. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.4: Silverback researcher Edd Dyer joins us to introduce us to his part in the creation of the series. The title ‘researcher' really doesn't do justice to the incredible scope of his role which includes far more than just looking up facts. We talk about his route into the industry and the necessary skills for the job. Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

LOOP 2.3: Hydrodynamicist Dr Tom Fletcher, Silverback Films, returns to explore the science behind Dunkleosteus. How much of the fossil is known? How does the model compare to the latest reconstruction of the animal? How much of the design is dictated by hydrodynamics? and is Dave ironically cool? Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this unofficial series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP. Image courtesy and copyright of Netflix.

In LOOP 1.2 we are joined by showrunner Dan Tapster. He's the one responsible for pulling everything together, designing the story and creating the best production team. We learn about how LOOP first got started, why both CGI and modern footage was used, and how to cram billions of years of evolution into just 8 episodes.   Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP. Images courtesy of Netflix.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story. This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been. And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things. In this series, we've been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show's academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP. In episode 1.1, we introduce ourselves and explain our roles in the documentary. We look forward to the release of the series and discuss the scope of episode 1 and some of the 'rules of life'. Images courtesy of Netflix.

Pastors Steve Scoggins, Justin Alexander, and Dave Marshall, who are all in different seasons of life, discuss the challenges that come in each season. Whether you're a parent of young children, new empty nester, or in your retirement, this episode will be helpful and encouraging to you.

Last night, Francisco Álvarez (check out his home run chain) became the first Met to hit a game-tying home run with two outs in the ninth inning of a game since all the way back on May 17, when Francisco Álvarez hit a game-tying home run with two outs in the ninth inning off Jason Adam of the Rays.This is not normal. Before Álvarez in May, the Mets hadn't had a two-out, game-tying homer in the ninth inning of a game since Michael Conforto took Kyle Barraclough deep on September 13, 2018, a blast followed immediately by Todd Frazier's game-winning dinger.Álvarez last night became the first Met to hit a game-tying homer with two outs in the ninth inning on the road since Curtis Granderson off Matt Albers in Washington on July 3, 2017 — a game the Mets then lost in the bottom of the ninth on a Ryan Raburn RBI single.Last time the Mets won a game on the road after one of these special homers? That was September 13, 2015, in Atlanta, when Daniel Murphy hit a three-run shot off Ryan Kelly and the Mets added three in the 10th for a 10-7 shocker.All by himself, Álvarez has done this twice this year. The Mets as a team haven't had a pair of down-to-their-last-regulation-out tying homers since Scott Hairston and Lucas Duda in 2011.That tied the team record for occurrences in one season. The Mets also enjoyed such clutch hitting twice in 1970 (Dave Marshall and Donn Clendenon), 1988 (Howard Johnson and Darryl Strawberry), 1997 (Todd Hundley and Carl Everett), 2000 (Derek Bell and Bubba Trammell), and 2004 (Mike Piazza and Victor Diaz).Individually, Álvarez is now tied for the team career record with Hundley, Marshall, and Piazza. Marshall was not another catcher, but an outfielder whom the Mets acquired after the 1969 season from the Giants, along with Ray Sadecki, for Jim Gosger and Bob Heise. The Mets traded Marshall, who hit a total of 13 home runs for them in 264 games, to the Padres before the 1973 season for Al Severinsen. The Mets assigned Severinsen to Triple-A, but he never pitched professionally again. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit willetspen.substack.com/subscribe

We welcome YOU back to America's leading higher education podcast, The EdUp Experience! It's YOUR time to #EdUp In this episode, YOUR guests are Dave Marshall, President of Mongoose & Dr. Walter Kimbrough, Former President of Dillard University & Interim Executive Director of the new Black Men's Research Institute at Morehouse College YOUR host is Dr. Joe Sallustio & YOUR sponsor is Commencement: The Beginning of a New Era In Higher Education! How can texting help build community? Why should YOU think of Morehouse when talking about black men? What does Dave & Walter see as the future of Higher Ed? Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - Elvin Freytes & Dr. Joe Sallustio ● Join YOUR EdUp community at The EdUp Experience! We make education YOUR business! --- Send in a voice message: https://anchor.fm/edup/message

A world class snowmobile research and development facility dedicated to your snowmobile performanceHurricane Performance is focused on powersports performance development for both racers and trail riders.  Our growing facility now has distributors in Canada, US and Europe. With the help of our dealers Hurricane can be seen all over the world!  We value the trust from our clients and strive to deliver the most durable performance in the powersports industry.If you look around Marshall's Domville snowmobile shop, the headquarters for Hurricane Performance Canada Inc., you'll see more than 80 plaques lining the walls all in a row. The awards show his speeds over the years at races, the first plaque reading 164.3 mph back in 2007. In 2009 Marshall went 174.8 mph to break the full-body world record. In March 2017, the 192.2 mark might just be a taste of what Hurricane can pull off. Spring 2018, they pulled it off and hit the mark at 203.2mph/1320ft.Support the show

In this episode of The Lamaze Podcast, Lamaze Certified Childbirth Educator Lesley Pascuzzi speaks with parents Meghan and Dave Marshall as they recount their Lamaze journey from pregnancy to parenthood. Listen in as Meghan and Dave share how they learned about Lamaze, which led them to meet Lesley, and how that partnership helped them feel empowered, knowledgeable, and confident to bring their long-awaited son into the world their way.

Dave and Ray interview Dave Marshall, the host and founder of the first Paleontological Podcast, "Palaeocast Podcast", now in it's 10th successful year.

In this short conversation with top-ranked WTA doubles partners Gaby Dabrowski and Gugu Olmos, we discuss their chemistry as a team, what they're doing well as they continue to progress this year, and what they would like to improve. The insight from two great doubles players, with Gaby being arguably the best net player on the WTA Tour, is invaluable. We also had a chance to hear from their coach, Dave Marshall. **Doubles Ebooks** These guides offer proven advice to improve your doubles strategy.25 Winning Doubles Tactics:  https://www.thetennistribe.com/25-winning-doubles-tactics/ Serve Strategy for Doubles: https://www.thetennistribe.com/serve-strategy-for-doubles-ebook/ ***Download your free doubles guide to learn how to force errors and get more easy volleys at TheTennisTribe.com/doubles-guide/. ***Tennis Gear reviews: The best racquets, shoes, bags, & moreRead our written doubles lessons hereSubscribe to our YouTube Channel for video lessons 

Welcome to the Juras-Sick Park-Cast podcast, the Jurassic Park podcast about Michael Crichton's 1990 novel Jurassic Park, and also not about that, too.  Find the episode webpage at: Episode 21 - The Tour pt. 1 In this episode, my terrific guests Dave Marshall from Palaeocast, the paleontology podcast , who chat with me about: slagging off Jurassic Park, etymology of chelicerates (claw-horns), requests for the audience to submit sketches of what they think we look like, eurypterids, Merostomata, Xiphosurans, Chasmataspidids, the Ordovician, Silurian and Devonian, teeth like chopsticks (pterygotid large pincers), and their evolution and how new discoveries alter hypotheses, pesky vertebrates, horseshoe crabs are survivors, extinction events, launching podcasts, palaeontology, paleontology, oil rigs, biostratigraphy, aquatic sloths, and sloth Atlantis, teaching Poodles to Fly, documentaries, Prehistoric Planet, Jurassic Park's impact on popular culture, being sick of dinosaurs, imaginging the past, dinosaurs in museology, Jurassic Park's omnipotent, omnipresent saturation in the public discourse on paleontology, documentary development, scientific speculation in documentaries for the purposes of entertainment, phylogenetic bracketing and ginger hair, Palaeocast Gaming Network, The Virtual Natural History Museum, and a lot more! Plus dinosaur news about: Pelecanimimus (Theropoda: Ornithomimosauria) postcranial anatomy and the evolution of the specialized manus inOrnithomimosaurs and sternum in maniraptoriforms  Arctic ice and the ecological rise of the dinosaurs Featuring the music of Snale https://snalerock.bandcamp.com/releases  Intro: Hummingbird.  Outro: Sacrifice to the Inhuman Creature. The Text: The Tour, spanning from pages 92 – 111. Just part one of our three part series, because this chapter is so crazy! The grandkids and safety consultants tour the facilities, learning how Jurassic Park has clones dinosaurs. Discussions surround: Biohazards, Elaborate Security Measures, Regis is a Liar, Timelines, Mission Control, Thomas H. Loy, the Manhattan Project, The Human Genome Project, Helotoxins, colchicinoids, and beta-alkaloids, and a whole lot more! Side effects:  Hair loss where you'd like to have hair, but new hair in places where you didn't have hair before... Find it on iTunes, on Spotify (click here!) or on Podbean (click here). Thank you! The Jura-Sick Park-cast is a part of the Spring Chickens banner of amateur intellectual properties including the Spring Chickens funny pages, Tomb of the Undead graphic novel, the Second Lapse graphic novelettes, The Infantry, and the worst of it all, the King St. Capers. You can find links to all that baggage in the show notes, or by visiting the schickens.blogpost.com or finding us on Facebook, at Facebook.com/SpringChickenCapers or me, I'm on twitter at @RogersRyan22 or email me at ryansrogers-at-gmail.com.  Thank you, dearly, for tuning in to the Juras-Sick Park-Cast, the Jurassic Park podcast where we talk about the novel Jurassic Park, and also not that, too. Until next time!  #JurassicPark #MichaelCrichton

Dez chats with Pro Wrestler, Body Builder, Influencer and Pro Gamer, Dave Marshall this week! Dave opens up about being openly gay in an industry that isn't known for celebrating diversity. How did he end up as the SHWA Heavyweight Champion? Dave talks about vacating his title and how long he plans to be on hiatus from wrestling. Dez hosts 'This or That?' and 'Do You Know Her?' Recess is launching a brand new flavor, Strawberry Rose! Now you can order their "mood enhancing" powder sticks to add to your water at your convenience. Use code 'IFEELTRIED' for 15% off your entire order! 

In this episode of Art, Not Science, Alix Ashworth, Caitlin Clarke, Dave Marshall, and Maia McDonald talk about the politics and practicalities of working with clay. They discuss their influences, inspirations and communities, as well as aspects of sourcing and firing materials within Aotearoa and beyond. Contemporary artists' talks, views and news from The Physics Room

Joining Matty this week are world record-breaking powerlifter and trans advocate Janae Marie Kroc, martial artist Donavan Barrett and professional wrestler Dave Marshall to talk about LGBTQ+ representation and their experiences in competetive sports! ABOUT Queer As Pop Queer as Pop is a show that examines the intersection of queer issues with pop culture, politics, and top headlines. We strive to bring on guests that possess a diversity of backgrounds and points of view, which include everything from drag artists, politicians, mental health advocates, entertainers and comedians. Hosted by Mathias Novakovic. TWITTER @queeraspop HOST Mathias Novakovic TWITTER: @novakaze Theme song: Deanz, Andy Delos Santos - Let Me Down

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Slaughter es una banda de Hard rock estadounidense formada en Las Vegas , Nevada , Estados Unidos, por el vocalista principal y guitarrista rítmico Mark Slaughter y el bajista Dana Strum . La banda alcanzó el estrellato en 1990 con su primer álbum Stick It to Ya , que generó varios sencillos de éxito como " Up All Night ", "Spend My Life", "Mad About You" y "Fly to the Angels". ". El álbum alcanzó el estatus de doble platino en los Estados Unidos. La banda sigue siendo un acto constante en giras nacionales, principalmente en el Rock Never Stops Tour que presenta a varias bandas de la misma época. Slaughter se formó en Las Vegas, Nevada, a fines de 1988, a partir de las cenizas del vocalista principal Mark Slaughter y la banda anterior del bajista Dana Strum, Vinnie Vincent Invasion . La compañía discográfica de Vinnie Vincent Invasion, Chrysalis Records , le quitó el contrato de $ 4 millones a Vinnie Vincent por exceder su línea de crédito con el sello, y transfirió el contrato a los ex miembros Slaughter y Strum. En 1989, Slaughter y Strum completaron la formación reclutando al guitarrista principal Tim Kelly y al baterista Blas Elias . El álbum debut de Slaughter, Stick It to Ya, tuvo tres sencillos lanzados que llegaron al Billboard Hot 100 : el éxito "Fly to the Angels" (EE.UU. # 19), y los éxitos moderados "Up All Night" (EE.UU. # 27) y "Spend My Life "(Estados Unidos # 39). Durante este tiempo, se lanzó una canción de la banda sonora de la película Bill & Ted's Bogus Journey . Esa canción, titulada "Shout It Out", fue acompañada por un video musical, pero no logró llegar al Hot 100 de EE. UU. En 1992, la banda lanzó su segundo álbum, titulado The Wild Life . Alcanzó el número ocho en el Billboard Top 200 Album Chart y fue certificado oro, pero no produjo ningún Top 40 en el Hot 100 de EE. UU. El único sencillo que alcanzó el Hot 100 fue el primer sencillo "Real Love" (US # 69). La banda planeaba grabar su tercer álbum a principios de 1994. Sin embargo, en 1993 el guitarrista Tim Kelly fue arrestado por cargos de tráfico de drogas, mientras que el bajista Dana Strum tuvo un accidente de motocicleta que lesionó la mano que tocaba. El álbum retrasado se completó en febrero de 1994 y se lanzó el primer sencillo "Searchin '". Sin embargo, después de la absorción de Chrysalis Records en EMI Records, Slaughter se eliminó de EMI. Posteriormente, la banda firmó con CMC International , un nuevo sello en ese momento que firmó muchas bandas de hard rock y metal frente a la nueva popularidad del grunge . La etiqueta tuvo una distribución mayoritaria a través de BMG . En 1995, Slaughter lanzó el álbum Fear No Evil . El álbum no tuvo mucho éxito en América del Norte , Europa o gran parte de Asia, pero funcionó bien en Japón . El guitarrista Dave Marshall (ex- banda de Vince Neil ) tuvo que reemplazar a Kelly en ocasiones, debido a sus problemas legales. Los problemas legales de Kelly terminaron y la banda se comprometió con su próximo álbum. En 1997, se estrenó Revolución . El álbum presentaba un sonido más ecléctico y psicodélico, pero no logró causar impacto. El 5 de febrero de 1998, ocurrió una tragedia cuando el guitarrista Tim Kelly murió en un accidente automovilístico en el desierto de Arizona . Esto afectó profundamente al grupo, pero se comprometieron a continuar con la banda. Dave Marshall actuó brevemente como guitarrista de gira para Slaughter en Japón. En 1998, contrataron a Jeff Blando como reemplazo de Kelly y comenzaron a trabajar en su próximo álbum. Se lanzó un álbum en vivo titulado Eternal Live con algunas de las últimas actuaciones de la banda con Kelly. En 1999, lanzaron el álbum Back to Reality , con Blando como el nuevo guitarrista. Blando estuvo anteriormente en Left For Dead y Saigon Kick . Slaughter continúa presentando muchos paquetes turísticos de rock con otros actos que vieron prominencia durante la era del glamour de la década de 1980 y principios de la de 1990. Durante el verano de 1999, mientras estaba en el " Rock Never Stops Tour " (que incluía a Ted Nugent y Night Ranger ), Slaughter vio algunos de sus sencillos anteriores en álbumes recopilatorios. El álbum de VH-1 "Power Ballads" incluyó "Fly To The Angels"; "Up All Night" se incluyó en Rhino Records"Golpeadores duros". Slaughter también participó en la gira "Poison, Cinderella, Dokken and Slaughter" del verano de 2000. En 2001, Slaughter fue parte de la gira "Voices of Metal" con Vince Neil de Mötley Crüe , Ratt y Vixen . Mark Slaughter y el ex compañero de banda de Vinnie Vincent Invasion de Dana Strum, Bobby Rock, tocaron como baterista de gira para Slaughter, reemplazando a Blas Elias en algunos shows del Rock Never Stops Tour. En abril de 2004, Slaughter lanzó un DVD-A titulado Then and Now que presenta 12 canciones y 50 fotos de la banda a lo largo de los años. Slaughter también lanzó un DVD que presenta todos los videos musicales y metraje detrás de escena durante la temporada 2004. El 13 de julio de 2007, Slaughter actuó en el festival de glam metal Rocklahoma . Sin embargo, Strum y Blando no estuvieron presentes durante la actuación de la banda, aunque actuaron con Vince Neil la noche siguiente. A finales de enero de 2008, Slaughter realizó un espectáculo en Motley Cruise, un crucero de cuatro días por el Caribe con Vince Neil , Skid Row , Ratt , Endeverafter , Lynam . Slaughter continúa de gira y en 2017 están programados para aparecer en el crucero Monsters of Rock y en Rocklahoma junto con varios otros conciertos programados.

This episode of Mental Health Monthly we will be discussing drugs screens in the Emergency Department with Dr. Justin Romano and Eddie Carillo. Dr. Justin Romano is a current psychiatry resident and Eddie Carillo is a licensed mental health therapist. Check out their podcast Millennial Mental Health Channel on all major podcast platforms. Shout out to Dr. Dave Marshall whose grand round presentation this was based on.  Key Points:  Try not to judge your patient based on the results of their drug screen  Drug screens are used a lot; they are not always accurate  Based on one study there was no significant change in outcome, treatment, disposition or psychiatric course when a drug screen was obtained  Specific good uses for drug screens include new onset of psychiatric symptoms  Educational Pearls:  1 in 8 ED visits are due to psychiatric complaints which is up 44% since mid 2000’s  63% of new psychiatric complaints had a medical cause  Physicians use drug screens commonly in the Emergency Department, but often do not understand their limitations and are often not using them in the most clinically effective manner  Urine is by far the most commonly used in the Emergency Department  UA drug screens are notorious for having false positives and false negatives  Length of clearance from the urine:  Alcohol 12 hours  Methamphetamines/Amphetamines 48 hours  Benzodiazepines 3 days  Opiates 2-3 days  Cocaine 2-4 days  Marijuana dependent on use: 3- 15 days  Phencyclidine (PCP) 8 days  Urine drug screens have a false positive rate of 5-10 % and a false negative rate of 10-15%  False Positive; urine drug screen positive, but drug is not in their body  False positives for amphetamines: bupropion, trazodone, metformin, promethazine, pseudoephedrine, phentermine and atomoxetine  False positives for benzodiazepines: sertraline False positives for cannabis: ibuprofen, naproxen, proton pump inhibitors  False positives for opiates: poppy seeds, antibiotics, Benadryl  False positives for PCP: venlafaxine, ibuprofen and Ambien  False positives for cocaine: amoxicillin  False Negative; urine drug screen negative, but drug is in the body  Benzodiazepines: such as alprazolam, clonazepam, lorazepam or triazolam Cannabinoids: CBD, synthetic marijuana such as K2 Opiates: oxycodone, fentanyl, methadone and tramadol  If you get a test that you don’t think is accurate you can always send off for a confirmatory test References Summarized by Emily Mack OMSIII | Edited by Mason Tuttle The Emergency Medical Minute is excited to announce that we are now offering AMA PRA Category 1 credits™ via online course modules. To access these and for more information, visit our website at www.emergencymedicalminute.com/cme-courses/ and create an account.      

"You have to win the most important points so we talk about having a goal, setting up, and the Bryans are so great at figuring stuff out." As the former traveling coach of Bob and Mike Bryan, Dave Marshall brings a lot of experience to the show this week. He worked with the record-setting doubles duo during the final few years of their career, including the 2018 season Mike Bryan won two Grand Slams with Jack Sock. Marshall's coaching career began when he was just 16, and he now runs the Dave Marshall Tennis and Fitness center in Lewes, Delaware. Before and after touring with the Bryans and Dave Macpherson, Marshall has worked with the best junior and college players in the nation, like former Top 40 pro Madison Brengle. He shares his best stories from the tour and the locker room, including ones about Rafael Nadal and Roger Federer, dives into his memories from working with the Bryans, and explains what made the twins so successful. And even though the Bryans retired last summer, Marshall believes they still had plenty of great tennis left in them. Watch TENNIS.com Podcast episodes on YouTube and Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pinning Dave Marshall down proved to be no small feat. But with the request being heard so many times, I persisted. “We want to know the story of Marshall!” Being the premier designer and manufacturer of a falconer’s most important, aye, crucial kit, Marshall Radio is a titan in the falconry world. To them is owed not just the salvation of many a falconry bird, but more so the newfound joy that GPS has brought to falconers around the globe, as we can watch and marvel at our bird’s prowess, with the freedom and security only real-time data can provide. The story of this company is intrinsically tied into the story of its namesake, Dave Marshall. That’s the story we all wanted, and the story episode 40 of the Falconry Told Podcast has only just begun to tell.

In this episode Jim and Laura talk about the recent S.T.E.A.M. Fest. 01:57  In the Spirit of Innovation the Show's Format is a little Different 06:50  S.T.E.A.M. Activities 10:18  WICSD's Dave Marshall joins Us 12:48  Anna Bayerl Joins Us 14:49  Laura's S.T.E.A.M. Incorporation 16:50  Mario The Maker Magician Contact us at feedback@k12ccc.com or 346-FAQ-HELP (346-327-4357)

We speak with Dave Marshall about safety in a changing world.

Mongoose’s Dave Marshall and Andrew Veatch discuss the best practices for higher ed institutions to manage texting preferences in an enterprise environment. Topics covered include how to handle student opt-outs and choosing the right staff members to send texts.

An in-depth discussion on integrating records and contacts from Salesforce to your texting platform. Mongoose Lead Software Developer, Nick Forysinski, and Mongoose President, Dave Marshall, talk about the best practices for defining your contacts, SMS opt-ins and opt-outs, and managing multiple values in the opt-out fields created by Salesforce.

Welcome to our Spotlight Series! We’re talking paleo-science with some paleo-people! Across this 5-part series, you’ll get to know some paleontologists as we interview them about their research and their lives as scientists. Our theme for this series is Invertebrate Paleontology. In this first episode, we sit down with Dave Marshall to chat about his research on eurypterids (sea scorpions!) and his work creating and running Palaeocast, the Virtual Natural History Museum, and more! Find Dave in these places: Twitter: @DaveJMarshall Palaeocast.com VNHM.org If you like Spotlight, let us know and we'll do more of it in the future! Check out our blog for bonus info and pictures: http://commondescentpodcast.wordpress.com/ Follow and Support us on: Patreon: https://www.patreon.com/commondescentpodcast Twitter: https://twitter.com/CommonDescentPC Facebook: https://www.facebook.com/commondescentpodcast/ PodBean: https://commondescentpodcast.podbean.com/ iTunes: https://itunes.apple.com/us/podcast/the-common-descent-podcast/id1207586509?mt=2 YouTube: https://www.youtube.com/channel/UCePRXHEnZmTGum2r1l2mduw The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org.

Golden Kiwanis—Allan McKeown and Dave Marshall by J.D.

cover by ©franz zünkler | contact franz.zuenkler@t-online.de Dave Marshall (NachtEin.TagAus // München) presents Afterhour Sounds Podcast Nr.106 Wir freuen uns heute Dave Marshall von unseren Freunden der ‘NachtEin.TagAus’ Crew aus München in unserer Reihe begrüßen zu dürfen. Der gebürtige Brite ist geboren und aufgewachsen in der Nähe von Leicester und lebt seit nunmehr fast 20 Jahren in der bayerischen Landeshauptstadt München. Inspiriert von einem Mixtape seines Cousins von der Loveparade 1997, kaufte er sich bereits im Alter von 14 Jahren seine ersten Plattenspieler, um sich fortan mit voller Hingabe seiner großen Leidenschaft dem Djing hinzugeben. Wer sich einmal mit ihm und seinem Sound beschäftigt hat, der wird ziemlich schnell feststellen können, dass es sich bei ihm um einen überzeugten und leidenschaftlichen Musikliebhaber handelt. Dazu kommt noch eine weitere sehr besondere Gabe, er verfügt über ein hervorragendes Näschen für die richtigen Sounds zum richtigen Augenblick. So verwundert es auch nicht, dass er sich in seiner aktuellen Homebase München in der Vergangenheit mit Gigs in den angesagtesten Clubs der Stadt, wie der Rote Sonne, dem Bahnwärter Thiel oder dem Harry Klein in die Herzen des Partyvolks gespielt hat. Wir möchten unserem lieben Freund Dave Marshall für seine äußerst gelungene Interpretation einer perfekten Afterhour von ganzem Herzen danken und wünschen euch nun maximalste Unterhaltung mit unserer #106. _infobox Dave Marshall www.soundcloud.com/dave_marshall www.facebook.com/davemarshall.tv Download for free on The Artist Union

In this episode, Adam talks to recurring guests Jeffrey Way and Dave Marshall about "don't mock what you don't own". They talk about how to design code that needs to work with external services, how you should test that code, and the pitfalls you run into when you use mocks incorrectly in your test suite. This episode is brought to you by Laracasts. Mock roles not objects, the original paper Integrated tests are a scam by J.B. Rainsberger Eric Evans' Domain Language e-course Effective tests: Setting up a database fixture on Dave's blog Integration testing a Stripe wrapper on Laracasts Sponsored by Laracasts

Performed by Dave Marshall (banjo), Andy Imms (guitar), Keith Chilvers (mandolin)

Performed by Dave Marshall (banjo), Andy Imms (guitar), Keith Chilvers (mandolin)

In this episode, Adam talks to Dave Marshall, testing guru and host of That Podcast. Dave talks to Adam about the upcoming Mockery 1.0 release and some interesting API changes destined for 2.0. They also talk about how fakes can improve your tests, fixtures vs. factories, spec-style vs xUnit style test frameworks, and mutation testing. This episode is brought to you by Hired. Dave's Blog That Podcast Mockery on GitHub Uncle Bob on writing your own test doubles Behat Humbug mutation testing library Sponsored by Hired

Ron Siegel of Anaheim Ca discusses current events, financial markets, politics, and even poking fun at the rest of the media, with Dave Marshall of Palm Desert CA and Robert Mott of La Quinta CA, in a live radio broadcast from the Palm Desert CA. Ron Siegel, consumer advocate and mortgage lender, discusses anything that affects the roof over your head, your bank account or other items that will benefit you / your family. Reach Ron at  ·         800.306.1990  ·         Ron@RonSiegelRadio.com ·         www.RonSiegelRadio.com ·         www.Facebook.com/RonSiegelRadio ·         www.SiegelLendingTeam.com ·         Twitter: @RonSiegel  

Having fixed the audio problems from the last podcast, the gang reconvenes at the Denver Geological Society of America Meeting to discuss the cool and exciting new research that was presented at the conference. Meanwhile, James talks about Land Before Time, Amanda misses her cat, and we are briefly joined by Palaeocast's own Dave Marshall to have a thrilling discussion about hamburgers.   Also, Curt gets drunk... very drunk.    Day 2 starts at 24:32 Day 3 starts at 1:02:13

Michelle Fern welcomes Chris Onthank, CEO of Dog Gone Smart to talk about their new Dirty Dog Doormat. The Dirty Dog Doormat magically soaks up water, mud and dirt! With its super absorbent material it soaks up to 7 times its weight in water and mud so your floors stay clean and dry. It dries 5 times faster than ordinary door mats and is easy to wash. What's the Trick???? The Advanced Microfiber Technology traps water and mud instantly! Millions of microfiber strands create an extra large super-sponge. In the second segment, Michelle chats with Dave Marshall of LeashLocket, the revolutionary retractable leash that magnetically snaps to your dog’s collar. Enjoy hands-free convenience when LeashLocket is snapped securely to the magnetic attachment provided for your dog’s existing collar or harness. After extensive independent testing, LeashLocket was proven to be the strongest retractable leash, ounce for ounce, on the market! Questions or Comments? Send them to: michelle@petliferadio.com. More details on this episode MP3 Podcast - Dog Gone Smart and LeashLocket with Michelle Fern var ACE_AR = {Site: '845738', Size: '468060'};

Tobiah ‘s music is beautiful, light, filled with meaning, symbol, and personal revelation. Her new CD is called Step Up We are also joined by two elected office holders who are members of the Green Party, Dave Marshall from Portland … More ... The post Tobiah: Musician, and Dave Marshall & Dan Hamburg, Elected to Office, Green Party appeared first on Paradigms Podcast.