Podcasts about Brontosaurus

Jim Hill and Lauren Hersey return with a jam-packed episode that blends Disney shopping secrets and animation history. Lauren shares her behind-the-scenes visit to Disney's elusive Property Control store, a cast member-exclusive outlet full of discounted resort furniture, rare park merch, and even frozen food. Hear what she found, what she bought, and why it may be Disney's best-kept secret. Then Jim dives into the fascinating history of Gertie the Dinosaur—Hollywood Studios' lakeside icon—tracing her roots back to a 1914 vaudeville act that helped inspire Walt Disney himself. From stamp collecting to Loungefly obsessions, this episode covers the quirky side of fandom and the legacy of one animated Brontosaurus. What Property Control is and how Lauren got in The limited merch, props, and even snacks for sale inside The new Gertie merch spotted at Hollywood Studios How Windsor McCay's 1914 cartoon dinosaur changed animation forever The real story behind Disney's ice cream-slinging sauropod From the backlots of Walt Disney World to the foundations of early animation, this episode of I Want That Too digs into Disney history where you'd least expect it. Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Travel the world & experience its horrors … all from the comfort of your streaming device on this edition of Octoberpod AM classic horror podcast with guest host, Amber Jourdan (Witches Talking Tarot).  Your horror host Edward October    has gone missing and Amber is scouring the spookiest places on Earth to find him.            First up:  Visit the North Pole in a bone chilling search for Edward October. Then, Enjoy encore presentations of Octoberpod's best loved international chillers. Plus: The Loch Ness Monster! A brontosaurus in the Congo River Basin! And more! Featuring special guests Nicole Engelbrecht (True Crime South Africa), MJ McAddams, Chauncey K. Robinson (Production Tales from Hell), and Emma (Spine Chillers & Serial Killers) in encore presentations of Purgatory Labs (by Jane Nightshade), Templo Mayor (by V Castro) and A Haunting in Normandy (based on Emma's true ghost encounters).    Make sure your passport is in order because we're serving up an international smorgasbord of weird science, cryptid chaos, mythic mayhem, and Gallic ghosts with a Nessie Burger and an African Boiler Maker on the side. Find it all on this edition of Octoberpod AM: the retro horror podcast made by humans.    // PROMOS        Rogue Transmissions: Halfway to Halloween Hullabaloo        Horror Author, Jane Nightshade        Serial Napper and Tis Yourself podcast                // FOLLOW        Find more true, true-ish & classic horror / paranormal content by following us on social media! Bluesky:  @octoberpod.bsky.social  //     Twitter: @OctoberpodVHS  // YouTube: Octoberpod Home Video  // Instagram: @OctoberpodVHS  // TikTok:  @octoberpod ... Or follow us on the worldwide web at OctoberpodVHS.com        Become a supporter of this podcast: https://www.spreaker.com/podcast/octoberpod-am--5482497/support.

Das Sandmännchen hat dir viele Geschichten mitgebracht. Freu dich auf “Meine Schmusedecke” mit “Die Fliege”, Jan und Henry mit “Das Rotkäppchen mit den Boxhandschuhen", Kalli mit "Kalli Saurier", Piratengeschichten mit "Piratenfischsuppe”, freu dich auch auf Pittiplatsch mit "Schnatterinchen in der Klemme”, das Märchen "Die Gewitterhexe” und auf viele Kinder und Kinderlieder (“Pommes und Tomatenpapps” von Lena Bender, “April, April” von Fidibus, “Die freche Fliege” von Kai Hohage, “Brontosaurus” von Felix Janosa, “Im Ozean ist Wochenmarkt” von Barnim Schulz-Kroenert , “Hexenlied” von Rainer Wenzel und “Hast du einen Freund” von Zwulf)!

Tristan Hughes explores Ancient America's true age; how 19th-century fossil discoveries across North America revealed a history far older than previously believed, challenging the notion that the Americas were a 'New World.'Tristan is joined by Professor Caroline Winterer as they discuss walking on 4 billion-year-old rocks in Eastern Canada, uncovering the first trilobites and the sensational dinosaur discoveries like the T-Rex and Brontosaurus that mesmerised the public and scientific community alike.More on:Ice Age America:https://open.spotify.com/episode/4KZruCMwpO7TakuiMs7DMp?si=2b1fdca8b18c4ef4The Ancient Amazon:https://open.spotify.com/episode/5YxnzfGa4x4Z8l4JE6Uwmh?si=0ec9d00afb0b476eTyrannosaurus Rex:https://open.spotify.com/episode/3uxH3HHjSuEk0mHmjFU9k7?si=1f57b9a555ac4bffPresented by Tristan Hughes. Audio editor is Aidan Lonergan, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.The Ancients is a History Hit podcast.All music from Epidemic SoundsSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here

Greetings, cave dwellers and retro gaming enthusiasts! Prepare to be transported back to a time when dinosaurs roamed the earth and pixelated graphics were cutting-edge technology. This episode of Play Comics is about to take you on a wild ride through the prehistoric world of BC's Quest for Tires and its bone-rattling sequel, BC II: Grog's Revenge. These ColecoVision gems, inspired by Johnny Hart's iconic newspaper strip BC, will have you pedaling your stone-wheeled unicycle faster than a Brontosaurus can say “Bronto-burger!” But wait, don't touch that dial (or scroll away from that podcast app)! We've got a special guest joining us on this Paleolithic adventure. It's none other than DC Dave from The Monitor Tapes, who's temporarily abandoned his own era to help us navigate through these Stone Age sidescrollers. Will we uncover the secrets of fire? Invent the wheel? Or just end up with calluses from furiously mashing those ColecoVision controller buttons? From dodging lava pits to outsmarting saber-toothed tigers, we'll explore every crevice and cave of these classic games. We might even answer burning questions like: “How does one steer a unicycle with square wheels?” and “Is collecting clams really the best use of a caveman's time?” So grab your club, don your finest animal print, and join us for an episode that's guaranteed to rock your world more than the invention of sliced mammoth! Learn such things as: Do newspaper comics still exist? How long can a single person continuously make a comic strip? Could be eventually get these old games released again but for phones? And so much more! You can find DC Dave on BlueSky @dcdavepodcast, and of course under his new podcast The Monitor Tapes on BlueSky @themonitortapes. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscaston Twitter and in the Play Comics Podcast Fan Groupon Facebook. A big thanks to Nerd Best Friends and Carnival of Glee Creations for the promos today. Intro/Outro Music by Backing Track, who opened the door, got on the floor, but refuses to walk the dinosaur. Support Play Comics by contributing to their tip jar: https://tips.pinecast.com/jar/playcomicsRead transcript

Ben jij klaar voor een avontuur? Kom mee met Guru Woof naar de Dino Wereld! We gaan samen grote en lieve dino's ontmoeten, zoals de Brontosaurus en de T-Rex. Sluit je ogen en ga mee op deze spannende reis!

Ben jij klaar voor een avontuur? Kom mee met Guru Woof naar de Dino Wereld! We ontmoeten grote en lieve dino's, zoals de Brontosaurus en T-Rex. Sluit je ogen en ga mee op deze reis! Uitgegeven door Moon Tunes B.V. Spreker: Guru Woof

The "thunder lizard" may be the most well-known sauropod. It has been regularly featured in movies for over a century and would have been an awesome sight to behold in the Jurassic.For links to every news story, all of the details we shared about Astrophocaudia, and our fun fact check out https://iknowdino.com/Astrophocaudia-Episode-526/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Astrophocaudia, a roughly 20 ton sauropod that lived in the Early Cretaceous alongside Sauroposeidon. We're celebrating 10 years of podcasting by sending out Allosaurus patches! Join our patreon at the Triceratops tier or above by the end of February 2025 to get the exclusive Allosaurus patch. If you're already a patron at the Triceratops level or above make sure to update your address so we can send it to you! patreon.com/iknowdinoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is book reviewer Joanne Sheppard, who's writing in to an early evening BBC magazine show for confirmation that she's not just making up Fax, rival human-ape hybrid thrillers First Born and Chimera, Next Of Kin, Mother Love, I'm Your Number One Fan, BBC Schools show The History Trail, The Yolk Folk, Angela Rippon's Victoria Plum and ITV's attempt at televised Cluedo. Along the way we'll be stocking up on Mark Phillips And His Horses merchandise, declining to eat some fifty year old corned beef, debating which lasted longer out of Whither Tarrant? and Whither Oddie?, finding out what would happen if you described Mark And Lard to your grandparents and finally explaining the ending of Life On Mars via a series of clues relating to Gene Hunt's thumb.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Joanne talking about The December Rose, Colorado Beetle paranoia, Brontosaurus, Will You Wait For Me? by David Bellamy, Timbuctoo, KP Wickers, The Enchanted Castle, Major Morgan The Electronic Organ and Wilderness Road here, The Bump by MC Mallett, Horror Chews, The Strange Affair Of Adelaide Harris, Matchbox Fighting Furies, Mouthtrap, Connoisseur, World Magazine, All Aboard! and The Guinness Book Of Pet Records here, Dramarama: The Exorcism Of Amy, Spine Chillers, Blue Peter's Witch Puppet Make, Monsters Of The Movies by Denis Gifford, Nothing To Be Afraid Of by Jan Mark, Paperhouse, Dekker Toys' Movie/TV Horror Make-Up Kit and Remus Playkits Identispook here and Go For It!, What-A-Mess, My Pretty Pony, John Carradine's The Legend Of Sleepy Hollow, The Water Babies, The Magnificent Race, Amazon Adventure by Willard Price and Snapper Crocodiles here. You can also find Joanne on The Golden Age Of Children's TV talking about The Baker Street Boys here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Just make sure Bill Oddie doesn't pay for his own using your PIN number live on air.

What do Job and Fred Flintstone have in common?  Dinosaurs, of course!

Loads of different subjects, including comedy, The Cosby Show, alcoholism and dinosaurs. Something for everyone... except quality. Essentially.

On this week's Talkhouse Podcast, we've got two of what I'm going to call alt-rock lifers, guys with vast catalogs and the stories to match, who've ridden the highs and lows over the years and continue to make fantastic music for dedicated fanbases: John Flansburgh and Matthew Caws. Flansburgh is half the core of They Might Be Giants, one of the two Johns—along with Linnell—who started making quirky pop records about 40 years ago. They've released nearly two dozen albums, wriggling their way into the mainstream on occasion, from “Birdhouse in Your Soul” to the Malcolm in the Middle theme to popular albums aimed at kids. It's been a remarkable ride that shows no signs of stopping; They MIght Be Giants is still on tour, still making new music, and still seeming to have as much fun as they ever did. Their latest record is called Book—it's available in many formats including, you guessed it, a giant book—and there are some sparklers on it, including one in particular that the guys talk about in today's episode. Check out “Brontosaurus.” The other half of today's conversation is Matthew Caws, singer and guitarist of the fellow New York band Nada Surf. Nada Surf had a really odd start to what's turned into a long and fruitful existence. Their first album featured the song “Popular,” which turned into something of a novelty hit / summer anthem back in 1996. It wasn't particularly representative of the band's smart, layered pop—which is no knock on “Popular” itself—which confused their record label, Elektra. But after a bit of a slow period, Nada Surf found their way into indie-rock hearts with 2002's Let Go, and they've earned a place in those hearts ever since. The tenth Nada Surf album came out earlier this year, and it's among their best. It also features a surprisingly high number of more uptempo songs, as Flansburgh mentions in this chat. Check out “Second Skin” from Nada Surf's newest album Moon Mirror.   In this chat Flansburgh and Caws take a deep dive into the genesis of “Popular,” which Caws had no idea would be a hit but is happy to still play. They also chat about Flansburgh's love of the new Nada Surf record, both of their time on the same major label in the 1990s, and whether it's appropriate for a band to take a group bow at the end of a good show. Enjoy. 0:00 – Intro 2:42 – Start of the chat 2:58 – Welcome to Fresh Air 9:45 – The unusual origins of "Popular' 17:45 – Nada Surf's ignoble split with Elektra Records 22:40 – John's theory on Matthew's doubled vocals 32:21 – The ups and downs of sharing your political point of view as a musician Thanks for listening to the Talkhouse Podcast and thanks to John Flansburgh and Matthew Caws for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time!

Über Autounfälle, Trump wird Präsident, CL fliegt aus der Koalition und Rosi's Spieltag. Wir nehmen euch diese Woche mit auf eine wilde Reise, voller hitzigen Diskussionen über politische Ereignisse und lustigen Spieltag-Geschichten. In Liebe, Eure drei Hausfrauen :*

Jeff Lynne joins The Move!!! Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Cohh has returned just in time to purchase the new $90 Brontosaurus mount in World of Warcraft! The creators of the horse armor are rolling in their graves (they're fine.) On the other side of the pond, Ubisoft is going through it with Assassin's Creed Shadows which could spell doom for the mega company if it fails. 6v6 returning to Overwatch, Netflix closes its game studio before revealing any game. a large discussion on ear shapes and Call of Duty, excitement for Monster Hunter Wilds and Dragon Age Veilgard and so much more! 0:00 - Intro1:20 - A very special episode10:40 - Casa Bonita15:50 - New puppy17:05 - Blizzard releases a $90 mount for WoW37:35 - Ubisoft changes Assassin's Creed plans42:30 - 6v6 returns to Overwatch48:35 - No new Prince of Persia52:30 - Netflix closes game studio58:50 - No Man's Sky launches a new Expedition1:03:10 - Call of Duty Black Ops 61:05:30 - Ear shapes1:20:30 - Monster Hunter Wilds open beta1:29:50 - Dragon Age Veilguard1:42:50 - Dragon Age Inquisition spoilers1:43:40 - Spoilers over1:48:00 - Batman Arkham Shadows1:50:30 - Alan Wake 2: The Lake House1:59:10 - Metaphors2:13:00 - A Quiet Place2:27:00 - Finishing Satisfactory2:28:40 - Starting Factorio2:34:30 - Towerborne2:35:00 - Eternal Strands2:38:50 - Neva2:50:00 - While We Wait Here2:52:48 - Silent Hill 22:58:30 - ShoutoutsSee omnystudio.com/listener for privacy information.

The Moon and Earth are drifting gradually further apart. Every year the gap between them increases by a few centimetres. We know that the Moon's gravity has an important effect on Earth - from controlling the tides to affecting the planet's rotation - but slowly, imperceptibly, over billions of years, that influence will diminish as the Moon moves away. For CrowdScience listener Tony in the UK that idea poses another question. What if we were to look back in time? What effects did the Moon have when it was closer to Earth? Would it counteract the planet's gravity more so that, at the time of the dinosaurs, a Brontosaurus would weigh a little less that it would if it existed now? It's an intriguing question. And, given that it involves both the Moon AND dinosaurs, it's one that's got presenter Anand Jagatia really excited! Anand begins his journey on Brighton beach on the South coast of the UK. He's there to watch the full Moon rise - and get a few insights on Tony's question - from astronomer Darren Baskill and astrophotographer (and cellist) Ivana Perenic. Anand talks to Darren about the influence of the Moon's gravity on Earth today. As they stand on the beach, with the sea lapping at their feet, they can certainly see its effect on the ocean tides. But did you know that the Moon also causes tides on the land as well? Every time it's overhead the ground you're standing on is higher by a few centimetres. Professor Neil Comins, author of the book What If the Moon Didn't Exist, explains why the tides are the reason the Moon is moving away from Earth – and it has been ever since it was first formed. And how was it formed anyhow? We turn back time with Prof. Sara Russell from the Natural History Museum in London to discover one of the most dramatic events in the early history of our solar system... when two worlds collided. And, of course, it helps to know what a dinosaur weighed in the first place. Anand turns to paleontologist Nicolas Campione, who's been puzzling over the most accurate way to calculate the bulk of a Brontosaurus. Contributors: Dr. Darren Baskill, Astronomer, University of Sussex, UK Ivana Perenic, Astrophotographer Dr. Nicolas Campione, Paleontologist, University of New England, Australia Prof. Sara Russell, Cosmic Mineralogist, Natural History Museum, UK Prof. Neil Comins, Astronomer, University of Maine, USAPresenter: Anand Jagatia Producer: Jeremy Grange Editor: Cathy Edwards Production Co-ordinator: Ishmael Soriano Studio Manager: Jackie Margerum(Image: Tyrannosaurus Rex and Spinosaurus in front of the moon - stock photo Credit: MR1805via Getty Images)

If you have TRex arms, you better have a Brontosaurus penis. Ray guns, and hydrogen car bombs.. i think this generation is F'd.

Austin revisits Stranger with Dan.   STARRING - Austin Yorski: https://bsky.app/profile/austinyorski.bsky.social   SUPPORT - Patreon.com/AustinYorski   AUDIO - OC ReMix #3230: Zone of the Enders: The 2nd Runner 'ADA' [Beyond the Bounds] by Anti-Syne (youtube.com)   DISCORD - https://discord.gg/YMU3qUH

Watch the 9malls review of the Robo Alive Zuru Dino Fossil Find Kit Brontosaurus Dig Site Gadget Toy. Is this science educational toy actually worth getting? Watch the hands on test to find out. #roboalive #zuru #gadgetreviews #sciencetoys #review Find As Seen On TV Products & Gadgets at the 9malls Store: https://www.amazon.com/shop/9malls Please support us on Patreon! https://www.patreon.com/9malls Disclaimer: I may also receive compensation if a visitor clicks through to 9malls, or makes a purchase through Amazon or any affiliate link. I test each product on site thoroughly and give high marks to only the best. We are independently owned and the opinions expressed here are our own.

This week on Seddy Bimco Part Two The Revenge, We visit the U.S. Virgin Islands! The place where they filmed Dinosaurus! It has Dinosaurs!Follow Tim on letterboxd! See the Seddy Bimco watchlist!Email us at seddybimcoe@gmail.com Most art by Tim HamiltonMusic by Tim HamiltonCheck out the Seddy website. Links: https://linktr.ee/seddybimcoCheck out George O'Connor's books: https://www.georgeoconnorbooks.com/Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/Hosted on Acast. See acast.com/privacy for more information.In this episode, George and Tim discuss the movie 'Dinosaurus' and explore the history and facts about the US Virgin Islands. They also touch on topics like the first elevator and streetcar in the Virgin Islands, the sale of the islands to the US, and the bioluminescent bay. The hosts share interesting tidbits about the movie and its cast, including the actor who played the Neanderthal and his post-acting career as a health food wholesaler. The conversation is filled with humor and banter, making it an entertaining listen. In this part of the conversation, Tim and George discuss the offensive stereotypes and character names in the movie 'Dinosaurus!' They also talk about the discovery of frozen dinosaurs and a Neanderthal on the island. The lack of excitement and disbelief from the characters is highlighted, as well as the insensitivity towards Irish people. The chapter ends with the dinosaurs coming to life and attacking O'Leary. In this part of the conversation, Tim and George discuss various comedic moments and scenes from the movie. They mention the Neanderthal attacking O'Leary, the T-Rex carrying O'Leary with its little hands, the wacky toilet humor, and the caveman's interactions with Betty's mom. They also talk about the chase scene with the T-Rex and the Brontosaurus, the fight in the mine, and the final battle with the Tyrannosaurus. The conversation is filled with humor and references to other movies like Jurassic Park and Terminator 2. In this final part of the conversation, George and Tim discuss the remaining scenes of the movie and share their creative stories. They talk about the stop-motion battle, the introduction of new characters, the T-Rex fight, and the ending of the film. They also discuss the potential for revenge-based sequels. The conversation segues into a discussion about who would cry during a cat circus in Australia and the story of a man in a yellow suit named Hacker. They then discuss the possibility of a hit list on the white characters in the movie and share their creative stories about revenge. Finally, they mention their upcoming episode on the movie Chud and discuss their experiences at a Renaissance fair. Hosted on Acast. See acast.com/privacy for more information.

Al and Codey talk about their first impressions of Go Go Town, now that it is in Early Access. Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:02: What Have We Been Playing 00:11:15: Game News 00:23:43: New Games 00:30:11: Go Go Town First Impressions 01:02:05: Outro Links Everafter Falls Hotel Galactic Kickstarter Coral Island 1.1 Update Info Reel Fishing: Days of Summer Preserve Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello farmers and welcome to another episode of The Harvest Season. My name is Al and we (0:00:38) Codey: And my name is Cody. (0:00:40) Al: are here today to talk about cottagecore games. As always, transcripts are available in the (0:00:44) Codey: Woooo! (0:00:48) Al: show notes and on the website. Cody, how are you doing? (0:00:52) Codey: I’m doing good uh celebrating America Day by staying at home um and not doing anything though (0:01:03) Codey: honestly so I’m staying at my because I’m doing Pokemon Go Fest this upcoming weekend um like the (0:01:08) Codey: next three days in New York City and so I met my partner’s house and or his apartment in New Jersey (0:01:15) Codey: so we could probably literally just walk like 10 minutes to the riverfront um and then see like (0:01:21) Codey: like watch the fireworks that happen. (0:01:22) Codey: been like possibly either over the river or like the ones happening in the (0:01:28) Codey: city probably see them from here probably as well so I usually it’s like (0:01:30) Al: when do they happen? Right. Yeah, see that’s why I always find funny about America, like (0:01:33) Codey: Sun it’s like after sundown so it’d be like a night nine or ten o’clock at (0:01:37) Codey: night so I got (0:01:42) Al: your big fireworks day is in July, and I’m like that just sounds so late at night for (0:01:47) Codey: Yeah, it is. (0:01:48) Al: fireworks because like our big one is November, so it’s like it’s getting dark here at like (0:01:55) Al: four or five, five o’clock at that point, so like you’re finished working. (0:02:00) Al: You can go out and watch fireworks, like you don’t have to wait long at all, it’s great. (0:02:04) Codey: well we have to celebrate that that day that we said heck you to the british monarchy so (0:02:11) Al: I mean, I’m sure they could have chosen a different day if they wanted to. I mean, it’s (0:02:14) Al: probably too late now, but there were multiple days. Multiple days they could have chosen. (0:02:16) Codey: yeah at this point it’s in our dna (0:02:21) Al: It’s not like there’s just one specific day. Anyway. Yeah, I’m good. I’m celebrating Independence (0:02:24) Codey: Right, yeah so that’s that’s what I’m uh how are you? (0:02:33) Al: Day in a different way with an election. So, yeah, still. (0:02:38) Codey: Woo democracy! (0:02:41) Al: For now. Well, we have more democracy than you just now, I think. Although we still have (0:02:42) Codey: Yeah it’s like wait is it still, are we still counting this as democracy? (0:02:50) Codey: I… D-I. (0:02:51) Al: an elected monarch. Not an elected monarch, an unelected monarch. You know, you have an (0:02:54) Codey: Not, yeah, not elect. (0:02:59) Al: elected monarch, we have an unelected monarch. Yeah, I know, I know. That’s what I’m in. (0:03:01) Codey: Well, they’re trying to make it a monarch and we’re not. (0:03:07) Al: Yes. (0:03:11) Al: So just paying attention to election, we’re recording this two hours before that finishes, (0:03:19) Al: so going to be a long night. (0:03:22) Codey: do y’all have the ranked choice voting though? okay nevermind today’s episode is (0:03:30) Codey: about gogotown (0:03:32) Al: So, today we’re going to talk about Gogotown. This is going to be a Gogotown first impressions (0:03:35) Codey: yep (0:03:39) Al: because I didn’t think we’d be able to get enough time to play this game properly to (0:03:44) Al: do a full in-depth discussion of the game. And after playing the game, maybe that was (0:03:51) Al: a good suggestion. So, we’ll talk about that in the main section. (0:03:56) Al: Before that, we have some news, some exciting news, some… (0:04:00) Codey: I, as ever, am a Ph.D. student with two extra jobs, so busy busy. (0:04:02) Al: …news. First of all, Cody, what have you been up to? (0:04:14) Codey: But when I’m not doing that, I’m still playing my cross stitch game. (0:04:19) Codey: It’s just basically a color by number game. (0:04:21) Codey: I am running out of in-game money to buy patterns though, so I need to slow down on it and find (0:04:30) Codey: the balance to do. (0:04:31) Codey: Because I get a certain amount of currency each day, and when I complete them. (0:04:37) Codey: So I just need to slow down and get caught up, find the balance again. (0:04:42) Codey: I just had a bit where I’m trying to brain rot a little bit, so playing it quite a bit. (0:04:51) Codey: Also I beat the career mode of Power Watch Simulator, so I’m now going through and trying (0:04:57) Codey: to 100% all of the achievements. (0:05:00) Codey: Which is… I mean, it’s just stuff like on the… (0:05:06) Codey: Like one achievement is called way of the blade and it was like on the helicopter finish the blades first (0:05:14) Codey: So I did that. So I’m just like doing those kinds of things one of them is to like complete the carousel without ever (0:05:20) Codey: turning the carousel off (0:05:23) Codey: It’s also gonna be wild. The carousel was a pain in the booty to do the first time. So trying to do it (0:05:30) Al: I can see how it would be difficult if it was spinning. (0:05:32) Codey: Yeah, yeah (0:05:34) Codey: So it’s that kind of stuff (0:05:40) Codey: Sad for some humans cassette beasts I have kind of put aside for the moment (0:05:46) Codey: I hit a point where (0:05:48) Codey: There was an intriguing thing that happened in the story and then I was like, oh no, there’s story (0:05:55) Codey: And (0:05:57) Al: I didn’t sign up for story. (0:06:01) Codey: I was like oh no I’m gonna care. Like I want to be able to like sit down with this and really pay (0:06:08) Codey: attention. And that’s not what I’m looking for in a game right now. I need to just turn my brain off (0:06:16) Codey: which is not what I do when there’s stories in games. So um yeah that that’ll be on pause for (0:06:21) Codey: a smidge. But Disney Dreamlight Valley added Mulan and Mushu. There’s also now (0:06:29) Codey: Bye! (0:06:30) Codey: A daily request, um, thing through Remy’s Diner restaurant. (0:06:38) Codey: I don’t remember what they call it. (0:06:40) Codey: Um, yeah. (0:06:41) Codey: So you have daily challenges now with, um, Daisy at her boutique, which you (0:06:48) Codey: can get currency to then buy more stuff. (0:06:50) Codey: So I’ve been doing that. (0:06:52) Codey: Um, it’s, it’s real simple. (0:06:55) Codey: You basically just go and she’s like, I want an outfit that has this. (0:06:58) Codey: And I’m like, okay, cool. (0:07:00) Codey: That outfit, and then that’s what you wear for a bit. (0:07:02) Codey: Um, uh, but there’s now something like that with Remy. (0:07:08) Codey: He does this like delivery service where it starts little quests of like, uh, (0:07:14) Codey: yesterday it was like the fairy godmother wants, has ordered a bunch of desserts. (0:07:18) Codey: And then you bring it to the fairy godmother and she’s like, thank you. (0:07:21) Codey: Can you bring these to Ursula for me? (0:07:22) Codey: And we’re like, what the heck? (0:07:24) Codey: Why are you what? (0:07:25) Codey: Um, and then you get like a thousand, a thousand monies and you get some currency. (0:07:30) Codey: But I really like the, I paid the in-game moonlight or moonstone currency or whatever. (0:07:36) Codey: I have a bunch of it cause I’ve played since early access. (0:07:39) Codey: So they gave, they were, they were like throwing that, that stuff at me. (0:07:42) Codey: So I spent some of that on the star path for Mulan because pretty much everything (0:07:50) Codey: is fire, like all of the outfits are really good. (0:07:54) Codey: All of the furniture is really good. (0:07:56) Codey: The outfits are really good, all of the furniture is really good. (0:08:00) Codey: It’s not cherries, it’s magnolias, like these pink floating flower piles and stuff like that, but it’s really really pretty. (0:08:08) Codey: A lot of dresses or outfits that have that as part of the outfit, so yeah, definitely really like that. (0:08:20) Codey: Still trying to get achievements in that game as well, so I’ve been playing that. (0:08:26) Codey: That’s pretty much it, what have you been up to? (0:08:30) Al: I have been obviously playing Go Go Town. (0:08:35) Al: I’ve been playing some more Day of the Diver. (0:08:38) Al: I got really into that. (0:08:39) Al: So (0:08:41) Al: that’s been going well and also farm RPG as usual. (0:08:44) Codey: hmm how many bottles are we at now? (0:08:45) Al: So. (0:08:48) Al: Oh, 85, 85, it’s taken a while. (0:08:52) Al: It’s taken a while. My I can’t forget. (0:08:54) Al: Is it the crafting, I think, that needs to be as well as the farming? (0:08:59) Al: My farming level is 85. (0:09:00) Al: So that’s what’s limiting me just now, but my crafting level is at 97. (0:09:02) Codey: Mmm. (0:09:04) Codey: Mmm. (0:09:05) Al: So that kind of shows you the difference there. (0:09:08) Al: Um, and it’s like the, it’s quite insane, the increases you need to get. (0:09:12) Al: So I’m currently at 424 million XP for farming and to get to level 99, it’s 2 billion. (0:09:18) Codey: Mm-hmm. (0:09:23) Al: So I’m not even a quarter of the way there, even though I’m at level 85. (0:09:29) Al: So I think that. (0:09:30) Al: That’s going to take a while because it’s quite limited in how much you can actually (0:09:35) Al: farm obviously. (0:09:37) Al: So I currently have 32 plots just now, eight lines, eight rows, yeah, eight rows of things, (0:09:47) Al: and it’s like a billion to get the next, the next row, a billion silver, which is going (0:09:49) Codey: Yeah. (0:09:52) Codey: Yeah. (0:09:54) Al: to take me a long time to get to. (0:09:55) Al: So, yeah, I’m just plugging away. (0:09:56) Codey: I mean, it’s good that you’re still plugging away and going down that (0:10:01) Codey: that storyline for curious listeners slash me. (0:10:02) Al: Yes. (0:10:02) Al: Yeah. (0:10:08) Codey: Because I definitely wanted to hear the end of it, but did not have (0:10:12) Codey: the ability to commit. (0:10:17) Codey: But like, it’s the sunk cost fallacy it’s- (0:10:20) Codey: you’re like what you can’t you’re almost there (0:10:24) Al: I know, I know, I know, I know… (0:10:29) Codey: I’m sorry. I appreciate you appreciate your efforts (0:10:34) Al: The good news is, today, as we’re recording, I got my inventory to exactly one thing. (0:10:40) Codey: Nice are you are you keeping it there are you gonna keep (0:10:46) Al: of course I’m not keeping it there I need more inventory I know it’s a good (0:10:49) Codey: it’s a good it’s a it’s a good like even number you know (0:10:57) Codey: that’s fair though (0:10:58) Al: even number but like to get anywhere you need to get much higher got to keep (0:11:02) Codey: I heard something the other day that five is the most even odd number and I (0:11:11) Codey: yep it’s true that’s that is true it just is Cody’s ADHD cast yeah news (0:11:14) Al: Ah, so we’re gonna talk about some news! (0:11:22) Al: First up, first up we have, I feel like my headphones are on backwards. (0:11:30) Al: They were on backwards, that’s why. I was like, these feel uncomfortable and then I realized the (0:11:34) Al: cable was on the wrong side, so that explains. That’s why they were uncomfortable and not staying (0:11:35) Codey: Mm-hmm. (0:11:39) Al: on my head. Ever After Falls have announced that they’re Steam Deck verified now. (0:11:40) Codey: That’s fair. (0:11:44) Codey: Woo! (0:11:45) Al: That’s it. I don’t think it’s actually changed anything, this just means that they’ve (0:11:46) Codey: That’s it. That’s the tweet. (0:11:53) Al: had it approved that they were doing everything they were meant to do. (0:11:57) Al: So they were doing everything they were meant to do and now they have proof. (0:11:58) Codey: Mm-hmm (0:12:03) Codey: Whoo (0:12:05) Al: Hotel Galactic have announced a timeline for their project. So their Kickstarter, (0:12:10) Al: it’ll be out by the time this episode out, I think comes out on Monday. (0:12:14) Codey: Monday this episode comes out on Monday oh okay I was like I thought this was a (0:12:15) Al: And they’ve it Monday. Monday, Monday, Monday. (0:12:20) Al: The Kickstarter. (0:12:23) Codey: Wednesday thing anyway (0:12:25) Al: Not the, not the podcast episode. The Kickstarter for this game comes out on Monday. (0:12:28) Codey: yes ye (0:12:33) Al: How do you always confuse me? I don’t, you’re just… (0:12:35) Codey: I’m just I confuse myself no so that’s yeah (0:12:39) Al: uh so the so the kickstart so the kickstarter will be out by the time you (0:12:44) Al: listen to this uh the early access for the game is q2 next year and then full (0:12:49) Al: release is apparently q4 of 2026 that is their current plan (0:12:53) Codey: and uh sure looks like a good game i’m excited for it (0:13:01) Codey: I don’t know it uh I really like the little one of the characters named (0:13:05) Codey: Sparn he looks real cute and it says that he trips over himself all the time and I was like dude same (0:13:12) Codey: um so yeah a little cute dude and it’s it it’s like a i’m just gonna stop it looks good (0:13:21) Codey: it’s on my watch list. (0:13:23) Codey: but it’s really far away from time so who knows if the universe will still (0:13:27) Codey: exist at that point. (0:13:29) Al: Yeah, it’s on my whistles as well, but so is everything basically (0:13:34) Codey: are you gonna kick start it? (0:13:38) Al: Probably (0:13:39) Codey: okay are you saving (0:13:40) Al: I just kick-started one. What did I just kick-start? Oh, yeah tiny garden the the the not a Polly Pocket game (0:13:43) Codey: are you oh yep the polypocky came (0:13:48) Al: The not a Polly Pocket game (0:13:51) Al: That it’s definitely not a Polly Pocket game (0:13:54) Codey: Totally not. Uh, yeah. Cool. (0:13:57) Al: But I feel like there’s quite a few coming out. (0:13:59) Al: Soon we’ve no kick starters. (0:14:00) Codey: Polypocky games. (0:14:08) Al: Because there’s that one. (0:14:12) Al: And then we’ve got farm folks and lose lagoon and superzoo (0:14:15) Al: story and outbound and moon haven. (0:14:20) Codey: yep I’m not gonna kickstart anything (0:14:27) Codey: it looks really cute though it’s on my eyes are on it my eyes are also on (0:14:33) Codey: coral island (0:14:34) Al: Nice, nice. They’ve given more information on their 1.1 update. (0:14:38) Codey: did we know the name of the update (0:14:42) Al: I don’t know, but what I will say is that we did know everything that’s in this title, (0:14:48) Al: right? None of this is new information and it is a very boring title. Story finale, London Sea. (0:14:56) Codey: I mean it’s I think like at calling it story finale like points to the fact that they were like (0:14:56) Al: Congrats, well done. What a great name. (0:15:04) Codey: Stuff was not ready like stuff was not (0:15:06) Al: They should have just called it. It’s the 1.1 update called 1.0. (0:15:08) Codey: It was not final (0:15:15) Codey: Yeah (0:15:16) Al: We’ve got the game now. Congrats. (0:15:19) Codey: Yeah (0:15:21) Al: So they’ve given some more information on things. Let’s leave the most exciting thing (0:15:27) Al: for last. So we’ll talk about the fact that they’ve got some more of the merfolk townies. (0:15:33) Al: Tony’s this is for of (0:15:36) Al: Galoon, Etna, Todi and Lannin (0:15:41) Al: with a little bit of explanation for them. They’ve added a (0:15:47) Al: gacha machine for recycling so you can put in rubbish and get things which is cool recycling stuff (0:15:52) Codey: so did the recycling center ever work before? is it just something you have to turn on? okay this is (0:15:56) Al: No, I don’t think it did I think (0:16:00) Codey: this is the first time okay because I was like I never got the recycling center to work so (0:16:04) Al: Yeah, I think that might be why I think the recycling center was more of a theory than an actual thing (0:16:05) Codey: is this so this is it i (0:16:12) Codey: yeah I was surprised that this was that they’re adding gacha a gacha mechanic um but yeah (0:16:22) Al: I think it’s cool the way they’ve done it. You can just call it recycling. You put in (0:16:28) Al: rubbish, which you’re not going to do anything else with. Once you’ve crafted five rubbish (0:16:34) Al: chests, that’s the only thing you’re ever going to use it for, you throw it in this machine and you (0:16:39) Al: get other stuff out of it. It’s pointing towards the whole goal of this, which is the environment. (0:16:46) Codey: they did also have the savannah which is there’s a gacha machine in the savannah (0:16:46) Al: So it’s, you know, recycling. They show you getting a seedling, which is cool. I don’t know. (0:16:52) Al: We can turn rubbish into seedling, but I’m not going to complain. (0:17:01) Al: Yes. Yeah, it’s the same one, it’s just in two different places. (0:17:04) Codey: oh okay it’s just another risk like okay got it (0:17:10) Codey: which the savannah thing was wild because it showed (0:17:15) Codey: that there’s like a (0:17:17) Codey: panther that you talk to and you end up racing the panther and you you could win an outfit that (0:17:24) Al: I’m not 100% sure what the deal is with the Savannah, because I’m pretty sure it does (0:17:27) Codey: is the panther (0:17:33) Al: exist in the game currently, but I never ended up unlocking it. Because there were a few (0:17:38) Al: items that I just didn’t get to get to that point. So I know this Panther and the race (0:17:44) Al: with the Panther is a new thing, but I’m pretty sure you could get to the Savannah. (0:17:46) Codey: yeah um I i never was there uh but it but I just it’s wild to me that there is this character (0:17:56) Al: I think it’s the only area I didn’t get… (0:18:02) Codey: and that the outfit that you can win from her is basically her like her skin um because I was (0:18:08) Al: her skin basically right (0:18:13) Codey: Yeah, I don’t know how you would, I don’t know. (0:18:16) Codey: Yeah, it’s, that’s wild. (0:18:19) Codey: She’s really cool though and it’s a cool idea to do like a racing thing, but yeah, that’s that. (0:18:26) Al: They’ve added new looks for sheds so you can change how they look, like the turnip and the (0:18:34) Al: carrot and stuff like that which is pretty cool. I want my carrot shed. I want a carrot shed. (0:18:36) Codey: Mm-hmm well you want a carrot shed I think I want I look (0:18:43) Al: I actually want a pumpkin shed but it’s not on the list but I want a pumpkin shed. Ooh good one. (0:18:47) Codey: I want a potato like that would just that would be goober and I would like that (0:18:54) Al: They’ve also added some new outfits. They’ve added a seller, which is exactly what you (0:19:00) Al: expect it to be. Ages, wine. It does. Why is it so gross in there? That’s weird. There’s (0:19:02) Codey: It looks like the sewer from- it looks like the sewer from Stardew. (0:19:11) Al: a new fruit for increasing HP. There is the- oh yes, the Lumina sprinkler, as it’s called. (0:19:20) Al: So this is for those who aren’t remembering, they are adding. (0:19:24) Al: Underwater farming so you can farm specific plants underwater and instead of watering them, (0:19:31) Al: you light them. So you’ve got like a little stick that lights them daily rather than watering them. (0:19:37) Al: But up till this point, we didn’t know whether there was going to be a sprinkler equivalent. (0:19:39) Al: Thankfully, there is the Lumina sprinkler. So I’m happy about that. (0:19:46) Al: They’ve also added some information on the multiplayer. I mean, it’s kind of just (0:19:51) Al: what you would expect, I think, mostly. It’s kind of… (0:19:54) Codey: Yeah. (0:19:54) Al: Stardew, same style of multiplayer Stardew. (0:19:58) Codey: Yup. (0:19:59) Al: Someone hosts the game and up to three other people can join and you can troll. (0:20:02) Codey: I’m so, I’m so excited to do it and have Mark from Australia spend all of my money. (0:20:10) Codey: ‘Cause the one time I played multiplayer Stardew, I played it with Mark and he spent all my money ‘cause we didn’t realize that the money was tied together. (0:20:16) Al: Wild. And the most exciting thing in this update, I think you’ll agree Cody, is dino suits for your animals. (0:20:17) Codey: It was really funny. (0:20:22) Codey: Mm-hmm. (0:20:24) Codey: Which it doesn’t- I love that they call it dino suits because it doesn’t look like you put the animal in a suit. (0:20:30) Codey: Like it’s not a costume. It’s like you’ve like transmogrified them to be something. (0:20:36) Al: Yeah, I think the idea is they’re trying to say that you are putting it in a suit. (0:20:41) Al: But yeah, like, the cow gets smaller in one dimension when you do that. (0:20:47) Al: Like, the cow cannot fit in there unless you’re squishing its head and stretching it out, right? (0:20:53) Codey: Yeah, it is cute (0:20:53) Al: But I don’t care. I think this is cool. I want a T-Rex. I want to turn my ostrich into a T-Rex. (0:21:00) Al: I want to turn my cow into a Brontosaurus. I want this. This is great. But my big question is, (0:21:07) Al: where are they for my dogs? (0:21:10) Codey: I mean they wouldn’t do that because you don’t want a dinosaur in the home and dogs can’t (0:21:15) Al: I do I do I want I want I want my dog in a dino suit (0:21:16) Codey: come out of the home. (0:21:17) Codey: Well, if you want a dinosaur in the home, get the bearded dragon. (0:21:22) Codey: I want the bearded dragon. (0:21:25) Codey: I want the bearded dragon to become like not a dragon, like becomes like something else. (0:21:32) Codey: I don’t even know. (0:21:34) Al: want to put it in a catsuit? Just get a cat then. (0:21:35) Codey: Yes. (0:21:36) Codey: but I want it to be like, I don’t want it to be the like, (0:21:40) Codey: Tom’s a cat. I would want it to be a bearded, like a little bearded dragon head sticking out of a little cat outfit. (0:21:45) Codey: I think that’d be so flipping cute. I might do this to my beard and beardy in real life, actually. (0:21:50) Al: good. (0:21:52) Codey: I’m gonna look up bearded dragon outfits. (0:21:55) Al: Anyway, I’m looking forward to this update. (0:21:58) Codey: Yep, I am also sorry. I’m there are some really cute bearded dragon outfits. (0:22:03) Al: Alright, do we need to pause? Do we need to wait until you’re finished? (0:22:06) Codey: No, this is good content. No, it’s (0:22:10) Codey: we’re fine um yeah I mean I’m still I’ve been wanting to jump back into (0:22:17) Codey: Coral Island so this is just kind of making me want to wait a smidge when is (0:22:24) Codey: this supposed to come out (0:22:24) Al: They haven’t said, it’s currently in beta. I suspect Q3? I say that, that’s like, no. (0:22:30) Codey: okay (0:22:33) Codey: well this is like the beginning of Q3 so (0:22:35) Al: I think probably August, that would be my guess, August. Because I think they said there’s (0:22:42) Al: a second update coming out this year, so I feel like they need to get it out soon. But (0:22:48) Al: I do not want it in July, please and thank you. (0:22:50) Codey: So the answer is I’m gonna have to make my bearded dragon her own cat costume (0:22:56) Codey: because they don’t exist. Just if anyone else has a bearded dragon in (0:22:57) Al: Yeah, are you surprised? I’m not surprised that no bearded dragon cat costume exists. (0:23:06) Codey: I’m pretty surprised you don’t know the bearded dragon community do you cuz I (0:23:09) Al: It seems pretty niche. I mean, why not just get a cat? (0:23:17) Codey: don’t want that I want like it’s like when you put your cat in a little cost (0:23:22) Codey: little dragon costume you don’t want a lizard you just want to embarrass your (0:23:26) Codey: animal (0:23:27) Al: I don’t think they have feelings like that, I don’t think they feel embarrassment because (0:23:33) Al: that’s a social construction. (0:23:38) Codey: Stella acts very embarrassed sometimes. I don’t know about the dragon, but (0:23:43) Codey: we have two new games that we can talk about. (0:23:48) Al: Not that we’re going to have much to talk about the first one. (0:23:50) Al: Real fishing days of summer. (0:23:53) Al: The new real fishing game comes out on October 28th on Switch and PS5 and it is exactly what (0:23:58) Al: you expect. (0:23:59) Al: It’s a new real fishing game. (0:24:02) Al: It looks exactly the same as the previous real fishing game, and there’s fish. (0:24:08) Al: If you love the real fishing games, I’m sure you’ll be excited to play. (0:24:10) Codey: it just makes me want to play I think there’s a fishing game that I’ve been (0:24:15) Codey: wanting to play that’s on Game Pass and I did grow up playing like I think it (0:24:21) Codey: was just like Bass Pro Shop fishing I remember playing that as like a eight (0:24:26) Codey: year old so yeah looks alright (0:24:30) Al: Cool. The other game is called Preserve and the blurb about this is “Preserve is a relaxing (0:24:40) Al: puzzle nature building game in which you flourish a vibrant ecosystem by cleverly placing plants (0:24:47) Al: and animals to create a perfect symbiosis to your liking.” So you’ve got like these hexagonal (0:24:57) Al: tiles that have different biomes and stuff like that. (0:25:00) Al: And it looks like you put them together to make a world that you want. (0:25:04) Al: There’s animals as well. (0:25:06) Codey: - Yep, yeah, I like that it’s a puzzle. (0:25:11) Codey: Like I like the idea of it being a puzzle game (0:25:14) Codey: and like maybe they have like requirements for each puzzle. (0:25:19) Codey: Like build a puzzle that has 10 animals (0:25:22) Codey: from four different biomes or something like that, (0:25:24) Codey: you know, and like to build maybe like one of the animals (0:25:28) Codey: requires like a, I’m just making this up. (0:25:32) Codey: maybe like the wolf requires. (0:25:36) Codey: a forest biome right next to a meadow biome that has a river biome going through it (0:25:40) Al: Yeah, yeah, yeah (0:25:41) Codey: um to like make it a puzzle I think that would be really cool um I i’m never a fan of these (0:25:49) Codey: like island games where like it’s the world is just kind of a floating thing and you just (0:25:55) Codey: kind of build on top of these hexagonal I don’t even know how to describe it but there (0:26:02) Codey: There’s been a lot of games that have been coming out like this. (0:26:06) Codey: I’m not a super big fan of that but also like as an ecologist I look at a game like this and I’m like this would never you’d put the wolves in the forest and they’d be like heck you I’m gonna go over here like you can’t box you can’t box nature that way so but yeah coming on August 8 to steam both Windows Max and Mac and Linux that’s cool what did you think about this game? (0:26:19) Al: Animals don’t do what you want them to, yeah. (0:26:32) Al: It’s probably not something I’d play, but I think it looks cool, and I know some people (0:26:36) Al: love these times for games, so yeah, it’s cool. (0:26:38) Codey: Mm-hmm I wonder how much it’s gonna be click does not have an amount (0:26:49) Al: And speaking of the whole animals not doing what you want, they reintroduced beavers in (0:26:56) Codey: Yeah. (0:26:58) Al: Scotland like maybe 10 years ago or something like that. And now the farmers are like, “Can (0:27:04) Al: we kill them, please?” And you’re like, “Oh, no, you can’t kill them. We put all the effort (0:27:06) Codey: Mm-hmm. (0:27:09) Al: into putting them back into the wild. No, you can’t kill them.” (0:27:12) Codey: Yep. That was the classic thing in Oregon. (0:27:16) Codey: Everyone was like, “Bring the wolves back, because we killed all the wolves.” (0:27:18) Codey: But then we had too many deer, and the deer population were getting really gross. (0:27:21) Al: Hmm. (0:27:24) Codey: to bring them back, and then all of the… (0:27:26) Codey: Ag folks that live…the agricultural folks that live on the east side of the state were like (0:27:32) Codey: “We follow the three S’s, the shoot it shovel it and shut up.” (0:27:34) Al: Oh, look, it’s an animal, can we kill it? (0:27:39) Codey: Yeah, and they’re just like, “We want to kill…it’s eating our cows. We’re gonna kill it.” And it’s like… (0:27:45) Al: Can you just stop killing just just just for a minute, right? (0:27:48) Codey: Well, and they also…like a lot of those people, they put their cows on (0:27:53) Codey: Bureau of Land Management land, which is like free land (0:27:57) Codey: for anyone to use, but like if you’re not putting your cows within an enclosure, it’s kind of on you. I’m not gonna lie. (0:28:00) Al: Yeah, yeah, yeah. I recently learned why beavers dam. Do you know how this works? I don’t know (0:28:04) Codey: Bye. (0:28:10) Al: if this is in your area of interest at all. It’s fascinating, because it’s like, for those (0:28:12) Codey: Oh it is. 100%. Oregon is the bigger state. (0:28:15) Codey: So. (0:28:16) Codey: All right. (0:28:18) Al: who, feel free to correct me if I’ve misunderstood this Cody, but for listeners, basically the (0:28:23) Al: dam, which raises the level of the water, which means that they store water. (0:28:30) Al: And not water, they store food under the water, which allows them there, because the water (0:28:36) Al: is increased, it goes into their house, and then that means that it doesn’t freeze inside (0:28:42) Al: their house, so they can still get into the water, even when the surface of the water (0:28:46) Al: is frozen outside of there, and it preserves their food in the cold water underneath. (0:28:51) Al: Isn’t that really cool? That’s so clever. (0:28:54) Codey: which if they build on like the edge of a lake or something (0:28:58) Codey: is fine. that doesn’t really mess with anything but then when they build in (0:29:03) Codey: a riverine system like in a river or a creek or a (0:29:07) Codey: stream or some small system and they can divert entire (0:29:11) Codey: like watersheds they’re called what’s they’re known as a keystone species (0:29:17) Codey: because if they are in an environment they completely change the structure of (0:29:21) Codey: the environment. (0:29:22) Al: Don’t know anyone else like that. (0:29:25) Codey: uh-uh. (0:29:25) Al: Yeah, it’s just so clever. I love it. (0:29:26) Codey: um… (0:29:28) Codey: usually– (0:29:32) Codey: they’re really mean, though. (0:29:32) Al: Oh yeah, no, I wasn’t planning on doing it. I’ll be honest with you. (0:29:34) Codey: don’t go up to them. (0:29:38) Codey: I haven’t had to mess with one yet, (0:29:40) Codey: but, like, (0:29:42) Codey: I have a feeling Stella would try and go for it (0:29:44) Codey: and I would be really worried about that. (0:29:45) Al: I generally appreciate nature from a distance. That’s my general rule. Now, we don’t have (0:29:52) Al: many things in this country that could kill me, but that’s just my general rule. I enjoy (0:29:58) Al: it over there and I’m over here and we’re all good. (0:30:00) Codey: Yeah. (0:30:03) Codey: Yep. (0:30:07) Al: So that’s the news. (0:30:08) Codey: Whoo! (0:30:12) Al: We are going to talk about Gogotown, our first impressions. So I have purchased the (0:30:18) Al: and I’ve put in maybe 15, 20 hours I think, something like that. (0:30:22) Al: Cody has purchased the game and put zero errors into it. (0:30:22) Codey: didn’t even purchase it… no. uh-uh. I mean it’s still funny to say Cody has not (0:30:26) Al: I thought you said you’d bought it already. Did you not say that to me? That ruins my (0:30:37) Codey: purchased the game and has put none hours into it but I did watch a French (0:30:46) Codey: guy for like five minutes on Twitch so I basically know everything (0:30:50) Codey: about the game. (0:30:50) Al: Hehehe, everything! (0:30:52) Codey: No, it was, I’ve watched the developers play a little bit, but not a ton. (0:31:00) Al: But let me do an intro. I feel an interesting mix between a standard cottagecore farming (0:31:01) Codey: I’m basically coming in naive, so. (0:31:14) Al: game and a management style game where you are controlling a character. You have a character (0:31:20) Al: who you control and you move around and you do your standard things. You do your farming, (0:31:24) Al: you do your wood chopping, you do your mining, you do your fishing. But you’re also… (0:31:30) Al: So, controlling the town, you’re basically in control kind of Animal Crossing-esque. But (0:31:35) Al: in my opinion, in a much nicer way in that you have a build mode where you can just move (0:31:41) Al: things around rather than having to manually go and do them all. Different people like (0:31:44) Al: different things, but I quite like that. Your aim is to build up this town. It basically (0:31:52) Al: doesn’t exist when you get there. You have to build up, you get visitors, you encourage (0:31:56) Al: visitors to stay and you build up your town. (0:32:00) Al: Into a thriving mini Metropolis is a kind of short way of explaining it without going into too much detail at the start. (0:32:11) Al: I guess my first impressions before we go into details of the mechanics would be that I think there’s a really fun and strong core game here, (0:32:25) Al: but it very much feels like an early action. (0:32:30) Al: Well, it feels like that to me, for listeners, I talked about it in the first Ooblets episode. (0:32:30) Codey: - Hmm. (0:32:43) Codey: I have never played Ooblets. (0:32:54) Al: It was like a very strong, very clearly defined game, but very limited. (0:33:00) Al: It feels like the game has a lot of room to expand, and it’s not there yet, but everything (0:33:11) Al: that is there is fun, but the question is, is it enough to be a compelling game in and (0:33:17) Al: of itself just now? (0:33:19) Al: I think it does, but I think if you were to play this just now, you would feel like there’s (0:33:26) Al: quite a lot missing, but you’re not quite sure what that is. (0:33:30) Al: It’s hard, it’s not like in Coral Island where you go, “Oh, and now I’ve reached the end of the (0:33:37) Al: story,” but it’s clearly not the end of the story. It’s not like that. It’s like, (0:33:42) Al: “Okay, this is fun, but I feel like there’s stuff missing. I just don’t know what that is.” (0:33:46) Codey: Yeah, like where where is the missing part and is or is this just where it ends? (0:33:52) Al: Yeah, and it’s definitely not because they’ve had a good detailed list of what they’re wanting (0:33:59) Al: to do and the good thing is that they have taken people’s opinions and they’ve changed (0:34:04) Al: what they’re planning to do, not what they’re planning to do, but the order they’re planning (0:34:07) Al: to do because people’s priorities are different from what theirs were. So they’ve gone, “Oh, (0:34:11) Al: right, OK, you really want this. That’s fine. We’ll bump that up,” the priority list type (0:34:14) Al: thing, which is really good listening to that feedback. (0:34:20) Al: I guess let’s go into some of this… (0:34:22) Al: The specifics and feel free to input into any of these that you actually saw in the game. (0:34:28) Al: So the farming, you start out with just like a few plots, you have to like buy a plot, (0:34:37) Al: you can’t just like you don’t have a hole to do whatever. It’s like everything in this (0:34:42) Al: game, it’s like you have a limited number that you’re allowed to buy until you level (0:34:46) Al: up and then you can buy more. Which I understand why they’ve done it because they want to like (0:34:52) Al: what you can do until you do more and then it feels like you’re expanding that way. (0:34:57) Al: But personally, I’m not a huge fan of that because it feels like oh but I have the money. (0:35:02) Al: My big problem in this game is I have max money and I can’t spend it because there’s (0:35:07) Al: nothing to buy because I’ve already bought everything. But I can’t make any more money (0:35:12) Al: because apparently there’s a max amount of money you can have which feels really weird. (0:35:20) Codey: I mean your your purse is only so big. Can you upgrade it? (0:35:20) Al: But yeah it just feels like the balance isn’t right there. (0:35:22) Al: I haven’t seen anything to be able to do that. Now having said that, I haven’t gone through all (0:35:33) Al: of the upgrades. I think I’m maybe like level five of the the the tech tree, but I’m not sure. (0:35:40) Codey: Okay what’s your how much do you have for monies okay that’s what the (0:35:42) Al: I haven’t seen anything that upgrades that. I think it’s a thousand. (0:35:50) Codey: developers are also they also have on their stream that they’re streaming (0:35:52) Al: Right, okay. I think it is, yeah. And I don’t know whether that’s something they’re planning (0:35:53) Codey: right now so that’s probably (0:35:57) Al: on adding upgrades to or what. It feels like a weird, like I’ve never played a game where (0:36:02) Al: they limit the max amount of money you’re able to have. That feels like a weird and arbitrary (0:36:08) Al: restriction. And I’m not sure why it would be there other than because they don’t trust their (0:36:13) Al: own economy in the game. It’s not difficulty though, right? Like, especially if there’s nothing (0:36:14) Codey: Hmm, it adds a level of difficulty. (0:36:22) Al: money on, because then you just get to the point where you’re like, okay, now I’ve unlocked (0:36:26) Al: something and I can immediately buy everything. And then I just, and then once I’ve bought things, (0:36:31) Al: I can then earn money again. Like I’ve never got to the point where I’ve not had enough money for (0:36:36) Al: that. And money’s pretty easy to make because you just, you just wait. Like literally, if you just (0:36:44) Al: had this game running without you doing anything, especially once you’ve unlocked a bunch of the (0:36:48) Al: stuff and you’ve got it implemented the game basically runs itself so you could just start (0:36:50) Codey: I think that’s what it is. I think that’s what I think of it being more (0:36:52) Al: there and you would gain money doing nothing (0:36:58) Codey: difficulty is because you can’t just do that because at a certain point like if (0:37:03) Codey: you left the game and went into another room or like went and did something else (0:37:07) Codey: and you came back maybe like an hour into that it was at max money so there (0:37:13) Codey: was no point in like letting the game run all of that time you would have had (0:37:19) Codey: to check in on it. (0:37:20) Codey: And fix it somehow, you know. (0:37:22) Al: Yeah, but then my problem is there’s nothing to spend the money on. There’s literally nothing (0:37:27) Al: I can spend the money on. Because they limit how much you can do. There is an import/export thing (0:37:35) Al: that I probably don’t need to go into too much detail of, but basically you can sell things (0:37:41) Al: to other towns. It’s not actual multiplayer, don’t get me wrong. It’s just you’re selling (0:37:46) Al: stuff to someone else. It doesn’t matter. Someone requests it and you sell it. You don’t get money, (0:37:52) Al: tokens. Then you can use that to buy more stuff. But I think that’s also limited. (0:37:58) Al: I bought another storage thing and then that was it. It was sold out. It just feels like (0:38:07) Al: everything is limited. There’s nothing that isn’t limited in the game. (0:38:13) Al: And I think that would be my second biggest frustration. I really like this game. I think (0:38:19) Al: I think it’s really fun to play, it’s really fluid. (0:38:22) Al: The movement is fun especially when you get some of the vehicles, like there’s a skateboard (0:38:28) Al: and there’s a bike and there’s a car, a go-kart and stuff like that. They’re all really fun (0:38:35) Al: to play and I can just, I find myself just riding around on them. (0:38:44) Al: The game is just fun to play but there’s a few things and one of them is the fact that (0:38:49) Al: it’s so limited in what you can buy. (0:38:51) Al: And that I… (0:38:52) Al: It adds into the frustration when you basically don’t have an inventory and you have a bag (0:39:03) Al: but it’s like you can only fit in certain amounts. (0:39:07) Al: It’s one of these things where it’s like different things are different sizes. (0:39:11) Al: So if you had a steel girder in your bag, you could only have two of them because they’re (0:39:14) Codey: - Mm-hmm, yeah. (0:39:16) Al: so big. (0:39:17) Al: If you had rocks, you could have 10 of them sort of thing, which okay, sure, fine. (0:39:23) Al: You can use to get around that, like you have a van you can drive that you can fill up and (0:39:26) Al: it has more… (0:39:27) Al: But then you have to put things places and there are storage boxes, but the storage boxes (0:39:34) Al: do the same thing as your bag and they are very limited. (0:39:38) Al: So I’m at the point where I have people mining and their boxes are all full, but I need them (0:39:45) Al: to get something different. (0:39:46) Al: So I have to get the stuff out the box so they get something different because I’ve (0:39:49) Al: used up all of my iron and they’ve just (0:39:52) Al: been filling it with stone because I keep using the iron for things because there’s (0:39:56) Al: nothing to use stone on anymore because I’ve done everything and the more complex ones (0:40:01) Al: need iron instead of stone so they just keep adding stone and I can’t use the stone for (0:40:06) Al: anything so I have boxes and boxes full of stone that I don’t know what to do with and (0:40:12) Al: I can’t buy more boxes so all of my boxes are full of stone and I can’t get any more (0:40:17) Al: boxes and I just I want to know what to do with the stone. (0:40:22) Al: And also I just want more boxes like the inventory thing is the thing that I understand that (0:40:32) Al: some people might like it but I think I actively don’t like it like I just I just want a universal (0:40:40) Al: storage thing or at least like a box that doesn’t have a limit to it right like I think (0:40:45) Al: I see where they’re going with the like it’s trying to be a very physical game right like (0:40:52) Al: this thing and then you put it in a box or you mine something and then you take it to (0:40:55) Al: the place that it’s needed and then I’m going to talk about the the hiring of people like (0:41:02) Al: you can you can use the people that you you convinced to move there you can use them to (0:41:07) Al: do to to do jobs that you you do at the beginning so it allows you to have that automation which (0:41:14) Al: is fun and then you assign them to specific jobs so you say this is my miner and this (0:41:19) Al: This is my tree cutter. (0:41:20) Al: This is my fisher. (0:41:21) Al: This is my farmer. (0:41:22) Al: They will put things in the boxes that you put near them and then you have to move them (0:41:27) Al: between them but then you can get someone who is a courier so their job is just to take (0:41:31) Codey: Mm-hmm. (0:41:32) Al: things from the places that they are to the places that they need. (0:41:36) Al: I get that and that’s all fun. (0:41:39) Al: I mean it when I say that, I think that is actually fun because it’s very physical and (0:41:44) Al: it’s very material and that’s good but because the boxes do the same thing, I just have boxes (0:41:53) Al: of stone everywhere that I can’t do anything with and it’s filling up storage that I could (0:41:58) Al: be using for other things. (0:42:00) Codey: yeah it’s giving factorial vibes you need to make it more efficient so i’m reading the (0:42:08) Codey: developer update that came out like a week ago and they’ve uh I don’t know if it has a roadmap (0:42:10) Al: Is this the road map one? (0:42:16) Al: It’s not a road map so much as like, here are the things we’re going to focus on, sort (0:42:20) Al: of thing. (0:42:20) Codey: yeah so they talk about like minor update one like the things that they’re (0:42:23) Al: Yes. (0:42:24) Codey: so one of them says one of them says too much stuff the overflow chronicles and (0:42:30) Codey: it talks about the fact that you have too many items but you don’t have anything to do with them (0:42:34) Al: Oh nice! (0:42:36) Codey: so you can dispose of the items in a machine that will become available to you through the tech tier (0:42:41) Al: Oh and you receive import tickets, nice! Okay cool, cool! (0:42:44) Codey: and then further down they also say like we have broken down the ai worker feedback into (0:42:49) Codey: the following issues so one of them is the ai over producing resources their backpacks filling up (0:42:54) Codey: storage bins being placed outside of zones that’s not really that important (0:42:58) Al: Yeah, I think those are mostly bugs rather than the actual fundamental issue and the (0:43:04) Al: fundamental issue is I have too much stuff, which they’re obviously trying to figure out (0:43:09) Al: some ways to deal with that. Yeah, I can see that that would certainly improve it. I would (0:43:10) Codey: Yeah. (0:43:10) Codey: Mmhmm. (0:43:17) Al: also just be able to buy unlimited storage. I understand why they’re limiting a lot of (0:43:21) Al: things and I’m not saying don’t have any limits on things, but storage specifically. (0:43:22) Codey: Mm-hmm. (0:43:28) Codey: Really? Yeah. (0:43:28) Al: Like, that seems like such a weird thing to limit. Like, if I want to have 100 boxes (0:43:35) Al: of stone, why not? You know, like, sure, limit the things that you can, like, limit the buildings (0:43:43) Al: so you can only have certain numbers of people living there. Limit the attractions you have (0:43:47) Al: so you can’t just, like, get infinite money in a day sort of thing. You know, that all (0:43:52) Al: makes sense. But storage, of all things. Give me more storage, please. (0:43:56) Codey: - Yeah. (0:43:58) Al: Yeah, it’s interesting, because I generally don’t like management games and this is very (0:43:58) Codey: - Management games, woo! (0:44:06) Al: much more of a management game than I thought it was going to be. But I do find it fun. (0:44:15) Al: I don’t think it’s something that I’m going to put, like, hundreds of hours into, like (0:44:19) Al: I have done with Stardew and Coral Island. But it’s fun being different. (0:44:25) Codey: Mm-hmm. Honestly, the fact that it’s more of a management game, uh, it has endeared me to it more. (0:44:32) Codey: No. Um, yeah. So I think, because I think that that, like making things more efficient and like (0:44:39) Codey: hiring people and having them work in different areas and like having, like being like this person (0:44:44) Codey: gets to work as a courier and like this zone, because it looks like you zone things, right? (0:44:48) Al: So, the zones are there by default. So, you have, like, the map has - this is the mining (0:44:55) Al: zone, it is where the caves are. This is the forestry zone. That’s the word I keep trying (0:45:01) Al: to think of - forestry zone. And that’s where the forest is, obviously. This is the fishing (0:45:05) Al: zone, that’s where the river is. And then there’s the farming zone, which, I mean, that (0:45:11) Al: could probably be anywhere. But it is a fixed - these are fixed zones. And you put certain (0:45:15) Al: things within them to do that so you have like (0:45:18) Al: a time clock so you put a time clock in the zone and then you you go to the time clock and you say I want this person to do this job and then they will use anything that’s in that zone so you put things in the zone to allow them to use it so you put storage in and they will use that to put things in you put in machines and they will use the machines to make different things etc etc so I think one of the other complaints that people had in general which I think I agree is something (0:45:48) Al: they need to improve but I wasn’t like oh I can’t believe they haven’t got it or they need to have it right now is like more space because it does fill up quite quickly and they’ve definitely said that they’re going to be doing that they’re going to be adding expansions to the map which is good but yeah I think that is not the thing that I was like I need this right now probably because I hadn’t got to the end of the tech tree yet (0:45:58) Codey: Mm-hmm (0:46:02) Codey: Expanding yeah, yep (0:46:12) Codey: so okay so there are these different tasks that you can allot to people can (0:46:19) Codey: you also do the tasks like yourself okay (0:46:21) Al: Yeah, yeah, yeah, yeah, yeah. I mean, you start out by doing it yourself, right? You have (0:46:24) Codey: okay (0:46:26) Al: to upgrade the tech tree to get the time clocks. So like after you’ve done like the first full (0:46:29) Codey: got it (0:46:32) Al: tech tree, then you get a second line of the tech tree and it goes like, here is the forestry (0:46:39) Al: expansion. And that gives you a machine to make log, not logs, planks. And it gives you (0:46:49) Al: a time clock for the forestry area and it gives you (0:46:51) Al: another storage thing and it gives you another chainsaw, which by the way, the chainsaw (0:46:57) Al: for cutting down trees is so much fun. I don’t know why more games don’t have that. It’s great. (0:47:02) Al: Then you also have the mining expansion, which gives you the mining time clock, et cetera, (0:47:07) Al: et cetera. So yeah, you unlock them as you go. So you have to do everything to start with (0:47:12) Al: and as you go, you get the ability to automate it with workers using the time clocks. But then you (0:47:18) Al: you can also just do them if you want. (0:47:20) Al: Yeah, you can just go. (0:47:21) Al: Oh, this worker’s being too slow, or I want this specific thing. (0:47:24) Al: I’m going to go do that just now. (0:47:26) Al: And that’s– yeah, that’s totally fine. (0:47:29) Al: I didn’t find myself finding I needed to do that, though. (0:47:31) Al: The AIs, I think, were pretty good. (0:47:34) Al: Yeah, like, the only time I felt like I needed to do something (0:47:38) Al: because the workers weren’t doing it (0:47:39) Al: is because all their storage was full, (0:47:41) Al: so they couldn’t do anything, you know? (0:47:42) Codey: - Yeah. (0:47:44) Al: Like, they couldn’t make more steel beams (0:47:47) Al: because there was nowhere to put them. (0:47:49) Al: Fair enough, I understand that. (0:47:51) Al: Sorry, there’s nothing I can do with that. (0:47:51) Codey: The supply chain must grow, yeah. (0:47:53) Al: Yeah, exactly, exactly. (0:47:54) Codey: I mean, it’s early access, so it’s awesome, yeah. (0:47:57) Al: Oh, absolutely, absolutely. (0:47:59) Al: I guess my point is more like if these things (0:48:01) Al: sound like they would be frustrating to you, (0:48:03) Al: wait for 1.0, like there’s nothing wrong with that. (0:48:05) Al: And I think it is a really fun game. (0:48:10) Al: I’m really enjoying it. (0:48:12) Al: But I do think I’m probably at the point where I’m like, (0:48:15) Al: okay, now I wait for 1.0 before I play more. (0:48:19) Al: because I feel like (0:48:21) Al: I can see how it’s going to be improving and I want that. I want the improved version. (0:48:28) Al: I don’t regret the time I put into it. It has been fun doing what I’ve been doing. (0:48:34) Al: I’m done 15, 20 hours is probably enough in early access. Maybe I’ll play a different point (0:48:41) Al: depending on what the update. Obviously, I’ll be keeping an eye on the updates and (0:48:44) Al: we’ll be talking about them here because I always do. The games that I’m more excited (0:48:46) Codey: Mm-hmm (0:48:48) Al: the boat we talk about more often. (0:48:49) Codey: Mm-hmm (0:48:51) Al: But I’ll definitely I’ll definitely get back into it when it hits 1.0. (0:48:56) Codey: I mean, we definitely talked about that during the halfway through the games episode as well where like what games are we looking forward to the most and a lot of the games were just the 1.0 versions of games that we had already played and it’s it’s I mean, that’s the thing is that you can play them in either early access or whatever

Tyrannosaurus Rex, Brontosaurus, Velociraptor, Triceratops… all fake?!? No way?! It can't be?! What about all of the fossils they've found over the past 150+ years? Why would the Smithsonian and other institutions ever promote an extinct animal species that never really existed? What did they have to gain? We all grew up learning about the amazing, wonderful and terrifying world of the dinosaur. Giant reptiles that roamed the earth 25-65 million years ago and have been extinct for as long. Geez! How did their bones survive such a long period of time and stay fully intact? Why do we never find an entire dinosaur but instead just a few bones here and there… but we've filled in the gaps with such detail? Why do museums all over the world never show the actual bones but replicas of the ‘real thing' and the real bones are tucked away somewhere else? Why is there nothing recorded about dinosaurs before 1842?And what about ‘Giants'? Supersized people that may have existed in many different cultures all over the globe in various time periods that ranged from 7 to over 10 feet tall? Is everyone just telling fairy tales and stories or did extra-large people or human-like creatures once walk the planet?These are all great questions that the Tin Foil Hat Club will investigate in the 2nd Conspiracy Theory episode here on the Strong By Design podcast show! And we just scratched the surface with our third topic of debate… to be continued!"Once you accept the premise, your mind is then trying to create truth from that premise." — Stephen OhocinskiTime Stamps  00:37 - Welcome to the 'Strong by Design' Podcast 01:01 - Get to know today's special guests, the Tin Foil Hat Club 04:07 - Last time with the Tin Foil Hat Club: Popular conspiracy recap!  06:30 - How stories change the world 08:15 - Conspiracy theory #1: Dinosaurs never existed? 12:01 - How what you believe shapes what you conspire 13:41 - Meet the man who invented the dinosaur 24:41 - Cui Bono? Exploring the motives behind dinosaur fakery 35:19 - 'Is Genesis History?': How science connects to the Bible 36:00 - The Tin Foil Hat Club's take on reimagining a dinosaur-free world  39:53 - Conspiracy theory #2: Were giant humans real? 48:44 - How the society benefits from hoaxing giant people 56:10 - Understanding the 'Slow Drip' theory 57:47 - Conspiracy theory #3: The unsolved mystery of JonBenét Ramsey… to be continued  Resources:Got Questions or other good topics? Email us at strongbydesignpodcast@gmail.com Support the Show.Connect w/ CriticalBench: Youtube Facebook Instagram CriticalBench.com StrongByDesignPodcast.com

Triceratops has hurt his horn and T-Rex's nose is all blocked and snotty. Join Doctorsaurus as she races to the rescue and helps the poorly dinosaurs feel better. But when Brontosaurus has a tummy ache, the dinosaurs get a little more than they bargained for!

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is book reviewer Joanne Sheppard, who's putting a little bit in to get a little bit out of remembering 'keep fit'-themed magazine show Go For It!, Frank Muir's What-A-Mess, My Little Pony ancestor My Pretty Pony, John Carradine's The Legend Of Sleepy Hollow, The Water Babies, The Magnificent Race, Amazon Adventure by Willard Price and Snapper Crocodiles. Along the way we'll be finding out how bending up and down while holding the back of a chair can make you the next Steve Ovett, meeting Frank Muir 'making friends', critically evaluating The Vintage Car Cinematic Universe and assessing just how useful My Little Pony would be for hand to hand combat, as well as debating Danny Kendall's hidden influence on modern society and culture.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Joanne talking about The December Rose, Colorado Beetle paranoia, Brontosaurus, Will You Wait For Me? by David Bellamy, Timbuctoo, KP Wickers, The Enchanted Castle, Major Morgan The Electronic Organ and Wilderness Roadhere, The Bump by MC Mallett, Horror Chews, The Strange Affair Of Adelaide Harris, Matchbox Fighting Furies, Mouthtrap, Connoisseur, World Magazine, All Aboard! and The Guinness Book Of Pet Records here and Dramarama: The Exorcism Of Amy, Spine Chillers, Blue Peter's Witch Puppet Make, Monsters Of The Movies by Denis Gifford, Nothing To Be Afraid Of by Jan Mark, Paperhouse, Dekker Toys' Movie/TV Horror Make-Up Kit and Remus Playkits Identispook here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. Please note this does not include any that Hal and Roger Hunt have 'liberated' from natives on their Fairtrade-averting 'Coffee Adventure'.

A new reality faces the Royal Family as Princess Kate and King Charles undergo treatment for cancer. Also, Al Roker gets an exclusive look at the redesign of the 150 year-old Yale Peabody Museum with the first Brontosaurus found in the US. Plus, Shop TODAY Editorial Director Adrianna Brach catches up with Eva Mendes to talk about acting, her family, and a new project that's caught her eye.  And, professional wrestler Becky Lynch joins the show to discuss her new memoir “Becky Lynch: The Man: Not Your Average, Average Girl.” 

Heute bei Dr. Hart und Dr. Zart: Ein Brontosaurus mit Heuschnupfen...

Intro song: Everything Right is Wrong Again (1986)10. Brontosaurus (2021)9. Hall of Heads (1992)8. Canajoharie (2011)7. Dark and Metric (1999)6. Climbing the Walls (2007)

There's nothing better than some delicious grubs to help feed your mind during a prehistoric podcast. Am I right?! Well maybe not, but Jurassic World is still known for the Nigersaurus & as Dr. Alan Grant once said some west African frogs. Our next dinosaur genus had a snout made up of 500 teeth. Its even been described as a mix between Darth Vader & a lawn mower. Regardless, it was definitely out of this yard for a sauropod. Let's begin our next review. Yum, yum!!

Time to talk Dinosaurs again! Surprisingly YEC free this week.   Merch: https://www.etsy.com/shop/cryptopediamerch Discord: https://discord.gg/AWpen8aYQG Patreon: https://www.patreon.com/user?u=14015340 Youtube (Videos have [questionable] captions!): http://youtube.cryptopediacast.com/ --- The Dog and the Dinosaur A Tale from Africa. The Times, November 17, 1919 Dragon Of The Prime. The Times, December 12, 1919. Malayan tapir - Wikipedia Triceratops: Facts about the Three-horned Dinosaur | Live Science. Brontosaurus - Wikipedia Structure and Relationships of Opisthoccelian Dinosaurs Part I. Elmer S. Riggs, 1903 The Brontosaurus Tale. Daily Mail, December 12, 1919. Brontosaurus Hunt. Daily Mail, December 17, 1919. War Dog to Track Brontosaurus. Daily Mail, December 15, 1919. Sauropod tails: up or down? | Dave Hone's Archosaur Musings Manospondylus: Diplodocus: A history of reconstructions - Part 1 Old Lady's Appeal for Monster's Life, Daily Mail. December 24, 1919 The Brontosaurus. Daily Mail. December 16, 1919 Brothers of the Brontosaurus. Daily Mail. December 17, 1919 The Brontosaurus. The Times. February 23, 1920. The Brontosaurus. Daily Mail. December 22, 1919.

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time for a suitably spooky chat is book reviewer Joanne Sheppard, who's braving the walk home from Brownies and all the witches she can't leave the house without tripping over to tell the world about Dramarama: The Exorcism Of Amy, Children's BBC Ghost Story slot Spine Chillers, Blue Peter's Witch Puppet Make, Monsters Of The Movies by Denis Gifford, Nothing To Be Afraid Of by Jan Mark, Paperhouse, Dekker Toys' Movie/TV Horror Make-Up Kit and Remus Playkits Identispook, plus there's an extra bit of chat with Tim about that time that Josie And The Pussycats were possessed by a vengance demon. Along the way we'll be leafing through M.R. James' Whistle And I'll Be Some Stairs, debating the plural of 'A Ghost Story For Christmas', witnessing a rare sighting of the Blue Peter Haunted Galleon, remembering that time Magnus Magnusson picked a fight with TV 'Clown' and calling the selection process for 'King Of The Gorillas' into question.You can find more editions of Looks Unfamiliar at http://timworthington.org/. You can also find Joanne on Looks Unfamiliar talking about The December Rose, Colorado Beetle paranoia, Brontosaurus, Will You Wait For Me? by David Bellamy, Timbuctoo, KP Wickers, The Enchanted Castle, Major Morgan The Electronic Organ and Wilderness Road here, and The Bump by MC Mallett, Horror Chews, The Strange Affair Of Adelaide Harris, Matchbox Fighting Furies, Mouthtrap, Connoisseur, World Magazine, All Aboard! and The Guinness Book Of Pet Records here.If you enjoy Looks Unfamiliar, you can help to support the show by buying us a coffee here. If the handle's come off the mug, DO NOT try sticking it back on with that Dekker stuff.

Froggy the Gator wakes up in the middle of the night with a pain in his leg! But luckily, Daddy the Gator is there to reassure him that what he's feeling is something called "growing pains." This inspires Daddy the Gator to tell Froggy a story, about another kind of animal that also needed some help with his leg bone: an ancient Brontosaurus.

On today's show, we head to a tiny town fighting to save a bush bird, before inspecting an important statue. We'll learn about a dino discovery, and head to an awesome festival of First Nations art. Then it's time for the Wow of the Week. Quiz Questions What's the name of the bird the locals at Ongerup are trying to save? What was mistakenly added to Pearl Wallace's statue? Garumbatitan morellensis is a kind of sauropod. Can you name another? In which state is the Tarnanthi Art Fair being held? What's the word for when animals like wombats and echidnas glow under UV light? Bonus Tricky Question What makes the animals able to glow under UV light? Answers Malleefowl A beard South Australia We said brachiosaurus and diplodocus... but you might know another one! Brontosaurus, apatosaurus, gigantasaurus... the list goes on. Biofluorescence Bonus Tricky Answer Proteins in their skin or fur

In the ongoing quest to broaden my horizons, I've gone a bit cultural in this episode. Delving into the sometimes beautiful, sometimes tragic, sometimes funny and often completely mystifying world of Poetry. #poetry #chriscuit Chriscuit YouTube Channel --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-42/message

We have a new podcast! It's called Universe Of Art, and it's all about artists who use science to bring their creations to the next level. Listen on Apple Podcasts, Spotify, or wherever you get your podcasts.   Where's The Beef? Lab-Grown Meat Gets U.S. Approval People have been looking for meat-alternatives for decades. Vegetarians avoid animal products for many reasons, from concerns over animal treatment and slaughtering practices to the meat industry's climate impacts. Methane from cows and other livestock contribute about 15% of all greenhouse gas emissions. There have been plant-based alternatives on the market for awhile now, but another method has quietly gained steam over the past decade: meat grown in a lab, using cultured cells. This past June, the U.S. Department of Agriculture approved two companies—Eat Just and Upside—to grow and sell cultivated chicken products in the U.S. Lab-developed beef will likely be next, while some companies are even working on cultivated pet food meat. (Lab-grown mouse meat kibble, anyone?) But will growing tissue in a lab actually reduce greenhouse gas emissions, and … will people even want to eat it? Joining Ira to discuss this beefy topic is Casey Crownhart, climate reporter at the MIT Technology Review, who talks about how this kind of meat is made in a lab, the challenges the industry faces, and what lab-grown beef patty tastes like.   How Rising Temperatures Are Shifting The Ground Beneath Chicago As global temperatures rise, cities are typically hotter than rural areas. Tall buildings trap heat and temperatures don't drop nearly as low at night. Out of sight, just below the surface, it's also getting hotter. Scientists are beginning to document the unexpected consequences of underground climate change. A new study measuring the phenomenon used sensors to track increasing temperatures underground in Chicago and map how the earth has shifted beneath the city as a result. Ira talks with the lead researcher of the study, Dr. Alessandro Rotta Loria, assistant professor of civil and environmental engineering at Northwestern University, based in Chicago, Illinois.   A Fish By Any Other Name: Inside The Effort To Bring ‘Copi' To Dinner People who live near freshwater rivers or lakes are likely familiar with Asian Carp. The fish are not native to the U.S., but over the last few decades their populations have exploded in waterways like the Mississippi River Basin and the Illinois River. Over the last few years, there's been a major PR campaign to move away from the name Asian Carp, in favor of a new name: “Copi.” The reason is two-fold: First, it joins a general trend of moving species' names away from nationalistic associations, considering anti-Asian hate crimes during the COVID-19 pandemic. The other goal is to make the fish sound more delicious—creating a market that would incentivize fishing the Copi, hopefully reducing their populations. Joining Ira to talk about this is Jim Garvey, director of fisheries, aquaculture and aquatic sciences at Southern Illinois University in Carbondale, Illinois.   Thanks To A Mesozoic Hot Spot, We Finally Know How Old The Utahraptor Is Sometimes Jim Kirkland wishes he had been alive 150 years ago. That's when the golden age of North American dinosaur discovery began, and early titans of paleontology crisscrossed the Rocky Mountains unearthing dozens of new species that became household names, from the Stegosaurus to the Brontosaurus to the Triceratops. But a close second to that era is what Kirkland gets to see these days in Utah. “I am doing that kind of discovery right now,” Kirkland said. “I'm just lucky to be alive.” Kirkland, Utah's state paleontologist, uncovered and named the Utahraptor in 1993. The deadly predator became the official state dinosaur in 2018. To read the rest, visit sciencefriday.com.   To stay updated on all-things-science, sign up for Science Friday's newsletters. Transcripts for each segment will be available the week after the show airs on sciencefriday.com.

Pause your work on that archeological dig and play this episode! Mark welcomes Emmy Award-winning casting director Julie Schubert to the show to join him on an adventure 65 million years in the making as they celebrate the 30th anniversary of Spielberg's groundbreaking, thrilling, and über-successful movie Jurassic Park. The two rave about the dinosaurs (another shoutout on the podcast to Stan Winston!), the cast, the deaths, the sound effects, and the jiggling Jell-O! Plus, they discuss the sequels, and wonder what the difference is between a Brontosaurus and a Brachiosaurus?

Today, Laura, Krysta and Dean go to Africa in search of the legend of the Mokele-Mbembe, a thirty five foot long dinosaur-like cryptid. It is a creature famed to the Bantu in the region for stopping the flow of rivers when it nests at bends in the river. It is reputed to fight and kill hippos, elephants and crocodiles. footprints have been found and the locals see the creature regularly. We discuss the gorilla, which at one point was considered a cryptid and from there go to the Mokele-Mbembe itself. We discuss all the information we discovered about the creature as well as Josh Gates search for the beast, Rodgers and Hmmerstein's Cinderella, how the brontosaurus became the apatosaurus and so, so much more.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4670465/advertisement

Review of Dino Riders #12 Battle for the Brontosaurus. The podcast that's not drawn to scale. Episode: https://www.youtube.com/watch?v=_jR3u8TMOAM

Do you have a BOHAG, a big big ol' hairy ass goal? It's time to stop making excuses, stand out, and see yourself achieving the goal. Once your goal is accomplished, your BOHAG can't stop… this episode holds not only how to get to your goal but the steps to take after to chase your next thing. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co . And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:The insider news on upcoming events and tourThe reason you only feel sit ups in my hip flexors? What the hell is a BOHAGBecome obsessed with your goal Why you have to stand out The right people supporting you matters How your envision yourself to success What happens after you achieve the goalWhy you morning mattersEpisode References/Links:Get on the tour waitlist!Join the Roll Up workshop!Check out all events happening at OPC  If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox.Be It Till You See It Podcast SurveyUse this link to get your Toe Sox!ResourcesWatch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable PilatesSocial MediaInstagramFacebookLinkedInEpisode Transcript:Lesley Logan 0:00  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guests will bring Bold, Executable, Intrinsic and Targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Welcome back to the Be It Till You See It interview recap where my co host in life Brad and I are going to dig into the trivia. They wanted to say trivial but it's trivia convo. Yeah, it's trivia. It's it's a multiple choice. It's a it's a fun game show. So game show conversation I have with Phil Barth. In our last episode. If you haven't yet listened to that interview. Feel free to pause this now. Go back and listen that women come back and join us you guys. So if you are like me, you grew up with game shows. What?Brad Crowell 2:35  She messed up my dad joke. It's okay. We're rolling with it... (Lesley: Oh, that was i) that literally was what are you supposed to read verbatim? Because it's a bad dad joke... (Lesley: I don't even)Lesley Logan 2:44  I don't even get it... (Brad: you're good, you're good) Okay. Well, anyways, I am nailing it. You guys. You know what? Sometimes you have to walk around and say I'm nailing it. I'm nailing it. So I I was so intrigued by Phil, when he reached out to me on the podcast, because first of all, if you if you listen to podcasts, he was on who wants to be millionaire. And I grew up watching that show and all of the trivia shows and I really, I've never been good at jeopardy. But I used to my my roommate, and I would set the bar and watch Wheel of Fortune. And then we would like practice because someday we thought... (Brad: Wheel of Fortune!) Oh, yeah. And we would see if we could get the puzzle before anyone else would. And I really we never applied to be on the show, which is probably why we weren't on the show. But like, anyways, I just really what I loved about having Phil on, and we'll talk about more is just like, he's just so energetic and full of life. And like he's doing really big things now and we had a fun conversation about it. It was great. It was just it was just fun.Brad Crowell 3:41  His enthusiasm is contagious... (Lesley: Yeah, that's two in a row). Two in a row.Lesley Logan 3:46  Yeah, and if you're like what's two in a row? Well, you that means you missed last week, so you gotta go back.Brad Crowell 3:51  Listen to the history... (Lesley: do a little Be It binge)Lesley Logan 3:55  Wow, that's fun. Uh, Be It binge.Brad Crowell 3:57  Oh, it's a Be It binge. Lesley Logan 3:59  We should hastag that. Let us know if you're ... (Brad and Lesley overlapping: binge alert, binge alert) Okay, well anyways, Alright, before we get into the whole Phil Barth situation, we are in well, if you're listening to this in real time, like you were on top of your episodes, it is the presale for the this workshop we're doing an OPC about the rollout. If you're listening to it a few days after it pops out well, you can still buy it for a short time only, but it's a little bit more expensive. So you know, listen to things when they come out in time that's a life lesson there. Or actually just get on our list. You hear about that? Brad Crowell 4:34  So if you're Be It binging this then you missed it but it's okay we love you.Lesley Logan 4:38  We love you anyways and there's something for you. If you go to opc.me/events I bet you'll find something amazing there.Brad Crowell 4:45  Yeah, and if there is nothing there go to opc.me/workshops to get yourself on the waitlist for future events.Lesley Logan 4:52  But if you are struggling if you're like I hate the roll up or I hate tees or I hate anything with flexion then opc.me/events is going to take you to this amazing workshop that we're having, it's such a fun one. But you kind of it's like one of those, like, be it. You better be it or you lose out on it. I don't know, I feel there's like a theater...You better Be It Till You See It or...Or it's gone. That's true. That's how that's going. Okay, the next thing I have a little thing I have to tell you, if you're an OPC member, I've been teasing you a little bit, but it's getting closer, you guys.Brad Crowell 5:25  Well, let know that we should tell them... (Lesley: I can't tell them) No, what we're saying today is stay tuned. Because next month, we have a very, very exciting addition for every one of our OPC members. And that's all we can say.Lesley Logan 5:42  Well, can I at least say it's not a human?... (Brad: Yes, you can say it's not a human). When you can say there's an addition to something people are gonna think...Brad Crowell 5:48  You can let them fill in the blank in their own mind... (Lesley: Okay, well...) so they can explore and maybe it's a thing.Lesley Logan 5:53  Well, they tag me in your guesses on online and let me see if I'll let you know if you're right. And then finally, Brad and I are actually gonna be home for almost two months. I love how you said it's, it's a whole two months, it is not even close to whole two months, but it's a good six weeksBrad Crowell 6:09  from work. back from Mexico. Yeah. To tell when we go, maybe you're, you might be leaving to go to Texas, maybe.Lesley Logan 6:19  I'm not really sure where I'm headed. But I will say I don't I don't know if it's a full eight weeks, but it's close. And so we're gonna we're gonna be like really enjoying our routines. Because once it's May, it is likeBrad Crowell 6:31  Yeah, the rest of the year from May this year is going to be like a rocket ship.Lesley Logan 6:34  Yes, yes. Because Brad insisted that we go on two tours. So we're doing two tours. And we're super stoked about that. And if you're like, what is the second tour? Well, guess what? This summer, we're going to do The West Coast tour. So if you are a West Coast listener,Brad Crowell 6:49  We're working it all out right now... (Lesley: We are working it out). It's gonna be sometime in August... (Lesley: Yeah. So hit us up. If you want) location to be determined. Lesley Logan 6:56  Hit us up if you want to make sure you are on the TBD list we haven't made yet. So there isn't one to go to.Brad Crowell 7:02  But what we're gonna do, we're gonna make it up right now. Oh, the opc.me/tour. Yeah, to get on the waitlist for the tour.Lesley Logan 7:09  Yeah. Wonderful. That's so fun. Okay. My team is taking notes. All right. Before we get into the episode with Phil Barth, we had a question from you, actually, because you complain about this all the time. So I just, (Brad: all the time.)what about the other day and you can put an extra (...) you know, everyone knows our listeners know how I feel about complaining. So what is your question, Brad?Brad Crowell 7:32  Okay, so this is Brad submitted his own question. I don't know about y'all. But whatever it is... (Lesley: I feel like this is nepotism. It's like a Nepo. Baby?Yeah, just won because I win. All I do is win win win in my hip flexors. So the the, every time I go sit up, I'm like doing it okay. I half feel like I'm whipping my body around. But when I try to like actually get into my muscles of my stomach and my core situation. By the time, if I've done like 20 or 30 setups, all I actually feel is hurt in my hip flexors. Yeah, every time. And it's like, I'm really doing my damnedest not to be in my hip flexors. Yeah, yeah, I'm not doing it. Right.Lesley Logan 8:21  And you also complain about this when you do the mat classes? With me (Brad: Oh, yeah) on the roll up, and the teaser and all of that stuff. So...Brad Crowell 8:21  Actually, yeah, it's teaser mostly, like roll up. I feel like I'm... (Lesley: getting better?). Well, yeah, cuz I'm starting with my upper body. And I'm not starting with my, yeah, I'm not starting with with my flexors, but the...Lesley Logan 8:45  To the listener at home: we have three dogs.Brad Crowell 8:48  Oh my gosh!Lesley Logan 8:49  One of them is silently letting us know that they are here? If you know you know.So here's the thing. There are probably listeners in here who are like wanting to let you know about every single muscle review you're not using correctly. And I'm going to just like make it really simple for all of us. If you're doing situps, and you're filling your hip flexors, it is a sign that you're not really using all of the muscles of your center, you're just not. And that's not your fault, necessarily. Sit ups are a really easy exercise to bypass a lot of those muscles. Just use your rectus which is a very surface surface muscle. And then if your feet are moving around in your situps is a sign that your hip flexors are going oh, oh, you want to bring your chest, well your legs will bring your legs to the chest is the same thing, right? It's not and it so what's happening is the hip flexors are are pulling your back to the legs, because that's what they do. They pull the legs to the back, they'll pull the legs to your stomach. So um, so this is a podcast not a an anatomy class. So if you can't picture that it's just how it is. So what I do as a Pilates person, when I do sit ups is the same thing that I do when I'm when I'm doing a roll up or I'm doing teaser, I am pushing down into my feet, and energetically dragging them towards my seat. This is activating the muscles that I call the fast, which is your inner thighs, your hamstrings, your glutes. So when I come up, of course, though, there's like a little bit of like a wanting to turn off. But I tried to keep this little technical term as well. Like a hug and like I put on some Spanx, right. And I try to especially keep that on as I'm a lowering myself down. So...Is that like, when, you when you say you're keeping that on... (Lesley: Yeah). You're talking about... (Lesley: the hamstrings and glutes, inner thighs) Are you also talking about your stomach?Yeah, I mean, yes, I'm not. I'm not like trying toBrad Crowell 10:57  I'm trying envision doing a setup while I'm sitting in a chair. So it's like...Lesley Logan 11:00  you know, everyone who's sitting right now, if you're driving in your cruise control, you can do this too. So everybody sitting in a chair or sitting at your desk or sitting in your car, please make sure that you are with your eyes open. Press down into your feet, like like it could stand up. Obviously you're not they do push down into your feet. Okay. Do you feel like you're like you're a little taller. Your booty got a little on? So that... (Brad: Yeah) yeah?. So now pull your stomach muscles at the same time. Okay, so that's just like, that's the feeling we want to have on the way up from our sit up. And then on that way down, right. So what I don't want you to do is like bear down and grip anything. But you you're feeling your hip flexors, because you're not incorporating more muscles. And it's not your fault. Your hip flexors are very strong from you playing soccer or volleyball or running or walking the dogs like that's hip flexors, hip flexors, hip flexors. So what's happening is the other muscles that are required to sit up, they are weaker, and they're not participating as much. So there you go. That's your anatomy, your science. And if you are interested in what I'm talking about with the fast muscles, they are very important when it comes to your roll up. And if you are a person who does Pilates and you hate the roll up, teaser pisses you off, you're not even going to do hip circles on the mat, then come to the OBC workshop that's coming up. Because you're you're gonna want to hear all the ways that I don't sell my hip flexors in Pilates. It's not because I'm not using them. It's just because they're part of a big orchestra of muscles.Brad Crowell 12:28  Nice opc.me/events opc.me/eventsAll right, now let's talk about Phil Barth. As a contestant on Who Wants to Be a Millionaire, a speaker and an author Phil barth is the man who specializes in goal achievement. His journey began when he found success by trying something different. And surrounding himself with the right people. Today he helps others fried chickens and overcome their barriers to success through his books.Lesley Logan 14:17  Don't you just love that he's just helped people find some chickens. Love it. I love it. Because when you're not going after your goals, you're essentially chickening out. So I'm in. I wonder if that's what he meant... (Brad: I don't actually know). Bill, let me know if I'm on the path.Brad Crowell 14:32  Well, I'm curious to see if you looked at that New Zealand bird that you were telling him about?Lesley Logan 14:36  Oh, he did... (Brad: Oh, cool). Yeah, um, he sent it to me. I forgot. You know, it can't keep it all in but I'll look it up. I'll look it up while you're talking about Phil.Brad Crowell 14:46  Awesome. Well tell us let's jump into what he said that you love today. And I saw that you have two points.Lesley Logan 14:54  I know. Okay, well, there's apparently a lot of birds that have expired. I put expired. It's extinct, right?Brad Crowell 15:02  You said expired? Oh!Lesley Logan 15:05  I know, it, well when you, when you, okay, when you pass away, when, when your doctor's office reports were paper you guys when it was like when you're when your doctor had a chart remember Seinfeld physical chart he'd write a note and Elaine was like "what are you writing in there?" So I used to be a chart person at a doctor's office and I would put the charts away like things like the library and putting the books away. It's very specific the order that goes into that they can find the chart literally by a person who goes... That's all your job is to pull charts. Okay, and then put the charts back. Anyways, if you die they put expired and the date on it in Sharpie... (Brad: Expired?) Expired! (...) All right, that's an inside joke, guys. Okay, so (...)Okay. Two things, I did have two things that I loved. So the first is the bo hag!Brad Crowell 16:03  Bo hag? What the hell is a bo hag?Lesley Logan 16:06  The big old hairy ass goalBrad Crowell 16:08  B O H A GLesley Logan 16:10  And you have to be obsessed with it. Because you guys, I think a lot of times when we aren't achieving a goal, it's because it's almost too easy to achieve. So we kind of want to do it tomorrow. But if you pick up really... (Brad: tomorrow) tomorrow, if you want to... (Brad: swap) you guys, we only get served the same ads and we stream we serve three ads. And that's one of them. I can't even tell you who the company is. I just... (Brad: Oh I can) Okay, well, we can't say that I sponsor the shots. But, um, so if you know, let us know we can have... (Brad: if you know, you know) you now. Excuse me. So, if your goal is like really big and scary, and it's it's kind of bigger than you, it makes it easier to show up. Like when you hit an obstacle because it's not. It's not about you so and then you want to be obsessed with it. And what that means is like, it's not like, like getting crazy and you just like, lock yourself in a room until it's over. But like you, you really are making sure that you're not saying yes to things that take you away from the goal. So everything that people ask you to it's like, is this gonna get me closer to my bohag? Is this gonna help with my bohag? When you're obsessed with your bohag? First of all, our friend Michael, he's been on the show. He is obsessed with his bohag, he's so obsessed (...) Yes, he is so obsessed with his bohag. He is always thinking about it. So when he meets people, he is able to immediately see how can this person connect me to like get me close my bohag or, and this is like next level bohag obsession. How can this person help someone else that I need to help me with my bohag and then it's like reciprocity? I watch him do this. I'm part of the whole thing I'm like Oh, I see what you're doing. Yeah, I see it and yes, I will help you because you helping me help me with my bohag so here we go. So get obsessed with your bohag. He also went into passion versus obsession so go back and listen to that he you know what is really cool he he also talked about standing out from your competition remember what the red marker so you guys at the the actual show and he would go to try out for for almost a jeopardy for Who Wants to Be a Millionaire. they hand you a black marker and he brought a red marker so that he is card would stand out. This kind of like those who like I don't really care. I don't get how this helps me. Okay, my lovely ladies. I know we're about the same age you listen to you watch Legally Blonde. You watch Legally Blonde, right?Brad Crowell 18:40  I have watched Legally Blonde.Lesley Logan 18:42  Remember her resume? Smells nice, doesn't it?... (Brad: Oh yeah). Smells nice. Y'all have to find a way to stand up. She is one of how many people going to Harvard. Like that she's fighting for like one of these spots. So her resume had perfume. Right? So you have to think about how do you how can I stand out amongst the crowd of people. When I was doing commercials... And when they call you in for a commercial, they're like every redhead. Okay, so like, how do... I am a redhead, How do I stand out? Well I had the red lipstick. I also made sure I found a way to laugh out loud. Even if the commercial was something so depressing. I wanted to find because my laugh is something that people remember, you have to find a way to stand out especially for things that are very subjective. You're getting chosen as one of these people... It's pretty subjective right? So anyways, when it comes to your bohag, How can you stand out a little bit more so don't be a tulip rise above sunflower styleBrad Crowell 19:37  Don't be a tulip y'all!Lesley Logan 19:42  You know, you know how the tulips are, the tulips are all the same height... (Brad: I did not know that) you've never heard of like the tulip problem, the tulips sit... like there's like it's a whole thing someone has to look it up but it's like an actual saying that like there are people are raised to be a tulip but no one wants to stand up higher. So all the tulips are like you'll rarely see a tulip like, up higher, you know what I mean? people, someone is nodding along with me. Brad Crowell 20:07   I love it. I love it. I'm not this is a new new analogy for Brad. But that's a great. I love I love that idea. You definitely have to stand out. And I think, you know what, like when Less and I coach pilates instructors, you know, a lot of people come in to the program, and they're like: "Well, how is this person that I'm in this group with not my competition, because I teach Pilates and so do they? so wouldn't it just be like, I'm actually empowering my competition. And our response is always no, you are just teaching Pilates. You are actually you have a very specific niche, you niche down, you have to get into the space where you know exactly what you're doing for this one specific thing. The more you niched down, the more diehard your clients are going to be, the more you're going to be able to help people fill out their schedule. So basically the, like if you were doing let's say, you know you came from a back injury, right? And you were helping people get over a back injury themselves. It just so happens to be that you're using Pilates to do it. You see oh, you're not selling Pilates anymore. You're actually helping people with back injury stuff or maybe whatever it is that your specific thing your niche may be that is going to help you stand out from the crowd because it's going to be Pilates for back injuries.Lesley Logan 21:31  I'm becoming more and more commenced with all these bots that are coming out that the more specific you are going to get on your website, the more likely that these bots are going to say this is the pilates teacher for you because of some, because now people are being told that they can say oh, I want a low impact workout with a female instructor who specializes in taller bodies. You better better have that that word on your site otherwise they're not going to pull you up because gone gone gone are the days of the old search engines pretty soon so anyway I don't know this is a theory I have.Brad Crowell 22:05  It's very interesting I know with the with the new chat bot searches things are going to shift here y'allLesley Logan 22:11  Don't worry we will keep, we will keep our agency members... (Brad: agency members will know) they'll be first. Before you go into what you love is the MOA. That's the one that extinctBrad Crowell 22:22  Yeah, magically got a text message from... (Lesley: from me) who's truly...Lesley Logan 22:27  Look at it, babe. It looks like, it looks like an ostrich slash a Brontosaurus.Brad Crowell 22:34  MOAS... (Lesley: I might be saying that wrong) Oh, MOA sorry, Moas is plural. Moa is the singular. MOA.Lesley Logan 22:40  Yeah, if you're in New Zealand, and I said that wrong, you can let me know. I'll work on my accent. Okay, what did you love?Brad Crowell 22:48  It's worth looking up... (Lesley: It's such a cool bird). It's pretty... (Lesley: I'm so bummed it's gone). It's like a tall. It's like a it's like a different type of ostrich but it's not an ostrich at all.Lesley Logan 22:58  No, I think it was a mammal. I don't know. (...)Brad Crowell 23:02  All right, here's what I love y'all, we're gonna get to it. I also had two things. So first is he talked about having an accountability partner? Okay. So he said, for him, it was his wife. And the reason that he had an accountability partner was so that he could get this scary goal, this like, potentially, like impossible goal of getting on a television show out of his own head and out of you know, in front of somebody else, because that helps with accountability. So having the right partner is really important, because his wife was very encouraging. In fact, he literally said, Oh, the last city that I drove to, so that I could be in an audition for this show, which obsessed y'all, he almost didn't go it was to Cleveland. And he's and his wife said, hey, you've been focused on this for so long, you might as well go. And he's like, You know what, you're right. I almost didn't go. So he went, and then he was able to get on the show. Right? So you want to pick somebody who's really going to have your back who's going to be understanding, and that could be your friend, your parent, your spouse, your, you know, teacher, whatever it might be one of your classmates, you know, so having an accountability partner is super beneficial. And the second thing that I really loved what he said is, you need to see yourself to success, which is super be it till you see it, right. He practiced him, like, in his own home, he practice seeing himself envisioning himself in that seat on the Who Wants to Be a Millionaire platform. He practiced himself sitting there when the lights went around, and then the audience goes dark, and it's just him and the host.Lesley Logan 24:42  They put like very stressful music.Brad Crowell 24:44  Yeah, the whole thing. I mean, and you know, it's so, so funny because it kind of sounds hippie dippie. But I grew up in sports, and my coaches always used to say: See yourself putting that ball in the net. See yourself winning the game. See yourself, you know, like completing the past or getting the gig if you play volleyballLesley Logan 25:03  In softball, I'm sure the same as in baseball, that you want it, you watch the ball hit the bat, you didn't look where you're running next you like, you like we're swinging and you're like, I'm gonna see that ball and that bat hit even before they hit, and you're gonna watch that you have to, you have to see that otherwise, you're gonna swing and the ball's gonna go somewhere else.Brad Crowell 25:22  Yeah. And when because he was practicing that at home, when he was in the greenroom, and the stress was on, he was like, okay, deep breath, he closed his eyes and he's like, just remember, it's just me and the host. There's nobody else there. And what I'm doing is I'm seeing myself in the seat answering the question correctly, I'm seeing myself in the seat answering the question correctly. And that helped him through a very stressful, you know, experience of being in the green room for two days before it was his turn to finally be on the show. And then being on the show, and he didn't freeze up. So yeah!Lesley Logan 25:56  I mean, I mean, what, you guys I'm sure... If you are like the hooligans, The Millionaire wife, she interviewed this person, but like, can you see all the different ways you've been until you said, like, I had to have him on to show like, like, this is how you do it. Like this is the roadmap. This is it. Anyways, I'm obsessed. We have to get to the Be It action because this one made probably the best.Brad Crowell 26:20  Love it. Stick around!Alright, right, so finally, let's talk about those Be It action items. What bold, executable intrinsic or targeted action items can we take away from your convo with Phil Barth?Lesley Logan 26:40  I know you're gonna jump in first, but I can't believe you sold this morning. Because you're not a morning person. But like this. This is (...)Brad Crowell 26:49  This is hilarious. This is, I love this. Phil specifically said, hey, you know y'all have a bucket list. Love that you have a bucket list. But you also need a fuck it list... (Lesley: Yes). Yeah, a fuck it list. That's right. And if you said if you're not okay with that, just call it a chuck it list. Okay, the whole idea here of a fuck it list is basically look at you. Okay, and this is what I thought was really interesting. (Brad and Lesley overlapping) no, no, no, you need to be looking at yourself internally. This is what was very challenging for, well, everybody, nobody likes to analyze themselves, okay? But the things that go on your fuck it list are things that are no longer serving you, things that you no longer want to be, things that you no longer want to do, you no longer want to have. Right? And that can be tough to decide, you know, maybe it's like, let's pick something that's obvious and easy. Maybe road rage, you get really angry when people cut you off. And you're like screaming and yelling and cursing. And what happens to that it like, actually builds this tension in you, and it can affect the rest of your day. Right?Lesley Logan 28:07  Yeah, exactly. It's gonna be harder to go back into like, like, like dreaming up and being creative, that's for sure.Brad Crowell 28:14  Totally. And so maybe you, you want to get rid of that, that thing could go on your fuck it list, right? And that's like, you know, it might take practice and time to like, allow that stuff to roll off of you. But when you identify it, and you put it on the fuck it list, now you're aware of it, right? And that will allow you to let go of that thing. Whatever that thing might be. He actually said he had a volcano drawn on his whiteboard in his office, and everything that he didn't want anymore. He wrote it into the inside of the volcano, it became a checklist. So cool, he chuck those things into a volcano!Lesley Logan 28:52  This could be like and it's like people that no longer serve you, things that no longer serve you. Maybe, maybe, like, Netflix binging is no longer serving you, like, you know, and maybe you have to get rid of streaming subscriptions just so you really don't go back to them. But what are...?Brad Crowell 29:08  Well, he specifically said, here's why, obviously, it's going to benefit you from that perspective. But really, it's because you're the things that end up in your chuck it list. They're actually taking up space. They're taking up so much space that they might be getting in the way of your bohag. Or your next bohag. Right? So when you are able to clean houses at work, it's gonna really tee you up to knock the next one out of the park. Yep. How about that?Lesley Logan 29:38  I love it. And then as if that wasn't enough, like I mean, he could have just stoppedBrad Crowell 29:43   He could have totally stop there.Lesley Logan 29:45  He's like, yo, just start your day right? And this is a, you know, you know who I am. So he actually quoted a Harvard University study that said those who started their day with negative news versus those who start their day with a solution based news. So if you had three minutes of negative news, it lead you to have a 20% chance greater... (Brad: 27) 27% greater chance of having a bad day. Just three minutes.Brad Crowell 30:09  Yeah, that's that's like a quarter like times a quarter more. You're basically setting yourself up to have a bad day. Yeah, if you're taking on negative news, right in the morning.Lesley Logan 30:21  Right in the morning, so I love that that this one is coming after D thing. So like y'all, you can actually take this Be It action with last week's action item and like, really, truly make sure that you are doing your 15 minutes a moment, your five minute meditation and then your 10 minutes of self development... (Brad: Yeah. So yeah, working on you) working on you, before you get all involved up in that new shit. Because you have to start your day out right so you can go after your bohag.Brad Crowell 30:52  I can I can personally attest to this, that before the last election cycle, November last year, so it was like probably September, October, November. I was so personally invested in you know what was happening? Like with the news that was very seriously affecting my mental state.Lesley Logan 31:15  Oh, we weren't you weren't? With work not getting done on time. Yeah, whenever there's an election, I think we should have a team rule where all political podcasts and news podcasts are paused for three months. Like, we just might need to do that. Because of the bu... we have to put the fuck it list just for 90 days, just because it gets a little distracting.Brad Crowell 31:33  Or maybe it's something that happens during lunch instead of first thing in the morning because that's, I was waking up in the morning, plugging right into the news. And that was what I was focused on.Lesley Logan 31:42  Oh, yeah, yeah. So anyways, well, let's check in with Brad if he decides to this, we have we have a year off of for before election. So you got a year to get on that fuck it list, but put it on that. Put it on next fall's fuck it list page. You guys, Phil is so fabulous. I really like wish that we were like all related. And I bet you that salary unions are so great with him. Anyways, he has a book out already called Great Things Happen Every Day. And he has another book that he's working on one called Fryer Chickens. So go check them out. Yeah, and if you if you're like, Oh yeah, yeah, remember this stuff like, well, if you aren't going after your bohag, then you need better reminders. So you just do. We all need it. We all have those days. I'm Lesley Logan,Brad Crowell 32:27  and I'm Brad Crowell.Lesley Logan 32:28  Thank you so much for being here. We truly are so grateful for you and also to those of you who take time to hit the stars and leave a review over on Spotify and Apple. It is the reason why this podcast gets out. Here's the deal, podcasts take a frickin long time to grow. This is a bohag I'm obsessed with. It's true, but I need your help. I need reviews and I need you to share it. And if you don't know how to share it on social media, I don't care you can share it with a friend at lunch, (...) hear it is, text to them, all the things, and we can't wait to hear how you use these tips in your life. What bohag are you obsessed with? Let us know and until next time, be it till you see it. Brad Crowell 33:01  Bye for now.Lesley Logan 33:02  That's all I got for this episode of the Be It Till You See It podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review. And follow or subscribe for free wherever you listen to your podcasts. Also, make sure to introduce yourself over at the @be_it_pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others BE IT TILL YOU SEE IT. Have an awesome day!      Be It Till You See It is a production of Bloom Podcast Network.  Brad Crowell 33:02  It's written, produced, filmed and recorded by your host Lesley Logan. And me Brad Crowell. Our associate producer is Amanda Frattarelli. Lesley Logan 33:02  Kevin Perez at Disenyo handles all of our audio editing.        Brad Crowell 33:02  Our theme music is by Ali at APEX Production Music. And our branding by designer and artist, Gianranco Cioffi.       Lesley Logan 33:02  Special thanks to our designer Mesh Herico for creating all of our visuals, (which you can't see because this is a podcast) and our digital producer, Jay Pedroso for editing all the video each week, so you can. Brad Crowell 33:02  And to Angelina Herico for transcribing each episode, so you can find it on our website. And finally to Meridith Crowell for keeping us all on point and on time.Transcribed by https://otter.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ellen's nephews have charged her with the task of making a board game about pizza. Making a clone of Hasbro's Candy Land is more difficult than it sounds, especially since these young stakeholders have requested some "creative deviations" from the design of the original board game. Stephen and Mark step in to help out. Can your nice hosts realize the wild, cheesy dream that is Pizza Land?Candy Land, a classic board game for kids - HasbroThat meme from The Office - GiphyGharial, a weird-looking endangered crocodilian - Animalogic, YouTube Nice Thinking Notes Ellen Burns-JohnsonGame Design Children's drawings The art is here on Google Drive for you all to enjoy. Whale, may or may not be pizza-relatedT-rex sort of on fire, facing usBrontosaurus amoebaCat and soulless dog [Pizza] donutPizza Knight with an axe, maybeIce cream leaking out of the conePizza t-rexPizza crocodilePizza sharkPizza rock, since upgraded to pizza geodePizza pyramidMan made of pizzas x 2 Ellen's drawings Ellen's drawingsSea of SauceGarlic Bread GrovePizza Dough DesertCalzone Quarry (not pictured)and here's a link to the spreadsheet mentioned in the episode Game design conclusions Players start out with a random collection of ingredientsThey collect ingredients as they go through the gameEveryone's delivering a pizza and they start with a crustThe Pizza Knight has specific interests & tastes in each game, so different ingredients are more important in each playthroughIf a monster catches you it eats a certain number of ingredients (0, 1, 2, or 3)A grading scale for the team; the pizza knight filling out stars on the appMovement with d6s. When players move, they can roll 2 dice and choose the result, moving forwards or backwards.Unspoken, but maybe good ideas?Monsters all move on the same die roll, and they only move forward.Players have to be on the same tile to give an object to another person.  

The game dudes mourn the absence of a single diskette, schematic, or MAINFRAME in Sega of America's […] The post Brontosaurus Platforming/Strider (GEN) appeared first on NYEH Entertainment.

2:41:18 – Love Story (B for Brontosaurus, Attribution NC SA 4.0 International), Mott (MyCatIsGreen, Attribution NC ND 3.0), Buggy Ride (Beak, Attribution NC ND), Revolution (Tom 7, public domain), Future History (Adhesion, Attribution), KIMA-29 (CBS) commercials – 7/2/1997 (from archive.org), Tie Retie (The Maravines, Public Domain Mark 1.0), Inside Out (Simon Waldram, Attribution 3.0), Aliens […]

Brontosaurus burgers for the next ten years coming right up! Roll For Combat, Three Ring Adventure Podcast is a playthrough of the Pathfinder Adventure Path, Extinction Curse, and the fourth book, Siege of the Dinosaurs. Don't forget to join our Discord channel, where you can play games, talk with the cast, and hang out with … Continue reading "Three Ring Adventure S4|32: Brontoburgers" The post Three Ring Adventure S4|32: Brontoburgers appeared first on Roll For Combat: Paizo's Official Pathfinder & Starfinder Actual Play Podcasts.

Episode 160 of A History of Rock Music in Five Hundred Songs looks at “Flowers in the Rain" by the Move, their transition into ELO, and the career of Roy Wood. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "The Chipmunk Song" by Canned Heat. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Note I say "And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record." -- I should point out that after Martin's theme fades, Blackburn talks over a brief snatch of a piece by Johnny Dankworth. Resources As so many of the episodes recently have had no Mixcloud due to the number of songs by one artist, I've decided to start splitting the mixes of the recordings excerpted in the podcasts into two parts. Here's part one . I had problems uploading part two, but will attempt to get that up shortly. There are not many books about Roy Wood, and I referred to both of the two that seem to exist -- this biography by John van der Kiste, and this album guide by James R Turner.  I also referred to this biography of Jeff Lynne by van der Kiste, The Electric Light Orchestra Story by Bev Bevan, and Mr Big by Don Arden with Mick Wall.  Most of the more comprehensive compilations of the Move's material are out of print, but this single-CD-plus-DVD anthology is the best compilation that's in print. This is the one collection of Wood's solo and Wizzard hits that seems currently in print, and for those who want to investigate further, this cheap box set has the last Move album, the first ELO album, the first Wizzard album, Wood's solo Boulders, and a later Wood solo album, for the price of a single CD. Transcript Before I start, a brief note. This episode deals with organised crime, and so contains some mild descriptions of violence, and also has some mention of mental illness and drug use, though not much of any of those things. And it's probably also important to warn people that towards the end there's some Christmas music, including excerpts of a song that is inescapable at this time of year in the UK, so those who work in retail environments and the like may want to listen to this later, at a point when they're not totally sick of hearing Christmas records. Most of the time, the identity of the party in government doesn't make that much of a difference to people's everyday lives.  At least in Britain, there tends to be a consensus ideology within the limits of which governments of both main parties tend to work. They will make a difference at the margins, and be more or less competent, and more or less conservative or left-wing, more or less liberal or authoritarian, but life will, broadly speaking, continue along much as before for most people. Some will be a little better or worse off, but in general steering the ship of state is a matter of a lot of tiny incremental changes, not of sudden u-turns. But there have been a handful of governments that have made big, noticeable, changes to the structure of society, reforms that for better or worse affect the lives of every person in the country. Since the end of the Second World War there have been two UK governments that made economic changes of this nature. The Labour government under Clement Atlee which came into power in 1945, and which dramatically expanded the welfare state, introduced the National Health Service, and nationalised huge swathes of major industries, created the post-war social democratic consensus which would be kept to with only minor changes by successive governments of both major parties for decades. The next government to make changes to the economy of such a radical nature was the Conservative government which came to power under Margaret Thatcher in 1979, which started the process of unravelling that social democratic consensus and replacing it with a far more hypercapitalist economic paradigm, which would last for the next several decades. It's entirely possible that the current Conservative government, in leaving the EU, has made a similarly huge change, but we won't know that until we have enough distance from the event to know what long-term changes it's caused. Those are economic changes. Arguably at least as impactful was the Labour government led by Harold Wilson that came to power in 1964, which did not do much to alter the economic consensus, but revolutionised the social order at least as much. Largely because of the influence of Roy Jenkins, the Home Secretary for much of that time, between 1964 and the end of the sixties, Britain abolished the death penalty for murder, decriminalised some sex acts between men in private, abolished corporal punishment in prisons, legalised abortion in certain circumstances, and got rid of censorship in the theatre. They also vastly increased spending on education, and made many other changes. By the end of their term, Britain had gone from being a country with laws reflecting a largely conservative, authoritarian, worldview to one whose laws were some of the most liberal in Europe, and society had started changing to match. There were exceptions, though, and that government did make some changes that were illiberal. They brought in increased restrictions on immigration, starting a worrying trend that continues to this day of governments getting ever crueler to immigrants, and they added LSD to the list of illegal drugs. And they brought in the Marine Broadcasting Offences Act, banning the pirate stations. We've mentioned pirate radio stations very briefly, but never properly explained them. In Britain, at this point, there was a legal monopoly on broadcasting. Only the BBC could run a radio station in the UK, and thanks to agreements with the Musicians' Union, the BBC could only play a very small amount of recorded music, with everything else having to be live performances or spoken word. And because it had a legal obligation to provide something for everyone, that meant the tiny amount of recorded music that was played on the radio had to cover all genres, meaning that even while Britain was going through the most important changes in its musical history, pop records were limited to an hour or two a week on British radio. Obviously, that wasn't going to last while there was money to be made, and the record companies in particular wanted to have somewhere to showcase their latest releases. At the start of the sixties, Radio Luxembourg had become popular, broadcasting from continental Europe but largely playing shows that had been pre-recorded in London. But of course, that was far enough away that it made listening to the transmissions difficult. But a solution presented itself: [Excerpt: The Fortunes, "Caroline"] Radio Caroline still continues to this day, largely as an Internet-based radio station, but in the mid-sixties it was something rather different. It was one of a handful of radio stations -- the pirate stations -- that broadcast from ships in international waters. The ships would stay three miles off the coast of Britain, close enough for their broadcasts to be clearly heard in much of the country, but outside Britain's territorial waters. They soon became hugely popular, with Radio Caroline and Radio London the two most popular, and introduced DJs like Tony Blackburn, Dave Lee Travis, Kenny Everett, and John Peel to the airwaves of Britain. The stations ran on bribery and advertising, and if you wanted a record to get into the charts one of the things you had to do was bribe one of the big pirate stations to playlist it, and with this corruption came violence, which came to a head when as we heard in the episode on “Here Comes the Night”, in 1966 Major Oliver Smedley, a failed right-wing politician and one of the directors of Radio Caroline, got a gang of people to board an abandoned sea fort from which a rival station was broadcasting and retrieve some equipment he claimed belonged to him. The next day, Reginald Calvert, the owner of the rival station, went to Smedley's home to confront him, and Smedley shot him dead, claiming self-defence. The jury in Smedley's subsequent trial took only a minute to find him not guilty and award him two hundred and fifty guineas to cover his costs. This was the last straw for the government, which was already concerned that the pirates' transmitters were interfering with emergency services transmissions, and that proper royalties weren't being paid for the music broadcast (though since much of the music was only on there because of payola, this seems a little bit of a moot point).  They introduced legislation which banned anyone in the UK from supplying the pirate ships with records or other supplies, or advertising on the stations. They couldn't do anything about the ships themselves, because they were outside British jurisdiction, but they could make sure that nobody could associate with them while remaining in the UK. The BBC was to regain its monopoly (though in later years some commercial radio stations were allowed to operate). But as well as the stick, they needed the carrot. The pirate stations *had* been filling a real need, and the biggest of them were getting millions of listeners every day. So the arrangements with the Musicians' Union and the record labels were changed, and certain BBC stations were now allowed to play a lot more recorded music per day. I haven't been able to find accurate figures anywhere -- a lot of these things were confidential agreements -- but it seems to have been that the so-called "needle time" rules were substantially relaxed, allowing the BBC to separate what had previously been the Light Programme -- a single radio station that played all kinds of popular music, much of it live performances -- into two radio stations that were each allowed to play as much as twelve hours of recorded music per day, which along with live performances and between-track commentary from DJs was enough to allow a full broadcast schedule. One of these stations, Radio 2, was aimed at older listeners, and to start with mostly had programmes of what we would now refer to as Muzak, mixed in with the pop music of an older generation -- crooners and performers like Englebert Humperdinck. But another, Radio 1, was aimed at a younger audience and explicitly modelled on the pirate stations, and featured many of the DJs who had made their names on those stations. And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record. At different times Blackburn has said either that he was just desperately reaching for whatever record came to hand or that he made a deliberate choice because the record he chose had such a striking opening that it would be the perfect way to start a new station: [Excerpt: Tony Blackburn first radio show into "Flowers in the Rain" by the Move] You may remember me talking in the episode on "Here Comes the Night" about how in 1964 Dick Rowe of Decca, the manager Larry Page, and the publicist and co-owner of Radio Caroline Phil Solomon were all trying to promote something called Brumbeat as the answer to Merseybeat – Brummies, for those who don't know, are people from Birmingham. Brumbeat never took off the way Merseybeat did, but several bands did get a chance to make records, among them Gerry Levene and the Avengers: [Excerpt: Gerry Levene and the Avengers, "Dr. Feelgood"] That was the only single the Avengers made, and the B-side wasn't even them playing, but a bunch of session musicians under the direction of Bert Berns, and the group split up soon afterwards, but several of the members would go on to have rather important careers. According to some sources, one of their early drummers was John Bohnam, who you can be pretty sure will be turning up later in the story, while the drummer on that track was Graeme Edge, who would later go on to co-found the Moody Blues.  But today it's the guitarist we'll be looking at. Roy Wood had started playing music when he was very young -- he'd had drum lessons when he was five years old, the only formal musical tuition he ever had, and he'd played harmonica around working men's clubs as a kid. And as a small child he'd loved classical music, particularly Tchaikovsky and Elgar. But it wasn't until he was twelve that he decided that he wanted to be a guitarist. He went to see the Shadows play live, and was inspired by the sound of Hank Marvin's guitar, which he later described as sounding "like it had been dipped in Dettol or something": [Excerpt: The Shadows, "Apache"] He started begging his parents for a guitar, and got one for his thirteenth birthday -- and by the time he was fourteen he was already in a band, the Falcons, whose members were otherwise eighteen to twenty years old, but who needed a lead guitarist who could play like Marvin. Wood had picked up the guitar almost preternaturally quickly, as he would later pick up every instrument he turned his hand to, and he'd also got the equipment. His friend Jeff Lynne later said "I first saw Roy playing in a church hall in Birmingham and I think his group was called the Falcons. And I could tell he was dead posh because he had a Fender Stratocaster and a Vox AC30 amplifier. The business at the time. I mean, if you've got those, that's it, you're made." It was in the Falcons that Wood had first started trying to write songs, at first instrumentals in the style of the Shadows, but then after the Beatles hit the charts he realised it was possible for band members to write their own material, and started hesitantly trying to write a few actual songs. Wood had moved on from the Falcons to Gerry Levene's band, one of the biggest local bands in Birmingham, when he was sixteen, which is also when he left formal education, dropping out from art school -- he's later said that he wasn't expelled as such, but that he and the school came to a mutual agreement that he wouldn't go back there. And when Gerry Levene and the Avengers fell apart after their one chance at success hadn't worked out, he moved on again to an even bigger band. Mike Sheridan and the Night Riders had had two singles out already, both produced by Cliff Richard's producer Norrie Paramor, and while they hadn't charted they were clearly going places. They needed a new guitarist, and Wood was by far the best of the dozen or so people who auditioned, even though Sheridan was very hesitant at first -- the Night Riders were playing cabaret, and all dressed smartly at all times, and this sixteen-year-old guitarist had turned up wearing clothes made by his sister and ludicrous pointy shoes. He was the odd man out, but he was so good that none of the other players could hold a candle to him, and he was in the Night Riders by the time of their third single, "What a Sweet Thing That Was": [Excerpt: Mike Sheridan and the Night Riders, "What a Sweet Thing That Was"] Sheridan later said "Roy was and still is, in my opinion, an unbelievable talent. As stubborn as a mule and a complete extrovert. Roy changed the group by getting us into harmonies and made us realize there was better material around with more than three chords to play. This was our turning point and we became a group's group and a bigger name." -- though there are few other people who would describe Wood as extroverted, most people describing him as painfully shy off-stage. "What a  Sweet Thing That Was" didn't have any success, and nor did its follow-up, "Here I Stand", which came out in January 1965. But by that point, Wood had got enough of a reputation that he was already starting to guest on records by other bands on the Birmingham scene, like "Pretty Things" by Danny King and the Mayfair Set: [Excerpt: Danny King and the Mayfair Set, "Pretty Things"] After their fourth single was a flop, Mike Sheridan and the Night Riders changed their name to Mike Sheridan's Lot, and the B-side of their first single under the new name was a Roy Wood song, the first time one of his songs was recorded. Unfortunately the song, modelled on "It's Not Unusual" by Tom Jones, didn't come off very well, and Sheridan blamed himself for what everyone was agreed was a lousy sounding record: [Excerpt: Mike Sheridan's Lot, "Make Them Understand"] Mike Sheridan's Lot put out one final single, but the writing was on the wall for the group. Wood left, and soon after so did Sheridan himself. The remaining members regrouped under the name The Idle Race, with Wood's friend Jeff Lynne as their new singer and guitarist. But Wood wouldn't remain without a band for long. He'd recently started hanging out with another band, Carl Wayne and the Vikings, who had also released a couple of singles, on Pye: [Excerpt: Carl Wayne and the Vikings, "What's the Matter Baby"] But like almost every band from Birmingham up to this point, the Vikings' records had done very little, and their drummer had quit, and been replaced by Bev Bevan, who had been in yet another band that had gone nowhere, Denny Laine and the Diplomats, who had released one single under the name of their lead singer Nicky James, featuring the Breakaways, the girl group who would later sing on "Hey Joe", on backing vocals: [Excerpt: Nicky James, "My Colour is Blue"] Bevan had joined Carl Wayne's group, and they'd recorded one track together, a cover version of "My Girl", which was only released in the US, and which sank without a trace: [Excerpt: Carl Wayne and the Vikings, "My Girl"] It was around this time that Wood started hanging around with the Vikings, and they would all complain about how if you were playing the Birmingham circuit you were stuck just playing cover versions, and couldn't do anything more interesting.  They were also becoming more acutely aware of how successful they *could* have been, because one of the Brumbeat bands had become really big. The Moody Blues, a supergroup of players from the best bands in Birmingham who featured Bev Bevan's old bandmate Denny Laine and Wood's old colleague Graeme Edge, had just hit number one with their version of "Go Now": [Excerpt: The Moody Blues, "Go Now"] So they knew the potential for success was there, but they were all feeling trapped. But then Ace Kefford, the bass player for the Vikings, went to see Davy Jones and the Lower Third playing a gig: [Excerpt: Davy Jones and the Lower Third, "You've Got a Habit of Leaving"] Also at the gig was Trevor Burton, the guitarist for Danny King and the Mayfair Set. The two of them got chatting to Davy Jones after the gig, and eventually the future David Bowie told them that the two of them should form their own band if they were feeling constricted in their current groups. They decided to do just that, and they persuaded Carl Wayne from Kefford's band to join them, and got in Wood.  Now they just needed a drummer. Their first choice was John Bonham, the former drummer for Gerry Levene and the Avengers who was now drumming in a band with Kefford's uncle and Nicky James from the Diplomats. But Bonham and Wayne didn't get on, and so Bonham decided to remain in the group he was in, and instead they turned to Bev Bevan, the Vikings' new drummer.  (Of the other two members of the Vikings, one went on to join Mike Sheridan's Lot in place of Wood, before leaving at the same time as Sheridan and being replaced by Lynne, while the other went on to join Mike Sheridan's New Lot, the group Sheridan formed after leaving his old group. The Birmingham beat group scene seems to have only had about as many people as there were bands, with everyone ending up a member of twenty different groups). The new group called themselves the Move, because they were all moving on from other groups, and it was a big move for all of them. Many people advised them not to get together, saying they were better off where they were, or taking on offers they'd got from more successful groups -- Carl Wayne had had an offer from a group called the Spectres, who would later become famous as Status Quo, while Wood had been tempted by Tony Rivers and the Castaways, a group who at the time were signed to Immediate Records, and who did Beach Boys soundalikes and covers: [Excerpt: Tony Rivers and the Castaways, "Girl Don't Tell Me"] Wood was a huge fan of the Beach Boys and would have fit in with Rivers, but decided he'd rather try something truly new. After their first gig, most of the people who had warned against the group changed their minds. Bevan's best friend, Bobby Davis, told Bevan that while he'd disliked all the other groups Bevan had played in, he liked this one. (Davis would later become a famous comedian, and have a top five single himself in the seventies, produced by Jeff Lynne and with Bevan on the drums, under his stage name Jasper Carrott): [Excerpt: Jasper Carrott, "Funky Moped"] Most of their early sets were cover versions, usually of soul and Motown songs, but reworked in the group's unique style. All five of the band could sing, four of them well enough to be lead vocalists in their own right (Bevan would add occasional harmonies or sing novelty numbers) and so they became known for their harmonies -- Wood talked at the time about how he wanted the band to have Beach Boys harmonies but over instruments that sounded like the Who. And while they were mostly doing cover versions live, Wood was busily writing songs. Their first recording session was for local radio, and at that session they did cover versions of songs by Brenda Lee, the Isley Brothers, the Orlons, the Marvelettes, and Betty Everett, but they also performed four songs written by Wood, with each member of the front line taking a lead vocal, like this one with Kefford singing: [Excerpt: The Move, "You're the One I Need"] The group were soon signed by Tony Secunda, the manager of the Moody Blues, who set about trying to get the group as much publicity as possible. While Carl Wayne, as the only member who didn't play an instrument, ended up the lead singer on most of the group's early records, Secunda started promoting Kefford, who was younger and more conventionally attractive than Wayne, and who had originally put the group together, as the face of the group, while Wood was doing most of the heavy lifting with the music. Wood quickly came to dislike performing live, and to wish he could take the same option as Brian Wilson and stay home and write songs and make records while the other four went out and performed, so Kefford and Wayne taking the spotlight from him didn't bother him at the time, but it set the group up for constant conflicts about who was actually the leader of the group. Wood was also uncomfortable with the image that Secunda set up for the group. Secunda decided that the group needed to be promoted as "bad boys", and so he got them to dress up as 1930s gangsters, and got them to do things like smash busts of Hitler, or the Rhodesian dictator Ian Smith, on stage. He got them to smash TVs on stage too, and in one publicity stunt he got them to smash up a car, while strippers took their clothes off nearby -- claiming that this was to show that people were more interested in violence than in sex. Wood, who was a very quiet, unassuming, introvert, didn't like this sort of thing, but went along with it. Secunda got the group a regular slot at the Marquee club, which lasted several months until, in one of Secunda's ideas for publicity, Carl Wayne let off smoke bombs on stage which set fire to the stage. The manager came up to try to stop the fire, and Wayne tossed the manager's wig into the flames, and the group were banned from the club (though the ban was later lifted). In another publicity stunt, at the time of the 1966 General Election, the group were photographed with "Vote Tory" posters, and issued an invitation to Edward Heath, the leader of the Conservative Party and a keen amateur musician, to join them on stage on keyboards. Sir Edward didn't respond to the invitation. All this publicity led to record company interest. Joe Boyd tried to sign the group to Elektra Records, but much as with The Pink Floyd around the same time, Jac Holzman wasn't interested. Instead they signed with a new production company set up by Denny Cordell, the producer of the Moody Blues' hits. The contract they signed was written on the back of a nude model, as yet another of Secunda's publicity schemes. The group's first single, "Night of Fear" was written by Wood and an early sign of his interest in incorporating classical music into rock: [Excerpt: The Move, "Night of Fear"] Secunda claimed in the publicity that that song was inspired by taking bad acid and having a bad trip, but in truth Wood was more inspired by brown ale than by brown acid -- he and Bev Bevan would never do any drugs other than alcohol. Wayne did take acid once, but didn't like it, though Burton and Kefford would become regular users of most drugs that were going. In truth, the song was not about anything more than being woken up in the middle of the night by an unexpected sound and then being unable to get back to sleep because you're scared of what might be out there. The track reached number two on the charts in the UK, being kept off the top by "I'm a Believer" by the Monkees, and was soon followed up by another song which again led to assumptions of drug use. "I Can Hear the Grass Grow" wasn't about grass the substance, but was inspired by a letter to Health and Efficiency, a magazine which claimed to be about the nudist lifestyle as an excuse for printing photos of naked people at a time before pornography laws were liberalised. The letter was from a reader saying that he listened to pop music on the radio because "where I live it's so quiet I can hear the grass grow!" Wood took that line and turned it into the group's next single, which reached number five: [Excerpt: The Move, "I Can Hear the Grass Grow"] Shortly after that, the group played two big gigs at Alexandra Palace. The first was the Fourteen-Hour Technicolor Dream, which we talked about in the Pink Floyd episode. There Wood had one of the biggest thrills of his life when he walked past John Lennon, who saluted him and then turned to a friend and said "He's brilliant!" -- in the seventies Lennon would talk about how Wood was one of his two favourite British songwriters, and would call the Move "the Hollies with balls". The other gig they played at Alexandra Palace was a "Free the Pirates" benefit show, sponsored by Radio Caroline, to protest the imposition of the Marine Broadcasting (Offences) Act.  Despite that, it was, of course, the group's next single that was the first one to be played on Radio One. And that single was also the one which kickstarted Roy Wood's musical ambitions.  The catalyst for this was Tony Visconti. Visconti was a twenty-three-year-old American who had been in the music business since he was sixteen, working the typical kind of jobs that working musicians do, like being for a time a member of a latter-day incarnation of the Crew-Cuts, the white vocal group who had had hits in the fifties with covers of "Sh'Boom" and “Earth Angel”. He'd also recorded two singles as a duo with his wife Siegrid, which had gone nowhere: [Excerpt: Tony and Siegrid, "Up Here"] Visconti had been working for the Richmond Organisation as a staff songwriter when he'd met the Move's producer Denny Cordell. Cordell was in the US to promote a new single he had released with a group called Procol Harum, "A Whiter Shade of Pale", and Visconti became the first American to hear the record, which of course soon became a massive hit: [Excerpt: Procol Harum, "A Whiter Shade of Pale"] While he was in New York, Cordell also wanted to record a backing track for one of his other hit acts, Georgie Fame. He told Visconti that he'd booked several of the best session players around, like the jazz trumpet legend Clark Terry, and thought it would be a fun session. Visconti asked to look at the charts for the song, out of professional interest, and Cordell was confused -- what charts? The musicians would just make up an arrangement, wouldn't they? Visconti asked what he was talking about, and Cordell talked about how you made records -- you just got the musicians to come into the studio, hung around while they smoked a few joints and worked out what they were going to play, and then got on with it. It wouldn't take more than about twelve hours to get a single recorded that way. Visconti was horrified, and explained that that might be how they did things in London, but if Cordell tried to make a record that way in New York, with an eight-piece group of session musicians who charged union scale, and would charge double scale for arranging work on top, then he'd bankrupt himself. Cordell went pale and said that the session was in an hour, what was he going to do? Luckily, Cordell had a copy of the demo with him, and Visconti, who unlike Cordell was a trained musician, quickly sat down and wrote an arrangement for him, sketching out parts for guitar, bass, drums, piano, sax, and trumpets. The resulting arrangement wasn't perfect -- Visconti had to write the whole thing in less than an hour with no piano to hand -- but it was good enough that Cordell's production assistant on the track, Harvey Brooks of the group Electric Flag, who also played bass on the track, could tweak it in the studio, and the track was recorded quickly, saving Cordell a fortune: [Excerpt: Georgie Fame, "Because I Love You"] One of the other reasons Cordell had been in the US was that he was looking for a production assistant to work with him in the UK to help translate his ideas into language the musicians could understand. According to Visconti he said that he was going to try asking Phil Spector to be his assistant, and Artie Butler if Spector said no.  Astonishingly, assuming he did ask them, neither Phil Spector nor Artie Butler (who was the arranger for records like "Leader of the Pack" and "I'm a Believer" among many, many, others, and who around this time was the one who suggested to Louis Armstrong that he should record "What a Wonderful World") wanted to fly over to the UK to work as Denny Cordell's assistant, and so Cordell turned back to Visconti and invited him to come over to the UK. The main reason Cordell needed an assistant was that he had too much work on his hands -- he was currently in the middle of recording albums for three major hit groups -- Procol Harum, The Move, and Manfred Mann -- and he physically couldn't be in multiple studios at once. Visconti's first work for him was on a Manfred Mann session, where they were recording the Randy Newman song "So Long Dad" for their next single. Cordell produced the rhythm track then left for a Procol Harum session, leaving Visconti to guide the group through the overdubs, including all the vocal parts and the lead instruments: [Excerpt: Manfred Mann, "So Long Dad"] The next Move single, "Flowers in the Rain", was the first one to benefit from Visconti's arrangement ideas. The band had recorded the track, and Cordell had been unhappy with both the song and performance, thinking it was very weak compared to their earlier singles -- not the first time that Cordell would have a difference of opinion with the band, who he thought of as a mediocre pop group, while they thought of themselves as a heavy rock band who were being neutered in the studio by their producer.  In particular, Cordell didn't like that the band fell slightly out of time in the middle eight of the track. He decided to scrap it, and get the band to record something else. Visconti, though, thought the track could be saved. He told Cordell that what they needed to do was to beat the Beatles, by using a combination of instruments they hadn't thought of. He scored for a quartet of wind instruments -- oboe, flute, clarinet, and French horn, in imitation of Mendelssohn: [Excerpt: The Move, "Flowers in the Rain"] And then, to cover up the slight sloppiness on the middle eight, Visconti had the wind instruments on that section recorded at half speed, so when played back at normal speed they'd sound like pixies and distract from the rhythm section: [Excerpt: The Move, "Flowers in the Rain"] Visconti's instincts were right. The single went to number two, kept off the top spot by Englebert Humperdinck, who spent 1967 keeping pretty much every major British band off number one, and thanks in part to it being the first track played on Radio 1, but also because it was one of the biggest hits of 1967, it's been the single of the Move's that's had the most airplay over the years. Unfortunately, none of the band ever saw a penny in royalties from it. It was because of another of Tony Secunda's bright ideas. Harold Wilson, the Prime Minister at the time, was very close to his advisor Marcia Williams, who started out as his secretary, rose to be his main political advisor, and ended up being elevated to the peerage as Baroness Falkender. There were many, many rumours that Williams was corrupt -- rumours that were squashed by both Wilson and Williams frequently issuing libel writs against newspapers that mentioned them -- though it later turned out that at least some of these were the work of Britain's security services, who believed Wilson to be working for the KGB (and indeed Williams had first met Wilson at a dinner with Khrushchev, though Wilson was very much not a Communist) and were trying to destabilise his government as a result. Their personal closeness also led to persistent rumours that Wilson and Williams were having an affair. And Tony Secunda decided that the best way to promote "Flowers in the Rain" was to print a postcard with a cartoon of Wilson and Williams on it, and send it out. Including sticking a copy through the door of ten Downing St, the Prime Minister's official residence. This backfired *spectacularly*. Wilson sued the Move for libel, even though none of them had known of their manager's plans, and as a result of the settlement it became illegal for any publication to print the offending image (though it can easily be found on the Internet now of course), everyone involved with the record was placed under a permanent legal injunction to never discuss the details of the case, and every penny in performance or songwriting royalties the track earned would go to charities of Harold Wilson's choice. In the 1990s newspaper reports said that the group had up to that point lost out on two hundred thousand pounds in royalties as a result of Secunda's stunt, and given the track's status as a perennial favourite, it's likely they've missed out on a similar amount in the decades since. Incidentally, while every member of the band was banned from ever describing the postcard, I'm not, and since Wilson and Williams are now both dead it's unlikely they'll ever sue me. The postcard is a cartoon in the style of Aubrey Beardsley, and shows Wilson as a grotesque naked homunculus sat on a bed, with Williams naked save for a diaphonous nightgown through which can clearly be seen her breasts and genitals, wearing a Marie Antoinette style wig and eyemask and holding a fan coquettishly, while Wilson's wife peers at them through a gap in the curtains. The text reads "Disgusting Depraved Despicable, though Harold maybe is the only way to describe "Flowers in the Rain" The Move, released Aug 23" The stunt caused huge animosity between the group and Secunda, not only because of the money they lost but also because despite Secunda's attempts to associate them with the Conservative party the previous year, Ace Kefford was upset at an attack on the Labour leader -- his grandfather was a lifelong member of the Labour party and Kefford didn't like the idea of upsetting him. The record also had a knock-on effect on another band. Wood had given the song "Here We Go Round the Lemon Tree" to his friends in The Idle Race, the band that had previously been Mike Sheridan and the Night Riders, and they'd planned to use their version as their first single: [Excerpt: The Idle Race, "Here We Go Round the Lemon Tree"] But the Move had also used the song as the B-side for their own single, and "Flowers in the Rain" was so popular that the B-side also got a lot of airplay. The Idle Race didn't want to be thought of as a covers act, and so "Lemon Tree" was pulled at the last minute and replaced by "Impostors of Life's Magazine", by the group's guitarist Jeff Lynne: [Excerpt: The Idle Race, "Impostors of Life's Magazine"] Before the problems arose, the Move had been working on another single. The A-side, "Cherry Blossom Clinic", was a song about being in a psychiatric hospital, and again had an arrangement by Visconti, who this time conducted a twelve-piece string section: [Excerpt: The Move, "Cherry Blossom Clinic"] The B-side, meanwhile, was a rocker about politics: [Excerpt: The Move, "Vote For Me"] Given the amount of controversy they'd caused, the idea of a song about mental illness backed with one about politics seemed a bad idea, and so "Cherry Blossom Clinic" was kept back as an album track while "Vote For Me" was left unreleased until future compilations. The first Wood knew about "Cherry Blossom Clinic" not being released was when after a gig in London someone -- different sources have it as Carl Wayne or Tony Secunda -- told him that they had a recording session the next morning for their next single and asked what song he planned on recording. When he said he didn't have one, he was sent up to his hotel room with a bottle of Scotch and told not to come down until he had a new song. He had one by 8:30 the next morning, and was so drunk and tired that he had to be held upright by his bandmates in the studio while singing his lead vocal on the track. The song was inspired by "Somethin' Else", a track by Eddie Cochran, one of Wood's idols: [Excerpt: Eddie Cochran, "Somethin' Else"] Wood took the bass riff from that and used it as the basis for what was the Move's most straight-ahead rock track to date. As 1967 was turning into 1968, almost universally every band was going back to basics, recording stripped down rock and roll tracks, and the Move were no exception. Early takes of "Fire Brigade" featured Matthew Fisher of Procol Harum on piano, but the final version featured just guitar, bass, drums and vocals, plus a few sound effects: [Excerpt: The Move, "Fire Brigade"] While Carl Wayne had sung lead or co-lead on all the Move's previous singles, he was slowly being relegated into the background, and for this one Wood takes the lead vocal on everything except the brief bridge, which Wayne sings: [Excerpt: The Move, "Fire Brigade"] The track went to number three, and while it's not as well-remembered as a couple of other Move singles, it was one of the most influential. Glen Matlock of the Sex Pistols has often said that the riff for "God Save the Queen" is inspired by "Fire Brigade": [Excerpt: The Sex Pistols, "God Save the Queen"] The reversion to a heavier style of rock on "Fire Brigade" was largely inspired by the group's new friend Jimi Hendrix. The group had gone on a package tour with The Pink Floyd (who were at the bottom of the bill), Amen Corner, The Nice, and the Jimi Hendrix Experience, and had become good friends with Hendrix, often jamming with him backstage. Burton and Kefford had become so enamoured of Hendrix that they'd both permed their hair in imitation of his Afro, though Burton regretted it -- his hair started falling out in huge chunks as a result of the perm, and it took him a full two years to grow it out and back into a more natural style. Burton had started sharing a flat with Noel Redding of the Jimi Hendrix Experience, and Burton and Wood had also sung backing vocals with Graham Nash of the Hollies on Hendrix's "You Got Me Floatin'", from his Axis: Bold as Love album: [Excerpt: The Jimi Hendrix Experience, "You Got Me Floatin'"] In early 1968, the group's first album came out. In retrospect it's arguably their best, but at the time it felt a little dated -- it was a compilation of tracks recorded between late 1966 and late 1967, and by early 1968 that might as well have been the nineteenth century. The album included their two most recent singles, a few more songs arranged by Visconti, and three cover versions -- versions of Eddie Cochran's "Weekend", Moby Grape's "Hey Grandma", and the old standard "Zing! Went the Strings of My Heart", done copying the Coasters' arrangement with Bev Bevan taking a rare lead vocal. By this time there was a lot of dissatisfaction among the group. Most vocal -- or least vocal, because by this point he was no longer speaking to any of the other members, had been Ace Kefford. Kefford felt he was being sidelined in a band he'd formed and where he was the designated face of the group. He'd tried writing songs, but the only one he'd brought to the group, "William Chalker's Time Machine", had been rejected, and was eventually recorded by a group called The Lemon Tree, whose recording of it was co-produced by Burton and Andy Fairweather-Low of Amen Corner: [Excerpt: The Lemon Tree, "William Chalker's Time Machine"] He was also, though the rest of the group didn't realise it at the time, in the middle of a mental breakdown, which he later attributed to his overuse of acid. By the time the album, titled Move, came out, he'd quit the group. He formed a new group, The Ace Kefford Stand, with Cozy Powell on drums, and they released one single, a cover version of the Yardbirds' "For Your Love", which didn't chart: [Excerpt: The Ace Kefford Stand, "For Your Love"] Kefford recorded a solo album in 1968, but it wasn't released until an archival release in 2003, and he spent most of the next few decades dealing with mental health problems. The group continued on as a four-piece, with Burton moving over to bass. While they thought about what to do -- they were unhappy with Secunda's management, and with the sound that Cordell was getting from their recordings, which they considered far wimpier than their live sound -- they released a live EP of cover versions, recorded at the Marquee. The choice of songs for the EP showed their range of musical influences at the time, going from fifties rockabilly to the burgeoning progressive rock scene, with versions of Cochran's "Somethin' Else", Jerry Lee Lewis' "It'll Be Me", "So You Want to Be a Rock and Roll Star" by the Byrds, "Sunshine Help Me" by Spooky Tooth, and "Stephanie Knows Who" by Love: [Excerpt: The Move, "Stephanie Knows Who"] Incidentally, later that year they headlined a gig at the Royal Albert Hall with the Byrds as the support act, and Gram Parsons, who by that time was playing guitar for the Byrds, said that the Move did "So You Want to Be a Rock and Roll Star" better than the Byrds did. The EP, titled "Something Else From the Move", didn't do well commercially, but it did do something that the band thought important -- Trevor Burton in particular had been complaining that Denny Cordell's productions "took the toughness out" of the band's sound, and was worried that the group were being perceived as a pop band, not as a rock group like his friends in the Jimi Hendrix Experience or Cream. There was an increasing tension between Burton, who wanted to be a heavy rocker, and the older Wayne, who thought there was nothing at all wrong with being a pop band. The next single, "Wild Tiger Woman", was much more in the direction that Burton wanted their music to go. It was ostensibly produced by Cordell, but for the most part he left it to the band, and as a result it ended up as a much heavier track than normal. Roy Wood had only intended the song as an album track, and Bevan and Wayne were hesitant about it being a single, but Burton was insistent -- "Wild Tiger Woman" was going to be the group's first number one record: [Excerpt: The Move, "Wild Tiger Woman"] In fact, it turned out to be the group's first single not to chart at all, after four top ten singles in a row.  The group were now in crisis. They'd lost Ace Kefford, Burton and Wayne were at odds, and they were no longer guaranteed hitmakers. They decided to stop working with Cordell and Secunda, and made a commitment that if the next single was a flop, they would split up. In any case, Roy Wood was already thinking about another project. Even though the group's recent records had gone in a guitar-rock direction, he thought maybe you could do something more interesting. Ever since seeing Tony Visconti conduct orchestral instruments playing his music, he'd been thinking about it. As he later put it "I thought 'Well, wouldn't it be great to get a band together, and rather than advertising for a guitarist how about advertising for a cellist or a French horn player or something? There must be lots of young musicians around who play the... instruments that would like to play in a rock kind of band.' That was the start of it, it really was, and I think after those tracks had been recorded with Tony doing the orchestral arrangement, that's when I started to get bored with the Move, with the band, because I thought 'there's something more to it'". He'd started sketching out plans for an expanded lineup of the group, drawing pictures of what it would look like on stage if Carl Wayne was playing timpani while there were cello and French horn players on stage with them. He'd even come up with a name for the new group -- a multi-layered pun. The group would be a light orchestra, like the BBC Light Orchestra, but they would be playing electrical instruments, and also they would have a light show when they performed live, and so he thought "the Electric Light Orchestra" would be a good name for such a group. The other band members thought this was a daft idea, but Wood kept on plotting. But in the meantime, the group needed some new management. The person they chose was Don Arden. We talked about Arden quite a bit in the last episode, but he's someone who is going to turn up a lot in future episodes, and so it's best if I give a little bit more background about him. Arden was a manager of the old school, and like several of the older people in the music business at the time, like Dick James or Larry Page, he had started out as a performer, doing an Al Jolson tribute act, and he was absolutely steeped in showbusiness -- his wife had been a circus contortionist before they got married, and when he moved from Manchester to London their first home had been owned by Winifred Atwell, a boogie piano player who became the first Black person to have a UK number one -- and who is *still* the only female solo instrumentalist to have a UK number one -- with her 1954 hit "Let's Have Another Party": [Excerpt: WInifred Atwell, "Let's Have Another Party"] That was only Atwell's biggest in a long line of hits, and she'd put all her royalties into buying properties in London, one of which became the Ardens' home. Arden had been considered quite a promising singer, and had made a few records in the early 1950s. His first recordings, of material in Yiddish aimed at the Jewish market, are sadly not findable online, but he also apparently recorded as a session singer for Embassy Records. I can't find a reliable source for what records he sang on for that label, which put out budget rerecordings of hits for sale exclusively through Woolworths, but according to Wikipedia one of them was Embassy's version of "Blue Suede Shoes", put out under the group name "The Canadians", and the lead vocal on that track certainly sounds like it could be him: [Excerpt: The Canadians, "Blue Suede Shoes"] As you can tell, rock and roll didn't really suit Arden's style, and he wisely decided to get out of performance and into behind-the-scenes work, though he would still try on occasion to make records of his own -- an acetate exists from 1967 of him singing "Sunrise, Sunset": [Excerpt: Don Arden, "Sunrise, Sunset"] But he'd moved first into promotion -- he'd been the promoter who had put together tours of the UK for Gene Vincent, Little Richard, Brenda Lee and others which we mentioned in the second year of the podcast -- and then into management. He'd first come into management with the Animals -- apparently acting at that point as the money man for Mike Jeffries, who was the manager the group themselves dealt with. According to Arden -- though his story differs from the version of the story told by others involved -- the group at some point ditched Arden for Allen Klein, and when they did, Arden's assistant Peter Grant, another person we'll be hearing a lot more of, went with them.  Arden, by his own account, flew over to see Klein and threatened to throw him out of the window of his office, which was several stories up. This was a threat he regularly made to people he believed had crossed him -- he made a similar threat to one of the Nashville Teens, the first group he managed after the Animals, after the musician asked what was happening to the group's money. And as we heard last episode, he threatened Robert Stigwood that way when Stigwood tried to get the Small Faces off him. One of the reasons he'd signed the Small Faces was that Steve Marriott had gone to the Italia Conti school, where Arden had sent his own children, Sharon and David, and David had said that Marriott was talented. And David was also a big reason the Move came over to Arden. After the Small Faces had left him, Arden had bought Galaxy Entertaimnent, the booking agency that handled bookings for Amen Corner and the Move, among many other acts. Arden had taken over management of Amen Corner himself, and had put his son David in charge of liaising with Tony Secunda about the Move.  But David Arden was sure that the Move could be an albums act, not just a singles act, and was convinced the group had more potential than they were showing, and when they left Secunda, Don Arden took them on as his clients, at least for the moment. Secunda, according to Arden (who is not the most reliable of witnesses, but is unfortunately the only one we have for a lot of this stuff) tried to hire someone to assassinate Arden, but Arden quickly let Secunda know that if anything happened to Arden, Secunda himself would be dead within the hour. As "Wild Tiger Woman" hadn't been a hit, the group decided to go back to their earlier "Flowers in the Rain" style, with "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] That track was produced by Jimmy Miller, who was producing the Rolling Stones and Traffic around this time, and featured the group's friend Richard Tandy on harpsichord. It's also an example of the maxim "Good artists copy, great artists steal". There are very few more blatant examples of plagiarism in pop music than the middle eight of "Blackberry Way". Compare Harry Nilsson's "Good Old Desk": [Excerpt: Nilsson, "Good Old Desk"] to the middle eight of "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] "Blackberry Way" went to number one, but that was the last straw for Trevor Burton -- it was precisely the kind of thing he *didn't* want to be doing,. He was so sick of playing what he thought of as cheesy pop music that at one show he attacked Bev Bevan on stage with his bass, while Bevan retaliated with his cymbals. He stormed off stage, saying he was "tired of playing this crap". After leaving the group, he almost joined Blind Faith, a new supergroup that members of Cream and Traffic were forming, but instead formed his own supergroup, Balls. Balls had a revolving lineup which at various times included Denny Laine, formerly of the Moody Blues, Jackie Lomax, a singer-songwriter who was an associate of the Beatles, Richard Tandy who had played on "Blackberry Way", and Alan White, who would go on to drum with the band Yes. Balls only released one single, "Fight for My Country", which was later reissued as a Trevor Burton solo single: [Excerpt: Balls, "Fight For My Country"] Balls went through many lineup changes, and eventually seemed to merge with a later lineup of the Idle Race to become the Steve Gibbons Band, who were moderately successful in the seventies and eighties. Richard Tandy covered on bass for a short while, until Rick Price came in as a permanent replacement. Before Price, though, the group tried to get Hank Marvin to join, as the Shadows had then split up, and Wood was willing to move over to bass and let Marvin play lead guitar. Marvin turned down the offer though. But even though "Blackberry Way" had been the group's biggest hit to date, it marked a sharp decline in the group's fortunes.  Its success led Peter Walsh, the manager of Marmalade and the Tremeloes, to poach the group from Arden, and even though Arden took his usual heavy-handed approach -- he describes going and torturing Walsh's associate, Clifford Davis, the manager of Fleetwood Mac, in his autobiography -- he couldn't stop Walsh from taking over. Unfortunately, Walsh put the group on the chicken-in-a-basket cabaret circuit, and in the next year they only released one record, the single "Curly", which nobody was happy with. It was ostensibly produced by Mike Hurst, but Hurst didn't turn up to the final sessions and Wood did most of the production work himself, while in the next studio over Jimmy Miller, who'd produced "Blackberry Way", was producing "Honky Tonk Women" by the Rolling Stones. The group were getting pigeonholed as a singles group, at a time when album artists were the in thing. In a three-year career they'd only released one album, though they were working on their second. Wood was by this point convinced that the Move was unsalvageable as a band, and told the others that the group was now just going to be a launchpad for his Electric Light Orchestra project. The band would continue working the chicken-in-a-basket circuit and releasing hit singles, but that would be just to fund the new project -- which they could all be involved in if they wanted, of course. Carl Wayne, on the other hand, was very, very, happy playing cabaret, and didn't see the need to be doing anything else. He made a counter-suggestion to Wood -- keep The Move together indefinitely, but let Wood do the Brian Wilson thing and stay home and write songs. Wayne would even try to get Burton and Kefford back into the band. But Wood wasn't interested. Increasingly his songs weren't even going to the Move at all. He was writing songs for people like Cliff Bennett and the Casuals. He wrote "Dance Round the Maypole" for Acid Gallery: [Excerpt: Acid Gallery, "Dance Round the Maypole"] On that, Wood and Jeff Lynne sang backing vocals. Wood and Lynne had been getting closer since Lynne had bought a home tape recorder which could do multi-tracking -- Wood had wanted to buy one of his own after "Flowers in the Rain", but even though he'd written three hit singles at that point his publishing company wouldn't give him an advance to buy one, and so he'd started using Lynne's. The two have often talked about how they'd recorded the demo for "Blackberry Way" at Lynne's parents' house, recording Wood's vocal on the demo with pillows and cushions around his head so that his singing wouldn't wake Lynne's parents. Lynne had been another person that Wood had asked to join the group when Burton left, but Lynne was happy with The Idle Race, where he was the main singer and songwriter, though their records weren't having any success: [Excerpt: The Idle Race, "I Like My Toys"] While Wood was writing material for other people, the only one of those songs to become a hit was "Hello Suzie", written for Amen Corner, which became a top five single on Immediate Records: [Excerpt: Amen Corner, "Hello Suzie"] While the Move were playing venues like Batley Variety Club in Britain, when they went on their first US tour they were able to play for a very different audience. They were unknown in the US, and so were able to do shows for hippie audiences that had no preconceptions about them, and did things like stretch "Cherry Blossom Clinic" into an eight-minute-long extended progressive rock jam that incorporated bits of "Jesu, Joy of Man's Desiring", the Nutcracker Suite, and the Sorcerer's Apprentice: [Excerpt: The Move, "Cherry Blossom Clinic Revisited (live at the Fillmore West)"] All the group were agreed that those shows were the highlight of the group's career. Even Carl Wayne, the band member most comfortable with them playing the cabaret circuit, was so proud of the show at the Fillmore West which that performance is taken from that when the tapes proved unusable he kept hold of them, hoping all his life that technology would progress to the point where they could be released and show what a good live band they'd been, though as things turned out they didn't get released until after his death. But when they got back to the UK it was back to the chicken-in-a-basket circuit, and back to work on their much-delayed second album. That album, Shazam!, was the group's attempt at compromise between their different visions. With the exception of one song, it's all heavy rock music, but Wayne, Wood, and Price all co-produced, and Wayne had the most creative involvement he'd ever had. Side two of the album was all cover versions, chosen by Wayne, and Wayne also went out onto the street and did several vox pops, asking members of the public what they thought of pop music: [Excerpt: Vox Pops from "Don't Make My Baby Blue"] There were only six songs on the album, because they were mostly extended jams. Other than the three cover versions chosen by Wayne, there was a sludge-metal remake of "Hello Suzie", the new arrangement of "Cherry Blossom Clinic" they'd been performing live, retitled "Cherry Blossom Clinic Revisited", and only one new original, "Beautiful Daughter", which featured a string arrangement by Visconti, who also played bass: [Excerpt: The Move, "Beautiful Daughter"] And Carl Wayne sang lead on five of the six tracks, which given that one of the reasons Wayne was getting unhappy with the band was that Wood was increasingly becoming the lead singer, must have been some comfort. But it wasn't enough. By the time Shazam! came out, with a cover drawn by Mike Sheridan showing the four band members as superheroes, the band was down to three -- Carl Wayne had quit the group, for a solo career. He continued playing the cabaret circuit, and made records, but never had another hit, but he managed to have a very successful career as an all-round entertainer, acting on TV and in the theatre, including a six-year run as the narrator in the musical Blood Brothers, and replacing Alan Clarke as the lead singer of the Hollies. He died in 2004. As soon as Wayne left the group, the three remaining band members quit their management and went back to Arden. And to replace Wayne, Wood once again asked Jeff Lynne to join the group. But this time the proposition was different -- Lynne wouldn't just be joining the Move, but he would be joining the Electric Light Orchestra. They would continue putting out Move records and touring for the moment, and Lynne would be welcome to write songs for the Move so that Wood wouldn't have to be the only writer, but they'd be doing it while they were planning their new group.  Lynne was in, and the first single from the new lineup was a return to the heavy riff rock style of "Wild Tiger Woman", "Brontosaurus": [Excerpt: The Move, "Brontosaurus"] But Wayne leaving the group had put Wood in a difficult position. He was now the frontman, and he hated that responsibility -- he said later "if you look at me in photos of the early days, I'm always the one hanging back with my head down, more the musician than the frontman." So he started wearing makeup, painting his face with triangles and stars, so he would be able to hide his shyness. And it worked -- and "Brontosaurus" returned the group to the top ten. But the next single, "When Alice Comes Back to the Farm", didn't chart at all. The first album for the new Move lineup, Looking On, was to finish their contract with their current record label. Many regard it as the group's "Heavy metal album", and it's often considered the worst of their four albums, with Bev Bevan calling it "plodding", but that's as much to do with Bevan's feeling about the sessions as anything else -- increasingly, after the basic rhythm tracks had been recorded, Wood and Lynne would get to work without the other two members of the band, doing immense amounts of overdubbing.  And that continued after Looking On was finished. The group signed a new contract with EMI's new progressive rock label, Harvest, and the contract stated that they were signing as "the Move performing as The Electric Light Orchestra". They started work on two albums' worth of material, with the idea that anything with orchestral instruments would be put aside for the first Electric Light Orchestra album, while anything with just guitar, bass, drums, keyboard, and horns would be for the Move. The first Electric Light Orchestra track, indeed, was intended as a Move B-side. Lynne came in with a song based around a guitar riff, and with lyrics vaguely inspired by the TV show The Prisoner, about someone with a number instead of a name running, trying to escape, and then eventually dying.  But then Wood decided that what the track really needed was cello. But not cello played in the standard orchestral manner, but something closer to what the Beatles had done on "I am the Walrus". He'd bought a cheap cello himself, and started playing Jimi Hendrix riffs on it, and Lynne loved the sound of it, so onto the Move's basic rhythm track they overdubbed fifteen cello tracks by Wood, and also two French horns, also by Wood: [Excerpt: The Electric Light Orchestra, "10538 Overture"] The track was named "10538 Overture", after they saw the serial number 1053 on the console they were using to mix the track, and added the number 8 at the end, making 10538 the number of the character in the song. Wood and Lynne were so enamoured with the sound of their new track that they eventually got told by the other two members of the group that they had to sit in the back when the Move were driving to gigs, so they couldn't reach the tape player, because they'd just keep playing the track over and over again. So they got a portable tape player and took that into the back seat with them to play it there. After finishing some pre-existing touring commitments, the Move and Electric Light Orchestra became a purely studio group, and Rick Price quit the bands -- he needed steady touring work to feed his family, and went off to form another band, Mongrel. Around this time, Wood also took part in another strange project. After Immediate Records collapsed, Andrew Oldham needed some fast money, so he and Don Arden put together a fake group they could sign to EMI for ten thousand pounds.  The photo of the band Grunt Futtock was of some random students, and that was who Arden and Oldham told EMI was on the track, but the actual performers on the single included Roy Wood, Steve Marriott, Peter Frampton, and Andy Bown, the former keyboard player of the Herd: [Excerpt: Grunt Futtock, "Rock 'n' Roll Christian"] Nobody knows who wrote the song, although it's credited to Bernard Webb, which is a pseudonym Paul McCartney had previously used -- but everyone knew he'd used the pseudonym, so it could very easily be a nod to that. The last Move album, Message From The Country, didn't chart -- just like the previous two hadn't. But Wood's song "Tonight" made number eleven, the follow-up, "Chinatown", made number twenty-three, and then the final Move single, "California Man", a fifties rock and roll pastiche, made the top ten: [Excerpt: The Move, "California Man"] In the US, that single was flipped, and the B-side, Lynne's song "Do Ya", became the only Move song ever to make the Hot One Hundred, reaching number ninety-nine: [Excerpt: The Move, "Do Ya"] By the time "California Man" was released, the Electric Light Orchestra were well underway. They'd recorded their first album, whose biggest highlights were Lynne's "10538 Overture" and Wood's "Whisper in the Night": [Excerpt: The Electric Light Orchestra, "Whisper in the Night"] And they'd formed a touring lineup, including Richard Tandy on keyboards and several orchestral instrumentalists. Unfortunately, there were problems developing between Wood and Lynne. When the Electric Light Orchestra toured, interviewers only wanted to speak to Wood, thinking of him as the band leader, even though Wood insisted that he and Lynne were the joint leaders. And both men had started arguing a lot, to the extent that at some shows they would refuse to go on stage because of arguments as to which of them should go on first. Wood has since said that he thinks most of the problems between Lynne and himself were actually caused by Don Arden, who realised that if he split the two of them into separate acts he could have two hit groups, not one. If that was the plan, it worked, because by the time "10538 Overture" was released as the Electric Light Orchestra's first single, and made the top ten -- while "California Man" was also still in the charts -- it was announced that Roy Wood was now leaving the Electric Light Orchestra, as were keyboard playe

I'm joined by filmmaker/animator/actor JACK DUNPHY (Revelations, Brontosaurus, Stinking Heaven) to break down the 2012 film MANIAC (Elijah Wood)! This has already been rated the #1 H*RNIEST episode of ScreenVomit, so lil mamas beware! Jack reveals his most devastating kink, AND a secret career he had for many years. After dark, we get into The Twilight Zone, Smile, Lost Highway, Freaks, Hannah Ha Ha, Executrix, I Wish There Was a Guy Term For I Love You, Brad Cuts Loose, Vore King, The Diamond, Baghead, and filmmakers Joe Cappa and Mike Cullen. Check out the Maniac making-of featurette here: https://vimeo.com/148192353 Watch Jack's shorts here: https://vimeo.com/user11557427 Or follow him on instagram here: www.instagram.com/jackfreemandunphy You can find the podcast everywhere @screenvomit, or hit the links here: http://linktr.ee/screenvomit . Thanks for listening!

Today's episode is all about one of the most dynamite dinosaurs, the Brontosaurus! This long-necked icon has been featured in books, cartoons, movies, and even logos. But did the Brontosaurus really exist in the first place? We'll dig into that question and uncover the history of Brontosaurus with science writer and bronto-enthusiast Riley Black. We'll also learn about taxonomy from a ghost and catch up with Mr. Bone Jangles. Plus, a new mystery sound to discover!

Scott Van Pelt and Stanford Steve discuss what to do with the Giants, if the Packers stinks, the Chargers doing nothing well, why NFL coaches hate points, TCU doing what no other team is doing, if Scott owes LSU money, Clemson's offense not inspiring fear, what changes need to be made at Texas A&M and the scenes in Philadelphia after the Phillies made the World Series. Plus, flag football is back in session and the first game was grim. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is all about one of the most dynamite dinosaurs, the Brontosaurus! This long-necked icon has been featured in books, cartoons, movies, and even logos. But did the Brontosaurus really exist in the first place? We'll dig into that question and uncover the history of Brontosaurus with science writer and bronto-enthusiast Riley Black. We'll also learn about taxonomy from a ghost and catch up with Mr. Bone Jangles. Plus, a new mystery sound to discover! This episode is sponsored by: Mathnasium (Mathnasium.com - contact Mathnasium for a free in-center or online consultation) Indeed (Indeed.com/BRAINS - For a $100 sponsored job credit Terms and conditions apply. Offer good for a limited time.) Shopify (Shopify.com/brainson - for a free 14-day trial and full access to Shopify's entire suite of features) Outschool (Outschool.com/brains - save $15 on your child's first class) Bombas (Bombas.com/brainson - get 20% off your first purchase)

What did dinosaurs really look like? On this episode, Neil deGrasse Tyson and comic co-host Marcia Belsky explore questions we all have about dinosaurs, fossils, feathers, and asteroids with paleontologist Kimberly Chapelle. Is Jurassic Park accurate?NOTE: StarTalk+ Patrons can watch or listen to this entire episode commercial-free.Photo Credit: Copyright © 2005 David Monniaux, CC BY-SA 3.0, via Wikimedia Commons

Creepy Uganda   So Logan and I saw that we were rising through the ranks of Uganda's listeners for the show and thought: “Hey!  We should show our love and support to these wonderful people”. So, in order to do it right,  we are going on a trip! To Creepy Uganda.    Aside from rituals, ancient vengeful deities, and some rather haunted locations found throughout the wonderful country, there's actually quite a few beautiful areas that, as a tourist, would be something to see! Beautiful Lakes, Mountains and rich cultures are just some of the many things that are strewn about Uganda. So without further adieu, Let's Get Creepy.   The East African nation of Uganda, formally the Republic of Uganda, is a landlocked nation. Kenya borders the nation on the east, South Sudan on the north, the Democratic Republic of the Congo on the west, Rwanda on the south-west, and Tanzania on the south. A sizable piece of Lake Victoria, which Tanzania, Kenya, and the rest of the country share, is located in the southern region of the nation. The African Great Lakes area includes Uganda. The climate in Uganda, which is also part of the Nile basin, is variable but usually modified equatorial(Characteristics of Modified Equatorial Climate have a range of 4 to 27 degrees celsius). There are about 42 million people living there, 8.5 million of them reside in Kampala, the country's capital and largest metropolis.   Uganda was given its name after the kingdom of Buganda, which ruled over a sizable area of the country's southern region, including the capital city of Kampala, and whose language, Luganda, is extensively spoken today.   The United Kingdom began to govern the region as a protectorate in 1894, establishing administrative law throughout the realm. (A Protectorate is state that is governed and guarded by another independent state is known as a protectorate. It is a dependent region with local autonomy over the majority of internal matters that yet recognizes the authority (much like our relationship between the US and Puerto Rico) of a more powerful sovereign state without being that state's actual possession.) On October 9, 1962, Uganda declared its independence from the UK. Since then, there have been other bloody wars, including an eight-year military dictatorship under Idi Amin.   Their Constitution stipulates that "any other language may be used as a medium of instruction in schools or other educational institutions or for legislative, administrative, or judicial functions as may be authorized by law," despite the fact that English and Swahili are the official languages. Many more languages, including Ateso, Lango, Acholi, Runyoro, Runyankole, Rukiga, Luo, Rutooro, Samia, Jopadhola, and Lusoga, are also spoken in the Central and South Eastern portions of the nation.   Yoweri Kaguta Museveni, the president of Uganda at the moment, came to power in January 1986 following a lengthy six-year guerrilla conflict. He was able to run and win the presidency of Uganda in the general elections of 2011, 2016, and 2021 as a result of constitutional revisions that eliminated the president's term restrictions.   Uganda's varied terrain includes volcanic hills, mountains, and lakes. The average elevation of the nation is 900 meters above sea level. Mountains line Uganda's eastern and western borders. The Ruwenzori mountain range is home to Alexandra, the highest peak in Uganda, which rises to a height of 5,094 meters.   One of the largest lakes in the world, Lake Victoria, which has several islands, has a significant effect on most of the country's southern region. The most significant cities, including Kampala, the capital, and Entebbe, a neighboring city, are found in the south, close to this lake. The country's largest lake, Lake Kyoga, located in the middle of a vast marshy landscape. Uganda is a landlocked country, although it has a lot of big lakes. Lake Albert, Lake Edward, and the smaller Lake George are additional lakes to Lakes Victoria and Kyoga. The Nile basin encompasses practically the whole country of Uganda. On the border with Congo, the Victoria Nile flows from Lake Victoria via Lake Kyoga and into Lake Albert. South Sudan is reached by continuing northward. The Suam River, which is a component of Lake Turkana's internal drainage basin, drains a region in eastern Uganda. The Lotikipi Basin, which is mostly in Kenya, receives water from the far north-eastern region of Uganda.   There are 60 protected areas in Uganda, including ten national parks. Bwindi Impenetrable National Park and Rwenzori Mountains National Park are both UNESCO World Heritage Sites. What in the hell is UNESCO? It stands for Unidentified Neural Electron Sexual Conspiracy Organization and of course that's incorrect and stupid. It ACTUALLY stands for The United Nations Educational, Scientific and Cultural Organization. A specialised agency of the United Nations aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture.The Bwindi Impenetrable National Park is home to a group of mountain gorillas, the Mgahinga Gorilla National Park is home to gorillas and golden monkeys, and the Murchison Falls National Park is home to those evil fucking hippos.   The military in Uganda is known as the Uganda People's Defense Force. There are about 45,000 soldiers on active service in Uganda's military. Only the United States Armed Forces are deployed to more nations, according to analysts, than the Ugandan army, which is actively engaged in a number of combat and peacekeeping missions in the area. Uganda has troops stationed in the Central African Republic, Somalia, South Sudan, and the northern and eastern regions of the Democratic Republic of the Congo.   The landscape and wildlife of Uganda are the main attractions for tourists. In 2012–13, it contributed 4.9 trillion Ugandan shillings (US$1.88 billion or €1.4 billion as of August 2013) to Uganda's GDP, making it a significant source of employment, investment, and foreign money. Photo safaris across the National parks and wildlife reserves are the primary draws. Other highlights are the mountain gorillas, which may be found in Uganda's aforementioned Bwindi Impenetrable National Park (BINP) and Mgahinga Gorilla National Park (MGNP), which are two of the continent of Africa's oldest cultural kingdoms. With more than 1073 species of birds reported, Uganda is an ornithologist's paradise, ranking fourth among bird species in Africa and sixteenth worldwide. The Great Rift Valley and the white-capped Rwenzori mountains are only two of Uganda's many landscapes.   Unfortunately like everywhere else, Uganda has a plethora of things that have happened there that aren't exactly what some may consider “pleasant”. For lack of a better term and because we're adults, let's just say some Pretty fucked up shit had happened, actually. Genocide being a fairly big thing. But we want to dive into the lesser known side of Uganda.   Like maybe some cryptozoology? Hmmmmmm?   A large cryptid bird named Bagge's Black Bird was once sighted in Uganda's Lake Bujuku, which is located south of Mount Speke in the Ruwenozori Mountains. They were purportedly observed in large numbers in 1898 at a height of 9,000 feet, according to Stephen Salisbury Bagge, a guide for the government. Bagge described them as black birds the size of sheep with an alarm call resembling that of a bull. Not much else to go on here since this was the only sighting allegedly of the creature. But who knows! Maybe it was a pterodactyl, or better yet, a rather large black bird that was living rather well and just so happened to be bigger than the rest.   Denman's bird was another cryptid bird that Canadian mountaineer Earl Denman purportedly claimed to have seen diving "swiftly and nearly vertically in the high mountain air" in Uganda's Ruwenzori Mountains. Ben S. Roesch speculated that they could have been Verreaux's eagles, which are common in the region and frequently observed diving to grab hyraces (rock rabbits) and hares (the thing that doesn't grow on my head) when hunting in pairs.   The irizima, also known as "the thing that may not be spoken of," was a cryptid that was seen in Uganda and the Democratic Republic of the Congo near Lake Edward. One of the least well-supported of the African neodinosaurs, it has been compared to both the mokele-mbembe and the emela-ntouka.   Neodinosaurian cryptids like the mokele-mbembe or li'kela-bembe have been seen mostly in the Republic of the Congo and Cameroon, where it is thought to live in marshy or swampy wetlands, lakes, and rivers. Several other bodies of water have also reported seeing it, but the Likouala region and Lake Tele are particularly linked to it. Many cryptozoologists have long assumed that the mokele-mbembe is a big amphibious animal with a bulky body, a long neck and tail, and a small head. However, a wide range of different reptilian and mammalian identities have also been proposed.   A neodinosaurian cryptid known from the rainforest swamps and rivers of the Republic of the Congo and the southwest Central African Republic, the emela-ntouka (Bomitaba or Lingala: "killer of elephants" or "eater of the tops of trees") is described as a horned animal and has been likened to rhinoceroses and ceratopsian dinosaurs. It is often used as a synonym for the older but now less well-known chipekwe water rhinoceros from Zambia, as well as the ngoubous from Cameroon, the ntambue ya mai from the southern Democratic Republic of the Congo, and certain accounts of forest rhinoceroses. The morphology of the emela-ntouka has been described as well-defined but puzzling. It is described as an amphibian with an elephantine, rhinoceros-like appearance, a big horn on its nose, and a bulky tail resembling a crocodile. The emela-identity ntouka's has historically been the subject of two extremely divergent conflicting theories: either it was a big semi-aquatic rhinoceros or, primarily due to its bulky tail, a living ceratopsian dinosaur. Many cryptozoologists no longer subscribe to the latter notion, as the emela-ntouka is now thought of as a mammal. One ethnic group, the Aka, refers to the emela-ntouka as mokele-mbembe, a practice that has generated considerable misunderstanding.   Now that we understand those two similar cryptids we go back to the irizima. It was initially brought up by Captain William Hichens, who said that there were two conflicting accounts of the creature, including a "gigantic hippopotamus with the horns of a rhinoceros" and an animal with hippo-like legs, an elephant-like trunk, a lizard's head, and an aardvark's tail. Hichens said that such a creature had been spotted by an unknown big game hunter, who then told Herbert Francis Fenn about it, inspiring him to look for neodinosaurs in the Congo. A Brontosaurus, described by Hichens as "a massive marsh animal, ten times as big as the biggest elephant," was discovered in a Congo swamp by a "madcap man" who had been searching for the monster, according to Hichens. Hichens, according to Bernard Heuvelmans, mistook information about the Great Brontosaurus Hoax and Captain Leicester Stevens' excursion for information about Lake Edward. Also, it sounds like they found the funny mushrooms.   The brontosaurus hoax was pretty interesting as well. Allegedly, the news paper in the area of the Democratic Republic of the Congo wanted Captain Stevens to find this cryptid found in the marshes of Lake Edward. The twist is that the original reports were of a ceratopsian dinosaur not a brontosaurus that was written in the news.   Hunter Roger Courtney later made reference to the Lake Edward monster, describing it as a huge, black beast that spews tremendous waves and spouts. When the hunter persuaded his companions to aid him onto the water, the monster had already dove, according to Courtney, who claimed that a Dutch hunter had spotted the animal from the shore of Lake Edward. In addition, Courtney had heard rumors about "dinosaurs" from the adjacent Ituri Forest, which he took to be true.   According to E. A. Temple-Perkins, who studied the irizima in Lake Edward, the monster—especially as it was described by Courtney—may have originated as a local legend intended to explain why waterspouts naturally occur. Given the lack of reliable material from Lake Edward, Bernard Heuvelmans believed that Captain Hichens had accidentally introduced the Lepage-Gapelle fake monster there, leaving Roger Courtney's brief report as the only description of the Lake Edward monster. Karl Shuker, however, asserts that these two contradictory descriptions demonstrate that the term "irizima" is likely used to describe both of the two primary African neodinosaur types found in Lake Edward, the long-necked mokele-mbembe type and the horned emela-ntouka type. Shuker hypothesizes that the irizima, which Hichens described as having numerous horns, may be the same animal as the emela-ntouka and the ngoubou, which resemble Arsinoitherium (a large two horned mammal that went extinct and resemble rhino but the horns being on its brow instead of its snout).   A group of semiaquatic cryptids known as water lions, water leopards, or jungle walruses have been found in rivers and occasionally wetlands throughout tropical Africa, particularly in the Central African Republic. The majority of the time referred to as huge cats , they can be identified by their protruding fangs or tusks and their penchant for hippopotamus slaughter, so they're not all bad. A number of competing theories exist, and some water lions have also been identified or confused with neodinosaurs, water rhinoceroses, and pseudodeinotheria. Ingo Krumbiegel and Bernard Heuvelmans theorized that water lions represent a surviving species of sabre-toothed cat adapted to an amphibious lifestyle and that sounds terrifying. The majority of water lion sighting reports were gathered in the 20th century, however reports of the n'gooli or “water panther”, continue to come from Cameroon.   The Nandi bear, also known as the chemosit (Kalenjin: "devil"), is a cryptid that has been seen in western Kenyan highlands as well as Uganda. It is described as a deadly creature with a matted mane that resembles a bear. Cryptozoologists have determined that the Nandi bear is a fusion of several different cryptids, including maybe two real unknown animals: a huge hyena and a giant baboon, however identities of a living chalicothere (the weird horse/gorilla looking thing) and an unknown bear have also been proposed. Since the 20th century, there have been few or no sightings, and it has been hypothesized that the Nandi bear, if it ever existed, is now extinct. Maybe another version of the sasquatch?    Hope the Cryptids were a little more easy going because now we dive into some… shit.   Sir Edward Frederick William David Walugembe Mutebi Luwangula Mutesa, often known as Kabaka Mutesa II, led a fascinating life. He ruled as Buganda's 36th kabaka (king) from 1939 until his passing on November 21, 1969. In addition, he served as Uganda's first president from 1963 until 1966, when he was ousted and taken into exile by Prime Minister Milton Obote.   Following the passing of his father, King Daudi Cwa II, he succeeded to the throne of Buganda in 1939. He was overthrown twice: once by the colonial governor-general Sir Andrew Cohen in 1953 so that he could be replaced by his half-brother, whom Cohen believed he could better control; and once more in 1966 when Prime Minister Obote forced him to leave for Britain, where he died in exile. Following his first exile of two years, Mutesa II was permitted to reclaim the throne as part of a negotiated agreement that established him as a constitutional monarch and granted the Baganda the opportunity to choose delegates for the kingdom's parliament, the Lukiiko. He had thirteen wives and eleven children by marriage and six through other means.   Initially joining forces to demand self-rule, Sir Edward Mutesa II, KBE and Prime Minister Milton Obote went on to win the 1962 election. Mutesa II was named non-executive president, primarily serving in a ceremonial capacity, but after independence, their relationship started to sour. Obote allegedly instructed Idi Amin-led soldiers to raid his stronghold in 1966. Mutesa II had to escape to the UK once more. Obote declared himself president and assumed total control while he was overseas.   The largest of Uganda's several ethnic groups, the Baganda, were led by Mutesa II as monarch. Despite taking advantage of it, Obote used his position of power to get rid of both the traditional kingships and the independence of the province administrations because Buganda had only agreed to join the state if it had a high degree of autonomy. In 1993, Mutesa's son was elected as the 37th kabaka under a revised constitution. Within Uganda, Buganda is currently a constitutional monarchy. In Uganda, Mutesa II attended King's College, Budo. As a student at Magdalene College in Cambridge, England, he enlisted in an officer training corps and received a captain's commission in the Grenadier Guards. Buganda was then a part of Uganda's British rule. Many of the traditional leaders or kings served as the British's representatives in Uganda. The late fourteenth century is when the Buganda kingly line began. Oddly enough, Obote was deposed in a coup in 1971 by none other than Amin, the head of his own army and closest supporter.   At the age of 45, Mutesa II passed away from alcohol poisoning at his London apartment in 1969. The British authorities determined that he committed suicide, despite his followers' claims that Obote regime assassins were responsible. In 2009, four decades after Mutesa II's passing, a family friend and fellow Ugandan exile living in London told the BBC, "We got warning, people used to write and say somebody has been sent, be aware, take care."   According to JM Kavuma-Kaggwa, an elder from Kyaggwe, Mukono District: “There were rumours that Obote was spending Shs 250,000 per week (a lot of money then) to track down the Kabaka. Their mission had completely failed until luck struck when the late Oscar Kambona of Tanzania who fell out with President Nyerere and fled into exile in London, organised a birthday party in November 1969 in Sir Edward Mutesa's honour.”   “Also in attendance was a beautiful Muganda girl who had reportedly been recruited by the GSU to go to London, befriend Sir Edward, be close to him and poison him. She came close to the Kabaka during the party. It was reported that the Kabaka invited the girl to this birthday party and that was the time she managed to poison him because she was the one in charge of the Kabaka's drinks that evening.”   After Obote was overthrown in 1971, Mutesa II's remains were brought back to Uganda and given a formal funeral by the new president, Idi Amin, who had led the attack on Mutesa's palace in 1966 as the army commander. Definitely an interesting story to say the least. This next event is a little more… unsettling.   On the last night of her life, Rose Nakimuli shut down her little hair salon in rural Uganda at around nine o'clock. The 27-year-old made her way back down to the neighborhood bar for a late-night beverage after walking home to change and turning on her porch light for the evening. Later, while she was strolling along a country road next to a two-lane highway on her way home, a friend leaned out of his small bar to greet her. The following morning, a neighbor discovered her dead; slouched behind banana trees in front of her house. Nakimuli was stripped and forced to kneel on her knees. Her vagina had been penetrated with a cassava stick. Her spouse recognized her by the maroon sweater that was hanging from a tree close by. Considering the porch light was still on suggests that she never actually made it home.   Nakimuli is one of 23 women who have died mysteriously and horribly on the outskirts of Kampala, the expanding metropolis of quickly urbanizing Uganda, from May to November of 2017. The murders have caused fear in the neighborhood, sparked doubts about the nation's dedication to protecting women, and increased scrutiny of the police force, a potent institution criticized for acting with impunity and serving as an extension of the government's ruling political party, the National Resistance Movement.   All of the victims were female, ranging in age from 19 to 38. Four of the individuals have been recognized as sex workers, along with a number of traders and a high school student. Many of the victims had no nearby family and lived alone. Three of the women, at least, are yet unidentified. Many of the murders, according to the police, were committed by witchcraft practitioners who sought financial gain through human sacrifice. Others, according to them, are the result of spousal abuse, drug use among unemployed youth, land disputes, and lone women who fail to take the necessary safeguards.    Twelve or more suspects have been taken into custody. Some have apparently been tortured into confessing. However, not much evidence connecting the suspects to the crimes has been made public.   Locals and activist organizations charge the police with being overburdened and conflicted over the murders of over twenty women.   “What makes me to feel that there is an element of injustice is that it took Rose to die in order for somebody to move,” said Nakimuli's husband, Anatoli Ndyabagyera.   Community watch groups have been established, a curfew has been implemented to prevent women from travelling alone at night, and the local informal economy has collapsed in the interim. Some of the safety measures have not been applied since Idi Amin's regime and the civil conflict that ensued after his overthrow in 1979.   Interior Minister Jeje Odongo blamed a couple of businesspeople at the head of a vast criminal network connected to "the Illuminati" in September 2017 for most of the killings. According to Odongo, the guys, Ivan Katongole and Phillip Tumuhimbise, performed rituals using the victims' blood and body parts in order to increase their wealth.   In Uganda, magic and mysticism still have great power. The rituals that these beliefs usually take the form of can occasionally become more evil. In the past, killings for ceremonial purposes have often involved children in particular.   Jordan Anderson, a researcher who has studied magic in East and Central Africa, claims that the latest killings of women, however, have little in common with conventional ritual homicides. One reason is that it's unusual to preserve a sacrificial body.   “You are killing the person because, in the first sense, you want to use that body part in the ‘medicine' or the potion that you are going to put together,” he said. “It's the particular part of the person you want, not the death per se."   Black magic can also be useful cover for a murderer trying to hide their tracks or an easy scapegoat for incompetent security forces.   “If you have this motif in the media, people can pick it up and copycat it,” Anderson said. “If there's insecurity in this area, if there are murders taking place, this is a great excuse for the politicians, the police and, above all, the people doing the murders.”   In an interview at one of the clubs where she was last seen alive, her husband noted that Nakimuli was regarded as being "extremely sweet." She was unable to stand by as a child sobbed. He couldn't bring himself to clean up her house for two months following her passing.   In small communities like the one where Nakimuli passed away, rumors are easily disseminated, and Ndyabagyera is still dubious of the police's version of what happened to his wife. He thinks Nakimuli's cousin may have set her up as part of a long-standing vendetta.   The small village of Katabi, where Nakimuli and 11 other women were murdered, is located along the main road from Kampala to Entebbe, which is home to the president of Uganda's palace and the country's primary airport on Lake Victoria. Museveni frequently travels this route on his way from his residence to the capital. He didn't go to the town, however, to pay his respects to the deceased until late September.   Museveni interviewed the victims' friends and neighbors during the unexpected visit while keeping a clipboard in his hand and taking careful notes.   The majority of the twelve slain women in the Katabi area were brutalized in ways akin to Nakimuli. Many had been assaulted with cassava sticks, stripped naked, and strangled.   On the opposite side of Kampala, 20 miles north, the bodies of an additional 11 women were found during the same time frame. There, victims were allegedly sexually assaulted and strangled, yet there were no sticks in their genitalia.   An individual named Ibrahim Kaweesa, a chicken dealer who had previously served ten years in prison for robbery, has been connected to those killings. Which seems like a huge escalation. The interior minister claimed that Tumuhimbise, a teenage shopkeeper, employed Kaweesa to murder a dozen women "for ritual performance to protect or improve his wealth."   As part of a loose network supporting law enforcement, 40-year-old Charles Waswa assisted in the arrest of Kaweesa and claimed, "They removed the blood."   Kaweesa resided two-thirds of the way down a short row of apartments, surrounded by women cooking outside and shrieking children. He was labeled by his neighbors as an arrogant and dangerous womanizer.   Kaweesa's neighbor Annette Namkose, 29, stepped in to prevent them from dating. She alleged through a translator that in response, he threatened to kill her, saying, "I'll kill you like I did the ones in Entebbe."   She declared, "He's not a neighbor you want to be with.   Police said that after being detained, Kaweesa swiftly confessed to the crimes. He allegedly led detectives around a number of the crime scenes without being asked.   “I don't believe we have arrested each and every person who knew about this matter,” said Kasingye, the police spokesman.   “I cannot say 100% there isn't going to be any (more) crime because it has never happened anywhere in the world. But at least it (the arrests) shows us we can stop criminals. We can arrest them, we can prosecute them and we can do this throughout the whole country.”   Unfortunately cases like these happen too much in many places around the world. Uganda seems to be trying to get ahead of the curve with the installment of the Anti-Human Sacrifice and Trafficking Task Force following the Anti-Trafficking Act in 2009.    Although reports have shown that the task force has been severely underfunded for a while, we do hope that things start to turn around.   Speaking of human sacrifices, this is a report from only a few weeks ago:   Human sacrifices continue unabated in the remote and rural areas of the landlocked East African country of Uganda despite authorities enacting tough laws and threatening death sentences.   According to officials, 132 incidents of human sacrifices have been recorded in the last three years. The numbers have spiked from 22 sacrifices in 2019, 45 in 2020 and 65 in 2021.   Most victims of such “ritual sacrifices” are children, apparently because they are easier to abduct and seen as “pure” and so of "higher ritual value".   Anadolu Agency quoted authorities as saying on Sunday that the sacrifices are being carried out by witch doctors or local traditional healers, dotting rural areas.   Admitting that human sacrifice is a big problem, Lucas Oweyesigire, the police spokesman for the Kampala region, said most such practices take place in rural areas.   The so-called leader of traditional healing and witch doctors, Mama Fina, has also condemned human sacrifice and described those recommending the sacrifice of human beings as “fake”.   Taking advice from witch doctors   Police spokesman Fred Enanga said only last month they "arrested a man identified as Musilimu Mbwire on suspicion of killing his two sons in human sacrifice.”   According to preliminary investigations, a rich man had paid Mbwire money and convinced him to sacrifice his two sons at the instructions of a witch doctor.   Superstitions lead people in rural areas to seek help from witch doctors, who in turn offer weird prescriptions, including human sacrifices to turn around their luck.   A more worrisome part of the superstition is to undertake human sacrifice to put the body at the foundation of a building to bring good luck.   Timothy Mukasa, a local leader in Kampala's suburb of Kireka, said many multi-storey buildings in the town have been built on a human body.   “The witch doctors tell owners to put a human body at the foundation of the construction of the buildings,” he said.   In 2014, authorities apprehended and later sentenced a tycoon Kato Kajubi for sacrificing a child and then putting his body in the foundation of a building that he was about to construct.   David Musenze, a journalist who studied psychology, said there are not many qualified counsellors to attend to psychological and mental issues of people, which makes them take advice from witch doctors.   "People go to witch doctors to help them get jobs, be promoted at jobs, or kill their enemies, along with many other problems," he said.   So, what about hauntings, you might be thinking to yourself. Well, we found a story from someone living in Uganda from the “your ghost stories” website. I had always thought this sort of nightmare was happening to me alone until I have come across this site. I always took my suffering silently especially the unexplained sickness which always followed devil attacks.   It all started on 28th November 2004 one hour to midnight. Whilst walking home after branching off from the main road. I heard footsteps of someone walking behind me and whoever it was seemed to have been in a hurry, I glanced back and stepped aside to see who it was and let him/her pass as I was in a narrow path.   I saw a hazy form I can't clearly explain here, my hair stood on my head like when you encounter something fearful. A cold shiver enveloped me and a gust of chilly wind wrapped my entire body, like I was putting on a cloak. I let out a silent incoherent scream and ran towards home which was just nearby. That occurrence signalled the beginning of my suffering to date.   Since then, whenever I sleep I am woken up by something touching my foot or a feeling of a being lying beside me, in the morning I find scratches on my body and at first I thought it was me scratching myself during asleep so I used to trim my nails, but the scratches continued.   During the attacks, I fall in a sort of hypotonizing stance. I neither can move nor make any sound except my feet which I use to struggle and try to shrug of the being.   In the past two years the demon has turned sexual, it would turn in a woman form, hugging me in bed trying to initiate sexual intimacy, when I wake up my reproductive organ feels so cold and shrunk. There's pain also in the pelvic area for most of the day.   I have tried all sorts of remedies e.g. Blessed water, salt, prayers etc. But none seems to work, Any suggestions on how to get rid of this demon is welcome.   And lastly, the Haunted Palace of Kabaka Kabak's Palace, also known as Idi Amin's Torture Chambers or Haunted Mansion or Lubiri Palace is located in Lubiri area of Kampala on Mengo Hill Road. It was the home of the Bugandan kings but these days it largely remains unoccupied due to the horrific events that took place under the rule of Idi Amin and President Milton Obote. President Idi Amin built his torture chamber here where hundreds of people were reportedly tortured to death. Their spirits are believed to have haunted the palace which is closed to the public these days for repair and clearing it from the so-called spirits.   MOVIES-Top movies set in africa 30 Must Watch Movies Set in Africa - IMDb

Carrie chats with Chris Heuisler! They chat about his latest initiative called the Knob Creek Jogging Club, which is made up of a hundred bartenders all jogging into healthier lives. They also cover his journey into the sport, his production company Brontosaurus, how he met his wife, his acting days, coaching all sorts of people, and much more!