Podcasts about b flat major

We now pull out the third record from this seven disk box set. A record that features a relatively unknown work AND probably one of the most famous works in music history. Talk about a dichotomy.   This is music from the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day.   Plus I decided to play three movements from each symphony. I thought this joint needed some classing up.   So, settle in and get ready to hear the man who is said to have set music free in Volume 227: Beethoven's 4th & 5th.   For more information about this album, see the Discogs webpage for it.    Here is the promised Leonard Bernstein video.    Credits and copyrights   Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Ludwig van Beethoven Label: Reader's Digest – RD 4-6 Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral   This is record 3 of a 6 record set. We will hear two movements from the 4th Symphony and three from the 5th.   Symphony No. 4 In B-Flat Major, Op. 60 First Movement - Adagio; Allegro Vivace Second Movement - Adagio Fourth Movement - Allegro Ma Non Troppo   Symphony No. 5 In C Minor, Op. 67 First Movement - Allegro Con Brio Third Movement - Allegro Fourth Movement - Allegro   I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.   #beethoven #beethovensfifth  #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

We'll look at Beethoven's final three string quartets: No. 13 in B-flat Major, No. 14 in C-sharp Minor, and No. 16 in F Major.

This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

We'll focus on two piano sonatas, No. 28 in A major, Op 101 composed in 1816, and No. 29 in Bb major, Op 106 ("Hammerklavier"), completed two years later.  

Title: Anniversary Bon Bon 2: Best Piece Tracks: Vivaldi: Violin Concerto in B-Flat Major, RV 583 Andante Artist: Nicola Benedetti & Benedetti Baroque Orchestra Publisher: ℗ 2021 Universal Music Operations Limited

Title: Baroque Festival 4: Albinoni Oboe Concerto Tracks: Oboe Concerto in B-Flat Major, Op. 7 No. 3: II. Adagio Artist: Alfredo Bernardini & Zefiro Publisher: ℗ 2014 Outhere Music France

#48 In this episode I open the floor to an important ingredient of great Music: the Mysterious. Music is often beautiful for reasons that we don't quite grasp, it is tricky to point at what makes a piece unique and profound. I invite you to stay open when listening to music that lets the element of Mystery take over. In this episode I will discuss and provide examples of three works by modern and classical composers.‎Perugia – by Roland Hanna – Apple MusicPerugia - by Roland Hanna | Spotify‎Piano Sonata No. 21 in B-Flat, D. 960: II. Andante sostenuto – by F. Schubert, Mitsuko Uchida – Apple MusicPiano Sonata No. 21 in B-Flat Major, D. 960: 2. Andante sostenuto - by Franz Schubert, Mitsuko Uchida | Spotify‎Meridianne--A Wood Sylph – by Wayne Shorter & Herbie Hancock – Apple MusicMeridianne - A Wood Sylph - by Herbie Hancock, Wayne Shorter | SpotifySupport Where is the Music Podcast: PATREONWhere is the Music on Substack:https://albertoferro.substack.com/My Piano Courses:The Piano Music of ChopinCounterpoint FundamentalsFor a 30% discount on my Chopin Course add the coupon code CHOPINhttps://www.udemy.com/course/the-piano-music-of-chopin/?couponCode=CHOPINFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE

Aujourd'hui nous sommes le samedi 7 septembre.J'entre dans ce temps de prière en prenant un instant de silence. Je dépose devant Dieu les événements, joies et soucis de la journée. Puis je demande au Seigneur : « Jésus accorde moi de Te suivre sur les chemins de ce monde et de ma vie... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Sarabande in B Flat Major de Sylvius Leopold Weiss interprété par Daniel Shoskes - Weiss Undercover © Creative Commons by-nc-sa license from Magnatunes.

我们都应该听听古典音乐！音乐修养、生活品味和审美趣味，都是可以通过古典音乐来培养的；而且浩如烟海的作品，本身就充满了美的趣味和享受。很多人觉得古典乐的欣赏充满门槛，似乎不懂乐理就很难听懂。但其实不是，不懂乐理，并不妨碍我们欣赏，也不妨碍我们被它的美和独特所感动。今天这期节目，想跟你分享我是如何入门，以及如何去欣赏古典音乐。尽管我算不上骨灰级、学术型的厉害古典乐迷，但我非常愿意和你一起享受古典音乐的美。我将尽量不去说艰深晦涩的东西，并尽可能地播放好的作品与你来听，希望能让你产生一些些接触古典音乐的兴趣，通过这期节目也能入门~

For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a huge amount music, including some of the greatest works ever written. Why have I been doing this? Well, if I'm totally honest, it's been slightly out of a sense of intimidation. I'm not a pianist, and I've always been somewhat in awe of the piano and pianists. Even after spending years with this music, I still felt that I just simply didn't know the solo piano repertoire well enough to do it justice. Well, now that I've gone through ALMOST all of the symphonic standard repertoire, and now that I've started exploring the string quartet repertoire, I think it's time to throw off this sense of awe and dive right in. You might think I might not reach too high to start off, maybe an early Beethoven sonata, or a Mozart or Haydn Sonata. Well, in my opinion you've got to go big or go home, so I've decided to explore one of the towering masterpieces not only of the solo piano genre, but of all music, Schubert's Sonata in B Flat Major. This is a piece that has been described as “well-nigh perfect,” as “beyond analysis,” as including “the most extraordinary trill in the history of music,” and as “the climax and apotheosis of Schubert's instrumental lyricism and his simplicity of form.” These are just a few of the superlatives I've found in researching this piece. It was written in the last weeks of Schubert's short life, and it truly does take the listener on an unforgettable journey. There is nothing quite like Schubert's final works, and so over the next two episodes, I will take you through this remarkable sonata, a piece that Alex Ross has described as “a premature communication from the beyond.” This is a huge piece, with so much to talk about, so I've split this episode into two parts. This week we'll look at the first movement, and then in two weeks we'll cover the final three movements. Join us!

We'll focus on the "Serioso" String Quartet, No. 11 in F Minor, Op. 95  (1810-1811), and the "Archduke" Piano Trio, B-flat Major, Op. 97 (1815).  

On this episode we are celebrating The Avett Brothers' Emotionalism with a song by song deep dive into every track. 1. “Die, Die, Die" 2. "Shame" 3. "Paranoia in B-Flat Major" 4. "The Weight of Lies" 5. "Will You Return?" 6. "The Ballad of Love and Hate" 7. "Salina" 8. "Pretty Girl from Chile" 9. "All My Mistakes" 10. "Living of Love" 11. "I Would Be Sad" 12. "Pretty Girl from San Diego" 13. "Go to Sleep" 14. "Hand-Me-Down Tune" 15. "In the Curve" 16. "Tales of Coming News"

In 1773, Carl Philipp Emanuel Bach sat down to record his life story. He'd been asked to write it down for a new book on German music and it made him one of the first composers to produce an autobiography. This week, Donald Macleod follows the composer's story, using Bach's own account as his guide. Bach's words provide fascinating insights into the things he considered most important but it's possible that what he chose to leave out is even more revealing.Music Featured: L'Aly Rupalich, Wq 117 No 27 Symphony for Strings and Continuo in G major, Wq 182 No 1 Fantasia for keyboard in C major, Wq 61 No 6 Trio Sonata in B minor, Wq 143 Keyboard Concerto in G major, Wq 3 Symphony in G major, Wq 173 (1st mvt) Trio Sonata in A Minor, Wq 148 Sonata in A minor, Wq 132 (1st mvt) Cello Concerto No 3 in A major, Wq 172 (2nd & 3rd mvts) Sonata in E minor, Wq 49 No 3 Magnificat in D, Wq 215 (1, Magnificat anima mea Dominum; 5, Fecit potentiam; 10. Sicut erat in principio) Keyboard Sonata in E flat major, Wq 52 No 1( 2nd & 3rd mvts) Sonata in C minor ‘Sanguineus and Melancholicus' Wq 161 No 1 Phyllis and Thirsis, Wq 232 (excerpt) Sinfonia in B-Flat Major, Wq 182 No 2 (3rd mvt) 30 Geistliche Gesänge mit Melodien, Book 2, Wq 198: (Nos 2 & 8) Die Israeliten in der Wüste, Wq 238 (extract from Part 1) Symphony in B minor, Wq 182 No 5 Rondo in E Major, Wq 58 No 3 Rondo in F Major, Wq 57 No 5 Sonata in D Minor, Wq 57 No 4 (2nd mvt) Quartet in G Major, Wq 95 (3rd mvt) Heilig, Wq 217 Keyboard Sonatina in D Major, Wq 109 Freye Fantasie in F sharp minor, Wq 80Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for CPE Bach (1714-1788) https://www.bbc.co.uk/programmes/m001yr0r And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Title: Mistuning instruments Tracks: Vivaldi: Violin Concerto in B-Flat Major, RV 583 Andante Artist: Nicola Benedetti & Benedetti Baroque Orchestra Publisher: A Decca Classics Release; ℗ 2021 Universal Music Operations Limited

References Int J Mol Sci. 2019 Oct; 20(20): 5028 Nutrition. 2021-11-01, Volume 91, Article 111388 Bach, JS. 1720. "Brandenburg Concerto No. 6" in B Flat Major. BMV. 1051. https://youtu.be/_tr_uYEQkrs?si=rXXWMBAnWGbEuAOk Hunter-Garcia. 1970. "Stella Blue". [Wake of the Flood;lp] https://youtu.be/VKsWDyvWaL4?si=DnHgzSEiiKeUOXbj --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Title: King George III and his porcelain Flute Tracks: Telemann: Fantasia for Flute without Bass No. 4 in B-Flat Major, TWV 40:5: II. Allegro - III. Presto Artist: Ashley Solomon Publisher: ℗ 2017 Channel Classics Records

In this episode, we are joined by Harriet's partner, Michael, and read chapters 46 to 50 of Emma. We talk about Emma's emotional roller coaster, reactions to the Frank-Jane revelation, the proposal scene and Emma's commitment to her father.The character we discuss is Frank Churchill, and then Michael talks about the changing lifestyle of Regency gentleman. In the popular culture section, Harriet talks about three books that are modernised versions of Emma.Things we mention:Character discussion: Serene, The Piano Scene: through Jane's eyes (11 December 2023) – and some other posts about EmmaPopular culture discussion:Alexander McCall Smith, Emma: A modern retelling (2014)Sonali Dev, The Emma Project(2022)Audrey Bellezza and Emily Harding, Emma of 83rd Street(2023)Mäda Primavesi by Gustav KlimtCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Aujourd'hui nous sommes le jeudi 7 mars, de la troisième semaine de Carême.« Je suis tendre et miséricordieux ». J'entre dans la prière en me confiant à la tendresse de Dieu, en lui demandant que tout en moi s'oriente à l'écouter... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Sarabande in B Flat Major de Sylvius Leopold Weiss interprété par Daniel Shoskes - Weiss Undercover © Creative Commons by-nc-sa license from Magnatunes.

Title: Marie Antoinette's Harp Tracks: Jean-Baptiste Krumpholz: Concerto for Harp and Orchestra No. 5 in B-Flat Major, Op. 7: II. O ma tendre musette. Andante con variazioni Artist: Xavier de Maistre with Les Arts Florissants and William Christie Publisher: ℗ 2016 harmonia mundi

Good News: Cameroon begins a landmark rollout of a malaria vaccine for children, Link HERE. The Good Word: One more great quote from Langston Hughes for the week. Good To Know: A great historical tidbit about an enormous cheese… Good News: More great vaccine-related news, this time with a benefit fighting cancer! Link HERE. Wonderful […]

In this episode, we read chapters 37 to 41 of Emma. We talk about the parallel narratives, the ball at the Crown, Emma's awareness of Mr Knightley, the section from Mr Knightley's point of view and the tension between Jane and Frank.The character we discuss is Mr Knightley, and in the historical section Ellen talks about poverty and the labouring classes. In the popular culture section, Harriet talks about the 2017 YouTube series The Emma Agenda.Things we mention:General and character discussion:Pod and Prejudice podcastTea with Cassiane YouTube videos about Regency dancingSomerset MaughamHistorical discussion:The Speenhamland systemAnthony Trollope, The Warden (1855)Robert RaikesHannah MorePopular culture discussion:Main version considered:YouTube, Quip Modest Productions, The Emma Agenda (2017) – starring Selis Maria Vargas and Angela Wong CarboneOther referencesYouTube, Pemberley Digital, Emma Approved (2013) – starring Joanna Sotomura and Brent BaileyITV, Emma (1996) – starring Kate Beckinsale and Mark StrongWorking Title Films, Emma (2020) – starring Anya Taylor-Joy and Johnny FlynnCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Juzo Itami's “ramen western” TAMPOPO is… just a delight. The lines that separate class, sex, and generations are broken through the lens of food in vignettes that surround a sweet, satisfying A plot. The mundane and universal is elevated to indulgence through the presumption of taboo, with each character's indulgence – a meddling supermarket crone, a wealthy, browbeaten elder, a gangster's hedonist escape – building them as more human than caricature. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Closing music: "Sonata for Bassoon and Cello in B-Flat Major, K. 292-196c - III. Rondo (Allegro)" by Wolfgang Amadeus Mozart from the TAMPOPO soundtrack. Timestamps 0:00 - Episode 257: TAMPOPO (1985) 4:01 - The Patented Aaron Grossman Summary 13:26 - The vignettes 21:45 - A movie about indulgence 27:17 - The silly and the serious living together 32:31 - The gangster subplot and life as a short film you watch at death 45:12 - Treating everything with respect, whether silly or profane or deadly serious 48:29 - The birth of the “ramen western” 53:44 - The Junk Drawer 57:41 - Other Loves We've Tried: 1985 59:47 - Good Grief, Give Me a GIF!

Mozart composed his first string quintet at age 17 and his last in the year of his death, so it might seem that he wrote string quintets across the span of his career, but that is not the case. His first quintet was a foray into new territory for the young composer, and then Mozart set the form aside for fourteen years — his final five quintets were all created in the last four years of his life. As such, they represent some of his most sophisticated musical thinking. They offer wonderful music, exhilarating to hear (and to play!), sometimes very moving, and always very beautiful. In his quintets, Mozart did not set out to make the viola the star, but the addition of the extra viola offered him a broader canvas and unlocked new possibilities. His quintets generate a richer, fuller sound….and they offer increased opportunities to contrast different groupings of instruments and sonorities….(two of these quintets are among his longest chamber works, longer in fact than any of his symphonies).TracksDisc 1String Quintet in B-Flat Major, K. 174 (26:43) I. Allegro Moderato (9:29) II. Adagio (7:19) III. Menuetto ma Allegro (4:03) IV. Allegro (5:54) String Quintet in C Major, K. 515 (36:39) I. Allegro (14:02) II. Menuetto: Allegretto (6:13) III. Andante (8:41) IV. Allegro (7:43) Disc 2String Quintet in G Minor, K. 516 (34:09) I. Allegro (10:52) II. Menuetto: Allegretto (5:27) III. Adagio ma non troppo (7:59) IV. Adagio – Allegro (9:51) String Quintet in C Minor, K. 406 (K. 516b) (23:10) I. Allegro (8:55) II. Andante (3:57) III. Menuetto in canone (3:50) IV. Allegro (6:28) Disc 3String Quintet in D Major, K. 593 (27:04) I. Larghetto – Allegro (10:02) II. Adagio (6:23) III. Menuetto: Allegretto (5:24) IV. Allegro (5:16) String Quintet in E-Flat Major, K. 614 (24:45) I. Allegro di molto (7:39) II. Andante (7:22) III. Menuetto: Allegretto (4:07) IV. Allegro (5:36) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Renaud Capuçon's exciting new Mozart project for Deutsche Grammophon comprises three albums and two STAGE+ performances, all to come before the end of the year. Together they encompass the artist's multi-faceted career as a concerto soloist, chamber musician, artistic director, and mentor to outstanding young talent.Track Listing:1 Violin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato 06:412 II. Adagio 07:283 III. Presto 05:364 Violin Concerto No. 2 in D Major, K. 211: I. Allegro moderato 08:215 II. Andante 06:226 III. Rondeau. Allegro 04:107 Violin Concerto No. 3 in G Major, K. 216: I. Allegro 08:328 II. Adagio 07:409 III. Rondeau. Allegro 06:1410 Violin Concerto No. 4 in D Major, K. 218: I. Allegro 07:5211 II. Andante cantabile 06:0112 III. Rondeau. Andante grazioso 06:5113 Violin Concerto No. 5 in A Major, K. 21914 II. Adagio 09:2315 III. Rondeau. Tempo di Menuetto 08:1716 Rondo in C Major, K. 373 05:3717 Adagio in E Major, K. 261Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Brahms pt. 15a: we return to the life narrative of our great composer, picking up where we left him in the summer of 1879 adding the finishing touches to his D major violin concerto which he had written for and with the advice of his great friend, Joseph Joachim. This was the high point of their friendship and musical partnership; but for how long would the happy feelings last, and if they didn't, how long would it take Brahms to reclaim them?   Works heard in this episode in order (all by Brahms): - Hungarian Dances WoO 1 books 3-4, nos. 11-21 17. in F Sharp Minor (Andantino) 18. in D major (Molto Vivace) 19. in A Minor (Allegretto) 20. in D Minor (Poco Allegretto) 11. in D Minor (Poco Andante) 12. in D Minor (Presto) 13. in D Major (Andantino Grazioso) 14. in D Minor (Un Poco Andante) 15. in A Major (Allegretto Grazioso) 16. in G Minor (Con Moto) 21. in E Minor (Vivace) Robert Gerle - Violin Norman Shelter - Piano   - Piano Concerto no. 2 in B Flat Major, Op. 83  IV. Allegretto grazioso - Un poco più presto   - Symphony No. 3 in F major III. Poco allegretto    - 6 Lieder and Romances, op. 93a I. Der bucklichte Fiedler II. Das Mädchen III. O süsser Mai IV. Fahr wohl! V. Der Falke VI. Beherzigung Sung by Ensemberlino Vocale  https://musopen.org/music/6729-6-songs-and-romances-op-93a/ ----------------- Subscribe on iTunes and give us a 5-star review! Share with your friends! download our app! Visit and like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/?ref=bookmarks

In this episode, we read chapters 22 to 26 of Emma. We talk about Frank's arrival, the dinner at the Coles, and the way so much looks different in a second reading, The characters we discuss are Mr and Mrs Weston, including a consideration of what we know of Mrs Weston's pregnancy. Ellen talks about social customs, including calling and dinner parties. In the popular culture section, Harriet talks about the 2020 Working Title Films adaptation of Emma.Things we mention:General discussion:Richard Cronin and Dorothy McMillan [Editor], The Cambridge Edition of the Works of Jane Austen: Emma (2005)Character discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:‘Regency Dinner Parties and Etiquette‘, The Jane Austen Centre (2011) Popular culture discussion:Main version considered:Working Title Films, Emma (2020) – starring Anya Taylor-Joy and Johnny FlynnVideos and web pages about costumingYouTube, Bernadette Banner, ‘5 Historical Films That Got the Costumes RIGHT‘ (2020)YouTube, Karolina Żebrowska, ‘Are “Emma.” (2020) Costumes Historically Accurate? aka What Makes Good Period Drama Costumes‘ (2020)‘Emma (2020)‘, Frock Flicks (2020)Filming locations:Firle PlaceWilton HouseCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Today on the Oh-My-Geekers podcast, Zeek introduces you to a composer whose music has been forgotten, yet has influenced the most significant musical pieces of the modern era. Meet Gustav Holst, who inspired the movie soundtracks of John Williams and Hans Zimmer. The music in this episode includes: Chopin Mazurka No. 5 in B-Flat Major, Op. 7/1, B.61: No.1 in B-Flat Major Performed by Louis Lortie   Stravinsky: Le Sacre du Printemps, K15: I. Introduction Performed by the Los Angeles Philharmonic R. Strauss: Also sprach Zarathustra, Op. 30, TfV 176: I. Also Sprach Zarathustra. Sonnenaufgang Performed by the London Symphony Orchestra   R. Wagner: Die Walküre, WWV86b: Hojotoho! Heiaha! (Remastered 2022) Performed by the Vienna Philharmonic R. Vaughan Williams: Symphony No. 3: III. Moderato pesante Performed by Sir Mark Elder, Hallé   G. Holst: Hymns from the Rig Veda, H90, Op. 24: II. Hymn to the Waters Performed by the Toronto Children's Chorus  G. Holst: St Paul's Suite, H118, Op. 29/2: IV. Finale (The Dargason). Performed by the Royal Philharmonic Orchestra  G. Holst: The Planets, H125, Op. 32: I. Mars Performed by the London Philharmonic Orchestra   J. Williams: Star Wars Episode 4: A New Hope: Imperial Attack The Return Home Performed by the London Symphony Orchestra  H. Zimmer: Gladiator: The Battle Performed by the Lyndhurst Orchestra --- Send in a voice message: https://podcasters.spotify.com/pod/show/oh-my-geekers/message

夜到底承载了人类多少古往今来不为人知的情绪呢？聊聊肖邦，聊聊“夜曲之父”约翰菲尔德，聊聊夜曲这个以“夜”为主要意象载体的古典音乐题材。曲目列表：0:26- Chopin: Nocturne Op. 27, No. 26:56- Mozart: Serenade No. 13 in G Major, K. 525 "A Little Night Music": I. Allegro9:00- Nocturnes of John Field：Nocturne No. 1 in E-Flat Major. Molto moderato14:16- Nocturnes of John Field：Nocturne No. 2 in C Minor. Moderato e molto espressivo19:26- Nocturnes of John Field：Nocturne No. 10 in E Minor. Adagio25:45- Nocturnes of John Field：Nocturne No. 5 in B-Flat Major. Andantino28:56- Chopin: Nocturne No.2 in E-flat, Op.9, No.234:48- Chopin: Nocturne No.20 In C Sharp Minor,Op.Posth 40:20- Chopin: Nocturne in C Minor, Op. 48 No. 1 (Live)48:07- Tchaikovsky：Nocturne in C-Sharp Minor, Op. 19, No. 4 (Live)

25-year-old cellist Haruma Sato, who in 2019 became the first Japanese to win the cello division of the long-established and prestigious Munich International Music Competition, releases his third album On Wings of Song - Mendelssohn Works today. TracksMendelssohn: Cello Sonata No. 1 in B-Flat Major, Op. 45: I. Allegro vivace 12:36               Mendelssohn: Cello Sonata No. 1 in B-Flat Major, Op. 45: II. Andante         06:01               Mendelssohn: Cello Sonata No. 1 in B-Flat Major, Op. 45: III. Allegro assai 06:43               Mendelssohn: Song Without Words, Op. 109           04:40               Mendelssohn: On Wings of Song, Op. 34 No. 2        02:52               Mendelssohn: Variations Concertantes, Op. 17        09:03               Mendelssohn: Cello Sonata No. 2 in D Major, Op. 58: I. Allegro assai vivace 07:46               Mendelssohn: Cello Sonata No. 2 in D Major, Op. 58: II. Allegretto scherzando      05:19               Mendelssohn: Cello Sonata No. 2 in D Major, Op. 58: III. Adagio     05:07               Mendelssohn: Cello Sonata No. 2 in D Major, Op. 58: IV. Molto allegro e vivace     07:07  Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Sarah Devonald chooses her favourite recording of Schubert Symphony No. 5 in B flat major, D. 485. When he wrote his fifth symphony at the age of 19, Schubert was working unhappily as an assistant teacher in his father's school. But he was nevertheless on a compositional roll with songs, chamber music and four other symphonies to his name, all of which were performed by amateur and professional musicians made up from family and friends. This genial, small-scale group gave the 1816 premiere of the symphony in the home of Otto Hatwig, violinist in Vienna's Burgtheater orchestra. And the jolly music seems to echo that cheerful ensemble, Schubert picking up from the classical models of 25 years earlier, seemingly oblivious to Beethoven's decade-plus of ground-breaking musical developments that were soon to become so influential.

“My first album for Deutsche Grammophon stems from a desire to share my love for Baroque music,” says rising-star French guitarist Raphaël Feuillâtre. Visages baroques, presents music by J.S. Bach and his French contemporaries Forqueray, Rameau, Royer and Duphly. The carefully curated programme translates works mostly conceived for solo harpsichord into the colourful soundworld of the guitar. They are performed by the first guitarist signed to DG in many years, an artist hailed as “a tremendously versatile and sensitive player” (Classical Guitar). Raphaël Feuillâtre J.S. Bach: The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) 01:56 Raphaël Feuillâtre Royer: Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) 04:29 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): I. Allegro (Arr. Perroy for Guitar) 02:30 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) 04:07 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): III. Allegro (Arr. Perroy for Guitar) 02:35 Raphaël Feuillâtre Rameau: L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) 05:46 Raphaël Feuillâtre Rameau: Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) 03:49 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: I. Prelude (Arr. Reichenbach for Guitar) 02:16 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: II. Allemande (Arr. Reichenbach for Guitar) 03:50 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: III. Courante (Arr. Reichenbach for Guitar) 03:10 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: IV. Sarabande (Arr. Reichenbach for Guitar) 05:24 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: V. Menuet I (Arr. Reichenbach for Guitar) 01:42 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VI. Menuet II (Arr. Reichenbach for Guitar) 01:34 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VII. Gigue (Arr. Reichenbach for Guitar) 02:29 Raphaël Feuillâtre Forqueray: Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) 03:46 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 4, La Forqueray (Arr. Antoine Fougeray for Guitar) 04:58 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) 04:38 Raphaël Feuillâtre J.S. Bach: Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau (Transcr. for Guitar) 03:22Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In this episode, we read chapters 11 to 15 of Emma. We talk about the introduction of John and Isabella Knightley, how Emma really doesn't understand the social world, the clash between Isabella and Mr Woodhouse about health – and how Emma and Mr Knightley are running interference – and the way in which the Frank/Jane plot is beginning to be introduced before the Harriet/Mr Elton plot is resolved.The character we discuss is Mr Elton, and then Ellen talks about apothecaries. In the popular culture section, Harriet talks about the 1996 ITV telemovie adaptation of Emma.Things we mention:General discussion:Google Map of Emma locationsCharacter discussion:John Mullan, What Matters in Jane Austen?: Twenty Crucial Puzzles Solved (2012)Historical discussion:Irvine Loudon. 1986. Medical Care and the General Practitioner, 1750-1850. (1986)S W F Holloway, ‘The Apothecaries' Act of 1815: A Reinterpretation.' Medical History 10, 1966: 107-29, 221-36Popular culture discussion:Main version considered:ITV, Emma (1996) – starring Kate Beckinsale and Mark StrongOther versions mentionedBBC, Emma (1972) – starring Doran Godwin and John CarsonMiramax, Emma (1996) – starring Gwyneth Paltrow and Jeremy NorthamCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Dit weekend werd Europa opgeschrikt door het zóveelste drama aan de Middellandse zee. Zeker 60 vluchtelingen verdronken voor de kust van Italië. Het is de zoveelste keer dat mensen zulke gevaarlijke pogingen om Europa te bereiken niet overleven. En ondanks talloze Europese bijeenkomsten lukt het de EU maar niet om tot concrete oplossingen te komen. Europa-correspondent voor Nieuwsuur Saskia Dekkers bezoekt al jarenlang de buitengrenzen van Europa, en is net terug uit Gambia waar Duitsland aan een mogelijke doorbraak werkt voor het Europese migratiedebat. En daarnaast hebben we het natuurlijk uitgebreid over de Brexit-deal die deze week werd gesloten! Waarom lukt Sunak wél wat zijn voorgangers als Boris Johnson en Theresa May niet voor elkaar kregen? Je hoort het in een nieuwe aflevering! **CORRECTIE** Rond minuut 36 verspreekt Arend Jan zich door te stellen dat in Rwanda in 1994 een genocide op de Hutu's plaats vond. Dit klopt niet. De Tutsi's waren het primaire slachtoffer van de genocide. Deze verspreking was onintentioneel en spijt ons. Fragmenten uit aflevering: - De 'EDD-datingsite' (https://bumblemetboekestijn.nl) - De persconferentie van Sunak en Von der Leyen (https://www.youtube.com/watch?v=5W6MdIVfKUs) - Een bijzondere analyse van Sunak over de positie van Noord-Ierland... (https://twitter.com/itvnewspolitics/status/1630517445369688065?s=46&t=_yIZ-xWc6_L98Z-eSv6DMQ) - Reportage Saskia langs de grens van Servië (https://twitter.com/Nieuwsuur/status/1584999741892726785?s=20) - Het Duitsland-plan met Gambia (https://nos.nl/nieuwsuur/artikel/2463047-gambiadeal-kan-doorbraak-migratiediscussie-zijn-hoopt-duitsland) - Dietrich Buxtehude - Trio Sonata No. 4 in B-Flat Major, BuxWV 255: III. Allegro (https://open.spotify.com/track/55NjxgEXdygMG1ywBTf4AC?si=875b5a73b717438e)

We'll talk about Beethoven's Symphony No. 4 in B-flat Major, Op. 60.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

Recording Wolfgang Amadeus Mozart's piano and violin sonatas is a tour de force. Thirty-six works spanning more than a quarter of a century, from childhood to the last years of the composer´s short life, so long of art, of the great master of Salzburg.Tracklist1. Sonata for Piano and Violin in C Major, K. 296, No. 17: I. Allegro Vivace (09:00)2. Sonata for Piano and Violin In C Major, K. 296, No. 17: II. Andante Sostenuto (06:07)3. Sonata for Piano and Violin In C Major, K. 296, No. 17: III. Rondeau, Allegro (04:57)4. Sonata for Piano and Violin in F Major, K. 376, No. 24: I. Allegro (07:35)5. Sonata for Piano and Violin in F Major, K. 376, No. 24: II. Andante (05:29)6. Sonata for Piano and Violin in F Major, K. 376, No. 24: III. Rondeau, Allegretto Grazioso (06:41)7. Sonata for Piano and Violin in F Major, K. 377, No. 25: I. Allegro (06:07)8. Sonata for Piano and Violin in F Major, K. 377, No. 25: II. Andante (08:52)9. Sonata for Piano and Violin in F Major, K. 377, No. 25: III. Tempo di Menuetto (06:24)10. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: I. Allegro Moderato (09:23)11. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: II. Andantino Sostenuto e Cantabile (06:23)12. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: III. Rondeau, Allegro (04:34)13. Sonata for Piano and Violin in G Major, K. 379, No. 27: I. Adagio-Allegro (12:26)14. Sonata for Piano and Violin in G Major, K. 379, No. 27: II. Tema e Variazioni (10:39)15. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: I. Allegro (09:58)16. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: II. Andante con Moto (09:16)17. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: III. Rondeau (04:35)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Bárbara Leu from Azul Music.         

上一期咱们聊到十九世纪音乐自由市场的形成，音乐家们开始了自己独立的职业生涯。那么既然是面向公众，就自然有成为经典的需要。音乐史发展到这一步，音乐评论和乐评人角色终于初次登上了历史舞台。伴随着经典的诞生，音乐学院也随之兴起。一切的一切，都开始有了今天音乐行业的雏形了。包含曲目：0:26- Symphony No. 9 in C, D.944 - "The Great" - 1. Andante - Allegro ma non troppo (C大调第9号交响曲，作品944“伟大” - 第一乐章 行板 - 不过分的快板)14:28- Partita No. 2 in D Minor, BWV 1004: V. Chaconne (Transcribed by Ferruccio Busoni)25:50- Piano Concerto No. 2 in B-Flat Major, Op. 83 - Andante (Live at Grosser Saal, Musikverein, Vienna / 1984)

Donald Macleod presents another selection of composers who are most famous for a single work. Last Easter, Composer of the Week explored the lives of ten composers whose music we adore but mainly only for a lone composition. This week, Donald Macleod makes a second selection of classical ‘One Hit Wonders' - ten more composers who have been catapulted into the mainstream thanks to the surprising popularity of just one of their pieces. He's joined by pianist and music director, Yshani Perinpanayagam, to uncover these composers' stories and to share examples of their best music. We'll hear the familiar hits alongside plenty of captivating music that's less well-known. Music Featured: John Cage: 4'33'' (extract) John Cage: Hymns & Variations: Hymn A (After W. Billing's "Old North") John Cage: In a Landscape Jeremiah Clarke: Trumpet tune 'The Prince of Denmark's March' Jeremiah Clarke: Ode On The Death Of Henry Purcell (extract) Boccherini: String Quintet in E major, Op 11 No 5 (3rd mvt) Boccherini (arr. Grützmacher) Cello Concerto in B-Flat Major (2nd mvt) Boccherini: Guitar Quintet No 4 in D (3rd mvt) Monti: Czardas Monti: Noël de Pierrot, Act II, "Ô vous que j'adore" Rodrigo: Concierto de Aranjuez for Guitar and Orchestra Rodrigo: Cancíon y danza Presented by Donald Macleod Produced by Chris Taylor For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for More One Hit Wonders https://www.bbc.co.uk/programmes/m001g9nt And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

2022年终于要过去了，这一年值得怀念吗？本期节目又名《一年一度总结大会2》，这是我们做播客的第二个年终盘点，按照惯例，分享了一年中各自记住的一部书影音作品、一顿饭、一个瞬间，畅想了明年想去的地方，甚至幻想穿越到某个时空。未曾预料到，难得的情绪起伏出现在这次聊天中。还有很多事情我们不说，不代表没关注，不代表没意见。大家只是以不同的方式处理各自的困境，同时从中收取能量。2023年，我们还有很多地方要去，在此提前祝各位：“新年快乐，健康平安！”02:26 前一年的flag都完成了吗？15:19 看英剧《王冠The Crown》的感触是，我们不能随便去评判别人21:27 英剧《伦敦生活Fleabag》：“人都会犯错，这就是为什么铅笔头上会装上橡皮（擦）。”28:51 从电影《时时刻刻The Hours》感受到的不自由以及对抗世俗社会的力量38:53 读了《未消失的风景》那本书，才知道什么叫深度游记45:46 在冬天炖了一锅羊肉汤，约了好朋友一起吃48:49 搬到新办公楼，经常在院子里支个桌儿吃饭，好像回到小时候51:27 “今年都没有跟父母吃过一顿饭”53:12 回看一波三折、终于办了的婚宴照片，“感觉是我另外一个分身在那儿”57:27 现在说来不合时宜，但那时就是想要抗争62:51 那几天做木工活，事儿不大，但一次次完成一个标准答案很有获得感67:04 三十五岁后交到的新朋友，真的很棒71:55 听《读库立体声》的一期节目，因为陌生人的故事“绷不住了”77:12 明年想约着一起去日本坐火车、补御朱印83:33 “我想去一个永远停留在八十年代的地方”，你们呢？片头BGM：Seong-Jin Cho,George frideric Handel -《Suite in B-Flat Major, HWV 434：IV. Minuet (Arr. Kempff for Piano)》片尾曲：Alabama Shakes -《This Feeling》【本期主播】House｜乐克｜郭爱美｜秋蓬【收听与联络方式】欢迎大家在苹果播客、小宇宙app、喜马拉雅、网易云音乐、QQ音乐、汽水儿等音频平台订阅本节目。如有反馈或合作需求，请发邮件至289004133@qq.com，大家也可以在新浪微博搜索「鲸鱼赫兹FM」找到我们。鲸鱼赫兹饭前饭后群＋wx：jingyuheziFM

有人说，帕格尼尼的双手和灵魂，被撒旦掌握了。在帕格尼尼辉煌的时期，人们聆听他的演奏时这样说：“才华横溢的大师你拉错几个音符吧，那样我们觉得你还像人类。”著名的音乐评论家柏辽兹称帕格尼尼是“操琴弓的魔术师”，歌德评价他“在琴弦上展现了火一样的灵魂”。今天我们就来聊聊这位被誉为“小提琴之神”和“音乐之王”的男人，不过我还是更喜欢称呼他为“小提琴上的魔鬼”~欢迎订阅+关注不迷路，感谢收听。包含曲目：0:26- Moses Fantasy - Moses Fantasy (摩西幻想曲)6:28- Caprices for Violin, Op. 1 - No. 13 in B-Flat Major 8:00- Caprices for Violin, Op. 1 - No. 24 in A Minor (A小调第24号小提琴24首随想曲，作品1)12:28- Violin Concerto No. 2 in B Minor, Op. 7 - III. Rondo à la clochette "La campanella" (帕格尼尼：B小调第2号小提琴协奏曲，作品7：第三乐章 于贝尔回旋曲，“康帕内拉”)

Beethoven – The Late Sonatas Opp. 101 & 106 marks the completion of Maurizio Pollini's survey of the five late piano sonatas. His landmark 1970s recordings of these works were recognized at the time with a Gramophone Award. A few years ago the pianist decided to revisit the five sonatas, and in 2019 made an acclaimed second recording of the final three at the Herkulessaal in Munich. Now he has returned to the same hall to record Opp. 101 and 106 – among the most technically challenging and musically adventurous works in the concert repertoire. Deutsche Grammophon will release his new album today.The quixotic nature of Beethoven's A major Sonata, Op. 101 and the complexities of the “Hammerklavier” Sonata, Op. 106 offers infinite scope for interpretation. “Every Beethoven piano sonata is a different world,” observes Maurizio Pollini. “He finds a different character in each one, from the first to the last. Each is unique.” The A major Sonata, he adds, “is very free”. Drafted in the summer of 1815 and completed the following year, its four movements are markedly different in style and substance from those of the composer's earlier sonatas for piano. “It's a great challenge to understand and play it,” says Pollini.The scale of the challenge, however, pales beside that set by Beethoven in the “Hammerklavier” Sonata. The work was so difficult that it remained unperformed in public following its publication in 1819 until the young Franz Liszt showed the way seventeen years later at Paris's Salle Érard. Pollini describes it as the “greatest Beethoven sonata”. Its slow movement alone is almost as long as all four movements of its companion piece on the album. “You can think also of the funeral march of the ‘Eroica' Symphony – these are perhaps the two greatest movements Beethoven ever composed,” suggests the pianist. The transition into the fourth and final movement's fugue, a sublime Largo, dissolves ordinary perceptions of time and space as if opening the door to an otherwise inaccessible spiritual dimension. It prepares the way for a three-voice fugue sustained and developed over a sequence of contrasting episodes that combine to lift the music out of its historic context and leave it sounding fresh for all time.Track Listing:1 Beethoven: Piano Sonata No. 28 in A Major, Op. 101: I2 II3 III4 iV5 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 Hammerklavier - I. Allegro6 II. Scherzo. Assai vivace7 III. Adagio sostenuto8 IV. Largo - Allegro risolutoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

本期节目是《午夜飞行》又一次新的尝试，我想用声音的方式，带大家一起去体验一次内衣试穿会，认识一位内衣设计师，也上一堂与众不同的「内衣课」。也许你会重新认识我们的身体与衣服之间的关系，也许，你会重新理解人与人之间的链接。我们这次声音故事的主角是内衣设计师、文学作者和文学翻译者于晓丹。她在过去两年多的时间里，把 200% 的精力都放在了为乳腺癌术后患者设计舒服的内衣上，并且创立了「姜好」(GINGER AH) 这个独特的内衣品牌。今年，于晓丹带着她那本重新修订出版的作品《内衣课》，尝试和更多人深入讨论内衣与人、内衣与关系这个话题。欢迎你和我一起走进于晓丹和她的「内衣课」，打开彼此，给自己和他人将将好的爱。特别鸣谢：于晓丹老师和她团队里每一位美好的小伙伴每一位勇敢迈出人生新一步的乳腺癌术后女性【节目主播/制作】VC (微博: @VividCrystal https://weibo.com/u/1241505120 )节目微博：@午夜飞行Official https://weibo.com/u/7298580324公众号：午夜飞行【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 (ID: midnightflyfly)，回复「听友群」三个字，即可获取入群通道【本集音乐】All music credits to:1. 12 German Dances, D790: No. 9 - 内田光子, Franz Schubert2. 风的小径 - 万能日记3. Six German Dances, D.820: No. 3 - András Schiff, Franz Schubert4. 4 Impromptus, D.935/3. Impromptu in B- Flat Major: 2. Var. I - Massimo Giuseppe Bianchi, Franz Schubert5. Moidin Moidin - Raphaël Beau6. Fuga BWV578 - Quartetto Chitarristico Ars Nova, Johann Sebastian Bach【关于节目】《午夜飞行》是一档关注旅行、城市、文化和生活的播客节目，由 VC 主持/制作，力求用声音将多彩的城市故事带给你。微博：@午夜飞行Official / 公众号：午夜飞行本播客由 Marcast Media 制作出品。也欢迎你订阅收听 Marcast 旗下的其他播客节目，微博/公众号：@Marcast，商务合作联系：hello@marcastmedia.com https://weibo.com/u/2743283854

In this episode, we read Chapters 40 to 45 of Mansfield Park. We talk about the plot of a girl brought up in privileged circumstances returning to her family, Mary's letters and how Fanny responds to them, the success of Henry's visit, Edmund's letter to Fanny, and Tom's illness.We discuss the Price family (with a slight digression into the idea of disposition and principle), then Ellen talks about servants and Harriet looks at how adaptations and modernisations treat these chapters. Things we mention: General and character discussion:John Wiltshire [Editor], The Cambridge Edition of the Works of Jane Austen: Mansfield Park (2005)Charlotte M. Yonge, The Pillars of the House (1873)Historical discussion:Claire Tomalin, Charles Dickens: A Life (2011)Popular culture discussion:Adaptations:BBC, Mansfield Park (1983) – starring Sylvestra Le Touzel and Nicholas Farrell (6 episodes)Miramax, Mansfield Park (1999) – starring Frances O'Connor and Jonny Lee MillerITV, Mansfield Park (2007) – starring Billie Piper and Blake RitsonModernisations:YouTube, Foot in the Door Theatre, From Mansfield With Love (2014-2015)Other references:Susan Coolidge, What Katy Did Next (1886)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.