Podcasts about Kaleida

With websites covering topics like entertainment (ScreenRant), gaming (Polygon) and automotive (CarBuzz), Valnet caters to users across a wide array of interests.But according to Ji Heon Kim, Valnet's head of monetization, Valnet realized it could create more value for its users by encouraging them to subscribe or authenticate themselves.Maybe a “mass scale” of users wouldn't sign up for their websites, but perhaps 10% would. And, as Kim puts it, that “10% would still be valuable, and we can do a lot with that 10%.”“We created more value to [those] users, more exclusive content and high-quality content,” Kim says. “All of that became an initiative on the content side for us to deliver a premium model and give users an incentive to sign up.”Kim further talked with The Current Podcast about balancing advertiser value, user experience and performance, which he says are “always affecting each other.” Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler, and welcome to The Current Podcast. Today we're talking to one of the biggest digital publishers. You might not know by name, but you've definitely read their stuff. I'm talking about Net. The company behind Screen Rant, the Gamer, Kaleida make use of, and a bunch of other sites that rack up hundreds of millions of sessions every month. Joining me today is Ji Kim Valnet's, head of monetization. Ji'S been leading the charge on everything from supply path optimization to first party data to figuring out how to drive real revenue without compromising the reader experience. We'll get into some of the big shifts they've made in their tech stack and how they're bringing newly acquired brands like Polygon into their ecosystem and what other publishers can learn from their approach.Ji Kim (00:52):At Valnet, I'd like to think of us as a publishing powerhouse. We started very small. Our motto is humble and hungry. We like to remind ourselves that it's always good to keep a humble mindset. I've been at NET for 10 years and we've grown tremendously. We've went through a lot ups and downs, but even as we grow, we like to think that we're small and agile and the publications we range from automotive, gaming, technology, entertainment, but entertainment has always been our flagship, but we've been kind of branching outside of that and trying to expand more and more. And then we have some lifestyle brands as well as sports.Damian Fowler (01:35):Let's talk about a moment that changed the game for Net. Can you walk us through your, I guess we're going to talk about supply path optimization at first anyway, which is a hot topic around these parts and what work you did around supply path optimization, like cutting resellers and boosting direct inventory. Could you talk us through that a little?Ji Kim (01:57):It's an ongoing process. It's certainly, I think most people agree that SPO is not an easy thing to achieve. You can commit to it one shot, but that's much harder to do considering that there will be a revenue impact. So for us, we tried both ways. We took a few sites and we took the direct approach and we saw a pretty decent stability, and then some other sites did not, and then we have to kind of revert back to it. SPO, it was always a topic that was talked about but not well enforced. And tradedesk took a big initiative to push publishers towards it. And then we started working closely with Jounce Media as well, with Chris Kane started kind of talking through some of the ideas, how should we go about it? How do we retain the value and still achieve removing the resale alliance and keep our inventory as clean as possible?(02:51):But initially our outlook of SPO was about making our inventory as clean and transparent as possible. Net considers ourselves as a premium publisher and we want to make sure that the advertisers see that as well. So we were heading in that direction. But ultimately, I think the biggest challenge with SPO was it's impossible to do an AB test because you have one A TXT file and you can't test one setup with the resell alliance, one setup without. So that's been pretty challenging to understand where's the value going, where is it coming from? And even with the Resell Alliance, when you talk to the SSPs with Resell Alliance, they'll go, oh, these are PP deals. These are not just rebroadcasting and all this stuff. So trying to understand the granularity and all that details of what each resale align means was very difficult. But ultimately we know we have to go in that direction, but we know it's not going to happen overnight, so we're kind of just taking a step at a time.Damian Fowler (03:51):That's great. What would you say was the kind of catalyst or moment that sparked that shift?Ji Kim (03:57):We always talked about advertiser value. It is important to yield as much value as possible and get the performance that we need. We always think that advertiser value is important, and when we think about that, it's like you go through stages. You go, okay, viewability needs to be important. Let's get viewability up to above standard, above average, make sure our CTR is good, but it's high quality clicks. It's not just users just clicking on stuff. Then you go through the lines and eventually you get to SPOs. Make sure that advertisers know what inventory they're getting access to, what they're buying, and make sure that they're getting insights. The transparency is there. Then we've increased the value of our inventory.Damian Fowler (04:46):Yeah, I mean that's the key, right, obviously. And speaking of that, having made these changes, are you in a position to be able to see the kind of impact that they've had from a revenueJi Kim (04:58):Perspective? Honestly, I don't think I can everything, especially with these kinds of stuff, what I've learned is it doesn't change overnight. Let's say we remove all the reseller lines yesterday. Today, likely the performance is going to drop initially and maybe things recover over time, but there's so many moving parts that it's hard to associate the value towards SPO, and that's a lot of things that we do in this industry. But I think that's when we like to look at it as, you know what? Ultimately we are improving the quality of our inventory, so we will get rewarded at some point. And that's how you move forward. But with SPO, I think the other side is that it's not just about removing reseller lines. You also have to market yourself and tell the advertisers that, Hey, we have gone in this direction. We have removed the reseller lines. All of our inventory is direct. It's clean. And that part is also hard to do. We haven't spent a lot of time or resources into marketing ourselves, and that's why we talked about, people may not know net, but they know our brands. It's the same thing. It's like we are now making a big push to let people know who Val net is, and that's going to go in hand in hand with this stuff.Damian Fowler (06:21):In terms of that messaging around the surgery as it were you're doing on the supply path, does that land well with advertisers?Ji Kim (06:32):I think it's always positively looked at when you tell them, it's like everybody, it is never negative, but I don't know if actually if it's meaningful for them because at scale, they're buying at scale. So yeah, we're a big publisher, but they're also buying at multiple publishers. Maybe only small portion of their budgets come to us. So it's positive, but I don't know if it's all that meaningful to them. At least that's what I've felt.Damian Fowler (07:04):So in addition to the SPO, what other tweaks or changes are you as head of monetization looking at to basically bring in those ad dollars and keep readers satisfied, I suppose?Ji Kim (07:17):Yeah, so there's three things. So we looked at the advertiser value, but then there's the user experience and then the performance side. So always those three things, there's constantly affecting each other. Ad density is probably one of the biggest part of advertiser value and performance and user experience. So we are constantly trying to reduce our density, and we look at this metric impressions per session and request per session. So we look at that and injections our injections based on content length, a paragraph breaks and all that stuff. So we'll try to work with the content team to create optimal breaks. I'll have a little sit down session with the content team. The leads say, okay, this is how the admin injection works, and how you break out your content really does impact, because we won't break a paragraph in half to inject an ad. So there needs to be natural breaks for the ads to inject. So if you have massive paragraphs, we're going to have less ad injections, which is fine if the content works like that, but they also need to think about how all this stuff works.Damian Fowler (08:26):That's really interesting. I mean, I think that sweet spot between not being the Vegas strip, but also ads have to populate at the right time to have value.Ji Kim (08:35):For net, we've focused mostly on open market programmatic spend. We have a small direct initiative. This is something that we've been trying to grow, but when you don't have huge direct sales initiative and direct spend coming in, you kind of need the density because the CPMs that you get from open market is much lower. So we want to try to move away from that as much as possible. I don't think found that will ever be a publisher where we drive like 50% of the revenue from direct sales, but we want to grow it to maybe 15, 20%. And once we do that, we can yield higher CPMs, which allows us to reduce the density, which would be better for advertiser value, better for user experience, and we'll still get the performance that we need to kind of go forward.Damian Fowler (09:24):So it's a balance.Ji Kim (09:25):Yeah. Yeah. I think if we can drive higher CPMs, we would love to reduce density, but it's always the constant battle between the two of, okay, well we reduced density. Oh, we went too far. Okay, we got to bring it back a little bit.Damian Fowler (09:38):How difficult is it to kind of innovate in ad tech? This is a broader question, I guess given how fast things are changing, especially on the programmatic front,Ji Kim (09:47):It's been very, very difficult. Rapidly changing environment is definitely one of them, and you have to adapt quickly. For example, the video definition of having instream outstream, and then now there's a third definition of accompanying that stuff. When it happened, the enforcement happened quickly, so we had to adapt quickly, and that's difficult. But innovating is, I think, much more difficult than just adapting to the new policies and new rules. So many different ways to innovate pre, for example, you have the open source code, you build that, but there's so many customizations that you can do and even a single customization, you interpret how you should approach that topic and how you should build your tech. So you kind of have to talk to your developers and walk through. And our biggest challenge I would say was bridging the gap between developers and ad ops. I was like, because I am an ad ops guy, I understand programmatic landscape very well, but our developers do not. And I'm not a developer, I'm not a technical guy. Obviously through 10 years I've learned a lot of stuff, but still, if I needed to build something, I'm not going to be able to tell them exactly how to build it. So you need somebody in the middle that understands both sides,(11:03):And that was the most difficult part. And eventually we did find resources that they were able to bridge that gap and were able to build stuff. But ultimately, there's just so many different ways to build your product and you want to make sure that product that you build or tech stack that you build is going to keep that balance that you need between the user experience, the performance, and the density, everything that pertains to page speed as well. If you build it to be too slow, everything gets affected as well, and that's harder to tell. So yeah.Damian Fowler (11:37):So how have some of these technical changes influenced your broad and monetization philosophy?Ji Kim (11:43):Yeah, so I guess one of the things, if we talk about authentication, we talk about cookie deprecation and why authentication became so important to majority of the publishers. And I remember our thought process around authentication was pretty pessimistic, I would say. But eventually we said know what? We can create content or value for the users that's going to want them to sign up and want them to get authenticated. And we said we got to start somewhere. Ultimately, maybe we've become a little bit more realistic about what critical mass of a value would be if we're at, if we're expecting 50% of users will log in, that's not going to happen, but 10% is still very meaningful. So it was about our philosophy was changing, about our expectations changing and still understanding that 10% could be very valuable and we can do a lot with that 10%. So we created more value to the users are more exclusive content, high quality content, high quality videos. All of that stuff became an initiative on the content side for us to deliver the premium model and to give users the incentive to authenticate a sign up on.Damian Fowler (13:03):That's really interesting. I think one of the things that also I'm hearing is that you kind of have different audiences, but you're getting to understand your audiences. I mean, this strategy gives you more insight into who's coming.Ji Kim (13:15):Yeah. We also created what we call threads. They can talk about the article, talk about topics that we're discussing, and that really improved our engagement.Damian Fowler (13:30):As you look to the future, how do you think about, as it were, locking in some of these changes and this value that you see from this audience?Ji Kim (13:40):So I want to go back a little bit about innovating and how difficult it is. So I went through the stages of, okay, what am I focusing on to optimize to yield more value? And initially it was demand. Okay, we want to work with as many high quality as P as possible, but then you do work with all of them. There are going to be going to be one or two that come here and there, but generally speaking, they're not going to create incremental value. They'll just take a piece of pie that was taken by somebody else, not meaningful value. Then you work on ad tech innovation, all that stuff, and that we'll continuously work on that, but that also has lots of limitations, and you eventually reach a plateau point of say, you're not going to find a lot low hanging fruits. So now we come to premium inventory, which we need to learn our users, we need to learn who they are so we can offer these users to our advertisers to grow our PMP programmatic direct, as well as your conventional IO based direct deals that's going to yield as higher CPMs.Damian Fowler (14:53):Yeah, I mean, talk of premium inventories is characteristic of the moment we are in when it comes to programmatic sales for publishers.Ji Kim (15:02):Yeah.Damian Fowler (15:04):Let's draw back and look at the big picture and some of the kind of industry context. I guess think I'm correct in saying Valnet reach has more than 400 million sessions a month across its network. That's correct. And how do you think about that, that kind of scale when every property has its own audience profile and publishing rhythm?Ji Kim (15:30):Yeah, it's sometimes a bit overwhelming how much reach our sites have, but I always try to look at it as our advantage, and this is the opportunity that hasn't been tapped into, is that okay, we're 95% of our inventory is sold in the open market, and we have so much data that we could collect and leverage in order to drive higher value. And it's just looking at it, it's overwhelming, but you start to see the real value that hasn't been tapped into, and that's exciting, but it's also very, very difficult to manage all that information, manage that data, and use it properly. So yeah, I mean it excites me, but also I know how challenging it can be to create value through that. So we're taking one step at a time, even first party data collection. I wouldn't say we're crazy sophisticated, but we're keeping it a level that we know how to manage and understanding it well first and then starting to kind of grow a step-by-step.Damian Fowler (16:45):Yeah, I mean, I suppose the whole back and forth about third party cookies may have provided a spark. I know it lit a fire under the industry. Speaking of first party data, so that is a focus for you?Ji Kim (16:56):Yes, yes. But I believe when it was really a huge focus for the industry was when Google had first announced that they're going to deprecate third party cookies, and we had the initial moment of, oh, you know what? We also need to look into this, but we didn't want to panic. Our outlook was, I'm sure everybody went through the initial panic. We did too, but we didn't want to stay in that moment. And we said, okay, what's realistically going to happen for publishers like us? How much first party data can we collect and really sell because we don't have a huge direct sales initiative? And at that point we had none. And you can't grow direct sales overnight. It's a highly competitive environment, and you're entering that new market. You have to build relationships, you have to have crazy amount of salespeople that are constantly going out there representing balance inventory.(17:55):And we weren't set up for that, and we weren't willing to just fully invest everything into growing that at the time. So we said, well, maybe first party data isn't as important. Collecting first part data isn't as important as just understanding how to go about direct sales. So that's what we worked on. We've hired salespeople, we enter that space. I was very naive about how direct sales worked, and now we have a better understanding. We have good salespeople that understand our values as well. We don't want to just go out and sell anything and everything. We want to understand the creative types that we're also selling isn't going to impact user experience horribly and negatively. The high impact guys, the site scans when they're done, right, it's great user experience, but it could also go the other way. So we wanted to build a baseline first, and that's what we did the last few years. And now we can go after the first party data in a more sustainable way for us.Damian Fowler (18:56):Let's talk about your acquisition of Polygon from Vox Media. Speaking of inventory that expands the real estate, how does that property fit into what you're doing?Ji Kim (19:07):So Polygon, obviously, we go through a lot of due diligences. We look at different opportunities, and Polygon was an easy one to go through because we knew Polygon has great content, it has a great foundation of creating high quality content. But the difference was that Fox has a lot of direct sales. I can't remember the exact number, but it could have been 75%, 80% of their revenue was generated, direct sold inventory, and then 20% was open market. And for us, it would've been the other way around, flipped around even less. Maybe 95% open market, 5% directive. Initially when we acquired it would've been a hundred percent open market, but that's also why it excite us because it's a premium inventory that doesn't get seen in the open market. Open market buyers don't see the bid requests coming from that website as much. So we're super happy, but we knew this was a high quality inventory, high quality website, and we knew that there was a very small chance that it was going to go poorly.Damian Fowler (20:20):Interesting. When you buy a property like that, you're actually buying an audience to a certain extent.Ji Kim (20:25):Yeah, absolutely.Damian Fowler (20:27):Do you think about audiences as discreet to the publications or do you see crossover?Ji Kim (20:34):Crossover? Yeah, lots of crossover.Damian Fowler (20:37):Yeah. Alright. So I guess the big question here is for other publishers looking to upgrade this strategy that we're talking about, especially in this very complex environment, which is something you clearly understand very deeply, what's one piece of advice that you might offer?Ji Kim (20:54):I think you have to think about realistically what you should go after, what opportunities you should go after. So many things that come up right now, I think the big thing is curated media. And on our end, a lot of the SSPs and DSPs are doing the work for us. They going out and curating our inventory for us, and that's fine. But if you were to go after that and trying to grow it, but you don't really have the resources, it's easy to just kind of see everybody, what everyone else is doing, like, oh, I want a piece of that too, but it's not going to yield the value. Same value if you don't have the right resources in place if you're not focused on that opportunity. So my advice would be to understand which opportunities realistically are you able to get and have the right resources who are going to be passionate about that. Take accountability. That's huge, the accountability part. And that's not something you can just kind of force people. You have to believe that this person that's taking on this project can be really passionate and sink their teeth into it. If you got that, then go after those things. But it's too hard to go after every single opportunity there is. Even if seemingly it seems like a low hanging fruit. Nothing is really that simple in this industry.Damian Fowler (22:15):That's for sure. So finally, we're going to wrap this up with some what we call hot seat questions. So what's one thing you're obsessed with figuring out right now?Ji Kim (22:27):How to yield more value? No, no, no. I'll give a better answer than that right now. For me, it's how to grow direct sales sustainably and scale it in a way that we don't get too bloated. Because through acquisitions, one of the most valuable things that I get is insight. I get to see under the hood of a lot of publishers, small to medium to large, how they operate, what is their strategy and direct sales. I've learned some of the big publishers do it extremely well. It's a well-oiled machine, it's not bloated. They generate a ton of revenue, but some have a huge cost, and that's what we were afraid of. And right now it's very hard to do. So you need the right sales team, you need the right operational guys, you need account representation, you need reporting guide and all this stuff. And right now I am trying to find a way to scale it, but without having massive costs, just kind of take over and then expect this to yield value in the next year or two. I want that line to kind of grow together. And that's not an easy thing to do, obviously. And I'm looking for the right resources. I'm looking to build relationships with agencies with limited guys, just hustle through it and offer them our inventory, charm them, whatever it may take. But yeah, that's what I'm currently obsessed.Damian Fowler (24:01):Okay. What's still missing in the ad tech stack that you wish someone would build?Ji Kim (24:07):I don't know if this would fall under their ad tech stack, but I think we could really benefit from a bit more standardization around, it could be reporting and creatives. Maybe I'm speaking out of line because I'm on the inventory side, so I don't know everything that goes on the buy side and the creative side. But what I see is that there's so many different creatives that just either break the page, the creative's broken, it's too heavy, it slows down the page, and it's hard to target those and remove those. It can come through so many different channels. So if there is a bit more standardization around what kind of creatives are acceptable, I'm sure there is some or a standard already, but it needs to be honed in a bit more maybe.Damian Fowler (25:00):What's one thing advertisers misunderstand about monetizing Publish it inventory today?Ji Kim (25:08):So I thought about this and something that it's more of my frustration around advertisers perspective. I understand it, but a bit more frustration because it's hard to create context around it, which is brand safety. I understand the brand side. I advertise side on why they wouldn't want to associate their brand with certain content, but brand safety is police by keyword list and it's very restrictive. And some of the,Damian Fowler (25:37):It's one toolJi Kim (25:38):And it's like, okay, and we have gaming sites that will, a lot of gaming, natural will talk about shooting, but some of the game developers won't want to associate with those articles. And it's like, hang on, hang on. Now you bet you guys also have games that are first person shooter or whatnot. You don't want to associate with those type of articles. There's a bit of a mismatch, and I think it's just hard to manage that. So they go with a broader approach and I get it, but I think it's just there needs to be more about understanding the context of certain articles. And it's like the word shooting can be anything, everything. Right?Damian Fowler (26:22):Yeah, I like that. I've been hearing more about a shift from brand safety to brand suitability, which brings in the concept of context. What's something unexpected you've learned from reader data or behavior recently?Ji Kim (26:39):So I wouldn't say it's recent, but it's something that's surprises me how the smallest change that I, from my perspective is like, is that really going to do anything? But at our scale, the numbers changed so drastically. Recently we were playing around with the video size because our outstream unit will float once the user are scrolling and the size of that unit. Obviously we want to give advertiser value, so we want to make it as big as possible. But then user experience wise, it could be very bothersome because as they're trying to read, there's a video playing. So we want to keep mindful of that. And we're constantly testing the size of that unit and we decreased by 10% and 10%. While it's significant, if you look at the actual size of the unit to the naked eye, you really wouldn't be able to tell what the difference is. But the CTR of that video unit changed drastically. It was cut in half, actually. And that's the thing is like, okay, users are really sensitive to these things. And to me it's not, maybe I'm looking at it too often, but that's always, that boggles my mind and it always catches me by surprise when I see the numbers is like, wow, I did not expect that. I did not expect users to behave this way.Damian Fowler (28:00):That's amazing. The details really matter.Ji Kim (28:02):Yeah, Big time. Damian Fowler (28:03):And that's it for this edition of The Current Podcast. We'll be back next week. The Current Podcast is produced by Molten Hart. A theme is by Love and Caliber, and our associate producer is Sydney Cairns. And remember,Ji Kim (28:21):I like to think of us as a publishing powerhouse. We started very small. Our motto is humble and hungry. We like to remind ourselves that it's always good to keep a humble mindset.Damian Fowler (28:34):I'm Damian, and we'll see you next time.

CWA Upstate Director Debbie Hayes gives an update on negotiations between healthcare workers and Kaleida Health.

Der Titel eines der erfolgreichsten Lieder von Kaleida mag "Strangers" lauten, doch spätestens seit dieses sich unter den 100 beliebtesten Songs der radioeins-Hörer:innen des Jahres 2024 platzieren konnte, dürften Christina Wood und Cicely Goulder keine "Fremden" mehr sein. Ursprünglich 2013 als "Fernbeziehung" gestartet, weil Wood in Sachen Umweltschutz im indonesischen Wald tätig und Goulder als Filmkomponistin in London gefragt war, überwanden die beiden nicht nur die zunächst bestehende räumliche Distanz, sondern bringen auch seit dem 2017er Debütalbum "Tear The Roots" in ihrer Musik "kühle" Elektro-Sounds mit warmem, gefühlvollem Gesang in perfekter Synergie zusammen. Zuletzt taten sie das mit einigem Erfolg auf ihrem dritten Album "In Arms", das ursprünglich im März 2024 erschien und Anfang 2025 noch einmal in einer erweiterten Deluxe-Version auf den Markt kam. Zuvor konnten Kaleida bereits vielbeachtete Beiträge zu Film-Soundtracks wie "John Wick" oder "Atomic Blonde" (für den sie Nenas "99 Luftballons coverten!) verbuchen, ebenso tourten sie mit Róisín Murphy und Alt-J. Nach einigen gemeinsamen Jahren in England zog die deutsch-amerikanische Sängerin Christina Wood vor den Arbeiten am zweiten Album "Odyssey" (2020) in die USA, doch weder die erneute Interkontentialität noch die Herausforderungen der Mutterschaft oder die Einschränkungen der Corona-Pandemie bedeuteten das Aus für das Duo – auch wenn die beiden mehr als einmal kurz davor waren aufzugeben und Cicely Goulder an der aktuellen Tour bedauerlicherweise nicht teilnehmen kann. Vor dem Konzert übermorgen, am 14.5., im Cassiopeia besucht uns Christina Wood mit Verona Ortega, die sie auf dieser Konzertreise begleitet, um im Interview Auskunft und anschließend auf der kleinen Bühne auch einen musikalischen Vorgeschmack auf Mittwoch zu geben.

Marjorie Quint-Bouzid, DPA, RN, NEA-BC – Chief Nurse Executive for Kaleida Health on Nurses Month full 527 Mon, 12 May 2025 15:41:24 +0000 pClUCisJ0pwbGGsq3I8kxmMyv2XzhWAA news WBEN Extras news Marjorie Quint-Bouzid, DPA, RN, NEA-BC – Chief Nurse Executive for Kaleida Health on Nurses Month Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False

Der Titel eines der erfolgreichsten Lieder von Kaleida mag "Strangers" lauten, doch spätestens seit dieses sich unter den 100 beliebtesten Songs der radioeins-Hörer:innen des Jahres 2024 platzieren konnte, dürften Christina Wood und Cicely Goulder keine "Fremden" mehr sein. Ursprünglich 2013 als "Fernbeziehung" gestartet, weil Wood in Sachen Umweltschutz im indonesischen Wald tätig und Goulder als Filmkomponistin in London gefragt war, überwanden die beiden nicht nur die zunächst bestehende räumliche Distanz, sondern bringen auch seit dem 2017er Debütalbum "Tear The Roots" in ihrer Musik "kühle" Elektro-Sounds mit warmem, gefühlvollem Gesang in perfekter Synergie zusammen. Zuletzt taten sie das mit einigem Erfolg auf ihrem dritten Album "In Arms", das ursprünglich im März 2024 erschien und Anfang 2025 noch einmal in einer erweiterten Deluxe-Version auf den Markt kam. Zuvor konnten Kaleida bereits vielbeachtete Beiträge zu Film-Soundtracks wie "John Wick" oder "Atomic Blonde" (für den sie Nenas "99 Luftballons coverten!) verbuchen, ebenso tourten sie mit Róisín Murphy und Alt-J. Nach einigen gemeinsamen Jahren in England zog die deutsch-amerikanische Sängerin Christina Wood vor den Arbeiten am zweiten Album "Odyssey" (2020) in die USA, doch weder die erneute Interkontentialität noch die Herausforderungen der Mutterschaft oder die Einschränkungen der Corona-Pandemie bedeuteten das Aus für das Duo – auch wenn die beiden mehr als einmal kurz davor waren aufzugeben und Cicely Goulder an der aktuellen Tour bedauerlicherweise nicht teilnehmen kann. Vor dem Konzert übermorgen, am 14.5., im Cassiopeia besucht uns Christina Wood mit Verona Ortega, die sie auf dieser Konzertreise begleitet, um im Interview Auskunft und anschließend auf der kleinen Bühne auch einen musikalischen Vorgeschmack auf Mittwoch zu geben.

Der Titel eines der erfolgreichsten Lieder von Kaleida mag "Strangers" lauten, doch spätestens seit dieses sich unter den 100 beliebtesten Songs der radioeins-Hörer:innen des Jahres 2024 platzieren konnte, dürften Christina Wood und Cicely Goulder keine "Fremden" mehr sein. Ursprünglich 2013 als "Fernbeziehung" gestartet, weil Wood in Sachen Umweltschutz im indonesischen Wald tätig und Goulder als Filmkomponistin in London gefragt war, überwanden die beiden nicht nur die zunächst bestehende räumliche Distanz, sondern bringen auch seit dem 2017er Debütalbum "Tear The Roots" in ihrer Musik "kühle" Elektro-Sounds mit warmem, gefühlvollem Gesang in perfekter Synergie zusammen. Zuletzt taten sie das mit einigem Erfolg auf ihrem dritten Album "In Arms", das ursprünglich im März 2024 erschien und Anfang 2025 noch einmal in einer erweiterten Deluxe-Version auf den Markt kam. Zuvor konnten Kaleida bereits vielbeachtete Beiträge zu Film-Soundtracks wie "John Wick" oder "Atomic Blonde" (für den sie Nenas "99 Luftballons coverten!) verbuchen, ebenso tourten sie mit Róisín Murphy und Alt-J. Nach einigen gemeinsamen Jahren in England zog die deutsch-amerikanische Sängerin Christina Wood vor den Arbeiten am zweiten Album "Odyssey" (2020) in die USA, doch weder die erneute Interkontentialität noch die Herausforderungen der Mutterschaft oder die Einschränkungen der Corona-Pandemie bedeuteten das Aus für das Duo – auch wenn die beiden mehr als einmal kurz davor waren aufzugeben und Cicely Goulder an der aktuellen Tour bedauerlicherweise nicht teilnehmen kann. Vor dem Konzert übermorgen, am 14.5., im Cassiopeia besucht uns Christina Wood mit Verona Ortega, die sie auf dieser Konzertreise begleitet, um im Interview Auskunft und anschließend auf der kleinen Bühne auch einen musikalischen Vorgeschmack auf Mittwoch zu geben.

Contract talks have started between healthcare workers and the largest private employer in Western New York, Kaleida Health. Debbie Hayes, CWA District 1 Area Director tells us about negotiations.

Kaleida Health systems are functioning like normal as the world deals with an IT outage.

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Our Soul Ladder Music series features musicians discussing the spiritual themes in their songs and the music that inspires them. This week's guest is Christina Wood, one half of the electronic pop duo Kaleida. Songs:
 Kaleida - Think Kaleida - Seagull Nun Kaleida - Kilda Kaleida - Free Cat Power - Maybe Not Elizabeth LaPrelle - East Virginia  Enya - How Can I Keep from Singing Kaleida - Convolution Learn more about Kaleida at https://www.kaleidamusic.com/ Enjoy music from our Soul Ladder Music series with our official playlist:
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Lots of new music in this week's Dark Nation Radio, including new tracks from I Ya Toyah, Nox Occultae, Ultra Sunn, Solar Fake, Bestial Mouths, Cathedral in Flames, The Cassandra Complex, Blak Light, Brittany Bindrim, Rina Pavar, Dead Lights, Kaleida, and Alien Creation. I hope you'll give it a spin! Tuesday is my Psychobilly Family Power Hour show and then I'll be doing my International Women's Day show (slightly belated) this coming Sunday, March 17th As always, if you like what you hear, I urge you to support the bands by going to their bandcamp pages. I invite you to follow me on your preferred platform and to join the Dark Nation Radio family on the Facebook group. Reposts are particularly appreciated. Thank you for your support! DJ cypher's Dark Nation Radio Playlist 10 March 2024 Leaetherstrip, “White Horse” Ultra Sunn, “The Truth” Rina Pavar, “Heavy Rain (Chrome edit)” Disrupted Being, “Deeper” Kaleida, “Stranger” Dead Lights, “Transform (Metamorphosis remix)” Data Void, “Nothing Changes” Alien Creation, “Beats and Shouting” The Cassandra Complex, “Kneel to the Boss” Huir, “Lovers” Brittany Bindrim, “The Well” Solar Fake, “This Generation Ends” Blak Light, “Blind Vision” Bestial Mouths, “Slitskin (Orphx remix)” DSTRTD SGNL, “Not Part of DSTRTD SGNL” Xotox, “Erkenntnis” Noir, “The Bells (Interface remix)” I Ya Toyah, “Dream Not to Dream (Stabbing Westward remix)” Daedric, “Nirn” Sjöblom, “The Storm (The Foreign Resort remix)” Ace Ventura & Symbolic, “The World That You Know (GMS remix)” Psy'Aviah, “OK (7” club trance mix)” Mindless Faith, “Singular” Sextile, “No Fun” Von Magnet, “Electro Flamenco” Cathedral in Flames, “Pale Rider” Nox Occultae, “Halloween” Flesh Field, “Soldier” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Today's Song of the Day is “Don't Turn Me Out (feat. Other Lives)” from Kaleida's album In Arms, out March 22.

EPISODE DESCRIPTION  In this interview, I chat with Jason Roberts of Kaleida to talk about two subjects - supplier diversity, and building a marketplace solution. Kaleida is a fully inclusive B2B marketplace connecting buyers with suppliers and diverse suppliers. From my research, it seems to be a first-of-its-kind solution that helps further the cause of supplier diversity, which is what prompted me to invite Jason on the show.  SHOW NOTES  Jason talks to us about what made him launch Kaleida and reiterates his objective to help level the playing field for anyone else who has experienced implicit biases. We talk about why supplier diversity is not really "woke", and in fact is just helping close a 4% gap in opportunities.  We then dive into the mechanics of building a marketplace.  What comes first - Buyers or suppliers? Should a marketplace charge for transactions?  Do you make every user on the buy-side and sell-side pay into it? Jason shares rich insight that every marketplace enthusiast must hear.  Connect with Jason on LinkedIn - https://www.linkedin.com/in/jlrob/ and check out Kaleida to learn more about how it works. https://www.kaleida.co/   CALL TO ACTION  Thank you for listening! Leave us a rating on Apple Podcast or Spotify.  Follow me on Linkedin at  https://www.linkedin.com/in/chandhrika/  Sharing is caring! Spread the word about this show to your network  Email me at chandhrika@source-refresh.com if you would like to be a guest on my show 

Today on the show we have Akanksha Malik. Akanksha is a Data and AI Consultant, a Microsoft AI MVP and an international speaker. She is also the founder of the platform Paths Uncovered, aimed at showcasing untraditional pathways into technology and helping people thrive in their tech careers. She is currently the network director of Women Who Code Melbourne and advisory board member for Kaleida, a career growth platform. On the episode, you'll hear about: What life is actually like working as a data scientist and what Akanksha likes about it. We break down in detail exactly what sort of salaries you can expect working in this field and how they can grow over time. Why Akansha decided to take a job offer that meant moving to the other side of the world. You'll get advice from Akansha on how to figure out if working in tech is something you'd enjoy, aswell as her top tips for how to actually make the move inton tech. You'll also hear a bit about Akansha's personal journey. How she ended up burning out last year, what she did to recover from that and her tips for making sure to avoid burnout in your own life. Check out Akanksha's Podcast, Paths Uncovered. Follow me and the pod on socials for more content to help you find a job and life you love: Instagram LinkedIn

Jason is the founder of Kaleida International, a B2B marketplace for tenders. In his former life, he worked as a financial services professional in both banking and sales. He was frequently reminded of his diverse identity—from the lack of representation in boardrooms to being made aware that his 6' 5” frame was intimidating. Jason experienced prejudice, bias and discrimination that impacted opportunities. In 2021, Jason launched Kaleida International to help buyers find and assess diverse suppliers to tender with. As a father to two daughters, Jason enjoys golf and long walks. He also has a passion for military jets! In this episode Jason and Alicia discuss:  How your environment influence your ambition  Overcoming the challenges Integrating with white corporate culture  Tips on how to build a valuable network Having real conversations about Bias and the implications  The reality of being singled out as Black person in life Getting real results by selling effectively  Why and how he started a business to support diverse suppliers  Connect with Jason here - https://www.linkedin.com/in/jlrob/ See more about Kaleida here  https://www.kaleida.co/founder  

【节目简介】大屏就能带来好的体验么？传统车企能做出好的用户体验么？“用户体验”是User Experience的中文翻译，也时常被简称为UX。本期《孤岛车谈》，我特意请来了两位直接和用户体验相关的从业者，聊聊汽车行业的“用户体验”到底是个什么东西。UI设计图对开路制动【话题成员】罗新雨 底盘电子（ESP、ADAS、自适应避震器）标定工程师Vouney 驾驶性用户体验工程师，前ESP标定工程师张冠男 HMI高级经理罗新雨个人微博@大众风Volkswind剪辑 罗新雨片尾音乐 Think by Kaleida (2021)【参考链接】1.（视频+文字）UX设计的发源（英文，2020）：https://www.interaction-design.org/literature/topics/ux-design2.（文字）特斯拉Model 3蠕行模式和Autohold之间的结合介绍（英文，）：https://www.tesla.com/ownersmanual/model3/en_us/GUID-4F680094-175E-44C3-8801-4965887055BE.html3.（视频）Steve Jobs关于用户体验和技术领先性之间的先后顺序的讨论（英文，youtube）：https://www.youtube.com/watch?v=dI93BvrBxQ0&ab_channel=Raaker4.（视频）Steve Jobs关于用户体验和技术领先性之间的先后顺序的讨论（英文，bilibili）：https://www.bilibili.com/video/BV1TK4y197Rw/?spm_id_from=333.337.search-card.all.click&vd_source=d7fdf67463c20c33399320ab5301ac535.（图文)汽车历史上最奇怪的15款车的内饰（英文，2017）：https://www.carthrottle.com/post/vr8y3gm/6. （视频）Split-μ 制动（英文，2021）：www.youtube.com/watch?v=8bwK7QwGQqs&ab_channel=Sentient【时刻文稿】1:13 介绍主题和嘉宾2:36 Vouney体验工程师的工作5:16 冠男UX设计师的工作7:39 新雨：UX设计的发源11:05 冠男：传统的汽车设计和HMI设计之间的联系和区别18:33 Vouney：触屏对驾驶中操作并不够友好23:46 冠男：用户体验需要用户反馈机制27:07 Vouney：从用户体验角度重新思考对开路（mu-split）ABS制动37:29 Vouney：特斯拉把autohold和蠕行模式结合的创新48:01 Vouney：大屏化是不是就是智能化？49:48 新雨：人驾驶车就是最典型的HMI

If it's Friday, it's Theater Talk, with Anthony and Peter looking at Shawfest, Stratford and more. Also today, a look at the Kaleida workers agreement that avoided a strike, and in-depth reporting on the rising costs of durable medical equipment such as wheelchairs, crutches and braces.

Kaleida workers have a tentative contract agreement that will avoid a strike for about 1600 workers there. Also two reports from Albany correspondent Karen DeWitt: one on at the farm worker overtime-threshold changes, that will phase in a standard 40-hour-work-week and another on mailers being sent in the gubernatorial campaign

Boyd on the tentative deal with unions

Vote gained 96% approval

VP of 1199SEIU

Style: Afro Progressive #2ways #twoways #AfroProgressive #house

Today we have primary election results and a look at what they mean. The state Board of Elections has a result in the 23rd Congressional district's GOP primary, and even though it says Nick Langworthy is the winner, Carl Paladino is challenging the result. Hear from Langworthy this morning, and also analysis from UB Political Science Professor Jacob Nieheisel. Also this morning, expansion of the Colored Musicians Club in Buffalo, and a strike vote at Kaleida.

Mike Hughes shares the latest on talks with the CWA.

Debbie Hayes provides an update on talks between Kaleida Health and workers as a day of picketing approaches.

Zielinski on CWA/Kaleida negotiations

A mandatory gun buyback begins in Canada and Toronto correspondent Dan Karpenchuk explains how the program works. Also the 8th anniversary of Buffalo's Slow Roll, Kaleida workers on the job without a contract and Rochester says farewell to a murdered police officer.

On this incredible episode, Derek sits down with music duo, Christina Wood and Cicely Goulder of KALEIDA. They will be discussing how they united, their success, various albums and music videos and of course, their hit song, "Think" and "The John Wick Effect".

Diversifying your supplier base is most likely near the top of your organization's highest priorities this year, but is it enough to really make an impact outside of the four walls of procurement? How are we addressing the challenge of creating equity for diverse business owners, and are we truly taking an inclusive approach to sourcing? A corporate initiative to increase diverse spend needs depth in purpose from the people and teams working to achieve it. Whether your organization has a dedicated DE&I team leading and supporting company-wide projects, or it's on you and a small group to implement new processes to hit diverse spend targets, understanding who you are impacting and why it matters is essential for success. In this week's episode of Procurement for the People, show host Katherine McCleery explores the challenges of both the buy and sell side of supplier diversity programs with special guest Jason Roberts, CEO and Founder of Kaleida. In addition to sharing some of his personal experiences that shaped and motivated him, Jason takes us on a deep-dive to teach us:   Why accessibility is the catalyst for increasing equity for diverse business owners How diverse businesses can overcome unconscious bias in the sales process Three ways to ensure a successful diverse spend initiative: executive buy-in, public communication, and working with a technology partner to identify diverse suppliers Why making stereotypical diverse supplier selections actually perpetuates discrimination and how to avoid it in the tender process

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Recorded Live & Unedited in Cabo San Lucas MexicoTrack List: | No Mission  (Grey Domaine Charmed Life Edit)  | CRi | No Need To Hide feat. Marcel Young (Grey Domaine Endless Summer Edit)  | Helsloot, Quibus, Marcel Young | Confusion (feat. Ali Love)  | &ME, Rampa & Adam Port | Collide feat. Kaleida  (Grey Domaine Endless Summer Edit)  | Made in Paris | Trojan Love (Tim Engelhardt Remix)  | Definition & Natascha Polke | Fading (Grey Domaine Charmed Life Edit)  | Paige, Nihil Young & Beacon Bloom | Anybody Out There (Grey Domaine Endless Summer Edit)  | Jose Amnesia | Rewind (Yotto Remix)  | Anden, Yotto | Need To Feel Loved (Cristoph Remix)  | Reflekt, Delline Bass | Calling For The Moon (Tim Engelhardt Remix)  | Kate Ozz | Union (Grey Domaine Endless Summer Edit)  | Jiggler, Vincent Marlice | Shiver (Grey Domaine Charmed Life Edit)  | Jem Cooke, Leftwing Kody | The Best Part (Patrice B√§umel Extended Mix)  | gardenstate & Bien | Life on Hold (Grey Domaine Endless Summer Edit)  | Nora En Pure | Fade Away (Grey Domaine Endless Summer Edit)  | Jordin Post | Only Want You (Grey Domaine Endless Summer Edit)  | MXV | Real Love (Boxer Extended Remix)  | Dezza | Just A Ghost (Vintage Culture Extended Remix)  | Seal, Claptone | You're Not Alone (Grey Domaine Mirrorball  Edit)  | Franky Wah X Olive

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I dare you to explain the meaning of "jam band" to me right now. This week on Funpoint!, in between discussions of the Chicago River Incident, we do our best to talk about Dave Matthews Band's Before These Crowded Streets. I don't think this is a concept album but a lot of the songs seem to be about the Futurama episode with death by snu-snu Slap City picks: "Doo Wop (That Thing)" by Ms. Lauryn Hill, "Think" by Kaleida. Listen to our playlist here Join us in 2 weeks when we'll discuss our next pick, Linkin Park's Meteora!

Kaleida – “Division”, 2017. Figure Section – “Teutonic Knights”, 2019. Statiqbloom – “Survival”, 2017. Front Line Assembly – “Target”, 1997. Astrocowboys – “Mayumi”, 2012. OUL – “Dwell On the Other Side”, 2019. Elz and the Cult – “Dystopian Prayer”, 2019. Pindrops – “Reflection II”, 2020. Twin Tribes – “Shrine”, 2019. Sounds Like Winter – “Who We Aren’t”, 2019. She Past Away – “Ruh”, 2012. Fehlfarben – “Militürk”, 1980. Divine Fits – “My Love Is Real”, 2012. Nick Cave and the Bad Seeds – “We Real Cool”, 2013. Website link: https://skullandcrossfades.com/my-mind-is-driving-me-insane

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#191 - Jason Roberts - CEO & Founder at Kaleida InternationalJason Roberts is an esteemed business professional with 22 years’ experience in Financial Services. After spending 11 years working for a number of investment banks including J.P. Morgan, Jason made the move to Financial Service technology sales where he spent 11 years selling SAAS solutions to financial institutions for a number of US tech start-ups.Leaving the city in 2018 after spotting a gap in the market and with a wealth of industry experience and contacts, Jason set about building a solution to improve the commercial prospects and for SMEs and start-ups by launching his very own social platform focused on helping B2B Buyers and Suppliers connect. Son to a single parent from South London, Brixton, and now Husband and father to two daughters, Jason highlights empathy, kindness and integrity as attributes he values the most in people.Founders365 is hosted by business coach Steven Haggerty and shares 365 insights from 365 founders during 2020.

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This week on Dread Media, we get our action on! First up, Desmond and Darryll are shocked that Atomic Blonde wasn't a huge hit franchise. Then, Desmond goes solo on two of the greatest kung fu films of all-time: Kung Fu Hustle and Riki-Oh: The Story of Ricky. Of course, there are songs: "The Assassin" by Iron Maiden, "99 Luftballons" by Kaleida, "Mega!! Kung Fu Radio" by Powerman 5000, and "Worth Fighting For" by Paradise Lost. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week on Dread Media, we get our action on! First up, Desmond and Darryll are shocked that Atomic Blonde wasn't a huge hit franchise. Then, Desmond goes solo on two of the greatest kung fu films of all-time: Kung Fu Hustle and Riki-Oh: The Story of Ricky. Of course, there are songs: "The Assassin" by Iron Maiden, "99 Luftballons" by Kaleida, "Mega!! Kung Fu Radio" by Powerman 5000, and "Worth Fighting For" by Paradise Lost. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week on Dread Media, we get our action on! First up, Desmond and Darryll are shocked that Atomic Blonde wasn't a huge hit franchise. Then, Desmond goes solo on two of the greatest kung fu films of all-time: Kung Fu Hustle and Riki-Oh: The Story of Ricky. Of course, there are songs: "The Assassin" by Iron Maiden, "99 Luftballons" by Kaleida, "Mega!! Kung Fu Radio" by Powerman 5000, and "Worth Fighting For" by Paradise Lost. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week on Dread Media, we get our action on! First up, Desmond and Darryll are shocked that Atomic Blonde wasn't a huge hit franchise. Then, Desmond goes solo on two of the greatest kung fu films of all-time: Kung Fu Hustle and Riki-Oh: The Story of Ricky. Of course, there are songs: "The Assassin" by Iron Maiden, "99 Luftballons" by Kaleida, "Mega!! Kung Fu Radio" by Powerman 5000, and "Worth Fighting For" by Paradise Lost. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

Kaleida - Think A Kwik-E-Mart Edit By Mr. Turner & Chew Solo https://hypeddit.com/track/b53yj8 Kaleida is an English electropop duo from London, England, formed in 2013. Kaleida released their debut EP, Think, in 2015. The group consists of vocalist Christina Wood and keyboardist Cicely Goulder. In 2014, the band's title track from their debut EP appeared on the soundtrack of the action film, John Wick.

در این قسمت سعی دارم شما رو با زندگی و شخصیت پوتین رئیس جمهور روسیه، هر چند مختصر، آشنا کنم. من احسان شریعتمداری هستم، تهیه کننده و گوینده این مطلب. منابع این پادکست هم عبارتند از: - سایت کرملین - ویکیپدیا روسی و فارسی سایت برترینها سایت باشگاه خبرنگاران جوان موسیقیهایی که در این پادکست استفاده کردم عبارتند از: - The Beatles - Yesterday - سرود ملی روسیه - Kaleida - 99 Luftballons - Taanpura Meditation شما میتونید همینطور از سایت من به آدرس www.mattrin.com و صفحه اینستاگرام من به آدرس www.instagram.com/iehsansh دیدن کنید.

The Bucket Hat Boys (Jesse and Ty) talk about these topics this week: ~Birthday Cards are a lowkey scam ~We spoil 500 Days of Summer kind of. ~John Wick Trilogy review/ Equalizer comparison ~Detective Pikachu review - Stealing Pokemon Cards ~Dudes can get pedicures ~The Last Summer on Netflix review and coming of age stories ~ New Music reviews: Tyler The Creator, Megan Thee Stallion, and DJ Khalid. Soundtrack: "Pimpin" by Megan thee Stallion "Think" by Kaleida "Cheap Cheap" By Felly ft Jack Harlow

[School of Movies 2019] Since the third one is released this week and the series is not only continuing but branching out into TV and spin-offs we figured we'd journey back to the beginning and look at the 2014 original, examining what made it so powerful, relentless yet elegant. The YouTube channel which we reference several times is Film Joy, the musical act we showcase is Kaleida, the YouTube video to watch is Nerf John Wick. And this episode owes a great deal to the masterful scoring of Tyler Bates, whose music bears you up like a river and propels you through the experience of this movie, from reflective eddies to savage falls.  Guest: Lorin Grieve

Take a dive into the sounds of Lauren Killer's musical theater past, along with a great deconstruction of her evolution as a sketch performer and improviser. Elann rides solo for this go-around, which makes for an organic flowmance to blossom between two hip hop improvisers, with an actual freestyle session included! Check out Lauren on Instagram: pastcurfewnyc AND laurenkillerinfluencer

This week has an interview with Christina Wood from Kaleida and a lovely dream pop playlist. Tim can’t speak French, there is a knock at the door and a website is born.Kaleida - Echo Saw YouLAUREL - Sun KingChristine and the Queens - Paradis PerdusDizzy - BleachersWolf Alice - Silk

CIRCLE OF LIFE - Vol.01 (Re:Born) [Preview] ________________ #PLAYLIST (Rev-1-1) bit.ly/col-01-tracklist 01 | Roger Paiva - This Is Not America (feat. Juliette Lewis/Nouvelle Vague) 02 | Ki:Theory - Stand By Me (Ki:Theory VIP Remix) 03 | Emily Browning - Sweet Dreams 04 | The Be Good Tanyas - Waiting Around To Die (Beat Syndrome Remix) 05 | Time - Not Alone (A Loner Dub) 06 | Think Up Anger feat. Malia J - Shout (Tears For Fears Cover) 07 | Talking Heads - Once in a Lifetime (Luxxury Edit) 08 | Syl Johnson - Is It Because I'm Black (David August Live Reconstruction) 09 | KALEIDA - 99 Luftballons 10 | Avicii - Feeling Good (Avicii By Avicii) 11 | Riverdale Cast - Kids in America feat. KJ Apa, Camila Mendes ________________ do like ma carousell? all sound circles SETS bit.ly/ElectronicSoundCarousell-pod ________________ #PODCAST itun.es/de/oxEQab.c #TRACKLIST bit.ly/col-01-tracklist ITUNES http://bit.ly/col-01-itunes SHORTLINK bit.ly/col-01-pre VISUALS {APEXvj is since 2017-11 offline} ________________ #OST [Original/Television #Soundtrack] *01 Hollywood, Mon Amour *02 Fear the Walking Dead (S03E08)*03 Sucker Punch *04 Breaking Bad *05 Interstellar *06 Gotham Rising Promo *07 Once in a Lifetime *09 Atomic Blonde *11 Riverdale (Season 01) ________________ selected sounds of #musikdenker 2017 CD-2017-12-Nonstop-Mix ________________ TAGS Circle of Life Re:Born @musikdenker aka Manuel Gotzen | gee g @BeatSyndrome @KiTheory @ThinkUpAnger @KALEIDAmusic @AviciiOfficial @RiverdaleCast @TalkingHeads @EmilyBrowningOfficial @NettwerkMusicGroup The Be Good Tanyas @Syl-Johnson-Official @Paradise_Circus @SoundMusicSP Roger Paiva @TimeMusique Time @VoyeurMusic Tears For Fears Juliette Lewis / Nouvelle Vague @Luxxury Nena-Music KJ Apa Camila Mendes @Soniiaput

Full show: http://kNOwBETTERHIPHOP.com Artists Played: Sincere Vega, conshus, AMiAM, Blueprint, Kno, LOrange, Oddisee, ODESZA, Leon Bridges, Blu, Exile, DOOM Viktor Vaughn, Kaleida, Wu Tang Clan, Redman, DJ Mitsu The Beats, Okito, Knox Fortune, Hundred Waters, Juiceboxxx, AK420, Table For Three, Nolan The Ninja, Royce Da 59, Kele Okereke, Dysfunkshunal Familee, Rockness Monsta, Mitu, GOODie MOb, OutKast, IMAKEMADBEATS

Full show: http://kNOwBETTERHIPHOP.com Artists Played: unselftitled, Ol Dirty Bastard, Kelis, conshus, Ras Beats, J-Biz, AG, Koss, Large Professor, Craig G, DOOM, Kool Keith, Astronote, The Difference Machine, Floyd the Locsmif, Raashan Ahmad, Aloe Blacc, Gift of Gab, Kid Abstrakt, The Deli, DJ Million Faces, Anti-Lilly, Phoniks, QQBeats, IMAKEMADBEATS, Cameron Bethany, New Kingston, Grieves, Paris Alexa, Amber Mark, The Heliocentrics, WordChemist, DJ Stranger, Kaleida, Brother Ali, The Mynabirds, J Dilla, OutKast, GOODie MOb

Discutimos os dois filmes da série com spoilers! Por que Keanu Reeves é o cara mais legal de Hollywood? Como eles constroem a mitologia desse mundo? Por que é tão importante que as coisas tenham consequências?E o que você tem a dizer?Deixe seu feedback acessando o post deste podcast, ou mande um e-mail para contato@jogabilida.deLinks Comentados: Contribua com nosso Patreon ou Padrim Siga-nos no Twitter: Jogabilidade Assine:  Canal do Youtube Blocos do Podcast: John Wick: 00:03:14 John Wick 2: 00:47:54 Trilha do Podcast: “First Crush”, por Saberpulse "Killing Strangers", por Marilyn Mason "Plastic Heart", de John Wick 2 "Think", por Kaleida

Relanium Said: "bass bydlit". :-)Kaleida - Think (Krasilnikov 'SK' Bootleg) [OST John Wick]YouTube: youtu.be/tQH1MY38iSAiTunes Podcast: itunes.apple.com/ru/podcast/kr…Go ahead, take me down now.Give me what you don't knowGo ahead, take me all down now.Get this, get this into your game.You got me in a heading dropI never wanna come offYou got me with your beat of loveI never wanna come out.Think of me, I'll never break your heart.Think of me, you're always in the dark.I hate your love, your love, your love.Think of me, you're never in the dark.Now that I'm making this all upLet me into your know.You got me in your open handI never wanna come backHow do we let you never found?You know it's gonna come out.----------sergeikrasilnikov.ru#kaleida #kaleidamusic #krasilnikovsk #keanureeves #johnwick #ostjohnwick #bass#bassline #jackin #future #deep #club #house #music #free #uk #ghouse #basslinehouse #electrojacking #deephouse #jackinhouse #ukgarage #garage #podcast #housemusic #electro #dj #party #clubmusic #dance #skmusic

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