Podcast appearances and mentions of kristine mckenna

Dhruv and Cris take a minor detour from the endlessly mysterious world(s) of David Lynch to a somewhat more familiar one in their second (of they don't know how many) eps on David Lynch. And joining them is a returning guest, Arijit Paul, who is thankful to Lynch (especially his work in "Eraserhead") for not only inspiring him to pursue a career in (film) sound but also for validating his love for cigarettes.We listen to Arijit's wonderfully strange stories of discovering Lynch and the strange memories his films inspire in him before talking in detail about one of Lynch's more "conventional" movies -- "The Elephant Man" (1980), which both Dhruv and Cris are decidedly more mixed on than Arijit. Listen to the full episode to hear them talk about why they love half the movie and not the entirety of it and why David Lynch -- even minus all the bursts of surrealism -- is an incredible filmmaker. Major spoilers for “The Elephant Man”!TIME CODES The Irresistible Allure of Lynch's Films: [00:00 - 20:37]"The Elephant Man": [20:37 - 01:04:56]Cris doesn't like "Pather Panchali"?!: [01:04:56 - 01:11:53]The Biopic Template: [01:11:53 - 01:14:18]Outro (a.k.a Bullshit): [01:14:18 - 01:27:43]TEXT REFERENCED REPEATEDLY"Room to Dream" (David Lynch & Kristine McKenna).Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠⁠https://instagram.com/queenisdead.filmpodcast.⁠⁠You can follow us on Instagram at:ARIJIT: https://www.instagram.com/_tentinquarantino_/.CRIS: https://www.instagram.com/prdscris/.DHRUV: https://www.instagram.com/terminalcinema/.You can also follow us on Letterboxd at -ARIJIT: https://letterboxd.com/nostradamus/.CRIS: https://letterboxd.com/prdscris/.DHRUV: https://letterboxd.com/aterminalcinema/.

Dhruv and Cris are entering the endlessly mysterious world(s) of David Lynch for the first time (of many!) this year. And joining them, in his very first (QID) outing, is Devarsi Ghosh (@devarsighosh), a film journalist doubling as their Lynch guide for this trip to Lynch's nightmarish evocation of Philadelphia in his feature-length debut film, "Eraserhead" (1977).Before reaching there, however, they all describe their introductions to Lynch Land, what it feels like being there, and why nobody can even come close to creating a similar feeling of that today. (They do question if they themselves are “grumpy cynics," but that's only to conclude that that's the only appropriate response to have given the drek they're served up today). Listen to the full episode to hear them then talk about their experience of "Eraserhead" - intended very much NOT as an “ending explained” breakdown of it; the objective - throughout all our episodes on Lynch's films - will be to preserve the mystery of his works, not undermine it!Regardless, major spoilers for “Eraserhead”!TIME CODES Introductions to David Lynch: [00:00 - 31:51]The "Dune" Caveat: [31:51 - 34:05]Impossibility of "Intuitive" Filmmaking Today: [34:05 - 56:06]"Eraserhead" (1977): [56:06 - 01:46:18]Outro: [01:46:18 - 01:50:47]TEXT REFERENCED REPEATEDLY"Room to Dream" (David Lynch & Kristine McKenna).AUDIO/VIDEO EXCERPTS REFERENCED EXTENSIVELY1. David Lynch at BAFTA: https://www.youtube.com/watch?v=u5BfoOrmCX0&ab_channel=BAFTA.2. Eraserhead - Trailer: https://www.youtube.com/watch?v=J0Eq5GtCYdA&ab_channel=CRITERION.3. Eraserhead Chicken Scene - https://www.youtube.com/watch?v=JamnCWXNsPs&ab_channel=BananasAboutMovies.Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠https://instagram.com/queenisdead.filmpodcast⁠You can follow us on Instagram at:DEVARSI: https://www.instagram.com/devarsighosh/.CRIS: https://www.instagram.com/prdscris/.DHRUV: https://www.instagram.com/terminalcinema/.You can also follow us on Letterboxd at -DEVARSI: https://letterboxd.com/d2dag/.CRIS: https://letterboxd.com/prdscris/.DHRUV: https://letterboxd.com/aterminalcinema/.

Mystère de Rochas by Rochas (1978) + Room to Dream by David Lynch and Kristine McKenna (2018) + David Lynch's Industrial Symphony No. 1: The Dream of the Broken-Hearted (1990) + David Lynch and Mark Frost's On the Air (1992) + David Lynch and Monty Montgomery's Hotel Room (1993) with Josie Yeager 3/13/25 S7E16

Chaque mois, notre libraire Nicolas Jalageas ramène ses coups de coeurs littéraires au studio. "Orbital" de Samantha Harvey et "L'espace du rêve" de David Lynch et Kristine McKenna.

We're tremendously saddened by the loss of a great artist, humanitarian and beautiful human being. David Lynch meant a lot to many people and we were lucky to have shared time and space with him. Branan and Anson shares recollections and Branan breaks out his Lynch impression and a remastered fan film.Mentioned in this episode: Room to Dream is a wonderful biography / autobiography hybrid by Kristine McKenna and David Lynch. We recommend the audiobook version so you can Lynch tell his story in his inimitable "Great Plaines Honk" *according to Kyle MacLachlan* Lumière and Company(1995) which is not streaming anywhere but there is a playlist on YouTube that anthologizes all the entries. David Lynch's entry Premonitions Following an Evil Deed by David Lynch is there. Branan's David Lynch fan film David Lynch: Signature Coffee has been remastered and uploaded to YouTube https://youtu.be/gl2LX3XifLw

2025 m. sausio 15 dieną mirė amerikiečių kino režisierius Davidas Lynchas. Kodėl šio menininko kūryba padarė tokią didžiulę įtaką kino žiūrovų vaizduotei Lietuvoje ir pasaulyje?Kalbėdami apie D. Lynchą didelė dalis jo talento gerbėjų visų pirma mini jo sukurtus kino filmus ir televizijos serialą „Twin Peaks“, tačiau šis menininkas dirbo ir kitose sferose. Kaip antai, D. Lynchas savo kūrybos kelią pradėjo nuo tapybos ir vizualioje raiškoje išbandęs vos ne visas medijas. Ką mums reikėtų žinoti apie šią D. Lyncho kūrybos sferą? Šis kino režisierius dirbo su įvairiais kompozitoriais ir muzikantais, o pastarasis bendradarbiavimas virsdavo įstabiais serialų bei kino filmų garso takeliais ir kitokiais dėmesio vertais muzikiniais reiškiniais. Kokie kompozitoriai ir muzikantai buvo D. Lyncho kūrybiniai partneriai? Ką įdomaus jam pavyko nuveikti muzikos kūrybos sferoje?Kino režisierius daug ir noriai kalbėdavo apie tai, kokia jam yra svarbi meditacija. Kam D. Lynchui viso to reikėjo? Kaip į šį klausimą atsako jis pats knygoje „Pagauti didžiąją žuvį?“ (leidykla „Vaga“, 2014, vertėja Goda Grigolytė-Lučiūnienė) Kodėl jis nuolat siūlė medituoti mums?Koks menininko portretas atsiskleidžia D. Lyncho ir Kristine McKenna knygoje „Sapnų kambarys“? (leidykla „Hubris“, 2024, vertėjas Marius Burokas).Internetiniame žodyne Oxford English Dictionary yra būdvardis „Lynchian“. Ar D. Lynchas JAV ir Europoje turėjo mokinių bei sekėjų, kurių filmuose galima įžvelgti „lynčišką“ mąstymo stilių ir vizualinės raiškos būdą?Pokalbis su poetu ir vertėju Mariumi Buroku, vertėja ir keramike Goda Grigolyte-Lučiūniene, viešųjų ryšių specialistu ir muzikantu Mykolu Katkumi, kino kritiku Dmitrijumi Gluščevskiu, dailininku Povilu Ramanausku.Ved. Aurimas Švedas

Kultūros publikacijų spaudoje apžvalga.Kas yra Broka zona ir kaip ji prisdėjo pire tolimesnių smegenų tyrimų?Anykščių Antano Baranausko ir Antano VIenuolio-Žukausko muziejui saugoti bus perduodamas autentiškas Antano Baranausko smuikas.Elžbieta Banytė apžvelgia Gertrude Stein knygą „Alice B. Toklas biografija“ ir Davido Lyncho ir žurnalistas Kristine McKenna bendrą darbą „Sapnų kambarys“.Valkininkuose įvyks pirmasis šiuolaikinio meno festivalis „Sūkuriai“.Buvusi Ukrainos švietimo ministrė, nevyriausybinės organizacijos „SavED“ vadovė Anna Novosad pasakoja, kad dėl Rusijos atakų Ukrainoje neįmanoma užtikrinti saugaus mokymos proceso, o šalyje sunaikinta kas septinta mokykla.Į Klaipėdą kviečia tarptautinis nematerialaus kultūros paveldo festivalis „Lauksnos“.Vilniuje duris atveria nauja kultūrinė erdvė „Retrito Smarsas“VII-ajame Pinjeto filmo festivalyje pripažinimo sulaukė režisierė Margarita Bareikytė.Ved. Marius Eidukonis

Chorinės muzikos užkratas: Klaipėdoje prasideda tarptautinis Stasio Šimkaus chorų konkursas, Vievyje savaitgalį vyks chorų festivalis – konkursas „mūsų dainose“.Muziejų naktį Samuelio Bako muziejuje Vilniuje Christinos Lamb knygos „Mūsų kūnai – jų karo laukas“ tektus atskleis aktorė, tarpdisciplininio meno kūrėja Kristina Švenčionytė. Kaip menininkai vaizduoja tokią jautrią temą?Prasidėjo didžiausia kino šventė pasaulyje – Kanų kino festivalis, kuris traukia visos planetos gurmanus atrasti savo kiną, kurio ne tik programos aptarinėjamos visuose žemynuose, kuris savo spindesiu ir žavi ir provokuoja kalbėti ne tik apie kino meną. Iš Kanų – LRT prodiuserė Lolita Bytautaitė.Rubrikoje „Ką man skaityti?“ David Lynch ir Kristine McKenna knygą „Sapnų kambarys“ pristato Jolanta Kryževičienė.Šiauliuose rengiamas šokio festivalis – konkursas „Aušrinė žvaigždė“, subūręs šimtus šokėjų iš įvairių Lietuvos miestų ir užsienio. Choreografijos studijos „Aušrelė“ vadovų organizuojamas renginys subūrė pusantro tūkstančio šokėjų iš Lietuvos ir užsienio. Apie šį jauną, jaunatvišką šokio ir muzikos šventę pasakojimą parengė Tomas Mizgirdas.Ne tik didžiuosiuose miestuose galima užsikrėsti menu, tiki Greta Garmašaitė-Balienė, kuri buria miestelėnus menui visą gegužę vyksiančiame festivalyje „Ars Nova“. Ir tai yra kur kas daugiau ne festivalis, pastebi ji. Ką menas reiškia periferijoje, kaip jis priimamas ir kodėl būtinas? Greta Garmašaitė-Balienė vieši rubrikoje „Be kaukių“.Ved. Gabija Narušytė

In this episode, we spoke at length with filmmaker Scott Ressler. Scott is an industry veteran who's worked on projects including Barton Fink, Scream, Lost Highway, Who's Harry Crumb?, Austin Powers, The End of Violence, The Straight Story, The Cider House Rules, Mulholland Drive, Inland Empire, I Heart Huckabees, Jarhead, Jurassic Park III, “Dexter” and “Twin Peaks” S3. Scott was also DP on David Lynch's short film What Did Jack Do? featured on Netflix in 2020 — and is currently Chair of Cinematography at UNC School of Arts, a Top 10 film school in the U.S. The Making Of is presented by AJA Video Systems:AJA ColorBox: A powerhouse for color conversionPerform LUT-based color transformations with powerful video processing using AJA ColorBox in live, on-set, and post production environments. The compact device, which features 12G-SDI in/out and HDMI 2.0 out, provides advanced-level color science via the AJA Color Pipeline, as well as support for Colorfront, ORION-CONVERT, BBC, and NBCU color management approaches. Learn more here: www.aja.com/colorbox.NYC Cinematography Event:A Documentary DP ConversationOn Sept. 28th, Foto Care Rentals will open its doors for the first of a brand-new Education & Networking Series in NYC. This evening event will focus on Documentary Cinematography. Moderated by filmmaker David Leitner, award-winning DPs Wolfgang Held ASC, Matt Porwoll and Martina Radwan will take us behind-the-scenes of shooting their latest projects. Join for the Panel, enjoy food & drink, and catch up with filmmaker friends — more info here!Film Book of the Month: Room to DreamIn this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he's faced to bring his unorthodox projects to fruition. Lynch's lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists.Check it out here ZEISS introduces their new camera tracking systemWith CinCraft Scenario, ZEISS presents a new, powerful and flexible camera tracking system as part of their CinCraft ecosystem. Built upon NCAM's unique tracking technology and ZEISS' expertise in lens data, the camera tracking system introduces a user experience designed to match the film crew's workflow and ease of use. Learn more hereCSS Music is the go-to production Music Library for the entire Film, TV and A/V markets. CSS offers thousands of tracks in every genre and style — helping producers and editors score their latest productions with licensing to fit any budget, from Royalty-Free or needle drop to Gratis (free) for qualified projects. With its easy-to-use search capability, great service and high-quality music, CSS has continued to serve the community since 1982. Visit cssmusic.com Have questions? Contact us at info@cssmusic.comUpcoming Event:Cine Gear Atlanta | October 6-7, 2023The industry's most-renowned southern community event will return in October to Atlanta's Trilith Studios with its hallmark exhibits, seminars and screenings! It's the event to attend to reconnect with colleagues, friends and collaborators. Learn more and free passes hereOWC Thunderbolt Go DockThe OWC Thunderbolt Go Dock is the first of its kind, full-featured Thunderbolt dock with a built-in power supply and 11 ports, for additional ease and connectivity while on the Go. It's a one-dock solution that works with all past, present and future Thunderbolt and USB devices and accessories. Take a look herePodcast Rewind:Sept. 2023 - Episode XVII…The Making Of is produced by Michael Valinsky.To promote your products or services to over 6,500 leading film, TV and video industry pros, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

We continue our David Lynch odyssey, stopping by 19th-century London to experience the transformative and life-affirming story of Joseph Merrick, aka The Elephant Man.Major sources used in this week's episode are 'Room to Dream,' by Kristine McKenna, and 'Lynch on Lynch,' edited by Chris Rodley. Buy 'Where Lies the Strangling Fruit'Theme music: 'Lost' by Prod. RiddimanOther Films Mentioned:The Black Stallion (1979, dir. Carroll Ballard)Blue Velvet (1986, dir. David Lynch)The Blues Brothers (1980, dir. John Landis)Dressed to Kill (1980, dir. Brian de Palma)Dune (1984, dir. David Lynch)Eraserhead (1977, dir. David Lynch)Fatso (1980, dir. Anne Bancroft)Flying High! (1980, dir. Jim Abrahams, David Zucker and Jerry Zucker)The Fog (1980, dir. John Carpenter)Friday the 13th (1980, dir. Sean Cunningham)The Gods Must be Crazy (1980, dir. Jamie Uys)Heart Beat (1980, dir. John Byrum)Heaven's Gate (1980, dir. Michael Cimino)High Anxiety (1977, dir. Mel Brooks)Midnight Express (1978, dir. Alan Parker)Mulholland Drive (2001, dir. David Lynch)The Naked Civil Servant (1975, dir. Jack Gold)Ordinary People (1980, dir. Robert Redford)Raging Bull (1980, dir. Martin Scorsese)The Shining (1980, dir. Stanley Kubrick)Star Wars: Episode V - The Empire Strikes Back (1980, dir. Irvin Kershner)Tropic Thunder (2008, dir. Ben Stiller) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

¡Hola a todos! Llegó uno de los momentos más esperados por el podcast desde que iniciamos, se estrenó Dune (2021), de Denis Villeneuve, y por motivo de este estreno, estaremos conversando sobre el mito de Dune, desde la aparición de la mítica novela, y todo lo que ha habido de sus fallidos intentos de llevarla a cine. Además que contamos con la presencia de un súper invitado, el actor Agustín Mateo, además de gran cinéfilo y fan de Dune. Esperamos que lo disfruten. Estén atentos a nuestro Instagram, nuestro Twitter, nuestro canal de Youtube y nuestro TikTok. Puedes acceder a contenido exclusivo aquí Buy Me A Coffee Letterboxd: Christiam Reymei, Jesús bac_line y Agu Mateo (00:03:34) Dune (Novela de Frank Herbert, 1965) (00:31:35) Dune (1984) (00:50:34) Jodorowsky's Dune (2013) (01:18:27) Dune (2021) (02:05:52) Spoilers: Dune (2021) Referencias: Jesus Shows You the Way to the Highway (2019) Canción de Hielo y Fuego (saga literaria, 1996) El Silmarillion (libro, 1977) Fundación (saga literaria, 1942) Problema de los Tres Cuerpos (saga literaria, 2006) El Señor de los Anillos (saga literaria, 1954) El Señor de los Anillos (saga de cine, 2001) Dangerous Liaisons (1988) The Favourite (2018) What Ever Happened to Baby Jane? (1962) The Artist (2011) Mononoke-hime (La Princesa Mononoke, 1997) La Casa Lobo (2018) Midsommar (2019) The Green Knight (2021) Mulholland Drive (2001) Espacio para Soñar (Libro de David Lynch y Kristine McKenna, 2018) The Elephant Man (1980) (500) Days of Summer (2009) The Amazing Spider-Man (2012) Blue Velvet (1986) El Incal (cómic, 1980) El Topo (1970) La Montaña Sagrada (1973) Blade Runner (1982) The Matrix (1999) Drive (2011) Hardware (1990) Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau (2014) Colour Out of Space (2019) Watchmen (2009) Watchmen (serie, 2019) 2001: A Space Odyssey (1968) Prometheus (2012) Passengers (2016) Doctor Strange (2016) Forrest Gump (1994) The Curious Case of Benjamin Button (2008) The Insider (1999) A Star Is Born (2018) The Assassination of Jesse James by the Coward Robert Ford (2007) Killing Them Softly (2012) Zero Dark Thirty (2012) Rogue One: A Star Wars Story (2016) Arrival (2016) Blade Runner 2049 (2017) True Detective (serie, 2014) Casino Royale (2006) Skyfall (2012) A.I. Artificial Intelligence (2001) Matrix Reloaded (2003) Avengers: Endgame (2019) Avengers: Infinity War (2018) Star Wars. Episode VII: The Force Awakens (2015) Sherlock Holmes (2009) Tenet (2020) Sherlock (serie, 2010) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On the first episode of ON LYNCH, host McKenzie Wilkes dives into Lynch's first feature film - ERASERHEAD. She discusses the production of the film in detail as well as her own thoughts and interpretations. WEBSITE - onlynchpodcast.com TWITTER - @onlynchpodcast INSTAGRAM - @onlynchpodcast EPISODE TRANSCRIPT - COMING SOON SOURCES/FURTHER INFORMATION - Artforum article about Lynch's Philadelphia. Lynch on Lynch edited by Chris Rodley. The David Lynch Files Volume 1 by Kenneth George Godwin. Room to Dream by David Lynch & Kristine McKenna. All videos used in this podcast as well as supplementary videos are linked on the website at onlynchpodcast.com/works-list/eraserhead. --- Support this podcast: https://anchor.fm/onlynch/support

David Lynch’s Eraserhead (1977) remains an unrivaled enigma in the history of cinema, a cult film that launched the career of one of Hollywood’s most enduring outsiders. The process of making the film, detailed in Lynch’s 2018 memoir Room to Dream (co-written with Kristine McKenna), reflects the complicated intersection of individual vision and economic reality that would define Lynch’s path as a filmmaker. But do these cultural and economic conditions even exist anymore? Musician, writer, and fellow Lynch-head Tyler Scruggs joins us to talk about Eraserhead’s unique production and cultural legacy, in a conversation that explores authorship, adaptation, consciousness, and what it means to be an artist in the digital era.   

We're joined by Hans (aka @DJ_BadHombre) to journey into the strange world of David Lynch with Blue Velvet and Mulholland Drive! Sources: Blue Velvet (1986) "Blue Velvet" by Brian Eggert, Deep Focus Review "Blue Velvet - Small Town Horror Tale" by Ron Magid, American Cinematographer "Angelo Badalamenti", Criterion interview featurette "A Suburban Romance, Only Different" by Kristine McKenna, excerpt from Room to Dream, co-authored with David Lynch "Blue Velvet (1986)" by Jason Fraley, The Film Spectrum "Deconstructing Blue Velvet: A Master Class in Screen Direction", American Cinematheque "David Lynch: Creativity and Film", Masterclass   Mulholland Drive (2001) "David Lynch's Mulholland Drive Explained" by David Thomson, Esquire "Why Mulholland Drive is the Greatest Film Since 2000" by Luke Buckmaster, BBC Culture "Inside the Making of Mulholland Drive, David Lynch's Dark Freudian Masterpiece" by Lili Anolik,  Vanity Fair "The Rise (and Fall) of Hollywood", Now You See It   Find Hans Online Twitter - @DJ_BadHombre The Stress Factor Twitter - @Stress_Factor86 WUML - Listen to The Stress Factor on 91.5 FM WUML on Thursdays from 6 to 9 PM ET!  

Thank you so much for tuning in! In this episode, I thought we could reflect on a few of the core topics that makes us human: self-care and mental health strategies. The Northeast Kidney Foundation and I want you to know that it’s okay and to give yourself permission to feel how you are. We want to give YOU strategies to overcome, empathize and move through these challenging times. Listen in this week, as I am joined by the Attending Pediatric Transplant Psychologist at Boston Children’s Hospital, Dr. Kristine McKenna in order to explore these care strategies. Dr. McKenna’s Questions – 1.) Tell us about yourself – what drew you to the field of Psychology and how do you continuously aim to make a difference?I always knew that I wanted to help others. I was planning a career in the Oncology field to help patients cope with treatments and painful procedures. I began to feel drawn to the questions beyond the clinic such as: quality of life, explaining to their peers / parenting a child in the context of chronic illness. Later, after additional training, an opportunity arose at Boston Children’s Hospital in the field of transplant medicine and I wanted to help children through this process.2.) How would you explain the topic of Mental Health and what therapy is subsequently like?There is the field of psychotherapy or “talk therapy” where patients will undergo treatment for mental health concerns that are significantly impacting their daily life. The goal of therapy is to improve quality of life or overcome those obstacles and feel a sense of confidence. Providers will undergo training in fields such as: Psychiatry, Social Workers and Psychologists. We want to explore their goals as individuals so they can develop that positive view of themselves. We want them to put that “winter coat” on to feel warm and reach out to their healthcare provider.3.) How do we establish a trusting relationship between patient and provider and how do we gauge this interaction given it can be so sensitive?The technical term for this is the “Therapeutic Alliance” which encompasses the caregiving and relationship aspects along with what is discussed. It’s a good time to analyze this relationship and try to find a provider that matches your needs. It’s creating a safe space with a fluid focus and navigating it together. Confidentiality is key and these aspects are discussed early on in the relationship.4.) How do we as a transplant community continue to perpetuate these messages of support and positivity and how do you as a provider derive fulfillment from that?This is a highlight on stressors that have been recurring long-term in addition to this pandemic environment. One of the core aspects of well-being is self-care. We need to emphasize the re-charge mechanism in our bodies (i.e. relaxation techniques or mindfulness strategies). There are old / new hobbies, reaching out to your healthcare team or even sleep hygiene that every transplant patient and their family uses discover the energy to perform these necessary tasks. 5.) How can we take strides to really put together the before, during and after this challenging time as a worldwide?These large events can be difficult. Individual and community stress can run high. Maximization of our support networks and building resilience are important as we give ourselves credit and recognize that these emotions are valid. We will build a toolkit that we can use now and, in the future, as we navigate these times together. Instacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Ben and Bryon talk with Kristine McKenna about the new art book by David Lynch "Someone is in my House". Get Your Copy: HERE Support TPU buy going to our Tee Public Merch Store: HERE Follow us on Twitter: @TwinPeaksUnwrapLike us on FB:HERESubscribe to our YouTube Channel: HERE"Sycamore Trees" written by David Lynch & Angelo Badalamenti & Performed by Chrysta Bell

This episode I sit with comedian and writer Richard Brown. Richard was reading Room to Dream by David Lynch and Kristine McKenna. I was playing Diablo III on the Switch. Highlights include - Jake the Dog getting up and moving in a circle a bit, and a somewhat loud slap that I can't identify.

Edição de 25 Outubro 2018 - "Espaço Para Sonhar", de David Lynch e Kristine McKenna

NoCiné se déplace au Mondial de l’Auto pour un épisode spécial bagnole et cinéma. De la meilleure course-poursuite, au meilleur pilote en passant par la meilleure scène de sexe dans une voiture, on revient sur cet élément essentiel du langage cinématographique. Podcast animé par Thomas Rozec avec Lelo Jimmy Batista, David Honnorat et Stéphane Moïssakis.RÉFÉRENCES CITÉES DANS L’ÉMISSIONFast and Furious, Police Fédérale Los Angeles (William Friedkin, 1985), French Connection (William Friedkin, 1971), Boulevard de la mort (Quentin Tarantino, 2007), Bullitt (Peter Yates, 1986), Die Hard 3 (John McTiernan, 1995), Last Action Hero (John McTiernan, 1993), Taken 3 (Olivier Megaton, 2014), Le Transporteur 3 (Olivier Megaton, 2008), 22 Jump Street (Phil Lord et Christopher Miller, 2014), Vanishing Point (Charles Robert Carne, 1997), Le Drive-In De L’Enfer (Brian Trenchard-Smith, 1986), Les traqués de l’an 2000 (Brian Trenchard-Smith, 1982), Le gang des BMX (Brian Trenchard-Smith, 1983), La rage de la Casse (Brian Trenchard-Smith, 1979), Recherche Suzanne désespérément (Susan Seidelman, 1985), Rambo (Ted Kotcheff, 1982), Danger : Diabolik ! (Mario Bava, 1968), Crash (David Cronenberg, 1996), À toute allure (Adam Rifkin, 1994), À plein tube ! (Adam Rifkin, 1991), Les Blues Brothers (John Landis, 1980), Les Anges gardiens (Jean-Marie Poiré, 1995), The Last Boy Scout (Tony Scott, 1991), Les Choses de la vie (Claude Sautet, 1970), Vincent, François, Paul et les autres (Claude Sautet, 1950), Intersection (Mark Rydell, 1994), Demolition Man (Marco Brambilla, 1993), Mad Max 2 (George Miller, 1981), Blue Velvet (David Lynch, 1986), Comme un chien enragé (James Foley, 1986), À bout de souffle (Jean-Luc Godard, 1960), Speed Racer (Lana Wachowski et Lilly Wachowski, 2008), Le Casse (Henri Verneuil, 1971), Fantomas contre Scotland Yard (André Hunebelle, 1967), Femme fatale (Brian De Palma, 2002), Repo Men (Miguel Sapochnik, 2010), En quatrième vitesse (Robert Aldrich, 1955), Step Brothers (Adam McKay, 2008), Attache-moi ! (Pedro Almodóvar, 1990), La chambre du fils (Nanni Moretti, 2001), Le Caïman (Nanni Moretti, 2006), FBI : Fausses blondes infiltrées (Keenen Ivory Wayans, 2004), La revanche d’une blonde (Robert Luketic, 2001), Click (Frank Coraci, 2006), Brooklyn Nine-Nine, La Relève (Clint Eastwood, 1990), Bad Boys 2 (Michael Bay, 2003), Mad Max Fury Road (George Miller, 2015), John Wick 2 (Chad Stahelski, 2017), L’espace du rêve (Kristine McKenna, David Lynch, 2017), Mulholland Drive (David Lynch, 2001), Miami Vice : deux flics à Miami (Michael Mann, 2006), Sexy Dance 4 : Miami Heat (Scott Speer, 2002), La Folle Journée de Ferris Bueller (John Hughes, 1986), Phantom (Mike Marvin, 1986), Mad Max 3 (George Miller, George Ogilvie, 1985), Enfer mécanique (Elliot Silverstein, 1977)CRÉDITSEnregistré le 10 octobre 2018 au Mondial de l’Auto 2018. Réalisation : Quentin Bresson. Chargée de production : Juliette Livartowski. Chargée d’édition : Judith Hillebrant. Direction de production : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Générique : « Soupir Articulé », Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Production : Binge Audio. See acast.com/privacy for privacy and opt-out information.

Ben and Bryon talk with Kristine McKenna on her new David Lynch biography/memoir Room to Dream, about the audiobook, Twin Peaks, David Lynch and more! https://25yearslatersite.com/category/lynch/ Award Season is now open for Twin Peaks Unwrapped. The 13th Annual Podcast Awards: Listener Nominations are Now Open for you the listener to get TPU nominated. We are listed in the Peoples Choice and TV/Film category.It only takes less than 5mins, you sign up and vote, its that easy. We have until July 31st to get us nominated for The 13th Annual Podcast Awards!https://www.podcastawards.com/app/signup   "Sycamore Trees" by David Lynch & Angelo BadalamentiCovered by Chrysta Bell Twitter: @TwinPeaksUnwrapFacebook: www.facebook.com/TwinPeaksUnwrappedEmail: TwinPeaksUnwrapped@gmail.com YouTube Channel: www.youtube.com/channel/UC-FzoCMWxT6CxYgKGPqZIXA?view_as=public Tee Public Merch Store: http://shrsl.com/jfa9

Today's Bombshell (Bombshell Radio) Bombshell Radio Lynchland - David Lynch Archivist11am-12pm EST5pm-6pm CEST4pm-5pm BSTbombshellradio.comRepeats 2am-3am EST#davidlynch #lynchian #lynchland #bombshellradio #rock #blues #folk #jazz #soulDavid Lynch and Kristine McKennaís ìRoom to Dreamî was released a few days ago and, from its very first pages to the end, it was a captivating read about a life unlike any other. This book is also a treat for music lovers: everybody knows how important music and sound have been in David Lynchís art, and his autobiography offers a glimpse into a very peculiar time of Americaís pop culture, when blues, folk, jazz, and the early days of TV and rock íní roll would shape young peopleís mind and aspirations. As you will have understood, weíve made this mix based on some of the most significant songs mentioned in ìRoom to Dreamî; our image is based on Arthur Irving Gates' book "Good Times on Our Street", which apparently made an impression on David's mind when he was a kid.01 Four Aces - Three Coins in a Fountain02 Elvis Presley - Love Me Tender (Ed Sullivan Show, 09/09/1956)03 Fred Steiner - Perry Mason Opening Theme04 The Dave Brubeck Quartet - Blue Round a la Turk05 Cyril J. Mockridge - "The Man Who Shot Liberty Valance" Main Title06 Bob Dylan - Blowin' in the Wind07 The Beatles - I Want to Hold Your Hand (Live in Washington D.C., 02/11/1964)08 Janis Joplin - Ball and Chain (Live from Monterey Pop)09 Jimi Hendrix - Wild Thing (Live from Monterey Pop)10 Otis Redding - I've Been Loving You Too Long (Live from Monterey Pop)11 Vladimir Horowitz - Beethoven's Sonata Op.27 no.2 'Moonlight' - Allegretto12 Captain Beefheart - Orange Claw Hammer13 The J. Geils Band - Pack Fair and Square14 Robert Johnson - Cross Road Blues15 This Mortal Coil - Song to the Siren

Host Mark Olsen (@IndieFocus) talks with writer Kristine McKenna about the process of writing Room to Dream, a new book that she co-wrote with David Lynch.Room to Dream is part biography and part memoir of David Lynch. Due to this unconventional format, it offers a unique window into his singular vision for his life and art.

On the surface, Brad Bird’s new animated family adventure INCREDIBLES 2 wouldn’t seem to have a lot in common with Guy Hamilton’s swingin’ 1964 James Bond entry GOLDFINGER, but superhero films and spy movies are actually pretty closely thematically related, as we discover in our comparison of the two films. After discussing our reactions to INCREDIBLES 2, a follow-up to what one of us calls “a perfect movie,” we look at how these two very different versions of 1960s heroism compare in their evolution (and establishment) of familiar tropes, in their respective wish-fulfillment fantasies, and in how they handle extraordinary individuals with a license to kill. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about GOLDFINGER, INCREDIBLES 2, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.  Show Notes Your Next Picture Show: • Scott: The Science Behind Pixar exhibit  • Tasha: David Lynch and Kristine McKenna’s ROOM TO DREAM • Keith: Sidney J. Furie’s THE IPCRESS FILE Outro Music: Michael Giacchino, “Pow! Pow! Pow! - Mr. Incredible’s Theme” Learn more about your ad choices. Visit megaphone.fm/adchoices

David Lynch and Kristine McKenna signed copies of their book, "Room to Dream". This is one part of a three part series of this extraordinary synchronicity-filled event, on the longest day of the year, 6-21-2018, at the ACE Hotel in Downtown Los Angeles! Featuring Douglas Clarke and Roxanne Knouse! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this intimate radio portrait of one of music’s most legendary eccentric geniuses, writer Kristine McKenna offers you a visceral experience of what it was like to be friends with Don Van Vliet (aka Captain Beefheart).

Homesick for Another World (Penguin Press) Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.  And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick. Praise for Eileen "Eileen is anything but generic. Eileen is as vivid and human as they come... Moshfegh, whose novella, ‘McGlue,' was published last year, writes beautiful sentences. One after the other they unwind--playful, shocking, wise, morbid, witty, searingly sharp. The beginning of this novel is so impressive, so controlled yet whimsical, fresh and thrilling, you feel she can do anything... There is that wonderful tension between wanting to slow down and bathe in the language and imagery, and the impulse to race to see what happens, how it happens.”  -New York Times Book Review “The attention that is now greeting Moshfegh’s first novel is not undeserved. Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” -Washington Post  “Her best work yet . . . What makes Moshfegh an important writer—and I'd even say crucial—is that she is unlike any other author (male, female, Iranian, American, etc.). And this sui generis quality is cemented by the singular savage suburban noir of Eileen . . . Here is art that manages to reject artifice and yet be something wholly new and itself in sheer artistry.” - The Los Angeles Times  “Wonderfully unsettling first novel . . .  When the denouement comes, it’s as shocking as it is thrilling. Part of the pleasure of the book (besides the almost killing tension) is that Eileen is mordantly funny . . . this tale belongs to both the past and future Eileen, a truly original character who is gloriously unlikable, dirty, startling—and as ferociously human as the novel that bears her name.”-San Francisco Chronicle “Charmingly disturbing. Delightfully dour. Pleasingly perverse. These are some of the oxymorons that ran through my mind as I read Eileen, Ottessa Moshfegh's intense, flavorful, remarkable new novel. ‘Funny awful’ might be another one. I marveled at myself for enjoying the scenes I was witnessing, and wondered what dark magic the author had employed to make me smile at them.” -NPR.ORG Ottessa Moshfegh received the Plimpton Prize for her stories in the Paris Review, and was granted a creative writing fellowship from the National Endowment of the Arts.  Her novella, McGlue, won the inaugural Fence Modern Prize in Prose and the Believer Book Award. Eileen won her the PEN Hemingway Award for debut fiction. Her newest collection of short-stories, Homesick for Another World, will be published by the Penguin Press in January 2017.  She currently lives in Los Angeles.   Kristine McKenna is a Los Angeles based writer. Her biography of David Lynch, Life & Work, will be published by Random House in 2017.

Robert Kensinger moved to L.A. in the late 70's. He was hoping to make it as a film director after graduating from the Rhode Island School of Design. He stumbled into a job as a personal assistant to the legendary actor, writer, and director Orson Welles. Kensinger worked for Welles off and on for several years before he left to write scripts for indie producer Roger Corman. Then he carved out a long career as a set decorator on many studio films. People tend to think of Orson Welles as inactive or diminished during those final years – living off Laurel Canyon on Wonderland Avenue, earning a living starring in wine commercials and making the rounds of TV talk shows. But Kensinger remembers the director of Citizen Kane as vital and alive, working hard as ever on projects including his last film, The Other Side of the Wind. It remains unfinished to this day. Today's Organist features Bob Kensinger, remembering Orson on Wonderland. Produced by Gideon Brower and Kristine McKenna. Edited by Nick White. Mixing assistance by Mario Diaz. Still from a TV magic show pilot Welles shot, in which Bob Kensinger appears as a waiter. Documents from Bob Kensinger's tenure as Welles's assistant, including shopping lists and a personal note. Originally appeared in Grand Street. Screen grab from Orson Welles's appearances in Paul Masson Wine TV spots from the early 80's Screen grab from Orson Welles's appearances in Paul Masson Wine TV spots from the early 80's

The Plum in Mr Blum's Pudding (Penny Ante Editions) “My hours of leisure I spent in reading the best authors, ancient and modern, being always provided with a good number of books; and when I was ashore, in observing the manners and dispositions of the people, as well as learning their language; wherein I had a great facility, by the strength of my memory.” - Jonathan Swift, Gulliver's Travels The Plum in Mr. Blum's Pudding is Los Angeles native Tosh Berman's first printed collection of poetry. In 1989, Berman left the United States behind, moving to Japan after learning his wife's (artist Lun*na Menoh) mother was ill in Kitakyushu. The Plum in Mr. Blum's Pudding was penned while both rapt and lost by this transition. Gracefully toiling between the quirky and earnest, these poems describe the liminal space of the foreigner caught between the strange and the familiar. The result is surreal and unclassifiable, a book of love poems overshadowed by isolation and underscored with curiosity and lust. Originally published in 1990 by “Cole Swift & Sons” (Japan) as a small hardcover edition of two hundred copies, this new edition acts to preserve this work and features an introduction by art critic and curator Kristine McKenna and an afterword by Ruth Bernstein. Tosh Berman is a publisher and writer. His press, TamTam Books, has published works by Boris Vian, Guy Debord, Serge Gainsbourg, Jacques Mesrine, artist Lun*na Menoh, and Ron Mael & Russell Mael (Sparks). He is the author of Sparks-tastic: 21 Nights with Sparks in London. As the son of artist Wallace Berman, Tosh has delivered talks and various essays toward furthering his late father's artistic legacy including his influential folio series, Semina (1955–1964). He resides in Los Angeles. Ruth Bernstein lives in Highland Park where she writes postcards and collects books.